2011 July Dallas Signature Movie Poster Auction
| Sale Number: | 7040 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | July 16th at 12 PM CT through July 17th |
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Session 1
Movie Posters
20 Million Miles to Earth (Columbia, 1957). Banner (24" X 82").
Quite possibly the best of Ray Harryhausen's early black and white science fiction films, this is the tale of an alien creature (commonly known as the Ymir, though no one in the film actually says it) who hitches a ride back to earth on a rocket, grows to enormous size, and takes in the sights, including Rome's Colosseum. This eye-catching and scarce banner is one of the only posters on this title to actually show the monster, making it highly-prized for collectors. There is overall creasing and surface wear in the image along with minor edge wear. Rolled, Fine/Very Fine.
Quite possibly the best of Ray Harryhausen's early black and white science fiction films, this is the tale of an alien creature (commonly known as the Ymir, though no one in the film actually says it) who hitches a ride back to earth on a rocket, grows to enormous size, and takes in the sights, including Rome's Colosseum. This eye-catching and scarce banner is one of the only posters on this title to actually show the monster, making it highly-prized for collectors. There is overall creasing and surface wear in the image along with minor edge wear. Rolled, Fine/Very Fine.
The Beast from 20,000 Fathoms (Warner Brothers, 1953). Three Sheet (41" X 81").
Nuclear tests in the arctic cause a carnivorous dinosaur buried in the ice to thaw out and make its way down the East Coast of North America, wreaking havoc in its wake. This was the first of the giant creature features, and Ray Harryhausen's effects were totally believable. It was directed by former Production Designer/Art Director Eugene Lourie who later directed Colossus of New York and The Giant Behemoth. The artwork on this three sheet is simply stunning. This is one one of the most impressive posters on this title by virtue of its sheer size. Conditions included corner and border pinholes, a small amount of fold wear, a small hole in the left corner, and a chip where the two sections join, all of which has been addressed with professional restoration. This large format is exceedingly rare and we have never before offered a copy. Fine- on Linen.
Nuclear tests in the arctic cause a carnivorous dinosaur buried in the ice to thaw out and make its way down the East Coast of North America, wreaking havoc in its wake. This was the first of the giant creature features, and Ray Harryhausen's effects were totally believable. It was directed by former Production Designer/Art Director Eugene Lourie who later directed Colossus of New York and The Giant Behemoth. The artwork on this three sheet is simply stunning. This is one one of the most impressive posters on this title by virtue of its sheer size. Conditions included corner and border pinholes, a small amount of fold wear, a small hole in the left corner, and a chip where the two sections join, all of which has been addressed with professional restoration. This large format is exceedingly rare and we have never before offered a copy. Fine- on Linen.
Fantastic Voyage (20th Century Fox, 1966). British Quad (30" X 40").
Oscar-winning special effects and Raquel Welch in a skin-tight wetsuit are the highlights of this very entertaining thriller. Steven Boyd and his team are miniaturized and injected into the body of a dying scientist in order to remove a blood clot in his brain. This stunning British quad features colorful artwork by Tom William Chantrell, not seen on any other paper for this title, and is in exceptional condition. Very Fine+ on Linen.
Oscar-winning special effects and Raquel Welch in a skin-tight wetsuit are the highlights of this very entertaining thriller. Steven Boyd and his team are miniaturized and injected into the body of a dying scientist in order to remove a blood clot in his brain. This stunning British quad features colorful artwork by Tom William Chantrell, not seen on any other paper for this title, and is in exceptional condition. Very Fine+ on Linen.
Forbidden Planet (MGM, 1956). Insert (14" X 36").
We admit it: Robby is our all-time favorite science fiction robot. So it's a pleasure to offer this Robby-centered, stunning insert poster from the science fiction classic Forbidden Planet. This timeless tale of love, lust, and monsters from the Id is among the finest films of its type, and any paper from the title is always in high demand. This great-looking insert -- featuring the iconic Robby-and-damsel artwork -- has a fresh appearance despite some flaws. There was a tear running into the "T" in Planet, plus border tears and fold wear, all of which has been addressed with professional restoration, including small touch-ups in the credits area, borders, and fold lines. No classic sci-fi collection is truly complete without at least one poster from Forbidden Planet, and this stunning insert is one of the prettiest. Fine/Very Fine on Paper.
We admit it: Robby is our all-time favorite science fiction robot. So it's a pleasure to offer this Robby-centered, stunning insert poster from the science fiction classic Forbidden Planet. This timeless tale of love, lust, and monsters from the Id is among the finest films of its type, and any paper from the title is always in high demand. This great-looking insert -- featuring the iconic Robby-and-damsel artwork -- has a fresh appearance despite some flaws. There was a tear running into the "T" in Planet, plus border tears and fold wear, all of which has been addressed with professional restoration, including small touch-ups in the credits area, borders, and fold lines. No classic sci-fi collection is truly complete without at least one poster from Forbidden Planet, and this stunning insert is one of the prettiest. Fine/Very Fine on Paper.
The Time Machine (MGM, 1960). Six Sheet (81" X 81").
In the distant future, civilization is split between the brutish, carnivorous Morlocks and the gentle, waifish Eloi. Rod Taylor plays an 19th-century scientist who travels to this dystopian future via a machine of his own invention. George Pal's colorful adaptation of the H.G. Wells novel is a favorite of sci-fi fans, and this amazing six sheet with stunning Reynold Brown artwork is a rarity indeed. Virtually pristine, this earns our highest grade for a linen-backed poster. Very Fine+ on Linen.
In the distant future, civilization is split between the brutish, carnivorous Morlocks and the gentle, waifish Eloi. Rod Taylor plays an 19th-century scientist who travels to this dystopian future via a machine of his own invention. George Pal's colorful adaptation of the H.G. Wells novel is a favorite of sci-fi fans, and this amazing six sheet with stunning Reynold Brown artwork is a rarity indeed. Virtually pristine, this earns our highest grade for a linen-backed poster. Very Fine+ on Linen.
2001: A Space Odyssey (MGM, 1973). Polish A1 (22.75" X 33").
Polish poster artists tend to provide new interpretations of a film's subject with their varying styles of artwork, almost always completely different than the distributing studio's version. This wonderful and much-sought poster from the film's first release in Poland features artwork by the famous Wiktor Gorka. This poster is rolled and in pristine condition. Very Fine/Near Mint.
Polish poster artists tend to provide new interpretations of a film's subject with their varying styles of artwork, almost always completely different than the distributing studio's version. This wonderful and much-sought poster from the film's first release in Poland features artwork by the famous Wiktor Gorka. This poster is rolled and in pristine condition. Very Fine/Near Mint.
2001: A Space Odyssey (MGM, 1968). Cinerama One Sheet (27" X 41") Style B.
Choosing a top artist to create a special poster for the Cinerama release of this landmark film was an easy decision. The studio turned to Robert T. McCall, one of the premiere artists of space related images. Due to the small number of theatres capable of showing this movie in Cinerama, not many posters were produced, making this style a true rarity. The poster has been linenbacked professionally and has had some light touch-up to the folds. There may be a slight fade to the overall image. Fine/Very Fine on Linen.
Choosing a top artist to create a special poster for the Cinerama release of this landmark film was an easy decision. The studio turned to Robert T. McCall, one of the premiere artists of space related images. Due to the small number of theatres capable of showing this movie in Cinerama, not many posters were produced, making this style a true rarity. The poster has been linenbacked professionally and has had some light touch-up to the folds. There may be a slight fade to the overall image. Fine/Very Fine on Linen.
Attack of the Crab Monsters (Allied Artists, 1957). Insert (14" X 36").
Roger Corman's endearing monster movie about a bunch of people trapped on a desert island with a mutated giant crab creature who talks in a booming voice is a favorite of sci-fi fans. Richard Garland, Pamela Duncan, Gilligan's Russell Johnson, and Mel Welles are among the humans trying to avoid being eaten. This terrific insert -- which was never folded -- has iconic imagery, with the pretty girl getting pinched by the giant crustacean. The poster had a tear on the left border that extends through the girl's legs, tears in the right and top borders which also extend into the artwork, chip out of the top right corner, and small chips in the left right border, all of which has been addressed with professional restoration, including airbrushing in the borders. Fine- on Paper.
Roger Corman's endearing monster movie about a bunch of people trapped on a desert island with a mutated giant crab creature who talks in a booming voice is a favorite of sci-fi fans. Richard Garland, Pamela Duncan, Gilligan's Russell Johnson, and Mel Welles are among the humans trying to avoid being eaten. This terrific insert -- which was never folded -- has iconic imagery, with the pretty girl getting pinched by the giant crustacean. The poster had a tear on the left border that extends through the girl's legs, tears in the right and top borders which also extend into the artwork, chip out of the top right corner, and small chips in the left right border, all of which has been addressed with professional restoration, including airbrushing in the borders. Fine- on Paper.
Barbarella (Paramount, 1968). One Sheet (27" X 41") Style B.
In later years, Jane Fonda was embarrassed about starring as the sexually naive Barbarella in this science-fiction film for husband and director Roger Vadim. However, the film is so incredibly popular that Barbarella may prove to be Fonda's most memorable role. This very rare style B one sheet is also quite important for its "pop-art" motif, reflecting the 1960's psychedelic look of the era that created it. Of the few copies Heritage has handled over the years, this may be the best copy we've ever seen. Near Mint+.
In later years, Jane Fonda was embarrassed about starring as the sexually naive Barbarella in this science-fiction film for husband and director Roger Vadim. However, the film is so incredibly popular that Barbarella may prove to be Fonda's most memorable role. This very rare style B one sheet is also quite important for its "pop-art" motif, reflecting the 1960's psychedelic look of the era that created it. Of the few copies Heritage has handled over the years, this may be the best copy we've ever seen. Near Mint+.
Daleks: Invasion Earth 2150 A.D. (British Lion, 1966). British Quad (30" X 40").
Based on the beloved Doctor Who television series (which was only three years old at the time this film was released), this action-packed sequel to Doctor Who and the Daleks again features Peter Cushing as the titular scientist, battling robot-like aliens who threaten Earth's future. Interestingly, the most recent iteration of the Daleks, from the current hit TV series, echo the bold color schemes of these movie Daleks of yore. This fantastic country-of-origin poster has glorious, colorful graphics and vivid imagery. Condition issues include corner pinholes, surface paper loss along the top border, a small chip in the top right corner, and an extra horizontal fold. Fine/Very Fine.
Based on the beloved Doctor Who television series (which was only three years old at the time this film was released), this action-packed sequel to Doctor Who and the Daleks again features Peter Cushing as the titular scientist, battling robot-like aliens who threaten Earth's future. Interestingly, the most recent iteration of the Daleks, from the current hit TV series, echo the bold color schemes of these movie Daleks of yore. This fantastic country-of-origin poster has glorious, colorful graphics and vivid imagery. Condition issues include corner pinholes, surface paper loss along the top border, a small chip in the top right corner, and an extra horizontal fold. Fine/Very Fine.
Destination Moon (Pathé, 1950). Insert (14" X 36").
Few "space" films captured the public's imagination more than George Pal's 1950 winner, Destination Moon. Pal used a very technical approach to the production, resulting in an Oscar for Special Effects. It's a favorite of sci-fi collectors world-wide and this is an extremely clean example. There are only some original soft folds, small punch in the top center border, and some mild edge wear. Very Fine+.
Few "space" films captured the public's imagination more than George Pal's 1950 winner, Destination Moon. Pal used a very technical approach to the production, resulting in an Oscar for Special Effects. It's a favorite of sci-fi collectors world-wide and this is an extremely clean example. There are only some original soft folds, small punch in the top center border, and some mild edge wear. Very Fine+.
Destination Moon (Pathé, 1950). One Sheet (27" X 41").
This is the first "trip to the moon" movie that actually used technically correct science and physics in a real way. A great poster that hints at why Lee Zavitz (Gone With the Wind, The Alamo, The Pink Panther, etc.) won an Oscar for Special Effects. There is only some edge wear with small tears, and some wear in the top vertical fold. This is a particularly scarce one sheet from the science fiction genre. Very Fine-.
This is the first "trip to the moon" movie that actually used technically correct science and physics in a real way. A great poster that hints at why Lee Zavitz (Gone With the Wind, The Alamo, The Pink Panther, etc.) won an Oscar for Special Effects. There is only some edge wear with small tears, and some wear in the top vertical fold. This is a particularly scarce one sheet from the science fiction genre. Very Fine-.
Godzilla (Trans World, 1956). Half Sheet (22" X 28") Style A.
The US half sheet for this Japanese science-fiction classic certainly grabbed audiences attention. The monster from the depths breathed fire and crushed everything in his path on his way to international stardom. This poster is folded and has many small cross-wrinkles on the fold lines. The poster also has several small pieces of tape on the back reinforcing fold lines and the center-point. An important piece for any 1950's sci-fi collection. Folded, Very Fine-.
The US half sheet for this Japanese science-fiction classic certainly grabbed audiences attention. The monster from the depths breathed fire and crushed everything in his path on his way to international stardom. This poster is folded and has many small cross-wrinkles on the fold lines. The poster also has several small pieces of tape on the back reinforcing fold lines and the center-point. An important piece for any 1950's sci-fi collection. Folded, Very Fine-.
Invaders from Mars (20th Century Fox, 1953). Six Sheet (81" X 81").
This science-fiction classic put a new spin on the genre by telling the story from a child's point of view. Young David McLean watches his parents and other adults become emotionless zombies before he soon discovers the reason: their minds are being taken over by "Invaders" from another world. This film was released at the height of the Cold War when the public's subliminal fear of mind-controlling communists was very real. This six sheet has a few pinholes around the edges and some minor separations at fold centerpoints. Very scarce and impressive in this large format! MP Grading calls this Very Fine.
This science-fiction classic put a new spin on the genre by telling the story from a child's point of view. Young David McLean watches his parents and other adults become emotionless zombies before he soon discovers the reason: their minds are being taken over by "Invaders" from another world. This film was released at the height of the Cold War when the public's subliminal fear of mind-controlling communists was very real. This six sheet has a few pinholes around the edges and some minor separations at fold centerpoints. Very scarce and impressive in this large format! MP Grading calls this Very Fine.
Invasion of the Saucer-Men (American International, 1957). Lobby Card Set of 8 (11" X 14").
This impressive set of cards features some of the campiest aliens to ever grace the screen. A gang of teenagers are menaced by invading aliens and it's up to them to save the world. The Saucer-Men are featured on four of the cards, and one very classic card depicts a creeping eyeball-endowed hand. A few of the cards were lightly bleached to remove Canadian censor stamps and the entire set shows a slight warp from moisture. The #1 card has a corner bend in the upper left. Look for a cameo by Frank Gorshin who would go on to be Batman's arch TV nemesis, the Riddler! Very Fine-.
This impressive set of cards features some of the campiest aliens to ever grace the screen. A gang of teenagers are menaced by invading aliens and it's up to them to save the world. The Saucer-Men are featured on four of the cards, and one very classic card depicts a creeping eyeball-endowed hand. A few of the cards were lightly bleached to remove Canadian censor stamps and the entire set shows a slight warp from moisture. The #1 card has a corner bend in the upper left. Look for a cameo by Frank Gorshin who would go on to be Batman's arch TV nemesis, the Riddler! Very Fine-.
It Came from Outer Space (Universal International, 1953). Three Sheet (41" X 81").
Starring Richard Carlson and Barbara Rush, this 1950s thriller features some eye-popping effects coupled with an intelligent script, based on a Ray Bradbury story, and slick direction by Jack Arnold. This was also Universal's very first 3-D feature film. Offered here is the rarer 3-D version of the poster with bold title graphics and great color. There are two small tears in the image on the left side that occurred after restoration, but the poster is otherwise nearly pristine with fantastic colors. Very Fine- on Linen.
Starring Richard Carlson and Barbara Rush, this 1950s thriller features some eye-popping effects coupled with an intelligent script, based on a Ray Bradbury story, and slick direction by Jack Arnold. This was also Universal's very first 3-D feature film. Offered here is the rarer 3-D version of the poster with bold title graphics and great color. There are two small tears in the image on the left side that occurred after restoration, but the poster is otherwise nearly pristine with fantastic colors. Very Fine- on Linen.
It Came from Outer Space (Universal International, 1953). Half Sheet (22" X 28") Style B.
Just as the science fiction film craze was taking off at the beginning of the 1950s, the 3D craze was beginning. It Came From Outer Space combined the two into this immensely popular film as a space alien crash lands on Earth and begins to use mind control over the local populace (another filmic craze in itself). This poster has a set of staple marks in each corner, a repaired fold split on the left side of the horizontal fold, light crinkles in the borders and some light stains on the back of the poster that don't bleed through. Be forewarned: while there appears to be a tear that runs from one side of the poster to the other above the credits, this isn't the case at all, as this was in the original art and the poster was printed this way. Folded, Fine/Very Fine.
Just as the science fiction film craze was taking off at the beginning of the 1950s, the 3D craze was beginning. It Came From Outer Space combined the two into this immensely popular film as a space alien crash lands on Earth and begins to use mind control over the local populace (another filmic craze in itself). This poster has a set of staple marks in each corner, a repaired fold split on the left side of the horizontal fold, light crinkles in the borders and some light stains on the back of the poster that don't bleed through. Be forewarned: while there appears to be a tear that runs from one side of the poster to the other above the credits, this isn't the case at all, as this was in the original art and the poster was printed this way. Folded, Fine/Very Fine.
It Conquered the World (American International, 1956). Insert (14" X 36").
Yet another of the Roger Corman epics proves that he was one of the best directors working in the low-budget sci-fi genre of the 1950s. In this screamer, Lee Van Cleef throws his lot in with the Venusian carrot monster in an attempt to conquer the Earth. This lurid poster was a teenage magnet for the drive-in circuit and is even more popular today than it was in 1956! There are several small tears around the edges of the insert that have been reinforced with tape on the verso and some light creasing in the corners, but these do not detract from this spectacular and campy artwork. Folded, Very Fine-.
Yet another of the Roger Corman epics proves that he was one of the best directors working in the low-budget sci-fi genre of the 1950s. In this screamer, Lee Van Cleef throws his lot in with the Venusian carrot monster in an attempt to conquer the Earth. This lurid poster was a teenage magnet for the drive-in circuit and is even more popular today than it was in 1956! There are several small tears around the edges of the insert that have been reinforced with tape on the verso and some light creasing in the corners, but these do not detract from this spectacular and campy artwork. Folded, Very Fine-.
The Mole People (Universal International, 1956). Half Sheet (22" X 28") Style A.
Terrifying monsters from a lost age menace John Agar and Hugh Beaumont in this slickly-directed shocker by Virgil Vogel. The Mole Men creatures are quite striking, and the film has a great sense of mood. Cynthia Patrick plays the pretty princess, and keep an eye out for Batman's butler, Alan Napier, as the High Priest. This outstanding half sheet has wonderful atmospheric artwork as the Mole Men emerge from the soil. The poster has light surface wear, a crease in the bottom left corner, an NSS number stamp in the bottom right corner, and one vertical fold down the center. Folded, Very Fine-.
Terrifying monsters from a lost age menace John Agar and Hugh Beaumont in this slickly-directed shocker by Virgil Vogel. The Mole Men creatures are quite striking, and the film has a great sense of mood. Cynthia Patrick plays the pretty princess, and keep an eye out for Batman's butler, Alan Napier, as the High Priest. This outstanding half sheet has wonderful atmospheric artwork as the Mole Men emerge from the soil. The poster has light surface wear, a crease in the bottom left corner, an NSS number stamp in the bottom right corner, and one vertical fold down the center. Folded, Very Fine-.
The Mole People (Universal International, 1956). Three Sheet (41" X 81").
John Agar and Hugh Beaumont star as heads of an archaeological expedition that winds deep into a cave in Asia only to discover a lost civilization of Sumerians who have enslaved a race of humanoids called the Mole People. This is one of the best of the science fiction three sheets produced by Universal in the 1950s, featuring amazing art by Reynold Brown. The poster has pinholes in the background image as well as the borders with a small bit of paper surface loss above the "l" in "Mole." There is a slight bit of bleed through in the title from sharpie writing on the back, but it's very minimal and doesn't detract much from the image. This is one of the true classics of the genre. Fine/Very Fine.
John Agar and Hugh Beaumont star as heads of an archaeological expedition that winds deep into a cave in Asia only to discover a lost civilization of Sumerians who have enslaved a race of humanoids called the Mole People. This is one of the best of the science fiction three sheets produced by Universal in the 1950s, featuring amazing art by Reynold Brown. The poster has pinholes in the background image as well as the borders with a small bit of paper surface loss above the "l" in "Mole." There is a slight bit of bleed through in the title from sharpie writing on the back, but it's very minimal and doesn't detract much from the image. This is one of the true classics of the genre. Fine/Very Fine.
Robot Monster (Astor Pictures, 1953). One Sheet (27" X 41") 3-D Style.
In this unique cult classic from director Phil Tucker, the evil alien Ro-Man has attacked Earth, killing all but eight humans with his death-ray "the Calcinator." Starring George Nader, Claudia Barrett, and John Mylong, this film has become a desirable title for collectors. The colorful one sheet offered here had crossfold separations with paper loss, fold wear, a few holes in the yellow field, chips in the right border, and pinholes in the corners and field. Restoration has addressed most of these issues, making this a treasure you will be proud to own. Very Good/Fine on Linen.
In this unique cult classic from director Phil Tucker, the evil alien Ro-Man has attacked Earth, killing all but eight humans with his death-ray "the Calcinator." Starring George Nader, Claudia Barrett, and John Mylong, this film has become a desirable title for collectors. The colorful one sheet offered here had crossfold separations with paper loss, fold wear, a few holes in the yellow field, chips in the right border, and pinholes in the corners and field. Restoration has addressed most of these issues, making this a treasure you will be proud to own. Very Good/Fine on Linen.
The She-Creature (American International, 1956). CGC Graded Lobby Card Set of 8 (11" X 14").
Famous monster designer, Paul Blaisdell (It Conquered the World, Invasion of the Saucer Men, Day the World Ended, Teenage Cave Man, etc.) made a terrific, anatomically correct, costume for this film. And he liked it so much he wore it in the film! Lots of great scenes from the film are present in this complete CGC graded lobby set. They've graded all the cards at 9.8. Near Mint/Mint.
Famous monster designer, Paul Blaisdell (It Conquered the World, Invasion of the Saucer Men, Day the World Ended, Teenage Cave Man, etc.) made a terrific, anatomically correct, costume for this film. And he liked it so much he wore it in the film! Lots of great scenes from the film are present in this complete CGC graded lobby set. They've graded all the cards at 9.8. Near Mint/Mint.
The She-Creature (American International, 1956). One Sheet (27" X 41").
One of our favorite 1950s monsters was designed and acted by premiere creature designer, Paul Blaisdell. This fabulous one sheet has Blaisdell's creation standing next to the eerily beautiful Marla English in her flowing lingerie. This poster has been graded by MP Grading and comes with their certificate. Very Fine+.
One of our favorite 1950s monsters was designed and acted by premiere creature designer, Paul Blaisdell. This fabulous one sheet has Blaisdell's creation standing next to the eerily beautiful Marla English in her flowing lingerie. This poster has been graded by MP Grading and comes with their certificate. Very Fine+.
Tarantula (Universal International, 1955). Three Sheet (41" X 81").
Jack Arnold was the dean of '50s sci-fi films, with legendary titles such as It Came From Outer Space, The Incredible Shrinking Man, and Creature from the Black Lagoon to his credit. The colorful giant-monster romp Tarantula is a worthy addition to his canon, with an oversized arachnid terrorizing the deserts and Clint Eastwood in a tiny role as a fighter pilot. This eye-catching three sheet almost seems to match the monster's scale with its impressive size, boasting terrific artwork of the rampaging beast. Corner pinholes, fold wear with crossfold separations, and small bits of paper loss in the top right border were the condition issues of note, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Jack Arnold was the dean of '50s sci-fi films, with legendary titles such as It Came From Outer Space, The Incredible Shrinking Man, and Creature from the Black Lagoon to his credit. The colorful giant-monster romp Tarantula is a worthy addition to his canon, with an oversized arachnid terrorizing the deserts and Clint Eastwood in a tiny role as a fighter pilot. This eye-catching three sheet almost seems to match the monster's scale with its impressive size, boasting terrific artwork of the rampaging beast. Corner pinholes, fold wear with crossfold separations, and small bits of paper loss in the top right border were the condition issues of note, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Tarantula (Universal International, 1955). Half Sheet (22" X 28"). Style B.
Scientist Professor Deemer (Leo G. Carroll) stumbles out of the desert horribly misshapen as a result of growth-hormone experiments that eventually lead to a gigantic spider-monster terrorizing the countryside. This beloved Jack Arnold-directed sci-fi thriller has some of the most eye-catching poster work of the era, and this clever "newspaper" style sheet is no exception with not one, but two distressed damsels. This nifty unrestored poster has edge wear with small tears, some tape stains in the right border, pinholes with some associated tearing, paper tape in the borders, a small chip out of the top border, and corner creases. Rolled, Fine+.
Scientist Professor Deemer (Leo G. Carroll) stumbles out of the desert horribly misshapen as a result of growth-hormone experiments that eventually lead to a gigantic spider-monster terrorizing the countryside. This beloved Jack Arnold-directed sci-fi thriller has some of the most eye-catching poster work of the era, and this clever "newspaper" style sheet is no exception with not one, but two distressed damsels. This nifty unrestored poster has edge wear with small tears, some tape stains in the right border, pinholes with some associated tearing, paper tape in the borders, a small chip out of the top border, and corner creases. Rolled, Fine+.
Them! (Warner Brothers, 1954). Insert (14" X 36").
This was pretty rough stuff in 1954: a giant mutant ant crushing a blonde in a low cut dress falling off her shoulders! Thank goodness atomic testing isn't being done anymore! A high-graded poster for one of the 1950s "must haves." Just some corner pinholes and mild fold lines. Folded, Very Fine.
This was pretty rough stuff in 1954: a giant mutant ant crushing a blonde in a low cut dress falling off her shoulders! Thank goodness atomic testing isn't being done anymore! A high-graded poster for one of the 1950s "must haves." Just some corner pinholes and mild fold lines. Folded, Very Fine.
Them! (Warner Brothers, 1954). Six Sheet (81" X 81").
Having trouble deciding what to put on that nice, large, empty wall? We can solve that problem! What would be more dramatic than an original, very rare 81" X 81" six sheet featuring giant, irradiated ants from the first "big bug" film in 1954? It's hard enough to find a one sheet on this title, let alone a poster this size! Them! was the first nuclear monster movie and scared the heck out of people with its closing scene, describing what terrors the atomic genie had unleashed! There are some corner pinholes, small wrinkles and tears in the bottom section into the credits, small tape stains, and some crossfold separations with small chips and fold wear. Fine/Very Fine.
Having trouble deciding what to put on that nice, large, empty wall? We can solve that problem! What would be more dramatic than an original, very rare 81" X 81" six sheet featuring giant, irradiated ants from the first "big bug" film in 1954? It's hard enough to find a one sheet on this title, let alone a poster this size! Them! was the first nuclear monster movie and scared the heck out of people with its closing scene, describing what terrors the atomic genie had unleashed! There are some corner pinholes, small wrinkles and tears in the bottom section into the credits, small tape stains, and some crossfold separations with small chips and fold wear. Fine/Very Fine.
The Thing from Another World (RKO, 1951). One Sheet (27" X 41").
James Arness plays the title role in this classic science fiction thriller, based on the novella Who Goes There by John W. Campbell Jr. In a remote arctic outpost, a team of American scientists and military men discover a crashed spaceship under the ice and eventually face off against its only survivor: a blood-sucking plant creature from outer space. Offered here is the film's iconic one sheet. One of the more distinctive science fiction posters ever, this piece eschews more traditional artwork in favor of a bold, alien-esque logo, with stark contrast between the red letters and the green background. Condition includes pinholes in the borders and image area, staining in the top titles area, fold wear with crossfold separations and tears at the fold edges, and a chip in the bottom border. Fine-.
James Arness plays the title role in this classic science fiction thriller, based on the novella Who Goes There by John W. Campbell Jr. In a remote arctic outpost, a team of American scientists and military men discover a crashed spaceship under the ice and eventually face off against its only survivor: a blood-sucking plant creature from outer space. Offered here is the film's iconic one sheet. One of the more distinctive science fiction posters ever, this piece eschews more traditional artwork in favor of a bold, alien-esque logo, with stark contrast between the red letters and the green background. Condition includes pinholes in the borders and image area, staining in the top titles area, fold wear with crossfold separations and tears at the fold edges, and a chip in the bottom border. Fine-.
This Island Earth (Universal International, 1955). Banner (24" X 82")
Planet Metaluna is losing an intergalactic war, so they trick some Earth scientists into helping them develop better weapons. This epic banner has great images from the film and a bold title graphic. Condition includes pinholes in the corners, edge wear with small tears in the borders, corner creases, and small holes in the top right border and the bottom right of the image. We've never offered this rare poster before. Rolled, Fine/Very Fine.
Planet Metaluna is losing an intergalactic war, so they trick some Earth scientists into helping them develop better weapons. This epic banner has great images from the film and a bold title graphic. Condition includes pinholes in the corners, edge wear with small tears in the borders, corner creases, and small holes in the top right border and the bottom right of the image. We've never offered this rare poster before. Rolled, Fine/Very Fine.
This Island Earth (Universal International, 1955). Insert (14" X 36").
Universal took the plunge and made a huge commitment to this sci-fi epic by making the film using the expensive color process. As the planet of Metaluna is on the brink of self-destruction, an alien lands on Earth with the intention of taking over our world. The special effects on this picture were far better than in most of the films at the time, and the Metaluna mutants were some of the most terrifying aliens created for motion pictures. This insert has wear on the folds, pinholes and minor chips in the corners, and tiny tears along the edges. Folded, Fine.
Universal took the plunge and made a huge commitment to this sci-fi epic by making the film using the expensive color process. As the planet of Metaluna is on the brink of self-destruction, an alien lands on Earth with the intention of taking over our world. The special effects on this picture were far better than in most of the films at the time, and the Metaluna mutants were some of the most terrifying aliens created for motion pictures. This insert has wear on the folds, pinholes and minor chips in the corners, and tiny tears along the edges. Folded, Fine.
The Wasp Woman (Film Group, 1959). Half Sheet (22" X 28").
This poster from the late 1950s scared the bejeebers out of every man that passed it in front of the theatre The startling imagery of a giant buzzing wasp with a beautiful woman's face, about to impale a shirtless man with her ready stinger, still imprints today! It's one of producer/director Roger Corman's best. There is a mild extra vertical fold, and some minor edge wear. Folded, Very Fine+.
This poster from the late 1950s scared the bejeebers out of every man that passed it in front of the theatre The startling imagery of a giant buzzing wasp with a beautiful woman's face, about to impale a shirtless man with her ready stinger, still imprints today! It's one of producer/director Roger Corman's best. There is a mild extra vertical fold, and some minor edge wear. Folded, Very Fine+.
Casablanca (Warner Brothers, 1942). Window Card (14" X 22").
Although the script was unfinished when shooting began and the process of making the film was unusually chaotic, the result was a true American film classic. Rick Blaine (Humphrey Bogart) is the proprietor of Ricks' American Cafe, located in the mysterious city of Casablanca, trying to maintain an air of neutrality during the Second World War. When old flame Ilsa Lund (Ingrid Bergman) walks through his door seeking to flee the country with her husband, resistance leader Victor Laszlo (Paul Henreid), Blaine's world is turned upside down. The film won three Academy Awards, including Best Picture and Best Director (Michael Curtiz). It should come as no surprise, then, that paper on this title is extremely rare and desirable. This lovely window card had a few small tears in the borders, a crease in the imprint area, and corner bends in the top right and bottom left, but these are all minor flaws that do nothing to detract from the overwhelming beauty and desirability of this great piece. There has been airbrush work in the upper and lower imprint areas. Minimal restoration on a very desirable piece. Fine/Very Fine.
Although the script was unfinished when shooting began and the process of making the film was unusually chaotic, the result was a true American film classic. Rick Blaine (Humphrey Bogart) is the proprietor of Ricks' American Cafe, located in the mysterious city of Casablanca, trying to maintain an air of neutrality during the Second World War. When old flame Ilsa Lund (Ingrid Bergman) walks through his door seeking to flee the country with her husband, resistance leader Victor Laszlo (Paul Henreid), Blaine's world is turned upside down. The film won three Academy Awards, including Best Picture and Best Director (Michael Curtiz). It should come as no surprise, then, that paper on this title is extremely rare and desirable. This lovely window card had a few small tears in the borders, a crease in the imprint area, and corner bends in the top right and bottom left, but these are all minor flaws that do nothing to detract from the overwhelming beauty and desirability of this great piece. There has been airbrush work in the upper and lower imprint areas. Minimal restoration on a very desirable piece. Fine/Very Fine.
It Happened One Night (Columbia, 1935). Title Lobby Card (11" X 14") 1935 Academy Award Style.
Harry Cohn and Columbia were so proud of this film sweeping the 1935 Academy Awards (Best Picture, Best Actress, Best Actor, Best Director, Best Writing) that they reprinted the lobby cards with a small shield on the left and kept distributing the film. This beauty has had light restoration and touch-up for border pinholes, a small tear in the right border, and stapleholes in the border. Clark Gable makes Claudette Colbert swoon on the moon in one of the most romantic images from the Golden Age of Hollywood. MP Grading: Very Fine-.
Harry Cohn and Columbia were so proud of this film sweeping the 1935 Academy Awards (Best Picture, Best Actress, Best Actor, Best Director, Best Writing) that they reprinted the lobby cards with a small shield on the left and kept distributing the film. This beauty has had light restoration and touch-up for border pinholes, a small tear in the right border, and stapleholes in the border. Clark Gable makes Claudette Colbert swoon on the moon in one of the most romantic images from the Golden Age of Hollywood. MP Grading: Very Fine-.
All About Eve (20th Century Fox, 1950). Title Lobby Card and Lobby Cards (6) (11" X 14").
A brutal backstage drama (and winner of six Oscars) about an aspiring actress, Eve (Anne Baxter), trying to ingratiate herself with a mega-star (Bette Davis) and the chaos that ensues as Eve's true nature becomes apparent. Marilyn Monroe has a small but unforgettable role as an ingénue. This almost-complete lobby set is missing only the coveted Monroe card. Condition issues are minor and include pinholes in one card, edge wear in the top border of the title card, and three cards with light smudges. Very Fine+.
A brutal backstage drama (and winner of six Oscars) about an aspiring actress, Eve (Anne Baxter), trying to ingratiate herself with a mega-star (Bette Davis) and the chaos that ensues as Eve's true nature becomes apparent. Marilyn Monroe has a small but unforgettable role as an ingénue. This almost-complete lobby set is missing only the coveted Monroe card. Condition issues are minor and include pinholes in one card, edge wear in the top border of the title card, and three cards with light smudges. Very Fine+.
All About Eve (20th Century Fox, 1950). Lobby Card (11" X 14").
A landmark film by any standard, this impressive picture, about a young woman named Eve (Anne Baxter) who insinuates herself into a circle of successful Broadway actors and actresses, was rewarded with a record-setting 14 Academy Award nominations. It won Oscars in six categories, including Best Picture. This is the always-coveted Marilyn Monroe card, which boasts terrific color and clarity. The card has two tiny pinholes in the image, a slight smudge in Monroe's dress, and minor corner bends. Fine/Very Fine.
A landmark film by any standard, this impressive picture, about a young woman named Eve (Anne Baxter) who insinuates herself into a circle of successful Broadway actors and actresses, was rewarded with a record-setting 14 Academy Award nominations. It won Oscars in six categories, including Best Picture. This is the always-coveted Marilyn Monroe card, which boasts terrific color and clarity. The card has two tiny pinholes in the image, a slight smudge in Monroe's dress, and minor corner bends. Fine/Very Fine.
Casablanca (Warner Brothers, 1942). Lobby Card (11" X 14").
Claude Rains has just ordered his minions to "round up the usual suspects" to find the murderer of German Major Strasser (Conrad Veidt). Humphrey Bogart and Claude Rains are only moments away from one of the best ending lines in film history..."Louie, I think this is the beginning of a beautiful friendship." This colorful and bright card has pinholes in the top and bottom center border and in the corners. There is a small chip from the lower right corner. Most of these issues have been repaired with white archival tape on the verso and a small amount of touch-up in the border only. Fine+.
Claude Rains has just ordered his minions to "round up the usual suspects" to find the murderer of German Major Strasser (Conrad Veidt). Humphrey Bogart and Claude Rains are only moments away from one of the best ending lines in film history..."Louie, I think this is the beginning of a beautiful friendship." This colorful and bright card has pinholes in the top and bottom center border and in the corners. There is a small chip from the lower right corner. Most of these issues have been repaired with white archival tape on the verso and a small amount of touch-up in the border only. Fine+.
Gone with the Wind (MGM, 1940). One Sheet (27" X 41") Style DP.
Margaret Mitchell's masterpiece was turned into one of the most anticipated and most beloved of Hollywood classics by legendary producer David O. Selznick. This stunning image from Scarlett and Rhett's dance scene was made by the noted illustrator Armando Seguso, who created most of the artwork for the film's posters. Shortly after the film's initial 1939 roadshow release, it went into a wider release in early 1940 and, to allay the public's fears that the film would be abridged, MGM announced that the only thing that had been cut were the ticket prices. Some of the first one sheets printed were shipped out with paper snipes attached to them announcing "Full Length, Nothing Cut," while others, such as this one, were printed with the information on the poster. This is the very rare style DP and is one of the more desirable of the four styles. The poster had corner pinholes, fold wear with chips in the bottom right corner and left border, and a tear in the top center section of the image, all of which has been addressed with professional restoration, including touch-ups to the folds and airbrushed borders. Fine on Linen.
Margaret Mitchell's masterpiece was turned into one of the most anticipated and most beloved of Hollywood classics by legendary producer David O. Selznick. This stunning image from Scarlett and Rhett's dance scene was made by the noted illustrator Armando Seguso, who created most of the artwork for the film's posters. Shortly after the film's initial 1939 roadshow release, it went into a wider release in early 1940 and, to allay the public's fears that the film would be abridged, MGM announced that the only thing that had been cut were the ticket prices. Some of the first one sheets printed were shipped out with paper snipes attached to them announcing "Full Length, Nothing Cut," while others, such as this one, were printed with the information on the poster. This is the very rare style DP and is one of the more desirable of the four styles. The poster had corner pinholes, fold wear with chips in the bottom right corner and left border, and a tear in the top center section of the image, all of which has been addressed with professional restoration, including touch-ups to the folds and airbrushed borders. Fine on Linen.
Lawrence of Arabia (Columbia, 1962). Insert (14" X 36") Roadshow Style.
If your collection hasn't anything on this Best Picture epic, here's a piece in an amazingly great original condition. This is actually the "Roadshow" version of the insert, featuring the art of Howard Terpning with Peter O'Toole attacking on camel! Pre-Oscar roadshow paper is at a premium so plan ahead for this one! Rolled, Near Mint-.
If your collection hasn't anything on this Best Picture epic, here's a piece in an amazingly great original condition. This is actually the "Roadshow" version of the insert, featuring the art of Howard Terpning with Peter O'Toole attacking on camel! Pre-Oscar roadshow paper is at a premium so plan ahead for this one! Rolled, Near Mint-.
Lawrence of Arabia (Columbia, 1962). CGC Graded Lobby Card Set of 8 (11" X 14").
Many memorable scenes are included in this complete lobby card set for David Lean's Best Picture. There are three cards with Peter O'Toole in his Best Actor turn. The set has been CGC graded with two cards at 9.8, three at 9.6, two at 8.0, and one at 9.4. for an overall grade of Near Mint-.
Many memorable scenes are included in this complete lobby card set for David Lean's Best Picture. There are three cards with Peter O'Toole in his Best Actor turn. The set has been CGC graded with two cards at 9.8, three at 9.6, two at 8.0, and one at 9.4. for an overall grade of Near Mint-.
The Lost Weekend (Paramount, 1945). One Sheet (27" X 41").
Ray Milland won an Academy Award for his searing portrayal of a writer who lets booze ruin every aspect of his life. Based on the novel by Don Birnam and directed by Billy Wilder, this harrowing film also won Oscars for best director, best picture, and best screenplay (Wilder, Charles Brackett). The poster had tears and border chips, which have been addressed with professional restoration, including touch-ups. Fine/Very Fine on Linen.
Ray Milland won an Academy Award for his searing portrayal of a writer who lets booze ruin every aspect of his life. Based on the novel by Don Birnam and directed by Billy Wilder, this harrowing film also won Oscars for best director, best picture, and best screenplay (Wilder, Charles Brackett). The poster had tears and border chips, which have been addressed with professional restoration, including touch-ups. Fine/Very Fine on Linen.
Mutiny on the Bounty (MGM, 1935). Insert (14" X 36").
Very seldom do we see a rolled insert for this title. It shows an interesting collage of scenes and artwork of the film, including a shot of the Bounty, a scene from the film, a wonderful shot of Charles Laughton in full character, and the classic clinch scene of Clark Gable and Movita (who later married Marlon Brando, who also played Fletcher Christian, in a bizarre twist of fate). It has had some paper replacement in the bottom border just barely extending into the credit bubble. There is a chip in the upper right corner and minor edge tears which have been repaired on the verso with white linen tape. This is a great opportunity to get a piece from the Golden Age of Hollywood! Folded, Very Good/Fine.
Very seldom do we see a rolled insert for this title. It shows an interesting collage of scenes and artwork of the film, including a shot of the Bounty, a scene from the film, a wonderful shot of Charles Laughton in full character, and the classic clinch scene of Clark Gable and Movita (who later married Marlon Brando, who also played Fletcher Christian, in a bizarre twist of fate). It has had some paper replacement in the bottom border just barely extending into the credit bubble. There is a chip in the upper right corner and minor edge tears which have been repaired on the verso with white linen tape. This is a great opportunity to get a piece from the Golden Age of Hollywood! Folded, Very Good/Fine.
On the Waterfront (Columbia, R-1960). Italian 2 - Foglio (39" X 55").
One of Marlon Brando's finest roles (and the one that brought him his first Oscar), this gritty tale of union violence and corruption on the docks has stood the test of time. This beautiful reissue Italian 2-foglio is by artist Luigi Martinati, well known for his fantastic Italian Bogart Images. The poster is in very nice condition and has had light touch-up of minor imperfections such as edge wear with slight tape stains in the right border, a tear in the top border, a small chip in the right border, and small crossfold separations with minor paper loss. Fine/Very Fine on Linen.
One of Marlon Brando's finest roles (and the one that brought him his first Oscar), this gritty tale of union violence and corruption on the docks has stood the test of time. This beautiful reissue Italian 2-foglio is by artist Luigi Martinati, well known for his fantastic Italian Bogart Images. The poster is in very nice condition and has had light touch-up of minor imperfections such as edge wear with slight tape stains in the right border, a tear in the top border, a small chip in the right border, and small crossfold separations with minor paper loss. Fine/Very Fine on Linen.
On the Waterfront (Columbia, 1954). One Sheet (27" X 41").
It was an Oscar sweep for Elia Kazan's no-nonsense film about mob corruption and violence on the New York City docks. The film won Best Picture, Best Actor, Best Director, and five others! It's one of Marlon Brando's best one sheets as "Terry Malloy," who throws a fight for his mob brother and tells him later in one of the most quoted film lines of all time, "I could have had class. I coulda been a contender. I coulda been somebody." Great linenbacking and minimal touch-up has addressed corner pinholes and fold wear with slight paper loss at the top crossfold. Fine+ on Linen.
It was an Oscar sweep for Elia Kazan's no-nonsense film about mob corruption and violence on the New York City docks. The film won Best Picture, Best Actor, Best Director, and five others! It's one of Marlon Brando's best one sheets as "Terry Malloy," who throws a fight for his mob brother and tells him later in one of the most quoted film lines of all time, "I could have had class. I coulda been a contender. I coulda been somebody." Great linenbacking and minimal touch-up has addressed corner pinholes and fold wear with slight paper loss at the top crossfold. Fine+ on Linen.
Mrs. Miniver (MGM, 1942). Insert (14" X 36").
William Wyler directed this story of an English family, set during the early months of World War II and depicting the war's effects on the home front. The film won the Oscars for Best Picture, Director (Wyler) and Actress (Greer Garson). Posters for this title are quite scarce. This lovely folded insert is in fine shape except for some separation on the bottom fold. Folded, Fine/Very Fine.
William Wyler directed this story of an English family, set during the early months of World War II and depicting the war's effects on the home front. The film won the Oscars for Best Picture, Director (Wyler) and Actress (Greer Garson). Posters for this title are quite scarce. This lovely folded insert is in fine shape except for some separation on the bottom fold. Folded, Fine/Very Fine.
Yankee Doodle Dandy (Warner Brothers, 1942). One Sheet (27" X 41").
James Cagney plays George M. Cohan in this biopic about the musician's life. Cagney, known for his gangster roles, was able to showcase his acting range and dancing skills. The film was one of Warner Brothers' biggest hits of the WWII era, and garnered Cagney a Best Actor Oscar. This classic one sheet had corner pinholes and light fold wear that has been smoothed over with professional restoration, including touch-ups in the folds. Very Fine+ on Linen.
James Cagney plays George M. Cohan in this biopic about the musician's life. Cagney, known for his gangster roles, was able to showcase his acting range and dancing skills. The film was one of Warner Brothers' biggest hits of the WWII era, and garnered Cagney a Best Actor Oscar. This classic one sheet had corner pinholes and light fold wear that has been smoothed over with professional restoration, including touch-ups in the folds. Very Fine+ on Linen.
Cimarron (RKO, R-1934). Window Card (14" X 18.25").
This re-issue window card poster for the first western to win Best Picture is actually better than the original! The original window card with Frederic C. Madan artwork is not full color. Just three years later, RKO had Madan not only completely redraw the poster with a better image, this time in full color, but also let him sign the poster in the plate (even if almost covering the signature with the RKO logo!). With over a million and a half Depression era dollars spent on the production, a new beautiful campaign was deemed necessary to recoup as much as the producers could from this perennially popular film. The imprint area has been trimmed, not affecting the art. There is edge wear in the bottom border, small tears in the top border, paper tape remnant in the top border, a small left border crease, and corner bends in three corners. Get this one while you can as we have not seen another copy. From the Estate of Andrew Weimer Gard. Fine.
This re-issue window card poster for the first western to win Best Picture is actually better than the original! The original window card with Frederic C. Madan artwork is not full color. Just three years later, RKO had Madan not only completely redraw the poster with a better image, this time in full color, but also let him sign the poster in the plate (even if almost covering the signature with the RKO logo!). With over a million and a half Depression era dollars spent on the production, a new beautiful campaign was deemed necessary to recoup as much as the producers could from this perennially popular film. The imprint area has been trimmed, not affecting the art. There is edge wear in the bottom border, small tears in the top border, paper tape remnant in the top border, a small left border crease, and corner bends in three corners. Get this one while you can as we have not seen another copy. From the Estate of Andrew Weimer Gard. Fine.
Louise Brooks (Circa 1929). Pastel Portrait (17" X 21" approx), Framed (26" X 32")
She was one of the most fascinating and alluring personalities to ever grace the screen and is credited with once saying, "There is no other occupation in the world that so closely resembled enslavement as the career of a film star." This is a beautiful pastel portrait, painted from a photograph of Louise Brooks taken for the 1928 film A Girl in Every Port, and became the cover art for the French language movie weekly VU - Journal De la Semaine. The magazine, included in this lot with the portrait, was released in June of 1929 while she was in Europe making the film Diary of a Lost Girl for German director Georg Pabst and after the release of Pandora's Box. Her fame was at this time in Europe as great, if not greater, than in America and her image was seen on magazines throughout the continent. Though talented and beautiful, she was outspoken and ahead of her time in her views of women in society. She gave up a film career by refusing to return to do voice dubbing for the sound release of The Canary Murder Case and was black-balled throughout the industry. Original cover art from this era is very hard to find and this pastel is nicely matted and framed behind glass in a gold, Art Deco frame from the same period. The original full issue of VU magazine accompanies the pastel. Very Fine.
She was one of the most fascinating and alluring personalities to ever grace the screen and is credited with once saying, "There is no other occupation in the world that so closely resembled enslavement as the career of a film star." This is a beautiful pastel portrait, painted from a photograph of Louise Brooks taken for the 1928 film A Girl in Every Port, and became the cover art for the French language movie weekly VU - Journal De la Semaine. The magazine, included in this lot with the portrait, was released in June of 1929 while she was in Europe making the film Diary of a Lost Girl for German director Georg Pabst and after the release of Pandora's Box. Her fame was at this time in Europe as great, if not greater, than in America and her image was seen on magazines throughout the continent. Though talented and beautiful, she was outspoken and ahead of her time in her views of women in society. She gave up a film career by refusing to return to do voice dubbing for the sound release of The Canary Murder Case and was black-balled throughout the industry. Original cover art from this era is very hard to find and this pastel is nicely matted and framed behind glass in a gold, Art Deco frame from the same period. The original full issue of VU magazine accompanies the pastel. Very Fine.
Josephine Baker (France, 1930s). French Postcard Photos (2) (3.5" X 5.5").
Vintage sepia toned postcards. Both of these beautiful images of Josephine Baker have a studio name in the lower portion of the card. One rare card shows Baker nude. Near Mint.
Vintage sepia toned postcards. Both of these beautiful images of Josephine Baker have a studio name in the lower portion of the card. One rare card shows Baker nude. Near Mint.
Josephine Baker by Studio Piaz (Paris, 1930s). Autographed Photo Postcard (3.5" X 5.5").
Vintage matte finish printed postcard. This wonderful French postcard features Josephine Baker in a ballet pose. There is a 1935 newspaper clipping about Baker attached to the verso of the postcard. Some light smudging on the left border is the only notable condition issue. Beautifully signed by the star "Josephine Baker." Fine/Very Fine.
Vintage matte finish printed postcard. This wonderful French postcard features Josephine Baker in a ballet pose. There is a 1935 newspaper clipping about Baker attached to the verso of the postcard. Some light smudging on the left border is the only notable condition issue. Beautifully signed by the star "Josephine Baker." Fine/Very Fine.
Louise Brooks by M. I. Boris (Boris Majdrakoff) (Paramount, 1925). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. This was one of the last photographs by M. I. Boris for Paramount in New York. He worked there from 1922-1925 producing the famous "elaborate etched star portraits." There is a French seller's name and inventory stickers attached to the verso, along with printed studio information and pencil notes. There's a tiny chip in the top right corner and some mild edge wear with surface crinkles. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. This was one of the last photographs by M. I. Boris for Paramount in New York. He worked there from 1922-1925 producing the famous "elaborate etched star portraits." There is a French seller's name and inventory stickers attached to the verso, along with printed studio information and pencil notes. There's a tiny chip in the top right corner and some mild edge wear with surface crinkles. Fine/Very Fine.
Louise Brooks (Paramount, 1927). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. Is there a better photo than this of Louise Brooks's fabulous bob, a hairstyle claimed to be one of the ten most influential in history by beauty experts the world over? There are three small pinholes--two in the top corners and one in the center of the bottom border--along with some minor surface crinkles, some edge wear with small wrinkles at the top center border, with some printed studio information on the verso. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. Is there a better photo than this of Louise Brooks's fabulous bob, a hairstyle claimed to be one of the ten most influential in history by beauty experts the world over? There are three small pinholes--two in the top corners and one in the center of the bottom border--along with some minor surface crinkles, some edge wear with small wrinkles at the top center border, with some printed studio information on the verso. Fine/Very Fine.
Louise Brooks in "Rolled Stockings" (Paramount, 1927). Photo (7.75" X 9.75").
Vintage gelatin silver, single weight, linen backed glossy photo. Lovely Louise Brooks kicks her heels up in Rolled Stockings for Paramount in 1927. There is some glue residue on the linen, probably from a scrapbook. The borders have just a slight trim, and there is a small stain in the bottom image area. Fine/Very Fine.
Vintage gelatin silver, single weight, linen backed glossy photo. Lovely Louise Brooks kicks her heels up in Rolled Stockings for Paramount in 1927. There is some glue residue on the linen, probably from a scrapbook. The borders have just a slight trim, and there is a small stain in the bottom image area. Fine/Very Fine.
Whoopee! (United Artists, 1930). Half Sheet (22" X 28").
The Broadway play of the same name was a smash hit of the 1928-29 season with Flo Ziegfeld producing and Eddie Cantor starring, as they would for this film version as well. Cantor's zany antics and musical numbers, including the Walter Donaldson gems "Makin' Whoopee" and "My Baby Just Cares for Me," make this an enjoyable treat. What makes this half sheet so nice are the Goldwyn Girls (which included Claire Dodd, Virginia Bruce, and 14-year-old Betty Grable) as they're dressed for the Indian Maiden number. This poster had a small tear in the right border, chip in the top left corner, a bend to the lower left corner and touch up to the yellow background. The borders were airbrushed as well to give them a cleaner appearance. This is a truly beautiful poster from an early musical. Fine+ on Linen.
The Broadway play of the same name was a smash hit of the 1928-29 season with Flo Ziegfeld producing and Eddie Cantor starring, as they would for this film version as well. Cantor's zany antics and musical numbers, including the Walter Donaldson gems "Makin' Whoopee" and "My Baby Just Cares for Me," make this an enjoyable treat. What makes this half sheet so nice are the Goldwyn Girls (which included Claire Dodd, Virginia Bruce, and 14-year-old Betty Grable) as they're dressed for the Indian Maiden number. This poster had a small tear in the right border, chip in the top left corner, a bend to the lower left corner and touch up to the yellow background. The borders were airbrushed as well to give them a cleaner appearance. This is a truly beautiful poster from an early musical. Fine+ on Linen.
Baby Face (Warner Brothers, 1933). One Sheet (27" X 41").
The only year this sexy film could have been made was 1933, just before the Production Code was strictly enforced. The saga of the New York Censor Board's meddling is well known, but suffice it to say this great one sheet speaks volumes all by itself. Just look into the eyes of the young Barbara Stanwyck. The artist has absolutely captured the emotions of Lily 'Baby Face' Powers as she recedes into the safety of her mink collar. The film got a bad reputation in its initial release and was never reissued due to its subject matter but has been revived as a cult classic by Turner Classic Movies. With only a mere handful of extant posters available from this title, it was a joy to find one in this high grade original condition. There are only top corner pinholes, small pinpoint fold separations, and some very light wrinkles in the bottom section. Luckily the poster must have been displayed only in an indoors theatre, for the colors are exceptionally fresh and glowing. Very Fine.
The only year this sexy film could have been made was 1933, just before the Production Code was strictly enforced. The saga of the New York Censor Board's meddling is well known, but suffice it to say this great one sheet speaks volumes all by itself. Just look into the eyes of the young Barbara Stanwyck. The artist has absolutely captured the emotions of Lily 'Baby Face' Powers as she recedes into the safety of her mink collar. The film got a bad reputation in its initial release and was never reissued due to its subject matter but has been revived as a cult classic by Turner Classic Movies. With only a mere handful of extant posters available from this title, it was a joy to find one in this high grade original condition. There are only top corner pinholes, small pinpoint fold separations, and some very light wrinkles in the bottom section. Luckily the poster must have been displayed only in an indoors theatre, for the colors are exceptionally fresh and glowing. Very Fine.
Common Clay (Fox, 1930). One Sheet (27" X 41").
In this pre-Code melodrama, Constance Bennett stars as a young woman trying to avoid trouble with the law when she takes a position as a maid with a wealthy family. She at first avoids the advances of their handsome son (Lew Ayres) but eventually succumbs and becomes pregnant; her later attempts to claim paternity are met with hostility from the family. The centerpiece of this lovely stone litho poster is a stunning portrait of young Ms. Bennett, framed with photo-images from the film. Condition includes fold wear and a chip out of the bottom border. Both issues have been addressed with professional restoration, including touch-ups in the folds. The linen has also been trimmed to the edge of the poster. Fine/Very Fine on Linen.
In this pre-Code melodrama, Constance Bennett stars as a young woman trying to avoid trouble with the law when she takes a position as a maid with a wealthy family. She at first avoids the advances of their handsome son (Lew Ayres) but eventually succumbs and becomes pregnant; her later attempts to claim paternity are met with hostility from the family. The centerpiece of this lovely stone litho poster is a stunning portrait of young Ms. Bennett, framed with photo-images from the film. Condition includes fold wear and a chip out of the bottom border. Both issues have been addressed with professional restoration, including touch-ups in the folds. The linen has also been trimmed to the edge of the poster. Fine/Very Fine on Linen.
Dynamite (MGM, 1929). One Sheet (27" X 41") Sound Style.
In his first all-talking picture, Cecil B. DeMille directs a very modern melodrama about a spoiled rich girl, Kay Johnson in her film debut, and the men, Conrad Nagel and Charles Bickford, who fight for her. DeMille knew how to pack a lot of drama into one film, and this one has it all, helping to make it a stunner of a poster. The film was released both as a silent, to accommodate theaters that did not have the latest sound technology, and as a "talkie"-- this copy is from the sound release. The film won an Academy nomination for Art Direction, and Joel McCrea has a small role with both Carole Lombard and Randolph Scott appearing as extras. A gorgeous stone litho, the poster has been professionally restored to address a small tack hole in the lower right, two minor ones in the yellow field, a small tack hole in Johnson's neck, and pinholes in the corners. None of these issues are visible anymore and this beauty displays extremely well. Very Fine- on Linen.
In his first all-talking picture, Cecil B. DeMille directs a very modern melodrama about a spoiled rich girl, Kay Johnson in her film debut, and the men, Conrad Nagel and Charles Bickford, who fight for her. DeMille knew how to pack a lot of drama into one film, and this one has it all, helping to make it a stunner of a poster. The film was released both as a silent, to accommodate theaters that did not have the latest sound technology, and as a "talkie"-- this copy is from the sound release. The film won an Academy nomination for Art Direction, and Joel McCrea has a small role with both Carole Lombard and Randolph Scott appearing as extras. A gorgeous stone litho, the poster has been professionally restored to address a small tack hole in the lower right, two minor ones in the yellow field, a small tack hole in Johnson's neck, and pinholes in the corners. None of these issues are visible anymore and this beauty displays extremely well. Very Fine- on Linen.
Greta Garbo by Ruth Harriet Louise (MGM, late 1920s). Portrait Photo (10" X 13").
Vintage gelatin silver, double weight, satin finish photo. Ruth Harriet Louise was the first female photographer active in Hollywood. She ran MGM's portrait studio from 1925 to 1930, during which time she made some of the best Greta Garbo images ever seen, including this one. There is a photographer's embossed stamp in the lower right of the photo, and a photographer and studio credit stamp with hand numbers on the verso. Just some very mild edge wear. Very Fine+.
Vintage gelatin silver, double weight, satin finish photo. Ruth Harriet Louise was the first female photographer active in Hollywood. She ran MGM's portrait studio from 1925 to 1930, during which time she made some of the best Greta Garbo images ever seen, including this one. There is a photographer's embossed stamp in the lower right of the photo, and a photographer and studio credit stamp with hand numbers on the verso. Just some very mild edge wear. Very Fine+.
Greta Garbo Personality Poster (MGM, 1929). Austrian Poster (24" X 37").
For the artwork on this amazing "personality poster," the artist chose one of the best photos from MGM's 1929 Greta Garbo hit film, Wild Orchids. Included in the lot is an eight page, 9" X 12" Austrian souvenir program book with 20 photographs from the film. For any Garbo fan, this is a wonderful lot. The poster was near mint, and only our strict policy of not grading a linenbacked poster higher than very fine+ keeps this beauty from grading higher. The program is near mint. Very Fine+ on Linen.
For the artwork on this amazing "personality poster," the artist chose one of the best photos from MGM's 1929 Greta Garbo hit film, Wild Orchids. Included in the lot is an eight page, 9" X 12" Austrian souvenir program book with 20 photographs from the film. For any Garbo fan, this is a wonderful lot. The poster was near mint, and only our strict policy of not grading a linenbacked poster higher than very fine+ keeps this beauty from grading higher. The program is near mint. Very Fine+ on Linen.
Modern Age (1980-Present)
Our Blushing Brides (MGM, 1930). Title Lobby Card (11" X 14").
Joan Crawford headlines this tale of three girls sharing an apartment and trying to snare men into taking care of them. A very edgy film at the time, this movie featured pre-Code scenes with women kissing women, references to cocaine, and other shocking depictions of amorality. Lobbies for this title are exceptionally scarce. This card is absolutely beautiful and in spectacular condition with the sole condition issue being a slight stain in the center of the bottom border. Very Fine.
Joan Crawford headlines this tale of three girls sharing an apartment and trying to snare men into taking care of them. A very edgy film at the time, this movie featured pre-Code scenes with women kissing women, references to cocaine, and other shocking depictions of amorality. Lobbies for this title are exceptionally scarce. This card is absolutely beautiful and in spectacular condition with the sole condition issue being a slight stain in the center of the bottom border. Very Fine.
Movie Posters
Rain (Atlantic, R-1938). Three Sheet (41" X 81").
Atlantic Pictures gained the distribution rights and re-issued some early 1930s films some six or seven years later. Their roster for 1938 included Scarface, Hell's Angels, and this 1932, Joan Crawford film, Rain. This stunning poster features Crawford as the prostitute Sadie Thompson as she stands defiantly, head thrown back, in a very low cut dress, and clutches at strands of curtain beads. This has to be one of the most successful re-issue posters ever printed. This three sheet is printed in three sections or separate sheets. There are corner pinholes and edge wear in the mid and top section, but they're covered when the pieces are joined. There is a small chip in the bottom right corner of the bottom section and fold wear with tape on the verso of the top section. Beautiful stone litho printing, and certainly one of the finest Crawford pieces ever printed. Fine/Very Fine.
Atlantic Pictures gained the distribution rights and re-issued some early 1930s films some six or seven years later. Their roster for 1938 included Scarface, Hell's Angels, and this 1932, Joan Crawford film, Rain. This stunning poster features Crawford as the prostitute Sadie Thompson as she stands defiantly, head thrown back, in a very low cut dress, and clutches at strands of curtain beads. This has to be one of the most successful re-issue posters ever printed. This three sheet is printed in three sections or separate sheets. There are corner pinholes and edge wear in the mid and top section, but they're covered when the pieces are joined. There is a small chip in the bottom right corner of the bottom section and fold wear with tape on the verso of the top section. Beautiful stone litho printing, and certainly one of the finest Crawford pieces ever printed. Fine/Very Fine.
Sarah and Son (Paramount, 1930). One Sheet (27" X 41").
This lovely pre-Code, art deco one sheet if from a Ruth Chatterton melodrama about a woman who discovers that her estranged husband has sold their son to a wealthy family. She begs them to return her child, but to no avail. She soon rises to fame as an opera star, however, and the tide is turned. This lovely stone litho one sheet has wonderful artwork and luminous colors. Condition includes small tears in the bottom border, pinholes in the top corners, and a small hole in the orange background, all of which has been addressed with professional restoration, including touch-ups in the folds. There is a small post-restoration tear in the left border. Fine/Very Fine on Linen.
This lovely pre-Code, art deco one sheet if from a Ruth Chatterton melodrama about a woman who discovers that her estranged husband has sold their son to a wealthy family. She begs them to return her child, but to no avail. She soon rises to fame as an opera star, however, and the tide is turned. This lovely stone litho one sheet has wonderful artwork and luminous colors. Condition includes small tears in the bottom border, pinholes in the top corners, and a small hole in the orange background, all of which has been addressed with professional restoration, including touch-ups in the folds. There is a small post-restoration tear in the left border. Fine/Very Fine on Linen.
Jean Harlow by Russell Ball (MGM, 1935). Portrait Photo (10" X 13").
Vintage gelatin silver, double weight, satin finish photo. Elegantly posed full length portrait of the platinum star. There are MGM and Russell Ball credit stamps on the verso, along with a studio snipe remnant, a Screen Book Magazine stamp, a date stamp, and a Culver Pictures stamp. There are pinholes in the top border and background, and mild corner bends in the top right and bottom left corners. Fine/Very Fine.
Vintage gelatin silver, double weight, satin finish photo. Elegantly posed full length portrait of the platinum star. There are MGM and Russell Ball credit stamps on the verso, along with a studio snipe remnant, a Screen Book Magazine stamp, a date stamp, and a Culver Pictures stamp. There are pinholes in the top border and background, and mild corner bends in the top right and bottom left corners. Fine/Very Fine.
Joan Crawford by George Hurrell (MGM, 1930s). Portrait Photo (10" X 13").
Vintage gelatin silver, double weight, satin finish photo. You'll find fewer things rarer on Joan Crawford than vintage George Hurrell oversize portraits, particularly in this high a grade and especially with this hair color! Usually photos this size were intended for the national magazines, with different shots carefully doled out to each perspective reviewer according to their past performance for the studio. This one's a real winner, with Hurrell's clever use of the completely darkened background to let Crawford's true beauty shine unhindered by props or stagy furniture. On the verso there are photographer's and studio stamp. There is only a small tear in the top right border and some minor edge wear with small corner bumps. Very Fine.
Vintage gelatin silver, double weight, satin finish photo. You'll find fewer things rarer on Joan Crawford than vintage George Hurrell oversize portraits, particularly in this high a grade and especially with this hair color! Usually photos this size were intended for the national magazines, with different shots carefully doled out to each perspective reviewer according to their past performance for the studio. This one's a real winner, with Hurrell's clever use of the completely darkened background to let Crawford's true beauty shine unhindered by props or stagy furniture. On the verso there are photographer's and studio stamp. There is only a small tear in the top right border and some minor edge wear with small corner bumps. Very Fine.
Dancing Lady (MGM, 1933). Jumbo Lobby Cards (2) (14" X 17").
Janie (Joan Crawford) is a dancer making a living in a burlesque house until wealthy Tod Newton (Franchot Tone) discovers her and sets her up with a part in a Broadway show. Janie falls for Patch Gallagher (Clark Gable), the director, while Tod falls hard for her, leading to the inevitable romantic triangle that all gets sorted out in the end. Not only does this film feature the screen debut of Fred Astaire, it also includes an early appearance by Ted Healy and His Stooges--Moe, Larry, and Curly--later to gain fame as the world-renowned Three Stooges. Offered here are two jumbo lobby cards, both with impressively large images of Crawford and Gable. Both cards have tears into the image, edge wear with smaller tears, corner creases and overall creasing, and tape on the reverse of the borders and tears. Fine-.
Janie (Joan Crawford) is a dancer making a living in a burlesque house until wealthy Tod Newton (Franchot Tone) discovers her and sets her up with a part in a Broadway show. Janie falls for Patch Gallagher (Clark Gable), the director, while Tod falls hard for her, leading to the inevitable romantic triangle that all gets sorted out in the end. Not only does this film feature the screen debut of Fred Astaire, it also includes an early appearance by Ted Healy and His Stooges--Moe, Larry, and Curly--later to gain fame as the world-renowned Three Stooges. Offered here are two jumbo lobby cards, both with impressively large images of Crawford and Gable. Both cards have tears into the image, edge wear with smaller tears, corner creases and overall creasing, and tape on the reverse of the borders and tears. Fine-.
Red Dust (MGM, 1932). One Sheet (27" X 41") Style D.
A fabulous stone litho one sheet for Jean Harlow and Clark Gable's "hottest" pre-Code film (they made six films together) is offered in this lot. Gable is a plantation owner in Indochina who has a torrid affair with Harlow. Yet complications arise when Gene Raymond and wife Mary Astor arrive and Gable becomes romantically involved with Astor. Dialogue filled with sexual innuendo and a fiery chemistry between the stars made this one of MGM's biggest money-makers. This poster is highly sought after by collectors, and this is one of only a few known to have surfaced. It had some missing paper in the upper and middle left section, primarily along the border. The poster has been expertly restored and now has a wonderful appearance. Some fold lines were touched-up, as well. Fine- on Linen.
A fabulous stone litho one sheet for Jean Harlow and Clark Gable's "hottest" pre-Code film (they made six films together) is offered in this lot. Gable is a plantation owner in Indochina who has a torrid affair with Harlow. Yet complications arise when Gene Raymond and wife Mary Astor arrive and Gable becomes romantically involved with Astor. Dialogue filled with sexual innuendo and a fiery chemistry between the stars made this one of MGM's biggest money-makers. This poster is highly sought after by collectors, and this is one of only a few known to have surfaced. It had some missing paper in the upper and middle left section, primarily along the border. The poster has been expertly restored and now has a wonderful appearance. Some fold lines were touched-up, as well. Fine- on Linen.
Wild Orchids (MGM, 1929). One Sheet (27" X 41").
This beautiful stone litho one sheet features a wonderful image of a young Greta Garbo, along with Lewis Stone and Nils Asther. Posters for this title are exceedingly rare and hard-to-find, and this particular one is in wonderful condition. Garbo plays the wife of Stone and they are on a trip to the Far East, where they meet Javanese Prince Asther, who invites them to his plantation. Unbeknownst to husband Stone, however, is Asther's romantic intent toward Garbo. Complications arise, as evidenced on this incredibly striking and dramatic poster. There are small pinholes in the corners, with a few in the image area, small edge tears, and minor fold wear with small bits of archival tape on the reverse. Fine/Very Fine.
This beautiful stone litho one sheet features a wonderful image of a young Greta Garbo, along with Lewis Stone and Nils Asther. Posters for this title are exceedingly rare and hard-to-find, and this particular one is in wonderful condition. Garbo plays the wife of Stone and they are on a trip to the Far East, where they meet Javanese Prince Asther, who invites them to his plantation. Unbeknownst to husband Stone, however, is Asther's romantic intent toward Garbo. Complications arise, as evidenced on this incredibly striking and dramatic poster. There are small pinholes in the corners, with a few in the image area, small edge tears, and minor fold wear with small bits of archival tape on the reverse. Fine/Very Fine.
The Painted Veil (MGM, 1934). CGC Graded Title Lobby Card (11" X 14").
Few wore the costumes of MGM's top designer, Adrian, better than Greta Garbo. Her sultry elegance was perfectly suited for the headdresses and gowns made for her. This title card blends the lettering and the photo inserts beautifully. In the photo up left she pushes husband Herbert Marshall away from her, and in the large portrait on the right she wistfully longs for the excitement of her lover, George Brent. This card has been CGC graded Very Fine+.
Few wore the costumes of MGM's top designer, Adrian, better than Greta Garbo. Her sultry elegance was perfectly suited for the headdresses and gowns made for her. This title card blends the lettering and the photo inserts beautifully. In the photo up left she pushes husband Herbert Marshall away from her, and in the large portrait on the right she wistfully longs for the excitement of her lover, George Brent. This card has been CGC graded Very Fine+.
Drums (United Artists, 1938). Argentinean Poster (29.5" X 43.5") Osvaldo Venturi Art.
Sabu stars in this adventure for Zoltan and Alexander Korda, the British filmmakers known for their adventurous thrillers. Raymond Massey portrays the the evil Khan, who tries to start a revolution against the British forces occupying India. This Argentinean poster features striking artwork by the famous Venturi. The poster had fold wear and slivers of missing paper in the borders, but both issues have been smoothed over with professional restoration. Fine/Very Fine on Linen.
Sabu stars in this adventure for Zoltan and Alexander Korda, the British filmmakers known for their adventurous thrillers. Raymond Massey portrays the the evil Khan, who tries to start a revolution against the British forces occupying India. This Argentinean poster features striking artwork by the famous Venturi. The poster had fold wear and slivers of missing paper in the borders, but both issues have been smoothed over with professional restoration. Fine/Very Fine on Linen.
Hell Divers (MGM, 1932). Three-Quarter Sheet (27" X 30.5").
In this pre-Code classic, Wallace Beery and Clark Gable - who officially became a star with this picture - play a pair of Navy pilots who engage in a serious rivalry both on duty and off. What really makes this beautiful stone litho poster a unique find, however, is its size. This is an ultra-rare three quarter sheet, a size produced for a very brief period of time in the early 1930s for posting on billboards. These posters rarely surface; in ten years of poster auctions, we have never seen another, certainly making them the rarest style of poster ever produced. This superb example had pinholes in the corners, a chip in the left border, slight crossfold separation, some fold wear, a small tear in the top right corner, and an area of missing paper with a tear at the bottom of the image. Expert professional restoration, however, has returned this great poster to a stunning appearance. Fine- on Linen.
In this pre-Code classic, Wallace Beery and Clark Gable - who officially became a star with this picture - play a pair of Navy pilots who engage in a serious rivalry both on duty and off. What really makes this beautiful stone litho poster a unique find, however, is its size. This is an ultra-rare three quarter sheet, a size produced for a very brief period of time in the early 1930s for posting on billboards. These posters rarely surface; in ten years of poster auctions, we have never seen another, certainly making them the rarest style of poster ever produced. This superb example had pinholes in the corners, a chip in the left border, slight crossfold separation, some fold wear, a small tear in the top right corner, and an area of missing paper with a tear at the bottom of the image. Expert professional restoration, however, has returned this great poster to a stunning appearance. Fine- on Linen.
The Lost Squadron (RKO, 1932). Insert (14" X 36").
Richard Dix stars as a veteran WWI ace flyer who finds work in the movies as a stunt pilot for a tyrannical director-- Erich von Stroheim. This work proves as dangerous as the Great War and things come to a dramatic climax for all involved, including the director's wife, played by Mary Astor. Directed by George Archainbaud, the film features some truly harrowing flying scenes and is a first-rate adventure. This rare and dramatic insert had two pinholes at the bottom of the image area, a tear at the top and bottom that extended slightly into the image and a smaller one in the right border. There was slight fold separations, and a small chip in the centerfold. All has been professionally restored, leaving a stunning poster which displays beautifully. Fine/Very Fine on Paper.
Richard Dix stars as a veteran WWI ace flyer who finds work in the movies as a stunt pilot for a tyrannical director-- Erich von Stroheim. This work proves as dangerous as the Great War and things come to a dramatic climax for all involved, including the director's wife, played by Mary Astor. Directed by George Archainbaud, the film features some truly harrowing flying scenes and is a first-rate adventure. This rare and dramatic insert had two pinholes at the bottom of the image area, a tear at the top and bottom that extended slightly into the image and a smaller one in the right border. There was slight fold separations, and a small chip in the centerfold. All has been professionally restored, leaving a stunning poster which displays beautifully. Fine/Very Fine on Paper.
World War I Propaganda Poster (Leslie-Judge Co., 1917). James Montgomery Flagg Poster (30" X 40") "I Want You for U. S. Army." .
At the top of his career, James Montgomery Flagg was the highest paid magazine illustrator in America. This important recruitment poster for the US Army was perhaps the crowning achievement of his great body of work. Using his own image to avoid having to hire a model (adding only some age and a white goatee), he fashioned one of the most successful recruitment posters ever printed. Indeed, it was a design that saw millions of copies printed through the years, and was even revived for WWII. Beautiful linenbacking and light touch-up for some border wear with small tears in the borders and credits, minor tape staining on the left shoulder, and restored paper loss in the bottom left corner. A fine piece of pre-1920 Americana. Fine+ on Linen.
At the top of his career, James Montgomery Flagg was the highest paid magazine illustrator in America. This important recruitment poster for the US Army was perhaps the crowning achievement of his great body of work. Using his own image to avoid having to hire a model (adding only some age and a white goatee), he fashioned one of the most successful recruitment posters ever printed. Indeed, it was a design that saw millions of copies printed through the years, and was even revived for WWII. Beautiful linenbacking and light touch-up for some border wear with small tears in the borders and credits, minor tape staining on the left shoulder, and restored paper loss in the bottom left corner. A fine piece of pre-1920 Americana. Fine+ on Linen.
La Grande Illusion (Scalera, R-1946). Italian Foglio (27.5" X 39").
This poster is from the first post-war re-release of the 1937 Jean Renoir WWI classic. The artwork is by Orsa and has dramatic images of both Jean Gabin and Erich von Stroheim. Thee are pinholes in the corners and borders, edge wear, and a small tear in the top vertical fold. Fine/Very Fine.
This poster is from the first post-war re-release of the 1937 Jean Renoir WWI classic. The artwork is by Orsa and has dramatic images of both Jean Gabin and Erich von Stroheim. Thee are pinholes in the corners and borders, edge wear, and a small tear in the top vertical fold. Fine/Very Fine.
The Great Escape (United Artists, 1963). Three Sheet (41" X 81").
Perhaps the greatest POW film of all time, The Great Escape stars Steve McQueen, James Garner and Richard Attenborough in the true story of World War II Allied prisoners put together in an "escape-proof" camp. But true ingenuity cannot be caged, and the group pools its talents and resources to outfox the Nazis. Offered here is the outstanding three sheet poster, with an innovative progression-of-time design. This super-clean (and flat folded!) example has one small stain above the credits, but is otherwise pristine. Very Fine+.
Perhaps the greatest POW film of all time, The Great Escape stars Steve McQueen, James Garner and Richard Attenborough in the true story of World War II Allied prisoners put together in an "escape-proof" camp. But true ingenuity cannot be caged, and the group pools its talents and resources to outfox the Nazis. Offered here is the outstanding three sheet poster, with an innovative progression-of-time design. This super-clean (and flat folded!) example has one small stain above the credits, but is otherwise pristine. Very Fine+.
Hell's Angels (United Artists, 1930). Window Card (14" X 22").
Artist Alvan "Hap" Hadley helped define the breezy cartoon jazz style of the 1920s and early 1930s and designed this wonderful poster for this early starring role for Jean Harlow and some of the greatest aerial footage ever shot. Only some left and bottom border foxing and light staining. This is perhaps the cleanest copy of this poster we have ever had. Fine/Very Fine.
Artist Alvan "Hap" Hadley helped define the breezy cartoon jazz style of the 1920s and early 1930s and designed this wonderful poster for this early starring role for Jean Harlow and some of the greatest aerial footage ever shot. Only some left and bottom border foxing and light staining. This is perhaps the cleanest copy of this poster we have ever had. Fine/Very Fine.
I Wanted Wings (Paramount, 1941). One Sheet (27" X 41") Style B.
This is one of the last great posters from pin-up and commercial artist legend, McClelland Barclay. Constance Keane had her name changed by the studio to Veronica Lake for this film, and they also created for her the now famous sexy glance and the peek-a-boo hairdo. There has been top linenbacking and airbrush touch-up in the white borders and fold lines for chips and fold wear. There is a chip in William Holden's shoulder. Fine on Linen.
This is one of the last great posters from pin-up and commercial artist legend, McClelland Barclay. Constance Keane had her name changed by the studio to Veronica Lake for this film, and they also created for her the now famous sexy glance and the peek-a-boo hairdo. There has been top linenbacking and airbrush touch-up in the white borders and fold lines for chips and fold wear. There is a chip in William Holden's shoulder. Fine on Linen.
World War I Propaganda Poster (U.S. Food Administration, 1917). Poster (20" X 30") "Food Will Win the War."
President Woodrow Wilson appointed Herbert Hoover as head of the Food Administration; he designed an effort that would appeal to the American sense of volunteerism and avoid coercion. Many posters were produced advertising patriotism and asking for sacrifices that would increase production and decrease the amount of food consumption on the home front. Hoover and his administration proclaimed that "food will win the war". This poster was aimed at conserving wheat; America at the time was producing a fourth of the world's wheat. This poster features the majestic Statue of Liberty in front of a red, white and blue rainbow with new immigrants ready to step off the boat. The artwork is by Charles Chambers. This colorful poster has edge wear with small tears, minor paper loss along the bottom border, and a top right corner bend. Rolled, Fine/Very Fine.
President Woodrow Wilson appointed Herbert Hoover as head of the Food Administration; he designed an effort that would appeal to the American sense of volunteerism and avoid coercion. Many posters were produced advertising patriotism and asking for sacrifices that would increase production and decrease the amount of food consumption on the home front. Hoover and his administration proclaimed that "food will win the war". This poster was aimed at conserving wheat; America at the time was producing a fourth of the world's wheat. This poster features the majestic Statue of Liberty in front of a red, white and blue rainbow with new immigrants ready to step off the boat. The artwork is by Charles Chambers. This colorful poster has edge wear with small tears, minor paper loss along the bottom border, and a top right corner bend. Rolled, Fine/Very Fine.
World War II Canadian Propaganda (Wartime Information Board, Ottawa Canada, early 1940s). "Danke Schön! Thanks for the Tip-Off." Poster (18" X 24").
Although Canada was not under attack during WWII, propaganda posters played an important role in encouraging enlistment and financial support of the war effort as well as making appeals for discretion and secrecy. In this ominous image, a German U-Boat captain with a menacing grimace leans over the side of his U-Boat as a ship sinks in the background. Canadian WWII posters largely omitted graphic violence, but as shown here, delivered instead a direct message about the threat of spies. The rare poster has been folded vertically and horizontally, has a very small tear in the left border, and has pinholes in each corner. Dramatic war images by artist Russel A.J. Taber. Very Fine.
Although Canada was not under attack during WWII, propaganda posters played an important role in encouraging enlistment and financial support of the war effort as well as making appeals for discretion and secrecy. In this ominous image, a German U-Boat captain with a menacing grimace leans over the side of his U-Boat as a ship sinks in the background. Canadian WWII posters largely omitted graphic violence, but as shown here, delivered instead a direct message about the threat of spies. The rare poster has been folded vertically and horizontally, has a very small tear in the left border, and has pinholes in each corner. Dramatic war images by artist Russel A.J. Taber. Very Fine.
World War I Liberty Loan (US Government, 1919). Howard Chandler Christy Poster (27" X 40"). "Americans All."
Noted painter and illustrator, Howard Chandler Christy, first became internationally famous when he was sent to cover the Spanish American War by Scribner's Magazine. Upon meeting Teddy Roosevelt, Christy drew a great many illustrations of the "Rough Riders." His extreme patriotism was rewarded during WWI when he was chosen to create a set of posters for the US government to promote the Red Cross, enlistment, and Victory Liberty Loan campaigns. Posters for this period are some of his best known, and this lot contains one of the most beautiful pieces he created. It's for the 1919 Victory Liberty Loan campaign, and it emphasizes that all Americans should donate regardless of their family's original nationality. Indeed, there are 14 names for different ethnic backgrounds. It's a moving image of the "Christy Girl" clutching a large American flag in one hand, while holding up the laurel wreath in the other. A very clean copy with just a small chip in the right border, mild edge wear with small tears, some small border tears with tape on the verso, and a small tear in the bottom through the lettering. Fine/Very Fine.
Noted painter and illustrator, Howard Chandler Christy, first became internationally famous when he was sent to cover the Spanish American War by Scribner's Magazine. Upon meeting Teddy Roosevelt, Christy drew a great many illustrations of the "Rough Riders." His extreme patriotism was rewarded during WWI when he was chosen to create a set of posters for the US government to promote the Red Cross, enlistment, and Victory Liberty Loan campaigns. Posters for this period are some of his best known, and this lot contains one of the most beautiful pieces he created. It's for the 1919 Victory Liberty Loan campaign, and it emphasizes that all Americans should donate regardless of their family's original nationality. Indeed, there are 14 names for different ethnic backgrounds. It's a moving image of the "Christy Girl" clutching a large American flag in one hand, while holding up the laurel wreath in the other. A very clean copy with just a small chip in the right border, mild edge wear with small tears, some small border tears with tape on the verso, and a small tear in the bottom through the lettering. Fine/Very Fine.
The Private Lives of Elizabeth and Essex (Warner Brothers, 1939). Title Lobby Card and Lobby Card (11" X 14").
One of two Oscar worthy performances in 1939 by Bette Davis (Dark Victory was the other). She was splendid with co-star Errol Flynn as they made the superb Orry-Kelly costumes their own as Queen Elizabeth I and Robert Devereux, 2nd Earl of Essex. These are the very scarce original Warner Brothers linen finish cards the studio printed for just a few years. There are border pinholes, a small tear in the left border of the title card, and bottom left and top right corner bends in the scene card. From the Estate of Andrew Weimer Gard. Fine+.
One of two Oscar worthy performances in 1939 by Bette Davis (Dark Victory was the other). She was splendid with co-star Errol Flynn as they made the superb Orry-Kelly costumes their own as Queen Elizabeth I and Robert Devereux, 2nd Earl of Essex. These are the very scarce original Warner Brothers linen finish cards the studio printed for just a few years. There are border pinholes, a small tear in the left border of the title card, and bottom left and top right corner bends in the scene card. From the Estate of Andrew Weimer Gard. Fine+.
The Private Lives of Elizabeth and Essex (Warner Brothers, 1939). Lobby Cards (3) (11" X 14").
Three original Warner Brothers linen finish lobby cards from this five Oscar nominated classic. All three of the cards feature Bette Davis, two include Errol Flynn, and one includes Olivia de Havilland. All have slight corner bends and creases and border pinholes. There's some staining in the portrait card of Davis and Flynn, a small stain between the words Bette and Davis on another card, a tear in the top center border of one card, and some slight edge wear. From the Estate of Andrew Weimer Gard. Fine+.
Three original Warner Brothers linen finish lobby cards from this five Oscar nominated classic. All three of the cards feature Bette Davis, two include Errol Flynn, and one includes Olivia de Havilland. All have slight corner bends and creases and border pinholes. There's some staining in the portrait card of Davis and Flynn, a small stain between the words Bette and Davis on another card, a tear in the top center border of one card, and some slight edge wear. From the Estate of Andrew Weimer Gard. Fine+.
Bird of Paradise (RKO, 1932). Die-Cut Double-Sided Mobile (11" X 18").
With its unique double-sided image, and the 3-D legs inserted into each side, this was meant to be used as a mobile, usually hung over the candy counter where you couldn't miss it. It's a super pre-Code image, with a lovely Delores Del Rio wearing nothing but two discreetly draped flower leis up top and a wisp of a grass skirt. Fragile pieces like this seldom survived from this period making this item quite a find, especially in this grade. There has been some minimal touch-up in the orange clouds and in some creasing above the titles on both sides. There is also a corner bump on one one end and light surface smudges. Fine/Very Fine.
With its unique double-sided image, and the 3-D legs inserted into each side, this was meant to be used as a mobile, usually hung over the candy counter where you couldn't miss it. It's a super pre-Code image, with a lovely Delores Del Rio wearing nothing but two discreetly draped flower leis up top and a wisp of a grass skirt. Fragile pieces like this seldom survived from this period making this item quite a find, especially in this grade. There has been some minimal touch-up in the orange clouds and in some creasing above the titles on both sides. There is also a corner bump on one one end and light surface smudges. Fine/Very Fine.
The White Hell of Pitz Palu (Universal, 1929). Lobby Cards (2) (11" X 14").
In her memoir, Leni, Riefenstahl recounts, "We worked on this film for weeks at a temperature below minus thirty degrees centigrade and suffered serious frostbite." One beautiful lobby card pictures Riefenstahl and co-star Ernst Petersen in one of the rarest portrait cards from Riefenstahl's acting years. The other card features a search airplane piloted by none other than the second-ranked World War I Flying Circus ace, Ernst Udet. Though tainted by her association with the Nazi party during WWII, Riefenstahl's contributions to film were too great to deny. There are corner pinholes in both cards, a chip out of the top right portrait card, and corner bends and mild creases. Fine+.
In her memoir, Leni, Riefenstahl recounts, "We worked on this film for weeks at a temperature below minus thirty degrees centigrade and suffered serious frostbite." One beautiful lobby card pictures Riefenstahl and co-star Ernst Petersen in one of the rarest portrait cards from Riefenstahl's acting years. The other card features a search airplane piloted by none other than the second-ranked World War I Flying Circus ace, Ernst Udet. Though tainted by her association with the Nazi party during WWII, Riefenstahl's contributions to film were too great to deny. There are corner pinholes in both cards, a chip out of the top right portrait card, and corner bends and mild creases. Fine+.
Tarzan's Secret Treasure (MGM, 1941). One Sheet (27" X 41") Style C.
Tarzan's Secret Treasure was one of the most popular of the MGM Tarzan pictures, in which Tarzan must fight off evil white hunters as they invade his jungle domain in search of a hidden gold mine. Condition includes some fold wear, corner pinholes, and small chips in the top and bottom borders and in the top crossfold, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Tarzan's Secret Treasure was one of the most popular of the MGM Tarzan pictures, in which Tarzan must fight off evil white hunters as they invade his jungle domain in search of a hidden gold mine. Condition includes some fold wear, corner pinholes, and small chips in the top and bottom borders and in the top crossfold, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Tarzan Escapes (MGM, 1936). Lobby Card (11" X 14").
Johnny Weissmuller and Maureen O'Sullivan get familial in this third installment in the ape-man series. Many gruesome scenes were filmed under the first director, James C. McKay, who was later replaced by John Farrow. Farrow re-shot virtually the entire film to make it more family-friendly. Even so, it still has a rather nasty finale. This impressive scene has two pinholes per each corner and a slight red stain in the center of the left border. Very Fine-.
Johnny Weissmuller and Maureen O'Sullivan get familial in this third installment in the ape-man series. Many gruesome scenes were filmed under the first director, James C. McKay, who was later replaced by John Farrow. Farrow re-shot virtually the entire film to make it more family-friendly. Even so, it still has a rather nasty finale. This impressive scene has two pinholes per each corner and a slight red stain in the center of the left border. Very Fine-.
Tarzan Finds a Son (MGM, 1939). One Sheet (27" X 41") Style D.
Tarzan (Johnny Weissmuller) literally finds Boy (Johnny Sheffield) in the wreckage of a crashed airplane and adopts him as his jungle son. Plans to kill off Jane (Maureen O'Sullivan) at the end were scuttled by Edgar Rice Burroughs himself, who wouldn't allow his character to be dispensed with in the films. Offered here is the D-style one sheet, which features a bold title graphic and a nice "family portrait" of the Tarzan's. There is a chip in the top border, fold wear with some separations and crossfold separations, and corner pinholes (some enlarged), all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Tarzan (Johnny Weissmuller) literally finds Boy (Johnny Sheffield) in the wreckage of a crashed airplane and adopts him as his jungle son. Plans to kill off Jane (Maureen O'Sullivan) at the end were scuttled by Edgar Rice Burroughs himself, who wouldn't allow his character to be dispensed with in the films. Offered here is the D-style one sheet, which features a bold title graphic and a nice "family portrait" of the Tarzan's. There is a chip in the top border, fold wear with some separations and crossfold separations, and corner pinholes (some enlarged), all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Tarzan the Mighty (Universal, 1928). One Sheet (27" X 41") Portrait Style.
It's been almost ten years since we've had a copy of this beautiful Morgan stone lithograph portrait style one sheet announcing the upcoming 15 chapter serial. Frank Merrill, the fifth man to play "Tarzan," holds some important milestones. He's credited for inventing the "swinging vine" technique used in all subsequent Tarzan movies (Merrill was US National Gymnastics Champion from 1916-1918). He's also credited for being the first Tarzan to do the jungle "victory cry" on film (the 1929 serial Tarzan the Tiger was partially dubbed for sound, which included the "cry"). That's no "Jane" and "Boy," but "Mary Trevor" and her brother, "Bobby," played by Natalie Kingston and Bobby Nelson. Beautiful job of linenbacking with some expert touch-up for chips in the bottom border and upper left corner. There were tears in the upper right from the edge to below the crocodile, and two in the bottom border. Get this very scarce Tarzan poster now as it may be many more years before we see another! Fine/Very Fine on Linen.
It's been almost ten years since we've had a copy of this beautiful Morgan stone lithograph portrait style one sheet announcing the upcoming 15 chapter serial. Frank Merrill, the fifth man to play "Tarzan," holds some important milestones. He's credited for inventing the "swinging vine" technique used in all subsequent Tarzan movies (Merrill was US National Gymnastics Champion from 1916-1918). He's also credited for being the first Tarzan to do the jungle "victory cry" on film (the 1929 serial Tarzan the Tiger was partially dubbed for sound, which included the "cry"). That's no "Jane" and "Boy," but "Mary Trevor" and her brother, "Bobby," played by Natalie Kingston and Bobby Nelson. Beautiful job of linenbacking with some expert touch-up for chips in the bottom border and upper left corner. There were tears in the upper right from the edge to below the crocodile, and two in the bottom border. Get this very scarce Tarzan poster now as it may be many more years before we see another! Fine/Very Fine on Linen.
The New Adventures of Tarzan (Burroughs-Tarzan-Enterprise, 1935). Title Lobby Card and Lobby Cards (4) (11" X 14") Chapter Eight -- "Angry Gods."
The only feature produced by the author's own Burroughs-Tarzan Enterprises (a short-lived venture that Burroughs set up because he wasn't happy with Hollywood's handling of his most famous creation), this 12-chapter serial has Olympic athlete Herman Brix in the title role and an exotic location, filming in Guatemala. Offered here is the title card and three scene cards from the exciting eighth chapter, with the Jungle Lord appearing on all but one card. The title card has some dust shadowing along the right edge, and the other cards have minor corner bends. Very Fine+.
The only feature produced by the author's own Burroughs-Tarzan Enterprises (a short-lived venture that Burroughs set up because he wasn't happy with Hollywood's handling of his most famous creation), this 12-chapter serial has Olympic athlete Herman Brix in the title role and an exotic location, filming in Guatemala. Offered here is the title card and three scene cards from the exciting eighth chapter, with the Jungle Lord appearing on all but one card. The title card has some dust shadowing along the right edge, and the other cards have minor corner bends. Very Fine+.
Tarzan the Fearless (Principal Distributing, 1933). One Sheet (27" X 41") Chapter Ten -- "The Death Plunge."
Larry "Buster" Crabbe--an Olympic gold medalist for swimming and the future Flash Gordon--has one of his first major roles as the legendary Ape Man in this brisk chapterplay (one of the few Tarzan films actually based directly on an Edgar Rice Burroughs story), which finds the Jungle Lord protecting a woman (Jacqueline Wells) from an evil High Priest (Mischa Auer). This great-looking, unrestored sheet has a pinhole in one corner, crossfold separations, and surface paper loss in the top right corner. It still boasts exceptional color and a very fresh appearance. Very Fine.
Larry "Buster" Crabbe--an Olympic gold medalist for swimming and the future Flash Gordon--has one of his first major roles as the legendary Ape Man in this brisk chapterplay (one of the few Tarzan films actually based directly on an Edgar Rice Burroughs story), which finds the Jungle Lord protecting a woman (Jacqueline Wells) from an evil High Priest (Mischa Auer). This great-looking, unrestored sheet has a pinhole in one corner, crossfold separations, and surface paper loss in the top right corner. It still boasts exceptional color and a very fresh appearance. Very Fine.
Hot Car Girl (Allied Artists, 1958). Poster (40" X 60").
June Kenney becomes involved with small-time hood Duke (Richard Bakalyan) and his cronies, who spend their evenings stripping cars and selling the parts to a local fence. After a motorcycle cop gets killed in an accident caused by the teenagers, the police start an all-out search for the JDs. Murder and mayhem result. This is an immense, and immensely cool, poster. From the stunning composition of the poor girl being flung from the car (no seatbelt law back then!) to the mad-as-heck cop on his motorcycle, images like this are what movie poster collecting is all about. The sheet had a hard vertical crease running along the entire length of the image, a few inches from the left border, but is otherwise in spectacular condition. The poster has been paper-backed, but was rolled before being mounted. Rolled, Fine/Very Fine on Paper.
June Kenney becomes involved with small-time hood Duke (Richard Bakalyan) and his cronies, who spend their evenings stripping cars and selling the parts to a local fence. After a motorcycle cop gets killed in an accident caused by the teenagers, the police start an all-out search for the JDs. Murder and mayhem result. This is an immense, and immensely cool, poster. From the stunning composition of the poor girl being flung from the car (no seatbelt law back then!) to the mad-as-heck cop on his motorcycle, images like this are what movie poster collecting is all about. The sheet had a hard vertical crease running along the entire length of the image, a few inches from the left border, but is otherwise in spectacular condition. The poster has been paper-backed, but was rolled before being mounted. Rolled, Fine/Very Fine on Paper.
Devil's Harvest (Continental, 1942). One Sheet (27.75" X 42").
This classic anti-marihuana tract was directed by Ray Test and outlines the perils of "The Smoke of Hell!" This gloriously gaudy one sheet features a green-tinted image of the devil himself, as well as one very big blunt. These anti-marijuana films created in the 1940s became very popular in the 1960s and almost all of the original posters disappeared from the market as they were swept up from the exchanges by heads and headshops. This example has wear in the form of wrinkles, small tears in the edges, smudges, and a tiny bit of paper loss in the center-points (primarily in the middle). There is also a tear in the lower right, repaired with tape on the back, that extends into the "ST" of Harvest. This is the only copy among the few we have sold that was unbacked and almost completely unrestored. Fine-.
This classic anti-marihuana tract was directed by Ray Test and outlines the perils of "The Smoke of Hell!" This gloriously gaudy one sheet features a green-tinted image of the devil himself, as well as one very big blunt. These anti-marijuana films created in the 1940s became very popular in the 1960s and almost all of the original posters disappeared from the market as they were swept up from the exchanges by heads and headshops. This example has wear in the form of wrinkles, small tears in the edges, smudges, and a tiny bit of paper loss in the center-points (primarily in the middle). There is also a tear in the lower right, repaired with tape on the back, that extends into the "ST" of Harvest. This is the only copy among the few we have sold that was unbacked and almost completely unrestored. Fine-.
Glen or Glenda (Screen Classics Inc., 1953). One Sheet (27" X 41").
Offered in this lot is a very scarce one sheet to Ed Wood's exploration of transvestism, a personal issue for the director. Starring Wood, Dolores Fuller as his girlfriend, and screen legend Bela Lugosi as "the Scientist," who appears randomly throughout the movie exhorting odd tidbits thrown to the audience. The film has gained a huge cult following after being named one of the worst films of all time. This poster is pictured in Ron Borst's wonderful book of horror, science fiction and fantasy posters entitled "Graven Images." It has some minor wear to the folds and slight paper loss at the crossfolds. Very Fine-.
Offered in this lot is a very scarce one sheet to Ed Wood's exploration of transvestism, a personal issue for the director. Starring Wood, Dolores Fuller as his girlfriend, and screen legend Bela Lugosi as "the Scientist," who appears randomly throughout the movie exhorting odd tidbits thrown to the audience. The film has gained a huge cult following after being named one of the worst films of all time. This poster is pictured in Ron Borst's wonderful book of horror, science fiction and fantasy posters entitled "Graven Images." It has some minor wear to the folds and slight paper loss at the crossfolds. Very Fine-.
The Marihuana Story (Pel-Mex, 1950). One Sheet (27.5" X 39.5").
The life story of director Leon KIimovsky should be studied by all "indie" film personnel. He was an Argentinean dentist that longed for a life in the cinema, pioneering the Argentinean cultural movement known as "CineClub," and founding the first film club in that country in 1929! He ended up in Madrid making Spaghetti Westerns and exploitation films all over the globe! This is one of his best. It's long been a favorite of the cannabis crowd for its bizarre plotline, in which a woman dies simply by using the drug and the central character is hooked, beaten, and suffers from bad trip flashbacks! It's a very scarce one sheet, due to the film's limited distribution. The poster loudly proclaims, "The Black Tobacco of the Devil!" There are pinholes in the corners and borders, edge wear with small tears, centerfold separations, small chips in the corner, and corner bumps. Fine +.
The life story of director Leon KIimovsky should be studied by all "indie" film personnel. He was an Argentinean dentist that longed for a life in the cinema, pioneering the Argentinean cultural movement known as "CineClub," and founding the first film club in that country in 1929! He ended up in Madrid making Spaghetti Westerns and exploitation films all over the globe! This is one of his best. It's long been a favorite of the cannabis crowd for its bizarre plotline, in which a woman dies simply by using the drug and the central character is hooked, beaten, and suffers from bad trip flashbacks! It's a very scarce one sheet, due to the film's limited distribution. The poster loudly proclaims, "The Black Tobacco of the Devil!" There are pinholes in the corners and borders, edge wear with small tears, centerfold separations, small chips in the corner, and corner bumps. Fine +.
Sinful Souls (Unknown, 1930s). Three Sheet (41" X 81").
This appears to be a late 1930s sex-exploitation film done in the style of the 1934 film, The Road to Ruin. Certainly, it covers the exact same ground and may possibly be a later 1930s release of that film. This three sheet is one of only a handful to survive and takes its place amongst the most collectible exploitation items to come out of the 1930s. There is some minor soiling, fold separations and wear with small tears, and centerpoint separations. The title area has a small chip, and there is paper tape on the reverse and folds. Don't miss this chance at a true 1930s rarity. Fine+.
This appears to be a late 1930s sex-exploitation film done in the style of the 1934 film, The Road to Ruin. Certainly, it covers the exact same ground and may possibly be a later 1930s release of that film. This three sheet is one of only a handful to survive and takes its place amongst the most collectible exploitation items to come out of the 1930s. There is some minor soiling, fold separations and wear with small tears, and centerpoint separations. The title area has a small chip, and there is paper tape on the reverse and folds. Don't miss this chance at a true 1930s rarity. Fine+.
Faster, Pussycat! Kill! Kill! (Eve Productions, 1965). One Sheet (27" X 41") Style B.
Famed exploitation director, Russ Meyer, is rumored to have quipped that, even filming in the Mojave desert, the temperature rose five degrees each day when Haji, Lori Williams, and Turhan Satana came out on location to begin filming! We offer here the very scarce style B one sheet in a high grade for a cult film that spawned almost as many Indies director careers than all the film schools combined. There is only some minor fold wear with tiny crossfold separations and light surface creasing. Don't overlook this great Style B rarity for a film still being shown at college campuses, film retrospectives, and conventions. Very Fine+.
Famed exploitation director, Russ Meyer, is rumored to have quipped that, even filming in the Mojave desert, the temperature rose five degrees each day when Haji, Lori Williams, and Turhan Satana came out on location to begin filming! We offer here the very scarce style B one sheet in a high grade for a cult film that spawned almost as many Indies director careers than all the film schools combined. There is only some minor fold wear with tiny crossfold separations and light surface creasing. Don't overlook this great Style B rarity for a film still being shown at college campuses, film retrospectives, and conventions. Very Fine+.
Looney Tunes (Warner Brothers, 1937-1938). Stock One Sheet (27" X 41").
He got his start as part of a team, Porky and Beans, in 1935. Porky Pig would go on to become the first major character from Warner Brothers' animation department. Unlike Disney, who produced individual one sheets for their short subjects, Warner produced "stock" sheets for their films with a blank area to attach the individually printed title sheet. Porky Pig is featured seven times on this wonderful stock one sheet. The poster shows very minor airbrushing to each corner and to the border where each fold line was. There was also very minor color touch to the lower center-point. The stock one sheets for Warner's animation prior to World War II are very scarce and this is the first copy of this poster we have ever offered! Very Fine on Linen.
He got his start as part of a team, Porky and Beans, in 1935. Porky Pig would go on to become the first major character from Warner Brothers' animation department. Unlike Disney, who produced individual one sheets for their short subjects, Warner produced "stock" sheets for their films with a blank area to attach the individually printed title sheet. Porky Pig is featured seven times on this wonderful stock one sheet. The poster shows very minor airbrushing to each corner and to the border where each fold line was. There was also very minor color touch to the lower center-point. The stock one sheets for Warner's animation prior to World War II are very scarce and this is the first copy of this poster we have ever offered! Very Fine on Linen.
The Duck Doctor (MGM, 1952). One Sheet (27" X 41").
This cartoon has always been noted for its raucous violence. The poor lil' duckling has a bandaged left arm because Tom blew him out of the air, winging him. Jerry is determined to rescue the youngster, but this one sheet has Tom, decked out in a hunter's cap, with a dead bead on the quacker's head. This is an uncommon sheet and in a remarkable condition for an early 1950s piece. Only top corner pinholes, some edge wear in the left bottom, small tears in the top left and bottom center vertical fold, and some small pinpoint cross-fold separations. MP Grading: Fine+.
This cartoon has always been noted for its raucous violence. The poor lil' duckling has a bandaged left arm because Tom blew him out of the air, winging him. Jerry is determined to rescue the youngster, but this one sheet has Tom, decked out in a hunter's cap, with a dead bead on the quacker's head. This is an uncommon sheet and in a remarkable condition for an early 1950s piece. Only top corner pinholes, some edge wear in the left bottom, small tears in the top left and bottom center vertical fold, and some small pinpoint cross-fold separations. MP Grading: Fine+.
Father's Weekend (RKO, 1953). One Sheet (27" X 41").
Goofy's off to the beach with Goofy, Jr. in tow. Up top, they're headed to the beach. Down below, Goofy's screaming his lungs out while Jr. looks on amused! There are corner pinholes, some enlarged, with small tears in the top right. There is edge wear with small tears, a smudge below "End," a long tear in the top center, pinpoint cross-fold separations, a large chip in the right border slightly into the art, and a crease in the top right corner. MP Grading: Fine.
Goofy's off to the beach with Goofy, Jr. in tow. Up top, they're headed to the beach. Down below, Goofy's screaming his lungs out while Jr. looks on amused! There are corner pinholes, some enlarged, with small tears in the top right. There is edge wear with small tears, a smudge below "End," a long tear in the top center, pinpoint cross-fold separations, a large chip in the right border slightly into the art, and a crease in the top right corner. MP Grading: Fine.
The Flying Squirrel (RKO, 1954). One Sheet (27" X 41").
Donald Duck welches on his payment to a flying squirrel and the fun begins! Directed by one of the greats, Jack Hannah, who was given an "Annie" in 1987 for Distinguished Contribution to the Art of Animation. Restoration has addressed fold wear with areas of small paper loss, chips in the bottom and left edges, and mild crossfold separations. Fine- on Linen.
Donald Duck welches on his payment to a flying squirrel and the fun begins! Directed by one of the greats, Jack Hannah, who was given an "Annie" in 1987 for Distinguished Contribution to the Art of Animation. Restoration has addressed fold wear with areas of small paper loss, chips in the bottom and left edges, and mild crossfold separations. Fine- on Linen.
Hello Aloha (RKO, 1952). One Sheet (27" X 41").
During the '40s and '50s, Goofy starred in 48 feature cartoons, including Hello Aloha where he leaves the city for a more peaceful life in the tropics. Everything is fine in paradise until it's time for a ritual sacrifice to placate a volcano and Goofy is selected for the starring role in the tragedy! This wonderful original Disney poster has been stabilized on linen but has had minimal restoration of fold lines, tiny crossfold separation, and a few small edge tears. Otherwise, it appears almost pristine and would make a beautiful display piece. Very Fine on Linen.
During the '40s and '50s, Goofy starred in 48 feature cartoons, including Hello Aloha where he leaves the city for a more peaceful life in the tropics. Everything is fine in paradise until it's time for a ritual sacrifice to placate a volcano and Goofy is selected for the starring role in the tragedy! This wonderful original Disney poster has been stabilized on linen but has had minimal restoration of fold lines, tiny crossfold separation, and a few small edge tears. Otherwise, it appears almost pristine and would make a beautiful display piece. Very Fine on Linen.
Home Made Home (RKO, 1951). One Sheet (27" X 41").
Goofy sets about building his dream home. As they say: "Leave it to the professionals!" A very funny cartoon poster with three inset drawings of Goofy finding that his roof isn't quite what he intended! A high grade original poster from 1951 with only some minor cross-fold separations. Very Fine.
Goofy sets about building his dream home. As they say: "Leave it to the professionals!" A very funny cartoon poster with three inset drawings of Goofy finding that his roof isn't quite what he intended! A high grade original poster from 1951 with only some minor cross-fold separations. Very Fine.
Lend a Paw (RKO, 1941). Australian Daybill (13" X 30").
This Oscar-winning cartoon features Mickey Mouse and Pluto. Pluto's jealousy over a new kitten almost causes it to be drowned, but his angel-self wins out and the kitten is rescued. A partial remake of "Mickey's Pal Pluto" (1933), with new material added. The poster had border pinholes, edge wear with small tears, a scuff across Minnie's feet, and two corner creases, which have been smoothed over with professional restoration, including touch-ups in the white areas. Very Fine- on Linen.
This Oscar-winning cartoon features Mickey Mouse and Pluto. Pluto's jealousy over a new kitten almost causes it to be drowned, but his angel-self wins out and the kitten is rescued. A partial remake of "Mickey's Pal Pluto" (1933), with new material added. The poster had border pinholes, edge wear with small tears, a scuff across Minnie's feet, and two corner creases, which have been smoothed over with professional restoration, including touch-ups in the white areas. Very Fine- on Linen.
Looney Tunes Cartoon Stock Poster (Warner Brothers, 1940). One Sheet (27" X 41").
This stock Looney Tunes cartoon poster is from the 1940-1941 season and features Porky Pig and the first "screwball" animation character, Daffy Duck. Daffy appeared in 129 shorts, third to Bugs Bunny's 166, and Porky's 152! Great color and portraits of the two "stars." There are corner pinholes, some edge wear, a stain in the center, smudging in the borders, a tear in the left bottom, centerpoint separations and fold wear, a chip in the top left corner, a small crease in the top border fold, and corner bends. Fine.
This stock Looney Tunes cartoon poster is from the 1940-1941 season and features Porky Pig and the first "screwball" animation character, Daffy Duck. Daffy appeared in 129 shorts, third to Bugs Bunny's 166, and Porky's 152! Great color and portraits of the two "stars." There are corner pinholes, some edge wear, a stain in the center, smudging in the borders, a tear in the left bottom, centerpoint separations and fold wear, a chip in the top left corner, a small crease in the top border fold, and corner bends. Fine.
Melody Time (RKO, 1948). Poster (40" X 60") Style Z.
Very scarce style Z 40" X 60" for Walt Disney's Melody Time. Many of the top sequences are featured here with their requisite characters. There's the "Bumble Boogie" Bee in the right border, Pecos Bill in the top left, Johnny Appleseed in the top right, and down below, Donald Duck and Jose Carioca do their standout version of "Blame it on the Samba." Older restoration has the linen trimmed to the edge of the poster. There was creasing throughout, chips in the left border, and small tears in the left border. A rare chance to get Donald wielding maracas! Rolled, Fine- on Linen.
Very scarce style Z 40" X 60" for Walt Disney's Melody Time. Many of the top sequences are featured here with their requisite characters. There's the "Bumble Boogie" Bee in the right border, Pecos Bill in the top left, Johnny Appleseed in the top right, and down below, Donald Duck and Jose Carioca do their standout version of "Blame it on the Samba." Older restoration has the linen trimmed to the edge of the poster. There was creasing throughout, chips in the left border, and small tears in the left border. A rare chance to get Donald wielding maracas! Rolled, Fine- on Linen.
Merrie Melodies (Warner Brothers, 1941). Stock One Sheet (27" X 41"). "The Old Grey Hare."
This is the rare and early stock Warner Brothers Merrie Melodies cartoon poster, with Bugs Bunny and Elmer Fudd, drawn in the old style. The poster dates from 1941, but the snipe attached to the poster is one of Bob Clampett's absolute funniest cartoons, 1944's The Old Grey Hare and this was not unusual as many theater owners would save their stock posters to run for several years, especially during the war years. The borders have a slight 1/2" trim and have been expertly restored. Fine/Very Fine on Linen.
This is the rare and early stock Warner Brothers Merrie Melodies cartoon poster, with Bugs Bunny and Elmer Fudd, drawn in the old style. The poster dates from 1941, but the snipe attached to the poster is one of Bob Clampett's absolute funniest cartoons, 1944's The Old Grey Hare and this was not unusual as many theater owners would save their stock posters to run for several years, especially during the war years. The borders have a slight 1/2" trim and have been expertly restored. Fine/Very Fine on Linen.
The New Neighbor (RKO, 1953). One Sheet (27" X 41").
No one escalates from slow burn to complete melt-down faster than Donald Duck! That's what happens when Pete, the new neighbor, throws his trash onto Donald's lawn, and let's his doggie run amuck! Great graphics make this Disney short poster a fun addition to any animation collection! High grade original condition with just some right border edge wear and some small pinpoint crossfold separations. MP Grading: Fine+.
No one escalates from slow burn to complete melt-down faster than Donald Duck! That's what happens when Pete, the new neighbor, throws his trash onto Donald's lawn, and let's his doggie run amuck! Great graphics make this Disney short poster a fun addition to any animation collection! High grade original condition with just some right border edge wear and some small pinpoint crossfold separations. MP Grading: Fine+.
Oswald the Lucky Rabbit (Universal, 1934). One Sheet (27" X 41").
Oswald the Rabbit had his beginnings with Walt Disney and Ub Iwerks. They introduced the series in 1927, and a year later the cartoons were a big hit. So Disney went to Charles Mintz at Universal and asked for a raise. He was told instead that the studio already had signed most of his people to lower contracts and that he was to take a 20% total budget cut! Disney, Iwerks, and a couple of great animators, Les Clark and Wilfred Jackson, told Mintz where to stick the offer and left the Oswald series after one year, modifying the rabbit into another cute lil' varmint they thought they might be able to market--Mickey Mouse! He looked a bit like Oswald, but was carefully changed to avoid litigation with Mintz. Mintz subsequently set up his own shop (with mostly ex-Disney employees) and began producing Oswald cartoons, but Carl Laemmle at Universal didn't care for those so he fired Mintz and hired Walter Lantz to produce them directly at Universal Studios. This stock sheet from the mid-1930s is one of the best Oswald posters in that it has 20 different poses and attitudes for the rabbit in a "style-sheet" fashion. The poster has been placed on linen with some minimal touch-up for crossfold separations with small paper loss. Very Fine- on Linen.
Oswald the Rabbit had his beginnings with Walt Disney and Ub Iwerks. They introduced the series in 1927, and a year later the cartoons were a big hit. So Disney went to Charles Mintz at Universal and asked for a raise. He was told instead that the studio already had signed most of his people to lower contracts and that he was to take a 20% total budget cut! Disney, Iwerks, and a couple of great animators, Les Clark and Wilfred Jackson, told Mintz where to stick the offer and left the Oswald series after one year, modifying the rabbit into another cute lil' varmint they thought they might be able to market--Mickey Mouse! He looked a bit like Oswald, but was carefully changed to avoid litigation with Mintz. Mintz subsequently set up his own shop (with mostly ex-Disney employees) and began producing Oswald cartoons, but Carl Laemmle at Universal didn't care for those so he fired Mintz and hired Walter Lantz to produce them directly at Universal Studios. This stock sheet from the mid-1930s is one of the best Oswald posters in that it has 20 different poses and attitudes for the rabbit in a "style-sheet" fashion. The poster has been placed on linen with some minimal touch-up for crossfold separations with small paper loss. Very Fine- on Linen.
Silver Age (1956-1969)
Out of Scale (RKO, 1951). One Sheet (27" X 41").
Model train enthusiast Donald Duck has elaborate plans for his scale-model landscape, including the use of a real tree. Problem is, the one he appropriates is home to sly chipmunks Chip and Dale, who mount a counter-offensive. This colorful sheet had pinholes in the background, fold wear, and small holes in the right border, all of which has been addressed with professional restoration. MP Grading has called this Very Fine on Linen.
Model train enthusiast Donald Duck has elaborate plans for his scale-model landscape, including the use of a real tree. Problem is, the one he appropriates is home to sly chipmunks Chip and Dale, who mount a counter-offensive. This colorful sheet had pinholes in the background, fold wear, and small holes in the right border, all of which has been addressed with professional restoration. MP Grading has called this Very Fine on Linen.
Movie Posters
Peter Pan (RKO, 1953). One Sheet (27" X 41").
The last Disney film distributed by RKO, and also the last one to feature all of the "Nine Old Men" as directing animators, this beloved fantasy is based on the play by J. M. Barrie and is perhaps the best-known version of the Peter Pan story. This splendid one sheet features a large image of the Boy Who Never Grew Up. There were corner pinholes, a small tear on the right side at the horizontal fold, a small top left corner chip, and a minor hole in the right border but professional restoration has rendered these minor issues unnoticeable. This is a lovely sheet for this perennial classic. Very Fine- on Linen.
The last Disney film distributed by RKO, and also the last one to feature all of the "Nine Old Men" as directing animators, this beloved fantasy is based on the play by J. M. Barrie and is perhaps the best-known version of the Peter Pan story. This splendid one sheet features a large image of the Boy Who Never Grew Up. There were corner pinholes, a small tear on the right side at the horizontal fold, a small top left corner chip, and a minor hole in the right border but professional restoration has rendered these minor issues unnoticeable. This is a lovely sheet for this perennial classic. Very Fine- on Linen.
Pluto's Christmas Tree (RKO, 1952). One Sheet (27" X 41").
Pluto and Mickey Mouse go in search of a Christmas tree, but the one they cut down happens to be the home of chattering chipmunks Dale and Chip. Minnie, Donald and Goofy appear in cameos, making this a true Disney family affair. This great-looking poster has wonderful images of Mickey and Pluto, and retains terrific color. The poster had very minor fold wear which has been addressed with touchups in the fold lines. Very Fine on Linen.
Pluto and Mickey Mouse go in search of a Christmas tree, but the one they cut down happens to be the home of chattering chipmunks Dale and Chip. Minnie, Donald and Goofy appear in cameos, making this a true Disney family affair. This great-looking poster has wonderful images of Mickey and Pluto, and retains terrific color. The poster had very minor fold wear which has been addressed with touchups in the fold lines. Very Fine on Linen.
Sleeping Beauty (Buena Vista, 1959). Poster (30" X 40").
This was Disney's most lavish and expensive cartoon feature ever, with a budget of over $6 million. With much of the animation still being done by hand, the Disney studio took almost nine years to put the final touches on their instant classic. Sleeping Beauty is an animation masterpiece that still manages to amaze and dazzle audiences whenever it is shown. This lovely poster has the beautiful princess sleeping with a smile on her face, surrounded by the cast of the film. There are two small tears in the right border, and a small crease in the lower border and the top right corner. Rolled, Very Fine+.
This was Disney's most lavish and expensive cartoon feature ever, with a budget of over $6 million. With much of the animation still being done by hand, the Disney studio took almost nine years to put the final touches on their instant classic. Sleeping Beauty is an animation masterpiece that still manages to amaze and dazzle audiences whenever it is shown. This lovely poster has the beautiful princess sleeping with a smile on her face, surrounded by the cast of the film. There are two small tears in the right border, and a small crease in the lower border and the top right corner. Rolled, Very Fine+.
Sleeping Beauty (Walt Disney, 1959). British Quad (30" X 40").
This British quad for Walt Disney's animated classic feature is stunning. Although not US country-of-origin, it really doesn't matter as this poster is far superior to the US one sheets and blazes with the colors that made Disney's Wonderful World of Color live up to its name. This poster has a very minimal bit of edge wear to the lower left side of the poster and just a small bit of wear and separation to the centerpoint. Very Fine+.
This British quad for Walt Disney's animated classic feature is stunning. Although not US country-of-origin, it really doesn't matter as this poster is far superior to the US one sheets and blazes with the colors that made Disney's Wonderful World of Color live up to its name. This poster has a very minimal bit of edge wear to the lower left side of the poster and just a small bit of wear and separation to the centerpoint. Very Fine+.
Sleeping Beauty (Buena Vista, 1959). One Sheet (27" X 41") Style B.
A groundbreaking film for the Walt Disney studio, this was their first feature created for the 70mm format and the last animated film from that studio to feature hand-inked cells. This Style B one sheet has become very scarce over the past 30 years and features the princess with a full audience of forest creatures looking lovingly at her. Her handsome prince stands nearby. There are crossfold separations and a small chip in the left border. Very Fine.
A groundbreaking film for the Walt Disney studio, this was their first feature created for the 70mm format and the last animated film from that studio to feature hand-inked cells. This Style B one sheet has become very scarce over the past 30 years and features the princess with a full audience of forest creatures looking lovingly at her. Her handsome prince stands nearby. There are crossfold separations and a small chip in the left border. Very Fine.
The Trial of Donald Duck (RKO, 1948). One Sheet (27" X 41").
This delightful animated short from Walt Disney found his irascible Donald Duck stopping by a restaurant for a cup of coffee and getting taken to court for not paying the extravagant bill. The poster, prior to restoration, had pinholes in the corners and in the center of the upper border. It also had tape lifts on the back of the vertical fold line that caused some thinning, and minor color touch had to be done to the center-points. Fine+ on Linen.
This delightful animated short from Walt Disney found his irascible Donald Duck stopping by a restaurant for a cup of coffee and getting taken to court for not paying the extravagant bill. The poster, prior to restoration, had pinholes in the corners and in the center of the upper border. It also had tape lifts on the back of the vertical fold line that caused some thinning, and minor color touch had to be done to the center-points. Fine+ on Linen.
Pulps
Betty Boop: Rudy Vallee Melodies (Paramount, 1932). One Sheet (27" X 41").
If you think Mae West had all the pre-Code fun, think again. The antics in the animated parts of this Paramount "Screen Song" eleven-minute short would never have been filmed after the Production Code took over. At the opening, Betty Boop stands waist-high in a giant punchbowl and serves drinks. What follows is four minutes of surreal and politically incorrect behavior. Rudy Vallee finally appears in a live-action sequence and sweetly sings several songs. At the finale, Betty Boop retires to bed. She blows Vallee a kiss and turns the light off, but you can still see her in silhouette. Vallee sings her a goodnight song, and from the dark we hear low-throated "oooh's" and "aahhh's" from Betty. Needless to say, this short wasn't played after 1934, making the paper obsolete and this surviving copy all the rarer. The example offered here is in an amazing original condition given its scarcity and age. There are top corner pinholes, minor edge wear, and a small centerfold separation. For any true lover of Golden Age Animation, Betty Boop or just pre-Code hijinks. Very Fine.
If you think Mae West had all the pre-Code fun, think again. The antics in the animated parts of this Paramount "Screen Song" eleven-minute short would never have been filmed after the Production Code took over. At the opening, Betty Boop stands waist-high in a giant punchbowl and serves drinks. What follows is four minutes of surreal and politically incorrect behavior. Rudy Vallee finally appears in a live-action sequence and sweetly sings several songs. At the finale, Betty Boop retires to bed. She blows Vallee a kiss and turns the light off, but you can still see her in silhouette. Vallee sings her a goodnight song, and from the dark we hear low-throated "oooh's" and "aahhh's" from Betty. Needless to say, this short wasn't played after 1934, making the paper obsolete and this surviving copy all the rarer. The example offered here is in an amazing original condition given its scarcity and age. There are top corner pinholes, minor edge wear, and a small centerfold separation. For any true lover of Golden Age Animation, Betty Boop or just pre-Code hijinks. Very Fine.
Movie Posters
Clock Cleaners (RKO, 1937). Standee Title Placard (13.75" X 28").
In the late 1930s, RKO sent a stock, large standee to theatres with a notch at the top where printed "title cards" could be inserted to advertise that week's cartoon showing. The cards would match up with the top of Mickey Mouse's thumb, which you can clearly see in the lower center border. These placards are some of the scarcest Golden Age of Animation artifacts to exist and only a small handful have ever surfaced. This particular placard is a great one! The Clock Cleaners was voted #27 of the Top 50 Cartoons of All Time by animators in 1994! The totally delightful artwork is in three panels, with Donald Duck, Goofy, and Mickey each featured in his own panel. This could easily be restored to near perfect condition as the biggest issues are simply surface soiling and small border tears. The holes in the corners were to help attach the piece to the standee. There are some corner bends in the left side and top and bottom borders. In the left and right borders there are small staple holes, and there is some small clear tape behind tears, on the verso. Don't overlook the importance of this incredibly unique piece. Very Good/Fine.
In the late 1930s, RKO sent a stock, large standee to theatres with a notch at the top where printed "title cards" could be inserted to advertise that week's cartoon showing. The cards would match up with the top of Mickey Mouse's thumb, which you can clearly see in the lower center border. These placards are some of the scarcest Golden Age of Animation artifacts to exist and only a small handful have ever surfaced. This particular placard is a great one! The Clock Cleaners was voted #27 of the Top 50 Cartoons of All Time by animators in 1994! The totally delightful artwork is in three panels, with Donald Duck, Goofy, and Mickey each featured in his own panel. This could easily be restored to near perfect condition as the biggest issues are simply surface soiling and small border tears. The holes in the corners were to help attach the piece to the standee. There are some corner bends in the left side and top and bottom borders. In the left and right borders there are small staple holes, and there is some small clear tape behind tears, on the verso. Don't overlook the importance of this incredibly unique piece. Very Good/Fine.
Bambi (RKO, 1942). Three Sheet (41" X 81").
Though production on Bambi started in 1936, Walt Disney's relentless pursuit of perfection pushed the film's release back to 1942. As a result, it was Disney's final animated feature film before the outbreak of World War II, as wartime cutbacks forced the studio to cease feature length production. There are pinholes and also a bit of fold and edge wear along with crossfold separations. Original paper from this classic is extremely hard to come by and this is one of the best formats from the original campaign. Don't miss this opportunity to add this rare three sheet to your collection! Fine/Very Fine.
Though production on Bambi started in 1936, Walt Disney's relentless pursuit of perfection pushed the film's release back to 1942. As a result, it was Disney's final animated feature film before the outbreak of World War II, as wartime cutbacks forced the studio to cease feature length production. There are pinholes and also a bit of fold and edge wear along with crossfold separations. Original paper from this classic is extremely hard to come by and this is one of the best formats from the original campaign. Don't miss this opportunity to add this rare three sheet to your collection! Fine/Very Fine.
Boo Moon (Paramount, 1954). One Sheet (27" X 41") 3-D Style.
In this classic 3-D animated film, Casper the friendly ghost takes a trip to the moon and encounters little moon people and King Luna, who unfairly imprisons Casper. Posters for Casper shorts are always top prizes for collectors, and this beauty is the rarest, from his only cartoon in 3-D. The poster has tape on the back, reinforcing some of the fold lines. There were small crossfold tears in a few places and some fold separation as well. Fine/Very Fine.
In this classic 3-D animated film, Casper the friendly ghost takes a trip to the moon and encounters little moon people and King Luna, who unfairly imprisons Casper. Posters for Casper shorts are always top prizes for collectors, and this beauty is the rarest, from his only cartoon in 3-D. The poster has tape on the back, reinforcing some of the fold lines. There were small crossfold tears in a few places and some fold separation as well. Fine/Very Fine.
Casper Stock (Paramount, 1950). One Sheet (27" X 41").
What's great about this stock Casper sheet is the size of the character! And other than the 1953 3-D short, Boo Moon, this is the only one sheet in color featuring Casper by himself. Copies in this high a grade are few and far between. There is just some slight edge wear in the right border, a tear in the bottom left, and some small pinpoint cross-fold separation. MP Grading: Fine-.
What's great about this stock Casper sheet is the size of the character! And other than the 1953 3-D short, Boo Moon, this is the only one sheet in color featuring Casper by himself. Copies in this high a grade are few and far between. There is just some slight edge wear in the right border, a tear in the bottom left, and some small pinpoint cross-fold separation. MP Grading: Fine-.
Don's Fountain of Youth (RKO, 1953). One Sheet (27" X 41").
Donald Duck's dip into the fountain of youth transforms him into a baby--or so he pretends in order to fool his nephews. This great Disney short features Donald along with this nephews and an angry crocodile. This colorful poster has several very tiny tears along the edge of the border and some minimal wear at the lower
centerpoint. Very Fine+.
Donald Duck's dip into the fountain of youth transforms him into a baby--or so he pretends in order to fool his nephews. This great Disney short features Donald along with this nephews and an angry crocodile. This colorful poster has several very tiny tears along the edge of the border and some minimal wear at the lower
centerpoint. Very Fine+.
Dumbo (RKO, 1941). CGC Graded Title Lobby Card (11" X 14").
"I seen a peanut stand, heard a rubber band / I seen a needle that winked its eye / But I be done seen 'bout ev'rything / When I see a elephant fly." And with that fun lyric, Disney won both an Oscar for Best Music with this endearing classic. "Comical Black Crows, Dancing pink elephants, You'll love 'em all!," promises the title card in a circus font. And indeed we do. The card has been CGC graded Very Fine/Near Mint.
"I seen a peanut stand, heard a rubber band / I seen a needle that winked its eye / But I be done seen 'bout ev'rything / When I see a elephant fly." And with that fun lyric, Disney won both an Oscar for Best Music with this endearing classic. "Comical Black Crows, Dancing pink elephants, You'll love 'em all!," promises the title card in a circus font. And indeed we do. The card has been CGC graded Very Fine/Near Mint.
Fit to Be Tied (MGM, 1951). One Sheet (27" X 41").
One of the better Tom and Jerry cartoons from the early 1950s. The ending of the cartoon is illustrated on this great one sheet. Just some minor edge wear, a bleed-through from the stamp on the verso in the top credits, some light tanning in the right edge, a small tear in the bottom center, and some minor crossfold separations. A must for any Tom and Jerry fan! MP Grading: Very Fine-.
One of the better Tom and Jerry cartoons from the early 1950s. The ending of the cartoon is illustrated on this great one sheet. Just some minor edge wear, a bleed-through from the stamp on the verso in the top credits, some light tanning in the right edge, a small tear in the bottom center, and some minor crossfold separations. A must for any Tom and Jerry fan! MP Grading: Very Fine-.
Gulliver's Travels (Paramount, 1939). Insert (14" X 36").
Paramount's answer to the success of Disney's Snow White and the Seven Dwarfs was this sort-of adaptation of Jonathan Swift's satiric novel, which depicted only the first section of the book, set in the miniature land of Lilliput. Produced by animation vets Max and Dave Fleischer, the film features an abundance of slapstick and sight gags as well as some splendid animation. This colorful insert had tears in the top right, fold wear, a chip in the left border, and a large chip out from the lower right corner, all of which has been addressed with professional restoration, including paper-backing and touch-ups. Fine+ on Paper.
Paramount's answer to the success of Disney's Snow White and the Seven Dwarfs was this sort-of adaptation of Jonathan Swift's satiric novel, which depicted only the first section of the book, set in the miniature land of Lilliput. Produced by animation vets Max and Dave Fleischer, the film features an abundance of slapstick and sight gags as well as some splendid animation. This colorful insert had tears in the top right, fold wear, a chip in the left border, and a large chip out from the lower right corner, all of which has been addressed with professional restoration, including paper-backing and touch-ups. Fine+ on Paper.
Little Quacker (MGM, 1950). One Sheet (27" X 41").
This hilarious Tom and Jerry cartoon was the first T & J short released in the 1950s and was the auspicious debut of the "Quacker" character. The lil' duckling was a hit, and appeared in seven more cartoons, making him one of the most enduring supporting characters of the series. It's a great poster with an almost demonic Tom in a chef's hat wringing his hands in salacious anticipation of cooking and devouring the small duckling. Jerry ponders what to do next, with his usual quizzical look! In an excellent original condition, there are only border, corner, and top center pinholes. The bottom border has minor smudges, and there are small pinpoint cross-fold separations. An excellent addition to any animation collection. Very Fine.
This hilarious Tom and Jerry cartoon was the first T & J short released in the 1950s and was the auspicious debut of the "Quacker" character. The lil' duckling was a hit, and appeared in seven more cartoons, making him one of the most enduring supporting characters of the series. It's a great poster with an almost demonic Tom in a chef's hat wringing his hands in salacious anticipation of cooking and devouring the small duckling. Jerry ponders what to do next, with his usual quizzical look! In an excellent original condition, there are only border, corner, and top center pinholes. The bottom border has minor smudges, and there are small pinpoint cross-fold separations. An excellent addition to any animation collection. Very Fine.
Part Time Pal (MGM, 1946). One Sheet (27" X 41").
This is the only Tom and Jerry poster you will see with Tom drunk! He has just downed a bottle of bay rum that fell from a bathroom shelf and into Tom's mouth, and he's blitzed! He's so drunk he now considers Jerry his friend. Of course, Jerry, fearing he may sober up at any moment, has that wonderful concerned look on his face. There are a couple of pinholes in the image, some fold wear with small fold separations, and stains in the top and bottom corners with some smudging in the bottom border. There are small tears in the right border and in the top right with tape on the verso. Fine/Very Fine.
This is the only Tom and Jerry poster you will see with Tom drunk! He has just downed a bottle of bay rum that fell from a bathroom shelf and into Tom's mouth, and he's blitzed! He's so drunk he now considers Jerry his friend. Of course, Jerry, fearing he may sober up at any moment, has that wonderful concerned look on his face. There are a couple of pinholes in the image, some fold wear with small fold separations, and stains in the top and bottom corners with some smudging in the bottom border. There are small tears in the right border and in the top right with tape on the verso. Fine/Very Fine.
Pluto's Fledgling (RKO, 1948). One Sheet (27" X 41").
Mickey Mouse's pet dog, Pluto became so popular in the Mickey cartoons that he was given his own series of adventures. In this tale, he adopts a baby bird that falls in his water dish and then tries his best to teach him to fly. This one sheet is quite nice and was mounted on linen just for display purposes. There was no touch up work done on the poster at all and one can still see the very tiny pinholes in the corners and a few tiny tears along the edges. Very Fine+ on Linen.
Mickey Mouse's pet dog, Pluto became so popular in the Mickey cartoons that he was given his own series of adventures. In this tale, he adopts a baby bird that falls in his water dish and then tries his best to teach him to fly. This one sheet is quite nice and was mounted on linen just for display purposes. There was no touch up work done on the poster at all and one can still see the very tiny pinholes in the corners and a few tiny tears along the edges. Very Fine+ on Linen.
Popeye: Customers Wanted (Paramount, 1939). One Sheet (27" X 41").
This 1930s Popeye is filled with some of voice talent Jack Mercer's best ad-libs. Luckily the Fleischer brothers allowed him the latitude to flesh out Popeye's personality simply by working at the microphone, no matter what the animation was doing. He had the uncanny ability to always finish the ad-lib or utterance just at the right moment. Here is a rare one sheet featuring both Popeye and Bluto, competing for customers in their penny arcades. There are some corner and border pinholes, a tear in the top left corner, small crossfold separations and fold wear repaired with paper tape on the verso. There is a minuscule chip in the bottom right corner along with some corner bumps. Fine+.
This 1930s Popeye is filled with some of voice talent Jack Mercer's best ad-libs. Luckily the Fleischer brothers allowed him the latitude to flesh out Popeye's personality simply by working at the microphone, no matter what the animation was doing. He had the uncanny ability to always finish the ad-lib or utterance just at the right moment. Here is a rare one sheet featuring both Popeye and Bluto, competing for customers in their penny arcades. There are some corner and border pinholes, a tear in the top left corner, small crossfold separations and fold wear repaired with paper tape on the verso. There is a minuscule chip in the bottom right corner along with some corner bumps. Fine+.
Push-Button Kitty (MGM, 1951). One Sheet (27" X 41").
Tom decides to let technology do his work for him and uses a robotic cat to chase down Jerry. Tom and Jerry were and still are two of the most popular animated stars to grace the screen. And although they appear on many cartoon sheets, the artwork often suffers and the characters don't look quite right. On this one sheet, the artists have mastered the two characters, making this poster very desirable. There are a couple of pinholes in the corners within the image, a few other pinholes in the background, and a tiny bit of paper missing at the upper centerpoint with a slight fold separation. Very Fine-.
Tom decides to let technology do his work for him and uses a robotic cat to chase down Jerry. Tom and Jerry were and still are two of the most popular animated stars to grace the screen. And although they appear on many cartoon sheets, the artwork often suffers and the characters don't look quite right. On this one sheet, the artists have mastered the two characters, making this poster very desirable. There are a couple of pinholes in the corners within the image, a few other pinholes in the background, and a tiny bit of paper missing at the upper centerpoint with a slight fold separation. Very Fine-.
Simple Simon (Celebrity Productions, 1935). One Sheet (27" X 41").
Pat Powers produced and Ub Iwerks was one of the head animators for Walt Disney's Silly Symphonies from 1929 to 1930. Powers then hired Iwerks away and together they produced their own series of "Comi-Color" cartoons shot entirely using the Cinecolor process. This is one of those amazingly rare cartoon one sheets featuring the incredible animation style of one of the true greats of the Golden Age of Animation, Ub Iwerks (who, at one time, drew the famous Walt Disney autograph, as he drew it better than Walt!). This charming one sheet has been professionally laid on linen and has had some minor touch-up for some tears and small chips in the borders, a tear in 'ComicColor," and some fold wear. Fine+ on Linen.
Pat Powers produced and Ub Iwerks was one of the head animators for Walt Disney's Silly Symphonies from 1929 to 1930. Powers then hired Iwerks away and together they produced their own series of "Comi-Color" cartoons shot entirely using the Cinecolor process. This is one of those amazingly rare cartoon one sheets featuring the incredible animation style of one of the true greats of the Golden Age of Animation, Ub Iwerks (who, at one time, drew the famous Walt Disney autograph, as he drew it better than Walt!). This charming one sheet has been professionally laid on linen and has had some minor touch-up for some tears and small chips in the borders, a tear in 'ComicColor," and some fold wear. Fine+ on Linen.
Snow White and the Seven Dwarfs (RKO, 1937). CGC Graded Lobby Card (11" X 14").
Certainly one of the most frightening cards ever conceived by the Walt Disney studio. The midnight cauldron's garish greens and muted yellows light one of the scariest cartoon villains ever. She stirs intensely with a leg bone while the inquisitive raven peers down from his perch on a human skull! This desirable card has been CGC graded Near Mint-.
Certainly one of the most frightening cards ever conceived by the Walt Disney studio. The midnight cauldron's garish greens and muted yellows light one of the scariest cartoon villains ever. She stirs intensely with a leg bone while the inquisitive raven peers down from his perch on a human skull! This desirable card has been CGC graded Near Mint-.
Snow White and the Seven Dwarfs (RKO, 1937). Window Card (14" X 22").
Known as "Disney's Folly" while in production, Walt's dream of a feature-length animated film finally came to fruition, and all doubters were silenced. A financial blockbuster and a genuine milestone in movie history, Snow White is still enchanting audiences to this day. Offered here is the charming original release window card featuring our seven loveable little men. Some water staining in the top left border, a tear in the left border, corner creases, a chip in the right border with small associated tear, and a missing bottom right corner are the condition issues to note. Fine+.
Known as "Disney's Folly" while in production, Walt's dream of a feature-length animated film finally came to fruition, and all doubters were silenced. A financial blockbuster and a genuine milestone in movie history, Snow White is still enchanting audiences to this day. Offered here is the charming original release window card featuring our seven loveable little men. Some water staining in the top left border, a tear in the left border, corner creases, a chip in the right border with small associated tear, and a missing bottom right corner are the condition issues to note. Fine+.
Spare the Rod (RKO, 1954). One Sheet (27" X 41").
Huey, Dewey, and Louie are the sons of Donald's sister, Della Duck, but after Disney writers found out how much fun the trio had wreaking havoc in short-fuse Donald Duck's life, the parents were never heard of again, and the nephews became permanent residents of Donald's house. This fun cartoon one sheet features some hilarious hijinks, including Donald mistaking three cannibals for his nephews in costume until they begin to cook him for dinner! Professionally linenbacked with some minimal touch-up for minor edge wear, a small stain in the right border, some cross-fold pinpoint separations, and a bottom right corner bend. Very Fine on Linen.
Huey, Dewey, and Louie are the sons of Donald's sister, Della Duck, but after Disney writers found out how much fun the trio had wreaking havoc in short-fuse Donald Duck's life, the parents were never heard of again, and the nephews became permanent residents of Donald's house. This fun cartoon one sheet features some hilarious hijinks, including Donald mistaking three cannibals for his nephews in costume until they begin to cook him for dinner! Professionally linenbacked with some minimal touch-up for minor edge wear, a small stain in the right border, some cross-fold pinpoint separations, and a bottom right corner bend. Very Fine on Linen.
Terry-Toons Stock Lobby Cards (20th Century Fox, 1946). CGC Graded Lobby Card Set of 8 (11" X 14").
In 1946, Paul Terry's Terry-Toons issued this lobby card set featuring many of the top animation characters on their own cards, including Heckle and Jeckle in their premiere appearance. This card set if one of the few ever done for a series of short subject cartoons. Mighty Mouse heads the list along with Dinky, the Terry Bears, Oil Can Harry and Pearl Pureheart, Little Roquefort, Dingbat and Sylvester the Fox, and Sourpuss and Gandy Goose. The color on these cards is bright and fresh and all cards have been CGC graded 9.8! Near Mint/Mint.
In 1946, Paul Terry's Terry-Toons issued this lobby card set featuring many of the top animation characters on their own cards, including Heckle and Jeckle in their premiere appearance. This card set if one of the few ever done for a series of short subject cartoons. Mighty Mouse heads the list along with Dinky, the Terry Bears, Oil Can Harry and Pearl Pureheart, Little Roquefort, Dingbat and Sylvester the Fox, and Sourpuss and Gandy Goose. The color on these cards is bright and fresh and all cards have been CGC graded 9.8! Near Mint/Mint.
Warner Brothers Cartoon Stock (Warner Brothers, 1948). One Sheet (27" X 41").
From 1948 until the early 1950s, Warner Brothers used this style of stock poster instead of individual one sheets. It's a delightful image of Bugs Bunny, sitting on a can of carrots, "animating" his Warner Brother's stock character pals: Daffy Duck, Elmer Fudd, Tweety Bird, Porky Pig, and Sniffles the Mouse. What is very interesting about the inclusion of "Sniffles" is that the character was retired by the time this poster was printed, making his final cartoon, Hush My Mouse, in 1946! There is older restoration with partial touch-up on the fold lines and background for multiple corner pinholes, fold wear and fold separations. The poster displays well. This is a great chance to get six Warner Brothers cartoon characters on one piece! Fine+ on Linen.
From 1948 until the early 1950s, Warner Brothers used this style of stock poster instead of individual one sheets. It's a delightful image of Bugs Bunny, sitting on a can of carrots, "animating" his Warner Brother's stock character pals: Daffy Duck, Elmer Fudd, Tweety Bird, Porky Pig, and Sniffles the Mouse. What is very interesting about the inclusion of "Sniffles" is that the character was retired by the time this poster was printed, making his final cartoon, Hush My Mouse, in 1946! There is older restoration with partial touch-up on the fold lines and background for multiple corner pinholes, fold wear and fold separations. The poster displays well. This is a great chance to get six Warner Brothers cartoon characters on one piece! Fine+ on Linen.
Lady for a Day (Columbia, 1933). Pre-War Belgian (24" X 33").
May Robson is delightful as Apple Annie, a down-and-out street vendor who for years has kept her daughter (Jean Parker) living in the lap of luxury while hiding her true identity. Based on a story by Damon Runyon, this early Frank Capra comedy was nominated for several Academy Awards. This outstanding PWB stone litho poster has never been folded and boasts strong, vivid colors. Very Fine+ on Linen.
May Robson is delightful as Apple Annie, a down-and-out street vendor who for years has kept her daughter (Jean Parker) living in the lap of luxury while hiding her true identity. Based on a story by Damon Runyon, this early Frank Capra comedy was nominated for several Academy Awards. This outstanding PWB stone litho poster has never been folded and boasts strong, vivid colors. Very Fine+ on Linen.
The Bitter Tea of General Yen (Columbia, 1933). Lobby Card (11" X 14").
Barbara Stanwyck was one of the leading ladies of the pre-Code era that Hollywood seemed to love the most. This time she become an object of desire for a Chinese warlord. The film is notable for Frank Capra's direction as this was not a typical Capra "feel-good" movie. Paper of any kind on this pre-Code Hollywood tale is extremely rare and this lobby card is by far the best of the set. The card is quite spectacular but does have some pinholes in the borders as follows: two in the upper left corner, one each in the upper right and lower left corner and four in the bottom right corner. There are also pinholes in the center of each border and a small stain on the middle of the left border. Very Fine-.
Barbara Stanwyck was one of the leading ladies of the pre-Code era that Hollywood seemed to love the most. This time she become an object of desire for a Chinese warlord. The film is notable for Frank Capra's direction as this was not a typical Capra "feel-good" movie. Paper of any kind on this pre-Code Hollywood tale is extremely rare and this lobby card is by far the best of the set. The card is quite spectacular but does have some pinholes in the borders as follows: two in the upper left corner, one each in the upper right and lower left corner and four in the bottom right corner. There are also pinholes in the center of each border and a small stain on the middle of the left border. Very Fine-.
Meet John Doe (Warner Brothers, 1941). One Sheet (27" X 41").
Offered in this lot is the original release poster, in unrestored condition, for the American release of Frank Capra's classic, socially-conscious tale about the common man. This was the first of Capra's independent productions--he mortgaged his own home to finance it. Gary Cooper and Barbara Stanwyck star in this tale of caution against fascism. This lovely poster, with beautiful renderings of the stars taken from a photo by George Hurrell, has fold separation, pinholes in the corners and borders, some fold wear and some foxing and staining within the border. This is a classic poster any collector would be proud to own. Fine.
Offered in this lot is the original release poster, in unrestored condition, for the American release of Frank Capra's classic, socially-conscious tale about the common man. This was the first of Capra's independent productions--he mortgaged his own home to finance it. Gary Cooper and Barbara Stanwyck star in this tale of caution against fascism. This lovely poster, with beautiful renderings of the stars taken from a photo by George Hurrell, has fold separation, pinholes in the corners and borders, some fold wear and some foxing and staining within the border. This is a classic poster any collector would be proud to own. Fine.
Mr. Smith Goes to Washington (Columbia, 1939). Insert (14" X 36").
Jimmy Stewart achieved true stardom with this brilliant Frank Capra comedy about a local Boy Scout leader who is suddenly appointed a junior senator. Although overwhelmed at first, Mr. Smith, with the help of his cynical secretary (Jean Arthur), manages to make a difference. Stewart's still-rising star in the industry is evidenced by the fact that Arthur gets top billing! Condition includes a chip in the bottom left corner, pinholes in the borders, tears in the top border, some slight surface wrinkling, and repair tape on the reverse. Folded, Fine.
Jimmy Stewart achieved true stardom with this brilliant Frank Capra comedy about a local Boy Scout leader who is suddenly appointed a junior senator. Although overwhelmed at first, Mr. Smith, with the help of his cynical secretary (Jean Arthur), manages to make a difference. Stewart's still-rising star in the industry is evidenced by the fact that Arthur gets top billing! Condition includes a chip in the bottom left corner, pinholes in the borders, tears in the top border, some slight surface wrinkling, and repair tape on the reverse. Folded, Fine.
Kind Hearts and Coronets (Eagle Lion, 1949). British Three Sheet (40.5" X 78.5").
Robert Hamer directs this black comedy starring Alec Guinness, who portrays a line of successors to a dukedom. Dennis Price plays the illegitimate son of the Duke D'Ascoyne's daughter, Duke Louis Mazzini. Louis vows to kill anyone who stands between him and the duke's title. Consequently, Guinness dies eight times in the film, as he portrays each potential successor to the throne. This is a very rare country-of-origin three sheet for one of Ealing Studio's greatest comedy classics. Guiness would go on to do for the same studio such delightful comedies as The Lavender Hill Mob (1951), Man in the White Suit (1951), and The Ladykillers (1955). The poster had crossfold wear and separation chips and a chip in the overlap area of a crossfold. Both issues have been smoothed over with professional restoration. Fine+ on Linen.
Robert Hamer directs this black comedy starring Alec Guinness, who portrays a line of successors to a dukedom. Dennis Price plays the illegitimate son of the Duke D'Ascoyne's daughter, Duke Louis Mazzini. Louis vows to kill anyone who stands between him and the duke's title. Consequently, Guinness dies eight times in the film, as he portrays each potential successor to the throne. This is a very rare country-of-origin three sheet for one of Ealing Studio's greatest comedy classics. Guiness would go on to do for the same studio such delightful comedies as The Lavender Hill Mob (1951), Man in the White Suit (1951), and The Ladykillers (1955). The poster had crossfold wear and separation chips and a chip in the overlap area of a crossfold. Both issues have been smoothed over with professional restoration. Fine+ on Linen.
You're Telling Me (Paramount, 1934). One Sheet (27" X 41") Style A.
If you've been waiting for a really special vintage piece featuring W. C. Fields, this delightful one sheet is it! You get not one, but four clever caricatures of Fields going through his hilarious comic turns in one of his most complete films. That's the beautiful Adrienne Ames in the top left with Fields: after she rights all the comedic wrongs in his life, Fields is still unaware she is royalty and tells her, "We certainly put that princess stuff over, didn't we?" She turns to him and says, "You're Telling Me!" The poster is in exceptional original condition, with only the minor issue of the paper lifting slightly from the linen in a few areas along the edges. Very Fine+ on Linen.
If you've been waiting for a really special vintage piece featuring W. C. Fields, this delightful one sheet is it! You get not one, but four clever caricatures of Fields going through his hilarious comic turns in one of his most complete films. That's the beautiful Adrienne Ames in the top left with Fields: after she rights all the comedic wrongs in his life, Fields is still unaware she is royalty and tells her, "We certainly put that princess stuff over, didn't we?" She turns to him and says, "You're Telling Me!" The poster is in exceptional original condition, with only the minor issue of the paper lifting slightly from the linen in a few areas along the edges. Very Fine+ on Linen.
Fifth Avenue Girl (RKO, 1939). Six Sheet (81" X 81").
This is one of the best high society/romantic/screwball comedies ever made. Ginger Rogers is featured here twice on this fabulous six sheet as "Mary Grey," pretending to be the mistress of Walter Connolly. The second star of the film was the script, written by one of the best breezy dialogue writers in Tinseltown, Allan Scott (Top Hat, Follow the Fleet, Swing Time, Carefree, etc). You won't find a better large Ginger Rogers image than on this winner! There is some edge wear with small tears and chips in the left panel, small tears in the right border of all panels, and a fold tear in the bottom border of each panel. There are centerpoint crossfold separations and creases in the bottom left of one panel. Large format posters from this period are hard to find and this may be the only known example of this large format poster. Fine+.
This is one of the best high society/romantic/screwball comedies ever made. Ginger Rogers is featured here twice on this fabulous six sheet as "Mary Grey," pretending to be the mistress of Walter Connolly. The second star of the film was the script, written by one of the best breezy dialogue writers in Tinseltown, Allan Scott (Top Hat, Follow the Fleet, Swing Time, Carefree, etc). You won't find a better large Ginger Rogers image than on this winner! There is some edge wear with small tears and chips in the left panel, small tears in the right border of all panels, and a fold tear in the bottom border of each panel. There are centerpoint crossfold separations and creases in the bottom left of one panel. Large format posters from this period are hard to find and this may be the only known example of this large format poster. Fine+.
Harvey (Universal International, 1950). One Sheet (27" X 41").
You just haven't had much fun in life until you've been followed around by a "pookah" (an invisible spirit). James Stewart stars as Elwood P. Dowd, whose pookah happens to be a six-foot-tall rabbit! The poster features a cute line drawing draping his arm around Stewart in a most friendly manner. Linenbacking and expert airbrush work has addressed the small cross-fold separations and fold wear. Very Fine- on Linen.
You just haven't had much fun in life until you've been followed around by a "pookah" (an invisible spirit). James Stewart stars as Elwood P. Dowd, whose pookah happens to be a six-foot-tall rabbit! The poster features a cute line drawing draping his arm around Stewart in a most friendly manner. Linenbacking and expert airbrush work has addressed the small cross-fold separations and fold wear. Very Fine- on Linen.
Harvey (Universal International, 1950). Lobby Card Set of 8 (11" X 14").
There's good news if you're a social outcast: perhaps a "pookah" (a mischievous Celtic mythological creature) will show up to aid you! That's what happens to James Stewart in his most hilarious comedy. Here's a complete set on the title showing all the key scenes. There are corner pinholes in the title card and five card, foxing in the right border of one card, and a light crease down the center with small stains in the title card. Fine/Very Fine.
There's good news if you're a social outcast: perhaps a "pookah" (a mischievous Celtic mythological creature) will show up to aid you! That's what happens to James Stewart in his most hilarious comedy. Here's a complete set on the title showing all the key scenes. There are corner pinholes in the title card and five card, foxing in the right border of one card, and a light crease down the center with small stains in the title card. Fine/Very Fine.
Hold That Ghost (Universal, 1941). Lobby Card Set of 8, With 3 Cards CGC Graded (11" X 14").
It's always difficult to come by a complete set on this title. There are so many ways to split the set for different collectors. There's something for everyone. First of all, it's one of Bud Abbott and Lou Costello's best films. Secondly, it's one of the funniest movies to parody two staples of early cinema, the Haunted House movie and the Gangster melodrama. For musical comedy lovers, here's a great card with The Andrews Sisters doing "Sleepy Serenade", and three cards featuring Ted Lewis. There's also a very funny portrait card with the boys and the always hilarious Joan Davis. CGC has graded three of the cards 8.5 and two at 9.2. We have graded the other five cards at 8.0. A few of the five have minor pinholes, one has small creases in the upper left, and the title card has some light smudges. Very Fine.
It's always difficult to come by a complete set on this title. There are so many ways to split the set for different collectors. There's something for everyone. First of all, it's one of Bud Abbott and Lou Costello's best films. Secondly, it's one of the funniest movies to parody two staples of early cinema, the Haunted House movie and the Gangster melodrama. For musical comedy lovers, here's a great card with The Andrews Sisters doing "Sleepy Serenade", and three cards featuring Ted Lewis. There's also a very funny portrait card with the boys and the always hilarious Joan Davis. CGC has graded three of the cards 8.5 and two at 9.2. We have graded the other five cards at 8.0. A few of the five have minor pinholes, one has small creases in the upper left, and the title card has some light smudges. Very Fine.
Pulps
It's the Old Army Game (Paramount, 1926). Title Lobby Card (11" X 14").
W. C. Fields, with his legendary distaste for children, must have loved this title card for one of his funniest mid 1920s films. That's Mickey Bennett playing his nasty son. This hand-tinted title card is in remarkable condition. There are just pinholes in the left and right borders, a crease in the bottom left border, and a corner bend in the top left. Very Fine+.
W. C. Fields, with his legendary distaste for children, must have loved this title card for one of his funniest mid 1920s films. That's Mickey Bennett playing his nasty son. This hand-tinted title card is in remarkable condition. There are just pinholes in the left and right borders, a crease in the bottom left border, and a corner bend in the top left. Very Fine+.
Movie Posters
Munster, Go Home (Universal, 1966). Six Sheet (81" X 81").
The TV show The Munsters, based on the Universal monsters, became so popular that in 1966 the series spun off a feature length movie. Fred Gwynne as Herman (Frankenstein's monster) discovers he is the heir to Munster Hall in England and takes the whole family on a horrific and hilarious adventure. This poster is absolutely fantastic as it sports wonderful caricatures of the cast. Other than a couple of tiny tears along the edge, this poster is bright, white, and clean. Near Mint.
The TV show The Munsters, based on the Universal monsters, became so popular that in 1966 the series spun off a feature length movie. Fred Gwynne as Herman (Frankenstein's monster) discovers he is the heir to Munster Hall in England and takes the whole family on a horrific and hilarious adventure. This poster is absolutely fantastic as it sports wonderful caricatures of the cast. Other than a couple of tiny tears along the edge, this poster is bright, white, and clean. Near Mint.
The Philadelphia Story (MGM, 1940). Lobby Card (11" X 14").
Anyone that loves great comedies knows this scene by heart. It's the classic scene where James Stewart carries the drunk-for-only-the-second-time-in-her-life Katharine Hepburn. Cary Grant and John Howard do the slow burn while Hepburn and Stewart pull off some marvelous underplaying ("Did we..?"). Only corner pinholes and some slightly rounded corners. Very bright color! Very Fine.
Anyone that loves great comedies knows this scene by heart. It's the classic scene where James Stewart carries the drunk-for-only-the-second-time-in-her-life Katharine Hepburn. Cary Grant and John Howard do the slow burn while Hepburn and Stewart pull off some marvelous underplaying ("Did we..?"). Only corner pinholes and some slightly rounded corners. Very bright color! Very Fine.
Sullivan's Travels (Paramount, 1941). One Sheet (27" X 41") Style A.
Considered by many to be the best Preston Sturges's film, its a satire about movie making and the conflict between art and commerce as well as the gap between the privileged and the impoverished. Starring Veronica Lake at the height of her fame and co-starring Joel McCrea. This Style A one sheet is one of the finest posters from one of his films as well. There was general fold wear, with small chips and wear in the border and within the folds and has been restored to appear near mint. Fine/Very Fine on Linen.
Considered by many to be the best Preston Sturges's film, its a satire about movie making and the conflict between art and commerce as well as the gap between the privileged and the impoverished. Starring Veronica Lake at the height of her fame and co-starring Joel McCrea. This Style A one sheet is one of the finest posters from one of his films as well. There was general fold wear, with small chips and wear in the border and within the folds and has been restored to appear near mint. Fine/Very Fine on Linen.
Topper Takes a Trip (United Artists, 1943). Argentinean Poster (29.5" X 43.5") Osvaldo Venturi Art.
The sequel to Topper, this feature stars Constance Bennett, Roland Young, and Billie Burke, brought together again by director Norman Z. McLeod. Cary Grant did not reprise his role. Cosmo Topper (Young) is being sued for divorce by his wife (Burke) because of his questionable behavior while at the mercy of two mischievous ghosts. Marion Kerby (Bennett), one half of the ghost duo, is back, this time without her husband (Cary Grant) who was let into heaven without her. She decides to track down and reunite with the Topper family. Roy Seawright's special effects once again vie for top comedy honors. This first-release Argentinean poster had pinholes in the corners, edge wear along the left and right borders, and chips in the left border, bottom right corner, and top right, all of which have been addressed beautifully with professional restoration. This poster features stunning artwork by Osvaldo Venturi. Fine/Very Fine on Linen.
The sequel to Topper, this feature stars Constance Bennett, Roland Young, and Billie Burke, brought together again by director Norman Z. McLeod. Cary Grant did not reprise his role. Cosmo Topper (Young) is being sued for divorce by his wife (Burke) because of his questionable behavior while at the mercy of two mischievous ghosts. Marion Kerby (Bennett), one half of the ghost duo, is back, this time without her husband (Cary Grant) who was let into heaven without her. She decides to track down and reunite with the Topper family. Roy Seawright's special effects once again vie for top comedy honors. This first-release Argentinean poster had pinholes in the corners, edge wear along the left and right borders, and chips in the left border, bottom right corner, and top right, all of which have been addressed beautifully with professional restoration. This poster features stunning artwork by Osvaldo Venturi. Fine/Very Fine on Linen.
Tovarich (Warner Brothers, 1937). One Sheet (27" X 41").
Claudette Colbert and Charles Boyer portray a pair of Russian nobles forced to flee their homeland during the Bolshevik revolution. In order to survive, they take jobs as servants in a house in Paris until their identities are exposed by a Bolshevist policeman (Basil Rathbone). Colbert had a flair for comedy and this Anatole Litvak production was a huge hit. The one sheet is seldom offered and this copy is in exceptional condition with only minor color touch to the fold lines. Very Fine+ on Linen.
Claudette Colbert and Charles Boyer portray a pair of Russian nobles forced to flee their homeland during the Bolshevik revolution. In order to survive, they take jobs as servants in a house in Paris until their identities are exposed by a Bolshevist policeman (Basil Rathbone). Colbert had a flair for comedy and this Anatole Litvak production was a huge hit. The one sheet is seldom offered and this copy is in exceptional condition with only minor color touch to the fold lines. Very Fine+ on Linen.
Woman of the Year (MGM, 1942). One Sheet (27" X 41") Style D.
Still widely considered the best of the Katherine Hepburn/Spencer Tracy films and assuredly one of director George Stevens' best, Woman of the Year received two Academy Award nominations, Best Actress and Best Original Screenplay. This lovely one sheet has some fold separation at the upper left fold which has been supported with brown paper tape on the verso. There is also separation of the upper vertical fold and some minor chips around the border. We've never offered this rare style one sheet before and are very pleased to have it in this auction. Fine/Very Fine.
Still widely considered the best of the Katherine Hepburn/Spencer Tracy films and assuredly one of director George Stevens' best, Woman of the Year received two Academy Award nominations, Best Actress and Best Original Screenplay. This lovely one sheet has some fold separation at the upper left fold which has been supported with brown paper tape on the verso. There is also separation of the upper vertical fold and some minor chips around the border. We've never offered this rare style one sheet before and are very pleased to have it in this auction. Fine/Very Fine.
Woman of the Year (MGM, 1942). One Sheet (27" X 41") Style C.
Katharine Hepburn and Spencer Tracy co-star together for the first time in this winning comedy. George Stevens put the two actors to the test with an Oscar-winning screenplay. The results were spectacular! Hepburn and Tracy were a hit. They made eight more films together and spent the next twenty-five years together as a couple. The poster had pinholes in the corners, some fold wear, and a slight amount of paper loss at the crossfolds There are some repaired creases within the upper brown title block. The poster displays beautiful colors and appears near mint. Fine+ on Linen.
Katharine Hepburn and Spencer Tracy co-star together for the first time in this winning comedy. George Stevens put the two actors to the test with an Oscar-winning screenplay. The results were spectacular! Hepburn and Tracy were a hit. They made eight more films together and spent the next twenty-five years together as a couple. The poster had pinholes in the corners, some fold wear, and a slight amount of paper loss at the crossfolds There are some repaired creases within the upper brown title block. The poster displays beautiful colors and appears near mint. Fine+ on Linen.
Three Stooges in Fiddlers Three (Columbia, 1948). One Sheet (27" X 41").
Shemp Howard was one of the original Stooges until 1930 when he was replaced by Curly. Then, when Curly had his stroke in 1947, Shemp returned to the group. This short from 1947, one of their best, features him, Moe, and Larry Fine. This poster shows wear in the form of pinholes in the corners and lower border, multiple creases along all fold lines, and slight chipping to the center-points that have been reinforced with tape on the back. Fine-.
Shemp Howard was one of the original Stooges until 1930 when he was replaced by Curly. Then, when Curly had his stroke in 1947, Shemp returned to the group. This short from 1947, one of their best, features him, Moe, and Larry Fine. This poster shows wear in the form of pinholes in the corners and lower border, multiple creases along all fold lines, and slight chipping to the center-points that have been reinforced with tape on the back. Fine-.
Loose Loot (Columbia, 1953). One Sheet (27" X 41").
You have to love any performers with the kind of tenacity the four on this one sheet exhibited in their careers. This is the 146th Three Stooges short, with Shemp as the third Stooge in this one. That's lovely Suzanne Ridgway, who appeared in nine Stooges. She made over 150 films, making 17 in 1950 alone! She appears as a chorus dancer in Gone With the Wind, Citizen Kane, and many other great films! Don't overlook this short subject title with paper that's always been in short supply. There is some edge wear in the top left border, a smudge in the top left, a corner bend in the top right, and a light stamp bleedthrough from the verso in the title area. MP Grading: Very Fine.
You have to love any performers with the kind of tenacity the four on this one sheet exhibited in their careers. This is the 146th Three Stooges short, with Shemp as the third Stooge in this one. That's lovely Suzanne Ridgway, who appeared in nine Stooges. She made over 150 films, making 17 in 1950 alone! She appears as a chorus dancer in Gone With the Wind, Citizen Kane, and many other great films! Don't overlook this short subject title with paper that's always been in short supply. There is some edge wear in the top left border, a smudge in the top left, a corner bend in the top right, and a light stamp bleedthrough from the verso in the title area. MP Grading: Very Fine.
Three Stooges in Some More of Samoa (Columbia, 1941). One Sheet (27.5" X 41").
Posters on the Three Stooges shorts are always a joy to find and this one's a doozy. This is #59 out of the 190 shorts the boys made for Columbia, with our beloved kings of slapstick clowning as "cannibals" devouring two chorus cuties on the island of "Rhum Boogie" (after the song immortalized by the Andrews Sisters). Up in the top right corner is a fun shot of Curly about to be eaten by real cannibals! There is some minimal touch-up and top notch linenbacking by Poster Mountain for fold wear, border replacement on the left and bottom, chips in the right border, and a hole above "of" in the white background. Very Good on Linen.
Posters on the Three Stooges shorts are always a joy to find and this one's a doozy. This is #59 out of the 190 shorts the boys made for Columbia, with our beloved kings of slapstick clowning as "cannibals" devouring two chorus cuties on the island of "Rhum Boogie" (after the song immortalized by the Andrews Sisters). Up in the top right corner is a fun shot of Curly about to be eaten by real cannibals! There is some minimal touch-up and top notch linenbacking by Poster Mountain for fold wear, border replacement on the left and bottom, chips in the right border, and a hole above "of" in the white background. Very Good on Linen.
The Three Stooges in Healthy, Wealthy and Dumb (Columbia, 1938). Title Lobby Card (11" X 14").
The Three Stooges were among the screen's greatest comedians and this short is considered one of their best as the boys move into the Hotel Costa Plente after winning the lottery. They proceed to dismantle everything around them with their usual mayhem and slapstick. This card is from the collection of Moe Howard himself and was used on the inside cover of the hardback book "Three Stooges Scrapbook" by Moe's daughter, Joan Howard Maurer. The card shows the most minimal wear to the corners and has one piece of tape on the back. This is a truly great item from the collection of the original Stooge himself. Very Fine+.
The Three Stooges were among the screen's greatest comedians and this short is considered one of their best as the boys move into the Hotel Costa Plente after winning the lottery. They proceed to dismantle everything around them with their usual mayhem and slapstick. This card is from the collection of Moe Howard himself and was used on the inside cover of the hardback book "Three Stooges Scrapbook" by Moe's daughter, Joan Howard Maurer. The card shows the most minimal wear to the corners and has one piece of tape on the back. This is a truly great item from the collection of the original Stooge himself. Very Fine+.
At the Circus (MGM, 1939). French Grande (47" X 63").
Hired-hand Antonio (Chico Marx), hanger-on Punchy (Harpo Marx), and shyster lawyer J. Cheever Loophole (Groucho Marx) help save the day when a circus owner is about to lose everything. Groucho's spirited rendition of "Lydia, the Tattooed Lady" is the highlight of this Marx Brothers comedy, which co-stars Margaret Dumont and Eve Arden. This superb French grande features colorful caricature artwork by Poapoisso, and is in terrific condition. Crossfold separations at the bottom fold and a small tear near the "A" in "Marx" were the only issues, and these have been smoothed over with professional restoration. Marx Brothers paper of any type is always in demand, so don't miss your chance to pick up this classic sheet. Very Fine+ on Linen.
Hired-hand Antonio (Chico Marx), hanger-on Punchy (Harpo Marx), and shyster lawyer J. Cheever Loophole (Groucho Marx) help save the day when a circus owner is about to lose everything. Groucho's spirited rendition of "Lydia, the Tattooed Lady" is the highlight of this Marx Brothers comedy, which co-stars Margaret Dumont and Eve Arden. This superb French grande features colorful caricature artwork by Poapoisso, and is in terrific condition. Crossfold separations at the bottom fold and a small tear near the "A" in "Marx" were the only issues, and these have been smoothed over with professional restoration. Marx Brothers paper of any type is always in demand, so don't miss your chance to pick up this classic sheet. Very Fine+ on Linen.
Room Service (RKO, 1938). Title Lobby Card (11" X 14").
A title card that's as fun as the film itself! The card features oversize heads on the bodies, with typical comedic mania from the brothers: Groucho grabbing a poor maid while Harpo gleefully watches the action up close with a telescope! Chico admonishes them playfully from behind the door. There is a nice photo inset in the lower left with Lucille Ball. The card has had some restoration for border pinholes, a small tear in the left and bottom borders, and a small chip in the bottom right border. 1930s Marx Bros. title cards are few and very far between. Don't miss this one! Fine/Very Fine.
A title card that's as fun as the film itself! The card features oversize heads on the bodies, with typical comedic mania from the brothers: Groucho grabbing a poor maid while Harpo gleefully watches the action up close with a telescope! Chico admonishes them playfully from behind the door. There is a nice photo inset in the lower left with Lucille Ball. The card has had some restoration for border pinholes, a small tear in the left and bottom borders, and a small chip in the bottom right border. 1930s Marx Bros. title cards are few and very far between. Don't miss this one! Fine/Very Fine.
Room Service (RKO, 1938). Lobby Cards (2) (11" X 14").
Two more terrific cards from the Marx Brothers fun romp, Room Service. This lot includes the card featuring the three brothers plus Lucille Ball and Ann Miller. The cards have had restoration. On the Lucille Ball card there were border and image pinholes and a small tear in the bottom border. The other card has border pinholes along with a tear and small hole in the top border. Fine/Very Fine.
Two more terrific cards from the Marx Brothers fun romp, Room Service. This lot includes the card featuring the three brothers plus Lucille Ball and Ann Miller. The cards have had restoration. On the Lucille Ball card there were border and image pinholes and a small tear in the bottom border. The other card has border pinholes along with a tear and small hole in the top border. Fine/Very Fine.
Room Service (RKO, 1938). Lobby Cards (2) (11" X 14").
Two key cards from the lobby set, with all three Marx Brothers in each card. And one of the cards has a very pretty lady on the far right--Lucille Ball! The cards have had some restoration for border pinholes in the Ball card and border pinholes in the bed scene. The Ball card has tears in the border, with one in the bottom that goes into the art, a bottom left corner bend, and some light smudges. The bed scene has a bottom right corner bend. Fine/Very Fine.
Two key cards from the lobby set, with all three Marx Brothers in each card. And one of the cards has a very pretty lady on the far right--Lucille Ball! The cards have had some restoration for border pinholes in the Ball card and border pinholes in the bed scene. The Ball card has tears in the border, with one in the bottom that goes into the art, a bottom left corner bend, and some light smudges. The bed scene has a bottom right corner bend. Fine/Very Fine.
Room Service (RKO, 1938). Lobby Cards (2) (11" X 14").
What a plus to have famed caricaturist, Al Hirschfeld, draw great shots of the Marx Brothers on the borders of these fun cards. There's a great scene with a young Lucille Ball attending to the "dead" Harpo while his brothers look guilefully askance! The other card has Frank Albertson pretending to be sick while Alexander Asro feeds them, having been promised a part in Groucho's play. No one ever made lunacy look so inviting! Both cards have center image pinholes, and only one has pinholes in the corners. The Lucille Ball card has some border smudging. Fine/Very Fine.
What a plus to have famed caricaturist, Al Hirschfeld, draw great shots of the Marx Brothers on the borders of these fun cards. There's a great scene with a young Lucille Ball attending to the "dead" Harpo while his brothers look guilefully askance! The other card has Frank Albertson pretending to be sick while Alexander Asro feeds them, having been promised a part in Groucho's play. No one ever made lunacy look so inviting! Both cards have center image pinholes, and only one has pinholes in the corners. The Lucille Ball card has some border smudging. Fine/Very Fine.
That's My Wife (MGM, 1929). One Sheet (27" X 41").
Stan Laurel and Oliver Hardy star in this hilarious comedy short, one of their last silents. Hardy and his wife get in an argument and she leaves. But his rich uncle is coming to visit and he must appear happily married. So, of course, Hardy convinces Laurel to dress up as his wife to meet his uncle. Considered to be one of their funniest late period silents, posters for That's My Wife are virtually non-existent. This rare example is in beautiful, unrestored condition. There are pinholes in the top corners, with one small bit of paper loss where one was pulled, light fold wear with small edge tears, and a very small bit of paper loss on the bottom border. Some small bits of archival tape have been applied to the bottom horizontal fold on the reverse. Brilliant, rich color on this stone litho one sheet. Fine/Very Fine.
Stan Laurel and Oliver Hardy star in this hilarious comedy short, one of their last silents. Hardy and his wife get in an argument and she leaves. But his rich uncle is coming to visit and he must appear happily married. So, of course, Hardy convinces Laurel to dress up as his wife to meet his uncle. Considered to be one of their funniest late period silents, posters for That's My Wife are virtually non-existent. This rare example is in beautiful, unrestored condition. There are pinholes in the top corners, with one small bit of paper loss where one was pulled, light fold wear with small edge tears, and a very small bit of paper loss on the bottom border. Some small bits of archival tape have been applied to the bottom horizontal fold on the reverse. Brilliant, rich color on this stone litho one sheet. Fine/Very Fine.
Babes in Toyland (MGM, 1934). Lobby Card (11" X 14").
The bumbling apprentices of the master toymaker of "Toyland" were the perfect characters for Stan Laurel and Oliver Hardy to portray in this entrancing interpretation of the classic Victor Herbert operetta. The boys are on a quest raising enough money to pay off the mortgage on the oversized shoe the Widow Peep (Florence Roberts) calls home, before pretty Little Bo Peep (Charlotte Henry) is forced to marry the horrendous Silas Barnaby (Henry Brandon) instead. This impossible to find MGM lobby card, with its varnish type finish and gorgeous muted colors, is one of the best in the set, showing all the main characters. It has some slight surface paper loss in the top border, a small stain in the bottom border, and a corner bump with paper lift in the bottom left corner. None of these small flaws detract significantly from this exquisite beauty. For any lover of true comic genius, this card is a great addition to your collection. Fine+.
The bumbling apprentices of the master toymaker of "Toyland" were the perfect characters for Stan Laurel and Oliver Hardy to portray in this entrancing interpretation of the classic Victor Herbert operetta. The boys are on a quest raising enough money to pay off the mortgage on the oversized shoe the Widow Peep (Florence Roberts) calls home, before pretty Little Bo Peep (Charlotte Henry) is forced to marry the horrendous Silas Barnaby (Henry Brandon) instead. This impossible to find MGM lobby card, with its varnish type finish and gorgeous muted colors, is one of the best in the set, showing all the main characters. It has some slight surface paper loss in the top border, a small stain in the bottom border, and a corner bump with paper lift in the bottom left corner. None of these small flaws detract significantly from this exquisite beauty. For any lover of true comic genius, this card is a great addition to your collection. Fine+.
The Bohemian Girl (MGM, 1936). Pre-War Italian Foglio (27.75" X 39.25").
If there's one type of poster we're always proud to offer, it's pre-war Italian posters, and here's a great example why. This poster delights from any angle with the gorgeous pastel-hued palette chosen by artist G. Canestrari. He shows Oliver Hardy with his usual "puttin' on the high hat" attitude while Stan Laurel cheers him on with a frosty mug of beer. This very rare, pre-war foglio has been mounted on linen and shows only a minor chip at the right border along with pinholes in the corners and in the top border. The linen has been trimmed to the edge of the poster. Very Fine on Linen.
If there's one type of poster we're always proud to offer, it's pre-war Italian posters, and here's a great example why. This poster delights from any angle with the gorgeous pastel-hued palette chosen by artist G. Canestrari. He shows Oliver Hardy with his usual "puttin' on the high hat" attitude while Stan Laurel cheers him on with a frosty mug of beer. This very rare, pre-war foglio has been mounted on linen and shows only a minor chip at the right border along with pinholes in the corners and in the top border. The linen has been trimmed to the edge of the poster. Very Fine on Linen.
The Bohemian Girl (MGM, 1945). Belgian First-Release Poster (11" X 16.75").
This is quite a find! It's the first Belgian release of Bohemian Girl in Brussels, just after the war ended. Due to the extreme paper shortage, the theatres took the pre-war posters (20" X 30") and cut them into fourth's, resulting in this smaller size. This size only appeared for a year or two until they began printing paper and went to the 14" X 22" format. As a special bonus, you are getting one fourth of Arsene Lupin Returns which was released in Belgium in 1938! This delightful artwork is far superior to that of the subsequent Belgian re-release in the late '50s-early '60s. There are pinholes in the corners and top borders, small tears on the left border, extra horizontal creases and folds, some paper residue in the imprint area where a snipe was removed, a tax stamp in the imprint area, and light surface paper loss in the lower right where a tax stamp was removed. Fine.
This is quite a find! It's the first Belgian release of Bohemian Girl in Brussels, just after the war ended. Due to the extreme paper shortage, the theatres took the pre-war posters (20" X 30") and cut them into fourth's, resulting in this smaller size. This size only appeared for a year or two until they began printing paper and went to the 14" X 22" format. As a special bonus, you are getting one fourth of Arsene Lupin Returns which was released in Belgium in 1938! This delightful artwork is far superior to that of the subsequent Belgian re-release in the late '50s-early '60s. There are pinholes in the corners and top borders, small tears on the left border, extra horizontal creases and folds, some paper residue in the imprint area where a snipe was removed, a tax stamp in the imprint area, and light surface paper loss in the lower right where a tax stamp was removed. Fine.
Sons of the Desert (MGM, 1933). Lobby Card (11" X 14").
In this fine comedic moment, we get Stan Laurel and Oliver Hardy in a couple of their classic poses. As Laurel gets the heave-ho from the missus (Dorothy Christy), Ollie stands helplessly by, with his ever delicate touch-of-the-fingers pushing against the door. Near wrapper-fresh, this card has only a minuscule trim in the top border and is otherwise a mint card! Very Fine+.
In this fine comedic moment, we get Stan Laurel and Oliver Hardy in a couple of their classic poses. As Laurel gets the heave-ho from the missus (Dorothy Christy), Ollie stands helplessly by, with his ever delicate touch-of-the-fingers pushing against the door. Near wrapper-fresh, this card has only a minuscule trim in the top border and is otherwise a mint card! Very Fine+.
The General (United Artists, 1927). Lobby Card (11" X 14").
When the Civil War erupts, the great locomotive engine known as "The General" is stolen by the North, and its engineer (Buster Keaton) tries everything to get it--and his would-be girlfriend Marion Mack--back. This lobby card had pinholes, a small tear in the bottom border, and chips in the left border and bottom left corner. Some restoration has been done, mostly to the borders. Fine/Very Fine.
When the Civil War erupts, the great locomotive engine known as "The General" is stolen by the North, and its engineer (Buster Keaton) tries everything to get it--and his would-be girlfriend Marion Mack--back. This lobby card had pinholes, a small tear in the bottom border, and chips in the left border and bottom left corner. Some restoration has been done, mostly to the borders. Fine/Very Fine.
Go West (MGM, 1925). Window Card (14" X 22").
What a fun poster! Only Buster Keaton could dead pan while his kidneys are being thrown up through his ears by a raging bull. And only Keaton, playing the character "Friendless," would lead a herd of cattle through downtown Los Angeles. This knockout window card has had some top flight restoration with with some spot-on touch-up in the borders. There is a tear in the middle field, a small tear above the title, and some minor creasing. Fine/Very Fine on Cardstock.
What a fun poster! Only Buster Keaton could dead pan while his kidneys are being thrown up through his ears by a raging bull. And only Keaton, playing the character "Friendless," would lead a herd of cattle through downtown Los Angeles. This knockout window card has had some top flight restoration with with some spot-on touch-up in the borders. There is a tear in the middle field, a small tear above the title, and some minor creasing. Fine/Very Fine on Cardstock.
Neighbors (Metro, 1920). Lobby Card (11" X 14").
One of Buster Keaton's funniest shorts. That's Mack Sennett bathing beauty Virginia Fox as the love interest in this Romeo and Juliet script. The warring parents have disapproved of the romance and the police are dragging Buster away! Prior to the very professional restoration, there were corner chips in the top border and enlarged pinholes in the bottom border. Fine.
One of Buster Keaton's funniest shorts. That's Mack Sennett bathing beauty Virginia Fox as the love interest in this Romeo and Juliet script. The warring parents have disapproved of the romance and the police are dragging Buster away! Prior to the very professional restoration, there were corner chips in the top border and enlarged pinholes in the bottom border. Fine.
Our Hospitality (Metro, 1923). Lobby Card (11" X 14").
The Canfield brothers (Ralph Bushman and Craig Ward) try to find Buster Keaton and shoot him! He, of course, is totally oblivious to events around him. Keaton's second feature film is a good one, with many great sight gags in the film, including the one featured on this card. One of our favorite characters to make an appearance in this movie is the family dog, who runs alongside Keaton's steam train all the way from New York to the Blue Ridge Mountains! There are only light creases in the top right corner, a faint stain in the left side, a detached corner in the top right, and a small tear in the top border. Fine/Very Fine.
The Canfield brothers (Ralph Bushman and Craig Ward) try to find Buster Keaton and shoot him! He, of course, is totally oblivious to events around him. Keaton's second feature film is a good one, with many great sight gags in the film, including the one featured on this card. One of our favorite characters to make an appearance in this movie is the family dog, who runs alongside Keaton's steam train all the way from New York to the Blue Ridge Mountains! There are only light creases in the top right corner, a faint stain in the left side, a detached corner in the top right, and a small tear in the top border. Fine/Very Fine.
The Passionate Plumber (MGM, 1932). One Sheet (27" X 41").
This was the first of three films that classic silent film artist Buster Keaton would make with Jimmy Durante. MGM didn't know what to do with Keaton at this period and relegated him to some lesser projects. Keaton's career and life would suffer dramatically at this time as he turned to the bottle. This lovely stone litho poster, featuring Keaton, Durante and the comedienne Polly Moran, has had the right and a bit of the left border trimmed. Minor fold line touch-up. The restoration on this poster was beautifully done and it displays very well. This is a very rare window card style one sheet which MGM made for a limited time during 1932. Fine on Linen.
This was the first of three films that classic silent film artist Buster Keaton would make with Jimmy Durante. MGM didn't know what to do with Keaton at this period and relegated him to some lesser projects. Keaton's career and life would suffer dramatically at this time as he turned to the bottle. This lovely stone litho poster, featuring Keaton, Durante and the comedienne Polly Moran, has had the right and a bit of the left border trimmed. Minor fold line touch-up. The restoration on this poster was beautifully done and it displays very well. This is a very rare window card style one sheet which MGM made for a limited time during 1932. Fine on Linen.
The Public Enemy (Warner Brothers, 1931). Window Card (14" X 22").
One of the most important films from pre-Code Hollywood, this is the role that made James Cagney famous and put Warner Brothers Studio on the map. Co-starring Blonde Bombshell Jean Harlow, the film was about the rise and fall of Tom Powers (Cagney), a small time hood who makes it big in the world of Prohibition bootlegging. This is a wonderful original release window card from the famous film. Prior to professional restoration the card had some water staining in the lower portion of the card and soiling around the white borders and the top 2" of the blank imprint area had been trimmed. The card has been cleaned and the white field has had airbrush work with the top replaced. The card now displays beautifully. Fine+.
One of the most important films from pre-Code Hollywood, this is the role that made James Cagney famous and put Warner Brothers Studio on the map. Co-starring Blonde Bombshell Jean Harlow, the film was about the rise and fall of Tom Powers (Cagney), a small time hood who makes it big in the world of Prohibition bootlegging. This is a wonderful original release window card from the famous film. Prior to professional restoration the card had some water staining in the lower portion of the card and soiling around the white borders and the top 2" of the blank imprint area had been trimmed. The card has been cleaned and the white field has had airbrush work with the top replaced. The card now displays beautifully. Fine+.
20,000 Years in Sing Sing (First National, 1932). One Sheet (27" X 41").
This film was based upon a non-fiction book by the former warden of Sing Sing, Lewis Lawes, directed by Michael Curtiz (Casablanca, Sea Hawk, Mildred Pierce), and starred Spencer Tracy and Bette Davis in very early roles. The posters from this film have always been scarce. This rare and gorgeous stone litho one sheet is fairly atypical of the period, featuring mainly the very Deco title graphic against a stylized prison wall. The poster had foxing in the borders, small tears in the bottom left corner, and slight fold wear, all of which has been addressed with professional restoration, including touch-ups to the fold lines. The linen has been trimmed to the edge of the poster. Very Fine- on Linen.
This film was based upon a non-fiction book by the former warden of Sing Sing, Lewis Lawes, directed by Michael Curtiz (Casablanca, Sea Hawk, Mildred Pierce), and starred Spencer Tracy and Bette Davis in very early roles. The posters from this film have always been scarce. This rare and gorgeous stone litho one sheet is fairly atypical of the period, featuring mainly the very Deco title graphic against a stylized prison wall. The poster had foxing in the borders, small tears in the bottom left corner, and slight fold wear, all of which has been addressed with professional restoration, including touch-ups to the fold lines. The linen has been trimmed to the edge of the poster. Very Fine- on Linen.
The Amazing Dr. Clitterhouse (Warner Brothers, 1938). Window Card (14" X 22").
This is some fine artwork for one of Edward G. Robinson's more interesting roles as the "Professor," who studies criminals for scientific reasons. Humphrey Bogart plays one of his best-named characters--what else would you call a jewel thief--"Rocks Valentine"! Clare Trevor even gets the glam treatment as "Jo", the jewel fence. The window card has been restored on cardstock, with some great touch-up work on a horizontal fold across the center of the poster, the white imprint area and borders, and a bottom right corner bend. Fine/Very Fine on Cardstock.
This is some fine artwork for one of Edward G. Robinson's more interesting roles as the "Professor," who studies criminals for scientific reasons. Humphrey Bogart plays one of his best-named characters--what else would you call a jewel thief--"Rocks Valentine"! Clare Trevor even gets the glam treatment as "Jo", the jewel fence. The window card has been restored on cardstock, with some great touch-up work on a horizontal fold across the center of the poster, the white imprint area and borders, and a bottom right corner bend. Fine/Very Fine on Cardstock.
Marked Woman (Warner Brothers, 1937). One Sheet (27" X 41").
This compelling gangster story, based on the life of Lucky Luciano, is about "night club hostess" Bette Davis, a call girl with a heart of gold, who stands up to mobster Eduardo Ciannelli and takes a beating for her troubles. After those same mobsters killed Davis' sister, she turns state's evidence on Ciannelli with the help of crusading District Attorney Humphrey Bogart. This superb portrait is a must-have for Bette Davis fans and features a superb portrait of a youthful Davis decked out in a swanky red dress. There are pinholes in the corners and borders, some light fold wear with crossfold separations, and light wrinkles in the right border. Fine/Very Fine.
This compelling gangster story, based on the life of Lucky Luciano, is about "night club hostess" Bette Davis, a call girl with a heart of gold, who stands up to mobster Eduardo Ciannelli and takes a beating for her troubles. After those same mobsters killed Davis' sister, she turns state's evidence on Ciannelli with the help of crusading District Attorney Humphrey Bogart. This superb portrait is a must-have for Bette Davis fans and features a superb portrait of a youthful Davis decked out in a swanky red dress. There are pinholes in the corners and borders, some light fold wear with crossfold separations, and light wrinkles in the right border. Fine/Very Fine.
Marked Woman (Warner Brothers, 1937). Lobby Cards (4) (11" X 14").
This lot contains half the lobby card set from one of the top Bette Davis films in the 1930s. Included are three Davis portrait cards, including the hardest one to find, the only card in which Humphrey Bogart appears. Another super card features the gathering of the ladies on the couch. That's the future Mrs. Humphrey Bogart, Mayo Methot, in the gold draped dress. These are original varnish finish Warner Brothers cards. There are top center pinholes and corner creases in all, minor border smudges, and a vertical crease in one of the Davis portrait cards. From the Estate of Andrew Weimer Gard. Fine+.
This lot contains half the lobby card set from one of the top Bette Davis films in the 1930s. Included are three Davis portrait cards, including the hardest one to find, the only card in which Humphrey Bogart appears. Another super card features the gathering of the ladies on the couch. That's the future Mrs. Humphrey Bogart, Mayo Methot, in the gold draped dress. These are original varnish finish Warner Brothers cards. There are top center pinholes and corner creases in all, minor border smudges, and a vertical crease in one of the Davis portrait cards. From the Estate of Andrew Weimer Gard. Fine+.
Marked Woman (Warner Brothers, 1937). Title Lobby Card and Lobby Cards (3) (11" X 14").
After Bette Davis sued Warner Brothers over "inferior" scripts being offered her, this was the first one she filmed upon returning to the fold (she lost the lawsuit). It was a good choice. Marked Woman stars Davis in one of her best roles as a "night club hostess" (changed from the real-life prostitutes of the Thomas E. Dewey/Lucky Luciano inspired exploits). Offered here are the original varnish finish Warner Brothers cards. The title card has a pinhole in the top center border, a small tear with a stain in the bottom border, and small creasing in the top left corner. There are corner creases and light surface creasing in all the cards in addition to slightly rounded corners. The scene cards have corner pinholes. There are small tears in the bottom border of one, and a chip in the top left corner of another. From the Estate of Andrew Weimer Gard. Fine+.
After Bette Davis sued Warner Brothers over "inferior" scripts being offered her, this was the first one she filmed upon returning to the fold (she lost the lawsuit). It was a good choice. Marked Woman stars Davis in one of her best roles as a "night club hostess" (changed from the real-life prostitutes of the Thomas E. Dewey/Lucky Luciano inspired exploits). Offered here are the original varnish finish Warner Brothers cards. The title card has a pinhole in the top center border, a small tear with a stain in the bottom border, and small creasing in the top left corner. There are corner creases and light surface creasing in all the cards in addition to slightly rounded corners. The scene cards have corner pinholes. There are small tears in the bottom border of one, and a chip in the top left corner of another. From the Estate of Andrew Weimer Gard. Fine+.
The Perfect Crime (Film Booking Offices, 1928). CGC Graded Title Lobby Card (11" X 14").
There's wonderful shading and a hidden light source on this atmospheric title card, featuring Clive Brook shrinking away from his fate while the noose waits for him. The image successfully echoes the lighting and camera work done on this film by the brilliant James Wong Howe. The card has been CGC graded Very Fine+.
There's wonderful shading and a hidden light source on this atmospheric title card, featuring Clive Brook shrinking away from his fate while the noose waits for him. The image successfully echoes the lighting and camera work done on this film by the brilliant James Wong Howe. The card has been CGC graded Very Fine+.
I Am a Fugitive From a Chain Gang (Warner Brothers, 1932). Lobby Card (11" X 14").
Paul Muni gave a true breakout performance in this classic Depression-era story about a man wrongly convicted of robbery and sentenced to work in a chain gang. The card has small border tears, surface creasing, corner bumps and bends, and paper tape on the reverse. Fine+.
Paul Muni gave a true breakout performance in this classic Depression-era story about a man wrongly convicted of robbery and sentenced to work in a chain gang. The card has small border tears, surface creasing, corner bumps and bends, and paper tape on the reverse. Fine+.
Bullitt (Warner Brothers, 1968). Three Sheet (41" X 81").
Steve McQueen defines the words "tough cop" in this action-packed thriller about a police officer who sets out to track down an underworld bigshot who killed a witness under his protection. The famed car chase scene--in which McQueen did all his own driving--set a new standard for all such action sequences to come. This three sheet format poster is a very scarce commodity and, with the large leering image of McQueen, is sure to be the highlight of a great 1960s film poster collection. This folded poster is unused and in absolutely beautiful condition. Very Fine+.
Steve McQueen defines the words "tough cop" in this action-packed thriller about a police officer who sets out to track down an underworld bigshot who killed a witness under his protection. The famed car chase scene--in which McQueen did all his own driving--set a new standard for all such action sequences to come. This three sheet format poster is a very scarce commodity and, with the large leering image of McQueen, is sure to be the highlight of a great 1960s film poster collection. This folded poster is unused and in absolutely beautiful condition. Very Fine+.
Bullitt (Warner Brothers, 1968). Six Sheet (81" X 81").
Steve McQueen played Lt. Frank Bullitt, a San Francisco detective with a penchant for extreme violence, and set the format for the "Dirty Harry" series that followed three years later. McQueen's signature role is well represented by this beautiful and rare six sheet that had very minor fold separations and touch-up to the folds. Very Fine on Linen.
Steve McQueen played Lt. Frank Bullitt, a San Francisco detective with a penchant for extreme violence, and set the format for the "Dirty Harry" series that followed three years later. McQueen's signature role is well represented by this beautiful and rare six sheet that had very minor fold separations and touch-up to the folds. Very Fine on Linen.
Dirty Harry (Warner Brothers, 1971). Three Sheet (41" X 81").
Don Siegel directed this brash cop thriller, loosely based on the Zodiac case that had terrorized California a few years earlier. Clint Eastwood was not the first choice to portray the rule-breaking Harry Callahan (John Wayne and Frank Sinatra both turned it down), but he made the part his own, and a legend--not to mention a franchise--was born. This amazing three sheet, with an iconic image of Eastwood, is in spectacular condition, earning the highest grade allowed for a linen-backed poster. Very Fine+ on Linen.
Don Siegel directed this brash cop thriller, loosely based on the Zodiac case that had terrorized California a few years earlier. Clint Eastwood was not the first choice to portray the rule-breaking Harry Callahan (John Wayne and Frank Sinatra both turned it down), but he made the part his own, and a legend--not to mention a franchise--was born. This amazing three sheet, with an iconic image of Eastwood, is in spectacular condition, earning the highest grade allowed for a linen-backed poster. Very Fine+ on Linen.
Ocean's 11 (Warner Brothers, 1960). Lobby Card Set of 8 (11" X 14").
The entire Rat Pack is featured on this incredible set of lobby cards. Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, Joey Bishop and Angie Dickinson star in this crime caper that defined the word "cool". The condition of this set is spectacular as well with only the #1 card showing some slight foxing around the edges. Without a doubt, items on this title are among the most sought after of the swinging sixties. Very Fine/Near Mint.
The entire Rat Pack is featured on this incredible set of lobby cards. Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, Joey Bishop and Angie Dickinson star in this crime caper that defined the word "cool". The condition of this set is spectacular as well with only the #1 card showing some slight foxing around the edges. Without a doubt, items on this title are among the most sought after of the swinging sixties. Very Fine/Near Mint.
Ocean's 11 Lot (Warner Brothers, 1960). One Sheet (27" X 41") and Lobby Cards (2) (11" X 14").
This one sheet features portraits of all five of the major stars for one of the coolest caper movies ever made. The lot also includes two lobby cards, both featuring Frank Sinatra. The one sheet has staple holes in the corners and background, ghosting from the printing process in the borders and background, a tear in the top right corner, and a crease in the bottom left corner. One card has pinholes in the border, stains from tape, and tape on the verso, and the other card has a crease. Fine/Very Fine.
This one sheet features portraits of all five of the major stars for one of the coolest caper movies ever made. The lot also includes two lobby cards, both featuring Frank Sinatra. The one sheet has staple holes in the corners and background, ghosting from the printing process in the borders and background, a tear in the top right corner, and a crease in the bottom left corner. One card has pinholes in the border, stains from tape, and tape on the verso, and the other card has a crease. Fine/Very Fine.
Anatomy of a Murder (Columbia, 1959). Half Sheets (3) (22" X 28") Styles A, B, and C.
This film appears on many lists as one of the best courtroom movies ever produced. This great lot features two rolled half sheets, the A and B styles, and also a folded, seldom-seen style C. The C-style was put together to tantalize audiences with an image of torpedo-bosomed Lee Remick, reclining haughtily on the sofa wearing her shades indoors! Saul Bass produced one of his best iconic logos for this film, and it dominates the style A. Rolled, and folded. Fine/Very Fine.
This film appears on many lists as one of the best courtroom movies ever produced. This great lot features two rolled half sheets, the A and B styles, and also a folded, seldom-seen style C. The C-style was put together to tantalize audiences with an image of torpedo-bosomed Lee Remick, reclining haughtily on the sofa wearing her shades indoors! Saul Bass produced one of his best iconic logos for this film, and it dominates the style A. Rolled, and folded. Fine/Very Fine.
The Man with the Golden Arm (United Artists, 1955). Banner (24" X 72").
The central image on this very scarce full size banner is the artwork of Saul Bass, creator of memorable logos for many great films. Bass cleverly chose the black paper cut-out of a twisted heroin addict's arm, noting that the arm is the single most powerful image of real addiction. That he stamped both the opening credits and most of the poster artwork with this central image, and not that of Frank Sinatra's famous face, was a stroke of genius. There are pinholes in the image, smudging in the borders, tears in the bottom right corner, and corner bends in the top left and bottom right. A chance at one of Bass's rarest pieces. Rolled, Fine.
The central image on this very scarce full size banner is the artwork of Saul Bass, creator of memorable logos for many great films. Bass cleverly chose the black paper cut-out of a twisted heroin addict's arm, noting that the arm is the single most powerful image of real addiction. That he stamped both the opening credits and most of the poster artwork with this central image, and not that of Frank Sinatra's famous face, was a stroke of genius. There are pinholes in the image, smudging in the borders, tears in the bottom right corner, and corner bends in the top left and bottom right. A chance at one of Bass's rarest pieces. Rolled, Fine.
Yellow Submarine (United Artists, 1968). One Sheet (27" X 41").
Although The Beatles were not originally interested in Yellow Submarine after the experience of their cartoon TV show and Help!, they agreed to participate purely to fulfill a contractual obligation. However, the band was so impressed by the movie that they appeared in a short live epilogue to this kaleidoscopic, visually robust film. Offered here is one of the best examples of this iconic sheet we've seen, with no condition issues to note. Near Mint.
Although The Beatles were not originally interested in Yellow Submarine after the experience of their cartoon TV show and Help!, they agreed to participate purely to fulfill a contractual obligation. However, the band was so impressed by the movie that they appeared in a short live epilogue to this kaleidoscopic, visually robust film. Offered here is one of the best examples of this iconic sheet we've seen, with no condition issues to note. Near Mint.
Yellow Submarine (United Artists, 1968). British Quad (30" X 40").
The Beatles' third film is a psychedelic cartoon that perfectly embodies the groovy vibe of the 1960s. The Blue Meanies overthrow Pepperland, draining it of all color and music, bombing it with anti-music missiles, conking people with green apples, and turning the inhabitants to stone by way of the pointed finger of a giant white glove. So, Lord Admiral sets off in the Yellow Submarine to enlist the aide of the Fab Four. This nifty British quad had a small hole in the top border and chips in the right and left borders, all of which have been smoothed over with professional restoration. Fine on Linen.
The Beatles' third film is a psychedelic cartoon that perfectly embodies the groovy vibe of the 1960s. The Blue Meanies overthrow Pepperland, draining it of all color and music, bombing it with anti-music missiles, conking people with green apples, and turning the inhabitants to stone by way of the pointed finger of a giant white glove. So, Lord Admiral sets off in the Yellow Submarine to enlist the aide of the Fab Four. This nifty British quad had a small hole in the top border and chips in the right and left borders, all of which have been smoothed over with professional restoration. Fine on Linen.
Don't Look Back (Leacock-Pennebaker, 1967). One Sheet (27" X 41").
Filmmaker D.A. Pennebaker's landmark revelation of Bob Dylan's 1965 British tour, with its exploration of a ego driven rock star and his entourage's excesses and featuring footage of Dylan's brilliant performances. If you're looking for an original theatrical release one sheet to this rock doc, look no further. This is it, printed on the traditional flimsy paper stock with the small rubber stamp on the verso. This poster has small pieces missing from the two bottom corners as well as torn pinholes in the upper corners. There has been some slight misfolding and wear in the upper horizontal fold. Posters from this original release are very scarce if not rare. Don't miss the chance to add this fine piece to your collection! Fine-.
Filmmaker D.A. Pennebaker's landmark revelation of Bob Dylan's 1965 British tour, with its exploration of a ego driven rock star and his entourage's excesses and featuring footage of Dylan's brilliant performances. If you're looking for an original theatrical release one sheet to this rock doc, look no further. This is it, printed on the traditional flimsy paper stock with the small rubber stamp on the verso. This poster has small pieces missing from the two bottom corners as well as torn pinholes in the upper corners. There has been some slight misfolding and wear in the upper horizontal fold. Posters from this original release are very scarce if not rare. Don't miss the chance to add this fine piece to your collection! Fine-.
Easy Rider (Columbia, R-1972). One Sheet (27" X 41").
This one sheet for the second release of the film (just three years later) actually has a better image than the original poster. This one shows Dennis Hopper and Peter Fonda in full biker regalia. There are some crossfold separations and some mild horizontal creasing in the top and bottom border. Very Fine+.
This one sheet for the second release of the film (just three years later) actually has a better image than the original poster. This one shows Dennis Hopper and Peter Fonda in full biker regalia. There are some crossfold separations and some mild horizontal creasing in the top and bottom border. Very Fine+.
Loving You (Paramount, R-1959). Three Sheet (41" X 81").
Elvis Presley was drafted into the US Army on 24 March 1958. There wouldn't be another Elvis film until 1960's G.I. Blues, but the demand for Elvis was so high in the late 1950s that Paramount re-released the popular Loving You, just two years after the original release, proclaiming the movie was "Back on the Screen for the First Time In a Year." Paramount used different art for the reissue than the original release. On this reissue, a yellow Elvis displays one of his signature stage moves. On the bottom of the poster there are four inset photos from the film. This poster's been professionally linenbacked and touched-up only to address some fold wear. Very Fine on Linen.
Elvis Presley was drafted into the US Army on 24 March 1958. There wouldn't be another Elvis film until 1960's G.I. Blues, but the demand for Elvis was so high in the late 1950s that Paramount re-released the popular Loving You, just two years after the original release, proclaiming the movie was "Back on the Screen for the First Time In a Year." Paramount used different art for the reissue than the original release. On this reissue, a yellow Elvis displays one of his signature stage moves. On the bottom of the poster there are four inset photos from the film. This poster's been professionally linenbacked and touched-up only to address some fold wear. Very Fine on Linen.
A Hard Day's Night (United Artists, 1964). One Sheet (27" X 41").
Time and countless imitations have blunted the innovation somewhat, but virtually everything about Richard Lester's A Hard Day's Night was fresh, original, inventive, and bracingly entertaining at the time of its debut. This "day in the life" of the Fab Four--Lennon, McCartney, Harrison and Starr--has great songs, witty dialogue, razor-sharp direction, and wild excesses, not to mention hordes of screaming girls. Condition issues include very minor bleed-through from the title stamp on the reverse and some splitting at the bottom center fold. Very Fine+.
Time and countless imitations have blunted the innovation somewhat, but virtually everything about Richard Lester's A Hard Day's Night was fresh, original, inventive, and bracingly entertaining at the time of its debut. This "day in the life" of the Fab Four--Lennon, McCartney, Harrison and Starr--has great songs, witty dialogue, razor-sharp direction, and wild excesses, not to mention hordes of screaming girls. Condition issues include very minor bleed-through from the title stamp on the reverse and some splitting at the bottom center fold. Very Fine+.
Woodstock (Warner Brothers, 1970). British Quad (30" X 40").
Max Yasgur's farm in upstate New York was the site of one of the most iconic events of the late 1960s, the three-day live music festival that was captured in this legendary documentary. Performers in the film include Jefferson Airplane, Crosby Stills & Nash, Jimi Hendrix, Santana, and Sha-Na-Na. This is the more popular of two styles of British quad (the other features only text), showing an impressive vista of the crowd. The poster has minor edge wear along with overall surface wear and wrinkling. Fine/Very Fine.
Max Yasgur's farm in upstate New York was the site of one of the most iconic events of the late 1960s, the three-day live music festival that was captured in this legendary documentary. Performers in the film include Jefferson Airplane, Crosby Stills & Nash, Jimi Hendrix, Santana, and Sha-Na-Na. This is the more popular of two styles of British quad (the other features only text), showing an impressive vista of the crowd. The poster has minor edge wear along with overall surface wear and wrinkling. Fine/Very Fine.
Hedy Lamarr in "Boom Town" by Laszlo Willinger (MGM, 1940). Portrait Photo (10" X 13").
Vintage gelatin silver, double weight, glossy photo. With her near perfect features and luminous eyes, Lamarr was the perfect subject for one of MGM's best staff photographers, Laszlo Willinger. There are photographer and MGM studio stamps, a Motion Picture Magazine stamp, printed studio information, and some pencil crop marks on the verso with small pinholes at the corners of the cropping. There is some mild wrinkling in the bottom border and some slight creasing in the left border. Very Fine+.
Vintage gelatin silver, double weight, glossy photo. With her near perfect features and luminous eyes, Lamarr was the perfect subject for one of MGM's best staff photographers, Laszlo Willinger. There are photographer and MGM studio stamps, a Motion Picture Magazine stamp, printed studio information, and some pencil crop marks on the verso with small pinholes at the corners of the cropping. There is some mild wrinkling in the bottom border and some slight creasing in the left border. Very Fine+.
Breakfast at Tiffany's (Paramount, 1961). Lobby Card (11" X 14").
Audrey Hepburn's unforgettable character, "Holly Golightly," stares intently through her sunglasses into the window of Tiffany's. She stands, timelessly elegant, dreaming of trading her pearl necklace for real diamonds as she clutches her cold coffee and Danish. It's a supreme moment of film lore and certainly the very best lobby card from this film. The card has only a slight lower left corner crease, a faint print blemish above the cat's head and a small amount of airbrush in the lower right corner to cover an ink stamp on the border. The card displays as mint! Very Fine.
Audrey Hepburn's unforgettable character, "Holly Golightly," stares intently through her sunglasses into the window of Tiffany's. She stands, timelessly elegant, dreaming of trading her pearl necklace for real diamonds as she clutches her cold coffee and Danish. It's a supreme moment of film lore and certainly the very best lobby card from this film. The card has only a slight lower left corner crease, a faint print blemish above the cat's head and a small amount of airbrush in the lower right corner to cover an ink stamp on the border. The card displays as mint! Very Fine.
Breakfast at Tiffany's (Paramount, 1961). One Sheet (27" X 41").
Noted poster artist Robert McGinnis (Thunderball, Barbarella, etc., and a veteran of over 1200 paperback covers), absolutely nailed his first film poster commission with this playful and now iconic image of Audrey Hepburn as "Holly Golightly" in her form-fitting Givenchy. It's been called the best known "little black dress" of all time! Some splendid restoration and light touch-up has replaced part of the bottom border, and the bottom right section has been replaced by a piece from another copy at the center fold line. The end result is a very presentable poster for one of the greatest film titles ever. Good/Very Good on Linen.
Noted poster artist Robert McGinnis (Thunderball, Barbarella, etc., and a veteran of over 1200 paperback covers), absolutely nailed his first film poster commission with this playful and now iconic image of Audrey Hepburn as "Holly Golightly" in her form-fitting Givenchy. It's been called the best known "little black dress" of all time! Some splendid restoration and light touch-up has replaced part of the bottom border, and the bottom right section has been replaced by a piece from another copy at the center fold line. The end result is a very presentable poster for one of the greatest film titles ever. Good/Very Good on Linen.
Roman Holiday (Paramount, 1953). One Sheet (27" X 41").
William Wyler's classic is a romantic fairy tale of a confined princess who runs away on a carefree two day adventure through Rome. Audrey Hepburn and Gregory Peck are ideally cast in this beloved film that launched Hepburn's career and earned her an Academy Award. This beautiful one sheet had only a small tear at the top border, light fold wear, and crossfold separations, which have been addressed with professional restoration. This remains a highly desirable item for all collectors. Very Fine on Linen.
William Wyler's classic is a romantic fairy tale of a confined princess who runs away on a carefree two day adventure through Rome. Audrey Hepburn and Gregory Peck are ideally cast in this beloved film that launched Hepburn's career and earned her an Academy Award. This beautiful one sheet had only a small tear at the top border, light fold wear, and crossfold separations, which have been addressed with professional restoration. This remains a highly desirable item for all collectors. Very Fine on Linen.
Roman Holiday (Paramount, 1953). Three Sheet (41" X 81").
Although she had already starred in a few British films, Belgian-born Audrey Hepburn made her American debut in this very special, light-hearted romantic drama. She was a hit with critics and fans alike, earned an Academy Award, and would go on to become one of the most beloved actresses of any era. Her innocence and charm are perfectly set against All-American star Gregory Peck's laid back cynicism as they spend a whirlwind day exploring Rome. It's a special treat to offer this stunning large format poster from this top title. The poster is in excellent condition, having been professionally restored to address the minor issues of fold wear in the bottom section with minor bits of paper loss, staple holes, and an enlarged pinhole in two corners. Very Fine on Linen.
Although she had already starred in a few British films, Belgian-born Audrey Hepburn made her American debut in this very special, light-hearted romantic drama. She was a hit with critics and fans alike, earned an Academy Award, and would go on to become one of the most beloved actresses of any era. Her innocence and charm are perfectly set against All-American star Gregory Peck's laid back cynicism as they spend a whirlwind day exploring Rome. It's a special treat to offer this stunning large format poster from this top title. The poster is in excellent condition, having been professionally restored to address the minor issues of fold wear in the bottom section with minor bits of paper loss, staple holes, and an enlarged pinhole in two corners. Very Fine on Linen.
Roman Holiday (Paramount, R-1960). One Sheet (27" X 41").
When Paramount re-released Audrey Hepburn's Oscar winning film in 1960, they chose to emphasize the wild ride through Rome on the now famous Vespa 125, from the Piaggio Company (that's the "P" on the top of the scooter.) Hepburn's hair is windblown, and staid Gregory Peck gasps for air as the pair round the Colosseum. This poster would be a wonderful companion piece to the original. Fine linenbacking and minimal touch-up for some light fold wear along with a small chip in the right border. Very Fine on Linen.
When Paramount re-released Audrey Hepburn's Oscar winning film in 1960, they chose to emphasize the wild ride through Rome on the now famous Vespa 125, from the Piaggio Company (that's the "P" on the top of the scooter.) Hepburn's hair is windblown, and staid Gregory Peck gasps for air as the pair round the Colosseum. This poster would be a wonderful companion piece to the original. Fine linenbacking and minimal touch-up for some light fold wear along with a small chip in the right border. Very Fine on Linen.
Superman and the Mole Men (Lippert, 1951). One Sheet (27" X 41").
After two successful serials, the Man of Steel was recruited into his first feature film, with George Reeves replacing Kirk Alyn in the title role. Mole Men served as a de facto pilot for the TV series that followed, and in fact was eventually edited down and broadcast as a two-part episode of the series. Clark Kent, Jimmy Olsen, and Lois Lane arrive in a small town to find that denizens of the underworld have been terrorizing the citizens in response to recent drilling operations that have disturbed their hidden lair. This outstanding poster has a great shot of George Reeves in an iconic pose. Fold wear with crossfold separations and pinholes in the borders and image area are the only condition issues to note, and these have been smoothed over with professional restoration, including touch-ups to the folds. Very Fine- on Linen.
After two successful serials, the Man of Steel was recruited into his first feature film, with George Reeves replacing Kirk Alyn in the title role. Mole Men served as a de facto pilot for the TV series that followed, and in fact was eventually edited down and broadcast as a two-part episode of the series. Clark Kent, Jimmy Olsen, and Lois Lane arrive in a small town to find that denizens of the underworld have been terrorizing the citizens in response to recent drilling operations that have disturbed their hidden lair. This outstanding poster has a great shot of George Reeves in an iconic pose. Fold wear with crossfold separations and pinholes in the borders and image area are the only condition issues to note, and these have been smoothed over with professional restoration, including touch-ups to the folds. Very Fine- on Linen.
The New Adventures of Batman and Robin (Columbia, 1949). Three Sheet (41" X 81").
The Caped Crusader and Boy Wonder make their second big screen appearance in this followup to producer Sam Katzman's thrill packed chapterplay, Batman (1943). Robert Lowery and Johnny Duncan (replacing Lewis Wilson and Douglas Croft from the first serial) star as the Dynamic Duo, pitted against a hooded villain called the Wizard who possesses a weapon that can be used to remotely control any type of vehicle. Offered here is the exceptionally rare three sheet poster (unlike the one sheets, larger paper was not associated with a particular chapter) featuring a stunningly bold image of the title characters along with gorgeous Jane Adams as Vicki Vale. Superb professional restoration has corrected condition problems such as pinholes, edge wear with chips, and tears in the border and image. There was some fold wear with crossfold separations and fold separations with chips out, and some fading, with colors enhanced via restoration. The poster has a fresh, vivid appearance, and given its rarity, can easily be considered a "holy grail" for this title in particular, and Batman collectors in general. We have never sold this poster before and believe it to be very rare. Good/Very Good on Linen.
The Caped Crusader and Boy Wonder make their second big screen appearance in this followup to producer Sam Katzman's thrill packed chapterplay, Batman (1943). Robert Lowery and Johnny Duncan (replacing Lewis Wilson and Douglas Croft from the first serial) star as the Dynamic Duo, pitted against a hooded villain called the Wizard who possesses a weapon that can be used to remotely control any type of vehicle. Offered here is the exceptionally rare three sheet poster (unlike the one sheets, larger paper was not associated with a particular chapter) featuring a stunningly bold image of the title characters along with gorgeous Jane Adams as Vicki Vale. Superb professional restoration has corrected condition problems such as pinholes, edge wear with chips, and tears in the border and image. There was some fold wear with crossfold separations and fold separations with chips out, and some fading, with colors enhanced via restoration. The poster has a fresh, vivid appearance, and given its rarity, can easily be considered a "holy grail" for this title in particular, and Batman collectors in general. We have never sold this poster before and believe it to be very rare. Good/Very Good on Linen.
Captain Video, Master of the Stratosphere (Columbia, 1951). Six Sheet (81" X 81").
This Columbia "Super-Serial" represents the first time a television show had been made into a film. It had everything there is to love about low-budget cliff-hangers: sub-par acting, sets made out of painted cardboard, line drawing animation special FX, and some of the most delightfully convoluted science-babble jargon that ever graced the screen. This drop-dead six sheet has features art by illustrator Glenn Cravath and some of the best action graphics of any serial poster. This poster displays some very minor fold separations and cross-fold tears but is otherwise in unused condition. Very Fine.
This Columbia "Super-Serial" represents the first time a television show had been made into a film. It had everything there is to love about low-budget cliff-hangers: sub-par acting, sets made out of painted cardboard, line drawing animation special FX, and some of the most delightfully convoluted science-babble jargon that ever graced the screen. This drop-dead six sheet has features art by illustrator Glenn Cravath and some of the best action graphics of any serial poster. This poster displays some very minor fold separations and cross-fold tears but is otherwise in unused condition. Very Fine.
Captain Video, Master of the Stratosphere (Columbia, 1951). One Sheet (27" X 41").
Captain Video takes on the evil inter-planetary dictator Vultura (who by pure coincidence has a name that sounds like a loathsome Vulture) and his assistant, the equally evil Earth scientist Dr. Tobor (so this is where Republic got the idea for the title of their film three years later!). By the early 1950's, the popularity of serials was giving way to the increasing popularity of television/video, and the serials had to adjust to waning demand. This movie made its title obviously appealing to the new generation of viewers already hooked on television. The poster has a couple of tiny pinholes in each of the corners and a few in the backgrounds and has some minor fold separations along the ends of the fold lines and at the centerpoints. Very Fine.
Captain Video takes on the evil inter-planetary dictator Vultura (who by pure coincidence has a name that sounds like a loathsome Vulture) and his assistant, the equally evil Earth scientist Dr. Tobor (so this is where Republic got the idea for the title of their film three years later!). By the early 1950's, the popularity of serials was giving way to the increasing popularity of television/video, and the serials had to adjust to waning demand. This movie made its title obviously appealing to the new generation of viewers already hooked on television. The poster has a couple of tiny pinholes in each of the corners and a few in the backgrounds and has some minor fold separations along the ends of the fold lines and at the centerpoints. Very Fine.
Dick Tracy's G-Men (Republic, 1939). One Sheet (27" X 41"). Chapter 12 - "Fight in the Sky."
Great graphics on this late 1930s Republic serial. It's a title missing from many serial collections. That actress in the credits on the right, Phyllis Isley, was using her real name for her first couple of films. She met David O. Selznick, who changed it for her, and cast her a couple of years later in The Song for Bernadette, for which she won a Best Actress Oscar as Jennifer Jones. There is bottom border edge wear, some small pinpoint cross-fold separations, small chips in the top left corner and the right border, and small holes in the right border and in the "S" on the right side. Fine/Very Fine.
Great graphics on this late 1930s Republic serial. It's a title missing from many serial collections. That actress in the credits on the right, Phyllis Isley, was using her real name for her first couple of films. She met David O. Selznick, who changed it for her, and cast her a couple of years later in The Song for Bernadette, for which she won a Best Actress Oscar as Jennifer Jones. There is bottom border edge wear, some small pinpoint cross-fold separations, small chips in the top left corner and the right border, and small holes in the right border and in the "S" on the right side. Fine/Very Fine.
Dick Tracy (Republic, 1937). One Sheet (27" X 41") Episode 5 -- "Brother Against Brother."
Republic Studios produced some of the best serials during the genre's heyday. This 15 chapter Republic programmer stars Ralph Byrd as Chester Gould's granite-jawed detective, who battles a master criminal called the Spider. Episode five has Dick Tracy's brother Gordon kidnapped, and Dr. Moloch, Spider's point man, performs a brain surgery on him. The surgery turns him evil and forces him to join Spider's ring in an attempt to turn the two brothers against each other. This one sheet has a few right border tears and fold wear with crossfold separations. This action packed poster features a great scene from the film and a colorful classic comic strip. Very Fine-.
Republic Studios produced some of the best serials during the genre's heyday. This 15 chapter Republic programmer stars Ralph Byrd as Chester Gould's granite-jawed detective, who battles a master criminal called the Spider. Episode five has Dick Tracy's brother Gordon kidnapped, and Dr. Moloch, Spider's point man, performs a brain surgery on him. The surgery turns him evil and forces him to join Spider's ring in an attempt to turn the two brothers against each other. This one sheet has a few right border tears and fold wear with crossfold separations. This action packed poster features a great scene from the film and a colorful classic comic strip. Very Fine-.
King of the Rocket Men (Republic, R-1956). Three Sheet (41" X 81").
Of all the serials to come out of Republic Studios, few are as fondly remembered as those in the Rocket Man series. One of the few heroic serials that had no precedent in comic books or radio, Rocket Man blasted into theaters fully formed in 1949. In this slam-bang 12-chapter epic, Jeff King (Tristram Coffin) battles the evil Dr. Vulcan, who plots to acquire the Sonic Decimator and thereby rule the world. This serial proved so popular that, in 1951, it was edited to feature length and released as "The Lost Planet." It also spawned several exciting sequels. This colorful three-sheet has fold separations and a 9 inch tear on the right side of the poster that has been reinforced with masking tape on the back. A slight bleed through from the tape appears on the front of the poster. Very Good/Fine.
Of all the serials to come out of Republic Studios, few are as fondly remembered as those in the Rocket Man series. One of the few heroic serials that had no precedent in comic books or radio, Rocket Man blasted into theaters fully formed in 1949. In this slam-bang 12-chapter epic, Jeff King (Tristram Coffin) battles the evil Dr. Vulcan, who plots to acquire the Sonic Decimator and thereby rule the world. This serial proved so popular that, in 1951, it was edited to feature length and released as "The Lost Planet." It also spawned several exciting sequels. This colorful three-sheet has fold separations and a 9 inch tear on the right side of the poster that has been reinforced with masking tape on the back. A slight bleed through from the tape appears on the front of the poster. Very Good/Fine.
The Lost Planet (Columbia, 1953). Three Sheet (41" X 81").
The last of the great space adventure serials, this fifteen-chapter drama stars Judd Holdren as hero Rex Barrow, Vivian Mason as Ella Dorn, and Michael Fox as the villainous Dr. Grood. The poster has fold wear and crossfold separations, creasing in the right border and the middle of the image, tears in the bottom border of the top panel (which would be covered up when the sections are joined), and smudges in the border and image area. Fine/Very Fine.
The last of the great space adventure serials, this fifteen-chapter drama stars Judd Holdren as hero Rex Barrow, Vivian Mason as Ella Dorn, and Michael Fox as the villainous Dr. Grood. The poster has fold wear and crossfold separations, creasing in the right border and the middle of the image, tears in the bottom border of the top panel (which would be covered up when the sections are joined), and smudges in the border and image area. Fine/Very Fine.
The New Adventures of Tarzan (Burroughs-Tarzan-Enterprise, 1935). One Sheet (27" X 41").
This twelve-chapter serial stars Herman Brix as an educated and articulate Jungle Lord, and was filmed in scenic Guatemala for a sense of jungle authenticity. This was the first (and only) Tarzan film released by Burroughs's own production company, as the author was famously unhappy with Hollywood's version of his most famous creation. This gorgeous stone litho one sheet features a fine portrait of Brix and his loyal companion Cheeta. The poster had fold wear with crossfold separations and small crossfold chip, a chip in the top border, and the top left was chipped, all of which has been addressed with excellent professional restoration. The poster retains outstanding color and a very fresh appearance. Fine+ on Linen.
This twelve-chapter serial stars Herman Brix as an educated and articulate Jungle Lord, and was filmed in scenic Guatemala for a sense of jungle authenticity. This was the first (and only) Tarzan film released by Burroughs's own production company, as the author was famously unhappy with Hollywood's version of his most famous creation. This gorgeous stone litho one sheet features a fine portrait of Brix and his loyal companion Cheeta. The poster had fold wear with crossfold separations and small crossfold chip, a chip in the top border, and the top left was chipped, all of which has been addressed with excellent professional restoration. The poster retains outstanding color and a very fresh appearance. Fine+ on Linen.
The Phantom Empire (Mascot, 1935). Six Sheet (81" X 81").
If you ask some people born before 1926 what their most significant movie memories are, most would mention serials, and at least half would mention this famous serial by title. Gene Autry stars in this chapterplay that deals with an underground civilization of Muranians whose culture is far more advanced than those on Earth. Autry stumbles into the secret caverns beneath his "Radio Ranch" and must stay out of a war brewing between the inhabitants of Mu and Earth. Part science fiction, part Western--this serial had it all. The posters for this title have always been very rare, and this is the only copy of the six sheet that we are aware of. Large format posters like this one were printed in far fewer quantities than their smaller-sized counterparts. Most were put up on the exterior of the theater and many were cut up to make theater displays, as the pressbooks advised. The chances of finding a six sheet from a pre-WWII poster are slim. There was some fold separation with slight paper loss. Very Fine on Linen.
If you ask some people born before 1926 what their most significant movie memories are, most would mention serials, and at least half would mention this famous serial by title. Gene Autry stars in this chapterplay that deals with an underground civilization of Muranians whose culture is far more advanced than those on Earth. Autry stumbles into the secret caverns beneath his "Radio Ranch" and must stay out of a war brewing between the inhabitants of Mu and Earth. Part science fiction, part Western--this serial had it all. The posters for this title have always been very rare, and this is the only copy of the six sheet that we are aware of. Large format posters like this one were printed in far fewer quantities than their smaller-sized counterparts. Most were put up on the exterior of the theater and many were cut up to make theater displays, as the pressbooks advised. The chances of finding a six sheet from a pre-WWII poster are slim. There was some fold separation with slight paper loss. Very Fine on Linen.
Universal Serial Promotional Poster and Mailer (Universal, 1937). (36" X 48").
Here is a genuine rarity in the poster hobby: a promotional mailer produced to tout Universal Studios' serial season of 1936-1937, sent to exhibitors. Using the artwork prepared for the cloth banners that were produced for each of these serials, the advertising department made up a piece with the intention of it being used as a one sheet in theater lobbies. Other than wrinkling to the edges of the poster after it was backed and some airbrushing to eliminate the print bleed-through from the printing on the verso and foldline touch-up, this poster is very clean. The upper two panels advertising Ace Drummond and Jungle Jim have no registration issues but the lower two, Secret Agent X-9 and Phantom Rider, do and the registration drift is greatest closer to the bottom of the poster. This is the first time we have ever seen this wonderful poster and will probably be the last! Fine/Very Fine on Linen.
Here is a genuine rarity in the poster hobby: a promotional mailer produced to tout Universal Studios' serial season of 1936-1937, sent to exhibitors. Using the artwork prepared for the cloth banners that were produced for each of these serials, the advertising department made up a piece with the intention of it being used as a one sheet in theater lobbies. Other than wrinkling to the edges of the poster after it was backed and some airbrushing to eliminate the print bleed-through from the printing on the verso and foldline touch-up, this poster is very clean. The upper two panels advertising Ace Drummond and Jungle Jim have no registration issues but the lower two, Secret Agent X-9 and Phantom Rider, do and the registration drift is greatest closer to the bottom of the poster. This is the first time we have ever seen this wonderful poster and will probably be the last! Fine/Very Fine on Linen.
Superman (20th Century Fox, c.1955). Argentinean Poster (29" X 43").
George Reeves, the star of the TV series The Adventures of Superman (which ran from 1952 to 1958), wasn't the screens' first Man of Steel (that honor would go to Kirk Alyn), but he would define the comic-book character for generations to come. The series was so popular that many of the episodes were cut together to make feature-length films released in the foreign language markets. This Argentinean poster depicts him many times over. It has a pinhole in each of the top two corners, several cross-fold tears, light wear to the corners, and the bottom one inch was folded back at one time. Posters featuring comic-book characters have additional appeal for many collectors. Very Fine-.
George Reeves, the star of the TV series The Adventures of Superman (which ran from 1952 to 1958), wasn't the screens' first Man of Steel (that honor would go to Kirk Alyn), but he would define the comic-book character for generations to come. The series was so popular that many of the episodes were cut together to make feature-length films released in the foreign language markets. This Argentinean poster depicts him many times over. It has a pinhole in each of the top two corners, several cross-fold tears, light wear to the corners, and the bottom one inch was folded back at one time. Posters featuring comic-book characters have additional appeal for many collectors. Very Fine-.
Golden Age (1938-1955)
Bluebeard's 8th Wife (Paramount, 1923). Title Lobby Card and Scene Cards (3)(11" X 14").
A sumptuous feast for the eyes was this early 1920s Gloria Swanson romantic drama, and these beautiful cards prove it! Everything you wanted in a Swanson film was here: designer clothes in every scene, exotic settings, and a story line that didn't get in the way of watching Swanson pose prettily. The cards have a deco look, from the hand-colored scenes to the top and bottom logos. There is only a tiny chip in the bottom left of the title card, corner pinholes, and very light smudges in the borders. Very Fine.
A sumptuous feast for the eyes was this early 1920s Gloria Swanson romantic drama, and these beautiful cards prove it! Everything you wanted in a Swanson film was here: designer clothes in every scene, exotic settings, and a story line that didn't get in the way of watching Swanson pose prettily. The cards have a deco look, from the hand-colored scenes to the top and bottom logos. There is only a tiny chip in the bottom left of the title card, corner pinholes, and very light smudges in the borders. Very Fine.
Bluebeard's Eighth Wife (Paramount, 1923). Lobby Cards (4) (11" X 14").
This lot includes half of the lobby card set from this early 1920s Gloria Swanson romantic drama. Swanson is featured in every card in a different costume. One card even has her pretty head atop a drawing of her at the beach in her swim suit! The colors are fantastic in these hand-colored cards, and the art deco look is spectacular. Not much to detract from their beauty but some small border pinholes. Very Fine.
This lot includes half of the lobby card set from this early 1920s Gloria Swanson romantic drama. Swanson is featured in every card in a different costume. One card even has her pretty head atop a drawing of her at the beach in her swim suit! The colors are fantastic in these hand-colored cards, and the art deco look is spectacular. Not much to detract from their beauty but some small border pinholes. Very Fine.
Movie Posters
Puppy Love (Paramount, 1919). One Sheet (27" X 41").
This lovely one sheet is a real find. We're not aware of any other copies. The beautiful, apple-cheeked Lila Lee was only 18 when she made her second film for Jesse Lasky under the newly formed Paramount Pictures. Lasky worked his young star relentlessly in 1919, pushing his protege on a continuous publicity campaign for the eleven films she made that year. It all worked. Due to both her and Lasky's talents, she became one of the most popular and bankable silent stars, working with everyone from Gloria Swanson (Male and Female), Valentino (Blood and Sand), and, eventually, Lon Chaney in his only talkie (Unholy Three). This gorgeous portrait poster is everything you've come to expect from a pre-1920 Morgan Company stone lithograph. Originally the poster was in excellent condition, just having multiple tears throughout. There was also a hole in the bottom image. Excellent linenbacking has this one collection ready. Very Good on Linen.
This lovely one sheet is a real find. We're not aware of any other copies. The beautiful, apple-cheeked Lila Lee was only 18 when she made her second film for Jesse Lasky under the newly formed Paramount Pictures. Lasky worked his young star relentlessly in 1919, pushing his protege on a continuous publicity campaign for the eleven films she made that year. It all worked. Due to both her and Lasky's talents, she became one of the most popular and bankable silent stars, working with everyone from Gloria Swanson (Male and Female), Valentino (Blood and Sand), and, eventually, Lon Chaney in his only talkie (Unholy Three). This gorgeous portrait poster is everything you've come to expect from a pre-1920 Morgan Company stone lithograph. Originally the poster was in excellent condition, just having multiple tears throughout. There was also a hole in the bottom image. Excellent linenbacking has this one collection ready. Very Good on Linen.
Way Down East (United Artists, 1920). One Sheet (28" X 41.25").
An exciting find! This is the first one sheet we've offered for this landmark D. W. Griffith/Lillian Gish classic. The venerable H. C. Miner Lithograph Company, New York, let the poster tell the story. Gish is rescued from an ice floe at the last possible minute by Richard Barthelmess. There has been some excellent restoration with touch-up to the borders and fold lines. The poster had a tear just below the letters in the left border, some fold wear, and vertical tears in the center fold of the dress. There will be few opportunities to obtain this important sheet. Fine/Very Fine on Linen.
An exciting find! This is the first one sheet we've offered for this landmark D. W. Griffith/Lillian Gish classic. The venerable H. C. Miner Lithograph Company, New York, let the poster tell the story. Gish is rescued from an ice floe at the last possible minute by Richard Barthelmess. There has been some excellent restoration with touch-up to the borders and fold lines. The poster had a tear just below the letters in the left border, some fold wear, and vertical tears in the center fold of the dress. There will be few opportunities to obtain this important sheet. Fine/Very Fine on Linen.
The Brat (Metro, 1919). One Sheet (27" X 41").
By 1917, Nazimova was extremely popular and earning over $13,000 a week. This charming stone lithograph poster from 1919 has her unceremoniously spitting the water on the ironing board, somewhat fitting as she had taken her stage name from the heroine of the Russian novel, "Children of the Streets." Expert linenbacking and minimal touch-up to the folds and background has this one a delight to add to any collection. There were tears in the upper right side, fold wear, and small chips in the borders and folds. Very Good on Linen.
By 1917, Nazimova was extremely popular and earning over $13,000 a week. This charming stone lithograph poster from 1919 has her unceremoniously spitting the water on the ironing board, somewhat fitting as she had taken her stage name from the heroine of the Russian novel, "Children of the Streets." Expert linenbacking and minimal touch-up to the folds and background has this one a delight to add to any collection. There were tears in the upper right side, fold wear, and small chips in the borders and folds. Very Good on Linen.
Cleopatra (Fox, 1917). Window Card (14" X 22").
Theda Bara was perhaps the first actress to become a mega-star in the burgeoning Hollywood. She started her career in 1915 as the "vampire" in A Fool There Was and quickly achieved stardom. The pinnacle of her career however, came two years later when she was given the lead in Cleopatra. She was cast as "The Vampire Supreme". This stone litho window card has smudging around the edges, a light dust shadow and stains on the left side and bottom border, and wear to the corners. During this period, the studios used the stone litho process primarily for their one sheets and other larger posters, however, on rare occasion, window cards used this printing process as well. This is a beautiful example of stone litho art and a true piece of cinema history. Fine-.
Theda Bara was perhaps the first actress to become a mega-star in the burgeoning Hollywood. She started her career in 1915 as the "vampire" in A Fool There Was and quickly achieved stardom. The pinnacle of her career however, came two years later when she was given the lead in Cleopatra. She was cast as "The Vampire Supreme". This stone litho window card has smudging around the edges, a light dust shadow and stains on the left side and bottom border, and wear to the corners. During this period, the studios used the stone litho process primarily for their one sheets and other larger posters, however, on rare occasion, window cards used this printing process as well. This is a beautiful example of stone litho art and a true piece of cinema history. Fine-.
The Crowded Hour (Paramount, 1925). Three Sheet (41" X 81").
Star Bebe Daniels was a film veteran by the age of 14 and was signed by Hal Roach to star opposite Harold Lloyd in his Lonesome Luke series. By the time this film was made, a drama about a struggling vaudeville star who falls for a married man, she had been signed with Paramount for four years and was at the top of her career. She would continue into the sound era and would make her way into television in the 1950s. This gorgeous art-deco style three sheet, printed in three pieces, has only slight wear to the top panel with a few small holes in the fold lines with wear. This is stone lithography at its finest from the golden age of movie posters, Very Fine.
Star Bebe Daniels was a film veteran by the age of 14 and was signed by Hal Roach to star opposite Harold Lloyd in his Lonesome Luke series. By the time this film was made, a drama about a struggling vaudeville star who falls for a married man, she had been signed with Paramount for four years and was at the top of her career. She would continue into the sound era and would make her way into television in the 1950s. This gorgeous art-deco style three sheet, printed in three pieces, has only slight wear to the top panel with a few small holes in the fold lines with wear. This is stone lithography at its finest from the golden age of movie posters, Very Fine.
Foolish Wives (Universal, 1922). Lobby Card (11" X 14").
Erich von Stroheim was at his best seducing and wooing "foolish wives." They almost always succumbed to his aristocratic, trumped-up social status. Here he plays a "Count" intent on seducing Mae Busch. This film is still a delight to watch. The card has a single pinhole in the top center, while the other pinholes have had slight restoration on the verso. Very Fine-.
Erich von Stroheim was at his best seducing and wooing "foolish wives." They almost always succumbed to his aristocratic, trumped-up social status. Here he plays a "Count" intent on seducing Mae Busch. This film is still a delight to watch. The card has a single pinhole in the top center, while the other pinholes have had slight restoration on the verso. Very Fine-.
From Farm to Fame (United Artists, 1922). One Sheet (27" X 41").
This beautiful Ritchey stone lithograph from the early 1920s features three top silent stars in beautiful portraits: Mary Pickford, Lillian Gish, and Hope Hampton. They judged a nationwide beauty contest held yearly by Eugene Brewster, publisher of Motion Picture Classic and Shadowland, two leading film magazines of the day. The portrait below them is that of the 1920 winner, Corliss Palmer, who beat out Mary Astor to win the title. This is the same contest that Clara Bow would win in 1922, at sixteen, to begin her career. Palmer would have her own cosmetic line launched immediately by Brewster, who would leave his wife to marry her. The beauty starred in several films, including this one, produced by Brewster. The poster has been linenbacked with older, thin linen for there were small tears in all of the borders. The poster needed little touch-up and remains as lovely as when it was first printed. Very Fine on Linen.
This beautiful Ritchey stone lithograph from the early 1920s features three top silent stars in beautiful portraits: Mary Pickford, Lillian Gish, and Hope Hampton. They judged a nationwide beauty contest held yearly by Eugene Brewster, publisher of Motion Picture Classic and Shadowland, two leading film magazines of the day. The portrait below them is that of the 1920 winner, Corliss Palmer, who beat out Mary Astor to win the title. This is the same contest that Clara Bow would win in 1922, at sixteen, to begin her career. Palmer would have her own cosmetic line launched immediately by Brewster, who would leave his wife to marry her. The beauty starred in several films, including this one, produced by Brewster. The poster has been linenbacked with older, thin linen for there were small tears in all of the borders. The poster needed little touch-up and remains as lovely as when it was first printed. Very Fine on Linen.
Orphans of the Storm (United Artists, 1921). Half Sheet (22" X 28").
We are very proud to offer this beautiful half sheet on D. NW. Griffith's triumph, Orphans of the Storm. The haunting performances of real-life sisters, Lillian and Dorothy Gish, are a testament to just what can be accomplished by gifted actresses without saying a single word. In this lovely half sheet with an original high gloss finish, Lillian sews contentedly on the left as Dorothy, in a rare, almost completely serious role, daydreams of having her sight restored. It's one of the best moments in the film and sets the tone for what's to come. There are corner pinholes, mild border stains, small clear tape on the verso of the right center border to repair small tears, a small chip in the top right, a comer bend in the bottom right, and some light creasing in the title. Rolled, Fine/Very Fine.
We are very proud to offer this beautiful half sheet on D. NW. Griffith's triumph, Orphans of the Storm. The haunting performances of real-life sisters, Lillian and Dorothy Gish, are a testament to just what can be accomplished by gifted actresses without saying a single word. In this lovely half sheet with an original high gloss finish, Lillian sews contentedly on the left as Dorothy, in a rare, almost completely serious role, daydreams of having her sight restored. It's one of the best moments in the film and sets the tone for what's to come. There are corner pinholes, mild border stains, small clear tape on the verso of the right center border to repair small tears, a small chip in the top right, a comer bend in the bottom right, and some light creasing in the title. Rolled, Fine/Very Fine.
The Probation Wife (Select, 1919). One Sheet (27" X 41").
In this stirring melodrama, Norma Talmadge, one of the most luminous stars of the silent era, stars as Josephine Mowbray, a cabaret dancer who marries a wealthy novelist (Thomas Meighan) to escape the reformatory. He's still in love with his girlfriend (Florence Billings), however, and the two carry on an affair behind Mowbray's back until she sets out to win her husband's love once and for all. This lovely stone litho one sheet has terrific color and clarity. Condition issues included corner pinholes, border tears, and fold wear with crossfold separations, all of which has been addressed with professional restoration, including some color touch-ups. Fine/Very Fine on Linen.
In this stirring melodrama, Norma Talmadge, one of the most luminous stars of the silent era, stars as Josephine Mowbray, a cabaret dancer who marries a wealthy novelist (Thomas Meighan) to escape the reformatory. He's still in love with his girlfriend (Florence Billings), however, and the two carry on an affair behind Mowbray's back until she sets out to win her husband's love once and for all. This lovely stone litho one sheet has terrific color and clarity. Condition issues included corner pinholes, border tears, and fold wear with crossfold separations, all of which has been addressed with professional restoration, including some color touch-ups. Fine/Very Fine on Linen.
So Big (First National, 1924). One Sheet (27" X 41").
It's surprising to some to learn the name of the top box office star in both 1926 and 1927. It was lovely Colleen Moore, the queen of "flappers," seen here on this absolutely gorgeous stone lithograph for her very popular dramatic turn in So Big, based on Edna Ferber's Pulitzer Prize winning book. This was a real departure for good-time girl Moore, and she received great reviews. Excellent linenbacking and minimal touch-up for only some light fold wear, and a small hole in the left border. Very Fine on Linen.
It's surprising to some to learn the name of the top box office star in both 1926 and 1927. It was lovely Colleen Moore, the queen of "flappers," seen here on this absolutely gorgeous stone lithograph for her very popular dramatic turn in So Big, based on Edna Ferber's Pulitzer Prize winning book. This was a real departure for good-time girl Moore, and she received great reviews. Excellent linenbacking and minimal touch-up for only some light fold wear, and a small hole in the left border. Very Fine on Linen.
Modern Age (1980-Present)
Thunder (MGM, 1929). Rotogravure One Sheet (27" X 41").
This drama is Lon Chaney's final silent film (he would make one more talking picture after this, 1930's The Unholy Three). Here he plays a train engineer whose obsession with punctuality first leads to tragedy and then to a heroic act that saves the lives of flood victims. This is the only known copy of the rotogravure style of this one sheet. Restoration has been done to correct tearing in the image with some paper loss on the left and right borders and top right corner, but the part of the image featuring Chaney remains intact. Good/Very Good on Linen.
This drama is Lon Chaney's final silent film (he would make one more talking picture after this, 1930's The Unholy Three). Here he plays a train engineer whose obsession with punctuality first leads to tragedy and then to a heroic act that saves the lives of flood victims. This is the only known copy of the rotogravure style of this one sheet. Restoration has been done to correct tearing in the image with some paper loss on the left and right borders and top right corner, but the part of the image featuring Chaney remains intact. Good/Very Good on Linen.
Movie Posters
In the Hollow of Her Hand (Select, 1918). One Sheet (27" X 41").
The lovely Alice Brady, Academy Award winner from 1939's In Old Chicago, stars in this melodrama as a distraught, suicidal woman used as a pawn by a widow (Myrtle Stedman) who wants revenge against her uncaring family. Brady fans will not want to miss this exceptional stone litho portrait of the doe-eyed actress, rendered in a remarkably subtle color palette. Condition includes border pinholes and tears that run into the art, plus some tearing in the hat and credits areas, all of which has been addressed with professional restoration, including touch-ups in the folds. Fine on Linen.
The lovely Alice Brady, Academy Award winner from 1939's In Old Chicago, stars in this melodrama as a distraught, suicidal woman used as a pawn by a widow (Myrtle Stedman) who wants revenge against her uncaring family. Brady fans will not want to miss this exceptional stone litho portrait of the doe-eyed actress, rendered in a remarkably subtle color palette. Condition includes border pinholes and tears that run into the art, plus some tearing in the hat and credits areas, all of which has been addressed with professional restoration, including touch-ups in the folds. Fine on Linen.
Flesh and the Devil (MGM, 1926). Window Card (14" X 22").
We've always wondered if leaving off Greta Garbo's name on this most rare window card was an intentional studio slight, a result of Garbo's intense wrangling with MGM heads. She didn't want to do the film at all but instead longed to return to Sweden to bury her recently-deceased sister. The grinning, almost comical devil and the sweet embrace on the poster belie Garbo's "vamp" character, who vacillates easily from lover to lover. The window card is card stock backed with expert restoration and touch-up for tears in the arm and lower right side, surface wear, and some creases in the right side and in the name. Fine+ on Cardstock.
We've always wondered if leaving off Greta Garbo's name on this most rare window card was an intentional studio slight, a result of Garbo's intense wrangling with MGM heads. She didn't want to do the film at all but instead longed to return to Sweden to bury her recently-deceased sister. The grinning, almost comical devil and the sweet embrace on the poster belie Garbo's "vamp" character, who vacillates easily from lover to lover. The window card is card stock backed with expert restoration and touch-up for tears in the arm and lower right side, surface wear, and some creases in the right side and in the name. Fine+ on Cardstock.
The Tender Hour (First National, 1927). Three Sheet (41" X 81") Style B.
Most of Billie Dove's "tender hours" weren't spent in this film. She was one of the true beauties of the American stage, and was separately featured in only the finest gowns by Florenz Ziegfeld, who had an affair with Dove when she was but 16! In 1929, no less than Howard Hughes "purchased" Dove from her husband, actor Irvin Willat, for $35,000 (the terms whereby Willat would agree to divorce.) She promptly moved in with Hughes for over three years. This lovely three sheet has her husband, Montagu Love, catching Dove and Ben Lyon in a clinch. Love plays a no-good count, and Lyon is the "nice guy" that rescues her. It's a super Morgan Company stone lithograph. Expert linenbacking and minimal touch-up for small tears with a chip in the title area, chips in the left and right borders, and cross-fold separations and fold wear. Fine+ on Linen.
Most of Billie Dove's "tender hours" weren't spent in this film. She was one of the true beauties of the American stage, and was separately featured in only the finest gowns by Florenz Ziegfeld, who had an affair with Dove when she was but 16! In 1929, no less than Howard Hughes "purchased" Dove from her husband, actor Irvin Willat, for $35,000 (the terms whereby Willat would agree to divorce.) She promptly moved in with Hughes for over three years. This lovely three sheet has her husband, Montagu Love, catching Dove and Ben Lyon in a clinch. Love plays a no-good count, and Lyon is the "nice guy" that rescues her. It's a super Morgan Company stone lithograph. Expert linenbacking and minimal touch-up for small tears with a chip in the title area, chips in the left and right borders, and cross-fold separations and fold wear. Fine+ on Linen.
Casey at the Bat (Paramount, 1927). One Sheet (27.5" X 41") Style B.
One of the best sports-oriented pieces to come out of the 1920s is this Wallace Beery stone litho one sheet featuring Beery as Casey. His character is based loosely on the famous 1888 Ernest Thayer poem. If you love baseball, you'll love this poster. It's subtle but very funny, having the burly Beery genteelly fingering the last few inches of the bat to win the batting order. The colors and art are just what you'd expect from one of the premier poster companies to ever print, Morgan Lithograph. Careful linenbacking and expert touch-up in the fold lines has this one looking as if it just rolled off the limestone plates. There was some edge wear in the bottom border, some tiny chips in the left and right borders, a small hole in the title, and a separation in the upper vertical fold with slight paper loss. The poster now appears near mint. Very Fine- on Linen.
One of the best sports-oriented pieces to come out of the 1920s is this Wallace Beery stone litho one sheet featuring Beery as Casey. His character is based loosely on the famous 1888 Ernest Thayer poem. If you love baseball, you'll love this poster. It's subtle but very funny, having the burly Beery genteelly fingering the last few inches of the bat to win the batting order. The colors and art are just what you'd expect from one of the premier poster companies to ever print, Morgan Lithograph. Careful linenbacking and expert touch-up in the fold lines has this one looking as if it just rolled off the limestone plates. There was some edge wear in the bottom border, some tiny chips in the left and right borders, a small hole in the title, and a separation in the upper vertical fold with slight paper loss. The poster now appears near mint. Very Fine- on Linen.
The Endless Summer (Bruce Brown Films, 1966). Poster (11" X 17").
Bruce Brown's legendary documentary about two young surfers (Mike Hynson and Robert August), their globe-trotting journey in search of the perfect wave, and some of the colorful characters they meet along the way. Often referred to as the "wilding" poster--produced before the film was picked up for national distribution and used to promote showings on college campuses, etc.--this piece features terrific, expressionistic Van Hamersveld artwork. Minor edge wear is the only condition issue with this well-preserved sheet. Rolled, Very Fine/Near Mint.
Bruce Brown's legendary documentary about two young surfers (Mike Hynson and Robert August), their globe-trotting journey in search of the perfect wave, and some of the colorful characters they meet along the way. Often referred to as the "wilding" poster--produced before the film was picked up for national distribution and used to promote showings on college campuses, etc.--this piece features terrific, expressionistic Van Hamersveld artwork. Minor edge wear is the only condition issue with this well-preserved sheet. Rolled, Very Fine/Near Mint.
The Endless Summer (Cinema 5, 1966). Lobby Card Set of 4 (11" X 14") and Showing Schedule Herald (8.75" X 11".)
It wasn't just the land-locked kids in Kansas lining up to see this landmark surfing film in 1966. The kids in Malibu and Manhattan Beach went back to the theatre again and again to watch their heroes searching for the perfect wave. This cult film has become one of the best time capsule treats about the surfing sport, and is still watched at film festivals today. Issued in a set of four with three of the cards showing surfers in action and surfers with "beach bunnies." There's a nice herald included in the lot which shows Bruce Brown's aggressive campaign, showing the film at high schools as well as theatres. Fine/Very Fine.
It wasn't just the land-locked kids in Kansas lining up to see this landmark surfing film in 1966. The kids in Malibu and Manhattan Beach went back to the theatre again and again to watch their heroes searching for the perfect wave. This cult film has become one of the best time capsule treats about the surfing sport, and is still watched at film festivals today. Issued in a set of four with three of the cards showing surfers in action and surfers with "beach bunnies." There's a nice herald included in the lot which shows Bruce Brown's aggressive campaign, showing the film at high schools as well as theatres. Fine/Very Fine.
The Jackie Robinson Story (Eagle Lion, 1950). Three Sheet (41" X 81").
Jackie Robinson plays himself in this heartfelt and unusually realistic biopic that follows his early years to baseball superstardom. The legendary slugger is front and center (and almost life-sized!) on this great-looking three sheet. Conditions before restoration were minor flaws and included slight fold wear and a tape stain on the reverse that just barely showed through a crossfold. Professional restoration has this looking as good as new. This is an exceedingly rare format for this sports film great. Very Fine on Linen.
Jackie Robinson plays himself in this heartfelt and unusually realistic biopic that follows his early years to baseball superstardom. The legendary slugger is front and center (and almost life-sized!) on this great-looking three sheet. Conditions before restoration were minor flaws and included slight fold wear and a tape stain on the reverse that just barely showed through a crossfold. Professional restoration has this looking as good as new. This is an exceedingly rare format for this sports film great. Very Fine on Linen.
The Pride of the Yankees (RKO, R-1949). One Sheet (27" X 41").
It's always good to get the original release poster for any great film, but with some titles the re-release images are even better! This is one of titles. This one sheet poster features a full length image of Babe Ruth swinging his bat, an image that doesn't appear on the original! Expert linenbacking and crossfold touch-up has this one ready to display next to your signed Ruth baseball. There were cross-fold separations and mild edge wear. Very Fine on Linen.
It's always good to get the original release poster for any great film, but with some titles the re-release images are even better! This is one of titles. This one sheet poster features a full length image of Babe Ruth swinging his bat, an image that doesn't appear on the original! Expert linenbacking and crossfold touch-up has this one ready to display next to your signed Ruth baseball. There were cross-fold separations and mild edge wear. Very Fine on Linen.
The Pride of the Yankees (RKO, 1942). One Sheet (27" X 41").
Gary Cooper stars as Lou Gehrig, one of baseball's greatest stars, in this fine biopic of Gehrig's life. Teresa Wright co-stars and the one and only Babe Ruth plays himself. This bright-looking one sheet has only light edge wear on the right border with a small stain, pinpoint crossfold separation, and faint bends in three corners. A beautiful copy sure to please any sports or movie collector. Very Fine-.
Gary Cooper stars as Lou Gehrig, one of baseball's greatest stars, in this fine biopic of Gehrig's life. Teresa Wright co-stars and the one and only Babe Ruth plays himself. This bright-looking one sheet has only light edge wear on the right border with a small stain, pinpoint crossfold separation, and faint bends in three corners. A beautiful copy sure to please any sports or movie collector. Very Fine-.
Stingaree (RKO, 1934). Insert (14" X 36").
This colorful insert for a Richard Dix/Irene Dunne love story is a quite uncommon piece. Dix is the highwayman, Stingaree, who gives up his freedom so that Dunne, an aspiring opera singer, can follow her dream. There are original soft folds, pinholes into the center image in the top and bottom borders. There is some light edge wear, fold wear and fold separations repaired with tape on the verso, small chips in the bottom left corner, and a slightly rounded bottom right corner. Folded, Fine+.
This colorful insert for a Richard Dix/Irene Dunne love story is a quite uncommon piece. Dix is the highwayman, Stingaree, who gives up his freedom so that Dunne, an aspiring opera singer, can follow her dream. There are original soft folds, pinholes into the center image in the top and bottom borders. There is some light edge wear, fold wear and fold separations repaired with tape on the verso, small chips in the bottom left corner, and a slightly rounded bottom right corner. Folded, Fine+.
The Wild Bunch (Warner Brothers, 1968). Window Card (14" X 22").
Now here's an item for the ultimate Wild Bunch collector. This "Avalon Ballroom" style window card, posing as a "Wanted" poster, is very reminiscent of the late 1960s and not c.1913, the date the film is set in. None of the cast or any film credits are mentioned and the card is clearly dated 1968 as this must have been a teaser poster distributed prior to the film's release. The card shows minimal wear with light creases in the three corners and a very minor horizontal stress crease above the films title. This is the only copy of this item we've seen and it is spectacular. Fine/Very Fine.
Now here's an item for the ultimate Wild Bunch collector. This "Avalon Ballroom" style window card, posing as a "Wanted" poster, is very reminiscent of the late 1960s and not c.1913, the date the film is set in. None of the cast or any film credits are mentioned and the card is clearly dated 1968 as this must have been a teaser poster distributed prior to the film's release. The card shows minimal wear with light creases in the three corners and a very minor horizontal stress crease above the films title. This is the only copy of this item we've seen and it is spectacular. Fine/Very Fine.
The Arizona Kid (Republic, 1939). One Sheet (27" X 41").
Although there are a lot of Roy Rogers one sheets to pick from, if you want a single great portrait of the legendary Western star, there may be no finer image. This example has restoration to pinholes in the corners and within the image. There is minor color touch to the fold lines and the pinholes with one on the tip of Roger's nose and a bit more work to the center of the upper border, which still exhibits some staining. Fine on Linen.
Although there are a lot of Roy Rogers one sheets to pick from, if you want a single great portrait of the legendary Western star, there may be no finer image. This example has restoration to pinholes in the corners and within the image. There is minor color touch to the fold lines and the pinholes with one on the tip of Roger's nose and a bit more work to the center of the upper border, which still exhibits some staining. Fine on Linen.
The Cold Deck (S. A. Lynch, 1917). One Sheet (27" X 41").
William S. Hart was the top money-making cowboy star of the early twentieth century film industry. Offered in this lot is one of two styles to this famous horse opera shot just before the outbreak of WWI. One style of this poster features William S. Hart playing cards and is exceedingly rare and is well-known as was used on a Portal Publications reprint done in the late 1960s.. This equally rare original States Rights release poster features Hart and Mildred Harris (she married Charlie Chaplin a year after this film, when she was only 17). Harris plays the sickly sister of Hart, and here they both weep and pray, not only for her health, but for Hart's clearance after being accused of murder. Traingle was the studio releasing Hart's films at the time this film was made but Lynch was a States Rights distributor who ran the film in areas throughout the country at the same time. Top of the line linenbacking has this supreme rarity ready to proudly display. There has been some expert touch-up for mild edge wear, corner pinholes, and some missing paper in the bottom left corner. Early Hart posters are very scarce as they are some of the earliest posters produced for theatrical distribution. Fine/Very Fine on Linen.
William S. Hart was the top money-making cowboy star of the early twentieth century film industry. Offered in this lot is one of two styles to this famous horse opera shot just before the outbreak of WWI. One style of this poster features William S. Hart playing cards and is exceedingly rare and is well-known as was used on a Portal Publications reprint done in the late 1960s.. This equally rare original States Rights release poster features Hart and Mildred Harris (she married Charlie Chaplin a year after this film, when she was only 17). Harris plays the sickly sister of Hart, and here they both weep and pray, not only for her health, but for Hart's clearance after being accused of murder. Traingle was the studio releasing Hart's films at the time this film was made but Lynch was a States Rights distributor who ran the film in areas throughout the country at the same time. Top of the line linenbacking has this supreme rarity ready to proudly display. There has been some expert touch-up for mild edge wear, corner pinholes, and some missing paper in the bottom left corner. Early Hart posters are very scarce as they are some of the earliest posters produced for theatrical distribution. Fine/Very Fine on Linen.
Davy Crockett, King of the Wild Frontier (Buena Vista, 1955). Standee (82" X 35.5"). .
Walt Disney was watching Them! when they proclaimed, "That's My Davy Crockett!" This is a rare standee from the highly successful theatrical showing of Disney's previously television-broadcast, three-part series. It's a near life-size cutout of Fess Parker in his Davy Crockett coonskin cap, holding his .40 caliber flintlock, "Old Betsy," standing with the siege of the Alamo in the background. There is some mild surface paper loss around the edges and fold lines in addition to some fold wear and edge wear. Great Disney live-action piece! Fine.
Walt Disney was watching Them! when they proclaimed, "That's My Davy Crockett!" This is a rare standee from the highly successful theatrical showing of Disney's previously television-broadcast, three-part series. It's a near life-size cutout of Fess Parker in his Davy Crockett coonskin cap, holding his .40 caliber flintlock, "Old Betsy," standing with the siege of the Alamo in the background. There is some mild surface paper loss around the edges and fold lines in addition to some fold wear and edge wear. Great Disney live-action piece! Fine.
The Desert Trail (Monogram, 1935). Half Sheet (22" X 28").
This is a wonderful early John Wayne poster with Wayne as a rodeo star heading for the big contest in Rattlesnake Gulch! One of the best Wayne and horse portraits we've seen, with a dynamite inset photo of Wayne rearing atop his steed with his best rodeo wave. The poster had a small hole in the title, tears in the borders, creasing and a corner bend in the top left and pinholes in the borders with a few in the image. After expert restoration, this great image of the star displays very well. Fine/Very Fine on Paper.
This is a wonderful early John Wayne poster with Wayne as a rodeo star heading for the big contest in Rattlesnake Gulch! One of the best Wayne and horse portraits we've seen, with a dynamite inset photo of Wayne rearing atop his steed with his best rodeo wave. The poster had a small hole in the title, tears in the borders, creasing and a corner bend in the top left and pinholes in the borders with a few in the image. After expert restoration, this great image of the star displays very well. Fine/Very Fine on Paper.
Dodge City Hat (Warner Brothers, 1939). Autographed Hat and Photos (4) (8" X 10") and (1) (3.5" X 5.75" Photo Postcard.) .
Warner Brothers pulled out all the stops to publicize Errol Flynn's new movie, Dodge City. They rounded up a bunch of Warner Brothers stars, put them on the Santa Fe Special train, and carried them all the way to Dodge City, Kansas for the April 1st,1939 premiere. This incredible artifact was probably signed before and during the tour, both on the train and at the studio. It has no fewer than 33 signatures from top stars! It reads like the "Who's Who" of the Warner Brothers stable. In the top of the hat, the following have signed: AL JOLSON, JOHN GARFIELD, FRANK McHUGH. In the upper hat side: ERROL FLYNN, PAUL MUNI, GILBERT ROLAND, EDDIE CANTOR, LYA LYS, and BEVERLY BERNS. In the brim top: HUMPHREY BOGART, HOOT GIBSON, DOROTHY LAMOUR, ANN SHERIDAN, GUINN "BIG BOY" WILLIAMS, BUCK JONES, WAYNE MORRIS, JOHN PAYNE, JEAN PARKER, JANE WYMAN, ALAN HATLEY, ROSEMARY LANE, MAXIE ROSENBLOOM, GEORGE FISHER, FRANCES ROBINSON, and PRISCILLA LANE. In the brim bottom: CAROLE LOMBARD, HARRY LANG, MARY LIVINGSTON, PENNY SINGLETON, PHIL HARRIS, BILLY GILBERT, and KENNY BAKER. Included in the lot are four photos of the stars on the train and at the premiere, and a photo postcard of the stars. The hat has some small staining, but is in excellent condition, and the signatures are all crystal clear! You won't want to wear it, but you'll sure enjoy showing it to anyone who loves film stars from the Golden Age of Hollywood! Fine/Very Fine.
Warner Brothers pulled out all the stops to publicize Errol Flynn's new movie, Dodge City. They rounded up a bunch of Warner Brothers stars, put them on the Santa Fe Special train, and carried them all the way to Dodge City, Kansas for the April 1st,1939 premiere. This incredible artifact was probably signed before and during the tour, both on the train and at the studio. It has no fewer than 33 signatures from top stars! It reads like the "Who's Who" of the Warner Brothers stable. In the top of the hat, the following have signed: AL JOLSON, JOHN GARFIELD, FRANK McHUGH. In the upper hat side: ERROL FLYNN, PAUL MUNI, GILBERT ROLAND, EDDIE CANTOR, LYA LYS, and BEVERLY BERNS. In the brim top: HUMPHREY BOGART, HOOT GIBSON, DOROTHY LAMOUR, ANN SHERIDAN, GUINN "BIG BOY" WILLIAMS, BUCK JONES, WAYNE MORRIS, JOHN PAYNE, JEAN PARKER, JANE WYMAN, ALAN HATLEY, ROSEMARY LANE, MAXIE ROSENBLOOM, GEORGE FISHER, FRANCES ROBINSON, and PRISCILLA LANE. In the brim bottom: CAROLE LOMBARD, HARRY LANG, MARY LIVINGSTON, PENNY SINGLETON, PHIL HARRIS, BILLY GILBERT, and KENNY BAKER. Included in the lot are four photos of the stars on the train and at the premiere, and a photo postcard of the stars. The hat has some small staining, but is in excellent condition, and the signatures are all crystal clear! You won't want to wear it, but you'll sure enjoy showing it to anyone who loves film stars from the Golden Age of Hollywood! Fine/Very Fine.
Dodge City (Warner Brothers, 1939). Jumbo Window Card (22" X 28").
Errol Flynn, in another sensational adventure feature, is Wade Hatton, a cowboy who returns to Dodge City, Kansas along with his partner, Rusty (Alan Hale), to bring justice to the lawless town. Along the way, he falls in love with Abbie Irving (Olivia de Havilland), and eventually becomes the sheriff in order to deal with Jeff Surrett (Bruce Cabot) and his outlaw gang. An absolutely stunning poster, it had light edge wear at the bottom, touch-up work at the creases, and two areas (4" square) in the top white imprint area that were missing. The professional restoration has addressed these problems, and this unique jumbo window card displays very well. Fine- on Cardstock.
Errol Flynn, in another sensational adventure feature, is Wade Hatton, a cowboy who returns to Dodge City, Kansas along with his partner, Rusty (Alan Hale), to bring justice to the lawless town. Along the way, he falls in love with Abbie Irving (Olivia de Havilland), and eventually becomes the sheriff in order to deal with Jeff Surrett (Bruce Cabot) and his outlaw gang. An absolutely stunning poster, it had light edge wear at the bottom, touch-up work at the creases, and two areas (4" square) in the top white imprint area that were missing. The professional restoration has addressed these problems, and this unique jumbo window card displays very well. Fine- on Cardstock.
Driftin' Thru (Pathé, 1926). One Sheet (27" X 41") Style A.
You probably know him from his Oscar nominated role as the Vice President in Frank Capra's Mr. Smith Goes to Washington, but Harry Carey entered the film business on the ground floor in New York in 1911 and became a top star of Western films throughout the teens and 1920s, often those directed by a young man named John (Jack) Ford. He was a personal favorite of a youngster hooked on cowboy films, Marion Morrison (John Wayne). This is certainly one of the very best images of Carey in his prime. This dynamite Morgan stone lithograph has had expert linenbacking. There has been some touch-up to the fold lines, for a tiny hole in the crossfold, minor crossfold separations and to address mild stains in the top and bottom borders. Very Fine on Linen.
You probably know him from his Oscar nominated role as the Vice President in Frank Capra's Mr. Smith Goes to Washington, but Harry Carey entered the film business on the ground floor in New York in 1911 and became a top star of Western films throughout the teens and 1920s, often those directed by a young man named John (Jack) Ford. He was a personal favorite of a youngster hooked on cowboy films, Marion Morrison (John Wayne). This is certainly one of the very best images of Carey in his prime. This dynamite Morgan stone lithograph has had expert linenbacking. There has been some touch-up to the fold lines, for a tiny hole in the crossfold, minor crossfold separations and to address mild stains in the top and bottom borders. Very Fine on Linen.
Drum Taps (Worldwide Pictures, 1933). One Sheet (27" X 41").
Ken Maynard races to the rescue on this dazzling B Western one sheet that features an Indian, a troop of boy scouts, a damsel in distress, and his wonder horse, Tarzan. This kind of exciting graphic is what makes the Western genre so collectible. The poster has three pinholes in each of the upper corners and two in each of the lower corners. The poster also has some creasing in the corners and some cross-fold tears primarily in the upper horizontal fold line. Very Fine-.
Ken Maynard races to the rescue on this dazzling B Western one sheet that features an Indian, a troop of boy scouts, a damsel in distress, and his wonder horse, Tarzan. This kind of exciting graphic is what makes the Western genre so collectible. The poster has three pinholes in each of the upper corners and two in each of the lower corners. The poster also has some creasing in the corners and some cross-fold tears primarily in the upper horizontal fold line. Very Fine-.
For a Few Dollars More (PEA, 1965). Italian Photobustas (3) (26.5" X 37".)
These terrific photobustas are not only country-of-origin, they're three of the best images you're ever going to see on this important Clint Eastwood title. Featured in this lot is a set of the three main characters, Clint Eastwood as "Monco," Lee Van Cleef as "Col. Douglas Mortimer," and Gian Maria Volonte as "El Indio." All had corner pinholes and tears in the borders, credits, or image but have been professionally linenbacked. There is fold wear on the "Lee" and the "Gian Maria," and chips in the borders of the "Clint." These would be a dramatic display framed together on a movie room wall! Fine+ on Linen.
These terrific photobustas are not only country-of-origin, they're three of the best images you're ever going to see on this important Clint Eastwood title. Featured in this lot is a set of the three main characters, Clint Eastwood as "Monco," Lee Van Cleef as "Col. Douglas Mortimer," and Gian Maria Volonte as "El Indio." All had corner pinholes and tears in the borders, credits, or image but have been professionally linenbacked. There is fold wear on the "Lee" and the "Gian Maria," and chips in the borders of the "Clint." These would be a dramatic display framed together on a movie room wall! Fine+ on Linen.
The Good, the Bad and the Ugly (United Artists, 1968). Three Sheet (41" X 81").
Clint Eastwood and Sergio Leone's best Spaghetti Western is given a fine artistic layout in this glorious three sheet for the US release. Lee Van Cleef and Eli Wallach co-star. There are staple holes in the image and borders and some minor edge wear at the folds. Very Fine.
Clint Eastwood and Sergio Leone's best Spaghetti Western is given a fine artistic layout in this glorious three sheet for the US release. Lee Van Cleef and Eli Wallach co-star. There are staple holes in the image and borders and some minor edge wear at the folds. Very Fine.
High Noon (United Artists, 1952). One Sheet (27" X 41").
Gary Cooper stars as a marshal preparing to retire and get married on the same day when the news arrives that outlaw Frank Miller has been released and is coming back on the noon train to kill him. With no help from the townspeople, it looks as if Cooper will take on Miller's gang alone. Grace Kelly co-stars as his bride, and the film famously takes place in real time. There are stronger levels of magenta in this example than we've seen on other copies, where the flesh tones were more natural. Otherwise, pinholes in the image and some fold wear were the only condition issues, and they have been rectified with professional restoration. Very Fine- on Linen.
Gary Cooper stars as a marshal preparing to retire and get married on the same day when the news arrives that outlaw Frank Miller has been released and is coming back on the noon train to kill him. With no help from the townspeople, it looks as if Cooper will take on Miller's gang alone. Grace Kelly co-stars as his bride, and the film famously takes place in real time. There are stronger levels of magenta in this example than we've seen on other copies, where the flesh tones were more natural. Otherwise, pinholes in the image and some fold wear were the only condition issues, and they have been rectified with professional restoration. Very Fine- on Linen.
The Lone Ranger (Warner Brothers, 1956). Standee (30" X 57").
Here's a treat for collectors of The Lone Ranger, or just great Westerns in general. This is an original lobby display showing Clayton Moore as The Lone Ranger, rearing up on his horse Silver. The circular title piece announces: "His First Full-Length Picture!" There is some fold wear with mild stains, edge wear, some small stains in the horse and his tail, small abrasions with surface loss, some wear in the horse's leg, and surface wear to the Lone Ranger's hand. For the right spot in the entertainment room, this will be hard to beat! Very Good/Fine.
Here's a treat for collectors of The Lone Ranger, or just great Westerns in general. This is an original lobby display showing Clayton Moore as The Lone Ranger, rearing up on his horse Silver. The circular title piece announces: "His First Full-Length Picture!" There is some fold wear with mild stains, edge wear, some small stains in the horse and his tail, small abrasions with surface loss, some wear in the horse's leg, and surface wear to the Lone Ranger's hand. For the right spot in the entertainment room, this will be hard to beat! Very Good/Fine.
Men Without Law (Columbia, 1930). One Sheet (27" X 41").
This poster is from the third in a series of eight Westerns that Buck Jones made for Sol Lesser and his Columbia unit. This one's a real keeper! Buck is punching out the meanest villain the screen ever knew, played Harry Woods, a veteran of over 250 films that included everything from Monkey Business to My Darling Clementine. The linenbacking has been trimmed to the border. There has been some excellent restoration for corner and background pinholes, small tears in the top border into the background, and small tears in the top left border and corner. There are small cross-fold separations with chips in the lower crossfold and small chips in the right border. Fine+ on Linen.
This poster is from the third in a series of eight Westerns that Buck Jones made for Sol Lesser and his Columbia unit. This one's a real keeper! Buck is punching out the meanest villain the screen ever knew, played Harry Woods, a veteran of over 250 films that included everything from Monkey Business to My Darling Clementine. The linenbacking has been trimmed to the border. There has been some excellent restoration for corner and background pinholes, small tears in the top border into the background, and small tears in the top left border and corner. There are small cross-fold separations with chips in the lower crossfold and small chips in the right border. Fine+ on Linen.
My Darling Clementine (20th Century Fox, 1946). One Sheet (27" X 41").
Henry Fonda stars as the reluctant marshal, Wyatt Earp, in John Ford's classic version of the gunfight at the OK Corral. Victor Mature, in one of his best performances, is memorable as Doc Holliday, and Cathy Downs stars as Earp's sweetheart, Clementine. This ranks as one of the top Hollywood Westerns. The poster is a stunner and had corner pinholes, small chips out of the top right and bottom corners, a large chip in the right border, and a chip out of the top crossfold, all of which has been smoothed over by professional restoration. The artwork, featuring the seductive Linda Darnell, was done by Sergio Gargiulo.
Fine+ on Linen.
Henry Fonda stars as the reluctant marshal, Wyatt Earp, in John Ford's classic version of the gunfight at the OK Corral. Victor Mature, in one of his best performances, is memorable as Doc Holliday, and Cathy Downs stars as Earp's sweetheart, Clementine. This ranks as one of the top Hollywood Westerns. The poster is a stunner and had corner pinholes, small chips out of the top right and bottom corners, a large chip in the right border, and a chip out of the top crossfold, all of which has been smoothed over by professional restoration. The artwork, featuring the seductive Linda Darnell, was done by Sergio Gargiulo.
Fine+ on Linen.
Pale Rider (Warner Brothers, 1985). International One Sheet (27" X 41").
Combining elements of Shane and High Plains Drifter, Clint Eastwood directs and stars in his only Western between The Outlaw Josey Wales and the Academy Award winning The Unforgiven. Eastwood is the mystical Preacher who helps besieged miners fight against evil land grabbers. This very scarce international one sheet has pinholes in the corners and borders along with slight fold wear. It features excellent artwork of Eastwood and John Russell and is vastly different from the American paper. Very Fine-.
Combining elements of Shane and High Plains Drifter, Clint Eastwood directs and stars in his only Western between The Outlaw Josey Wales and the Academy Award winning The Unforgiven. Eastwood is the mystical Preacher who helps besieged miners fight against evil land grabbers. This very scarce international one sheet has pinholes in the corners and borders along with slight fold wear. It features excellent artwork of Eastwood and John Russell and is vastly different from the American paper. Very Fine-.
The Plainsman (Paramount, 1936). One Sheet (27" X 41") Style B.
Set in the years following the Civil War, Gary Cooper stars as Wild Bill Hickok, who battles a crooked arms dealer played by Charles Bickford. When Calamity Jane (Jean Arthur) is captured, Wild Bill tries to bargain for her release but instead gets captured himself. A sprawling Western directed in grand style by Cecil B. DeMille, The Plainsman is great entertainment. This superb one sheet has beautiful portraits of Cooper and Arthur, with lush, eye-popping color. Corner pinholes, small chips, fold wear and a small tear at the left were the only condition issues of note, and these have been addressed with excellent professional restoration. Fine/Very Fine on Linen.
Set in the years following the Civil War, Gary Cooper stars as Wild Bill Hickok, who battles a crooked arms dealer played by Charles Bickford. When Calamity Jane (Jean Arthur) is captured, Wild Bill tries to bargain for her release but instead gets captured himself. A sprawling Western directed in grand style by Cecil B. DeMille, The Plainsman is great entertainment. This superb one sheet has beautiful portraits of Cooper and Arthur, with lush, eye-popping color. Corner pinholes, small chips, fold wear and a small tear at the left were the only condition issues of note, and these have been addressed with excellent professional restoration. Fine/Very Fine on Linen.
Ride Him, Cowboy (Warner Brothers, 1932). One Sheet (27" X 41").
In 1932, Warner's had a great idea. Take some silent Ken Maynard films, use the stock footage and the plots, and put together six films with that new handsome kid, John Wayne. In his first B-Western for Warner's, Wayne (just turned 25) lands in a better production than you'd think. The cinematography was excellent, thanks to the fine work of Ted McCord (Treasure of Sierra Madre, East of Eden, etc.). This stone lithograph has a great painted portrait image of Wayne and a dramatic drawing of Duke and Wayne rescuing Ruth Hall. Condition includes pinholes in the corners and left border, which have been smoothed over with professional restoration. Fine+ on Linen.
In 1932, Warner's had a great idea. Take some silent Ken Maynard films, use the stock footage and the plots, and put together six films with that new handsome kid, John Wayne. In his first B-Western for Warner's, Wayne (just turned 25) lands in a better production than you'd think. The cinematography was excellent, thanks to the fine work of Ted McCord (Treasure of Sierra Madre, East of Eden, etc.). This stone lithograph has a great painted portrait image of Wayne and a dramatic drawing of Duke and Wayne rescuing Ruth Hall. Condition includes pinholes in the corners and left border, which have been smoothed over with professional restoration. Fine+ on Linen.
Ride Him, Cowboy (Warner Brothers, 1932). Lobby Cards (3) (11" X 14").
These three rare lobby cards are for John Wayne's first Warner Brothers Western. They're very pretty cards with a portrait card of Wayne and Ruth Hall, a terrific shot of Duke rearing up with Wayne in his best rodeo pose, and Duke helping his master! These cards have had some terrific light restoration for tears in the borders, chips in the top right corner and top border, small surface paper loss in the right center, and the bottom left corner reattached on the Duke helping Wayne card. The Duke rearing card has tears in the borders and chops in the right corner and borders. The portrait card has tears in the top border and chips in the top corners and the right border. Fine-.
These three rare lobby cards are for John Wayne's first Warner Brothers Western. They're very pretty cards with a portrait card of Wayne and Ruth Hall, a terrific shot of Duke rearing up with Wayne in his best rodeo pose, and Duke helping his master! These cards have had some terrific light restoration for tears in the borders, chips in the top right corner and top border, small surface paper loss in the right center, and the bottom left corner reattached on the Duke helping Wayne card. The Duke rearing card has tears in the borders and chops in the right corner and borders. The portrait card has tears in the top border and chips in the top corners and the right border. Fine-.
Ride Him, Cowboy (Warner Brothers, 1932). Lobby Cards (4) (11" X 14").
Four great scenes from John Wayne's first B Western for Warner Brothers in 1932. These are scarce cards indeed, showing Wayne being falsely arrested and taking on the bad guys. Excellent restoration with some minimal touch-up has rendered these cards first-rate! There was a tear in one from the edge to the border art, and one card had two tears down the left border. There were creases in the top border. Very Good/Fine.
Four great scenes from John Wayne's first B Western for Warner Brothers in 1932. These are scarce cards indeed, showing Wayne being falsely arrested and taking on the bad guys. Excellent restoration with some minimal touch-up has rendered these cards first-rate! There was a tear in one from the edge to the border art, and one card had two tears down the left border. There were creases in the top border. Very Good/Fine.
Rio Bravo (Warner Brothers, 1959). One Sheet (27" X 41").
One of the 1950s most memorable Westerns, Rio Bravo teamed Howard Hawks, John Wayne, Dean Martin, Angie Dickinson and the irascible Walter Brennan in a tale that attempts to define the true measure of a man. This classic one sheet had pinholes, tears on the right side that run into the black bar, crossfold separations, a large chip out of the bottom border and chips out of the top border and right corner, all of which has been addressed with professional restoration, including some minor touch-ups to the folds. Fine+ on Linen.
One of the 1950s most memorable Westerns, Rio Bravo teamed Howard Hawks, John Wayne, Dean Martin, Angie Dickinson and the irascible Walter Brennan in a tale that attempts to define the true measure of a man. This classic one sheet had pinholes, tears on the right side that run into the black bar, crossfold separations, a large chip out of the bottom border and chips out of the top border and right corner, all of which has been addressed with professional restoration, including some minor touch-ups to the folds. Fine+ on Linen.
The Searchers (Warner Brothers, 1956). One Sheet (27" X 41").
A top cast--John Wayne, Natalie Wood, Jeffrey Hunter, and Vera Miles--star in this legendary Western directed by John Ford, from the novel by Alan LeMay. This beautiful image of a landscape fraught with danger is rendered in lush earth tones. This splendid copy, with some of the best color we've ever seen on this sheet, has only minor tape stain stains in the corners and very light corner creases. Very Fine-.
A top cast--John Wayne, Natalie Wood, Jeffrey Hunter, and Vera Miles--star in this legendary Western directed by John Ford, from the novel by Alan LeMay. This beautiful image of a landscape fraught with danger is rendered in lush earth tones. This splendid copy, with some of the best color we've ever seen on this sheet, has only minor tape stain stains in the corners and very light corner creases. Very Fine-.
Silver Valley (Fox, 1927). One Sheet (28.25" X 41").
An action packed gorgeous stone lithograph from the Miner Litho Company, for a 1927 Tom Mix "modern" Western. Tom has just crashed his airplane into the barn of his ranch boss. Lovely Dorothy Dwan (one of the first "Dorothy's" in a 1925 silent version of Wizard of Oz) looks on, while terrified horses gallop from the barn to the left and hysterical chickens fly off to the right. Tom himself is being ejected from the force of the bump, and we're not sure where he's going to land! Laid on linen with some expert touch-up. There was some chipping in the fold wear and borders, a tear in right corner, and restored paper loss in the right side of the airplane wing. Very Good+ on Linen.
An action packed gorgeous stone lithograph from the Miner Litho Company, for a 1927 Tom Mix "modern" Western. Tom has just crashed his airplane into the barn of his ranch boss. Lovely Dorothy Dwan (one of the first "Dorothy's" in a 1925 silent version of Wizard of Oz) looks on, while terrified horses gallop from the barn to the left and hysterical chickens fly off to the right. Tom himself is being ejected from the force of the bump, and we're not sure where he's going to land! Laid on linen with some expert touch-up. There was some chipping in the fold wear and borders, a tear in right corner, and restored paper loss in the right side of the airplane wing. Very Good+ on Linen.
Smoke Tree Range (Universal, 1937). One Sheet (27" X 41").
Cowboy star Buck Jones chases cattle rustlers and searches for the killers of a pretty woman's father. Jones was a hugely popular western star, at one point receiving more fan mail than Clark Gable. This great-looking poster has fantastic artwork brimming with action. Condition issues included pinholes in the top left of the image, light edge wear with small tears, and fold wear with crossfold separations, all of which has been addressed with professional restoration, including some touch-ups to the fold lines. Fine/Very Fine on Linen.
Cowboy star Buck Jones chases cattle rustlers and searches for the killers of a pretty woman's father. Jones was a hugely popular western star, at one point receiving more fan mail than Clark Gable. This great-looking poster has fantastic artwork brimming with action. Condition issues included pinholes in the top left of the image, light edge wear with small tears, and fold wear with crossfold separations, all of which has been addressed with professional restoration, including some touch-ups to the fold lines. Fine/Very Fine on Linen.
Smoking Guns (Universal, 1934). One Sheet (27" X 41").
Great one sheets don't come much better than this piece from an exciting early 1930s Ken Maynard Western for Universal. The top two thirds of this terrific piece were near mint. The bottom panel with the credits had been removed, most likely to advertise a different film. Expert restoration has left this poster ready to enhance any collection. Good on Linen.
Great one sheets don't come much better than this piece from an exciting early 1930s Ken Maynard Western for Universal. The top two thirds of this terrific piece were near mint. The bottom panel with the credits had been removed, most likely to advertise a different film. Expert restoration has left this poster ready to enhance any collection. Good on Linen.
The Son of the Golden West (FBO, 1928). One Sheet (27" X 41").
He was one of the most famous Western stars of his time and made dozens of silent films that thrilled audiences world-wide. Tom Mix left Fox Studios in the late twenties and signed on with FBO, a Poverty Row film company started by Joseph Kennedy, father of future president John Kennedy. This was his first Western for that company. This great poster has a wonderful artist's illustration of Mix firing in the air with horses galloping, wild eyed and gasping for air. The stone lithography is from one of the best companies, Otis Lithograph, and the colors are just fantastic. Professional linenbacking and minimal touch-up have addressed small tears in the right border, not affecting the art, and some fold wear. Get a great Mix one sheet while you can as these are a scarce commodity. Very Fine- on Linen.
He was one of the most famous Western stars of his time and made dozens of silent films that thrilled audiences world-wide. Tom Mix left Fox Studios in the late twenties and signed on with FBO, a Poverty Row film company started by Joseph Kennedy, father of future president John Kennedy. This was his first Western for that company. This great poster has a wonderful artist's illustration of Mix firing in the air with horses galloping, wild eyed and gasping for air. The stone lithography is from one of the best companies, Otis Lithograph, and the colors are just fantastic. Professional linenbacking and minimal touch-up have addressed small tears in the right border, not affecting the art, and some fold wear. Get a great Mix one sheet while you can as these are a scarce commodity. Very Fine- on Linen.
Viva Villa! (MGM, 1934). One Sheet (27" X 41") Style D, Hirschfeld Art.
Who better to capture the exaggerated "mugging" style of Wallace Beery than Al Hirschfeld? This piece features a terrific caricature of Beery as 'Pancho Villa," with Hirschfeld throwing in a beautiful senorita, lounging on the brim of the oversize sombrero, just for laughs. There aren't many of these style D, stone litho one sheets about, so this is a great chance to obtain one of the few, full color posters to feature a Hirschfeld drawing. There are border pinholes, light border smudges, a faint print transfer image, some crossfold separations and fold wear, and some soft vertical folding in the center fold area. Fine.
Who better to capture the exaggerated "mugging" style of Wallace Beery than Al Hirschfeld? This piece features a terrific caricature of Beery as 'Pancho Villa," with Hirschfeld throwing in a beautiful senorita, lounging on the brim of the oversize sombrero, just for laughs. There aren't many of these style D, stone litho one sheets about, so this is a great chance to obtain one of the few, full color posters to feature a Hirschfeld drawing. There are border pinholes, light border smudges, a faint print transfer image, some crossfold separations and fold wear, and some soft vertical folding in the center fold area. Fine.
Session 2
The Rocking Horse Winner (Universal International, 1950). Insert (14" X 36").
Produced by and starring John Mills and directed by Anthony Pelissier, this film is perhaps the best adaptation of D.H. Lawrence's classic short story and dark fantasy. The plot deals with a spendthrift family's desire for money and the young boy (John Howard Davies) who believes he can help by predicting horse race results while riding his rocking horse. Posters for this film version are very scarce and this is a wonderful format. The poster is folded with only minor border and corner wear. Folded, Very Fine+.
Produced by and starring John Mills and directed by Anthony Pelissier, this film is perhaps the best adaptation of D.H. Lawrence's classic short story and dark fantasy. The plot deals with a spendthrift family's desire for money and the young boy (John Howard Davies) who believes he can help by predicting horse race results while riding his rocking horse. Posters for this film version are very scarce and this is a wonderful format. The poster is folded with only minor border and corner wear. Folded, Very Fine+.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Three Sheet (41" X 81").
Comedy team Bud Abbot and Lou Costello made this widely successful comeback film after their careers floundered in the post-war years. This moneymaker was a hit and featured some of Universal Studios' horror stars in the roles they originally played. Bela Lugosi reprises his role as Count Dracula, Lon Chaney Jr. plays the Wolf Man, and Glenn Strange is Frankenstein's Monster. This vehicle would lead A&C into twelve more feature films, many starring the Universal monsters. We have had the privilege of offering two other copies of this scarce and very desirable three sheet, but this is the only unrestored copy we have had! This poster has a piece missing in the upper right corner, minor crossfold separation, and some small amount of fold separation. The poster's colors are as bright as they were on the day it was printed. It displays beautifully with only minor wear and no restoration. Very Fine-.
Comedy team Bud Abbot and Lou Costello made this widely successful comeback film after their careers floundered in the post-war years. This moneymaker was a hit and featured some of Universal Studios' horror stars in the roles they originally played. Bela Lugosi reprises his role as Count Dracula, Lon Chaney Jr. plays the Wolf Man, and Glenn Strange is Frankenstein's Monster. This vehicle would lead A&C into twelve more feature films, many starring the Universal monsters. We have had the privilege of offering two other copies of this scarce and very desirable three sheet, but this is the only unrestored copy we have had! This poster has a piece missing in the upper right corner, minor crossfold separation, and some small amount of fold separation. The poster's colors are as bright as they were on the day it was printed. It displays beautifully with only minor wear and no restoration. Very Fine-.
The Bride of Frankenstein (Universal, 1935). Lobby Card (11" X 14").
Emboldened with the financial success of Frankenstein, director James Whale used the opportunity for a sequel to craft something truly outlandish and macabre. The end result is generally regarded as the pinnacle of the Universal horror cycle. Here the effete Doctor Pretorious (Ernest Thesiger in an unforgettable performance) seeks to build a mate (Elsa Lanchester) for the erstwhile creature (Boris Karloff). This sublime image card is certainly among the best in the set, with an iconic image of the Monster set against the rioting mob that pursues him. The card has corner pinholes, some creasing, and had slight surface paper loss in the top right corner, and Japanese masa paper tape around the verso of the borders to support them. There is also some light staining in two borders. Minimal professional restoration has helped the card's appearance. This is perhaps one of the rarest cards to turn up from this iconic set! Fine/Very Fine.
Emboldened with the financial success of Frankenstein, director James Whale used the opportunity for a sequel to craft something truly outlandish and macabre. The end result is generally regarded as the pinnacle of the Universal horror cycle. Here the effete Doctor Pretorious (Ernest Thesiger in an unforgettable performance) seeks to build a mate (Elsa Lanchester) for the erstwhile creature (Boris Karloff). This sublime image card is certainly among the best in the set, with an iconic image of the Monster set against the rioting mob that pursues him. The card has corner pinholes, some creasing, and had slight surface paper loss in the top right corner, and Japanese masa paper tape around the verso of the borders to support them. There is also some light staining in two borders. Minimal professional restoration has helped the card's appearance. This is perhaps one of the rarest cards to turn up from this iconic set! Fine/Very Fine.
The Cabinet of Dr. Caligari (UFA, 1919). German Lobby Card (9.25" X 11.75").
This intense title is an erotic, murderous blend of romanticism, fantasy, and medieval fairy tale. Offered here is a vintage gelatin silver print, double weight original country-of-origin release German lobby card with a glossy finish. In the top right corner it features the Film Prufstelle, Berlin's original censorship stamp embossed in the surface. This amazing find has both Werner Krauss in the titular role of this landmark German Expressionist film and a murderous somnambulist in the cabinet, none other than Major Strassen from Casablanca (a young Conrad Veidt). There are pinholes in the corners, minor surface blemishes, and a small crinkle above the eyes of Krauss. On the verso is a printed title and penciled actor names. Very Fine.
This intense title is an erotic, murderous blend of romanticism, fantasy, and medieval fairy tale. Offered here is a vintage gelatin silver print, double weight original country-of-origin release German lobby card with a glossy finish. In the top right corner it features the Film Prufstelle, Berlin's original censorship stamp embossed in the surface. This amazing find has both Werner Krauss in the titular role of this landmark German Expressionist film and a murderous somnambulist in the cabinet, none other than Major Strassen from Casablanca (a young Conrad Veidt). There are pinholes in the corners, minor surface blemishes, and a small crinkle above the eyes of Krauss. On the verso is a printed title and penciled actor names. Very Fine.
Cat People (RKO, 1942). Insert (14" X 36").
It was the beginning of an era for RKO Studios as they ventured into the genre dominated for so many years by Universal: the horror film. Producer Val Lewton was assigned the task of making these films, and he brought the master of suspense, Jacques Tourneur, to direct his projects. Their first effort, Cat People, was a huge success and defined the style copied in many of RKO's subsequent horrors. Simone Simon exuded allure and mystery. This very rare insert was backed to support and diminish the fold lines, and the borders were airbrushed to give the edges a cleaner appearance. Very Fine- on Paper.
It was the beginning of an era for RKO Studios as they ventured into the genre dominated for so many years by Universal: the horror film. Producer Val Lewton was assigned the task of making these films, and he brought the master of suspense, Jacques Tourneur, to direct his projects. Their first effort, Cat People, was a huge success and defined the style copied in many of RKO's subsequent horrors. Simone Simon exuded allure and mystery. This very rare insert was backed to support and diminish the fold lines, and the borders were airbrushed to give the edges a cleaner appearance. Very Fine- on Paper.
Cat People (RKO, 1942). Lobby Card Set of 8 (11" X 14").
Val Lewton produced this moody and magnificent film on a very modest budget but managed to create one of the most frightening films of the 1940s. Beautiful Simone Simon stars as a woman who turns into a panther when emotionally charged. Cat People was the first in a series of films that made Lewton an icon in the genre. The paper for this title is among the most sought after by horror enthusiasts. All cards have blunted corners and staple holes in the image, and six cards have corner pinholes. The title card has grease pencil writing, rust stains, and other staining. Various other single cards have pencil marks, small border tears, and staining. MP Grading: Very Fine-.
Val Lewton produced this moody and magnificent film on a very modest budget but managed to create one of the most frightening films of the 1940s. Beautiful Simone Simon stars as a woman who turns into a panther when emotionally charged. Cat People was the first in a series of films that made Lewton an icon in the genre. The paper for this title is among the most sought after by horror enthusiasts. All cards have blunted corners and staple holes in the image, and six cards have corner pinholes. The title card has grease pencil writing, rust stains, and other staining. Various other single cards have pencil marks, small border tears, and staining. MP Grading: Very Fine-.
Dracula (Spanish Adaptation) (Universal, 1931). Lobby Card (11" X 14").
This certainly follows the truest guidelines of "rare." It's one of only two lobby cards that have surfaced for the Spanish language adaptation of the Universal classic. Thus, we are quite proud to offer this super card picturing Carlos Villarias in the title role. The film was made at the same time as the Tod Browning/Bela Lugosi version, shot at night using the same sets and a Hispanic cast. This was a fairly common practice during the early talkie era as the studios had not developed the techniques for dubbing films at this time and wanted to make product for their international audience. Directed by George Melford and Enrique Tovar Ávalos, this film stars Villarias as Count Dracula, Lupita Tovar as Eva, and Eduardo Arozamena as Van Helsing. In fact, many critics cite this as a superior film to the Lugosi version because foreign release films did not have to adhere to the strict Hays Code. This very rare card has pinholes in the corners, a minor hole in the left border, minor stains in the left and right borders, and corner bends. These slight issues do not detract from the impact of this very special card. From the Kirk Hammett Collection. Fine.
This certainly follows the truest guidelines of "rare." It's one of only two lobby cards that have surfaced for the Spanish language adaptation of the Universal classic. Thus, we are quite proud to offer this super card picturing Carlos Villarias in the title role. The film was made at the same time as the Tod Browning/Bela Lugosi version, shot at night using the same sets and a Hispanic cast. This was a fairly common practice during the early talkie era as the studios had not developed the techniques for dubbing films at this time and wanted to make product for their international audience. Directed by George Melford and Enrique Tovar Ávalos, this film stars Villarias as Count Dracula, Lupita Tovar as Eva, and Eduardo Arozamena as Van Helsing. In fact, many critics cite this as a superior film to the Lugosi version because foreign release films did not have to adhere to the strict Hays Code. This very rare card has pinholes in the corners, a minor hole in the left border, minor stains in the left and right borders, and corner bends. These slight issues do not detract from the impact of this very special card. From the Kirk Hammett Collection. Fine.
Dr. Jekyll and Mr. Hyde (Paramount, 1931). Insert (14" X 36").
Fredric March gives an Academy Award-winning performance in his incredible dual performance for this horror film classic. Directed by Rouben Mamoulian, this film also features Miriam Hopkins, in her sexiest pre-Code role, as the prostitute Hyde lusts after. Rose Hobart plays Dr. Jekyll's much more refined love interest. The transformation effects (from Jekyll to Hyde) were major feats for the day and still astound modern audiences. Long thought a "lost" film, with MGM buying up the rights to remake it in 1941, the movie finally resurfaced decades later, first in the 1960s in a heavily edited and censored version, and then in a restored version, which returned this incredible film to its true glory. The classic Art Deco graphics on this beautiful insert are extraordinary to behold and were only featured on this size. Original release posters for this classic horror film rarely surface. There has been some touch-up to the left to restore small tears and chips on the border and to the right side in the blue background to cover several pinholes. In addition, there has been a slight bit of color enhancement. Rolled, Fine.
Fredric March gives an Academy Award-winning performance in his incredible dual performance for this horror film classic. Directed by Rouben Mamoulian, this film also features Miriam Hopkins, in her sexiest pre-Code role, as the prostitute Hyde lusts after. Rose Hobart plays Dr. Jekyll's much more refined love interest. The transformation effects (from Jekyll to Hyde) were major feats for the day and still astound modern audiences. Long thought a "lost" film, with MGM buying up the rights to remake it in 1941, the movie finally resurfaced decades later, first in the 1960s in a heavily edited and censored version, and then in a restored version, which returned this incredible film to its true glory. The classic Art Deco graphics on this beautiful insert are extraordinary to behold and were only featured on this size. Original release posters for this classic horror film rarely surface. There has been some touch-up to the left to restore small tears and chips on the border and to the right side in the blue background to cover several pinholes. In addition, there has been a slight bit of color enhancement. Rolled, Fine.
Frankenstein (Universal, 1931). Lobby Card (11" X 14").
The iconic struggle between mortal man (Colin Clive) and his unnatural creation (Boris Karloff) is captured perfectly on this sublime lobby card from the all-time classic adaptation of Mary Shelly's allegorical novel. The film made Karloff an international star, and, along with Dracula, spawned an entire era of monster mania. This masa paper-backed lobby card had pinholes in the borders and two in the image between the stars. There was a tear in the top center of the image also between the stars, corner creases, and a tiny hole in the right border. There was some slight water staining as a faint tide line can be detected on the card as well. All of these condition issues have been corrected with restoration. Fine+ on Paper.
The iconic struggle between mortal man (Colin Clive) and his unnatural creation (Boris Karloff) is captured perfectly on this sublime lobby card from the all-time classic adaptation of Mary Shelly's allegorical novel. The film made Karloff an international star, and, along with Dracula, spawned an entire era of monster mania. This masa paper-backed lobby card had pinholes in the borders and two in the image between the stars. There was a tear in the top center of the image also between the stars, corner creases, and a tiny hole in the right border. There was some slight water staining as a faint tide line can be detected on the card as well. All of these condition issues have been corrected with restoration. Fine+ on Paper.
The Ghost of Frankenstein (Universal, 1942). Insert (14" X 36").
The fourth film in the Frankenstein saga, this was the first picture in which the Monster was portrayed by someone other than Boris Karloff. Lon Chaney Jr. dons the makeup here, as mad Ygor (Bela Lugosi) schemes with the disgraced Dr. Bohmer (Lionel Atwill) to have Dr. Ludwig Frankenstein (Sir Cedric Hardwicke) place his brain into the body of the mighty creature. This insert features artwork similar to the elusive three sheet. The poster has corner pinholes, small stains in the top right and along the right border, surface paper loss with pencil touch-ups in two borders, and creasing in the right border. Very scarce insert from a classic horror favorite. Folded, Fine/Very Fine.
The fourth film in the Frankenstein saga, this was the first picture in which the Monster was portrayed by someone other than Boris Karloff. Lon Chaney Jr. dons the makeup here, as mad Ygor (Bela Lugosi) schemes with the disgraced Dr. Bohmer (Lionel Atwill) to have Dr. Ludwig Frankenstein (Sir Cedric Hardwicke) place his brain into the body of the mighty creature. This insert features artwork similar to the elusive three sheet. The poster has corner pinholes, small stains in the top right and along the right border, surface paper loss with pencil touch-ups in two borders, and creasing in the right border. Very scarce insert from a classic horror favorite. Folded, Fine/Very Fine.
The Ghost of Frankenstein (Universal, 1942). Argentinean Poster (29" X 43").
If you think you've seen all the great posters on The Ghost of Frankenstein, look again. During WWII, Latin American countries were as anxious to receive the latest offering of Universal monsters as any of the English speaking countries. This first-release Argentinean poster is the only copy that we are aware of. It's been professionally linenbacked and touched-up for corner pinholes, a tear in the top vertical fold, crossfold separations with small paper loss in the top quadrant, and fold wear in the top and bottom. There was a "v" shaped piece missing from the upper right, but it's been replaced. There was also some other paper loss in the right bottom border. Fine on Linen.
If you think you've seen all the great posters on The Ghost of Frankenstein, look again. During WWII, Latin American countries were as anxious to receive the latest offering of Universal monsters as any of the English speaking countries. This first-release Argentinean poster is the only copy that we are aware of. It's been professionally linenbacked and touched-up for corner pinholes, a tear in the top vertical fold, crossfold separations with small paper loss in the top quadrant, and fold wear in the top and bottom. There was a "v" shaped piece missing from the upper right, but it's been replaced. There was also some other paper loss in the right bottom border. Fine on Linen.
The Ghoul (Gaumont, 1933). British Lobby Card (11" X 14").
The Ghoul was considered to be a lost film until a print turned up in the Czech National Archive in Prague. Boris Karloff stars as an Egyptologist who seeks immortality by being buried with an ancient jewel from a tomb. After his death, he returns from the grave to seek those who nabbed the jewels. The film drew inspiration from The Mummy, which had been released by Universal the year before. Any original material from this film is extremely rare, but none more so than British country-of-origin items. This British lobby card is the first we've turned up and is in remarkable condition with some very minor surface scratches and pinholes in the corners. Very Fine.
The Ghoul was considered to be a lost film until a print turned up in the Czech National Archive in Prague. Boris Karloff stars as an Egyptologist who seeks immortality by being buried with an ancient jewel from a tomb. After his death, he returns from the grave to seek those who nabbed the jewels. The film drew inspiration from The Mummy, which had been released by Universal the year before. Any original material from this film is extremely rare, but none more so than British country-of-origin items. This British lobby card is the first we've turned up and is in remarkable condition with some very minor surface scratches and pinholes in the corners. Very Fine.
House of Dracula (Universal, 1945). Insert (14" X 36").
The second entry in Universal's "House of" series, House of Dracula featured an outstanding cast of horror greats, with Lon Chaney Jr. as the Wolf Man, John Carradine as Count Dracula, and Glenn Strange as the Frankenstein monster. Beautiful Jane Adams plays a hunchback nurse and is billed as one of the "monsters" on the poster, but actually has a very sympathetic role in the film. Onslow Stevens plays the crazed doctor this time around. This is possibly the cleanest insert on this title we've ever seen, with only two small edge tears in the left border keeping it from a higher grade. Rolled, Near Mint-.
The second entry in Universal's "House of" series, House of Dracula featured an outstanding cast of horror greats, with Lon Chaney Jr. as the Wolf Man, John Carradine as Count Dracula, and Glenn Strange as the Frankenstein monster. Beautiful Jane Adams plays a hunchback nurse and is billed as one of the "monsters" on the poster, but actually has a very sympathetic role in the film. Onslow Stevens plays the crazed doctor this time around. This is possibly the cleanest insert on this title we've ever seen, with only two small edge tears in the left border keeping it from a higher grade. Rolled, Near Mint-.
House of Frankenstein (Universal, 1944). One Sheet (27" X 41").
This poster sports one of the best villainous groups ever collected for one film! Glenn Strange is the Frankenstein monster this time around, but Boris Karloff is still on hand in a great performance as the evil Doctor Niemann. John Carradine is Dracula, Lon Chaney Jr. returns as the Wolf Man, and Karloff's hunchback assistant is played by J. Carroll Naish. There has been some restoration and the poster has been placed on linen. There were pinholes in the borders and center of the artwork, small chips in the borders and corners, small tears in the right border, and a few tears into the artwork at the bottom. There are still some minor crossfold separations. Very Good/Fine on Linen.
This poster sports one of the best villainous groups ever collected for one film! Glenn Strange is the Frankenstein monster this time around, but Boris Karloff is still on hand in a great performance as the evil Doctor Niemann. John Carradine is Dracula, Lon Chaney Jr. returns as the Wolf Man, and Karloff's hunchback assistant is played by J. Carroll Naish. There has been some restoration and the poster has been placed on linen. There were pinholes in the borders and center of the artwork, small chips in the borders and corners, small tears in the right border, and a few tears into the artwork at the bottom. There are still some minor crossfold separations. Very Good/Fine on Linen.
Murders in the Rue Morgue (Universal, 1932). Window Card (14" X 22").
You can name on one hand, and have some fingers left, the list of important film poster artists from the classic 1930s period of top sci-fi/horror titles. Karoly Grosz simply goes to the head of the list. (All Quiet on the Western Front, Frankenstein, Dracula, The Old Dark House, The Invisible Man, The Mummy, and The Bride of Frankenstein, to name a few.) This is one of the few important titles where you can actually see his name signed in the plate. Posters on this title, especially in a completely unrestored state, are few and far between. It's a chilling pre-Code image of the lovely Sidney Fox, her skirt pulled above her knees, while the demonic Bela Lugosi glares at her from the shadows. Completely unrestored, it shows a chip at the top, a smaller one in the top right corner, and light edge wear at the bottom. There are two tears at the right border and one in the left, backed by archival tape. Certainly an exciting opportunity for the serious fan of the golden era of horror to bring a great poster home. Very Good/Fine.
You can name on one hand, and have some fingers left, the list of important film poster artists from the classic 1930s period of top sci-fi/horror titles. Karoly Grosz simply goes to the head of the list. (All Quiet on the Western Front, Frankenstein, Dracula, The Old Dark House, The Invisible Man, The Mummy, and The Bride of Frankenstein, to name a few.) This is one of the few important titles where you can actually see his name signed in the plate. Posters on this title, especially in a completely unrestored state, are few and far between. It's a chilling pre-Code image of the lovely Sidney Fox, her skirt pulled above her knees, while the demonic Bela Lugosi glares at her from the shadows. Completely unrestored, it shows a chip at the top, a smaller one in the top right corner, and light edge wear at the bottom. There are two tears at the right border and one in the left, backed by archival tape. Certainly an exciting opportunity for the serious fan of the golden era of horror to bring a great poster home. Very Good/Fine.
Werewolf of London (Universal, 1935). Insert (14" X 36").
Henry Hull stars as the man who becomes a werewolf in this classic horror film from Universal. The original makeup for the werewolf was deemed too gruesome to use but later showed up in Lon Chaney Jr.'s rendition of the Wolf Man. Hull plays a scientist who journeys to Tibet in search of a rare flower. There he is bitten by a werewolf (Warner Oland) and takes on the lycanthropic curse. When he returns to London, his transformation occurs and he goes on a killing spree until he's finally brought down by Scotland Yard. Valerie Hobson plays his wife, fresh from being the bride of Dr. Frankenstein! The horrific werewolf appears twice on this appropriately eerie insert poster. Unrestored, it has pinholes in the corners, small tears in the left and right borders, minor corner bends with a smudge in the bottom right corner, and a tear with slight surface paper loss in the top left corner. There is tape on the reverse borders and a small surface abrasion on Lester Matthews' suit coat. Posters from this horror classic seldom surface, and this is a wonderful example. Rolled, Fine+.
Henry Hull stars as the man who becomes a werewolf in this classic horror film from Universal. The original makeup for the werewolf was deemed too gruesome to use but later showed up in Lon Chaney Jr.'s rendition of the Wolf Man. Hull plays a scientist who journeys to Tibet in search of a rare flower. There he is bitten by a werewolf (Warner Oland) and takes on the lycanthropic curse. When he returns to London, his transformation occurs and he goes on a killing spree until he's finally brought down by Scotland Yard. Valerie Hobson plays his wife, fresh from being the bride of Dr. Frankenstein! The horrific werewolf appears twice on this appropriately eerie insert poster. Unrestored, it has pinholes in the corners, small tears in the left and right borders, minor corner bends with a smudge in the bottom right corner, and a tear with slight surface paper loss in the top left corner. There is tape on the reverse borders and a small surface abrasion on Lester Matthews' suit coat. Posters from this horror classic seldom surface, and this is a wonderful example. Rolled, Fine+.
Werewolf of London (Universal, 1935). Jumbo Window Card (22" X 28").
In one of Universal's earliest horror classics, Henry Hull stars as the ill-fated Dr. Glendon who is viciously attacked by the hideous beast Yogami (Warner Oland) while on an expedition in Tibet. When he returns to London, Glendon understands his condition transforms him into a werewolf during each full moon, and desperately seeks a cure before he attacks more innocent victims. The great Jack Pierce created the superb makeup for this ground breaking film, which was the first to deal with the horror of lycanthropy, paving the way for a genre that has captured audiences for decades. Valerie Hobson co-stars as the doctor's terrified wife. This jumbo window card, the first copy we've ever heard of to surface in the hobby, had some damage prior to restoration. There was a small hole in the word "night" and another that removed the "A" from "A Universal Picture". The poster also had some slight staining on the left quarter with just a bit more in the center. There were some cracks in the lower left and right corners within the black background. Although this sounds like quite a bit, we're just being detailed as the integrity of the poster is actually quite sound and the restoration was first rate. Fine-.
In one of Universal's earliest horror classics, Henry Hull stars as the ill-fated Dr. Glendon who is viciously attacked by the hideous beast Yogami (Warner Oland) while on an expedition in Tibet. When he returns to London, Glendon understands his condition transforms him into a werewolf during each full moon, and desperately seeks a cure before he attacks more innocent victims. The great Jack Pierce created the superb makeup for this ground breaking film, which was the first to deal with the horror of lycanthropy, paving the way for a genre that has captured audiences for decades. Valerie Hobson co-stars as the doctor's terrified wife. This jumbo window card, the first copy we've ever heard of to surface in the hobby, had some damage prior to restoration. There was a small hole in the word "night" and another that removed the "A" from "A Universal Picture". The poster also had some slight staining on the left quarter with just a bit more in the center. There were some cracks in the lower left and right corners within the black background. Although this sounds like quite a bit, we're just being detailed as the integrity of the poster is actually quite sound and the restoration was first rate. Fine-.
The Wolf Man (Universal, 1941). Half Sheet (22" X 28").
Lon Chaney, Jr. made his mark in the cinema with this entry in the Universal horror series. Under Jack Pierce's incredible makeup, Chaney became the screen's greatest werewolf. Although lobbies and one sheets have turned up over the years, this half sheet poster is exceptionally scarce. This poster has had moderate restoration with airbrushing to the borders and background, and retouch along the fold lines. There was a piece missing from the upper right corner that has been replaced. This professional work has given it a very nice appearance. Authenticated and graded by MP Grading as Fine-. Very Good/Fine on Paper.
Lon Chaney, Jr. made his mark in the cinema with this entry in the Universal horror series. Under Jack Pierce's incredible makeup, Chaney became the screen's greatest werewolf. Although lobbies and one sheets have turned up over the years, this half sheet poster is exceptionally scarce. This poster has had moderate restoration with airbrushing to the borders and background, and retouch along the fold lines. There was a piece missing from the upper right corner that has been replaced. This professional work has given it a very nice appearance. Authenticated and graded by MP Grading as Fine-. Very Good/Fine on Paper.
Abbott and Costello Meet Frankenstein (Universal International, 1948). CGC Graded Lobby Card (11" X 14").
Lou Costello is about to get a surprise from Lon Chaney Jr. as the Wolfman in this great closeup card. CGC Graded 8.0. Very Fine.
Lou Costello is about to get a surprise from Lon Chaney Jr. as the Wolfman in this great closeup card. CGC Graded 8.0. Very Fine.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Lobby Card (11" X 14").
The Golden Age of Cinema produced only one woman who portrayed a "mad scientist." That's her, Lenore Aubert as Dr. Sandra Mornay, perfectly coiffed, clad in dinner dress and mink stole, and lovingly cradling the chin of Frankenstein (Glenn Strange). A concerned Dracula (Bela Lugosi) looks on. It's a card as fun as the movie itself, after you've unravel the subtext. Only some minor touch-up restoration. Very Fine.
The Golden Age of Cinema produced only one woman who portrayed a "mad scientist." That's her, Lenore Aubert as Dr. Sandra Mornay, perfectly coiffed, clad in dinner dress and mink stole, and lovingly cradling the chin of Frankenstein (Glenn Strange). A concerned Dracula (Bela Lugosi) looks on. It's a card as fun as the movie itself, after you've unravel the subtext. Only some minor touch-up restoration. Very Fine.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Lobby Card (11" X 14").
Bud and Lou meet the monsters in this frighteningly funny spoof: Dracula, the Wolf Man, Frankenstein's Monster, and even (briefly) the Invisible Man menace our hapless heroes as they are embroiled in a plot to bring the monster back to life. Casting the "real" monsters--Bela Lugosi, Lon Chaney Jr., and Glenn Strange--lends this raucous comedy an impressive verisimilitude. Offered here is a superb lobby card depicting the moment where A & C realize their cargo is very strange indeed. The card has a minor corner crease, an embossed censor stamp, and a surface scratch that runs vertically through the center of the image. Fine/Very Fine.
Bud and Lou meet the monsters in this frighteningly funny spoof: Dracula, the Wolf Man, Frankenstein's Monster, and even (briefly) the Invisible Man menace our hapless heroes as they are embroiled in a plot to bring the monster back to life. Casting the "real" monsters--Bela Lugosi, Lon Chaney Jr., and Glenn Strange--lends this raucous comedy an impressive verisimilitude. Offered here is a superb lobby card depicting the moment where A & C realize their cargo is very strange indeed. The card has a minor corner crease, an embossed censor stamp, and a surface scratch that runs vertically through the center of the image. Fine/Very Fine.
Abbott and Costello Meet Frankenstein (Universal International, 1948). A One Sheet (27" X 41").
In a stroke of genius, Universal teamed their best horror/sci-fi icons with their two reigning funnymen. Posters from the A&C horror series are avidly sought by both horror and comedy fans, and this one sheet is one of the hardest to find. It has great images of Bela Lugosi as "Dracula," Lon Chaney, Jr. as "The Wolfman," and Glenn Strange as "Frankenstein," laughing as he chases the boys down the stairs! Beautifully linenbacked with some minimal fold line and border touch-up for corner pinholes, a small tear in the bottom border, bottom cross-fold separation, and a small chip in the left and top borders, Fine/Very Fine on Linen.
In a stroke of genius, Universal teamed their best horror/sci-fi icons with their two reigning funnymen. Posters from the A&C horror series are avidly sought by both horror and comedy fans, and this one sheet is one of the hardest to find. It has great images of Bela Lugosi as "Dracula," Lon Chaney, Jr. as "The Wolfman," and Glenn Strange as "Frankenstein," laughing as he chases the boys down the stairs! Beautifully linenbacked with some minimal fold line and border touch-up for corner pinholes, a small tear in the bottom border, bottom cross-fold separation, and a small chip in the left and top borders, Fine/Very Fine on Linen.
An American Werewolf in London (Polygram, 1981). International One Sheet (25" X 39.5").
This tongue-in-cheek horror hit updates the classic tale, with David Naughton starring as a victim of a werewolf attack who is doomed to carry on the curse. The innovative effects of Naughton's transformation, which helped to make this film a classic amongst fans, were pioneered by Rick Baker. The poster had pinholes in the top of the background and in the bottom corners as well as two minor chips at the left edge. Both issues have been addressed with professional restoration. This rare international style is the most striking of any paper on this title. Very Fine- on Linen.
This tongue-in-cheek horror hit updates the classic tale, with David Naughton starring as a victim of a werewolf attack who is doomed to carry on the curse. The innovative effects of Naughton's transformation, which helped to make this film a classic amongst fans, were pioneered by Rick Baker. The poster had pinholes in the top of the background and in the bottom corners as well as two minor chips at the left edge. Both issues have been addressed with professional restoration. This rare international style is the most striking of any paper on this title. Very Fine- on Linen.
Attack of the Mushroom People (Toho, 1963). Japanese STB (20" X 58").
Few films have been overlooked as badly as this absolute gem of a horror/science fiction/fantasy film by Toho legend Ishiro Honda (Godzilla series /Rodan / Ghidrah). Matango was the original title, but it is generally known in the United States by its American television release title, Attack of the Mushroom People (it was never released theatrically here). It is an exceptionally well written, acted, and directed film and country-of-origin posters from this title are amazingly difficult to obtain. There are several small tape stains in the the lower half and a small stain at the bottom edge. There is a tear in the lower right corner extending into the art, a small surface paper loss, and some minor creasing. Folded, Fine/Very Fine.
Few films have been overlooked as badly as this absolute gem of a horror/science fiction/fantasy film by Toho legend Ishiro Honda (Godzilla series /Rodan / Ghidrah). Matango was the original title, but it is generally known in the United States by its American television release title, Attack of the Mushroom People (it was never released theatrically here). It is an exceptionally well written, acted, and directed film and country-of-origin posters from this title are amazingly difficult to obtain. There are several small tape stains in the the lower half and a small stain at the bottom edge. There is a tear in the lower right corner extending into the art, a small surface paper loss, and some minor creasing. Folded, Fine/Very Fine.
Black Friday (Realart, R-1948). Three Sheet (41" X 81").
Another great poster from one of the Realart company's late 1940s re-releases of the Universal horror library. This piece features a screaming Anne Nagel and oversize portraits of Boris Karloff and Bela Lugosi, uncommon sights in this large three sheet format. The poster has been linenbacked but has had no restoration. The original bright colors and clarity shine through, and the poster is quite presentable as shown. Easily addressed issues are corner pinholes, small tears in the left border, and a crease in the bottom right corner. The linen has been trimmed to the edge of the poster. Very Fine- on Linen.
Another great poster from one of the Realart company's late 1940s re-releases of the Universal horror library. This piece features a screaming Anne Nagel and oversize portraits of Boris Karloff and Bela Lugosi, uncommon sights in this large three sheet format. The poster has been linenbacked but has had no restoration. The original bright colors and clarity shine through, and the poster is quite presentable as shown. Easily addressed issues are corner pinholes, small tears in the left border, and a crease in the bottom right corner. The linen has been trimmed to the edge of the poster. Very Fine- on Linen.
Bride of the Monster (Filmmakers Releasing, 1956). One Sheet (27" X 41").
By any standards, Bride of the Monster was a low-budget cheapie, but it still had the biggest budget of Ed Wood's career. Bela Lugosi plays a scientist trying to create a race of giant-sized atomic supermen, with Tor Johnson on hand as his grunting assistant and Janet Lawson as a meddling reporter who eventually becomes the titular "bride." This nifty one sheet features amusingly lurid artwork of Lugosi clutching the distressed damsel. The poster is in terrific condition, with only some fold wear with tape repairs on the reverse. Very Fine.
By any standards, Bride of the Monster was a low-budget cheapie, but it still had the biggest budget of Ed Wood's career. Bela Lugosi plays a scientist trying to create a race of giant-sized atomic supermen, with Tor Johnson on hand as his grunting assistant and Janet Lawson as a meddling reporter who eventually becomes the titular "bride." This nifty one sheet features amusingly lurid artwork of Lugosi clutching the distressed damsel. The poster is in terrific condition, with only some fold wear with tape repairs on the reverse. Very Fine.
Brides of Dracula (Universal International, 1960). British Quad (30" X 40").
After the success of the Horror of Dracula, the Hammer crew of director Terence Fisher and star Peter Cushing returned to familiar vampire territory. They were joined by David Peel in the title role. Even without Christopher Lee baring his fangs as Count Dracula, this entry in the Hammer series stands out for its gothic appeal. The poster is a country-of-origin British quad and features art far superior to the US duotone posters. It has several pinholes per corner, was folded one extra time, has a chip off of the upper left corner and a three inch tear in the center of the left border that extends into the background. Fine.
After the success of the Horror of Dracula, the Hammer crew of director Terence Fisher and star Peter Cushing returned to familiar vampire territory. They were joined by David Peel in the title role. Even without Christopher Lee baring his fangs as Count Dracula, this entry in the Hammer series stands out for its gothic appeal. The poster is a country-of-origin British quad and features art far superior to the US duotone posters. It has several pinholes per corner, was folded one extra time, has a chip off of the upper left corner and a three inch tear in the center of the left border that extends into the background. Fine.
Carnival of Souls (Herts-Lion International, 1962). One Sheet (27" X 41").
In the early 1960s and the beginning of the independent film-making movement, horror films were a common place for young directors to begin their careers. With Carnival of Souls, Herk Harvey created a classic, but, even though it was well-received critically, it was so low budget that it got a very limited release. In fact, the film was so low budget, the one sheets were printed in duo-tone to save costs and are extremely rare as very few were made. This example has one pinhole in the white area above Candace Hilligoss's credit. There is also some slight bleed through from a stamp on the back that shows on her arm. You can look for years and not come across another copy of this fine poster. Very Fine.
In the early 1960s and the beginning of the independent film-making movement, horror films were a common place for young directors to begin their careers. With Carnival of Souls, Herk Harvey created a classic, but, even though it was well-received critically, it was so low budget that it got a very limited release. In fact, the film was so low budget, the one sheets were printed in duo-tone to save costs and are extremely rare as very few were made. This example has one pinhole in the white area above Candace Hilligoss's credit. There is also some slight bleed through from a stamp on the back that shows on her arm. You can look for years and not come across another copy of this fine poster. Very Fine.
Creature From the Black Lagoon (Universal International, 1954). One Sheet (27" X 41").
Jack Arnold directs this timeless Universal horror tale of an expedition to the dark waters of the Amazon, an expedition which uncovers the existence of a half-human, half-amphibian Gill Man. Since the initial release of this film, the Creature has become one of the most popular monsters in the Universal stable, rivaling such horror icons as Dracula, Frankenstein, and the Wolf Man. Consequently, paper from this title is extremely desirable, particularly the classic one sheet. This example had a tear in the top border, a minor bottom left corner chip, and a top left corner tear, but the image is in extremely nice condition with little wear. All of the poster's minor issues have been addressed by expert professional restoration. Guaranteed original poster from this title! Very Fine- on Linen.
Jack Arnold directs this timeless Universal horror tale of an expedition to the dark waters of the Amazon, an expedition which uncovers the existence of a half-human, half-amphibian Gill Man. Since the initial release of this film, the Creature has become one of the most popular monsters in the Universal stable, rivaling such horror icons as Dracula, Frankenstein, and the Wolf Man. Consequently, paper from this title is extremely desirable, particularly the classic one sheet. This example had a tear in the top border, a minor bottom left corner chip, and a top left corner tear, but the image is in extremely nice condition with little wear. All of the poster's minor issues have been addressed by expert professional restoration. Guaranteed original poster from this title! Very Fine- on Linen.
Creature from the Black Lagoon (Universal International, 1954). Title Lobby Card (11" X 14").
Here's one of the most desirable title cards in the sci-fi/horror collecting field. It's everyone's favorite gill-man in a high grade card. There are border pinholes with some minor touch-up, slightly rounded corners, and some faint smudges in the top border. MP Grading: Very Fine.
Here's one of the most desirable title cards in the sci-fi/horror collecting field. It's everyone's favorite gill-man in a high grade card. There are border pinholes with some minor touch-up, slightly rounded corners, and some faint smudges in the top border. MP Grading: Very Fine.
Creature from the Black Lagoon (Universal International, 1954). Lobby Cards (3) (11" X 14").
Richard Carlson and Julia Adams co-star as scientists who uncover evidence of an ancient gill-man living in the darkest part of Africa. Boasting one of the most convincing and frightening monster suits of the era and crisply directed by science fiction stalwart Jack Arnold, Creature spawned two sequels and an endless stream of nightmares. Offered here are three excellent lobby cards, two of which feature the Creature himself. The #2 card has very minor corner bumps and the #4 has a minor stain in the right border and a tiny amount of surface paper loss in the bottom border. The #5 card has had some restoration to repair a large chip out of the top left corner and glue residue on the reverse. Fine/Very Fine.
Richard Carlson and Julia Adams co-star as scientists who uncover evidence of an ancient gill-man living in the darkest part of Africa. Boasting one of the most convincing and frightening monster suits of the era and crisply directed by science fiction stalwart Jack Arnold, Creature spawned two sequels and an endless stream of nightmares. Offered here are three excellent lobby cards, two of which feature the Creature himself. The #2 card has very minor corner bumps and the #4 has a minor stain in the right border and a tiny amount of surface paper loss in the bottom border. The #5 card has had some restoration to repair a large chip out of the top left corner and glue residue on the reverse. Fine/Very Fine.
Creature from the Black Lagoon (Universal International, 1954). Window Card (14" X 19") 2-D Style.
Some of the best pieces on this top sci-fi title employ this legendary Reynold Brown artwork, showing two great shots of a swimsuit-clad Julia Adams, two shots of the Gillman, and a view of the lagoon, as seen from his hiding place in the cave. There is a trim in the top white imprint area, not affecting the art, with some small pieces of date and theater snipe still attached. There are small tears in the upper right and right side border as well as the left borders, and there is a scratch in the right side image. The imprint area and the lower right border show some creases. The color is excellent! Fine-.
Some of the best pieces on this top sci-fi title employ this legendary Reynold Brown artwork, showing two great shots of a swimsuit-clad Julia Adams, two shots of the Gillman, and a view of the lagoon, as seen from his hiding place in the cave. There is a trim in the top white imprint area, not affecting the art, with some small pieces of date and theater snipe still attached. There are small tears in the upper right and right side border as well as the left borders, and there is a scratch in the right side image. The imprint area and the lower right border show some creases. The color is excellent! Fine-.
The Creature Walks Among Us (Universal International, 1956). Lobby Card Set of 8 (11" X 14").
Some of the best moments from this installment in the Creature series are depicted on these classic cards. The title card has one pinhole in the right border and a few of the other cards have pinholes as well. Overall, this set appears far better than the strict grade we had to assign it. Fine/Very Fine.
Some of the best moments from this installment in the Creature series are depicted on these classic cards. The title card has one pinhole in the right border and a few of the other cards have pinholes as well. Overall, this set appears far better than the strict grade we had to assign it. Fine/Very Fine.
The Creature Walks Among Us (Universal International, 1956). One Sheet (27" X 41").
In this, the final installment of Universal's incredibly popular Creature series, scientists attempt to surgically alter the gill-man, allowing him to breath regular air. Of course the Creature doesn't appreciate this, but he needs an excuse to create a little more on-screen mayhem. This example has several sets of staple marks in the corners within the yellow background and credits area. There is a tiny bit of paper missing at the middle and lower centerpoint. Needless to say, the films in the Creature series are among the most memorable and popular in the horror genre and gave the sub-genre "Creature Feature" its name. Fine/Very Fine.
In this, the final installment of Universal's incredibly popular Creature series, scientists attempt to surgically alter the gill-man, allowing him to breath regular air. Of course the Creature doesn't appreciate this, but he needs an excuse to create a little more on-screen mayhem. This example has several sets of staple marks in the corners within the yellow background and credits area. There is a tiny bit of paper missing at the middle and lower centerpoint. Needless to say, the films in the Creature series are among the most memorable and popular in the horror genre and gave the sub-genre "Creature Feature" its name. Fine/Very Fine.
Curse of the Demon (Columbia, 1957). Lobby Cards (7) (11" X 14").
In this cult horror classic, Dana Andrews stars as the skeptic Dr. John Holden who sets out to discredit the demonic witchcraft leader Dr. Julian Karswell. Peggy Cummins, of Gun Crazy fame, knows Karswell to have supernatural powers and attempts to warn Holden before it is too late. A dark and foreboding atmosphere is retained throughout, thanks to the expert direction by Jacques Tourneur (Cat People, Out of the Past), making this a riveting, horrifying feature, and a fan favorite. Almost a complete set, only the title card is missing. The #2 has a very small crease in the bottom right corner, but otherwise these cards are pristine. Near Mint+.
In this cult horror classic, Dana Andrews stars as the skeptic Dr. John Holden who sets out to discredit the demonic witchcraft leader Dr. Julian Karswell. Peggy Cummins, of Gun Crazy fame, knows Karswell to have supernatural powers and attempts to warn Holden before it is too late. A dark and foreboding atmosphere is retained throughout, thanks to the expert direction by Jacques Tourneur (Cat People, Out of the Past), making this a riveting, horrifying feature, and a fan favorite. Almost a complete set, only the title card is missing. The #2 has a very small crease in the bottom right corner, but otherwise these cards are pristine. Near Mint+.
Curse of the Demon (Columbia, 1957). One Sheet (27" X 41").
Originally titled Night of the Demon in Great Britain, this gripping and atmospheric film is about American psychologist John Holden (Dana Andrews) who gets in deeper than expected when he investigates a devil worshipping cult run by the infamous Julian Karswell (Niall McGinnis). The demon, as pictured on this striking one sheet, is one of the most memorable of 1950s horror. This poster has a chip from the upper right corner and two staple marks within the title. Otherwise, the poster is in exceptional shape and displays very well with striking colors and bright white paper. Fine+.
Originally titled Night of the Demon in Great Britain, this gripping and atmospheric film is about American psychologist John Holden (Dana Andrews) who gets in deeper than expected when he investigates a devil worshipping cult run by the infamous Julian Karswell (Niall McGinnis). The demon, as pictured on this striking one sheet, is one of the most memorable of 1950s horror. This poster has a chip from the upper right corner and two staple marks within the title. Otherwise, the poster is in exceptional shape and displays very well with striking colors and bright white paper. Fine+.
The Devil Commands (Columbia, 1941). Three Sheet (41" X 81").
Boris Karloff stars as Dr. Julian Blair, a scientist who tries to contact his dead wife through the power of electricity with horrific results. Most memorable is an infamously creepy scene in which Karloff gathers a cadre of corpses around his dinner table. This spectacular three sheet is bristling with menace, and leaves absolutely no doubt as to who is the star of the show. This professionally restored poster had wear at the folds with small chips, small tears, and chips in the borders with one chip in the lower left extending slightly into the background. Fine/Very Fine on Linen.
Boris Karloff stars as Dr. Julian Blair, a scientist who tries to contact his dead wife through the power of electricity with horrific results. Most memorable is an infamously creepy scene in which Karloff gathers a cadre of corpses around his dinner table. This spectacular three sheet is bristling with menace, and leaves absolutely no doubt as to who is the star of the show. This professionally restored poster had wear at the folds with small chips, small tears, and chips in the borders with one chip in the lower left extending slightly into the background. Fine/Very Fine on Linen.
The Devil Commands (Columbia, 1941). One Sheet (27" X 41").
King Karloff stars as a rogue scientist who has turned to grave-robbing to further his experiments in telepathic communication with the dead. Amanda Duff plays the daughter who comes searching for him, only to find his unholy brain-wave machines. Ol' Scratch shares face-time with Boris on this striking one sheet, which boasts bright colors. Condition problems include pinholes and small holes throughout, fold wear with small tears, a minor chip at the bottom vertical fold, a tear in the bottom border that runs into the credits area, smudging in the bottom border, small amounts of tape on the reverse, minor crossfold separation, and overall wrinkling. Fine+.
King Karloff stars as a rogue scientist who has turned to grave-robbing to further his experiments in telepathic communication with the dead. Amanda Duff plays the daughter who comes searching for him, only to find his unholy brain-wave machines. Ol' Scratch shares face-time with Boris on this striking one sheet, which boasts bright colors. Condition problems include pinholes and small holes throughout, fold wear with small tears, a minor chip at the bottom vertical fold, a tear in the bottom border that runs into the credits area, smudging in the bottom border, small amounts of tape on the reverse, minor crossfold separation, and overall wrinkling. Fine+.
Doctor Cyclops (Paramount, 1940). Insert (14" X 36").
The first science fiction film to be shot in a three-strip Technicolor process, this is the gripping story of four scientists in the Peruvian jungle who run afoul of mad Doctor Thorkel (Albert Dekker), who, with the use of a radium deposit, shrinks the scientists to one-fifth their normal size. There are pinholes and edge wear with some surface damage on the right side, stains in the right border, extra horizontal creases, chips and surface paper loss in three corners as well as some corner creases. Folded, Fine+.
The first science fiction film to be shot in a three-strip Technicolor process, this is the gripping story of four scientists in the Peruvian jungle who run afoul of mad Doctor Thorkel (Albert Dekker), who, with the use of a radium deposit, shrinks the scientists to one-fifth their normal size. There are pinholes and edge wear with some surface damage on the right side, stains in the right border, extra horizontal creases, chips and surface paper loss in three corners as well as some corner creases. Folded, Fine+.
Dracula's Daughter (Universal, 1936). Title Lobby Card (11" X 14").
With the huge success of Dracula (1931), the movie that made Bela Lugosi an overnight sensation, it's not surprising that Universal wanted a sequel. Eventually, they approached director James Whale, hot off his triumphs with both Frankenstein (1931) and Bride of Frankenstein (1935), to direct the Dracula sequel, but his proposed treatment was considered too outrageous and he was replaced by Lambert Hillyer. The studio decided on a treatment that would focus on Marya Zeleska (Gloria Holden), the daughter of the Transylvanian Count, and her search to be cured from her strange compulsion to drink human blood. Offered here is the eerie title card for this Universal Horror favorite, featuring a chilling portrait of Holden in the upper left. Prior to expert restoration, this card had a few pinholes within the image and some minor wear to the borders. These have now been corrected and the card appears very clean. MP Grading: Very Fine.
With the huge success of Dracula (1931), the movie that made Bela Lugosi an overnight sensation, it's not surprising that Universal wanted a sequel. Eventually, they approached director James Whale, hot off his triumphs with both Frankenstein (1931) and Bride of Frankenstein (1935), to direct the Dracula sequel, but his proposed treatment was considered too outrageous and he was replaced by Lambert Hillyer. The studio decided on a treatment that would focus on Marya Zeleska (Gloria Holden), the daughter of the Transylvanian Count, and her search to be cured from her strange compulsion to drink human blood. Offered here is the eerie title card for this Universal Horror favorite, featuring a chilling portrait of Holden in the upper left. Prior to expert restoration, this card had a few pinholes within the image and some minor wear to the borders. These have now been corrected and the card appears very clean. MP Grading: Very Fine.
Dracula's Daughter (Universal, 1936). Two Lobby Cards (11" X 14").
Both lobbies offered in this lot feature Gloria Holden as the Countess Marya Zeleska working with her psychiatrist (Otto Kruger), who tries to mentally cure her of her desire for human blood. These are both fantastic portrait cards from one of Universal's moodiest horror films. The cards have had minimal restoration to a few pinholes in the background. MP Grading: Very Fine-.
Both lobbies offered in this lot feature Gloria Holden as the Countess Marya Zeleska working with her psychiatrist (Otto Kruger), who tries to mentally cure her of her desire for human blood. These are both fantastic portrait cards from one of Universal's moodiest horror films. The cards have had minimal restoration to a few pinholes in the background. MP Grading: Very Fine-.
Dracula's Daughter (Universal, 1936). Two Lobby Cards (11" X 14").
This lot consists of two cards from Lambert Hillyer's foray into directing horror. And of all the Universal horror films made by the studio in the 1930s, this was one of the most atmospheric, with the incredible set design of Dracula's castle on display in this scene with Otto Kruger and Irving Pichel. This card had two very minor holes in it, one in Pichel's shirt and the other in Kruger's left coat sleeve. There has also been some airbrushing in the borders. The portrait card with Holden and Churchill had some minor chipping to the corners and pinholes in the borders with a two inch tear that extends through the "R" in "Dracula's." With airbrushing and expert repair, both of these cards now appear very clean. MP Grading: Very Fine.
This lot consists of two cards from Lambert Hillyer's foray into directing horror. And of all the Universal horror films made by the studio in the 1930s, this was one of the most atmospheric, with the incredible set design of Dracula's castle on display in this scene with Otto Kruger and Irving Pichel. This card had two very minor holes in it, one in Pichel's shirt and the other in Kruger's left coat sleeve. There has also been some airbrushing in the borders. The portrait card with Holden and Churchill had some minor chipping to the corners and pinholes in the borders with a two inch tear that extends through the "R" in "Dracula's." With airbrushing and expert repair, both of these cards now appear very clean. MP Grading: Very Fine.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14").
Almost every lobby card set made by Universal during the 1930's featured a montage card, a card made up of several images from the film. These cards are very desirable, and this may be one of the best as it features several vignettes from this moody horror film. This montage card had two pinholes in Gloria Holden's hairline, a few pinholes in the borders and corners within the image, and two tears, one about 3 inches long in the right side going through Van Sloan and the other in the left going into Marguerite Churchill's neck, but these issues have been addressed with professional restoration. The borders have had some airbrushing as well. All of the work done was exceptional and this card appears very clean. MP Grading: Very Fine.
Almost every lobby card set made by Universal during the 1930's featured a montage card, a card made up of several images from the film. These cards are very desirable, and this may be one of the best as it features several vignettes from this moody horror film. This montage card had two pinholes in Gloria Holden's hairline, a few pinholes in the borders and corners within the image, and two tears, one about 3 inches long in the right side going through Van Sloan and the other in the left going into Marguerite Churchill's neck, but these issues have been addressed with professional restoration. The borders have had some airbrushing as well. All of the work done was exceptional and this card appears very clean. MP Grading: Very Fine.
Dracula's Daughter (Universal, 1936). Two Lobby Cards (11" X 14").
This lot features two cards from the 1936 sequel to Dracula. One features three of the films leads, Gloria Holden, Irving Pichel and Otto Kruger. It remains unrestored but has blue tempera paint on the back and show evidence of a tempera paint drip on the front. The card also has some minor scratches, several pinholes per corner, one in the D of Daughter and a small tear in the upper border. The other card is a second montage card from the set. This card has had airbrushing to the borders, minor chipping to the two left side corners, and some repair to a tear that went into the doctors face. MP Grading: Very Fine-.
This lot features two cards from the 1936 sequel to Dracula. One features three of the films leads, Gloria Holden, Irving Pichel and Otto Kruger. It remains unrestored but has blue tempera paint on the back and show evidence of a tempera paint drip on the front. The card also has some minor scratches, several pinholes per corner, one in the D of Daughter and a small tear in the upper border. The other card is a second montage card from the set. This card has had airbrushing to the borders, minor chipping to the two left side corners, and some repair to a tear that went into the doctors face. MP Grading: Very Fine-.
Frankenstein (Universal, 1931). Herald (10.5" X 16.5").
This herald includes images of almost every principle player from the cast with the exception of Dwight Frye. Boris Karloff is depicted as the monster on the cover and in the preliminary (and unused) makeup on the inset. The Germanic expressionistic art of the Monster is shown (a true and clear link to the films early cinematic influences). This amazing herald captures the essence of James Whales's classic horror film as well as the other items created for the film. It has two extra fold lines but is otherwise in wonderful condition. This is a guaranteed genuine, original release, double-sided herald from 1931, printed on a newsprint paper stock as all original heralds were. Very Fine.
This herald includes images of almost every principle player from the cast with the exception of Dwight Frye. Boris Karloff is depicted as the monster on the cover and in the preliminary (and unused) makeup on the inset. The Germanic expressionistic art of the Monster is shown (a true and clear link to the films early cinematic influences). This amazing herald captures the essence of James Whales's classic horror film as well as the other items created for the film. It has two extra fold lines but is otherwise in wonderful condition. This is a guaranteed genuine, original release, double-sided herald from 1931, printed on a newsprint paper stock as all original heralds were. Very Fine.
The Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14").
Bela Lugosi as the mis-shapen Ygor attempts to barricade the door against Frankenstein's Monster in this riveting moment from Universal's classic horror film. Lon Chaney, who would eventually play almost every monster in the Universal series, made his only appearance as the Monster in this picture. This card has a slight chip off of the lower left corner, two slight corner bends in the upper left, two tiny tears in the center of the right border and a half inch tear in the center of the left border. The card also shows signs on the back of having tape residual from being framed at one time. MP Grading: Very Fine-.
Bela Lugosi as the mis-shapen Ygor attempts to barricade the door against Frankenstein's Monster in this riveting moment from Universal's classic horror film. Lon Chaney, who would eventually play almost every monster in the Universal series, made his only appearance as the Monster in this picture. This card has a slight chip off of the lower left corner, two slight corner bends in the upper left, two tiny tears in the center of the right border and a half inch tear in the center of the left border. The card also shows signs on the back of having tape residual from being framed at one time. MP Grading: Very Fine-.
The Ghost of Frankenstein (Universal, 1942). Title Lobby Card (11" X 14").
This superb title card shows the same terrific art as the half sheet. Lon Chaney, Jr. as Frankenstein and Bela Lugosi as Ygor assume their rightful positions above the title bathed in those purple and green tones that made them even scarier. The other four major cast members are all displayed below. This card has been beautifully restored with some expert touch-up for surface wear, border pinholes, edge wear, tears in the top border through the credits, a tear in the right border through Sir Cedric Hardwicke's head, and a tear in the left border into the background. Very Good/Fine.
This superb title card shows the same terrific art as the half sheet. Lon Chaney, Jr. as Frankenstein and Bela Lugosi as Ygor assume their rightful positions above the title bathed in those purple and green tones that made them even scarier. The other four major cast members are all displayed below. This card has been beautifully restored with some expert touch-up for surface wear, border pinholes, edge wear, tears in the top border through the credits, a tear in the right border through Sir Cedric Hardwicke's head, and a tear in the left border into the background. Very Good/Fine.
Horror of Dracula (Universal International, 1958). One Sheet (27" X 41").
Following up their successful Curse of Frankenstein, Hammer Films continued their remakes of the Universal classics with Horror of Dracula, a gory (for the time) Technicolor thriller featuring an unforgettable performance by Christopher Lee. This terrific one sheet is the more rare "blue style" and has pinholes in the corners and the outer edges of the image, edge wear across the bottom border, crease in the bottom right corner, and an extra crease in the top horizontal fold. Very Fine.
Following up their successful Curse of Frankenstein, Hammer Films continued their remakes of the Universal classics with Horror of Dracula, a gory (for the time) Technicolor thriller featuring an unforgettable performance by Christopher Lee. This terrific one sheet is the more rare "blue style" and has pinholes in the corners and the outer edges of the image, edge wear across the bottom border, crease in the bottom right corner, and an extra crease in the top horizontal fold. Very Fine.
House of Dracula (Universal, 1947). First Post-War Release French Grande (47" X 63").
This endearing smorgasbord of Universal's greatest creatures features John Carradine as Dracula, Lon Chaney, Jr. as the Wolf Man, and Glenn Strange as the Frankenstein Monster--too bad the Mummy wasn't invited to the party! Such a gathering of memorable monsters is the stuff of dreams for every eight-year-old kid. This garishly gorgeous French Grande features a looming Prince of Darkness and great portraits of the monsters, rendered in vivid reds and greens. There is a long tear in Dracula's cape, and two corner creases (one of them post-mounting). The poster has not been formally restored, but has had some minor touch-up. Very Fine on Linen.
This endearing smorgasbord of Universal's greatest creatures features John Carradine as Dracula, Lon Chaney, Jr. as the Wolf Man, and Glenn Strange as the Frankenstein Monster--too bad the Mummy wasn't invited to the party! Such a gathering of memorable monsters is the stuff of dreams for every eight-year-old kid. This garishly gorgeous French Grande features a looming Prince of Darkness and great portraits of the monsters, rendered in vivid reds and greens. There is a long tear in Dracula's cape, and two corner creases (one of them post-mounting). The poster has not been formally restored, but has had some minor touch-up. Very Fine on Linen.
House of Dracula (Universal, 1945). Lobby Cards (2) (11" X 14").
The last of Universal's classic monster cycle, this endearing creature team-up features the all-star line-up of Frankenstein's Monster, Dracula, and the Wolf Man (who finally gets cured of his lycanthropy), along with a pretty hunchbacked nurse and the usual mob of angry villagers. Offered here are two excellent lobby cards from the set, including one with Glenn Strange's monster, and another with Lionel Atwill's memorable villain, Inspector Holtz. The Frankenstein card has pinholes in the top corners and tape reinforcing the edges on the reverse, minor edge wear, some scuffing in the right border, and creasing in the corners, while the Atwill card has pinholes in the corners, borders and image, blunted corners, and an embossed stamp in the lower left corner. Fine/Very Fine.
The last of Universal's classic monster cycle, this endearing creature team-up features the all-star line-up of Frankenstein's Monster, Dracula, and the Wolf Man (who finally gets cured of his lycanthropy), along with a pretty hunchbacked nurse and the usual mob of angry villagers. Offered here are two excellent lobby cards from the set, including one with Glenn Strange's monster, and another with Lionel Atwill's memorable villain, Inspector Holtz. The Frankenstein card has pinholes in the top corners and tape reinforcing the edges on the reverse, minor edge wear, some scuffing in the right border, and creasing in the corners, while the Atwill card has pinholes in the corners, borders and image, blunted corners, and an embossed stamp in the lower left corner. Fine/Very Fine.
House of Frankenstein (Universal, 1944). Lobby Cards (3) (11" X 14").
This lot includes three cards from the first of the all-monster star extravaganza's Universal created in the 1940s to instill new-life into the series. Boris Karloff is featured on two of the cards as Doctor Niemann (a thinly disguised Dr. Frankenstein type) and Glenn Strange appears for the first time as the Monster. This card has one very clean set of staple marks in each of the upper corners. The card with Karloff and Naish (The Hunchback) has one pinhole in each corner and tape residue on the back edges and the final card. The card with Naish and Lionel Atwill has multiple pinholes in the borders and within the image. Very Fine.
This lot includes three cards from the first of the all-monster star extravaganza's Universal created in the 1940s to instill new-life into the series. Boris Karloff is featured on two of the cards as Doctor Niemann (a thinly disguised Dr. Frankenstein type) and Glenn Strange appears for the first time as the Monster. This card has one very clean set of staple marks in each of the upper corners. The card with Karloff and Naish (The Hunchback) has one pinhole in each corner and tape residue on the back edges and the final card. The card with Naish and Lionel Atwill has multiple pinholes in the borders and within the image. Very Fine.
House of Frankenstein (Universal, 1944). Title Lobby Card (11" X 14").
This title features one of the greatest line-ups in monster film history! As promised in the ad copy, the old Universal monsters were indeed, "All Together!" From Glenn Strange's Frankenstein monster to Boris Karloff's Mad Doctor, they made this one fun from start to finish. This great title card has the same layout as the half sheet and has had expert restoration and touch-up with some thin masa backing. The corners were worn with small tears and pinholes, there was a tear in the bottom border up through the credits, there were chips in the top left and bottom borders, and there was some small surface paper loss on the verso. MP Grading: Fine.
This title features one of the greatest line-ups in monster film history! As promised in the ad copy, the old Universal monsters were indeed, "All Together!" From Glenn Strange's Frankenstein monster to Boris Karloff's Mad Doctor, they made this one fun from start to finish. This great title card has the same layout as the half sheet and has had expert restoration and touch-up with some thin masa backing. The corners were worn with small tears and pinholes, there was a tear in the bottom border up through the credits, there were chips in the top left and bottom borders, and there was some small surface paper loss on the verso. MP Grading: Fine.
House on Haunted Hill (Allied Artists, 1959). Three Sheet (41" X 81").
The five people invited to Frederick Loren's (Vincent Price) party think they're going to make some easy money. The offer? Spend one night in Loren's house, and receive $10,000. But these unwitting guests soon learn there's no such thing as a free ride when they start dying, one by one. One of Price's best films, this is also one of the finest posters to feature this incredible actor and this spectacular three sheet, showcasing Reynold Brown art, is in excellent condition and unrestored. MP Grading: Very Fine+.
The five people invited to Frederick Loren's (Vincent Price) party think they're going to make some easy money. The offer? Spend one night in Loren's house, and receive $10,000. But these unwitting guests soon learn there's no such thing as a free ride when they start dying, one by one. One of Price's best films, this is also one of the finest posters to feature this incredible actor and this spectacular three sheet, showcasing Reynold Brown art, is in excellent condition and unrestored. MP Grading: Very Fine+.
House on Haunted Hill (Allied Artists, 1959). Lobby Card Set of 8 (11" X 14").
If you can survive a night in the same house as Vincent Price, with all his ghouls, ghosts, and terrors, you will win $10,000, a risk five brave souls take on in this horror thrill ride from William Castle. Offered here is a set of lobby cards which feature Reynold Brown's great border art. Seven cards show staple holes in the corners, two have paper tape in two borders, and the #1 card has a scratch and staple hole in the image, corner bumps, and a few pieces of masking tape on the reverse. Fine+.
If you can survive a night in the same house as Vincent Price, with all his ghouls, ghosts, and terrors, you will win $10,000, a risk five brave souls take on in this horror thrill ride from William Castle. Offered here is a set of lobby cards which feature Reynold Brown's great border art. Seven cards show staple holes in the corners, two have paper tape in two borders, and the #1 card has a scratch and staple hole in the image, corner bumps, and a few pieces of masking tape on the reverse. Fine+.
The Human Monster (Monogram, 1939). One Sheet (27" X 41").
A series of strange deaths--which appear to be accidents--are traced to an insurance agency run by the mysterious Dr. Orloff (Bela Lugosi), who also runs a clinic for the blind. Turns out he is using a malformed man to commit murder and collect on the policies of his patients. This British film was originally released as Dark Eyes of London, the title of the Edgar Wallace story on which it is based. This striking one sheet features the titular "monster" to good effect. The poster had long tears in the right side and fold wear. Both issues have been smoothed over with professional restoration, including touch-ups in the folds. Fine+ on Linen.
A series of strange deaths--which appear to be accidents--are traced to an insurance agency run by the mysterious Dr. Orloff (Bela Lugosi), who also runs a clinic for the blind. Turns out he is using a malformed man to commit murder and collect on the policies of his patients. This British film was originally released as Dark Eyes of London, the title of the Edgar Wallace story on which it is based. This striking one sheet features the titular "monster" to good effect. The poster had long tears in the right side and fold wear. Both issues have been smoothed over with professional restoration, including touch-ups in the folds. Fine+ on Linen.
The Invisible Man (Realart, R-1951). One Sheet (27" X 41").
After obtaining the Universal library of films in the late 1940s, Realart did a bang up job of promoting the classics of the 1930s. This colorful one sheet is an excellent example. It's on a great many want lists for obvious reasons. The colors and images are great fun and pulled more patrons into the theatres than most of the first-runs in the other theatres! Claude Rains excels in his first sound film, cast by James Whale after he heard him auditioning for another film in an adjoining room! There is edge wear, small stains in the left border, and fold wear with separations. In the top edge are small tears, and there is a piece of paper tape on the verso. Fine+.
After obtaining the Universal library of films in the late 1940s, Realart did a bang up job of promoting the classics of the 1930s. This colorful one sheet is an excellent example. It's on a great many want lists for obvious reasons. The colors and images are great fun and pulled more patrons into the theatres than most of the first-runs in the other theatres! Claude Rains excels in his first sound film, cast by James Whale after he heard him auditioning for another film in an adjoining room! There is edge wear, small stains in the left border, and fold wear with separations. In the top edge are small tears, and there is a piece of paper tape on the verso. Fine+.
The Invisible Ray (Universal, 1935). Lobby Card (11" X 14").
One of Universal's rare entries in the pure science-fiction genre. This beautiful card features lovely Frances Drake with Frank Lawton. Boris Karloff is in the bottom border of the card. The art has had some restoration and touch-up to the borders, a light smudging in the top border, a small chip in the bottom right, and a light crease in the top border. Fine/Very Fine.
One of Universal's rare entries in the pure science-fiction genre. This beautiful card features lovely Frances Drake with Frank Lawton. Boris Karloff is in the bottom border of the card. The art has had some restoration and touch-up to the borders, a light smudging in the top border, a small chip in the bottom right, and a light crease in the top border. Fine/Very Fine.
The Invisible Ray (Universal, 1935). Lobby Card (11" X 14").
This was the third film to team horror icons Boris Karloff and Bela Lugosi, following The Black Cat (1934) and The Raven (1935). In this chiller, Karloff plays Dr. Janos Rukh, whose experiments with Radium X have tragic consequences. This great-looking lobby card had corner pinholes, large diagonal tears radiating from the top center, a small tear in the left border, corner creases, and a chip out of the bottom right corner, all of which has been addressed with light restoration. Very Good/Fine.
This was the third film to team horror icons Boris Karloff and Bela Lugosi, following The Black Cat (1934) and The Raven (1935). In this chiller, Karloff plays Dr. Janos Rukh, whose experiments with Radium X have tragic consequences. This great-looking lobby card had corner pinholes, large diagonal tears radiating from the top center, a small tear in the left border, corner creases, and a chip out of the bottom right corner, all of which has been addressed with light restoration. Very Good/Fine.
King Kong (RKO, R-1956). CGC Graded Lobby Card (11" X 14").
The cards from this 1956 release of RKO'S blockbuster 1933 hit are as avidly sought as the originals. That any film could retain the public's interest 23 years later is a testament to just how great that film is. This is one of the best scenes in the set, with a double shot of Kong and Fay Wray in both the card and the logo. She's long received votes for being the first "scream queen" in film history, particularly for this scene. The card is in a near impossible-to-find grade. CGC has graded the card Near Mint/Mint.
The cards from this 1956 release of RKO'S blockbuster 1933 hit are as avidly sought as the originals. That any film could retain the public's interest 23 years later is a testament to just how great that film is. This is one of the best scenes in the set, with a double shot of Kong and Fay Wray in both the card and the logo. She's long received votes for being the first "scream queen" in film history, particularly for this scene. The card is in a near impossible-to-find grade. CGC has graded the card Near Mint/Mint.
Kiss of the Vampire (Universal International, 1963). British Quad (30" X 40").
The third film in the Hammer vampire series was also the last before Christopher Lee would return as Dracula. That being said, the story stands on its own and is not part of the Dracula series that would anchor so much of Hammer's future products. This is a country-of-origin British Quad, and the poster evokes art similar to that used on its US counterpart. The poster has some light wear to the folds and very light crinkles within the image area. Very Fine+.
The third film in the Hammer vampire series was also the last before Christopher Lee would return as Dracula. That being said, the story stands on its own and is not part of the Dracula series that would anchor so much of Hammer's future products. This is a country-of-origin British Quad, and the poster evokes art similar to that used on its US counterpart. The poster has some light wear to the folds and very light crinkles within the image area. Very Fine+.
Kwaidan (Continental, 1965). Japanese B2 (20" X 29").
We have never before sold this very rare style Japanese B2 poster for this horror classic . Masaki Kobayashi directed this horror anthology consisting of four tales with a lyrical and stylistic quality that have made it a classic of its genre. Shooting entirely on an aircraft hangar soundstage, with the skylines and vistas all hand painted, allowed Kobayashi complete control of the film's palette. This good-looking, unrestored poster has considerable edge wear along the top with small tears and chips, small tears in the bottom border, and paper residue on the reverse along the bottom edge. Rolled, Fine/Very Fine.
We have never before sold this very rare style Japanese B2 poster for this horror classic . Masaki Kobayashi directed this horror anthology consisting of four tales with a lyrical and stylistic quality that have made it a classic of its genre. Shooting entirely on an aircraft hangar soundstage, with the skylines and vistas all hand painted, allowed Kobayashi complete control of the film's palette. This good-looking, unrestored poster has considerable edge wear along the top with small tears and chips, small tears in the bottom border, and paper residue on the reverse along the bottom edge. Rolled, Fine/Very Fine.
The Man Who Lived Again (Gaumont, 1936). One Sheet (27" X 41").
Originally titled The Man Who Changes His Mind, this British thriller stars Boris Karloff as a brilliant but disgraced scientist who has begun experimentation with mind-swapping and soul-siphoning via elaborate machinery. Anna Lee plays a young scientist determined to work with Karloff despite his reputation. Somewhat obscure among Karloff's films, The Man Who Lived Again is a stylish potboiler with great special effects. This lovely stone litho one sheet had pinholes in the top of the image, fold wear with small bits of paper loss, and border chips, all of which has been addressed with professional restoration. Fine+ on Linen.
Originally titled The Man Who Changes His Mind, this British thriller stars Boris Karloff as a brilliant but disgraced scientist who has begun experimentation with mind-swapping and soul-siphoning via elaborate machinery. Anna Lee plays a young scientist determined to work with Karloff despite his reputation. Somewhat obscure among Karloff's films, The Man Who Lived Again is a stylish potboiler with great special effects. This lovely stone litho one sheet had pinholes in the top of the image, fold wear with small bits of paper loss, and border chips, all of which has been addressed with professional restoration. Fine+ on Linen.
The Man with Nine Lives (Columbia, 1940). One Sheet (27" X 41").
One of several features from Columbia's "Mad Doctor" movies featuring Boris Karloff, this one has Roger Pryor as a scientist working on curing cancer with cryogenic freezing therapy. After extensive work with limited results, he seeks out Dr. Leon Kravaal (Karloff), another radical colleague who mysteriously disappeared almost a decade before. He finds him alright... but frozen! Once revived, other details begin to surface in this classic mystery/sci-fi from the 1940s. This colorful one sheet has approximately two pinholes per corner and some very minor wear to the fold lines. Very Fine.
One of several features from Columbia's "Mad Doctor" movies featuring Boris Karloff, this one has Roger Pryor as a scientist working on curing cancer with cryogenic freezing therapy. After extensive work with limited results, he seeks out Dr. Leon Kravaal (Karloff), another radical colleague who mysteriously disappeared almost a decade before. He finds him alright... but frozen! Once revived, other details begin to surface in this classic mystery/sci-fi from the 1940s. This colorful one sheet has approximately two pinholes per corner and some very minor wear to the fold lines. Very Fine.
Mighty Joe Young (RKO, 1949). Insert (14" X 36").
In this attempt to recapture his King Kong triumph, producer Merian C. Cooper cooks up another animated ape, this one the mere ten-foot-tall Mr. Joseph Young of Africa. Brought to the states as a nightclub attraction, Joe's owner (Terry Moore) works him into her musical act. But folks are not kind to Joe, and the inevitable rampage follows. This great-looking unrestored insert has terrific artwork and boasts great color. Condition includes some edge wear with small tears and minor chipping at bottom left, minor dust shadowing along the bottom, and a smudge in the left border that extends slightly into the artwork. Folded, Very Fine-.
In this attempt to recapture his King Kong triumph, producer Merian C. Cooper cooks up another animated ape, this one the mere ten-foot-tall Mr. Joseph Young of Africa. Brought to the states as a nightclub attraction, Joe's owner (Terry Moore) works him into her musical act. But folks are not kind to Joe, and the inevitable rampage follows. This great-looking unrestored insert has terrific artwork and boasts great color. Condition includes some edge wear with small tears and minor chipping at bottom left, minor dust shadowing along the bottom, and a smudge in the left border that extends slightly into the artwork. Folded, Very Fine-.
The Monster of Piedras Blancas (Film Service Distributing, 1959). Insert (14" X 36").
The producer for this movie, Jack Kevan, was the man behind the creation of The Creature From the Black Lagoon, a fact that could explain why the monster in this film looks so much like the Creature. All of the posters for this film list it as the head-liner of a double feature and also that it won an award from Forry Ackerman's Famous Monsters of Filmland magazine. When asked years later, Ackerman confessed that the producers never got an award from him, and in fact Forry never handed out any awards. Never the less, he appreciated the free advertising on the poster. Universally considered the best poster on this film as it includes a full-length image of the monster, this insert has very minor bends just beginning to show in the upper corners and some very slight wear on the folds. Folded, Very Fine+.
The producer for this movie, Jack Kevan, was the man behind the creation of The Creature From the Black Lagoon, a fact that could explain why the monster in this film looks so much like the Creature. All of the posters for this film list it as the head-liner of a double feature and also that it won an award from Forry Ackerman's Famous Monsters of Filmland magazine. When asked years later, Ackerman confessed that the producers never got an award from him, and in fact Forry never handed out any awards. Never the less, he appreciated the free advertising on the poster. Universally considered the best poster on this film as it includes a full-length image of the monster, this insert has very minor bends just beginning to show in the upper corners and some very slight wear on the folds. Folded, Very Fine+.
The Mummy's Ghost (Realart, R-1951). CGC Graded Lobby Card (11" X 14").
Young and old alike were frightened, intrigued, and enticed by this lobby card to the 1951 re-issue of Universal's 1944 hit. New fans were ready to be thrilled by "Kharis, the mummy" as he glared malevolently from the one eye that he'd managed to tear the bandage wrapping from. This #7 card is one of the best in either the re-issue or the original set. It has been CGC graded Near Mint+.
Young and old alike were frightened, intrigued, and enticed by this lobby card to the 1951 re-issue of Universal's 1944 hit. New fans were ready to be thrilled by "Kharis, the mummy" as he glared malevolently from the one eye that he'd managed to tear the bandage wrapping from. This #7 card is one of the best in either the re-issue or the original set. It has been CGC graded Near Mint+.
Night of the Living Dead (Continental, 1968). CGC Graded Lobby Card Set of 8 (11" X 14").
Audiences are still reacting to George Romero's timeless zombie classic. It's the measure of all zombie films that have come after. Long sought by collectors for the excellent use of key images from the film, this lobby card set is not only complete but has had each card graded by CGC with grades every collector searches long and hard to obtain. Three of the cards show the zombies, including the rare card where a nude female zombie casually lurching towards the house! Also, the side logo photo shows a zombie munching on a femur, about to be whacked by Duane Jones with a two-by-four! Five of the cards are graded 9.2, and the others are 8.0, 8.5, and 9.6, for an overall grade of Very Fine/Near Mint.
Audiences are still reacting to George Romero's timeless zombie classic. It's the measure of all zombie films that have come after. Long sought by collectors for the excellent use of key images from the film, this lobby card set is not only complete but has had each card graded by CGC with grades every collector searches long and hard to obtain. Three of the cards show the zombies, including the rare card where a nude female zombie casually lurching towards the house! Also, the side logo photo shows a zombie munching on a femur, about to be whacked by Duane Jones with a two-by-four! Five of the cards are graded 9.2, and the others are 8.0, 8.5, and 9.6, for an overall grade of Very Fine/Near Mint.
Night of the Living Dead (Continental, 1968). One Sheet (27" X 41").
George A. Romero and his Image Ten partners set out to make a cheap, marketable horror film and gain entry into the feature film production business. Along the way, they revitalized and reinvented the zombie film genre and crafted a classic tale of minimalist horror that is perhaps one of the most influential films of the era. This iconic one sheet has multiple memorable images from the film rendered in stark, unforgettable graphics. There is some creasing along the center vertical fold line and the slightest bit of fold wear, but otherwise this is a fresh-looking example of this landmark poster. Very Fine-.
George A. Romero and his Image Ten partners set out to make a cheap, marketable horror film and gain entry into the feature film production business. Along the way, they revitalized and reinvented the zombie film genre and crafted a classic tale of minimalist horror that is perhaps one of the most influential films of the era. This iconic one sheet has multiple memorable images from the film rendered in stark, unforgettable graphics. There is some creasing along the center vertical fold line and the slightest bit of fold wear, but otherwise this is a fresh-looking example of this landmark poster. Very Fine-.
Night Tide (American International, 1963). One Sheet (27" X 41") Style B.
Is she or isn't she? A mermaid, that is. This is the question facing Dennis Hopper in this finely-evoked chiller, written and directed by Curtis Harrington. Hopper plays a sailor who falls for a carny girl (Linda Lawson) who believes herself to be descended from an underwater race that must kill under the light of the full moon to survive. Given the film's low budget and limited distribution, it's amazing there is a B style poster at all, and this rare sheet is always highly coveted by collectors. Corner pinholes, crossfold separations, and rumpling at the corners and folds are the only condition issues. Very Fine-.
Is she or isn't she? A mermaid, that is. This is the question facing Dennis Hopper in this finely-evoked chiller, written and directed by Curtis Harrington. Hopper plays a sailor who falls for a carny girl (Linda Lawson) who believes herself to be descended from an underwater race that must kill under the light of the full moon to survive. Given the film's low budget and limited distribution, it's amazing there is a B style poster at all, and this rare sheet is always highly coveted by collectors. Corner pinholes, crossfold separations, and rumpling at the corners and folds are the only condition issues. Very Fine-.
The Nude Vampire (Les Distrubuteurs Associes, 1970). French Grande (47" X 63").
French director Jean Rollin's cult classic is an erotic, surreal vampire tale starring Olivier Martin as Pierre Radamante, a wealthy hedonist who discovers that his scientist father (Maurice Lemaître) is conducting experiments in search of the secrets of immortality. Pinpoint crossfold separations, a crossfold tear, and pinholes in the corners do nothing to take away from the dramatic Philippe Druillet art, heavily inspired by Art Nouveau and the eerie images found on Gothic cathedrals. An incredible country-of-origin poster! Very Fine.
French director Jean Rollin's cult classic is an erotic, surreal vampire tale starring Olivier Martin as Pierre Radamante, a wealthy hedonist who discovers that his scientist father (Maurice Lemaître) is conducting experiments in search of the secrets of immortality. Pinpoint crossfold separations, a crossfold tear, and pinholes in the corners do nothing to take away from the dramatic Philippe Druillet art, heavily inspired by Art Nouveau and the eerie images found on Gothic cathedrals. An incredible country-of-origin poster! Very Fine.
Phantom of the Opera (Universal, 1943). Insert (14" X 36").
This lavish color remake of the Gaston Leroux story--the first to follow Lon Chaney's unforgettable version--stars Claude Rains as the titular specter, with warblers Nelson Eddy and Susanna Foster rounding out the love triangle. This beautiful insert is simply one of the best we've seen on this title. The condition includes light edge wear with one tiny tear, very slight edge foxing, and two slightly blunted corners. The colors look as fresh as on the day they were printed. Rolled, Near Mint-.
This lavish color remake of the Gaston Leroux story--the first to follow Lon Chaney's unforgettable version--stars Claude Rains as the titular specter, with warblers Nelson Eddy and Susanna Foster rounding out the love triangle. This beautiful insert is simply one of the best we've seen on this title. The condition includes light edge wear with one tiny tear, very slight edge foxing, and two slightly blunted corners. The colors look as fresh as on the day they were printed. Rolled, Near Mint-.
Phantom of the Opera (Universal, 1943). Window Card (14" X 22").
Claude Rains dominates this window card from the 1943 remake of Lon Chaney's 1925 triumph. In the background of the poster is the replica of the Opera Garnier interior. It was used both in the 1925 Chaney version and for this film. There are only some light bottom border smudges and some very light corner bends. Very Fine+.
Claude Rains dominates this window card from the 1943 remake of Lon Chaney's 1925 triumph. In the background of the poster is the replica of the Opera Garnier interior. It was used both in the 1925 Chaney version and for this film. There are only some light bottom border smudges and some very light corner bends. Very Fine+.
Phantom of the Opera (Universal, 1943). Lobby Card Set of 8 (one Autographed) (11" X 14").
At the height of the Universal horror cycle, the studio decided to remake one of its silent classics, casting the Invisible Man himself, Claude Rains, as Erique, the masked Phantom of the Opera. The four cards without the Phantom are in very clean condition. Two scenes with the Phantom and the title card have multiple pinholes in the corners. The final scene with the Phantom of Foster in the catacombs has one staple mark in each of the upper corners. One card is signed by the co star, "Good Luck - Susanna Foster." This lot represents a wonderful opportunity to acquire an instant set from one of the classics of horror. Very Fine.
At the height of the Universal horror cycle, the studio decided to remake one of its silent classics, casting the Invisible Man himself, Claude Rains, as Erique, the masked Phantom of the Opera. The four cards without the Phantom are in very clean condition. Two scenes with the Phantom and the title card have multiple pinholes in the corners. The final scene with the Phantom of Foster in the catacombs has one staple mark in each of the upper corners. One card is signed by the co star, "Good Luck - Susanna Foster." This lot represents a wonderful opportunity to acquire an instant set from one of the classics of horror. Very Fine.
Revenge of the Creature (Universal International, 1955). Title Lobby Card (11" X 14").
What a time it was... in the mid 1950s you could stroll by the neighborhood theatre and stop to marvel at this garish poster showing a giant, gilled fish-man brazenly walking down main street holding with only one arm a shoeless hottie in a spaghetti-strap dress that was just about to fall off. The fish-man has broken shackles and chains that whip back and forth across the ankles of the girl, who had mercifully passed out. The populace behind him runs amuck, screaming in all directions. This scene was beautifully rendered, as only he could, by the talented Reynold Brown. There are only light border smudges, a small surface paper loss in the bottom left corner, and a small bottom right corner bend. Fine/Very Fine.
What a time it was... in the mid 1950s you could stroll by the neighborhood theatre and stop to marvel at this garish poster showing a giant, gilled fish-man brazenly walking down main street holding with only one arm a shoeless hottie in a spaghetti-strap dress that was just about to fall off. The fish-man has broken shackles and chains that whip back and forth across the ankles of the girl, who had mercifully passed out. The populace behind him runs amuck, screaming in all directions. This scene was beautifully rendered, as only he could, by the talented Reynold Brown. There are only light border smudges, a small surface paper loss in the bottom left corner, and a small bottom right corner bend. Fine/Very Fine.
Revenge of the Creature (Universal International, 1955). Autographed One Sheet (27" X 41").
A worthy followup to Creature from the Black Lagoon, this sequel had director Jack Arnold taking the gill-man out of the swamps and into the bright lights and asphalt streets of civilization, giving the beast a whole new landscape to rampage through. This outstanding one sheet features classic Reynold Brown artwork and has been signed by the film's director in the bottom right corner. The poster has pinholes throughout, some edge wear, fold wear and pinpoint crossfold separations, and a surface tear in the credits area; the tears and fold wear have tape repairs on the reverse. Fine+.
A worthy followup to Creature from the Black Lagoon, this sequel had director Jack Arnold taking the gill-man out of the swamps and into the bright lights and asphalt streets of civilization, giving the beast a whole new landscape to rampage through. This outstanding one sheet features classic Reynold Brown artwork and has been signed by the film's director in the bottom right corner. The poster has pinholes throughout, some edge wear, fold wear and pinpoint crossfold separations, and a surface tear in the credits area; the tears and fold wear have tape repairs on the reverse. Fine+.
Screaming Skull (American International, 1958). One Sheet (27" X 41").
John Hudson stars as a man trying to drive his wealthy wife insane so he can gain control of her fortune. He accomplishes this by the judicious placement of small skulls all around the house. Director Alex Nicol also plays Mickey the gardener, who is initially suspected of the crime. A fine example of the inverse ratio between the quality of the film and the poster, this one sheet for The Screaming Skull boasts some of the most luridly awesome artwork in the entire American International Pictures stable--and that's saying something! Condition issues on this unrestored poster include a smudge in the top border, corner creases, tears in the top border, and a small chip in the top crossfold. Very Fine.
John Hudson stars as a man trying to drive his wealthy wife insane so he can gain control of her fortune. He accomplishes this by the judicious placement of small skulls all around the house. Director Alex Nicol also plays Mickey the gardener, who is initially suspected of the crime. A fine example of the inverse ratio between the quality of the film and the poster, this one sheet for The Screaming Skull boasts some of the most luridly awesome artwork in the entire American International Pictures stable--and that's saying something! Condition issues on this unrestored poster include a smudge in the top border, corner creases, tears in the top border, and a small chip in the top crossfold. Very Fine.
Son of Dracula (Universal, 1943). One Sheet (27" X 41").
Lon Chaney Jr. stars as the mysterious Count Alucard, a Budapest nobleman who moves to the American South and takes a bride, a lovely student of the occult, Katherine (Louise Allbritton). When friends notice that Katherine is acting strangely, they discover to their horror that Alucard is actually the son of the infamous vampire, Count Dracula. The third installment in Universal's Dracula franchise, this is the first film to show the vampire transforming into a bat. Offered here is a glorious and highly desirable one sheet for this great film. Prior to expert professional restoration, it had pinholes in the image area, edge wear, tears in the top right corner and the bottom border, fold wear, and a tear in the right side that extended into the image area. It now looks as good as new, ready to display proudly in your crypt, haunted mansion, or mausoleum. Fine+ on Linen. *****
Lon Chaney Jr. stars as the mysterious Count Alucard, a Budapest nobleman who moves to the American South and takes a bride, a lovely student of the occult, Katherine (Louise Allbritton). When friends notice that Katherine is acting strangely, they discover to their horror that Alucard is actually the son of the infamous vampire, Count Dracula. The third installment in Universal's Dracula franchise, this is the first film to show the vampire transforming into a bat. Offered here is a glorious and highly desirable one sheet for this great film. Prior to expert professional restoration, it had pinholes in the image area, edge wear, tears in the top right corner and the bottom border, fold wear, and a tear in the right side that extended into the image area. It now looks as good as new, ready to display proudly in your crypt, haunted mansion, or mausoleum. Fine+ on Linen. *****
Son of Frankenstein (Realart, R-1953). CGC Graded Lobby Card Set of 4 (11" X 14").
This is a complete four card set from the great 1953 Realart re-release of this Universal classic. The Realart posters for the late 1940s and early 1950s Universal sci-fi/horror films were all fun, well laid out, and have always been very collectible. The title card has skulls everywhere, a great image of Boris Karloff, and promises us that "The Monster Talks!" The cards have been graded by CGC: 9.6 on the title card, and the others at 8.5, 9.0, and 9.2. This gives an overall grade of Near Mint-.
This is a complete four card set from the great 1953 Realart re-release of this Universal classic. The Realart posters for the late 1940s and early 1950s Universal sci-fi/horror films were all fun, well laid out, and have always been very collectible. The title card has skulls everywhere, a great image of Boris Karloff, and promises us that "The Monster Talks!" The cards have been graded by CGC: 9.6 on the title card, and the others at 8.5, 9.0, and 9.2. This gives an overall grade of Near Mint-.
Son of Frankenstein/Bride of Frankenstein Combo (Realart, R-1953). Lobby Cards (3) (11" X 14").
When Realart acquired the Universal sound film library in 1948, this was one of the first of their many successful double bills. An entirely new generation got to feast on all the best Universal monster films, two at a time. Theaters were ecstatic, with these "classics" outperforming most of the brand new, first-run films. This "Phantom Monster Show" includes two of the best of Karloff's Frankenstein films. These cards have pinholes in corners, borders, and images, multiple tears that run into the image, edge wear with chipping, and larger chips, paint stains and paper loss in the borders. Very Good/Fine-.
When Realart acquired the Universal sound film library in 1948, this was one of the first of their many successful double bills. An entirely new generation got to feast on all the best Universal monster films, two at a time. Theaters were ecstatic, with these "classics" outperforming most of the brand new, first-run films. This "Phantom Monster Show" includes two of the best of Karloff's Frankenstein films. These cards have pinholes in corners, borders, and images, multiple tears that run into the image, edge wear with chipping, and larger chips, paint stains and paper loss in the borders. Very Good/Fine-.
Spider Baby (American General Pictures, Inc., 1968). One Sheet (27" X 41").
When discussing low-budget horror films, the title Spider Baby rarely comes up as most people are unfamiliar with the film. But to those "in the know," this is a great cult film, directed by Jack Hill and featuring Lon Chaney, Mantan Moreland, Sid Haig and Carol Ohmart. The film sat on a shelf from 1964 until 1968 when it was finally released as part of a double bill. You could look for years trying to find any poster material on this title as it is truly a rarity and virtually impossible to acquire. Johnny Ramone looked for years before he acquired one and immediately declared it one of the prized possessions of his collection. This example shows only very minor ruffling to the upper right edge of the poster. Very Fine+.
When discussing low-budget horror films, the title Spider Baby rarely comes up as most people are unfamiliar with the film. But to those "in the know," this is a great cult film, directed by Jack Hill and featuring Lon Chaney, Mantan Moreland, Sid Haig and Carol Ohmart. The film sat on a shelf from 1964 until 1968 when it was finally released as part of a double bill. You could look for years trying to find any poster material on this title as it is truly a rarity and virtually impossible to acquire. Johnny Ramone looked for years before he acquired one and immediately declared it one of the prized possessions of his collection. This example shows only very minor ruffling to the upper right edge of the poster. Very Fine+.
Tower of London (Universal, 1939). One Sheet (27" X 41") Style A.
Boris Karloff was in his element once again as the executioner Mord, serving Richard the King of Gloucester (Basil Rathbone) in this horrific tale set in 15th century England. Although the film is considered more of a horrific historical epic rather than a proper horror film, horror fans still collect the paper on this title as it depicts Karloff in a most menacing performance. This one sheet has pinholes in the corners and tape along the back of some of the fold lines to reinforce them. Overall, these minor issues do not detract from this beautiful one sheet. Fine/Very Fine.
Boris Karloff was in his element once again as the executioner Mord, serving Richard the King of Gloucester (Basil Rathbone) in this horrific tale set in 15th century England. Although the film is considered more of a horrific historical epic rather than a proper horror film, horror fans still collect the paper on this title as it depicts Karloff in a most menacing performance. This one sheet has pinholes in the corners and tape along the back of some of the fold lines to reinforce them. Overall, these minor issues do not detract from this beautiful one sheet. Fine/Very Fine.
The Uninvited (Paramount, 1944). One Sheet (27" X 41").
Siblings (Ray Milland, Ruth Hussey) who purchase a remote seaside estate soon learn that the house is haunted. Gail Russell is the bearer of supernatural tidings, informing them that her mother is the house's ghost. Robert Wise directs with a sure hand. There are touch-ups on the borders and crossfolds and professional restoration has addressed border tears and crossfold separations. Very Fine on Linen.
Siblings (Ray Milland, Ruth Hussey) who purchase a remote seaside estate soon learn that the house is haunted. Gail Russell is the bearer of supernatural tidings, informing them that her mother is the house's ghost. Robert Wise directs with a sure hand. There are touch-ups on the borders and crossfolds and professional restoration has addressed border tears and crossfold separations. Very Fine on Linen.
Vampire Circus (Rank, 1972). British Quad (30" X 40").
The posters for the Hammer horror films are among the most collectible of the horror genre and this quad is exceptional for its stylistic design. Hammer mimicked the look of circus posters for this title and the result has made it eagerly sought after. This particular example is in exceptional condition and would have graded higher except for an additional fold line. Very Fine/Near Mint.
The posters for the Hammer horror films are among the most collectible of the horror genre and this quad is exceptional for its stylistic design. Hammer mimicked the look of circus posters for this title and the result has made it eagerly sought after. This particular example is in exceptional condition and would have graded higher except for an additional fold line. Very Fine/Near Mint.
Voodoo Man (Monogram, 1944). Insert (14" X 36").
William Beaudine directs this offbeat chiller in which Bela Lugosi plays a scientist hoping to revive his dead wife by placing nubile young ladies in suspended animation. John Carradine has an amusing supporting role as a mentally challenged handyman, and the meta-ending includes a screenwriter suggesting to his boss that the whole affair would make a good starring vehicle for Bela Lugosi! This great-looking insert has border pinhole, and light edge wear in the right and left borders. Folded, Fine/Very Fine.
William Beaudine directs this offbeat chiller in which Bela Lugosi plays a scientist hoping to revive his dead wife by placing nubile young ladies in suspended animation. John Carradine has an amusing supporting role as a mentally challenged handyman, and the meta-ending includes a screenwriter suggesting to his boss that the whole affair would make a good starring vehicle for Bela Lugosi! This great-looking insert has border pinhole, and light edge wear in the right and left borders. Folded, Fine/Very Fine.
White Zombie (United Artists, 1932). Lobby Card (11" X 14").
When a young couple (John Harron and Madge Bellamy), meet a kind but mysterious stranger in Haiti, they agree to stay at his plantation. The stranger, played by Robert Frazer, turns out to have designs on Madeleine and plots with a voodoo doctor named Murder Legendre (Bela Lugosi) to turn her into a zombie until her fiance can be sent away. This is one of the most acclaimed early films of the horror genre, with a masterful performance by Lugosi, and is a much sought after title for poster collectors. This sensational card features most of the cast. There is a vertical fold in the center, pinholes in the corners and borders, a tear in the bottom right, and a minor stain in the top and bottom borders. The colors are vibrant on this rare and wonderful card! From the Kirk Hammett Collection. Very Good/Fine.
When a young couple (John Harron and Madge Bellamy), meet a kind but mysterious stranger in Haiti, they agree to stay at his plantation. The stranger, played by Robert Frazer, turns out to have designs on Madeleine and plots with a voodoo doctor named Murder Legendre (Bela Lugosi) to turn her into a zombie until her fiance can be sent away. This is one of the most acclaimed early films of the horror genre, with a masterful performance by Lugosi, and is a much sought after title for poster collectors. This sensational card features most of the cast. There is a vertical fold in the center, pinholes in the corners and borders, a tear in the bottom right, and a minor stain in the top and bottom borders. The colors are vibrant on this rare and wonderful card! From the Kirk Hammett Collection. Very Good/Fine.
The Cabinet of Dr. Caligari (Goldwyn, 1920). CGC Graded Lobby Card (11" X 14").
Robert Wiene directs this brilliant German Expressionist classic, one of the most influential films of all cinema. The story revolves around the darkly mysterious Dr. Caligari, played by Werner Krauss, who arrives in a small village with his mentalist show featuring somnambulist (sleepwalker) Cesare (Conrad Veidt in heavy gothic make-up). His arrival coincides with several murders. One villager sets out to investigate the murders and to save his love from death. What sets this film apart is the fantastic visual setting: a surreal world of oddly shaped buildings and streets which twists and turns parallel to the very original and surprising story line. Wiene and designers Hermann Warm, Walter Reim, and Walter Rohrig created a world that has influenced numerous film noir and horror directors throughout the last ninety years. Cards from this film are nearly impossible to come across, especially in such remarkable condition as this beauty, which shows only a dust shadow along the edges and one corner crease. This is a true, once-in-a-lifetime piece. From the Kirk Hammett Collection. CGC graded 6.5. Fine+.
Robert Wiene directs this brilliant German Expressionist classic, one of the most influential films of all cinema. The story revolves around the darkly mysterious Dr. Caligari, played by Werner Krauss, who arrives in a small village with his mentalist show featuring somnambulist (sleepwalker) Cesare (Conrad Veidt in heavy gothic make-up). His arrival coincides with several murders. One villager sets out to investigate the murders and to save his love from death. What sets this film apart is the fantastic visual setting: a surreal world of oddly shaped buildings and streets which twists and turns parallel to the very original and surprising story line. Wiene and designers Hermann Warm, Walter Reim, and Walter Rohrig created a world that has influenced numerous film noir and horror directors throughout the last ninety years. Cards from this film are nearly impossible to come across, especially in such remarkable condition as this beauty, which shows only a dust shadow along the edges and one corner crease. This is a true, once-in-a-lifetime piece. From the Kirk Hammett Collection. CGC graded 6.5. Fine+.
The Cat Creeps (Universal, 1930). Lobby Cards (3) (11" X 14").
The film may be lost, but these super rare cards from this early Universal horror film sure show the fun we're missing! Director Rupert Julian (Lon Chaney's, The Phantom of the Opera) had a hit with a fine cast of Helen Twelvetrees, Jean Hersholt, Lilyan Tashman, and Neil Hamilton. Note the creepy hand coming out of the hidden panel, the eerie purple spiral wall shadow, and the large, superimposed question mark over the face of the maniacal killer, meant to encourage theatre goers to guess who it might be. Each card has a different inset photo of one of the stars. The cards have been restored and touched-up, with the borders replaced and a tear in the bottom image of one card patched up. Fine.
The film may be lost, but these super rare cards from this early Universal horror film sure show the fun we're missing! Director Rupert Julian (Lon Chaney's, The Phantom of the Opera) had a hit with a fine cast of Helen Twelvetrees, Jean Hersholt, Lilyan Tashman, and Neil Hamilton. Note the creepy hand coming out of the hidden panel, the eerie purple spiral wall shadow, and the large, superimposed question mark over the face of the maniacal killer, meant to encourage theatre goers to guess who it might be. Each card has a different inset photo of one of the stars. The cards have been restored and touched-up, with the borders replaced and a tear in the bottom image of one card patched up. Fine.
The Invisible Menace (Warner Brothers, 1938). Half Sheet (22" X 28").
When an Army private (Eddie Craven) smuggles his new bride Sally (Marie Wilson) onto the base, hoping for a romantic wedding night, they are in for a surprise. They are soon embroiled in a murder investigation with multiple suspects, the prime one being Jevries (Boris Karloff), a man with a shady past. This great linen finish half sheet, a must have for Karloff collectors, has edge wear along the top and left borders, a dust shadow down the left side, paper loss in the top border, a bend in the lower left corner, and some light creasing along the bottom border. Rolled. Fine+.
When an Army private (Eddie Craven) smuggles his new bride Sally (Marie Wilson) onto the base, hoping for a romantic wedding night, they are in for a surprise. They are soon embroiled in a murder investigation with multiple suspects, the prime one being Jevries (Boris Karloff), a man with a shady past. This great linen finish half sheet, a must have for Karloff collectors, has edge wear along the top and left borders, a dust shadow down the left side, paper loss in the top border, a bend in the lower left corner, and some light creasing along the bottom border. Rolled. Fine+.
The Lost World (First National, 1925). Advance Promotional Poster (28" X 38") Rotogravure.
Here is something we have never seen before. Here offered is a promotional tie-in poster for Willis O'Brien's The Lost World and Corona Typewriters. This is the year before L. C. Smith Brothers typewriters joined with Corona to form Smith Corona Typewriters. One of the most popular devices of the early 20th Century, their advertising and product placement were, even in those days, advanced. This wonderful-condition poster pictures not only three scenes with O'Brien's dinosaur creations but pictures many of the stars of this early science fiction classic. Lloyd Hughes, Wallace Beery, Lewis Stone and Bessie Love are all here. The poster had a very small hole in the middle horizontal fold, on the right side in Hughes' chin. There is also some minor reinforcement to a couple of small crossfold separation. It is unbacked and displays beautifully. Very Fine.
Here is something we have never seen before. Here offered is a promotional tie-in poster for Willis O'Brien's The Lost World and Corona Typewriters. This is the year before L. C. Smith Brothers typewriters joined with Corona to form Smith Corona Typewriters. One of the most popular devices of the early 20th Century, their advertising and product placement were, even in those days, advanced. This wonderful-condition poster pictures not only three scenes with O'Brien's dinosaur creations but pictures many of the stars of this early science fiction classic. Lloyd Hughes, Wallace Beery, Lewis Stone and Bessie Love are all here. The poster had a very small hole in the middle horizontal fold, on the right side in Hughes' chin. There is also some minor reinforcement to a couple of small crossfold separation. It is unbacked and displays beautifully. Very Fine.
Made for Each Other (United Artists, 1939). One Sheet (27" X 41").
The one sheet for this melodrama rarely surfaces and we know why. The images of Carole Lombard and Jimmy Stewart are spectacular. This one sheet has approximately two pinholes in each corner within the image as well as some very minor color touch to the fold lines, primarily along the center horizontal fold line. The linen has been trimmed to the edge of the poster. Very Fine on Linen.
The one sheet for this melodrama rarely surfaces and we know why. The images of Carole Lombard and Jimmy Stewart are spectacular. This one sheet has approximately two pinholes in each corner within the image as well as some very minor color touch to the fold lines, primarily along the center horizontal fold line. The linen has been trimmed to the edge of the poster. Very Fine on Linen.
Cat on a Hot Tin Roof (MGM, 1958). One Sheet (27" X 41").
Poster artist legend Reynold Brown is most well known for his monster illustrations, but with this poster he designed a fantastic image of Elizabeth Taylor as "Maggie the Cat." He serves up a spot-on painting of Taylor's brilliant portrayal as the anguished southern belle, lounging in that silk negligee that cuts short right above her knees. There are crossfold separations with small paper loss, some surface and edge wear, creases in the credits, and corner pinholes. These small issues have mostly vanished with great linenbacking and airbrush work. Fine+ on Linen.
Poster artist legend Reynold Brown is most well known for his monster illustrations, but with this poster he designed a fantastic image of Elizabeth Taylor as "Maggie the Cat." He serves up a spot-on painting of Taylor's brilliant portrayal as the anguished southern belle, lounging in that silk negligee that cuts short right above her knees. There are crossfold separations with small paper loss, some surface and edge wear, creases in the credits, and corner pinholes. These small issues have mostly vanished with great linenbacking and airbrush work. Fine+ on Linen.
Citizen Kane (RKO, 1941). Title Lobby Card (11" X 14").
As a writer/director, Orson Welles suffered from the sophomore slump for basically the rest of his career, but no one can deny the importance, influence, and downright greatness of his debut feature, Citizen Kane. Fresh from his triumph with the Mercury Theater Players and their infamous "War of the Worlds" radio broadcast, Welles was afforded almost unprecedented control over his first film, and the result was an unparalleled fusion of script, performance, and direction, creating a genuine masterpiece that would stand the test of time. This sublime title lobby card has had minimal restoration to address pinholes in the top corners and a bend in the bottom left. There is also some minor airbrushing in the borders on the left side. Very Fine.
As a writer/director, Orson Welles suffered from the sophomore slump for basically the rest of his career, but no one can deny the importance, influence, and downright greatness of his debut feature, Citizen Kane. Fresh from his triumph with the Mercury Theater Players and their infamous "War of the Worlds" radio broadcast, Welles was afforded almost unprecedented control over his first film, and the result was an unparalleled fusion of script, performance, and direction, creating a genuine masterpiece that would stand the test of time. This sublime title lobby card has had minimal restoration to address pinholes in the top corners and a bend in the bottom left. There is also some minor airbrushing in the borders on the left side. Very Fine.
Citizen Kane (RKO, 1941). One Sheet (27" X 41") Style A.
The American Film Institute has labeled it "The Best Film Ever Made," and many agree. This ever elusive style A one sheet is more beautifully detailed than you'd think upon first glance. Look closely. The central image is that of a clenched-fist, determined, young Foster Kane, a character so perfectly realized by the superb vision of Orson Welles in his prime. At his feet are four key moments from the film: Kane orating to a screaming crowd, Kane cavorting with chorus line dollies, Kane resplendent in a fine smoking jacket with his new wife, and the all-important imagery of Kane as a child -- the artist depicts the boy wistfully staring upward at his older self, cradling the one item he would forever hold dearest of all his possessions. Some top linenbacking and minimal airbrush touch-up has left this true cornerstone collective in magnificent condition. There were corner and single background pinholes and very minor edge chips with tiny chips in the crossfolds and corners. Very Fine- on Linen.
The American Film Institute has labeled it "The Best Film Ever Made," and many agree. This ever elusive style A one sheet is more beautifully detailed than you'd think upon first glance. Look closely. The central image is that of a clenched-fist, determined, young Foster Kane, a character so perfectly realized by the superb vision of Orson Welles in his prime. At his feet are four key moments from the film: Kane orating to a screaming crowd, Kane cavorting with chorus line dollies, Kane resplendent in a fine smoking jacket with his new wife, and the all-important imagery of Kane as a child -- the artist depicts the boy wistfully staring upward at his older self, cradling the one item he would forever hold dearest of all his possessions. Some top linenbacking and minimal airbrush touch-up has left this true cornerstone collective in magnificent condition. There were corner and single background pinholes and very minor edge chips with tiny chips in the crossfolds and corners. Very Fine- on Linen.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
Cards from one of the top films ever made are always coveted, and here's a good one! The timeless character Orson Welles vividly brought to life, Charles Foster Kane, holds his son in his arms, as his faithful wife (Ruth Warrick) basks in the crowd's adoration. The splendid left side border logo has Kane posed with three completely different attitudes: oversized and defiant, orating to a group of supporters, and playing the lover. The top right corner has a minor chip, there is some scuffing on the right border, a light stain on the top left corner, and pinholes in the top corners. This is a great chance at a key piece of film history. Fine/Very Fine.
Cards from one of the top films ever made are always coveted, and here's a good one! The timeless character Orson Welles vividly brought to life, Charles Foster Kane, holds his son in his arms, as his faithful wife (Ruth Warrick) basks in the crowd's adoration. The splendid left side border logo has Kane posed with three completely different attitudes: oversized and defiant, orating to a group of supporters, and playing the lover. The top right corner has a minor chip, there is some scuffing on the right border, a light stain on the top left corner, and pinholes in the top corners. This is a great chance at a key piece of film history. Fine/Very Fine.
Citizen Kane (RKO, 1941). Autographed Half Sheet (22" X 28") Style B.
If you haven't a piece on this most important title, here's your chance to own a style B half sheet signed by Orson Welles, just below his name. It has two sepia toned photo insets, one with Kane at a political rally and another where Kane's cavorting with an entire chorus line! His classic clenched-fist full length drawing dominates the poster, with three separate scenes swirling about his feet. The poster is rolled, uncommon for a poster this size. There are pinholes in the corners and background, some slight edge wear, a small tear in the lower left border, small chips in the top right and left corners, and a small chip in the bottom border. This poster is from the Steve Schapiro collection and was originally sold in a Sotheby's auction on April, 1999. Rolled, Fine/Very Fine.
If you haven't a piece on this most important title, here's your chance to own a style B half sheet signed by Orson Welles, just below his name. It has two sepia toned photo insets, one with Kane at a political rally and another where Kane's cavorting with an entire chorus line! His classic clenched-fist full length drawing dominates the poster, with three separate scenes swirling about his feet. The poster is rolled, uncommon for a poster this size. There are pinholes in the corners and background, some slight edge wear, a small tear in the lower left border, small chips in the top right and left corners, and a small chip in the bottom border. This poster is from the Steve Schapiro collection and was originally sold in a Sotheby's auction on April, 1999. Rolled, Fine/Very Fine.
Confidential Agent (Warner Brothers, 1945). Italian Foglio (27" X 39.5").
Charles Boyer, Lauren Bacall, Peter Lorre, and Katina Paxinou headline the cast of this thriller, based on the novel by Graham Greene. Its Bacall's striking image that is used on this amazing Italian poster to sell the film and features brilliant artwork by Luigi Martinati. The poster had very minimal wear before being mounted on linen and touch-up to the fold lines. Very Fine+ on Linen.
Charles Boyer, Lauren Bacall, Peter Lorre, and Katina Paxinou headline the cast of this thriller, based on the novel by Graham Greene. Its Bacall's striking image that is used on this amazing Italian poster to sell the film and features brilliant artwork by Luigi Martinati. The poster had very minimal wear before being mounted on linen and touch-up to the fold lines. Very Fine+ on Linen.
The Fountainhead (Warner Brothers, 1949). Insert (14" X 36").
Adapted by Ayn Rand from her landmark novel, this film version boasts superb performances by Gary Cooper and Patricia Neal as well as information about the author's Objectivist viewpoints. Rand was unhappy that director King Vidor tried to alter some of her dialogue. She never wrote another feature screenplay again. Prior to professional restoration, the poster had a few surface abrasions in "Patricia" and a crease in the top right. The borders have all been replaced, but the artwork retains terrific color and clarity. Good/Very Good on Paper.
Adapted by Ayn Rand from her landmark novel, this film version boasts superb performances by Gary Cooper and Patricia Neal as well as information about the author's Objectivist viewpoints. Rand was unhappy that director King Vidor tried to alter some of her dialogue. She never wrote another feature screenplay again. Prior to professional restoration, the poster had a few surface abrasions in "Patricia" and a crease in the top right. The borders have all been replaced, but the artwork retains terrific color and clarity. Good/Very Good on Paper.
A Message to Garcia (20th Century Fox, 1936). One Sheet (27" X 41") Style B.
This is one we've waited for a long while to finally see. It's the style-B one sheet featuring some of the best artwork you're going to find on Wallace Beery and Barbara Stanwyck. One of only a handful of good films about the Spanish-American war. With dramatic art, most likely by Frederic C. Madan, Beery appears determined, framed by the Cuban jungle vegetation. There are actually two renderings of Stanwyck with her two favorite weapons, guns and lips. There are border pinholes, edge wear, background smudges and pencil marks in the lettering, paper cuts in Beery's face with tape on the verso, tears in the top border with tape on the verso, and fold tears in the right and left borders. Very Good-.
This is one we've waited for a long while to finally see. It's the style-B one sheet featuring some of the best artwork you're going to find on Wallace Beery and Barbara Stanwyck. One of only a handful of good films about the Spanish-American war. With dramatic art, most likely by Frederic C. Madan, Beery appears determined, framed by the Cuban jungle vegetation. There are actually two renderings of Stanwyck with her two favorite weapons, guns and lips. There are border pinholes, edge wear, background smudges and pencil marks in the lettering, paper cuts in Beery's face with tape on the verso, tears in the top border with tape on the verso, and fold tears in the right and left borders. Very Good-.
Only Angels Have Wings (Columbia, 1939). Three Sheet (41" X 81").
Cary Grant and Jean Arthur are wonderful together in this exciting picture about a small mail delivery service in South America that flies a dangerous route. Rita Hayworth, in a small part, delivers a breakthrough performance that led her to "A" picture roles. Powerful direction by the great Howard Hawks. The posters for this classic have always been scarce and much sought after. We have only sold an insert and a few window cards to this title in ten years. This poster has been laid expertly on linen. It has some very light touch-up to the fold lines and borders. Prior to the restoration, there were border pinholes, minor chipping and slight edge wear down the left border, and small crossfold wear. Very Fine on Linen.
Cary Grant and Jean Arthur are wonderful together in this exciting picture about a small mail delivery service in South America that flies a dangerous route. Rita Hayworth, in a small part, delivers a breakthrough performance that led her to "A" picture roles. Powerful direction by the great Howard Hawks. The posters for this classic have always been scarce and much sought after. We have only sold an insert and a few window cards to this title in ten years. This poster has been laid expertly on linen. It has some very light touch-up to the fold lines and borders. Prior to the restoration, there were border pinholes, minor chipping and slight edge wear down the left border, and small crossfold wear. Very Fine on Linen.
Strange Cargo (MGM, 1940). Lobby Card Set of 8 (11" X 14").
When a motley group of prisoners make a break from a New Guinea penal colony, they are picked up by a sloop commandeered by fellow escapee Clark Gable and his girlfriend, played by Joan Crawford. Among the fugitives is a soft-spoken, messianic character played by Ian Hunter who has a huge influence on his fellow comrades on the run. One by one, the escapees abandon their evil purposes and find God in their harrowing journey through the jungle. This mystical religious allegory would be the eighth and final pairing of Clark Gable and Joan Crawford. This fantastic lobby card set has pinholes in the borders, tape stains in the borders of six cards, stains in the borders of four cards, a light bend in the lower right corner of each card, and paper tape on the verso of each card. From the Estate of Andrew Weimer Gard. Fine.
When a motley group of prisoners make a break from a New Guinea penal colony, they are picked up by a sloop commandeered by fellow escapee Clark Gable and his girlfriend, played by Joan Crawford. Among the fugitives is a soft-spoken, messianic character played by Ian Hunter who has a huge influence on his fellow comrades on the run. One by one, the escapees abandon their evil purposes and find God in their harrowing journey through the jungle. This mystical religious allegory would be the eighth and final pairing of Clark Gable and Joan Crawford. This fantastic lobby card set has pinholes in the borders, tape stains in the borders of six cards, stains in the borders of four cards, a light bend in the lower right corner of each card, and paper tape on the verso of each card. From the Estate of Andrew Weimer Gard. Fine.
Young Mr. Lincoln (20th Century Fox, 1939). Three Sheet (41" X 81") Style A.
This dramatic three sheet is most likely the work of Fredric C. Madan, a top poster artist for Fox. It's one of Henry Fonda's best posters, with its great oversize depiction of Fonda as a young Abe Lincoln. The lovely lady down on the right is Academy Award winner Alice Brady. There are corner pinholes, some edge wear in the bottom piece and the top border, centerpoint fold separations, and a small chip in the top fold. Fine/Very Fine.
This dramatic three sheet is most likely the work of Fredric C. Madan, a top poster artist for Fox. It's one of Henry Fonda's best posters, with its great oversize depiction of Fonda as a young Abe Lincoln. The lovely lady down on the right is Academy Award winner Alice Brady. There are corner pinholes, some edge wear in the bottom piece and the top border, centerpoint fold separations, and a small chip in the top fold. Fine/Very Fine.
China Girl (20th Century Fox, 1942). One Sheet (27" X 41").
George Montgomery stars as tough guy newsman Johnny Williams in this taut World War II drama written by Ben Hecht. Williams is captured in Burma by the Japanese, and his only hope is the "China Girl" Miss Haoli Young, played by Gene Tierney. One of the prettiest poster images of Tierney available, this dramatic sheet is a rare find. The artwork is most likely by Frederic C. Madan. Professional linenbacking has addressed a couple of top border pinholes, and some restoration in the top horizontal crossfold section. Fine on Linen.
George Montgomery stars as tough guy newsman Johnny Williams in this taut World War II drama written by Ben Hecht. Williams is captured in Burma by the Japanese, and his only hope is the "China Girl" Miss Haoli Young, played by Gene Tierney. One of the prettiest poster images of Tierney available, this dramatic sheet is a rare find. The artwork is most likely by Frederic C. Madan. Professional linenbacking has addressed a couple of top border pinholes, and some restoration in the top horizontal crossfold section. Fine on Linen.
The Girl from 10th Avenue (First National, 1935). Autographed Title Lobby Card (11" X 14").
Although it was a routine programmer from Warners, this Bette Davis vehicle found the actress giving a wonderful performance. As a girl from the wrong side of the tracks, Davis' character marries a down-on-his-luck attorney and then has to fight off a society girl to protect her marriage. One of the best things about this striking title card is the bold Bette Davis signature. The card has several sets of staple marks around the borders and a several pinholes within the image area. There is also some water spotting within the image although this is not overly distracting. This is a wonderful opportunity to acquire a magnificent Davis autographed item. Very Fine-.
Although it was a routine programmer from Warners, this Bette Davis vehicle found the actress giving a wonderful performance. As a girl from the wrong side of the tracks, Davis' character marries a down-on-his-luck attorney and then has to fight off a society girl to protect her marriage. One of the best things about this striking title card is the bold Bette Davis signature. The card has several sets of staple marks around the borders and a several pinholes within the image area. There is also some water spotting within the image although this is not overly distracting. This is a wonderful opportunity to acquire a magnificent Davis autographed item. Very Fine-.
All This, and Heaven Too (Warner Brothers, 1940). CGC Graded Lobby Card Set of 8 (11" X 14").
You'll have to watch Bette Davis and her able crew work their magic on this melodrama to really appreciate "old-school" acting genius. After viewing, try and imagine this film in lesser hands. The luscious, original Warner Brothers linen finish gives a nice mid-19th century look to the scenes, with Davis in every card! These cards have been CGC graded two at 7.5, 8.5, 9.0, 9.2, two at 9.6, and one at 9.8. From the Estate of Andrew Weimer Gard. Very Fine/Near Mint.
You'll have to watch Bette Davis and her able crew work their magic on this melodrama to really appreciate "old-school" acting genius. After viewing, try and imagine this film in lesser hands. The luscious, original Warner Brothers linen finish gives a nice mid-19th century look to the scenes, with Davis in every card! These cards have been CGC graded two at 7.5, 8.5, 9.0, 9.2, two at 9.6, and one at 9.8. From the Estate of Andrew Weimer Gard. Very Fine/Near Mint.
Of Human Bondage (RKO, 1934). Title Lobby Card and Lobby Cards (2) (11" X 14").
"After ya kissed me, I always used to wipe my mouth! WIPE MY MOUTH!" Bette Davis screamed at Leslies Howard. And with that amazing scene, Davis leaped to stardom as a voracious, illiterate waitress, forever manipulating and abusing the poor Howard character. Along with the title card and another scene card with Davis, there is a beautiful portrait card of Frances Dee and Howard. The cards have had excellent restoration and some touch-up for pinholes in the borders and image and small tears in the top border of the title card. Fine+.
"After ya kissed me, I always used to wipe my mouth! WIPE MY MOUTH!" Bette Davis screamed at Leslies Howard. And with that amazing scene, Davis leaped to stardom as a voracious, illiterate waitress, forever manipulating and abusing the poor Howard character. Along with the title card and another scene card with Davis, there is a beautiful portrait card of Frances Dee and Howard. The cards have had excellent restoration and some touch-up for pinholes in the borders and image and small tears in the top border of the title card. Fine+.
Of Human Bondage (RKO, 1934). Lobby Cards (4) (11" X 14").
This classic film was derived from W. Somerset Maugham's 1915 novel of the same name. A breakout role for Bette Davis, it earned her an Academy Award nomination. Original release posters from this film are very rare. This lot includes four cards from the film's original release. The cards all had pinholes in the borders, several within the image of the cards. The card with Davis going out the doorway has some small spots of staining in the image. The card with the three in the backseat of the car had a slight bit of surface abrasion in the upper center of the card above Davis' head. The card with Davis within the doorway has a small spot in Leslie Howard's face. They all have varying amounts of slight sun fading. Professional restoration has brought all of the cards up to appear in very fine condition. From the estate of Andrew Weimer Gard. Fine+.
This classic film was derived from W. Somerset Maugham's 1915 novel of the same name. A breakout role for Bette Davis, it earned her an Academy Award nomination. Original release posters from this film are very rare. This lot includes four cards from the film's original release. The cards all had pinholes in the borders, several within the image of the cards. The card with Davis going out the doorway has some small spots of staining in the image. The card with the three in the backseat of the car had a slight bit of surface abrasion in the upper center of the card above Davis' head. The card with Davis within the doorway has a small spot in Leslie Howard's face. They all have varying amounts of slight sun fading. Professional restoration has brought all of the cards up to appear in very fine condition. From the estate of Andrew Weimer Gard. Fine+.
The Letter (Warner Brothers, 1940). CGC Graded Lobby Cards (3) (11" X 14").
This great lot includes three original Warner Brothers linen finish cards from one of the best Bette Davis films you'll ever see. All the cards feature Davis acting every bit the star we still know her as today: Davis reclining on the settee, holding court for male admirers, Davis looking radiant, draped in a beautiful lace scarf, and Davis subtly curling her fingers closed so her hand can't be held by Herbert Marshall, her unsuspecting husband. These cards are like a "how-to" book for young actresses! From the Estate of Andrew Weimer Gard. The cards have been CGC graded with one at 7.5 and the other two at 8.0. Very Fine.
This great lot includes three original Warner Brothers linen finish cards from one of the best Bette Davis films you'll ever see. All the cards feature Davis acting every bit the star we still know her as today: Davis reclining on the settee, holding court for male admirers, Davis looking radiant, draped in a beautiful lace scarf, and Davis subtly curling her fingers closed so her hand can't be held by Herbert Marshall, her unsuspecting husband. These cards are like a "how-to" book for young actresses! From the Estate of Andrew Weimer Gard. The cards have been CGC graded with one at 7.5 and the other two at 8.0. Very Fine.
The Letter (Warner Brothers, 1940). CGC Graded Lobby Cards (3) (11" X 14").
This lot includes three of the most dramatic moments from this seven Oscar nominated film. There's a terrific portrait card with Bette Davis and Gale Sondergaard in one of the most tense and memorable scenes ever filmed, a scene unaccompanied by any music save the sounds of eerie wind chimes! These are Warner Brothers original linen finish cards. They have been CGC graded 7.5, 8.0, and 8.5. From the Estate of Andrew Weimer Gard. Very Fine.
This lot includes three of the most dramatic moments from this seven Oscar nominated film. There's a terrific portrait card with Bette Davis and Gale Sondergaard in one of the most tense and memorable scenes ever filmed, a scene unaccompanied by any music save the sounds of eerie wind chimes! These are Warner Brothers original linen finish cards. They have been CGC graded 7.5, 8.0, and 8.5. From the Estate of Andrew Weimer Gard. Very Fine.
The Letter (Warner Brothers, 1940). CGC Graded Lobby Card (11" X 14").
It's called THE card from the set, and with good reason. It features the pivotal scene of the film that sets the dramatic tone for the rest of the movie. Bette Davis has just killed her lover and stands resolutely above his body, perched on the steps. She stares at him, holding the gun in place for several moments in quiet acceptance of what she's done. From the Estate of Andrew Weimer Gard. The original Warner Brothers linen finish card has been CGC graded 8.0. Very Fine.
It's called THE card from the set, and with good reason. It features the pivotal scene of the film that sets the dramatic tone for the rest of the movie. Bette Davis has just killed her lover and stands resolutely above his body, perched on the steps. She stares at him, holding the gun in place for several moments in quiet acceptance of what she's done. From the Estate of Andrew Weimer Gard. The original Warner Brothers linen finish card has been CGC graded 8.0. Very Fine.
The Letter (Warner Brothers, 1940). CGC Graded Title Lobby Card (11" X 14").
Bette Davis gave many memorable performances, but few were more moving than her turn as "Leslie Crosby." This title card is one of the best pieces on the title and is constantly sought by collectors. If you know the film, you know how just how effective this card is. The card shows Davis standing on the steps of the plantation house with just a hint of darkened foliage to her left. In an almost eerie moonlight, the gun's smoke snakes up the wall behind her. She's just murdered her boyfriend, but is not hysterical; she's almost calmly resolute as she glances sideways with a look that surely acknowledges her approaching fate. From the Estate of Andrew Weimer Gard. The card, with it's lovely original Warner Brothers linen finish, has been CGC graded 7.5. Very Fine-.
Bette Davis gave many memorable performances, but few were more moving than her turn as "Leslie Crosby." This title card is one of the best pieces on the title and is constantly sought by collectors. If you know the film, you know how just how effective this card is. The card shows Davis standing on the steps of the plantation house with just a hint of darkened foliage to her left. In an almost eerie moonlight, the gun's smoke snakes up the wall behind her. She's just murdered her boyfriend, but is not hysterical; she's almost calmly resolute as she glances sideways with a look that surely acknowledges her approaching fate. From the Estate of Andrew Weimer Gard. The card, with it's lovely original Warner Brothers linen finish, has been CGC graded 7.5. Very Fine-.
Now, Voyager (Warner Brothers, 1942). Lobby Cards (5) (11" X 14").
Though not critically well received, this film was warmly embraced by the public and has stood the test of time. Bette Davis and Paul Henreid are star-crossed lovers in this film adapted from one of four novels by Olive Higgins Prouty about a high class Boston family, the Vales. Offered in this lot are five cards from the eight card set. Four of the cards have pinholes in the corners, one card has no pinholes but has two tears in the borders and some tanning. All of the cards are in very presentable condition and would display very well. From the Estate of Andrew Weimer Gard. Very Fine.
Though not critically well received, this film was warmly embraced by the public and has stood the test of time. Bette Davis and Paul Henreid are star-crossed lovers in this film adapted from one of four novels by Olive Higgins Prouty about a high class Boston family, the Vales. Offered in this lot are five cards from the eight card set. Four of the cards have pinholes in the corners, one card has no pinholes but has two tears in the borders and some tanning. All of the cards are in very presentable condition and would display very well. From the Estate of Andrew Weimer Gard. Very Fine.
Now, Voyager (Warner Brothers, 1942). One Sheet (27" X 41").
After starring in such tear-jerkers as Dark Victory, Bette Davis carved out a cinematic niche, starring in many similar pictures. Now, Voyager is considered the best of these, and the posters for this film are highly desirable. In this melodrama, Davis portrays a spinster who gives up a chance at love to help her former lover's daughter. This poster, featuring an amazing portrait of Davis, has had some minor airbrushing to the fold lines but is otherwise unrestored. It has corner pinholes, smudging in the left and bottom borders, fold wear with some small chips, and the linen has been trimmed to the edge of the poster. Fine/Very Fine on Linen.
After starring in such tear-jerkers as Dark Victory, Bette Davis carved out a cinematic niche, starring in many similar pictures. Now, Voyager is considered the best of these, and the posters for this film are highly desirable. In this melodrama, Davis portrays a spinster who gives up a chance at love to help her former lover's daughter. This poster, featuring an amazing portrait of Davis, has had some minor airbrushing to the fold lines but is otherwise unrestored. It has corner pinholes, smudging in the left and bottom borders, fold wear with some small chips, and the linen has been trimmed to the edge of the poster. Fine/Very Fine on Linen.
Giant (Doubleday, 1952). Autographed First Edition Book (6" X 8.5", 448 Pages).
A fascinating, one-of-a-kind piece of film history. This is a high grade, first edition 1952 copy of the novel Giant, written by Edna Ferber and used as the basis for the acclaimed 1956 film. This copy is from the personal library of top gossip columnist Louella Parsons. What's amazing about this piece is the writing on the front title page and the page facing it: there are seven signatures from the cast and crew, all signed on the set in 1956, including a full-page inscription from Jane Withers, who played "Vashti" in the film, that reads, "please come & visit us while we're working and see me as Vashti." Beginning at the top of the title page are the signatures of Elizabeth Taylor, Henry Ginsburg (one of the producers of the film), Rock Hudson, Mercedes McCambridge, and the director and producer, George Stevens. There's also a terrific inscription from James Dean that reads, "To a GIANT of a heart, my thanks, James Dean." The book is in great condition, with only some small edge wear with small chips in the bottom of the spine, beneath the dust cover. This is one the best famous-to-famous autographed items we've ever had the honor to present. Very Fine.
A fascinating, one-of-a-kind piece of film history. This is a high grade, first edition 1952 copy of the novel Giant, written by Edna Ferber and used as the basis for the acclaimed 1956 film. This copy is from the personal library of top gossip columnist Louella Parsons. What's amazing about this piece is the writing on the front title page and the page facing it: there are seven signatures from the cast and crew, all signed on the set in 1956, including a full-page inscription from Jane Withers, who played "Vashti" in the film, that reads, "please come & visit us while we're working and see me as Vashti." Beginning at the top of the title page are the signatures of Elizabeth Taylor, Henry Ginsburg (one of the producers of the film), Rock Hudson, Mercedes McCambridge, and the director and producer, George Stevens. There's also a terrific inscription from James Dean that reads, "To a GIANT of a heart, my thanks, James Dean." The book is in great condition, with only some small edge wear with small chips in the bottom of the spine, beneath the dust cover. This is one the best famous-to-famous autographed items we've ever had the honor to present. Very Fine.
Giant (Warner Brothers, 1956). Standees (3) (68" X 24").
Offered here is a scarce article from this important title, an original set of three lobby standees for one of the best films to come out of the 1950s. The three stars, James Dean, Elizabeth Taylor, and Rock Hudson, all have life-size cutouts with simulated autographs at the bottom. Surely this is a premier item from James Dean's short but brilliant career. There are some minor surface scuffs and edge wear, small paper lifts on the bottom of one standee, some smudges in the borders, and some mild smudging in Hudson's shirt. The original box they were shipped in is also included. Fine/Very Fine.
Offered here is a scarce article from this important title, an original set of three lobby standees for one of the best films to come out of the 1950s. The three stars, James Dean, Elizabeth Taylor, and Rock Hudson, all have life-size cutouts with simulated autographs at the bottom. Surely this is a premier item from James Dean's short but brilliant career. There are some minor surface scuffs and edge wear, small paper lifts on the bottom of one standee, some smudges in the borders, and some mild smudging in Hudson's shirt. The original box they were shipped in is also included. Fine/Very Fine.
East of Eden (Warner Brothers, 1955). Lobby Card Set of 8 (11" X 14").
James Dean burst upon the motion picture horizon in this, his first starring role. His portrayal of Cal Trask, from the famous Steinbeck novel, is the first instance of the tortured and troubled youths he would depict in all of his three films. This beautiful set from the classic Elia Kazan film is in very nice condition without pinholes or tears of any kind. The #1 card has foxing around the borders and a small residue of tape glue on the left border. All of the other seven cards are in beautiful condition with very minor handling wear. Very Fine-.
James Dean burst upon the motion picture horizon in this, his first starring role. His portrayal of Cal Trask, from the famous Steinbeck novel, is the first instance of the tortured and troubled youths he would depict in all of his three films. This beautiful set from the classic Elia Kazan film is in very nice condition without pinholes or tears of any kind. The #1 card has foxing around the borders and a small residue of tape glue on the left border. All of the other seven cards are in beautiful condition with very minor handling wear. Very Fine-.
Rebel Without a Cause (Warner Brothers, 1955). Half Sheet (22" X 28").
James Dean made his definitive mark on the cinema as the quintessential troubled youth Jim Stark in Nicholas Ray's Rebel Without a Cause. Natalie Wood and Sal Mineo co-star in the picture as teens with their own set of problems that lead to dire consequences. Tears in the left and right borders, creasing in the bottom right corner, and extra vertical folds were the only condition issues, and these have been addressed with professional restoration. Fine+ on Paper.
James Dean made his definitive mark on the cinema as the quintessential troubled youth Jim Stark in Nicholas Ray's Rebel Without a Cause. Natalie Wood and Sal Mineo co-star in the picture as teens with their own set of problems that lead to dire consequences. Tears in the left and right borders, creasing in the bottom right corner, and extra vertical folds were the only condition issues, and these have been addressed with professional restoration. Fine+ on Paper.
The Day the Earth Stood Still (20th Century Fox, 1951). One Sheet (27" X 41").
Although this wasn't the first film to start the sci-fi craze of the 1950s, it was certainly the most important. Director Robert Wise gave the genre some legitimacy when he created the first "serious" science fiction epic that asked pertinent questions about how man would react to learning that we are not alone in our universe. The film also gave rise to the classic robots of the cinema, starting with Gort. The clanky creations that populated the Saturday afternoon serials were distant dinosaurs compared to this menacing robot and "police officer" from another world. We could go on about the film and its impact on the cinema but there are whole books covering that territory. We will add that due to the importance of the film and the graphically superior poster created for it, this one sheet is considered one of the best of the entire era and remains the most sought-after as well. This particular copy has been graded at very fine due to one pinhole in each of the upper corners and another in the center of the lower border. The poster also displays a bit of separation at each of the centerpoints and some foxing along the top edge of the white border. Despite those imperfections, we've rarely come across an example this clean off of linen and wish we could grade it higher. Very Fine.
Although this wasn't the first film to start the sci-fi craze of the 1950s, it was certainly the most important. Director Robert Wise gave the genre some legitimacy when he created the first "serious" science fiction epic that asked pertinent questions about how man would react to learning that we are not alone in our universe. The film also gave rise to the classic robots of the cinema, starting with Gort. The clanky creations that populated the Saturday afternoon serials were distant dinosaurs compared to this menacing robot and "police officer" from another world. We could go on about the film and its impact on the cinema but there are whole books covering that territory. We will add that due to the importance of the film and the graphically superior poster created for it, this one sheet is considered one of the best of the entire era and remains the most sought-after as well. This particular copy has been graded at very fine due to one pinhole in each of the upper corners and another in the center of the lower border. The poster also displays a bit of separation at each of the centerpoints and some foxing along the top edge of the white border. Despite those imperfections, we've rarely come across an example this clean off of linen and wish we could grade it higher. Very Fine.
Metropolis (UFA, 1927). Jumbo Lobby Card (14" X 17").
With the recent discovery of the complete version of Metropolis and the reissue of this 1927 classic in theaters across the world, the interest in the paper on this title has never been higher. Gustav Frohlich stars as Joh Fredersen coming to the aid of one of the many anonymous workers of Metropolis. This jumbo lobby card, from Fritz Lang's legendary science fiction epic, is one of the few that have ever surfaced. Paper of any kind on this title is among the most sought after in the hobby, even surpassing the likes of original Universal horror. The card has a four inch tear in the lower border that extends through the "E" in the title, a smaller tear that goes through the "u" in Paramount, corner creasing in the lower right, several light creases within the card and replacement to the tips of the upper and lower right corners. Although these flaws sound fairly significant, they do not distract from the overall integrity and visual appeal of this rarity. Truly, this is a unique opportunity to acquire an item on the greatest science fiction classic of them all. Very Good/Fine on Paper.
With the recent discovery of the complete version of Metropolis and the reissue of this 1927 classic in theaters across the world, the interest in the paper on this title has never been higher. Gustav Frohlich stars as Joh Fredersen coming to the aid of one of the many anonymous workers of Metropolis. This jumbo lobby card, from Fritz Lang's legendary science fiction epic, is one of the few that have ever surfaced. Paper of any kind on this title is among the most sought after in the hobby, even surpassing the likes of original Universal horror. The card has a four inch tear in the lower border that extends through the "E" in the title, a smaller tear that goes through the "u" in Paramount, corner creasing in the lower right, several light creases within the card and replacement to the tips of the upper and lower right corners. Although these flaws sound fairly significant, they do not distract from the overall integrity and visual appeal of this rarity. Truly, this is a unique opportunity to acquire an item on the greatest science fiction classic of them all. Very Good/Fine on Paper.
Plan 9 from Outer Space (DCA, 1958). One Sheet (27" X 41").
"It's so bad it's good" is a phrase commonly used to describe Ed Wood's cult classic science fiction opus. In fact, it's considered the worst movie ever made and that status has made it a genuine classic. Plan 9 also has the distinction of being the last movie Bela Lugosi ever made. Original material on this film is highly collectible and this color one sheet is the more collectible version of the two one sheets produced. This copy is the best we've ever seen as it shows only slight wear to the lower left and upper right edge. Near Mint-.
"It's so bad it's good" is a phrase commonly used to describe Ed Wood's cult classic science fiction opus. In fact, it's considered the worst movie ever made and that status has made it a genuine classic. Plan 9 also has the distinction of being the last movie Bela Lugosi ever made. Original material on this film is highly collectible and this color one sheet is the more collectible version of the two one sheets produced. This copy is the best we've ever seen as it shows only slight wear to the lower left and upper right edge. Near Mint-.
The Thing from Another World (RKO, 1951). Insert (14" X 36").
Although the film was directed by Christian Nyby, the ever present and heavy hand of producer Howard Hawks shaped the look of this classic. Based on John W. Campbell's story Who Goes There? concerned a group of scientist trapped in an arctic installation as an alien that can change shape stalks them. This movie defined suspense as it creeped towards its shocking conclusion. This insert poster, along with the half sheets, are considered the best posters on the movie. The only things keeping this poster from grading higher are a couple of very minor tears, a corner crease in the lower right corner, and some light crinkling and smudges in the borders. As an interesting footnote in cinematic history, James Arness, who came to fame as Marshal Dillon on TV's Gunsmoke, got his start as the Alien from Another World. Folded, Very Fine+.
Although the film was directed by Christian Nyby, the ever present and heavy hand of producer Howard Hawks shaped the look of this classic. Based on John W. Campbell's story Who Goes There? concerned a group of scientist trapped in an arctic installation as an alien that can change shape stalks them. This movie defined suspense as it creeped towards its shocking conclusion. This insert poster, along with the half sheets, are considered the best posters on the movie. The only things keeping this poster from grading higher are a couple of very minor tears, a corner crease in the lower right corner, and some light crinkling and smudges in the borders. As an interesting footnote in cinematic history, James Arness, who came to fame as Marshal Dillon on TV's Gunsmoke, got his start as the Alien from Another World. Folded, Very Fine+.
20,000 Leagues Under the Sea (Buena Vista, 1954). One Sheet (27" X 41") Style B.
Jules Verne's 1869 novel is Disney-fied somewhat in this Oscar-winning adaptation that cast James Mason as the steely-eyed Captain Nemo and Kirk Douglas as a castaway rescued by the great submarine Nautilus. Offered here is the unusual B-style poster, with a storybook format featuring multiple images from the film with captions beneath. The sheet has light fold wear and crossfold separations, but is otherwise very clean. Very Fine+.
Jules Verne's 1869 novel is Disney-fied somewhat in this Oscar-winning adaptation that cast James Mason as the steely-eyed Captain Nemo and Kirk Douglas as a castaway rescued by the great submarine Nautilus. Offered here is the unusual B-style poster, with a storybook format featuring multiple images from the film with captions beneath. The sheet has light fold wear and crossfold separations, but is otherwise very clean. Very Fine+.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41").
One of the most impossible items to find on this title is this psychedelic eye "wilding" one sheet designed by Mike Kaplan. It's generally considered the rarest piece on the film. There is no NSS number in the border, as this poster was "wild" posted on outside walls, fences, and even a few theatres in a secondary position. There is a small supplement to the original pressbook showing this poster. This lovely unrestored and rolled copy has a pinhole or two in each corner, some very minor tanning on the borders and very minimal crimping within the image. A fascinating piece of Americana! Rolled, Very Fine
One of the most impossible items to find on this title is this psychedelic eye "wilding" one sheet designed by Mike Kaplan. It's generally considered the rarest piece on the film. There is no NSS number in the border, as this poster was "wild" posted on outside walls, fences, and even a few theatres in a secondary position. There is a small supplement to the original pressbook showing this poster. This lovely unrestored and rolled copy has a pinhole or two in each corner, some very minor tanning on the borders and very minimal crimping within the image. A fascinating piece of Americana! Rolled, Very Fine
2001: A Space Odyssey (MGM, 1968). Lenticular 3-D Tabletop Display (10.5" X 13.5") Space Station Style.
Stanley Kubrick's fantastic science fiction epic is still considered one of the greatest films ever made in terms of conceptual ideas and technological innovations. MGM went all out to promote the film, creating many unusual items for the film's Cinerama release, including this extremely rare Lenticular poster featuring the Pan Am Clipper and the massive, rotating space station. This piece is in an original frame that's missing only a small piece off of the lower right corner. The rest of the item, while showing some signs of age on the pop-out backing, remains unused. Fine/Very Fine.
Stanley Kubrick's fantastic science fiction epic is still considered one of the greatest films ever made in terms of conceptual ideas and technological innovations. MGM went all out to promote the film, creating many unusual items for the film's Cinerama release, including this extremely rare Lenticular poster featuring the Pan Am Clipper and the massive, rotating space station. This piece is in an original frame that's missing only a small piece off of the lower right corner. The rest of the item, while showing some signs of age on the pop-out backing, remains unused. Fine/Very Fine.
2001: A Space Odyssey (MGM, 1968). Insert (14" X 36").
Arthur C. Clarke's short story "The Sentinel," in which mankind's arrival on the moon triggers a signal from a device placed there by extraterrestrials, was the basis for this big, befuddling, and often brilliant science fiction epic, directed with equal parts flair and detachment by Stanley Kubrick. This outstanding insert has the advantage of giving you both the space station and moonbase artwork by Bob McCall on one poster. The insert has edge wear, fold wear, corner creases, surface creasing, a tear in the left border, and wrinkling in the top and bottom borders. This insert is a bit scarcer than much of the 2001 paper, and it has been several years since we've offered one, so don't miss this opportunity. Folded, Fine+.
Arthur C. Clarke's short story "The Sentinel," in which mankind's arrival on the moon triggers a signal from a device placed there by extraterrestrials, was the basis for this big, befuddling, and often brilliant science fiction epic, directed with equal parts flair and detachment by Stanley Kubrick. This outstanding insert has the advantage of giving you both the space station and moonbase artwork by Bob McCall on one poster. The insert has edge wear, fold wear, corner creases, surface creasing, a tear in the left border, and wrinkling in the top and bottom borders. This insert is a bit scarcer than much of the 2001 paper, and it has been several years since we've offered one, so don't miss this opportunity. Folded, Fine+.
The Astounding She Monster (American International, 1958). Half Sheet (22" X 28").
A pair of crooks (Kenne Duncan and Jeanne Tatum) take over the country house of a geologist (Robert Clarke) and his trusty dog. They have kidnapped an heiress (Marilyn Harvey) and plan to hold her until the ransom is collected. They are soon set upon by a sexy blonde alien with a skintight metallic suit, high heels, and heavy lipstick (Shirley Kilpatrick). This is Kilpatrick's only known film role, and she has no dialogue but fills out that glittery spacesuit quite nicely. This is one of the finer examples of this classic half sheet we've offered, with some creasing in the bottom right corner being the only condition issue to note. Rolled, Very Fine+.
A pair of crooks (Kenne Duncan and Jeanne Tatum) take over the country house of a geologist (Robert Clarke) and his trusty dog. They have kidnapped an heiress (Marilyn Harvey) and plan to hold her until the ransom is collected. They are soon set upon by a sexy blonde alien with a skintight metallic suit, high heels, and heavy lipstick (Shirley Kilpatrick). This is Kilpatrick's only known film role, and she has no dialogue but fills out that glittery spacesuit quite nicely. This is one of the finer examples of this classic half sheet we've offered, with some creasing in the bottom right corner being the only condition issue to note. Rolled, Very Fine+.
Attack of the 50 Foot Woman (Allied Artists, 1958). Lobby Cards (5) (11" X 14").
If you're going to be unfaithful to your wife, then pray she doesn't get turned into a fifty-foot giant and come looking for you! That's what happened to Allison Hayes, who was terrific in this late 1950s sci-fi cult favorite. Four out of the five cards showing her giant hand terrorizing the town are here. One card has pinholes in the top border and there is a dust shadow in the left border of another. There is some minor creasing in the top right corner of some. Very Fine+.
If you're going to be unfaithful to your wife, then pray she doesn't get turned into a fifty-foot giant and come looking for you! That's what happened to Allison Hayes, who was terrific in this late 1950s sci-fi cult favorite. Four out of the five cards showing her giant hand terrorizing the town are here. One card has pinholes in the top border and there is a dust shadow in the left border of another. There is some minor creasing in the top right corner of some. Very Fine+.
Attack of the 50 Foot Woman (Allied Artists, 1958). Insert (14" X 36").
Although the film was definitely drive-in material and only over time has it become a cult classic, the real star was the poster itself, with artwork by the incredible Reynold Brown. Allison Hayes towers over the highways, destroying everything in her path. This singular image has become an iconic graphic of the science fiction genre and is in constant demand in any format. This incredible insert has two pinholes in it, both in the yellow background by Allison Hayes' head, and a diagonal corner crease in the upper right. Folded, Very Fine+.
Although the film was definitely drive-in material and only over time has it become a cult classic, the real star was the poster itself, with artwork by the incredible Reynold Brown. Allison Hayes towers over the highways, destroying everything in her path. This singular image has become an iconic graphic of the science fiction genre and is in constant demand in any format. This incredible insert has two pinholes in it, both in the yellow background by Allison Hayes' head, and a diagonal corner crease in the upper right. Folded, Very Fine+.
Attack of the Crab Monsters (Allied Artists, 1957). Half Sheet (22" X 28").
"From the depths of the sea... a TIDAL WAVE OF TERROR!" Roger Corman's deliriously low-budget monster movie about giant crabs that eat people's brains was written by Charles B. Griffith (Little Shoppe of Horrors) and co-stars Russell Johnson (the Professor on Gilligan's Island). This crab-alicious, unrestored sheet has wrinkling in the top border and light creasing in the top border. Folded, Very Fine.
"From the depths of the sea... a TIDAL WAVE OF TERROR!" Roger Corman's deliriously low-budget monster movie about giant crabs that eat people's brains was written by Charles B. Griffith (Little Shoppe of Horrors) and co-stars Russell Johnson (the Professor on Gilligan's Island). This crab-alicious, unrestored sheet has wrinkling in the top border and light creasing in the top border. Folded, Very Fine.
Attack of the Crab Monsters (Allied Artists, 1957). One Sheet (27" X 41").
Scientists--including Gilligan's "Professor" Russell Johnson--land on a remote island to investigate the disappearance of the previous team, who were sent to the island to observe U.S. hydrogen bomb tests. This being a Roger Corman flick, it's no surprise that radiation has turned a land crab into a giant monster with a big, booming voice. This spectacular one sheet features the classic monster/damsel paradigm. Condition issues include crossfold separations and a censor stamp on the image. Fine/Very Fine.
Scientists--including Gilligan's "Professor" Russell Johnson--land on a remote island to investigate the disappearance of the previous team, who were sent to the island to observe U.S. hydrogen bomb tests. This being a Roger Corman flick, it's no surprise that radiation has turned a land crab into a giant monster with a big, booming voice. This spectacular one sheet features the classic monster/damsel paradigm. Condition issues include crossfold separations and a censor stamp on the image. Fine/Very Fine.
Attack of the Crab Monsters/Not of This Earth Combo (Allied Artists, 1957). One Sheet (27" X 41").
Two of Roger Corman's earliest and best monster flicks were originally released together, and they make for one sensational poster. What could be better than radioactive giant crabs and blood sucking aliens? The best thing about this one sheet is that it features the half sheet artwork from both films, the format considered the best for both films. This fine two-fer one sheet has some edge wear with small chips, a bit of smudging in the backgrounds, fold wear with small crossfold separations and one tiny crossfold chip, and some wrinkling. Memorable artwork and bright color make this a must-have for any science fiction collector. Fine/Very Fine.
Two of Roger Corman's earliest and best monster flicks were originally released together, and they make for one sensational poster. What could be better than radioactive giant crabs and blood sucking aliens? The best thing about this one sheet is that it features the half sheet artwork from both films, the format considered the best for both films. This fine two-fer one sheet has some edge wear with small chips, a bit of smudging in the backgrounds, fold wear with small crossfold separations and one tiny crossfold chip, and some wrinkling. Memorable artwork and bright color make this a must-have for any science fiction collector. Fine/Very Fine.
Barbarella (Paramount, 1968). Poster (40" X 60").
In Todd Spoor's book, "The World's Rarest Movie Posters," Mr. Spoor mentions that, to his knowledge, there are only eight copies extant of this rare poster. This must be the ninth. Not many theatres opted to spend the extra money for an oversized poster of a scantily clad woman in a wild dance pose. Jane Fonda was rarely better than as her cult creation in one of the best sci-fi spoofs ever made. This psychedelic treat screams "1960s!" and is a top icon of the whole "do your own thing" era. Top linenbacking with some expert light airbrushing has this one ready for display! There were pinholes in the corners, light edge wear, a small chip in the left border, and minor creasing. Linen, Very Fine-.
In Todd Spoor's book, "The World's Rarest Movie Posters," Mr. Spoor mentions that, to his knowledge, there are only eight copies extant of this rare poster. This must be the ninth. Not many theatres opted to spend the extra money for an oversized poster of a scantily clad woman in a wild dance pose. Jane Fonda was rarely better than as her cult creation in one of the best sci-fi spoofs ever made. This psychedelic treat screams "1960s!" and is a top icon of the whole "do your own thing" era. Top linenbacking with some expert light airbrushing has this one ready for display! There were pinholes in the corners, light edge wear, a small chip in the left border, and minor creasing. Linen, Very Fine-.
The Beast from 20,000 Fathoms (Warner Brothers, 1953). One Sheet (27" X 41").
One of most popular creature films of the 1950s, this thriller is based on a short story by Ray Bradbury that ran in the Saturday Evening Post, although in later reprints he changed his title to "The Fog Horn." The terrifying result of man's nuclear weapons testing is the release of the Rhedosaurus dinosaur from his frozen home in the Arctic Circle. The genius of Ray Harryhausen brings the fantastic creature to life alongside stars Paul Hubschmid, Paula Raymond, Cecil Kellaway, and Lee Van Cleef. There were pinholes in the corners and borders, a chip in the middle of the left border, one under the title, and a chip in the lower right corner, but the restoration work is professional and spotless. Although the beast never breathes fire in the film, it makes for a dramatic image on this very desirable poster. Fine/Very Fine on Linen.
One of most popular creature films of the 1950s, this thriller is based on a short story by Ray Bradbury that ran in the Saturday Evening Post, although in later reprints he changed his title to "The Fog Horn." The terrifying result of man's nuclear weapons testing is the release of the Rhedosaurus dinosaur from his frozen home in the Arctic Circle. The genius of Ray Harryhausen brings the fantastic creature to life alongside stars Paul Hubschmid, Paula Raymond, Cecil Kellaway, and Lee Van Cleef. There were pinholes in the corners and borders, a chip in the middle of the left border, one under the title, and a chip in the lower right corner, but the restoration work is professional and spotless. Although the beast never breathes fire in the film, it makes for a dramatic image on this very desirable poster. Fine/Very Fine on Linen.
The Beast from 20,000 Fathoms (Warner Brothers, 1953). Half Sheet (22" X 28").
This is one of the few half sheets we've had on this title. It's interesting that the artist redrew the art here, with the bacteria-infected dinosaur terrorizing New York, facing right. On the one sheet, the same art has everyone facing right! Super linenbacking and some minimal touch-up has effectively restored border pinholes and small tears in the border and in the credit on the right. There are small holes in the credits at the bottom, chip and small holes in the borders, and a corner bend in the top left. The linen has been trimmed to the edge of the poster. Fine- on Linen.
This is one of the few half sheets we've had on this title. It's interesting that the artist redrew the art here, with the bacteria-infected dinosaur terrorizing New York, facing right. On the one sheet, the same art has everyone facing right! Super linenbacking and some minimal touch-up has effectively restored border pinholes and small tears in the border and in the credit on the right. There are small holes in the credits at the bottom, chip and small holes in the borders, and a corner bend in the top left. The linen has been trimmed to the edge of the poster. Fine- on Linen.
The Beast with 1,000,000 Eyes! (American Releasing Corp., 1955). One Sheet (27" X 41").
Where would you expect a hideous beast from another planet to land when it decides to take over the world... Des Moines? The obvious choice was California, and this early Roger Corman cult classic has the beast controlling the minds of all animals to aid him! Paul Birch, Lorna Thayer, and Dona Cole co-star as hapless humans who try to warn others of the impending danger. Long a very popular poster, this copy is in very exceptional condition for its age, with only a chip in the lower right corner, a small tear in the right border at the center fold, and three small tears in the bottom border. It features tremendous artwork by the great Albert Kallis. Fine/Very Fine.
Where would you expect a hideous beast from another planet to land when it decides to take over the world... Des Moines? The obvious choice was California, and this early Roger Corman cult classic has the beast controlling the minds of all animals to aid him! Paul Birch, Lorna Thayer, and Dona Cole co-star as hapless humans who try to warn others of the impending danger. Long a very popular poster, this copy is in very exceptional condition for its age, with only a chip in the lower right corner, a small tear in the right border at the center fold, and three small tears in the bottom border. It features tremendous artwork by the great Albert Kallis. Fine/Very Fine.
The Day of the Triffids (Allied Artists, 1962). One Sheets (2) (27" X 41") Advance and Standard.
Offered in this lot is the very rare advance one sheet for this classic giant, man-eating plant science fiction film. Done in the style of a "Ripley's Believe It or Not" cartoon piece, the poster is an interesting style and design for an advance. Joseph Smith produced the one sheet artwork used on the standard yellow poster, offered here as well. It is in magnificent, mint condition. Very Fine/Near Mint.
Offered in this lot is the very rare advance one sheet for this classic giant, man-eating plant science fiction film. Done in the style of a "Ripley's Believe It or Not" cartoon piece, the poster is an interesting style and design for an advance. Joseph Smith produced the one sheet artwork used on the standard yellow poster, offered here as well. It is in magnificent, mint condition. Very Fine/Near Mint.
The Day the Earth Stood Still (20th Century Fox, 1955). CGC Graded Lobby Cards (3) (11" X 14").
Three high grade cards from this wonderful sci-fi drama of an alien that came not to conquer us but to save us from ourselves! One of them is the portrait card of Patricia Neal and Hugh Marlowe as her selfish fiancé. The other two cards both feature Michael Rennie as "Klaatu." CGC has graded these cards 9.8, with two at 9.6. Near Mint+.
Three high grade cards from this wonderful sci-fi drama of an alien that came not to conquer us but to save us from ourselves! One of them is the portrait card of Patricia Neal and Hugh Marlowe as her selfish fiancé. The other two cards both feature Michael Rennie as "Klaatu." CGC has graded these cards 9.8, with two at 9.6. Near Mint+.
The Day the Earth Stood Still (20th Century Fox, 1953). Lobby Cards (2) With One CGC Graded (11" X 14").
Included in this lot are two key scenes from this 1951 sci-fi perennial favorite. In one scene Patricia Neal has uttered the now famous phrase, "Klaatu Armada nitro," and robot GORT has taken her into the spaceship. The other features Michael Rennie as Klaatu with Neal aboard the spacecraft. One card has been CGC graded 9.6, and we have graded the other 8.5. It has a small corner crease and tiny nick in the top left, and some very mild edge wear. The overall grade is Very Fine/Near Mint
Included in this lot are two key scenes from this 1951 sci-fi perennial favorite. In one scene Patricia Neal has uttered the now famous phrase, "Klaatu Armada nitro," and robot GORT has taken her into the spaceship. The other features Michael Rennie as Klaatu with Neal aboard the spacecraft. One card has been CGC graded 9.6, and we have graded the other 8.5. It has a small corner crease and tiny nick in the top left, and some very mild edge wear. The overall grade is Very Fine/Near Mint
The Day the Earth Stood Still (20th Century Fox, 1952). Lobby Cards (2) (11" X 14").
GORT ranks among the best cinema robots of all time. He's part of an interstellar police force powered up only when necessary to "preserve the peace". As Klaatu (Michael Rennie) tells us, "There's no limit to what GORT could do. He could destroy the Earth." He was played by Lock Martin, an actor well over seven foot tall! Card # 3 grades Very Fine and has only a small right border tear and some minor corner bumps. The # 7 card grades Fine+ and has had light touch-up for border pinholes, a small surface lift in the bottom border, and slight edge wear. The overall grade is Fine/Very Fine.
GORT ranks among the best cinema robots of all time. He's part of an interstellar police force powered up only when necessary to "preserve the peace". As Klaatu (Michael Rennie) tells us, "There's no limit to what GORT could do. He could destroy the Earth." He was played by Lock Martin, an actor well over seven foot tall! Card # 3 grades Very Fine and has only a small right border tear and some minor corner bumps. The # 7 card grades Fine+ and has had light touch-up for border pinholes, a small surface lift in the bottom border, and slight edge wear. The overall grade is Fine/Very Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Title Lobby Card (11" X 14").
Here's one you've been waiting for! It's the colorful title card to one of the best sci-fi alien films ever made. It's a classic that no remake can better. This card's symbolism always stirs some intense debates amongst collectors: perhaps the giant hand crushing the globe isn't an alien, but mankind itself, intent (from the alien's observation) on obliterating their entire race by irresponsibly using nuclear weapons against each other. Klaatu (Michael Rennie) in the center of the card holds an offering of peace rather than a weapon. The artist of this piece was possibly studio directed to illustrate GORT, the robot, being attacked by the US military (whilst also carrying a helpless blond in a red evening dress falling from the shoulders). The card has had light restoration and touch-up for corner pinholes and surface wear in the borders. Fine/Very Fine.
Here's one you've been waiting for! It's the colorful title card to one of the best sci-fi alien films ever made. It's a classic that no remake can better. This card's symbolism always stirs some intense debates amongst collectors: perhaps the giant hand crushing the globe isn't an alien, but mankind itself, intent (from the alien's observation) on obliterating their entire race by irresponsibly using nuclear weapons against each other. Klaatu (Michael Rennie) in the center of the card holds an offering of peace rather than a weapon. The artist of this piece was possibly studio directed to illustrate GORT, the robot, being attacked by the US military (whilst also carrying a helpless blond in a red evening dress falling from the shoulders). The card has had light restoration and touch-up for corner pinholes and surface wear in the borders. Fine/Very Fine.
Destination Moon (Pathé, 1950). Half Sheet (22" X 28").
Eighteen years before Neil Armstrong took "one small step for man...," producer George Pal assembled an impressive crew, including award-winning author Robert Heinlein and legendary space artist Chesley Bonestell, to make an exciting space race film, and, at the same time, educate the public as to the realities of that race. Offered here is an intriguing and little-seen half sheet style that we have never offered before, a must-have for any collector of this title. The poster has edge wear with some staining along the top edge, light border smudges, creasing at the edge of the fold lines, and minor corner bumps. You'll be over the moon when you add this rare prize to your collection. Fine/Very Fine.
Eighteen years before Neil Armstrong took "one small step for man...," producer George Pal assembled an impressive crew, including award-winning author Robert Heinlein and legendary space artist Chesley Bonestell, to make an exciting space race film, and, at the same time, educate the public as to the realities of that race. Offered here is an intriguing and little-seen half sheet style that we have never offered before, a must-have for any collector of this title. The poster has edge wear with some staining along the top edge, light border smudges, creasing at the edge of the fold lines, and minor corner bumps. You'll be over the moon when you add this rare prize to your collection. Fine/Very Fine.
Destination Moon (Pathé, 1950). Lobby Card Set of 8 (11" X 14").
We're always excited to see a complete set on this title! Author Robert A. Heinlein, artist Chesley Bonestell, and producer George Pal fashioned a landmark science fiction film that's still interesting to watch! There is edge wear on the bottom right of one card, stains on the borders of five cards, foxing on all the card borders, paper tape on the verso of four cards, as well as a small chip in the bottom right corner and a corner crease on one card. Fine+.
We're always excited to see a complete set on this title! Author Robert A. Heinlein, artist Chesley Bonestell, and producer George Pal fashioned a landmark science fiction film that's still interesting to watch! There is edge wear on the bottom right of one card, stains on the borders of five cards, foxing on all the card borders, paper tape on the verso of four cards, as well as a small chip in the bottom right corner and a corner crease on one card. Fine+.
Devil Girl from Mars (Spartan, 1955). Insert (14" X 36").
Mars needs men, and the charge is led by Patricia Laffan as the statuesque, leather-clad babe from the red planet, robot in tow. Beautiful Hazel Court co-stars. This very cool insert has light edge wear with small tears plus tears in the top and bottom borders with some associated creasing. Rolled, Very Fine-.
Mars needs men, and the charge is led by Patricia Laffan as the statuesque, leather-clad babe from the red planet, robot in tow. Beautiful Hazel Court co-stars. This very cool insert has light edge wear with small tears plus tears in the top and bottom borders with some associated creasing. Rolled, Very Fine-.
Dr. Who and the Daleks (Regal, 1966). British Quad (30" X 40").
First appearing on the Doctor Who television series in December 1963, the Daleks--squishy mutated alien globs contained within powerful robot-like travel machines--were an instant hit, and a wave of "Dalekmania" swept across England, with toys, games, books, and other ephemera being snatched up by the children of the day. Film producer Milton Subotsky, never one to ignore a popular trend, quickly bought the rights to bring the Daleks to the silver screen, pitted against a somewhat altered character called "Doctor Who," played by Peter Cushing. This spectacular country-of-origin British quad showcases the fact that the Daleks are now in FULL COLOR. The rare poster is virtually flawless, although the linen has been trimmed to the paper's edge. Very Fine+ on Linen.
First appearing on the Doctor Who television series in December 1963, the Daleks--squishy mutated alien globs contained within powerful robot-like travel machines--were an instant hit, and a wave of "Dalekmania" swept across England, with toys, games, books, and other ephemera being snatched up by the children of the day. Film producer Milton Subotsky, never one to ignore a popular trend, quickly bought the rights to bring the Daleks to the silver screen, pitted against a somewhat altered character called "Doctor Who," played by Peter Cushing. This spectacular country-of-origin British quad showcases the fact that the Daleks are now in FULL COLOR. The rare poster is virtually flawless, although the linen has been trimmed to the paper's edge. Very Fine+ on Linen.
Earth vs. the Flying Saucers (Columbia, 1956). One Sheet (27" X 41").
Alien visitors claim they "come in peace," but soon unleash the full fury of their advanced technology on mankind. Hugh Marlowe and Joan Taylor are the leads, but what everybody remembers are the eye-popping special effects by the legendary Ray Harryhausen. This terrific one sheet had corner pinholes and fold wear, but both issues have been smoothed over with professional restoration. Very Fine- on Linen.
Alien visitors claim they "come in peace," but soon unleash the full fury of their advanced technology on mankind. Hugh Marlowe and Joan Taylor are the leads, but what everybody remembers are the eye-popping special effects by the legendary Ray Harryhausen. This terrific one sheet had corner pinholes and fold wear, but both issues have been smoothed over with professional restoration. Very Fine- on Linen.
Earth vs. the Flying Saucers (Columbia, 1956). Half Sheet (22" X 28").
Preying on the UFO-fear of the mid-'50s, this taut thriller features hooded aliens descending on Earth and destroying all of our national landmarks. This is one of the more literate and well-acted B movies of the era, with Ray Harryhausen deftly rendering the intricate stop-motion special effects. This striking half sheet demands the attention of all Earth-people with its iconic flying pie-plate artwork. Edge wear in the top border, dust shadowing in the right and bottom borders, and tears in the right and left borders are the condition issues of note. Folded, Fine/Very Fine.
Preying on the UFO-fear of the mid-'50s, this taut thriller features hooded aliens descending on Earth and destroying all of our national landmarks. This is one of the more literate and well-acted B movies of the era, with Ray Harryhausen deftly rendering the intricate stop-motion special effects. This striking half sheet demands the attention of all Earth-people with its iconic flying pie-plate artwork. Edge wear in the top border, dust shadowing in the right and bottom borders, and tears in the right and left borders are the condition issues of note. Folded, Fine/Very Fine.
Fantastic Voyage (20th Century Fox, 1966). Special Advance Window Card (14" X 22").
The story concerns a team of scientists miniaturized and injected into the body of a wounded doctor who guards important information, in order to try and save his life. But frankly, faced with this stunning poster of a youthful Raquel Welch, we're not thinking so much about the plot. This pin-up style advance window card is one of the most coveted sheets on this title, and is always snapped up quickly by collectors. This example is exceptionally fine, with no condition problems to report; it is as flawless as Raquel herself. Rolled, Mint.
The story concerns a team of scientists miniaturized and injected into the body of a wounded doctor who guards important information, in order to try and save his life. But frankly, faced with this stunning poster of a youthful Raquel Welch, we're not thinking so much about the plot. This pin-up style advance window card is one of the most coveted sheets on this title, and is always snapped up quickly by collectors. This example is exceptionally fine, with no condition problems to report; it is as flawless as Raquel herself. Rolled, Mint.
Forbidden Planet (MGM, 1956). One Sheet (27" X 41").
With wonderful performances by Walter Pidgeon, Anne Francis, and Leslie Nielsen, and with state-of-the-art special effects, this film is one of the most beloved sci-fi classics of all time. Based loosely on the Shakespeare play The Tempest, the story, set in the early 2200s, involves the crew of a United Planets cruiser. They find Dr. Morbius (Pidgeon), his daughter Altaira (Francis), and Robby the Robot living on what they think is a deserted planet. This one sheet is in extremely nice condition with professional restoration that has addressed the minor issues of pinholes in the top corners of the green field and pinpoint crossfold separations. Do not miss out on this beauty. Very Fine+ on Linen.
With wonderful performances by Walter Pidgeon, Anne Francis, and Leslie Nielsen, and with state-of-the-art special effects, this film is one of the most beloved sci-fi classics of all time. Based loosely on the Shakespeare play The Tempest, the story, set in the early 2200s, involves the crew of a United Planets cruiser. They find Dr. Morbius (Pidgeon), his daughter Altaira (Francis), and Robby the Robot living on what they think is a deserted planet. This one sheet is in extremely nice condition with professional restoration that has addressed the minor issues of pinholes in the top corners of the green field and pinpoint crossfold separations. Do not miss out on this beauty. Very Fine+ on Linen.
Forbidden Planet (MGM, 1956). Lobby Card (11" X 14").
It wasn't by mistake that this mid 1950s landmark sci-fi film was nominated for an Oscar for its special effects. This great lobby card hints at why. It features a key moment in the film, with the United Planets Cruiser C57-D landing on the planet Altair IV, 16 light-years from Earth. There are only some staple holes in the top and bottom center borders and a small tear in the right border with a tape stain on the verso. Very Fine-.
It wasn't by mistake that this mid 1950s landmark sci-fi film was nominated for an Oscar for its special effects. This great lobby card hints at why. It features a key moment in the film, with the United Planets Cruiser C57-D landing on the planet Altair IV, 16 light-years from Earth. There are only some staple holes in the top and bottom center borders and a small tear in the right border with a tape stain on the verso. Very Fine-.
Forbidden Planet (MGM, 1956). Title Lobby Card (11" X 14").
Just about everyone's want list includes something from this beloved sci-fi classic with the monster from the Id. This title card, though featuring the same great oversized painting of Robby and Anne Francis, has something even the one sheet doesn't: Leslie Nielsen blasting away with a ray gun! There has been some minor touch up to the bottom border and there is some minor creasing in the bottom right area and the top right corner. Fine/Very Fine.
Just about everyone's want list includes something from this beloved sci-fi classic with the monster from the Id. This title card, though featuring the same great oversized painting of Robby and Anne Francis, has something even the one sheet doesn't: Leslie Nielsen blasting away with a ray gun! There has been some minor touch up to the bottom border and there is some minor creasing in the bottom right area and the top right corner. Fine/Very Fine.
Forbidden Planet (MGM, 1956). Lobby Cards (3) (11" X 14").
Walter Pidgeon has his career-defining role as the Dr. Morbius, who dared to toy with alien technology and unleashed a monster from the deepest reaches of his subconscious. This science fiction thriller is considered one of the finest of the genre. The #5 card has minor surface wear and light corner creasing; the #6 card has border tears repaired with paper tape on the reverse, one creased corner, and minor glue residue; the #7 card has minor rounded corners and a dealer stamp on the reverse. Fine/Very Fine.
Walter Pidgeon has his career-defining role as the Dr. Morbius, who dared to toy with alien technology and unleashed a monster from the deepest reaches of his subconscious. This science fiction thriller is considered one of the finest of the genre. The #5 card has minor surface wear and light corner creasing; the #6 card has border tears repaired with paper tape on the reverse, one creased corner, and minor glue residue; the #7 card has minor rounded corners and a dealer stamp on the reverse. Fine/Very Fine.
Forbidden Planet (MGM, 1956). Lobby Cards (3) (11" X 14").
Commander J.J. Adams (Leslie Nielson) and the crew of the C57-D travel to Altair IV to check on the progress of an Earth colony that has been out of contact. There they find mad science and monsters from the Id. This lot includes three terrific lobby cards from the film, with terrific images of Robby the Robot and the alluring Anne Francis. The #2 has minor corner creases and paint touch-up in one corner; the #3 has some edge tears and tape residue stains; #4 card has a small edge tear (repaired with tape on the reverse), staple holes in the image area, and light border smudging. Fine/Very Fine.
Commander J.J. Adams (Leslie Nielson) and the crew of the C57-D travel to Altair IV to check on the progress of an Earth colony that has been out of contact. There they find mad science and monsters from the Id. This lot includes three terrific lobby cards from the film, with terrific images of Robby the Robot and the alluring Anne Francis. The #2 has minor corner creases and paint touch-up in one corner; the #3 has some edge tears and tape residue stains; #4 card has a small edge tear (repaired with tape on the reverse), staple holes in the image area, and light border smudging. Fine/Very Fine.
Godzilla (Trans World, 1956). CGC Graded Lobby Cards (2) (11" X 14").
Always welcomed by collectors are near mint cards from this set featuring Godzilla himself, the "King of the Monsters." CGC has graded both these cards at 9.8! Don't miss these beauties! Near Mint/Mint.
Always welcomed by collectors are near mint cards from this set featuring Godzilla himself, the "King of the Monsters." CGC has graded both these cards at 9.8! Don't miss these beauties! Near Mint/Mint.
Godzilla (Trans World, 1956). CGC Graded Lobby Cards (2) (11" X 14").
Two near mint cards featuring the "King of the Monsters" in full frontal poses. One has him devouring a passenger train, and the other destroying the wharf district with his tail!. CGC has graded these cards 9.6 and 9.8. High grade cards for an "ask for" title! Near Mint+.
Two near mint cards featuring the "King of the Monsters" in full frontal poses. One has him devouring a passenger train, and the other destroying the wharf district with his tail!. CGC has graded these cards 9.6 and 9.8. High grade cards for an "ask for" title! Near Mint+.
Godzilla (Trans World, 1956). CGC Graded Lobby Cards (2) (11" X 14").
Two great high grade cards from the set featuring Godzilla himself. In one card he breathes a fiery blast, barbecuing an entire city block! In the other, he plays tag with some pesky jets. CGC has graded these cards 9.4 and 9.6. Near Mint.
Two great high grade cards from the set featuring Godzilla himself. In one card he breathes a fiery blast, barbecuing an entire city block! In the other, he plays tag with some pesky jets. CGC has graded these cards 9.4 and 9.6. Near Mint.
Godzilla (Trans World, 1956). CGC Graded Lobby Cards (2) (11" X 14").
Two excellent high-grade cards you'll need to fill in your set! Great cards with Raymond Burr and others. These cards have been graded by CGC 9.2 and 9.6. Near Mint.
Two excellent high-grade cards you'll need to fill in your set! Great cards with Raymond Burr and others. These cards have been graded by CGC 9.2 and 9.6. Near Mint.
Godzilla (Trans World, 1956). One Sheet (27" X 41").
Here it is: the first and finest Godzilla picture, the beginning of the Japanese monster film craze. Ishiro Honda directs this blockbuster with Akira Takarada, Takashi Shimura, and Raymond Burr, all trying to outwit the King of the Monsters as he destroys Tokyo with his radiation-tainted breath. This ever-popular poster features Godzilla in full attack. The colors are brilliant and the borders very white, minimizing the impact of a small chip out of the lower border. Fine/Very Fine.
Here it is: the first and finest Godzilla picture, the beginning of the Japanese monster film craze. Ishiro Honda directs this blockbuster with Akira Takarada, Takashi Shimura, and Raymond Burr, all trying to outwit the King of the Monsters as he destroys Tokyo with his radiation-tainted breath. This ever-popular poster features Godzilla in full attack. The colors are brilliant and the borders very white, minimizing the impact of a small chip out of the lower border. Fine/Very Fine.
The Incredible Shrinking Man (Universal International, 1957). One Sheet (27" X 41").
With a screenplay by Richard Matheson based on his own novel, The Shrinking Man, this is one of Jack Arnold's best science fiction films--and that's saying a lot considering his immense output. Grant Williams stars as a man who begins to shrink when he's exposed to a strange silvery mist. Everyday objects become threatening, and the film culminates in an epic battle with a spider made monstrous by Williams' diminutive proportions. This striking one sheet has a small hole underneath the matchbook but is otherwise in exceptional condition. Very Fine+.
With a screenplay by Richard Matheson based on his own novel, The Shrinking Man, this is one of Jack Arnold's best science fiction films--and that's saying a lot considering his immense output. Grant Williams stars as a man who begins to shrink when he's exposed to a strange silvery mist. Everyday objects become threatening, and the film culminates in an epic battle with a spider made monstrous by Williams' diminutive proportions. This striking one sheet has a small hole underneath the matchbook but is otherwise in exceptional condition. Very Fine+.
Invaders from Mars (20th Century Fox, 1953). One Sheet (27" X 41").
Featuring alien abductions and implants long before they became part of UFO lore, and told from the viewpoint of a 12 year old boy, this film's sense of paranoia and awe is quite convincingly portrayed, making it one of the classics of the science fiction genre from the early 1950s. This one sheet has staple marks in the corners, small tears in the edge of the borders and a small stain in the upper part of the left edge. This is the original 1953 version of this rare one sheet and an unrestored copy at that. Very Fine-.
Featuring alien abductions and implants long before they became part of UFO lore, and told from the viewpoint of a 12 year old boy, this film's sense of paranoia and awe is quite convincingly portrayed, making it one of the classics of the science fiction genre from the early 1950s. This one sheet has staple marks in the corners, small tears in the edge of the borders and a small stain in the upper part of the left edge. This is the original 1953 version of this rare one sheet and an unrestored copy at that. Very Fine-.
Invasion of the Body Snatchers (Allied Artists, 1956). CGC Graded Lobby Cards (3) and Lobby Card (11" X 14").
This lot includes four lobby cards from Don Siegel's sci-fi masterpiece. Dana Wynter and Kevin McCarthy sprint down the back alley to escape the alien spores trying to replicate their bodies! The unrestored card is graded as Fine-. It has some small border tears, restored corner pinholes, restored chips in the top and bottom left corners, and a small chip in the bottom border. CGC has graded the other three cards at 9.8. (Near Mint/Mint). The overall grade is Very Fine+.
This lot includes four lobby cards from Don Siegel's sci-fi masterpiece. Dana Wynter and Kevin McCarthy sprint down the back alley to escape the alien spores trying to replicate their bodies! The unrestored card is graded as Fine-. It has some small border tears, restored corner pinholes, restored chips in the top and bottom left corners, and a small chip in the bottom border. CGC has graded the other three cards at 9.8. (Near Mint/Mint). The overall grade is Very Fine+.
Invasion of the Saucer-Men (American International, 1957). One Sheet (27" X 41").
A classic drive-in science fiction thriller, Invasion of the Saucer-Men offers one of the most popular one sheets of the 1950s, thanks to the art of renowned illustrator Albert Kallis. This very collectible one sheet had pinholes on the bottom corners and chips in the top left and right corners, but both issues have been addressed through professional restoration, leaving a poster you will be proud to own. Very Fine- on Linen.
A classic drive-in science fiction thriller, Invasion of the Saucer-Men offers one of the most popular one sheets of the 1950s, thanks to the art of renowned illustrator Albert Kallis. This very collectible one sheet had pinholes on the bottom corners and chips in the top left and right corners, but both issues have been addressed through professional restoration, leaving a poster you will be proud to own. Very Fine- on Linen.
It Came from Outer Space (Universal International, 1953). One Sheet (27" X 41") 3-D Style.
This Jack Arnold-directed science fiction classic is based on a short story by Ray Bradbury and was shot in vivid 3-D, making audiences of the day feel as though the alien spaceship in the opening scene was crashing right on top of them. Richard Carlson and Barbara Rush are the romantic leads in this intelligently-scripted thriller. This classic one sheet, the more desirable 3-D variant, has no flaws of note, and earns our highest grade for a linen-backed poster. Very Fine+ on Linen.
This Jack Arnold-directed science fiction classic is based on a short story by Ray Bradbury and was shot in vivid 3-D, making audiences of the day feel as though the alien spaceship in the opening scene was crashing right on top of them. Richard Carlson and Barbara Rush are the romantic leads in this intelligently-scripted thriller. This classic one sheet, the more desirable 3-D variant, has no flaws of note, and earns our highest grade for a linen-backed poster. Very Fine+ on Linen.
It Came from Outer Space (Universal International, 1953). Title Lobby Card (11" X 14") 3-D Style.
Universal's first 3-D movie had a host of talented people working on it. Harry Essex, Jack Arnold, and Ray Bradbury all had input in the screenplay, which now is seen as a metaphorical refutation of the xenophobic Cold War. This lot is quite unique in that it contains a very scarce title card and an even scarcer snipe that came with the card, meant to be placed over the "3-Dimension" tagline in case that theatre was showing the 2-dimensional version. The snipe has been removed, and there is just a slight discoloration where it was attached. There is a light smudge in the lower border, top border and bottom image staple holes, and a small corner bend in the top right. Fine/Very Fine.
Universal's first 3-D movie had a host of talented people working on it. Harry Essex, Jack Arnold, and Ray Bradbury all had input in the screenplay, which now is seen as a metaphorical refutation of the xenophobic Cold War. This lot is quite unique in that it contains a very scarce title card and an even scarcer snipe that came with the card, meant to be placed over the "3-Dimension" tagline in case that theatre was showing the 2-dimensional version. The snipe has been removed, and there is just a slight discoloration where it was attached. There is a light smudge in the lower border, top border and bottom image staple holes, and a small corner bend in the top right. Fine/Very Fine.
The Man from Planet X (United Artists, 1951). Lobby Card Set of 8 (11" X 14").
A unique opportunity to obtain an entire lobby card set from one of the top sci-fi films of the early 1950s. Three of the cards feature the mind-controlling alien, and there are two more cards that show his unusually designed spaceship. All have staple holes in the top center, and one has pinholes. There are two cards with smudges in the bottom border. Fine/Very Fine.
A unique opportunity to obtain an entire lobby card set from one of the top sci-fi films of the early 1950s. Three of the cards feature the mind-controlling alien, and there are two more cards that show his unusually designed spaceship. All have staple holes in the top center, and one has pinholes. There are two cards with smudges in the bottom border. Fine/Very Fine.
The Man from Planet X (United Artists, 1951). Half Sheet (22" X 28") Style A.
Skid-row auteur Edgar G. Ulmer directs this cheap but atmospheric sci-fi thriller. The mysterious Planet X has entered our solar system and is coming perilously close to Earth. Its inhabitants send an emissary to make peace with us, but the alien is instead exploited by evil scientist William Schallert, and everything goes horribly wrong. This colorful half sheet has been paper backed with touch-ups. Condition issues included chips in the top left corner and top border, fold wear, border tears, some staining, and creasing in the bottom left corner. Fine- on Paper.
Skid-row auteur Edgar G. Ulmer directs this cheap but atmospheric sci-fi thriller. The mysterious Planet X has entered our solar system and is coming perilously close to Earth. Its inhabitants send an emissary to make peace with us, but the alien is instead exploited by evil scientist William Schallert, and everything goes horribly wrong. This colorful half sheet has been paper backed with touch-ups. Condition issues included chips in the top left corner and top border, fold wear, border tears, some staining, and creasing in the bottom left corner. Fine- on Paper.
The Mole People (Universal International, 1956). One Sheet (27" X 41").
Universal always had a knack for creating memorable monsters, and this classic '50s shocker is no exception. With their bug-eyes and massive claws, the mole men are creepy and mysterious, burrowing up from the bowels of the earth to menace John Agar and Beaver's dad, Hugh Beaumont. Offered here is the evocative one sheet with stunning Reynold Brown artwork, showcasing the terrible visage of one of the subterranean creatures. Very light fold wear is the only condition issue to note, and the poster has been paper backed for preservation. Very Fine on Paper.
Universal always had a knack for creating memorable monsters, and this classic '50s shocker is no exception. With their bug-eyes and massive claws, the mole men are creepy and mysterious, burrowing up from the bowels of the earth to menace John Agar and Beaver's dad, Hugh Beaumont. Offered here is the evocative one sheet with stunning Reynold Brown artwork, showcasing the terrible visage of one of the subterranean creatures. Very light fold wear is the only condition issue to note, and the poster has been paper backed for preservation. Very Fine on Paper.
Monster from the Ocean Floor (Lippert, 1954). One Sheet (27" X 41").
This is one of Roger Corman's early films as producer, but the money-making formula was already in place: keep the production values as high as possible while keeping the budget as low as possible! Few ever did it better than Corman. This fun poster shows one of the most unique monsters in sci-fi history, a giant one-eyed amoeba, dripping from every pore! His bloodshot eye literally spurts goo as he ensnares the busty swimmer in his trembling tentacles. Some expert linenbacking and airbrush touch-up has addressed small crossfold separations, fold wear, and chips in all the corners. Fine+ on Linen.
This is one of Roger Corman's early films as producer, but the money-making formula was already in place: keep the production values as high as possible while keeping the budget as low as possible! Few ever did it better than Corman. This fun poster shows one of the most unique monsters in sci-fi history, a giant one-eyed amoeba, dripping from every pore! His bloodshot eye literally spurts goo as he ensnares the busty swimmer in his trembling tentacles. Some expert linenbacking and airbrush touch-up has addressed small crossfold separations, fold wear, and chips in all the corners. Fine+ on Linen.
Not of This Earth (Allied Artists, 1957). One Sheet (27" X 41").
Roger Corman created another gem from almost no budget as an alien travels to Earth to find out if his dying race can survive off of human blood. The film is quite fun and considered a classic from the 1950s. Corman and his releasing company, Allied Artists, knew the power of the poster and this one sheet features an eye-catching design that made the low-budget distributor famous. There is a slight bit of separation at the lower centerpoint and a few very tiny edge tears that are virtually unnoticeable. This one sheet is otherwise very clean. Very Fine/Near Mint.
Roger Corman created another gem from almost no budget as an alien travels to Earth to find out if his dying race can survive off of human blood. The film is quite fun and considered a classic from the 1950s. Corman and his releasing company, Allied Artists, knew the power of the poster and this one sheet features an eye-catching design that made the low-budget distributor famous. There is a slight bit of separation at the lower centerpoint and a few very tiny edge tears that are virtually unnoticeable. This one sheet is otherwise very clean. Very Fine/Near Mint.
Not of This Earth (Allied Artists, 1957). Half Sheet (22" X 28").
Planet Dannava needs blood, so they send their agent (Paul Birch) to Earth to collect some. Beautiful Beverly Garland plays one of the humans he's trying to tap. This Roger Corman title has some of the best poster art of any 1950s sci-fi film, and is always in high demand. Light edge wear, corner creases, and a single pinhole in the left and right borders are the only condition issues. Folded, Very Fine+.
Planet Dannava needs blood, so they send their agent (Paul Birch) to Earth to collect some. Beautiful Beverly Garland plays one of the humans he's trying to tap. This Roger Corman title has some of the best poster art of any 1950s sci-fi film, and is always in high demand. Light edge wear, corner creases, and a single pinhole in the left and right borders are the only condition issues. Folded, Very Fine+.
Planet of the Apes (20th Century Fox, 1968). Six Sheet (81" X 81").
Charlton Heston, Maurice Evans, Kim Hunter, and Roddy McDowall star in this classic science fiction adventure about an upside-down world where Apes are the masters and Man an enslaved beast. This stunning six sheet has a more appealing layout than the one sheet, with terrific artwork and bold graphics. This copy is virtually pristine, easily one of the cleanest examples of this sheet we've offered. Very Fine+.
Charlton Heston, Maurice Evans, Kim Hunter, and Roddy McDowall star in this classic science fiction adventure about an upside-down world where Apes are the masters and Man an enslaved beast. This stunning six sheet has a more appealing layout than the one sheet, with terrific artwork and bold graphics. This copy is virtually pristine, easily one of the cleanest examples of this sheet we've offered. Very Fine+.
Planet of the Apes (20th Century Fox, 1968). Italian 4 - Foglio (55" X 78").
Based on the novel by Pierre Boulle and featuring a screenplay co-written by Rod Serling, this film is remembered as one of the best sci-fis of the 1960s. Charlton Heston stars as an astronaut who crash-lands on a strange planet inhabited by intelligent apes. This is the Italian four panel with great art by Enzo Nistri. There was chipping and paper loss in the lower border and lower corners and sides, chipping in the upper horizontal folds as well as in the join of the two panels, and some corner pinholes. The poster has been restored on linen and displays very well. Fine- on Linen.
Based on the novel by Pierre Boulle and featuring a screenplay co-written by Rod Serling, this film is remembered as one of the best sci-fis of the 1960s. Charlton Heston stars as an astronaut who crash-lands on a strange planet inhabited by intelligent apes. This is the Italian four panel with great art by Enzo Nistri. There was chipping and paper loss in the lower border and lower corners and sides, chipping in the upper horizontal folds as well as in the join of the two panels, and some corner pinholes. The poster has been restored on linen and displays very well. Fine- on Linen.
Queen of Outer Space (Allied Artists, 1958). One Sheet (27" X 41").
Zsa Zsa Gabor starred in this lavish sci-fi epic that found a group of astronauts landing on Venus and discovering that the planet is inhabited entirely by women. The poster is a fan favorite with Zsa Zsa dominating the imagery (and the men). The poster has some slight separation and cross-fold tears along the upper part of the vertical fold line. There is also a very small stain in the lower border and a repair to a 2.5 inch tear in the lower right border. Very Fine-.
Zsa Zsa Gabor starred in this lavish sci-fi epic that found a group of astronauts landing on Venus and discovering that the planet is inhabited entirely by women. The poster is a fan favorite with Zsa Zsa dominating the imagery (and the men). The poster has some slight separation and cross-fold tears along the upper part of the vertical fold line. There is also a very small stain in the lower border and a repair to a 2.5 inch tear in the lower right border. Very Fine-.
Return of the Fly (20th Century Fox, 1959). British Quad (30" X 40").
When the director of the original The Fly passed away shortly after the film's release, the studio tapped Edward Bernds (who had mostly been associated with the Three Stooges up to that point) for the inevitable sequel, the first of several science fiction films he would ultimately direct. Vincent Price returns to advise the son of Al Hedison's character from the previous film, who repeats his father's mistakes and ends up with an even bigger and more gruesome-looking fly-head than dear old dad. This fantastic British quad has the most amazing artwork on this title, with an impressively huge fly-head menacing the requisite damsel. The poster is virtually flawless, earning the highest grade allowed for a linen-backed poster. Very Fine+ on Linen.
When the director of the original The Fly passed away shortly after the film's release, the studio tapped Edward Bernds (who had mostly been associated with the Three Stooges up to that point) for the inevitable sequel, the first of several science fiction films he would ultimately direct. Vincent Price returns to advise the son of Al Hedison's character from the previous film, who repeats his father's mistakes and ends up with an even bigger and more gruesome-looking fly-head than dear old dad. This fantastic British quad has the most amazing artwork on this title, with an impressively huge fly-head menacing the requisite damsel. The poster is virtually flawless, earning the highest grade allowed for a linen-backed poster. Very Fine+ on Linen.
Robot Monster (Astor Pictures, 1953). Insert (14" X 36").
If there was ever a challenger to Plan 9 From Outer Space for the worst film ever made, it has to be Robot Monster. In fact, only its inspired use of 3D (which was apparently the only thing the producers spent money on) keeps it from hitting rock bottom. That's okay because everyone that sees this insipid non-epic loves it. You have to love the Ro-Man (wearing the cast-off gorilla suit from other low-budget fare and a fish bowl for a helmet). This insert is great too as it uses art very liberally borrowed from The Beast from 20,000 Fathoms. The poster has a three inch tear in the top center and another 3 inch tear in the center of the bottom. Both tears have been repaired with tape on the back. There are also corner creases and other minor tears in the edges, but these have to be forgiven because this is an incredibly rare insert. Folded, Fine-.
If there was ever a challenger to Plan 9 From Outer Space for the worst film ever made, it has to be Robot Monster. In fact, only its inspired use of 3D (which was apparently the only thing the producers spent money on) keeps it from hitting rock bottom. That's okay because everyone that sees this insipid non-epic loves it. You have to love the Ro-Man (wearing the cast-off gorilla suit from other low-budget fare and a fish bowl for a helmet). This insert is great too as it uses art very liberally borrowed from The Beast from 20,000 Fathoms. The poster has a three inch tear in the top center and another 3 inch tear in the center of the bottom. Both tears have been repaired with tape on the back. There are also corner creases and other minor tears in the edges, but these have to be forgiven because this is an incredibly rare insert. Folded, Fine-.
The She-Creature (American International, 1956). Three Sheet (41" X 81").
One of the few American International posters where the monster depicted in the artwork is a close representation of what actually appeared in the film, this pretty sheet also has Marla English front and center. A reincarnation fantasy, the movie's most notable for the sinister-looking monster costume created by Paul Blaisdell, who was actually inside the suit as well. The artwork by Albert Kallis is even more impressive in this three sheet format. Other than a few very minor fold splits, this poster is extremely clean. Very Fine/Near Mint.
One of the few American International posters where the monster depicted in the artwork is a close representation of what actually appeared in the film, this pretty sheet also has Marla English front and center. A reincarnation fantasy, the movie's most notable for the sinister-looking monster costume created by Paul Blaisdell, who was actually inside the suit as well. The artwork by Albert Kallis is even more impressive in this three sheet format. Other than a few very minor fold splits, this poster is extremely clean. Very Fine/Near Mint.
Star Wars (20th Century Fox, 1978). One Sheet (27" X 41") Birthday Cake Style.
The photograph on this poster was taken by Weldon Anderson with the layout by Tony Seininger. Seininger uses 11 of the 12 original Kenner action figures (poor Jawa got left out!). Given the normal attrition rate, and with fewer than 1500 of these printed, they have always been extremely difficult to obtain in a decent grade. This one is rolled and has only some minor edge wear, as well as some mild foxing on the bottom border. Rolled, Very Fine.
The photograph on this poster was taken by Weldon Anderson with the layout by Tony Seininger. Seininger uses 11 of the 12 original Kenner action figures (poor Jawa got left out!). Given the normal attrition rate, and with fewer than 1500 of these printed, they have always been extremely difficult to obtain in a decent grade. This one is rolled and has only some minor edge wear, as well as some mild foxing on the bottom border. Rolled, Very Fine.
Tarantula (Universal International, 1955). One Sheet (27" X 41").
Science fiction master Jack Arnold's first foray into "big bug" territory (he would later launch a memorably menacing spider at The Incredible Shrinking Man) has a nicely arid atmosphere and terrific special effects. The first-rate cast includes John Agar, Leo G. Carroll, and Mara Corday. The poster had fold wear with crossfold separations and a small chip in the bottom border that has been smoothed over with professional restoration. MP Grading has called this Fine on Linen.
Science fiction master Jack Arnold's first foray into "big bug" territory (he would later launch a memorably menacing spider at The Incredible Shrinking Man) has a nicely arid atmosphere and terrific special effects. The first-rate cast includes John Agar, Leo G. Carroll, and Mara Corday. The poster had fold wear with crossfold separations and a small chip in the bottom border that has been smoothed over with professional restoration. MP Grading has called this Fine on Linen.
Target Earth (Allied Artists, 1954). One Sheet (27" X 41").
This fun one sheet has an army of cruel robots blasting everyone they can find in the Chicago streets. The bots look an awful lot like a distant relative of "Gort," but savvy bottom-line conscious filmmakers only made one robot for the film! The poster has an MP Grading and comes with their certificate. The poster has been permanently marked using invisible ink and linked to the tag on the certificate. There are tape stains in three corners, a bottom horizontal fold, crossfold separations, tape on the reverse folds, a chip in the bottom left border, and a bend in the top left corner. MP Grading has called this poster Fine.
This fun one sheet has an army of cruel robots blasting everyone they can find in the Chicago streets. The bots look an awful lot like a distant relative of "Gort," but savvy bottom-line conscious filmmakers only made one robot for the film! The poster has an MP Grading and comes with their certificate. The poster has been permanently marked using invisible ink and linked to the tag on the certificate. There are tape stains in three corners, a bottom horizontal fold, crossfold separations, tape on the reverse folds, a chip in the bottom left border, and a bend in the top left corner. MP Grading has called this poster Fine.
Terror from the Year 5000 (American International, 1958). One Sheet (27" X 41").
This low-budget drive-in classic featured a time machine that's able to pull objects out of the past--and visitors from the future. But, without a doubt, the best thing about this film is the stunning one sheet, a poster that was sure to draw audiences into the theatre. It's quite rare to find posters from this era in this virtually unused condition. The only thing keeping it from a higher grade is a very slight nick in the left side border. Near Mint-.
This low-budget drive-in classic featured a time machine that's able to pull objects out of the past--and visitors from the future. But, without a doubt, the best thing about this film is the stunning one sheet, a poster that was sure to draw audiences into the theatre. It's quite rare to find posters from this era in this virtually unused condition. The only thing keeping it from a higher grade is a very slight nick in the left side border. Near Mint-.
Them! (Warner Brothers, 1954). One Sheet (27" X 41").
One of the best monster posters ever, showing every picnicker's nightmare: giant radiated ants! This great one sheet boasts one of the best cut-lines ever written at the top of the poster, while the requisite hottie in heels writhes in the rapacious mandibles. There was, at one time, a Canadian censor stamp on the poster and some grease pencil writing on the back. Both of these items have been removed, although the removal caused some slight warping on the area where the stamp was and some thinning of the poster where the writing was. Very Fine-.
One of the best monster posters ever, showing every picnicker's nightmare: giant radiated ants! This great one sheet boasts one of the best cut-lines ever written at the top of the poster, while the requisite hottie in heels writhes in the rapacious mandibles. There was, at one time, a Canadian censor stamp on the poster and some grease pencil writing on the back. Both of these items have been removed, although the removal caused some slight warping on the area where the stamp was and some thinning of the poster where the writing was. Very Fine-.
Them! (Warner Brothers, 1954). Lobby Card Set of 8 (11" X 14").
Nothing created more giant mutant monsters in the 1950s than atomic tests! This time, giant ants wreak havoc in the American south-west. Fine cast includes James Whitmore, James Arness, Joan Weldon, and Edmund Gwenn. There are five cards with staple holes in the corners, one with a staple hole just into the image, two with only corner pinholes, and one with no holes. One card has a small tear in the top center border, two of the cards have small pieces of paper tape on the verso, and there are some mild surface abrasions on one. Don't miss a rare chance at an entire set! Fine/Very Fine.
Nothing created more giant mutant monsters in the 1950s than atomic tests! This time, giant ants wreak havoc in the American south-west. Fine cast includes James Whitmore, James Arness, Joan Weldon, and Edmund Gwenn. There are five cards with staple holes in the corners, one with a staple hole just into the image, two with only corner pinholes, and one with no holes. One card has a small tear in the top center border, two of the cards have small pieces of paper tape on the verso, and there are some mild surface abrasions on one. Don't miss a rare chance at an entire set! Fine/Very Fine.
This Island Earth (Universal International, 1955). Three Sheet (41" X 81").
Humanoid aliens with really big foreheads recruit a passel of scientists to develop weaponry to aid in a war raging on their home planet of Metaluna. This intelligently-scripted sci-fi adventure--two and a half years in the making, so the posters maintain--was the Star Wars of its day, with its lavish sets, outstanding model work, and a memorable monster in the form of the brain-pulsing Mew-Tant. This amazing three sheet, which replicates the one sheet artwork only BIGGER, is always highly coveted by collectors. The poster had border pinholes and fold wear, which have been smoothed over with professional restoration. Very Fine on Linen.
Humanoid aliens with really big foreheads recruit a passel of scientists to develop weaponry to aid in a war raging on their home planet of Metaluna. This intelligently-scripted sci-fi adventure--two and a half years in the making, so the posters maintain--was the Star Wars of its day, with its lavish sets, outstanding model work, and a memorable monster in the form of the brain-pulsing Mew-Tant. This amazing three sheet, which replicates the one sheet artwork only BIGGER, is always highly coveted by collectors. The poster had border pinholes and fold wear, which have been smoothed over with professional restoration. Very Fine on Linen.
Thunderbirds Are Go (United Artists, 1968). British Quad (30" X 40").
This sci-fi film, shot in "Supermarionation," is based on Gerry Anderson's 1965 British TV series "Thunderbirds" and takes place in 2065 when criminal mastermind "the Hood" attempts to sabotage the first manned flight to Mars. Explosive, colorful graphics fill this country-of-origin quad, in exceptional condition with only one pinhole. Very Fine+.
This sci-fi film, shot in "Supermarionation," is based on Gerry Anderson's 1965 British TV series "Thunderbirds" and takes place in 2065 when criminal mastermind "the Hood" attempts to sabotage the first manned flight to Mars. Explosive, colorful graphics fill this country-of-origin quad, in exceptional condition with only one pinhole. Very Fine+.
Thunderbirds Are Go (United Artists, 1968). British Double Crown (20" X 30").
Gerry and Sylvia Anderson had enjoyed enormous success on British television with a series of sci-fi shows done with highly sophisticated marionettes and excellent miniature model photography. It was natural to transfer that success to the silver screen, resulting in this kid-friendly adventure. Offered here is the exceptional country-of-origin double crown, featuring a cool shot of Thunderbirds 1 - 3 streaking through space. A light dust shadow in the top border is the only condition problem of note. Very Fine+.
Gerry and Sylvia Anderson had enjoyed enormous success on British television with a series of sci-fi shows done with highly sophisticated marionettes and excellent miniature model photography. It was natural to transfer that success to the silver screen, resulting in this kid-friendly adventure. Offered here is the exceptional country-of-origin double crown, featuring a cool shot of Thunderbirds 1 - 3 streaking through space. A light dust shadow in the top border is the only condition problem of note. Very Fine+.
The Time Machine (MGM, 1960). One Sheet (27" X 41").
Reynold Brown's vivid artwork of the ape-like Troglodytes, the Morlocks, likely convinced many a young movie-goer to attend this movie. This poster needed little restoration whatsoever, but has been linenbacked. The colors are vibrant! Only our strict policy of grading linenbacked posters very fine+ keep it from grading higher. Very Fine+ on Linen.
Reynold Brown's vivid artwork of the ape-like Troglodytes, the Morlocks, likely convinced many a young movie-goer to attend this movie. This poster needed little restoration whatsoever, but has been linenbacked. The colors are vibrant! Only our strict policy of grading linenbacked posters very fine+ keep it from grading higher. Very Fine+ on Linen.
Tobor the Great (Republic, 1954). Three Sheet (41" X 81").
After Gort made a huge impression on audiences in The Day the Earth Stood Still, producers scrambled to find the next big robot for the screen. Republic created Tobor (that's robot spelled backwards) as a test pilot for future space exploration. The film also borrowed from the prior year's success with Invaders From Mars by telling the story through a young boy's perspective. The poster features a full length image of the robot in an iconic pose--carrying off a woman who's fainted from fear. This poster is exceptionally clean. Near Mint.
After Gort made a huge impression on audiences in The Day the Earth Stood Still, producers scrambled to find the next big robot for the screen. Republic created Tobor (that's robot spelled backwards) as a test pilot for future space exploration. The film also borrowed from the prior year's success with Invaders From Mars by telling the story through a young boy's perspective. The poster features a full length image of the robot in an iconic pose--carrying off a woman who's fainted from fear. This poster is exceptionally clean. Near Mint.
The War of the Worlds (Paramount, 1953). One Sheet (27" X 41").
George Pal updated the story to the present day and replaced the old stylings of the Martian tripods with slick, floating space-gliders with cobra heads, but he remained true to the spirit of H.G. Wells's story, and audiences loved it. This classic one sheet has incredibly vibrant, like-new color and a very fresh appearance. There is only a small tear in the bottom right border, a smudge in the left border, and a small hole near the top center fold. All in all, a beautiful condition poster. Very Fine.
George Pal updated the story to the present day and replaced the old stylings of the Martian tripods with slick, floating space-gliders with cobra heads, but he remained true to the spirit of H.G. Wells's story, and audiences loved it. This classic one sheet has incredibly vibrant, like-new color and a very fresh appearance. There is only a small tear in the bottom right border, a smudge in the left border, and a small hole near the top center fold. All in all, a beautiful condition poster. Very Fine.
The War of the Worlds (Paramount, R-1965). One Sheet (27" X 41").
This superb adaptation by George Pal of the H. G. Wells classic won the director an Academy Award for special effects and is considered one of the greatest science fiction films of all time. When Martians land on Earth, the world devolves into war and panic, with humans Gene Barry and Ann Robinson left defenseless. One of the few posters to feature the super-cool alien space ships, this incredible one sheet is from the 1965 re-release and is a rare item for serious collectors. This copy has been professionally restored to address small tears in the right border and crossfolds, corner pinholes, and a minor hole in the left background. Fine/Very Fine on Linen.
This superb adaptation by George Pal of the H. G. Wells classic won the director an Academy Award for special effects and is considered one of the greatest science fiction films of all time. When Martians land on Earth, the world devolves into war and panic, with humans Gene Barry and Ann Robinson left defenseless. One of the few posters to feature the super-cool alien space ships, this incredible one sheet is from the 1965 re-release and is a rare item for serious collectors. This copy has been professionally restored to address small tears in the right border and crossfolds, corner pinholes, and a minor hole in the left background. Fine/Very Fine on Linen.
The Wasp Woman (Film Group, 1959). One Sheet (27" X 41").
The pitfalls of the quest for eternal beauty are explored in this cheap-but-effective Roger Corman thriller in which a cosmetics executive (Susan Cabot) tries to find the face-cream of eternal youth. The secret seems to lie in an enzyme secreted by wasps, but the early positive results quickly yield to murderous side-effects. This great-looking unrestored one sheet has a small tear in the top border and a fold split at the top centerfold but is otherwise outstanding, with bold, vivid colors. Folded, Near Mint-.
The pitfalls of the quest for eternal beauty are explored in this cheap-but-effective Roger Corman thriller in which a cosmetics executive (Susan Cabot) tries to find the face-cream of eternal youth. The secret seems to lie in an enzyme secreted by wasps, but the early positive results quickly yield to murderous side-effects. This great-looking unrestored one sheet has a small tear in the top border and a fold split at the top centerfold but is otherwise outstanding, with bold, vivid colors. Folded, Near Mint-.
When Worlds Collide (Paramount, 1951). One Sheet (27" X 41").
This is one of the most effective sci-fi posters ever conceived. It conveys completely the core element of the plot in one drawing and includes some clever title work. The star Bellus, circling the planet Zyra, has just caused the earthquakes and tidal waves predicted. A structure looking very much like the Chrysler Building is toppling, the tidal waves are engulfing New York, and the spaceship, carrying the few dozen people chosen by lottery to land on Zyra after Earth is destroyed, has blasted off and is exiting to the right. The unlucky ones left behind are running for their doomed lives. Great professional restoration has addressed the few issues of corner pinholes, and a corner chip in the top right. Very Fine- on Linen.
This is one of the most effective sci-fi posters ever conceived. It conveys completely the core element of the plot in one drawing and includes some clever title work. The star Bellus, circling the planet Zyra, has just caused the earthquakes and tidal waves predicted. A structure looking very much like the Chrysler Building is toppling, the tidal waves are engulfing New York, and the spaceship, carrying the few dozen people chosen by lottery to land on Zyra after Earth is destroyed, has blasted off and is exiting to the right. The unlucky ones left behind are running for their doomed lives. Great professional restoration has addressed the few issues of corner pinholes, and a corner chip in the top right. Very Fine- on Linen.
The Glenn Miller Story (Universal International, 1954). Reynold Brown Original Advertising Artwork (12.5" X 15").
Jimmy Stewart and June Allyson star in this romanticized biography of the legendary Big Band leader. Offered here is a rare original illustration used in the promotion of the film. The art of Reynold Brown is highly prized by poster collectors; examining his original artwork inspires even more respect, as it becomes clear how much the talented painter was able to convey with relatively few brushstrokes. This attractive illustration, done for an ad (although a very similar layout was also used by Brown for the film's window card) is downright minimalist, but utterly gorgeous nonetheless. This lovely image is gouache on illustration board and has an acetate overlay containing the text elements and some photo headshots, and the entire piece has been matted for presentation. Near Mint.
Jimmy Stewart and June Allyson star in this romanticized biography of the legendary Big Band leader. Offered here is a rare original illustration used in the promotion of the film. The art of Reynold Brown is highly prized by poster collectors; examining his original artwork inspires even more respect, as it becomes clear how much the talented painter was able to convey with relatively few brushstrokes. This attractive illustration, done for an ad (although a very similar layout was also used by Brown for the film's window card) is downright minimalist, but utterly gorgeous nonetheless. This lovely image is gouache on illustration board and has an acetate overlay containing the text elements and some photo headshots, and the entire piece has been matted for presentation. Near Mint.
Hurrell Photo Portfolio I (George Hurrell, 1979-1980). Autographed Limited Edition Portfolio of Photos (10) (16" X 20") This is Suite #155 of 250.
If you love truly great photography, this lot is for you. It's the best of the best: a limited edition set of hand developed, hand signed, gelatin silver prints from George Hurrell's original negatives. All 10 photographs were printed, numbered, and signed by Mr. Hurrell in 1979-1980. The suite comes with a portfolio case and six pages of 16" X 20" printed copies of: (1) a listing with technical data on each photo, (2) a certificate of authenticity from Creative Art Investments, (3) a printed page of handwritten notes on Hurrell by Pierre Restany, (4) a printed page of quotes about Hurrell by various celebrities, (5) a printed copy of a letter about Hurrell written by Douglas Fairbanks Jr., and (6) a printed page of Hurrell's handwritten authenticity statement. The ten photos are: Greta Garbo and John Barrymore, Clark Gable, Gary Cooper, Jean Harlow, Joan Crawford, Rita Hayworth, Bette Davis, Katharine Hepburn, Marlene Dietrich, and Loretta Young and Tyrone Power. Mint.
If you love truly great photography, this lot is for you. It's the best of the best: a limited edition set of hand developed, hand signed, gelatin silver prints from George Hurrell's original negatives. All 10 photographs were printed, numbered, and signed by Mr. Hurrell in 1979-1980. The suite comes with a portfolio case and six pages of 16" X 20" printed copies of: (1) a listing with technical data on each photo, (2) a certificate of authenticity from Creative Art Investments, (3) a printed page of handwritten notes on Hurrell by Pierre Restany, (4) a printed page of quotes about Hurrell by various celebrities, (5) a printed copy of a letter about Hurrell written by Douglas Fairbanks Jr., and (6) a printed page of Hurrell's handwritten authenticity statement. The ten photos are: Greta Garbo and John Barrymore, Clark Gable, Gary Cooper, Jean Harlow, Joan Crawford, Rita Hayworth, Bette Davis, Katharine Hepburn, Marlene Dietrich, and Loretta Young and Tyrone Power. Mint.
UFA Exhibitor Book (UFA, 1927-1928). Exhibitor Book (11.25" X 11.5").
Universum Film AG's 1927 through 1928 season included quite a slate of films headlining the best stars and directors working in Germany at the time. Shown on these 35 pages are Fritz Lang's Spione (Spies), Abel Gance's Napoleon, and Paul Leni's The Cat and the Canary among others. Exhibitor campaign books from Germany and prior to World War II are extremely rare. Very Fine.
Universum Film AG's 1927 through 1928 season included quite a slate of films headlining the best stars and directors working in Germany at the time. Shown on these 35 pages are Fritz Lang's Spione (Spies), Abel Gance's Napoleon, and Paul Leni's The Cat and the Canary among others. Exhibitor campaign books from Germany and prior to World War II are extremely rare. Very Fine.
UFA Exhibitor Book (UFA, 1925-1926). Exhibitor Book (180 Pages, 9" X 12").
This 1925-1926 season UFA exhibitor book is the most amazing book of its kind we've ever seen. From the fabric covered slats with hand-hewn bone and ribbon clasps opening up to beautiful portraits drawn in simple black line on shimmering gold paper to, 180 pages later, a 16" X 20" fold-out poster with photos of the 17 top UFA directors (F. W. Murnau, Alexander Korda, Fritz Lang, etc.). This is simply a momentous journey through a complete film season. Other highlights include: 16 different 5.5" X 7.5" photos tipped in on backing boards covered in gold linen fabric "frames." Some of the stars included are Gloria Swanson, Lil Dagover, Mae Murray, Lya de Putti, and Pola Negri. There are multi-colored sepia toned pages, with up to 10 photos to a page, of all the top stars and films for this season (Murnau's Faust, a 3 page spread on Metropolis, a 2 page spread on Lost World, Emil Janning's Tartuff and Variete, Lya de Putti's Manon Lescaut, Larry Semon films, six pages of Harold Lloyd's Why Worry, Girl Shy, and Hot Water, a Felix the Cat page, Gloria Swanson's Madame Sans-Gene, Rin-Tin-Tin, Pola Negri films, Lon Chaney's He Who Gets Slapped, Buster Keaton's The Navigator and Seven Chances and on and on). Along with the hundreds of photos, there is page after page of incredible artwork, many signed in the plate, by the top German and European artists of the day (Kupfer Sachs, Theo Matejko, Wolfgang Ortmann, Fritz Weber, etc.) There are pages of photos of not just UFA stars and directors but also those of Warner Brothers, First National, Famous Players Lasky (Rodolfo Valentino, etc). If you've ever considered owning one of the most special items to come out of the silent era, this is it. There are amazingly few condition issues, just a small paper lift on page 128, some minor edge wear, and a toning of the middle of the page between the cover slats. Very Fine.
This 1925-1926 season UFA exhibitor book is the most amazing book of its kind we've ever seen. From the fabric covered slats with hand-hewn bone and ribbon clasps opening up to beautiful portraits drawn in simple black line on shimmering gold paper to, 180 pages later, a 16" X 20" fold-out poster with photos of the 17 top UFA directors (F. W. Murnau, Alexander Korda, Fritz Lang, etc.). This is simply a momentous journey through a complete film season. Other highlights include: 16 different 5.5" X 7.5" photos tipped in on backing boards covered in gold linen fabric "frames." Some of the stars included are Gloria Swanson, Lil Dagover, Mae Murray, Lya de Putti, and Pola Negri. There are multi-colored sepia toned pages, with up to 10 photos to a page, of all the top stars and films for this season (Murnau's Faust, a 3 page spread on Metropolis, a 2 page spread on Lost World, Emil Janning's Tartuff and Variete, Lya de Putti's Manon Lescaut, Larry Semon films, six pages of Harold Lloyd's Why Worry, Girl Shy, and Hot Water, a Felix the Cat page, Gloria Swanson's Madame Sans-Gene, Rin-Tin-Tin, Pola Negri films, Lon Chaney's He Who Gets Slapped, Buster Keaton's The Navigator and Seven Chances and on and on). Along with the hundreds of photos, there is page after page of incredible artwork, many signed in the plate, by the top German and European artists of the day (Kupfer Sachs, Theo Matejko, Wolfgang Ortmann, Fritz Weber, etc.) There are pages of photos of not just UFA stars and directors but also those of Warner Brothers, First National, Famous Players Lasky (Rodolfo Valentino, etc). If you've ever considered owning one of the most special items to come out of the silent era, this is it. There are amazingly few condition issues, just a small paper lift on page 128, some minor edge wear, and a toning of the middle of the page between the cover slats. Very Fine.
UFA Exhibitor Book (UFA, 1924-1925). Exhibitor Book (9" X 11.5").
232 pages. This is one of the finer Exhibitor campaign books as it begins by featuring the major stars working under the UFA banner, including Lili Dagover, Willy Fritsch, Emil Jannings and Rudolph Klein-Rogge, and then moves on to feature directors such as F.W. Murnau, Ernst Lubitsch, Palu Leni (Waxworks). The highlight of the edition is a portrait of director Fritz Lang and announcements with concept art for his science-fiction masterpiece Metropolis. This is the earliest advertising for this legendary film we've seen and is country-of-origin as well. This is an impressive edition showing some wear to the spine and cover. Some of the interior pages are coming loose but are otherwise in good condition. Fine+.
232 pages. This is one of the finer Exhibitor campaign books as it begins by featuring the major stars working under the UFA banner, including Lili Dagover, Willy Fritsch, Emil Jannings and Rudolph Klein-Rogge, and then moves on to feature directors such as F.W. Murnau, Ernst Lubitsch, Palu Leni (Waxworks). The highlight of the edition is a portrait of director Fritz Lang and announcements with concept art for his science-fiction masterpiece Metropolis. This is the earliest advertising for this legendary film we've seen and is country-of-origin as well. This is an impressive edition showing some wear to the spine and cover. Some of the interior pages are coming loose but are otherwise in good condition. Fine+.
The Best Little Whorehouse in Texas (Universal, 1982). Original Dan Goozee Art (27" X 40"), One Sheet (27" X 41"), Lobby Card (11" X 14"), and Photos (4) (8" X 10").
Some of the best film poster artwork for the past several decades has been done by New York based artist, Dan Goozee. He has done campaigns for Moonraker (3 styles), View to a Kill (2 styles), Clash of the Titans, Superman IV, After Hours, and Crocodile Dundee I and II, just to name a few. He uses a faithful portraiture style that's very clean and colorful. This lot includes his original art for The Best Little Whorehouse in Texas. The art was used for the one sheet and lobby border art, and on other promotions. Pieces of this quality rarely surface, especially in this superb condition. This painting was done in acrylics, and is signed in the lower right corner by Goozee. It is mounted on illustration board. The lot also includes a one sheet featuring the same art, four photos, and a lobby card. Near Mint-.
Some of the best film poster artwork for the past several decades has been done by New York based artist, Dan Goozee. He has done campaigns for Moonraker (3 styles), View to a Kill (2 styles), Clash of the Titans, Superman IV, After Hours, and Crocodile Dundee I and II, just to name a few. He uses a faithful portraiture style that's very clean and colorful. This lot includes his original art for The Best Little Whorehouse in Texas. The art was used for the one sheet and lobby border art, and on other promotions. Pieces of this quality rarely surface, especially in this superb condition. This painting was done in acrylics, and is signed in the lower right corner by Goozee. It is mounted on illustration board. The lot also includes a one sheet featuring the same art, four photos, and a lobby card. Near Mint-.
Beauty and the Beast (DisCina, R-1951). French Grande (47" X 63").
This lovely piece is for the 1951 re-release of perhaps the most beautiful fantasy film ever made. The beautiful young girl on the poster (Josette Day) has sacrificed herself to the hideous beast (Jean Marais) to save her father's life. She yields herself up to the beast, resolute, with closed eyes, awaiting her fate. The Beast, however, has a saddened countenance, brought about by his all-too-human soul. The artwork is very faithful to the original Jean-Denis Malcles 1946 issue. There is older linenbacking and minimal touch-up for fold wear. There are also small edge chips in the borders. Very Fine on Linen.
This lovely piece is for the 1951 re-release of perhaps the most beautiful fantasy film ever made. The beautiful young girl on the poster (Josette Day) has sacrificed herself to the hideous beast (Jean Marais) to save her father's life. She yields herself up to the beast, resolute, with closed eyes, awaiting her fate. The Beast, however, has a saddened countenance, brought about by his all-too-human soul. The artwork is very faithful to the original Jean-Denis Malcles 1946 issue. There is older linenbacking and minimal touch-up for fold wear. There are also small edge chips in the borders. Very Fine on Linen.
The Man Who Could Work Miracles (United Artists, 1936). One Sheet (27" X 41").
Science fiction grandmaster H.G. Wells had been recruited by producer Alexander Korda to write the Utopian science fiction film Things to Come before the two worked together on this film. Roland Young stars as a meek clerk who is suddenly granted the power to make his every wish come true, a power which he soon learns to regret. Condition on this beautiful and unrestored copy includes border pinholes, slight tears in the fold on the left side, small tears in the bottom vertical fold, a tiny hole in the right border, and a crease and small chip in the bottom left corner. Very Fine.
Science fiction grandmaster H.G. Wells had been recruited by producer Alexander Korda to write the Utopian science fiction film Things to Come before the two worked together on this film. Roland Young stars as a meek clerk who is suddenly granted the power to make his every wish come true, a power which he soon learns to regret. Condition on this beautiful and unrestored copy includes border pinholes, slight tears in the fold on the left side, small tears in the bottom vertical fold, a tiny hole in the right border, and a crease and small chip in the bottom left corner. Very Fine.
The Wizard of Oz (MGM, 1939). Insert (14" X 36").
The definitive film adaptation of L. Frank Baum's children's fantasy, MGM's 1939 version of Oz was done as a lavish musical adventure. It stars Judy Garland as Dorothy, an orphan unhappy with her drab black-and-white existence on a Kansas farm. She soon finds herself traveling "over the rainbow" to the Technicolor land of Oz to begin her wonderful adventures there. The Cowardly Lion (Bert Lahr), the Scarecrow (Ray Bolger), and the Tin Man (Jack Haley) soon join her. Offered here is the very rare and highly desirable insert poster for this film classic, which prominently shows all the main characters. The poster had fold wear with a small hole at the bottom, several tears along the edges that ran into the artwork, extra horizontal folds, and a bend in the lower left corner. All these issues have been addressed with profession restoration, including some color touch-up. Very Good on Paper.
The definitive film adaptation of L. Frank Baum's children's fantasy, MGM's 1939 version of Oz was done as a lavish musical adventure. It stars Judy Garland as Dorothy, an orphan unhappy with her drab black-and-white existence on a Kansas farm. She soon finds herself traveling "over the rainbow" to the Technicolor land of Oz to begin her wonderful adventures there. The Cowardly Lion (Bert Lahr), the Scarecrow (Ray Bolger), and the Tin Man (Jack Haley) soon join her. Offered here is the very rare and highly desirable insert poster for this film classic, which prominently shows all the main characters. The poster had fold wear with a small hole at the bottom, several tears along the edges that ran into the artwork, extra horizontal folds, and a bend in the lower left corner. All these issues have been addressed with profession restoration, including some color touch-up. Very Good on Paper.
I Married a Witch (United Artists, 1942). Window Card (14" X 22").
Veronica Lake, who rocketed to stardom with her peek-a-boo hair style, was cast in this comedy as a Witch out to exact vengeance upon the descendent of the man who persecuted her (Fredric March) by making him fall in love with her. Unfortunately, she accidentally drinks her own love potion and falls for him instead. Lake's love potion ensnared audiences around the world and she became one of the greatest screen icons of the era. This window card has very minimal wear to the lower left corner and some very light tanning on the edges. We think Lake's potion is still working with this window card and it's going to work on you too. Very Fine+.
Veronica Lake, who rocketed to stardom with her peek-a-boo hair style, was cast in this comedy as a Witch out to exact vengeance upon the descendent of the man who persecuted her (Fredric March) by making him fall in love with her. Unfortunately, she accidentally drinks her own love potion and falls for him instead. Lake's love potion ensnared audiences around the world and she became one of the greatest screen icons of the era. This window card has very minimal wear to the lower left corner and some very light tanning on the edges. We think Lake's potion is still working with this window card and it's going to work on you too. Very Fine+.
The Blue Dahlia (Paramount, 1946). One Sheet (27" X 41").
"Tamed by a brunette - framed by a blonde - blamed by the cops!," screamed the tagline in 1946 for one of the best film noirs ever lensed. The ad campaign's main weapon was this atmospheric one sheet with the stars drawn in tensely focused stares and bathed in the shadowy highlights so characteristic of the noir genre. With Raymond Chandler dialogue that still delights today ("You got the wrong lipstick on, mister..") and top performances from all involved, this one sheet represents the best the film has to offer. This unrestored poster has pinholes (some enlarged) in the top, a small chip and tear in the top border, pinpoint cross fold separations, some creases in the right border, and a few small fold separations at the edges. Under the title there is a smudge, a minor chip at the left edge, a small scratch at the top of the image, and one in the title. Fine+.
"Tamed by a brunette - framed by a blonde - blamed by the cops!," screamed the tagline in 1946 for one of the best film noirs ever lensed. The ad campaign's main weapon was this atmospheric one sheet with the stars drawn in tensely focused stares and bathed in the shadowy highlights so characteristic of the noir genre. With Raymond Chandler dialogue that still delights today ("You got the wrong lipstick on, mister..") and top performances from all involved, this one sheet represents the best the film has to offer. This unrestored poster has pinholes (some enlarged) in the top, a small chip and tear in the top border, pinpoint cross fold separations, some creases in the right border, and a few small fold separations at the edges. Under the title there is a smudge, a minor chip at the left edge, a small scratch at the top of the image, and one in the title. Fine+.
Detour (PRC, 1945). Insert (14" X 36").
Perhaps no one has described the core of this cult film better than the reviewer Phillip Kent when he said "Ulmer conjures up a black, paranoid vision...of shabby characters trapped in a spiral of irrational guilt." This difficult-to-find insert has Tom Neal lighting a cigarette for Ann Savage in a symbolic moment. Highly sought-after by collectors of true film noir everywhere, this is one of the cleanest copies we've seen. It has only some pinholes in the corners and image. Folded, Very Fine-.
Perhaps no one has described the core of this cult film better than the reviewer Phillip Kent when he said "Ulmer conjures up a black, paranoid vision...of shabby characters trapped in a spiral of irrational guilt." This difficult-to-find insert has Tom Neal lighting a cigarette for Ann Savage in a symbolic moment. Highly sought-after by collectors of true film noir everywhere, this is one of the cleanest copies we've seen. It has only some pinholes in the corners and image. Folded, Very Fine-.
Double Indemnity (Paramount, 1944). Three Sheet (41" X 81").
Barbara Stanwyck won an Oscar nomination for portraying one of the film noir genre's best femme fatales. No one did "sexy malice" better than Stanwyck. This incredibly difficult to find large format has her in full seduction mode with Fred MacMurray, as their nemesis, Edward G. Robinson, looks knowingly at them. This poster for a wonderful film, nominated for seven Oscars, has one minor hole in the pink background and a few small tears along the vertical fold which have been addressed with professional restoration. Very Fine on Linen.
Barbara Stanwyck won an Oscar nomination for portraying one of the film noir genre's best femme fatales. No one did "sexy malice" better than Stanwyck. This incredibly difficult to find large format has her in full seduction mode with Fred MacMurray, as their nemesis, Edward G. Robinson, looks knowingly at them. This poster for a wonderful film, nominated for seven Oscars, has one minor hole in the pink background and a few small tears along the vertical fold which have been addressed with professional restoration. Very Fine on Linen.
This Gun for Hire (Paramount, 1942). One Sheet (27" X 41").
Frank Tuttle directs the action in this excellent film noir featuring the unforgettable pairing of Veronica Lake and Alan Ladd. Lake stars as a nightclub singer who is working undercover for the government to track down a corrupt industrialist (Tully Marshall) who's been working for America's enemies. She becomes entangled with double-crossed hitman Ladd, who must ultimately choose between his criminal instincts and his desire to help his new, and only, friend Lake. A seminal and intelligent film, it is based on a Graham Greene story and is as powerful today as when it was first released during WWII. A pinnacle piece for any top poster collection, this iconic sheet is in extremely nice condition. It shows only staple holes in the corners, minor tears at the left and top edges and a crossfold separation. The poster has been mounted on linen, but no other restoration has been done. The linen is trimmed to the edges of the poster. These minor issues do not distract from this dramatic images of these legendary stars. Very Fine- on Linen.
Frank Tuttle directs the action in this excellent film noir featuring the unforgettable pairing of Veronica Lake and Alan Ladd. Lake stars as a nightclub singer who is working undercover for the government to track down a corrupt industrialist (Tully Marshall) who's been working for America's enemies. She becomes entangled with double-crossed hitman Ladd, who must ultimately choose between his criminal instincts and his desire to help his new, and only, friend Lake. A seminal and intelligent film, it is based on a Graham Greene story and is as powerful today as when it was first released during WWII. A pinnacle piece for any top poster collection, this iconic sheet is in extremely nice condition. It shows only staple holes in the corners, minor tears at the left and top edges and a crossfold separation. The poster has been mounted on linen, but no other restoration has been done. The linen is trimmed to the edges of the poster. These minor issues do not distract from this dramatic images of these legendary stars. Very Fine- on Linen.
Affair in Trinidad (Columbia, 1952). Three Sheet (41" X 81").
Ravishing Rita Hayworth plays a torch singer who performs in her husband's bar in Trinidad. When he is murdered by spies, the authorities ask Hayworth to gather information by falling in with the bad guys. This was Rita's first film after her "retirement" and marriage to Prince Aly Khan, and this wonderful three sheet acknowledges that fact, as well as providing us with one of the best portraits of the red-headed wonder on any movie poster. There were some crossfold separations and chips where the two sections were joined together, but both issues have been smoothed over with professional restoration. Fine/Very Fine on Linen.
Ravishing Rita Hayworth plays a torch singer who performs in her husband's bar in Trinidad. When he is murdered by spies, the authorities ask Hayworth to gather information by falling in with the bad guys. This was Rita's first film after her "retirement" and marriage to Prince Aly Khan, and this wonderful three sheet acknowledges that fact, as well as providing us with one of the best portraits of the red-headed wonder on any movie poster. There were some crossfold separations and chips where the two sections were joined together, but both issues have been smoothed over with professional restoration. Fine/Very Fine on Linen.
All Through the Night (Warner Brothers, 1942). Window Card (14" X 22").
Vincent Sherman directs Humphrey Bogart as wise-cracking gambler Gloves Donahue who stumbles upon a ring of Nazi spies in New York, led by Conrad Veidt, while searching for the killer who knocked off his favorite baker. Gloves and his gang, along with nightclub singer Karen Verne, thwart the ring and save the day in this gripping, fast-paced comedic thriller. The stellar cast also includes Peter Lorre, Jane Darwell, and Frank McHugh. The condition on this rare window card included blunted corners, a crease in the left border, and a tear in the top border, all of which has been addressed with professional restoration. Fine/Very Fine.
Vincent Sherman directs Humphrey Bogart as wise-cracking gambler Gloves Donahue who stumbles upon a ring of Nazi spies in New York, led by Conrad Veidt, while searching for the killer who knocked off his favorite baker. Gloves and his gang, along with nightclub singer Karen Verne, thwart the ring and save the day in this gripping, fast-paced comedic thriller. The stellar cast also includes Peter Lorre, Jane Darwell, and Frank McHugh. The condition on this rare window card included blunted corners, a crease in the left border, and a tear in the top border, all of which has been addressed with professional restoration. Fine/Very Fine.
The Big Sleep (Warner Brothers, 1946). Insert (14" X 36").
One of the true classics of the film noir genre, this movie features the unbeatable pairing of Bogart and Bacall, whose onscreen chemistry absolutely sizzled. A story of deception, betrayal and murder, this exciting film, based on the book by Raymond Chandler and directed by Howard Hawks, is one of Bogart's best. This insert has been paper-backed to flatten the fold lines and repair a tear that almost completely went through the poster in Bogart's credit. The corners and all of the white areas of the poster have been air-brushed. There is a slight abrasion to the color in the back of Bacall's dress and there are corner dings that have occurred after backing. Very Good+ on Paper.
One of the true classics of the film noir genre, this movie features the unbeatable pairing of Bogart and Bacall, whose onscreen chemistry absolutely sizzled. A story of deception, betrayal and murder, this exciting film, based on the book by Raymond Chandler and directed by Howard Hawks, is one of Bogart's best. This insert has been paper-backed to flatten the fold lines and repair a tear that almost completely went through the poster in Bogart's credit. The corners and all of the white areas of the poster have been air-brushed. There is a slight abrasion to the color in the back of Bacall's dress and there are corner dings that have occurred after backing. Very Good+ on Paper.
The Blue Dahlia (Paramount, 1946). Lobby Card Set of 8 (11" X 14").
Alan Ladd and Veronica Lake were reunited for this film noir murder mystery written by Raymond Chandler. Ladd, as Johnny Morrison, gets back from the war, finds his wife cheating on him, and then gets framed for her murder. Welcome home, Johnny. Six cards have pinholes, a few have minor border stains and smudges, and the portrait card has small tears in three borders. One card has had some restoration with small tears and tiny corner chips repaired. Fine/Very Fine.
Alan Ladd and Veronica Lake were reunited for this film noir murder mystery written by Raymond Chandler. Ladd, as Johnny Morrison, gets back from the war, finds his wife cheating on him, and then gets framed for her murder. Welcome home, Johnny. Six cards have pinholes, a few have minor border stains and smudges, and the portrait card has small tears in three borders. One card has had some restoration with small tears and tiny corner chips repaired. Fine/Very Fine.
Double Indemnity (Paramount, 1944). Australian Daybill (10" X 30").
A film noir classic, insurance man Fred MacMurray has an affair with married Barbara Stanwyck and soon finds himself embroiled in a murder and insurance fraud scheme. The film was nominated for seven Academy Awards, including Best Actress (Stanwyck), Best Director (Billy Wilder), and Best Picture. The attractive daybill offered here is in superb condition; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps us from giving this beauty an even higher grade. Very Fine+ on Linen.
A film noir classic, insurance man Fred MacMurray has an affair with married Barbara Stanwyck and soon finds himself embroiled in a murder and insurance fraud scheme. The film was nominated for seven Academy Awards, including Best Actress (Stanwyck), Best Director (Billy Wilder), and Best Picture. The attractive daybill offered here is in superb condition; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps us from giving this beauty an even higher grade. Very Fine+ on Linen.
Double Indemnity (Paramount, 1944). Window Card (14" X 22").
This is a piece that seldom comes to light from this classic film noir title. The artwork on this window card is an interesting variation on the one sheet art. This is the first time we've offered this size. In this variant version, Barbara Stanwyck is reclining in a much more submissive pose to Fred MacMurray, with the tenacious Edward G. Robinson looking on. There are corner pinholes and one pinhole each in the top and bottom borders. There's also some mild edge wear in the bottom border. Very Fine+.
This is a piece that seldom comes to light from this classic film noir title. The artwork on this window card is an interesting variation on the one sheet art. This is the first time we've offered this size. In this variant version, Barbara Stanwyck is reclining in a much more submissive pose to Fred MacMurray, with the tenacious Edward G. Robinson looking on. There are corner pinholes and one pinhole each in the top and bottom borders. There's also some mild edge wear in the bottom border. Very Fine+.
Double Indemnity (Paramount, 1946). First Post-War Belgian (14" X 21.5").
Billy Wilder directs the incomparable team of Barbara Stanwyck, Fred MacMurray, and Edward G. Robinson in this legendary film noir. As Phyllis Dietrichson (Stanwyck) and Walter Neff (McMurray) fall in love and plot the perfect crime, but they don't count on the doggedly suspicious Keyes (Robinson) to trip them up, leading them to suspect each other's motives. A well-crafted murder thriller that plays out in the suburbs of America, this seminal film remains one of the best of the genre. This post war Belgian poster, printed on the reverse of a map due to the paper shortage after the war, is in excellent condition, showing only minor edge wear at the bottom. Very Fine on Linen.
Billy Wilder directs the incomparable team of Barbara Stanwyck, Fred MacMurray, and Edward G. Robinson in this legendary film noir. As Phyllis Dietrichson (Stanwyck) and Walter Neff (McMurray) fall in love and plot the perfect crime, but they don't count on the doggedly suspicious Keyes (Robinson) to trip them up, leading them to suspect each other's motives. A well-crafted murder thriller that plays out in the suburbs of America, this seminal film remains one of the best of the genre. This post war Belgian poster, printed on the reverse of a map due to the paper shortage after the war, is in excellent condition, showing only minor edge wear at the bottom. Very Fine on Linen.
Double Indemnity (Paramount, 1944). One Sheet (27" X 41").
This influential and entertaining film noir thriller is based on James M. Cain's novella which was adapted by Raymond Chandler and director Billy Wilder. Fred MacMurray plays a regular guy, an insurance salesman, whose darker side is brought out by femme fatale Barbara Stanwyck. Tension mounts as a near perfect crime unravels into a dark climax. Edward G. Robinson co-stars in one of his most memorable roles. This nice copy had slight fold wear and crossfold separation, a small piece missing from the center crossfold just below MacMurray's gun, and minor border wear. Professional restoration addressed these issues and now the poster presents beautifully. Posters from the top film noir classics are always in high demand, and this stunner will garner much attention from collectors. Fine/Very Fine on Linen.
This influential and entertaining film noir thriller is based on James M. Cain's novella which was adapted by Raymond Chandler and director Billy Wilder. Fred MacMurray plays a regular guy, an insurance salesman, whose darker side is brought out by femme fatale Barbara Stanwyck. Tension mounts as a near perfect crime unravels into a dark climax. Edward G. Robinson co-stars in one of his most memorable roles. This nice copy had slight fold wear and crossfold separation, a small piece missing from the center crossfold just below MacMurray's gun, and minor border wear. Professional restoration addressed these issues and now the poster presents beautifully. Posters from the top film noir classics are always in high demand, and this stunner will garner much attention from collectors. Fine/Very Fine on Linen.
The Glass Key (Paramount, 1942). Window Card (14" X 22").
After their pairing in This Gun For Hire, Alan Ladd and Veronica Lake became THE film noir team of Hollywood. Their on-screen chemistry was electrifying and with this picture, and a script adapted from Dashiell Hammett's novel, their reputation was secured. Lake's famous peek-a-boo hairstyle was never more evident than on this poster. The card has a very light stain in the lower section behind the credits, a corner crease in the lower right, a tiny bit of wear to the lower left corner and a small stain in the blank imprint area. Very Fine-.
After their pairing in This Gun For Hire, Alan Ladd and Veronica Lake became THE film noir team of Hollywood. Their on-screen chemistry was electrifying and with this picture, and a script adapted from Dashiell Hammett's novel, their reputation was secured. Lake's famous peek-a-boo hairstyle was never more evident than on this poster. The card has a very light stain in the lower section behind the credits, a corner crease in the lower right, a tiny bit of wear to the lower left corner and a small stain in the blank imprint area. Very Fine-.
Key Largo (Warner Brothers, 1948). Insert (14" X 36").
For the final film in which Humphrey Bogart and his wife Lauren Bacall would appear together, John Huston cast the stars in this hair-raising and intense gangster drama. The film was set in the Florida Keys during a hurricane and found Bogart's character taking on the last great mobster (played to perfection by Edward G. Robinson) as he makes his final bid for greatness. Claire Trevor, as the suppressed gun moll, won an Oscar for Best Supporting Actress. The only thing that keeps this prestigious insert from grading higher are three minuscule tears in the left and right edge of the poster. Rolled, Very Fine/Near Mint.
For the final film in which Humphrey Bogart and his wife Lauren Bacall would appear together, John Huston cast the stars in this hair-raising and intense gangster drama. The film was set in the Florida Keys during a hurricane and found Bogart's character taking on the last great mobster (played to perfection by Edward G. Robinson) as he makes his final bid for greatness. Claire Trevor, as the suppressed gun moll, won an Oscar for Best Supporting Actress. The only thing that keeps this prestigious insert from grading higher are three minuscule tears in the left and right edge of the poster. Rolled, Very Fine/Near Mint.
The Killers (Universal, 1946). Insert (14" X 36").
This tense film noir, from a short story by Ernest Hemingway, was the first major appearance for Burt Lancaster and a big boost for Ava Gardner's career. They're both featured prominently on this insert. Gardner is splendid in her character, a two-timing, sultry siren with long stemmed black gloves, an incredible mane of hair, and a slit skirt. There're two fine characters down below, the hit men, Charles McGraw and William Conrad. There is a pinhole in the bottom left section of the image, faint stains in the bottom and right borders, small bits of paper tape on the verso border, and a small paper lift in the credits. Folded, Very Fine-.
This tense film noir, from a short story by Ernest Hemingway, was the first major appearance for Burt Lancaster and a big boost for Ava Gardner's career. They're both featured prominently on this insert. Gardner is splendid in her character, a two-timing, sultry siren with long stemmed black gloves, an incredible mane of hair, and a slit skirt. There're two fine characters down below, the hit men, Charles McGraw and William Conrad. There is a pinhole in the bottom left section of the image, faint stains in the bottom and right borders, small bits of paper tape on the verso border, and a small paper lift in the credits. Folded, Very Fine-.
Kiss of Death (20th Century Fox, 1947). Full-Bleed One Sheet (25.75" X 39.5").
Victor Mature is at his best as a father, husband and petty thief sentenced to 20 years for robbery. After his wife commits suicide, Mature agrees to turn stoolie in exchange for his freedom and a reunion with his two little girls. Richard Widmark (in his first feature role) is brilliant as a sadistic hit-man. This is the only black and white poster in the noir genre and has gained a following due to its unusual design and full-bleed printing. The poster has been mounted on linen with slight touch-up. Condition includes small tears in the bottom border and credits area, pinholes, a smudge of paint in top left near the "K," and a tiny amount of surface paper loss in the bottom right corner. Very Fine- on Linen.
Victor Mature is at his best as a father, husband and petty thief sentenced to 20 years for robbery. After his wife commits suicide, Mature agrees to turn stoolie in exchange for his freedom and a reunion with his two little girls. Richard Widmark (in his first feature role) is brilliant as a sadistic hit-man. This is the only black and white poster in the noir genre and has gained a following due to its unusual design and full-bleed printing. The poster has been mounted on linen with slight touch-up. Condition includes small tears in the bottom border and credits area, pinholes, a smudge of paint in top left near the "K," and a tiny amount of surface paper loss in the bottom right corner. Very Fine- on Linen.
Macao (RKO, 1952). Three Sheet (41" X 81").
Few film noir posters are sexier than this one. Perennial bad boy Robert Mitchum is paired with sultry Jane Russell. Her playful glance at an aroused Mitchum is pure chemistry. She's also featured down below in the right corner wearing one of her night club gowns. Great linenbacking and minimal touch-up for some border pinholes, small tears in the top right corner and some small chips in the left border, and some cross fold separations with small paper poss and some fold wear. There are chips in the top left, the bottom left corner has been replaced, there's a small hole in the top left corner, and there're some corner bends in the bottom right. Fine/Very Fine on Linen.
Few film noir posters are sexier than this one. Perennial bad boy Robert Mitchum is paired with sultry Jane Russell. Her playful glance at an aroused Mitchum is pure chemistry. She's also featured down below in the right corner wearing one of her night club gowns. Great linenbacking and minimal touch-up for some border pinholes, small tears in the top right corner and some small chips in the left border, and some cross fold separations with small paper poss and some fold wear. There are chips in the top left, the bottom left corner has been replaced, there's a small hole in the top left corner, and there're some corner bends in the bottom right. Fine/Very Fine on Linen.
Out of the Past (RKO, R-1953). One Sheet (27" X 41").
The two ad campaigns from RKO for the original release in 1947 and for this re-release just six years later should be studied in film school. They could hardly be more different. The original opted for a insouciant, cigarette-dangling-from-the-mouth Mitchum, glaring at a nastily scowling Jane Greer, with Rhonda Fleming and Kirk Douglas liplocked in a classic Hollywood clinch. For the new campaign, they emblazoned this poster with an exploitation inspired tagline, "Shock-Story of a Crime-Filled Romance." Gone is the cigarette, gone is Greer's scowl, replaced by a redrawing of an almost smiling, pleasant woman. And for good measure, Fleming is pushing away from Douglas as though he'd just downed a bucket of garlic pasta. You'll need this one even if you have the original to start some lively conversations when poster collectors visit, or if you simply want the title covered with a poster that's just as hard to find as the original! Very Fine-.
The two ad campaigns from RKO for the original release in 1947 and for this re-release just six years later should be studied in film school. They could hardly be more different. The original opted for a insouciant, cigarette-dangling-from-the-mouth Mitchum, glaring at a nastily scowling Jane Greer, with Rhonda Fleming and Kirk Douglas liplocked in a classic Hollywood clinch. For the new campaign, they emblazoned this poster with an exploitation inspired tagline, "Shock-Story of a Crime-Filled Romance." Gone is the cigarette, gone is Greer's scowl, replaced by a redrawing of an almost smiling, pleasant woman. And for good measure, Fleming is pushing away from Douglas as though he'd just downed a bucket of garlic pasta. You'll need this one even if you have the original to start some lively conversations when poster collectors visit, or if you simply want the title covered with a poster that's just as hard to find as the original! Very Fine-.
Out of the Past (RKO, 1947). Half Sheet (22" X 28") Style A.
An amazingly-filmed, seminal film noir that had director Jacques Tourneur putting murder, lust, jealousy, revenge, and blackmail in a cinematic blender and dishing up a movie that's still being watched. This half sheet shows wear and creases in the borders, a tear in the right of the artwork with paper tape on the reverse, a minor chip in the bottom right corner, surface paper loss in the right border, and smudging in the title, but these issues do not distract from the stylish noir artwork. Folded, Fine+.
An amazingly-filmed, seminal film noir that had director Jacques Tourneur putting murder, lust, jealousy, revenge, and blackmail in a cinematic blender and dishing up a movie that's still being watched. This half sheet shows wear and creases in the borders, a tear in the right of the artwork with paper tape on the reverse, a minor chip in the bottom right corner, surface paper loss in the right border, and smudging in the title, but these issues do not distract from the stylish noir artwork. Folded, Fine+.
The Postman Always Rings Twice (MGM, 1946). Autographed Lobby Card (11" X 14").
Lana Turner seduces John Garfield in this portrait lobby from one of film noir's true classics. Turner played the ultimate femme fatale as she uses Garfield's character to kill her husband. This incredible portrait card has been signed "To Bob, Lana Turner" and has staple marks in the corners and in the center of the lower border. There is also a tear in the right border that barely enters the background. These imperfections are minor, however, as the card is beautiful and features a stunning and very rare signature by Miss Turner. Very Fine-.
Lana Turner seduces John Garfield in this portrait lobby from one of film noir's true classics. Turner played the ultimate femme fatale as she uses Garfield's character to kill her husband. This incredible portrait card has been signed "To Bob, Lana Turner" and has staple marks in the corners and in the center of the lower border. There is also a tear in the right border that barely enters the background. These imperfections are minor, however, as the card is beautiful and features a stunning and very rare signature by Miss Turner. Very Fine-.
The Postman Always Rings Twice (MGM, 1946). One Sheet (27" X 41").
This poster is as dark and noir-ish as the film it represents. Contrast this image of an insidiously evil Lana Turner with the Jessica Lange version. Lange is laid out on the top of the diner tabletop with legs parting, but Turner uses the tried and true temptress method of withholding. She shrinks from the naive, body on fire, hobo character played by John Garfield, holding her hands behind her, using just her "nothing doing" look to keep him at bay. There is paper loss in the verso surface of the top left corner, a small chip in the bottom vertical fold, there are tears in the left and right borders and an edge tear in the bottom vertical fold, and fold wear. These issues are almost invisible due to some great linenbacking and excellent airbrush work. If your collection doesn't have this top film noir classic, this one is a have-to-have! Fine/Very Fine on Linen.
This poster is as dark and noir-ish as the film it represents. Contrast this image of an insidiously evil Lana Turner with the Jessica Lange version. Lange is laid out on the top of the diner tabletop with legs parting, but Turner uses the tried and true temptress method of withholding. She shrinks from the naive, body on fire, hobo character played by John Garfield, holding her hands behind her, using just her "nothing doing" look to keep him at bay. There is paper loss in the verso surface of the top left corner, a small chip in the bottom vertical fold, there are tears in the left and right borders and an edge tear in the bottom vertical fold, and fold wear. These issues are almost invisible due to some great linenbacking and excellent airbrush work. If your collection doesn't have this top film noir classic, this one is a have-to-have! Fine/Very Fine on Linen.
The Shanghai Gesture (United Artists, 1942). One Sheet (27" X 41").
What director Josef von Sternberg did for Marlene Dietrich he did again for Gene Tierney. The director used all of his lighting and frame composition skills to make Gene Tierney one of the most beautiful stars to ever grace Hollywood, and this poster is as beautiful an example as the film itself. Locked in an embrace with Victor Mature, Tierney exudes sensuality. The poster has had color touch-up to the upper horizontal fold line and to the bottom edge due to some minor chipping. Very Fine on Linen.
What director Josef von Sternberg did for Marlene Dietrich he did again for Gene Tierney. The director used all of his lighting and frame composition skills to make Gene Tierney one of the most beautiful stars to ever grace Hollywood, and this poster is as beautiful an example as the film itself. Locked in an embrace with Victor Mature, Tierney exudes sensuality. The poster has had color touch-up to the upper horizontal fold line and to the bottom edge due to some minor chipping. Very Fine on Linen.
The Stranger (RKO, 1946). Three Sheet (41" X 81").
Director Orson Welles created this timely film noir just a year after the end of WWII. In it, Edward G. Robinson portrays an investigator searching for Nazi war criminals, and tracks the mastermind of the holocaust to Connecticut. The film is a smart, moody thriller steeped in the noir ethos. This fantastic three sheet may be the best poster on the film as Orson Welles's character (the Nazi hiding in the US) is shown in half tones, hinting at his attempt to disappear. Other than some minor mis-folds, this poster is in very clean condition. Very Fine+.
Director Orson Welles created this timely film noir just a year after the end of WWII. In it, Edward G. Robinson portrays an investigator searching for Nazi war criminals, and tracks the mastermind of the holocaust to Connecticut. The film is a smart, moody thriller steeped in the noir ethos. This fantastic three sheet may be the best poster on the film as Orson Welles's character (the Nazi hiding in the US) is shown in half tones, hinting at his attempt to disappear. Other than some minor mis-folds, this poster is in very clean condition. Very Fine+.
Sunset Boulevard (Paramount, 1950). Insert (14" X 36").
No punches are pulled in this incendiary satire of Hollywood life, with William Holden as a down-on-his-luck screenwriter who falls in with a washed-up movie star (Gloria Swanson in her career-defining role) who has entombed herself in a dilapidated mansion, surrounded by relics of her past glory. She recruits him to help with the "comeback" screenplay she's been working on for years, but their relationship soon becomes much more personal. This outstanding insert has some stains in the right border, a tear in the bottom right border, and rounded corners at the bottom. It boasts excellent color and presents beautifully. Rolled, Very Fine+.
No punches are pulled in this incendiary satire of Hollywood life, with William Holden as a down-on-his-luck screenwriter who falls in with a washed-up movie star (Gloria Swanson in her career-defining role) who has entombed herself in a dilapidated mansion, surrounded by relics of her past glory. She recruits him to help with the "comeback" screenplay she's been working on for years, but their relationship soon becomes much more personal. This outstanding insert has some stains in the right border, a tear in the bottom right border, and rounded corners at the bottom. It boasts excellent color and presents beautifully. Rolled, Very Fine+.
Sunset Boulevard (Paramount, 1950). Lobby Card Set of 8 (11" X 14").
Billy Wilder's triumph has dazzling acting and great cinematography. The casting was near perfect, with Gloria Swanson espousing every cliche to ever come out of Hollywood but, by sheer talent, using them to brilliantly color her character in this fascinating film noir-ish masterpiece. Here's a rare chance at a complete set, with the Cecil B. DeMille card, two Erich von Stroheim cards, and that classic portrait card with Swanson seducing a young William Holden. Three of the cards have corner pinholes, two have had touch-up and mild restoration, one has tape on the verso edges, and there are light smudges on several. Fine/Very Fine.
Billy Wilder's triumph has dazzling acting and great cinematography. The casting was near perfect, with Gloria Swanson espousing every cliche to ever come out of Hollywood but, by sheer talent, using them to brilliantly color her character in this fascinating film noir-ish masterpiece. Here's a rare chance at a complete set, with the Cecil B. DeMille card, two Erich von Stroheim cards, and that classic portrait card with Swanson seducing a young William Holden. Three of the cards have corner pinholes, two have had touch-up and mild restoration, one has tape on the verso edges, and there are light smudges on several. Fine/Very Fine.
The Third Man (Selznick, 1949). Insert (14" X 36").
Orson Welles was featured in this film noir mystery directed by Carol Reed. Set during the post-war occupied city of Vienna and the thriving black market there, The Third Man is a brilliant noir with its dark lighting, amazing camera angles, and one of the strangest and sparsest scores you've ever heard. The film is widely regarded as one of the best films ever made and this has made the posters highly desirable. The poster is very clean with the exception of some very slight smudging in the yellow background, a tiny tear in the blue background at the bottom, and minor crinkling in the edge. Folded, Very Fine+.
Orson Welles was featured in this film noir mystery directed by Carol Reed. Set during the post-war occupied city of Vienna and the thriving black market there, The Third Man is a brilliant noir with its dark lighting, amazing camera angles, and one of the strangest and sparsest scores you've ever heard. The film is widely regarded as one of the best films ever made and this has made the posters highly desirable. The poster is very clean with the exception of some very slight smudging in the yellow background, a tiny tear in the blue background at the bottom, and minor crinkling in the edge. Folded, Very Fine+.
Crossroads (MGM, 1942). One Sheet (27" X 41") Style D.
William Powell stars a French diplomat caught up in blackmail when his criminal past (which he can't remember!) catches up with him. Hedy Lamarr, Basil Rathbone, and Claire Trevor co-star in this exciting mystery. This gorgeous D style one sheet has long been a favorite of poster collectors, and it's not hard to see why, with the dramatic color palette and a sublime portrait of the lovely Ms. Lamarr. There is edge wear with small tears and chips missing, a vertical scuff in Powell's hat, pinholes, and fold wear with crossfold separations. Fine/Very Fine.
William Powell stars a French diplomat caught up in blackmail when his criminal past (which he can't remember!) catches up with him. Hedy Lamarr, Basil Rathbone, and Claire Trevor co-star in this exciting mystery. This gorgeous D style one sheet has long been a favorite of poster collectors, and it's not hard to see why, with the dramatic color palette and a sublime portrait of the lovely Ms. Lamarr. There is edge wear with small tears and chips missing, a vertical scuff in Powell's hat, pinholes, and fold wear with crossfold separations. Fine/Very Fine.
The Lady Vanishes (Gaumont, 1938). One Sheet (27" X 41").
Fine English actress Margaret Lockwood made the most of the best role of her career. She was helped along nicely by a director whose name would become synonymous with suspense--Alfred Hitchcock. Considered one of Hitchcock's best films, the story deals with a group of passengers on a train and a missing older socialite, who Lockwood is determined to find though the other passengers deny ever having seen her. This very elusive one sheet is clever in its deceptive use of the artwork, which has Lockwood quietly sipping her wine while seeming to slowly disappear beneath the very word "vanishes." Done in beautiful stone litho and hues of greens and golds, this seldom-seen poster is much sought after by the Hitchcock and classic film poster collector. Great linenbacking and minimal touch-up to the borders and background has this one appearing near mint. There were border pinholes, small tears in the bottom credits and top border, and very minor fold wear. A beautiful condition copy. Very Fine+ on Linen.
Fine English actress Margaret Lockwood made the most of the best role of her career. She was helped along nicely by a director whose name would become synonymous with suspense--Alfred Hitchcock. Considered one of Hitchcock's best films, the story deals with a group of passengers on a train and a missing older socialite, who Lockwood is determined to find though the other passengers deny ever having seen her. This very elusive one sheet is clever in its deceptive use of the artwork, which has Lockwood quietly sipping her wine while seeming to slowly disappear beneath the very word "vanishes." Done in beautiful stone litho and hues of greens and golds, this seldom-seen poster is much sought after by the Hitchcock and classic film poster collector. Great linenbacking and minimal touch-up to the borders and background has this one appearing near mint. There were border pinholes, small tears in the bottom credits and top border, and very minor fold wear. A beautiful condition copy. Very Fine+ on Linen.
Suspicion (RKO, 1941). Insert (14" X 36").
Certainly one of the most difficult pieces to find from this title is the insert. Wartime paper drives and general attrition have taken their tolls, and many collectors are loathe to part with such a great image from such an important film. This poster features a wonderful shot of Cary Grant's scheming countenance and Joan Fontaine lovely, fearful face. There are pinholes in the corners and in the center of the top border. There is a smudge in the lower right border, two extra horizontal folds, some edge and fold wear, and some small corner bumps. Folded, Fine/Very Fine.
Certainly one of the most difficult pieces to find from this title is the insert. Wartime paper drives and general attrition have taken their tolls, and many collectors are loathe to part with such a great image from such an important film. This poster features a wonderful shot of Cary Grant's scheming countenance and Joan Fontaine lovely, fearful face. There are pinholes in the corners and in the center of the top border. There is a smudge in the lower right border, two extra horizontal folds, some edge and fold wear, and some small corner bumps. Folded, Fine/Very Fine.
Suspicion (RKO, R-1953). British Quad (30" X 40").
This is one of the most clever posters you'll find on this Alfred Hitchcock classic. For the early 1950s re-release of the film in the UK, the British artist depicted Cary Grant and Joan Fontaine in a picture frame, as though in a fine painting, and a brilliant caricature of a portly Hitchcock as a painter, brush and palette in hand, having just finished their portrait. The piece has had linenbacking and minimal touch-up for some corner pinholes, a small tear in the top left, chips in the top border and the top right corner, and a chip in the left image background. Fine/Very Fine on Linen.
This is one of the most clever posters you'll find on this Alfred Hitchcock classic. For the early 1950s re-release of the film in the UK, the British artist depicted Cary Grant and Joan Fontaine in a picture frame, as though in a fine painting, and a brilliant caricature of a portly Hitchcock as a painter, brush and palette in hand, having just finished their portrait. The piece has had linenbacking and minimal touch-up for some corner pinholes, a small tear in the top left, chips in the top border and the top right corner, and a chip in the left image background. Fine/Very Fine on Linen.
Suspicion (RKO, 1941). One Sheet (27" X 41").
Joan Fontaine's Oscar winning turn in one of director Alfred Hitchcock's best works is echoed here in the moody, moonlit artwork of this one sheet. Under Hitchcock's firm, but subtle hand, Cary Grant also gives one of the best performances of his career. Professional linenbacking and expert restoration has addressed crossfold separations, fold wear with very small tears, small chips in the left and bottom borders, and a slight trim to the borders. Fine on Linen.
Joan Fontaine's Oscar winning turn in one of director Alfred Hitchcock's best works is echoed here in the moody, moonlit artwork of this one sheet. Under Hitchcock's firm, but subtle hand, Cary Grant also gives one of the best performances of his career. Professional linenbacking and expert restoration has addressed crossfold separations, fold wear with very small tears, small chips in the left and bottom borders, and a slight trim to the borders. Fine on Linen.
Foreign Correspondent (United Artists, 1940). Australian One Sheet (26.5" X 40").
This classic Hitchcock thriller tells the tale of an American reporter who gets caught up in espionage in England during the onset of World War II. The film is based on Vincent Sheean's memoir, Personal History, and had several screenwriters throughout the production, including Ben Hecht and Robert Benchley. Joel McCrea, George Sanders, Laraine Day, Herbert Marshall, Albert Bassermann, and Robert Benchley star. This striking poster displays beautifully with only pinholes in the corners and a small tear at the bottom and left borders with tape on the reverse. Very Fine-.
This classic Hitchcock thriller tells the tale of an American reporter who gets caught up in espionage in England during the onset of World War II. The film is based on Vincent Sheean's memoir, Personal History, and had several screenwriters throughout the production, including Ben Hecht and Robert Benchley. Joel McCrea, George Sanders, Laraine Day, Herbert Marshall, Albert Bassermann, and Robert Benchley star. This striking poster displays beautifully with only pinholes in the corners and a small tear at the bottom and left borders with tape on the reverse. Very Fine-.
Foreign Correspondent (United Artists, 1940). Half Sheet (22" X 28").
This Hitchcock-directed thriller was up for Best Picture, but it narrowly lost to stiff competition...another Hitchcock film named Rebecca!. The poster features a great image of a stoic Joel McCrea in one of the best performances of his career, with nine inset photos in the borders. This great half sheet has fold wear, a small tear in the bottom and right borders, one corner bend, and pinholes in the borders. Some of these issues have been addressed with restoration. Fine+ on Paper.
This Hitchcock-directed thriller was up for Best Picture, but it narrowly lost to stiff competition...another Hitchcock film named Rebecca!. The poster features a great image of a stoic Joel McCrea in one of the best performances of his career, with nine inset photos in the borders. This great half sheet has fold wear, a small tear in the bottom and right borders, one corner bend, and pinholes in the borders. Some of these issues have been addressed with restoration. Fine+ on Paper.
Foreign Correspondent (United Artists, 1940). Title Lobby Card (11" X 14").
Gary Cooper was first choice for the role of "John Jones," but under Alfred Hitchcock's deft direction, Joel McCrea turned in one of the best performances of his career (Cooper would later sheepishly admit to Hitchcock that passing on this film was one of his biggest mistakes!). A nicely restored card with thin masa paper on the verso. The card has tiny chips and edge wear in the top border, some faint stains, tears in the right and left borders, and small creases in the lower left and right borders. Fine+.
Gary Cooper was first choice for the role of "John Jones," but under Alfred Hitchcock's deft direction, Joel McCrea turned in one of the best performances of his career (Cooper would later sheepishly admit to Hitchcock that passing on this film was one of his biggest mistakes!). A nicely restored card with thin masa paper on the verso. The card has tiny chips and edge wear in the top border, some faint stains, tears in the right and left borders, and small creases in the lower left and right borders. Fine+.
North by Northwest (MGM, 1959). One Sheet (27" X 41").
Generally regarded as one of Hitchcock's very best films, North by Northwest features one of Hitch's favorite theme: mistaken identity. Cary Grant plays an everyman mistaken for a federal agent, who gets wrapped in a web of intrigue with only Eva Marie Saint to distract him. This iconic poster has great Saul Bass-like artwork. The poster is in exceptional condition, with only some touch-ups to the fold lines. Very Fine on Linen.
Generally regarded as one of Hitchcock's very best films, North by Northwest features one of Hitch's favorite theme: mistaken identity. Cary Grant plays an everyman mistaken for a federal agent, who gets wrapped in a web of intrigue with only Eva Marie Saint to distract him. This iconic poster has great Saul Bass-like artwork. The poster is in exceptional condition, with only some touch-ups to the fold lines. Very Fine on Linen.
North by Northwest (MGM, 1959). Banner (24" X 82").
Cary Grant stars in one of Alfred Hitchcock's best films as an everyday kind of guy who gets caught up in unusual circumstances, to say the least. Mistaken for a federal agent, he is kidnapped, drugged, and dragged into an espionage plot, a favorite subject for the master of suspense. The conclusion on the face of Mount Rushmore is a classic. Condition issues include edge wear with small tears in all the borders, two vertical creases, the original date marked out for a re-issue engagement, and surface creasing in the image. Rolled, Fine+.
Cary Grant stars in one of Alfred Hitchcock's best films as an everyday kind of guy who gets caught up in unusual circumstances, to say the least. Mistaken for a federal agent, he is kidnapped, drugged, and dragged into an espionage plot, a favorite subject for the master of suspense. The conclusion on the face of Mount Rushmore is a classic. Condition issues include edge wear with small tears in all the borders, two vertical creases, the original date marked out for a re-issue engagement, and surface creasing in the image. Rolled, Fine+.
Psycho (Paramount, 1960). Half Sheet (22" X 28") Style B.
The film that made everyone think twice about getting in the shower. The large image in this half sheet depicts Janet Leigh undressing in her room at the Bates Motel, minutes away from her fatal encounter with "Mother." This dynamite piece shows only light edge wear. An essential poster from the quintessential Hitchcock film. Rolled, Very Fine+.
The film that made everyone think twice about getting in the shower. The large image in this half sheet depicts Janet Leigh undressing in her room at the Bates Motel, minutes away from her fatal encounter with "Mother." This dynamite piece shows only light edge wear. An essential poster from the quintessential Hitchcock film. Rolled, Very Fine+.
Psycho (Paramount, 1960). Three Sheet (41" X 81").
The silver screen's master of suspense, Alfred Hitchcock, created this legendary thriller that introduced audiences to new dimensions of psychotic mayhem and left an indelible mark on the thriller genre. Anthony Perkins plays the nervous, but personable, innkeeper Norman Bates who's been psychologically twisted by a domineering mother and finally snaps, acting on his own neurotic compulsions. The poster sports a psychotic motif with the multiple vignettes schismed throughout. There are pinholes in the background and some creasing from mis-folds. Very Fine.
The silver screen's master of suspense, Alfred Hitchcock, created this legendary thriller that introduced audiences to new dimensions of psychotic mayhem and left an indelible mark on the thriller genre. Anthony Perkins plays the nervous, but personable, innkeeper Norman Bates who's been psychologically twisted by a domineering mother and finally snaps, acting on his own neurotic compulsions. The poster sports a psychotic motif with the multiple vignettes schismed throughout. There are pinholes in the background and some creasing from mis-folds. Very Fine.
Psycho (Paramount, 1960). One Sheet (27" X 41").
One of the most terrifying motion pictures ever brought to the silver screen, Psycho is a roller coaster of psychological horror. Based on a story by famed horror writer Robert Bloch, this is one of the finest films of director Alfred Hitchcock's brilliant career. The terror begins when disturbed Norman (Anthony Perkins) welcomes pretty Marion Crane (Janet Leigh) to his Bates Motel. This highly desirable one sheet had fold wear, staple holes in the corners, creases, and a small tear in the image. There is a chip and some touch up in the top right corner. Some of these issues have been addressed with restoration. A classic poster from one of cinema's most iconic films. Fine+ on Linen.
One of the most terrifying motion pictures ever brought to the silver screen, Psycho is a roller coaster of psychological horror. Based on a story by famed horror writer Robert Bloch, this is one of the finest films of director Alfred Hitchcock's brilliant career. The terror begins when disturbed Norman (Anthony Perkins) welcomes pretty Marion Crane (Janet Leigh) to his Bates Motel. This highly desirable one sheet had fold wear, staple holes in the corners, creases, and a small tear in the image. There is a chip and some touch up in the top right corner. Some of these issues have been addressed with restoration. A classic poster from one of cinema's most iconic films. Fine+ on Linen.
Rebecca (Columbia, 1947). First Post-War Release French Grande (47" X 63").
This French grande is from the first French release of this film in 1947. David O. Selznick was one of the first indie distributors of his own product, forming SRO (Selznick Releasing Organization) in 1947. This poster was created by top artist, Boris Grinsson, and, judging by the unique style of the printer's mark, was printed in 1947. The poster has been linenbacked but unretouched. There is some mild staining in the vertical center fold line. Fine.
This French grande is from the first French release of this film in 1947. David O. Selznick was one of the first indie distributors of his own product, forming SRO (Selznick Releasing Organization) in 1947. This poster was created by top artist, Boris Grinsson, and, judging by the unique style of the printer's mark, was printed in 1947. The poster has been linenbacked but unretouched. There is some mild staining in the vertical center fold line. Fine.
Rebecca (United Artists, 1940). Insert (14" X 36").
Alfred Hitchcock's first American-made film, and the only one to win a Best Picture Oscar, Rebecca tells the tale of a man (Laurence Olivier) haunted by the death of his first wife and the toll it takes on his second (Joan Fontaine). The excellent supporting cast includes Judith Anderson (as the cruel housekeeper), George Sanders, and Nigel Bruce. This rare insert has great images of Olivier and Fontaine, and gorgeous color. The borders and the folds have been retouched to address some fold wear, but the piece is in otherwise terrific condition. Very Fine on Paper.
Alfred Hitchcock's first American-made film, and the only one to win a Best Picture Oscar, Rebecca tells the tale of a man (Laurence Olivier) haunted by the death of his first wife and the toll it takes on his second (Joan Fontaine). The excellent supporting cast includes Judith Anderson (as the cruel housekeeper), George Sanders, and Nigel Bruce. This rare insert has great images of Olivier and Fontaine, and gorgeous color. The borders and the folds have been retouched to address some fold wear, but the piece is in otherwise terrific condition. Very Fine on Paper.
Rope (Warner Brothers, 1948). One Sheet (27" X 41").
Filmed with long takes and virtually no obvious "cuts," Rope was one of Hitchcock's most experimental film, his first in color, and one of the fabled "Lost Five" that went unseen for many years due to rights issues. Loosely based on the Leopold-Loeb case, it concerns a pair of amoral students (Farley Granger and John Dall) who murder a classmate for fun, stash his body in a chest, and then stage a dinner party. James Stewart plays their professor and intellectual role model. This outstanding one sheet features Stewart front and center. There are staple and pinholes in the corners and image area, including in Stewart's hair, some staining in Stewart's credit area, bleed-through from a stamp on the reverse, and crossfold separations with some tearing. Fine+.
Filmed with long takes and virtually no obvious "cuts," Rope was one of Hitchcock's most experimental film, his first in color, and one of the fabled "Lost Five" that went unseen for many years due to rights issues. Loosely based on the Leopold-Loeb case, it concerns a pair of amoral students (Farley Granger and John Dall) who murder a classmate for fun, stash his body in a chest, and then stage a dinner party. James Stewart plays their professor and intellectual role model. This outstanding one sheet features Stewart front and center. There are staple and pinholes in the corners and image area, including in Stewart's hair, some staining in Stewart's credit area, bleed-through from a stamp on the reverse, and crossfold separations with some tearing. Fine+.
To Catch a Thief (Paramount, 1955). Insert (14" X 36").
Mix together the always elegant Grace Kelly and Cary Grant, the glamorous world of the French Riviera, and an exciting plot involving a jewel thief and an oil heiress and you'll have a perfect gem of a film. One of Alfred Hitchcock's most sophisticated, stylish thrillers, and a real fan favorite. This gorgeous insert has rounded corners, a small smudge in the left side of the image area, a tear in the bottom left corner, a small chip in the bottom right corner, a light corner bend in the top right, and some light horizontal creasing. Rolled, Fine+.
Mix together the always elegant Grace Kelly and Cary Grant, the glamorous world of the French Riviera, and an exciting plot involving a jewel thief and an oil heiress and you'll have a perfect gem of a film. One of Alfred Hitchcock's most sophisticated, stylish thrillers, and a real fan favorite. This gorgeous insert has rounded corners, a small smudge in the left side of the image area, a tear in the bottom left corner, a small chip in the bottom right corner, a light corner bend in the top right, and some light horizontal creasing. Rolled, Fine+.
Vertigo (Paramount, 1958). Insert (14" X 36").
Retired private detective Scottie Ferguson (James Stewart) has more than his acrophobia to deal with when old friend Gavin Elster (Tom Helmore) asks Scottie to follow his wife, Madeleine (Kim Novak). What seems like a simple job turns more complex when Ferguson starts to fall for Madeleine in this classic Hitchcock thriller. The classic insert offered here, complete with iconic Saul Bass artwork, shows light fold wear, a light smudge in the top border, minor creases in the borders, and corner bumps, but is fundamentally sound and very appealing. You won't want to miss bidding on this one. Very Fine+.
Retired private detective Scottie Ferguson (James Stewart) has more than his acrophobia to deal with when old friend Gavin Elster (Tom Helmore) asks Scottie to follow his wife, Madeleine (Kim Novak). What seems like a simple job turns more complex when Ferguson starts to fall for Madeleine in this classic Hitchcock thriller. The classic insert offered here, complete with iconic Saul Bass artwork, shows light fold wear, a light smudge in the top border, minor creases in the borders, and corner bumps, but is fundamentally sound and very appealing. You won't want to miss bidding on this one. Very Fine+.
Vertigo (Paramount, 1958). CGC Graded Lobby Card Set of 8 (11" X 14").
A complete set for one of Alfred Hitchcock's most revered films. This CGC graded set has one of the sexiest close-up Kim Novak "clinch" scene cards of her career. Two cards grade 7.0, two grade at 7.5, one grades at 8.5, one grades at 9.4 and two grade at 9.6. Set averages at Very Fine+
A complete set for one of Alfred Hitchcock's most revered films. This CGC graded set has one of the sexiest close-up Kim Novak "clinch" scene cards of her career. Two cards grade 7.0, two grade at 7.5, one grades at 8.5, one grades at 9.4 and two grade at 9.6. Set averages at Very Fine+
Vertigo (Paramount, 1958). Half Sheet (22" X 28") Style A.
John "Scottie" Ferguson (James Stewart) is a private detective with a problem: an incapacitating fear of heights. It's a problem he's going to have to get over once he finds himself drawn into a web of mystery and deceit on the trail of Madeleine (Kim Novak), whose strange behavior has prompted her husband (Tom Helmore) to have her followed. This stunning Alfred Hitchcock half sheet features the iconic Saul Bass artwork. Condition issues are minor and include some tears in the lower right side of the image area. The poster has been paper-backed, with some touch-ups done to some of the borders. Very Fine on Paper.
John "Scottie" Ferguson (James Stewart) is a private detective with a problem: an incapacitating fear of heights. It's a problem he's going to have to get over once he finds himself drawn into a web of mystery and deceit on the trail of Madeleine (Kim Novak), whose strange behavior has prompted her husband (Tom Helmore) to have her followed. This stunning Alfred Hitchcock half sheet features the iconic Saul Bass artwork. Condition issues are minor and include some tears in the lower right side of the image area. The poster has been paper-backed, with some touch-ups done to some of the borders. Very Fine on Paper.
Vertigo (Paramount, 1958). One Sheet (27" X 41").
Saul Bass, a logo/poster legend, used his deceptively subtle style to great effect on this classic poster. A noted director once said that, for him, Vertigo began when he saw the Bass poster outside the theatre. The artist uses a nervous font and a clever, uneven plane to spiral the characters into a vortex that spreads across 3/5th's of the poster. The man in black is either harming or helping, depending on your perspective. The woman is in a police-styled drawn outline, with a pool of blood between them. Expert linenbacking with minimal touch-up to the borders and folds has eliminated corner pinholes, a small tear in the right border, and an extra crease in the right lower section. Very Fine on Linen.
Saul Bass, a logo/poster legend, used his deceptively subtle style to great effect on this classic poster. A noted director once said that, for him, Vertigo began when he saw the Bass poster outside the theatre. The artist uses a nervous font and a clever, uneven plane to spiral the characters into a vortex that spreads across 3/5th's of the poster. The man in black is either harming or helping, depending on your perspective. The woman is in a police-styled drawn outline, with a pool of blood between them. Expert linenbacking with minimal touch-up to the borders and folds has eliminated corner pinholes, a small tear in the right border, and an extra crease in the right lower section. Very Fine on Linen.
Yojimbo (Seneca International, 1961). One Sheet (27" X 41").
Dashiell Hammett's noir novel "Red Harvest" inspired director Akira Kurosawa's film Yojimbo, which, in turn, inspired two other films: Sergio Leone's western A Fistful of Dollars and Walter Hill's gangster drama Last Man Standing. Of all the versions of this tale, Kurosawa's is the best. This poster, from the film's original release in the US, was designed by Everett Aison and reflects the stark look of a Japanese woodcut. The film received a tiny distribution in this country by a small distributor, making this magnificent poster exceedingly rare. Remember that no one in the U.S. felt there was a market at that time for Samurai films. The bottom one inch edge of the poster has been folded back at one time and each corner shows a slight bit of tape residue/staining. This poster for one of Kurosawa's classics is extremely scarce and has never been offered by Heritage before. Very Fine-.
Dashiell Hammett's noir novel "Red Harvest" inspired director Akira Kurosawa's film Yojimbo, which, in turn, inspired two other films: Sergio Leone's western A Fistful of Dollars and Walter Hill's gangster drama Last Man Standing. Of all the versions of this tale, Kurosawa's is the best. This poster, from the film's original release in the US, was designed by Everett Aison and reflects the stark look of a Japanese woodcut. The film received a tiny distribution in this country by a small distributor, making this magnificent poster exceedingly rare. Remember that no one in the U.S. felt there was a market at that time for Samurai films. The bottom one inch edge of the poster has been folded back at one time and each corner shows a slight bit of tape residue/staining. This poster for one of Kurosawa's classics is extremely scarce and has never been offered by Heritage before. Very Fine-.
Bitter Rice (Lux Film, 1950). Italian Foglio (27.5" X 39.5").
Produced by Dino De Laurentiis and directed by Giuseppe De Santis, this earthy tale of women field workers in post-war Italy is one of the great landmark films of the neo-realist movement, and earned an Academy Award nomination for Best Writing. Silvana Mangano stars as a tempestuous rice worker who is loved by the good Marco (Raf Vallone), and by a small-time criminal, Walter (Vittorio Gassman). She ultimately chooses the wrong man, which leads to tragedy for herself and the other women of the story, including Walter's long suffering girlfriend, Francesca (Doris Dowling). This classic Italian poster, with eye-popping artwork by Dante Manno, is highly coveted by collectors. Condition before restoration included some fold wear with crossfold separations including slight paper loss, a small hole in the bottom border, and sections of the borders were replaced; professional restoration has addressed these issues and the poster presents beautifully. Fine on Linen.
Produced by Dino De Laurentiis and directed by Giuseppe De Santis, this earthy tale of women field workers in post-war Italy is one of the great landmark films of the neo-realist movement, and earned an Academy Award nomination for Best Writing. Silvana Mangano stars as a tempestuous rice worker who is loved by the good Marco (Raf Vallone), and by a small-time criminal, Walter (Vittorio Gassman). She ultimately chooses the wrong man, which leads to tragedy for herself and the other women of the story, including Walter's long suffering girlfriend, Francesca (Doris Dowling). This classic Italian poster, with eye-popping artwork by Dante Manno, is highly coveted by collectors. Condition before restoration included some fold wear with crossfold separations including slight paper loss, a small hole in the bottom border, and sections of the borders were replaced; professional restoration has addressed these issues and the poster presents beautifully. Fine on Linen.
The Seven Samurai (Toho, 1954). Japanese B2 (20" X 29").
The venerable Toho studios of Japan had two projects in 1954 on which they "bet the farm." Had these two films not performed, given the expenditures the studio had undertaken, the studio would surely have closed. But, as it turns out, Gojira (Godzilla) and Seven Samurai did quite nicely. This remarkable original issue poster is in a near pristine state. Country of origin posters have always been longed for by ardent collectors for this title, and the poster for this most beloved and critically acclaimed Akira Kurosawa film is one of the hardest to find from any of his works. It features a terrific image of the brilliant Toshiro Mifune in full warrior stance, surrounded by images from the film. This is a great find in this condition with only a hint of a chip in the bottom border. There will be few opportunities to own a true piece of important cinema history in this state. Rolled, Very Fine/Near Mint.
The venerable Toho studios of Japan had two projects in 1954 on which they "bet the farm." Had these two films not performed, given the expenditures the studio had undertaken, the studio would surely have closed. But, as it turns out, Gojira (Godzilla) and Seven Samurai did quite nicely. This remarkable original issue poster is in a near pristine state. Country of origin posters have always been longed for by ardent collectors for this title, and the poster for this most beloved and critically acclaimed Akira Kurosawa film is one of the hardest to find from any of his works. It features a terrific image of the brilliant Toshiro Mifune in full warrior stance, surrounded by images from the film. This is a great find in this condition with only a hint of a chip in the bottom border. There will be few opportunities to own a true piece of important cinema history in this state. Rolled, Very Fine/Near Mint.
The 400 Blows (Cocinor, 1959). French Affiche (23.5" X 31.5").
Francois Truffaut's first feature film was a portrait of a boy (Jean-Pierre Léaud) who turns to petty crime in the face of neglect at home and hard times at reform school. A semi-autobiography of its director, the film helped usher in the heady spirit of the French New Wave. With artwork by prolific Boris Grinsson, this stunning country-of-origin poster is perhaps the most highly coveted on this title. We have never sold this format before and believe it to be scarce. Very Fine- on Linen.
Francois Truffaut's first feature film was a portrait of a boy (Jean-Pierre Léaud) who turns to petty crime in the face of neglect at home and hard times at reform school. A semi-autobiography of its director, the film helped usher in the heady spirit of the French New Wave. With artwork by prolific Boris Grinsson, this stunning country-of-origin poster is perhaps the most highly coveted on this title. We have never sold this format before and believe it to be scarce. Very Fine- on Linen.
The Hidden Fortress (Toho, 1958). Japanese B2 (20" X 29").
In this classic film, directed by Akira Kurosawa, two bumbling soldiers (Minoru Chiaki and Kamatari Fujiwara) fall in with rogue general, Rokurota Makabe (Toshiro Mifune), who seeks not only a fortune in gold, but to free Princess Yuki (Misa Uehara) from the enemy forces. Like John Ford's The Searchers (1956), this picture also provided inspiration to a young George Lucas, who incorporated various elements of plot and character into Star Wars (1977). Kurosawa regular Takashi Shimura, one of Japan's finest actors, also appears in this classic film. This magnificent original release poster is exceedingly rare, as original posters from Kurosawa's best films tend to be. It has some edge wear, a bit of fold wear, and a tear at the top, but these are small flaws, none of which detract from the overwhelming eye-appeal of this scarce gem. Very Fine.
In this classic film, directed by Akira Kurosawa, two bumbling soldiers (Minoru Chiaki and Kamatari Fujiwara) fall in with rogue general, Rokurota Makabe (Toshiro Mifune), who seeks not only a fortune in gold, but to free Princess Yuki (Misa Uehara) from the enemy forces. Like John Ford's The Searchers (1956), this picture also provided inspiration to a young George Lucas, who incorporated various elements of plot and character into Star Wars (1977). Kurosawa regular Takashi Shimura, one of Japan's finest actors, also appears in this classic film. This magnificent original release poster is exceedingly rare, as original posters from Kurosawa's best films tend to be. It has some edge wear, a bit of fold wear, and a tear at the top, but these are small flaws, none of which detract from the overwhelming eye-appeal of this scarce gem. Very Fine.
La Dolce Vita (Cineriz, 1959). Italian Locandina (13" X 28").
Federico Fellini's classic Italian masterpiece tells the story of a young playboy journalist, Marcello (Marcello Mastroianni), who spends his days wandering through an ultra-modern, decadent Rome, playing with the rich and famous yet wondering what his life is about and searching for an inner self. This lovely country-of-origin poster was folded and the top white imprint area had been trimmed. The restoration was beautifully performed and the poster now displays magnificently! Fine/Very Fine on Linen.
Federico Fellini's classic Italian masterpiece tells the story of a young playboy journalist, Marcello (Marcello Mastroianni), who spends his days wandering through an ultra-modern, decadent Rome, playing with the rich and famous yet wondering what his life is about and searching for an inner self. This lovely country-of-origin poster was folded and the top white imprint area had been trimmed. The restoration was beautifully performed and the poster now displays magnificently! Fine/Very Fine on Linen.
Children of Paradise (Les Enfants du Paradis) (Pathé, 1945) Part 1. French Grande (47" X 63.5") .
Considered by many to be one of the greatest, if not the best, French film ever made. Directed by Marcel Carné and and written by Jacques Prévert during the German occupation of France, Les Enfants du Paradis has a 195 minute running time. Carné fought to have the film shown in its entirety without an intermission, instead of being cut into two parts. The title refers to the second balcony of the French theater, which was called 'paradise,' and its 'children,' the common people who watch a play and respond to it honestly. The film takes place in the theater world of Paris during the July Monarchy (1830-1848). The work of artist George Allard, this poster features the "embracing style," showing the two main protagonists of the film, Arletty as the heroine Garance and Jean-Louis Barrault as the mime Baptiste, caught in a troubled embrace. This beautiful and very rare country-of-origin poster is in fabulous condition. It has had minimal color touch to the folds and crossfolds but hasn't suffered from any paper loss. The poster is mounted on older European linen, only without Japanese paper backing. Very Fine+ on Linen.
Considered by many to be one of the greatest, if not the best, French film ever made. Directed by Marcel Carné and and written by Jacques Prévert during the German occupation of France, Les Enfants du Paradis has a 195 minute running time. Carné fought to have the film shown in its entirety without an intermission, instead of being cut into two parts. The title refers to the second balcony of the French theater, which was called 'paradise,' and its 'children,' the common people who watch a play and respond to it honestly. The film takes place in the theater world of Paris during the July Monarchy (1830-1848). The work of artist George Allard, this poster features the "embracing style," showing the two main protagonists of the film, Arletty as the heroine Garance and Jean-Louis Barrault as the mime Baptiste, caught in a troubled embrace. This beautiful and very rare country-of-origin poster is in fabulous condition. It has had minimal color touch to the folds and crossfolds but hasn't suffered from any paper loss. The poster is mounted on older European linen, only without Japanese paper backing. Very Fine+ on Linen.
Children of Paradise (Les Enfants du Paradis) (Pathé, 1945) Part 2. French Grande (47" X 63").
During Nazi occupation of France, it was ruled that no film would run longer than 120 minutes in length. This most famous French film has a running time of approximately 191 minutes, longer than any other French film to that date, and the director, Marcel Carné, would have it no other way. The distributors were caught between a rock and a hard place, though the Nazi rule was definitely on the decline by March of 1945, when this film was planning release. The distributors decided they would cut the film into two parts and run it in separate cinemas across the street from each other, thus making more money and satisfying the Nazi regime. This poster, along with the other presented in this catalog, were produced as parts one and two for that split showing. The film was eventually released as a whole at the insistence of Carné and writer Jacques Prévert, who negotiated an economic plan involving higher priced ticket sales, no intermission break, and advanced seat booking, which had never been done before. This is the more rare of the two beautiful country-of-origin, original posters and has art by the famous French artist Bernard Lancy. He was in charge of the French Syndicate of Poster Designers during this time period and would produce posters for many other French classics such as La Grande Illusion and Le Jour se Leve. Very Fine- on Linen.
During Nazi occupation of France, it was ruled that no film would run longer than 120 minutes in length. This most famous French film has a running time of approximately 191 minutes, longer than any other French film to that date, and the director, Marcel Carné, would have it no other way. The distributors were caught between a rock and a hard place, though the Nazi rule was definitely on the decline by March of 1945, when this film was planning release. The distributors decided they would cut the film into two parts and run it in separate cinemas across the street from each other, thus making more money and satisfying the Nazi regime. This poster, along with the other presented in this catalog, were produced as parts one and two for that split showing. The film was eventually released as a whole at the insistence of Carné and writer Jacques Prévert, who negotiated an economic plan involving higher priced ticket sales, no intermission break, and advanced seat booking, which had never been done before. This is the more rare of the two beautiful country-of-origin, original posters and has art by the famous French artist Bernard Lancy. He was in charge of the French Syndicate of Poster Designers during this time period and would produce posters for many other French classics such as La Grande Illusion and Le Jour se Leve. Very Fine- on Linen.
Jules and Jim (Les Films du Carrosse, 1961). French Grande (47" X 63").
One of the first and best films of the French New Wave, Francois Truffaut's refreshing romantic comedy explores life, love, war, loss, and regret. The lovely Jeanne Moreau stars as a free spirit who develops a relationship with two men, Oskar Werner and Henri Serre, whose love triangle lasts for years. This original country-of-origin poster has had minor touch-up to light fold wear. It features beautiful artwork of Moreau by Christian Broutin. Very Fine+ on Linen.
One of the first and best films of the French New Wave, Francois Truffaut's refreshing romantic comedy explores life, love, war, loss, and regret. The lovely Jeanne Moreau stars as a free spirit who develops a relationship with two men, Oskar Werner and Henri Serre, whose love triangle lasts for years. This original country-of-origin poster has had minor touch-up to light fold wear. It features beautiful artwork of Moreau by Christian Broutin. Very Fine+ on Linen.
Dr. No (United Artists, 1962). French Affiche (15.5" X 30.75").
Sean Connery and Ursula Andress appear on this amazingly scarce French format poster from the first James Bond feature, Dr. No. This poster would have graded higher except for the upper left corner which had to be replaced, although the damage was limited to the white border and barely touched the blue of the background. This format poster is virtually impossible to find, making it a must-have for every true Bond aficionado. Artwork by Boris Grinsson. Fine+ on Linen.
Sean Connery and Ursula Andress appear on this amazingly scarce French format poster from the first James Bond feature, Dr. No. This poster would have graded higher except for the upper left corner which had to be replaced, although the damage was limited to the white border and barely touched the blue of the background. This format poster is virtually impossible to find, making it a must-have for every true Bond aficionado. Artwork by Boris Grinsson. Fine+ on Linen.
Dr. No (United Artists, 1962). One Sheet (27" X 41").
In the first film of the wildly popular Bond series, the relatively unknown Sean Connery stars as agent 007, who is sent to Jamaica to investigate the disappearance of Commander John Strangways and his secretary. There he discovers Dr. No (Joseph Wiseman), his nuclear reactor, and the first "Bond girl," Honey Ryder (Ursula Andress). This is the film that started it all and launched Connery's career. This is the Bond poster to have. This is an unused copy with very minor light staining on the upper right side and at the bottom of the center vertical fold. Very Fine+.
In the first film of the wildly popular Bond series, the relatively unknown Sean Connery stars as agent 007, who is sent to Jamaica to investigate the disappearance of Commander John Strangways and his secretary. There he discovers Dr. No (Joseph Wiseman), his nuclear reactor, and the first "Bond girl," Honey Ryder (Ursula Andress). This is the film that started it all and launched Connery's career. This is the Bond poster to have. This is an unused copy with very minor light staining on the upper right side and at the bottom of the center vertical fold. Very Fine+.
Dr. No (United Artists, 1962). Half Sheet (22" X 28").
Audiences all over the world went crazy for the devastatingly cool agent with a license to kill when the first James Bond film made its debut. The action-packed plot, arch-enemy organization SPECTRE, guns and gadgets, and of course Ursula Andress as Honey Ryder, combined to make this an iconic spy thriller and a model for all subsequent Bond pictures. The poster has an upper left corner bend, very light vertical and horizontal folds, and some light touch up on the corner pinholes. Featuring iconic art by David Chaseman, this is a special poster from this seminal spy film. Very Fine on Paper.
Audiences all over the world went crazy for the devastatingly cool agent with a license to kill when the first James Bond film made its debut. The action-packed plot, arch-enemy organization SPECTRE, guns and gadgets, and of course Ursula Andress as Honey Ryder, combined to make this an iconic spy thriller and a model for all subsequent Bond pictures. The poster has an upper left corner bend, very light vertical and horizontal folds, and some light touch up on the corner pinholes. Featuring iconic art by David Chaseman, this is a special poster from this seminal spy film. Very Fine on Paper.
Goldfinger (United Artists, 1964). One Sheet (27" X 41").
One of the best of the James Bond films, Goldfinger gives us a glimpse of an almost vulnerable 007 when he's unable to save his lover's life. Hopefully you've seen this classic on the Big Screen and enjoyed the production behind that year's Oscars for Best Effects and Sound Effects. This bold poster features some of the movie's most intense scenes and is one of the true "must haves" from the 1960s Bond films. The printing of posters by different printers in different parts of the country was common when this film was released, and this is the "flat" finish version as opposed to the glossy, clay-coated stock printing. This example is in an uncommonly high grade for an unrestored poster. There are small crossfold separations and faint extra vertical creases. MP Grading: Very Fine.
One of the best of the James Bond films, Goldfinger gives us a glimpse of an almost vulnerable 007 when he's unable to save his lover's life. Hopefully you've seen this classic on the Big Screen and enjoyed the production behind that year's Oscars for Best Effects and Sound Effects. This bold poster features some of the movie's most intense scenes and is one of the true "must haves" from the 1960s Bond films. The printing of posters by different printers in different parts of the country was common when this film was released, and this is the "flat" finish version as opposed to the glossy, clay-coated stock printing. This example is in an uncommonly high grade for an unrestored poster. There are small crossfold separations and faint extra vertical creases. MP Grading: Very Fine.
Goldfinger (United Artists, 1964). CGC Graded Lobby Card Set of 8 (11" X 14").
Here's a complete set showing all your favorite characters from the essential James Bond film, Goldfinger. The cards have been graded by CGC. "Oddjob", "Pussy Galore" (played by Honor Blackman) , "Auric Goldfinger", "James Bond", and other assorted pretties and baddies are all here. Two of the cards grade 7.5, three at 8.0, two at 8.5 and one at 9.0. CGC overall grade is Very Fine.
Here's a complete set showing all your favorite characters from the essential James Bond film, Goldfinger. The cards have been graded by CGC. "Oddjob", "Pussy Galore" (played by Honor Blackman) , "Auric Goldfinger", "James Bond", and other assorted pretties and baddies are all here. Two of the cards grade 7.5, three at 8.0, two at 8.5 and one at 9.0. CGC overall grade is Very Fine.
Goldfinger (United Artists, 1964). Insert (14" X 36").
Considered one of the top James Bond films of all time by critics and fans alike, Sean Connery returns as 007 to do battle with Auric Goldfinger (Gert Frobe). Iconic Bond ladies Honor Blackman and gold-encrusted Shirley Eaton round out the cast of this unforgettable gem. This insert shows pinholes in the corners, edge wear and small stains at the bottom, small edge tears at the right, a minor smudge in the left border, and paper tape on the reverse. Folded, Fine/Very Fine.
Considered one of the top James Bond films of all time by critics and fans alike, Sean Connery returns as 007 to do battle with Auric Goldfinger (Gert Frobe). Iconic Bond ladies Honor Blackman and gold-encrusted Shirley Eaton round out the cast of this unforgettable gem. This insert shows pinholes in the corners, edge wear and small stains at the bottom, small edge tears at the right, a minor smudge in the left border, and paper tape on the reverse. Folded, Fine/Very Fine.
A View to a Kill (United Artists, 1985). Poster (33" X 49.5") Michelin Tie-In.
Technology mogul Max Zorin (Christopher Walken) is trying to corner the world market on microchips by causing an earthquake that will take out all of Silicon Valley. Agent 007 (Roger Moore in his last film as James Bond) must find a way to stop him--but first he has to deal with kickboxing assassin May Day (Grace Jones), Zorin's ally in the plot. This amusing poster, featuring Roger Moore and the Michelin Man, was used to promote a contest in which Michelin customers could win fabulous prizes. A unique item for any Bond collector, this copy is in excellent condition with fold wear that has been touched-up. Very Fine on Linen.
Technology mogul Max Zorin (Christopher Walken) is trying to corner the world market on microchips by causing an earthquake that will take out all of Silicon Valley. Agent 007 (Roger Moore in his last film as James Bond) must find a way to stop him--but first he has to deal with kickboxing assassin May Day (Grace Jones), Zorin's ally in the plot. This amusing poster, featuring Roger Moore and the Michelin Man, was used to promote a contest in which Michelin customers could win fabulous prizes. A unique item for any Bond collector, this copy is in excellent condition with fold wear that has been touched-up. Very Fine on Linen.
You Only Live Twice (United Artists, 1967). British Quad (30" X 40") Style A.
The fifth in the Bond series has evocative Japanese location work and the first reveal of arch-villain Blofeld, played with relish by Donald Pleasence. Sean Connery was at the top of his form, and the screenplay was written by the eccentric author Roald Dahl, best known for writing Charlie and the Chocolate Factory. In Ian Fleming's novel, Blofeld's hideout was a seaside castle, but for the film it was changed to a raging volcano, thus inspiring this fantastic British quad. General edge wear and light creasing in the image are the only condition issues to note. Rolled, Very Fine-.
The fifth in the Bond series has evocative Japanese location work and the first reveal of arch-villain Blofeld, played with relish by Donald Pleasence. Sean Connery was at the top of his form, and the screenplay was written by the eccentric author Roald Dahl, best known for writing Charlie and the Chocolate Factory. In Ian Fleming's novel, Blofeld's hideout was a seaside castle, but for the film it was changed to a raging volcano, thus inspiring this fantastic British quad. General edge wear and light creasing in the image are the only condition issues to note. Rolled, Very Fine-.
You Only Live Twice (United Artists, 1967). British Quad (30" X 40") Style C.
James Bond goes to the Land of the Rising Sun in this fast-paced entry in the series, Sean Connery's last before his initial defection from the role. The hot tub artwork featured in this country-of-origin poster is a favorite among collectors. One small tear in the bottom border and soft creasing across the top of the entire poster are the only condition issues to note. Very Fine-.
James Bond goes to the Land of the Rising Sun in this fast-paced entry in the series, Sean Connery's last before his initial defection from the role. The hot tub artwork featured in this country-of-origin poster is a favorite among collectors. One small tear in the bottom border and soft creasing across the top of the entire poster are the only condition issues to note. Very Fine-.
You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Style A.
You Only Live Twice is the fifth film in the EON Productions James Bond series and the fifth to star Sean Connery as British Secret Service, agent 007. Connery would go on to star in only two more Bond films after this 1967 release. This one sheet captures the height of action with explosive imagery by artists Frank McCarthy and Robert McGinnis. There is pinpoint cross fold separation and a very small tear in the bottom border, with paper tape on the verso. Fine/Very Fine.
You Only Live Twice is the fifth film in the EON Productions James Bond series and the fifth to star Sean Connery as British Secret Service, agent 007. Connery would go on to star in only two more Bond films after this 1967 release. This one sheet captures the height of action with explosive imagery by artists Frank McCarthy and Robert McGinnis. There is pinpoint cross fold separation and a very small tear in the bottom border, with paper tape on the verso. Fine/Very Fine.
You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Style C.
One of the best pieces on the title is this Style C one sheet with the famous "hot-tub" artwork by Robert McGinnis. There is a bottom left corner stain, a fold tear in the bottom left horizontal fold, pinpoint crossfold separations, and a corner chip in the bottom right. Fine+.
One of the best pieces on the title is this Style C one sheet with the famous "hot-tub" artwork by Robert McGinnis. There is a bottom left corner stain, a fold tear in the bottom left horizontal fold, pinpoint crossfold separations, and a corner chip in the bottom right. Fine+.
Some Like It Hot (United Artists, 1959). Poster (30" X 40") Style Z.
One of the rarest of all Marilyn Monroe posters is this rolled, Style Z, 30" X 40", using different art but similar to the half sheet and title card. There is just one other example of this poster known. Condition includes pinholes in the corners and a single one in the center image, small dot stains, a small chip in the top right corner, and a small paper lift in the lower left corner. Rolled, Fine/Very Fine.
One of the rarest of all Marilyn Monroe posters is this rolled, Style Z, 30" X 40", using different art but similar to the half sheet and title card. There is just one other example of this poster known. Condition includes pinholes in the corners and a single one in the center image, small dot stains, a small chip in the top right corner, and a small paper lift in the lower left corner. Rolled, Fine/Very Fine.
The Seven Year Itch (20th Century Fox, 1955). Insert (14" X 36").
Billy Wilder originally wanted a young Walter Matthau to play the part of Richard Sherman in this adaptation of the Broadway hit. Gary Cooper was also interested in the part, but in the end, it was Tom Ewell, the originator of the role on Broadway, who was cast. This nifty insert features Marilyn Monroe in the film's most iconic scene (and possibly the most iconic moment of her career), always an attention-grabber. Corner pinholes and some light wrinkling in the left border are the condition issues of note on this outstanding example. Folded, Very Fine-.
Billy Wilder originally wanted a young Walter Matthau to play the part of Richard Sherman in this adaptation of the Broadway hit. Gary Cooper was also interested in the part, but in the end, it was Tom Ewell, the originator of the role on Broadway, who was cast. This nifty insert features Marilyn Monroe in the film's most iconic scene (and possibly the most iconic moment of her career), always an attention-grabber. Corner pinholes and some light wrinkling in the left border are the condition issues of note on this outstanding example. Folded, Very Fine-.
The Seven Year Itch (20th Century Fox, 1955). Lobby Card Set of 8 (11" X 14").
There's a reason this bright comedy lands at #51 on the AFI's list of "Top 100 American Comedy Films of the Past 100 Years." It's just darn funny! The combination of director Billy Wilder, Marilyn Monroe, and Tom Ewell (reprising his Broadway role) was magic, and there's that shot of Monroe's white dress billowing up from the wind of the subway grate, featured on the title card. It's a truly iconic image recognized the world over. The title card has small pinholes, slight edge wear with foxing in the top border, staining on the left and top borders and a small surface paper loss in the top left corner, in border only. The other cards are in better shape than the title card and in very presentable condition. Fine+.
There's a reason this bright comedy lands at #51 on the AFI's list of "Top 100 American Comedy Films of the Past 100 Years." It's just darn funny! The combination of director Billy Wilder, Marilyn Monroe, and Tom Ewell (reprising his Broadway role) was magic, and there's that shot of Monroe's white dress billowing up from the wind of the subway grate, featured on the title card. It's a truly iconic image recognized the world over. The title card has small pinholes, slight edge wear with foxing in the top border, staining on the left and top borders and a small surface paper loss in the top left corner, in border only. The other cards are in better shape than the title card and in very presentable condition. Fine+.
The Seven Year Itch (20th Century Fox, 1955). One Sheet (27" X 41").
Billy Wilder put together a strong comedic cast of Marilyn Monroe, Tom Ewell, Robert Strauss, and Victor Moore for one of the funniest films of the 1950s. This one sheet, with different artwork than all the other formats, features a wonderful image from this classic. Hard to find and painted with a beautiful rendition of the sex-symbol herself, this poster is a highlight of any collection. This example has pinholes in each corner, running vertically down both sides (where the poster was folded back on the left and the right), and in the upper white field. There's been some slight water staining in the lower border. There is very slight crossfold separation at all three centerpoints, but with no paper loss. The colors are bright and the poster will display well, so don't miss this chance to get an unrestored copy of this gem! MP Grading: Very Good.
Billy Wilder put together a strong comedic cast of Marilyn Monroe, Tom Ewell, Robert Strauss, and Victor Moore for one of the funniest films of the 1950s. This one sheet, with different artwork than all the other formats, features a wonderful image from this classic. Hard to find and painted with a beautiful rendition of the sex-symbol herself, this poster is a highlight of any collection. This example has pinholes in each corner, running vertically down both sides (where the poster was folded back on the left and the right), and in the upper white field. There's been some slight water staining in the lower border. There is very slight crossfold separation at all three centerpoints, but with no paper loss. The colors are bright and the poster will display well, so don't miss this chance to get an unrestored copy of this gem! MP Grading: Very Good.
Some Like It Hot (United Artists, 1959). Six Sheet (81" X 81").
Billy Wilder's classic screwball comedy stars Tony Curtis and Jack Lemmon as two musicians who witness a mob hit and masquerade as women to avoid getting murdered themselves, with Marilyn Monroe providing sex appeal. The film won an Oscar for costume design, and was nominated for five others. This exceptional six sheet features a great image of all three stars and had fold wear and some tears within the image in addition to some crossfold separations. Very Fine- on Linen.
Billy Wilder's classic screwball comedy stars Tony Curtis and Jack Lemmon as two musicians who witness a mob hit and masquerade as women to avoid getting murdered themselves, with Marilyn Monroe providing sex appeal. The film won an Oscar for costume design, and was nominated for five others. This exceptional six sheet features a great image of all three stars and had fold wear and some tears within the image in addition to some crossfold separations. Very Fine- on Linen.
Niagara (20th Century Fox, 1953). Six Sheet (81" X 81").
Marilyn Monroe stars in this moody film noir about a newlywed who plans to murder her husband while honeymooning at Niagara Falls. Director Henry Hathaway used Niagara Falls as a metaphor for the destructive forces that develop out of jealousy, rage, and murderous obsessions. This impressive six sheet has terrific artwork that doesn't include the famous Monroe image but instead emphasizes the film's thrilling nature. The poster had minor chips, tears at the folds, and several chips from the image area, all of which has been addressed with professional restoration. Fine+ on Linen.
Marilyn Monroe stars in this moody film noir about a newlywed who plans to murder her husband while honeymooning at Niagara Falls. Director Henry Hathaway used Niagara Falls as a metaphor for the destructive forces that develop out of jealousy, rage, and murderous obsessions. This impressive six sheet has terrific artwork that doesn't include the famous Monroe image but instead emphasizes the film's thrilling nature. The poster had minor chips, tears at the folds, and several chips from the image area, all of which has been addressed with professional restoration. Fine+ on Linen.
Niagara (20th Century Fox, 1953). One Sheet (27" X 41").
Marilyn Monroe stars in this moody film noir about a newlywed who plans to murder her husband while honeymooning at Niagara Falls. The poster had a small tear in the bottom border, chips out of the bottom right corner and the left and right borders, and fold wear, all of which has been smoothed over with professional restoration, including touch-ups to the fold lines. However, there is also some surface scuffing/paper loss on the left side of the sheet, including in the photo of Cotton and Monroe, which has not been touched up. Fine- on Linen.
Marilyn Monroe stars in this moody film noir about a newlywed who plans to murder her husband while honeymooning at Niagara Falls. The poster had a small tear in the bottom border, chips out of the bottom right corner and the left and right borders, and fold wear, all of which has been smoothed over with professional restoration, including touch-ups to the fold lines. However, there is also some surface scuffing/paper loss on the left side of the sheet, including in the photo of Cotton and Monroe, which has not been touched up. Fine- on Linen.
The Sound of Music (20th Century Fox, 1965). TODD-AO Six Sheet (84" X 84").
With music by Rodgers and Hammerstein and direction from Robert Wise, Fox brought one of the greatest musicals to the screen with "The Sound of Music." This was a true account of the musical Von Trapp family who were forced to flee Austria with the rise of the Nazis before the outbreak of World War II. The TODD-AO roadshow posters for this film are the most desirable, as they don't highlight the five Oscars the movie would go on to receive. Beautiful artwork by Howard Terpning, this poster has only staple holes in the corners and edge wear. Very Fine.
With music by Rodgers and Hammerstein and direction from Robert Wise, Fox brought one of the greatest musicals to the screen with "The Sound of Music." This was a true account of the musical Von Trapp family who were forced to flee Austria with the rise of the Nazis before the outbreak of World War II. The TODD-AO roadshow posters for this film are the most desirable, as they don't highlight the five Oscars the movie would go on to receive. Beautiful artwork by Howard Terpning, this poster has only staple holes in the corners and edge wear. Very Fine.
Hawaiian Nights (RKO, 1934). Pre-War Australian Daybill (14.5" X 40").
Campy RKO musical that stars Mary Boland, Polly Moran, Ned Sparks and Sidney Fox. The original title of this film is Down to Their Last Yacht. This Australian daybill displays beautiful stone litho graphics of gorgeous Hawaiians dancing the hula and has only small light stains in the lettering and a bottom left corner bend. Rolled, Very Fine+.
Campy RKO musical that stars Mary Boland, Polly Moran, Ned Sparks and Sidney Fox. The original title of this film is Down to Their Last Yacht. This Australian daybill displays beautiful stone litho graphics of gorgeous Hawaiians dancing the hula and has only small light stains in the lettering and a bottom left corner bend. Rolled, Very Fine+.
Golden Age (1938-1955)
An American in Paris (MGM, 1951). Insert (14" X 36").
This colorful MGM insert has a lot going for it! Not only do you get three production numbers from this top-ten-musical, you also get a beautiful clinch scene with Leslie Caron and Gene Kelly, a dancing pose with Kelly, a great shot of Oscar Levant at the piano, and a fun photo of Levant, Kelly, and Guétary harmonizing! There are corner pinholes, light edge wear, a pencil mark in the national screen number area, and small tears in the left, right, and bottom borders. Rolled, Fine+.
This colorful MGM insert has a lot going for it! Not only do you get three production numbers from this top-ten-musical, you also get a beautiful clinch scene with Leslie Caron and Gene Kelly, a dancing pose with Kelly, a great shot of Oscar Levant at the piano, and a fun photo of Levant, Kelly, and Guétary harmonizing! There are corner pinholes, light edge wear, a pencil mark in the national screen number area, and small tears in the left, right, and bottom borders. Rolled, Fine+.
Movie Posters
Broadway Melody of 1940 (MGM, 1940). One Sheet (27" X 41") Style C.
Fred Astaire and Eleanor Powell absolutely shine as the dance team in this musical from MGM. It was a coup to get Astaire when he left RKO after appearing in ten films with Ginger Rogers. This poster has pinholes in the corners, a slight bit of foxing along the upper vertical fold, and some paper tape on the back reinforcing the center points and ends of the fold lines. Posters for this famous and acclaimed musical are hard to come by. MP Grading: Fine.
Fred Astaire and Eleanor Powell absolutely shine as the dance team in this musical from MGM. It was a coup to get Astaire when he left RKO after appearing in ten films with Ginger Rogers. This poster has pinholes in the corners, a slight bit of foxing along the upper vertical fold, and some paper tape on the back reinforcing the center points and ends of the fold lines. Posters for this famous and acclaimed musical are hard to come by. MP Grading: Fine.
Dancing Lady (MGM, 1933). Window Card (14" X 22").
An all-star cast led by Joan Crawford and Clark Gable stars in this showbiz tale about a down-on-her-luck dancer who rises to fame despite the reservations of a powerful Broadway producer. Offered here is the scarce window card, featuring a gorgeous image of Crawford vamping. A crease in the top left corner and very minor blunted corners are the only condition issues on this spectacular window card. Very Fine/Near Mint.
An all-star cast led by Joan Crawford and Clark Gable stars in this showbiz tale about a down-on-her-luck dancer who rises to fame despite the reservations of a powerful Broadway producer. Offered here is the scarce window card, featuring a gorgeous image of Crawford vamping. A crease in the top left corner and very minor blunted corners are the only condition issues on this spectacular window card. Very Fine/Near Mint.
Guys and Dolls (MGM, 1955). Standee (93" X 60")
We love hearing "Wow! I've never seen one of those!" This is an amazing original lobby standee for one of the greatest hit musicals of the 1950s, nominated for four Oscars. The standee is made in such a way that the almost-life-size cutout figures of the film's stars "appear to be walking directly towards the patrons" (from the accompanying original flyer explaining the standee to theatre owners). If you've waited for something extra special on this title, this is it! Some general edge wear and small scuffs and paper lifts in the bottom border, and some water staining in the bottom border. The four cutouts of the stars are in excellent condition and have no issues other than some mild edge wear and a small surface scuff at the bottom of one. Very Fine-.
We love hearing "Wow! I've never seen one of those!" This is an amazing original lobby standee for one of the greatest hit musicals of the 1950s, nominated for four Oscars. The standee is made in such a way that the almost-life-size cutout figures of the film's stars "appear to be walking directly towards the patrons" (from the accompanying original flyer explaining the standee to theatre owners). If you've waited for something extra special on this title, this is it! Some general edge wear and small scuffs and paper lifts in the bottom border, and some water staining in the bottom border. The four cutouts of the stars are in excellent condition and have no issues other than some mild edge wear and a small surface scuff at the bottom of one. Very Fine-.
Holiday Inn (Paramount, 1942). One Sheet (27" X 41").
One of the best musicals to come out of the early 1940s was this classic with Bing Crosby and Fred Astaire vying for the fickle Virginia Dale. Crosby makes a success out of his rural nightclub (only open on holidays!). The poster features great art of Fred in an athletic dance pose and Bing singing his heart out! There has been professional linenbacking with minimal touch-up to the borders and the white background. The bottom border was trimmed slightly and approximately an inch has been restored. The left border and bottom corner had a sliver missing and a small tear and this has also been restored. The poster now has a very excellent appearance. Fine/Very Fine on Linen.
One of the best musicals to come out of the early 1940s was this classic with Bing Crosby and Fred Astaire vying for the fickle Virginia Dale. Crosby makes a success out of his rural nightclub (only open on holidays!). The poster features great art of Fred in an athletic dance pose and Bing singing his heart out! There has been professional linenbacking with minimal touch-up to the borders and the white background. The bottom border was trimmed slightly and approximately an inch has been restored. The left border and bottom corner had a sliver missing and a small tear and this has also been restored. The poster now has a very excellent appearance. Fine/Very Fine on Linen.
The Ice Follies of 1939 (MGM, 1939). Insert (14" X 36").
Joan Crawford and James Stewart star in this heartwarming love story. When an ice skating duo gets married, the wife (Crawford) makes it big in movies while her hubby (Stewart) is left at home. Can the marriage survive? This lovely insert has a wonderful full-length image of Crawford in her prime. The poster is folded with a bit of staining on the upper left side and a small amount of fold separation on the upper fold, left side. The poster is a soft shade of pink and does not appear to have any color loss as the skin tones and Crawford's lips in the upper portrait appear natural in color. We have never sold this rare poster before. Folded, Fine/Very Fine.
Joan Crawford and James Stewart star in this heartwarming love story. When an ice skating duo gets married, the wife (Crawford) makes it big in movies while her hubby (Stewart) is left at home. Can the marriage survive? This lovely insert has a wonderful full-length image of Crawford in her prime. The poster is folded with a bit of staining on the upper left side and a small amount of fold separation on the upper fold, left side. The poster is a soft shade of pink and does not appear to have any color loss as the skin tones and Crawford's lips in the upper portrait appear natural in color. We have never sold this rare poster before. Folded, Fine/Very Fine.
Moon Over Miami (20th Century Fox, 1941). Mini Window Card (8" X 14").
After the success of Down Argentine Way, Don Ameche and pin-up star Betty Grable re-team for another fun romantic musical. Grable was on her way to becoming 20th Century-Fox's biggest star, a position she would enjoy for a decade. She became the highest paid actress in Hollywood and had her legs insured for a million dollars. This gorgeous and very rare midget window card features Grable and those famous legs stylized after the work of artist Alberto Vargas. The card has pinholes in the corners and borders, with a small cluster at the top and bottom center borders. The card also has some slight diagonal creasing to the corners. Very Fine-.
After the success of Down Argentine Way, Don Ameche and pin-up star Betty Grable re-team for another fun romantic musical. Grable was on her way to becoming 20th Century-Fox's biggest star, a position she would enjoy for a decade. She became the highest paid actress in Hollywood and had her legs insured for a million dollars. This gorgeous and very rare midget window card features Grable and those famous legs stylized after the work of artist Alberto Vargas. The card has pinholes in the corners and borders, with a small cluster at the top and bottom center borders. The card also has some slight diagonal creasing to the corners. Very Fine-.
Shall We Dance (RKO, 1937). Window Card (14" X 22").
The seventh pairing of Fred Astaire and Ginger Rogers finds them involved in a fake marriage scheme, with hilarious complications. Astaire plays a phony Russian ballet dancer who falls for stage dancer Rogers, with fun support from the brilliant comedians Edward Everett Horton and Eric Blore. The window card had a small tear in the imprint area, and small holes in Rogers' hair and hand, all of which has been addressed with professional restoration, including airbrushing in the borders and touch-ups. Fine/Very Fine on Cardstock.
The seventh pairing of Fred Astaire and Ginger Rogers finds them involved in a fake marriage scheme, with hilarious complications. Astaire plays a phony Russian ballet dancer who falls for stage dancer Rogers, with fun support from the brilliant comedians Edward Everett Horton and Eric Blore. The window card had a small tear in the imprint area, and small holes in Rogers' hair and hand, all of which has been addressed with professional restoration, including airbrushing in the borders and touch-ups. Fine/Very Fine on Cardstock.
Singin' in the Rain (MGM, 1952). Door Panels (2) (20" X 60").
It's not every day we get the complete set of door panels for one of the greatest Hollywood musicals ever done, so it is with great pride that we offer this very rare set for Singin' in the Rain! This lot features all three stars on poster #1, along with Gene Kelly dancing with Cyd Charisse. Debbie Reynolds is featured on poster #4. The #1 panel has pinholes in the borders, a top left corner chip, tape on the reverse, and a tear in the bottom border. The #4 panel has edge wear, a chip in the right border, and a tear at the bottom border into the image. The colors are bright and these unrestored panels have not been folded. An excellent addition to any collection! Please see our other two lots for the other four panels. Rolled, Very Fine.
It's not every day we get the complete set of door panels for one of the greatest Hollywood musicals ever done, so it is with great pride that we offer this very rare set for Singin' in the Rain! This lot features all three stars on poster #1, along with Gene Kelly dancing with Cyd Charisse. Debbie Reynolds is featured on poster #4. The #1 panel has pinholes in the borders, a top left corner chip, tape on the reverse, and a tear in the bottom border. The #4 panel has edge wear, a chip in the right border, and a tear at the bottom border into the image. The colors are bright and these unrestored panels have not been folded. An excellent addition to any collection! Please see our other two lots for the other four panels. Rolled, Very Fine.
Singin' in the Rain (MGM, 1952). Window Card (14" X 22").
This film had one of the best "opening acts" ever to hit a musical, and this colorful window card echoes the infectious exuberance immediately transferred to the audience as Gene Kelly, Debbie Reynolds, and Donald O'Connor stride forward in their yellow raincoats and hats singing the title song in a downpour. Only light foxing in the left and bottom borders, two minor corner creases, and a minor stain at the top. For musical fans everywhere, this will be a top item in their collection.
Very Fine-.
This film had one of the best "opening acts" ever to hit a musical, and this colorful window card echoes the infectious exuberance immediately transferred to the audience as Gene Kelly, Debbie Reynolds, and Donald O'Connor stride forward in their yellow raincoats and hats singing the title song in a downpour. Only light foxing in the left and bottom borders, two minor corner creases, and a minor stain at the top. For musical fans everywhere, this will be a top item in their collection.
Very Fine-.
Singin' in the Rain (MGM, 1952). Deluxe Lobby Cards (2) (11" X 14").
This lot contains two of the deluxe vertical lobby cards issued for this huge MGM release. These deluxe cards have always been very scarce and are printed on a beautiful glossy card stock. Both cards had some wear to the upper corners and there's some tape staining on the verso of one. Professional restoration has cleaned them both up to where they would frame up and look wonderful on your wall. These are two of the best cards from the set. Very Fine-.
This lot contains two of the deluxe vertical lobby cards issued for this huge MGM release. These deluxe cards have always been very scarce and are printed on a beautiful glossy card stock. Both cards had some wear to the upper corners and there's some tape staining on the verso of one. Professional restoration has cleaned them both up to where they would frame up and look wonderful on your wall. These are two of the best cards from the set. Very Fine-.
Singin' in the Rain (MGM, 1952). Door Panels (2) (20" X 60").
It's not every day we get a complete set of door panels for one of the greatest Hollywood musicals ever made, so it is with great pride that we offer in this very rare set for Singin' in the Rain! This lot features Gene Kelly on poster #3, and Kelly and Cyd Charisse on poster #6. Both panels have pinholes in the corners, archival tape on the reverse, on the bottom border for tears going into the credits, and a chip in the bottom left border. The #3 panel has edge wear on the right border. The colors are bright and these unrestored panels have not been folded. An excellent addition to any collection! Please see our other two lots for the other four panels. Rolled, Fine/Very Fine.
It's not every day we get a complete set of door panels for one of the greatest Hollywood musicals ever made, so it is with great pride that we offer in this very rare set for Singin' in the Rain! This lot features Gene Kelly on poster #3, and Kelly and Cyd Charisse on poster #6. Both panels have pinholes in the corners, archival tape on the reverse, on the bottom border for tears going into the credits, and a chip in the bottom left border. The #3 panel has edge wear on the right border. The colors are bright and these unrestored panels have not been folded. An excellent addition to any collection! Please see our other two lots for the other four panels. Rolled, Fine/Very Fine.
Singin' in the Rain (MGM, 1952). Door Panels (2) (20" X 60").
It's not every day we get the complete set of door panels for one of the greatest Hollywood musicals ever made. So it is with great pride that we offer in this auction the very rare set of door panel posters for Singin' in the Rain! This lot features all three stars on poster #2 and Donald O'Connor on poster #5. The #2 panel has pinholes in the borders, a top left corner chip, tape stains in the other corners, and a small tear in the top border. The #5 panel has pinholes in the borders, the bottom right corner is chipped off, tears at the top border into the image, tape stains in three corners, and a small stain on the right border. The colors are bright and these unrestored panels have not been folded. An excellent addition to any collection! Please see our other two lots for the other four panels. Rolled, Fine.
It's not every day we get the complete set of door panels for one of the greatest Hollywood musicals ever made. So it is with great pride that we offer in this auction the very rare set of door panel posters for Singin' in the Rain! This lot features all three stars on poster #2 and Donald O'Connor on poster #5. The #2 panel has pinholes in the borders, a top left corner chip, tape stains in the other corners, and a small tear in the top border. The #5 panel has pinholes in the borders, the bottom right corner is chipped off, tears at the top border into the image, tape stains in three corners, and a small stain on the right border. The colors are bright and these unrestored panels have not been folded. An excellent addition to any collection! Please see our other two lots for the other four panels. Rolled, Fine.
Sweet Music (Warner Brothers, 1935). Six Sheet (81" X 81").
Fun six sheet for an early Rudy Vallee and Ann Dvorak musical comedy. The poster features seven headshot portraits of seven co-stars in the film, including Alice White and Helen Morgan. Condition issues on this colorful poster include fold wear with crossfold separations, a tear in the bottom border, holes in the image, and soiling in the borders. Very Good on Kraft Paper.
Fun six sheet for an early Rudy Vallee and Ann Dvorak musical comedy. The poster features seven headshot portraits of seven co-stars in the film, including Alice White and Helen Morgan. Condition issues on this colorful poster include fold wear with crossfold separations, a tear in the bottom border, holes in the image, and soiling in the borders. Very Good on Kraft Paper.
White Christmas (Paramount, 1954). Half Sheet (22" X 28") Style A.
Great grade on a perennial winner. This is the style A half sheet showing Bing Crosby, Rosemary Clooney, Danny Kaye, and Vera-Ellen in their Christmas red signature outfits. Only soft folds! Folded, Very Fine+.
Great grade on a perennial winner. This is the style A half sheet showing Bing Crosby, Rosemary Clooney, Danny Kaye, and Vera-Ellen in their Christmas red signature outfits. Only soft folds! Folded, Very Fine+.
White Christmas (Paramount, 1954). One Sheet (27" X 41").
After Singin' In the Rain, White Christmas may be the most popular and memorable Technicolor musical of the 1950s. Bing Crosby stars in this remake of his 1942 hit Holiday Inn and reprises the classic title tune. Popular comedian Danny Kaye supplies the laughs while Rosemary Clooney provides the love interest and Vera-Ellen the dancing. A small tear at the top center fold and pinpoint crossfold separations are the only condition issues on this classic poster. Very Fine.
After Singin' In the Rain, White Christmas may be the most popular and memorable Technicolor musical of the 1950s. Bing Crosby stars in this remake of his 1942 hit Holiday Inn and reprises the classic title tune. Popular comedian Danny Kaye supplies the laughs while Rosemary Clooney provides the love interest and Vera-Ellen the dancing. A small tear at the top center fold and pinpoint crossfold separations are the only condition issues on this classic poster. Very Fine.
White Christmas (Paramount, 1954). Half Sheet (22" X 28") Style B.
Bing Crosby and Danny Kaye play army buddies who find success as a song-and-dance team. They fall for a pair of beautiful sisters (Rosemary Clooney and Vera-Ellen) and follow them to a Vermont lodge, where they discover their old army general is the owner. Irving Berlin contributes the memorable score (though the title tune had previously been introduced in Holiday Inn more than a decade earlier). Offered here is the rarely seen style B half sheet, with totally different art from the one sheet, featuring the four stars in all their glory. The poster had corner pinholes and corner chips which have been smoothed over with professional restoration. It has been paper backed with touch-ups in the bottom border. Fine/Very Fine on Paper.
Bing Crosby and Danny Kaye play army buddies who find success as a song-and-dance team. They fall for a pair of beautiful sisters (Rosemary Clooney and Vera-Ellen) and follow them to a Vermont lodge, where they discover their old army general is the owner. Irving Berlin contributes the memorable score (though the title tune had previously been introduced in Holiday Inn more than a decade earlier). Offered here is the rarely seen style B half sheet, with totally different art from the one sheet, featuring the four stars in all their glory. The poster had corner pinholes and corner chips which have been smoothed over with professional restoration. It has been paper backed with touch-ups in the bottom border. Fine/Very Fine on Paper.
You're a Sweetheart (Universal, 1937). One Sheet (27" X 41").
Tuneful film with Alice Faye in her prime, turning the title song into a popular standard. Her extended dance routines with George Murphy are considered classics of the musical film era. She's featured on this pretty Universal one sheet in a gorgeous portrait, complete with top hat! There are corner pinholes and a pinhole in the center vertical fold, edge wrinkling on the left side with small tears, and pinpoint crossfold separations. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Tuneful film with Alice Faye in her prime, turning the title song into a popular standard. Her extended dance routines with George Murphy are considered classics of the musical film era. She's featured on this pretty Universal one sheet in a gorgeous portrait, complete with top hat! There are corner pinholes and a pinhole in the center vertical fold, edge wrinkling on the left side with small tears, and pinpoint crossfold separations. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Ziegfeld Follies (MGM, 1945). Poster (40" X 60").
The entertainment genius Florenz Ziegfeld, played by William Powell, looks down from heaven and envisions a new dancing/singing extravaganza. An incredible ensemble cast, including Fred Astaire, Judy Garland, Lena Horne, Gene Kelly, Red Skelton, Lucille Ball, and Esther Williams, makes for a knock-out musical production. This rarely offered 40" X 60" poster features a saucy Ms. Ball in costume, surrounded by excellent portraits of her castmates. Paper backed, the poster has only minor imperfections with some light surface creasing in the image, small tears in the borders, and minimal edge wear along the borders. Fine/Very Fine on Paper.
The entertainment genius Florenz Ziegfeld, played by William Powell, looks down from heaven and envisions a new dancing/singing extravaganza. An incredible ensemble cast, including Fred Astaire, Judy Garland, Lena Horne, Gene Kelly, Red Skelton, Lucille Ball, and Esther Williams, makes for a knock-out musical production. This rarely offered 40" X 60" poster features a saucy Ms. Ball in costume, surrounded by excellent portraits of her castmates. Paper backed, the poster has only minor imperfections with some light surface creasing in the image, small tears in the borders, and minimal edge wear along the borders. Fine/Very Fine on Paper.
Funny Face (Paramount, 1957). Three Sheet (41" X 81").
A stylish, witty, romantic musical, this film has several ingredients that make it such a fan favorite. The stunning, graceful beauty of Audrey Hepburn, the elegant sophistication of Fred Astaire, timeless Gershwin tunes, and the gorgeous Paris setting all come together in sublime fashion. This three sheet is easily the most sought after paper on this title, with fantastic images of Hepburn and Astaire, and the iconic Eiffel Tower in the background. Some very minor crossfold separation is the only condition issue this lovely piece has. Very Fine+.
A stylish, witty, romantic musical, this film has several ingredients that make it such a fan favorite. The stunning, graceful beauty of Audrey Hepburn, the elegant sophistication of Fred Astaire, timeless Gershwin tunes, and the gorgeous Paris setting all come together in sublime fashion. This three sheet is easily the most sought after paper on this title, with fantastic images of Hepburn and Astaire, and the iconic Eiffel Tower in the background. Some very minor crossfold separation is the only condition issue this lovely piece has. Very Fine+.
When You're in Love (Columbia, 1937). One Sheet (27" X 41") Style B.
If somehow you've missed this title, be sure and see it! It features one of Cary Grant's best performances; his comedic timing is excellent. Just the duet of Grant on the piano and opera star Grace Moore belting out Cab Calloway's classic, "Minnie the Moocher," is worth the price of admission. Among the images on this one sheet is a fun scene where Grant and Moore perform a fake marriage facing away from each other! There are border pinholes, edge wear with small tears, marker writing on the verso, small stains in the background, crossfold separations, and chips in the left and right center borders. From the Estate of Andrew Weimer Gard. Fine.
If somehow you've missed this title, be sure and see it! It features one of Cary Grant's best performances; his comedic timing is excellent. Just the duet of Grant on the piano and opera star Grace Moore belting out Cab Calloway's classic, "Minnie the Moocher," is worth the price of admission. Among the images on this one sheet is a fun scene where Grant and Moore perform a fake marriage facing away from each other! There are border pinholes, edge wear with small tears, marker writing on the verso, small stains in the background, crossfold separations, and chips in the left and right center borders. From the Estate of Andrew Weimer Gard. Fine.
Charlie Chan at Monte Carlo (20th Century Fox, 1937). One Sheet (27" X 41").
Warner Oland made his sixteenth Charlie Chan film with this 1937 installment in the series. It's a beautiful one sheet featuring the stoic countenance of Charlie Chan watching the other cast members. Older restoration has left some minor surface cracking in the bottom horizontal fold line. There were small tears in the top right corner, the bottom left corner, and the left border. There was some minimal touch-up on the fold wear and cross-fold separations, and there were small chips in the right and left borders. The bottom right had a small corner bend. A wonderful addition for any collector of the series. Fine+ on Linen.
Warner Oland made his sixteenth Charlie Chan film with this 1937 installment in the series. It's a beautiful one sheet featuring the stoic countenance of Charlie Chan watching the other cast members. Older restoration has left some minor surface cracking in the bottom horizontal fold line. There were small tears in the top right corner, the bottom left corner, and the left border. There was some minimal touch-up on the fold wear and cross-fold separations, and there were small chips in the right and left borders. The bottom right had a small corner bend. A wonderful addition for any collector of the series. Fine+ on Linen.
Charlie Chan at the Wax Museum (20th Century Fox, 1940). One Sheet (27" X 41").
This fun poster for the 23rd "Charlie Chan" (as we know him) features a screaming Marguerite Chapman, a bandaged Marc Lawrence (a veteran of five Chans), and the every stoic visage of Charlie Chan in the top left, played by Sidney Toler in his seventh Chan. The poster has minimal fold wear and a small chip from the top border. There is a small amount of staining in the left and right borders, light edge wear, and a small tear in the lower left corner. There are small pieces of cellophane tape on the reverse. The colors are bright and fresh in this very displayable copy. Don't miss it! Fine/Very Fine.
This fun poster for the 23rd "Charlie Chan" (as we know him) features a screaming Marguerite Chapman, a bandaged Marc Lawrence (a veteran of five Chans), and the every stoic visage of Charlie Chan in the top left, played by Sidney Toler in his seventh Chan. The poster has minimal fold wear and a small chip from the top border. There is a small amount of staining in the left and right borders, light edge wear, and a small tear in the lower left corner. There are small pieces of cellophane tape on the reverse. The colors are bright and fresh in this very displayable copy. Don't miss it! Fine/Very Fine.
Dressed to Kill (Universal, 1946). One Sheet (27" X 41").
Hollywood took a gorgeous, very talented mezzo-soprano stage actress and insisted on casting her in villainous femme fatale roles. She graces this one sheet wonderfully, ably illuminating the title and wearing a color-coordinated hair band, gloved evening dress, white fur coat... and holding a revolver! This was the last installment in one of the most popular series ever filmed. Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) are beautifully featured on this poster. The colors are very fresh with only corner pinholes, minor edge wear with minor tears in the bottom horizontal fold, small fold separations, and creases in the right and left borders. Very Fine-.
Hollywood took a gorgeous, very talented mezzo-soprano stage actress and insisted on casting her in villainous femme fatale roles. She graces this one sheet wonderfully, ably illuminating the title and wearing a color-coordinated hair band, gloved evening dress, white fur coat... and holding a revolver! This was the last installment in one of the most popular series ever filmed. Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) are beautifully featured on this poster. The colors are very fresh with only corner pinholes, minor edge wear with minor tears in the bottom horizontal fold, small fold separations, and creases in the right and left borders. Very Fine-.
Pursuit to Algiers (Universal, 1945). One Sheet (27" X 41").
This poster features great portraits of the two beloved stars of this popular series, Basil Rathbone as Sherlock Holmes and Nigel Bruce and Dr. Watson, with all the baddies drawn in greens and greys. High grade original with super color. Only pinholes in the top corners and some small pinpoint cross-fold separations. Ready for display! Very Fine.
This poster features great portraits of the two beloved stars of this popular series, Basil Rathbone as Sherlock Holmes and Nigel Bruce and Dr. Watson, with all the baddies drawn in greens and greys. High grade original with super color. Only pinholes in the top corners and some small pinpoint cross-fold separations. Ready for display! Very Fine.
Sherlock Holmes (Goldwyn, 1922). Title Lobby Card (11" X 14").
Here's something missing from most Sherlock Holmes collections. It's a title card from the John Barrymore version, which covered Holmes's early years and his first encounter with Moriarty. There is edge wear with small tears, one tear just into the top image, as well as border smudges, faint stains, and some creasing in the top border. Fine-.
Here's something missing from most Sherlock Holmes collections. It's a title card from the John Barrymore version, which covered Holmes's early years and his first encounter with Moriarty. There is edge wear with small tears, one tear just into the top image, as well as border smudges, faint stains, and some creasing in the top border. Fine-.
Terror by Night (Universal, 1946). One Sheet (27" X 41").
One of the best in the series with a great one sheet showing the speeding train rattling from London to Edinburgh. Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) stare at the clues above, highlighted in yellow, while a shadow-drenched Renee Godfrey gazes at them wide-eyed! Only border pinholes, small bottom border tears, pinpoint cross-fold separations, and a hole in the top right border. Fine/Very Fine.
One of the best in the series with a great one sheet showing the speeding train rattling from London to Edinburgh. Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) stare at the clues above, highlighted in yellow, while a shadow-drenched Renee Godfrey gazes at them wide-eyed! Only border pinholes, small bottom border tears, pinpoint cross-fold separations, and a hole in the top right border. Fine/Very Fine.
The Triumph of Sherlock Holmes (Monitor Pictures, 1935). Argentinean Poster (29" X 43").
This is an interesting Argentinean poster for The Triumph of Sherlock Holmes. They list the cast correctly, but leave out Leslie Hiscott, the director. Instead they list Thomas Bentley, who directed Murder at the Baskervilles, and also list that title in English below the Spanish title! In any case, it's a fun poster, featuring great images of Ian Fleming (not the author) as "Watson" and Arthur Wontner as "Sherlock Holmes." There is edge wear with small tears in the borders, some browning in the lower fold lines, fold separations, mild wrinkles in the mid-section, and a top left corner bend. Fine/Very Fine.
This is an interesting Argentinean poster for The Triumph of Sherlock Holmes. They list the cast correctly, but leave out Leslie Hiscott, the director. Instead they list Thomas Bentley, who directed Murder at the Baskervilles, and also list that title in English below the Spanish title! In any case, it's a fun poster, featuring great images of Ian Fleming (not the author) as "Watson" and Arthur Wontner as "Sherlock Holmes." There is edge wear with small tears in the borders, some browning in the lower fold lines, fold separations, mild wrinkles in the mid-section, and a top left corner bend. Fine/Very Fine.
Session 3
And Then There Were None (20th Century Fox, 1945). One Sheet (27" X 41").
A stellar ensemble cast, a great director, and some fine cinematography made this the best adaptation of Agatha Christie's detective fiction novel to date, impressive considering that Christie's book is the 7th best selling book of all time and the world's best selling mystery ever. The poster has been linenbacked with some surface and border airbrushing for border pinholes, but there are still tears in the top left border and one from the top border into C. Aubrey Smith's head. There is also a chip in the top left border and some crossfold separations with chips in the top crossfold. Fine+ on Linen.
A stellar ensemble cast, a great director, and some fine cinematography made this the best adaptation of Agatha Christie's detective fiction novel to date, impressive considering that Christie's book is the 7th best selling book of all time and the world's best selling mystery ever. The poster has been linenbacked with some surface and border airbrushing for border pinholes, but there are still tears in the top left border and one from the top border into C. Aubrey Smith's head. There is also a chip in the top left border and some crossfold separations with chips in the top crossfold. Fine+ on Linen.
Charade (Universal, 1963). British Quad (30" X 40").
Romance and suspense in Paris as a woman is pursued by several men who want the fortune that her murdered husband had stolen. Cary Grant and Audrey Hepburn are the glamorous leads, with Walter Matthau, James Coburn, and George Kennedy lending able support. This seldom-sold British quad has only very minor flaws, including one bottom vertical fold tear, minor surface paper loss in the top center fold, extra horizontal folds, and a bottom right corner bend. A rare gem for any collection. Very Fine-.
Romance and suspense in Paris as a woman is pursued by several men who want the fortune that her murdered husband had stolen. Cary Grant and Audrey Hepburn are the glamorous leads, with Walter Matthau, James Coburn, and George Kennedy lending able support. This seldom-sold British quad has only very minor flaws, including one bottom vertical fold tear, minor surface paper loss in the top center fold, extra horizontal folds, and a bottom right corner bend. A rare gem for any collection. Very Fine-.
The Scarlet Claw (Universal, 1944). Lobby Cards (2) (11" X 14").
Though not based on any Conan Doyle story, The Scarlet Claw is regarded by Baker Street aficionados as the best of Universal's Sherlock Holmes series. Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) journey to Canada to investigate a series of mysterious murders. Here are two of the best lobby cards in the set, both featuring excellent shots of Rathbone and Bruce. One of the cards has a very small chip, smudges, and pinholes in the bottom border in addition to slight corner creases. The second card has a very faint stain in the bottom right corner and minor corner creases. Fine/Very Fine.
Though not based on any Conan Doyle story, The Scarlet Claw is regarded by Baker Street aficionados as the best of Universal's Sherlock Holmes series. Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) journey to Canada to investigate a series of mysterious murders. Here are two of the best lobby cards in the set, both featuring excellent shots of Rathbone and Bruce. One of the cards has a very small chip, smudges, and pinholes in the bottom border in addition to slight corner creases. The second card has a very faint stain in the bottom right corner and minor corner creases. Fine/Very Fine.
Shadows over Chinatown (Monogram, 1946). Half Sheet (22" X 28").
Sidney Toler once again plays the great Charlie Chan, along with sidekicks #2 Son (Victor Sen Young) and the comical Birmingham Brown (Mantan Moreland). Things get exciting when they find themselves caught up in a murder-for-profit racket in the mysterious streets of San Francisco's Chinatown. This folded half sheet has extra fold wear, stains and smudging in the left and bottom border, creasing along the edges, bends in the top corners, and pinholes in the borders and image. Folded, Fine.
Sidney Toler once again plays the great Charlie Chan, along with sidekicks #2 Son (Victor Sen Young) and the comical Birmingham Brown (Mantan Moreland). Things get exciting when they find themselves caught up in a murder-for-profit racket in the mysterious streets of San Francisco's Chinatown. This folded half sheet has extra fold wear, stains and smudging in the left and bottom border, creasing along the edges, bends in the top corners, and pinholes in the borders and image. Folded, Fine.
The Shanghai Chest (Monogram, 1948). One Sheet (27" X 41").
This time around, it's Roland Winters as the venerable Chinese detective, Charlie Chan. He has to find the origins of death-by-snake-bite! That's pretty Deannie Best in the center of the poster above Winters. This great poster, with some good images of Mantan Moreland and Victor Sen Yung, has edge wear at the bottom, crossfold separations, and faint wrinkles in the right border. Very Fine-.
This time around, it's Roland Winters as the venerable Chinese detective, Charlie Chan. He has to find the origins of death-by-snake-bite! That's pretty Deannie Best in the center of the poster above Winters. This great poster, with some good images of Mantan Moreland and Victor Sen Yung, has edge wear at the bottom, crossfold separations, and faint wrinkles in the right border. Very Fine-.
The Trap (Monogram, 1946). Half Sheet (22" X 28").
This mystery would mark Sidney Toler's last appearance as the famed Chinese-American detective, the great Charlie Chan, before Toler's death. The film has Chan and his sidekick Birmingham Brown (Mantan Moreland) investigating murders in a Malibu bungalow filled with gorgeous showgirls. This half sheet has pinholes and tape stains in the borders, fold wear, some fold separation, a small chip in the bottom border, a small tear in the left border, a dust shadow in the left border, and tape along the folds of the verso. Folded, Very Good/Fine.
This mystery would mark Sidney Toler's last appearance as the famed Chinese-American detective, the great Charlie Chan, before Toler's death. The film has Chan and his sidekick Birmingham Brown (Mantan Moreland) investigating murders in a Malibu bungalow filled with gorgeous showgirls. This half sheet has pinholes and tape stains in the borders, fold wear, some fold separation, a small chip in the bottom border, a small tear in the left border, a dust shadow in the left border, and tape along the folds of the verso. Folded, Very Good/Fine.
All Night Long (Colorama, 1963). CGC Graded British Lobby Card Set of 8 (11" X 14").
Here offered is a complete set of this off-beat but very interesting British film with a poached Shakespearian plot-line, featuring everything from Patrick McGoohan to interracial couples taking drugs! See if you can spot all the real life jazz musicians in the lobby cards. We'll give you one: there's a very rare card in the set with Dave Brubeck at the piano and Charlie Mingus on bass. These are the deluxe "rotografica" lobby cards with that lovely high gloss color. CGC has graded them two at 9.0, five at 9.2, and one at 9.4. The overall grade is Near Mint-.
Here offered is a complete set of this off-beat but very interesting British film with a poached Shakespearian plot-line, featuring everything from Patrick McGoohan to interracial couples taking drugs! See if you can spot all the real life jazz musicians in the lobby cards. We'll give you one: there's a very rare card in the set with Dave Brubeck at the piano and Charlie Mingus on bass. These are the deluxe "rotografica" lobby cards with that lovely high gloss color. CGC has graded them two at 9.0, five at 9.2, and one at 9.4. The overall grade is Near Mint-.
Blue Hawaii (Paramount, 1961). One Sheet (27" X 41").
Considered by many Elvis Presley's fans as one of his stronger post-army stint pictures, this musical includes some of his best tunes and the best scenery, script and performances of the King's 1960s efforts. This title and Viva Las Vegas are surely his most collectible 1960s posters. This copy has corner pinholes and a very slight bit of staining in the lower left quadrant but is otherwise in very nice condition with bright colors. Get it while you can, before most of these posters end up in privately held collections. Fine/Very Fine.
Considered by many Elvis Presley's fans as one of his stronger post-army stint pictures, this musical includes some of his best tunes and the best scenery, script and performances of the King's 1960s efforts. This title and Viva Las Vegas are surely his most collectible 1960s posters. This copy has corner pinholes and a very slight bit of staining in the lower left quadrant but is otherwise in very nice condition with bright colors. Get it while you can, before most of these posters end up in privately held collections. Fine/Very Fine.
Elvis Presley and Nancy Sinatra in Speedway (MGM, 1968). Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. Much was made of the relationship between Nancy Sinatra and Elvis Presley during the filming of Speedway. Ms. Sinatra sings "Your Groovy Self" in the film, and it was left in the soundtrack LP. Thus, it became the first and only song sung by another singer to be released on an official Elvis Presley record! There is a faint vertical crease in the left side of the background (mostly visible just from the rear) and a corner bend and crease in the lower left. Oversize photos from Presley's films are prized collector's items as they were produced in extremely small quantities by the studios. Fine/Very Fine.
Vintage, double weight, satin finish photo. Much was made of the relationship between Nancy Sinatra and Elvis Presley during the filming of Speedway. Ms. Sinatra sings "Your Groovy Self" in the film, and it was left in the soundtrack LP. Thus, it became the first and only song sung by another singer to be released on an official Elvis Presley record! There is a faint vertical crease in the left side of the background (mostly visible just from the rear) and a corner bend and crease in the lower left. Oversize photos from Presley's films are prized collector's items as they were produced in extremely small quantities by the studios. Fine/Very Fine.
Love Me Tender (20th Century Fox, 1956). Half Sheet (22" X 28").
Although this Civil War drama is the only one of Presley's films in which he did not receive top billing, it's reported that a record number of prints of the movie were struck to accommodate the enormous demand for Elvis's film debut. This half sheet features a fabulous portrait of "The King of Rock and Roll" strumming his guitar and canoodling with his lovely co-star, Debra Paget. Besides a small paper lift in the upper left corner, faint tape stain in the left border, and a very small tear in the right border, the poster is otherwise extremely clean and presentable. A fine piece for any devoted fan of The King. Rolled, Fine/Very Fine.
Although this Civil War drama is the only one of Presley's films in which he did not receive top billing, it's reported that a record number of prints of the movie were struck to accommodate the enormous demand for Elvis's film debut. This half sheet features a fabulous portrait of "The King of Rock and Roll" strumming his guitar and canoodling with his lovely co-star, Debra Paget. Besides a small paper lift in the upper left corner, faint tape stain in the left border, and a very small tear in the right border, the poster is otherwise extremely clean and presentable. A fine piece for any devoted fan of The King. Rolled, Fine/Very Fine.
Loving You (Paramount, 1957). Uncut Pressbooks (2) (24 Pages & 8 Pages,12" X 15").
This was Elvis Presley's second film and the first one to depict the enormous adoration and pandemonium of his rock 'n' roll life. Presley was already a star when this film was released, and millions flocked to see him work his magic on the big screen. Both the first release and the 1959 re-release pressbooks are included, with very minor spine and edge wear on each. The 1957 booklet offers sensational items related to the publicity of the film--several styles of posters, a giant six-foot cutout, crew hat, stuffed teddy bear, guitars, and the not-to-be missed Loving You charm bracelet! These pressbooks are a must for aficionados of Elvis Presley's classic years. Very Fine.
This was Elvis Presley's second film and the first one to depict the enormous adoration and pandemonium of his rock 'n' roll life. Presley was already a star when this film was released, and millions flocked to see him work his magic on the big screen. Both the first release and the 1959 re-release pressbooks are included, with very minor spine and edge wear on each. The 1957 booklet offers sensational items related to the publicity of the film--several styles of posters, a giant six-foot cutout, crew hat, stuffed teddy bear, guitars, and the not-to-be missed Loving You charm bracelet! These pressbooks are a must for aficionados of Elvis Presley's classic years. Very Fine.
Roustabout (Paramount, 1964). One Sheet (27" X 41").
When his bike is damaged in an accident, Elvis Presley (Charlie Rogers) goes to work for struggling carnival owner Barbara Stanwyck (Maggie Morgan) and soon becomes the star of the show as a hit singer. Early appearances by Raquel Welch and Terri Garr helped make this a memorable musical. This attractive one sheet shows only pinholes in the corners and a smudge in the top border. The devastatingly handsome Elvis, on his motorcycle with a guitar strapped on back, makes this a highly sought after poster. Very Fine+.
When his bike is damaged in an accident, Elvis Presley (Charlie Rogers) goes to work for struggling carnival owner Barbara Stanwyck (Maggie Morgan) and soon becomes the star of the show as a hit singer. Early appearances by Raquel Welch and Terri Garr helped make this a memorable musical. This attractive one sheet shows only pinholes in the corners and a smudge in the top border. The devastatingly handsome Elvis, on his motorcycle with a guitar strapped on back, makes this a highly sought after poster. Very Fine+.
Don't Knock the Rock (Columbia, 1957). One Sheet (27" X 41").
In this immediate follow-up to the earlier Rock Around the Clock, Alan Dale portrays a rock star who returns to his hometown for the summer only to find that rock and roll has been banned there by disapproving adults. Although the film also stars notables Bill Haley and His Comets, the Treniers, and disc jockey Alan Freed, today it is best remembered for introducing Little Richard to the masses. This rarely offered one sheet has fun images of the rockin' stars, and displays only very minor vertical fold separation with tape on the verso. Very Fine+.
In this immediate follow-up to the earlier Rock Around the Clock, Alan Dale portrays a rock star who returns to his hometown for the summer only to find that rock and roll has been banned there by disapproving adults. Although the film also stars notables Bill Haley and His Comets, the Treniers, and disc jockey Alan Freed, today it is best remembered for introducing Little Richard to the masses. This rarely offered one sheet has fun images of the rockin' stars, and displays only very minor vertical fold separation with tape on the verso. Very Fine+.
Gimme Shelter (20th Century Fox, 1970). One Sheet (27" X 41").
The horrific events at the Altamont Speedway were all captured on cameras by brothers Albert and David Maysles. Their footage would spell the beginning of the end for the "peace/love" era in America just four months after Woodstock. Many consider this film second only to Woodstock in underlining the disparate mix of art and reality in the music of the 1960s. While it chronicles one of the darkest days in the history of rock and roll, it also captures the Rolling Stones, the longest lived rock band in history, at their prime, and makes this high grade flat-folded poster, done in almost a "black-light" style, a "must" for any true rock collector. Near Mint/Mint.
The horrific events at the Altamont Speedway were all captured on cameras by brothers Albert and David Maysles. Their footage would spell the beginning of the end for the "peace/love" era in America just four months after Woodstock. Many consider this film second only to Woodstock in underlining the disparate mix of art and reality in the music of the 1960s. While it chronicles one of the darkest days in the history of rock and roll, it also captures the Rolling Stones, the longest lived rock band in history, at their prime, and makes this high grade flat-folded poster, done in almost a "black-light" style, a "must" for any true rock collector. Near Mint/Mint.
Mister Rock and Roll (Paramount, 1957). One Sheet (27" X 41").
Alan Freed, self-proclaimed creator of rock and roll, stars along side legendary performers Little Richard, Chuck Berry, Lionel Hampton, Ferlin Huskey, Frankie Lymon and the Teenagers, The Moonglows, LaVern Baker, and Brook Benton. This poster, featuring images of the film's rockin' stars, is in exceptional condition, and displays only a top left corner crease and very small corner bends. If you are a 1950s rock and roll enthusiast, this poster is a must-have. Very Fine+.
Alan Freed, self-proclaimed creator of rock and roll, stars along side legendary performers Little Richard, Chuck Berry, Lionel Hampton, Ferlin Huskey, Frankie Lymon and the Teenagers, The Moonglows, LaVern Baker, and Brook Benton. This poster, featuring images of the film's rockin' stars, is in exceptional condition, and displays only a top left corner crease and very small corner bends. If you are a 1950s rock and roll enthusiast, this poster is a must-have. Very Fine+.
Monterey Pop (Leacock-Pennebaker, 1968). One Sheet (27" X 41").
Poster artist Tomi Ungerer did the artwork for this great risque poster for D.A. Pennebaker's documentary. The poster includes the snipe listing the artists performing in the film. It was often used to paste over the bare breasts of the female figure. This example shows some fold wear on its glossy surface with minor crossfold separation. Very Fine-.
Poster artist Tomi Ungerer did the artwork for this great risque poster for D.A. Pennebaker's documentary. The poster includes the snipe listing the artists performing in the film. It was often used to paste over the bare breasts of the female figure. This example shows some fold wear on its glossy surface with minor crossfold separation. Very Fine-.
Rock, Rock, Rock (DCA, 1956). Lobby Card Set of 8 (11" X 14").
The legendary impresario of Rock 'n' Roll himself, Alan Freed, gets his propers for a film that combined Tuesday Weld's first film (with the dubbed singing voice of Connie Francis!) and everyone from LaVern Baker to Jimmy Cavallo and His House Rockers. Some rare and great cards in this set. Check out the cards with Baker, and Frankie Lymon and the Teen-Agers. If you think it was easy as a black performer to get on a lobby card in a white film, you didn't live through the 1950s. There is some slight edge wear to the cards, a mild toning in the borders of the title card, and some flecks of surface paper loss in the borders of the title card. Very Fine.
The legendary impresario of Rock 'n' Roll himself, Alan Freed, gets his propers for a film that combined Tuesday Weld's first film (with the dubbed singing voice of Connie Francis!) and everyone from LaVern Baker to Jimmy Cavallo and His House Rockers. Some rare and great cards in this set. Check out the cards with Baker, and Frankie Lymon and the Teen-Agers. If you think it was easy as a black performer to get on a lobby card in a white film, you didn't live through the 1950s. There is some slight edge wear to the cards, a mild toning in the borders of the title card, and some flecks of surface paper loss in the borders of the title card. Very Fine.
Golden Age (1938-1955)
His Woman (Paramount, 1931). Window Card (14" X 22").
Gary Cooper and Claudette Colbert team up for this drama about a grizzled sea captain who finds a baby adrift at sea and advertises for a "mother" for the child, but the woman who answers the ad isn't exactly what he had in mind. This good-looking window card has light stains in the bottom border, a small tear in the top border, surface paper loss in the bottom right corner, and a crease in the bottom left corner with associated small tear. Fine+.
Gary Cooper and Claudette Colbert team up for this drama about a grizzled sea captain who finds a baby adrift at sea and advertises for a "mother" for the child, but the woman who answers the ad isn't exactly what he had in mind. This good-looking window card has light stains in the bottom border, a small tear in the top border, surface paper loss in the bottom right corner, and a crease in the bottom left corner with associated small tear. Fine+.
Modern Age (1980-Present)
The Easiest Way (MGM, 1931). Window Card (14" X 22").
A very rare must-have for all Clark Gable collectors, this window card is from one of his first credited roles. That's Constance Bennett, Robert Montgomery, and Adolphe Menjou on the poster. There are only some light stains. Very Fine.
A very rare must-have for all Clark Gable collectors, this window card is from one of his first credited roles. That's Constance Bennett, Robert Montgomery, and Adolphe Menjou on the poster. There are only some light stains. Very Fine.
Movie Posters
Next Time We Love (Universal, 1936). Window Card (14" X 22").
This melodrama is particularly notable as James Stewart's fourth movie, right after Rose-Marie (1936). The window card offered here features a lovely image of co-star Margaret Sullivan and is card stock backed. Very minor surface paper loss in the left border, and there has been professional restoration in the borders and imprint area. A beautiful piece that presents very nicely, this will be a proud addition to any collection. Fine/Very Fine.
This melodrama is particularly notable as James Stewart's fourth movie, right after Rose-Marie (1936). The window card offered here features a lovely image of co-star Margaret Sullivan and is card stock backed. Very minor surface paper loss in the left border, and there has been professional restoration in the borders and imprint area. A beautiful piece that presents very nicely, this will be a proud addition to any collection. Fine/Very Fine.
One Million B.C. (United Artists, 1940). Insert (14" X 36").
In this prehistoric take on Romeo and Juliet, Victor Mature, leader of the Rock People, falls in love with Carole Landis, from the hated Shell Tribe. Famously, the dinosaurs are rendered via regulation-sized lizards romping through miniature sets. Light edge wear, some surface creasing in the credits area, and minor corner bends are the only condition issues to note. Rolled, Fine/Very Fine.
In this prehistoric take on Romeo and Juliet, Victor Mature, leader of the Rock People, falls in love with Carole Landis, from the hated Shell Tribe. Famously, the dinosaurs are rendered via regulation-sized lizards romping through miniature sets. Light edge wear, some surface creasing in the credits area, and minor corner bends are the only condition issues to note. Rolled, Fine/Very Fine.
The Brain Eaters (American International, 1958). Insert (14" X 36").
Parasites from the center of the Earth have invaded the small town of Riverdale, Illinois, mind-controlling everyone in a position of authority. Only one man can stop them. This striking insert has corner pinholes, edge wear with small tears, creasing in the top and bottom borders, and tape residue in the right border. It retains excellent color and a fresh appearance overall. Rolled, Fine/Very Fine.
Parasites from the center of the Earth have invaded the small town of Riverdale, Illinois, mind-controlling everyone in a position of authority. Only one man can stop them. This striking insert has corner pinholes, edge wear with small tears, creasing in the top and bottom borders, and tape residue in the right border. It retains excellent color and a fresh appearance overall. Rolled, Fine/Very Fine.
Creature from the Black Lagoon (Universal International, R-1962). French Affiche (23.5" X 31.5").
Julie Adams is the nubile lady-in-white (bathing suit, that is) that catches the attention of a prehistoric Gill-man who lived in the Black Lagoon. Who can blame the guy? Have you seen Julie Adams? This nifty French affiche has a small tear in the bottom vertical fold, a pinpoint hole in the background and creasing in the center of the left border. Very Fine+.
Julie Adams is the nubile lady-in-white (bathing suit, that is) that catches the attention of a prehistoric Gill-man who lived in the Black Lagoon. Who can blame the guy? Have you seen Julie Adams? This nifty French affiche has a small tear in the bottom vertical fold, a pinpoint hole in the background and creasing in the center of the left border. Very Fine+.
Creature from the Haunted Sea (Filmgroup, Inc., 1961). Lobby Card Set of 8 (11" X 14").
Indie directors and producers go to school on this one. Master of the un-spent buck, Roger Corman put this in the can in Puerto Rico in five days, paying locals $1 an hour. The "Creature" was made from moss, a wetsuit, and a stack of Brillo pads. The eyes were tennis balls with ping-pong balls for pupils, and it had pip cleaners for "claws." Now a cult classic and considered one of the best 'Creature from the Black Lagoon" spoofs ever made. Straight from the wrapper! Mint.
Indie directors and producers go to school on this one. Master of the un-spent buck, Roger Corman put this in the can in Puerto Rico in five days, paying locals $1 an hour. The "Creature" was made from moss, a wetsuit, and a stack of Brillo pads. The eyes were tennis balls with ping-pong balls for pupils, and it had pip cleaners for "claws." Now a cult classic and considered one of the best 'Creature from the Black Lagoon" spoofs ever made. Straight from the wrapper! Mint.
The Spider (American International, 1958). One Sheet (27" X 41").
Mr. B.I.G. himself--Bert I. Gordon--directed this teen-themed thriller about a giant spider terrorizing a small town. The poster has a few tears in the left border and a long tear in the right border that extends into the image, issues that have been repaired with tape on the reverse. It also has smudges in the right and left borders and pinpoint crossfold separations. Fine/Very Fine.
Mr. B.I.G. himself--Bert I. Gordon--directed this teen-themed thriller about a giant spider terrorizing a small town. The poster has a few tears in the left border and a long tear in the right border that extends into the image, issues that have been repaired with tape on the reverse. It also has smudges in the right and left borders and pinpoint crossfold separations. Fine/Very Fine.
The Tingler (Columbia, 1959). One Sheet (27" X 41").
Vincent Price plays a physician who discovers a creature that lives in everybody's spine. The creature grows and thrives on your fear, eventually snapping your backbone in two when it grows to a certain size. Through the magic of "Percepto," audiences were encouraged to scream to save themselves from the Tingler. This nifty one sheet has scattered pinholes, bleed-through from a stamp on the reverse, a smudge at lower right, and transfer ink from folding. Fine/Very Fine.
Vincent Price plays a physician who discovers a creature that lives in everybody's spine. The creature grows and thrives on your fear, eventually snapping your backbone in two when it grows to a certain size. Through the magic of "Percepto," audiences were encouraged to scream to save themselves from the Tingler. This nifty one sheet has scattered pinholes, bleed-through from a stamp on the reverse, a smudge at lower right, and transfer ink from folding. Fine/Very Fine.
The Amazing Colossal Man (American International, 1957). Insert (14" X 36").
Glen Langan plays an army colonel exposed to atomic radiation who grows to, well, colossal size. Rampaging ensues. This iconic insert has edge wear, light fold wear, rounded corners, and a small chip in the bottom left. Folded, Fine/Very Fine.
Glen Langan plays an army colonel exposed to atomic radiation who grows to, well, colossal size. Rampaging ensues. This iconic insert has edge wear, light fold wear, rounded corners, and a small chip in the bottom left. Folded, Fine/Very Fine.
The Amazing Colossal Man (American International, 1957). One Sheet (27" X 41").
Sci-fi poster artist extraordinaire, Albert Kallis, fashioned one of his best pieces for this title. His giant plutonium radiated man running amuck on the Las Vegas strip, squeezing the dress off Cathy Downs, has always been an ask-for item. There are corner pinholes, some left border tears, small cross-fold separations, and some small tape stains in the right border and verso. There is also paper tape in the top left and right border, and some mild extra crease in the left border. Fine.
Sci-fi poster artist extraordinaire, Albert Kallis, fashioned one of his best pieces for this title. His giant plutonium radiated man running amuck on the Las Vegas strip, squeezing the dress off Cathy Downs, has always been an ask-for item. There are corner pinholes, some left border tears, small cross-fold separations, and some small tape stains in the right border and verso. There is also paper tape in the top left and right border, and some mild extra crease in the left border. Fine.
The Angry Red Planet (American International, 1960). Lobby Card (11" X 14").
Ib Melchior directed this fun and creepy science fiction classic. This tremendous lobby card set has many great visuals from the film, including the infamous rat-bat-spider creature that must be seen to be believed. The cards have staple holes in the top border and light edge wear at the top of a few cards. One card has a small stain in the top border. All are clean and display very well. Very Fine-.
Ib Melchior directed this fun and creepy science fiction classic. This tremendous lobby card set has many great visuals from the film, including the infamous rat-bat-spider creature that must be seen to be believed. The cards have staple holes in the top border and light edge wear at the top of a few cards. One card has a small stain in the top border. All are clean and display very well. Very Fine-.
Attack of the Puppet People (American International, 1958). Lobby Card Set of 8 (11" X 14").
American International rushed this title into production to capitalize on the popularity of Universal's previous year's release, The Incredible Shrinking Man. This set has only minor handling wear including pinholes in five of the cards, tape stains on two cards, and some surface paper loss on the borders and a small part of the image on card #3. Fine/Very Fine.
American International rushed this title into production to capitalize on the popularity of Universal's previous year's release, The Incredible Shrinking Man. This set has only minor handling wear including pinholes in five of the cards, tape stains on two cards, and some surface paper loss on the borders and a small part of the image on card #3. Fine/Very Fine.
Barbarella (Paramount, 1968). Color Photo Set of 12 (8" X 10").
Jane Fonda stars as French comic strip hero Barbarella in one of the 1960s quintessential cult movies. Fonda appears on 11 of 12 pieces in this mint set of photos. She is featured in all of her famous outfits and poses in this absolutely pristine set. Mint.
Jane Fonda stars as French comic strip hero Barbarella in one of the 1960s quintessential cult movies. Fonda appears on 11 of 12 pieces in this mint set of photos. She is featured in all of her famous outfits and poses in this absolutely pristine set. Mint.
Barbarella (Paramount, 1968). Three Sheet (41" X 81").
Jane Fonda is the sexiest space siren this side of Tau Ceti in Roger Vadim's gaudy spoof, based on a European comic book. This classic three sheet has the iconic image of Fonda and is in great condition, with only some minor crossfold separations and fold wear, which have been addressed with professional restoration. Very Fine on Linen.
Jane Fonda is the sexiest space siren this side of Tau Ceti in Roger Vadim's gaudy spoof, based on a European comic book. This classic three sheet has the iconic image of Fonda and is in great condition, with only some minor crossfold separations and fold wear, which have been addressed with professional restoration. Very Fine on Linen.
The Beast from 20,000 Fathoms (Warner Brothers, 1953). Lobby Card Set of 8 (11" X 14").
As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the East Coast of North America, wreaking havoc in its wake. This was the first of the 1950s giant creature features, and Ray Harryhausen's special effects were totally believable and frightening. The monster card has an embossed censor stamp and various other cards have corner creases, pinholes, stains and smudging. Fine/Very Fine.
As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the East Coast of North America, wreaking havoc in its wake. This was the first of the 1950s giant creature features, and Ray Harryhausen's special effects were totally believable and frightening. The monster card has an embossed censor stamp and various other cards have corner creases, pinholes, stains and smudging. Fine/Very Fine.
Blade Runner (Warner Brothers, 1982). British Quad (30" X 40").
In a dystopian future, a blade runner is a detective who hunts down and kills rogue replicants--androids engineered to work in extreme off-world conditions. Harrison Ford plays one of the best blade runners, forced out of retirement when a group led by Rutger Hauer returns to Earth for revenge. This great poster features a close-up of Harrison Ford and has staple holes in the top corners and a smudge in the credits area. Very Fine.
In a dystopian future, a blade runner is a detective who hunts down and kills rogue replicants--androids engineered to work in extreme off-world conditions. Harrison Ford plays one of the best blade runners, forced out of retirement when a group led by Rutger Hauer returns to Earth for revenge. This great poster features a close-up of Harrison Ford and has staple holes in the top corners and a smudge in the credits area. Very Fine.
Cat-Women of the Moon (Astor Pictures, 1954). One Sheet (27" X 41").
The remnants of a two-million-year-old civilization still survive underground on the Moon, but their air is running out, so they lure a lunar expedition into the clutches of the Cat-Women! This pretty poster has a gaggle of green-faced goils and bright, vibrant colors. Condition issues include small edge tears at the fold, a small tear in the top border, fold wear with crossfold separations, a small chip in the bottom right corner, and bleed-through from permanent marker writing on the reverse. Fine/Very Fine.
The remnants of a two-million-year-old civilization still survive underground on the Moon, but their air is running out, so they lure a lunar expedition into the clutches of the Cat-Women! This pretty poster has a gaggle of green-faced goils and bright, vibrant colors. Condition issues include small edge tears at the fold, a small tear in the top border, fold wear with crossfold separations, a small chip in the bottom right corner, and bleed-through from permanent marker writing on the reverse. Fine/Very Fine.
A Clockwork Orange (Warner Brothers, 1971). One Sheet (27" X 41") X-Rated Style.
Oh, my brothers! You must possess this sladky one sheet heralding the release of young Mr. Kubrick's excellent film of our oomny adventures. Light border stains and an extra crease along the center are the only condition issues to note. Fine/Very Fine.
Oh, my brothers! You must possess this sladky one sheet heralding the release of young Mr. Kubrick's excellent film of our oomny adventures. Light border stains and an extra crease along the center are the only condition issues to note. Fine/Very Fine.
The Day of the Triffids (Rank, 1963). Italian 2 - Foglio (39" X 55").
An inspiration for such diverse films as "The Rocky Horror Picture Show" and "E.T. the Extra-Terrestrial," this British sci-fi film was adapted from John Wyndham's successful first novel. When a meteor shower blinds most of Earth's population, triffids that grow from spores on the meteors threaten to take over the planet. Vibrant colors and exquisite artwork highlight this Italian 2-foglio, with only light tape stains in the top border, very small stains in the bottom border, smudging in the right border, a tear in the top vertical fold and a slight scuff on the left side of the image. A perfect find for any sci-fi enthusiast! Fine/Very Fine.
An inspiration for such diverse films as "The Rocky Horror Picture Show" and "E.T. the Extra-Terrestrial," this British sci-fi film was adapted from John Wyndham's successful first novel. When a meteor shower blinds most of Earth's population, triffids that grow from spores on the meteors threaten to take over the planet. Vibrant colors and exquisite artwork highlight this Italian 2-foglio, with only light tape stains in the top border, very small stains in the bottom border, smudging in the right border, a tear in the top vertical fold and a slight scuff on the left side of the image. A perfect find for any sci-fi enthusiast! Fine/Very Fine.
Day the World Ended (American Releasing Corp., 1956). One Sheet (27" X 41").
The King of the B's, Roger Corman directed his first science-fiction thriller with this entry in the genre. This poster has it all: an apocalyptic, post-nuclear-war city in ruins, men brandishing guns, a semi-naked woman screaming, and a truly horrific mutant monster on a rampage. The poster has approximately two pinholes per upper corner and two in the center. This is a truly magnificent poster to a film that started the career of one of the screen's legends. Very Fine.
The King of the B's, Roger Corman directed his first science-fiction thriller with this entry in the genre. This poster has it all: an apocalyptic, post-nuclear-war city in ruins, men brandishing guns, a semi-naked woman screaming, and a truly horrific mutant monster on a rampage. The poster has approximately two pinholes per upper corner and two in the center. This is a truly magnificent poster to a film that started the career of one of the screen's legends. Very Fine.
The Deadly Mantis (Universal International, 1957). One Sheet (27" X 41").
In the 1950s, giant nuclear creatures were the rage at the boxoffice. In this movie, a giant, carnivorous praying mantis is unleashed from an Arctic iceberg. The insatiable insect wreaks havoc, devouring humans and destroying national monuments. Terrific artwork by Ken Sawyer. This great-looking unrestored poster is perhaps the best copy we have ever seen in absolute like-new condition. Near Mint/Mint.
In the 1950s, giant nuclear creatures were the rage at the boxoffice. In this movie, a giant, carnivorous praying mantis is unleashed from an Arctic iceberg. The insatiable insect wreaks havoc, devouring humans and destroying national monuments. Terrific artwork by Ken Sawyer. This great-looking unrestored poster is perhaps the best copy we have ever seen in absolute like-new condition. Near Mint/Mint.
The Deadly Mantis (Universal International, 1957). Half Sheet (22" X 28").
A volcanic eruption in the Arctic unleashes the titular mantis on the world, and he-men Craig Stevens and William Hopper track down the giant creature as it roars into Washington, wreaking the usual havoc. This splendiferous half sheet has strikingly lurid artwork by the great Reynold Brown and is in outstanding condition, with some creasing at the top left corner being the only issue to note. Rolled, Very Fine+.
A volcanic eruption in the Arctic unleashes the titular mantis on the world, and he-men Craig Stevens and William Hopper track down the giant creature as it roars into Washington, wreaking the usual havoc. This splendiferous half sheet has strikingly lurid artwork by the great Reynold Brown and is in outstanding condition, with some creasing at the top left corner being the only issue to note. Rolled, Very Fine+.
Dr. Who and the Daleks (Continental, 1966). One Sheet (27" X 41").
The Doctor Who TV series was produced for 26 seasons by the BBC between 1963 and 1989 and relaunched in 2005. It holds the Guiness World Record as the longest running science fiction television series in history. Peter Cushing takes on the role of the Doctor in this film based on a story from the first TV season. The film has our time-travelers befriending future humanoids who are under nuclear attack from a foam-spitting race of robotic mutants. This beautiful U.S. one sheet, with its original small borders, is in absolutely fabulous, unused condition. Near Mint/Mint.
The Doctor Who TV series was produced for 26 seasons by the BBC between 1963 and 1989 and relaunched in 2005. It holds the Guiness World Record as the longest running science fiction television series in history. Peter Cushing takes on the role of the Doctor in this film based on a story from the first TV season. The film has our time-travelers befriending future humanoids who are under nuclear attack from a foam-spitting race of robotic mutants. This beautiful U.S. one sheet, with its original small borders, is in absolutely fabulous, unused condition. Near Mint/Mint.
The Empire Strikes Back (20th Century Fox, 1980). British Quad (30" X 40").
George Lucas's hotly anticipated blockbuster sequel to the epic Star Wars is widely considered the best installment of the original Star Wars Trilogy. This is the movie that introduced Bobba Fett, Lando Calrissian (Billy Dee Williams), Cloud City, and the shocking relationship between Luke Skywalker (Mark Hamill) and Darth Vader (David Prowse) to the Star Wars universe. This artwork by Tom Jung features Darth Vader towering over the all the other characters and has only minor discoloration at the folds. Very Fine+.
George Lucas's hotly anticipated blockbuster sequel to the epic Star Wars is widely considered the best installment of the original Star Wars Trilogy. This is the movie that introduced Bobba Fett, Lando Calrissian (Billy Dee Williams), Cloud City, and the shocking relationship between Luke Skywalker (Mark Hamill) and Darth Vader (David Prowse) to the Star Wars universe. This artwork by Tom Jung features Darth Vader towering over the all the other characters and has only minor discoloration at the folds. Very Fine+.
Escape from New York (Avco Embassy, 1981). One Sheet (27" X 41") Advance.
In one of his biggest post-Halloween hits, John Carpenter crafts a futuristic tale in which the island of Manhattan is reconfigured as a maximum security prison. When Air Force One goes down inside the walls, the cops draft ex-war-hero-turned criminal Snake Plissken (Kurt Russell, in the second of several collaborations with Carpenter) to rescue the President. Offered here is the tough-to-find advance poster in spectacular condition. Near Mint.
In one of his biggest post-Halloween hits, John Carpenter crafts a futuristic tale in which the island of Manhattan is reconfigured as a maximum security prison. When Air Force One goes down inside the walls, the cops draft ex-war-hero-turned criminal Snake Plissken (Kurt Russell, in the second of several collaborations with Carpenter) to rescue the President. Offered here is the tough-to-find advance poster in spectacular condition. Near Mint.
Fire Maidens of Outer Space (Topaz, 1956). MPGrading One Sheet (27" X 41").
This poster has been graded by MPGrading and is tagged with invisible ink. A certificate from MPGrading accompanies the one sheet. There are pinholes just into the background, a tear in the top center repaired with clear tape on the verso, minor fold separations, a crease in the top left corner, and slight edge wear. There is a marker numbering on the verso with a slight bleedthrough in the top border. Fine+.
This poster has been graded by MPGrading and is tagged with invisible ink. A certificate from MPGrading accompanies the one sheet. There are pinholes just into the background, a tear in the top center repaired with clear tape on the verso, minor fold separations, a crease in the top left corner, and slight edge wear. There is a marker numbering on the verso with a slight bleedthrough in the top border. Fine+.
First Spaceship on Venus (Crown International, 1962). Lobby Card Set of 8 (11" X 14").
This is the US version of the 1960 German film, Der Schweigende Stern (The Silent Star.) For the US release, over 16 minutes of the film were cut. This is a scarce, complete lobby card set in a high grade! Mint.
This is the US version of the 1960 German film, Der Schweigende Stern (The Silent Star.) For the US release, over 16 minutes of the film were cut. This is a scarce, complete lobby card set in a high grade! Mint.
Forbidden Planet (MGM, 1956). Belgian (14" X 22").
Robby the Robot clutches Anne Francis (or a reasonable facsimile) on this pretty Belgian poster which sports the same iconic artwork as the American release. There are two small border tears, a tax stamp in the imprint area, and some fold wear. There is also a fold in the bottom right corner that formed after the piece was linen-backed. Fine/Very Fine on Linen.
Robby the Robot clutches Anne Francis (or a reasonable facsimile) on this pretty Belgian poster which sports the same iconic artwork as the American release. There are two small border tears, a tax stamp in the imprint area, and some fold wear. There is also a fold in the bottom right corner that formed after the piece was linen-backed. Fine/Very Fine on Linen.
Go Ape! (20th Century Fox, 1974). Television One Sheet (27" X 41").
The fans of the immensely popular Planet of the Apes movies got a gift from CBS when the network began telecasting a TV series in 1974. This poster for that series is extremely rare as they were sent primarily to TV stations in local markets. The poster most collectors are familiar with is the compilation one sheet that lists all five of the feature films that were re-released in 1974. Near Mint.
The fans of the immensely popular Planet of the Apes movies got a gift from CBS when the network began telecasting a TV series in 1974. This poster for that series is extremely rare as they were sent primarily to TV stations in local markets. The poster most collectors are familiar with is the compilation one sheet that lists all five of the feature films that were re-released in 1974. Near Mint.
Gorgo (MGM, 1961). One Sheet (27" X 41").
The Brits take a stab at making a Godzilla-style movie with Gorgo, about a 65-foot-tall behemoth rising up from the Irish Sea and doing his fair share of rampaging. This beautiful one sheet has no real flaws and only some touch-ups in the fold lines. Very Fine+ on Linen.
The Brits take a stab at making a Godzilla-style movie with Gorgo, about a 65-foot-tall behemoth rising up from the Irish Sea and doing his fair share of rampaging. This beautiful one sheet has no real flaws and only some touch-ups in the fold lines. Very Fine+ on Linen.
The Incredible Shrinking Man (Universal International, 1957). Lobby Card Set of 8 (11" X 14").
We've always liked the design of this complete lobby card set. Seven out of the eight cards feature the work of special effects wizard, Clifford Stine. Stine had a long and great career beginning with second unit camera work on King Kong, and a lot of 1950s favorites: Mole People, Deadly Mantis, Land Unknown, Monster on the Campus, and many more. This is one of cult director Jack Arnold's best science fiction films, from a great list of credits that includes everything from Creature from the Black Lagoon to 26 episodes of Gilligan's Island! The title card has creases and tears in the top right corner with paper tape on the reverse. All the cards have corner bumps. There are dirt smudges in the lower left corner of one card and another has a lower corner bend. Fine/Very Fine.
We've always liked the design of this complete lobby card set. Seven out of the eight cards feature the work of special effects wizard, Clifford Stine. Stine had a long and great career beginning with second unit camera work on King Kong, and a lot of 1950s favorites: Mole People, Deadly Mantis, Land Unknown, Monster on the Campus, and many more. This is one of cult director Jack Arnold's best science fiction films, from a great list of credits that includes everything from Creature from the Black Lagoon to 26 episodes of Gilligan's Island! The title card has creases and tears in the top right corner with paper tape on the reverse. All the cards have corner bumps. There are dirt smudges in the lower left corner of one card and another has a lower corner bend. Fine/Very Fine.
It! The Terror from Beyond Space (United Artists, 1958). One Sheet (27" X 41").
Often cited as a prototype for Ridley Scott's Alien, It! The Terror from Beyond Space features Ray "Crash" Corrigan, in one of the better 1950s rubber monster suits, terrorizing a group of astronauts on a space voyage from Mars. The poster has corner pinholes, edge wear with tears in the top and bottom vertical folds, paper loss on the reverse of some corners, a chip out of the bottom right corner, and a Canadian censor stamp. Iconic artwork is still fresh-looking, but the $50,000 guarantee has probably expired. Fine+.
Often cited as a prototype for Ridley Scott's Alien, It! The Terror from Beyond Space features Ray "Crash" Corrigan, in one of the better 1950s rubber monster suits, terrorizing a group of astronauts on a space voyage from Mars. The poster has corner pinholes, edge wear with tears in the top and bottom vertical folds, paper loss on the reverse of some corners, a chip out of the bottom right corner, and a Canadian censor stamp. Iconic artwork is still fresh-looking, but the $50,000 guarantee has probably expired. Fine+.
It Came from Beneath the Sea (Columbia, 1955). Half Sheet (22" X 28").
Grotesquely altered by radiation from a hydrogen bomb, a giant octopus (with only six tentacles, to simplify the animation process) sets out to destroy San Francisco. Charles H. Schneer produced the film while special effects wizard Ray Harryhausen used his pioneering stop motion animation technique to lend credibility to the creature's terror. Minor border stains, corner creases, and light edge wear are the condition issues to note. The poster has been authenticated and graded by MPGrading and is accompanied with a certificate. Folded, Very Fine.
Grotesquely altered by radiation from a hydrogen bomb, a giant octopus (with only six tentacles, to simplify the animation process) sets out to destroy San Francisco. Charles H. Schneer produced the film while special effects wizard Ray Harryhausen used his pioneering stop motion animation technique to lend credibility to the creature's terror. Minor border stains, corner creases, and light edge wear are the condition issues to note. The poster has been authenticated and graded by MPGrading and is accompanied with a certificate. Folded, Very Fine.
The Land Unknown (Universal International, 1957). One Sheet (27" X 41").
Jock Mahoney, William Reynolds and Shawn Smith co-star in this low-budget sci-fi programmer about an expedition to the Antarctic that uncovers a "lost world," complete with cheesy dinosaurs. If only the prehistoric beasts looked as good as they do on this sublime one sheet, with terrific artwork by Ken Sawyer. Corner pinholes and pinpoint crossfold separations are the only condition issues to note. Very Fine+.
Jock Mahoney, William Reynolds and Shawn Smith co-star in this low-budget sci-fi programmer about an expedition to the Antarctic that uncovers a "lost world," complete with cheesy dinosaurs. If only the prehistoric beasts looked as good as they do on this sublime one sheet, with terrific artwork by Ken Sawyer. Corner pinholes and pinpoint crossfold separations are the only condition issues to note. Very Fine+.
Mad Max (Roadshow Film Distributors, 1980). Australian One Sheet (27" X 40").
George Miller altered the landscape of action films forever with this high-octane near-future story of a rogue cop and his quest for vengeance against those who murdered his wife and child. The action sequences were stunning, and Mel Gibson was catapulted to international fame. This cool country-of-origin poster has a bit of fold wear but is otherwise in terrific condition. Very Fine.
George Miller altered the landscape of action films forever with this high-octane near-future story of a rogue cop and his quest for vengeance against those who murdered his wife and child. The action sequences were stunning, and Mel Gibson was catapulted to international fame. This cool country-of-origin poster has a bit of fold wear but is otherwise in terrific condition. Very Fine.
The Mole People (Universal International, 1956). CGC Graded Lobby Cards (5) (11" X 14").
Some great cards from this fun, mid-1950s sci-fi movie about Sumerian albinos who live deep under the earth, keeping mutant humanoid "mole people" as slaves to harvest the mushrooms they eat to stay alive! The CGC has grades these cards three at 9.4, and two at 9.6. Near Mint.
Some great cards from this fun, mid-1950s sci-fi movie about Sumerian albinos who live deep under the earth, keeping mutant humanoid "mole people" as slaves to harvest the mushrooms they eat to stay alive! The CGC has grades these cards three at 9.4, and two at 9.6. Near Mint.
The Mole People (Universal International, 1956). Title Lobby Card and Lobby Cards (2) (11" X 14").
Terrifying monsters from a lost age menace John Agar and Hugh Beaumont in this slickly-directed shocker by Virgil W. Vogel. The Mole Men creatures are quite striking, and the film has a great sense of mood. Offered here are the terrific title card and two scene cards, all of which feature the loathsome monsters. Title card has pinholes in the borders, rounded corners, and tape residue; the two scene cards have been trimmed by roughly 1/2" and the #7 card has a hard crease on the right edge. Fine+.
Terrifying monsters from a lost age menace John Agar and Hugh Beaumont in this slickly-directed shocker by Virgil W. Vogel. The Mole Men creatures are quite striking, and the film has a great sense of mood. Offered here are the terrific title card and two scene cards, all of which feature the loathsome monsters. Title card has pinholes in the borders, rounded corners, and tape residue; the two scene cards have been trimmed by roughly 1/2" and the #7 card has a hard crease on the right edge. Fine+.
The Phantom from 10,000 Leagues (American Releasing Corp., 1955). Lobby Card Set of 8 (11" X 14").
A terrifying sea beast that emits atomic radiation threatens the beach in this thrilling 1950s sci-fi epic. Starring Kent Taylor, Michael Whalen, and Cathy Downs. This fantastic lobby card set has only pinholes on one card and very light corner bends on each. Overall clean, attractive, and a great addition to any sci-fi collection. Very Fine+.
A terrifying sea beast that emits atomic radiation threatens the beach in this thrilling 1950s sci-fi epic. Starring Kent Taylor, Michael Whalen, and Cathy Downs. This fantastic lobby card set has only pinholes on one card and very light corner bends on each. Overall clean, attractive, and a great addition to any sci-fi collection. Very Fine+.
The Phantom from 10,000 Leagues (American Releasing Corp., 1955). One Sheet (27" X 41").
Mysterious deaths along a stretch of beach lead to an investigation by a scientist and a government official. They discover that radiation, coming from the ocean floor, has created a mutant sea monster. Albert Kallis did the art for this fantastic poster. It has extra vertical creases, light edge wear at the top border, and minor crossfold separations. Very Fine.
Mysterious deaths along a stretch of beach lead to an investigation by a scientist and a government official. They discover that radiation, coming from the ocean floor, has created a mutant sea monster. Albert Kallis did the art for this fantastic poster. It has extra vertical creases, light edge wear at the top border, and minor crossfold separations. Very Fine.
Planet of the Apes (20th Century Fox, 1968). French Grande (47" X 63").
The shock ending of Planet of Apes (often attributed to co-screenwriter Rod Serling but easily traceable back to the source novel) is well-known and much imitated at this point, but audiences in 1968 were shocked, resulting in much of this film's legendary status. Most purists agree, this gorgeous French grande, with its vivid Jean Mascii artwork, is by far the best paper on this title. The poster boasts a great image of Heston being snared by gorilla soldiers. This outstanding example retains vivid colors and a sharp image strike; minor crossfold separation is the only condition problem. Very Fine+.
The shock ending of Planet of Apes (often attributed to co-screenwriter Rod Serling but easily traceable back to the source novel) is well-known and much imitated at this point, but audiences in 1968 were shocked, resulting in much of this film's legendary status. Most purists agree, this gorgeous French grande, with its vivid Jean Mascii artwork, is by far the best paper on this title. The poster boasts a great image of Heston being snared by gorilla soldiers. This outstanding example retains vivid colors and a sharp image strike; minor crossfold separation is the only condition problem. Very Fine+.
Planet of the Apes (20th Century Fox, 1968). One Sheet (27" X 41").
Based on Pierre Boulle's satirical novel Monkey Planet, this Arthur P. Jacobs production, directed by Franklin J. Schaffner with screenplay by Rod Serling, was in development for many years before finally being green-lit by 20th Century Fox. Star Charlton Heston was instrumental in getting the project launched, and was one of its biggest boosters. Offered here is the evocative one sheet, featuring Maurice Evans as the venerable Doctor Zauis. This very clean copy has minor centerpoint fold separation and pinholes in the corners and border. Very Fine+.
Based on Pierre Boulle's satirical novel Monkey Planet, this Arthur P. Jacobs production, directed by Franklin J. Schaffner with screenplay by Rod Serling, was in development for many years before finally being green-lit by 20th Century Fox. Star Charlton Heston was instrumental in getting the project launched, and was one of its biggest boosters. Offered here is the evocative one sheet, featuring Maurice Evans as the venerable Doctor Zauis. This very clean copy has minor centerpoint fold separation and pinholes in the corners and border. Very Fine+.
Planet of the Apes (20th Century Fox, 1968). Window Card (14" X 22").
Pierre Boulle's satirical novel Monkey Planet was rather freely adapted to the screen as the more action-propelled Planet of the Apes. Star Charlton Heston was instrumental in getting the film off the ground, and the end result was one of the greatest science fiction films of the era. This great-looking window card has one horizontal fold, but is otherwise in excellent condition. Folded, Very Fine-.
Pierre Boulle's satirical novel Monkey Planet was rather freely adapted to the screen as the more action-propelled Planet of the Apes. Star Charlton Heston was instrumental in getting the film off the ground, and the end result was one of the greatest science fiction films of the era. This great-looking window card has one horizontal fold, but is otherwise in excellent condition. Folded, Very Fine-.
Return of the Jedi (20th Century Fox, 1983). British Quad (30" X 40") Style B.
The third film of the original Star Wars trilogy finds Luke Skywalker, now a full Jedi Knight, rescuing Han Solo and Princess Leia from the clutches of Jabba the Hut and then heading off for the jungle planet of Endor to destroy the Emperor's new and still-unfinished Death Star. This poster has only mild edge wear along the top border and features all the principal characters with artwork by Josh Kirby. Very Fine/Near Mint.
The third film of the original Star Wars trilogy finds Luke Skywalker, now a full Jedi Knight, rescuing Han Solo and Princess Leia from the clutches of Jabba the Hut and then heading off for the jungle planet of Endor to destroy the Emperor's new and still-unfinished Death Star. This poster has only mild edge wear along the top border and features all the principal characters with artwork by Josh Kirby. Very Fine/Near Mint.
Return of the Jedi (20th Century Fox, 1983). CGC Graded Lobby Card Set of 8 (11" X 14"). Science Fiction.
Starring Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Sebastian Shaw, and Ian McDiarmid. Directed by Richard Marquand. This unrestored lobby card set has bright colors and a clean overall appearance but a few small signs of use, such as pinholes and some very minor tears. Please see full-color, enlargeable image below for more details. Very Fine+.
Starring Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Sebastian Shaw, and Ian McDiarmid. Directed by Richard Marquand. This unrestored lobby card set has bright colors and a clean overall appearance but a few small signs of use, such as pinholes and some very minor tears. Please see full-color, enlargeable image below for more details. Very Fine+.
Rocketship X-M (Lippert, 1950). Insert (14" X 36").
Lloyd Bridges leads a team of astronauts on an expedition to the moon, but a meteor shower knocks them off-course and they land on Mars instead, where the crew finds the remains of a once-great civilization. Intelligently mounted, R-XM is one of the better space-flight flicks of the '50s. Border pinholes, light edge wear, minor corner bumps, and some light staining in the left border are the only condition issues. The poster retains terrific color. Folded, Very Fine+.
Lloyd Bridges leads a team of astronauts on an expedition to the moon, but a meteor shower knocks them off-course and they land on Mars instead, where the crew finds the remains of a once-great civilization. Intelligently mounted, R-XM is one of the better space-flight flicks of the '50s. Border pinholes, light edge wear, minor corner bumps, and some light staining in the left border are the only condition issues. The poster retains terrific color. Folded, Very Fine+.
Rocketship X-M (Lippert, 1950). Half Sheet (22" X 28").
The first expedition to the Moon accidentally lands on Mars, where the crew (Lloyd Bridges, John Emery, Osa Massen, and Noah Beery Jr.) find a hostile race of Martians who have survived a nuclear holocaust. Despite the scientific inaccuracies (it was the early 1950s after all), RX-M is a pretty intelligent and watchable film. This great-looking unrestored poster has corner pinholes, light edge wear in the top border, writing in the lower right corner, and creasing in the top left corner. Fine/Very Fine.
The first expedition to the Moon accidentally lands on Mars, where the crew (Lloyd Bridges, John Emery, Osa Massen, and Noah Beery Jr.) find a hostile race of Martians who have survived a nuclear holocaust. Despite the scientific inaccuracies (it was the early 1950s after all), RX-M is a pretty intelligent and watchable film. This great-looking unrestored poster has corner pinholes, light edge wear in the top border, writing in the lower right corner, and creasing in the top left corner. Fine/Very Fine.
The She-Creature (American International, 1956). Half Sheet (22" X 28").
A nice sci-fi/horror twist on the Bridey Murphy/Virginia Tighe "true" story from the early 1950's. Top artist Albert Kallis has the "Monster from Hell" hiding in the shadows behind a sexy, leggy Marla English in what most consider the best poster of her career. There are some pinholes in the border, one pinhole in the center image, some slight edge wear, and a faint dust shadow in the lower left. Very Fine-.
A nice sci-fi/horror twist on the Bridey Murphy/Virginia Tighe "true" story from the early 1950's. Top artist Albert Kallis has the "Monster from Hell" hiding in the shadows behind a sexy, leggy Marla English in what most consider the best poster of her career. There are some pinholes in the border, one pinhole in the center image, some slight edge wear, and a faint dust shadow in the lower left. Very Fine-.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Style D.
Fueled by the success of American Graffiti, George Lucas was able to get his long-planned space opera greenlit, though its production was far from trouble free. But the finished film and the box office returns spoke for themselves, and a modern mythology--and hugely successful franchise--was born. Offered here is the wonderful faux-billboard poster, with stunning Drew Struzan art. Minor fold wear and one corner bump are the only condition issues to note on this exceptionally clean example. Near Mint-.
Fueled by the success of American Graffiti, George Lucas was able to get his long-planned space opera greenlit, though its production was far from trouble free. But the finished film and the box office returns spoke for themselves, and a modern mythology--and hugely successful franchise--was born. Offered here is the wonderful faux-billboard poster, with stunning Drew Struzan art. Minor fold wear and one corner bump are the only condition issues to note on this exceptionally clean example. Near Mint-.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Style C.
George Lucas made a movie patterned after the Saturday-morning serials he loved as a kid. The result was the most successful franchise in movie history. This highly desirable, flat-folded style C one sheet has vivid artwork by Tom Chantrell and very minor condition issues, including fold wear and a soft vertical crease. Very Fine-.
George Lucas made a movie patterned after the Saturday-morning serials he loved as a kid. The result was the most successful franchise in movie history. This highly desirable, flat-folded style C one sheet has vivid artwork by Tom Chantrell and very minor condition issues, including fold wear and a soft vertical crease. Very Fine-.
Star Wars: Episode I - The Phantom Menace (20th Century Fox, 1999). French Grandes (9) (47" X 63").
No film was more hotly anticipated by rabid fans that George Lucas' return to the Star Wars universe with the first of three prequels set a generation before the original trilogy. This impressive set of nine French Grandes features full-body portraits of the film's major characters, including Obi Wan Kenobi, Qui Gon Jin, Mace Windu, and others. The borders on all sheets have edge wear, but this set is in otherwise terrific condition. Rolled, Very Fine-.
No film was more hotly anticipated by rabid fans that George Lucas' return to the Star Wars universe with the first of three prequels set a generation before the original trilogy. This impressive set of nine French Grandes features full-body portraits of the film's major characters, including Obi Wan Kenobi, Qui Gon Jin, Mace Windu, and others. The borders on all sheets have edge wear, but this set is in otherwise terrific condition. Rolled, Very Fine-.
Target Earth (Allied Artists, 1954). Half Sheet (22" X 28") Style A.
Adapted from the story Deadly City by Paul W. Fairman, this title features a mismatched set of humans (Virginia Grey, Kathleen Crowley, Richard Denning, Dick Reeves) who find themselves alone in a suddenly deserted Chicago. Well, not quite alone: there's a hoard of Venusian robots (seen only one at a time, of course) who are hunting them down. This nifty half sheet poster has fold wear and corner pinholes. It has been paper-backed with some touch-ups. Very Fine- on Paper.
Adapted from the story Deadly City by Paul W. Fairman, this title features a mismatched set of humans (Virginia Grey, Kathleen Crowley, Richard Denning, Dick Reeves) who find themselves alone in a suddenly deserted Chicago. Well, not quite alone: there's a hoard of Venusian robots (seen only one at a time, of course) who are hunting them down. This nifty half sheet poster has fold wear and corner pinholes. It has been paper-backed with some touch-ups. Very Fine- on Paper.
Thunderbirds Are Go (United Artists, 1968). One Sheet (27" X 41").
Based on Gerry Anderson's "Supermaironation" TV series, which began airing in 1965, this was the first of two feature films inspired by the show. The story takes place in 2065 when criminal mastermind "the Hood" attempts to sabotage the first manned flight to Mars. A clean poster with no real condition issues. Near Mint.
Based on Gerry Anderson's "Supermaironation" TV series, which began airing in 1965, this was the first of two feature films inspired by the show. The story takes place in 2065 when criminal mastermind "the Hood" attempts to sabotage the first manned flight to Mars. A clean poster with no real condition issues. Near Mint.
The Time Machine (MGM, 1960). Lobby Card Set of 8 (11" X 14").
Although H.G. Well's The Time Machine has been the basis for many films over the years, this adaptation is by far the best, with Rod Taylor and Yvette Mimieux taking on the evil Morlocks. The posters (and this title card) feature classic art that keeps this title as popular among collectors as ever. The title card and scene #2 have some slight staining in the upper border. The set as a whole has some slight crimping in the upper left and in the lower border, but this is relatively minor and doesn't detract from the overall quality. Very Fine-.
Although H.G. Well's The Time Machine has been the basis for many films over the years, this adaptation is by far the best, with Rod Taylor and Yvette Mimieux taking on the evil Morlocks. The posters (and this title card) feature classic art that keeps this title as popular among collectors as ever. The title card and scene #2 have some slight staining in the upper border. The set as a whole has some slight crimping in the upper left and in the lower border, but this is relatively minor and doesn't detract from the overall quality. Very Fine-.
Tobor the Great (Republic, 1954). CGC Graded Lobby Cards (6) (11" X 14").
There was Robby, GORT, and Tobor! These were our favorite robots from the 1950s, and we all remember that great moment when we figured out what Tobor spelled backwards! Tobor is in all six cards in this lot. They have been CGC graded 7.5, 8.0, 8.5, and three at 9.0. The overall grade is Very Fine+.
There was Robby, GORT, and Tobor! These were our favorite robots from the 1950s, and we all remember that great moment when we figured out what Tobor spelled backwards! Tobor is in all six cards in this lot. They have been CGC graded 7.5, 8.0, 8.5, and three at 9.0. The overall grade is Very Fine+.
War of the Colossal Beast (American International, 1958). One Sheet (27" X 41").
Col. Glenn Manning (a returning Glenn Langan) gets promoted from "man" to "beast" (but he's still Colossal!) in this lurid followup to the 1957 sci-fi thriller. The half-skull imagery and stunning artwork by Albert Kallis guaranteed this title would be popular with collectors. The poster has staple holes throughout, smudging by the bus and in the bottom border, tears in the top border, a gouge in the lettering, pinpoint crossfold separations, and creasing along all four sides of the artwork where the borders were folded back at some point. Fine+.
Col. Glenn Manning (a returning Glenn Langan) gets promoted from "man" to "beast" (but he's still Colossal!) in this lurid followup to the 1957 sci-fi thriller. The half-skull imagery and stunning artwork by Albert Kallis guaranteed this title would be popular with collectors. The poster has staple holes throughout, smudging by the bus and in the bottom border, tears in the top border, a gouge in the lettering, pinpoint crossfold separations, and creasing along all four sides of the artwork where the borders were folded back at some point. Fine+.
The War of the Worlds (Paramount, 1953). Window Card (14" X 22").
George Pal produced this slick update of the H.G. Wells novel about aliens from the red planet launching an all-out assault on Earth. Gene Barry and Ann Robinson are the leads and the special effects are spectacular. This nifty window card has iconic artwork and a fresh appearance. The poster had fold wear with fold separations and a horizontal fold in the image, which has been smoothed over with professional restoration, including airbrushing in the borders and imprint area. Fine+ on Paper.
George Pal produced this slick update of the H.G. Wells novel about aliens from the red planet launching an all-out assault on Earth. Gene Barry and Ann Robinson are the leads and the special effects are spectacular. This nifty window card has iconic artwork and a fresh appearance. The poster had fold wear with fold separations and a horizontal fold in the image, which has been smoothed over with professional restoration, including airbrushing in the borders and imprint area. Fine+ on Paper.
World Without End (Allied Artists, 1956). One Sheet (27" X 41").
Returning from a mission to Mars, the crew of the first interplanetary rocket is shaken by intense turbulence that causes the ship to accelerate to incredibly high speeds and then crash-land in a snowbank. Exploring their surroundings, they discover they have been propelled some 600 years into the future and are seeing an Earth in the aftermath of an atomic war. This good-looking one sheet has pinholes throughout, small border tears at the horizontal folds, and pinpoint crossfold separations. Fine/Very Fine.
Returning from a mission to Mars, the crew of the first interplanetary rocket is shaken by intense turbulence that causes the ship to accelerate to incredibly high speeds and then crash-land in a snowbank. Exploring their surroundings, they discover they have been propelled some 600 years into the future and are seeing an Earth in the aftermath of an atomic war. This good-looking one sheet has pinholes throughout, small border tears at the horizontal folds, and pinpoint crossfold separations. Fine/Very Fine.
Batman (20th Century Fox, 1966). Lobby Cards (7) (11" X 14").
Released between the first and second seasons of the TV series (and used to finance the creation of both the Bat-Cycle and the Batboat), this campy take on the Caped Crusader pits the Dynamic Duo (Adam West and Burt Ward, of course) against all of their most famous foes. Several cards have minor corner creases, the #3 card has some faint stains along the bottom edge, the #4 has minor smudging in the left border, the #7 has a horizontal crease that runs through the length of the card in the titles area, and three cards have very small edge tears. Very Fine.
Released between the first and second seasons of the TV series (and used to finance the creation of both the Bat-Cycle and the Batboat), this campy take on the Caped Crusader pits the Dynamic Duo (Adam West and Burt Ward, of course) against all of their most famous foes. Several cards have minor corner creases, the #3 card has some faint stains along the bottom edge, the #4 has minor smudging in the left border, the #7 has a horizontal crease that runs through the length of the card in the titles area, and three cards have very small edge tears. Very Fine.
Batman (20th Century Fox, 1966). Three Sheet (41" X 81").
Even though the campy TV series starring Adam West and Burt Ward had been running since January of that year, fans still flocked to see their favorite Caped Crusaders on the big screen. This awe-inspiring three sheet has great images of Batman, Robin, and the villains. Condition issues were minor and included a small tear in the top left quadrant and fold wear and crossfold separations with some paper loss in the bottom crossfolds, all of which has been smoothed over with professional restoration. Fine/Very Fine on Linen.
Even though the campy TV series starring Adam West and Burt Ward had been running since January of that year, fans still flocked to see their favorite Caped Crusaders on the big screen. This awe-inspiring three sheet has great images of Batman, Robin, and the villains. Condition issues were minor and included a small tear in the top left quadrant and fold wear and crossfold separations with some paper loss in the bottom crossfolds, all of which has been smoothed over with professional restoration. Fine/Very Fine on Linen.
Batman (20th Century Fox, 1966). French Grande (47" X 63").
The Caped Crusader and his trusty Boy Wonder strike out against not just one or two, but all four of their most villainous foes--Joker, Riddler, Penguin, and Catwoman--in this feature version of the popular, campy TV series. This French Grande has some of our favorite artwork on this title by Grinsson, with an innovative layout and bright, sharp colors. Condition issues on this unrestored sheet include pinholes in the borders and edges as well as fold wear and crossfold separations with small amounts of paper loss. Fine.
The Caped Crusader and his trusty Boy Wonder strike out against not just one or two, but all four of their most villainous foes--Joker, Riddler, Penguin, and Catwoman--in this feature version of the popular, campy TV series. This French Grande has some of our favorite artwork on this title by Grinsson, with an innovative layout and bright, sharp colors. Condition issues on this unrestored sheet include pinholes in the borders and edges as well as fold wear and crossfold separations with small amounts of paper loss. Fine.
Adventures of Captain Marvel (Republic, 1941). Lobby Card (11" X 14") Chapter 3 -- "Time Bomb."
Cowboy Tom Tyler stars as the Big Red Cheese, aka the World's Mightiest Mortal, aka Captain Marvel, in this sensational Republic serial, generally considered one of the best chapterplays ever made. This terrific lobby card (for the third chapter) has an iconic image of Marvel in flight. There are two small tears in the bottom border and a crease in the bottom center border. Very Fine-.
Cowboy Tom Tyler stars as the Big Red Cheese, aka the World's Mightiest Mortal, aka Captain Marvel, in this sensational Republic serial, generally considered one of the best chapterplays ever made. This terrific lobby card (for the third chapter) has an iconic image of Marvel in flight. There are two small tears in the bottom border and a crease in the bottom center border. Very Fine-.
The Black Coin (Stage and Screen Productions, 1936). CGC Graded Lobby Card Set of 8 (11" X 14"). Chapter 4 -- "Monster of the Deep."
This was a better-than-you-think mid 1930s serial with a dual plot line and a "travelogue" filming technique that kept you guessing where they'd end up next! CGC has graded this complete set from Chapter 4. Three cards grade 9.8, four cards grade 9.6 and the title card grades at 9.4. Near Mint+.
This was a better-than-you-think mid 1930s serial with a dual plot line and a "travelogue" filming technique that kept you guessing where they'd end up next! CGC has graded this complete set from Chapter 4. Three cards grade 9.8, four cards grade 9.6 and the title card grades at 9.4. Near Mint+.
Brenda Starr, Reporter (Columbia, 1945). One Sheet (27" X 41") Chapter 13 -- "The Mystery of the Payroll."
Joan Woodbury stars as the spunky ace reporter in this 13-chapter serial. The films were based on the popular comic strip created in 1940 by Dale Messick for the Chicago Tribune. Brenda Starr (Woodbury) and her photographer Chuck Allen (Syd Saylor) get involved in a search for the loot from a payroll robbery. Gorgeous artwork captures the stars in cliff-hanging action on this linen backed poster. Minor touch-ups have been applied to the pinholes in the borders and image, fold wear with small chips, and minor chips in the borders. A very attractive and presentable piece that is rarely offered. Fine- on Linen.
Joan Woodbury stars as the spunky ace reporter in this 13-chapter serial. The films were based on the popular comic strip created in 1940 by Dale Messick for the Chicago Tribune. Brenda Starr (Woodbury) and her photographer Chuck Allen (Syd Saylor) get involved in a search for the loot from a payroll robbery. Gorgeous artwork captures the stars in cliff-hanging action on this linen backed poster. Minor touch-ups have been applied to the pinholes in the borders and image, fold wear with small chips, and minor chips in the borders. A very attractive and presentable piece that is rarely offered. Fine- on Linen.
Lure of the Circus (Universal, 1918). One Sheet (27" X 41") Chapter Seven -- .
"The Charge of the Elephant."
Eddie Polo was absolutely one of the best stunt men of the entire silent era. As his popularity grew, he was given the moniker "Hercules of the Screen," in spite of his diminutive stature. He began with Universal in 1914 doubling for many others before starring in his own chapterplays, such as this one. This is a dramatic one sheet that certainly shows Polo at his best, doing what a vintage reviewer called "villain-whamming." Of course, Polo did it against not one but two villains at a time, on a precipice, with danger all around! Note the vintage motorcycle following the action on the road down below. Great linenbacking and minimal border and fold wear touch-up. There are corner pinholes, and small tears in the left border, a long one in the middle of the image area, and in the credits. A knock-out stone lithograph poster from the ever reliable Morgan Litho Company. Fine+ on Linen.
"The Charge of the Elephant."
Eddie Polo was absolutely one of the best stunt men of the entire silent era. As his popularity grew, he was given the moniker "Hercules of the Screen," in spite of his diminutive stature. He began with Universal in 1914 doubling for many others before starring in his own chapterplays, such as this one. This is a dramatic one sheet that certainly shows Polo at his best, doing what a vintage reviewer called "villain-whamming." Of course, Polo did it against not one but two villains at a time, on a precipice, with danger all around! Note the vintage motorcycle following the action on the road down below. Great linenbacking and minimal border and fold wear touch-up. There are corner pinholes, and small tears in the left border, a long one in the middle of the image area, and in the credits. A knock-out stone lithograph poster from the ever reliable Morgan Litho Company. Fine+ on Linen.
The Miracle Rider (Mascot, 1935). One Sheet (27" X 41").
Tom Mix (every boy's idol) made his last film appearance in this fifteen-chapter serial as a Texas Ranger who defends the local Indians against mercenaries who are illegally mining on the reservation. Studio boss Nat Levine paid Mix more than most Mascot films had as their entire budget ($40K), but it was worth it. Levine made so much money on the serial that he was able to combine several companies into Republic Pictures. Foxing in the right border and edge wear with small tears along the left side are the only problems with this great-looking stone litho sheet. Very Fine-.
Tom Mix (every boy's idol) made his last film appearance in this fifteen-chapter serial as a Texas Ranger who defends the local Indians against mercenaries who are illegally mining on the reservation. Studio boss Nat Levine paid Mix more than most Mascot films had as their entire budget ($40K), but it was worth it. Levine made so much money on the serial that he was able to combine several companies into Republic Pictures. Foxing in the right border and edge wear with small tears along the left side are the only problems with this great-looking stone litho sheet. Very Fine-.
The Phantom Empire (Mascot, 1935). Title Lobby Card (11" X 14"). Chapter 5 -- "Beneath the Earth."
Super scarce title card for the seventh chapter of Gene Autry's lively and entertaining mid-1930s serial. Beautiful sepia toned card showing Autry and his pals, Frankie Darro and Betsy King Ross, along with some pretty spiffy ray guns. That's veteran actress, Dorothy Christy (Buster Keaton, Laurel and Hardy, etc.) on the throne as "Queen Tika of Murania." There are corner pinholes, a small tear in the bottom right border with tape on the verso, and slightly rounded corners. Very Fine-.
Super scarce title card for the seventh chapter of Gene Autry's lively and entertaining mid-1930s serial. Beautiful sepia toned card showing Autry and his pals, Frankie Darro and Betsy King Ross, along with some pretty spiffy ray guns. That's veteran actress, Dorothy Christy (Buster Keaton, Laurel and Hardy, etc.) on the throne as "Queen Tika of Murania." There are corner pinholes, a small tear in the bottom right border with tape on the verso, and slightly rounded corners. Very Fine-.
The Phantom Empire (Mascot, 1935). Lobby Cards (2) (11" X 14"). Chapter 5 -- "Beneath the Earth", and Chapter 7 -- "From Death to Life."
Gene Autry's first starring role, playing himself as, what else, a singing cowboy! This fun serial had some of the kitschiest costumes and special effects ever seen in a whirlwind blend of sci-fi and Western themes. These cards have been restored and expertly touched-up with masa paper backing. There were corner pinholes, chips in the bottom left of both cards, and edge wear with small tears. Fine/Very Fine.
Gene Autry's first starring role, playing himself as, what else, a singing cowboy! This fun serial had some of the kitschiest costumes and special effects ever seen in a whirlwind blend of sci-fi and Western themes. These cards have been restored and expertly touched-up with masa paper backing. There were corner pinholes, chips in the bottom left of both cards, and edge wear with small tears. Fine/Very Fine.
Plunder (Pathé, 1923). Lobby Cards (4) (11" X 14"). Chapter 1 - - "The Bandaged Man", and Chapter 2 - - "Held By the Enemy."
Featuring a unique plotline--trying to get a buried treasure out from under a New York skyscraper--the early 1920s' Plunder starred the queen of serials, Pearl White. She appears in all four of these excellent cards. The handsome guy backing the bandies away from Pearl is Warren William, billed as Warren Keach until he changed his name. These are extremely clean cards. One has small stains in the bottom edge, and all have light edge wear. Fine-.
Featuring a unique plotline--trying to get a buried treasure out from under a New York skyscraper--the early 1920s' Plunder starred the queen of serials, Pearl White. She appears in all four of these excellent cards. The handsome guy backing the bandies away from Pearl is Warren William, billed as Warren Keach until he changed his name. These are extremely clean cards. One has small stains in the bottom edge, and all have light edge wear. Fine-.
Spy Smasher (Republic, 1942). One Sheet (27" X 41") Chapter Seven -- "Secret Weapon."
Busting from the pages of Fawcett Comics (home of Captain Marvel) comes Spy Smasher to, well, smash some spies. This great-looking poster for the seventh installment of this exciting chapterplay features comic book-style artwork and great colors. There is some fold wear and crossfold separations, general edge wear with small tears, and corner pinholes. Fine+.
Busting from the pages of Fawcett Comics (home of Captain Marvel) comes Spy Smasher to, well, smash some spies. This great-looking poster for the seventh installment of this exciting chapterplay features comic book-style artwork and great colors. There is some fold wear and crossfold separations, general edge wear with small tears, and corner pinholes. Fine+.
Tarzan the Mighty (Universal, 1928). Title Lobby Cards (2) and Lobby Cards (5) (11" X 14"). Tarzan the Mighty -- Stock Title Card. Chapter 9 -- "Lost in the Jungle." Chapter 11 - 'A Thief in the Night." Chapter 12 -- "the Enemy of Tarzan."
Frank Merrill, the US National gymnastics champion from 1916 to 1918, actually developed the "swinging on a vine" technique featured in all subsequent Tarzan films. Natalie Kingston played "Mary Trevor," not Jane, with Bobby Nelson as her younger brother, not "Boy." Great cards from one of the most successful Tarzan series made. There are four cards with a top center pinhole, small nicks in the title card, bottom left corner bends in all, and some bends on the bottom right. Very Fine.
Frank Merrill, the US National gymnastics champion from 1916 to 1918, actually developed the "swinging on a vine" technique featured in all subsequent Tarzan films. Natalie Kingston played "Mary Trevor," not Jane, with Bobby Nelson as her younger brother, not "Boy." Great cards from one of the most successful Tarzan series made. There are four cards with a top center pinhole, small nicks in the title card, bottom left corner bends in all, and some bends on the bottom right. Very Fine.
The Hustler (20th Century Fox, R-1964). CGC Graded Lobby Card (11" X 14").
This card features one of the best moments in screen history. It's the near perfect scene where a brash Paul Newman lines up his next shot beneath the oily cool stare of George C. Scott, in one of his finest roles. Scott's just about to utter that famous screen quote, "Stay with this kid--he's a loser." Your pool room isn't complete without something from this title hanging on the wall! The card is as good as it gets for this hugely popular film, and has been CGC graded. Near Mint/Mint.
This card features one of the best moments in screen history. It's the near perfect scene where a brash Paul Newman lines up his next shot beneath the oily cool stare of George C. Scott, in one of his finest roles. Scott's just about to utter that famous screen quote, "Stay with this kid--he's a loser." Your pool room isn't complete without something from this title hanging on the wall! The card is as good as it gets for this hugely popular film, and has been CGC graded. Near Mint/Mint.
Raging Bull (United Artists, 1980). One Sheet (27" X 41") Advance.
Robert DeNiro gave one of his most searing performances (and was rewarded with an Oscar) as Jake LaMotta in this critically-acclaimed Martin Scorsese drama. Offered here is the striking advance poster, with terrific artwork of a battered Bobby. Slight edge wear and some bends in the top corners are the only condition issues to note. Rolled, Near Mint-.
Robert DeNiro gave one of his most searing performances (and was rewarded with an Oscar) as Jake LaMotta in this critically-acclaimed Martin Scorsese drama. Offered here is the striking advance poster, with terrific artwork of a battered Bobby. Slight edge wear and some bends in the top corners are the only condition issues to note. Rolled, Near Mint-.
Frazier vs Ali Fight (Cinerama Releasing, 1971). One Sheet (27" X 41").
In 1971, Cinerama worked hard to outhustle the ravenous television market. This original one sheet boasts "Will Not Be Shown on Home TV for 6 Months." There is a stain in the lower text area, and a crease in the top right corner. Very Fine.
In 1971, Cinerama worked hard to outhustle the ravenous television market. This original one sheet boasts "Will Not Be Shown on Home TV for 6 Months." There is a stain in the lower text area, and a crease in the top right corner. Very Fine.
Safe at Home (Columbia, 1962). One Sheet (27" X 41").
Baseball legends Roger Maris and Mickey Mantle are featured in this light-hearted children's film, released a year after their famous race for Babe Ruth's home-run record. The Yankee greats help teach little Hutch, played by Bryan Russell, a valuable lesson about lying after he brags to friends that he personally knows both players. This one sheet is in excellent condition, with only light fold wear and wrinkling at the corners and center fold. For baseball lovers and movie poster aficionados alike, this fantastic piece is not to be missed. Very Fine.
Baseball legends Roger Maris and Mickey Mantle are featured in this light-hearted children's film, released a year after their famous race for Babe Ruth's home-run record. The Yankee greats help teach little Hutch, played by Bryan Russell, a valuable lesson about lying after he brags to friends that he personally knows both players. This one sheet is in excellent condition, with only light fold wear and wrinkling at the corners and center fold. For baseball lovers and movie poster aficionados alike, this fantastic piece is not to be missed. Very Fine.
Safe at Home (Columbia, 1962). Lobby Card Set of 8 (11" X 14").
Bryan Russell (billed as "the Luckiest Kid in the World") has been bragging about being pals with baseball greats Mickey Mantle and Roger Maris, but soon he must back up the lie or face big trouble. This home-run of a lobby card set features several great images of the baseball legends. All cards have corner pinholes, while the title card has edge wear, smudging, and a crease in the bottom right corner. The title card and one other have "General Exhibition" censor stamps. Fine/Very Fine.
Bryan Russell (billed as "the Luckiest Kid in the World") has been bragging about being pals with baseball greats Mickey Mantle and Roger Maris, but soon he must back up the lie or face big trouble. This home-run of a lobby card set features several great images of the baseball legends. All cards have corner pinholes, while the title card has edge wear, smudging, and a crease in the bottom right corner. The title card and one other have "General Exhibition" censor stamps. Fine/Very Fine.
Angel and the Badman (Republic, 1947). Lobby Card Set of 8 (11" X 14").
The first film produced by John Wayne was this tale of violence and the redemptive power of love. Wayne is a wounded outlaw nursed back to health by a Quaker family. His outlook on the world begins to change, but he still has a mission of revenge on his mind. All cards have pinholes, the title card has edge wear, various others have corner chips, smudging, and one card has a re-issue stamp. Fine.
The first film produced by John Wayne was this tale of violence and the redemptive power of love. Wayne is a wounded outlaw nursed back to health by a Quaker family. His outlook on the world begins to change, but he still has a mission of revenge on his mind. All cards have pinholes, the title card has edge wear, various others have corner chips, smudging, and one card has a re-issue stamp. Fine.
Border Law (Columbia, 1931). Buck Jones Stock Insert (14" X 36").
Famed Western star Buck Jones is the man to create order in a town where the newly arrived settlers are feuding with local landowners. This striking insert has pinholes in the corners and image, a faint tape stain in the left border, light fold wear, paper tape on the verso along the folds, a small hole in the top left, extra creasing and a small chip in the bottom right corner, and minor surface wear above the top horizontal fold. In astounding colors, this unique portrait of the Western legend is an excellent find. Folded, Fine+.
Famed Western star Buck Jones is the man to create order in a town where the newly arrived settlers are feuding with local landowners. This striking insert has pinholes in the corners and image, a faint tape stain in the left border, light fold wear, paper tape on the verso along the folds, a small hole in the top left, extra creasing and a small chip in the bottom right corner, and minor surface wear above the top horizontal fold. In astounding colors, this unique portrait of the Western legend is an excellent find. Folded, Fine+.
Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). Insert (14" X 36").
Daring thief Butch Cassidy (Paul Newman) and his partner Sundance (Robert Redford) stage one train theft too many in this classic Western buddy picture, directed by George Roy Hill. When they're trailed by the law following their latest job, Butch and Sundance decide to hightail it to Bolivia until the heat wears off, but even that may not be far enough. This splendid insert has some slight toning along the edges but is otherwise pristine. Rolled, Near Mint.
Daring thief Butch Cassidy (Paul Newman) and his partner Sundance (Robert Redford) stage one train theft too many in this classic Western buddy picture, directed by George Roy Hill. When they're trailed by the law following their latest job, Butch and Sundance decide to hightail it to Bolivia until the heat wears off, but even that may not be far enough. This splendid insert has some slight toning along the edges but is otherwise pristine. Rolled, Near Mint.
Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). Italian 2 - Foglio (39" X 55").
Paul Newman and Robert Redford star as two outlaws in this George Roy Hill directed classic Western. The striking artwork on this Italian poster (totally different from that on the US version) gives this piece major collectible appeal. There was some light fold wear which has been touched-up. Very Fine on Linen.
Paul Newman and Robert Redford star as two outlaws in this George Roy Hill directed classic Western. The striking artwork on this Italian poster (totally different from that on the US version) gives this piece major collectible appeal. There was some light fold wear which has been touched-up. Very Fine on Linen.
Davy Crockett, King of the Wild Frontier (Buena Vista, 1955). One Sheet (27" X 41").
The legendary Davy Crockett, "King of the Wild Frontier," brought to life perfectly by Fess Parker, was an icon of action and adventure for kiddos the world over. With his signature coonskin cap and buckskin coat, Davy ignited an unlikely fashion craze in the 1950s and 60s. Crockett, in stalwart hero stance, is featured on this spectacular one sheet. The poster shows only light staining in the borders, a small chip in the right border, and light bleed through from a stamp on the verso. A wonderful piece of nostalgia not to be missed. Fine/Very Fine.
The legendary Davy Crockett, "King of the Wild Frontier," brought to life perfectly by Fess Parker, was an icon of action and adventure for kiddos the world over. With his signature coonskin cap and buckskin coat, Davy ignited an unlikely fashion craze in the 1950s and 60s. Crockett, in stalwart hero stance, is featured on this spectacular one sheet. The poster shows only light staining in the borders, a small chip in the right border, and light bleed through from a stamp on the verso. A wonderful piece of nostalgia not to be missed. Fine/Very Fine.
The Dawn Rider (Monogram, 1935). Lobby Card (11" X 14").
Pretty Marion Burns smiles at her co-star, a young John Wayne, who returns the compliment. This is from the next to last Western that Wayne made before Monogram merged into Republic Pictures. There are corner pinholes, with several just into the background, and one in the center of the card, as well as small chips out of the bottom right corner and a small crease in the lower right corner. The bottom left has a slight corner bend. The top right corner also has a tear and some edge wear that has been repaired by archival tape on the verso. Color is excellent! Fine+.
Pretty Marion Burns smiles at her co-star, a young John Wayne, who returns the compliment. This is from the next to last Western that Wayne made before Monogram merged into Republic Pictures. There are corner pinholes, with several just into the background, and one in the center of the card, as well as small chips out of the bottom right corner and a small crease in the lower right corner. The bottom left has a slight corner bend. The top right corner also has a tear and some edge wear that has been repaired by archival tape on the verso. Color is excellent! Fine+.
Fargo Express (Worldwide Pictures, 1932). One Sheet (27" X 41").
Beautiful stone litho Western poster featuring the man who taught John Wayne how to do his own stunts. Ken Maynard was no "drug-store" cowboy; he was an accomplished horseman doing trick riding with Buffalo Bill's Wild West Show and was a circus rider with Ringling Brothers. A real find in this original condition with the colors vibrant and fresh. Just a mild dust shadow in the bottom border and some small cross-fold separations. Very Fine+.
Beautiful stone litho Western poster featuring the man who taught John Wayne how to do his own stunts. Ken Maynard was no "drug-store" cowboy; he was an accomplished horseman doing trick riding with Buffalo Bill's Wild West Show and was a circus rider with Ringling Brothers. A real find in this original condition with the colors vibrant and fresh. Just a mild dust shadow in the bottom border and some small cross-fold separations. Very Fine+.
A Fistful of Dollars (PEA, 1965). French Grande (47" X 63").
The first movie in the "Man With No Name" trilogy made Clint Eastwood a star and brought "spaghetti" cinema to the attention of moviegoers everywhere. This great-looking French Grande has artwork by Tealdi and is in terrific condition with only some pinpoint crossfold separations to note. Very Fine+.
The first movie in the "Man With No Name" trilogy made Clint Eastwood a star and brought "spaghetti" cinema to the attention of moviegoers everywhere. This great-looking French Grande has artwork by Tealdi and is in terrific condition with only some pinpoint crossfold separations to note. Very Fine+.
For a Few Dollars More (United Artists, 1967). One Sheet (27" X 41").
Sergio Leone's bloody follow-up to A Fistful of Dollars once again stars Clint Eastwood as a bounty hunter on the trail of a ruthless, escaped killer, played brilliantly by Gian Maria Volontè. Offered here is an exceptionally designed one sheet that features Eastwood in his signature pose with Lee Van Cleef sighting his rifle beneath him. On Clint's right is Mara Krupp, and "El Indio" (Volonte), one of the best psychopathic villains ever seen in a Western. With only very light fold and edge wear, and minor cross fold separation, this gorgeous one sheet is a treasure for any collection. MP Grading: Fine+.
Sergio Leone's bloody follow-up to A Fistful of Dollars once again stars Clint Eastwood as a bounty hunter on the trail of a ruthless, escaped killer, played brilliantly by Gian Maria Volontè. Offered here is an exceptionally designed one sheet that features Eastwood in his signature pose with Lee Van Cleef sighting his rifle beneath him. On Clint's right is Mara Krupp, and "El Indio" (Volonte), one of the best psychopathic villains ever seen in a Western. With only very light fold and edge wear, and minor cross fold separation, this gorgeous one sheet is a treasure for any collection. MP Grading: Fine+.
For a Few Dollars More (United Artists, 1967). Poster (40" X 60").
Sergio Leone's sequel to "A Fistful of Dollars" reunites the Italian director with Clint Eastwood, the infamous Man With No Name. He must team with a bounty hunter (Lee Van Cleef) in order to capture a psychotic bandit (Gian Maria Volonte). This attractive poster features great artwork of Eastwood. It has pinholes in the corners, edge wear, and creasing in the image and borders. Rolled, Fine+.
Sergio Leone's sequel to "A Fistful of Dollars" reunites the Italian director with Clint Eastwood, the infamous Man With No Name. He must team with a bounty hunter (Lee Van Cleef) in order to capture a psychotic bandit (Gian Maria Volonte). This attractive poster features great artwork of Eastwood. It has pinholes in the corners, edge wear, and creasing in the image and borders. Rolled, Fine+.
Gunfight at the O.K. Corral (Paramount, 1957). French Grande (45" X 62").
Burt Lancaster and Kirk Douglas star as Wyatt Earp and Doc Holliday in this retelling of an American legend. This poster has pinholes in the corners and borders, minor edge wear, a tear on the left side in the image, and crossfold separations with minor paper loss. None of these issues detracts from this colorful poster, featuring great artwork by Boris Grinsson. Fine/Very Fine.
Burt Lancaster and Kirk Douglas star as Wyatt Earp and Doc Holliday in this retelling of an American legend. This poster has pinholes in the corners and borders, minor edge wear, a tear on the left side in the image, and crossfold separations with minor paper loss. None of these issues detracts from this colorful poster, featuring great artwork by Boris Grinsson. Fine/Very Fine.
Golden Age (1938-1955)
Harry Carey Lot (Universal, 1920-1921). Lobby Cards (2) (11" X 14").
Two cards featuring top silent Western star, Harry Carey. Offered here are two scene cards from West is West (1920) and The Wallop (1921). The latter features a great shot of a silhouetted Carey hiding in a cave entrance, with a full portrait in character on the left. The cards have corner pinholes, dust shadows and border smudges, and some corner bends and creases. One has a number written in the right border. Fine.
Two cards featuring top silent Western star, Harry Carey. Offered here are two scene cards from West is West (1920) and The Wallop (1921). The latter features a great shot of a silhouetted Carey hiding in a cave entrance, with a full portrait in character on the left. The cards have corner pinholes, dust shadows and border smudges, and some corner bends and creases. One has a number written in the right border. Fine.
Movie Posters
Heldorado (Republic, 1946). One Sheet (27" X 41").
Roy Rogers, playing a Nevada State Ranger Captain, makes a trip to Las Vegas for the annual Heldorado Frontier Days Festival. This poster has corner pinholes, fold separation with tape on the verso, a small chip in the left border, and two small nicks in the bottom border. A gorgeous poster featuring George "Gabby" Hayes, Dale Evans, and Trigger. Very Fine-.
Roy Rogers, playing a Nevada State Ranger Captain, makes a trip to Las Vegas for the annual Heldorado Frontier Days Festival. This poster has corner pinholes, fold separation with tape on the verso, a small chip in the left border, and two small nicks in the bottom border. A gorgeous poster featuring George "Gabby" Hayes, Dale Evans, and Trigger. Very Fine-.
Law Beyond the Range (Columbia, 1935). Title Lobby Card and Lobby Cards (6) (11" X 14").
Western star Tim McCoy produced his greatest work during his stint with Columbia Pictures in the early 1930s. These great lobbies are from 1935 and feature McCoy and co-stars Billie Seward and Robert Allen. A young Walter Brennan is clearly featured on one of the cards. The title card and portrait three shot are very clean cards and would rate a very fine or very fine+ in our opinion. Two other cards are very sharp and in nice condition. Two more cards are a bit rougher with staining from water damage, and one card is trimmed . Fine/Very Fine.
Western star Tim McCoy produced his greatest work during his stint with Columbia Pictures in the early 1930s. These great lobbies are from 1935 and feature McCoy and co-stars Billie Seward and Robert Allen. A young Walter Brennan is clearly featured on one of the cards. The title card and portrait three shot are very clean cards and would rate a very fine or very fine+ in our opinion. Two other cards are very sharp and in nice condition. Two more cards are a bit rougher with staining from water damage, and one card is trimmed . Fine/Very Fine.
The Lone Ranger (Warner Brothers, 1956). Uncut Pressbook (11" X 17", 28 Pages).
The Lone Ranger (Clayton Moore) and Tonto (Jay Silverheels) star in their first feature length color film. This great pressbook features a variety of advertising aids, posters, articles, art, comic books, records, and photos designed to promote the film, including the rarely seen giant standee which is also being offered in this auction. There is a minor spine split at the bottom and a light crease on the top right. Very Fine.
The Lone Ranger (Clayton Moore) and Tonto (Jay Silverheels) star in their first feature length color film. This great pressbook features a variety of advertising aids, posters, articles, art, comic books, records, and photos designed to promote the film, including the rarely seen giant standee which is also being offered in this auction. There is a minor spine split at the bottom and a light crease on the top right. Very Fine.
The Man Who Shot Liberty Valance (Paramount, 1962). Window Card (14" X 22").
No one in film could make opening a door more dramatic than John Wayne. He's at his best in this very clean window card. This film paired him once again with old friend and mentor, John Ford. There are dust shadows in several of the borders. Very Fine.
No one in film could make opening a door more dramatic than John Wayne. He's at his best in this very clean window card. This film paired him once again with old friend and mentor, John Ford. There are dust shadows in several of the borders. Very Fine.
The Man Who Shot Liberty Valance (Paramount, 1962). One Sheet (27" X 41").
In the first film with James Stewart and John Wayne cast together, Wayne stars as the quiet hero Tom Doniphon who saves a town and future senator Ransom Stoddard (Stewart) .This fantastic poster does justice to John Ford's epic Western, with beautiful design and vibrant color. In excellent condition, the one sheet only has light edge wear on the left and bottom border, faint staining in the right section, a smudge in the top left corner, and a bottom right corner bend. An essential piece for any collector of the great American Western. Fine/Very Fine.
In the first film with James Stewart and John Wayne cast together, Wayne stars as the quiet hero Tom Doniphon who saves a town and future senator Ransom Stoddard (Stewart) .This fantastic poster does justice to John Ford's epic Western, with beautiful design and vibrant color. In excellent condition, the one sheet only has light edge wear on the left and bottom border, faint staining in the right section, a smudge in the top left corner, and a bottom right corner bend. An essential piece for any collector of the great American Western. Fine/Very Fine.
The Oklahoma Kid (Warner Brothers, 1939). Lobby Cards (2) (11" X 14").
James Cagney stars in this western as an outlaw who makes good as he takes on a land-grabbing, murderous "sooner," the tough-talking, Brooklyn accented Whip McCord (Humphrey Bogart). These two cards both feature Cagney. The scene card with Bogart has pinholes on the borders and within the image. The closeup card of Cagney and Rosemary Lane has general wear to the borders, a slight horizontal crease through the card, and a tear in the bottom border that has been reinforced with tape. The scene card with Bogart has always been tough to get. Very Good/Fine.
James Cagney stars in this western as an outlaw who makes good as he takes on a land-grabbing, murderous "sooner," the tough-talking, Brooklyn accented Whip McCord (Humphrey Bogart). These two cards both feature Cagney. The scene card with Bogart has pinholes on the borders and within the image. The closeup card of Cagney and Rosemary Lane has general wear to the borders, a slight horizontal crease through the card, and a tear in the bottom border that has been reinforced with tape. The scene card with Bogart has always been tough to get. Very Good/Fine.
Once Upon a Time in the West (Paramount, 1969). One Sheet (27" X 41").
Sergio Leone's masterpiece, one of the best Westerns ever filmed, features a remarkable cast that includes Henry Fonda, Jason Robards, Charles Bronson, Jack Elam, Keenan Wynn, and Woody Strode. This stunning poster, with artwork by Frank McCarthy, is in excellent condition, with only pinholes in the upper background and a corner crease in the bottom left. A quintessential piece for the lover of Westerns and stellar movie posters. Very Fine.
Sergio Leone's masterpiece, one of the best Westerns ever filmed, features a remarkable cast that includes Henry Fonda, Jason Robards, Charles Bronson, Jack Elam, Keenan Wynn, and Woody Strode. This stunning poster, with artwork by Frank McCarthy, is in excellent condition, with only pinholes in the upper background and a corner crease in the bottom left. A quintessential piece for the lover of Westerns and stellar movie posters. Very Fine.
Once Upon a Time in the West (Euro International, 1968). Italian 2 - Foglio (39" X 55").
Director Sergio Leone cast Henry Fonda as a cold-blooded killer and ruthless rancher in this seminal Western. Charles Bronson stars as the harmonica playing stranger bent on revenge, and Claudia Cardinale is the woman who comes between them. With only light edge wear along the left side, very minor edge tears, and small crossfold separations, this country of origin poster is in exceptional condition. Very Fine-.
Director Sergio Leone cast Henry Fonda as a cold-blooded killer and ruthless rancher in this seminal Western. Charles Bronson stars as the harmonica playing stranger bent on revenge, and Claudia Cardinale is the woman who comes between them. With only light edge wear along the left side, very minor edge tears, and small crossfold separations, this country of origin poster is in exceptional condition. Very Fine-.
Paradise Canyon (Monogram, 1935). Title Lobby Card (11" X 14").
Beautiful title card from John Wayne's last of sixteen B Westerns he made for Monogram from 1933-1935. Monogram would merge into Republic Pictures after this film. That "handsome heavy" Wayne is punching out, Reed Howes, was chosen in his early twenties by artist J. C. Leyendecker and was immortalized as "The Arrow Collar Man." Excellent restoration has addressed some pinholes in the borders and mid-background, some bottom border tears, and some minor edge wear. Fine/Very.
Beautiful title card from John Wayne's last of sixteen B Westerns he made for Monogram from 1933-1935. Monogram would merge into Republic Pictures after this film. That "handsome heavy" Wayne is punching out, Reed Howes, was chosen in his early twenties by artist J. C. Leyendecker and was immortalized as "The Arrow Collar Man." Excellent restoration has addressed some pinholes in the borders and mid-background, some bottom border tears, and some minor edge wear. Fine/Very.
Paradise Canyon (Monogram, 1935). Lobby Card (11" X 14").
John Wayne is mistakenly arrested by the Mexican law officials in this tense scene from Wayne's last Lone Star Western for Monogram. There are pin holes in the borders, smudges and stains in the borders, a tear in the lower right border, some mild vertical wrinkling to the card, and some grease pencil lettering on the verso announcing the arrival of a Roy Rogers film! Fine+.
John Wayne is mistakenly arrested by the Mexican law officials in this tense scene from Wayne's last Lone Star Western for Monogram. There are pin holes in the borders, smudges and stains in the borders, a tear in the lower right border, some mild vertical wrinkling to the card, and some grease pencil lettering on the verso announcing the arrival of a Roy Rogers film! Fine+.
The Plainsman (Paramount, 1936). Insert (14" X 36").
This classic Western stars, Gary Cooper and Jean Arthur as Wild Bill Hickok and Calamity Jane respectively, act in Cecil B. DeMille's tale about an Indian uprising that was ignited by white gun runners. This highly attractive insert presented here has pinholes in the borders and artwork, light fold wear with two extra horizontal creases, a small tear in the top border with paper tape on the reverse, and minor surface paper loss along the left and right borders. In spite of these minor flaws, this is a wonderful poster featuring great images of Gary Cooper and Jean Arthur. Folded, Fine.
This classic Western stars, Gary Cooper and Jean Arthur as Wild Bill Hickok and Calamity Jane respectively, act in Cecil B. DeMille's tale about an Indian uprising that was ignited by white gun runners. This highly attractive insert presented here has pinholes in the borders and artwork, light fold wear with two extra horizontal creases, a small tear in the top border with paper tape on the reverse, and minor surface paper loss along the left and right borders. In spite of these minor flaws, this is a wonderful poster featuring great images of Gary Cooper and Jean Arthur. Folded, Fine.
Randy Rides Alone (Monogram, 1934). Lobby Card (11" X 14").
Long sought as one of the top pre-1935 John Wayne portrait cards, this card features a young Wayne lovingly staring at Alberta Vaughn (along with Clara Bow, a WAMPAS Baby Star in 1924). This card only needed some attention by a top restorer to render it a true cornerstone piece in any collection. There were background pin holes not affecting the art, some tears in the top and bottom borders, and a small chip in the bottom border. Fine+.
Long sought as one of the top pre-1935 John Wayne portrait cards, this card features a young Wayne lovingly staring at Alberta Vaughn (along with Clara Bow, a WAMPAS Baby Star in 1924). This card only needed some attention by a top restorer to render it a true cornerstone piece in any collection. There were background pin holes not affecting the art, some tears in the top and bottom borders, and a small chip in the bottom border. Fine+.
Randy Rides Alone (Monogram, 1934). Title Lobby Card (11" X 14").
The first title card we've offered for this unique John Wayne early Lone Star Western, featuring a gorgeous portrait of Wayne, it will only become scarcer and scarcer. If you weren't a young boy innocently munching popcorn when confronted with one of the most surreal opening scenes in Western film history (where Wayne discovers an entire saloon of dead people), then you might have missed the significance of this film. Surreal indeed, the film includes a whisker-less George (Gabby) Hayes playing "Matt the Mute" and a town with a large tree trunk in the middle of the main street! This is a lightly, but wonderfully restored card that has border pin holes, some edge wear, and small chips in the bottom left and top borders. Fine+.
The first title card we've offered for this unique John Wayne early Lone Star Western, featuring a gorgeous portrait of Wayne, it will only become scarcer and scarcer. If you weren't a young boy innocently munching popcorn when confronted with one of the most surreal opening scenes in Western film history (where Wayne discovers an entire saloon of dead people), then you might have missed the significance of this film. Surreal indeed, the film includes a whisker-less George (Gabby) Hayes playing "Matt the Mute" and a town with a large tree trunk in the middle of the main street! This is a lightly, but wonderfully restored card that has border pin holes, some edge wear, and small chips in the bottom left and top borders. Fine+.
Red River (United Artists, 1948). Belgian (14.5" X 22").
John Wayne gave one of his best performances in this title under the steady hand of veteran director, Howard Hawks. This Belgian poster has some terrific artwork including the cattle drive along the Red River at the top, a pretty image of Wayne and Joanne Dru, and a great scene at the bottom with Wayne punching Montgomery Clift. Included are two vintage tax stamps on the far right and two vintage canceled postage stamps on the verso, as the custom both abroad and the US was to simply fold the poster over, address the back, and mail it! Just a light center horizontal fold, mild edge wear, and light corner bends on the bottom. Very Fine+.
John Wayne gave one of his best performances in this title under the steady hand of veteran director, Howard Hawks. This Belgian poster has some terrific artwork including the cattle drive along the Red River at the top, a pretty image of Wayne and Joanne Dru, and a great scene at the bottom with Wayne punching Montgomery Clift. Included are two vintage tax stamps on the far right and two vintage canceled postage stamps on the verso, as the custom both abroad and the US was to simply fold the poster over, address the back, and mail it! Just a light center horizontal fold, mild edge wear, and light corner bends on the bottom. Very Fine+.
Red River Valley (Republic, 1941). One Sheet (27" X 41").
A group of ranchers fighting a drought have banded together to raise money to build a reservoir. When they're cheated out of the money in a stock fraud, Roy Rogers rides to rout the rascals. Along the way, he finds time to sing several songs with the Sons of the Pioneers, including "Love Begins at Sunset on the Trail" and "When Payday Rolls Around." This colorful poster has pinholes in the top image area, minor crossfold separations, and faint bleed through above the credits from writing on the verso. Seldom offered, this is a fantastic find. Fine/Very Fine.
A group of ranchers fighting a drought have banded together to raise money to build a reservoir. When they're cheated out of the money in a stock fraud, Roy Rogers rides to rout the rascals. Along the way, he finds time to sing several songs with the Sons of the Pioneers, including "Love Begins at Sunset on the Trail" and "When Payday Rolls Around." This colorful poster has pinholes in the top image area, minor crossfold separations, and faint bleed through above the credits from writing on the verso. Seldom offered, this is a fantastic find. Fine/Very Fine.
Riders of the Desert (Sono Art-World Wide Pictures, 1935). One Sheet (27" X 41").
Height-challenged movie cowboy Bob Steele stars in this amiable oater (directed by his father, Robert North Bradbury) about a cowpoke who joins up with the Rangers to help avenge the death of his girlfriend's father. This stunning stone litho one sheet boasts vibrant color and terrific artwork, and it's certainly among the best Bob Steele posters you're likely to turn up. A single tear in the bottom border and a pinpoint crossfold separation are the only things keeping this vintage beauty from utter perfection. Very Fine/Near Mint.
Height-challenged movie cowboy Bob Steele stars in this amiable oater (directed by his father, Robert North Bradbury) about a cowpoke who joins up with the Rangers to help avenge the death of his girlfriend's father. This stunning stone litho one sheet boasts vibrant color and terrific artwork, and it's certainly among the best Bob Steele posters you're likely to turn up. A single tear in the bottom border and a pinpoint crossfold separation are the only things keeping this vintage beauty from utter perfection. Very Fine/Near Mint.
Riders of the Desert (Sono Art-World Wide Pictures, 1935). Autographed Title Lobby Card (11" X 14").
Beautiful portrait title card for an action packed Bob Steele western. Bob was directed by his real-life dad, R. N. Bradbury in this one. That's pretty Gertrude Messinger that he rescues from quicksand! The card has been signed by Bob and inscribed: "To Jack, Best of Luck, Bob Steele." There are stapleholes in the left shoulder, pinpoint stains in the top border, and a right side small corner bend. Very Fine.
Beautiful portrait title card for an action packed Bob Steele western. Bob was directed by his real-life dad, R. N. Bradbury in this one. That's pretty Gertrude Messinger that he rescues from quicksand! The card has been signed by Bob and inscribed: "To Jack, Best of Luck, Bob Steele." There are stapleholes in the left shoulder, pinpoint stains in the top border, and a right side small corner bend. Very Fine.
Rio Bravo (Warner Brothers, 1959). Insert (14" X 36").
Howard Hawks directed this legendary Western with his usual bravado. John Wayne enlists the aid of Walter Brennan, Dean Martin, and rock idol Ricky Nelson to keep a murderer from escaping his jail. One of the true classics of the genre. This great-looking insert has some foxing in the bottom border and an extra horizontal fold in the top text area. Folded, Very Fine-.
Howard Hawks directed this legendary Western with his usual bravado. John Wayne enlists the aid of Walter Brennan, Dean Martin, and rock idol Ricky Nelson to keep a murderer from escaping his jail. One of the true classics of the genre. This great-looking insert has some foxing in the bottom border and an extra horizontal fold in the top text area. Folded, Very Fine-.
Rio Bravo (Warner Brothers, 1959). German A1 (23" X 33") Style B.
John Wayne, in all his swaggering glory, stars in this Howard Hawks Western classic. The film features a memorable cast of characters, played by Walter Brennan, Dean Martin, Angie Dickinson, and teen idol Ricky Nelson. This rarely seen German poster features artwork by Rolf Goetz and displays edge wear in the lower left, edge tears in the left bottom, small tear in the credits, small cross-fold separations, archival tape on the verso, faint bleed through in the upper left from a stamp on the verso, and surface paper loss in the bottom right corner. With an overall very acceptable appearance, this is an important piece for any collector of the legendary "Duke." Fine/Very Fine.
John Wayne, in all his swaggering glory, stars in this Howard Hawks Western classic. The film features a memorable cast of characters, played by Walter Brennan, Dean Martin, Angie Dickinson, and teen idol Ricky Nelson. This rarely seen German poster features artwork by Rolf Goetz and displays edge wear in the lower left, edge tears in the left bottom, small tear in the credits, small cross-fold separations, archival tape on the verso, faint bleed through in the upper left from a stamp on the verso, and surface paper loss in the bottom right corner. With an overall very acceptable appearance, this is an important piece for any collector of the legendary "Duke." Fine/Very Fine.
Rootin' Tootin' Rhythm (Republic, 1937). One Sheet (27" X 41").
Gene Autry rides the range again, a singin' and a shootin' his way to Saturday matinee fame and fortune. Autry stars alongside his perennial sidekick, Smiley Burnette, in this tale of rustlers and murder. This one sheet features a great image of the Singing Cowboy. This excellent example had border pinholes, fold wear with crossfold separations, corner and border tears, and small chips out of the right and bottom borders, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Gene Autry rides the range again, a singin' and a shootin' his way to Saturday matinee fame and fortune. Autry stars alongside his perennial sidekick, Smiley Burnette, in this tale of rustlers and murder. This one sheet features a great image of the Singing Cowboy. This excellent example had border pinholes, fold wear with crossfold separations, corner and border tears, and small chips out of the right and bottom borders, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Saga of Death Valley (Republic, 1939). One Sheet (27" X 41").
Fifteen years after losing his father to a corrupt land baron, Roy Rogers returns to Death Valley to oppose the villain, not knowing that his own brother is now the bad guy's chief lieutenant. This action-packed B programmer had a little more subtext than the usual Rogers output, but still featured Gabby Hayes as the comic relief, and was one of the few films credited to the "other" Doris Day, who left the film industry long before the more famous blonde actress gained celebrity. The poster displays minor imperfections, including pinholes in the top corners and bottom with a small tear in the artwork, light edge wear, small edge tears on the folds, fold wear, crossfold separations, and a tear in the center horizontal fold with paper tape on the verso. This fantastic one sheet has beautiful artwork with cobalt blue accents, surely one of the best Roy Rogers posters ever released. Fine/Very Fine.
Fifteen years after losing his father to a corrupt land baron, Roy Rogers returns to Death Valley to oppose the villain, not knowing that his own brother is now the bad guy's chief lieutenant. This action-packed B programmer had a little more subtext than the usual Rogers output, but still featured Gabby Hayes as the comic relief, and was one of the few films credited to the "other" Doris Day, who left the film industry long before the more famous blonde actress gained celebrity. The poster displays minor imperfections, including pinholes in the top corners and bottom with a small tear in the artwork, light edge wear, small edge tears on the folds, fold wear, crossfold separations, and a tear in the center horizontal fold with paper tape on the verso. This fantastic one sheet has beautiful artwork with cobalt blue accents, surely one of the best Roy Rogers posters ever released. Fine/Very Fine.
The Searchers (Warner Brothers, 1956). Japanese B2 (20" X 29").
This simple but incredibly effective poster completely conveys both the environmental sweep and the intimate human intensity of the film at once. The poster features the lonely pair of John Wayne and Jeffrey Hunter, lost in their "search," in the foreground of the seemingly endless landscape of Monument Valley. It was John Ford's genius that correctly visualized the irony of being able to see for miles, but yet not being to see at all what is being sought. This Japanese B2 is superior and in a grade no collection should be without. Only two very mild horizontal creases. Rolled, Near Mint/Mint.
This simple but incredibly effective poster completely conveys both the environmental sweep and the intimate human intensity of the film at once. The poster features the lonely pair of John Wayne and Jeffrey Hunter, lost in their "search," in the foreground of the seemingly endless landscape of Monument Valley. It was John Ford's genius that correctly visualized the irony of being able to see for miles, but yet not being to see at all what is being sought. This Japanese B2 is superior and in a grade no collection should be without. Only two very mild horizontal creases. Rolled, Near Mint/Mint.
Shotgun Pass (Columbia, 1931). Title Card and Lobby Cards (6) (11" X 14").
For over four years, Tim McCoy would be one of Columbia Studio's biggest Western stars. A young and up and coming actor named John Wayne supported him in a few of these features. These beautiful lobby cards are from a film called Shotgun Pass, the tale of a horse dealer (McCoy) seeking passage through a rival horse-trading gang's pass. The title card has a small chip in the left edge and is repaired front and back with tape. Several cards have tape repairs and chipped corners. All but three cards display pinholes. These are Columbia's famous varnish cards and are beautiful in their luster. Fine-.
For over four years, Tim McCoy would be one of Columbia Studio's biggest Western stars. A young and up and coming actor named John Wayne supported him in a few of these features. These beautiful lobby cards are from a film called Shotgun Pass, the tale of a horse dealer (McCoy) seeking passage through a rival horse-trading gang's pass. The title card has a small chip in the left edge and is repaired front and back with tape. Several cards have tape repairs and chipped corners. All but three cards display pinholes. These are Columbia's famous varnish cards and are beautiful in their luster. Fine-.
Song of Arizona (Republic, 1946). One Sheet (27" X 41").
They're all here on this colorful western one sheet: Gabby, Dale, Trigger, Roy, and even a drawing of the Sons of the Pioneers! One of the better posters with Roy and Trigger. There is a hole in the elbow, cross-fold separations with small paper loss, tears in the top border with paper tape on the verso, corner pinholes, with some into the background, and a pinhole in Dale's head. Fine+.
They're all here on this colorful western one sheet: Gabby, Dale, Trigger, Roy, and even a drawing of the Sons of the Pioneers! One of the better posters with Roy and Trigger. There is a hole in the elbow, cross-fold separations with small paper loss, tears in the top border with paper tape on the verso, corner pinholes, with some into the background, and a pinhole in Dale's head. Fine+.
Tall in the Saddle (RKO, 1944). One Sheet (27" X 41").
Character actor Paul Fix wrote the script for this fast-paced John Wayne Western, in which the Duke plays a chauvinistic cowpoke who helps two women (Elizabeth Risdon, Audrey Long) retain control of their ranch. Ella Raines co-stars as another female rancher who finds Wayne's outlook offensive. This colorful one sheet had pinholes in the corners and borders, fold wear with crossfold separations, and one small hole in the top border, all of which has been smoothed over with professional restoration, including touch-ups to the fold lines. Fine/Very Fine on Linen.
Character actor Paul Fix wrote the script for this fast-paced John Wayne Western, in which the Duke plays a chauvinistic cowpoke who helps two women (Elizabeth Risdon, Audrey Long) retain control of their ranch. Ella Raines co-stars as another female rancher who finds Wayne's outlook offensive. This colorful one sheet had pinholes in the corners and borders, fold wear with crossfold separations, and one small hole in the top border, all of which has been smoothed over with professional restoration, including touch-ups to the fold lines. Fine/Very Fine on Linen.
The Telegraph Trail (Warner Brothers, 1933). Lobby Card (11" X 14").
This is a beautiful early card that has eluded even the most advanced John Wayne collectors for many years. It's a rare card displaying the only time that Wayne would wear his guns "butt out" ala Wild Bill Hickok. That's pretty Marcelline Day he's protecting from the baddies. An amazingly clean card for a vintage, oft-viewed, Western. There are only some very mild top left border creases, and very slight rounded corners. Very Fine+.
This is a beautiful early card that has eluded even the most advanced John Wayne collectors for many years. It's a rare card displaying the only time that Wayne would wear his guns "butt out" ala Wild Bill Hickok. That's pretty Marcelline Day he's protecting from the baddies. An amazingly clean card for a vintage, oft-viewed, Western. There are only some very mild top left border creases, and very slight rounded corners. Very Fine+.
The Telegraph Trail (Warner Brothers, 1933). Lobby Card (11" X 14").
Great card from the early 1930s with John Wayne about to land another hay-maker. Very clean original condition card has only a mild crease in the top left corner. Very Fine+.
Great card from the early 1930s with John Wayne about to land another hay-maker. Very clean original condition card has only a mild crease in the top left corner. Very Fine+.
The Telegraph Trail (Warner Brothers, 1933). Lobby Card (11" X 14").
A high grade, original card from one of John Wayne's best early films. This super card has a young (and limber!) Wayne being throttled by a baddie. There are three pinholes in the lower left background, not affecting the image. The right border has some light foxing, and there is a light crease in the top left corner. Very Fine.
A high grade, original card from one of John Wayne's best early films. This super card has a young (and limber!) Wayne being throttled by a baddie. There are three pinholes in the lower left background, not affecting the image. The right border has some light foxing, and there is a light crease in the top left corner. Very Fine.
The Telegraph Trail (Warner Brothers, 1933). One Sheet (27" X 41").
John Wayne blasts away at attacking Indians with a raging fire in the wagon just behind him! One of Wayne's best films from the early 1930s. Exceptional condition card from this scarce set, with only some mild dust shadows in the top and bottom right edges and some faint border foxing. Fine/Very Fine.
John Wayne blasts away at attacking Indians with a raging fire in the wagon just behind him! One of Wayne's best films from the early 1930s. Exceptional condition card from this scarce set, with only some mild dust shadows in the top and bottom right edges and some faint border foxing. Fine/Very Fine.
The Telegraph Trail (Warner Brothers, 1933). Lobby Card (11" X 14").
Simply one of the best John Wayne scene cards ever! Wayne in his white buckskin shirt with his cocked revolver in one hand and protecting pretty Marceline Day with the other. He faces down the bad guys, epitomizing the Western hero. A very versatile actress, Day is remembered for her fine comedy performances with Buster Keaton and her performance with Lon Chaney in London After Midnight. Some very fine minimal restoration has this one ready for "ooh"s and "ah"s. There were some border and center image pinholes, and mild edge wear. Fine/Very Fine.
Simply one of the best John Wayne scene cards ever! Wayne in his white buckskin shirt with his cocked revolver in one hand and protecting pretty Marceline Day with the other. He faces down the bad guys, epitomizing the Western hero. A very versatile actress, Day is remembered for her fine comedy performances with Buster Keaton and her performance with Lon Chaney in London After Midnight. Some very fine minimal restoration has this one ready for "ooh"s and "ah"s. There were some border and center image pinholes, and mild edge wear. Fine/Very Fine.
The Telegraph Trail (Warner Brothers, 1933). Title Lobby Card (11" X 14").
Super-rare early 1930s John Wayne title card. This is the only close-up card of Wayne with his Wild Bill Hickok "butts out" holster. It was the only time Wayne ever wore that type of rig. There are border pinholes in the top left corner just into the background, edge wear in the top border, slight rounded top left corner, and a mild corner bend in the bottom right. Some great but minimal restoration has left this card ready to take its place in your collection! Fine/Very Fine.
Super-rare early 1930s John Wayne title card. This is the only close-up card of Wayne with his Wild Bill Hickok "butts out" holster. It was the only time Wayne ever wore that type of rig. There are border pinholes in the top left corner just into the background, edge wear in the top border, slight rounded top left corner, and a mild corner bend in the bottom right. Some great but minimal restoration has left this card ready to take its place in your collection! Fine/Very Fine.
The Telegraph Trail (Warner Brothers, 1933). Lobby Cards (2) (11" X 14").
Two super rare cards from one of John Wayne's best early Westerns. One of the cards shows Albert J. Smith as the villain and the legendary stuntman, Yakima Canutt, as "High Wolf." That's pretty Marceline Day looking out the window. There are pinholes in the Canutt card, small border staining on both, and the John Wayne card has some small rounded corners. Fine+.
Two super rare cards from one of John Wayne's best early Westerns. One of the cards shows Albert J. Smith as the villain and the legendary stuntman, Yakima Canutt, as "High Wolf." That's pretty Marceline Day looking out the window. There are pinholes in the Canutt card, small border staining on both, and the John Wayne card has some small rounded corners. Fine+.
The Toll Gate (Paramount, 1920). Lobby Card (11" X 14").
She was called "the screen's only blond vamp!" But Anna Q. Nilsson, here in the clinch with William S. Hart, doesn't get the guy. Hart has just tossed her brutish husband off a cliff and been pardoned for self defense, but he rides into the sunset claiming he's unworthy. "Goodbye... forever," the card reads. There is a small chip in the top left, a bend in the lower right, pinholes, and small stains in the borders. Fine.
She was called "the screen's only blond vamp!" But Anna Q. Nilsson, here in the clinch with William S. Hart, doesn't get the guy. Hart has just tossed her brutish husband off a cliff and been pardoned for self defense, but he rides into the sunset claiming he's unworthy. "Goodbye... forever," the card reads. There is a small chip in the top left, a bend in the lower right, pinholes, and small stains in the borders. Fine.
Tom Mix Lot (William Fox, 1927) and (FBO, 1928). Title Lobby Cards (2) (11" X 14").
Two Tom Mix title cards! The first is The Arizona Wildcat (Wm. Fox, 1927), one of the Mix's most unusual films where he breeds polo ponies. This card has just a small crease in the bottom left corner. The other is Son of the Golden West (FBO, 1928), featuring a large portrait of Mix. This card has some light toning, and small creases in the top and bottom corners on the left side. Fine/Very Fine.
Two Tom Mix title cards! The first is The Arizona Wildcat (Wm. Fox, 1927), one of the Mix's most unusual films where he breeds polo ponies. This card has just a small crease in the bottom left corner. The other is Son of the Golden West (FBO, 1928), featuring a large portrait of Mix. This card has some light toning, and small creases in the top and bottom corners on the left side. Fine/Very Fine.
Two-Fisted Sheriff (Columbia, 1937). Three Sheet (41" X 81").
After years of secondary roles, Charles Starrett signed a deal with Columbia to star in Western films (replacing the aging Tim McCoy) to compete with Republic and Gene Autry for moviegoers dollars. This great-looking, joined three sheet has pinholes in the background and borders, edge wear, fold wear with crossfold separations, and a top left border chip with associated tears. Fine/Very Fine.
After years of secondary roles, Charles Starrett signed a deal with Columbia to star in Western films (replacing the aging Tim McCoy) to compete with Republic and Gene Autry for moviegoers dollars. This great-looking, joined three sheet has pinholes in the background and borders, edge wear, fold wear with crossfold separations, and a top left border chip with associated tears. Fine/Very Fine.
Union Pacific (Paramount, 1939). One Sheet (27" X 41").
The building of the Transcontinental Railroad is the backdrop of this epic Western directed by Cecil B. DeMille. Joel McCrea stars as a troubleshooter dealing with corruption and violence as the railroad pushes toward California, with Barbara Stanwyck as the love interest, a pretty postal mistress with a questionable Irish accent. This colorful poster has a great train image and excellent portraits of the cast. The one sheet had pinholes in the corners and upper background, small tears in the borders, fold wear and separation with minor paper loss, and light creases in the image area. All of these minor issues have been addressed with excellent professional restoration. The piece has been mounted on linen, with the linen trimmed to the borders of the poster. Presents beautifully with vibrant artwork. Fine+ on Linen.
The building of the Transcontinental Railroad is the backdrop of this epic Western directed by Cecil B. DeMille. Joel McCrea stars as a troubleshooter dealing with corruption and violence as the railroad pushes toward California, with Barbara Stanwyck as the love interest, a pretty postal mistress with a questionable Irish accent. This colorful poster has a great train image and excellent portraits of the cast. The one sheet had pinholes in the corners and upper background, small tears in the borders, fold wear and separation with minor paper loss, and light creases in the image area. All of these minor issues have been addressed with excellent professional restoration. The piece has been mounted on linen, with the linen trimmed to the borders of the poster. Presents beautifully with vibrant artwork. Fine+ on Linen.
The Westerner (United Artists, 1940). Title Lobby Card (11" X 14").
Directed by William Wyler, and shot by the legendary cinematographer Gregg Toland (Citizen Kane), this was ostensibly a vehicle for Gary Cooper, but the real show-stealer is Walter Brennan, who won a well-deserved Oscar for his role as Judge Roy Bean. This outstanding title card has smudging, slight dust shadows, and some staining in the bottom border. Very Fine-.
Directed by William Wyler, and shot by the legendary cinematographer Gregg Toland (Citizen Kane), this was ostensibly a vehicle for Gary Cooper, but the real show-stealer is Walter Brennan, who won a well-deserved Oscar for his role as Judge Roy Bean. This outstanding title card has smudging, slight dust shadows, and some staining in the bottom border. Very Fine-.
Blackenstein (Frsco, 1972). One Sheet (28" X 40").
At the height of the its era, the Frankenstein saga was given the blaxploitation treatment by director Frank Saletri, who created this drive-in classic, Blackenstein. Of all the blaxploitation posters made, this one is the rarest! This one sheet had the bottom 4" and the upper 4" previously folded over. It also has some small pieces of tape on the verso and a minuscule chip off of the upper left corner. Fine/Very Fine.
At the height of the its era, the Frankenstein saga was given the blaxploitation treatment by director Frank Saletri, who created this drive-in classic, Blackenstein. Of all the blaxploitation posters made, this one is the rarest! This one sheet had the bottom 4" and the upper 4" previously folded over. It also has some small pieces of tape on the verso and a minuscule chip off of the upper left corner. Fine/Very Fine.
Abbott and Costello Meet the Invisible Man (Universal International, 1951). Title Lobby Card (11" X 14").
This probably isn't what H.G. Wells had in mind when he penned his classic science fiction novel, but any excuse for Bud & Lou to meet a monster is just fine with us. Offered here is the excellent title lobby card with eye-catching graphics. The card has edge wear with tears in two borders, pinholes in the corners, surface creasing, and an overall wrinkling across the bottom half. Fine.
This probably isn't what H.G. Wells had in mind when he penned his classic science fiction novel, but any excuse for Bud & Lou to meet a monster is just fine with us. Offered here is the excellent title lobby card with eye-catching graphics. The card has edge wear with tears in two borders, pinholes in the corners, surface creasing, and an overall wrinkling across the bottom half. Fine.
Abbott and Costello Meet the Killer, Boris Karloff (Universal International, 1949). Title Lobby Card and Lobby Cards (6) (11" X 14").
King Boris is actually a red herring--a mysterious swami who tries to hypnotize Lou in the film's funniest scene--in this murder-mystery-comedy that was originally intended as a Bob Hope vehicle. All but the title card have border creases reinforced with cloth tape on the reverse along with some corner pinholes. The title card has a small hole (in Bud's hat) repaired with paper tape on the reverse. Various cards have edge wear with tears and blunted corners. Fine+.
King Boris is actually a red herring--a mysterious swami who tries to hypnotize Lou in the film's funniest scene--in this murder-mystery-comedy that was originally intended as a Bob Hope vehicle. All but the title card have border creases reinforced with cloth tape on the reverse along with some corner pinholes. The title card has a small hole (in Bud's hat) repaired with paper tape on the reverse. Various cards have edge wear with tears and blunted corners. Fine+.
The Ghost Breakers (Paramount, 1940). Lobby Card (11" X 14").
Paulette Goddard is terrorized by the zombie of a haunted island. Bob Hope and Goddard would make several comedies together, some of the best of the 1940s. This card has two pinholes in the left side of the image and one on the right side. There is a one inch tear in the center of the bottom border that extends into Goddard's hair. This comedy card is highly sought after by horror fans as it's considered a "cross-over" into the horror genre. Fine/Very Fine.
Paulette Goddard is terrorized by the zombie of a haunted island. Bob Hope and Goddard would make several comedies together, some of the best of the 1940s. This card has two pinholes in the left side of the image and one on the right side. There is a one inch tear in the center of the bottom border that extends into Goddard's hair. This comedy card is highly sought after by horror fans as it's considered a "cross-over" into the horror genre. Fine/Very Fine.
The Ghost Breakers (Paramount, 1940). Window Card (14" X 22").
One of Bob Hope's best films, with solid support from the talented and popular Paulette Goddard. It's an old-dark-house thriller with creaky floorboards, pesky zombies, bloody murder, and plenty of laughs. This superb window card is an ectoplasmic delight, as Bob and Paulette encounter a spooky specter and PG shows some gam. The poster has a tear at the bottom left, abrasion in the top right corner, a small hole just above Hope's left hand, rounded corners, dents in the top imprint area, and paper tape on the reverse. The hole has been filled in and there are paint touch-ups to the hole and the tear. Fine/Very Fine.
One of Bob Hope's best films, with solid support from the talented and popular Paulette Goddard. It's an old-dark-house thriller with creaky floorboards, pesky zombies, bloody murder, and plenty of laughs. This superb window card is an ectoplasmic delight, as Bob and Paulette encounter a spooky specter and PG shows some gam. The poster has a tear at the bottom left, abrasion in the top right corner, a small hole just above Hope's left hand, rounded corners, dents in the top imprint area, and paper tape on the reverse. The hole has been filled in and there are paint touch-ups to the hole and the tear. Fine/Very Fine.
An American Werewolf in London (Polygram, 1981). British Quad (30" X 40").
Known primarily for his comedies, director John Lucas wrote the screenplay for this raucous mixture of humor and horror early in his career and used the clout from a series of several hit films to finally get it green-lit. The end result was one of the best horror flicks of the '80s, winning an Oscar for Rick Baker's innovative, revolutionary werewolf transformation effects. Some edge wear in the borders is the main condition issue. Rolled, Very Fine+.
Known primarily for his comedies, director John Lucas wrote the screenplay for this raucous mixture of humor and horror early in his career and used the clout from a series of several hit films to finally get it green-lit. The end result was one of the best horror flicks of the '80s, winning an Oscar for Rick Baker's innovative, revolutionary werewolf transformation effects. Some edge wear in the borders is the main condition issue. Rolled, Very Fine+.
Andy Warhol's Dracula (EMI, 1974). British Quad (30" X 40").
Desperate for "weergin" blood to keep him alive, Dracula (Udo Kier) leaves Transylvania for Italy, believing (for some reason) it will be easier to find a pure woman there. He falls in with a land baron who has several daughters, but not all of them are untouched. This eye-catching British quad has the film's original title Blood for Dracula, and features terrific artwork. One very minor corner crease is the only thing keeping this colorful sheet from perfection. Very Fine/Near Mint.
Desperate for "weergin" blood to keep him alive, Dracula (Udo Kier) leaves Transylvania for Italy, believing (for some reason) it will be easier to find a pure woman there. He falls in with a land baron who has several daughters, but not all of them are untouched. This eye-catching British quad has the film's original title Blood for Dracula, and features terrific artwork. One very minor corner crease is the only thing keeping this colorful sheet from perfection. Very Fine/Near Mint.
Andy Warhol's Dracula (Bryanston, 1974). French Grande (45.5" X 61").
Shot on various locations in Italy, this film, starring Udo Kier and directed by Paul Morriseey, centers around a sickly Dracula who must drink "pure" blood to survive his travels from Transylvania to Italy, where he believes he might reclaim his energy and life in a heavily populated Catholic country. The artwork features a large Dracula hiding from his potential prey. This poster has edge wear along the bottom and right borders in addition to a few small tears along the top border and mild fold wear. Very Fine.
Shot on various locations in Italy, this film, starring Udo Kier and directed by Paul Morriseey, centers around a sickly Dracula who must drink "pure" blood to survive his travels from Transylvania to Italy, where he believes he might reclaim his energy and life in a heavily populated Catholic country. The artwork features a large Dracula hiding from his potential prey. This poster has edge wear along the bottom and right borders in addition to a few small tears along the top border and mild fold wear. Very Fine.
Andy Warhol's Frankenstein (EMI, 1974). British Quad (30" X 40").
Originally titled Flesh For Frankenstein, this sexually-charged version of the familiar story features Udo Kier as the doctor, stitching together bits of men and women in an attempt to create a perfect Serbian race to do his bidding. The poster has edge wear in the bottom borders and corner creases. Very Fine+.
Originally titled Flesh For Frankenstein, this sexually-charged version of the familiar story features Udo Kier as the doctor, stitching together bits of men and women in an attempt to create a perfect Serbian race to do his bidding. The poster has edge wear in the bottom borders and corner creases. Very Fine+.
The Bat (Allied Artists, 1959). Italian 4 - Foglio (55" X 78").
The fourth film version of the popular stage play stars Agnes Moorehead as a mystery novelist whose remote mansion is the setting for murder and mayhem. Vincent Price is a bad guy, but not the bad guy. This stunning Italian folio has fantastic, lurid artwork that is far superior to the American paper on this title, and is scarce enough that this is our first time offering it. The poster has staple holes throughout both panels, edge wear with tears, tears in the folds and borders, crossfold separations, and a hole in the credits area. The piece retains outstanding color and clarity. Fine-.
The fourth film version of the popular stage play stars Agnes Moorehead as a mystery novelist whose remote mansion is the setting for murder and mayhem. Vincent Price is a bad guy, but not the bad guy. This stunning Italian folio has fantastic, lurid artwork that is far superior to the American paper on this title, and is scarce enough that this is our first time offering it. The poster has staple holes throughout both panels, edge wear with tears, tears in the folds and borders, crossfold separations, and a hole in the credits area. The piece retains outstanding color and clarity. Fine-.
Beast from Haunted Cave (Film Group, 1959). Half Sheet (22" X 28").
Gold thieves are hiding out at a ski resort, waiting to hustle their loot across the Canadian border. Little do they know, living in a cave nearby is a mossy monster that eats pretty much anything it comes across. Director Monte Hellman would later make a number of C-Westerns, a couple of them starring Jack Nicholson. This unrestored half sheet features wonderfully lurid artwork, including a damsel in an more advanced state of undress than was usual. Condition issues include light smudging in all borders, corner bends, and edge wear. Fine/Very Fine, Folded.
Gold thieves are hiding out at a ski resort, waiting to hustle their loot across the Canadian border. Little do they know, living in a cave nearby is a mossy monster that eats pretty much anything it comes across. Director Monte Hellman would later make a number of C-Westerns, a couple of them starring Jack Nicholson. This unrestored half sheet features wonderfully lurid artwork, including a damsel in an more advanced state of undress than was usual. Condition issues include light smudging in all borders, corner bends, and edge wear. Fine/Very Fine, Folded.
The Black Sleep (United Artists, 1956). One Sheet (27" X 41").
Basil Rathbone stars as a scientist dabbling in brain transplants who develops a drug known as the "Black Sleep" in order to gain control over a rival scientist (Herbert Rudley) whose knowledge he needs. Among Rathbone's minions are Bela Lugosi, John Carradine, and Tor Johnson. This luridly lovely one sheet has a tear in the right border which has been addressed with professional restoration and still boasts bright, vivid colors. Very Fine on Linen.
Basil Rathbone stars as a scientist dabbling in brain transplants who develops a drug known as the "Black Sleep" in order to gain control over a rival scientist (Herbert Rudley) whose knowledge he needs. Among Rathbone's minions are Bela Lugosi, John Carradine, and Tor Johnson. This luridly lovely one sheet has a tear in the right border which has been addressed with professional restoration and still boasts bright, vivid colors. Very Fine on Linen.
Blood of the Vampire (Universal International, 1958). Lobby Card Set of 8 (11" X 14").
Donald Wolfit plays the mad scientist/vampire Dr. Callistratus who takes control of a prison in order to experiment on the inmates in this outlandish thriller written by Hammer scribe Jimmy Sangster. This outstanding lobby card set has many great images from the film, including the doctor's hunchbacked assistant. Two cards have corner pinholes, one card has some light stains, and various cards have very minor corner bumps. Very Fine+.
Donald Wolfit plays the mad scientist/vampire Dr. Callistratus who takes control of a prison in order to experiment on the inmates in this outlandish thriller written by Hammer scribe Jimmy Sangster. This outstanding lobby card set has many great images from the film, including the doctor's hunchbacked assistant. Two cards have corner pinholes, one card has some light stains, and various cards have very minor corner bumps. Very Fine+.
Boris Karloff Lot (Columbia/RKO, 1940-1945). Lobby Cards (2) (11" X 14").
This lot includes two top scene cards from early 1940s Boris Karloff films: The Man with Nine Lives (1940) and The Body Snatcher (1945). There is some mild restoration with masa paper backing on the borders on the verso. There is also some light foxing in the borders. Very Fine+.
This lot includes two top scene cards from early 1940s Boris Karloff films: The Man with Nine Lives (1940) and The Body Snatcher (1945). There is some mild restoration with masa paper backing on the borders on the verso. There is also some light foxing in the borders. Very Fine+.
The Bride and the Beast (Allied Artists, 1958). One Sheet (27" X 41").
Edward D. Wood Jr., the creative force behind such campy classics as Glen or Glenda and Plan Nine from Outer Space, co-wrote the screenplay for this cheap pleasure. Charlotte Austin plays Laura, who slowly discovers that she was once "Queen of the Gorillas," and to the horror of her husband Dan (Lance Fuller), she is attracted to his pet ape. This copy has some crossfold paper loss in both the top and center fold. There are pinholes in the top and bottom corners and into the images as well as several on the side borders. Fine.
Edward D. Wood Jr., the creative force behind such campy classics as Glen or Glenda and Plan Nine from Outer Space, co-wrote the screenplay for this cheap pleasure. Charlotte Austin plays Laura, who slowly discovers that she was once "Queen of the Gorillas," and to the horror of her husband Dan (Lance Fuller), she is attracted to his pet ape. This copy has some crossfold paper loss in both the top and center fold. There are pinholes in the top and bottom corners and into the images as well as several on the side borders. Fine.
The Bride of Frankenstein (Universal, 1935). Photos (2) (8" X 10").
Two great shots of Boris Karloff as the Frankenstein Monster! That's lovely Valerie Hobson all tied up and being eyed hesitantly by the monster. Just some light toning and a slight vertical crease on the hiding card with some mild surface crinkles. Fine/Very Fine.
Two great shots of Boris Karloff as the Frankenstein Monster! That's lovely Valerie Hobson all tied up and being eyed hesitantly by the monster. Just some light toning and a slight vertical crease on the hiding card with some mild surface crinkles. Fine/Very Fine.
La Casa del Terror (Peliculas Nacionales, 1960). Mexican One Sheet (26.5" X 37").
Lon Chaney, Jr. returns to his classic roles as the Mummy and the Wolfman for the last time in this low budget Mexican horror film. The plot involves a mad scientest attempting to revive an Aztec mummy, which turns out to be a werewolf. Famed comedian German "Tin Tan" Valdéz is the star of this horror/comedy. Parts of this film were combined with La Momia Azteca (The Aztec Mummy), dubbed, and released in the U.S. in 1965 as Face of the Screaming Werewolf. Impressive images of Chaney dominate this wonderful and scarce country-of-origin Mexican poster, which even before being backed was in exceptionally fine condition. Very Fine+ on Linen.
Lon Chaney, Jr. returns to his classic roles as the Mummy and the Wolfman for the last time in this low budget Mexican horror film. The plot involves a mad scientest attempting to revive an Aztec mummy, which turns out to be a werewolf. Famed comedian German "Tin Tan" Valdéz is the star of this horror/comedy. Parts of this film were combined with La Momia Azteca (The Aztec Mummy), dubbed, and released in the U.S. in 1965 as Face of the Screaming Werewolf. Impressive images of Chaney dominate this wonderful and scarce country-of-origin Mexican poster, which even before being backed was in exceptionally fine condition. Very Fine+ on Linen.
The Cat and the Canary (Universal, 1927). Photo (8" X 10"), and ALS (4) (6" X 7") w/ Envelopes (3) (3.5" X 6.5").
Great small archive of four handwritten, autographed letters from beautiful silent film star Laura La Plante to a collector who asked her to identify the people in this original cast photo from La Plante's 1927 hit film, Cat and the Canary. The correspondence is all dated from October to December, 1975. On the verso of the photo Ms. La Plante made handwritten notes identifying most of the personnel involved, major cast members, crew, etc. She even identifies director Robert Hill who wrote the adaptation for the film. Hill was fluent in German and served as go-between for director Paul Leni, whose English wasn't that good (Hill did everything from Adventures of Tarzan with Elmo Lincoln to Flash Gordon's Trip to Mars, including a bunch of Tom Tyler B westerns!). Fine-.
Great small archive of four handwritten, autographed letters from beautiful silent film star Laura La Plante to a collector who asked her to identify the people in this original cast photo from La Plante's 1927 hit film, Cat and the Canary. The correspondence is all dated from October to December, 1975. On the verso of the photo Ms. La Plante made handwritten notes identifying most of the personnel involved, major cast members, crew, etc. She even identifies director Robert Hill who wrote the adaptation for the film. Hill was fluent in German and served as go-between for director Paul Leni, whose English wasn't that good (Hill did everything from Adventures of Tarzan with Elmo Lincoln to Flash Gordon's Trip to Mars, including a bunch of Tom Tyler B westerns!). Fine-.
Cat People (RKO, R-1952). Half Sheet (22" X 28") Style A.
Simone Simon gives new life to the word "alluring" in this low-key thriller from producer Val Lewton and director Jacques Tourneur. This great-looking re-issue half sheet has a cut in the image to the left of the title, fold wear with pinpoint crossfold separation, edge wear with creasing and tears along the borders, smudging in the bottom border, and paper tape all around the borders on the reverse. Folded, Very Good/Fine.
Simone Simon gives new life to the word "alluring" in this low-key thriller from producer Val Lewton and director Jacques Tourneur. This great-looking re-issue half sheet has a cut in the image to the left of the title, fold wear with pinpoint crossfold separation, edge wear with creasing and tears along the borders, smudging in the bottom border, and paper tape all around the borders on the reverse. Folded, Very Good/Fine.
The Creature Walks Among Us (Universal International, 1956). Half Sheet (22" X 28") Style A.
Artist Reynold Brown rendered this excellent poster for the third and final "Creature" film. One of the four inset drawings shows the "scientists" transforming the gill man into a mouth-breather! This allows him to terrorize the entire seaside. It's a great piece, with the requisite terrified citizens, and of course, a damsel in strap-falling lingerie. There are corner pinholes, slight edge wear, a small stain in the lower right corner and in the tile, and a small tape stain in the top right corner. Rolled, Very Fine-.
Artist Reynold Brown rendered this excellent poster for the third and final "Creature" film. One of the four inset drawings shows the "scientists" transforming the gill man into a mouth-breather! This allows him to terrorize the entire seaside. It's a great piece, with the requisite terrified citizens, and of course, a damsel in strap-falling lingerie. There are corner pinholes, slight edge wear, a small stain in the lower right corner and in the tile, and a small tape stain in the top right corner. Rolled, Very Fine-.
The Creature Walks Among Us (Universal International, 1956). Window Card (14" X 18").
Classic Reynold Brown art graces this fantastic poster for the final entry in the Creature series. It has been trimmed at the top and has a vertical crease with paper tape on the reverse, a chip on the bottom right corner, staple holes in the corners, and a small crease at the top. Very Good/Fine.
Classic Reynold Brown art graces this fantastic poster for the final entry in the Creature series. It has been trimmed at the top and has a vertical crease with paper tape on the reverse, a chip on the bottom right corner, staple holes in the corners, and a small crease at the top. Very Good/Fine.
The Curse of the Cat People (RKO, 1944). Title Lobby Card (11" X 14").
Robert Wise made his directorial debut in this moody thriller, a sequel to The Cat People. Simone Simon reprises her role as Irena, although in this film she appears as a ghost. This title was amongst those produced by Val Lewton for RKO. The title card has a tiny tear in the center of the top border and another in the lower border that slightly extends into the inset photo. Both of these minor, clean tears have been repaired on the reverse with tape. Very Fine-.
Robert Wise made his directorial debut in this moody thriller, a sequel to The Cat People. Simone Simon reprises her role as Irena, although in this film she appears as a ghost. This title was amongst those produced by Val Lewton for RKO. The title card has a tiny tear in the center of the top border and another in the lower border that slightly extends into the inset photo. Both of these minor, clean tears have been repaired on the reverse with tape. Very Fine-.
Dead of Night (Universal, 1946). Lobby Card (11" X 14").
This title's an eerie Ealing Studios anthology thriller, best-known for the chapter concerning a ventriloquist (Michael Redgrave) and his malevolent mannequin. Offered here is the excellent "dummy" card from said sequence. There are minor creases in two corners and the card has been trimmed by approximately a half-inch along the bottom border. Very Good+.
This title's an eerie Ealing Studios anthology thriller, best-known for the chapter concerning a ventriloquist (Michael Redgrave) and his malevolent mannequin. Offered here is the excellent "dummy" card from said sequence. There are minor creases in two corners and the card has been trimmed by approximately a half-inch along the bottom border. Very Good+.
Deep Red (Cineriz, 1975). Italian 2 - Foglio (39" X 55").
Returning from a evening out with a friend, a jazz musician (David Hemmings) witnesses the murder of a famous psychic and starts an amateur investigation of the case, assisted by a cute-but-annoying reporter (Daria Nicolodi, the director's then-wife). Horror maestro Dario Argento includes many of his trademark themes in this grisly but stylish thriller. This Hitchcock-esque Italian foglio has border pinholes, edge wear, tears in the bottom border and in the top section of the image, plus fold wear with crossfold separations. Fine/Very Fine.
Returning from a evening out with a friend, a jazz musician (David Hemmings) witnesses the murder of a famous psychic and starts an amateur investigation of the case, assisted by a cute-but-annoying reporter (Daria Nicolodi, the director's then-wife). Horror maestro Dario Argento includes many of his trademark themes in this grisly but stylish thriller. This Hitchcock-esque Italian foglio has border pinholes, edge wear, tears in the bottom border and in the top section of the image, plus fold wear with crossfold separations. Fine/Very Fine.
Dracula A.D. 1972 (Warner Brothers, 1972). British Quad (30" X 40").
Christopher Lee's sixth appearance in the Dracula series was an attempt to update the character for modern audiences. The Count is resurrected by a group of young people, including a descendent of his old nemesis, Van Helsing (Stephanie Beacham). Peter Cushing returns to the series for the first time since Brides of Dracula, and B-queen Caroline Munro has a small role. This terrific country-of-origin quad has striking artwork and vivid colors, with only the slightest bit of edge wear to note. Very Fine/Near Mint.
Christopher Lee's sixth appearance in the Dracula series was an attempt to update the character for modern audiences. The Count is resurrected by a group of young people, including a descendent of his old nemesis, Van Helsing (Stephanie Beacham). Peter Cushing returns to the series for the first time since Brides of Dracula, and B-queen Caroline Munro has a small role. This terrific country-of-origin quad has striking artwork and vivid colors, with only the slightest bit of edge wear to note. Very Fine/Near Mint.
Dracula Has Risen From the Grave (Warner Brothers, 1969). British Quad (30" X 40").
Freddie Francis took over the directing job on the Hammer franchise with this entry starring Christopher Lee in his third appearance as Dracula. This country of origin poster features excellent artwork by Tom William Chantrell and has minor edge wear along the top border and very faint tape stains at the corners. Very Fine+.
Freddie Francis took over the directing job on the Hammer franchise with this entry starring Christopher Lee in his third appearance as Dracula. This country of origin poster features excellent artwork by Tom William Chantrell and has minor edge wear along the top border and very faint tape stains at the corners. Very Fine+.
Dracula, Prince of Darkness (20th Century Fox, 1966). French Grande (47" X 63").
Christopher Lee returns to the title role for the first time since Horror of Dracula to bite the necks of the innocent once again. This exceptional French Grande has lush, eye-catching artwork, some of the best we've seen on this title, and retains bright, vivid colors. Light edge wear and pinpoint crossfold separations are the only things keeping it from perfection. Very Fine.
Christopher Lee returns to the title role for the first time since Horror of Dracula to bite the necks of the innocent once again. This exceptional French Grande has lush, eye-catching artwork, some of the best we've seen on this title, and retains bright, vivid colors. Light edge wear and pinpoint crossfold separations are the only things keeping it from perfection. Very Fine.
Dracula, Prince of Darkness (Warner Pathe, 1966). British Quad (30" X 40").
Christopher Lee's first return appearance as the vampire lord came eight years after Horror of Dracula and led to a string of sequels, mostly of diminishing quality. Stylishly directed by Terence Fisher, this poster features the Count being resurrected and pursuing a bride (lovely Barbara Shelley). This cool country-of-origin sheet has edge wear, two tears in the top border that extend into the artwork, and fold wear. Fine+.
Christopher Lee's first return appearance as the vampire lord came eight years after Horror of Dracula and led to a string of sequels, mostly of diminishing quality. Stylishly directed by Terence Fisher, this poster features the Count being resurrected and pursuing a bride (lovely Barbara Shelley). This cool country-of-origin sheet has edge wear, two tears in the top border that extend into the artwork, and fold wear. Fine+.
Dr. Jekyll and Mr. Hyde (MGM, 1941). Window Card (14" X 22").
Director Victor Fleming had another hit on his hands with a solid script and a terrific cast. The window card shows both sides of Spencer Tracy's title character, with "Mr. Hyde" appearing only in shadow. Two beautiful young actresses are also featured: Ingrid Bergman and Lana Turner. Only some slightly rounded corners and a mild corner bend in the top left. Very Fine+.
Director Victor Fleming had another hit on his hands with a solid script and a terrific cast. The window card shows both sides of Spencer Tracy's title character, with "Mr. Hyde" appearing only in shadow. Two beautiful young actresses are also featured: Ingrid Bergman and Lana Turner. Only some slightly rounded corners and a mild corner bend in the top left. Very Fine+.
Dr. Jekyll and Mr. Hyde (MGM, 1941). Australian One Sheet (27.25" X 39.75").
Following in the footsteps of John Barrymore and Fredric March, Spencer Tracy took on the dual role of Dr. Jekyll and Mr. Hyde for this version of Robert Louis Stevenson's tale. Tracy was one of the finest actors of his era and was a logical choice for the part. His two leading ladies, Ingrid Bergman and Lana Turner, were also two of the most sought after Hollywood ingénues. This one sheet has multiple pinholes in the corners and along the edges, some stains in the lower border, smudging in the white areas, and some wear at the centerpoints. Even with these flaws, the poster presents very well and is far better than its US counterpart. Fine-.
Following in the footsteps of John Barrymore and Fredric March, Spencer Tracy took on the dual role of Dr. Jekyll and Mr. Hyde for this version of Robert Louis Stevenson's tale. Tracy was one of the finest actors of his era and was a logical choice for the part. His two leading ladies, Ingrid Bergman and Lana Turner, were also two of the most sought after Hollywood ingénues. This one sheet has multiple pinholes in the corners and along the edges, some stains in the lower border, smudging in the white areas, and some wear at the centerpoints. Even with these flaws, the poster presents very well and is far better than its US counterpart. Fine-.
Dr. Terror's House of Horrors (Lion International, 1965). British One Sheet (27" X 40").
Freddie Francis directed this stylish horror anthology film starring the British dream team of Peter Cushing, Christopher Lee, and Michael Gough, along with Yankee Donald Sutherland. This outstanding country-of-origin poster has far superior artwork to the American paper on this title. Condition issues include corner pinholes, edge wear, light stains in the top border, corner creases, and an oblong hole below the playing cards. Fine+.
Freddie Francis directed this stylish horror anthology film starring the British dream team of Peter Cushing, Christopher Lee, and Michael Gough, along with Yankee Donald Sutherland. This outstanding country-of-origin poster has far superior artwork to the American paper on this title. Condition issues include corner pinholes, edge wear, light stains in the top border, corner creases, and an oblong hole below the playing cards. Fine+.
The Exorcist (Warner Brothers, 1974). Studio Release One Sheet (27" X 41").
This is a quite-scarce studio release one sheet produced outside the normal National Screen distribution system and most likely used for advance showings. There is a line on the lower right corner stating, "To Be Displayed On Your Premises Only." This is a flat surface paper, rather than the glossy "coated-stock" paper used on the regular one sheets. Also, the title is in pink rather than the white of the regular one sheet. There are some small stains in the credits area and some minor horizontal wrinkles in the top right half of the poster. Very Fine-.
This is a quite-scarce studio release one sheet produced outside the normal National Screen distribution system and most likely used for advance showings. There is a line on the lower right corner stating, "To Be Displayed On Your Premises Only." This is a flat surface paper, rather than the glossy "coated-stock" paper used on the regular one sheets. Also, the title is in pink rather than the white of the regular one sheet. There are some small stains in the credits area and some minor horizontal wrinkles in the top right half of the poster. Very Fine-.
Frankenstein Meets the Wolf Man (Universal, 1943). Lobby Card (11" X 14").
Despite the Monster's top billing, this is primarily a sequel to The Wolf Man, as the story mostly centers on Larry Talbot and his quest to use Doctor Frankenstein's secrets to rid himself of the curse of lycanthropy. The climactic battle is a bit brief, but still cathartic for the ten-year-old kid in all of us. This excellent lobby card--which showcases the excellent laboratory set--has pinholes in the corners and image, stains in the top and bottom borders, tears in the top and bottom borders (with tape repairs on the reverse), small chips in both bottom corners, and overall surface scuffing. Fine.
Despite the Monster's top billing, this is primarily a sequel to The Wolf Man, as the story mostly centers on Larry Talbot and his quest to use Doctor Frankenstein's secrets to rid himself of the curse of lycanthropy. The climactic battle is a bit brief, but still cathartic for the ten-year-old kid in all of us. This excellent lobby card--which showcases the excellent laboratory set--has pinholes in the corners and image, stains in the top and bottom borders, tears in the top and bottom borders (with tape repairs on the reverse), small chips in both bottom corners, and overall surface scuffing. Fine.
Freaks (Excelsior, R-1949). Lobby Card (11" X 14").
Freaks was considered so controversial when MGM originally released the film in 1932 that the studio immediately pulled it from theatres. It wasn't until 1949 that an independent distributor, Dwain Esper, acquired the rights and put it back into release. The lobbies that feature the freaks are the most desirable and this scene depicts Schlitze, Jennie Lee and Elvira Snow, the"pin-heads" of the circus. Near Mint-.
Freaks was considered so controversial when MGM originally released the film in 1932 that the studio immediately pulled it from theatres. It wasn't until 1949 that an independent distributor, Dwain Esper, acquired the rights and put it back into release. The lobbies that feature the freaks are the most desirable and this scene depicts Schlitze, Jennie Lee and Elvira Snow, the"pin-heads" of the circus. Near Mint-.
Halloween (Joy Pack Film, 1979). Japanese B2 (20" X 29").
The Japanese B2's for major films seldom disappoint. This is some of the best art you'll see on this landmark title. The Jason here has been given a much more recognizable "human" face, with the familiar mask blended in until you can't see the lines. He has bloodshot eyes and veins popping on his forehead, and he holds a giant butcher knife dripping with the blood of the screaming victim below. The neighborhood behind him is barely visible, illuminated only by the thin lightning bolts overhead. Like we said, they seldom disappoint! There are only some light horizontal folds and minor edge wear. Folded, Very Fine-.
The Japanese B2's for major films seldom disappoint. This is some of the best art you'll see on this landmark title. The Jason here has been given a much more recognizable "human" face, with the familiar mask blended in until you can't see the lines. He has bloodshot eyes and veins popping on his forehead, and he holds a giant butcher knife dripping with the blood of the screaming victim below. The neighborhood behind him is barely visible, illuminated only by the thin lightning bolts overhead. Like we said, they seldom disappoint! There are only some light horizontal folds and minor edge wear. Folded, Very Fine-.
House of Frankenstein (Realart R-1950). Lobby Card (11" X 14").
Boris Karloff, J. Carrol Naish, and the lovely Elena Verdugo are featured on this terrific scene card from the best of Universal's monster-mash movies. The card has edge wear with one very small tear in the left border, minor corner bumps, minor border smudges, and a collector's stamp on the reverse. Very Fine-.
Boris Karloff, J. Carrol Naish, and the lovely Elena Verdugo are featured on this terrific scene card from the best of Universal's monster-mash movies. The card has edge wear with one very small tear in the left border, minor corner bumps, minor border smudges, and a collector's stamp on the reverse. Very Fine-.
House of Usher (American International, 1960). Insert (14" X 36").
This was director Roger Corman's first Edgar Allan Poe's adaptation and was the biggest-budget film RC had worked on to date. The film was so successful that it launched a franchise and solidified star Vincent Price's position as the reigning King of Horror. This excellent insert has the same evocative Reynold Brown artwork as the one sheet. Pinholes in the top corners only, small spots in the left and right borders, corner creases, and a marker mark in the right border are the condition issues of note. Folded, Fine/Very Fine.
This was director Roger Corman's first Edgar Allan Poe's adaptation and was the biggest-budget film RC had worked on to date. The film was so successful that it launched a franchise and solidified star Vincent Price's position as the reigning King of Horror. This excellent insert has the same evocative Reynold Brown artwork as the one sheet. Pinholes in the top corners only, small spots in the left and right borders, corner creases, and a marker mark in the right border are the condition issues of note. Folded, Fine/Very Fine.
House of Wax (Warner Brothers, 1953). Three Sheet (41" X 81") 3-D Style.
Vincent Price is macabre perfection as the vengeful proprietor of a wax museum that holds a terrifying secret. Carolyn Jones and Phyllis Kirk co-star in this Andre De Toth classic. This sensational 3-D style sheet shows pinholes, stains, tears at the top of the bottom panel, fold wear, a small chip at the top edge, and a small cut in the right side. Fine.
Vincent Price is macabre perfection as the vengeful proprietor of a wax museum that holds a terrifying secret. Carolyn Jones and Phyllis Kirk co-star in this Andre De Toth classic. This sensational 3-D style sheet shows pinholes, stains, tears at the top of the bottom panel, fold wear, a small chip at the top edge, and a small cut in the right side. Fine.
How to Make a Monster (American International, 1958). Three Sheet (41" X 81").
Easily the most aggressively lurid poster image of its era, this injury-to-the-eye motif runs through most of the paper for this title. In this impressively large size it's almost unbearable--unbearably cool, that is. There's some minor fold wear and very minor crossfold separations along with a tear in the top border, all of which has been smoothed over with professional restoration, including touch-ups to the folds. Very Fine on Linen.
Easily the most aggressively lurid poster image of its era, this injury-to-the-eye motif runs through most of the paper for this title. In this impressively large size it's almost unbearable--unbearably cool, that is. There's some minor fold wear and very minor crossfold separations along with a tear in the top border, all of which has been smoothed over with professional restoration, including touch-ups to the folds. Very Fine on Linen.
How to Make a Monster (American International, 1958). One Sheet (27" X 41").
With outstanding eye-gouging artwork by Albert Kallis, this might be the most wonderfully lurid poster of its era--and that's saying something! Condition includes slight edge wear with small tears along the bottom, a minor tear in the top vertical fold, a faint crease in the top right corner, and some wrinkling in the bottom corners. Very Fine-.
With outstanding eye-gouging artwork by Albert Kallis, this might be the most wonderfully lurid poster of its era--and that's saying something! Condition includes slight edge wear with small tears along the bottom, a minor tear in the top vertical fold, a faint crease in the top right corner, and some wrinkling in the bottom corners. Very Fine-.
Invasion of the Vampires (Argentina Sono Film, 1963). One Sheet (29" X 43").
Although many audiences in North America may be unfamiliar with the horror films produced in Mexico, this film by Miguel Morayta is considered one of the best and moodiest. A doctor hunts down a vampire named Count Frankenhausen. The poster itself is quite nice, with truly atmospheric graphics, and is in amazing condition with the slightest of wear around the edges. Very Fine/Near Mint.
Although many audiences in North America may be unfamiliar with the horror films produced in Mexico, this film by Miguel Morayta is considered one of the best and moodiest. A doctor hunts down a vampire named Count Frankenhausen. The poster itself is quite nice, with truly atmospheric graphics, and is in amazing condition with the slightest of wear around the edges. Very Fine/Near Mint.
Invisible Ghost (Monogram, 1941). CGC Graded Lobby Card (11" X 14").
Bela Lugosi plays a mild-mannered doctor driven to murder by visions of his dead wife. Atmospheric direction by Joseph H. Lewis (who would go on to complete many fine film noirs) and finely-tuned comic relief from Clarence Muse have made this a favorite of many a B movie fanatic. Lugosi appears at his most evil in this haunting portrait card, which is in superb condition. CGC Graded 9.6. Near Mint+.
Bela Lugosi plays a mild-mannered doctor driven to murder by visions of his dead wife. Atmospheric direction by Joseph H. Lewis (who would go on to complete many fine film noirs) and finely-tuned comic relief from Clarence Muse have made this a favorite of many a B movie fanatic. Lugosi appears at his most evil in this haunting portrait card, which is in superb condition. CGC Graded 9.6. Near Mint+.
Island of Lost Souls (Paramount, 1933). Photo (8" X 10").
Charles Laughton as Dr. Moreau fends off the revolt of the manimals led by the Sayer of the Law (Bela Lugosi). This adaptation of H.G. Well's science-fiction classic about a scientist who experiments with animals--attempting to turn them into humans--is one of the best films of the era. This is one of the only items produced on the film to actually depict Bela Lugosi in his manimal makeup. The still has some very light wrinkles, a slight stress line on the left, and a tiny tear in the bottom edge. Very Fine-.
Charles Laughton as Dr. Moreau fends off the revolt of the manimals led by the Sayer of the Law (Bela Lugosi). This adaptation of H.G. Well's science-fiction classic about a scientist who experiments with animals--attempting to turn them into humans--is one of the best films of the era. This is one of the only items produced on the film to actually depict Bela Lugosi in his manimal makeup. The still has some very light wrinkles, a slight stress line on the left, and a tiny tear in the bottom edge. Very Fine-.
Isle of the Dead (RKO, 1945). One Sheet (27" X 41").
After the success of The Cat People and I Walked with a Zombie, Producer Val Lewton decided to venture further into the horror genre by casting big-name horror stars like Boris Karloff in his pictures. This one sheet features the star menacing Ellen Drew. The poster evokes the moody and atmospheric horror that made the Lewton series for RKO famous. Many pinholes and staple marks in the borders and within the image, and the poster displays some fold separation and wear primarily at the center-points. Very Good/Fine.
After the success of The Cat People and I Walked with a Zombie, Producer Val Lewton decided to venture further into the horror genre by casting big-name horror stars like Boris Karloff in his pictures. This one sheet features the star menacing Ellen Drew. The poster evokes the moody and atmospheric horror that made the Lewton series for RKO famous. Many pinholes and staple marks in the borders and within the image, and the poster displays some fold separation and wear primarily at the center-points. Very Good/Fine.
I Was a Teenage Frankenstein (American International, 1957). One Sheet (27" X 41") and Lobby Cards (2) (11" X 14")..
American International stitched together the popular genres of horror flicks and teenage rebel movies to create this drive-in classic. Whit Bissell is Dr. Frankenstein, a mad scientist out to prove his theories on limb replacement by any gruesome means necessary. Phyllis Coates, TV Superman's first Lois Lane, is the female lead. This poster has some fold wear and pinholes in the corners. The two lobby cards included, #5 and 7, are in excellent shape with minor corner wear. Fine+.
American International stitched together the popular genres of horror flicks and teenage rebel movies to create this drive-in classic. Whit Bissell is Dr. Frankenstein, a mad scientist out to prove his theories on limb replacement by any gruesome means necessary. Phyllis Coates, TV Superman's first Lois Lane, is the female lead. This poster has some fold wear and pinholes in the corners. The two lobby cards included, #5 and 7, are in excellent shape with minor corner wear. Fine+.
I Was a Teenage Werewolf (American International, 1957). Insert (14" X 36").
Before he gained fame as Little Joe Cartwright on Bonanza, Michael Landon gave an impressive performance in this low-budget thriller with a memorable title. The format of this terrific insert is a perfect match for the raked-claws artwork. Condition issues include corner pinholes, extra horizontal creases, and a collector's stamp in the top let corners. Folded, Fine/Very Fine.
Before he gained fame as Little Joe Cartwright on Bonanza, Michael Landon gave an impressive performance in this low-budget thriller with a memorable title. The format of this terrific insert is a perfect match for the raked-claws artwork. Condition issues include corner pinholes, extra horizontal creases, and a collector's stamp in the top let corners. Folded, Fine/Very Fine.
Kill Baby Kill (MGM, 1967). International Three Sheet (41" X 81").
This tale included all of the elements that defined a Mario Bava film: murder, ghosts and witchcraft. Bava started his career as a painter and then moved into cinematography before becoming a director. It was in the horror genre that he left his mark. Bava's films are dark, moody and use extreme color to create his own style/genre, described as giallo. Bava's influence on the cinema would later inspire others, including Dario Argento. This rare three sheet poster has one small tear on the border and a few very minor crossfold tears. Very Fine/Near Mint.
This tale included all of the elements that defined a Mario Bava film: murder, ghosts and witchcraft. Bava started his career as a painter and then moved into cinematography before becoming a director. It was in the horror genre that he left his mark. Bava's films are dark, moody and use extreme color to create his own style/genre, described as giallo. Bava's influence on the cinema would later inspire others, including Dario Argento. This rare three sheet poster has one small tear on the border and a few very minor crossfold tears. Very Fine/Near Mint.
Kill Baby Kill/Sound of Horror Combo (Euro-Pix, 1967). One Sheet (27" X 41").
It was fairly typical for distributors to take films they acquired from overseas film-makers and combo them up into a double-bill. The posters for this concept have been around for years and this is a fairly scarce example. Mario Bava's Italian horror film is depicted alongside this dinosaur flic from Spain. The poster has a slight bit of sharpie bleed through in the upper left corner. Very Fine.
It was fairly typical for distributors to take films they acquired from overseas film-makers and combo them up into a double-bill. The posters for this concept have been around for years and this is a fairly scarce example. Mario Bava's Italian horror film is depicted alongside this dinosaur flic from Spain. The poster has a slight bit of sharpie bleed through in the upper left corner. Very Fine.
Kwaidan (Toho, 1965). Japanese B2 (20" X 29") Blue Style.
Director Masaki Kobayashi wove together four stories about ghosts and strange, unnatural creatures into one of the best Japanese movies ever made. This blue style B2 poster features on the left the most noted episode, "Hoichi the Earless," in which a blind musician, requested by spirits to play for a dead samurai, is covered with protective symbols everywhere except his ears. This is a beautiful and rare country-of-origin poster in exquisite condition with only two horizontal bends keeping it from an even higher grade. Rolled, Near Mint.
Director Masaki Kobayashi wove together four stories about ghosts and strange, unnatural creatures into one of the best Japanese movies ever made. This blue style B2 poster features on the left the most noted episode, "Hoichi the Earless," in which a blind musician, requested by spirits to play for a dead samurai, is covered with protective symbols everywhere except his ears. This is a beautiful and rare country-of-origin poster in exquisite condition with only two horizontal bends keeping it from an even higher grade. Rolled, Near Mint.
The Lodger (20th Century Fox, 1944). Window Card (14" X 22").
Laird Cregar is featured on this window card with his creepy eyes peering out from the scarf and turned-up coat. Merle Oberon was seldom lovelier, featured here on the right side of the poster as the dance hall performer. There is some mild edge wear in the top border, light staining in the bottom and right borders, smudges in the bottom border, and a mild corner bend in the top left. Fine/Very Fine.
Laird Cregar is featured on this window card with his creepy eyes peering out from the scarf and turned-up coat. Merle Oberon was seldom lovelier, featured here on the right side of the poster as the dance hall performer. There is some mild edge wear in the top border, light staining in the bottom and right borders, smudges in the bottom border, and a mild corner bend in the top left. Fine/Very Fine.
Lust for a Vampire (Anglo-EMI, 1971). British One Sheet (27" X 40").
Part of the unofficial "Karnstein Trilogy," (along with Countess Dracula and Twins of Evil), this full-blooded Hammer eroti-thriller stars Yutte Stensgaard as a comely bloodsucker ensconced at a girl's school and Ralph Bates as the schoolmaster obsessed with her charms. This cool country-of-origin one sheet is in fantastic condition with one small border tear and extra vertical folds being the only issues to note. Near Mint-.
Part of the unofficial "Karnstein Trilogy," (along with Countess Dracula and Twins of Evil), this full-blooded Hammer eroti-thriller stars Yutte Stensgaard as a comely bloodsucker ensconced at a girl's school and Ralph Bates as the schoolmaster obsessed with her charms. This cool country-of-origin one sheet is in fantastic condition with one small border tear and extra vertical folds being the only issues to note. Near Mint-.
Man Made Monster (Universal, 1941). Lobby Card (11" X 14").
Lon Chaney, Jr. plays the titular monster (in what looks like a rubberized robot suit) and Lionel Atwill plays the man who made him in this second-tier thriller from Universal. This excellent lobby card has pinholes in the corners, borders, and one in the image, a smudge in the artwork on the left side, and masa paper reinforcing the borders on the reverse. Fine/Very Fine.
Lon Chaney, Jr. plays the titular monster (in what looks like a rubberized robot suit) and Lionel Atwill plays the man who made him in this second-tier thriller from Universal. This excellent lobby card has pinholes in the corners, borders, and one in the image, a smudge in the artwork on the left side, and masa paper reinforcing the borders on the reverse. Fine/Very Fine.
Mighty Joe Young (RKO, 1949). CGC Graded Title Lobby Card (11" X 14").
In an attempt to recreate the success of their film King Kong, producer Merian C. Cooper, director Ernest B. Schoedsack, special effects legend Willis O'Brien, and actor Robert Armstrong reunited for this story about a girl (Terry Moore) and her "pet" gorilla. In exceptional condition, this title card from a perennially favorite film is not to be missed. CGC Graded 9.6. Near Mint+.
In an attempt to recreate the success of their film King Kong, producer Merian C. Cooper, director Ernest B. Schoedsack, special effects legend Willis O'Brien, and actor Robert Armstrong reunited for this story about a girl (Terry Moore) and her "pet" gorilla. In exceptional condition, this title card from a perennially favorite film is not to be missed. CGC Graded 9.6. Near Mint+.
Mighty Joe Young (RKO, 1949). One Sheet (27" X 41") Style A.
Willis O'Brien, creator of the original giant ape, King Kong (1933), supervised the effects for this reworking of his "Valley of the Gwangi" tale. Effects genius Ray Harryhausen actually did most of the stop-motion work. This film was a real proving ground for him, and he couldn't have pulled off the effects so brilliantly without O'Brien's storyboards and direction. This great style A one sheet shows Joe not coming so quietly as cowboys attempt to lasso him into submission. The poster has pinholes in the corners and pinholes running vertically down the left and right side, where the borders had been folded back. There is some small amount of fold separation and a chip missing from the lower center border along with a pinhole and slight tear in the cowboys back in the very center of the poster. Overall, the colors are vibrant and the poster is in a very respectable condition. Fine.
Willis O'Brien, creator of the original giant ape, King Kong (1933), supervised the effects for this reworking of his "Valley of the Gwangi" tale. Effects genius Ray Harryhausen actually did most of the stop-motion work. This film was a real proving ground for him, and he couldn't have pulled off the effects so brilliantly without O'Brien's storyboards and direction. This great style A one sheet shows Joe not coming so quietly as cowboys attempt to lasso him into submission. The poster has pinholes in the corners and pinholes running vertically down the left and right side, where the borders had been folded back. There is some small amount of fold separation and a chip missing from the lower center border along with a pinhole and slight tear in the cowboys back in the very center of the poster. Overall, the colors are vibrant and the poster is in a very respectable condition. Fine.
Monster on the Campus (Universal International, 1958). One Sheet (27" X 41").
Jack Arnold's last monster movie was this cult classic, starring Arthur Franz as a college professor who accidentally drinks the blood of a recently-discovered prehistoric Coelacanth and gets transformed into a monster, on the campus! Legendary poster artist Reynold Brown concocts a colorful (and pretty faithful to the make-up design) tableau for this outstanding sheet. This poster has only the most minor wear and is as clean as we have ever seen this poster. Very Fine+.
Jack Arnold's last monster movie was this cult classic, starring Arthur Franz as a college professor who accidentally drinks the blood of a recently-discovered prehistoric Coelacanth and gets transformed into a monster, on the campus! Legendary poster artist Reynold Brown concocts a colorful (and pretty faithful to the make-up design) tableau for this outstanding sheet. This poster has only the most minor wear and is as clean as we have ever seen this poster. Very Fine+.
The Mummy's Curse (Realart, R-1951). Lobby Card (11" X 14").
Kharis, the Living Mummy (Lon Chaney Jr. under the wraps), returns for another installment that also features doe-eyed Virginia Christine (later the Folgers coffee lady, Mrs. Olsen). This outstanding lobby card has a tiny bit of edge wear, slightly rounded corners, and a soft crease in the top right corner. Very Fine+.
Kharis, the Living Mummy (Lon Chaney Jr. under the wraps), returns for another installment that also features doe-eyed Virginia Christine (later the Folgers coffee lady, Mrs. Olsen). This outstanding lobby card has a tiny bit of edge wear, slightly rounded corners, and a soft crease in the top right corner. Very Fine+.
The Mummy (Universal International, 1959). One Sheet (27" X 41").
When Hammer Folms began remaking the Universal horror cycle, he invariable turned to Christopher Lee as the go-to monster guy. Lee played Dracula, Frankenstein's Monster, and here, the Mummy in this full-blooded update of the Karloff original, guaranteed to induce "nerve-shattering shock!" This cool one sheet had a small border tear and some fold wear, which has been addressed with professional restoration, including touch-ups to the folds and airbrushing in the borders and the credits area. Fine/Very Fine on Linen.
When Hammer Folms began remaking the Universal horror cycle, he invariable turned to Christopher Lee as the go-to monster guy. Lee played Dracula, Frankenstein's Monster, and here, the Mummy in this full-blooded update of the Karloff original, guaranteed to induce "nerve-shattering shock!" This cool one sheet had a small border tear and some fold wear, which has been addressed with professional restoration, including touch-ups to the folds and airbrushing in the borders and the credits area. Fine/Very Fine on Linen.
Night of the Living Dead (Fida, 1970). First Release Italian 4 - Foglio (55" X 78").
What started out as a low-budget cheapie from first-time director George Romero would quickly become one of the most influential and important horror films of the latter half of the twentieth century. Controversial at the time of its release due to its excessive violence and gore, the movie soon struck a chord with its Vietnam-era audience, and launched a plethora of sequels and imitations. Note that director Romero is called George Kramer on this poster as he wasn't a known commodity and one can only guess that the distributor wanted it known this was an American film. This gorgeous Italian 4-folio, which features unique artwork not seen anywhere else, is in exceptional condition, with only some light toning in the folds and crossfold separations. Very Fine.
What started out as a low-budget cheapie from first-time director George Romero would quickly become one of the most influential and important horror films of the latter half of the twentieth century. Controversial at the time of its release due to its excessive violence and gore, the movie soon struck a chord with its Vietnam-era audience, and launched a plethora of sequels and imitations. Note that director Romero is called George Kramer on this poster as he wasn't a known commodity and one can only guess that the distributor wanted it known this was an American film. This gorgeous Italian 4-folio, which features unique artwork not seen anywhere else, is in exceptional condition, with only some light toning in the folds and crossfold separations. Very Fine.
Night of the Living Dead (Fida Cinematografica, 1970). Italian 2 - Foglio (39" X 55").
What started out as a low-budget cheapie from first-time director George Romero would quickly become one of the most influential and important horror films of the latter half of the twentieth century. This incredible original release Italian 2-foglio, which features artwork not seen anywhere else, is in superb condition, with only pinholes in the borders, small tears in the borders and edges, light stains in the borders, and minor crossfold separations. Very Fine.
What started out as a low-budget cheapie from first-time director George Romero would quickly become one of the most influential and important horror films of the latter half of the twentieth century. This incredible original release Italian 2-foglio, which features artwork not seen anywhere else, is in superb condition, with only pinholes in the borders, small tears in the borders and edges, light stains in the borders, and minor crossfold separations. Very Fine.
The Old Dark House (Universal, R-1939). Lobby Card (11" X 14").
Boris Karloff headlines an all-star cast, including Raymond Massey and Charles Laughton, in this creepy thriller that set the standard by which every "old dark house" film would be judged by. This rare first reissue card from 1939 depicts Karloff as the butler Morgan in horrific makeup by Jack Pierce. The card has pinholes in the center of the upper border and two fine pinholes in the left and right border. Original cards on this title are virtually impossible to find. Very Fine.
Boris Karloff headlines an all-star cast, including Raymond Massey and Charles Laughton, in this creepy thriller that set the standard by which every "old dark house" film would be judged by. This rare first reissue card from 1939 depicts Karloff as the butler Morgan in horrific makeup by Jack Pierce. The card has pinholes in the center of the upper border and two fine pinholes in the left and right border. Original cards on this title are virtually impossible to find. Very Fine.
The Old Dark House (Universal, R-1939). Lobby Card (11" X 14").
This is an early reissue from a Universal epic horror that's far more fun than you might imagine. Great card with portraits on the side border of co-stars Charles Laughton, Raymond Massey, and Melvyn Douglas. That blonde lady in the lower right corner was one of director James Whale's favorites, Gloria Stuart (she's the old woman in Titanic, "Wasn't I a dish?"). This card features Boris Karloff at the top of the stairs as Morgan, the mute psycho-butler. Years later, Charles Addams would base the character of "Lurch" on Karloff's "Morgan." There are pinholes in the corners, surface paper loss in the top right, bends in two corners, and small tears in the right and bottom borders--just minor flaws, to be sure, which don't detract at all from the overall nightmare green tint of this vintage beauty. Fine+.
This is an early reissue from a Universal epic horror that's far more fun than you might imagine. Great card with portraits on the side border of co-stars Charles Laughton, Raymond Massey, and Melvyn Douglas. That blonde lady in the lower right corner was one of director James Whale's favorites, Gloria Stuart (she's the old woman in Titanic, "Wasn't I a dish?"). This card features Boris Karloff at the top of the stairs as Morgan, the mute psycho-butler. Years later, Charles Addams would base the character of "Lurch" on Karloff's "Morgan." There are pinholes in the corners, surface paper loss in the top right, bends in two corners, and small tears in the right and bottom borders--just minor flaws, to be sure, which don't detract at all from the overall nightmare green tint of this vintage beauty. Fine+.
Peeping Tom (Anglo Amalgamated, 1960). British One Sheet (27" X 40").
This is the very scarce country-of-origin one sheet for Michael Powell's controversial psycho-sexual nightmarish film, Peeping Tom. After such great films as Red Shoes, and Black Narcissus, the British film industry was shocked and unnerved by this film, and it was impossible for Powell to continue his career. It would be 1978 before he would be partially resurrected by Martin Scorsese, who orchestrated special screenings of this film. Just some minor pinpoint cross-fold separations and left corner bend. Very Fine+.
This is the very scarce country-of-origin one sheet for Michael Powell's controversial psycho-sexual nightmarish film, Peeping Tom. After such great films as Red Shoes, and Black Narcissus, the British film industry was shocked and unnerved by this film, and it was impossible for Powell to continue his career. It would be 1978 before he would be partially resurrected by Martin Scorsese, who orchestrated special screenings of this film. Just some minor pinpoint cross-fold separations and left corner bend. Very Fine+.
Planet of the Vampires (American International, 1965). Italian 4 - Folio (55" X 78").
This eerie little Italian science-fantasy film was directed by Mario Bava and starred Barry Sullivan, Angel Aranda, and Norma Bengell amongst an Italian supporting cast. This nifty space-vista poster was crafted by noted artist Averardo Ciriello. The poster is in spectacular condition, earning the highest grade we allow for a linen-backed sheet. Very Fine+ on Linen.
This eerie little Italian science-fantasy film was directed by Mario Bava and starred Barry Sullivan, Angel Aranda, and Norma Bengell amongst an Italian supporting cast. This nifty space-vista poster was crafted by noted artist Averardo Ciriello. The poster is in spectacular condition, earning the highest grade we allow for a linen-backed sheet. Very Fine+ on Linen.
The Raven (Universal, 1935). Herald (9.75" X 14.25").
Bela Lugosi is the mad surgical genius obsessed with Edgar Allan Poe, and Boris Karloff is the escaped convict looking for some plastic surgery. Kidnapping, torture, and brain damage ensue in this spooky horror classic directed by Lew Landers. Minor edge wear and one tiny stain on the back panel are the only condition issues to note. This is a guaranteed genuine, original release, double-sided herald from 1935, printed on a newsprint paper stock as all original heralds were. Near Mint.
Bela Lugosi is the mad surgical genius obsessed with Edgar Allan Poe, and Boris Karloff is the escaped convict looking for some plastic surgery. Kidnapping, torture, and brain damage ensue in this spooky horror classic directed by Lew Landers. Minor edge wear and one tiny stain on the back panel are the only condition issues to note. This is a guaranteed genuine, original release, double-sided herald from 1935, printed on a newsprint paper stock as all original heralds were. Near Mint.
The Raven (American International, 1963). Autographed One Sheet (27" X 41").
Billed as a "Macabre Masterpiece of Terror," this great Roger Corman film brings together some of the screen's greatest horror stars, including Boris Karloff, Peter Lorre, and Vincent Price. Also in the cast, in one of his earliest film roles, is a young Jack Nicholson, along with the stunning Hazel Court. Reportedly, Lorre and Nicholson enjoyed ad-libbing their lines in this film, much to the annoyance of Karloff. This exceptionally clean one sheet has only pinholes in the corners and pinpoint cross-fold separation. Superb artwork by Reynold Brown and signed "Robert Corman" in the upper right section. Very Fine+.
Billed as a "Macabre Masterpiece of Terror," this great Roger Corman film brings together some of the screen's greatest horror stars, including Boris Karloff, Peter Lorre, and Vincent Price. Also in the cast, in one of his earliest film roles, is a young Jack Nicholson, along with the stunning Hazel Court. Reportedly, Lorre and Nicholson enjoyed ad-libbing their lines in this film, much to the annoyance of Karloff. This exceptionally clean one sheet has only pinholes in the corners and pinpoint cross-fold separation. Superb artwork by Reynold Brown and signed "Robert Corman" in the upper right section. Very Fine+.
The Raven (American International, 1963). Three Sheet (41" X 81").
Horror icons Boris Karloff, Peter Lorre, and Vincent Price star in this terrific adaptation of Edgar Allen Poe's classic tale. Roger Corman directs, and a young Jack Nicholson has a small role. This dramatic three sheet features Reynold Brown artwork of the stars. The two sections of the poster are attached, and it shows staple holes, edge wear at the right with a small stain, two small tears at the left side of the art, and creases at the top right corner. Fine/Very Fine.
Horror icons Boris Karloff, Peter Lorre, and Vincent Price star in this terrific adaptation of Edgar Allen Poe's classic tale. Roger Corman directs, and a young Jack Nicholson has a small role. This dramatic three sheet features Reynold Brown artwork of the stars. The two sections of the poster are attached, and it shows staple holes, edge wear at the right with a small stain, two small tears at the left side of the art, and creases at the top right corner. Fine/Very Fine.
Revenge of the Creature (Universal International, 1955). Autographed Window Card (14" X 22").
Civilization beware: the Gillman has arrived! This superb sequel to The Creature from the Black Lagoon brings the titular creature to the bright lights of the city, where he rampages anew. This nifty window card has been inscribed in the credits box "For Ed Best Regards, Jack Arnold." There are staple holes in the imprint area and the bottom corners, very minor edge wear, rounded/creased corners, and a hard fold in the imprint area. Fine/Very Fine.
Civilization beware: the Gillman has arrived! This superb sequel to The Creature from the Black Lagoon brings the titular creature to the bright lights of the city, where he rampages anew. This nifty window card has been inscribed in the credits box "For Ed Best Regards, Jack Arnold." There are staple holes in the imprint area and the bottom corners, very minor edge wear, rounded/creased corners, and a hard fold in the imprint area. Fine/Very Fine.
Revenge of the Creature (Universal International, 1955). Lobby Cards (4) (11" X 14").
The sequel to Universal's Creature From The Black Lagoon, this film has the gill-man wreaking havoc on the innocent people of Florida. Three cards picture the Creature. All of the four cards have pinholes in the borders and some pinholes in the image. Card #7, with the close-up of the Creature, has a lightly-erased pencil mark to the right of the monster. Card #5 has been folded in two places. Fine-.
The sequel to Universal's Creature From The Black Lagoon, this film has the gill-man wreaking havoc on the innocent people of Florida. Three cards picture the Creature. All of the four cards have pinholes in the borders and some pinholes in the image. Card #7, with the close-up of the Creature, has a lightly-erased pencil mark to the right of the monster. Card #5 has been folded in two places. Fine-.
Son of Frankenstein (Realart R-1953). One Sheet (27" X 41").
Perhaps the most opulent and stylized of the Karloff Frankenstein films, Son is generally regarded as the last great entry into a series that became increasingly juvenile and lowbrow in later years. This eye-catching poster is from the Realart reissues of the mid-'50s, and this is a very clean example. Some edge wear at the top left and crossfold separations are the only condition problems of note. Folded, Very Fine+.
Perhaps the most opulent and stylized of the Karloff Frankenstein films, Son is generally regarded as the last great entry into a series that became increasingly juvenile and lowbrow in later years. This eye-catching poster is from the Realart reissues of the mid-'50s, and this is a very clean example. Some edge wear at the top left and crossfold separations are the only condition problems of note. Folded, Very Fine+.
The Texas Chainsaw Massacre (Bryanston, 1974). British Quad (30" X 40").
This seminal horror film was given a limited "certificate" by the British for showing in London, and then subsequently banned. This British quad shows the final scene of the film, with the enraged "Leatherface" wielding the chainsaw in a bizarre "dance of dance," often called one of the best endings in horror history. Just a very minor tear in the lower bottom right border. Very Fine/Near Mint.
This seminal horror film was given a limited "certificate" by the British for showing in London, and then subsequently banned. This British quad shows the final scene of the film, with the enraged "Leatherface" wielding the chainsaw in a bizarre "dance of dance," often called one of the best endings in horror history. Just a very minor tear in the lower bottom right border. Very Fine/Near Mint.
The Thing That Couldn't Die (Universal International, 1958). One Sheet (27" X 41").
Andra Martin stars as a woman with psychic powers who discovers an ancient box containing the intact head of a sorcerer, who uses his terrible influence over the girl to try and uncover the rest of his body. This one sheet has incredible Reynold Brown artwork and terrific color. Condition issues include pinholes in the borders and image (some enlarged), tears in the right and bottom borders, a gouge in the center, fold wear, light wrinkling in the borders, and light corner creases. Fine/Very Fine.
Andra Martin stars as a woman with psychic powers who discovers an ancient box containing the intact head of a sorcerer, who uses his terrible influence over the girl to try and uncover the rest of his body. This one sheet has incredible Reynold Brown artwork and terrific color. Condition issues include pinholes in the borders and image (some enlarged), tears in the right and bottom borders, a gouge in the center, fold wear, light wrinkling in the borders, and light corner creases. Fine/Very Fine.
The Thing (Universal, 1982). British One Sheet (27" X 40").
John Carpenter's grisly remake of the '50s sci-fi mainstay hews much more closely to the original source story, "Who Goes There?" by John W. Campbell. The film's outstanding special effects and pervading air of doom made it an instant classic. This terrific British one sheet has completely different artwork than the U.S. release and is one of the best pieces we've seen on this title. A small amount of edge wear in the left border is the only condition problem. Rolled, Very Fine+.
John Carpenter's grisly remake of the '50s sci-fi mainstay hews much more closely to the original source story, "Who Goes There?" by John W. Campbell. The film's outstanding special effects and pervading air of doom made it an instant classic. This terrific British one sheet has completely different artwork than the U.S. release and is one of the best pieces we've seen on this title. A small amount of edge wear in the left border is the only condition problem. Rolled, Very Fine+.
Tower of London (Lux Films, R-1940s). Post War Italian 2 - Foglio (39" X 55").
The storyline of Shakespeare's "Richard III" filtered through Universal's horror factory makes for an intriguing and stylish film. Basil Rathbone, with the help of executioner Boris Karloff (who enjoys his work a bit too much), kills off all the relatives who are in line to take the throne before him. This is our first ever opportunity to offer this spectacular post-war Italian 2-foglio sheet, with amazing Olivetti artwork. The poster has border pinholes, edge wear in the left border, small tears in the right border, and fold wear with crossfold separations. Fine/Very Fine.
The storyline of Shakespeare's "Richard III" filtered through Universal's horror factory makes for an intriguing and stylish film. Basil Rathbone, with the help of executioner Boris Karloff (who enjoys his work a bit too much), kills off all the relatives who are in line to take the throne before him. This is our first ever opportunity to offer this spectacular post-war Italian 2-foglio sheet, with amazing Olivetti artwork. The poster has border pinholes, edge wear in the left border, small tears in the right border, and fold wear with crossfold separations. Fine/Very Fine.
Two Thousand Maniacs (Box Office Spectaculars, 1964). One Sheet (27" X 41").
Herschell Gordon Lewis' second "gore" feature was a bloody take on the legend of Brigadoon, the ghost town that appears only once every hundred years. Despite the Lewis renaissance over the last couple of decades, one sheets from this feature are still tough to come by. This copy has numerous staple and pinholes in the borders and image (many enlarged), crossfold separations, edge wear, and chips in the top and bottom borders. Fine+.
Herschell Gordon Lewis' second "gore" feature was a bloody take on the legend of Brigadoon, the ghost town that appears only once every hundred years. Despite the Lewis renaissance over the last couple of decades, one sheets from this feature are still tough to come by. This copy has numerous staple and pinholes in the borders and image (many enlarged), crossfold separations, edge wear, and chips in the top and bottom borders. Fine+.
Voodoo Woman (American International, 1957). One Sheet (27" X 41").
This horrific one sheet still stands as a testament to what can be accomplished with a dash of courage and creativity! The "monster" for this film wasn't working at all, so creature creator extraordinaire, Paul Blaisdell, grabbed the costume he'd made for She Creature, ripped off the tail, fins, and pincer claws, then took the cracked stone scale body that was left, wrapped it in a burlap sarong, and topped it with a skull mask and a big blond wig! The director then dutifully dubbed in a roaring lion's low growl for the right effect! No 1950s collection is complete without a matched pair of She Creature and Voodoo Woman one sheets framed side by side. And who did better sexy woman graphics on horror/sci-fi posters than legendary poster artist Albert Kallis? There are pinholes in the corners and artwork, edge wear, fold wear with some tearing in the center crossfold, and an extra top horizontal fold. Fine+.
This horrific one sheet still stands as a testament to what can be accomplished with a dash of courage and creativity! The "monster" for this film wasn't working at all, so creature creator extraordinaire, Paul Blaisdell, grabbed the costume he'd made for She Creature, ripped off the tail, fins, and pincer claws, then took the cracked stone scale body that was left, wrapped it in a burlap sarong, and topped it with a skull mask and a big blond wig! The director then dutifully dubbed in a roaring lion's low growl for the right effect! No 1950s collection is complete without a matched pair of She Creature and Voodoo Woman one sheets framed side by side. And who did better sexy woman graphics on horror/sci-fi posters than legendary poster artist Albert Kallis? There are pinholes in the corners and artwork, edge wear, fold wear with some tearing in the center crossfold, and an extra top horizontal fold. Fine+.
Werewolf of London (Universal, 1935). Herald (9.5" X 14.25").
Henry Hull stars as Dr. Wilfred Glendon, a scientist who has traveled to Tibet to seek a rare flower. There, he is attacked by a werewolf and, upon returning to London, finds himself afflicted with a lupine curse. Believed to be the very first werewolf film in history, this boasts a fine performance from Hull and striking makeup by Jack Pierce. Only the slightest bit of overall wear keeps this striking original herald from utter perfection. This is a guaranteed genuine, original release, double-sided herald from 1935, printed on a newsprint paper stock as all original heralds were. Near Mint.
Henry Hull stars as Dr. Wilfred Glendon, a scientist who has traveled to Tibet to seek a rare flower. There, he is attacked by a werewolf and, upon returning to London, finds himself afflicted with a lupine curse. Believed to be the very first werewolf film in history, this boasts a fine performance from Hull and striking makeup by Jack Pierce. Only the slightest bit of overall wear keeps this striking original herald from utter perfection. This is a guaranteed genuine, original release, double-sided herald from 1935, printed on a newsprint paper stock as all original heralds were. Near Mint.
The Wicker Man (Warner Brothers, 1973). One Sheet (27" X 41").
Excellent condition copy of the one sheet to this intriguing cult horror film that's been called "the cleverest and most subtly potent genre works of its era." The poster features Britt Ekland, Diane Cilento, and Edward Woodward. There are only some faint wrinkles alongside the left fold lines. Very Fine-.
Excellent condition copy of the one sheet to this intriguing cult horror film that's been called "the cleverest and most subtly potent genre works of its era." The poster features Britt Ekland, Diane Cilento, and Edward Woodward. There are only some faint wrinkles alongside the left fold lines. Very Fine-.
The Witch (Sonney Amusement Enterprises, 1954). Posters (2) (30" X 40").
Offered here are two posters of different styles for the excellent Finnish horror film The Witch. The story involves a husband-and-wife archeological team unearthing the skeleton of a 300-year-old witch. Soon the villagers find a naked woman in the grave. She dances about the the countryside nude and winds up seducing several of the villagers. Mirja Mane plays the seductive beauty. These rare, independently distributed posters were made for the US release and were used in "four wall" exhibitions. They were mounted on hard cardstock for durability. Both posters have corner bumps and grammet holes in the corners. IMDB calls this an "erotic, exotic, and powerful" film. Fine/Very Fine on Cardstock.
Offered here are two posters of different styles for the excellent Finnish horror film The Witch. The story involves a husband-and-wife archeological team unearthing the skeleton of a 300-year-old witch. Soon the villagers find a naked woman in the grave. She dances about the the countryside nude and winds up seducing several of the villagers. Mirja Mane plays the seductive beauty. These rare, independently distributed posters were made for the US release and were used in "four wall" exhibitions. They were mounted on hard cardstock for durability. Both posters have corner bumps and grammet holes in the corners. IMDB calls this an "erotic, exotic, and powerful" film. Fine/Very Fine on Cardstock.
The Black Castle (Universal International, 1952). Insert (14" X 36").
Boris Karloff has a smallish role in this 18th century melodrama, in which aristocrats are lured to the castle of a sadistic count (Stephen McNally). Lon Chaney, Jr. plays the mute manservant. This insert has small border tears and a tear that extends into the image along with corner bends and creasing in the top border. Folded, Fine/Very Fine.
Boris Karloff has a smallish role in this 18th century melodrama, in which aristocrats are lured to the castle of a sadistic count (Stephen McNally). Lon Chaney, Jr. plays the mute manservant. This insert has small border tears and a tear that extends into the image along with corner bends and creasing in the top border. Folded, Fine/Very Fine.
The Black Cat (Universal, 1941). Insert (14" X 36").
The "other" Black Cat features Bela Lugosi as the butler to a murderous family headed by Basil Rathbone. The insert has light edge wear, fold wear, extra horizontal folds, and a small image tear at the bottom fold. Folded, Fine/Very Fine.
The "other" Black Cat features Bela Lugosi as the butler to a murderous family headed by Basil Rathbone. The insert has light edge wear, fold wear, extra horizontal folds, and a small image tear at the bottom fold. Folded, Fine/Very Fine.
The Fly (20th Century Fox, 1958). Half Sheet (22" X 28").
Adapted from George Langelaan's short story, this classic science fiction film unfolds in flashbacks as a French socialite (Patricia Owen) relates how her husband (David Hedison) began experimenting with teleportation, got a little careless, and ended up with the head and arm of a fly. Vincent Price puts in a memorable supporting turn as Hedison's brother. The poster has corner and border pinholes, edge wear in the right border with small tears, a small tear in the top border, a small chip out of the bottom right border near the corner, and a crease along the right border. The poster retains excellent color and presents very nicely. Rolled, Fine/Very Fine.
Adapted from George Langelaan's short story, this classic science fiction film unfolds in flashbacks as a French socialite (Patricia Owen) relates how her husband (David Hedison) began experimenting with teleportation, got a little careless, and ended up with the head and arm of a fly. Vincent Price puts in a memorable supporting turn as Hedison's brother. The poster has corner and border pinholes, edge wear in the right border with small tears, a small tear in the top border, a small chip out of the bottom right border near the corner, and a crease along the right border. The poster retains excellent color and presents very nicely. Rolled, Fine/Very Fine.
The Fly (20th Century Fox, 1958). Three Sheet (41" X 81").
A horror sci-fi classic, this film stars Al Hadison as a scientist whose experiments on matter transfer go horribly wrong. Patricia Owens, Vincent Price, and Herbert Marshall co-star in one of the great cult favorites of the 1950s. This fun three sheet has pinholes, edge wear, stains, fold wear, and crossfold separations. There are tears with paper tape on the front and back, and a few areas of surface paper loss. Very Good/Fine.
A horror sci-fi classic, this film stars Al Hadison as a scientist whose experiments on matter transfer go horribly wrong. Patricia Owens, Vincent Price, and Herbert Marshall co-star in one of the great cult favorites of the 1950s. This fun three sheet has pinholes, edge wear, stains, fold wear, and crossfold separations. There are tears with paper tape on the front and back, and a few areas of surface paper loss. Very Good/Fine.
Monster from the Ocean Floor (Lippert, 1954). Half Sheet (22" X 28").
Radiation-spawned monsters strike again, in this Lippert cheapie produced by Roger Corman. Anne Kimbell plays a tourist visiting Mexico's Yucatan region who meets up with a researcher (Stuart Wade) and falls prey to an underwater monster that was once a humble octopus. This wonderfully lurid half sheet has a hole with some associated tearing and tape residue in the top border extending slightly into the artwork, tape stains in the top border, edge wear with multiple border tears, chips out of the top and bottom borders, surface paper loss on the bottom border, corner creases and enlarged pinholes. Folded, Very Good/Fine.
Radiation-spawned monsters strike again, in this Lippert cheapie produced by Roger Corman. Anne Kimbell plays a tourist visiting Mexico's Yucatan region who meets up with a researcher (Stuart Wade) and falls prey to an underwater monster that was once a humble octopus. This wonderfully lurid half sheet has a hole with some associated tearing and tape residue in the top border extending slightly into the artwork, tape stains in the top border, edge wear with multiple border tears, chips out of the top and bottom borders, surface paper loss on the bottom border, corner creases and enlarged pinholes. Folded, Very Good/Fine.
X - The Man with the X-Ray Eyes (American International, 1963). One Sheet (27" X 41").
Director Roger Corman returned to the science-fiction genre with this entry, a story about a scientist who develops a formula which enables the human eye to see light from spectrums that were previously impossible to see. The result is his inability to "turn off " the visions he witnesses, including the spiritual creation of life and the universe itself. This is a modern classic with Ray Milland in the title role. The one sheet being offered in this sale is one of the finest we've seen. Near Mint.
Director Roger Corman returned to the science-fiction genre with this entry, a story about a scientist who develops a formula which enables the human eye to see light from spectrums that were previously impossible to see. The result is his inability to "turn off " the visions he witnesses, including the spiritual creation of life and the universe itself. This is a modern classic with Ray Milland in the title role. The one sheet being offered in this sale is one of the finest we've seen. Near Mint.
Ben-Hur (MGM, 1959). Autographed Six Sheet (81" X 81").
Poster artist Reynold Brown turned in a classy, but effective, campaign for this epic film, winner of eleven Academy Awards. Pre-Oscar paper on the title is hard to obtain, and this one has a special bonus: it's signed by Best Actor recipient, Charlton Heston, just to the left of his name on the poster. The poster has edge wear at the bottom with one tear at a fold. This gorgeous six sheet is signed "To Ron, Charlton Heston." Very Fine.
Poster artist Reynold Brown turned in a classy, but effective, campaign for this epic film, winner of eleven Academy Awards. Pre-Oscar paper on the title is hard to obtain, and this one has a special bonus: it's signed by Best Actor recipient, Charlton Heston, just to the left of his name on the poster. The poster has edge wear at the bottom with one tear at a fold. This gorgeous six sheet is signed "To Ron, Charlton Heston." Very Fine.
From Here to Eternity (Columbia, 1953). One Sheet (27" X 41").
This sensational adaptation of James Jones's acclaimed war novel follows the private lives of soldiers stationed in Hawaii just before the Pearl Harbor attack. Frank Sinatra won an Oscar for his performance, one of eight Academy Award wins for the film. The poster had large chips missing from all four corners and some paper missing from the borders. Both issues have been smoothed over with professional restoration, including some color touch-ups in the folds. Very Good/Fine on Linen.
This sensational adaptation of James Jones's acclaimed war novel follows the private lives of soldiers stationed in Hawaii just before the Pearl Harbor attack. Frank Sinatra won an Oscar for his performance, one of eight Academy Award wins for the film. The poster had large chips missing from all four corners and some paper missing from the borders. Both issues have been smoothed over with professional restoration, including some color touch-ups in the folds. Very Good/Fine on Linen.
The Lost Weekend (Paramount, 1945). Lobby Card Set of 8 (11" X 14").
Winner of Best Picture, Best Actor (Ray Milland), Best Director (Billy Wilder), and Best Screenplay (Wilder and Charles Brackett), the Academy and the public praised this dramatic depiction of an alcoholic's bender with prizes and great business. Ray Milland stars as a struggling writer desperate to stay sober and write the great American novel but who hasn't the ability to fight his addiction. This beautiful and complete set has several cards with pinholes in the corners and a couple with a faint rubber stamp in the lower border, but none have fading, missing paper, or any tape. This is a very presentable and clean set from a classic film. Fine+.
Winner of Best Picture, Best Actor (Ray Milland), Best Director (Billy Wilder), and Best Screenplay (Wilder and Charles Brackett), the Academy and the public praised this dramatic depiction of an alcoholic's bender with prizes and great business. Ray Milland stars as a struggling writer desperate to stay sober and write the great American novel but who hasn't the ability to fight his addiction. This beautiful and complete set has several cards with pinholes in the corners and a couple with a faint rubber stamp in the lower border, but none have fading, missing paper, or any tape. This is a very presentable and clean set from a classic film. Fine+.
One Flew Over the Cuckoo's Nest (United Artists, 1975). Insert (14" X 36").
Offered here is the rare, pre-Academy Award style insert for the multiple-award-winning film. Jack Nicholson gave the performance of his career as Randle McMurphy, a petty criminal who gets himself declared insane because he thinks his stay in a mental institution would be cushier than prison time. This insert is in near perfect condition, with only a light smudge in the left border and a top right corner bend. Rolled, Near Mint-.
Offered here is the rare, pre-Academy Award style insert for the multiple-award-winning film. Jack Nicholson gave the performance of his career as Randle McMurphy, a petty criminal who gets himself declared insane because he thinks his stay in a mental institution would be cushier than prison time. This insert is in near perfect condition, with only a light smudge in the left border and a top right corner bend. Rolled, Near Mint-.
On the Waterfront (Columbia, 1954). French Pantalon (23" X 91").
This Oscar-winning 1954 film about mob violence and corruption among longshoremen stars Marlon Brando as Terry Malloy, a has-been prizefighter in his mid-twenties working the docks for the local gang boss, Johnny Friendly (Lee J. Cobb). This exceptional French door panel punctuates the film's defining element, a virtually life-size Brando, exuding his undeniable magnetism. There is a minor tear in the left border, light fold wear, and the linen has been trimmed to the border of the poster. Fine/Very Fine on Linen.
This Oscar-winning 1954 film about mob violence and corruption among longshoremen stars Marlon Brando as Terry Malloy, a has-been prizefighter in his mid-twenties working the docks for the local gang boss, Johnny Friendly (Lee J. Cobb). This exceptional French door panel punctuates the film's defining element, a virtually life-size Brando, exuding his undeniable magnetism. There is a minor tear in the left border, light fold wear, and the linen has been trimmed to the border of the poster. Fine/Very Fine on Linen.
Rocky (United Artists, 1977).CGC Graded Lobby Card Set of 8 (11" X 14").
Great complete set of the near-perfect Academy Award winning fight film, with Sylvester Stallone in all eight cards. The set has been graded by CGC with each card a 9.8. Near Mint/Mint.
Great complete set of the near-perfect Academy Award winning fight film, with Sylvester Stallone in all eight cards. The set has been graded by CGC with each card a 9.8. Near Mint/Mint.
Tom Jones (United Artists, 1963). CGC Graded Lobby Card Set of 8 (11" X 14").
Albert Finney brought the title character brilliantly to life as the raucous ne'er-do-well in this classic bed-hopping, Best Picture romp. Here's a complete CGC graded set with only one card at 8.5, two cards at 9.4, three cards at 9.6 and two cards at 9.8! Near Mint+.
Albert Finney brought the title character brilliantly to life as the raucous ne'er-do-well in this classic bed-hopping, Best Picture romp. Here's a complete CGC graded set with only one card at 8.5, two cards at 9.4, three cards at 9.6 and two cards at 9.8! Near Mint+.
The Godfather (Paramount, 1972). Australian One Sheet (27" X 40").
This Australian poster is different from most of the other campaign items for this classic Mafia story. A commanding portrait of Brando as Don Corleone is surrounded by vignettes of key scenes from the film, making this one of the more rare and visually attractive posters offered for this picture. Overall highly presentable, this piece has only light edge wear and small tears in the left and top border. Very Fine-.
This Australian poster is different from most of the other campaign items for this classic Mafia story. A commanding portrait of Brando as Don Corleone is surrounded by vignettes of key scenes from the film, making this one of the more rare and visually attractive posters offered for this picture. Overall highly presentable, this piece has only light edge wear and small tears in the left and top border. Very Fine-.
Black Swan (20th Century Fox, 2010). Promotional One Sheets (4) (27" X 40") Advance.
This lot contains an absolutely amazing set of four advance, teaser posters for Natalie Portman's Oscar winning turn as the driven, but troubled ballet dancer. The posters were done by the London based design firm, La Boca, and are printed with quality inks on heavy uncoated sock. Produced in a limited print run, they have been hailed as some of the best film posters produced in the past 50 years. With galleries already selling the posters one by one, this is a great opportunity to obtain the whole set in a matching high grade. Only hints of tiny corner bends. Rolled, Near Mint/Mint.
This lot contains an absolutely amazing set of four advance, teaser posters for Natalie Portman's Oscar winning turn as the driven, but troubled ballet dancer. The posters were done by the London based design firm, La Boca, and are printed with quality inks on heavy uncoated sock. Produced in a limited print run, they have been hailed as some of the best film posters produced in the past 50 years. With galleries already selling the posters one by one, this is a great opportunity to obtain the whole set in a matching high grade. Only hints of tiny corner bends. Rolled, Near Mint/Mint.
Going My Way (Paramount, 1944). One Sheet (27" X 41").
Winner of Best Picture for 1944 as well as Best Actor (Bing Crosby), Best Director (Leo McCarey), Best Supporting Actor (Barry Fitzgerald), Best Adapted Screenplay, Best Story and Best Song. Fitzgerald was nominated as both Best Actor and Best Supporting Actor for his role, winning the latter and losing the former to Crosby. The rules were subsequently changed to ensure that actors could only be nominated in one category. The poster had small dots of paper loss at the crossfolds and at a few of the border fold intersections. There was minor fold separation. Both issues were corrected with professional restoration. Very Fine on Linen.
Winner of Best Picture for 1944 as well as Best Actor (Bing Crosby), Best Director (Leo McCarey), Best Supporting Actor (Barry Fitzgerald), Best Adapted Screenplay, Best Story and Best Song. Fitzgerald was nominated as both Best Actor and Best Supporting Actor for his role, winning the latter and losing the former to Crosby. The rules were subsequently changed to ensure that actors could only be nominated in one category. The poster had small dots of paper loss at the crossfolds and at a few of the border fold intersections. There was minor fold separation. Both issues were corrected with professional restoration. Very Fine on Linen.
How Green Was My Valley (20th Century Fox, 1941). Uncut Deluxe Pressbook (13.75" x 20.5", 40 Pages).
A wonderful pressbook featuring all the gorgeous paper and merchandising ideas for this sweeping, poignant saga of a Welsh mining family. There is some light water staining along the right edges of the pages, a tear in the top border of the front cover, and some spine separation in the front and back cover. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
A wonderful pressbook featuring all the gorgeous paper and merchandising ideas for this sweeping, poignant saga of a Welsh mining family. There is some light water staining along the right edges of the pages, a tear in the top border of the front cover, and some spine separation in the front and back cover. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
The Life of Emile Zola (Warner Brothers, 1937). Mini Window Card (8" X 14").
Rare midget window card of Paul Muni as Emile Zola in only the second biographical film to win an Oscar for Best Picture. Original Warner Brothers linen finish card with top corner staple holes, edge wear along the bottom border, stains in the left border, a small tear in the right border, mild creases in the imprint area, and a crease in the bottom border with paper tape on the verso. There are slightly rounded corners. Fine.
Rare midget window card of Paul Muni as Emile Zola in only the second biographical film to win an Oscar for Best Picture. Original Warner Brothers linen finish card with top corner staple holes, edge wear along the bottom border, stains in the left border, a small tear in the right border, mild creases in the imprint area, and a crease in the bottom border with paper tape on the verso. There are slightly rounded corners. Fine.
Chinatown (Paramount, 1974). Three Sheet (41" X 81").
Jack Nicholson stars as Jake Gittes in this legendary modern film noir from director Roman Polanski. Oscar winning writer Robert Towne masterfully created a story about a detective who investigates seedy love affairs and corruption within Los Angeles. This incredible and seldom-seen three sheet, designed by James Pearsall, was printed in one section and has only very minor fold wear. A marvelous, rare gem for a discerning collector. Very Fine+.
Jack Nicholson stars as Jake Gittes in this legendary modern film noir from director Roman Polanski. Oscar winning writer Robert Towne masterfully created a story about a detective who investigates seedy love affairs and corruption within Los Angeles. This incredible and seldom-seen three sheet, designed by James Pearsall, was printed in one section and has only very minor fold wear. A marvelous, rare gem for a discerning collector. Very Fine+.
Conrad Veidt (Gaumont British, 1935). CGC Graded Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. This photo was taken when Conrad Veidt was a major star for the Gaumont British studio and appeared in many of their terrific films:The Passing of the Third Floor Back, I Was a Spy, Jew Suss, etc. One of his most remembered roles was that of the nasty Nazi Major Strasser in 1942's Casablanca, an unusual casting given Mr. Veidt, though German, was a staunch anti-Nazi. This photo is CGC graded. Very Fine.
Vintage gelatin silver, single weight, glossy photo. This photo was taken when Conrad Veidt was a major star for the Gaumont British studio and appeared in many of their terrific films:The Passing of the Third Floor Back, I Was a Spy, Jew Suss, etc. One of his most remembered roles was that of the nasty Nazi Major Strasser in 1942's Casablanca, an unusual casting given Mr. Veidt, though German, was a staunch anti-Nazi. This photo is CGC graded. Very Fine.
Conrad Veidt in "Ich und die Kaiserin" (UFA, 1933). German Portrait Photo (6.5" X 9").
Vintage gelatin silver, double weight, glossy photo. This is a terrific shot from one of Veidt's last films for UFA. He played the Marquis de Pontignac, who romances co-star Lilian Harvey in her last film before she departed Germany to go to Hollywood. There is some handwritten information in German on the verso along with some film stamps. Slight edge wear and some dot stains in the top center. Fine/Very Fine.
Vintage gelatin silver, double weight, glossy photo. This is a terrific shot from one of Veidt's last films for UFA. He played the Marquis de Pontignac, who romances co-star Lilian Harvey in her last film before she departed Germany to go to Hollywood. There is some handwritten information in German on the verso along with some film stamps. Slight edge wear and some dot stains in the top center. Fine/Very Fine.
Dolores del Rio (1920s). Autographed Photo (10.5" X 13.5").
Vintage gelatin silver, double weight, matte finish photo of Dolores del Rio. She has inscribed the photo to noted columnist, Louella Parsons: "To Louella O. Parsons, with my best wishes, Dolores del Rio." There is only one small ding in the left center image, some mild corner bumps, and some scrapbook page residue on the verso. Another great "famous-to-famous" piece! Very Fine+.
Vintage gelatin silver, double weight, matte finish photo of Dolores del Rio. She has inscribed the photo to noted columnist, Louella Parsons: "To Louella O. Parsons, with my best wishes, Dolores del Rio." There is only one small ding in the left center image, some mild corner bumps, and some scrapbook page residue on the verso. Another great "famous-to-famous" piece! Very Fine+.
Ida Lupino (Columbia Pictures, 1938). Autographed Photo (8.25" X 10.25").
Vintage double weight, glossy finish photo. In addition to being a classic Hollywood beauty, Lupino also directed over forty films and TV shows. Signed "To Todd My Best Always, Ida Lupino." The photo has minor edge wear, small surface creases, and a corner crease. Fine/Very Fine.
Vintage double weight, glossy finish photo. In addition to being a classic Hollywood beauty, Lupino also directed over forty films and TV shows. Signed "To Todd My Best Always, Ida Lupino." The photo has minor edge wear, small surface creases, and a corner crease. Fine/Very Fine.
La Jana (Tobis-Cinema, 1935). Photo (6.75" X 9").
Vintage gelatin silver, double weight, glossy photo. La Jana was a sexy German dancer and film actress. Appearing in over 25 European films, she often danced in exotic costumes such as the one seen in this vintage photo. There is a German studio printed name and an attached information snipe printed in Russian on the verso. There are minor corner bumps, and a small surface crease in the right border. Fine/Very Fine.
Vintage gelatin silver, double weight, glossy photo. La Jana was a sexy German dancer and film actress. Appearing in over 25 European films, she often danced in exotic costumes such as the one seen in this vintage photo. There is a German studio printed name and an attached information snipe printed in Russian on the verso. There are minor corner bumps, and a small surface crease in the right border. Fine/Very Fine.
Gana Jones Lot (Various, 1935-1969). Autographed Photo (1) and Photos (11) (7" X 9") (8" X 10").
Will some film historian or family member please update this woman's file in IMDB? This lady worked on many fine productions throughout her almost 40 years in the business, and these photos prove it. Ms. Gana Jones was a script supervisor and, judging from the quality of the films she consistently worked on, a good one. Many of these are "wrap photos" done for the cast and crew at the end of the production. Ms. Jones appears in many of them with handwritten notes on the verso of several. This lot follows her from 1935's Give Us This Night with Jan Kiepura to the 1969 TV western Will Sonnett, for which she supervised 24 episodes (there is an autographed photo from the star of that show, Walter Brennan, included in the lot). There are photos from Notorious with Ingrid Bergman, The Milky Way with Harold Lloyd, Thunder Road with Robert Mitchum, and more. Conditions vary from Fine to Mint. Fine/Very Fine.
Will some film historian or family member please update this woman's file in IMDB? This lady worked on many fine productions throughout her almost 40 years in the business, and these photos prove it. Ms. Gana Jones was a script supervisor and, judging from the quality of the films she consistently worked on, a good one. Many of these are "wrap photos" done for the cast and crew at the end of the production. Ms. Jones appears in many of them with handwritten notes on the verso of several. This lot follows her from 1935's Give Us This Night with Jan Kiepura to the 1969 TV western Will Sonnett, for which she supervised 24 episodes (there is an autographed photo from the star of that show, Walter Brennan, included in the lot). There are photos from Notorious with Ingrid Bergman, The Milky Way with Harold Lloyd, Thunder Road with Robert Mitchum, and more. Conditions vary from Fine to Mint. Fine/Very Fine.
Gana Jones Lot (Various, 1929-1934). Photos (12) (8" X 10").
This lady worked on many fine productions throughout her 40 years in the business, and these photos prove it. Ms. Gana Jones was a script supervisor and, judging from the quality of the films she consistently worked on, a good one. Many of these are "wrap photos" done for the cast and crew at the end of the production. Ms. Jones appears in most of them with handwritten notes on the verso of several. This lot follows her from 1929 to 1934 with photos from Big Broadcast, Love Parade, The Concert, Benson Murder Case, Social Errors, and more. Condition ranges from Fine to Near Mint. Fine/Very Fine.
This lady worked on many fine productions throughout her 40 years in the business, and these photos prove it. Ms. Gana Jones was a script supervisor and, judging from the quality of the films she consistently worked on, a good one. Many of these are "wrap photos" done for the cast and crew at the end of the production. Ms. Jones appears in most of them with handwritten notes on the verso of several. This lot follows her from 1929 to 1934 with photos from Big Broadcast, Love Parade, The Concert, Benson Murder Case, Social Errors, and more. Condition ranges from Fine to Near Mint. Fine/Very Fine.
Pulps
Peter Lorre by Clarence Sinclair Bull (1941 and 1944). Photos (2) (7" X 8" and 7" X 8.5").
Vintage gelatin silver, single and double weight, glossy and matte finish photos. The They Met in Bombay (1944) photo has Clarence Sinclair Bull's stamp on the verso. It appears to have been trimmed from a larger size. The other photo is from The Face Behind the Mask (1941) and may also have been trimmed. There are onion paper typewritten biographies in German attached on the verso of each. The Bombay photo has some corner bumps in the right border, and the Face photo has some minor surface crinkles. Very Good.
Vintage gelatin silver, single and double weight, glossy and matte finish photos. The They Met in Bombay (1944) photo has Clarence Sinclair Bull's stamp on the verso. It appears to have been trimmed from a larger size. The other photo is from The Face Behind the Mask (1941) and may also have been trimmed. There are onion paper typewritten biographies in German attached on the verso of each. The Bombay photo has some corner bumps in the right border, and the Face photo has some minor surface crinkles. Very Good.
Movie Posters
Mills Brothers (Ava Studio, 1934). Autographed Photo (6.25" X 8").
Vintage, gelatin silver, single weight, glossy photo. This rare and unique photo, autographed by all four of the Mills Brothers, is from their "London Sessions" era in 1934. The Brothers were very popular in pre-war England, so when Brunswick Records, the Brothers' US label, went bankrupt, the UK's Decca Records bought their contracts and brought them to England to record. Some of their best recordings were done at that time: "Lazy Bones," "Shoe Shine Boy," "Stardust," "Jeepers Creepers," "Swing is the Thing," etc. This photo, produced by Ava Studios in London, was used to advertise their appearances. The photo is inscribed with their signatures and "To G. Singit, Best Wishes from Mills Bros." There is only some minor surface scuffing. Very Fine/Near Mint.
Vintage, gelatin silver, single weight, glossy photo. This rare and unique photo, autographed by all four of the Mills Brothers, is from their "London Sessions" era in 1934. The Brothers were very popular in pre-war England, so when Brunswick Records, the Brothers' US label, went bankrupt, the UK's Decca Records bought their contracts and brought them to England to record. Some of their best recordings were done at that time: "Lazy Bones," "Shoe Shine Boy," "Stardust," "Jeepers Creepers," "Swing is the Thing," etc. This photo, produced by Ava Studios in London, was used to advertise their appearances. The photo is inscribed with their signatures and "To G. Singit, Best Wishes from Mills Bros." There is only some minor surface scuffing. Very Fine/Near Mint.
Buster Keaton in "The Balloonatic" (First National, 1923). Keybook Photo (8" X 10").
Vintage gelatin silver, double weight, glossy keybook photo. This was one of Buster Keaton's last short films. There are two keybook punch holes. Very Fine+.
Vintage gelatin silver, double weight, glossy keybook photo. This was one of Buster Keaton's last short films. There are two keybook punch holes. Very Fine+.
Ginger Rogers by John Miehle (RKO, 1942). Artist Signed Portrait Photo (10.5" X 15.5").
Vintage, double weight, satin finish photo backed by 16" X 20" illustration board. Beautiful profile portrait of Ginger Rogers by noted RKO photographer John Miehle, who has signed this photo in the lower right. Used by RKO's advertising department. Very Fine/Near Mint.
Vintage, double weight, satin finish photo backed by 16" X 20" illustration board. Beautiful profile portrait of Ginger Rogers by noted RKO photographer John Miehle, who has signed this photo in the lower right. Used by RKO's advertising department. Very Fine/Near Mint.
Lana Turner (1940s). Autographed Portrait Photo (8" X 10").
Vintage double weight, glossy finish photo. One of the great sirens of the silver screen, Lana Turner appeared in over fifty films. Signed "To Sharon, Hope to see you again soon, Lana Turner." The photo has pinholes in the image area, surface wear, and a vertical crease on the left side that runs through the entire image. Fine-.
Vintage double weight, glossy finish photo. One of the great sirens of the silver screen, Lana Turner appeared in over fifty films. Signed "To Sharon, Hope to see you again soon, Lana Turner." The photo has pinholes in the image area, surface wear, and a vertical crease on the left side that runs through the entire image. Fine-.
Our Gang (MGM, 1934). Photos (3) (8" X 10").
Vintage gelatin silver, single weight, glossy photos from the "Our Gang" series. There are photos from three different productions: "Hi, Neighbor" (1934), "Second Childhood" (1936), and "Arbor Day" (1936). There are attached, studio-issue information snipes on the verso. There is some mild edge wear on one card and some tiny surface crinkles on all. One is slightly toned. Very Fine/Near Mint.
Vintage gelatin silver, single weight, glossy photos from the "Our Gang" series. There are photos from three different productions: "Hi, Neighbor" (1934), "Second Childhood" (1936), and "Arbor Day" (1936). There are attached, studio-issue information snipes on the verso. There is some mild edge wear on one card and some tiny surface crinkles on all. One is slightly toned. Very Fine/Near Mint.
Humphrey Bogart (Warner Brothers, 1938-1940). Photos (2) (8" X 10").
The two vintage gelatin silver, single weight glossy photos in this lot capture the opposite ends of the gangster persona that Humphrey Bogart honed to perfection in the 1930s and early 1940s. The first is a unique shot by Warner's fine photographer, Schuyler Crail, catching Bogart's character in a pensive portrait. On the verso is Crail's photograph stamp and an attached Warner Brothers snipe with the film's shooting title still employed, "Unlawful." The other is a shot of Bogart from 1940's It All Came True, with Bogie in one of the nattiest attires ever assembled for a mobster: a full-length tailored coat replete with white leather gloves and a color-coordinated scarf and pocket kerchief. The "King" photo has some mild wrinkles in the top border, faint edge wear, and a soft indentation from the verso snipe. The It All Came True photo has some faint crop marks in the left border that do not affect the image. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
The two vintage gelatin silver, single weight glossy photos in this lot capture the opposite ends of the gangster persona that Humphrey Bogart honed to perfection in the 1930s and early 1940s. The first is a unique shot by Warner's fine photographer, Schuyler Crail, catching Bogart's character in a pensive portrait. On the verso is Crail's photograph stamp and an attached Warner Brothers snipe with the film's shooting title still employed, "Unlawful." The other is a shot of Bogart from 1940's It All Came True, with Bogie in one of the nattiest attires ever assembled for a mobster: a full-length tailored coat replete with white leather gloves and a color-coordinated scarf and pocket kerchief. The "King" photo has some mild wrinkles in the top border, faint edge wear, and a soft indentation from the verso snipe. The It All Came True photo has some faint crop marks in the left border that do not affect the image. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Bolero (Paramount, 1934). Photo (8" X 10").
Vintage gelatin silver, double weight, glossy photo. If you think Jennifer Grey and Patrick Swayze invented "dirty dancing," you haven't' seen this film, which flew under the wire just before the strict enforcement of the Hays Code. Great film that had Carole Lombard in gorgeous gowns like the one in this photo. She auditioned for George Raft in her underwear! Just some minor creasing in the top border. Very Fine+.
Vintage gelatin silver, double weight, glossy photo. If you think Jennifer Grey and Patrick Swayze invented "dirty dancing," you haven't' seen this film, which flew under the wire just before the strict enforcement of the Hays Code. Great film that had Carole Lombard in gorgeous gowns like the one in this photo. She auditioned for George Raft in her underwear! Just some minor creasing in the top border. Very Fine+.
Rudolph Valentino in "A Sainted Devil" (Paramount, 1924). Photos (2) (8" X 10").
Vintage gelatin silver, single weight, glossy photos. This was Valentino's 29th film (out of 32). In it, he portrayed Don Alonzo de Castro opposite Nita Naldi's Carlotta. These beautiful images showcase the film's gorgeous costuming and, of course, the huge appeal of Hollywood's illustrious "Latin Lover." The portrait photo has a very small stain in the bottom left background, a minor left border tear, and a bottom left corner crease. The other photo has a bottom right corner crease. Very Fine-.
Vintage gelatin silver, single weight, glossy photos. This was Valentino's 29th film (out of 32). In it, he portrayed Don Alonzo de Castro opposite Nita Naldi's Carlotta. These beautiful images showcase the film's gorgeous costuming and, of course, the huge appeal of Hollywood's illustrious "Latin Lover." The portrait photo has a very small stain in the bottom left background, a minor left border tear, and a bottom left corner crease. The other photo has a bottom right corner crease. Very Fine-.
Key Largo (Warner Brothers, 1948). Photos (5) (8" X 10").
Vintage gelatin silver, single weight, glossy photos. Great scenes from the Humphrey Bogart/Edward G. Robinson thriller. Only some minor surface crinkles. From the Estate of Andrew Weimer Gard. Very Fine/Near Mint.
Vintage gelatin silver, single weight, glossy photos. Great scenes from the Humphrey Bogart/Edward G. Robinson thriller. Only some minor surface crinkles. From the Estate of Andrew Weimer Gard. Very Fine/Near Mint.
Sunset Boulevard (Paramount, 1950). Photos (5) (8" X 10").
Vintage gelatin silver, single weight, glossy photos. These are publicity and behind the scenes photos from Sunset Boulevard. Some great shots of Gloria Swanson, Cecil B. DeMille, William Holden, and others. Just some slight toning, and some minor corner bumps. Very Fine+.
Vintage gelatin silver, single weight, glossy photos. These are publicity and behind the scenes photos from Sunset Boulevard. Some great shots of Gloria Swanson, Cecil B. DeMille, William Holden, and others. Just some slight toning, and some minor corner bumps. Very Fine+.
Sunset Boulevard (Paramount, 1950). Photos (5) (8" X 10").
Vintage gelatin silver, single weight, glossy photos from behind the scenes of Sunset Boulevard. Included are unique shots with the stars being directed, schmoozing with visiting VIPs, and waiting on the set. Just some mild edge wear with small crinkles, minor corner bends, and some slight toning, mostly in the top edge. The photos have wide, white borders with the actual images 3.75" X 4.75." Very Fine.
Vintage gelatin silver, single weight, glossy photos from behind the scenes of Sunset Boulevard. Included are unique shots with the stars being directed, schmoozing with visiting VIPs, and waiting on the set. Just some mild edge wear with small crinkles, minor corner bends, and some slight toning, mostly in the top edge. The photos have wide, white borders with the actual images 3.75" X 4.75." Very Fine.
Sunset Boulevard (Paramount, 1950). Photos (5) (8" X 10").
Vintage gelatin silver, single weight, glossy photos from the making of Sunset Boulevard. Some great shots of cast and crew, with Gloria Swanson, Cecil B. DeMille, William Holden, Billy Wilder, and others. Just some slight toning and some minor corner bends on one photo. Very Fine.
Vintage gelatin silver, single weight, glossy photos from the making of Sunset Boulevard. Some great shots of cast and crew, with Gloria Swanson, Cecil B. DeMille, William Holden, Billy Wilder, and others. Just some slight toning and some minor corner bends on one photo. Very Fine.
Sunset Boulevard (Paramount, 1950). Photos (5) (8" X 10").
Vintage gelatin silver, single weight, glossy photos from behind the scenes of Sunset Boulevard. The photos have wide, white borders with the actual images 3.75" X 4.75". The photos show Gloria Swanson lounging, greeting people, receiving flowers, etc., on the set of the film. Just some mild edge wear at the top, some slight toning, and mild surface crinkles. Very Fine-.
Vintage gelatin silver, single weight, glossy photos from behind the scenes of Sunset Boulevard. The photos have wide, white borders with the actual images 3.75" X 4.75". The photos show Gloria Swanson lounging, greeting people, receiving flowers, etc., on the set of the film. Just some mild edge wear at the top, some slight toning, and mild surface crinkles. Very Fine-.
Sunset Boulevard (Paramount, 1950). Photos (5) (8" X 10").
Vintage gelatin silver, single weight, glossy photos from the making of Sunset Boulevard. These terrific shots show Gloria Swanson, Eric von Stroheim, and others lounging about and preparing to film. Only some mild edge wear, slight toning, and a crease in two cards. Very Fine-.
Vintage gelatin silver, single weight, glossy photos from the making of Sunset Boulevard. These terrific shots show Gloria Swanson, Eric von Stroheim, and others lounging about and preparing to film. Only some mild edge wear, slight toning, and a crease in two cards. Very Fine-.
Alida Valli (Circa 1940s). Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. Two stunning close-up headshots of the beautiful star from The Third Man and Alfred Hitchcock's The Paradine Case. One of the portraits has small chips in the bottom two corners and the other has some mild corner bends and creases. Exceedingly rare oversized photos for exhibition purposes. Very Fine-.
Vintage, double weight, satin finish photos. Two stunning close-up headshots of the beautiful star from The Third Man and Alfred Hitchcock's The Paradine Case. One of the portraits has small chips in the bottom two corners and the other has some mild corner bends and creases. Exceedingly rare oversized photos for exhibition purposes. Very Fine-.
Anne Francis (MGM, 1955). Exhibition Portrait Photo (15.5" X 20").
Vintage, double weight, satin finish photo. This is a beautiful portrait taken when Anne Francis first went to work for MGM in the Blackboard Jungle, Forbidden Planet days. It was most likely taken by MGM photographer Virgil Apger. There are some slight corner bends and creases. This is a very rare oversized format. Very Fine-.
Vintage, double weight, satin finish photo. This is a beautiful portrait taken when Anne Francis first went to work for MGM in the Blackboard Jungle, Forbidden Planet days. It was most likely taken by MGM photographer Virgil Apger. There are some slight corner bends and creases. This is a very rare oversized format. Very Fine-.
Anne Francis (MGM, 1950s). Autographed Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. One of the sexiest picture we've ever seen of the young Anne Francis, and it's signed by the star! Just some minor surface crinkles in the top border, mild edge wear, and two small dings in the far right center image next to the border. The autograph inscription reads: "Many Blessings! Always, Anne Francis." This is a very rare oversized exhibition format. Very Fine-.
Vintage, double weight, satin finish photo. One of the sexiest picture we've ever seen of the young Anne Francis, and it's signed by the star! Just some minor surface crinkles in the top border, mild edge wear, and two small dings in the far right center image next to the border. The autograph inscription reads: "Many Blessings! Always, Anne Francis." This is a very rare oversized exhibition format. Very Fine-.
Ann Miller by Virgil Apger (MGM, 1940s). Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin matte finish photo. Pretty and rare oversize portrait shot of dancer Ann Miller. Just some minor border pinholes and very mild corner bends. Very Fine+.
Vintage, double weight, satin matte finish photo. Pretty and rare oversize portrait shot of dancer Ann Miller. Just some minor border pinholes and very mild corner bends. Very Fine+.
Ann Miller (Columbia Pictures, 1941). Autographed Photo (8.25" X 10.25").
Vintage double weight, glossy finish photo. Among the best in the business, Ann Miller danced through a career of over forty films. Signed "To Todd Good Luck in the New Year of '76' Ann Miller." Photo has edge wear with discoloration along the left edge, surface and corner creases. Fine.
Vintage double weight, glossy finish photo. Among the best in the business, Ann Miller danced through a career of over forty films. Signed "To Todd Good Luck in the New Year of '76' Ann Miller." Photo has edge wear with discoloration along the left edge, surface and corner creases. Fine.
Arlene Dahl in Desert Legion (Universal, 1953). Exhibition Portrait Photos (2) (15.5" X 19.5").
Vintage, double weight, satin finish portrait photos mounted on illustration board.
Two stunning portraits of a young Arlene Dahl. The waist up portrait shot is one of Dahl's best photos and is featured on the American one sheet for Desert Legion. Both photos are very rare, oversized exhibition photos produced by Universal. Very Fine.
Vintage, double weight, satin finish portrait photos mounted on illustration board.
Two stunning portraits of a young Arlene Dahl. The waist up portrait shot is one of Dahl's best photos and is featured on the American one sheet for Desert Legion. Both photos are very rare, oversized exhibition photos produced by Universal. Very Fine.
Arlene Dahl in Desert Legion (Universal International, 1953). Exhibition Portrait Photos (2) (15.5"X 19.5").
Vintage, double weight, satin finish portrait photos on illustration board. These gorgeous photos are from Miss Dahl's film, Desert Legion (Universal, 1953), and were used in the advertising campaign. They were mounted on illustration board at the time of production and have only very mild edge wear with small corner bumps and tiny paper lifts. Exceedingly scarce oversized exhibition portraits produced by the studio. Very Fine.
Vintage, double weight, satin finish portrait photos on illustration board. These gorgeous photos are from Miss Dahl's film, Desert Legion (Universal, 1953), and were used in the advertising campaign. They were mounted on illustration board at the time of production and have only very mild edge wear with small corner bumps and tiny paper lifts. Exceedingly scarce oversized exhibition portraits produced by the studio. Very Fine.
Arlene Dahl (Universal International, 1953). Exhibition Portrait Photos (2) (15.5" X 19.5" and 16" X 20").
Vintage, double weight, satin finish photos. Two of the best portraits we've seen of Arlene Dahl, one in costume for her role as Morjana in Desert Legion, the other a rare fashion photo. One is mounted on illustration board and has some minor corner pinholes and mild edge wear. The coat and hat photo has only a small dot stain in the lower right background. Very scarce oversized exhibition photos produced by the studios. Very Fine-.
Vintage, double weight, satin finish photos. Two of the best portraits we've seen of Arlene Dahl, one in costume for her role as Morjana in Desert Legion, the other a rare fashion photo. One is mounted on illustration board and has some minor corner pinholes and mild edge wear. The coat and hat photo has only a small dot stain in the lower right background. Very scarce oversized exhibition photos produced by the studios. Very Fine-.
Cyd Charisse (MGM, 1950s). Autographed Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. Cyd Charisse has autographed one of these magnificent exhibition portrait photos taken by MGM photographer Virgil Apger. These oversized format photos are exceedingly rare and were produced in very limited quantity by the studios. Very Fine/Near Mint.
Vintage, double weight, satin finish photos. Cyd Charisse has autographed one of these magnificent exhibition portrait photos taken by MGM photographer Virgil Apger. These oversized format photos are exceedingly rare and were produced in very limited quantity by the studios. Very Fine/Near Mint.
Cyd Charisse (MGM, 1950s). Autographed Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. This early photograph is autographed in the left background in gold ink by the dancing star Cyd Charisse. Attributed to MGM photographer, Virgil Apger. Very rare in this oversized format, produced in limited quantities by the studio. Very Fine/Near Mint.
Vintage, double weight, satin finish photo. This early photograph is autographed in the left background in gold ink by the dancing star Cyd Charisse. Attributed to MGM photographer, Virgil Apger. Very rare in this oversized format, produced in limited quantities by the studio. Very Fine/Near Mint.
Cyd Charisse by Virgil Apger (MGM, 1950). Signed Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. MGM photographer Virgil Apger delivers two wonderful portraits of a young Cyd Charisse. The photographer has signed both of these in the lower left. One has some corner bends and a small tear in the lower left border repaired with tape on the verso; the other has just minor corner bends in the upper right and lower left corners. These oversized photos were produced by the studio in extremely small quantities and finding them signed by the photographer is a rare occurrence indeed. Very Fine+.
Vintage, double weight, satin finish photos. MGM photographer Virgil Apger delivers two wonderful portraits of a young Cyd Charisse. The photographer has signed both of these in the lower left. One has some corner bends and a small tear in the lower left border repaired with tape on the verso; the other has just minor corner bends in the upper right and lower left corners. These oversized photos were produced by the studio in extremely small quantities and finding them signed by the photographer is a rare occurrence indeed. Very Fine+.
Cyd Charisse (1950s). Autographed Photo (16" X 20").
Vintage, double weight, matte finish oversize photo. Cyd Charisse signed her pretty bathing beauty pose on the diving board. It might be the work of MGM great Virgin Apger. These oversize exhibition photos were produced in extremely small quantities and are very hard to find. There is only a slight corner bend in the bottom right. Very Fine.
Vintage, double weight, matte finish oversize photo. Cyd Charisse signed her pretty bathing beauty pose on the diving board. It might be the work of MGM great Virgin Apger. These oversize exhibition photos were produced in extremely small quantities and are very hard to find. There is only a slight corner bend in the bottom right. Very Fine.
Cyd Charisse in "Meet Me in Las Vegas" by Virgil Apger (MGM, 1956). Autographed Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. Great leggy pose by dancer extraordinaire, Cyd Charisse, in her Las Vegas version of a cowgirl outfit. The costume was designed by well known costumer Helen Rose. Photo is by MGM photographer Virgil Apger and is signed by him in the lower left corner. This is an exceedingly rare oversized exhibition photo. Very Fine-.
Vintage, double weight, satin finish photo. Great leggy pose by dancer extraordinaire, Cyd Charisse, in her Las Vegas version of a cowgirl outfit. The costume was designed by well known costumer Helen Rose. Photo is by MGM photographer Virgil Apger and is signed by him in the lower left corner. This is an exceedingly rare oversized exhibition photo. Very Fine-.
Bronze Age (1970-1979)
Danielle Darrieux by Ray Jones (Universal, 1938). Exhibition Portrait Photo (15.5" X 19.5").
Vintage, double weight, satin finish, portrait photo mounted on illustration board. This photo is from a session that Oscar winning Universal photographer Ray Jones did with Danielle Darrieux while she was in Hollywood working on The Rage of Paris. It was mounted on illustration board at the time of production. There are only small corner bumps and bends with minor paper scuffs and lifts. Scarce, large format photo used by Universal's publicity department. Very Fine.
Vintage, double weight, satin finish, portrait photo mounted on illustration board. This photo is from a session that Oscar winning Universal photographer Ray Jones did with Danielle Darrieux while she was in Hollywood working on The Rage of Paris. It was mounted on illustration board at the time of production. There are only small corner bumps and bends with minor paper scuffs and lifts. Scarce, large format photo used by Universal's publicity department. Very Fine.
Movie Posters
Debbie Reynolds (MGM, 1950s). Autographed Exhibition Portrait Photos (2) (15.5" X 20") and (16" X 20").
Vintage, double weight, satin finish photos. Two oversize portraits of Debbie Reynolds, early in her career. One card, in a setting most likely for an Easter promotion, is signed by Ms. Reynolds, and the other features a great outdoors shot. Just some minor edge wrinkles in the top and bottom borders, a small left and right border trim in the outdoor shot, and minor corner bends. Rare large format exhibition photos. Very Fine.
Vintage, double weight, satin finish photos. Two oversize portraits of Debbie Reynolds, early in her career. One card, in a setting most likely for an Easter promotion, is signed by Ms. Reynolds, and the other features a great outdoors shot. Just some minor edge wrinkles in the top and bottom borders, a small left and right border trim in the outdoor shot, and minor corner bends. Rare large format exhibition photos. Very Fine.
Deborah Kerr (Circa Late 1940s). Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. Elegant Deborah Kerr was an amazingly versatile actress. She was nominated for Best Actress six times. This lovely photograph is from very early in her Hollywood career. There is only a small tear with very small wrinkles in the center right border. This is probably the work of Virgil Apger, who photographed Miss Kerr on several occasions for MGM Studios. Very rare in this oversized format. Very Fine-.
Vintage, double weight, satin finish photo. Elegant Deborah Kerr was an amazingly versatile actress. She was nominated for Best Actress six times. This lovely photograph is from very early in her Hollywood career. There is only a small tear with very small wrinkles in the center right border. This is probably the work of Virgil Apger, who photographed Miss Kerr on several occasions for MGM Studios. Very rare in this oversized format. Very Fine-.
The Duncan Sisters by George Hurrell (MGM, 1929). Photo (8" X 10").
Vintage gelatin silver, double weight, glossy photo. By the time the Duncan sisters had reached MGM in the late 1920s, their top vaudeville act, with Rosetta as a foghorn-voiced comedienne and Vivian as a ditzy dumb blonde, was well honed. Here they are given the George Hurrell treatment with beautiful dresses and a lovely backdrop. There is a photographer's stamp on the verso, with his embossed name in the lower right corner as well. There is a slight bump and small surface lift in the lower right dress area, a small hole in the upper left border, and some minor corner bumps and creases. Very Fine-.
Vintage gelatin silver, double weight, glossy photo. By the time the Duncan sisters had reached MGM in the late 1920s, their top vaudeville act, with Rosetta as a foghorn-voiced comedienne and Vivian as a ditzy dumb blonde, was well honed. Here they are given the George Hurrell treatment with beautiful dresses and a lovely backdrop. There is a photographer's stamp on the verso, with his embossed name in the lower right corner as well. There is a slight bump and small surface lift in the lower right dress area, a small hole in the upper left border, and some minor corner bumps and creases. Very Fine-.
Eleanor Powell by Clarence Sinclair Bull (MGM, 1935). Autographed Photo (8" X 10").
Vintage gelatin silver, double weight, matte finish. This unique photo of Eleanor Powell in her first starring role features her along with the songwriting team extraordinaire, Nacio Herb Brown and Arthur Freed. A tremendous opportunity to get three musical legends on one photo. There are only minor corner bends and a small spot of tape residue in the lower left border. The photographer's stamp is on the verso. The photo is inscribed by Powell: "To - Todd, In memory of 'Broadway Melody of 1936,' Eleanor Powell." She has also written in the names of the songwriting team below. Very Fine.
Vintage gelatin silver, double weight, matte finish. This unique photo of Eleanor Powell in her first starring role features her along with the songwriting team extraordinaire, Nacio Herb Brown and Arthur Freed. A tremendous opportunity to get three musical legends on one photo. There are only minor corner bends and a small spot of tape residue in the lower left border. The photographer's stamp is on the verso. The photo is inscribed by Powell: "To - Todd, In memory of 'Broadway Melody of 1936,' Eleanor Powell." She has also written in the names of the songwriting team below. Very Fine.
Eva Marie Saint (MGM, 1950s). Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. Eva Marie Saint scored a Best Supporting Actress Oscar for her first feature-film role (On the Waterfront). She would win BAFTA awards and Emmys and appear in many fine productions, such as Alfred Hitchcock's North by Northwest. This lovely portrait, possibly taken by MGM photographer Virgil Apger, was probably sometime around the production of that Hitchcock thriller. There is some slight wrinkling and creasing in the top and bottom center borders and small corner bends and creases in the top left and bottom right. Very rare in this oversized exhibition format produced by the studio. Very Fine-.
Vintage, double weight, satin finish photo. Eva Marie Saint scored a Best Supporting Actress Oscar for her first feature-film role (On the Waterfront). She would win BAFTA awards and Emmys and appear in many fine productions, such as Alfred Hitchcock's North by Northwest. This lovely portrait, possibly taken by MGM photographer Virgil Apger, was probably sometime around the production of that Hitchcock thriller. There is some slight wrinkling and creasing in the top and bottom center borders and small corner bends and creases in the top left and bottom right. Very rare in this oversized exhibition format produced by the studio. Very Fine-.
Fred Astaire in "Swing Time" (RKO, 1936). Autographed Photo (8" X 10").
Vintage single weight, glossy finish photo. Excellent portrait photo of the legendary hoofer. Signed "To Todd Light, Fred Astaire '74." The photo has two "$" stamps in the bottom margin, minor border stains, a soft diagonal crease running across the top third, corner creases, surface creasing, and scratches. Fine+.
Vintage single weight, glossy finish photo. Excellent portrait photo of the legendary hoofer. Signed "To Todd Light, Fred Astaire '74." The photo has two "$" stamps in the bottom margin, minor border stains, a soft diagonal crease running across the top third, corner creases, surface creasing, and scratches. Fine+.
Gary Cooper (Paramount, 1935). Keybook Photos (2) (8" X 11").
Vintage gelatin silver, double weight, glossy finish keybook photos. These are great shots of Gary Cooper in two of his mid-1930s films: Souls at Sea and Peter Ibbetson. There are Advertising Advisory Council date stamps on the verso of each, and printed studio information on one. Just some very light toning, some mild corner creases, and a small surface scuff. Very Fine-.
Vintage gelatin silver, double weight, glossy finish keybook photos. These are great shots of Gary Cooper in two of his mid-1930s films: Souls at Sea and Peter Ibbetson. There are Advertising Advisory Council date stamps on the verso of each, and printed studio information on one. Just some very light toning, some mild corner creases, and a small surface scuff. Very Fine-.
Gena Rowlands (MGM, 1958). Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. Gena Rowlands did The High Cost of Loving with MGM in 1958, and this photo is most likely the work of MGM photographer Virgil Apger. It's one of the most interesting photos we've seen of Ms. Rowlands. Just some minor edge wrinkling in the bottom border and some mild corner creases and bends. This oversized photo is in an exceedingly scarce format and was most likely printed for exhibition. Very Fine-.
Vintage, double weight, satin finish photo. Gena Rowlands did The High Cost of Loving with MGM in 1958, and this photo is most likely the work of MGM photographer Virgil Apger. It's one of the most interesting photos we've seen of Ms. Rowlands. Just some minor edge wrinkling in the bottom border and some mild corner creases and bends. This oversized photo is in an exceedingly scarce format and was most likely printed for exhibition. Very Fine-.
Gene Kelly in "Anchors Aweigh" (MGM, 1944). Autographed Photo (8" X 10").
Vintage gelatin silver, double weight, glossy finish. This delightful photo has dance great Gene Kelly doing a Mexican folk dance with seven-year-old Sharon McManus in Anchors Aweigh. Kelly has inscribed the photo: "To Todd, Good Luck, Gene Kelly." There is an Advertising Advisory Council date stamp and printed studio information on the verso. There is a very faint crease in the bottom border and mild wrinkling across the top and bottom borders. Fine/Very Fine.
Vintage gelatin silver, double weight, glossy finish. This delightful photo has dance great Gene Kelly doing a Mexican folk dance with seven-year-old Sharon McManus in Anchors Aweigh. Kelly has inscribed the photo: "To Todd, Good Luck, Gene Kelly." There is an Advertising Advisory Council date stamp and printed studio information on the verso. There is a very faint crease in the bottom border and mild wrinkling across the top and bottom borders. Fine/Very Fine.
Hedy Lamarr (MGM, 1940s). Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, matte finish photo. Hedy Lamar looking radiant! Just some mild edge wear on the right border along with a ding in the lower right and a lower right corner crease. Very Fine.
Vintage gelatin silver, double weight, matte finish photo. Hedy Lamar looking radiant! Just some mild edge wear on the right border along with a ding in the lower right and a lower right corner crease. Very Fine.
Hope Hampton by M. I. Boris (NY, 1920s). Portrait Photo (10" X 13.5").
Vintage gelatin silver, double weight, matte finish photo by noted New York photographer, M. I. Boris (Boris Majdrakoff), of the effervescent flapper, Hope Hampton. His scarce vintage prints from the 1920s are certainly among the rarest and most visually arresting of inter-war portraits. Note his signature style, with the oval framing and almost abstract art handwork on the borders. This beautiful portrait has been inscribed by Ms. Hampton to well-known gossip columnist Louella Parsons: "To my darling Louella, a charming woman and my best friend - lovingly, Hope Hampton." There is some water damage to the left and bottom of the photo, with some emulsion stain in the bottom border only. Great "famous-to-famous" autographed piece. Fine-.
Vintage gelatin silver, double weight, matte finish photo by noted New York photographer, M. I. Boris (Boris Majdrakoff), of the effervescent flapper, Hope Hampton. His scarce vintage prints from the 1920s are certainly among the rarest and most visually arresting of inter-war portraits. Note his signature style, with the oval framing and almost abstract art handwork on the borders. This beautiful portrait has been inscribed by Ms. Hampton to well-known gossip columnist Louella Parsons: "To my darling Louella, a charming woman and my best friend - lovingly, Hope Hampton." There is some water damage to the left and bottom of the photo, with some emulsion stain in the bottom border only. Great "famous-to-famous" autographed piece. Fine-.
Humphrey Bogart (Warner Brothers, 1942-1950s). Photos (2) (8" X 10" and 7.5" X 9.5").
Vintage gelatin silver, single weight, glossy photos. The first of these two Bogart portraits is from 1942's blockbuster all-time-favorite, Casablanca. The other is a 1950s studio portrait photo with a printed signature. The Casablanca is near mint but the other picture has a small chip in the lower right corner, pin holes, rounded corners, small surface wrinkles and dots, and small paper and glue residue on the verso from the scrapbook it was pulled out of. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photos. The first of these two Bogart portraits is from 1942's blockbuster all-time-favorite, Casablanca. The other is a 1950s studio portrait photo with a printed signature. The Casablanca is near mint but the other picture has a small chip in the lower right corner, pin holes, rounded corners, small surface wrinkles and dots, and small paper and glue residue on the verso from the scrapbook it was pulled out of. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Jane Fonda (Circa 1960). Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. Long before Roger Vadim or Barbarella, there was this fresh-faced ingénue from a royal family of acting background. This lot includes two beautiful portraits of Fonda in a Christmas setting. These oversized photos are exceptional in their scarcity and beauty. Near Mint/Mint.
Vintage, double weight, satin finish photos. Long before Roger Vadim or Barbarella, there was this fresh-faced ingénue from a royal family of acting background. This lot includes two beautiful portraits of Fonda in a Christmas setting. These oversized photos are exceptional in their scarcity and beauty. Near Mint/Mint.
Janet Leigh (MGM, 1953). Autographed Exhibition Photo (16" X 20").
Vintage, double weight, satin finish. Fabulous shot of Psycho star Janet Leigh, early in her career, at the beach with her surfboard! Ms. Leigh has signed the photo with a gorgeous oversize signature. Just some minor edge wear. Very rare large exhibition format. Near Mint-.
Vintage, double weight, satin finish. Fabulous shot of Psycho star Janet Leigh, early in her career, at the beach with her surfboard! Ms. Leigh has signed the photo with a gorgeous oversize signature. Just some minor edge wear. Very rare large exhibition format. Near Mint-.
Janet Leigh (MGM, early 1950s). Autographed Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. Pretty early portrait of Janet Leigh with her teddy. Ms. Leigh has boldly signed the photo in the left background with an oversized signature. Very scarce studio produced exhibition photo. Very Fine/Near Mint.
Vintage, double weight, satin finish photo. Pretty early portrait of Janet Leigh with her teddy. Ms. Leigh has boldly signed the photo in the left background with an oversized signature. Very scarce studio produced exhibition photo. Very Fine/Near Mint.
Janis Paige by Virgil Apger (MGM, 1957). Signed Exhibition Portrait Photos (16" X 20").
Vintage, double weight, satin finish photos. Bette Davis called Janis Paige "a rare show business phenomenon, brilliant in drama, a sparkling comedienne and a show stopping musical performer". And that she was! Here are two poses with Janis having fun, taken by MGM's great photographer Virgil Apger. The photographer has signed one of the photos in the lower left. There is some edge wear with small tears in the bottom border of one and some very small edge wrinkles in the top border of the other. Very rare oversized format photos. Very Fine-.
Vintage, double weight, satin finish photos. Bette Davis called Janis Paige "a rare show business phenomenon, brilliant in drama, a sparkling comedienne and a show stopping musical performer". And that she was! Here are two poses with Janis having fun, taken by MGM's great photographer Virgil Apger. The photographer has signed one of the photos in the lower left. There is some edge wear with small tears in the bottom border of one and some very small edge wrinkles in the top border of the other. Very rare oversized format photos. Very Fine-.
Janis Paige by Virgil Apger (MGM, 1957). Autographed Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photos. Here's a leggy Janis Paige pose, taken by MGM photographer Virgil Apger. Mr. Apger has signed the photo in the lower left. There is some minor edge wear with wrinkles and small creases in the bottom border, a tiny chip in the lower left corner, and some minor edge wrinkles. Very Fine-.
Vintage, double weight, satin finish photos. Here's a leggy Janis Paige pose, taken by MGM photographer Virgil Apger. Mr. Apger has signed the photo in the lower left. There is some minor edge wear with wrinkles and small creases in the bottom border, a tiny chip in the lower left corner, and some minor edge wrinkles. Very Fine-.
Jean Arthur in "The More the Merrier" by John Miehle (Columbia, 1943). Portrait Photo (10.5" X 13.5").
Vintage, double weight, satin finish photo. Jean Arthur looking elegant in a swimsuit and high heels! This posed photo was used in the film's advertising campaign and for the artwork on one style of one sheet. The photo was backed with a 16" X 20" piece of illustration board. Mint.
Vintage, double weight, satin finish photo. Jean Arthur looking elegant in a swimsuit and high heels! This posed photo was used in the film's advertising campaign and for the artwork on one style of one sheet. The photo was backed with a 16" X 20" piece of illustration board. Mint.
Jean Parker by Ray Jones (Universal, 1944). Portrait (10.5" X 13.25").
Vintage gelatin silver, double weight, satin finish photo. Nineteen forty-four was a good year for versatile actress Jean Parker. She made seven films that year for Monogram, PRC, Paramount, and Universal, including Dean Man's Eyes with Lon Chaney, Jr. While on the lot, she was photographed by legendary Oscar winning photographer Ray Jones. The photo is mounted on a 16" X 20" board and shows Parker modeling a pretty two-piece swimsuit. Mint.
Vintage gelatin silver, double weight, satin finish photo. Nineteen forty-four was a good year for versatile actress Jean Parker. She made seven films that year for Monogram, PRC, Paramount, and Universal, including Dean Man's Eyes with Lon Chaney, Jr. While on the lot, she was photographed by legendary Oscar winning photographer Ray Jones. The photo is mounted on a 16" X 20" board and shows Parker modeling a pretty two-piece swimsuit. Mint.
John Barrymore (Warner Bros, 1930). CGC Graded Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. This great photo shows exactly why Barrymore was known as "The Great Profile." Of his unconventional life, he once said: "It has been said that every man must properly pay the fiddler. Alas, in my case, it happened that an entire symphony orchestra had to be subsidized." This photo has been graded by CGC. Very Fine.
Vintage gelatin silver, single weight, glossy photo. This great photo shows exactly why Barrymore was known as "The Great Profile." Of his unconventional life, he once said: "It has been said that every man must properly pay the fiddler. Alas, in my case, it happened that an entire symphony orchestra had to be subsidized." This photo has been graded by CGC. Very Fine.
Josephine Dunn by Clarence Sinclair Bull (MGM, 1930s). Publicity Photo (10.5" X 13.5").
Vintage gelatin silver, double weight, glossy photo. There is a photographer's stamp and an attached studio snipe on the verso. Just some mild edge wear, small top left corner crease, and minor surface crinkles. Very Fine+.
Vintage gelatin silver, double weight, glossy photo. There is a photographer's stamp and an attached studio snipe on the verso. Just some mild edge wear, small top left corner crease, and minor surface crinkles. Very Fine+.
Julie Adams (Universal International, 1950s). Autographed Exhibition Photo (15.5" X 19.5").
Vintage, double weight, satin finish photo mounted on illustration board. Kay Lawrence will forever be known as the bathing beauty in 1954's Creature from the Black Lagoon. Here's an autographed portrait of Ms. Adams looking her loveliest. Just some minor edge wear. Very rare in this beautiful oversized format. Near Mint/Mint.
Vintage, double weight, satin finish photo mounted on illustration board. Kay Lawrence will forever be known as the bathing beauty in 1954's Creature from the Black Lagoon. Here's an autographed portrait of Ms. Adams looking her loveliest. Just some minor edge wear. Very rare in this beautiful oversized format. Near Mint/Mint.
Karen Morley by George Hurrell (MGM, 1932). Photo (10" X 13").
Vintage gelatin silver, double weight, glossy photo. Gorgeous studio portrait by George Hurrell of Karen Morley. There are photographer's and studio stamps on the verso and a handwritten note stating this image was used in the publicity campaign for MGM's Flesh. The photographer has also embossed his name in the lower right corner. Just some very light edge wear and surface crinkles. Very Fine+.
Vintage gelatin silver, double weight, glossy photo. Gorgeous studio portrait by George Hurrell of Karen Morley. There are photographer's and studio stamps on the verso and a handwritten note stating this image was used in the publicity campaign for MGM's Flesh. The photographer has also embossed his name in the lower right corner. Just some very light edge wear and surface crinkles. Very Fine+.
Katherine Burke by M. I. Boris (Boris Majdrakoff) (1923). Portrait Photo (10.75" X 13.75").
Vintage gelatin silver, double weight, glossy photo. This is a very early M. I. Boris photograph taken when he first opened his studio in New York on east 54th street. Katherine Burke was a beautiful actress that appeared in Vitagraph Knickerbocker Films (mostly shorts). The photographer's stamp is on the verso and is signed in the plate in the lower right. There is a small chip in the top left corner, a small surface scuff, pinholes, small surface crinkles, and minor corner bumps. You can see here the beginning of his famous "elaborate etched star portrait" style. Fine/Very Fine.
Vintage gelatin silver, double weight, glossy photo. This is a very early M. I. Boris photograph taken when he first opened his studio in New York on east 54th street. Katherine Burke was a beautiful actress that appeared in Vitagraph Knickerbocker Films (mostly shorts). The photographer's stamp is on the verso and is signed in the plate in the lower right. There is a small chip in the top left corner, a small surface scuff, pinholes, small surface crinkles, and minor corner bumps. You can see here the beginning of his famous "elaborate etched star portrait" style. Fine/Very Fine.
Kathryn Grayson (MGM, 1940s). Autographed Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. A tremendous closeup portrait of the MGM musical star. Ms. Grayson has boldly signed the photo with an oversized signature in the bottom left background. Just a minor corner bend and crease in the lower right. Very scarce oversized photo produced by the studio in limited quantities. Very Fine+.
Vintage, double weight, satin finish photo. A tremendous closeup portrait of the MGM musical star. Ms. Grayson has boldly signed the photo with an oversized signature in the bottom left background. Just a minor corner bend and crease in the lower right. Very scarce oversized photo produced by the studio in limited quantities. Very Fine+.
Leslie Caron (Circa 1951). Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. These were taken (most likely by Virgil Apger) when Leslie Caron first signed at MGM. There are slight corner bends, creases, small wrinkles, and a small tear in the lower right border of one, repaired with tape on the verso. Very scarce photos in this oversize format. Very Fine-.
Vintage, double weight, satin finish photos. These were taken (most likely by Virgil Apger) when Leslie Caron first signed at MGM. There are slight corner bends, creases, small wrinkles, and a small tear in the lower right border of one, repaired with tape on the verso. Very scarce photos in this oversize format. Very Fine-.
Leslie Parrish by Virgil Apger (MGM, 1956). Signed Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. These photos make it easy to see why Leslie Parrish modeled before becoming an actress. When at MGM, she was a "leg model" in The Opposite Sex. One of the photos is signed by the photographer Virgil Apger in the lower left corner. Just some minor wrinkles in the bottom border of the leg shot, a small tear in the bottom border, and edge wrinkles in the facial portrait. Exceedingly rare oversized photos. Very Fine-.
Vintage, double weight, satin finish photos. These photos make it easy to see why Leslie Parrish modeled before becoming an actress. When at MGM, she was a "leg model" in The Opposite Sex. One of the photos is signed by the photographer Virgil Apger in the lower left corner. Just some minor wrinkles in the bottom border of the leg shot, a small tear in the bottom border, and edge wrinkles in the facial portrait. Exceedingly rare oversized photos. Very Fine-.
Lila Lee by Edwin Bower Hesser (1920s). Autographed Portrait Photo (10.5" X 13.5").
Vintage gelatin silver, double weight, matte finish photo of Rudolph Valentino's co-star in Blood and Sand, beautiful, raven haired, Lila Lee. There is a photographer's embossed stamp in the lower right corner and photographer's studio stamps on the verso. There are border pinholes, some slight edge wear with small tears, and small crinkles in the bottom center border. The photo comes with an intriguing inscription: "Harriet, I like you just the same, Affectionately, Lila." Very Fine.
Vintage gelatin silver, double weight, matte finish photo of Rudolph Valentino's co-star in Blood and Sand, beautiful, raven haired, Lila Lee. There is a photographer's embossed stamp in the lower right corner and photographer's studio stamps on the verso. There are border pinholes, some slight edge wear with small tears, and small crinkles in the bottom center border. The photo comes with an intriguing inscription: "Harriet, I like you just the same, Affectionately, Lila." Very Fine.
Lilian Harvey by Carl Dial (Fox, 1933). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. A stunning pose for the long-time UFA star Lilian Harvey. This was taken by Carl Dial when Harvey began her contract for Fox. There are small surface dings and crinkles. There is a photographer's stamp on the verso. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. A stunning pose for the long-time UFA star Lilian Harvey. This was taken by Carl Dial when Harvey began her contract for Fox. There are small surface dings and crinkles. There is a photographer's stamp on the verso. Fine/Very Fine.
Lillian Gish by Edward Steichen (Steichen, 27 January 1927). Half Tone Print (10.25" X 12.5").
When the famed photographer Edward Steichen first photographed Lillian Gish, he told her, "You are too elusively lovely for the camera... It would not have greatly surprised me if my negatives had not registered any image at all. I could then very easily convince myself that you were a dream vision I had experienced." Certainly Steichen captured that ethereal quality Gish exuded, as she sits here serenely bathed in the sunlight from a nearby window. No collection of Gish or the silent era should be without this marvelous image. Near Mint/Mint.
When the famed photographer Edward Steichen first photographed Lillian Gish, he told her, "You are too elusively lovely for the camera... It would not have greatly surprised me if my negatives had not registered any image at all. I could then very easily convince myself that you were a dream vision I had experienced." Certainly Steichen captured that ethereal quality Gish exuded, as she sits here serenely bathed in the sunlight from a nearby window. No collection of Gish or the silent era should be without this marvelous image. Near Mint/Mint.
Lillian Roth (Paramount, 1930). Autographed Photo (8" X 10").
Beautiful costumed vintage gelatin silver, single weight, glossy photo on linen of the singing star of Ziegfeld Follies, Animal Crackers, and many more. Only some very light corner bends and very mild edge wear. The photo has been autographed: "2 Todd, good life, Lillian Roth, Oct 18, 74." Fine/Very Fine.
Beautiful costumed vintage gelatin silver, single weight, glossy photo on linen of the singing star of Ziegfeld Follies, Animal Crackers, and many more. Only some very light corner bends and very mild edge wear. The photo has been autographed: "2 Todd, good life, Lillian Roth, Oct 18, 74." Fine/Very Fine.
Loretta Young by Whitey Schaefer (Columbia, 1940). Autographed Portrait Photo (10.75" X 13.5").
Vintage gelatin silver, double weight, autographed glossy photo of Loretta Young by noted photographer A. L. "Whitey" Schaefer. There is a photographer's stamp on the verso. Ms. Young has inscribed the photo: "To L. Allan Smith, my deep appreciation, Loretta Young." Smith was a noted journalist who had a column called "Circle of Stars." There is some minor edge wear with small corner bends and creases. Very Fine.
Vintage gelatin silver, double weight, autographed glossy photo of Loretta Young by noted photographer A. L. "Whitey" Schaefer. There is a photographer's stamp on the verso. Ms. Young has inscribed the photo: "To L. Allan Smith, my deep appreciation, Loretta Young." Smith was a noted journalist who had a column called "Circle of Stars." There is some minor edge wear with small corner bends and creases. Very Fine.
Maria Schell (MGM, 1958). Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. Oversize pieces on this lovely "smile under tears" actress are quite scarce. This one has just a minor corner bend in the lower left and a surface crinkle in the left middle background. Very Fine.
Vintage, double weight, satin finish photo. Oversize pieces on this lovely "smile under tears" actress are quite scarce. This one has just a minor corner bend in the lower left and a surface crinkle in the left middle background. Very Fine.
Marion Davies by James Manatt (MGM, 1931). Autographed Photos (1) (10" X 13" ) and Photo (10.25" X 13.25").
Vintage gelatin silver, double weight, glossy and matte finish photos. The first item in this lot is a very scarce portrait photo of Leslie Howard and Marion Davies in Five and Ten (MGM, 1931). There is an attached studio snipe and printed studio information on the verso. The second is an autographed, beautiful studio portrait by James Manatt. The Five and Ten has some minor surface dings, mild corner bumps, and a small crease in the right border. The Manatt photo has a serrated edge by the photographer and his embossed stamp is in the lower right corner. Davies has inscribed this photo, "Thanks Charlie, many thanks for helping me in the dance, from your friend, Marion." From the Estate of Andrew Weimer Gard. Very Fine-.
Vintage gelatin silver, double weight, glossy and matte finish photos. The first item in this lot is a very scarce portrait photo of Leslie Howard and Marion Davies in Five and Ten (MGM, 1931). There is an attached studio snipe and printed studio information on the verso. The second is an autographed, beautiful studio portrait by James Manatt. The Five and Ten has some minor surface dings, mild corner bumps, and a small crease in the right border. The Manatt photo has a serrated edge by the photographer and his embossed stamp is in the lower right corner. Davies has inscribed this photo, "Thanks Charlie, many thanks for helping me in the dance, from your friend, Marion." From the Estate of Andrew Weimer Gard. Very Fine-.
Marion Davies (MGM, 1920s). Autographed Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, sepia matte finished photo of a young Marion Davies. There are scrapbook paper remnants on the verso and mild edge wear with small corner bumps and creases. Fine/Very Fine.
Vintage gelatin silver, double weight, sepia matte finished photo of a young Marion Davies. There are scrapbook paper remnants on the verso and mild edge wear with small corner bumps and creases. Fine/Very Fine.
Marion Martin (Universal, 1940s). Exhibition Portrait Photo (15.5" X 19.5").
Vintage, double weight, satin finish photo mounted on illustration board. Marion Martin was immortalized in screen history when zany Harpo cut off the back of her skirt in The Big Store. She also played Western cowgirl, "Gladys," in the Three Stooges short Merry Mavericks. There is some minor edge wear and some minor surface scuffs in the middle right border. This is a very rare oversized exhibition portrait produced in extremely small quantities by the studio. Very Fine-.
Vintage, double weight, satin finish photo mounted on illustration board. Marion Martin was immortalized in screen history when zany Harpo cut off the back of her skirt in The Big Store. She also played Western cowgirl, "Gladys," in the Three Stooges short Merry Mavericks. There is some minor edge wear and some minor surface scuffs in the middle right border. This is a very rare oversized exhibition portrait produced in extremely small quantities by the studio. Very Fine-.
Marlene Dietrich by Whitey Schafer (Paramount, 1947). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. Stunning portrait of the Hollywood star. She languishes sultrily in perfectly coiffed hair, coordinated jewelry, and a sheer dress and sits atop draped, expensive fabric. There is a photographer's stamp on the verso. Just a small scuff in the lower right corner, a minor corner bump, and some very small surface crinkles. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. Stunning portrait of the Hollywood star. She languishes sultrily in perfectly coiffed hair, coordinated jewelry, and a sheer dress and sits atop draped, expensive fabric. There is a photographer's stamp on the verso. Just a small scuff in the lower right corner, a minor corner bump, and some very small surface crinkles. Fine/Very Fine.
Norma Shearer by Clarence Sinclair Bull (MGM, 1930s). Autographed Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, sepia toned matte finish photo of a radiant Norma Shearer. The photographer's stamp is on the verso. She has inscribed the photo: "Most sincerely, Norma Shearer." Just a hint of corner bends in the right border. Very Fine/Near Mint.
Vintage gelatin silver, double weight, sepia toned matte finish photo of a radiant Norma Shearer. The photographer's stamp is on the verso. She has inscribed the photo: "Most sincerely, Norma Shearer." Just a hint of corner bends in the right border. Very Fine/Near Mint.
Norma Shearer (MGM, 1930s). Autographed Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, sepia matte finish photo of Norma Shearer. Very nice portrait of the MGM star. She has signed the photo: "Most Sincerely, Norma Shearer." Very Fine.
Vintage gelatin silver, double weight, sepia matte finish photo of Norma Shearer. Very nice portrait of the MGM star. She has signed the photo: "Most Sincerely, Norma Shearer." Very Fine.
Norma Shearer by George Hurrell (MGM, 1934). Autographed Photo (8" X 10").
Vintage gelatin silver, double weight, glossy photo by George Hurrell. This unusual pose was done in the Hurrell studio and features some of his trademark lighting. There is a photographer's stamp and a studio-attached snipe on the verso. There are only small corner bumps. The photo is inscribed: "Sincerely, Norma Shearer." Very Fine-.
Vintage gelatin silver, double weight, glossy photo by George Hurrell. This unusual pose was done in the Hurrell studio and features some of his trademark lighting. There is a photographer's stamp and a studio-attached snipe on the verso. There are only small corner bumps. The photo is inscribed: "Sincerely, Norma Shearer." Very Fine-.
Pier Angeli (MGM, 1950s). Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish, portrait photos. These absolutely lovely images of a very young Pier Angeli are very rare in this oversized format. Believed to have been shot by MGM photographer Virgil Apger, they were taken early in her career, perhaps around the time she was engaged to James Dean. Just some very light edge wear and minor corner bump. Very Fine+.
Vintage, double weight, satin finish, portrait photos. These absolutely lovely images of a very young Pier Angeli are very rare in this oversized format. Believed to have been shot by MGM photographer Virgil Apger, they were taken early in her career, perhaps around the time she was engaged to James Dean. Just some very light edge wear and minor corner bump. Very Fine+.
Pier Angeli by Virgil Apger (MGM, 1950s). Signed Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. Attributed to MGM photographer Virgil Apger, these portraits capture the essence of Pier Angeli early in her career. One has a small chip in the right border and a small paper lift in the left corner. The closeup photo is signed by Virgil Apger in the lower left corner. It has a faint vertical crease in the center background and a small corner bend in the top right. Very rare are these oversized format photos, especially when signed by the photographer. Fine/Very Fine.
Vintage, double weight, satin finish photos. Attributed to MGM photographer Virgil Apger, these portraits capture the essence of Pier Angeli early in her career. One has a small chip in the right border and a small paper lift in the left corner. The closeup photo is signed by Virgil Apger in the lower left corner. It has a faint vertical crease in the center background and a small corner bend in the top right. Very rare are these oversized format photos, especially when signed by the photographer. Fine/Very Fine.
Rita Hayworth (Columbia, 1940s). Autographed Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo of Rita Hayworth. This lovely photo, with a great "come hither" glance, is pure vintage Rita Hayworth. There is some slight toning, mild corner bumps and edge wear, and some small scrapbook corner residue on the corners of the verso. Ms. Hayworth has inscribed the photo: "To W. F., Sincerely, Rita Hayworth." Fine+.
Vintage gelatin silver, single weight, glossy photo of Rita Hayworth. This lovely photo, with a great "come hither" glance, is pure vintage Rita Hayworth. There is some slight toning, mild corner bumps and edge wear, and some small scrapbook corner residue on the corners of the verso. Ms. Hayworth has inscribed the photo: "To W. F., Sincerely, Rita Hayworth." Fine+.
Rudolph Valentino in "The Son of the Sheik" (United Artists, 1926). Photos (2) (8" X 10").
Vintage gelatin silver, single weight, glossy photos. Often thought to be Valentino's best film, The Son of the Sheik was better received than the less humorous The Sheik and may have received additional popularity due to the star's sudden death just after its release. Two gorgeous images of Hollywood's "Great Lover" posed in full regalia. The close up shot has a very small chip in the upper left corner and a crease in the top border. The full length image has a bottom left corner crease, a wrinkle in the right border, and a light crease just below the top border. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photos. Often thought to be Valentino's best film, The Son of the Sheik was better received than the less humorous The Sheik and may have received additional popularity due to the star's sudden death just after its release. Two gorgeous images of Hollywood's "Great Lover" posed in full regalia. The close up shot has a very small chip in the upper left corner and a crease in the top border. The full length image has a bottom left corner crease, a wrinkle in the right border, and a light crease just below the top border. Fine/Very Fine.
Rudolph Valentino in "The Son of the Sheik" (United Artists, 1926). Photos (2) (8" X 10").
Vintage gelatin silver, single weight, glossy photos. Rudolph Valentino had another blockbuster with this sequel to his 1922 hit, The Sheik. These rich, exotic images from his final film capture Valentino's timeless allure. One of the photos has very small chips in the right top and bottom corners along with creases in the other corners. The second photo has slight corner bends, a small tear in the top edge, and a crease just below the top border. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photos. Rudolph Valentino had another blockbuster with this sequel to his 1922 hit, The Sheik. These rich, exotic images from his final film capture Valentino's timeless allure. One of the photos has very small chips in the right top and bottom corners along with creases in the other corners. The second photo has slight corner bends, a small tear in the top edge, and a crease just below the top border. Fine/Very Fine.
Ruth Chatterton by Russell Ball (1934). Autographed Portrait Photo (10.75" X 13.5").
Vintage gelatin silver, double weight, matte finish photo of Ruth Chatterton. A delicate beauty, once married to George Brent. She has inscribed the photo to Louella Parsons: "To My very dear Louella, with the love of her friend, Ruth." The photographer has signed the photo in the lower right corner in grease pencil. His credit stamp appears on the verso. Just some mild edge wear and some minor creasing in the mid section. Very Fine+.
Vintage gelatin silver, double weight, matte finish photo of Ruth Chatterton. A delicate beauty, once married to George Brent. She has inscribed the photo to Louella Parsons: "To My very dear Louella, with the love of her friend, Ruth." The photographer has signed the photo in the lower right corner in grease pencil. His credit stamp appears on the verso. Just some mild edge wear and some minor creasing in the mid section. Very Fine+.
Modern Age (1980-Present)
Ruth Roland by Fred Hartsook (1917). Autographed Portrait Photo (7.5" X 9.5").
Vintage gelatin silver, double weight, sepia, matte finish photo by Fred Hartsook. Beautiful photo of the silent serial star. There is mild edge wear, some minor foxing along the top edge, light border smudges, and tiny corner bends. The photo has been inscribed: "Best wishes to Mr. Redfield, Ruth Roland." Fine/Very Fine.
Vintage gelatin silver, double weight, sepia, matte finish photo by Fred Hartsook. Beautiful photo of the silent serial star. There is mild edge wear, some minor foxing along the top edge, light border smudges, and tiny corner bends. The photo has been inscribed: "Best wishes to Mr. Redfield, Ruth Roland." Fine/Very Fine.
Silver Age (1956-1969)
Tallulah Bankhead by Bert Longworth (Paramount, 1930s). Autographed Portrait Photo (10.75" X 13.5").
Vintage gelatin silver, double weight, matte finish photo of Tallulah Bankhead. She has inscribed the photo, "To Harriet, from Tallulah." In the lower right corner is an embossed name stamp of the photographer. There is only very light edge wear with a very small crease in the upper left border. Very Fine+.
Vintage gelatin silver, double weight, matte finish photo of Tallulah Bankhead. She has inscribed the photo, "To Harriet, from Tallulah." In the lower right corner is an embossed name stamp of the photographer. There is only very light edge wear with a very small crease in the upper left border. Very Fine+.
Movie Posters
Toby Wing (Paramount, 1934). Autographed Photo (8.25" X 10.25").
Vintage single weight, glossy finish photo. With an infectious smile and a gorgeous pair of gams, Toby Wing was the quintessential chorus girl of early Hollywood. She retired in 1943 to marry aviator/stunt pilot Dick Merrill. Signed "To Todd Warmest Regards, Toby Wing." The photo has edge wear with a small chip on the right side, light toning, and surface wear. Fine+.
Vintage single weight, glossy finish photo. With an infectious smile and a gorgeous pair of gams, Toby Wing was the quintessential chorus girl of early Hollywood. She retired in 1943 to marry aviator/stunt pilot Dick Merrill. Signed "To Todd Warmest Regards, Toby Wing." The photo has edge wear with a small chip on the right side, light toning, and surface wear. Fine+.
Virginia Cherrill (United Artists, 1931). Autographed Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. If you don't know this actress, you should. She has a fascinating Hollywood story and holds the distinction of being the only Charlie Chaplin leading lady (as the blind flower-monger in City Lights) that he could not romance. She married Cary Grant in 1934, divorced him and moved to England as the wife of the Earl of Jersey, then divorced the Earl and finally settled down with her fourth husband in Santa Barbara (she had one husband before Grant). Just some light toning and mild edge wear with small corner bumps. She has signed the photo: "Virginia Cherrill." Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. If you don't know this actress, you should. She has a fascinating Hollywood story and holds the distinction of being the only Charlie Chaplin leading lady (as the blind flower-monger in City Lights) that he could not romance. She married Cary Grant in 1934, divorced him and moved to England as the wife of the Earl of Jersey, then divorced the Earl and finally settled down with her fourth husband in Santa Barbara (she had one husband before Grant). Just some light toning and mild edge wear with small corner bumps. She has signed the photo: "Virginia Cherrill." Fine/Very Fine.
Golden Age (1938-1955)
Vivien Leigh (1940s). Autographed Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, sepia tone matte finish. This photo was printed in London in the 1940s. It bears the signature and inscription: "With Best Wishes, Vivien Leigh." Very Fine+.
Vintage gelatin silver, double weight, sepia tone matte finish. This photo was printed in London in the 1940s. It bears the signature and inscription: "With Best Wishes, Vivien Leigh." Very Fine+.
Movie Posters
Walter Huston by Bert Six (Warner Bros., 1940s) Autographed Portrait Photo (15" X 20").
Vintage, double weight, satin finish photo with illustration board backing. Autographed in the lower right corner by Warner Brothers top photographer Bert Six. This is believed to be Mission to Moscow (1943). There has been a slight half inch trim in the left and right borders, not affecting the image, and just some minor edge wear. This is a very rare oversized exhibition photo produced in small quantities by the studio. Fine/Very Fine.
Vintage, double weight, satin finish photo with illustration board backing. Autographed in the lower right corner by Warner Brothers top photographer Bert Six. This is believed to be Mission to Moscow (1943). There has been a slight half inch trim in the left and right borders, not affecting the image, and just some minor edge wear. This is a very rare oversized exhibition photo produced in small quantities by the studio. Fine/Very Fine.
Modern Age (1980-Present)
William Powell (MGM, Early 1930s). Keybook Portrait Photo (8" X 11").
Vintage gelatin silver, double weight, glossy, original linen backed keybook photo. Very nice profile photo of William Powell done with an atmospheric shadow effect. This keybook photo is laid down on original linen. It has a hinged flap at the top with punched holes for insertion into the keybook. Just some very mild corner bumps and a tiny tear in the bottom left border. Very Fine.
Vintage gelatin silver, double weight, glossy, original linen backed keybook photo. Very nice profile photo of William Powell done with an atmospheric shadow effect. This keybook photo is laid down on original linen. It has a hinged flap at the top with punched holes for insertion into the keybook. Just some very mild corner bumps and a tiny tear in the bottom left border. Very Fine.
Movie Posters
Yvette Mimieux (MGM, early 1960s). Exhibition Portrait Photo (16" X 20").
Vintage, double weight, satin finish photo. This stunning headshot of Yvette Mimieux was produced around the time of Mimieux's starring role in The Time Machine (MGM, 1960). This is a very rare oversized exhibition photo. Very Fine/Near Mint.
Vintage, double weight, satin finish photo. This stunning headshot of Yvette Mimieux was produced around the time of Mimieux's starring role in The Time Machine (MGM, 1960). This is a very rare oversized exhibition photo. Very Fine/Near Mint.
Yvette Mimieux (MGM, 1960). Exhibition Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. The young MGM star Yvette Mimieux cavorts at the beach, wearing a lovely off-the-shoulder evening dress. Only a corner bend in the top left of the shot supported by clear tape on the verso. These are very scarce oversized photos produced by the studio to publicize their new star. Very Fine.
Vintage, double weight, satin finish photos. The young MGM star Yvette Mimieux cavorts at the beach, wearing a lovely off-the-shoulder evening dress. Only a corner bend in the top left of the shot supported by clear tape on the verso. These are very scarce oversized photos produced by the studio to publicize their new star. Very Fine.
Yvette Mimieux (MGM, 1961). Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. The evening dress shot of Yvette Mimieux was taken just as Where the Boys Are was being released, and certainly shows why she was given the title "Super Model." The 1961 photo has some border tears repaired by cloth tape on the verso and some wrinkles and creases in the top border. There are some minor corner bends and creases on the headshot. These are very scarce oversized publicity photos produced by MGM. Very Fine-.
Vintage, double weight, satin finish photos. The evening dress shot of Yvette Mimieux was taken just as Where the Boys Are was being released, and certainly shows why she was given the title "Super Model." The 1961 photo has some border tears repaired by cloth tape on the verso and some wrinkles and creases in the top border. There are some minor corner bends and creases on the headshot. These are very scarce oversized publicity photos produced by MGM. Very Fine-.
Yvette Mimieux (MGM, 1960s). Exhibition Portrait Photos (2) (16" X 20").
Vintage, double weight, satin finish photos. Two of the best oversized portraits we've ever seen of Yvette Mimieux, early in her career. These photos are possibly attributable to MGM photographer Virgil Apger. The headshot has some slight edge wear with creases and wrinkles in the lower border. Very rare oversized format produced by the studio. Very Fine-.
Vintage, double weight, satin finish photos. Two of the best oversized portraits we've ever seen of Yvette Mimieux, early in her career. These photos are possibly attributable to MGM photographer Virgil Apger. The headshot has some slight edge wear with creases and wrinkles in the lower border. Very rare oversized format produced by the studio. Very Fine-.
Babes on Broadway (MGM, 1941). Photo (8" X 10").
Vintage gelatin silver, double weight, glossy photo of one of the screen's greatest pairings. The photo is from one of the best musical numbers in the film, "The Hoe Down Dance." On the verso is printed studio information, an Advertising Council Advisory date stamp, and a small collector's stamp. Only some mild edge wear with tiny tears in the left border along with a lower right corner crease. Very Fine.
Vintage gelatin silver, double weight, glossy photo of one of the screen's greatest pairings. The photo is from one of the best musical numbers in the film, "The Hoe Down Dance." On the verso is printed studio information, an Advertising Council Advisory date stamp, and a small collector's stamp. Only some mild edge wear with tiny tears in the left border along with a lower right corner crease. Very Fine.
The Big Pond (Paramount, 1930). Autographed Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo of a young Claudette Colbert. She stars here with Maurice Chevalier. There is edge wear with small chips and tears along with some very minor surface crinkles. The photo is inscribed: "Claudette Colbert." Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo of a young Claudette Colbert. She stars here with Maurice Chevalier. There is edge wear with small chips and tears along with some very minor surface crinkles. The photo is inscribed: "Claudette Colbert." Fine/Very Fine.
Cabin in the Sky (MGM, 1943). Photos (3) (10" X 13").
Vintage gelatin silver, double weight, satin finish photos. This sensational film boasts some of the finest names in show business of the era- Louis Armstrong, Duke Ellington, Butterfly McQueen, Ethel Waters, etc. These very rare and important photos feature stars Rex Ingram, Lena Horne, and Eddie Rochester Anderson relaxing between scenes of this top musical production. The photos show a few creases. Verso: All have typed publicity information. Fine/Very Fine.
Vintage gelatin silver, double weight, satin finish photos. This sensational film boasts some of the finest names in show business of the era- Louis Armstrong, Duke Ellington, Butterfly McQueen, Ethel Waters, etc. These very rare and important photos feature stars Rex Ingram, Lena Horne, and Eddie Rochester Anderson relaxing between scenes of this top musical production. The photos show a few creases. Verso: All have typed publicity information. Fine/Very Fine.
Cabin in the Sky by Clarence Sinclair Bull (MGM, 1943). Photos (3) (10" X 13").
Vintage, gelatin silver, double weight, satin finish photos. Featured in this special lot is a portrait of Rex Ingram dressed as Lucifer and two very rare behind-the-scenes images from this MGM musical extravaganza based on the tale of Faust. One features Lena Horne and Eddie Rochester Anderson and the other shows cameramen filming the scene in Hades. This important film also stars Ethel Waters and Louis Armstrong and was directed by Vincente Minnelli. The photos show a few small creases and wear in the corners. Verso: All have typed publicity information and the Ingram photo has an MGM/ Clarence Bull credit stamp in purple ink. Do not miss out on this rare set of images from this beloved American classic. Fine/Very Fine.
Vintage, gelatin silver, double weight, satin finish photos. Featured in this special lot is a portrait of Rex Ingram dressed as Lucifer and two very rare behind-the-scenes images from this MGM musical extravaganza based on the tale of Faust. One features Lena Horne and Eddie Rochester Anderson and the other shows cameramen filming the scene in Hades. This important film also stars Ethel Waters and Louis Armstrong and was directed by Vincente Minnelli. The photos show a few small creases and wear in the corners. Verso: All have typed publicity information and the Ingram photo has an MGM/ Clarence Bull credit stamp in purple ink. Do not miss out on this rare set of images from this beloved American classic. Fine/Very Fine.
Charlie Chan Art Photos (20th Century Fox, 1938-1940). Key Art Photos (6) (8" X 10").
Vintage gelatin silver, single weight, glossy photos. This unique lot contains six "key art" photos showing the different types and sizes of poster art that were available to theaters. Charlie Chan in Reno has photos for the three sheet and the herald cover, for example. Other films have 24 sheet art, six sheet, window card, insert. Great source for large art on the Chan titles in a manageable size! Just some light edge toning on most, and overall toning on Charlie Chan in Honolulu. Very Fine+.
Vintage gelatin silver, single weight, glossy photos. This unique lot contains six "key art" photos showing the different types and sizes of poster art that were available to theaters. Charlie Chan in Reno has photos for the three sheet and the herald cover, for example. Other films have 24 sheet art, six sheet, window card, insert. Great source for large art on the Chan titles in a manageable size! Just some light edge toning on most, and overall toning on Charlie Chan in Honolulu. Very Fine+.
Audrey Hepburn (Paramount, 1953). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo of the inimitable Audrey Hepburn. She gained instant Hollywood stardom the year this photo was taken for her Oscar winning role in Roman Holiday. Just some very minor surface crinkles. Very Fine+.
Vintage gelatin silver, single weight, glossy photo of the inimitable Audrey Hepburn. She gained instant Hollywood stardom the year this photo was taken for her Oscar winning role in Roman Holiday. Just some very minor surface crinkles. Very Fine+.
Magazines
Billie Dove by Fred Hartsook (Warner Brothers, 1920s). Portrait Photo (10.5" X 13.25").
Vintage gelatin silver, double weight, glossy photo. One of the best portraits of Billie Dove we've seen. A mild corner crease in the lower left and minor edge wear. There is a photographer's stamp on the verso. Very Fine-.
Vintage gelatin silver, double weight, glossy photo. One of the best portraits of Billie Dove we've seen. A mild corner crease in the lower left and minor edge wear. There is a photographer's stamp on the verso. Very Fine-.
Billie Dove by Roman Freulich (Universal, 1926). Autographed Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. This lovely full-length photo was taken by one of Universal's top photographers, Roman Freulich, in 1926. It has an International Newsreel slug on the verso describing what she is wearing. Just a small vertical scratch in the lower left, a small corner bend, and some minor surface crinkles. The photo is autographed with an inscription that reads: "To Todd Light, With very best wishes, Billie Dove." Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. This lovely full-length photo was taken by one of Universal's top photographers, Roman Freulich, in 1926. It has an International Newsreel slug on the verso describing what she is wearing. Just a small vertical scratch in the lower left, a small corner bend, and some minor surface crinkles. The photo is autographed with an inscription that reads: "To Todd Light, With very best wishes, Billie Dove." Fine/Very Fine.
Movie Posters
Metropolis (UFA, 1927). Photo (8" X 10").
This exciting photo is from one of the key scenes in the epic UFA film, Metropolis. "Maria," (Brigitte Helm) has just sounded the giant gong alarm so that the Underground City, where the workers' quarters are located, will know the streets are being flooded and they all will die. In one of the most beautifully choreographed scenes ever filmed, the children with their outstretched arms in futile waving unison beg to be taken to higher ground. There is a small chip in the top right corner, some mild edge wear, some light border foxing and toning, and a mild crease in the top left. Fine/Very Fine.
This exciting photo is from one of the key scenes in the epic UFA film, Metropolis. "Maria," (Brigitte Helm) has just sounded the giant gong alarm so that the Underground City, where the workers' quarters are located, will know the streets are being flooded and they all will die. In one of the most beautifully choreographed scenes ever filmed, the children with their outstretched arms in futile waving unison beg to be taken to higher ground. There is a small chip in the top right corner, some mild edge wear, some light border foxing and toning, and a mild crease in the top left. Fine/Very Fine.
Louise Brooks (1940s). Portrait Photo (8" X 10").
Vintage, double weight, satin finish sepia toned photo. This is a very nice 1940s copy print made by a professional photographer (Carter Wolff) of a 1920s Louise Brooks photo. There is only a corner crease in the upper left and some mild edge wear. Very Fine-.
Vintage, double weight, satin finish sepia toned photo. This is a very nice 1940s copy print made by a professional photographer (Carter Wolff) of a 1920s Louise Brooks photo. There is only a corner crease in the upper left and some mild edge wear. Very Fine-.
Louise Brooks in "The Canary Murder Case" (Paramount, 1929). CGC Graded Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. This is a great costume photo of Louise Brooks as the beautiful showgirl, "The Canary." The photo has a vertical scratch lengthwise in the right center. CGC has graded this photograph Fine.
Vintage gelatin silver, single weight, glossy photo. This is a great costume photo of Louise Brooks as the beautiful showgirl, "The Canary." The photo has a vertical scratch lengthwise in the right center. CGC has graded this photograph Fine.
Louise Brooks in "It's the Old Army Game" (Paramount, 1926). Photo (8" X 10").
Vintage gelatin silver, single weight, linen back, glossy photo. Great photo of Louise Brooks early in her career as the pretty counter girl in this funny W. C. Fields film. This photo is from a key book. There some end selvage where the key book flap was trimmed, but the entire photo is intact. Light edge wear, faint red mark in the lower center, minor surface crinkles, and a water stain on the linen on the verso. Fine.
Vintage gelatin silver, single weight, linen back, glossy photo. Great photo of Louise Brooks early in her career as the pretty counter girl in this funny W. C. Fields film. This photo is from a key book. There some end selvage where the key book flap was trimmed, but the entire photo is intact. Light edge wear, faint red mark in the lower center, minor surface crinkles, and a water stain on the linen on the verso. Fine.
Katherine de Galanta by Alfred Cheney Johnston (1920s). Portrait Photo (10.5" X 13.5").
Vintage gelatin silver, single weight, glossy photo. This is a lovely photo by the renowned Ziegfeld Follies showgirl photographer, Alfred Cheney Johnston. The photographer's embossed stamp is in the lower right corner. There are minor corner bumps and some mild surface crinkling. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. This is a lovely photo by the renowned Ziegfeld Follies showgirl photographer, Alfred Cheney Johnston. The photographer's embossed stamp is in the lower right corner. There are minor corner bumps and some mild surface crinkling. Fine/Very Fine.
Bebe Daniels by Eugene Robert Richee (Paramount, 1930s). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. Perhaps no photographer caught the essence of screen great Bebe Daniels like Eugene Robert Richee did. This wistful pose has Daniels staring right through you. There are photographer and studio stamps on the verso. Only some very faint surface crinkles. Near Mint-.
Vintage gelatin silver, single weight, glossy photo. Perhaps no photographer caught the essence of screen great Bebe Daniels like Eugene Robert Richee did. This wistful pose has Daniels staring right through you. There are photographer and studio stamps on the verso. Only some very faint surface crinkles. Near Mint-.
Louise Brooks in "God's Gift to Women" by Elmer Fryer (Warner Brothers, 1931). Portrait (8" X 10").
Vintage gelatin silver, single weight, glossy photo. They combed her famous bangs back, but her personality remained intact in this early sound film where Brooks shined in a sexy bedroom brawl! There is a studio and photographer's stamp on the verso, along with a collector's stamp and pencil notations. A corner chip in the lower right and some minor edge wear are the only condition issues. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. They combed her famous bangs back, but her personality remained intact in this early sound film where Brooks shined in a sexy bedroom brawl! There is a studio and photographer's stamp on the verso, along with a collector's stamp and pencil notations. A corner chip in the lower right and some minor edge wear are the only condition issues. Fine/Very Fine.
Clara Bow in "Her Wedding Night" (Paramount, 1930). Full-Length Portrait (10.75" X 14").
Vintage gelatin silver, double weight, semi-gloss photo. Clara Bow absolutely shimmers in this sexy, pre-Code photo of her lounging in her negligee at the door of the bedroom... with the bed behind her in tasteful soft-focus. It's a wonderful photograph with only some mild corner bumps and some small surface wrinkles. Very Fine.
Vintage gelatin silver, double weight, semi-gloss photo. Clara Bow absolutely shimmers in this sexy, pre-Code photo of her lounging in her negligee at the door of the bedroom... with the bed behind her in tasteful soft-focus. It's a wonderful photograph with only some mild corner bumps and some small surface wrinkles. Very Fine.
Her Wedding Night (Paramount, 1930). Lobby Card (11" X 14").
By 1930, Clara Bow had become one of Hollywood's major stars, and in this comedy she created a parody of her own image: a major actress on the run to Europe to hide out from the glitz and glitter of stardom. There is some light staining in the right border and faint crescent-shaped surface creasing on the left side, but the card still boasts fine color and a sharp appearance. Very Fine-.
By 1930, Clara Bow had become one of Hollywood's major stars, and in this comedy she created a parody of her own image: a major actress on the run to Europe to hide out from the glitz and glitter of stardom. There is some light staining in the right border and faint crescent-shaped surface creasing on the left side, but the card still boasts fine color and a sharp appearance. Very Fine-.
State Street Sadie (Warner Brothers, 1928). Lobby Cards (6) (11" X 14").
This was Myrna Loy's first speaking role in a film. Warner Brothers used the new Vitaphone process to record two key scenes of exposition featuring Loy and co-star Conrad Nagel. There are corner pinholes, border smudges in three corners, top right corner bends in all, light surface wear, and a long crease on the right side of the arrest card. Fine/Very Fine.
This was Myrna Loy's first speaking role in a film. Warner Brothers used the new Vitaphone process to record two key scenes of exposition featuring Loy and co-star Conrad Nagel. There are corner pinholes, border smudges in three corners, top right corner bends in all, light surface wear, and a long crease on the right side of the arrest card. Fine/Very Fine.
Greta Garbo by Clarence Sinclair Bull (MGM, 1929). Portrait Photo (9.75" X 12.75").
Vintage gelatin silver, double weight, pebble matte finish. Clarence Sinclair Bull was the favorite photographer of Greta Garbo. He took over 4,000 photographs of her from 1929 to 1941. She actually favored him over Hurrell, whom she found "manic." There is a photographer's stamp on the verso and a photographer's embossing in the bottom right corner. On the verso, there's a stain where the photograph was removed from a scrapbook. There are only slight surface crinkles. Fine/Very Fine.
Vintage gelatin silver, double weight, pebble matte finish. Clarence Sinclair Bull was the favorite photographer of Greta Garbo. He took over 4,000 photographs of her from 1929 to 1941. She actually favored him over Hurrell, whom she found "manic." There is a photographer's stamp on the verso and a photographer's embossing in the bottom right corner. On the verso, there's a stain where the photograph was removed from a scrapbook. There are only slight surface crinkles. Fine/Very Fine.
Letty Lynton (MGM, 1932). Title Lobby Card (11" X 14").
With costumes by Adrian and deft direction from Clarence Brown, this romantic melodrama is the quintessential Joan Crawford picture. It made her one of MGM's reigning stars. Paper on this title is exceptionally rare, probably due to the film having been pulled from distribution after a lawsuit tied up the film rights in courts. The card exhibits some very slight fading and a small half inch tear in the center of the lower border. This rare title card represents the first original lobby card Heritage has offered. Very Fine-.
With costumes by Adrian and deft direction from Clarence Brown, this romantic melodrama is the quintessential Joan Crawford picture. It made her one of MGM's reigning stars. Paper on this title is exceptionally rare, probably due to the film having been pulled from distribution after a lawsuit tied up the film rights in courts. The card exhibits some very slight fading and a small half inch tear in the center of the lower border. This rare title card represents the first original lobby card Heritage has offered. Very Fine-.
Night After Night (Paramount, 1932). Lobby Card (11" X 14").
George Raft stars as Joe Anton, an ex-boxer who buys a high-class speakeasy and falls for a society girl. She knows nothing about his past, and while he craves respectability and true love, some ex-girlfriends from his boxing days show up to ruin his plans. Mae West made her film debut as a cosmetician whose voracious bodily appetite makes victims of many men. The card has pinholes in the borders, a small crease with tiny tears in the left border, a small tear in the top border, and minor stains. The card retains excellent color and presents very nicely for this grade. Fine/Very Fine.
George Raft stars as Joe Anton, an ex-boxer who buys a high-class speakeasy and falls for a society girl. She knows nothing about his past, and while he craves respectability and true love, some ex-girlfriends from his boxing days show up to ruin his plans. Mae West made her film debut as a cosmetician whose voracious bodily appetite makes victims of many men. The card has pinholes in the borders, a small crease with tiny tears in the left border, a small tear in the top border, and minor stains. The card retains excellent color and presents very nicely for this grade. Fine/Very Fine.
Clark Gable and Carole Lombard in "No Man of Her Own" (Paramount, 1932). Photo (7.75" X 10").
Vintage gelatin silver, double weight, linen backed glossy keybook photo. This is a publicity photo from the only on-screen pairing of Carole Lombard and Clark Gable, and it's a beauty! The photo has been studio linen backed for insertion into a keybook. There are only some very small surface dot bumps and some very small corner bends. Very Fine+.
Vintage gelatin silver, double weight, linen backed glossy keybook photo. This is a publicity photo from the only on-screen pairing of Carole Lombard and Clark Gable, and it's a beauty! The photo has been studio linen backed for insertion into a keybook. There are only some very small surface dot bumps and some very small corner bends. Very Fine+.
No More Orchids (Columbia, 1932). Lobby Card (11" X 14").
Carole Lombard received solo star billing for the first time for this romantic comedy. That's co-star Lyle Talbot fuming down in the lower right. This is an original glossy finish Columbia Pictures card. Only some mild stains in the bottom border and a faint scratch in the top border. Very Fine+.
Carole Lombard received solo star billing for the first time for this romantic comedy. That's co-star Lyle Talbot fuming down in the lower right. This is an original glossy finish Columbia Pictures card. Only some mild stains in the bottom border and a faint scratch in the top border. Very Fine+.
Golden Age (1938-1955)
No One Man (Paramount, 1932). Lobby Card (11" X 14").
In a wonderful performance, Carole Lombard gave a typical plotline a real lift! This is an original glossy finish Paramount card, with Lombard in her swimsuit holding court on the beach of Palm Beach. The ardent would-be lovers are Paul Lukas and Ricardo Cortez. This was a delightful pre-Code film with Lombard playing the divorcee experimenting with the amenities and fun of free love. There are some bottom corner and top center pinholes, small top border stain, light corner bumps, and a small crease in the bottom left. Very Fine.
In a wonderful performance, Carole Lombard gave a typical plotline a real lift! This is an original glossy finish Paramount card, with Lombard in her swimsuit holding court on the beach of Palm Beach. The ardent would-be lovers are Paul Lukas and Ricardo Cortez. This was a delightful pre-Code film with Lombard playing the divorcee experimenting with the amenities and fun of free love. There are some bottom corner and top center pinholes, small top border stain, light corner bumps, and a small crease in the bottom left. Very Fine.
Movie Posters
Joan Crawford in "Rose-Marie" by Ruth Harriet Louise (MGM, 1928). Portrait Photo (10.25" X 13").
Vintage gelatin silver, double weight, satin finish photo. MGM's portrait division was run by Ruth Harriet Louise, the first female photographer working in Hollywood, from 1925 to 1930. During that time she took close to 100,000 photos, including this great image of a young Joan Crawford. There is a photographer's embossed stamp in the lower right border, and studio and photograph stamps on the verso. Very Fine/Near Mint.
Vintage gelatin silver, double weight, satin finish photo. MGM's portrait division was run by Ruth Harriet Louise, the first female photographer working in Hollywood, from 1925 to 1930. During that time she took close to 100,000 photos, including this great image of a young Joan Crawford. There is a photographer's embossed stamp in the lower right border, and studio and photograph stamps on the verso. Very Fine/Near Mint.
Shanghai Lady (Universal, 1929). Title Lobby Card and Lobby Cards (2) (11" X 14").
The drop-dead gorgeous woman posed on the title card had more twists and turns in her life than there are on a mountain highway! She was one of Flo Ziegfeld's top dance performers, billed as "Bubbles Wilson." A scandal with comedian Frank Tinney ended with Tinney beating her, Ziegfeld firing her, and her being forced to leave for Germany in shame. She returned to the US in 1927 as "Mary Nolan." This title card has small creases in the top right, minor edge wear, and a small tear in the right border. The left border of one card has a small chip, and another card has small stains in the top right Fine+.
The drop-dead gorgeous woman posed on the title card had more twists and turns in her life than there are on a mountain highway! She was one of Flo Ziegfeld's top dance performers, billed as "Bubbles Wilson." A scandal with comedian Frank Tinney ended with Tinney beating her, Ziegfeld firing her, and her being forced to leave for Germany in shame. She returned to the US in 1927 as "Mary Nolan." This title card has small creases in the top right, minor edge wear, and a small tear in the right border. The left border of one card has a small chip, and another card has small stains in the top right Fine+.
The Sign of the Cross (Paramount, 1932). Jumbo Lobby Card (14" X 17").
This jumbo lobby card is one of the most interesting Charles Laughton items you'll find, with Laughton in one of his early acting triumphs playing the insane Emperor Nero. There are only mild corner bends and small creases along with some mild wrinkles in the top center border. Very Fine.
This jumbo lobby card is one of the most interesting Charles Laughton items you'll find, with Laughton in one of his early acting triumphs playing the insane Emperor Nero. There are only mild corner bends and small creases along with some mild wrinkles in the top center border. Very Fine.
Greta Garbo in "Torrent" by Ruth Harriet Louise (MGM, 1926). Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, satin finish photo. Twenty-one-year-old Greta Garbo in her first Hollywood film already looked (and acted) the star. This was taken by another twenty-something sensation, Hollywood's first important female photographer, Ruth Harriet Louise. There is a photographer's embossed stamp in the lower right corner, and a studio and photographer's stamp on the verso. Just some mild surface crinkles, and very mild corner bends. It's certainly one of the earliest photos you'll see from her Hollywood era and will be a gem in your collection! Very Fine.
Vintage gelatin silver, double weight, satin finish photo. Twenty-one-year-old Greta Garbo in her first Hollywood film already looked (and acted) the star. This was taken by another twenty-something sensation, Hollywood's first important female photographer, Ruth Harriet Louise. There is a photographer's embossed stamp in the lower right corner, and a studio and photographer's stamp on the verso. Just some mild surface crinkles, and very mild corner bends. It's certainly one of the earliest photos you'll see from her Hollywood era and will be a gem in your collection! Very Fine.
Carole Lombard (Paramount, 1932). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy publicity shot of Carole Lombard. The verso has a Paramount stamp and printed studio information about Lombard's upcoming film,"The Beachcomber," which was released in 1932 as Sinners in the Sun. Only some mild edge wear in the left border, and a mild bottom left corner crease. Very Fine.
Vintage gelatin silver, single weight, glossy publicity shot of Carole Lombard. The verso has a Paramount stamp and printed studio information about Lombard's upcoming film,"The Beachcomber," which was released in 1932 as Sinners in the Sun. Only some mild edge wear in the left border, and a mild bottom left corner crease. Very Fine.
Carole Lombard (Paramount, 1930s). Autographed Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. It has been inscribed: "Cordially, Carole Lombard." Lombard autographs are scarce as she was killed in an airplane crash during a Bond tour during WWII. This is an excellent example of her signature. There are some very faint surface crinkles and some minor corner creases. Very Fine-.
Vintage gelatin silver, single weight, glossy photo. It has been inscribed: "Cordially, Carole Lombard." Lombard autographs are scarce as she was killed in an airplane crash during a Bond tour during WWII. This is an excellent example of her signature. There are some very faint surface crinkles and some minor corner creases. Very Fine-.
Carole Lombard (20th Century Fox, 1928). Portrait Photo (8" X 10").
Up until 1930 she was billed as "Carol" Lombard, and did some fine films with Mack Sennett, 20th Century Fox, and others. This is a stunning photo of a 20-year-old Lombard. Some mild toning, and a little edge wear. Fine+.
Up until 1930 she was billed as "Carol" Lombard, and did some fine films with Mack Sennett, 20th Century Fox, and others. This is a stunning photo of a 20-year-old Lombard. Some mild toning, and a little edge wear. Fine+.
Carole Lombard (Paramount, 1937). Autographed Portrait Photo (8" X 10").
This rare vintage gelatin silver, single weight, glossy photo has been autographed by Carole Lombard. There is some edge wear with minor corner bumps, surface crinkling, and scrapbook paper remnants on the verso. Lombard's autograph is a scarce commodity as she died tragically at a young age. The photo is inscribed: "Cordially, Carole Lombard." Fine-.
This rare vintage gelatin silver, single weight, glossy photo has been autographed by Carole Lombard. There is some edge wear with minor corner bumps, surface crinkling, and scrapbook paper remnants on the verso. Lombard's autograph is a scarce commodity as she died tragically at a young age. The photo is inscribed: "Cordially, Carole Lombard." Fine-.
Clara Bow by Eugene Robert Richee (Paramount,1920s). Portrait Photo (11" X 14").
Vintage gelatin silver, double weight, satin finish photo. Top photographer Richee got lucky in this sitting, catching Clara Bow in a more wistful mood than usual and producing a beautiful study of the evanescent star. There is a photographer's embossed stamp in the lower right, and studio and photographer stamp on the verso. Only a hint of surface crinkle. Very Fine+.
Vintage gelatin silver, double weight, satin finish photo. Top photographer Richee got lucky in this sitting, catching Clara Bow in a more wistful mood than usual and producing a beautiful study of the evanescent star. There is a photographer's embossed stamp in the lower right, and studio and photographer stamp on the verso. Only a hint of surface crinkle. Very Fine+.
Clara Bow by Eugene Robert Richee(Paramount, 1920s). Portrait Photo (11" X 14").
Vintage gelatin silver, double weight, glossy photo. Clara Bow in an impish mood, captured beautifully by Eugene Robert Richee. There is a photographer's embossed stamp in the lower right and studio and photographer stamps on the verso. There are only very small pinholes in the extreme edges of the borders. Very Fine-.
Vintage gelatin silver, double weight, glossy photo. Clara Bow in an impish mood, captured beautifully by Eugene Robert Richee. There is a photographer's embossed stamp in the lower right and studio and photographer stamps on the verso. There are only very small pinholes in the extreme edges of the borders. Very Fine-.
Nancy Carroll by Otto Dyar and Virginia Bruce in "Pointed Heels" by Fred Hendrickson Lot (Paramount, 1929). Photos (2) (8" X 10").
Vintage gelatin silver, single weight, glossy photos. This fun lot has two photographs featuring early Paramount stars: Nancy Carroll photographed by Otto Dyar and chorus cutie Virginia Bruce (and, most likely, Adrienne Dore) from Pointed Heels, photographed by Fred Hendrickson. Both photos have photographer's stamps on the verso. The photos have only minor surface crinkles. Very Fine+.
Vintage gelatin silver, single weight, glossy photos. This fun lot has two photographs featuring early Paramount stars: Nancy Carroll photographed by Otto Dyar and chorus cutie Virginia Bruce (and, most likely, Adrienne Dore) from Pointed Heels, photographed by Fred Hendrickson. Both photos have photographer's stamps on the verso. The photos have only minor surface crinkles. Very Fine+.
Jean Harlow by George Hurrell (MGM, 1935). Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, glossy finish full-length portrait of Jean Harlow by famed photographer George Hurrell. The photographer's stamp is on the verso. There is only some minor edge wear and some tiny corner bumps. Very Fine+.
Vintage gelatin silver, double weight, glossy finish full-length portrait of Jean Harlow by famed photographer George Hurrell. The photographer's stamp is on the verso. There is only some minor edge wear and some tiny corner bumps. Very Fine+.
Jean Harlow by George Hurrell (MGM, 1934). Portrait Photo (8" X 10").
Vintage gelatin silver, double weight, glossy finish photograph by the master, George Hurrell. A great studio pose with Jean Harlow in a 3/4 length fur coat and lovely hat that allowed her great mane of hair to show. There is a photographer's stamp on the verso, two very mild horizontal creases, and small corner creases in the lower left and top right. Fine/Very Fine.
Vintage gelatin silver, double weight, glossy finish photograph by the master, George Hurrell. A great studio pose with Jean Harlow in a 3/4 length fur coat and lovely hat that allowed her great mane of hair to show. There is a photographer's stamp on the verso, two very mild horizontal creases, and small corner creases in the lower left and top right. Fine/Very Fine.
Joan Crawford by Clarence Sinclair Bull (MGM, 1930s). Portrait Photo (10" X 13").
Vintage gelatin silver, double weight, satin finish photo. Nothing said "film star" more than a to pose--classic face, perfect makeup and hair, an expensive fur--for photographs by one of the best photographers in the business, MGM's Clarence Sinclair Bull. There is an embossed photographer's stamp in the lower right corner, and a photographer's stamp on the verso. There are just some very mild surface crinkles, and some faint stain in the bottom left border. Very Fine+.
Vintage gelatin silver, double weight, satin finish photo. Nothing said "film star" more than a to pose--classic face, perfect makeup and hair, an expensive fur--for photographs by one of the best photographers in the business, MGM's Clarence Sinclair Bull. There is an embossed photographer's stamp in the lower right corner, and a photographer's stamp on the verso. There are just some very mild surface crinkles, and some faint stain in the bottom left border. Very Fine+.
Joan Crawford by George Hurrell (MGM, 1930s). Portrait Photo (8" X 10").
The mutually-respectful relationship of the two artists Joan Crawford and photographer George Hurrell resulted in some of the most magnificent images to emerge from the Golden Age of Hollywood. Here is one of those images, a wonderful profile shot of Crawford at her best, looking every bit the star that she was. Note the superb use of the flower petals held close to the face to echo Crawford's curls. On the bottom right corner is the embossed stamp of Hurrell, and on the verso, in purple ink, is his studio stamp. There is a black MGM studio stamp as well. The only condition issues are some extremely mild surface scuff and a slight edge wear in the right edge. Very Fine+.
The mutually-respectful relationship of the two artists Joan Crawford and photographer George Hurrell resulted in some of the most magnificent images to emerge from the Golden Age of Hollywood. Here is one of those images, a wonderful profile shot of Crawford at her best, looking every bit the star that she was. Note the superb use of the flower petals held close to the face to echo Crawford's curls. On the bottom right corner is the embossed stamp of Hurrell, and on the verso, in purple ink, is his studio stamp. There is a black MGM studio stamp as well. The only condition issues are some extremely mild surface scuff and a slight edge wear in the right edge. Very Fine+.
Joan Crawford by Fred Hartsook (MGM, 1925). Portrait Photo (7.25" X 9.25").
Vintage gelatin silver, double weight, glossy photo of a young Joan Crawford when she was first contracted to MGM. The photographer's credit stamp is on the verso along with an attached MGM studio snipe. There is just a small surface lift in the top right. Fine/Very Fine.
Vintage gelatin silver, double weight, glossy photo of a young Joan Crawford when she was first contracted to MGM. The photographer's credit stamp is on the verso along with an attached MGM studio snipe. There is just a small surface lift in the top right. Fine/Very Fine.
Marlene Dietrich in "Shanghai Express" (Paramount, 1931). Autographed Photo (8.25" X 10.25").
Vintage single-weight, glossy finish photo. The still also features Clive Brook, Anna May Wong, and Eugene Pallette. Hand-signed by Dietrich. The photo has edge wear with small chips, wrinkling along the right border, light toning, and a faint diagonal crease on the left side. Fine-.
Vintage single-weight, glossy finish photo. The still also features Clive Brook, Anna May Wong, and Eugene Pallette. Hand-signed by Dietrich. The photo has edge wear with small chips, wrinkling along the right border, light toning, and a faint diagonal crease on the left side. Fine-.
Norma Shearer (MGM, 1920s). Autographed Portrait Photo (11" X 14").
Vintage gelatin silver, double weight, glossy photo of a young Norma Shearer. She has inscribed the photo, "Dascomb + Wright, Best Wishes, Norma Shearer." There are border pinholes, edge wear with small crinkles, and a tiny ding in the left hair. There is a partial MGM printed snipe attached on the verso and a vintage handwritten note. Fine+.
Vintage gelatin silver, double weight, glossy photo of a young Norma Shearer. She has inscribed the photo, "Dascomb + Wright, Best Wishes, Norma Shearer." There are border pinholes, edge wear with small crinkles, and a tiny ding in the left hair. There is a partial MGM printed snipe attached on the verso and a vintage handwritten note. Fine+.
Hoopla (Fox, 1933). Jumbo Lobby Card (14" X 17").
Here's a unique piece on Clara Bow, the irrepressibly saucy "it" girl. Bow made her film farewell as "Lou," a hoochy-koochy dancer par excellence. She wows the crowd here in this seldom seen jumbo lobby card, spurred on by "Nifty" (Preston Foster as a fast-talking barker). There are small tears in the top border, a small chip in the bottom border, a few minor surface crinkles, and small corner chips that have been replaced and touched up in three of the corners. Fine.
Here's a unique piece on Clara Bow, the irrepressibly saucy "it" girl. Bow made her film farewell as "Lou," a hoochy-koochy dancer par excellence. She wows the crowd here in this seldom seen jumbo lobby card, spurred on by "Nifty" (Preston Foster as a fast-talking barker). There are small tears in the top border, a small chip in the bottom border, a few minor surface crinkles, and small corner chips that have been replaced and touched up in three of the corners. Fine.
Montana Moon (MGM, 1930). Title Lobby Card (11" X 14").
Few actresses ever worked a wardrobe better than Joan Crawford. If you've never seen her dress hug her backside during a sizzling dance scene with Ricardo Cortez in this early talkie, you don't know the full meaning of "pre-Code." This is one of her best early title cards and features a young John "Mack" Brown trying his hand at romantic leading man. Joan reclines, contentedly staring at the "Montana Moon" after Brown has kidnapped his own wife and taken her away to live happily ever after! Just some minor corner and bottom center pinholes and a very small restored tear in the top left corner. Near Mint-.
Few actresses ever worked a wardrobe better than Joan Crawford. If you've never seen her dress hug her backside during a sizzling dance scene with Ricardo Cortez in this early talkie, you don't know the full meaning of "pre-Code." This is one of her best early title cards and features a young John "Mack" Brown trying his hand at romantic leading man. Joan reclines, contentedly staring at the "Montana Moon" after Brown has kidnapped his own wife and taken her away to live happily ever after! Just some minor corner and bottom center pinholes and a very small restored tear in the top left corner. Near Mint-.
Spartacus (Universal International, 1960). British Quad (30" X 40").
Kirk Douglas stars as the slave rebellion leader and Laurence Olivier is the Roman general Marcus Licinius Crassus in this epic adventure from Stanley Kubrick. Offered here is the very striking British quad with the coin motif portraits by Reynold Brown. It is in impeccable condition with only a minor edge tear at the bottom. Very Fine+.
Kirk Douglas stars as the slave rebellion leader and Laurence Olivier is the Roman general Marcus Licinius Crassus in this epic adventure from Stanley Kubrick. Offered here is the very striking British quad with the coin motif portraits by Reynold Brown. It is in impeccable condition with only a minor edge tear at the bottom. Very Fine+.
The Overlanders (Eagle Lion, 1946). British One Sheet (27" X 40").
In this gripping WWII era adventure, Australian cattlemen decide to move their herd half way across the continent when a Japanese invasion is imminent. Chips Rafferty, John Nugent Hayward, and Daphne Campbell star. This striking one sheet has been professionally restored to address chips in the borders, fold wear with paper loss, and small losses at the man's nose. These issues are no longer apparent, and this rare item displays beautifully. Fine- on Linen.
In this gripping WWII era adventure, Australian cattlemen decide to move their herd half way across the continent when a Japanese invasion is imminent. Chips Rafferty, John Nugent Hayward, and Daphne Campbell star. This striking one sheet has been professionally restored to address chips in the borders, fold wear with paper loss, and small losses at the man's nose. These issues are no longer apparent, and this rare item displays beautifully. Fine- on Linen.
For Whom the Bell Tolls (Paramount, 1943). Window Card (14" X 22").
We're always glad to offer a piece with artwork by noted artist Armando Seguso (who designed all the main posters for Gone With the Wind). The colors are bright and fresh on this 1943 poster with just tiny pinholes, a light speckling in the right border, and slightly rounded corners. Very Fine.
We're always glad to offer a piece with artwork by noted artist Armando Seguso (who designed all the main posters for Gone With the Wind). The colors are bright and fresh on this 1943 poster with just tiny pinholes, a light speckling in the right border, and slightly rounded corners. Very Fine.
Apocalypse Now (United Artists, 1979). German Double Panel Poster (47" X 67").
Francis Ford Coppola based this masterpiece on Joseph Conrad's allegorical novel Heart of Darkness, with Marlon Brando as Kurtz, the Special Forces Colonel who's gone insane. Kurtz sets himself up as a tyrant in the Cambodian jungle and it's up to Martin Sheen, as Captain Willard, to "terminate his command... with extreme prejudice." This evocative German poster combines three styles of Bob Peak artwork into one terrific package. Edge wear on the right and left borders is the only condition issue. Rolled, Very Fine.
Francis Ford Coppola based this masterpiece on Joseph Conrad's allegorical novel Heart of Darkness, with Marlon Brando as Kurtz, the Special Forces Colonel who's gone insane. Kurtz sets himself up as a tyrant in the Cambodian jungle and it's up to Martin Sheen, as Captain Willard, to "terminate his command... with extreme prejudice." This evocative German poster combines three styles of Bob Peak artwork into one terrific package. Edge wear on the right and left borders is the only condition issue. Rolled, Very Fine.
The Battle of Algiers (Allied Artists, 1968). Italian 4 - Foglio (55" X 78").
Banned in France for many years, Gillo Pontecorvo's highly political feature follows the memories of a member of the dissident group Algerian Front de Liberation Nationale, and the French government's increasingly violent attempts to quell a revolution. This great-looking Italian foglio features artwork by Symeoni and is in terrific condition with just some tears in the right fold and fold wear in the left outer panel. Very Fine.
Banned in France for many years, Gillo Pontecorvo's highly political feature follows the memories of a member of the dissident group Algerian Front de Liberation Nationale, and the French government's increasingly violent attempts to quell a revolution. This great-looking Italian foglio features artwork by Symeoni and is in terrific condition with just some tears in the right fold and fold wear in the left outer panel. Very Fine.
Dangerously They Live (Warner Brothers, 1942). One Sheet (27" X 41").
Raymond Massey, as the Nazi heavy, lurks in the background of this WWII Warner Brothers film. John Garfield is the doctor who aids British agent Nancy Coleman. This colorful poster has corner pinholes, light stains through the center, two corner bends, and smudges in the bottom border. Fine-.
Raymond Massey, as the Nazi heavy, lurks in the background of this WWII Warner Brothers film. John Garfield is the doctor who aids British agent Nancy Coleman. This colorful poster has corner pinholes, light stains through the center, two corner bends, and smudges in the bottom border. Fine-.
The Dawn Patrol (Warner Brothers, 1938). CGC Graded Lobby Card (11" X 14").
The timeless theme of the difficulty of ordering men to their deaths during a war is dramatically underscored here in this portrait card featuring the three stars of The Dawn Patrol: David Niven, Errol Flynn, and Basil Rathbone. As Royal Flying Corps fighter pilots in World War I, they search the skies to see who will return from a mission. CGC Graded Very Fine+.
The timeless theme of the difficulty of ordering men to their deaths during a war is dramatically underscored here in this portrait card featuring the three stars of The Dawn Patrol: David Niven, Errol Flynn, and Basil Rathbone. As Royal Flying Corps fighter pilots in World War I, they search the skies to see who will return from a mission. CGC Graded Very Fine+.
Desperate Journey (Warner Brothers, 1942). Window Card (14" X 22").
If there'd been more RAF pilots like Ronald Reagan and Errol Flynn in WWII, the war would have been over by 1943. With a bit of luck and some great action sequences from director Raoul Walsh at the top of his game, they almost destroy the entire German occupation army in Poland! Just some faint stains and writing, both in the lower center imprint area. Very Fine+.
If there'd been more RAF pilots like Ronald Reagan and Errol Flynn in WWII, the war would have been over by 1943. With a bit of luck and some great action sequences from director Raoul Walsh at the top of his game, they almost destroy the entire German occupation army in Poland! Just some faint stains and writing, both in the lower center imprint area. Very Fine+.
The Fighting Seabees (Republic, 1944). Lobby Card Set of 8 (11" X 14").
This is the first complete set we've offered on this mid 1940s war film. It features some great cards with a young Susan Hayward and a card with John Wayne doing the jitterbug with Adele Mara, a scene that's one of the highlights of the film! There are pinholes in the top and bottom center borders of the title card and smudging in the title card border and the Wayne jitterbug card. The title card has small tears and creases in the top border, there is a chip in both sides of the bottom border of the Wayne/Hayward portrait card, some shadows from tape in the verso, and some corner bends. Fine/Very Fine.
This is the first complete set we've offered on this mid 1940s war film. It features some great cards with a young Susan Hayward and a card with John Wayne doing the jitterbug with Adele Mara, a scene that's one of the highlights of the film! There are pinholes in the top and bottom center borders of the title card and smudging in the title card border and the Wayne jitterbug card. The title card has small tears and creases in the top border, there is a chip in both sides of the bottom border of the Wayne/Hayward portrait card, some shadows from tape in the verso, and some corner bends. Fine/Very Fine.
In Which We Serve (United Artists, 1942). One Sheet (27" X 41").
A patriotic wartime boost from Noel Coward, who previously had been known for drawing room comedies, this Navy actioner follows the crew of the destroyer Torrin as they reflect on their gallant ship and the battles they've seen. This is a very fine condition one sheet with minor crossfold separation and pinholes in the corners. Very Fine+.
A patriotic wartime boost from Noel Coward, who previously had been known for drawing room comedies, this Navy actioner follows the crew of the destroyer Torrin as they reflect on their gallant ship and the battles they've seen. This is a very fine condition one sheet with minor crossfold separation and pinholes in the corners. Very Fine+.
Lilac Time (First National, 1928). Insert (14" X 36").
Hard on the heels of Wings, Gary Cooper returns to the screen as another World War I flying ace, this time in love with a French girl (Colleen Moore) who loans the air squadron her farm to use as a landing strip. The poster had pinholes in the top left corner, a small tear in left border that extended into the artwork, light fold wear, a chip in the left bottom corner, and a top right corner bend, all of which has been addressed with careful restoration. A rarely seen poster with an overall very nice appearance. Fine/Very Fine on Paper.
Hard on the heels of Wings, Gary Cooper returns to the screen as another World War I flying ace, this time in love with a French girl (Colleen Moore) who loans the air squadron her farm to use as a landing strip. The poster had pinholes in the top left corner, a small tear in left border that extended into the artwork, light fold wear, a chip in the left bottom corner, and a top right corner bend, all of which has been addressed with careful restoration. A rarely seen poster with an overall very nice appearance. Fine/Very Fine on Paper.
The Real Glory (United Artists, 1939). One Sheet (27" X 41").
Set during the 1906 Moro uprising in the Philippines, this film stars Gary Cooper as an American Marine doctor and David Niven and Broderick Crawford as a pair of mercenaries. While holding off the insurgent Moros, Cooper must also fight a cholera outbreak. A larger-than-life Cooper takes charge in glorious color on this very presentable and attractive linenbacked poster. There has been touch-up along the folds due to light fold wear with cross fold separations. Fine/Very Fine on Linen.
Set during the 1906 Moro uprising in the Philippines, this film stars Gary Cooper as an American Marine doctor and David Niven and Broderick Crawford as a pair of mercenaries. While holding off the insurgent Moros, Cooper must also fight a cholera outbreak. A larger-than-life Cooper takes charge in glorious color on this very presentable and attractive linenbacked poster. There has been touch-up along the folds due to light fold wear with cross fold separations. Fine/Very Fine on Linen.
Thunder Birds (20th Century Fox, 1942). One Sheet (27" X 41").
William Wellman directs this tale of honor and sacrifice in WWII, featuring great Technicolor aerial photography. Gene Tierney, Preston Foster, and John Sutton star. The poster has fold wear, minor paper loss within the crossfold points, and pinholes in the corners. There is a small chip off of the upper right corner border. Beautiful stone lithography poster from 20th Century Fox, about the only studio still using the printing technique at this time. Fine/Very Fine.
William Wellman directs this tale of honor and sacrifice in WWII, featuring great Technicolor aerial photography. Gene Tierney, Preston Foster, and John Sutton star. The poster has fold wear, minor paper loss within the crossfold points, and pinholes in the corners. There is a small chip off of the upper right corner border. Beautiful stone lithography poster from 20th Century Fox, about the only studio still using the printing technique at this time. Fine/Very Fine.
World War I Propaganda Poster (British & Canadian Recruiting Mission 1917). Poster (28" X 41)."Britishers, You're Needed--Come Across Now."
With only a small army and no policy of conscription upon entering WWI, Britain responded to the urgent need for more men by quickly releasing a steady flow of recruitment posters. Offered here is fine example of such a poster, with brilliant artwork by Lloyd Myers. In an appeal for Canadian and British citizens to join the war, an earnest man in a suit reaches across the globe from North America to shake the hand of a courageous soldier standing guard over Great Britain and France. The poster has been mounted on linen and has pinholes in the corners, small tears in the borders, and tape stains from the verso in the upper border and lower section. Fine+ on Linen.
With only a small army and no policy of conscription upon entering WWI, Britain responded to the urgent need for more men by quickly releasing a steady flow of recruitment posters. Offered here is fine example of such a poster, with brilliant artwork by Lloyd Myers. In an appeal for Canadian and British citizens to join the war, an earnest man in a suit reaches across the globe from North America to shake the hand of a courageous soldier standing guard over Great Britain and France. The poster has been mounted on linen and has pinholes in the corners, small tears in the borders, and tape stains from the verso in the upper border and lower section. Fine+ on Linen.
World War I "Christy Girl" Recruiting Poster (U.S. Navy, 1917 ). Howard Chandler Christy Poster (25" X 41"). "I Want You for the Navy."
Nearly a century has passed since its printing, but this poster still evokes the sentiments of a time that is growing increasingly distant in the American imagination. It captures the prevailing sense of innocence, patriotism, and national pride of the early 20th century, as WWI took its toll. This lovely poster was the work of Howard Chandler Christy, creator of the famous "Christy Girls." There is a "Forbes, Boston" printer's stamp in the lower right corner. The poster had pinholes in the corners, light staining on the left side, three small chips in the bottom border, slight tears in the top border and one in the top section that goes minimally into the wording, and a subtle gouge in the bottom right. All of these minor imperfections have been addressed with excellent restoration. Collectors of World War I era posters shouldn't miss this rarely seen piece. Printer:
Fine- on Linen.
Nearly a century has passed since its printing, but this poster still evokes the sentiments of a time that is growing increasingly distant in the American imagination. It captures the prevailing sense of innocence, patriotism, and national pride of the early 20th century, as WWI took its toll. This lovely poster was the work of Howard Chandler Christy, creator of the famous "Christy Girls." There is a "Forbes, Boston" printer's stamp in the lower right corner. The poster had pinholes in the corners, light staining on the left side, three small chips in the bottom border, slight tears in the top border and one in the top section that goes minimally into the wording, and a subtle gouge in the bottom right. All of these minor imperfections have been addressed with excellent restoration. Collectors of World War I era posters shouldn't miss this rarely seen piece. Printer:
Fine- on Linen.
Zulu (Embassy, 1964). Double Sided One Sheet (27" X 41").
National Screen started experimenting in the late 1950s with "double-sided" poster printing. Zulu is one of the very few titles that was used in these experiments, giving the posters a more realistic look. If you like this film, you'll love the fantastic, high-color stills from 13 different scenes that adorn this poster! This special poster was never folded and has been expertly linenbacked. Very Fine+ on Linen.
National Screen started experimenting in the late 1950s with "double-sided" poster printing. Zulu is one of the very few titles that was used in these experiments, giving the posters a more realistic look. If you like this film, you'll love the fantastic, high-color stills from 13 different scenes that adorn this poster! This special poster was never folded and has been expertly linenbacked. Very Fine+ on Linen.
Brother Orchid (Warner Brothers, 1940). Lobby Card (11" X 14").
Gangster movies with morality. Edward G. Robinson brilliantly portrays a mobster who returns from an extended vacation to find that his old gang has been taken over by his murderous underling, Jack Buck (Humphrey Bogart). This was one of Bogart's final gangster roles before he would become the "king of the Warner lot." The card has several sets of staple marks in the borders and a slight corner bend in the upper left (with tape on the reverse reinforcing it), but is otherwise in very clean shape. This is one of the two most sought after cards from this wonderful film as it depicts two legends of the genre. Very Fine.
Gangster movies with morality. Edward G. Robinson brilliantly portrays a mobster who returns from an extended vacation to find that his old gang has been taken over by his murderous underling, Jack Buck (Humphrey Bogart). This was one of Bogart's final gangster roles before he would become the "king of the Warner lot." The card has several sets of staple marks in the borders and a slight corner bend in the upper left (with tape on the reverse reinforcing it), but is otherwise in very clean shape. This is one of the two most sought after cards from this wonderful film as it depicts two legends of the genre. Very Fine.
Bullets or Ballots (Warner Brothers, 1936). Lobby Card (11" X 14").
By the mid-1930s, Warner Brothers had been accused of glorifying the image of criminals on-screen, and so the studio set out to correct that impression. Edward G. Robinson moved away from his iconic Little Caesar tough-guy persona and became instead a law-abiding tough-guy cop. But the screen still needed villains, so Humphrey Bogart became the studio's gangster. This card is one of the best of the genre, showing two of the screen's greatest gangsters shooting it out on a staircase. The card has several sets of staple marks in the borders and a few within the image. There's some slight smudging in the borders and some brown paper tape on the back. The colors on this iconic scene are outstanding. Very Fine-.
By the mid-1930s, Warner Brothers had been accused of glorifying the image of criminals on-screen, and so the studio set out to correct that impression. Edward G. Robinson moved away from his iconic Little Caesar tough-guy persona and became instead a law-abiding tough-guy cop. But the screen still needed villains, so Humphrey Bogart became the studio's gangster. This card is one of the best of the genre, showing two of the screen's greatest gangsters shooting it out on a staircase. The card has several sets of staple marks in the borders and a few within the image. There's some slight smudging in the borders and some brown paper tape on the back. The colors on this iconic scene are outstanding. Very Fine-.
Crime School (Warner Brothers, 1938). Window Card (14" X 22").
Humphrey Bogart stars as Deputy Commissioner Mark Braden, who investigates the cruel treatment inflicted upon reform school kids. The Dead End Kids--Frankie (Billy Halop), Squirt (Bobby Jordan), Spike (Leo Gorcey), Goofy (Huntz Hall), among others--star with Bogart for the second time, having worked together in the classic 1937 film, Dead End. The poster has a light stain in the bottom border, rounded corners, and glue residue in the imprint area. Beautiful artwork meets harsh reality in this seldom offered window card that is not to be missed. Very Fine-.
Humphrey Bogart stars as Deputy Commissioner Mark Braden, who investigates the cruel treatment inflicted upon reform school kids. The Dead End Kids--Frankie (Billy Halop), Squirt (Bobby Jordan), Spike (Leo Gorcey), Goofy (Huntz Hall), among others--star with Bogart for the second time, having worked together in the classic 1937 film, Dead End. The poster has a light stain in the bottom border, rounded corners, and glue residue in the imprint area. Beautiful artwork meets harsh reality in this seldom offered window card that is not to be missed. Very Fine-.
Dead End (United Artists, 1937). Lobby Card (11" X 14").
Humphrey Bogart gave one of his best performances as gangster Baby Face Martin in William Wyler's adaptation of the Broadway play. The film also gave birth to the classic Dead End Kids. This excellent lobby card features Bogie and the Kids. There is a crease and small poke-hole in the right border, light smudging and overall tanning, corner bumps, and some surface creasing. Fine/Very Fine.
Humphrey Bogart gave one of his best performances as gangster Baby Face Martin in William Wyler's adaptation of the Broadway play. The film also gave birth to the classic Dead End Kids. This excellent lobby card features Bogie and the Kids. There is a crease and small poke-hole in the right border, light smudging and overall tanning, corner bumps, and some surface creasing. Fine/Very Fine.
The FBI Story (Warner Brothers, 1959). Autographed One Sheet (27" X 41").
Jimmy Stewart's narrated, episodic history of the Federal Bureau of Investigation, including their dealings with Nazis, the Ku Klux Klan, and the mob, is offset with scenes from Stewart's character's home life. This gorgeous example has had some minor color touch-up in the folds but is in otherwise pristine. The poster has been signed by Jimmy Stewart to the left of his credit. Very Fine on Linen.
Jimmy Stewart's narrated, episodic history of the Federal Bureau of Investigation, including their dealings with Nazis, the Ku Klux Klan, and the mob, is offset with scenes from Stewart's character's home life. This gorgeous example has had some minor color touch-up in the folds but is in otherwise pristine. The poster has been signed by Jimmy Stewart to the left of his credit. Very Fine on Linen.
Invisible Stripes (Warner Brothers, 1939). Half Sheet (22" X 28") Style A.
George Raft stars as a former convict trying to keep his brother, a young William Holden, out of trouble with the law. But with Humphrey Bogart waiting in the wings to get Holden in his gang, it's only a matter of time until the kid joins up. This outstanding half sheet has excellent portraits of the five main stars. Condition issues include edge wear with small chips in the top border, small border tears, surface scratches in the image area, surface paper loss along the left edge, corner creases and rounded corners. Rolled, Fine+.
George Raft stars as a former convict trying to keep his brother, a young William Holden, out of trouble with the law. But with Humphrey Bogart waiting in the wings to get Holden in his gang, it's only a matter of time until the kid joins up. This outstanding half sheet has excellent portraits of the five main stars. Condition issues include edge wear with small chips in the top border, small border tears, surface scratches in the image area, surface paper loss along the left edge, corner creases and rounded corners. Rolled, Fine+.
Outside the Law (Universal, 1920). Title Lobby Card (8" X 10").
This is a great example of the earliest size of lobby card. Originally they were in this 8" X 10" format, like photos, but were quickly deemed inadequate to be seen from any distance, so the larger 11" X 14" format became standard. This card features an intense, beautifully lit Priscilla Dean and an inset of Lon Chaney in a terrific dual role. There are only very minor surface scratches, a mild crease in the top border, and light smudges in the border. Fine/Very Fine.
This is a great example of the earliest size of lobby card. Originally they were in this 8" X 10" format, like photos, but were quickly deemed inadequate to be seen from any distance, so the larger 11" X 14" format became standard. This card features an intense, beautifully lit Priscilla Dean and an inset of Lon Chaney in a terrific dual role. There are only very minor surface scratches, a mild crease in the top border, and light smudges in the border. Fine/Very Fine.
Outside the Law (Universal, 1930). Lobby Card (11" X 14").
Famed director Tod Browning made two versions of this film. The first was in 1920 with Lon Chaney, and this, the second, with a young Edward G. Robinson playing "Cobra Collins," the cunning and ruthless gangster. This beautiful card features the key moment in the film. That's Mary Nolan as the scheming moll of Fingers O'Dell (Owen Moore.). Nolan is trying to bluff Robinson into thinking the big half-million-dollar bank robbery won't be for another week, but the call has just come through saying it's now! Very Fine.
Famed director Tod Browning made two versions of this film. The first was in 1920 with Lon Chaney, and this, the second, with a young Edward G. Robinson playing "Cobra Collins," the cunning and ruthless gangster. This beautiful card features the key moment in the film. That's Mary Nolan as the scheming moll of Fingers O'Dell (Owen Moore.). Nolan is trying to bluff Robinson into thinking the big half-million-dollar bank robbery won't be for another week, but the call has just come through saying it's now! Very Fine.
San Quentin (Warner Brothers, 1937). Lobby Card (11" X 14").
Each studio had their specialty, and no one made better crime films than Warner Brothers. Humphrey Bogart's portrayals of gangsters helped define the genre, and he quietly served his sentences through dozens of filmic prisons, this time California's infamous San Quentin. This card captures Bogart and Joe Sawyer mixing it up in the prison yard. The card has several sets of staple marks within the image and a horizontal crease running the length of the card just below the edge of the inset scene. Good/Very Good.
Each studio had their specialty, and no one made better crime films than Warner Brothers. Humphrey Bogart's portrayals of gangsters helped define the genre, and he quietly served his sentences through dozens of filmic prisons, this time California's infamous San Quentin. This card captures Bogart and Joe Sawyer mixing it up in the prison yard. The card has several sets of staple marks within the image and a horizontal crease running the length of the card just below the edge of the inset scene. Good/Very Good.
Blondie Johnson (Warner Brothers, 1933). Lobby Cards (2) (11" X 14").
Of all of the gangster bosses portrayed in the Depression-era films of the 1930s, Joan Blondell has to be the sexiest. She is as tough as they come as the title character Blondie Johnson, who has to fight her way to the top of the crime world alongside Chester Morris. Offered here are two excellent lobby cards from the film, both featuring terrific images of Blondell. Corner pinholes, dust shadowing, light smudging, and a corner crease on one card are the only condition issues. Very Fine-.
Of all of the gangster bosses portrayed in the Depression-era films of the 1930s, Joan Blondell has to be the sexiest. She is as tough as they come as the title character Blondie Johnson, who has to fight her way to the top of the crime world alongside Chester Morris. Offered here are two excellent lobby cards from the film, both featuring terrific images of Blondell. Corner pinholes, dust shadowing, light smudging, and a corner crease on one card are the only condition issues. Very Fine-.
High Sierra (Warner Brothers, 1941). Uncut Pressbook (17" X 21", 8 pages) and (11" X 17", 16 Pages), and Photos (3) (8" X 10").
This unique lot from one of Humphrey Bogart's best films contains three photos, the original pressbook, and an oversize Advertising Section. The pressbook has a small water stain in the top and a smudge on page 13, and the cover is separating from the spine. The Advertising Section has a small stain on the spine. One of the photos has light toning. From the Estate of Andrew Weimer Gard. Fine+.
This unique lot from one of Humphrey Bogart's best films contains three photos, the original pressbook, and an oversize Advertising Section. The pressbook has a small water stain in the top and a smudge on page 13, and the cover is separating from the spine. The Advertising Section has a small stain on the spine. One of the photos has light toning. From the Estate of Andrew Weimer Gard. Fine+.
High Sierra (Warner Brothers, 1941). Lobby Cards (2) (11" X 14").
Humphrey Bogart finally broke the shackles of B picture stardom when director Raoul Walsh cast him as Mad Dog Roy Earle, the gangster with a soft heart, in W. R. Burnett's electrifying story of a criminal on the run. Ida Lupino was cast as his love interest. Bogart was promised top billing, but Jack Warner was eager to promote his new ingénue and gave Lupino last-minute billing over Bogart. Bogart got the last laugh, though, as the film would push Bogart's career into the stratosphere. The Bogart and Lupino scene card has general wear on all the borders in the form of slight cracks, tears, and creases that have been reinforced on the back with tape. The other card has pinholes in the upper corners and stains in the bottom border. Very Good.
Humphrey Bogart finally broke the shackles of B picture stardom when director Raoul Walsh cast him as Mad Dog Roy Earle, the gangster with a soft heart, in W. R. Burnett's electrifying story of a criminal on the run. Ida Lupino was cast as his love interest. Bogart was promised top billing, but Jack Warner was eager to promote his new ingénue and gave Lupino last-minute billing over Bogart. Bogart got the last laugh, though, as the film would push Bogart's career into the stratosphere. The Bogart and Lupino scene card has general wear on all the borders in the form of slight cracks, tears, and creases that have been reinforced on the back with tape. The other card has pinholes in the upper corners and stains in the bottom border. Very Good.
Billy Jack (Warner Brothers, 1971). International One Sheet (27" X 41").
Tom Laughlin wrote, produced, directed, and starred in this low-budget pleaser from the early '70s. One sheets from the "Billy Jack" franchise are available, but the international one sheet offered here, designed by Piero Ermanno Laia, is seldom seen. This exceptionally presentable poster has only minimal edge and fold wear. Very Fine+.
Tom Laughlin wrote, produced, directed, and starred in this low-budget pleaser from the early '70s. One sheets from the "Billy Jack" franchise are available, but the international one sheet offered here, designed by Piero Ermanno Laia, is seldom seen. This exceptionally presentable poster has only minimal edge and fold wear. Very Fine+.
Deliverance (Warner Brothers, 1972). British Quad (30" X 40").
The best vacation-gone-wrong movie ever, Deliverance revolves around a band of buddies, led by Burt Reynolds, who head into the swamps, accidentally get on the bad side of the locals, and pay the price Ned Beatty-style. This British Quad shows the eerie central image: an arm rising out of the damned-up river and preparing to shoot the trespassing "city slickers." Edge wear in both borders, dust shadows in three borders, and light stains in the left border are the condition issues to note. Very Fine-.
The best vacation-gone-wrong movie ever, Deliverance revolves around a band of buddies, led by Burt Reynolds, who head into the swamps, accidentally get on the bad side of the locals, and pay the price Ned Beatty-style. This British Quad shows the eerie central image: an arm rising out of the damned-up river and preparing to shoot the trespassing "city slickers." Edge wear in both borders, dust shadows in three borders, and light stains in the left border are the condition issues to note. Very Fine-.
The Italian Job (Paramount, 1969). One Sheet (27" X 41").
In this film, Michael Caine had one of the best lines of his entire career that explains, we think, the witty design of this perennially sought after one sheet. He tells a car attendant he has been away to Africa, tiger hunting. The attendant replies, "You must have shot an awful lot of tigers, sir." To which Caine deadpans, "Yes...I used a machine gun." There are pinholes around the borders and just into the image plus a faint stain in the lower right border. There is fold wear common to coated stock paper. Fine+.
In this film, Michael Caine had one of the best lines of his entire career that explains, we think, the witty design of this perennially sought after one sheet. He tells a car attendant he has been away to Africa, tiger hunting. The attendant replies, "You must have shot an awful lot of tigers, sir." To which Caine deadpans, "Yes...I used a machine gun." There are pinholes around the borders and just into the image plus a faint stain in the lower right border. There is fold wear common to coated stock paper. Fine+.
Bonnie and Clyde (Warner Brothers-Seven Arts, 1967). Italian 2 - Foglio (39" X 55").
One of the most important pictures of the 1960s, Arthur Penn's semi-historical film about gangsters Clyde Barrow and Bonnie Parker is certainly more glamorous than the real story. Oscar-winning stars Warren Beatty and Faye Dunaway play the ill-fated duo. This poster features great scenes from the film and has minor edge wear along the right border and fold wear with crossfold separations. Very Fine.
One of the most important pictures of the 1960s, Arthur Penn's semi-historical film about gangsters Clyde Barrow and Bonnie Parker is certainly more glamorous than the real story. Oscar-winning stars Warren Beatty and Faye Dunaway play the ill-fated duo. This poster features great scenes from the film and has minor edge wear along the right border and fold wear with crossfold separations. Very Fine.
Bullitt (Warner Brothers, 1968). One Sheet (27" X 41").
Robert L. Pike's novel Mute Witness was the basis for this Steve McQueen vehicle that became his signature role. Assigned to protect a mob witness who is ultimately killed, McQueen's Frank Bullitt launches an investigation which points to political corruption. This great-looking one sheet has pinholes in the top corners and some pinpoint crossfold separation, but is otherwise in great shape. Very Fine+.
Robert L. Pike's novel Mute Witness was the basis for this Steve McQueen vehicle that became his signature role. Assigned to protect a mob witness who is ultimately killed, McQueen's Frank Bullitt launches an investigation which points to political corruption. This great-looking one sheet has pinholes in the top corners and some pinpoint crossfold separation, but is otherwise in great shape. Very Fine+.
Bullitt (Warner Brothers, 1968). Half Sheet (22" X 28").
Steve McQueen stars as Frank Bullitt, a tough San Francisco cop who goes all out to find the killer of an important witness he was assigned to protect. The extended car chase sequence is still a classic. This great-looking half sheet had tearing in the bottom border, holes in the top border, and creasing in the right border, all of which has been addressed with professional restoration, including some touch-ups in the borders. Fine+ on Paper.
Steve McQueen stars as Frank Bullitt, a tough San Francisco cop who goes all out to find the killer of an important witness he was assigned to protect. The extended car chase sequence is still a classic. This great-looking half sheet had tearing in the bottom border, holes in the top border, and creasing in the right border, all of which has been addressed with professional restoration, including some touch-ups in the borders. Fine+ on Paper.
Dirty Harry (Warner Brothers, 1971). One Sheet (27" X 41").
Today considered one of the quintessential films of the 1970s and the first of the vigilante cop films, Dirty Harry stars Clint Eastwood as Detective Harry Callahan, the meanest guy the San Francisco Police Department has to offer. The first in a series that included five films, the movie features Eastwood's famous monologue, including lines, " I know what you're thinking. "Did he fire six shots or only five?" and "You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?" This glossy stock poster has some fold line wear as almost all posters from this time period do. There are pinholes in each corner and a small "v" shaped tear in the left border. This is a very nice and clean copy. Very Fine-.
Today considered one of the quintessential films of the 1970s and the first of the vigilante cop films, Dirty Harry stars Clint Eastwood as Detective Harry Callahan, the meanest guy the San Francisco Police Department has to offer. The first in a series that included five films, the movie features Eastwood's famous monologue, including lines, " I know what you're thinking. "Did he fire six shots or only five?" and "You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?" This glossy stock poster has some fold line wear as almost all posters from this time period do. There are pinholes in each corner and a small "v" shaped tear in the left border. This is a very nice and clean copy. Very Fine-.
Dirty Harry (Warner Brothers, 1972). Italian 2 - Foglio (39" X 55").
Loosely based on the crimes of the Zodiac killer, Dirty Harry was originally conceived as a vehicle for Frank Sinatra but became one of Clint Eastwood's signature roles. This outstanding Italian poster features an in-your-face image of Eastwood with spectacular artwork. Other than pinholes in the corner, an upper left corner tear, small edge tears and in the credits, and light wrinkling, this poster is highly attractive and in very presentable condition. Fine/Very Fine.
Loosely based on the crimes of the Zodiac killer, Dirty Harry was originally conceived as a vehicle for Frank Sinatra but became one of Clint Eastwood's signature roles. This outstanding Italian poster features an in-your-face image of Eastwood with spectacular artwork. Other than pinholes in the corner, an upper left corner tear, small edge tears and in the credits, and light wrinkling, this poster is highly attractive and in very presentable condition. Fine/Very Fine.
The Enforcer (Warner Brothers, 1977). British Quad (30" X 40").
Third installment in the Dirty Harry series. This time Clint Eastwood is paired up with Tyne Daly to stop terrorists who are blackmailing the city of San Francisco. This poster has only light edge wear in the top border and has a great shot of Dirty Harry in action. Very Fine.
Third installment in the Dirty Harry series. This time Clint Eastwood is paired up with Tyne Daly to stop terrorists who are blackmailing the city of San Francisco. This poster has only light edge wear in the top border and has a great shot of Dirty Harry in action. Very Fine.
The Godfather Part II (Paramount, 1974). One Sheet (27" X 41") and Lobby Card Set of 8 (11" X 14").
This lot includes an advance one sheet for the second installment of The Godfather series, promising that it's "Coming for Christmas." Also included in the lot is a near mint complete lobby card set with many of the most memorable scenes in the film. There is only light fold wear and some mild surface wrinkles in the left and right edges of the one sheet, and the lobby cards only have a light bump in the right side of the cads. Near Mint.
This lot includes an advance one sheet for the second installment of The Godfather series, promising that it's "Coming for Christmas." Also included in the lot is a near mint complete lobby card set with many of the most memorable scenes in the film. There is only light fold wear and some mild surface wrinkles in the left and right edges of the one sheet, and the lobby cards only have a light bump in the right side of the cads. Near Mint.
The Godfather (Paramount, 1972). British One Sheet (27" X 40").
This is a British one sheet for the UK releases of the film. It is on uncoated, heavier stock than the US paper. There is a Danish censor stamp in the upper right and some light surface paper loss in the lower right. Fine/Very Fine.
This is a British one sheet for the UK releases of the film. It is on uncoated, heavier stock than the US paper. There is a Danish censor stamp in the upper right and some light surface paper loss in the lower right. Fine/Very Fine.
The Godfather (Paramount, 1972). Japanese B2 (20" X 29").
The Japanese B2 poster took the British art, featuring the silent profile of Marlon Brando as "Don Corleone," and made it even better. They added seven full color inset photos from some of the best scenes in the film. It makes for a great poster and the font style, Daidoh Remix, doesn't intrude whatsoever in the overall design of the poster! Professionally linenbacked just to stabilize the fragile nature of the B2, there was only a top right slight corner crease. Very Fine on Linen.
The Japanese B2 poster took the British art, featuring the silent profile of Marlon Brando as "Don Corleone," and made it even better. They added seven full color inset photos from some of the best scenes in the film. It makes for a great poster and the font style, Daidoh Remix, doesn't intrude whatsoever in the overall design of the poster! Professionally linenbacked just to stabilize the fragile nature of the B2, there was only a top right slight corner crease. Very Fine on Linen.
The Godfather (Paramount, 1972). British Three Sheet (40" X 80").
The classic profile of Marlon Brando as Don Corleone, in dramatic blood red, makes this British three sheet an extremely desirable piece on this iconic title. There is a fold across the lower border, minor crossfold separations, some very light edge wear, a small tear in the lower border, and a tear in the top border at one of the folds. Very Fine-.
The classic profile of Marlon Brando as Don Corleone, in dramatic blood red, makes this British three sheet an extremely desirable piece on this iconic title. There is a fold across the lower border, minor crossfold separations, some very light edge wear, a small tear in the lower border, and a tear in the top border at one of the folds. Very Fine-.
Mean Streets (Warner Brothers, 1973). Lobby Card Set of 8 (11" X 14").
This hard-hitting crime drama of the 1970s is considered by many to be one of the best films made by master director Martin Scorsese and was the first of his collaborations with Robert DeNiro. There is a minor crease in the top left corner of one card, but otherwise this set is in superb condition. Near Mint/Mint.
This hard-hitting crime drama of the 1970s is considered by many to be one of the best films made by master director Martin Scorsese and was the first of his collaborations with Robert DeNiro. There is a minor crease in the top left corner of one card, but otherwise this set is in superb condition. Near Mint/Mint.
Mean Streets (Warner Brothers, 1973). One Sheet (27" X 41").
Martin Scorsese's first feature film of his own design turned into an instant cult classic. There is some surface wrinkling throughout the poster which could easily be steamed and pressed out. Fine/Very Fine.
Martin Scorsese's first feature film of his own design turned into an instant cult classic. There is some surface wrinkling throughout the poster which could easily be steamed and pressed out. Fine/Very Fine.
Ocean's 11 (Warner Brothers, 1960). Uncut Pressbook (11" x 17", 16 Pages).
The cover of this pressbook has the same great image of the Rat Pack that is featured on the one sheet. There is one horizontal fold in the center and some light fold wear showing on the back cover. Lots of fun promo ideas along with images of all the paper available on the title in this great piece. Very Fine-.
The cover of this pressbook has the same great image of the Rat Pack that is featured on the one sheet. There is one horizontal fold in the center and some light fold wear showing on the back cover. Lots of fun promo ideas along with images of all the paper available on the title in this great piece. Very Fine-.
Once Upon a Time in America (Embassy, 1984). International One Sheet (27" X 41").
Robert DeNiro and James Woods starred in this, Sergio Leone's last major film, about Jewish kids growing up in turn of the century New York and becoming gangsters. This is a far superior image to the standard U.S. release one sheet and was used for International distribution. The poster has minor fold and handling wear. There are no obvious defects. Very Fine+.
Robert DeNiro and James Woods starred in this, Sergio Leone's last major film, about Jewish kids growing up in turn of the century New York and becoming gangsters. This is a far superior image to the standard U.S. release one sheet and was used for International distribution. The poster has minor fold and handling wear. There are no obvious defects. Very Fine+.
The Thomas Crown Affair (United Artists, 1968). Six Sheet (81" X 81").
Steve McQueen plays Thomas Crown, a self made millionaire who masterminds a daring daytime bank robbery. A clever insurance investigator (Faye Dunaway) and a streetwise detective (Paul Burke) are called in to find the person responsible for the heist. This fantastic large poster shows the most notable scene in the film, the pair's epic kiss. This poster had fold wear with cross fold separations, with touch-up done to the folds, and a small hole near the top border. Both issues have been addressed beautifully with professional restoration. Very Fine on Linen.
Steve McQueen plays Thomas Crown, a self made millionaire who masterminds a daring daytime bank robbery. A clever insurance investigator (Faye Dunaway) and a streetwise detective (Paul Burke) are called in to find the person responsible for the heist. This fantastic large poster shows the most notable scene in the film, the pair's epic kiss. This poster had fold wear with cross fold separations, with touch-up done to the folds, and a small hole near the top border. Both issues have been addressed beautifully with professional restoration. Very Fine on Linen.
Cool Hand Luke (Warner Brothers, 1967). German A1 (23.25" X 33").
Paul Newman, known for his cool and confident swagger in such films as The Hustler and Hud, plays a prisoner who refuses to submit to the system, a role that would cement his place in cinema history. This colorful poster, which features artwork by German artist Rolf Goetze, has only a couple minor edge tears and pinpoint crossfold separations. Very Fine+.
Paul Newman, known for his cool and confident swagger in such films as The Hustler and Hud, plays a prisoner who refuses to submit to the system, a role that would cement his place in cinema history. This colorful poster, which features artwork by German artist Rolf Goetze, has only a couple minor edge tears and pinpoint crossfold separations. Very Fine+.
Easy Rider (Columbia, 1969). One Sheet (27" X 41") Style A.
In this counterculture classic, two bikers (Dennis Hopper and Peter Fonda) hit the road in search of the American Dream or, at the very least, really good drugs. Along the way they pick up a disenfranchised lawyer (Jack Nicholson) and encounter various bumps in the road. This iconic one sheet had border and corner pinholes which have been smoothed over with professional restoration, including airbrushing in the borders and light touch-up to the folds. Very Fine- on Linen.
In this counterculture classic, two bikers (Dennis Hopper and Peter Fonda) hit the road in search of the American Dream or, at the very least, really good drugs. Along the way they pick up a disenfranchised lawyer (Jack Nicholson) and encounter various bumps in the road. This iconic one sheet had border and corner pinholes which have been smoothed over with professional restoration, including airbrushing in the borders and light touch-up to the folds. Very Fine- on Linen.
Easy Rider (Columbia, 1969). One Sheet (27" X 41") Style C.
Peter Fonda, Dennis Hopper, and Jack Nicholson star in this generational cult classic. Wyatt (Fonda) and Billy (Hopper) set out on their motorcycles to go to Mardi Gras, and find America in the process. This one sheet is in very presentable condition, with only faint tape stains in the upper corners, a crossfold separation with very slight paper loss, light smudging in the bottom border, and a small tear in the top vertical fold. Fine+.
Peter Fonda, Dennis Hopper, and Jack Nicholson star in this generational cult classic. Wyatt (Fonda) and Billy (Hopper) set out on their motorcycles to go to Mardi Gras, and find America in the process. This one sheet is in very presentable condition, with only faint tape stains in the upper corners, a crossfold separation with very slight paper loss, light smudging in the bottom border, and a small tear in the top vertical fold. Fine+.
The Conversation (Paramount, 1974). Polish One Sheet (23" X 32.5).
Surveillance expert Harry Caul (Gene Hackman) discovers that the project he is working on will result in murder, triggering his long dormant conscience in this psychological thriller. Written and directed by Francis Ford Coppola, the film picked up three Oscar nominations in 1975. With fantastic artwork by Jerzy Flisak, this Polish one sheet has pinholes in the corners, wrinkling in the top and bottom borders, a small top edge tear, writing on the verso that bleeds through faintly to the front upper right, minor corner bumps, and a smudge along the bottom right edge. A fantastic find! Very Fine.
Surveillance expert Harry Caul (Gene Hackman) discovers that the project he is working on will result in murder, triggering his long dormant conscience in this psychological thriller. Written and directed by Francis Ford Coppola, the film picked up three Oscar nominations in 1975. With fantastic artwork by Jerzy Flisak, this Polish one sheet has pinholes in the corners, wrinkling in the top and bottom borders, a small top edge tear, writing on the verso that bleeds through faintly to the front upper right, minor corner bumps, and a smudge along the bottom right edge. A fantastic find! Very Fine.
The Manchurian Candidate (United Artists, 1962). Lobby Card Set of 8 (11" X 14").
This film is now received better than when it was when first released. It's been awarded many accolades through the years since its release. Angela Lansbury's character was selected by Newsweek as one of the top ten villains in cinema history. This is a complete set in a terrific grade. Near Mint.
This film is now received better than when it was when first released. It's been awarded many accolades through the years since its release. Angela Lansbury's character was selected by Newsweek as one of the top ten villains in cinema history. This is a complete set in a terrific grade. Near Mint.
Bordertown (Warner Brothers, R-1938). Lobby Card Set of 8 (11" X 14").
A tragic triangle in a bordertown involving Mexican lawyer Johnny Ramirez (Paul Muni), nightclub owner Charlie Roark (Eugene Pallette) and his wife Marie (Bette Davis), and society girl Dale Ewell (Margaret Lindsay) ends in madness and murder in this hard-hitting film. The exceptional linen-finish lobby card set offered here is from the re-issue just a few years after the film's initial release. The title card has edge wear and some dust shadowing along the top edge, while various other cards have border stains, a dot of paint, dust shadows and overall wear. All cards have corner pinholes and corner bends. From the Estate of Andrew Weimer Gard. Fine+.
A tragic triangle in a bordertown involving Mexican lawyer Johnny Ramirez (Paul Muni), nightclub owner Charlie Roark (Eugene Pallette) and his wife Marie (Bette Davis), and society girl Dale Ewell (Margaret Lindsay) ends in madness and murder in this hard-hitting film. The exceptional linen-finish lobby card set offered here is from the re-issue just a few years after the film's initial release. The title card has edge wear and some dust shadowing along the top edge, while various other cards have border stains, a dot of paint, dust shadows and overall wear. All cards have corner pinholes and corner bends. From the Estate of Andrew Weimer Gard. Fine+.
Hell's House (Astor Pictures, R-1937). CGC Graded Title Lobby Card and Lobby Cards (3) (11" X 14").
Bette Davis, just 23 at the time, makes only her sixth screen appearance in this expose about the nations' reform schools. She was already receiving top billing and flashing some of those famous mannerisms. The title card and scene cards prominently feature Bette Davis and Pat O'Brien, who were both were virtually unknown in 1932 when the film was first released. These re-release cards cashed in on their later stardom. CGC has graded the cards two at 8.5, 9.0, and 9.2. The overall grade is Very Fine+.
Bette Davis, just 23 at the time, makes only her sixth screen appearance in this expose about the nations' reform schools. She was already receiving top billing and flashing some of those famous mannerisms. The title card and scene cards prominently feature Bette Davis and Pat O'Brien, who were both were virtually unknown in 1932 when the film was first released. These re-release cards cashed in on their later stardom. CGC has graded the cards two at 8.5, 9.0, and 9.2. The overall grade is Very Fine+.
Bette Davis (Warner Brothers, 1940s). Autographed Photo (8" X 10").
Vintage single-weight, glossy finish photo. Signed "For Todd Light, Bette Davis." Photo has light edge wear, light toning, tape in the top border, corner creases, and minor surface wrinkles. Fine/Very Fine.
Vintage single-weight, glossy finish photo. Signed "For Todd Light, Bette Davis." Photo has light edge wear, light toning, tape in the top border, corner creases, and minor surface wrinkles. Fine/Very Fine.
Bette Davis in "The Petrified Forest" (Warner Brothers, 1936). Portrait Photo (8" X 10").
Vintage gelatin silver, single weight, glossy photo. This photo has some toning, mild edge wear on the right side, small corner bumps, and minor surface crinkles. From the Estate of Andrew Weimer Gard. Fine-.
Vintage gelatin silver, single weight, glossy photo. This photo has some toning, mild edge wear on the right side, small corner bumps, and minor surface crinkles. From the Estate of Andrew Weimer Gard. Fine-.
Dark Victory (Warner Brothers, 1939). Other Company Title Lobby Card and Lobby Card (11" X 14").
These are quite scarce "other company" cards for one of the best two-hankie movies ever made. Only the brilliance of Gone with the Wind and The Wizard of Oz kept this film from carrying home a truckload of Oscars. There are pinholes in the top and bottom center borders of the title card and corner pinholes in the scene card. The scene card also has some small smudging in the top center border. From the Estate of Andrew Weimer Gard. Very Fine.
These are quite scarce "other company" cards for one of the best two-hankie movies ever made. Only the brilliance of Gone with the Wind and The Wizard of Oz kept this film from carrying home a truckload of Oscars. There are pinholes in the top and bottom center borders of the title card and corner pinholes in the scene card. The scene card also has some small smudging in the top center border. From the Estate of Andrew Weimer Gard. Very Fine.
Jezebel (Warner Brothers, 1938). Lobby Card (11" X 14").
Henry Fonda and Bette Davis star in this vintage Warner Brothers drama about a headstrong young woman living in the Antebellum South and how her actions cost her the heart of the man she truly loves. Condition issues include pinholes in the borders and image, edge wear, tiny stains in the lower left, a bottom border crease, and minor corner bumps. From the Estate of Andrew Weimer Gard. Fine.
Henry Fonda and Bette Davis star in this vintage Warner Brothers drama about a headstrong young woman living in the Antebellum South and how her actions cost her the heart of the man she truly loves. Condition issues include pinholes in the borders and image, edge wear, tiny stains in the lower left, a bottom border crease, and minor corner bumps. From the Estate of Andrew Weimer Gard. Fine.
The Little Foxes (RKO, 1941). Lobby Cards (7) With (2) CGC Graded (11" X 14").
Here's a nice lot of deluxe Color Glos and regular lobby cards from a great Bette Davis film. She had a wonderful supporting cast. That's veteran character actors Charles Dingle and Carl Benton Reid in the portrait card with Davis. The other Color Glos cards have Teresa Wright and Herbert Marshall, as well as Davis. These cards have diagonal creasing in the left and right borders and some edge wear with small stains. They have been graded Very Good+. There are four regular lobby cards, two with Teresa Wright and Richard Carlson that are graded Fine+ with pinholes in the borders and image, stains in the bottom borders, and a small tear into the credits of one. Both have pricing marks in the the right top border. There are two regular cards with Davis that have been graded 9.2 and 9.4 by CGC (Near Mint). From the Estate of Andrew Weimer Gard. The overall grade is Fine.
Here's a nice lot of deluxe Color Glos and regular lobby cards from a great Bette Davis film. She had a wonderful supporting cast. That's veteran character actors Charles Dingle and Carl Benton Reid in the portrait card with Davis. The other Color Glos cards have Teresa Wright and Herbert Marshall, as well as Davis. These cards have diagonal creasing in the left and right borders and some edge wear with small stains. They have been graded Very Good+. There are four regular lobby cards, two with Teresa Wright and Richard Carlson that are graded Fine+ with pinholes in the borders and image, stains in the bottom borders, and a small tear into the credits of one. Both have pricing marks in the the right top border. There are two regular cards with Davis that have been graded 9.2 and 9.4 by CGC (Near Mint). From the Estate of Andrew Weimer Gard. The overall grade is Fine.
Of Human Bondage (RKO, 1934). Australian Daybill (13" X 30").
This was the first of the three screen versions that were based on the novel by W. Somerset Maugham. Bette Davis was elevated to stardom in her role as Mildred Rogers, a lower class waitress who manipulates Leslie Howard's sympathetic, club-footed character. This gorgeous, original release Australian stone litho daybill features stunning images of both Davis and Howard. The poster displays light fold wear, edge wear at the top and bottom, two small tears in the right border and in the bottom vertical fold, small holes in the upper right corner, and light stains and creases in the top border. The image is in beautiful condition and this poster would appear near mint with minor restoration work. Folded, Fine+.
This was the first of the three screen versions that were based on the novel by W. Somerset Maugham. Bette Davis was elevated to stardom in her role as Mildred Rogers, a lower class waitress who manipulates Leslie Howard's sympathetic, club-footed character. This gorgeous, original release Australian stone litho daybill features stunning images of both Davis and Howard. The poster displays light fold wear, edge wear at the top and bottom, two small tears in the right border and in the bottom vertical fold, small holes in the upper right corner, and light stains and creases in the top border. The image is in beautiful condition and this poster would appear near mint with minor restoration work. Folded, Fine+.
The Old Maid (Warner Brothers, 1939). Title Lobby Card and Lobby Cards (5)(11" X 14").
Bette Davis and Miriam Hopkins star in this period drama, set in the South before and during the Civil War, as two cousins engaged in a bitter rivalry. George Brent co-stars. There are pinholes in the borders on all the cards. The portrait card has small tears and creasing in the bottom border. Fine+.
Bette Davis and Miriam Hopkins star in this period drama, set in the South before and during the Civil War, as two cousins engaged in a bitter rivalry. George Brent co-stars. There are pinholes in the borders on all the cards. The portrait card has small tears and creasing in the bottom border. Fine+.
Beyond the Forest (Warner Brothers, 1949). CGC Graded Lobby Card Set of 8 (11" X 14").
This title has long been viewed as one of the premiere camp/cult cinema events of the 1940s. Here's a chance at an entire lobby card set with a bunch of the film's tastier moments. "What A dump!"-- Davis's classic whisper has been immortalized not only by her timeless performance, but by everyone from Elizabeth Taylor (Who's Afraid of Virginia Woolf) to Ivana Trump (upon walking into Donald's penthouse). CGC has graded these cards, 7.5, 8.0, and six at 9.6. From the Estate of Andrew Weimer Gard. The overall grade is Very Fine/Near Mint.
This title has long been viewed as one of the premiere camp/cult cinema events of the 1940s. Here's a chance at an entire lobby card set with a bunch of the film's tastier moments. "What A dump!"-- Davis's classic whisper has been immortalized not only by her timeless performance, but by everyone from Elizabeth Taylor (Who's Afraid of Virginia Woolf) to Ivana Trump (upon walking into Donald's penthouse). CGC has graded these cards, 7.5, 8.0, and six at 9.6. From the Estate of Andrew Weimer Gard. The overall grade is Very Fine/Near Mint.
Whatever Happened to Baby Jane? (Warner Brothers, 1962). CGC Graded Lobby Card Set of 8 (11" X 14") and Uncut Pressbook.
Former child star "Baby Jane" Hudson (Bette Davis) was always overshadowed by her more famous sister Blanche (Joan Crawford) until an accident crippled Blanche, with the blame placed squarely on Jane. Now the pair are ensconced in a decaying mansion, swirling in a pool of insanity. CGC has graded these cards: one's a 9.2, three are 9.4, three more are 9.6, and one's a 9.8. Also included is a pressbook, featuring outstanding Charles Addams artwork that was not used on any other paper for this title. The Pressbook is in excellent condition with no cuts. From the Estate of Andrew Weimer Gard. Near Mint.
Former child star "Baby Jane" Hudson (Bette Davis) was always overshadowed by her more famous sister Blanche (Joan Crawford) until an accident crippled Blanche, with the blame placed squarely on Jane. Now the pair are ensconced in a decaying mansion, swirling in a pool of insanity. CGC has graded these cards: one's a 9.2, three are 9.4, three more are 9.6, and one's a 9.8. Also included is a pressbook, featuring outstanding Charles Addams artwork that was not used on any other paper for this title. The Pressbook is in excellent condition with no cuts. From the Estate of Andrew Weimer Gard. Near Mint.
The Great Moment (Paramount, 1944). One Sheet (27" X 41").
Preston Sturges directs this biopic of dentist William Thomas Morton, the inventor of anesthesia, starring Joel McCrea, Betty Field, and William Demarest. This is the third and final film McCrea would make with Sturges, after the successes of Sullivan's Travels (1941) and The Palm Beach Story (1942). Prior to professional restoration, this bright one sheet had crossfold separations, chips in the right border, a chip in the bottom right corner, and one in the left border. These issues are no longer apparent, and this great poster displays beautifully. Fine/Very Fine on Linen.
Preston Sturges directs this biopic of dentist William Thomas Morton, the inventor of anesthesia, starring Joel McCrea, Betty Field, and William Demarest. This is the third and final film McCrea would make with Sturges, after the successes of Sullivan's Travels (1941) and The Palm Beach Story (1942). Prior to professional restoration, this bright one sheet had crossfold separations, chips in the right border, a chip in the bottom right corner, and one in the left border. These issues are no longer apparent, and this great poster displays beautifully. Fine/Very Fine on Linen.
Little Old New York (20th Century Fox, 1940). One Sheet (27" X 40.5") Style A.
Based on the highly successful Broadway play of the same name, this is the story of "Fulton's Folly," Robert Fulton's efforts to invent the steam-driven paddleboat and change the face of technology forever. Starring Alice Faye as saloon-keeper Pat O'Day, Fred MacMurray as her boyfriend Charles Brownne, and Richard Greene as Fulton, this biopic is represented here in a gorgeous stone litho one sheet. The poster had slight crossfold separation and fold wear and pinholes in the border. It has been professionally restored and mounted on linen, with the linen trimmed to the borders of the poster. This extremely attractive and rarely offered piece will make a fine addition to any collection. Very Fine on Linen.
Based on the highly successful Broadway play of the same name, this is the story of "Fulton's Folly," Robert Fulton's efforts to invent the steam-driven paddleboat and change the face of technology forever. Starring Alice Faye as saloon-keeper Pat O'Day, Fred MacMurray as her boyfriend Charles Brownne, and Richard Greene as Fulton, this biopic is represented here in a gorgeous stone litho one sheet. The poster had slight crossfold separation and fold wear and pinholes in the border. It has been professionally restored and mounted on linen, with the linen trimmed to the borders of the poster. This extremely attractive and rarely offered piece will make a fine addition to any collection. Very Fine on Linen.
Made for Each Other/ Vivacious Lady (United Artists, 1938 & 1939). Uncut Pressbooks (2) (18 Pages and 16 Pages, 12" X 18").
The always charismatic James Stewart left his mark on many genres of film, and comedy was no exception. In Made for Each Other, a comedy-drama, Stewart and Carole Lombard star as a newly married couple struggling to make ends meet as he tries to rise through the ranks at the law firm of skinflint Judge Dolittle (Charles Coburn), who wanted Jimmy to marry his daughter (Ruth Weston). Stewart stars opposite the lovely Ginger Rogers in the more romantic comedy Vivacious Lady as a professor who marries nightclub singer Rogers and then has to explain his decision to his conservative family and fiancee back home. Rarely offered, these two fabulous uncut pressbooks are full of fascinating material related to the films, including images of several poster styles and promotional items. The Vivacious Lady booklet has been folded, Made for Each Other has light edge wear in the bottom border of one page, and both pressbooks have stains along the bottom left edge and spine. Fine/Very Fine.
The always charismatic James Stewart left his mark on many genres of film, and comedy was no exception. In Made for Each Other, a comedy-drama, Stewart and Carole Lombard star as a newly married couple struggling to make ends meet as he tries to rise through the ranks at the law firm of skinflint Judge Dolittle (Charles Coburn), who wanted Jimmy to marry his daughter (Ruth Weston). Stewart stars opposite the lovely Ginger Rogers in the more romantic comedy Vivacious Lady as a professor who marries nightclub singer Rogers and then has to explain his decision to his conservative family and fiancee back home. Rarely offered, these two fabulous uncut pressbooks are full of fascinating material related to the films, including images of several poster styles and promotional items. The Vivacious Lady booklet has been folded, Made for Each Other has light edge wear in the bottom border of one page, and both pressbooks have stains along the bottom left edge and spine. Fine/Very Fine.
When Ladies Meet (MGM, 1941). One Sheet (27" X 41") Style C.
Terrific MGM one sheet with beautiful art of the four stars, Joan Crawford, Robert Taylor, Greer Garson, and Herbert Marshall. There is some minor edge wear, very faint print transfer in the lower left, two very faint extra vertical folds, and some minor pinpoint crossfold separations. From the Estate of Andrew Weimer Gard. Very Fine.
Terrific MGM one sheet with beautiful art of the four stars, Joan Crawford, Robert Taylor, Greer Garson, and Herbert Marshall. There is some minor edge wear, very faint print transfer in the lower left, two very faint extra vertical folds, and some minor pinpoint crossfold separations. From the Estate of Andrew Weimer Gard. Very Fine.
Baby Doll (Warner Brothers, 1957). Italian 2 - Foglio (39" X 55").
Based on Tennessee Williams's controversial play,"27 Wagons Full of Cotton," this is the story of "Baby Doll" Meighan (Carroll Baker), a 19-year old virgin who refuses to sleep with her husband Archie (Karl Malden) until she's 20. But when Archie burns down the cotton gin of rival Silva Vacarro (Eli Wallach, in his film debut), the Sicilian takes a unique form of revenge involving Archie's child bride. Although initially condemned by critics for its subject matter, today it's considered one of director Elia Kazan's best works. This Italian 2 - Folio has staining in the right border, small fold and border tears, tape on the verso that bleeds through faintly to the front at the crossfolds, extra creases in the left border, and slight cross-fold separation. Gorgeous artwork by famed Italian artist Luigi Martinati. Fine/Very Fine.
Based on Tennessee Williams's controversial play,"27 Wagons Full of Cotton," this is the story of "Baby Doll" Meighan (Carroll Baker), a 19-year old virgin who refuses to sleep with her husband Archie (Karl Malden) until she's 20. But when Archie burns down the cotton gin of rival Silva Vacarro (Eli Wallach, in his film debut), the Sicilian takes a unique form of revenge involving Archie's child bride. Although initially condemned by critics for its subject matter, today it's considered one of director Elia Kazan's best works. This Italian 2 - Folio has staining in the right border, small fold and border tears, tape on the verso that bleeds through faintly to the front at the crossfolds, extra creases in the left border, and slight cross-fold separation. Gorgeous artwork by famed Italian artist Luigi Martinati. Fine/Very Fine.
Cardinal Richelieu (United Artists, 1935). Insert (14" X 36").
Rowland V. Lee directs George Arliss in this 17th-century historical drama based on the 1839 play Richelieu by Edward Bulwer-Lytton. Also starring Maureen O'Sullivan, Edward Arnold, and Cesar Romero, this film chronicles the life of the shrewd French clergyman, whose skillful plotting secured him a powerful place in the court of King Louis XIII. Featuring lovely images of the stars, this rarely offered insert has very minor flaws, including pinholes in the left and right borders and small bottom corner bends. Rolled, Very Fine-.
Rowland V. Lee directs George Arliss in this 17th-century historical drama based on the 1839 play Richelieu by Edward Bulwer-Lytton. Also starring Maureen O'Sullivan, Edward Arnold, and Cesar Romero, this film chronicles the life of the shrewd French clergyman, whose skillful plotting secured him a powerful place in the court of King Louis XIII. Featuring lovely images of the stars, this rarely offered insert has very minor flaws, including pinholes in the left and right borders and small bottom corner bends. Rolled, Very Fine-.
Cat on a Hot Tin Roof (MGM, R-1966). Italian 2 - Foglio (38" X 54").
Elizabeth Taylor is brilliant as Maggie the Cat, a Southern belle who has to claw and scrape her way to survive amongst the turmoil of the Pollitt family in this superb adaptation of Tennessee Williams' play. The outstanding cast includes Paul Newman, Burl Ives, Jack Carson, and Judith Anderson. This Italian 2-foglio is in beautiful condition, with only right edge wear with very small tears and minor crossfold separations. Dazzling Nano artwork, with a stunning portrait of Taylor and Newman. A great acquisition for a top collection. Very Fine.
Elizabeth Taylor is brilliant as Maggie the Cat, a Southern belle who has to claw and scrape her way to survive amongst the turmoil of the Pollitt family in this superb adaptation of Tennessee Williams' play. The outstanding cast includes Paul Newman, Burl Ives, Jack Carson, and Judith Anderson. This Italian 2-foglio is in beautiful condition, with only right edge wear with very small tears and minor crossfold separations. Dazzling Nano artwork, with a stunning portrait of Taylor and Newman. A great acquisition for a top collection. Very Fine.
Cat on a Hot Tin Roof (MGM, 1958). Insert (14" X 36").
Tennessee Williams' iconic, steamy Southern drama springs to life with the stunning performances of Elizabeth Taylor, Paul Newman, Burl Ives, Jack Carson, and Madeleine Sherwood, collectively portraying the ultimate dysfunctional family. If any poster can truly capture the sublime, sultry beauty of Elizabeth Taylor's Maggie the Cat, this insert is surely the one! The poster has light wrinkling along the top border and extra horizontal folds. Folded, Fine/Very Fine.
Tennessee Williams' iconic, steamy Southern drama springs to life with the stunning performances of Elizabeth Taylor, Paul Newman, Burl Ives, Jack Carson, and Madeleine Sherwood, collectively portraying the ultimate dysfunctional family. If any poster can truly capture the sublime, sultry beauty of Elizabeth Taylor's Maggie the Cat, this insert is surely the one! The poster has light wrinkling along the top border and extra horizontal folds. Folded, Fine/Very Fine.
Citizen Kane (RKO, R-1960s). Italian 4 - Foglio (55" X 78").
Orson Welles created a cinematic masterpiece in 1941 with this incredible tour de force in filmmaking. Innovations in cinematography, lighting, design, acting, directing, and more, abound. Despite the attempted suppression of its release by William Randolph Hearst, and its initial low box office return, Citizen Kane has gone on to be called the "greatest American film ever made." This Italian 4-foglio has magnificent art of Welles as Charles Foster Kane at a political rally. The poster had minor fold wear, very small tears and faint creasing in the image area, all of which have had light touch up, and the linen has been trimmed to the edges. Overall, a very presentable and desirable piece. Fine/Very Fine on Linen.
Orson Welles created a cinematic masterpiece in 1941 with this incredible tour de force in filmmaking. Innovations in cinematography, lighting, design, acting, directing, and more, abound. Despite the attempted suppression of its release by William Randolph Hearst, and its initial low box office return, Citizen Kane has gone on to be called the "greatest American film ever made." This Italian 4-foglio has magnificent art of Welles as Charles Foster Kane at a political rally. The poster had minor fold wear, very small tears and faint creasing in the image area, all of which have had light touch up, and the linen has been trimmed to the edges. Overall, a very presentable and desirable piece. Fine/Very Fine on Linen.
Dark Angel (United Artists, 1935). Half Sheet (22" X 28").
Adapted by Lillian Hellman and Mordaunt Sharp from a stage play by Guy Bolton, this film tells the story of two friends, Fredric March and Herbert Marshall, who are vying for the affections of the lovely Merle Oberon. Academy Award nominations went to Oberon and art director Richard Day, with Day winning an Oscar. This beautiful half sheet has only light edge wear, pinholes in the borders and background with light stains, and a small bend in the bottom left corner. The colors are warm and vibrant, and the piece displays very well. Rolled, Fine/Very Fine.
Adapted by Lillian Hellman and Mordaunt Sharp from a stage play by Guy Bolton, this film tells the story of two friends, Fredric March and Herbert Marshall, who are vying for the affections of the lovely Merle Oberon. Academy Award nominations went to Oberon and art director Richard Day, with Day winning an Oscar. This beautiful half sheet has only light edge wear, pinholes in the borders and background with light stains, and a small bend in the bottom left corner. The colors are warm and vibrant, and the piece displays very well. Rolled, Fine/Very Fine.
Dishonored (Paramount, 1931). Jumbo Lobby Card (14" X 17").
Director Josef Sternberg von Sternberg served up another excellent pre-Code film with Marlene Dietrich at her sexiest as the Austrian prostitute who falls for Victor McLaglen. This card features a terrific pose by Dietrich, leaning into McLaglen, hands on hips, giving him her best.."Oh yeah?" There was a faint tape stain in the top border as well as a light vertical crease near the center of the image. Minor creases and a repaired chip were also in the right border. An older restoration has addressed many of these issues, making this a very presentable card. Fine/Very Fine on Paper.
Director Josef Sternberg von Sternberg served up another excellent pre-Code film with Marlene Dietrich at her sexiest as the Austrian prostitute who falls for Victor McLaglen. This card features a terrific pose by Dietrich, leaning into McLaglen, hands on hips, giving him her best.."Oh yeah?" There was a faint tape stain in the top border as well as a light vertical crease near the center of the image. Minor creases and a repaired chip were also in the right border. An older restoration has addressed many of these issues, making this a very presentable card. Fine/Very Fine on Paper.
Golden Boy (Columbia, 1939). Pressbook (13" X 19", 32 Pages).
This is a deluxe, full 32 page pressbook for this terrific film. A young William Holden pairs up with Barbara Stanwyck. No one ever did tough-gal-with-a-soft-heart better than her! There are several missing pages of just the newspaper ads, and a bit of surface wear on the gold cover. Many great pages inside showing all the posters and special dress layouts with Stanwyck! From the Estate of Andrew Weimer Gard. Fine.
This is a deluxe, full 32 page pressbook for this terrific film. A young William Holden pairs up with Barbara Stanwyck. No one ever did tough-gal-with-a-soft-heart better than her! There are several missing pages of just the newspaper ads, and a bit of surface wear on the gold cover. Many great pages inside showing all the posters and special dress layouts with Stanwyck! From the Estate of Andrew Weimer Gard. Fine.
Great Expectations (Universal International, 1946). One Sheet (27" X 41").
Charles Dickens' novel is brought to life by director David Lean in this highly regarded British film. Pip is a lowly orphan brought up as a gentleman with the assistance of a shadowy benefactor. Along his path he meets an assortment of characters, including the capricious Estella, friendly Herbert Pocket, and the mad Miss Havisham. Starring John Mills, Valerie Hobson, Jean Simmons, and Alec Guinness in his screen debut. The poster had corner pinholes, a tear in the top right border, and chips in the left border and top right corner, all of which has been smoothed over with professional restoration, including touch-ups in the folds. Fine/Very Fine on Linen.
Charles Dickens' novel is brought to life by director David Lean in this highly regarded British film. Pip is a lowly orphan brought up as a gentleman with the assistance of a shadowy benefactor. Along his path he meets an assortment of characters, including the capricious Estella, friendly Herbert Pocket, and the mad Miss Havisham. Starring John Mills, Valerie Hobson, Jean Simmons, and Alec Guinness in his screen debut. The poster had corner pinholes, a tear in the top right border, and chips in the left border and top right corner, all of which has been smoothed over with professional restoration, including touch-ups in the folds. Fine/Very Fine on Linen.
Houdini (Paramount, 1953). Three Sheet (41" X 81").
George Marshall's thrilling Technicolor biopic--with some artistic liberties--about the master escape artist, featuring Tony Curtis and his then-wife Janet Leigh, remains a favorite for all. Gorgeous, larger-than-life images of the the stars grace this beautiful three sheet, which has had very light touch-up to the fold wear and small crossfold separations. Very Fine on Linen.
George Marshall's thrilling Technicolor biopic--with some artistic liberties--about the master escape artist, featuring Tony Curtis and his then-wife Janet Leigh, remains a favorite for all. Gorgeous, larger-than-life images of the the stars grace this beautiful three sheet, which has had very light touch-up to the fold wear and small crossfold separations. Very Fine on Linen.
Hud (Paramount, 1963). Italian 4 - Foglio (55" X 78").
Familial tension is the driving force behind Hud, featuring Paul Newman's scorching, Oscar-nominated performance as an amoral rancher with father (Melvyn Douglas) issues and an adoring nephew (Brandon DeWilde). This nifty Italian foglio has edge wear along the top border, tears on the folds, and crossfold separations. Very Fine.
Familial tension is the driving force behind Hud, featuring Paul Newman's scorching, Oscar-nominated performance as an amoral rancher with father (Melvyn Douglas) issues and an adoring nephew (Brandon DeWilde). This nifty Italian foglio has edge wear along the top border, tears on the folds, and crossfold separations. Very Fine.
Golden Age (1938-1955)
If... (Paramount, 1969). British Quad (30" X 40").
Malcolm McDowell stars in this indictment of the private boys' school system that dominated the British educational landscape for generations. Widely regarded as a groundbreaking cinematic achievement, If... was one of the most violent and controversial films of its era. This country of origin poster has a small right border tear and light creasing in the left and right borders. Very Fine.
Malcolm McDowell stars in this indictment of the private boys' school system that dominated the British educational landscape for generations. Widely regarded as a groundbreaking cinematic achievement, If... was one of the most violent and controversial films of its era. This country of origin poster has a small right border tear and light creasing in the left and right borders. Very Fine.
Movie Posters
Keeper of the Flame (MGM, 1942). One Sheet (27" X 41") Style D.
A journalist (Spencer Tracy) is placed in an uncomfortable position when he learns disturbing facts about a national hero from the hero's grieving widow (Katharine Hepburn). The hero, Robert Forrest, was loosely based on Charles Lindbergh, whose close association with pre-war Germany and outspoken support of isolationism made him a Nazi sympathizer in the eyes of the public. This terrific one sheet is virtually flawless and earns the highest grade we allow for a linen-backed poster. Very Fine+ on Linen.
A journalist (Spencer Tracy) is placed in an uncomfortable position when he learns disturbing facts about a national hero from the hero's grieving widow (Katharine Hepburn). The hero, Robert Forrest, was loosely based on Charles Lindbergh, whose close association with pre-war Germany and outspoken support of isolationism made him a Nazi sympathizer in the eyes of the public. This terrific one sheet is virtually flawless and earns the highest grade we allow for a linen-backed poster. Very Fine+ on Linen.
Kings Row (Warner Brothers, 1942). One Sheet (27" X 41").
Nominated for Best Picture and Best Director, this early 1940s melodrama had an all-star cast of Robert Cummings, Ronald Reagan, Ann Sheridan, and Claude Rains. This one sheet has stains at the bottom, pinholes in the corners, light smudges in the left border, and corner creases. Fine/Very Fine.
Nominated for Best Picture and Best Director, this early 1940s melodrama had an all-star cast of Robert Cummings, Ronald Reagan, Ann Sheridan, and Claude Rains. This one sheet has stains at the bottom, pinholes in the corners, light smudges in the left border, and corner creases. Fine/Very Fine.
Limelight (United Artists, 1952). One Sheet (27" X 41").
Claire Bloom and Charles Chaplin play a paralyzed dancer and a washed-up music hall performer (respectively) who help each other realize their hopes and dreams in this, one of Chaplin's very best comedy-dramas. This excellent one sheet is in superb condition with only some touch-ups to the folds. Very Fine on Linen.
Claire Bloom and Charles Chaplin play a paralyzed dancer and a washed-up music hall performer (respectively) who help each other realize their hopes and dreams in this, one of Chaplin's very best comedy-dramas. This excellent one sheet is in superb condition with only some touch-ups to the folds. Very Fine on Linen.
Little Women (RKO, 1933). Title Lobby Card (11" X 14").
Based on the classic novel by Louisa May Alcott, this is the story of four New England sisters--Jo (Katharine Hepburn), Amy (Joan Bennett), Meg (Frances Dee), and Beth (Jean Parker)--who must deal with hardship and privation while their father fights in the Civil War. The card has corner pinholes, stains in the top and bottom borders, small tears in the left and right borders, light scratches in the image, and chips out of three corners, repaired with tape and extra paper on the reverse. Fine.
Based on the classic novel by Louisa May Alcott, this is the story of four New England sisters--Jo (Katharine Hepburn), Amy (Joan Bennett), Meg (Frances Dee), and Beth (Jean Parker)--who must deal with hardship and privation while their father fights in the Civil War. The card has corner pinholes, stains in the top and bottom borders, small tears in the left and right borders, light scratches in the image, and chips out of three corners, repaired with tape and extra paper on the reverse. Fine.
Lolita (MGM, 1962). Lobby Card Set of 8 (11" X 14").
James Mason stars as the sexually frustrated Professor Humbert Humbert in Stanley Kubrick's adaptation of Vladimir Nabokov's novel. The film was a shocking sensation when it premiered in 1962 and made an instant star of ingénue Sue Lyon. This set of cards is in remarkable condition with only two of the cards showing a slight smudge in the lower right corner. It may be a long time before you see another set this nice on this classic title. Near Mint-.
James Mason stars as the sexually frustrated Professor Humbert Humbert in Stanley Kubrick's adaptation of Vladimir Nabokov's novel. The film was a shocking sensation when it premiered in 1962 and made an instant star of ingénue Sue Lyon. This set of cards is in remarkable condition with only two of the cards showing a slight smudge in the lower right corner. It may be a long time before you see another set this nice on this classic title. Near Mint-.
Lolita (MGM, 1962). One Sheet (27" X 41").
Director Stanley Kubrick was forced to walk a very fine line when he brought Vladimir Nabokov's controversial novel, about college professor Humbert Humbert (James Mason) who falls in love with underage beauty Lolita (Sue Lyon), to the silver screen. The fact that he was able to make a classic film despite all the difficulties was a testament to his skill as a cinematic auteur. There was a small crossfold chip that has been corrected with restoration, and the linen has been trimmed to the border. Very Fine on Linen.
Director Stanley Kubrick was forced to walk a very fine line when he brought Vladimir Nabokov's controversial novel, about college professor Humbert Humbert (James Mason) who falls in love with underage beauty Lolita (Sue Lyon), to the silver screen. The fact that he was able to make a classic film despite all the difficulties was a testament to his skill as a cinematic auteur. There was a small crossfold chip that has been corrected with restoration, and the linen has been trimmed to the border. Very Fine on Linen.
The Loves of Carmen (Columbia, 1948). One Sheet (27" X 41").
A luscious Rita Hayworth laughs seductively at an impassioned Glenn Ford. This poster's superb artwork, featuring Hayworth as the hot-blooded gypsy girl, is by Bradshaw Crandell. There are pinholes in the corners and just into the image, some edge wear with small tears, some small centerpoint crossfold separations, fold wear in the vertical fold, some mild wrinkling, and a corner bend in the bottom right. Fine/Very Fine.
A luscious Rita Hayworth laughs seductively at an impassioned Glenn Ford. This poster's superb artwork, featuring Hayworth as the hot-blooded gypsy girl, is by Bradshaw Crandell. There are pinholes in the corners and just into the image, some edge wear with small tears, some small centerpoint crossfold separations, fold wear in the vertical fold, some mild wrinkling, and a corner bend in the bottom right. Fine/Very Fine.
Lust for Life (MGM, 1956). Japanese B2 (20" X 29").
The brief life and glorious art of Vincent Van Gogh are chronicled in this Oscar-winning drama. Star Kirk Douglas is front and center on this splendid Japanese B2. A few extremely tiny stains are the only condition issues on this amazingly clean sheet. Very Fine+ on Linen.
The brief life and glorious art of Vincent Van Gogh are chronicled in this Oscar-winning drama. Star Kirk Douglas is front and center on this splendid Japanese B2. A few extremely tiny stains are the only condition issues on this amazingly clean sheet. Very Fine+ on Linen.
The Man with the Golden Arm (United Artists, 1955). Insert (14" X 36").
One of the best films ever made about drug addiction. The opening title sequence put together by Saul Bass is still studied by film students to this day. His animated paper cut-out of a heroin addict's arm is echoed here by his artwork on the poster. There are great photo inserts of Frank Sinatra, Eleanor Parker, and Kim Novak. That's funnyman Arnold Stang in the insert photo up top, in one of his few appearances on a film poster. There is some smudging in the top and bottom borders, a small tear in the top border, and light creasing on the edges. Rolled, Very Fine-.
One of the best films ever made about drug addiction. The opening title sequence put together by Saul Bass is still studied by film students to this day. His animated paper cut-out of a heroin addict's arm is echoed here by his artwork on the poster. There are great photo inserts of Frank Sinatra, Eleanor Parker, and Kim Novak. That's funnyman Arnold Stang in the insert photo up top, in one of his few appearances on a film poster. There is some smudging in the top and bottom borders, a small tear in the top border, and light creasing on the edges. Rolled, Very Fine-.
Night Alarm (Majestic, 1934). One Sheet (27" X 41").
Directed by Spencer Gordon Bennett, who would later make his mark as one of Republic Studios' leading serial directors, this title depicts the story of a young reporter (Bruce Cabot) investigating a series of arson fires. His investigation is complicated when it turns out that the girl assisting him is the daughter of the chief suspect! This striking stone litho poster boasts fantastic artwork and vivid color. Condition issues included fold wear in the horizontal folds and crossfold separation, which has been addressed with professional restoration including color touch-ups in the folds. Very Fine- on Linen.
Directed by Spencer Gordon Bennett, who would later make his mark as one of Republic Studios' leading serial directors, this title depicts the story of a young reporter (Bruce Cabot) investigating a series of arson fires. His investigation is complicated when it turns out that the girl assisting him is the daughter of the chief suspect! This striking stone litho poster boasts fantastic artwork and vivid color. Condition issues included fold wear in the horizontal folds and crossfold separation, which has been addressed with professional restoration including color touch-ups in the folds. Very Fine- on Linen.
Pittsburgh (Universal, 1942). Title Lobby Card and Scene Cards (5) (11" X 14").
Six cards in a high grade for an early 1940s John Wayne film with Marlene Dietrich and Randolph Scott. The title card has a dust shadow in the bottom left corner, but the scene cards are mint! Near Mint/Mint.
Six cards in a high grade for an early 1940s John Wayne film with Marlene Dietrich and Randolph Scott. The title card has a dust shadow in the bottom left corner, but the scene cards are mint! Near Mint/Mint.
Pittsburgh (Universal, 1942). Lobby Cards (2) (11" X 14").
Two cards from the set feature both John Wayne and Randolph Scott, and one features Marlene Dietrich. There are border pinholes, two tears in the right border of one, a small tear in the left border of another, light edge wear, and a corner bend in the top left of one. Fine+.
Two cards from the set feature both John Wayne and Randolph Scott, and one features Marlene Dietrich. There are border pinholes, two tears in the right border of one, a small tear in the left border of another, light edge wear, and a corner bend in the top left of one. Fine+.
Scrooge (Paramount, 1935). One Sheet (27" X 41").
Sir Seymour Hicks first played the role of "Ebenezer Scrooge" on the London stage, then again in an early silent film in 1913. Thus, he was well versed in the role for his first film! Many consider his portrayal the best "Scrooge" of them all. There are pinholes in the corners and image area, edge wear with small tears and chips, stains on all edges, fold wear, faint extra vertical creases, a bottom left corner chip, and a chip in the right border. Don't overlook this gorgeous stone lithograph featuring many beloved Dickens characters. Fine-.
Sir Seymour Hicks first played the role of "Ebenezer Scrooge" on the London stage, then again in an early silent film in 1913. Thus, he was well versed in the role for his first film! Many consider his portrayal the best "Scrooge" of them all. There are pinholes in the corners and image area, edge wear with small tears and chips, stains on all edges, fold wear, faint extra vertical creases, a bottom left corner chip, and a chip in the right border. Don't overlook this gorgeous stone lithograph featuring many beloved Dickens characters. Fine-.
The Snake Pit (20th Century Fox, 1948). Lobby Card Set of 8 (11" X 14").
Olivia de Havilland gives a fine performance in this ground-breaking film about schizophrenia. This is a complete lobby card set and there are only slight creases in the bottom left corner of five of the cards. Near Mint-.
Olivia de Havilland gives a fine performance in this ground-breaking film about schizophrenia. This is a complete lobby card set and there are only slight creases in the bottom left corner of five of the cards. Near Mint-.
Stella Dallas (United Artists, 1937). Window Card (14" X 22").
Barbara Stanwyck delivers a stellar performance as a brassy, self-sacrificing mother, Stella Dallas, in this pre-Code Hollywood "soap opera." After Stella marries Stephen (John Boles), a blue-blood accustomed to high society, she begins to realize she will never belong in the highest rungs of the social ladder. Directed by King Vidor, with a strong ensemble cast including Anne Shirley, Barbara O'Neil, Hattie McDaniel, Alan Hale, and Laraine Day (in her screen debut). This rarely seen window card is in very presentable condition, with only minor edge wear on the right and left border, a bottom left corner bend, and very light stains in the bottom border. Fine/Very Fine.
Barbara Stanwyck delivers a stellar performance as a brassy, self-sacrificing mother, Stella Dallas, in this pre-Code Hollywood "soap opera." After Stella marries Stephen (John Boles), a blue-blood accustomed to high society, she begins to realize she will never belong in the highest rungs of the social ladder. Directed by King Vidor, with a strong ensemble cast including Anne Shirley, Barbara O'Neil, Hattie McDaniel, Alan Hale, and Laraine Day (in her screen debut). This rarely seen window card is in very presentable condition, with only minor edge wear on the right and left border, a bottom left corner bend, and very light stains in the bottom border. Fine/Very Fine.
Suddenly, Last Summer (Columbia, 1960). Three Sheet (41" X 81").
By the end of the 1950s, many of Tennessee Williams' plays had been adapted to the screen with varying degrees of success. This film, with its controversial subject matter during the conservative Eisenhower era, was a box office hit. Stellar performances from Katharine Hepburn as a society matron, Elizabeth Taylor as her niece and a lobotomy candidate, and from Montgomery Clift. The poster has had touch up to the fold wear and cross-fold separations, and there was a small hole in the overlap of the sections which does not affect the artwork. A ravishing Liz Taylor and an overall exceptional appearance make this rarely sold three sheet a must! Very Fine on Linen.
By the end of the 1950s, many of Tennessee Williams' plays had been adapted to the screen with varying degrees of success. This film, with its controversial subject matter during the conservative Eisenhower era, was a box office hit. Stellar performances from Katharine Hepburn as a society matron, Elizabeth Taylor as her niece and a lobotomy candidate, and from Montgomery Clift. The poster has had touch up to the fold wear and cross-fold separations, and there was a small hole in the overlap of the sections which does not affect the artwork. A ravishing Liz Taylor and an overall exceptional appearance make this rarely sold three sheet a must! Very Fine on Linen.
Sunday Bloody Sunday (United Artists, 1971). One Sheet (27" X 41").
This literate and well-directed drama--which skirted homosexual stereotypes in favor of more textured and realistic characters--earned multiple Oscar nominations and did surprisingly well at the box office. Offered here is a sublime example of the one sheet with no real condition issues and only a small bit of touching-up to the folds. Very Fine on Linen.
This literate and well-directed drama--which skirted homosexual stereotypes in favor of more textured and realistic characters--earned multiple Oscar nominations and did surprisingly well at the box office. Offered here is a sublime example of the one sheet with no real condition issues and only a small bit of touching-up to the folds. Very Fine on Linen.
Tales of Manhattan (20th Century Fox, 1942). One Sheet (27" X 41") Style A.
This story of a "cursed" tailcoat and the fortunes and struggles that befall those who possess it features a superb cast of luminaries including, Charles Boyer, Rita Hayworth, Thomas Mitchell, Ginger Rogers, Henry Fonda, Charles Laughton, Edward G. Robinson, and W. C. Fields. With visually striking graphics, this stone litho one sheet is in excellent condition, displaying only light edge and fold wear, a crossfold separation, and a small tear in the top vertical fold. Very Fine.
This story of a "cursed" tailcoat and the fortunes and struggles that befall those who possess it features a superb cast of luminaries including, Charles Boyer, Rita Hayworth, Thomas Mitchell, Ginger Rogers, Henry Fonda, Charles Laughton, Edward G. Robinson, and W. C. Fields. With visually striking graphics, this stone litho one sheet is in excellent condition, displaying only light edge and fold wear, a crossfold separation, and a small tear in the top vertical fold. Very Fine.
That Hamilton Woman (United Artists, 1941). Insert (14" X 36").
To many, Vivien Leigh was the most beautiful woman ever to grace the silver screen. As an actress, Leigh was certainly a match for her real-life lover Laurence Olivier, as this fine soap opera of political machinations proves. Condition issues include a smudge in the right border, fold wear, cloth tape on the reverse, pen mark in the bottom left corner, and an extra vertical fold down the center. Folded, Fine+.
To many, Vivien Leigh was the most beautiful woman ever to grace the silver screen. As an actress, Leigh was certainly a match for her real-life lover Laurence Olivier, as this fine soap opera of political machinations proves. Condition issues include a smudge in the right border, fold wear, cloth tape on the reverse, pen mark in the bottom left corner, and an extra vertical fold down the center. Folded, Fine+.
Tiger Shark (First National, 1932). Lobby Card (11" X 14").
Edward G. Robinson is superb in this potboiler about best friends divided over the love of a woman. Richard Arlen and Zita Johann make up the other two sides of the tragic triangle. This excellent lobby card has a terrific image of EGR and outstanding color. Minor edge wear and some minor corner creases are the only condition issues of note. Very Fine.
Edward G. Robinson is superb in this potboiler about best friends divided over the love of a woman. Richard Arlen and Zita Johann make up the other two sides of the tragic triangle. This excellent lobby card has a terrific image of EGR and outstanding color. Minor edge wear and some minor corner creases are the only condition issues of note. Very Fine.
To Kill a Mockingbird (Universal, 1963). Insert (14" X 36").
Atticus Finch (Gregory Peck) fights the good fight against fear and prejudice in this superb film based on Harper Lee's Pulitzer Prize-winning novel. A poignant coming-of-age tale set in a racist small town, this film has become a true classic. Paper from this title is always in high demand. The insert has small bend in the bottom right corner and some very light foxing in the left border. Folded, Very Fine+.
Atticus Finch (Gregory Peck) fights the good fight against fear and prejudice in this superb film based on Harper Lee's Pulitzer Prize-winning novel. A poignant coming-of-age tale set in a racist small town, this film has become a true classic. Paper from this title is always in high demand. The insert has small bend in the bottom right corner and some very light foxing in the left border. Folded, Very Fine+.
To Kill a Mockingbird (Universal, 1963). One Sheet (27" X 41").
Harper Lee's Depression-era story about prejudice in the Deep South has become a classic of the modern cinema. Gregory Peck won the Academy Award for Best Actor. Offered here is the dramatic one sheet for this memorable film. MP Grading: Fine+.
Harper Lee's Depression-era story about prejudice in the Deep South has become a classic of the modern cinema. Gregory Peck won the Academy Award for Best Actor. Offered here is the dramatic one sheet for this memorable film. MP Grading: Fine+.
The Wedding Night (United Artists, 1935). Photo (8" X 11.75").
Vintage gelatin silver, double weight, glossy finish keybook photo on linen of Anna Sten and Gary Cooper in The Wedding Night (1936). This amazing photo shows the entire lighting and camera setup from a classic Gary Cooper moment. Just some slight surface wear. Very Fine+.
Vintage gelatin silver, double weight, glossy finish keybook photo on linen of Anna Sten and Gary Cooper in The Wedding Night (1936). This amazing photo shows the entire lighting and camera setup from a classic Gary Cooper moment. Just some slight surface wear. Very Fine+.
The Wedding Night (United Artists, 1935). Window Card (14" X 22").
Very scarce paper for Samuel Goldwyn's attempt to make Anna Sten the next Marlene Dietrich. She was fine as the Polish daughter, Manya, and had a wonderful supporting group, with Gary Cooper for a romantic co-star, King Vidor directing and Gregg Toland doing cinematography. This piece has been beautifully restored and touched up for pinholes in the left border, surface abrasion in the left side with slight discoloration, creases in the right border, and chips in the left border. The top left cornertip has been replaced. Very Good/Fine.
Very scarce paper for Samuel Goldwyn's attempt to make Anna Sten the next Marlene Dietrich. She was fine as the Polish daughter, Manya, and had a wonderful supporting group, with Gary Cooper for a romantic co-star, King Vidor directing and Gregg Toland doing cinematography. This piece has been beautifully restored and touched up for pinholes in the left border, surface abrasion in the left side with slight discoloration, creases in the right border, and chips in the left border. The top left cornertip has been replaced. Very Good/Fine.
Hamlet (Universal, 1949). Insert (14" X 36").
Director, producer, and star, Laurence Olivier's production of the Shakespeare classic has come to be regarded as the best screen version. Winning four Oscars, the grand supporting cast included Peter Cushing, Jean Simmons, Patrick Troughten, and Christopher Lee, who appeared briefly as a spear-carrier in this dramatic tale of tragedy, murder, and revenge. This poster has light edge wear with two tears along the top border, mild smudging at the bottom border, and a small bottom right corner crease, none of which distracts from the image. Rolled, Fine/Very Fine.
Director, producer, and star, Laurence Olivier's production of the Shakespeare classic has come to be regarded as the best screen version. Winning four Oscars, the grand supporting cast included Peter Cushing, Jean Simmons, Patrick Troughten, and Christopher Lee, who appeared briefly as a spear-carrier in this dramatic tale of tragedy, murder, and revenge. This poster has light edge wear with two tears along the top border, mild smudging at the bottom border, and a small bottom right corner crease, none of which distracts from the image. Rolled, Fine/Very Fine.
Cleopatra (Paramount, 1934). Jumbo Lobby Cards (2) (14" X 17").
There's nothing much rarer on this sumptuously produced Cecil B. DeMille epic than these jumbo lobby cards. There are slight circular indentations (which are only seen when turning the card sideways) on the upper left of the portrait card and the upper right of the crowd scene. There's also some mild edge wear with small corner bumps. Fine/Very Fine.
There's nothing much rarer on this sumptuously produced Cecil B. DeMille epic than these jumbo lobby cards. There are slight circular indentations (which are only seen when turning the card sideways) on the upper left of the portrait card and the upper right of the crowd scene. There's also some mild edge wear with small corner bumps. Fine/Very Fine.
Cleopatra (20th Century Fox, 1963). Lobby Card Set of 8 (11" X 14").
This lot includes a full mint set from a landmark epic in Hollywood history. Many great scenes from the film are here, from a card with the Howard Terpning artwork to portrait cards of Elizabeth Taylor with Richard Burton and Rex Harrison, Cleopatra's barge, palace scenes with Cleopatra receiving, and even a gorgeous card with Taylor bathing! From the Estate of Andrew Weimer Gard. The cards have all been CGC graded a perfect 10! Mint.
This lot includes a full mint set from a landmark epic in Hollywood history. Many great scenes from the film are here, from a card with the Howard Terpning artwork to portrait cards of Elizabeth Taylor with Richard Burton and Rex Harrison, Cleopatra's barge, palace scenes with Cleopatra receiving, and even a gorgeous card with Taylor bathing! From the Estate of Andrew Weimer Gard. The cards have all been CGC graded a perfect 10! Mint.
The Mortal Storm (MGM, 1940). Title Lobby Card (11" X 14").
Jimmy Stewart, Margaret Sullivan, Robert Young, and Frank Morgan star in this stirring drama about a German family's troubles during the rise of the Nazis. This excellent title lobby card has pinholes in the borders and image area (some enlarged), dust shadow in the right and left borders, minor surface scuffing, a crease in the bottom left corner, and some overall fading. Fine.
Jimmy Stewart, Margaret Sullivan, Robert Young, and Frank Morgan star in this stirring drama about a German family's troubles during the rise of the Nazis. This excellent title lobby card has pinholes in the borders and image area (some enlarged), dust shadow in the right and left borders, minor surface scuffing, a crease in the bottom left corner, and some overall fading. Fine.
East of Eden (Warner Brothers, 1955). One Sheet (27" X 41").
James Dean's cult status began with this film. His brood pose on the left side of the poster has become an icon for an entire generation of moviegoers. There are staple and pinholes in the borers and top image, cross-fold separations in the lower quadrant, a small tape stain in the lower left border, and some mild corner creases. Fine-.
James Dean's cult status began with this film. His brood pose on the left side of the poster has become an icon for an entire generation of moviegoers. There are staple and pinholes in the borers and top image, cross-fold separations in the lower quadrant, a small tape stain in the lower left border, and some mild corner creases. Fine-.
Rebel Without a Cause (Warner Brothers, R-1963). French Grande (47" X 63").
The landmark film that solidified the James Dean image follows the story of rebellious middle-class teens disenfranchised with their parents and given to a life of juvenile delinquency. Sublime Mascii artwork distinguishes this fine French poster, with a great image of Dean front and center. Condition issues included fold wear with minor crossfold separations, both of which have been smoothed over with professional restoration, and the linen has been trimmed to the edge of the poster. Very Fine on Linen.
The landmark film that solidified the James Dean image follows the story of rebellious middle-class teens disenfranchised with their parents and given to a life of juvenile delinquency. Sublime Mascii artwork distinguishes this fine French poster, with a great image of Dean front and center. Condition issues included fold wear with minor crossfold separations, both of which have been smoothed over with professional restoration, and the linen has been trimmed to the edge of the poster. Very Fine on Linen.
Rebel Without a Cause (Warner Brothers, 1955). Uncut Pressbook (20 Pages, 11" X 17").
Rebel Without a Cause, through James Dean's portrayal of Jim Stark, perfectly captured the defiance and angst of America's teenagers and the inevitable discord between generations. This pressbook is full of interesting material related to the film, including images of several poster styles. A double-sided herald (10.5" X 16" ) is included, with light edge wear. The pressbook has been folded horizontally, there are small tears at the top of page sixteen and the back cover that have been covered with cellophane tape, a minor tear on page seventeen, edge wear along the top of the booklet, and a small chip in the bottom right corner of the back cover. An important item from a classic American film. Very Fine-.
Rebel Without a Cause, through James Dean's portrayal of Jim Stark, perfectly captured the defiance and angst of America's teenagers and the inevitable discord between generations. This pressbook is full of interesting material related to the film, including images of several poster styles. A double-sided herald (10.5" X 16" ) is included, with light edge wear. The pressbook has been folded horizontally, there are small tears at the top of page sixteen and the back cover that have been covered with cellophane tape, a minor tear on page seventeen, edge wear along the top of the booklet, and a small chip in the bottom right corner of the back cover. An important item from a classic American film. Very Fine-.
Rebel Without a Cause (Warner Brothers, R-1960s). Argentinean Poster (29" X 43").
Personifying misunderstood youth and teen angst, James Dean stars as the rebel Jim Stark who tries to make a new life in a new town, with tragic consequences. Arguably his most iconic role, Dean never knew its impact as he died in an auto accident a week before the film's release. This vibrant Argentinean poster features the seething Dean in the foreground as the climatic rumble ensues in the background. There is light bleed through from a stamp on the verso in the left border and from a stain on the verso in the image and bottom section along with tape stains in the borders, a chip in the left border and upper left corner, minor surface paper loss in the left image area, and an extra vertical crease. These very minor imperfections could be easily addressed with minimal restoration. Rarely offered, this is an absolute must for any serious Dean collector. Fine.
Personifying misunderstood youth and teen angst, James Dean stars as the rebel Jim Stark who tries to make a new life in a new town, with tragic consequences. Arguably his most iconic role, Dean never knew its impact as he died in an auto accident a week before the film's release. This vibrant Argentinean poster features the seething Dean in the foreground as the climatic rumble ensues in the background. There is light bleed through from a stamp on the verso in the left border and from a stain on the verso in the image and bottom section along with tape stains in the borders, a chip in the left border and upper left corner, minor surface paper loss in the left image area, and an extra vertical crease. These very minor imperfections could be easily addressed with minimal restoration. Rarely offered, this is an absolute must for any serious Dean collector. Fine.
The Mark of Zorro (20th Century Fox, 1940). Lobby Card (11" X 14").
Tyrone Power and Basil Rathbone star in this full-blooded adaptation of the classic tale. This excellent lobby card features Power and co-star Linda Darnell in a tender moment. The card had corner bends and border pinholes that have been smoothed over with restoration, including touch-ups in the borders and image. There is also a smudge across Power's hand. Fine.
Tyrone Power and Basil Rathbone star in this full-blooded adaptation of the classic tale. This excellent lobby card features Power and co-star Linda Darnell in a tender moment. The card had corner bends and border pinholes that have been smoothed over with restoration, including touch-ups in the borders and image. There is also a smudge across Power's hand. Fine.
Robin Hood (United Artists, 1922). CGC Graded Lobby Card (11" X 14").
In a card as fun as the film itself, Robin Hood (Douglas Fairbanks) is hoisted up by two of his merrymen during a celebration in their forest lair. Note the arrows in the tree on the right, where Robin Hood's archers have been practicing. The inset photo on the right border shows a contemplative Robin Hood. The border photo on each card was different. The card has been graded by CGC at 8.0. Very Fine.
In a card as fun as the film itself, Robin Hood (Douglas Fairbanks) is hoisted up by two of his merrymen during a celebration in their forest lair. Note the arrows in the tree on the right, where Robin Hood's archers have been practicing. The inset photo on the right border shows a contemplative Robin Hood. The border photo on each card was different. The card has been graded by CGC at 8.0. Very Fine.
Robin Hood (United Artists, 1922). CGC Graded Lobby Card (11" X 14").
Natural lighting perfectly highlights Douglas Fairbanks and Enid Bennett as the two lovers meet surreptitiously in the Sherwood Forest. Note the insert photo in the right border of the card. Fairbanks appears in a different pose on seven of the lobby cards. This card has been graded by CGC. Very Fine-.
Natural lighting perfectly highlights Douglas Fairbanks and Enid Bennett as the two lovers meet surreptitiously in the Sherwood Forest. Note the insert photo in the right border of the card. Fairbanks appears in a different pose on seven of the lobby cards. This card has been graded by CGC. Very Fine-.
Robin Hood (United Artists, 1922). CGC Graded Lobby Card (11" X 14").
Maid Marian (Enid Bennett) adjusts the chainmail head covering of her love, Robin Hood (Douglas Fairbanks). Fairbanks appears in a great photo inset in the right border. The inset photos are different on each card! This card has been CGC Graded. Very Fine-.
Maid Marian (Enid Bennett) adjusts the chainmail head covering of her love, Robin Hood (Douglas Fairbanks). Fairbanks appears in a great photo inset in the right border. The inset photos are different on each card! This card has been CGC Graded. Very Fine-.
Robin Hood (United Artists, 1922). CGC Graded Lobby Card (11" X 14").
Pretty Enid Bennett knights her love, Douglas Fairbanks, in this gorgeous scene from perhaps the best telling of the Robin Hood tale. Fairbanks stands in the photo inset on the right border. Each card has a different inset photo. This card has been CGC graded. Fine/Very Fine.
Pretty Enid Bennett knights her love, Douglas Fairbanks, in this gorgeous scene from perhaps the best telling of the Robin Hood tale. Fairbanks stands in the photo inset on the right border. Each card has a different inset photo. This card has been CGC graded. Fine/Very Fine.
Abbott and Costello Go to Mars (Universal International, 1953). Lobby Card Set of 8 (11" X 14").
As a testament to their true comedic skills, Bud Abbott and Lou Costello made a film called "Abbott and Costello Go to Mars." But they end up on Venus! Identify all eight ladies in card #7 and you can call yourself a real cinema buff. Hints: One is Anita Ekberg, one is Miss USA, and the other six are Miss Germany, Montana, New Jersey, Louisiana, Michigan, and Hawaii! Some very good restoration and minimal touch-up work has this set display ready. There were pinholes in four cards, small tears in the title card border, and several cards with small edge tears. Here's a rare chance at a complete set! Fine+.
As a testament to their true comedic skills, Bud Abbott and Lou Costello made a film called "Abbott and Costello Go to Mars." But they end up on Venus! Identify all eight ladies in card #7 and you can call yourself a real cinema buff. Hints: One is Anita Ekberg, one is Miss USA, and the other six are Miss Germany, Montana, New Jersey, Louisiana, Michigan, and Hawaii! Some very good restoration and minimal touch-up work has this set display ready. There were pinholes in four cards, small tears in the title card border, and several cards with small edge tears. Here's a rare chance at a complete set! Fine+.
Belle of the Nineties (Paramount, 1934). Window Card (14" X 22").
In 1934, when the Production Code was enforced, Mae West had to change the art accompanying her stage play "It Ain't No Sin" from including a drooping neckline and cleavage to showing no cleavage at all! She also had to change the title to a more tame "Belle of the Nineties." The art on this poster is still lovely, however, and this is one of the earliest posters to mention Duke Ellington, John "Mack" Brown, and Katherine DeMille. The window card has been restored beautifully on cardstock with some touch-up in the top and bottom borders. There was a small hole above the hat on the left, and some creasing above the title, but now the poster displays fantastically! Fine/Very Fine on Cardstock.
In 1934, when the Production Code was enforced, Mae West had to change the art accompanying her stage play "It Ain't No Sin" from including a drooping neckline and cleavage to showing no cleavage at all! She also had to change the title to a more tame "Belle of the Nineties." The art on this poster is still lovely, however, and this is one of the earliest posters to mention Duke Ellington, John "Mack" Brown, and Katherine DeMille. The window card has been restored beautifully on cardstock with some touch-up in the top and bottom borders. There was a small hole above the hat on the left, and some creasing above the title, but now the poster displays fantastically! Fine/Very Fine on Cardstock.
Blithe Spirit (United Artists, 1945). Insert (14" X 36").
Kay Hammond gets the sexy "vamp" treatment on the insert for this Noel Coward/David Lean production. They even threw in the taglines: "Spicy Screen Comedy!" and "Blushing Technicolor!" Noel Coward was way ahead of his time, writing an ending where Rex Harrison winds up with both wives! There are original folds, top border pinholes, edge wear in the left border, smudges in the top left, a small tear in the top border, small chip in the top left corner, small paper lift in the skirt, and small creases in the bottom border. Fine+.
Kay Hammond gets the sexy "vamp" treatment on the insert for this Noel Coward/David Lean production. They even threw in the taglines: "Spicy Screen Comedy!" and "Blushing Technicolor!" Noel Coward was way ahead of his time, writing an ending where Rex Harrison winds up with both wives! There are original folds, top border pinholes, edge wear in the left border, smudges in the top left, a small tear in the top border, small chip in the top left corner, small paper lift in the skirt, and small creases in the bottom border. Fine+.
The Bohemian Girl (MGM, 1936). Lobby Card (11" X 14").
Stan and Ollie play gypsy pickpockets wandering across Europe of the 19th century who end up in the charge of a kidnapped princess, in this comedy adaptation of William Balfe's The Bohemian Girl. This bright lobby card has some light staining in the right border, a small tear at the center of the top border, and rounded corners. Very Fine-.
Stan and Ollie play gypsy pickpockets wandering across Europe of the 19th century who end up in the charge of a kidnapped princess, in this comedy adaptation of William Balfe's The Bohemian Girl. This bright lobby card has some light staining in the right border, a small tear at the center of the top border, and rounded corners. Very Fine-.
Bottle Rocket (Sony, 1996). One Sheet (27" X 41") DS.
Wes Anderson made his feature debut with this spirited heist film about a trio of losers (Owen Wilson, Luke Wilson, and Robert Musgrave) who want to become master thieves. They seek out the advice of a legend (James Caan) but things don't quite as planned. Light edge wear with a tiny tear on the left side is the only condition problem. Rolled, Very Fine+.
Wes Anderson made his feature debut with this spirited heist film about a trio of losers (Owen Wilson, Luke Wilson, and Robert Musgrave) who want to become master thieves. They seek out the advice of a legend (James Caan) but things don't quite as planned. Light edge wear with a tiny tear on the left side is the only condition problem. Rolled, Very Fine+.
The Cat's Paw (Fox, 1934). Mini Window Card (8" X 11.25").
One of the hardest types of poster to find on great titles from 1932-1942 is the midget window card. They were produced in smaller numbers than regular window cards, as they had a more limited range of placement locations. Here is one of those rare cards from a 1934 Harold Lloyd film, The Cat's Paw. The card has been trimmed in the white paper imprint area, not affecting the art. There are two minor tears at the top edge. Fine+.
One of the hardest types of poster to find on great titles from 1932-1942 is the midget window card. They were produced in smaller numbers than regular window cards, as they had a more limited range of placement locations. Here is one of those rare cards from a 1934 Harold Lloyd film, The Cat's Paw. The card has been trimmed in the white paper imprint area, not affecting the art. There are two minor tears at the top edge. Fine+.
College Swing (Paramount, 1938). One Sheet (27" X 41").
This fantastic one sheet from Paramount features some of their best entertainers, all on one poster. Directed by the legendary Raoul Walsh, this film showcases the classic comedy team of George Burns and Gracie Allen, with Martha Raye and Bob Hope also making notable performances. An added bonus is the lovely Betty Grable, dancing her way to stardom. This poster is in wonderful condition, mounted on linen with pinholes in the corners and minor touch up to the crossfold separations and light bottom fold wear. Very Fine on Linen.
This fantastic one sheet from Paramount features some of their best entertainers, all on one poster. Directed by the legendary Raoul Walsh, this film showcases the classic comedy team of George Burns and Gracie Allen, with Martha Raye and Bob Hope also making notable performances. An added bonus is the lovely Betty Grable, dancing her way to stardom. This poster is in wonderful condition, mounted on linen with pinholes in the corners and minor touch up to the crossfold separations and light bottom fold wear. Very Fine on Linen.
A Connecticut Yankee (Fox, 1931). Window Card (14" X 22").
A fun pre-Code romp for Myrna Loy, who almost stole the film from Will Rogers! She stares at Rogers affectionately on this brightly colored window card. Only some minor corner bumps and small foxing at the bottom border. Very Fine.
A fun pre-Code romp for Myrna Loy, who almost stole the film from Will Rogers! She stares at Rogers affectionately on this brightly colored window card. Only some minor corner bumps and small foxing at the bottom border. Very Fine.
Dazed and Confused (Alamo Drafthouse, 1993). Signed Limited Edition Premier Poster (22.5" X 35").
In a small Texas town in 1976, incoming high-school freshman are forced through their "rights of passage," which include being physically punished and verbally abused by rising seniors. This fine screen print poster was designed by artist Frank Kozik for the world premier of the movie and has pinholes in the corners, mild corner bends, a tear in the right border, and two small border nicks. It's been signed and dated by the artist and is a must-have cult classic poster for any collector. Rolled, Very Fine.
In a small Texas town in 1976, incoming high-school freshman are forced through their "rights of passage," which include being physically punished and verbally abused by rising seniors. This fine screen print poster was designed by artist Frank Kozik for the world premier of the movie and has pinholes in the corners, mild corner bends, a tear in the right border, and two small border nicks. It's been signed and dated by the artist and is a must-have cult classic poster for any collector. Rolled, Very Fine.
The Devil and Miss Jones (RKO, 1941). One Sheet (27" X 41").
It's no mistake that this great piece for one of Jean Arthur's best comedies was drawn with her left side prominent. She was infamous for maneuvering during the shot in order to be photographed from the left side, considering it to be her more flattering side. This poster is as fun as the film itself, with the throaty-voiced comedienne in top form, her head thrown back in a gale of laughter. The poster has been linenbacked with paint touch-up in the right border, the crossfolds, and the corners for chips and missing paper. There were corner pinholes, bottom border smudges, and edge wear. Fine+ on Linen.
It's no mistake that this great piece for one of Jean Arthur's best comedies was drawn with her left side prominent. She was infamous for maneuvering during the shot in order to be photographed from the left side, considering it to be her more flattering side. This poster is as fun as the film itself, with the throaty-voiced comedienne in top form, her head thrown back in a gale of laughter. The poster has been linenbacked with paint touch-up in the right border, the crossfolds, and the corners for chips and missing paper. There were corner pinholes, bottom border smudges, and edge wear. Fine+ on Linen.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Columbia, 1964). Lobby Card Set of 8 (11" X 14").
An all-star cast, including Peter Sellers in no less than three roles, heads this caustically satirical black comedy from director Stanley Kubrick. This lobby card set is among the mintiest we've ever encountered, and it's highly doubtful you'll find a better one, so don't miss this opportunity. Mint.
An all-star cast, including Peter Sellers in no less than three roles, heads this caustically satirical black comedy from director Stanley Kubrick. This lobby card set is among the mintiest we've ever encountered, and it's highly doubtful you'll find a better one, so don't miss this opportunity. Mint.
Fight for Your Lady (RKO, 1937). One Sheet (27" X 41").
An early comedy for Ida Lupino. This pretty one sheet features all of the film's three co-stars as Jack Oakie tries to defend John Boles from the gold-digger Lupino. This unique one sheet is in very nice condition, showing only enlarged pinholes in the corners and small crossfold separations. Very Fine.
An early comedy for Ida Lupino. This pretty one sheet features all of the film's three co-stars as Jack Oakie tries to defend John Boles from the gold-digger Lupino. This unique one sheet is in very nice condition, showing only enlarged pinholes in the corners and small crossfold separations. Very Fine.
Hard To Handle (Warner Brothers, 1933). CGC Graded Lobby Card (11" X 14").
James Cagney stars as a good-hearted con man who designs a series of complicated schemes in order to earn enough money to marry his sweetheart, Mary Brian. A delightful image of the stars. CGC Graded 9.2. Near Mint-.
James Cagney stars as a good-hearted con man who designs a series of complicated schemes in order to earn enough money to marry his sweetheart, Mary Brian. A delightful image of the stars. CGC Graded 9.2. Near Mint-.
His Girl Friday (Columbia, 1940). Title Lobby Card (11" X 14").
Cary Grant and Rosalind Russell are featured twice on this original Columbia glossy finish title card. This is one of Hollywood's most famous screwball comedies, directed by Howard Hawks and adapted from Hecht, MacArthur and Lederer's play, The Front Page. There is some light edge wear and light toning around the outside border edges. Very Fine-.
Cary Grant and Rosalind Russell are featured twice on this original Columbia glossy finish title card. This is one of Hollywood's most famous screwball comedies, directed by Howard Hawks and adapted from Hecht, MacArthur and Lederer's play, The Front Page. There is some light edge wear and light toning around the outside border edges. Very Fine-.
Holiday (Columbia, 1938). Lobby Cards (3) (11" X 14").
Katherine Hepburn and Cary Grant team up for this effervescent George Cukor comedy, based on the Phillip Barry stage play. Offered here are three lobby cards, all of which feature the dynamic duo. The various cards had border tears and small holes and corner bends but have undergone some restoration, including airbrushing in the borders. Fine.
Katherine Hepburn and Cary Grant team up for this effervescent George Cukor comedy, based on the Phillip Barry stage play. Offered here are three lobby cards, all of which feature the dynamic duo. The various cards had border tears and small holes and corner bends but have undergone some restoration, including airbrushing in the borders. Fine.
It's a Mad, Mad, Mad, Mad World (United Artists, 1963). Flat Folded Three Sheet (41" X 81").
An amazing cast is assembled to make for one of the funniest chase movies ever made. Stanley Kramer's epic cross-country dash to find the fortune buried under the big "W" is one hilarious catastrophe after another. Mad magazine mainstay Jack Davis lends his considerable talents to this wacky poster. In fantastic condition, this three sheet has been flat folded and has very minor crossfold separations. Very Fine+.
An amazing cast is assembled to make for one of the funniest chase movies ever made. Stanley Kramer's epic cross-country dash to find the fortune buried under the big "W" is one hilarious catastrophe after another. Mad magazine mainstay Jack Davis lends his considerable talents to this wacky poster. In fantastic condition, this three sheet has been flat folded and has very minor crossfold separations. Very Fine+.
Judge Priest (Fox, 1934). Mini Window Card (8" X 11.5").
The great pairing of director John Ford and actor Will Rogers made for a thoroughly enjoyable film about politics and small town life. Offered here is a very rare midget window card that's been trimmed in the top white imprint area, not affecting the art. Fine+.
The great pairing of director John Ford and actor Will Rogers made for a thoroughly enjoyable film about politics and small town life. Offered here is a very rare midget window card that's been trimmed in the top white imprint area, not affecting the art. Fine+.
Klondike Annie (Paramount, 1936). Jumbo Window Card (22 X 28.5").
A post-Code comedy, Klondike Annie was co-written by its star, Mae West, from her play "Frisco Kate," which she penned in pre-Code 1921. West maintained her seductive, suggestive, comedic style as a kept woman by the name of Rose Carlton, "The Frisco Doll." Rose escapes to Alaska and the Gold Rush of the 1890s after murdering of her keeper in self-defense. Co-starring Victor McLaglen and Phillip Reed. This rare and wonderful jumbo window card has two circular marks on McLaglen's face, one in the background, pinholes in the right and left border, a printer stamp in the upper left, and it has been folded vertically. This is a fantastic piece that would restore beautifully. Folded, Fine/Very Fine.
A post-Code comedy, Klondike Annie was co-written by its star, Mae West, from her play "Frisco Kate," which she penned in pre-Code 1921. West maintained her seductive, suggestive, comedic style as a kept woman by the name of Rose Carlton, "The Frisco Doll." Rose escapes to Alaska and the Gold Rush of the 1890s after murdering of her keeper in self-defense. Co-starring Victor McLaglen and Phillip Reed. This rare and wonderful jumbo window card has two circular marks on McLaglen's face, one in the background, pinholes in the right and left border, a printer stamp in the upper left, and it has been folded vertically. This is a fantastic piece that would restore beautifully. Folded, Fine/Very Fine.
The Lady Eve (Paramount, 1941). Lobby Card (11" X 14").
Barbara Stanwyck was never better than as the bad-girl-good-girl Jean Harrington. Few actresses ever pulled off this combo of attitudes and made both entirely believable. She also had some of the best dialogue, best directing, and best supporting casts ever put together. Simply one of the best romantic comedies ever filmed. The card has been professionally restored with some great touch-up for small tears in the and top borders, border and image pinholes, and damage in Stanwyck's nose. Fine+.
Barbara Stanwyck was never better than as the bad-girl-good-girl Jean Harrington. Few actresses ever pulled off this combo of attitudes and made both entirely believable. She also had some of the best dialogue, best directing, and best supporting casts ever put together. Simply one of the best romantic comedies ever filmed. The card has been professionally restored with some great touch-up for small tears in the and top borders, border and image pinholes, and damage in Stanwyck's nose. Fine+.
Lady of Burlesque (United Artists, 1943). Uncut Pressbook (20 Pages, 12" X 18").
Barbara Stanwyck plays a stripper in this movie based on the Gypsy Rose Lee novel, "The G-String Murders." Stanwyck becomes the prime suspect in a murder investigation when two of her competitors for the top spot in the strip show are murdered. Famed for her many risqué pre-Code films, Stanwyck was an obvious choice for this racy role. Flirty and fuchsia, the peek-a-boo cover opens to reveal fascinating material related to the film, including images of several poster styles and promotional items. This rarely offered pressbook has tape along the spine and a small bottom right corner bend. Very Fine-.
Barbara Stanwyck plays a stripper in this movie based on the Gypsy Rose Lee novel, "The G-String Murders." Stanwyck becomes the prime suspect in a murder investigation when two of her competitors for the top spot in the strip show are murdered. Famed for her many risqué pre-Code films, Stanwyck was an obvious choice for this racy role. Flirty and fuchsia, the peek-a-boo cover opens to reveal fascinating material related to the film, including images of several poster styles and promotional items. This rarely offered pressbook has tape along the spine and a small bottom right corner bend. Very Fine-.
Laurel and Hardy Lot (MGM, 1931-1935). Photos (2) (8" X 10").
Vintage gelatin silver, single weight, glossy photos for two of Stan Laurel and Oliver Hardy's best films. One photo is from Tit for Tat (1935), and the other is from Beau Hunks (1931.) The Beau Hunks photo has some light toning, and mild edge wear. The Tit for Tat photo has some mild edge wear with a small tear and wrinkles in the center top border along with some mild corner bumps and creases. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photos for two of Stan Laurel and Oliver Hardy's best films. One photo is from Tit for Tat (1935), and the other is from Beau Hunks (1931.) The Beau Hunks photo has some light toning, and mild edge wear. The Tit for Tat photo has some mild edge wear with a small tear and wrinkles in the center top border along with some mild corner bumps and creases. Fine/Very Fine.
Laurel and Hardy (Circa 1950s). Autographed Photo (6.5" X 8.5").
This is a lovely promotional photo given out around the time of Stan Laurel and Oliver Hardy's tour of Europe in the early 1950s. Both comedians have signed the photo in fountain pen and the signatures are lovely and fully legible. There is a small chip at the top right of the photo and some corner scuffing where it was once attached to an album. Fine+.
This is a lovely promotional photo given out around the time of Stan Laurel and Oliver Hardy's tour of Europe in the early 1950s. Both comedians have signed the photo in fountain pen and the signatures are lovely and fully legible. There is a small chip at the top right of the photo and some corner scuffing where it was once attached to an album. Fine+.
Laurel and Hardy Lot (Favorite Films / Lippert Pictures) (1948 / 1950). Lobby Cards (2) (11" X 14").
Two fun lobby cards from the late 1940s and 1950 re-releases of Babes in Toyland and Our Relations. There are border pinholes, corner tears in one and small tears in three borders of another as well as a scratch in border creases on "March." Fine.
Two fun lobby cards from the late 1940s and 1950 re-releases of Babes in Toyland and Our Relations. There are border pinholes, corner tears in one and small tears in three borders of another as well as a scratch in border creases on "March." Fine.
The Little Hut (MGM, 1957). Standee (84" X 45").
This is an original 1957 standee featuring Ava Gardner in her Christian Dior- designed bathing suit. What else would you wear on a deserted island? Fine film with sparkling dialogue adapted from the long-running play. There is water damage on the center fold line and to all edges. The right and left borders have some small surface paper loss, and there is some mild surface scuffing. Terrific image of the beauty that stole Frank Sinatra's heart. Fine-.
This is an original 1957 standee featuring Ava Gardner in her Christian Dior- designed bathing suit. What else would you wear on a deserted island? Fine film with sparkling dialogue adapted from the long-running play. There is water damage on the center fold line and to all edges. The right and left borders have some small surface paper loss, and there is some mild surface scuffing. Terrific image of the beauty that stole Frank Sinatra's heart. Fine-.
Lost in Alaska (Universal International, 1952). Lobby Card Set of 8 (11" X 14").
Bud and Lou follow a prospector to Alaska in hopes of finding gold in them thar hills, but instead find themselves dodging the bullets of his enemies, led by Bruce Cabot. This minor A&C romp has plenty of laughs as well as Mitzi Green, who's not hard on the eyes. This complete lobby set is in terrific shape, with a small edge tear in the title card and corner bends in the lower right on all cards. Very Fine.
Bud and Lou follow a prospector to Alaska in hopes of finding gold in them thar hills, but instead find themselves dodging the bullets of his enemies, led by Bruce Cabot. This minor A&C romp has plenty of laughs as well as Mitzi Green, who's not hard on the eyes. This complete lobby set is in terrific shape, with a small edge tear in the title card and corner bends in the lower right on all cards. Very Fine.
Lost in Alaska (Universal International, 1952). One Sheet (27" X 41").
Bud and Lou head to Alaska in search of gold in this minor but amusing entry in their canon. There were three small chips in Costello's face but they've been smoothed over with professional restoration. Fine/Very Fine on Linen.
Bud and Lou head to Alaska in search of gold in this minor but amusing entry in their canon. There were three small chips in Costello's face but they've been smoothed over with professional restoration. Fine/Very Fine on Linen.
Love Before Breakfast (Universal, 1936). Uncut Pressbook (8 Pages, 13.75" X 19").
Juxtaposing Carol Lombard's flaming red hair with a big black shiner, this pressbook cover image invites a look into a treasure trove of information for fans of this classic screwball comedy. The booklet features stories about the director and all the stars, as well as production trivia and quotes and layouts of all the posters produced for this motion picture. Also included is a separate, uncut ad supplement. The pressbook has been folded horizontally, all pages have a slight tear at the outer edge, there are light stains in the bottom corners of the cover, and there's a top right corner bend. An attractive and important piece, essential to any collection of Carole Lombard material. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Juxtaposing Carol Lombard's flaming red hair with a big black shiner, this pressbook cover image invites a look into a treasure trove of information for fans of this classic screwball comedy. The booklet features stories about the director and all the stars, as well as production trivia and quotes and layouts of all the posters produced for this motion picture. Also included is a separate, uncut ad supplement. The pressbook has been folded horizontally, all pages have a slight tear at the outer edge, there are light stains in the bottom corners of the cover, and there's a top right corner bend. An attractive and important piece, essential to any collection of Carole Lombard material. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Modern Times (United Artists, 1936). Pressbook (12" X 18", 16 Pages).
Charlie Chaplin produced one of his greatest masterpieces with this 1936 comedy classic. Co-starring his newest discovery, the beautiful Paulette Goddard, Chaplin told a tale of the average modern man thrust into a series of overwhelming and heartbreaking circumstances, eventually landing in prison. But love overcomes all, and he and Goddard walk off into the sunset, arm in arm, in a wonderful happy ending. This oversized pressbook features a variety of advertising aids, posters, articles, art, and photos designed to promote the film. The pressbook has a detached cover, with one cut on the back cover, and one small cut on page 13-14. There is light wear on the cover and light wrinkling on the pages. Fine.
Charlie Chaplin produced one of his greatest masterpieces with this 1936 comedy classic. Co-starring his newest discovery, the beautiful Paulette Goddard, Chaplin told a tale of the average modern man thrust into a series of overwhelming and heartbreaking circumstances, eventually landing in prison. But love overcomes all, and he and Goddard walk off into the sunset, arm in arm, in a wonderful happy ending. This oversized pressbook features a variety of advertising aids, posters, articles, art, and photos designed to promote the film. The pressbook has a detached cover, with one cut on the back cover, and one small cut on page 13-14. There is light wear on the cover and light wrinkling on the pages. Fine.
Monte Carlo Baby (Filmakers Releasing Organization, 1953). Half Sheet (22" X 28").
This is a quite interesting poster in terms of Audrey Hepburn's career. The film itself was made in two versions, English and French, in 1951. During the filming, the writer Colette met Hepburn and wanted her for her stage version of "Colette." From there, Hepburn acted in Roman Holiday. With the enormous success of that film, Filmakers got the rights to the 1951 English version of this film and released it in the US with the tagline, "This Year's Freshest Star Comes to You... French Style!" There are corner pinholes, some light edge wear, light border foxing, a small tear in the top border, light folds, surface paper loss in the right and left borders, a corner bend in the bottom right, and a light scuff in the top left quadrant. Folded, Fine/Very Fine.
This is a quite interesting poster in terms of Audrey Hepburn's career. The film itself was made in two versions, English and French, in 1951. During the filming, the writer Colette met Hepburn and wanted her for her stage version of "Colette." From there, Hepburn acted in Roman Holiday. With the enormous success of that film, Filmakers got the rights to the 1951 English version of this film and released it in the US with the tagline, "This Year's Freshest Star Comes to You... French Style!" There are corner pinholes, some light edge wear, light border foxing, a small tear in the top border, light folds, surface paper loss in the right and left borders, a corner bend in the bottom right, and a light scuff in the top left quadrant. Folded, Fine/Very Fine.
Monty Python and the Holy Grail (EMI, 1975). British Quad (30" X 40").
King Arthur and his knights embark on a hilarious search for the Grail in this first original feature film by British comedy sensation Monty Python. This excellent country-of-origin poster has pinholes in the borders and a minor edge tear in the bottom border. Sharp colors and Gilliam's amusing artwork make this a must for any Python fanatic. Very Fine+.
King Arthur and his knights embark on a hilarious search for the Grail in this first original feature film by British comedy sensation Monty Python. This excellent country-of-origin poster has pinholes in the borders and a minor edge tear in the bottom border. Sharp colors and Gilliam's amusing artwork make this a must for any Python fanatic. Very Fine+.
My Little Chickadee (Universal, 1940). Lobby Card (11" X 14").
Mae West and W.C. Fields are con artists who end up married to each other in this delightfully strange comedy. This excellent lobby card features both stars and boasts excellent color. There are pinholes in the borders and background, some dust shadowing along the top border, an edge tear in the left border, and minor bends in three corners. Fine/Very Fine.
Mae West and W.C. Fields are con artists who end up married to each other in this delightfully strange comedy. This excellent lobby card features both stars and boasts excellent color. There are pinholes in the borders and background, some dust shadowing along the top border, an edge tear in the left border, and minor bends in three corners. Fine/Very Fine.
A Night in Casablanca (United Artists, 1946). Lobby Cards (2) (11" X 14").
Ronald Kornblow (Groucho Marx) is in big trouble. He's a murder target, but only has Corbacchio (Chico, owner of the Yellow Camel Company) and the silent Rusty (Harpo) as bodyguards. The card featuring Lois Collier is especially beautiful! It's certainly one of her prettiest. You'll remember her from The Cat Creeps and Cobra Woman. Both cards have one staple hole in the top left corner. One has paint spots in the right border and credits area and the other has an ink smudge at the right edge and in the credits area. Fine.
Ronald Kornblow (Groucho Marx) is in big trouble. He's a murder target, but only has Corbacchio (Chico, owner of the Yellow Camel Company) and the silent Rusty (Harpo) as bodyguards. The card featuring Lois Collier is especially beautiful! It's certainly one of her prettiest. You'll remember her from The Cat Creeps and Cobra Woman. Both cards have one staple hole in the top left corner. One has paint spots in the right border and credits area and the other has an ink smudge at the right edge and in the credits area. Fine.
Nothing but Trouble (MGM, 1944). Window Card (14" X 22").
Admit it. You've always dreamed of hiring Stan Laurel as a butler and Oliver Hardy as your chef. That's what someone did in one of the last films from our beloved duo. And they got exactly what you'd expect! This window card seldom surfaces, and this is the first example of this size we've had the privilege of offering. In amazing condition. Only a small ding in the left border, slightly rounded corners, and a light stain in the left border keep this from grading higher! Very Fine-.
Admit it. You've always dreamed of hiring Stan Laurel as a butler and Oliver Hardy as your chef. That's what someone did in one of the last films from our beloved duo. And they got exactly what you'd expect! This window card seldom surfaces, and this is the first example of this size we've had the privilege of offering. In amazing condition. Only a small ding in the left border, slightly rounded corners, and a light stain in the left border keep this from grading higher! Very Fine-.
The Perfect Specimen (Warner Brothers, 1937). One Sheet (27" X 41").
If you have to be rescued from the mansion, where it's not much fun, and taken for a wild ride through town in search of the "big story," who better to do it than vivacious, fun-time gal, Joan Blondell. In the late 1930s, Blondell was at the top of her game, and she admirably shored up Errol Flynn's entry into comedy. This is the only film the stars made together. They have a high time along with comedy regulars Hugh Herbert and Edward Everett Horton. This fun poster has pinholes in the corners and one in the center, a stain at the bottom, and two minor stains in the image. Fine/Very Fine.
If you have to be rescued from the mansion, where it's not much fun, and taken for a wild ride through town in search of the "big story," who better to do it than vivacious, fun-time gal, Joan Blondell. In the late 1930s, Blondell was at the top of her game, and she admirably shored up Errol Flynn's entry into comedy. This is the only film the stars made together. They have a high time along with comedy regulars Hugh Herbert and Edward Everett Horton. This fun poster has pinholes in the corners and one in the center, a stain at the bottom, and two minor stains in the image. Fine/Very Fine.
Pillow Talk (Universal International, 1959). CGC Graded Lobby Card Set of 8 (11" X 14").
Great cast and Oscar winning screenplay made this comedy an instant classic. Doris Day was never better than here in her Best Actress nominated role as the prim interior decorator. Rock Hudson stars as the playboy trying to seduce her. This set has been graded by CGC with each card a 9.8!. Near Mint/Mint.
Great cast and Oscar winning screenplay made this comedy an instant classic. Doris Day was never better than here in her Best Actress nominated role as the prim interior decorator. Rock Hudson stars as the playboy trying to seduce her. This set has been graded by CGC with each card a 9.8!. Near Mint/Mint.
Road to Utopia (Paramount, 1946). One Sheet (27" X 41").
The fourth of the seven famous "Road" films reunites Bing Crosby, Bob Hope and Dorothy Lamour in the snowy wilds during the Alaskan Gold Rush. Crosby and Hope are entertainers on the run from the law who are mistaken for two rough, tough thugs. The poster had fold wear, crossfold separations, and two missing corners, issues that have been smoothed over with professional restoration, including paint touch-ups. Fine+ on Linen.
The fourth of the seven famous "Road" films reunites Bing Crosby, Bob Hope and Dorothy Lamour in the snowy wilds during the Alaskan Gold Rush. Crosby and Hope are entertainers on the run from the law who are mistaken for two rough, tough thugs. The poster had fold wear, crossfold separations, and two missing corners, issues that have been smoothed over with professional restoration, including paint touch-ups. Fine+ on Linen.
Smartest Girl in Town (RKO, 1936). Title Lobby Card (11" X 14").
Ann Sothern is undeniably alluring as a model looking for a rich husband, but when she spots Gene Raymond, she thinks he's just another male model, and resists his attentions. This gorgeous title card features rich colors and Sothern at her very "come-hither" best. Near Mint.
Ann Sothern is undeniably alluring as a model looking for a rich husband, but when she spots Gene Raymond, she thinks he's just another male model, and resists his attentions. This gorgeous title card features rich colors and Sothern at her very "come-hither" best. Near Mint.
Son of Paleface (Paramount, 1952). Lobby Card Set of 8 (11" X 14").
Roy Rogers (and Trigger, of course) co-star in this amusing Bob Hope vehicle (which is generally considered to be superior to the original Paleface), with Jane Russell returning to fill the eye-candy quotient. The #4 card has a 2" tear on the upper left side while various other cards have pinholes, edge wear, and border smudging. Fine/Very Fine.
Roy Rogers (and Trigger, of course) co-star in this amusing Bob Hope vehicle (which is generally considered to be superior to the original Paleface), with Jane Russell returning to fill the eye-candy quotient. The #4 card has a 2" tear on the upper left side while various other cards have pinholes, edge wear, and border smudging. Fine/Very Fine.
Vice Versa (Eagle Lion, 1947). British One Sheet (27" X 40").
This classic British comedy, written and directed by Peter Ustinov, starred Roger Livesey and Anthony Newley. Set in Victorian times, it was one of the first films with the premise of a parent and child, who, with a bit of help from magic, switch bodies, and in the process learn to have a better understanding of each other. This fun, colorful country-of-origin poster has some toning in the borders and crossfolds, stains in the top and bottom borders, fold wear, crossfold separations, and a chip in the left border in the center crossfold. Fine+.
This classic British comedy, written and directed by Peter Ustinov, starred Roger Livesey and Anthony Newley. Set in Victorian times, it was one of the first films with the premise of a parent and child, who, with a bit of help from magic, switch bodies, and in the process learn to have a better understanding of each other. This fun, colorful country-of-origin poster has some toning in the borders and crossfolds, stains in the top and bottom borders, fold wear, crossfold separations, and a chip in the left border in the center crossfold. Fine+.
Who Done It? (Universal, 1942). Window Card (14" X 22").
You'd think paper on this 1942 title would be much more plentiful, but it's not. We've had only a few pieces, and this is the first window card. The artwork is identical to the title card, only it looks great in the larger format, with Bud Abbott and Lou Costello both resplendent in their deerstalker hats. Bud gets the Meerschaum pipe, but funny sidekick Lou is stuck with a corn-cob cheapie. There are corner and side border pinholes, light foxing in the top border, a small tear in the bottom border, and a slight corner bend in the bottom left. Very Fine-.
You'd think paper on this 1942 title would be much more plentiful, but it's not. We've had only a few pieces, and this is the first window card. The artwork is identical to the title card, only it looks great in the larger format, with Bud Abbott and Lou Costello both resplendent in their deerstalker hats. Bud gets the Meerschaum pipe, but funny sidekick Lou is stuck with a corn-cob cheapie. There are corner and side border pinholes, light foxing in the top border, a small tear in the bottom border, and a slight corner bend in the bottom left. Very Fine-.
You'll Find Out (RKO, 1940). One Sheet (27" X 41").
What film starred horror greats Boris Karloff, Bela Lugosi, and Peter Lorre in their one and only screen appearance together? Hint: the film has a great one sheet with the three scary guys on the right side of the poster and an impish image of big band leader Kay Kyser looking up at them. This colorful poster is a rare treat for fans of these legends. It shows corner pinholes, tears in three borders, fold wear, crossfold separations, and a small chip at the top with a piece of paper tape on the verso. Fine.
What film starred horror greats Boris Karloff, Bela Lugosi, and Peter Lorre in their one and only screen appearance together? Hint: the film has a great one sheet with the three scary guys on the right side of the poster and an impish image of big band leader Kay Kyser looking up at them. This colorful poster is a rare treat for fans of these legends. It shows corner pinholes, tears in three borders, fold wear, crossfold separations, and a small chip at the top with a piece of paper tape on the verso. Fine.
Breakfast at Tiffany's (Paramount, 1961). Uncut Pressbook (16 Pages, 12.25" X 18.75").
Truman Capote's novella is charmingly and skillfully adapted into an unforgettable classic starring Audrey Hepburn, George Peppard, and Patricia Neal. This pressbook is full of eye catching material related to the film, including images of several poster styles and promotional items. The booklet has been folded horizontally, there is light edge and spine wear, slight cover separating at the bottom, minor corner bends, and a small chip in the upper left corner of the cover. Very Fine.
Truman Capote's novella is charmingly and skillfully adapted into an unforgettable classic starring Audrey Hepburn, George Peppard, and Patricia Neal. This pressbook is full of eye catching material related to the film, including images of several poster styles and promotional items. The booklet has been folded horizontally, there is light edge and spine wear, slight cover separating at the bottom, minor corner bends, and a small chip in the upper left corner of the cover. Very Fine.
The Man Who Broke the Bank at Monte Carlo (20th Century Fox, 1935). Title Lobby Card (11" X 14").
Here's a gorgeous title card featuring suave Ronald Colman. The photo inset shows him "breaking the bank." One of the great cards from Joan Bennett's blonde era. Only mild corner bends in the top right and left. Very Fine.
Here's a gorgeous title card featuring suave Ronald Colman. The photo inset shows him "breaking the bank." One of the great cards from Joan Bennett's blonde era. Only mild corner bends in the top right and left. Very Fine.
Adventure's End (Universal, 1937). Lobby Card Set of 8 (11" X 14").
John Wayne's last of six films he made for Universal in the late 1930s. Super lobby card set with Wayne in all eight cards! The portrait card of him with co-star Diana Gibson is exceptional. Three of the cards have border pinholes, and there are two with pinholes in the center image. Two cards have stains in the borders and image, and there is some smudging in the title card and several of the scene cards. Don't miss this chance at an full set from a 1930s Wayne film. Fine+.
John Wayne's last of six films he made for Universal in the late 1930s. Super lobby card set with Wayne in all eight cards! The portrait card of him with co-star Diana Gibson is exceptional. Three of the cards have border pinholes, and there are two with pinholes in the center image. Two cards have stains in the borders and image, and there is some smudging in the title card and several of the scene cards. Don't miss this chance at an full set from a 1930s Wayne film. Fine+.
Beau Geste (Paramount, 1939). Uncut Pressbook (12" X 15", 24 Pages).
With 24 pages, this fantastic pressbook is packed with wonderful images, loads of merchandising, and over-the-top campaign ideas. The covers fold out along with the pages of the book itself. The first page folds out to reveal an incredible image of a triumphant Gary Cooper smiling out from the fabulous 24-sheet billboard format. A wonderful piece of memorabilia from this epic adventure film. With no cuts, the only condition issues with this great item are some pages breaking loose from one of the two original staples in the spine. From the Estate of Andrew Weimer Gard. Very Fine+.
With 24 pages, this fantastic pressbook is packed with wonderful images, loads of merchandising, and over-the-top campaign ideas. The covers fold out along with the pages of the book itself. The first page folds out to reveal an incredible image of a triumphant Gary Cooper smiling out from the fabulous 24-sheet billboard format. A wonderful piece of memorabilia from this epic adventure film. With no cuts, the only condition issues with this great item are some pages breaking loose from one of the two original staples in the spine. From the Estate of Andrew Weimer Gard. Very Fine+.
Beau Geste (Paramount, 1939). Jumbo Window Card (22" X 28").
A true film classic, this picture stars Gary Cooper as Michael "Beau" Geste, who, in order to protect a beloved aunt, confesses to a robbery he did not commit and joins the French Foreign Legion in disgrace. There, he is reunited with his brothers, John (Ray Milland) and Digby (Robert Preston), and eventually redeems his honor at the hour of his death. This card has pinholes in the corners and in the image, large stains on the left side and across the bottom, a large punched-through piece in the imprint area, creased corners, and a chip in the right border which has some amateur repair. Fine.
A true film classic, this picture stars Gary Cooper as Michael "Beau" Geste, who, in order to protect a beloved aunt, confesses to a robbery he did not commit and joins the French Foreign Legion in disgrace. There, he is reunited with his brothers, John (Ray Milland) and Digby (Robert Preston), and eventually redeems his honor at the hour of his death. This card has pinholes in the corners and in the image, large stains on the left side and across the bottom, a large punched-through piece in the imprint area, creased corners, and a chip in the right border which has some amateur repair. Fine.
The Buccaneer (Paramount, 1938). Insert (14" X 36").
Fredric March stars in this historical fiction account of French plunderer Jean Lafitte's involvement in the War of 1812. Set in early nineteenth century "buccaneer's haven" off the coast of New Orleans, this exhilarating tale of looting and love boasted a huge production budget that included 63 functional cannons. Beautiful artwork of the stars graces this insert, which has one pinhole in the bottom border, light edge wear, faint stains in the right border, minor fold wear, two chips in the top border with tears, and paper tape on the verso. A true pirate's treasure for any swashbuckler collection! Folded, Fine+.
Fredric March stars in this historical fiction account of French plunderer Jean Lafitte's involvement in the War of 1812. Set in early nineteenth century "buccaneer's haven" off the coast of New Orleans, this exhilarating tale of looting and love boasted a huge production budget that included 63 functional cannons. Beautiful artwork of the stars graces this insert, which has one pinhole in the bottom border, light edge wear, faint stains in the right border, minor fold wear, two chips in the top border with tears, and paper tape on the verso. A true pirate's treasure for any swashbuckler collection! Folded, Fine+.
The Count of Monte Cristo (United Artists, 1934). Lobby Cards (3) (11" X 14").
Few novels have been filmed as many times as Alexandre Dumas' The Count of Monte Cristo--and few versions are as enjoyable as this 1934 adaptation starring Robert Donat as Edmond Dantes. These rare and stunning lobby cards feature beautiful images of Donat and Elissa Landi. The portrait lobby card has a chip in the bottom right corner, the group shot lobby card has very small tears in the right and left border, and the third card has a tear in the right border, which runs slightly into the background. All three lobby cards have a stamp on the verso that bleeds faintly through to the upper left front corner. Fine/Very Fine.
Few novels have been filmed as many times as Alexandre Dumas' The Count of Monte Cristo--and few versions are as enjoyable as this 1934 adaptation starring Robert Donat as Edmond Dantes. These rare and stunning lobby cards feature beautiful images of Donat and Elissa Landi. The portrait lobby card has a chip in the bottom right corner, the group shot lobby card has very small tears in the right and left border, and the third card has a tear in the right border, which runs slightly into the background. All three lobby cards have a stamp on the verso that bleeds faintly through to the upper left front corner. Fine/Very Fine.
His Majesty, the American (United Artists, 1919). Title Lobby Card and Lobby Cards (3) (11" X 14").
Few actors had more fun in the silent era than Douglas Fairbanks. This was his first film for the newly formed United Artists. It was photographed in part by a young Victor Fleming, just learning his trade, and Boris Karloff appears in a small, unbilled part as a spy. The title card has a faint stain and ink mark in the top right corner and a small tear at the bottom edge. One card has a tear in the right border and a crease in the top border; another card has a light crease at the top edge. Very Fine-.
Few actors had more fun in the silent era than Douglas Fairbanks. This was his first film for the newly formed United Artists. It was photographed in part by a young Victor Fleming, just learning his trade, and Boris Karloff appears in a small, unbilled part as a spy. The title card has a faint stain and ink mark in the top right corner and a small tear at the bottom edge. One card has a tear in the right border and a crease in the top border; another card has a light crease at the top edge. Very Fine-.
The Lives of a Bengal Lancer (Paramount, 1935). Jumbo Window Card (22" X 28").
Gary Cooper was just starting to become immensely popular after ten years in Hollywood when he starred in this film about three Bengal Lancers in colonial India. Cooper, Franchot Tone, and Richard Cromwell are three British Lieutenants captured by rebel Mohammed Khan (Douglass Dumbrille), who is planning an uprising. Based on a story by Francis Yeats-Brown, this hit was nominated for seven Academy Awards. With beautifully bright artwork, this half sheet has only vertical and horizontal fold wear and is an excellent piece for minor restoration. A must have, as original posters for this film are scarce. Folded, Fine+.
Gary Cooper was just starting to become immensely popular after ten years in Hollywood when he starred in this film about three Bengal Lancers in colonial India. Cooper, Franchot Tone, and Richard Cromwell are three British Lieutenants captured by rebel Mohammed Khan (Douglass Dumbrille), who is planning an uprising. Based on a story by Francis Yeats-Brown, this hit was nominated for seven Academy Awards. With beautifully bright artwork, this half sheet has only vertical and horizontal fold wear and is an excellent piece for minor restoration. A must have, as original posters for this film are scarce. Folded, Fine+.
The Prisoner of Zenda (MGM, 1952). Door Panel Set of 4 (20" X 60").
This lot includes a complete set of rolled door panels for one of MGM's top historical/costume drama films of 1952. These panels feature both great photos and artwork. The posters feature terrific Hollywood clinch scenes with Stewart Granger and Deborah Kerr at her loveliest, and one of the best portrait photos of James Mason you'll see. There are small tears and tiny chips in the bottoms and top borders along with some light border smudges. Rolled, Fine/Very Fine.
This lot includes a complete set of rolled door panels for one of MGM's top historical/costume drama films of 1952. These panels feature both great photos and artwork. The posters feature terrific Hollywood clinch scenes with Stewart Granger and Deborah Kerr at her loveliest, and one of the best portrait photos of James Mason you'll see. There are small tears and tiny chips in the bottoms and top borders along with some light border smudges. Rolled, Fine/Very Fine.
Raiders of the Lost Ark (Paramount, 1981). British Quad (30" X 40") Style B.
More than a quarter century later, "Raiders" is still one of the greatest action movies ever created. Harrison Ford stars as Indiana Jones, the adventuresome archaeologist, in this first chapter from the Spielberg super franchise. Capturing various scenes from the classic film, this poster features artwork by Brian Bysouth. Very Fine/Near Mint.
More than a quarter century later, "Raiders" is still one of the greatest action movies ever created. Harrison Ford stars as Indiana Jones, the adventuresome archaeologist, in this first chapter from the Spielberg super franchise. Capturing various scenes from the classic film, this poster features artwork by Brian Bysouth. Very Fine/Near Mint.
The Romance of Tarzan (First National, 1918). Lobby Cards (2) (11" X 14").
Arkansas peace officer, Elmo Linkenhelt, had good luck in Hollywood. He was working in D. W. Griffith's The Battle of Elderbush Gulch when his shirt got torn and Griffith noticed his manly chest. Griffith changed his name to Elmo Lincoln and put him in several of his films. In 1917, Winslow Wilson, who had been cast as Tarzan in Tarzan of the Apes, walked off the set and enlisted in WWI. Lincoln was then cast in the first film to make a million dollars. These lobby cards are from the sequel and feature Tarzan in a modern California setting, in modern dress! Very rare cards indeed, from a pre-1920s Tarzan film. The "wrestling" card has a stain in the top right border, right border pinholes, a chip in the bottom left, and small chips in the top left and right corners. There is a small corner bend in the right. The "party" card has pinholes in the upper and lower right corners, a faint dust shadow in the top right, and small corner bends in the bottom corners. Fine+.
Arkansas peace officer, Elmo Linkenhelt, had good luck in Hollywood. He was working in D. W. Griffith's The Battle of Elderbush Gulch when his shirt got torn and Griffith noticed his manly chest. Griffith changed his name to Elmo Lincoln and put him in several of his films. In 1917, Winslow Wilson, who had been cast as Tarzan in Tarzan of the Apes, walked off the set and enlisted in WWI. Lincoln was then cast in the first film to make a million dollars. These lobby cards are from the sequel and feature Tarzan in a modern California setting, in modern dress! Very rare cards indeed, from a pre-1920s Tarzan film. The "wrestling" card has a stain in the top right border, right border pinholes, a chip in the bottom left, and small chips in the top left and right corners. There is a small corner bend in the right. The "party" card has pinholes in the upper and lower right corners, a faint dust shadow in the top right, and small corner bends in the bottom corners. Fine+.
Tarzan's New York Adventure (MGM, 1942). Insert (14" X 36").
This was the last of the Johnny Weissmuller MGM Tarzan films before RKO took over the series. It's considered to be one of the better films in the series. This insert features excellent graphics of Weissmuller as Tarzan, swinging between the skyscrapers of New York City, along with beautiful inset images of Maureen O' Sullivan (Jane Parker) and little Johnny Sheffield (Boy). In very presentable condition, the poster has left side edge wear, smudging in the image area, small tears in the top border, a tear in bottom right corner with tape on the verso, and a tear in right border that extends into the image area. A fine piece for the ultimate Tarzan enthusiast. Rolled, Fine+.
This was the last of the Johnny Weissmuller MGM Tarzan films before RKO took over the series. It's considered to be one of the better films in the series. This insert features excellent graphics of Weissmuller as Tarzan, swinging between the skyscrapers of New York City, along with beautiful inset images of Maureen O' Sullivan (Jane Parker) and little Johnny Sheffield (Boy). In very presentable condition, the poster has left side edge wear, smudging in the image area, small tears in the top border, a tear in bottom right corner with tape on the verso, and a tear in right border that extends into the image area. A fine piece for the ultimate Tarzan enthusiast. Rolled, Fine+.
Tarzan and His Mate (MGM, 1934). Pressbook Advertising Supplement (15" X 24", 8 Printed Pages)).
One of the scarcest items you'll find on this sequel to the incredibly successful Tarzan the Ape Man. This amazing pressbook advertising supplement has eight single-side printed pages of every possible tie-in. MGM really went to town on this one! Tarzan Bread, Tarzan Ice Cream, Tarzan Sweaters, Tarzan Bathing Suits, Tarzan Coca-Cola Serving Trays, etc! There's even most of a page showing "Mary" the live Rhinoceros and her special tour schedule. There is only one 4" X 11" cut on the final page. There are staple holes in the top borders, a small water stain in the left border, and tape stains in the top border of one page. Very Fine.
One of the scarcest items you'll find on this sequel to the incredibly successful Tarzan the Ape Man. This amazing pressbook advertising supplement has eight single-side printed pages of every possible tie-in. MGM really went to town on this one! Tarzan Bread, Tarzan Ice Cream, Tarzan Sweaters, Tarzan Bathing Suits, Tarzan Coca-Cola Serving Trays, etc! There's even most of a page showing "Mary" the live Rhinoceros and her special tour schedule. There is only one 4" X 11" cut on the final page. There are staple holes in the top borders, a small water stain in the left border, and tape stains in the top border of one page. Very Fine.
It's a Wonderful Life (RKO, 1946). CGC Graded Lobby Card (11" X 14").
Lobby cards from this perennial favorite were printed for the general release with both "blue" and "green" backgrounds. A majority of the cards printed were in the green style. In very short supply are the "blue" background cards, such as this one. So, it's a real plus to find not only one of the rarer cards, but one that is also in a very high CGC grade. Near Mint.
Lobby cards from this perennial favorite were printed for the general release with both "blue" and "green" backgrounds. A majority of the cards printed were in the green style. In very short supply are the "blue" background cards, such as this one. So, it's a real plus to find not only one of the rarer cards, but one that is also in a very high CGC grade. Near Mint.
The 7th Voyage of Sinbad (Columbia, 1958). Lobby Card Set of 8 (11" X 14").
Sinbad's (Kerwin Mathews) adventures on the isle of Colossa feature battles with a Cyclops, a giant Roc, and a treacherous magician (Torin Thatcher). He triumphs over all to win the hand of the beautiful Princess Parisa (Kathryn Grant). This wonderful lobby card set is in fantastic condition, with only light wear. The title card has pinholes in the borders and creasing in the top border and image area, three cards have a pinhole in the top center border, and one card has a small border tear. An excellent find, one not to be missed. Fine/Very Fine.
Sinbad's (Kerwin Mathews) adventures on the isle of Colossa feature battles with a Cyclops, a giant Roc, and a treacherous magician (Torin Thatcher). He triumphs over all to win the hand of the beautiful Princess Parisa (Kathryn Grant). This wonderful lobby card set is in fantastic condition, with only light wear. The title card has pinholes in the borders and creasing in the top border and image area, three cards have a pinhole in the top center border, and one card has a small border tear. An excellent find, one not to be missed. Fine/Very Fine.
Alice in Wonderland (Paramount, 1933). Lobby Card (11" X 14").
This epic Paramount marriage of live-action, animation, and fantasy, boasted one of the largest ensemble casts ever assembled in Hollywood. As with most cards from great, early-1930s titles, it's a true scarcity. Charlotte Henry appears as the young Alice, caught in a dream world and dragged along by the ebullient Red Queen (Edna May Oliver). The lobby card has pinholes in the corners, one corner bend, light staining in the bottom border, and the reverse has painted writing, which does not affect the front of the card. A beautiful color image. Fine.
This epic Paramount marriage of live-action, animation, and fantasy, boasted one of the largest ensemble casts ever assembled in Hollywood. As with most cards from great, early-1930s titles, it's a true scarcity. Charlotte Henry appears as the young Alice, caught in a dream world and dragged along by the ebullient Red Queen (Edna May Oliver). The lobby card has pinholes in the corners, one corner bend, light staining in the bottom border, and the reverse has painted writing, which does not affect the front of the card. A beautiful color image. Fine.
Lost Horizon (Columbia, 1937). Jumbo Lobby Card (14" X 17").
Long before she won three Emmy's as the devoted sit-com wife of Robert Young on Father Knows Best, Jane Wyatt turned in a brilliant performance in this ever-popular Frank Capra classic. This scarce pebble finish jumbo lobby card of a sultry Wyatt is a must have for any fan of this great film, Ms. Wyatt, or Star Trek, for that matter (she played Spock's mother). There is only some mild edge wear in the bottom border and a small replaced piece of the lower right corner. Fine/Very Fine.
Long before she won three Emmy's as the devoted sit-com wife of Robert Young on Father Knows Best, Jane Wyatt turned in a brilliant performance in this ever-popular Frank Capra classic. This scarce pebble finish jumbo lobby card of a sultry Wyatt is a must have for any fan of this great film, Ms. Wyatt, or Star Trek, for that matter (she played Spock's mother). There is only some mild edge wear in the bottom border and a small replaced piece of the lower right corner. Fine/Very Fine.
2001: A Space Odyssey (MGM, 1968). British Quad (30" X 40").
Stanley Kubrick's science-fiction masterpiece was based on Arthur C. Clarke's short story "The Sentinel." The film is a modern classic that pioneered many of the special effects still in use today! This British quad features eye-popping artwork by Robert McCall and has only minor creases along the top and bottom borders. Very Fine+.
Stanley Kubrick's science-fiction masterpiece was based on Arthur C. Clarke's short story "The Sentinel." The film is a modern classic that pioneered many of the special effects still in use today! This British quad features eye-popping artwork by Robert McCall and has only minor creases along the top and bottom borders. Very Fine+.
Attack of the Crab Monsters and Not of This Earth (Allied Artists, 1957). Half Sheet (22" X 28") Drive-In Double Feature.
Drive-In double features were the spice of life for horror fans of the 1950s, and this splendid half-sheet, boasting the team-up of two Roger Corman fright-fests, is one of our very favorite time capsules of the era. Featuring a double-dose of cool poster art, this half sheet can't be beat. Condition includes creasing in the top border, small tears in the right border, and pinholes in the corner and image areas; the poster was folded once vertically down the middle, with very minor fold wear. Folded, Very Fine-.
Drive-In double features were the spice of life for horror fans of the 1950s, and this splendid half-sheet, boasting the team-up of two Roger Corman fright-fests, is one of our very favorite time capsules of the era. Featuring a double-dose of cool poster art, this half sheet can't be beat. Condition includes creasing in the top border, small tears in the right border, and pinholes in the corner and image areas; the poster was folded once vertically down the middle, with very minor fold wear. Folded, Very Fine-.
Barbarella (Paramount, 1968). Czech Poster (11.25" X 15.5").
This is a great opportunity to obtain artwork by a top Czech comic book artist, Kaja Saudek, (since the 1960s, three out of the top five Czech comic books contain his work), and a poster for one of the best cult films ever made. *Note the paper airplane on the left side of the image is made out of a folded up comic book! Practically flawless. Rolled, Near Mint/Mint.
This is a great opportunity to obtain artwork by a top Czech comic book artist, Kaja Saudek, (since the 1960s, three out of the top five Czech comic books contain his work), and a poster for one of the best cult films ever made. *Note the paper airplane on the left side of the image is made out of a folded up comic book! Practically flawless. Rolled, Near Mint/Mint.
The Brain from Planet Arous (Howco, 1957). Lobby Card Set of 8 (11" X 14").
This lot contains an entire lobby card set for this high cult classic about aliens possessing Earthling bodies. Note the great effect achieved in the left border logo. John Agar's eyes were fitted with special contact lenses that were lined with metal foil! There are top corner pinholes in one card and another with slight foxing in the top and right borders. Very Fine.
This lot contains an entire lobby card set for this high cult classic about aliens possessing Earthling bodies. Note the great effect achieved in the left border logo. John Agar's eyes were fitted with special contact lenses that were lined with metal foil! There are top corner pinholes in one card and another with slight foxing in the top and right borders. Very Fine.
Cat-Women of the Moon (Astor Pictures, 1954). Insert (14" X 36").
An expedition lands on the moon to discover not only air and water, but a civilization of "cat-women." As it turns out, their ruler (Carol Brewster) lured the astronauts there for nefarious purposes. This catty insert has edge wear with small tears, stains in the right and left borders, a tear in the left border above the title, corner creases, and a sliver of paper missing from the top right border. Rolled, Fine/Very Fine.
An expedition lands on the moon to discover not only air and water, but a civilization of "cat-women." As it turns out, their ruler (Carol Brewster) lured the astronauts there for nefarious purposes. This catty insert has edge wear with small tears, stains in the right and left borders, a tear in the left border above the title, corner creases, and a sliver of paper missing from the top right border. Rolled, Fine/Very Fine.
Day the World Ended (American Releasing Corp., 1956). Half Sheet (22" X 28").
This well-crafted, thought-provoking apocalyptic film was Roger Corman's first
foray into the science-fiction genre, telling the tale of a post-nuclear group
of survivors that is invaded by mutant creatures. This half sheet, with awesome art by Albert Kallis, has minor crinkles throughout, a pinhole in each of the upper corners, some dings to the lower right corner, and slight tape stain residual to each of the bottom corners. Rolled, Very Fine.
This well-crafted, thought-provoking apocalyptic film was Roger Corman's first
foray into the science-fiction genre, telling the tale of a post-nuclear group
of survivors that is invaded by mutant creatures. This half sheet, with awesome art by Albert Kallis, has minor crinkles throughout, a pinhole in each of the upper corners, some dings to the lower right corner, and slight tape stain residual to each of the bottom corners. Rolled, Very Fine.
The Deadly Mantis (Universal International, 1957). Three Sheet (41" X 81").
Producer William Alland launched another big-bug movie with this mutated preying mantis. It was keeping in line with the public's fear of radiation and nuclear war that the movie industry was convinced this new science would produce giant ants, spiders, scorpions, grasshoppers, and mantises. These giant bugs are truly great on the large format posters of the era. Other than some minor mis-folds, creases and light smudging in the background, this poster is in beautiful condition. Very Fine+.
Producer William Alland launched another big-bug movie with this mutated preying mantis. It was keeping in line with the public's fear of radiation and nuclear war that the movie industry was convinced this new science would produce giant ants, spiders, scorpions, grasshoppers, and mantises. These giant bugs are truly great on the large format posters of the era. Other than some minor mis-folds, creases and light smudging in the background, this poster is in beautiful condition. Very Fine+.
The Empire Strikes Back (20th Century Fox, 1980). Insert (14" X 36").
Luke goes to Dagobah to learn the ways of the Force from Yoda, while Han, Chewie and Leia travel to the cloud city of Bespin to meet Lando Calrissian. It's all in a day's work for the fine folk of the rebellion in this, the second--and many people say the best--installment in the epic franchise. This splendid insert has one tiny ding in the right border and some extremely faint water spots across the credits area. Rolled, Very Fine.
Luke goes to Dagobah to learn the ways of the Force from Yoda, while Han, Chewie and Leia travel to the cloud city of Bespin to meet Lando Calrissian. It's all in a day's work for the fine folk of the rebellion in this, the second--and many people say the best--installment in the epic franchise. This splendid insert has one tiny ding in the right border and some extremely faint water spots across the credits area. Rolled, Very Fine.
The Incredible Shrinking Man (Universal International, 1957). Half Sheet (22" X 28") Style B.
Few film poster artists were as consistently successful with their conceptions as was Reynold Brown. His dramatic paintings pulled crowds into theatres for many years. This Style B half sheet has Grant Williams shrunk to mere inches due to some insecticide-gone-wrong. He wields a needle, which to him is the size of a spear, as he fends off an attacking cat. The title font in the word "Shrinking" cleverly gets smaller. There are staple holes in the borders, pinholes in the corners, edge wear with small tears, two corner bends, and a small chip in the bottom border. Folded, Fine+.
Few film poster artists were as consistently successful with their conceptions as was Reynold Brown. His dramatic paintings pulled crowds into theatres for many years. This Style B half sheet has Grant Williams shrunk to mere inches due to some insecticide-gone-wrong. He wields a needle, which to him is the size of a spear, as he fends off an attacking cat. The title font in the word "Shrinking" cleverly gets smaller. There are staple holes in the borders, pinholes in the corners, edge wear with small tears, two corner bends, and a small chip in the bottom border. Folded, Fine+.
It Came from Beneath the Sea (Columbia, 1955). Autographed Insert (14" X 36").
Famously, only six tentacles of the monster octopus were ever seen on-screen in this classic Ray Harryhausen monster movie, a time-saving measure that ensured the legendary animator could make his deadlines. The poster has edge wear with one small tear, a tear in the right border, and minor corner creases. This insert has been signed in the credits area by star Kenneth Tobey. Rolled, Very Fine-.
Famously, only six tentacles of the monster octopus were ever seen on-screen in this classic Ray Harryhausen monster movie, a time-saving measure that ensured the legendary animator could make his deadlines. The poster has edge wear with one small tear, a tear in the right border, and minor corner creases. This insert has been signed in the credits area by star Kenneth Tobey. Rolled, Very Fine-.
The Land Unknown (Universal International, 1957). Three Sheet (41" X 81").
Dinosaurs walk the Earth, at least in the lost valley of the Antarctic, as this low-budget sci-fi adventure would have us believe. This cool three sheet has great dino-art by Reynold Brown. Condition issues include corner pinholes, crossfold separations, and fold/edge wear. Very Fine+.
Dinosaurs walk the Earth, at least in the lost valley of the Antarctic, as this low-budget sci-fi adventure would have us believe. This cool three sheet has great dino-art by Reynold Brown. Condition issues include corner pinholes, crossfold separations, and fold/edge wear. Very Fine+.
The Phantom from 10,000 Leagues (American Releasing Corp., 1955). Half Sheet (22" X 28").
Mysterious deaths along a stretch of beachfront draw the attention of a scientist (Kent Taylor), especially since the bodies show signs of exposure to atomic radiation. Not too surprisingly, the culprit turns out to be a mutated monster from the bottom of the ocean. If only said creature were quite as impressive in the actual film as he is on this outstanding half sheet, ready to rip the bikini-clad damsel limb from limb. Light edge wear, corner creases, and some light smudging are the only condition issues on this great-looking unrestored poster. Folded, Very Fine.
Mysterious deaths along a stretch of beachfront draw the attention of a scientist (Kent Taylor), especially since the bodies show signs of exposure to atomic radiation. Not too surprisingly, the culprit turns out to be a mutated monster from the bottom of the ocean. If only said creature were quite as impressive in the actual film as he is on this outstanding half sheet, ready to rip the bikini-clad damsel limb from limb. Light edge wear, corner creases, and some light smudging are the only condition issues on this great-looking unrestored poster. Folded, Very Fine.
Planet of the Apes (20th Century Fox, 1968). German A1s (2) (23" X 33").
Charlton Heston and crew crash-land onto what first appears to be a barren planet, but they soon discover it is inhabited by intelligent apes who treat men as wild animals. This classic science fiction allegory spawned four sequels, a TV series, and two modern reboots. Offered here are two German A1s, both with striking artwork and cool graphics. The Taylor/Nova poster is believed to be original issue, and has corner pinholes, edge wear, a tear below Nova's knee, repaired with tape on the reverse, fold wear with minor splits, corner creases, and small amounts of clear tape on the reverse. The Dr. Zaius poster is most likely a 1970s re-issue, which has fold wear and one corner bend. Fine/Very Fine.
Charlton Heston and crew crash-land onto what first appears to be a barren planet, but they soon discover it is inhabited by intelligent apes who treat men as wild animals. This classic science fiction allegory spawned four sequels, a TV series, and two modern reboots. Offered here are two German A1s, both with striking artwork and cool graphics. The Taylor/Nova poster is believed to be original issue, and has corner pinholes, edge wear, a tear below Nova's knee, repaired with tape on the reverse, fold wear with minor splits, corner creases, and small amounts of clear tape on the reverse. The Dr. Zaius poster is most likely a 1970s re-issue, which has fold wear and one corner bend. Fine/Very Fine.
Return of the Jedi (20th Century Fox, 1983). British Quad (30" X 40") Advance.
Dramatic artwork of the final battle between Skywalker and Vader highlights this cool British Quad for the final film of the original Star Wars trilogy. The poster has edge wear with small tears, fold wear, and a fair amount of surface creasing. Fine/Very Fine.
Dramatic artwork of the final battle between Skywalker and Vader highlights this cool British Quad for the final film of the original Star Wars trilogy. The poster has edge wear with small tears, fold wear, and a fair amount of surface creasing. Fine/Very Fine.
Star Wars (20th Century Fox, 1977). Insert (14" X 36").
Despite corporate reservations about George Lucas' little space movie, there's no denying that 20th Century Fox designed a deep and wide-ranging marketing campaign for the film, including no less than four one sheet styles. This sublime insert uses the superb Tom Jung artwork from the style A one sheet, with more muted colors and Leia sporting a sexier outfit than she wore in the film. A minor crease in the top left corner and a tiny bit of edge wear with a very small nick along the top edge are the only condition issues. Rolled, Near Mint-.
Despite corporate reservations about George Lucas' little space movie, there's no denying that 20th Century Fox designed a deep and wide-ranging marketing campaign for the film, including no less than four one sheet styles. This sublime insert uses the superb Tom Jung artwork from the style A one sheet, with more muted colors and Leia sporting a sexier outfit than she wore in the film. A minor crease in the top left corner and a tiny bit of edge wear with a very small nick along the top edge are the only condition issues. Rolled, Near Mint-.
Star Wars (20th Century Fox, 1977). Japanese B2 (20" X 29").
The adventures of Luke Skywalker and his pals Han Solo, Princess Leia, R2-D2, C-3PO, and Chewbacca are detailed in the first installment of George Lucas' mega-hit franchise. This nice-looking Japanese B2, featuring a mix of photo-montage and the famous Hildebrandt Brothers painting, is in sublime condition with only some light edge wear. Rolled, Very Fine+.
The adventures of Luke Skywalker and his pals Han Solo, Princess Leia, R2-D2, C-3PO, and Chewbacca are detailed in the first installment of George Lucas' mega-hit franchise. This nice-looking Japanese B2, featuring a mix of photo-montage and the famous Hildebrandt Brothers painting, is in sublime condition with only some light edge wear. Rolled, Very Fine+.
War of the Colossal Beast (American International, 1958). Lobby Card Set of 8 (11" X 14").
This sensational sequel to The Amazing Colossal Man found Colonel Glenn Manning terribly disfigured after his fall from Hoover Dam. Of course, he's still on a rampage! This set had a Canadian censor stamp on each card at one time but has since been expertly removed. Some of the scene cards have staple marks or pinholes in the corners. Very Fine-.
This sensational sequel to The Amazing Colossal Man found Colonel Glenn Manning terribly disfigured after his fall from Hoover Dam. Of course, he's still on a rampage! This set had a Canadian censor stamp on each card at one time but has since been expertly removed. Some of the scene cards have staple marks or pinholes in the corners. Very Fine-.
101 Dalmatians (Buena Vista, 1961). One Sheet (27" X 41").
This charming Disney animation hit had all kinds of firsts associated with the title. It was the first Disney animation film set in a contemporary setting, it was the first Disney film created by just a single "story man" (Bill Peet), and it was the first Disney film to use Xerox photography, circumventing the inking process. This colorful one sheet has the parent Dalmations twisting their leashes around the legs of the human couple, insuring that they'll meet. The lower left of the poster features one of the greatest screen villains of all time, Cruella De Vil. There is some wrinkling, there is fold wear with the horizontal fold producing a tear in each quadrant, there is paper tape on the verso, and there are corner bends. Fine/Very Fine.
This charming Disney animation hit had all kinds of firsts associated with the title. It was the first Disney animation film set in a contemporary setting, it was the first Disney film created by just a single "story man" (Bill Peet), and it was the first Disney film to use Xerox photography, circumventing the inking process. This colorful one sheet has the parent Dalmations twisting their leashes around the legs of the human couple, insuring that they'll meet. The lower left of the poster features one of the greatest screen villains of all time, Cruella De Vil. There is some wrinkling, there is fold wear with the horizontal fold producing a tear in each quadrant, there is paper tape on the verso, and there are corner bends. Fine/Very Fine.
Bugs Bunny Cartoon Revue (Warner Brothers, 1953). One Sheet (27" X 41").
A great collection of images of many of the Warner Bros. cartoon stars, including Bugs, Porky Pig, Tweety, Daffy, Sylvester and more. The poster has pinholes at the top, edge wear, a dust shadow along the left and top borders, tears in the top and bottom borders repaired with tape on the reverse, and minor toning along the bottom border. Fine+.
A great collection of images of many of the Warner Bros. cartoon stars, including Bugs, Porky Pig, Tweety, Daffy, Sylvester and more. The poster has pinholes at the top, edge wear, a dust shadow along the left and top borders, tears in the top and bottom borders repaired with tape on the reverse, and minor toning along the bottom border. Fine+.
George Pal Puppetoon Stock (Paramount, 1944). One Sheet (27" X 41") "Jasper and the Beanstalk."
Years before he became renowned the world over for sci-fi classics such as War of the Worlds, The Time Machine, When Worlds Collide, etc., George Pal was in Hollywood making "Puppetoons" for Paramount. Pal was a pioneer in the field of stop-motion animation. His "replacement technique" involved separate puppets for each motion, up to 12 pairs of legs just for one walking character. An average feature used literally thousands of puppets. This rare one sheet, with an even rarer attached snipe, is for one of the "Jasper, the African Boy" cartoons. A racist by no means, Pal was thoroughly saddened when called such. He intended the character to be wide-eyed, with an innocent view of the world, much like himself. The one sheets from Pal's work remain interesting and collectible artifacts. There are pinholes throughout, edge wear with tears at the folds, a smudging in the image, fold wear with small chips and crossfold separations, and paper tape on the top border on the verso. Fine.
Years before he became renowned the world over for sci-fi classics such as War of the Worlds, The Time Machine, When Worlds Collide, etc., George Pal was in Hollywood making "Puppetoons" for Paramount. Pal was a pioneer in the field of stop-motion animation. His "replacement technique" involved separate puppets for each motion, up to 12 pairs of legs just for one walking character. An average feature used literally thousands of puppets. This rare one sheet, with an even rarer attached snipe, is for one of the "Jasper, the African Boy" cartoons. A racist by no means, Pal was thoroughly saddened when called such. He intended the character to be wide-eyed, with an innocent view of the world, much like himself. The one sheets from Pal's work remain interesting and collectible artifacts. There are pinholes throughout, edge wear with tears at the folds, a smudging in the image, fold wear with small chips and crossfold separations, and paper tape on the top border on the verso. Fine.
Mighty Mouse (20th Century Fox, 1943). One Sheet (27" X 41").
Terry-Toons' most successful creation, Mighty Mouse, enjoyed a long run in a series of theater cartoons as well as several TV and comic book series. This stock sheet often had the title of a particular 'toon printed in the bottom area, but this one is blank. Edge wear, rounded corners, and one crumpled crossfold separation are the condition issues to note on this clean, bright sheet. Fine/Very Fine.
Terry-Toons' most successful creation, Mighty Mouse, enjoyed a long run in a series of theater cartoons as well as several TV and comic book series. This stock sheet often had the title of a particular 'toon printed in the bottom area, but this one is blank. Edge wear, rounded corners, and one crumpled crossfold separation are the condition issues to note on this clean, bright sheet. Fine/Very Fine.
Mr. Bug Goes to Town (Paramount, 1941). Insert (14" X 36").
Brothers Max and Dave Fleischer created this insect soap opera. This insert has charming artwork and fun scenes from the film. Staple holes in the corners and light smudges in the bottom border are the main condition issues to report. Folded, Very Fine.
Brothers Max and Dave Fleischer created this insect soap opera. This insert has charming artwork and fun scenes from the film. Staple holes in the corners and light smudges in the bottom border are the main condition issues to report. Folded, Very Fine.
Peter Pan (RKO, 1953). Half Sheet (22" X 28").
Here's a chance at an original half sheet on one of the best Disney animation films, a full condition grade above what is normally seen. Only a very small percentage of these posters were rolled and not folded. There is light edge wear in the top border and a light stain in the bottom border. Rolled. Very Fine-.
Here's a chance at an original half sheet on one of the best Disney animation films, a full condition grade above what is normally seen. Only a very small percentage of these posters were rolled and not folded. There is light edge wear in the top border and a light stain in the bottom border. Rolled. Very Fine-.
Popeye Stock Poster (Paramount, 1950). One Sheet (27" X 41").
Created by Elzie Crisler Segar, Popeye the Sailor Man first appeared in a daily cartoon strip in 1929. He found his way to Paramount four years later in a series of successful shorts, voiced mostly by Jack Mercer. Until 1950, all of Paramount's cartoon one sheets were printed in duotone colors. This was the first one sheet to depict the popular sailor in full color, along with Olive Oyl and Popeye's long time rival, Bluto. This vibrant stock poster, with only light transfer stains in the lettering "Popeye" and a small bottom left corner crease, will be an added gem to any collection. Very Fine.
Created by Elzie Crisler Segar, Popeye the Sailor Man first appeared in a daily cartoon strip in 1929. He found his way to Paramount four years later in a series of successful shorts, voiced mostly by Jack Mercer. Until 1950, all of Paramount's cartoon one sheets were printed in duotone colors. This was the first one sheet to depict the popular sailor in full color, along with Olive Oyl and Popeye's long time rival, Bluto. This vibrant stock poster, with only light transfer stains in the lettering "Popeye" and a small bottom left corner crease, will be an added gem to any collection. Very Fine.
Sleeping Beauty (Buena Vista, 1959). Insert (14" X 36").
Walt Disney's timeless animation gem follows the classic fairy tale of Princess Aurora who is cursed by the wicked fairy and waits for her prince to release her. A hit for the studio, this film is a beloved classic. This beautiful insert shows only two pinholes, edge wear with small tears, a tear at the bottom background, and light surface wear and creases. There are a few minor ink spots in the lower right corner and a few pieces of cellophane tape on the reverse. Rolled, Fine/Very Fine.
Walt Disney's timeless animation gem follows the classic fairy tale of Princess Aurora who is cursed by the wicked fairy and waits for her prince to release her. A hit for the studio, this film is a beloved classic. This beautiful insert shows only two pinholes, edge wear with small tears, a tear at the bottom background, and light surface wear and creases. There are a few minor ink spots in the lower right corner and a few pieces of cellophane tape on the reverse. Rolled, Fine/Very Fine.
Terry-Toons (20th Century Fox, 1940s). Educational Posters (6) (22" X 30").
If you love animation, you'll love this complete set of half sheet-sized posters meant to educate the public on how the Terry Toons studio produced a cartoon. There are some great photos of Paul Terry and his animators as they show you how they draw characters, construct sets, integrate the musical scores, etc. It's a rare glimpse into how old-style studios produced their products. There is edge wear with chips and tears in the borders. Internally, the images are excellent. Rolled, Fine+.
If you love animation, you'll love this complete set of half sheet-sized posters meant to educate the public on how the Terry Toons studio produced a cartoon. There are some great photos of Paul Terry and his animators as they show you how they draw characters, construct sets, integrate the musical scores, etc. It's a rare glimpse into how old-style studios produced their products. There is edge wear with chips and tears in the borders. Internally, the images are excellent. Rolled, Fine+.
Tom and Jerry Stock (MGM, 1963). One Sheet (27" X 41").
This is quite an interesting poster. If it was an "international" poster, as the National Screen number might suggest, it was most likely used for an MGM cartoon "festival" where foreign theatres would show groups of cartoons at a time. If it was used domestically in the US, it would been used for cartoon #128 in the series, 1963's Pent-House Mouse, the first Chuck Jones Tom and Jerry cartoon! The poster is flat folded and has no vertical folds. Near Mint/Mint.
This is quite an interesting poster. If it was an "international" poster, as the National Screen number might suggest, it was most likely used for an MGM cartoon "festival" where foreign theatres would show groups of cartoons at a time. If it was used domestically in the US, it would been used for cartoon #128 in the series, 1963's Pent-House Mouse, the first Chuck Jones Tom and Jerry cartoon! The poster is flat folded and has no vertical folds. Near Mint/Mint.
Tom and Jerry Cinemascope Stock (MGM, 1955). One Sheet (27" X 41").
This is a rare Cinemascope Hanna and Barbera cartoon stock sheet used to follow the exploits of our favorite cat and mouse. The color saturation on this poster is fantastic. Light edge wear, a soft crease in the top right corner, and one minor crossfold separation are the only minor condition issues. Very Fine+.
This is a rare Cinemascope Hanna and Barbera cartoon stock sheet used to follow the exploits of our favorite cat and mouse. The color saturation on this poster is fantastic. Light edge wear, a soft crease in the top right corner, and one minor crossfold separation are the only minor condition issues. Very Fine+.
Who Framed Roger Rabbit (Buena Vista, 1988). Gold Mylar One Sheet (27" X 41") Jessica Rabbit Style D.
Directed by Robert Zemeckis and winner of four Oscars, this fantasy-comedy features a terrific ensemble cast, including Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer, and as the super-sultry voice of Jessica Rabbit, Kathleen Turner. Simply gorgeous, this Gold Mylar "Jessica" one sheet is difficult to find, especially in this stellar condition. Rolled, Mint.
Directed by Robert Zemeckis and winner of four Oscars, this fantasy-comedy features a terrific ensemble cast, including Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer, and as the super-sultry voice of Jessica Rabbit, Kathleen Turner. Simply gorgeous, this Gold Mylar "Jessica" one sheet is difficult to find, especially in this stellar condition. Rolled, Mint.
Alice in Wonderland (RKO, 1951). Half Sheet (22" X 28") Style B.
Disney's Technicolor version of the classic Lewis Carroll story featured a terrific voice cast, including Ed Wynn, Richard Haydn, Sterling Holloway, and Jerry Colonna, not to mention the adorable Kathryn Beaumont as Alice who, as the Disney publicity machine at the time was fond of pointing out, looked very much like her cartoon counterpart. As with much of the paper for this title, this gorgeous half sheet features Alice in a red dress rather than the iconic blue one she wore in the film. Condition issues include edge wear with small tears, tears in the borders, some of them extending into the image, and corner creases. Rolled, Very Fine.
Disney's Technicolor version of the classic Lewis Carroll story featured a terrific voice cast, including Ed Wynn, Richard Haydn, Sterling Holloway, and Jerry Colonna, not to mention the adorable Kathryn Beaumont as Alice who, as the Disney publicity machine at the time was fond of pointing out, looked very much like her cartoon counterpart. As with much of the paper for this title, this gorgeous half sheet features Alice in a red dress rather than the iconic blue one she wore in the film. Condition issues include edge wear with small tears, tears in the borders, some of them extending into the image, and corner creases. Rolled, Very Fine.
Dumbo (RKO, 1941). Lobby Card (11" X 14").
This card features the impossible elephant balancing act scene from one of Disney's most beloved full length animation films. There is a single pinhole in the top left corner and one in the center background, slight corner bends, a small tear in the right border, slightly rounded corners, and a "Cozy Theater" rubber stamp on the verso. Very Fine.
This card features the impossible elephant balancing act scene from one of Disney's most beloved full length animation films. There is a single pinhole in the top left corner and one in the center background, slight corner bends, a small tear in the right border, slightly rounded corners, and a "Cozy Theater" rubber stamp on the verso. Very Fine.
How to Ride a Horse (RKO, R-1950). One Sheet (27" X 41").
Originally released with the Disney feature The Reluctant Dragon (1941), this animated short was the first of a long running series of "How To" cartoons featuring one of the studio's most beloved characters. The original release had no poster produced for it at all, but the short was reissued in 1950 with this colorful piece. There are pinholes in the corners and within the image. There is a small tear in the top border which has been repaired on the verso with brown paper tape and tiny centerpoint fold separations have also been mended with white paper tape on the verso. Fine/Very Fine.
Originally released with the Disney feature The Reluctant Dragon (1941), this animated short was the first of a long running series of "How To" cartoons featuring one of the studio's most beloved characters. The original release had no poster produced for it at all, but the short was reissued in 1950 with this colorful piece. There are pinholes in the corners and within the image. There is a small tear in the top border which has been repaired on the verso with brown paper tape and tiny centerpoint fold separations have also been mended with white paper tape on the verso. Fine/Very Fine.
Lady and the Tramp (Buena Vista, 1955). Half Sheet (22" X 28").
One of the prettiest pieces on the first all-cartoon feature in Cinemascope. A unique opportunity to get an unfolded piece on this title, which is significant, due to the usual horizontal fold going right through Lady's face! Just some light edge wear. Rolled, Very Fine+.
One of the prettiest pieces on the first all-cartoon feature in Cinemascope. A unique opportunity to get an unfolded piece on this title, which is significant, due to the usual horizontal fold going right through Lady's face! Just some light edge wear. Rolled, Very Fine+.
Lambert, the Sheepish Lion (RKO, 1952). One Sheet (27" X 41").
This Academy Award nominated Disney animated short film tells the story of Lambert, a baby lion, mistakenly delivered by a stork to a flock of sheep. As an outcast in the flock, Lambert grows up cowardly, until he is forced to defend his mother from a hungry wolf. Jack Hannah directs, and Disney legend Sterling Holloway provides the voice of the narrator and stork. This highly presentable one sheet, with an adorable image of the endearing Lambert and his flock, shows only light edge wear in the right border, minor crossfold separation and small fold separations in the bottom fold. Disney fans will delight in this playful piece, an excellent part of any collection. Very Fine.
This Academy Award nominated Disney animated short film tells the story of Lambert, a baby lion, mistakenly delivered by a stork to a flock of sheep. As an outcast in the flock, Lambert grows up cowardly, until he is forced to defend his mother from a hungry wolf. Jack Hannah directs, and Disney legend Sterling Holloway provides the voice of the narrator and stork. This highly presentable one sheet, with an adorable image of the endearing Lambert and his flock, shows only light edge wear in the right border, minor crossfold separation and small fold separations in the bottom fold. Disney fans will delight in this playful piece, an excellent part of any collection. Very Fine.
Summertime (Celebrity Productions, 1935). Lobby Card Set of 4 (11" X 14").
It's time for the world to warm up, but Old Man Winter doesn't want to release his icy hold, so he resorts to dirty tricks. This charming Powers ComiColor cartoon was directed by famed Disney animator Ub Iwerks (Steamboat Willie). All four of these varnish-finish cards have corner creases and some surface creasing. Fine/Very Fine.
It's time for the world to warm up, but Old Man Winter doesn't want to release his icy hold, so he resorts to dirty tricks. This charming Powers ComiColor cartoon was directed by famed Disney animator Ub Iwerks (Steamboat Willie). All four of these varnish-finish cards have corner creases and some surface creasing. Fine/Very Fine.
Super Mouse Rides Again (20th Century Fox, 1943). Stock One Sheet (27" X 41").
Released in August of 1943, this cartoon featured "Super Mouse," who wouldn't become "Mighty Mouse" until 1944 with The Wreck of the Hesperus. Offered here is a scarce Terry-Toons stock poster, a very special animation item. There are only some small crossfold separations, some mild edge wear with small tears, and small chips in the right border. Very Fine-.
Released in August of 1943, this cartoon featured "Super Mouse," who wouldn't become "Mighty Mouse" until 1944 with The Wreck of the Hesperus. Offered here is a scarce Terry-Toons stock poster, a very special animation item. There are only some small crossfold separations, some mild edge wear with small tears, and small chips in the right border. Very Fine-.
Terry-Toon Cartoons (20th Century Fox, 1938). Stock One Sheet (27" X 41"). "The Last Indian."
This very scarce one sheet from Paul Terry's Educational Pictures period has "the last Indian" riding around monument valley, with large cacti nearby, hooping with a stereotypical wah-wah hand, while riding a buffalo! Great original condition for a cartoon one sheet of this vintage. Not entirely PC, but it was 1938. There is edge wear with small chips, fold wear with small chips, and cross fold separations with small chips. There are extra folds, most likely where the sheet was shipped in the film can to theatres. Fine-.
This very scarce one sheet from Paul Terry's Educational Pictures period has "the last Indian" riding around monument valley, with large cacti nearby, hooping with a stereotypical wah-wah hand, while riding a buffalo! Great original condition for a cartoon one sheet of this vintage. Not entirely PC, but it was 1938. There is edge wear with small chips, fold wear with small chips, and cross fold separations with small chips. There are extra folds, most likely where the sheet was shipped in the film can to theatres. Fine-.
Woody Woodpecker Stock (Universal International, 1950). One Sheet (27" X 41"). Animated.
Walter Lantz created his famous bird, an obnoxious mischief-maker, after he and his wife were interrupted on their honeymoon at a lakeside cottage by a pesty woodpecker. With arguably the most famous laugh of any cartoon character in history, Woody Woodpecker made his debut in a 1940 Andy Panda theatrical short entitled "Knock Knock". Woody continued to appear in short films throughout the 1940s and 1950s. In 1957, the Kellogg's company collected the shorts into a syndicated package that were sold to television as "The Woody Woodpecker Show." The only posters that were produced for Woody were stock posters such as the one featured here. This is an unrestored poster with bright color and a clean overall appearance. It may have general signs of use, such as slight fold separation and fold wear, pinholes, or very minor tears. Please see full-color, enlargeable image below for more details. Folded, Very Fine-.
Walter Lantz created his famous bird, an obnoxious mischief-maker, after he and his wife were interrupted on their honeymoon at a lakeside cottage by a pesty woodpecker. With arguably the most famous laugh of any cartoon character in history, Woody Woodpecker made his debut in a 1940 Andy Panda theatrical short entitled "Knock Knock". Woody continued to appear in short films throughout the 1940s and 1950s. In 1957, the Kellogg's company collected the shorts into a syndicated package that were sold to television as "The Woody Woodpecker Show." The only posters that were produced for Woody were stock posters such as the one featured here. This is an unrestored poster with bright color and a clean overall appearance. It may have general signs of use, such as slight fold separation and fold wear, pinholes, or very minor tears. Please see full-color, enlargeable image below for more details. Folded, Very Fine-.
Angel Face (RKO, 1953). Italian 2 - Foglio (39" X 55").
Jean Simmons portrays young Diane Treymayne, whose angelic nature skillfully veils her ruthless ways, in this Otto Preminger film noir. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane will let nothing stand in the way of her happiness. Scheming to have her stepmother murdered, she steals Frank Jessup (Robert Mitchum), the family chauffeur, away from his sweetheart (Mona Freeman) and makes him an accomplice. This rarely seen Italian 2-foglio has gorgeous artwork by Giorgio Olivetti that beautifully captures the treacherous mood of the film. There are pinholes in the corners, light edge wear, foxing in the right border, tape stains in the left and bottom border, minor fold wear and crossfold separations, surface paper loss in the right bottom section in the credits, chips in the top border, and three small tax stamps beneath the credits. Fine/Very Fine.
Jean Simmons portrays young Diane Treymayne, whose angelic nature skillfully veils her ruthless ways, in this Otto Preminger film noir. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane will let nothing stand in the way of her happiness. Scheming to have her stepmother murdered, she steals Frank Jessup (Robert Mitchum), the family chauffeur, away from his sweetheart (Mona Freeman) and makes him an accomplice. This rarely seen Italian 2-foglio has gorgeous artwork by Giorgio Olivetti that beautifully captures the treacherous mood of the film. There are pinholes in the corners, light edge wear, foxing in the right border, tape stains in the left and bottom border, minor fold wear and crossfold separations, surface paper loss in the right bottom section in the credits, chips in the top border, and three small tax stamps beneath the credits. Fine/Very Fine.
The Devil Thumbs A Ride (RKO, 1947). One Sheet (27" X 41").
In this seedy and gritty film noir, Lawrence Tierney plays the devilish hitchhiker who gives everyone he comes across a truly rough time. Tierney became famous for his tough-guy roles and infamous for his tough-guy brawls off screen. The poster has pinholes in the corners, borders, and image (some enlarged), edge tears on the left, pinpoint crossfold separations, and a chip in the upper left corner. Fine/Very Fine.
In this seedy and gritty film noir, Lawrence Tierney plays the devilish hitchhiker who gives everyone he comes across a truly rough time. Tierney became famous for his tough-guy roles and infamous for his tough-guy brawls off screen. The poster has pinholes in the corners, borders, and image (some enlarged), edge tears on the left, pinpoint crossfold separations, and a chip in the upper left corner. Fine/Very Fine.
Fallen Angel (20th Century Fox, 1945). One Sheet (27" X 41").
Otto Preminger directed this film noir as a follow-up to his smash hit Laura, casting Dana Andrews as a down-and-out reporter who winds up in a small town and gets involved with two women (Alice Faye and Linda Darnell). He marries Faye to get her money, and plans to run off with Darnell, but she turns up dead. Prior to excellent restoration, this poster had two chips in the top border, one tear and chip in the left border that continue slightly into the image, and light touch up to the folds. The poster has been beautifully restored. Fine on Linen.
Otto Preminger directed this film noir as a follow-up to his smash hit Laura, casting Dana Andrews as a down-and-out reporter who winds up in a small town and gets involved with two women (Alice Faye and Linda Darnell). He marries Faye to get her money, and plans to run off with Darnell, but she turns up dead. Prior to excellent restoration, this poster had two chips in the top border, one tear and chip in the left border that continue slightly into the image, and light touch up to the folds. The poster has been beautifully restored. Fine on Linen.
Gaslight (MGM, 1944). Autographed Title Lobby Card (11" X 14").
Following her stunning success in Casablanca, Ingrid Bergman was cast in this creepy period-piece about a woman who is being driven insane by her husband(played with true menace by Charles Boyer). This outstanding title card has been signed by the actress and has only minor wear in the form of a staple mark in the middle of the upper and lower borders, a slight diagonal crease to the left corners, and some very faint staining in the lower border. Fine/Very Fine.
Following her stunning success in Casablanca, Ingrid Bergman was cast in this creepy period-piece about a woman who is being driven insane by her husband(played with true menace by Charles Boyer). This outstanding title card has been signed by the actress and has only minor wear in the form of a staple mark in the middle of the upper and lower borders, a slight diagonal crease to the left corners, and some very faint staining in the lower border. Fine/Very Fine.
In a Lonely Place (Columbia, 1950). One Sheet (27" X 41").
Humphrey Bogart and Gloria Grahame both turned in some of the best work of their careers under the supervision of gifted director Nicholas Ray. In a Lonely Place has been labeled everything from a "drama noir" to "an existential love story." On the poster, a world-weary stare from Bogart, playing a tightly wound Hollywood screenwriter, effectively illustrates his dedication to realizing his complex character. Fine restoration has left the poster displaying very well. There was fold wear with small chips in the crossfold separations, small tears within Bogart's name, chips in the right and left border just into the art, and a crease in the top border. Fine- on Linen.
Humphrey Bogart and Gloria Grahame both turned in some of the best work of their careers under the supervision of gifted director Nicholas Ray. In a Lonely Place has been labeled everything from a "drama noir" to "an existential love story." On the poster, a world-weary stare from Bogart, playing a tightly wound Hollywood screenwriter, effectively illustrates his dedication to realizing his complex character. Fine restoration has left the poster displaying very well. There was fold wear with small chips in the crossfold separations, small tears within Bogart's name, chips in the right and left border just into the art, and a crease in the top border. Fine- on Linen.
I Wake Up Screaming (20th Century Fox, Late 1940s). First Post-War Italian 2 - Foglio (39" X 55").
Released as I Wake Up Screaming, "Hot Spot" was the film's original title. Victor Mature portrays a promoter who helps a young actress (Carol Landis) with her career, but when she's found murdered, the evidence points towards him. This was one of the best and earliest film noirs to emerge from the 1940s, and Mature would ride its popularity to fame. Betty Grable stars as the murdered victim's sister. The poster is in excellent condition, with only pinholes in the borders, fold wear with minor separation on the left side, and a tax stamp on the image. A rarely seen Italian 2-foglio with dramatic artwork by Angelo Cesselon, collectors will not want to pass up this piece. Very Fine-.
Released as I Wake Up Screaming, "Hot Spot" was the film's original title. Victor Mature portrays a promoter who helps a young actress (Carol Landis) with her career, but when she's found murdered, the evidence points towards him. This was one of the best and earliest film noirs to emerge from the 1940s, and Mature would ride its popularity to fame. Betty Grable stars as the murdered victim's sister. The poster is in excellent condition, with only pinholes in the borders, fold wear with minor separation on the left side, and a tax stamp on the image. A rarely seen Italian 2-foglio with dramatic artwork by Angelo Cesselon, collectors will not want to pass up this piece. Very Fine-.
Johnny O'Clock (Columbia, 1947). One Sheet (27" X 41") Style B.
In this breathless film noir thriller, former song-and-dance man Dick Powell turns tough as Johnny O'Clock, a hard-bitten gambler who runs afoul of the law when people around him start dying. The posters has tears in the right border, fold wear with tape on the reverse, and a chip in the right border. Fine/Very Fine.
In this breathless film noir thriller, former song-and-dance man Dick Powell turns tough as Johnny O'Clock, a hard-bitten gambler who runs afoul of the law when people around him start dying. The posters has tears in the right border, fold wear with tape on the reverse, and a chip in the right border. Fine/Very Fine.
Laura (20th Century Fox, 1944). Title Lobby Card (11" X 14").
Otto Preminger's haunting film has become a legend among film noir purists. Dana Andrews portrays a detective who is assigned to the murder of Laura Hunt (Gene Tierney). Along the way, he becomes obsessed with her and even falls in love. Imagine his surprise when he finds that she wasn't murdered at all and that some other woman was murdered in her place. This card has a very slight crease showing diagonally in the "L" of the title and a slight smudge in the purple inset scene on the right. These imperfections are extremely minor and do not detract from the overall beauty of this card. Very Fine-.
Otto Preminger's haunting film has become a legend among film noir purists. Dana Andrews portrays a detective who is assigned to the murder of Laura Hunt (Gene Tierney). Along the way, he becomes obsessed with her and even falls in love. Imagine his surprise when he finds that she wasn't murdered at all and that some other woman was murdered in her place. This card has a very slight crease showing diagonally in the "L" of the title and a slight smudge in the purple inset scene on the right. These imperfections are extremely minor and do not detract from the overall beauty of this card. Very Fine-.
Mildred Pierce (Warner Brothers, 1945). One Sheet (27" X 41").
Joan Crawford used all her acting skills for this one and was repaid with her only Oscar. The poster features a great portrait of the star. There are corner pinholes, slight bleedthrough from stamp on back, small tears in the center horizontal fold, fold wear with crossfold separations, tape on the reverse fold lines, and a small chip in the top right corner. Add a winner to your collection! Fine/Very Fine.
Joan Crawford used all her acting skills for this one and was repaid with her only Oscar. The poster features a great portrait of the star. There are corner pinholes, slight bleedthrough from stamp on back, small tears in the center horizontal fold, fold wear with crossfold separations, tape on the reverse fold lines, and a small chip in the top right corner. Add a winner to your collection! Fine/Very Fine.
The Postman Always Rings Twice (MGM, 1946). Uncut Pressbook (2 Sections -- 13 Pages and 11 Pages, 11" X 15").
Smoldering Lana Turner stars with John Garfield in this iconic film noir. Filled with fascinating material related to the film, including images of several poster styles, this pressbook includes two booklets with single-sided pages, "Exhibitor Aids" (13 Pages) and "Advertising Services" (11 Pages). Both have been folded horizontally in the middle and have slight fold separation at the spine. The last six pages of the "Advertising Services" booklet have split along the fold. The cover of the "Exhibitor Aids" booklet has a small tear with tissue tape on the verso, and a slight edge burn to page five. Also included is the original MGM envelope used for distribution to theaters. From the Estate of Andrew Weimer Gard. Very Good.
Smoldering Lana Turner stars with John Garfield in this iconic film noir. Filled with fascinating material related to the film, including images of several poster styles, this pressbook includes two booklets with single-sided pages, "Exhibitor Aids" (13 Pages) and "Advertising Services" (11 Pages). Both have been folded horizontally in the middle and have slight fold separation at the spine. The last six pages of the "Advertising Services" booklet have split along the fold. The cover of the "Exhibitor Aids" booklet has a small tear with tissue tape on the verso, and a slight edge burn to page five. Also included is the original MGM envelope used for distribution to theaters. From the Estate of Andrew Weimer Gard. Very Good.
The Set-Up (RKO, 1949). Italian 2 - Foglio (39" X 55").
Adapted by Art Cohn from a poem by Joseph Moncure March, this film is arguably Robert Ryan's finest. Ryan portrays Bill "Stoker" Thompson, a washed-up boxer who refuses to give up his failing career despite the pleas of his wife. This film noir, directed by Robert Wise, includes a fight sequence, filled with close-ups of battered faces, that is considered one of the most brutal ever filmed. This Italian 2-foglio, with its superb Giorgio Olivetti artwork, is in very presentable condition. There are pinholes in the bottom and top corners, edge wear, small border tears, and minor fold wear and crossfold separations. Rarely offered, this is a gem for any collection. Fine/Very Fine.
Adapted by Art Cohn from a poem by Joseph Moncure March, this film is arguably Robert Ryan's finest. Ryan portrays Bill "Stoker" Thompson, a washed-up boxer who refuses to give up his failing career despite the pleas of his wife. This film noir, directed by Robert Wise, includes a fight sequence, filled with close-ups of battered faces, that is considered one of the most brutal ever filmed. This Italian 2-foglio, with its superb Giorgio Olivetti artwork, is in very presentable condition. There are pinholes in the bottom and top corners, edge wear, small border tears, and minor fold wear and crossfold separations. Rarely offered, this is a gem for any collection. Fine/Very Fine.
The Strange Love of Martha Ivers (Paramount, 1946). Insert (14" X 36").
Lauren Bacall told producer Hal B. Wallis to look up a talented drama school classmate of hers when in New York. He did, and Issur Demsky became Kirk Douglas. This poster features Barbara Stanwyck with that controlled but excited look that most manipulative women have when men are fighting over them! There is a dust shadow in the lower right border, a small tear in the left border, center top and bottom border staple holes, tape on the verso fold lines, and a crease in the bottom right corner. Folded, Fine/Very Fine.
Lauren Bacall told producer Hal B. Wallis to look up a talented drama school classmate of hers when in New York. He did, and Issur Demsky became Kirk Douglas. This poster features Barbara Stanwyck with that controlled but excited look that most manipulative women have when men are fighting over them! There is a dust shadow in the lower right border, a small tear in the left border, center top and bottom border staple holes, tape on the verso fold lines, and a crease in the bottom right corner. Folded, Fine/Very Fine.
The Street With No Name (20th Century Fox, 1948). One Sheet (27" X 41").
This hard-bitten film noir features Mark Stevens as a cop who infiltrates a criminal gang led by Richard Widmark, who is planning a major heist. This colorful sheet had small tears at top left and border and corner chips, but both issues have been addressed with professional restoration. Fine/Very Fine on Linen.
This hard-bitten film noir features Mark Stevens as a cop who infiltrates a criminal gang led by Richard Widmark, who is planning a major heist. This colorful sheet had small tears at top left and border and corner chips, but both issues have been addressed with professional restoration. Fine/Very Fine on Linen.
Touch of Evil (Universal International, 1958). Half Sheet (22" X 28").
Orson Welles directs and stars in this south-of-the-border film noir fraught with drugs, corruption, murder, and greed. Co-stars Charlton Heston and Janet Leigh. This fantastic half sheet is in great condition, with only light edge wear, very small tears in the bottom and right border, and faint wrinkling in the bottom border. Superb artwork by Bob Tollen. Rolled, Fine/Very Fine.
Orson Welles directs and stars in this south-of-the-border film noir fraught with drugs, corruption, murder, and greed. Co-stars Charlton Heston and Janet Leigh. This fantastic half sheet is in great condition, with only light edge wear, very small tears in the bottom and right border, and faint wrinkling in the bottom border. Superb artwork by Bob Tollen. Rolled, Fine/Very Fine.
Veronica Lake (Paramount, 1940s). Hand-Tinted Portrait Photo (11" X 14").
Vintage, double weight, matte photo. A rare hand tinted image of screen idol Veronica Lake. There is only minor edge wear. Very Fine+.
Vintage, double weight, matte photo. A rare hand tinted image of screen idol Veronica Lake. There is only minor edge wear. Very Fine+.
The Birds (Universal, 1963). Half Sheet (22" X 28").
This eerie film, starring Tippi Hedren and Rod Cameron, is the strange tale of an inexplicable attack on humans by the birds of Bodega Bay, a sleepy coastal town in California. Featuring some of the most unforgettable scenes ever filmed by the master of suspense, Alfred Hitchcock, The Birds is truly a stunning classic. Folded, Very Fine+.
This eerie film, starring Tippi Hedren and Rod Cameron, is the strange tale of an inexplicable attack on humans by the birds of Bodega Bay, a sleepy coastal town in California. Featuring some of the most unforgettable scenes ever filmed by the master of suspense, Alfred Hitchcock, The Birds is truly a stunning classic. Folded, Very Fine+.
The Birds (Universal, 1963). One Sheet (27" X 41").
If this film scared the devil out of you when you first saw it, you only have to thank that gentle and delightful co-inventor of Oswald the Rabbit and Mickey Mouse...Ub Iwerks. It was Iwerks using his amazing sodium vapor process which allowed him to get incredibly accurate matte shots of the attacking birds, all done by hand long before CGI. The effects still hold up today. This one sheet has a great image of Alfred Hitchcock over on the left, coyly insinuating that you will hear your own screams, and a bedeviled Tippi Hedren on the right. Hitchcock even promoted Ms. Hedren (in her first film) with a photo box on the lower right. Careful, professional linenbacking, and minimal touch-up, has addressed corner pinholes, and small paper loss in the bottom vertical fold. Fine/Very Fine on Linen.
If this film scared the devil out of you when you first saw it, you only have to thank that gentle and delightful co-inventor of Oswald the Rabbit and Mickey Mouse...Ub Iwerks. It was Iwerks using his amazing sodium vapor process which allowed him to get incredibly accurate matte shots of the attacking birds, all done by hand long before CGI. The effects still hold up today. This one sheet has a great image of Alfred Hitchcock over on the left, coyly insinuating that you will hear your own screams, and a bedeviled Tippi Hedren on the right. Hitchcock even promoted Ms. Hedren (in her first film) with a photo box on the lower right. Careful, professional linenbacking, and minimal touch-up, has addressed corner pinholes, and small paper loss in the bottom vertical fold. Fine/Very Fine on Linen.
Dial M For Murder (Warner Brothers, R-early 1960s). Italian 2 - Foglio (39" X 55").
Grace Kelly's first role in an Alfred Hitchcock film was based on the popular mystery play by Frederick Knott. In this thriller, an aging tennis pro (Ray Milland) plots the murder of his cheating wife. When things go wrong, he has to resort to his ingenious Plan B. The film was originally shot in 3D. This impressive Italian poster has only very minor flaws that do not detract from its appeal, including pinholes in the borders, faint stains in the top border, small fold tears, light fold wear, and pinpoint crossfold separations. A treasure with art by Giuliano Nistri. Fine/Very Fine.
Grace Kelly's first role in an Alfred Hitchcock film was based on the popular mystery play by Frederick Knott. In this thriller, an aging tennis pro (Ray Milland) plots the murder of his cheating wife. When things go wrong, he has to resort to his ingenious Plan B. The film was originally shot in 3D. This impressive Italian poster has only very minor flaws that do not detract from its appeal, including pinholes in the borders, faint stains in the top border, small fold tears, light fold wear, and pinpoint crossfold separations. A treasure with art by Giuliano Nistri. Fine/Very Fine.
Lifeboat (20th Century Fox, 1944). Title Lobby Card (11" X 14").
One of Alfred Hitchcock's most innovative films takes place almost entirely on a small lifeboat, which holds the survivors of a torpedoed freighter during WWII. Tensions rise when a man rescued from the sea turns out to be the commander of the U-boat that sunk their ship. Among the living are Tallulah Bankhead, William Bendix, Walter Slezak, Mary Anderson, Henry Hull, and Hume Cronyn. This title lobby card has pencil marks in the bottom right corner, a scratch above Hitchcock's name, and light bends in the top corners. Very Fine-.
One of Alfred Hitchcock's most innovative films takes place almost entirely on a small lifeboat, which holds the survivors of a torpedoed freighter during WWII. Tensions rise when a man rescued from the sea turns out to be the commander of the U-boat that sunk their ship. Among the living are Tallulah Bankhead, William Bendix, Walter Slezak, Mary Anderson, Henry Hull, and Hume Cronyn. This title lobby card has pencil marks in the bottom right corner, a scratch above Hitchcock's name, and light bends in the top corners. Very Fine-.
North by Northwest (MGM, R-1966). Window Card (14" X 22").
This is one of the most clever posters ever made for a re-issue. From the 1966 re-release of Alfred Hitchcock's classic film, the poster has four of the film's best moments and a typical tongue-in-cheek Hitchcock tagline: "Only Cary Grant and Alfred Hitchcock ever gave you so much suspense." Hitchcock then deadpans, "..So we brought it back," while he nonchalantly holds a giant finger. There are two horizontal folds, one in the top imprint area and the other in the mid section, but underneath the photos. There are stapleholes in the corners, light smudges below the credit area, and a small gouge in the credits. Folded, Fine/Very Fine.
This is one of the most clever posters ever made for a re-issue. From the 1966 re-release of Alfred Hitchcock's classic film, the poster has four of the film's best moments and a typical tongue-in-cheek Hitchcock tagline: "Only Cary Grant and Alfred Hitchcock ever gave you so much suspense." Hitchcock then deadpans, "..So we brought it back," while he nonchalantly holds a giant finger. There are two horizontal folds, one in the top imprint area and the other in the mid section, but underneath the photos. There are stapleholes in the corners, light smudges below the credit area, and a small gouge in the credits. Folded, Fine/Very Fine.
Psycho (Paramount, 1960). Lobby Cards (2) (11" X 14") and Promotional Manual (11.5" X 14.5", 20 pages).
This lot includes two original lobby cards, one with Martin Balsam and Anthony Perkins and another with Janet Leigh and John Gavin. Also included in the lot is a 20 page, 11.5" X 14.5" promotional manual titled "The Care and Handling of Psycho by Alfred Hitchcock," featuring page after page of Hitchcock's stern, tongue-in-cheek goading on exactly how to sell his film. Both cards have dust shadowing in the borders and top right corner bends. One card has border pinholes and a left corner bend. There are no cuts in the manual. Fine/Very Fine.
This lot includes two original lobby cards, one with Martin Balsam and Anthony Perkins and another with Janet Leigh and John Gavin. Also included in the lot is a 20 page, 11.5" X 14.5" promotional manual titled "The Care and Handling of Psycho by Alfred Hitchcock," featuring page after page of Hitchcock's stern, tongue-in-cheek goading on exactly how to sell his film. Both cards have dust shadowing in the borders and top right corner bends. One card has border pinholes and a left corner bend. There are no cuts in the manual. Fine/Very Fine.
Rear Window (Paramount, 1954). Belgian (14" X 21.5").
Many fine Belgian film posters were designed by the artist "Wik," and this is one his best. He not only catches the watchful countenance of James Stewart's character but also gives us a much sexier Grace Kelly than in any of the US paper. The poster features those vibrant colors that 1940s and 1950s Belgian posters are noted for. Note the "Kinderen NIET Toegelaten" tagline which means "Children NOT allowed." Many films with violence were so tagged in that era. There is some mild edge wear with a small chip in the top border, mild horizontal creases, spot staining in the right border, and a small tear in the right border. Very Fine-.
Many fine Belgian film posters were designed by the artist "Wik," and this is one his best. He not only catches the watchful countenance of James Stewart's character but also gives us a much sexier Grace Kelly than in any of the US paper. The poster features those vibrant colors that 1940s and 1950s Belgian posters are noted for. Note the "Kinderen NIET Toegelaten" tagline which means "Children NOT allowed." Many films with violence were so tagged in that era. There is some mild edge wear with a small chip in the top border, mild horizontal creases, spot staining in the right border, and a small tear in the right border. Very Fine-.
Rebecca (Selznick International, Late 1940s). First Post-War Belgian (14" X 22").
This is director Alfred Hitchcock's first American film, having been lured to the U.S. by producer David O. Selznick. This odd love story pairs Laurence Olivier with Joan Fontaine, but perhaps the most memorable scenes occur between Ms. Fontaine's character and Mrs. Danvers, the housekeeper, played brilliantly by Judith Anderson. This Best Picture Oscar winner also won for B&W Cinematography and received nine other nominations. Linenbacked, with pinholes in the top corners, a tax stamp in the top border, and minor fold line touch-up, this is a gorgeous and desirable piece. Very Fine+ on Linen.
This is director Alfred Hitchcock's first American film, having been lured to the U.S. by producer David O. Selznick. This odd love story pairs Laurence Olivier with Joan Fontaine, but perhaps the most memorable scenes occur between Ms. Fontaine's character and Mrs. Danvers, the housekeeper, played brilliantly by Judith Anderson. This Best Picture Oscar winner also won for B&W Cinematography and received nine other nominations. Linenbacked, with pinholes in the top corners, a tax stamp in the top border, and minor fold line touch-up, this is a gorgeous and desirable piece. Very Fine+ on Linen.
Rebecca (United Artists, 1940). Pressbook (12" X 18", 18 Pages) and an Advertising Section (12" X 18", 12 Pages), and Two Specialty Memo Pages (12" X 18").
The pressbook for this great film has 20 pages of newspaper stories with photos, poster pages, and even a unique chart that lists how much posters cost the exhibitor in 1940. In addition, there is an 18 page advertising supplement with many different photo ad layouts and there are two specialty pages on how to advertise the film and how to sell tie-in copies of the original Daphne Du Maurier book. There are small stains in the bottom right and a loose spine in the lower border but no cuts on any of the pages. Fine/Very Fine.
The pressbook for this great film has 20 pages of newspaper stories with photos, poster pages, and even a unique chart that lists how much posters cost the exhibitor in 1940. In addition, there is an 18 page advertising supplement with many different photo ad layouts and there are two specialty pages on how to advertise the film and how to sell tie-in copies of the original Daphne Du Maurier book. There are small stains in the bottom right and a loose spine in the lower border but no cuts on any of the pages. Fine/Very Fine.
Suspicion (RKO, R-1953). Insert (14" X 36").
The artist for this poster had the benefit of 12 years hindsight as to how this film played and exactly what it was about. It's one of the most successful re-release posters we've seen. No romantic clinch scene here, just a dramatic drawing of a scowling, almost contemptuous Cary Grant coldly caressing an obviously worried Joan Fontaine. There are other small but important differences from the original insert: the title here is done in a green shade usually reserved for horror films, and there's even an added exclamation mark that wasn't in the original campaign. This would make an absolutely amazing display and a guaranteed discussion starter if framed beside the original. There are corner pinholes, some small tears in the left border, a small chip in the bottom left corner, small dot paper lifts in the left side of the image, and one extra horizontal fold in the mid section. Folded, Fine/Very Fine.
The artist for this poster had the benefit of 12 years hindsight as to how this film played and exactly what it was about. It's one of the most successful re-release posters we've seen. No romantic clinch scene here, just a dramatic drawing of a scowling, almost contemptuous Cary Grant coldly caressing an obviously worried Joan Fontaine. There are other small but important differences from the original insert: the title here is done in a green shade usually reserved for horror films, and there's even an added exclamation mark that wasn't in the original campaign. This would make an absolutely amazing display and a guaranteed discussion starter if framed beside the original. There are corner pinholes, some small tears in the left border, a small chip in the bottom left corner, small dot paper lifts in the left side of the image, and one extra horizontal fold in the mid section. Folded, Fine/Very Fine.
To Catch a Thief (Paramount, 1955). German A2 (16.5" X 23.5").
Cary Grant is excellent as a retired jewel thief who is implicated in a series of heists in the French Riviera. In order to clear his name, he has to stay one step ahead of the real culprit and find time to woo a wealthy heiress (Grace Kelly) along the way. Alfred Hitchcock uses two of his favorite stars to great effect in this romantic suspense film, one of Kelly's final roles before she left Hollywood to marry Prince Rainier of Monaco. This is our first opportunity to offer this scarce German A2, with lovely artwork of the two stars by Rolf Goetz. The poster is virtually pristine, earning the highest grade allowed for a linen-backed poster. Very Fine+ on Linen.
Cary Grant is excellent as a retired jewel thief who is implicated in a series of heists in the French Riviera. In order to clear his name, he has to stay one step ahead of the real culprit and find time to woo a wealthy heiress (Grace Kelly) along the way. Alfred Hitchcock uses two of his favorite stars to great effect in this romantic suspense film, one of Kelly's final roles before she left Hollywood to marry Prince Rainier of Monaco. This is our first opportunity to offer this scarce German A2, with lovely artwork of the two stars by Rolf Goetz. The poster is virtually pristine, earning the highest grade allowed for a linen-backed poster. Very Fine+ on Linen.
The Wrong Man (Warner Brothers, 1957). Lobby Card (11" X 14").
Like many Alfred Hitchcock heroes, Henry Fonda's character is a man accused of a crime he did not commit. Hitch himself appears lurking in the back of this outstanding lobby card, with a great image of Fonda in the foreground. The card has staple holes in one corner, corner bends, a long crease along the bottom edge, some minor smudging, and paper tape on the reverse. Fine/Very Fine.
Like many Alfred Hitchcock heroes, Henry Fonda's character is a man accused of a crime he did not commit. Hitch himself appears lurking in the back of this outstanding lobby card, with a great image of Fonda in the foreground. The card has staple holes in one corner, corner bends, a long crease along the bottom edge, some minor smudging, and paper tape on the reverse. Fine/Very Fine.
Anna Lucasta (Titania, 1962). Italian 2 - Foglio (39" X 55") First Italian Release.
Eartha Kitt, Rex Ingram, and Sammy Davis Jr. star in this all-black cast film based on the hit Broadway play about a prostitute who returns to her home to an arranged marriage. This Italian poster features great artwork of all three stars. There are border and corner pinholes with just a few in the image and some light foxing in the credits. Fine/Very Fine.
Eartha Kitt, Rex Ingram, and Sammy Davis Jr. star in this all-black cast film based on the hit Broadway play about a prostitute who returns to her home to an arranged marriage. This Italian poster features great artwork of all three stars. There are border and corner pinholes with just a few in the image and some light foxing in the credits. Fine/Very Fine.
Carmen Jones (20th Century Fox, 1954). Insert (14" X 36").
Oscar Hammerstein and Otto Preminger put a new spin on Bizet's opera "Carmen," changing the setting to WWII and casting Dorothy Dandridge and Harry Belafonte as the ill-fated lovers. Dandridge was nominated for Best Actress for this film, which also featured a great performance by Pearl Bailey and the screen debuts of Diahann Carroll and Brock Peters. In excellent condition, this insert has only minor corner bumps. Rolled, Near Mint/Mint.
Oscar Hammerstein and Otto Preminger put a new spin on Bizet's opera "Carmen," changing the setting to WWII and casting Dorothy Dandridge and Harry Belafonte as the ill-fated lovers. Dandridge was nominated for Best Actress for this film, which also featured a great performance by Pearl Bailey and the screen debuts of Diahann Carroll and Brock Peters. In excellent condition, this insert has only minor corner bumps. Rolled, Near Mint/Mint.
Carmen Jones (20th Century Fox, 1954). Spanish One Sheet (28" X 39.5").
Dorothy Dandridge, a leading black actress of the '50s, was cast in the title role of Carmen Jones, a rare all-Black production from a major studio. Fox spared no expense on this film, directed by Otto Preminger. Dandridge was nominated for Best Actress. The film also features great performances from Harry Belafonte and Pearl Bailey. Offered here is a rare Spanish one sheet featuring terrific Dandridge artwork by Jano. The poster is virtually flawless, earning the highest grade we allow for a linen-backed sheet. Very Fine+ on Linen.
Dorothy Dandridge, a leading black actress of the '50s, was cast in the title role of Carmen Jones, a rare all-Black production from a major studio. Fox spared no expense on this film, directed by Otto Preminger. Dandridge was nominated for Best Actress. The film also features great performances from Harry Belafonte and Pearl Bailey. Offered here is a rare Spanish one sheet featuring terrific Dandridge artwork by Jano. The poster is virtually flawless, earning the highest grade we allow for a linen-backed sheet. Very Fine+ on Linen.
Going to Glory, Come to Jesus (Toddy Pictures, 1946). One Sheet (27" X 41") and Herald (6" X 9").
One of the more interesting events in film history was the 1940s formation of a company to make and distribute "race films," with Black casts and production personnel. The company was formed by a white, Jewish man, Ted Toddy. This film is lost, but the poster and the original herald remain, detailing the story of a woman selling her soul to the devil for wealth but repenting in the end. The herald is in excellent condition with only a vertical center crease. The one sheet is in original, unrestored condition and has slight edge and fold wear, with crossfold separations, along with a small chip at the top. Fine/Very Fine.
One of the more interesting events in film history was the 1940s formation of a company to make and distribute "race films," with Black casts and production personnel. The company was formed by a white, Jewish man, Ted Toddy. This film is lost, but the poster and the original herald remain, detailing the story of a woman selling her soul to the devil for wealth but repenting in the end. The herald is in excellent condition with only a vertical center crease. The one sheet is in original, unrestored condition and has slight edge and fold wear, with crossfold separations, along with a small chip at the top. Fine/Very Fine.
Foxy Brown (American International, 1974). One Sheet (27" X 41").
Pam Grier created her ultimate on screen persona as Foxy Brown in this classic Blaxploitation picture. Foxy Brown was originally intended as a sequel to "Coffy," but AIP decided to alter the script at the last minute to make "Foxy" a stand-alone film. With only light wrinkling in the top section, this is an excellent find in exceptional condition. Very Fine+.
Pam Grier created her ultimate on screen persona as Foxy Brown in this classic Blaxploitation picture. Foxy Brown was originally intended as a sequel to "Coffy," but AIP decided to alter the script at the last minute to make "Foxy" a stand-alone film. With only light wrinkling in the top section, this is an excellent find in exceptional condition. Very Fine+.
Beautiful But Dangerous (G.E.S.I. Cinematografica, 1955). Italian 4 - Foglio (55" X 78").
One would be hard pressed to find a more dazzling image of Gina Lollobrigida than the one on this incredible country-of-origin poster, with artwork by Renato Fratini. A light-hearted musical comedy, it was a perfect vehicle for one of Italy's sexiest exports! Other than a bit of light edge wear along the top and bottom borders, this lovely poster is excellent condition. Very Fine.
One would be hard pressed to find a more dazzling image of Gina Lollobrigida than the one on this incredible country-of-origin poster, with artwork by Renato Fratini. A light-hearted musical comedy, it was a perfect vehicle for one of Italy's sexiest exports! Other than a bit of light edge wear along the top and bottom borders, this lovely poster is excellent condition. Very Fine.
Shoot the Piano Player (Cocinor, 1960). French Grande (47" X 63").
Francois Truffaut's second feature film is a great mix of gags, guns, clowns, and thugs. It's a razor-sharp homage to one of his favorite genres, the American gangster film. The sparse but effective art by Jouineau Bourduge (Marnie, Midnight Cowboy) captures the tone of the film with the featured star Charles Aznavour. Light touch-up has addressed a small tear in the top right quadrant, minor fold wear and crossfold separations, and the linen has been trimmed to the border of the poster. This original issue country of origin piece is an absolute must for New Wave devotees! Fine/Very Fine on Linen.
Francois Truffaut's second feature film is a great mix of gags, guns, clowns, and thugs. It's a razor-sharp homage to one of his favorite genres, the American gangster film. The sparse but effective art by Jouineau Bourduge (Marnie, Midnight Cowboy) captures the tone of the film with the featured star Charles Aznavour. Light touch-up has addressed a small tear in the top right quadrant, minor fold wear and crossfold separations, and the linen has been trimmed to the border of the poster. This original issue country of origin piece is an absolute must for New Wave devotees! Fine/Very Fine on Linen.
Black Orpheus (Lux, 1959). French Grande (47" X 63").
This updated version of the Greek myth of Orpheus and Eurydice was set in modern day Rio de Janeiro during Carnivale. Orpheo is a trolley car driver who falls for Eurydice, and when she is murdered out of jealousy by her jilted lover, Orpheo must cross into hell to bring her back to life. The film won the Oscar and Golden Globe for Best Foreign Film and is known for its incredible use of color cinematography. Echoing this brilliant use of color is the artwork for this gorgeous poster, by Gilbert Allard. With minor touch-up to small edge tears in the borders and light fold wear, this French grande is a highly desirable piece. The linen has been trimmed to the border of the poster. Very Fine- on Linen.
This updated version of the Greek myth of Orpheus and Eurydice was set in modern day Rio de Janeiro during Carnivale. Orpheo is a trolley car driver who falls for Eurydice, and when she is murdered out of jealousy by her jilted lover, Orpheo must cross into hell to bring her back to life. The film won the Oscar and Golden Globe for Best Foreign Film and is known for its incredible use of color cinematography. Echoing this brilliant use of color is the artwork for this gorgeous poster, by Gilbert Allard. With minor touch-up to small edge tears in the borders and light fold wear, this French grande is a highly desirable piece. The linen has been trimmed to the border of the poster. Very Fine- on Linen.
The Eclipse (Sirius, 1962). French Grande (47" X 63").
Michelangelo Antonioni directed this haunting drama about a young translator (Monica Vitti) who meets a handsome young stock broker (Alain Delon) after ending a shallow, dull affair with Riccardo (Francisco Rabal). Ultimately, their equally superficial and unsatisfying union is also doomed. In keeping with the message that relationships are largely futile, this film is considered the last part of a trilogy, preceded by L'Avventura and La Notte. With a stirring image of the film's stars, this poster has only light toning at the folds and pinpoint crossfold separations. An absolute must for Antonioni aficionados. Very Fine+.
Michelangelo Antonioni directed this haunting drama about a young translator (Monica Vitti) who meets a handsome young stock broker (Alain Delon) after ending a shallow, dull affair with Riccardo (Francisco Rabal). Ultimately, their equally superficial and unsatisfying union is also doomed. In keeping with the message that relationships are largely futile, this film is considered the last part of a trilogy, preceded by L'Avventura and La Notte. With a stirring image of the film's stars, this poster has only light toning at the folds and pinpoint crossfold separations. An absolute must for Antonioni aficionados. Very Fine+.
Masculine, Feminine (Columbia, 1966). French Grande (47" X 63").
Masterful French New Wave director Jean-Luc Goddard provided a stirring commentary of love, sex, and politics with vérité-style interviews in this notable film. Starring Jean-Pierre Léaud as Paul, a disillusioned youth, who pursues aspiring pop star Madeleine (Chantal Goya). With a provocative image by French artist Georges Kerfyser, this country-of-origin poster perfectly captures the essence of the film. Displaying only light fold wear with minor touch up, this piece is in exceptional condition. The linen has been trimmed to the border. Very Fine on Linen.
Masterful French New Wave director Jean-Luc Goddard provided a stirring commentary of love, sex, and politics with vérité-style interviews in this notable film. Starring Jean-Pierre Léaud as Paul, a disillusioned youth, who pursues aspiring pop star Madeleine (Chantal Goya). With a provocative image by French artist Georges Kerfyser, this country-of-origin poster perfectly captures the essence of the film. Displaying only light fold wear with minor touch up, this piece is in exceptional condition. The linen has been trimmed to the border. Very Fine on Linen.
My Life to Live (Union Films, 1963). French Grande (47" X 63").
Jean Luc-Godard's Vivre Sa Vie depicts the life of a young woman (Anna Karina, Godard's wife at the time) who turns to prostitution in order to pay her rent. Presented as a series of twelve episodes, each with a title card and list of characters, the film was largely improvised, with Godard rarely shooting retakes. This country-of-origin poster is in very presentable condition, with pinholes in the corners, small border and fold tears, and fold wear and crossfold separations. Fine/Very Fine.
Jean Luc-Godard's Vivre Sa Vie depicts the life of a young woman (Anna Karina, Godard's wife at the time) who turns to prostitution in order to pay her rent. Presented as a series of twelve episodes, each with a title card and list of characters, the film was largely improvised, with Godard rarely shooting retakes. This country-of-origin poster is in very presentable condition, with pinholes in the corners, small border and fold tears, and fold wear and crossfold separations. Fine/Very Fine.
Samurai Rebellion (Toho, 1967). Italian 2 - Foglio (39" X 55").
This tale of treachery and deceit in feudal Japan stars Toshiro Mifune as a patriarch whose daughter-in-law and grandson are threatened by local rulers who don't want the child to come to power. This outstanding Italian foglio features a great image of Mifune in action, the work of artist Rodolfo Gaspari. There is edge wear in the right and bottom borders, fold wear with crossfold separations, and one crossfold chip. Very Fine-.
This tale of treachery and deceit in feudal Japan stars Toshiro Mifune as a patriarch whose daughter-in-law and grandson are threatened by local rulers who don't want the child to come to power. This outstanding Italian foglio features a great image of Mifune in action, the work of artist Rodolfo Gaspari. There is edge wear in the right and bottom borders, fold wear with crossfold separations, and one crossfold chip. Very Fine-.
Tristana (Maron Films, 1970). French Affiche (23.5" X 31.5").
In this drama, a luminous Catherine Deneuve plays a young Spanish woman caught between the attentions of Fernando Ray and Franco Nero. Director Luis Buñuel weaves in his usual jabs at politics and religion. There is a crease just below the title graphic, but otherwise this poster is pristine; the linen has been trimmed to the edge. Very Fine+ on Linen.
In this drama, a luminous Catherine Deneuve plays a young Spanish woman caught between the attentions of Fernando Ray and Franco Nero. Director Luis Buñuel weaves in his usual jabs at politics and religion. There is a crease just below the title graphic, but otherwise this poster is pristine; the linen has been trimmed to the edge. Very Fine+ on Linen.
Le Doulos (Lux, 1962). French Grande (47" X 63").
This terrific movie is a rare gangster films that keeps you guessing until the end. Jean-Paul Belmondo is on the phone here in this great country-of-origin French Grande. He's an informer, hence the turned up collar and the hat pulled low over his brow. Just some edge wear along the bottom border and small fold wear with center point cross-fold separations. Fine/Very Fine.
This terrific movie is a rare gangster films that keeps you guessing until the end. Jean-Paul Belmondo is on the phone here in this great country-of-origin French Grande. He's an informer, hence the turned up collar and the hat pulled low over his brow. Just some edge wear along the bottom border and small fold wear with center point cross-fold separations. Fine/Very Fine.
Belle de Jour (Allied Artists, 1967). French Affiche (23.5" X 31.5").
Beautiful Severine (Catherine DeNeuve) is a restless French housewife who fuels her fantasies by working as a prostitute in a brothel, unbeknownst to her husband, but only during the day, in order to maintain a facade of marital respectability. A masterpiece from surrealist director Luis Bunuel, the title is a play on the term belle de nuit (lady of the evening), a French term for a prostitute. Offered here is a rare country of origin French affiche, with art by Rene Ferracci. It has been mounted on linen, with only minor tears in the left border. Very Fine+ on Linen.
Beautiful Severine (Catherine DeNeuve) is a restless French housewife who fuels her fantasies by working as a prostitute in a brothel, unbeknownst to her husband, but only during the day, in order to maintain a facade of marital respectability. A masterpiece from surrealist director Luis Bunuel, the title is a play on the term belle de nuit (lady of the evening), a French term for a prostitute. Offered here is a rare country of origin French affiche, with art by Rene Ferracci. It has been mounted on linen, with only minor tears in the left border. Very Fine+ on Linen.
Pulps
The End of the River (Eagle Lion, 1948). British One Sheet (27" X 40").
Sabu stars as a native of South America who is accused of murder and is taken to civilization to stand trial. Bibi Ferreira and Robert Douglas co-star in this British adventure. Prior to the excellent restoration, this unique country-of-origin poster had pinholes in the borders, an area of missing paper along the right side of the bottom border, and a small hole in the bottom border. Fine+ on Linen.
Sabu stars as a native of South America who is accused of murder and is taken to civilization to stand trial. Bibi Ferreira and Robert Douglas co-star in this British adventure. Prior to the excellent restoration, this unique country-of-origin poster had pinholes in the borders, an area of missing paper along the right side of the bottom border, and a small hole in the bottom border. Fine+ on Linen.
Movie Posters
Une Femme Mariée (Cormons, 1967). Italian 2 - Foglio (39" X 55").
Iconic French New Wave auteur Jean-Luc Godard examines the influence of consumer culture amidst a modern love triangle. Macha Méril stars as Charlotte, who is married to the financially stable and supportive Pierre (Philippe Leroy), but having an affair with theatre actor Robert (Bernard Noël). Doubtful of her love for either man, Charlotte must confront her emotional confusion when she becomes pregnant. This rarely sold 2-foglio has artwork by the fantastic Italian artist Ezio Tarantelli that captures the provocative essence of the film. It has a stamp and smudge from a tax stamp removal in the upper left, pinhole tears in the corners, and a small right border tear, but otherwise displays beautifully. Very Fine-.
Iconic French New Wave auteur Jean-Luc Godard examines the influence of consumer culture amidst a modern love triangle. Macha Méril stars as Charlotte, who is married to the financially stable and supportive Pierre (Philippe Leroy), but having an affair with theatre actor Robert (Bernard Noël). Doubtful of her love for either man, Charlotte must confront her emotional confusion when she becomes pregnant. This rarely sold 2-foglio has artwork by the fantastic Italian artist Ezio Tarantelli that captures the provocative essence of the film. It has a stamp and smudge from a tax stamp removal in the upper left, pinhole tears in the corners, and a small right border tear, but otherwise displays beautifully. Very Fine-.
The Bride Wore Black (Dear Film, 1968). Italian 2 - Foglio (39" X 55").
Jeanne Moreau is superb in this evocative Francois Truffaut film about a widowed bride who takes revenge on five men who killed her husband. Very much in the Hitchcock mode, Bride is nevertheless something more than a mere homage, with Truffaut crafting an intense and involving story. This superb Italian 2-foglio features a striking image of Moreau in her black bridal gown. The poster is in excellent condition, with edge wear with tears in the right border, minor fold wear and crossfold separation, and a bottom left corner crease being the only issues. A beautiful poster with stunning Mauro Colizzi artwork from this Truffaut classic. Very Fine.
Jeanne Moreau is superb in this evocative Francois Truffaut film about a widowed bride who takes revenge on five men who killed her husband. Very much in the Hitchcock mode, Bride is nevertheless something more than a mere homage, with Truffaut crafting an intense and involving story. This superb Italian 2-foglio features a striking image of Moreau in her black bridal gown. The poster is in excellent condition, with edge wear with tears in the right border, minor fold wear and crossfold separation, and a bottom left corner crease being the only issues. A beautiful poster with stunning Mauro Colizzi artwork from this Truffaut classic. Very Fine.
How to Marry a Millionaire (20th Century Fox, 1954). Spanish One Sheet (27.75" X 39.5").
Three legendary screen beauties, Betty Grable, Lauren Bacall, and Marilyn Monroe, play aspiring models who rent an elegant Sutton Place penthouse and charade as wealthy women in order to snag rich husbands in this fun romp directed by Jean Negulesco. The men they are chasing include Rory Calhoun, Cameron Mitchell, and William Powell. This lovely Spanish one sheet, with gorgeous art by Soligo, had pinholes in the corners and image, fold wear with chips and tears, crossfold separations, a sliver missing from the top right corner, 1/2" missing from the bottom border (that has been restored), and a large chip in the left border. After some touch-up and restoration, this poster now presents beautifully. Fine on Linen.
Three legendary screen beauties, Betty Grable, Lauren Bacall, and Marilyn Monroe, play aspiring models who rent an elegant Sutton Place penthouse and charade as wealthy women in order to snag rich husbands in this fun romp directed by Jean Negulesco. The men they are chasing include Rory Calhoun, Cameron Mitchell, and William Powell. This lovely Spanish one sheet, with gorgeous art by Soligo, had pinholes in the corners and image, fold wear with chips and tears, crossfold separations, a sliver missing from the top right corner, 1/2" missing from the bottom border (that has been restored), and a large chip in the left border. After some touch-up and restoration, this poster now presents beautifully. Fine on Linen.
Let's Make Love (20th Century Fox, 1960). British Quad (30" X 40").
One of Marilyn Monroe's last films, this is the one that features the starlet's breathy rendition of "My Heart Belongs to Daddy." With beautiful artwork by Tom William Chantrell of Monroe and co-star Yves Montand, this poster is exceptionally clean and attractive and has been given the highest grade allowed for a poster on linen.
Very Fine+ on Linen.
One of Marilyn Monroe's last films, this is the one that features the starlet's breathy rendition of "My Heart Belongs to Daddy." With beautiful artwork by Tom William Chantrell of Monroe and co-star Yves Montand, this poster is exceptionally clean and attractive and has been given the highest grade allowed for a poster on linen.
Very Fine+ on Linen.
Let's Make Love (20th Century Fox, 1960). German A0 (33.5" X 47").
Billionaire Yves Montand finds out that an Off Broadway show is spoofing him. He hires Bing Crosby, Gene Kelly, and Milton Berle to teach him to sing, dance and tell jokes, but they can't teach him how to resist Marilyn Monroe! The always stunning Marilyn Monroe is portrayed beautifully alongside a dashing Yves Montand on this poster that has only had light touch-up at the folds. Very Fine on Linen.
Billionaire Yves Montand finds out that an Off Broadway show is spoofing him. He hires Bing Crosby, Gene Kelly, and Milton Berle to teach him to sing, dance and tell jokes, but they can't teach him how to resist Marilyn Monroe! The always stunning Marilyn Monroe is portrayed beautifully alongside a dashing Yves Montand on this poster that has only had light touch-up at the folds. Very Fine on Linen.
The Seven Year Itch (RKO, R-1963). Spanish One Sheet (27.25 39).
Marilyn Monroe was cast as the temptress to Tom Ewell's married man whose wife and son are on vacation. The film was based on the successful Broadway play and made Monroe, whose career in Hollywood was already in motion, one of the biggest movie stars in the world. With excellent artwork by Mac, this poster is in superb condition. Only our strict policy of grading linen-backed posters no higher than Very Fine+ keeps it from a higher grade. Very Fine+ on Linen.
Marilyn Monroe was cast as the temptress to Tom Ewell's married man whose wife and son are on vacation. The film was based on the successful Broadway play and made Monroe, whose career in Hollywood was already in motion, one of the biggest movie stars in the world. With excellent artwork by Mac, this poster is in superb condition. Only our strict policy of grading linen-backed posters no higher than Very Fine+ keeps it from a higher grade. Very Fine+ on Linen.
Some Like It Hot (United Artists, 1959). French Grande (47" X 63") Style B.
Billy Wilder directed this classic American comedy about two small-time male musicians who witness a murder and hide out dressed as women, playing in an all girl jazz band. The famous trio of Jack Lemmon, Tony Curtis and Marilyn Monroe created a comedy synergy seldom seen. Having only had light touch-up along the folds and the linen trimmed to the borders, this gorgeous French Grande looks great and is highly displayable with artwork by Boris Grinsson. Very Fine+ on Linen.
Billy Wilder directed this classic American comedy about two small-time male musicians who witness a murder and hide out dressed as women, playing in an all girl jazz band. The famous trio of Jack Lemmon, Tony Curtis and Marilyn Monroe created a comedy synergy seldom seen. Having only had light touch-up along the folds and the linen trimmed to the borders, this gorgeous French Grande looks great and is highly displayable with artwork by Boris Grinsson. Very Fine+ on Linen.
Some Like It Hot (United Artists, 1959). French Poster (31" X 47").
Voted the best comedy of all time by the AFI, this Billy Wilder classic stars Tony Curtis and Jack Lemmon as two small-time musicians who witness the St. Valentine's Day Massacre in Chicago. They hide out from the mob in an all-girl band on its way to Miami, in drag as "Josephine" and "Daphne." Complications arise when "Josephine" starts to fall in love with Sugar Kane (Marilyn Monroe), the lead singer of the band, and a millionaire (Joe E. Brown) falls for "Daphne." This gorgeous poster is in excellent condition, with Very Fine+ as the highest grade allowed for a poster on linen. Very Fine+ on Linen.
Voted the best comedy of all time by the AFI, this Billy Wilder classic stars Tony Curtis and Jack Lemmon as two small-time musicians who witness the St. Valentine's Day Massacre in Chicago. They hide out from the mob in an all-girl band on its way to Miami, in drag as "Josephine" and "Daphne." Complications arise when "Josephine" starts to fall in love with Sugar Kane (Marilyn Monroe), the lead singer of the band, and a millionaire (Joe E. Brown) falls for "Daphne." This gorgeous poster is in excellent condition, with Very Fine+ as the highest grade allowed for a poster on linen. Very Fine+ on Linen.
Some Like It Hot (United Artists, 1959). Uncut Pressbook (13" X 18", 20 Pages).
It's getting harder to find uncut pressbooks on this title that show the door panels, the standees, and the Marilyn Monroe calendars that were available. Where else can you learn about the tie-ins for "Laugh Records," and "Schrank Sleepwear"? There is some edge wear on the back cover, some stains on the spine and top edge from the cover to page three, lights stain in all the pages at the bottom, and small tears in the back cover. There is fold wear at the horizontal fold. Fine.
It's getting harder to find uncut pressbooks on this title that show the door panels, the standees, and the Marilyn Monroe calendars that were available. Where else can you learn about the tie-ins for "Laugh Records," and "Schrank Sleepwear"? There is some edge wear on the back cover, some stains on the spine and top edge from the cover to page three, lights stain in all the pages at the bottom, and small tears in the back cover. There is fold wear at the horizontal fold. Fine.
Bus Stop (20th Century Fox, 1956). Italian 2 - Foglio (39" X 55").
A classic performance by Marilyn Monroe punctuates this light-hearted romantic comedy about a girl who longs to find a real man and escape her small town life. This poster captures stunning imagery of Monroe and had pinholes in the borders, edge wear, a few tears in the right border, fold wear with small chips, and chips and tears along the left border, all of which has been addressed beautifully with restoration. Very Fine- on Linen.
A classic performance by Marilyn Monroe punctuates this light-hearted romantic comedy about a girl who longs to find a real man and escape her small town life. This poster captures stunning imagery of Monroe and had pinholes in the borders, edge wear, a few tears in the right border, fold wear with small chips, and chips and tears along the left border, all of which has been addressed beautifully with restoration. Very Fine- on Linen.
Bus Stop (20th Century Fox, 1956). Uncut Pressbook (14" X 18") (20 Pages).
This lavish 20-page pressbook covers everything available to the theatre owner in promoting this mid-1950s Marilyn Monroe film--everything from fluorescent satin valances, flag wall banners, streamers, tabloid size heralds, sixteen color photo print sets, and even slides were available! The pressbook has been folded once vertically, and there is light edge wear in the right side. There is a grease pencil mark in the left border of the cover, and there's some light surface and fold wear on the back and front covers. There are no cuts! Fine/Very Fine.
This lavish 20-page pressbook covers everything available to the theatre owner in promoting this mid-1950s Marilyn Monroe film--everything from fluorescent satin valances, flag wall banners, streamers, tabloid size heralds, sixteen color photo print sets, and even slides were available! The pressbook has been folded once vertically, and there is light edge wear in the right side. There is a grease pencil mark in the left border of the cover, and there's some light surface and fold wear on the back and front covers. There are no cuts! Fine/Very Fine.
Bus Stop (20th Century Fox, 1956). French Grande (47" X 63").
Director Joshua Logan provided Marilyn Monroe with what some critics consider her best role--Cherie, a nightclub singer who wins the eye of Montana rodeo champ Bo (Don Murray). With cowboy swagger, he assumes he can lasso the little lady and carry her off to a roadside bus stop. Artist Rinaldo Géleng creates a knockout, almost life-size image of the dazzling Monroe on this very presentable French grande. There are very small tears in the folds and light fold wear with slight discoloration, but otherwise the poster displays beautifully. Fine/Very Fine on Linen.
Director Joshua Logan provided Marilyn Monroe with what some critics consider her best role--Cherie, a nightclub singer who wins the eye of Montana rodeo champ Bo (Don Murray). With cowboy swagger, he assumes he can lasso the little lady and carry her off to a roadside bus stop. Artist Rinaldo Géleng creates a knockout, almost life-size image of the dazzling Monroe on this very presentable French grande. There are very small tears in the folds and light fold wear with slight discoloration, but otherwise the poster displays beautifully. Fine/Very Fine on Linen.
Bus Stop (20th Century Fox, 1956). One Sheet (27" X 41").
There haven't been many actresses who've been able to pull off jaded and vulnerable in the same scene. Singing "That Old Black Magic," Marilyn Monroe proves she's one of those few. Her "girl of experience" role demonstrated her acting ability in spades. The brash young cowboy (Don Murray) that tried to manhandle her finally realizes he's in over his head and begins to leave before she reveals how she's grown to love him. This nice copy has elements of slight mildewing in the centerpoints, top and bottom. There is a bleed through of the red NSS stamp in the upper right quadrant and the scenes depicted in the lower portion of the poster are out of registration. Fine+.
There haven't been many actresses who've been able to pull off jaded and vulnerable in the same scene. Singing "That Old Black Magic," Marilyn Monroe proves she's one of those few. Her "girl of experience" role demonstrated her acting ability in spades. The brash young cowboy (Don Murray) that tried to manhandle her finally realizes he's in over his head and begins to leave before she reveals how she's grown to love him. This nice copy has elements of slight mildewing in the centerpoints, top and bottom. There is a bleed through of the red NSS stamp in the upper right quadrant and the scenes depicted in the lower portion of the poster are out of registration. Fine+.
The Misfits (United Artists, 1961). Argentinean Poster (29" X 42.5").
Starring Clark Gable and Marilyn Monroe, and directed by the legendary John Huston, The Misfits was one of the most highly anticipated movies of 1961. Based on a short story by Arthur Miller (who was married to Monroe at the time of filming), it was a cinematic tour de force. Gable plays an aging cowboy who works the rodeos with pals Eli Wallach and Montgomery Clift. When the trio devise a plan to sell wild mustangs for dog food, Gable's new girlfriend (Monroe), is disgusted by their plan, and sets out to free the captive horses. Both Gable and Monroe make their final film appearances in this Huston classic. The Argentinean poster offered here is in superb condition; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps us from giving this an even higher grade. Very Fine+ on Linen.
Starring Clark Gable and Marilyn Monroe, and directed by the legendary John Huston, The Misfits was one of the most highly anticipated movies of 1961. Based on a short story by Arthur Miller (who was married to Monroe at the time of filming), it was a cinematic tour de force. Gable plays an aging cowboy who works the rodeos with pals Eli Wallach and Montgomery Clift. When the trio devise a plan to sell wild mustangs for dog food, Gable's new girlfriend (Monroe), is disgusted by their plan, and sets out to free the captive horses. Both Gable and Monroe make their final film appearances in this Huston classic. The Argentinean poster offered here is in superb condition; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps us from giving this an even higher grade. Very Fine+ on Linen.
Niagara (20th Century Fox, 1953). Italian Locandina (13" X 27").
A chance meeting between two honeymooning couples at Niagara Falls leads to suspicion, jealousy, and murder in this gripping film noir. This movie, along with Gentlemen Prefer Blondes, released in the same year, launched starlet Marilyn Monroe to the heights of superstardom. This Italian poster, with its beautiful images of Marilyn and her co-stars, had small tears in the right and left borders, light fold wear, an upper left corner bend, and a 1" X 3" paper loss in the upper right corner, all of which has been addressed with light restoration. Fine+ on Linen.
A chance meeting between two honeymooning couples at Niagara Falls leads to suspicion, jealousy, and murder in this gripping film noir. This movie, along with Gentlemen Prefer Blondes, released in the same year, launched starlet Marilyn Monroe to the heights of superstardom. This Italian poster, with its beautiful images of Marilyn and her co-stars, had small tears in the right and left borders, light fold wear, an upper left corner bend, and a 1" X 3" paper loss in the upper right corner, all of which has been addressed with light restoration. Fine+ on Linen.
The Prince and the Showgirl (Warner Brothers, 1957). Swedish One Sheet (27." X 39.25").
At first glance, the cinematic pairing of Laurence Olivier and Marilyn Monroe might seem odd, but they demonstrate remarkable chemistry in this lighthearted romance about a stiff European royal and a clumsy American showgirl. With evocative artwork by Aberg, this beautiful Swedish one sheet is not to be missed. In excellent condition and with no significant flaws, this poster has been given the highest grade allowed for a poster on linen. Very Fine+ on Linen.
At first glance, the cinematic pairing of Laurence Olivier and Marilyn Monroe might seem odd, but they demonstrate remarkable chemistry in this lighthearted romance about a stiff European royal and a clumsy American showgirl. With evocative artwork by Aberg, this beautiful Swedish one sheet is not to be missed. In excellent condition and with no significant flaws, this poster has been given the highest grade allowed for a poster on linen. Very Fine+ on Linen.
The Prince and the Showgirl (Warner Brothers, 1957). One Sheet (27" X 41").
Marilyn Monroe stars in this Cinderella story about a showgirl who marries a European royal, played by Laurence Olivier. This film was made by Monroe's own production company and she brought in Olivier not only to star in the film but also to produce and direct it. Though the movie is not considered one of either stars' greatest screen accomplishments, the poster features a dazzling image, with Monroe's white skin and vibrant, sensuous red dress set against the stark black background. This is a very clean copy with minor pinholes in the outer corners of the image. Previous folding in the upper and lower border is the only other condition issue with an otherwise bright and clean copy. Fine/Very Fine
Marilyn Monroe stars in this Cinderella story about a showgirl who marries a European royal, played by Laurence Olivier. This film was made by Monroe's own production company and she brought in Olivier not only to star in the film but also to produce and direct it. Though the movie is not considered one of either stars' greatest screen accomplishments, the poster features a dazzling image, with Monroe's white skin and vibrant, sensuous red dress set against the stark black background. This is a very clean copy with minor pinholes in the outer corners of the image. Previous folding in the upper and lower border is the only other condition issue with an otherwise bright and clean copy. Fine/Very Fine
Diamonds Are Forever (United Artists, 1971). Japanese STB (20" X 58").
This title was based on the fourth Bond novel by Ian Fleming and was the seventh in the filmed series, the sixth and final to star Sean Connery as 007. Connery would later portray Bond again in the unofficial Bond film Never Say Never Again in 1983. This is the Japanese two-panel or STB and is magnificent in its design incorporating the original Robert McGinnis artwork. Light edge wear and a small nick in the left border are the only condition issues. Rolled, Very Fine.
This title was based on the fourth Bond novel by Ian Fleming and was the seventh in the filmed series, the sixth and final to star Sean Connery as 007. Connery would later portray Bond again in the unofficial Bond film Never Say Never Again in 1983. This is the Japanese two-panel or STB and is magnificent in its design incorporating the original Robert McGinnis artwork. Light edge wear and a small nick in the left border are the only condition issues. Rolled, Very Fine.
Dr. No (United Artists, 1962). British Front of House Color Photo Set of 8 (8" X 10").
When a British agent turns up missing in Jamaica, James Bond (Sean Connery) is sent to discover the cause, leading to an explosive confrontation with Dr. No (Joseph Wiseman), a reclusive genius who is set on disrupting the American space program and dominating the world. Offered here is a very desirable country-of-origin FOH color photo set featuring great images from the film. Aside from the tiniest of corner bumps on a few cards, this set is pristine. Near Mint.
When a British agent turns up missing in Jamaica, James Bond (Sean Connery) is sent to discover the cause, leading to an explosive confrontation with Dr. No (Joseph Wiseman), a reclusive genius who is set on disrupting the American space program and dominating the world. Offered here is a very desirable country-of-origin FOH color photo set featuring great images from the film. Aside from the tiniest of corner bumps on a few cards, this set is pristine. Near Mint.
From Russia with Love (United Artists, 1964). One Sheet (27" X 41") Style B.
The second film in the hallowed James Bond series is hailed by many as its pinnacle. This exceptional flat-folded example of the eye-catching B-style has virtually no flaws, and is one of the cleanest examples of this sheet you're likely to encounter. Near Mint/Mint.
The second film in the hallowed James Bond series is hailed by many as its pinnacle. This exceptional flat-folded example of the eye-catching B-style has virtually no flaws, and is one of the cleanest examples of this sheet you're likely to encounter. Near Mint/Mint.
From Russia with Love (United Artists, 1964). Japanese B2 (20" X 28.5").
This was the second film featuring Ian Fleming's superspy James Bond, played by the incomparable Sean Connery, and it upped the ante significantly from the previous film, Dr. No. The rare Japanese B2 offered here has some very slight wrinkling along the left border, but is otherwise as fresh as the day it was printed. No Bond collection is complete without this classic beauty! Rolled, Near Mint.
This was the second film featuring Ian Fleming's superspy James Bond, played by the incomparable Sean Connery, and it upped the ante significantly from the previous film, Dr. No. The rare Japanese B2 offered here has some very slight wrinkling along the left border, but is otherwise as fresh as the day it was printed. No Bond collection is complete without this classic beauty! Rolled, Near Mint.
Goldfinger (United Artists, 1964). Japanese B2 (20" X 29").
James Bond takes on the mad genius Goldfinger and his dreamy assistant Pussy Galore in their plot to render the entire US gold supply at Fort Knox useless. The imagery on this Japanese poster is terrific, with a cool shot of Connery. A soft horizontal crease is the only condition problem with this sublime example. Rolled, Near Mint/Mint.
James Bond takes on the mad genius Goldfinger and his dreamy assistant Pussy Galore in their plot to render the entire US gold supply at Fort Knox useless. The imagery on this Japanese poster is terrific, with a cool shot of Connery. A soft horizontal crease is the only condition problem with this sublime example. Rolled, Near Mint/Mint.
Live and Let Die (United Artists, 1973). British Quad (30" X 40").
Roger Moore's first assignment as 007 co-stars Yaphet Kotto and Jane Seymour. This film was a combination of the supernatural, action, and Black exploitation genres. Gorgeous artwork of beautiful women on Tarot cards highlights this poster. The title song was a big hit for Paul McCartney and Wings. There are pinholes in the borders, a small stain at bottom left, light fold wear, and creasing in the left border. Very Fine-.
Roger Moore's first assignment as 007 co-stars Yaphet Kotto and Jane Seymour. This film was a combination of the supernatural, action, and Black exploitation genres. Gorgeous artwork of beautiful women on Tarot cards highlights this poster. The title song was a big hit for Paul McCartney and Wings. There are pinholes in the borders, a small stain at bottom left, light fold wear, and creasing in the left border. Very Fine-.
The Man with the Golden Gun (United Artists, 1974). Advance One Sheet (27" X 41").
Artwork by Robert McGinnis for one of the favorite James Bond weapons of all, the "golden gun" that could be put together using the contents of Bond's pockets--with a cufflink for a trigger, a golden fountain pen for a barrel, and a hammer and bullet chamber from the solid gold cigarette lighter! There are only some minor surface crinkles and small crossfold pinpoint separations. Very Fine+.
Artwork by Robert McGinnis for one of the favorite James Bond weapons of all, the "golden gun" that could be put together using the contents of Bond's pockets--with a cufflink for a trigger, a golden fountain pen for a barrel, and a hammer and bullet chamber from the solid gold cigarette lighter! There are only some minor surface crinkles and small crossfold pinpoint separations. Very Fine+.
The Man with the Golden Gun (United Artists, 1974). Japanese B2 (20" X 29").
British Intelligence has received a threat against James Bond (Roger Moore in his second outing) in the form of a gold bullet with his 007 number engraved on it. This original issue Japanese B2 format poster is highly sought after by Bond collectors. Some creasing in the top section is the only condition issue. Rolled, Very Fine.
British Intelligence has received a threat against James Bond (Roger Moore in his second outing) in the form of a gold bullet with his 007 number engraved on it. This original issue Japanese B2 format poster is highly sought after by Bond collectors. Some creasing in the top section is the only condition issue. Rolled, Very Fine.
The Man with the Golden Gun (United Artists, 1974). Australian Three Sheet (40" X 80").
British Intelligence has received a threat against James Bond (Roger Moore in his second outing) in the form of a gold bullet with "007" engraved on it. Bond follows the trail of the bullet to world-class hit man Scaramanga (Christopher Lee) who wants the killing of the secret agent to be his masterpiece. Maud Adams and Britt Ekland play the beautiful Bond women. Only light edge wear. Very Fine+.
British Intelligence has received a threat against James Bond (Roger Moore in his second outing) in the form of a gold bullet with "007" engraved on it. Bond follows the trail of the bullet to world-class hit man Scaramanga (Christopher Lee) who wants the killing of the secret agent to be his masterpiece. Maud Adams and Britt Ekland play the beautiful Bond women. Only light edge wear. Very Fine+.
Moonraker (United Artists, 1979). British Quad (30" X 40").
Although Ian Fleming's novel, the third in the original Bond series, was a Cold War thriller about a plot to destroy London with a high-powered V2 missile, the producers of the Bond franchise, inspired by the phenomenal success of Star Wars, took the opportunity to inject more science fiction into this entry in the film series, the plot now revolving around the theft of a space shuttle and the threat of global genocide. A minor amount of creasing at the folds and an extra horizontal fold are the only condition issues on this great-looking country-of-origin poster. Very Fine+.
Although Ian Fleming's novel, the third in the original Bond series, was a Cold War thriller about a plot to destroy London with a high-powered V2 missile, the producers of the Bond franchise, inspired by the phenomenal success of Star Wars, took the opportunity to inject more science fiction into this entry in the film series, the plot now revolving around the theft of a space shuttle and the threat of global genocide. A minor amount of creasing at the folds and an extra horizontal fold are the only condition issues on this great-looking country-of-origin poster. Very Fine+.
On Her Majesty's Secret Service (United Artists, 1970). Three Sheet (41" X 81").
Another great poster by top artist Frank McCarthy for the James Bond series. This one starred George Lazenby in his only appearance as Bond. There is minor edge wear and a slight bleed-through at the top, the only condition issues to note. Very Fine/Near Mint.
Another great poster by top artist Frank McCarthy for the James Bond series. This one starred George Lazenby in his only appearance as Bond. There is minor edge wear and a slight bleed-through at the top, the only condition issues to note. Very Fine/Near Mint.
The Spy Who Loved Me (United Artists, 1977). British Quad (30" X 40").
One of the finest of the Roger Moore-era James Bond films, this title has 007 teaming up with Russian Agent "Triple X," the beautiful Major Anya Amasova (Barbara Bach), to thwart the plans of Karl Stromberg (Curt Jurgens), who intends to start a nuclear war in order to remake the world in his own twisted image. Superb Bob Peak artwork graces this country-of-origin British quad, which has only very faint fold wear and an extra horizontal fold. Serious Bond collectors shouldn't pass up the chance to bid on this rare treasure. Very Fine+.
One of the finest of the Roger Moore-era James Bond films, this title has 007 teaming up with Russian Agent "Triple X," the beautiful Major Anya Amasova (Barbara Bach), to thwart the plans of Karl Stromberg (Curt Jurgens), who intends to start a nuclear war in order to remake the world in his own twisted image. Superb Bob Peak artwork graces this country-of-origin British quad, which has only very faint fold wear and an extra horizontal fold. Serious Bond collectors shouldn't pass up the chance to bid on this rare treasure. Very Fine+.
Thunderball (United Artists, 1965). Japanese B2 (20" X 28.5").
Befitting 007's growing popularity, the budget for Thunderball was more than the previous three Bond films combined and provided for a rousing, gadget-filled adventure. Sean Connery continues his run as the suave superspy. This outstanding Japanese B2 has great images from the film, and plenty of sex appeal. It is in superb condition, with a small crease in the top left corner and wrinkling in the bottom right border. Rolled, Very Fine+.
Befitting 007's growing popularity, the budget for Thunderball was more than the previous three Bond films combined and provided for a rousing, gadget-filled adventure. Sean Connery continues his run as the suave superspy. This outstanding Japanese B2 has great images from the film, and plenty of sex appeal. It is in superb condition, with a small crease in the top left corner and wrinkling in the bottom right border. Rolled, Very Fine+.
Thunderball (United Artists, 1965). Subway (45" X 55.25").
Sean Connery felt he gave his best performance as James Bond in this fourth film of the series. This impressive subway poster has a great image of Connery and a trio of lovelies. Condition issues include small stains in the bottom and right corners, tears in the left border at the horizontal folds, and crossfold separations. Very Fine-.
Sean Connery felt he gave his best performance as James Bond in this fourth film of the series. This impressive subway poster has a great image of Connery and a trio of lovelies. Condition issues include small stains in the bottom and right corners, tears in the left border at the horizontal folds, and crossfold separations. Very Fine-.
You Only Live Twice (United Artists, 1967). Teaser One Sheet (27" X 41") Style A.
Another James Bond poster that is getting increasingly difficult to obtain in a high grade. This teaser poster offers a graphic recap of the four Bond pictures that preceded this one: Dr. No (1962), From Russia with Love (1963), Goldfinger (1964), and Thunderball (1965). Near Mint.
Another James Bond poster that is getting increasingly difficult to obtain in a high grade. This teaser poster offers a graphic recap of the four Bond pictures that preceded this one: Dr. No (1962), From Russia with Love (1963), Goldfinger (1964), and Thunderball (1965). Near Mint.
You Only Live Twice (United Artists, 1967). Subway (45" X 59") Advance.
Sean Connery returned for his fifth appearance as Ian Fleming's James Bond - 007, in this exciting thriller. Bond has to take on the forces of SPECTRE as they hijack a U.S. space capsule. This poster shows off the four Bond films that preceded and, as usual, all of the "Bond staples" appear on this stunning poster: the action, the gadgets, and, of course, the women. With only light edge wear and a tear at the bottom vertical fold, this poster is a must-have for any Bond collector. Very Fine+.
Sean Connery returned for his fifth appearance as Ian Fleming's James Bond - 007, in this exciting thriller. Bond has to take on the forces of SPECTRE as they hijack a U.S. space capsule. This poster shows off the four Bond films that preceded and, as usual, all of the "Bond staples" appear on this stunning poster: the action, the gadgets, and, of course, the women. With only light edge wear and a tear at the bottom vertical fold, this poster is a must-have for any Bond collector. Very Fine+.
You Only Live Twice (United Artists, 1967). Subway (45" X 59.25").
For his fifth outing, 007 traveled to Japan to stop his arch-enemy, Ernst Stavro Blofeld (Donald Pleasence), from instigating World War III out of his base inside an active volcano. Masterful artist Robert McGinnis depicts Connery with a bevy of Japanese beauties, one of the most desirable images from this film. This highly presentable subway poster is in excellent condition, with only small crossfold separations, cellophane tape at the bottom corners, and light corner creasing. Very Fine-.
For his fifth outing, 007 traveled to Japan to stop his arch-enemy, Ernst Stavro Blofeld (Donald Pleasence), from instigating World War III out of his base inside an active volcano. Masterful artist Robert McGinnis depicts Connery with a bevy of Japanese beauties, one of the most desirable images from this film. This highly presentable subway poster is in excellent condition, with only small crossfold separations, cellophane tape at the bottom corners, and light corner creasing. Very Fine-.
The Ipcress File (Universal, 1965). British Quad (30" X 40").
This title was first of the British-made Michael Caine/Harry Palmer spy series. Many consider it to be the best of the three and rate this film as one of the best "spy thrillers" of the sixties. This nifty British quad has toning at the folds, dust shadowing in the left border, a small stain in the bottom border, and an extra vertical fold. Fine/Very Fine.
This title was first of the British-made Michael Caine/Harry Palmer spy series. Many consider it to be the best of the three and rate this film as one of the best "spy thrillers" of the sixties. This nifty British quad has toning at the folds, dust shadowing in the left border, a small stain in the bottom border, and an extra vertical fold. Fine/Very Fine.
Modesty Blaise (20th Century Fox, 1966). Three Sheet (41" X 81").
By 1966, James Bond led the British Spy invasion onto the American screen and was quickly followed by Modesty Blaise. Miss Blaise (Monica Vitti) became the quintessential mod--this movie is a window into the styles and fashions of the 1960s. The films creators, in a brilliant moment, asked Bob Peak to design the poster, and this three sheet captures that decade like no other. The poster has staple marks within the image, some tape repair on the back to minor tears in the image and border, and the poster displays some residual tape staining on the edge where the two sections were joined at one time. Turn on, tune in and bid, baby! Fine+.
By 1966, James Bond led the British Spy invasion onto the American screen and was quickly followed by Modesty Blaise. Miss Blaise (Monica Vitti) became the quintessential mod--this movie is a window into the styles and fashions of the 1960s. The films creators, in a brilliant moment, asked Bob Peak to design the poster, and this three sheet captures that decade like no other. The poster has staple marks within the image, some tape repair on the back to minor tears in the image and border, and the poster displays some residual tape staining on the edge where the two sections were joined at one time. Turn on, tune in and bid, baby! Fine+.
Deep Throat (Aquarius Releasing, 1972). One Sheet (25" X 38").
Porno went semi-legitimate with Gerard Damiano's Deep Throat. Released in 1972, this title helped to generate the permissiveness of the swinging 70s that was hitherto unseen on the screens of the American cinema. Linda Lovelace became an overnight sensation and would go on to make several additional porn films before creating another controversy by claiming she had been forced into the porn industry. This poster is from the film's original release. It has two pinholes in each of the upper corners, an extra vertical crease, and shows signs of tape abrasions in the corners. Very Fine.
Porno went semi-legitimate with Gerard Damiano's Deep Throat. Released in 1972, this title helped to generate the permissiveness of the swinging 70s that was hitherto unseen on the screens of the American cinema. Linda Lovelace became an overnight sensation and would go on to make several additional porn films before creating another controversy by claiming she had been forced into the porn industry. This poster is from the film's original release. It has two pinholes in each of the upper corners, an extra vertical crease, and shows signs of tape abrasions in the corners. Very Fine.
Motor Psycho! (Eve Productions, 1965). One Sheet (27" X 41").
Nothing says "ahead of his time" like Russ Meyer's use of a disturbed Vietnam vet (Steven Oliver as "Brahmin") as a lead character in 1965. The gal on the bike behind him, wearing the sweater two sizes too small, is Sharon Lee. This cult favorite is ready to dress up any movie room! The poster is linenbacked and needed only minimal airbrush touch-up for the fold line wear and the small tears in the bottom right corner. Very Fine+ on Linen.
Nothing says "ahead of his time" like Russ Meyer's use of a disturbed Vietnam vet (Steven Oliver as "Brahmin") as a lead character in 1965. The gal on the bike behind him, wearing the sweater two sizes too small, is Sharon Lee. This cult favorite is ready to dress up any movie room! The poster is linenbacked and needed only minimal airbrush touch-up for the fold line wear and the small tears in the bottom right corner. Very Fine+ on Linen.
The Mystery of the Sexes (Unknown, 1950s). Argentinean Poster (29" X 43") Osvaldo Venturi Art.
Osvaldo Venturi is certainly among the most unsung film poster artists. Because most of his work was done in Argentina in the 1940s and 1950s, his posters are just now starting to appear in the US. This is certainly one of the most difficult to find of all his works, with a short print run. It was for a "documentary" exploitation film with a gender-bending theme: "Hombre o Mujer?" ("Man or Woman?"). The hype on the poster says there was separate seating for seniors and over-18 men and woman. It's a direct tribute to Venturi's talent that even with an exploitive theme, he still turned in a fascinating and erotically charged image that rose far above the quality of the film it portrayed. There is edge wear with small chips, a censor stamp in the bottom right, a small censor label in the lower chest, slight toning in the borders, and a tear in the top right corner that goes into the art. If you haven't already, begin a Venturi collection today! Fine-.
Osvaldo Venturi is certainly among the most unsung film poster artists. Because most of his work was done in Argentina in the 1940s and 1950s, his posters are just now starting to appear in the US. This is certainly one of the most difficult to find of all his works, with a short print run. It was for a "documentary" exploitation film with a gender-bending theme: "Hombre o Mujer?" ("Man or Woman?"). The hype on the poster says there was separate seating for seniors and over-18 men and woman. It's a direct tribute to Venturi's talent that even with an exploitive theme, he still turned in a fascinating and erotically charged image that rose far above the quality of the film it portrayed. There is edge wear with small chips, a censor stamp in the bottom right, a small censor label in the lower chest, slight toning in the borders, and a tear in the top right corner that goes into the art. If you haven't already, begin a Venturi collection today! Fine-.
A Virgin in Hollywood (Sonney Amusement Enterprises, 1953). Posters (2) (30" X 40").
A female reporter (Dorothy Abbott) poses as an aspiring actress and uncovers a sleazy world of photographers, "casting couches," and devious Hollywood agents. Abbott had a recurring role on the 1953-54 TV series Dragnet with Jack Webb. These two rare posters have some great exploitation images. They were made for independent exhibition in traveling shows, used for "four wall" showings. The posters are mounted on hard cardstock for durability. Both posters have corner bumps and grammet holes in the corners. There is staining on the bottoms of both posters, and a word has been painted over one poster. Fine+ on Cardstock.
A female reporter (Dorothy Abbott) poses as an aspiring actress and uncovers a sleazy world of photographers, "casting couches," and devious Hollywood agents. Abbott had a recurring role on the 1953-54 TV series Dragnet with Jack Webb. These two rare posters have some great exploitation images. They were made for independent exhibition in traveling shows, used for "four wall" showings. The posters are mounted on hard cardstock for durability. Both posters have corner bumps and grammet holes in the corners. There is staining on the bottoms of both posters, and a word has been painted over one poster. Fine+ on Cardstock.
Mondo Topless (Eve Productions, 1966). One Sheet (27" X 41").
After a brief tour of the city of San Francisco, Russ Meyer introduces us to a bevy of bountifully endowed beauties with names like Bouncy, Buxotic, Yummy, Lucious, Delicious, Xciting, and Abundavita, as well as Meyer regular Lorna Maitland. By presenting his films in a faux-documentary style, Meyer hoped to circumvent the censorship laws of the period. Pinpoint crossfold separations are the only thing keeping this pristine example from utter perfection. Near Mint.
After a brief tour of the city of San Francisco, Russ Meyer introduces us to a bevy of bountifully endowed beauties with names like Bouncy, Buxotic, Yummy, Lucious, Delicious, Xciting, and Abundavita, as well as Meyer regular Lorna Maitland. By presenting his films in a faux-documentary style, Meyer hoped to circumvent the censorship laws of the period. Pinpoint crossfold separations are the only thing keeping this pristine example from utter perfection. Near Mint.
Teaserama (Beautiful Productions Inc., 1955). One Sheet (27" X 41").
Tempest Storm, Trudy Wayne, Cherry Knight, and of course the legendary Bettie Page are featured on this one sheet for Irving Klaw's burlesque classic Teaserama. Due to Klaw's strict no-nudity policy, the content is strictly PG-13, but there are still plenty of curvy gals in lingerie to enjoy, as well as one of the only opportunities to see color footage of Ms. Page. This tough-to-find sheet is always in high demand. This example has some small tears, a small hole in the top border, and an extra vertical fold. Fine/Very Fine.
Tempest Storm, Trudy Wayne, Cherry Knight, and of course the legendary Bettie Page are featured on this one sheet for Irving Klaw's burlesque classic Teaserama. Due to Klaw's strict no-nudity policy, the content is strictly PG-13, but there are still plenty of curvy gals in lingerie to enjoy, as well as one of the only opportunities to see color footage of Ms. Page. This tough-to-find sheet is always in high demand. This example has some small tears, a small hole in the top border, and an extra vertical fold. Fine/Very Fine.
Underwater! (RKO, 1955). One Sheet (27" X 41").
Sold as an underwater, treasure-seeking adventure, Underwater!'s real attraction was Jane Russell in a bathing suit. In Superscope, no less! The poster had pinholes in the corners and the image and chips in two corners, issues that have been addressed with professional restoration, including touch-ups to the folds. Fine/Very Fine on Linen.
Sold as an underwater, treasure-seeking adventure, Underwater!'s real attraction was Jane Russell in a bathing suit. In Superscope, no less! The poster had pinholes in the corners and the image and chips in two corners, issues that have been addressed with professional restoration, including touch-ups to the folds. Fine/Very Fine on Linen.
West Side Story (United Artists, 1961). One Sheet (27" X 41").
One of the best "minimalist" posters done by artist Joseph Caroff, with Saul Bass-like design, that so effectively illustrates the world of that particular film. A winner of ten Oscars with paper that is increasingly scarce in high grades. There are small chips in the right border, a very small corner bend on the bottom right, and crossfold separations. Very Fine.
One of the best "minimalist" posters done by artist Joseph Caroff, with Saul Bass-like design, that so effectively illustrates the world of that particular film. A winner of ten Oscars with paper that is increasingly scarce in high grades. There are small chips in the right border, a very small corner bend on the bottom right, and crossfold separations. Very Fine.
West Side Story (United Artists, 1961). Three Sheet (41" X 81").
Robert Wise and Jerome Robbins, as a team, directed this masterful adaptation of the Broadway musical, which was an updated version of Shakespeare's "Romeo and Juliet." This incredible film was the winner of ten Oscars, including Best Picture, Best Director, Best Supporting Actor and Actress (George Chakiris, Rita Moreno), and a special Oscar for Jerome Robbins' choreography. This wonderful Saul Bass-like design, done by artist Joseph Caroff, has just the most minimal wear with a couple of crossfold separations, some border wear, and pinholes in the corners. This is a very clean copy for a large format Academy Award winner. Very Fine-.
Robert Wise and Jerome Robbins, as a team, directed this masterful adaptation of the Broadway musical, which was an updated version of Shakespeare's "Romeo and Juliet." This incredible film was the winner of ten Oscars, including Best Picture, Best Director, Best Supporting Actor and Actress (George Chakiris, Rita Moreno), and a special Oscar for Jerome Robbins' choreography. This wonderful Saul Bass-like design, done by artist Joseph Caroff, has just the most minimal wear with a couple of crossfold separations, some border wear, and pinholes in the corners. This is a very clean copy for a large format Academy Award winner. Very Fine-.
The Great American Broadcast (20th Century Fox, 1941). CGC Graded Lobby Card Set of 8 (11" X 14").
A complete set from a fun musical about the heady, by-the-seat-of-the-pants days when radio was first taking off in America. Great cast, with lovely Alice Faye leading the way. These cards have been CGC graded 9.2, 9.6, and six cards at 9.4. From the Estate of Andrew Weimer Gard. Near Mint.
A complete set from a fun musical about the heady, by-the-seat-of-the-pants days when radio was first taking off in America. Great cast, with lovely Alice Faye leading the way. These cards have been CGC graded 9.2, 9.6, and six cards at 9.4. From the Estate of Andrew Weimer Gard. Near Mint.
Hello, Frisco, Hello (20th Century Fox, 1943). Lobby Card Set of 8 (11" X 14").
One of Fox's more successful wartime musicals, Hello Frisco, Hello starred John Payne and Alice Faye as a showman and the singer who helped make him great, though he soon forgets her contribution as his fame gets to his head. The title card has edge wear with a tear in the right border, dust shadows and smudging in the title area, a large tear in the bottom left corner (repaired with paper tape on the reverse), and creasing and corner bends while the rest of the cards are in excellent condition with corner bends on a few cards. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
One of Fox's more successful wartime musicals, Hello Frisco, Hello starred John Payne and Alice Faye as a showman and the singer who helped make him great, though he soon forgets her contribution as his fame gets to his head. The title card has edge wear with a tear in the right border, dust shadows and smudging in the title area, a large tear in the bottom left corner (repaired with paper tape on the reverse), and creasing and corner bends while the rest of the cards are in excellent condition with corner bends on a few cards. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Moulin Rouge (United Artists, 1934). Title Lobby Card (11" X 14").
A saucy, coiffed headshot of Constance Bennett on this great, hard-to-find title card from a very funny film where she longs to be back on the stage. A slight fade to the colors, corner pinholes, a mild stain in the bottom border, tape stain in the top border, a small tear in the right border, and small chips in the top left and bottom right corners. There are corner bends in three corners, and a light crease in "Rouge." Fine+.
A saucy, coiffed headshot of Constance Bennett on this great, hard-to-find title card from a very funny film where she longs to be back on the stage. A slight fade to the colors, corner pinholes, a mild stain in the bottom border, tape stain in the top border, a small tear in the right border, and small chips in the top left and bottom right corners. There are corner bends in three corners, and a light crease in "Rouge." Fine+.
In Old Chicago (20th Century Fox, 1937). Uncut Oversize Deluxe Pressbook (17" X 22") (28 Pages).
There are many great things about this deluxe, oversize pressbook, but one of the best is the signature in the plate, down in the lower left of the cover page, by one of the greatest film poster artists ever, Frederic C. Madan (Cimarron, etc.). It's not easy to prove who painted what in the 1930s, but Madan's signature makes clear that he designed all the posters for this film. Included in the pressbook is a 11" X 16.5" full color promo showing theatre owners the special 24 sheet, style C. There are no cuts in the book, just some small tears in the right and left borders, a soft horizontal crease, and some faint staining in the bottom right corner of every page. If you haven't started a pressbook collection yet, this piece would be a great place to start! From the Estate of Andrew Weimer Gard. Fine+.
There are many great things about this deluxe, oversize pressbook, but one of the best is the signature in the plate, down in the lower left of the cover page, by one of the greatest film poster artists ever, Frederic C. Madan (Cimarron, etc.). It's not easy to prove who painted what in the 1930s, but Madan's signature makes clear that he designed all the posters for this film. Included in the pressbook is a 11" X 16.5" full color promo showing theatre owners the special 24 sheet, style C. There are no cuts in the book, just some small tears in the right and left borders, a soft horizontal crease, and some faint staining in the bottom right corner of every page. If you haven't started a pressbook collection yet, this piece would be a great place to start! From the Estate of Andrew Weimer Gard. Fine+.
The Red Shoes (Eagle Lion, 1948). Program (16 Pages, 9" X 12").
This lovely ballet film by Michael Powell and Emeric Pressburger has continued to grow in classic stature in the many years since its release. Moira Shearer stars as the lead ballerina who must choose between performing in the Hans Christian Andersen fairy tale ballet and expressing her love for musician Julian Craster (Marius Goring). Enveloped by brilliant red covers, this rarely seen program is filled with beautiful star portraits, bios, and candid, behind-the-scenes photos. There is a very small nick in the top right corner of the front cover and a small crease in the bottom left corner of the back cover. From the Estate of Andrew Weimer Gard. Very Fine.
This lovely ballet film by Michael Powell and Emeric Pressburger has continued to grow in classic stature in the many years since its release. Moira Shearer stars as the lead ballerina who must choose between performing in the Hans Christian Andersen fairy tale ballet and expressing her love for musician Julian Craster (Marius Goring). Enveloped by brilliant red covers, this rarely seen program is filled with beautiful star portraits, bios, and candid, behind-the-scenes photos. There is a very small nick in the top right corner of the front cover and a small crease in the bottom left corner of the back cover. From the Estate of Andrew Weimer Gard. Very Fine.
Golden Age (1938-1955)
An American in Paris (MGM, 1951). One Sheet (27" X 41").
Vincent Minnelli's musical extravaganza swept the Oscars in 1951 with this Gershwin masterpiece depicting a starving American artist in glittering Paris. Legendary Gene Kelly choreographs and shares the dancing stage with the lovely Leslie Caron, while Oscar Levant turns in a memorable comedic performance as a struggling concert pianist. This film is still a joy today, and this poster is a delight as well, with only mild touch up to the folds. Very Fine+ on Linen.
Vincent Minnelli's musical extravaganza swept the Oscars in 1951 with this Gershwin masterpiece depicting a starving American artist in glittering Paris. Legendary Gene Kelly choreographs and shares the dancing stage with the lovely Leslie Caron, while Oscar Levant turns in a memorable comedic performance as a struggling concert pianist. This film is still a joy today, and this poster is a delight as well, with only mild touch up to the folds. Very Fine+ on Linen.
An American in Paris (MGM, 1951). Lobby Card Set of 8 (11" X 14").
Vincente Minnelli directs this top George Gershwin musical with Gene Kelly, Leslie Caron, and Oscar Levant lighting up the screen. This film is still a delight today with hit tunes such as "Our Love is Here to Stay," "S' Wonderful," and "I Got Rhythm." This wonderful card set has only minor handling wear and pinholes in the borders of the cards. A beautiful set which would be the highlight of any lobby card collection. Very Fine.
Vincente Minnelli directs this top George Gershwin musical with Gene Kelly, Leslie Caron, and Oscar Levant lighting up the screen. This film is still a delight today with hit tunes such as "Our Love is Here to Stay," "S' Wonderful," and "I Got Rhythm." This wonderful card set has only minor handling wear and pinholes in the borders of the cards. A beautiful set which would be the highlight of any lobby card collection. Very Fine.
Movie Posters
Backstage (Gaumont, 1938). One Sheet (27" X 41").
For seven straight years after WWII, Anna Neagle was voted top favorite English actress. In 1969 she was awarded the honor of Dame Commander of the Order of the British Empire by Queen Elizabeth. This wonderful British musical was directed by Anna's husband, Herbert Wilcox, who would keep her at the top of English film and theater for forty years until his death. This lovely poster is a stone litho produced by the American distributor of the film, 20th Century Fox. The poster has wear in the center vertical fold, some water staining, pinholes in the corners, and white paper tape supporting the backs of some of the folds. There has been minor amateur restoration to a few of the blemishes on the poster but are not obtrusive. Very Good/Fine.
For seven straight years after WWII, Anna Neagle was voted top favorite English actress. In 1969 she was awarded the honor of Dame Commander of the Order of the British Empire by Queen Elizabeth. This wonderful British musical was directed by Anna's husband, Herbert Wilcox, who would keep her at the top of English film and theater for forty years until his death. This lovely poster is a stone litho produced by the American distributor of the film, 20th Century Fox. The poster has wear in the center vertical fold, some water staining, pinholes in the corners, and white paper tape supporting the backs of some of the folds. There has been minor amateur restoration to a few of the blemishes on the poster but are not obtrusive. Very Good/Fine.
Calamity Jane (Warner Brothers, 1953). French Affiche (22" X 31.").
Following on the success of Annie Get Your Gun, Warner Brothers released this Wild West-themed musical. Starring Doris Day, it's loosely based on the life of heroine Calamity Jane, and explores her romance with Wild Bill Hickok, played by Howard Keel. This beautifully designed poster, with artwork by Landi, colorfully depicts the the stars in action, complete with the requisite Western stagecoach scene. In fantastic condition, there is only minor cross fold separation, and the linen has been trimmed to the border of the poster. Very Fine on Linen.
Following on the success of Annie Get Your Gun, Warner Brothers released this Wild West-themed musical. Starring Doris Day, it's loosely based on the life of heroine Calamity Jane, and explores her romance with Wild Bill Hickok, played by Howard Keel. This beautifully designed poster, with artwork by Landi, colorfully depicts the the stars in action, complete with the requisite Western stagecoach scene. In fantastic condition, there is only minor cross fold separation, and the linen has been trimmed to the border of the poster. Very Fine on Linen.
Going Hollywood (MGM, 1933). Half Sheet (22" X 28").
Light-hearted and amusing, this film features Bing Crosby in his first MGM production and Marion Davies in what many consider one of her best performances. An attractive, plucky French teacher, Davies follows aspiring crooner Crosby to Hollywood in search of romance. This wonderful half sheet features dreamy-eyed images of the rising star Crosby and the lovely Ms. Davies. This rarely seen half sheet is in great condition, with only a very small paper lift and stain in Crosby's face, light surface paper loss in the borders, small stain in the lower right border, and slight wrinkling in the top border. An excellent piece with fantastic potential for light restoration. Rolled, Fine+.
Light-hearted and amusing, this film features Bing Crosby in his first MGM production and Marion Davies in what many consider one of her best performances. An attractive, plucky French teacher, Davies follows aspiring crooner Crosby to Hollywood in search of romance. This wonderful half sheet features dreamy-eyed images of the rising star Crosby and the lovely Ms. Davies. This rarely seen half sheet is in great condition, with only a very small paper lift and stain in Crosby's face, light surface paper loss in the borders, small stain in the lower right border, and slight wrinkling in the top border. An excellent piece with fantastic potential for light restoration. Rolled, Fine+.
Guys and Dolls (MGM, 1955). Double Sided Lobby Streamer (192" X 24.5") and Easel Backed Mounted Lobby Cards (3) (11" X 14") .
Another great find on this wonderful title. This lot includes three lobby cards which have been mounted on board and easel backed to use in store windows and theatre counters. There is also an amazing sixteen foot lobby streamer (which the press sheet says could even be stretched further!). It was printed on both sides and folded at the top so that it hung over a cord and could be seen coming and going. It features great portraits of Frank Sinatra, Marlon Brando, Jean Simmons, and Vivian Blaine with large, two-foot title letters in between. There is some mild edge creasing on the star portraits, a crease in the letter "G", and some small corner bumps. Very Fine.
Another great find on this wonderful title. This lot includes three lobby cards which have been mounted on board and easel backed to use in store windows and theatre counters. There is also an amazing sixteen foot lobby streamer (which the press sheet says could even be stretched further!). It was printed on both sides and folded at the top so that it hung over a cord and could be seen coming and going. It features great portraits of Frank Sinatra, Marlon Brando, Jean Simmons, and Vivian Blaine with large, two-foot title letters in between. There is some mild edge creasing on the star portraits, a crease in the letter "G", and some small corner bumps. Very Fine.
Hallelujah, I'm a Bum (Atlantic Pictures, R-1938). One Sheet (27" X 41").
Al Jolson stars as a Central Park hobo in this unusual Depression-era musical with dialogue consisting entirely of rhyming couplets. This gorgeous stone litho one sheet is for the film's Atlantic Pictures re-issue under the title The Heart of New York. The poster had border pinholes, tears in the bottom right border, and some chips in the top right corner and the left and right borders, all of which has been addressed with professional restoration, including some color touch-ups in the folds. Fine+ on Linen.
Al Jolson stars as a Central Park hobo in this unusual Depression-era musical with dialogue consisting entirely of rhyming couplets. This gorgeous stone litho one sheet is for the film's Atlantic Pictures re-issue under the title The Heart of New York. The poster had border pinholes, tears in the bottom right border, and some chips in the top right corner and the left and right borders, all of which has been addressed with professional restoration, including some color touch-ups in the folds. Fine+ on Linen.
Happiness Ahead (Warner Brothers, 1934). One Sheet (27" X 41").
Josephine Hutchinson, in her first starring role, is featured on this very seldom seen one sheet along with the king of the Warner Brothers musicals, Dick Powell. This pretty art-portrait one sheet shows only pinpoint crossfold separations, a small dust shadow in the bottom border, and pinholes in the corners and along the vertical fold. Very Fine.
Josephine Hutchinson, in her first starring role, is featured on this very seldom seen one sheet along with the king of the Warner Brothers musicals, Dick Powell. This pretty art-portrait one sheet shows only pinpoint crossfold separations, a small dust shadow in the bottom border, and pinholes in the corners and along the vertical fold. Very Fine.
Holiday Inn (Paramount, 1942). Uncut Pressbook (12.5" X 15", 28 Pages, Plus 10 Page Ad Supplement).
Bing Crosby and Fred Astaire joined forces for the first time in one of the greatest musical holiday classics of all time. Marjorie Reynolds and Virginia Dale co-star. This delightful pressbook features a variety of advertising aids, posters, articles, art, and photos designed to promote the film. The pressbook is in excellent condition with just a small spine split at the bottom, light edge wear, and light toning at the page edges. From the Estate of Andrew Weimer Gard. Very Fine-.
Bing Crosby and Fred Astaire joined forces for the first time in one of the greatest musical holiday classics of all time. Marjorie Reynolds and Virginia Dale co-star. This delightful pressbook features a variety of advertising aids, posters, articles, art, and photos designed to promote the film. The pressbook is in excellent condition with just a small spine split at the bottom, light edge wear, and light toning at the page edges. From the Estate of Andrew Weimer Gard. Very Fine-.
Holiday Inn (Paramount, 1942). Window Card (14" X 17.5").
If you think this film is popular now, you should have been at the 1942 premiere. It was an instant hit, with Bing Crosby premiering the perennial holiday favorite "White Christmas." Fred Astaire was in top form, and is featured on this window card in three dance poses! There is a trim in the top white paper imprint area that does not affect the art. There're also corner pinholes and some light border smudges. Fine/Very Fine.
If you think this film is popular now, you should have been at the 1942 premiere. It was an instant hit, with Bing Crosby premiering the perennial holiday favorite "White Christmas." Fred Astaire was in top form, and is featured on this window card in three dance poses! There is a trim in the top white paper imprint area that does not affect the art. There're also corner pinholes and some light border smudges. Fine/Very Fine.
Lillian Russell (20th Century Fox, 1940). Lobby Card Set of 8 (11" X 14").
Alice Faye stars in this spectacular film chronicling the life of Lillian Russell. This Irving Cummings-directed musical follows the life of the entertainer from her rise to fame in the 1890s until her retirement in 1912. Henry Fonda co-stars as Alexander Moore, a newspaper magnate whom Russell would eventually marry. The title card has some staining in the bottom border, one small edge tear, and blunted corners; the scene cards have pinholes in the corners and minor stains, while some cards have corner bumps. Includes the original paper bag. From the Estate of Andrew Weimer Gard. Very Fine-.
Alice Faye stars in this spectacular film chronicling the life of Lillian Russell. This Irving Cummings-directed musical follows the life of the entertainer from her rise to fame in the 1890s until her retirement in 1912. Henry Fonda co-stars as Alexander Moore, a newspaper magnate whom Russell would eventually marry. The title card has some staining in the bottom border, one small edge tear, and blunted corners; the scene cards have pinholes in the corners and minor stains, while some cards have corner bumps. Includes the original paper bag. From the Estate of Andrew Weimer Gard. Very Fine-.
Music in My Heart (Columbia, 1940). One Sheet (27" X 41").
One of the early musicals Rita Hayworth did for Columbia while under contract, this is a fun tale about Tony Martin and Hayworth falling in love after their cabs collide. Hayworth has to hide Martin to keep him from being deported back to England. This is a lovely, bright-colored art portrait of the two stars. The poster had fold wear with crossfold separations, a small amount of paper loss at the cross folds, and small chips in the top and right borders, all of which has been addressed with professional restoration, including touch-ups to the folds. Fine/Very Fine on Linen.
One of the early musicals Rita Hayworth did for Columbia while under contract, this is a fun tale about Tony Martin and Hayworth falling in love after their cabs collide. Hayworth has to hide Martin to keep him from being deported back to England. This is a lovely, bright-colored art portrait of the two stars. The poster had fold wear with crossfold separations, a small amount of paper loss at the cross folds, and small chips in the top and right borders, all of which has been addressed with professional restoration, including touch-ups to the folds. Fine/Very Fine on Linen.
Sing, Baby, Sing (20th Century Fox, 1936). Title Lobby Card and Lobby Cards (5) (11" X 14").
This film was supposedly a spoof of the the 1930s entertainment headline involving fiftysomething John Barrymore and his love interest, teenager Elaine Barrie. Alice Faye and Adolphe Menjou star in this Fox musical, which also introduced the Ritz Brothers. The title card shows some border wear, pinholes, and slight spots of surface loss in the image. The other five cards have pinholes, handling wear and three cards have some staining from liquid spill. From the Estate of Andrew Weimer Gard. Fine.
This film was supposedly a spoof of the the 1930s entertainment headline involving fiftysomething John Barrymore and his love interest, teenager Elaine Barrie. Alice Faye and Adolphe Menjou star in this Fox musical, which also introduced the Ritz Brothers. The title card shows some border wear, pinholes, and slight spots of surface loss in the image. The other five cards have pinholes, handling wear and three cards have some staining from liquid spill. From the Estate of Andrew Weimer Gard. Fine.
Week-End in Havana (20th Century Fox, 1941). CGC Graded Lobby Card Set of 8 (11" X 14").
No one was more fun in early 1940s musical comedies than Carmen Miranda! Luckily, this complete lobby set features her in six cards, including one where she wears a hilarious headdresses. Beautiful Alice Faye is also featured in a super portrait card with John Payne. CGC has graded these cards 7.5, 9.0, three at 9.4, and three at 9.6. From the Estate of Andrew Weimer Gard. Very Fine/Near Mint.
No one was more fun in early 1940s musical comedies than Carmen Miranda! Luckily, this complete lobby set features her in six cards, including one where she wears a hilarious headdresses. Beautiful Alice Faye is also featured in a super portrait card with John Payne. CGC has graded these cards 7.5, 9.0, three at 9.4, and three at 9.6. From the Estate of Andrew Weimer Gard. Very Fine/Near Mint.
You Were Never Lovelier/ You'll Never Get Rich (Columbia, 1941-42). Uncut Pressbooks (2) (48 Pages & 46 Pages, 12.25" X 18.5").
Rita Hayworth was always happiest when her roles required dance numbers, and this spectacular hit, which teams her with the sensational Fred Astaire, was one of her favorites. Set in Latin America, this was a follow up to their first pairing in You'll Never Get Rich, released a year earlier. Rarely offered are these two fabulous uncut pressbooks, full of fascinating material related to the film, including promotional items and images of several poster styles. An added bonus is an extra four page You'll Never Get Rich insert. Both booklets have staining along the spine and each page, and You Were Never Lovelier has a small split in the spine. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Rita Hayworth was always happiest when her roles required dance numbers, and this spectacular hit, which teams her with the sensational Fred Astaire, was one of her favorites. Set in Latin America, this was a follow up to their first pairing in You'll Never Get Rich, released a year earlier. Rarely offered are these two fabulous uncut pressbooks, full of fascinating material related to the film, including promotional items and images of several poster styles. An added bonus is an extra four page You'll Never Get Rich insert. Both booklets have staining along the spine and each page, and You Were Never Lovelier has a small split in the spine. From the Estate of Andrew Weimer Gard. Fine/Very Fine.
Funny Face (Paramount, 1957). One Sheet (27" X 41").
Set against the romantic backdrop of Paris, Audrey Hepburn delights as a book store clerk "discovered" by a fashion photographer (Fred Astaire) who transforms her into a star. Stanley Donen (Singin' in the Rain, Seven Brides for Seven Brothers) directs and Kay Thompson co-stars as the flamboyant fashion magazine editor in this charming romantic musical. Offered here is a beautiful one sheet with minor discoloration along the vertical fold, a small tear at the top vertical fold, light fold wear, wrinkling in the top right section, and an extra vertical crease. A charming portrait of two of Hollywood's top icons, this is always a highly prized item. Fine/Very Fine.
Set against the romantic backdrop of Paris, Audrey Hepburn delights as a book store clerk "discovered" by a fashion photographer (Fred Astaire) who transforms her into a star. Stanley Donen (Singin' in the Rain, Seven Brides for Seven Brothers) directs and Kay Thompson co-stars as the flamboyant fashion magazine editor in this charming romantic musical. Offered here is a beautiful one sheet with minor discoloration along the vertical fold, a small tear at the top vertical fold, light fold wear, wrinkling in the top right section, and an extra vertical crease. A charming portrait of two of Hollywood's top icons, this is always a highly prized item. Fine/Very Fine.
Natacha Rambova by Arthur Rice (1920s). Portrait Photo (7.75" X 9.5").
Vintage gelatin silver, single weight, glossy photo. Few in Hollywood history have led a more interesting life than Natacha Rambova. She was born in Salt Lake City, Utah as Winnie Shaughnessy, but her dreams would take her across the world. She not only was the wife of Rudolph Valentino, she was an excellent dancer and a brilliant set and costume designer (Nazimova's Salome, etc.). This evocative photo is by gifted photographer Arthur Rice. His studies of early Hollywood stars have become highly sought after. There is just a small chip in the lower left corner, a tiny crease in the top right, and some very mild surface crinkling. On the verso is a handwritten publicity blurb. Fine/Very Fine.
Vintage gelatin silver, single weight, glossy photo. Few in Hollywood history have led a more interesting life than Natacha Rambova. She was born in Salt Lake City, Utah as Winnie Shaughnessy, but her dreams would take her across the world. She not only was the wife of Rudolph Valentino, she was an excellent dancer and a brilliant set and costume designer (Nazimova's Salome, etc.). This evocative photo is by gifted photographer Arthur Rice. His studies of early Hollywood stars have become highly sought after. There is just a small chip in the lower left corner, a tiny crease in the top right, and some very mild surface crinkling. On the verso is a handwritten publicity blurb. Fine/Very Fine.
Seven Sinners (Warner Brothers, 1925). Title Lobby Card (11" X 14").
Lewis Milestone made his directorial debut with this hilarious tale of criminal one-upmanship. Marie Prevost and John Patrick star as crooks taking advantage of a police strike in order to loot a mansion, but a whole bevy of other bad guys has the same idea. This great-looking title lobby card has some light staining in the top and bottom borders in addition to minor corner creasing. Very Fine-.
Lewis Milestone made his directorial debut with this hilarious tale of criminal one-upmanship. Marie Prevost and John Patrick star as crooks taking advantage of a police strike in order to loot a mansion, but a whole bevy of other bad guys has the same idea. This great-looking title lobby card has some light staining in the top and bottom borders in addition to minor corner creasing. Very Fine-.
Theda Bara (Fox, 1916). Autographed Portrait Photo (7" X 9").
Vintage gelatin silver, double weight, matte finish photo. A rare pre-1920s photo with signature from the original "Vamp," Theda Bara. Only a very soft crease in the top left. The photo has been inscribed with a sentiment in French: "Tres Sincerement (Very Sincerely), Theda Bara, 1916." Very Fine-.
Vintage gelatin silver, double weight, matte finish photo. A rare pre-1920s photo with signature from the original "Vamp," Theda Bara. Only a very soft crease in the top left. The photo has been inscribed with a sentiment in French: "Tres Sincerement (Very Sincerely), Theda Bara, 1916." Very Fine-.
The Thief of Bagdad (United Artists, 1924). Lobby Card (11" X 14").
Very pretty studio varnish-finish lobby card for one of the best Douglas Fairbanks films. Here he woos the princess, Julanne Johnston. The condition issues only affect the borders: there are corner pinholes, edge stains, minor corner bumps, and small pieces of tape on the verso. Fine-.
Very pretty studio varnish-finish lobby card for one of the best Douglas Fairbanks films. Here he woos the princess, Julanne Johnston. The condition issues only affect the borders: there are corner pinholes, edge stains, minor corner bumps, and small pieces of tape on the verso. Fine-.
The Clean Up (Universal, 1923). One Sheet (27" X 41").
Few actors can claim 400 film and TV credits. In a career that lasted from 1911-1954, Herbert Rawlinson was literally in on the ground floor of the film industry, appearing in as many as 15 shorts a year, before segueing into features. Befitting his long and varied career, he completed his scenes in Ed Wood's Jailbait, and died the morning after. Here is a gorgeous Morgan stone lithograph from 1923 with his love interest, pretty Clare Adams (Lon Chaney's The Penalty). Superb linenbacking and minimal expert touch-up has this one longing for just the right frame. There were pinholes in the corners, slight fold and edge wear. Very Fine on Linen.
Few actors can claim 400 film and TV credits. In a career that lasted from 1911-1954, Herbert Rawlinson was literally in on the ground floor of the film industry, appearing in as many as 15 shorts a year, before segueing into features. Befitting his long and varied career, he completed his scenes in Ed Wood's Jailbait, and died the morning after. Here is a gorgeous Morgan stone lithograph from 1923 with his love interest, pretty Clare Adams (Lon Chaney's The Penalty). Superb linenbacking and minimal expert touch-up has this one longing for just the right frame. There were pinholes in the corners, slight fold and edge wear. Very Fine on Linen.
The Headless Horseman (Hodkinson Pictures, 1922). Lobby Cards (3) (11" X 14").
An early version of Washington Irving's short classic, this title featured the offbeat casting of Will Rogers as the cowardly Yankee schoolmaster Ichabod Crane. These cards all feature Rogers and have nifty silhouette logos where he's being chased by the Headless Horseman. Two of the cards have left border pinholes, and one has a minor tear in the center. There is some minor staining in the right border and image of one card and a small stain in the top left corner of another. Fine/Very Fine.
An early version of Washington Irving's short classic, this title featured the offbeat casting of Will Rogers as the cowardly Yankee schoolmaster Ichabod Crane. These cards all feature Rogers and have nifty silhouette logos where he's being chased by the Headless Horseman. Two of the cards have left border pinholes, and one has a minor tear in the center. There is some minor staining in the right border and image of one card and a small stain in the top left corner of another. Fine/Very Fine.
The Idle Class (First National, 1921). Lobby Card (11" X 14").
This title features Charlie Chaplin in a hilarious double role. Here he's the inveterate tramp, with no place to sleep but the park bench, much to the dismay of the well-heeled swell decked out in gloves and an expensive walking cane! Offered here is a handtinted card that has only some border issues. There is a chip in the lower right corner, some water staining in the bottom border, faint border smudging, pinholes in the corners and one in the top of the art, and mild edge wear on the right border with small chips. Fine-.
This title features Charlie Chaplin in a hilarious double role. Here he's the inveterate tramp, with no place to sleep but the park bench, much to the dismay of the well-heeled swell decked out in gloves and an expensive walking cane! Offered here is a handtinted card that has only some border issues. There is a chip in the lower right corner, some water staining in the bottom border, faint border smudging, pinholes in the corners and one in the top of the art, and mild edge wear on the right border with small chips. Fine-.
Modern Age (1980-Present)
Madame Sans-Gêne (Paramount, 1924). Lobby Card (11" X 14").
Beautiful lobby card from a mid-1920s silent film with Gloria Swanson as the only American in the film. It was a grand costume/comedy about a washerwoman who becomes a duchess and a friend of Napoleon! Swanson won the French government over and was allowed to film in three of Napoleon's residences. This fun lobby card has her flirting with a crowd of would-be suitors. Just some mild edge wear with a small chip out of the top right, some mild corner bends and creases, and some light foxing in the right border. Very Fine.
Beautiful lobby card from a mid-1920s silent film with Gloria Swanson as the only American in the film. It was a grand costume/comedy about a washerwoman who becomes a duchess and a friend of Napoleon! Swanson won the French government over and was allowed to film in three of Napoleon's residences. This fun lobby card has her flirting with a crowd of would-be suitors. Just some mild edge wear with a small chip out of the top right, some mild corner bends and creases, and some light foxing in the right border. Very Fine.
Madame Sans-Gêne (Paramount, 1924). Title Lobby Card and Lobby Cards (2) (11" X 14").
Lovely title card and two scene cards from one of Gloria Swanson's best costume dramas. The title card has a chip in the lower right corner, border stains, corner pinholes, corner bends, and slight border smudging. The two scene cards have chips and pinholes in the corners, small surface dings in the portrait card, and a scratch in the three shot. Fine-.
Lovely title card and two scene cards from one of Gloria Swanson's best costume dramas. The title card has a chip in the lower right corner, border stains, corner pinholes, corner bends, and slight border smudging. The two scene cards have chips and pinholes in the corners, small surface dings in the portrait card, and a scratch in the three shot. Fine-.
Movie Posters
Mum's the Word (Pathé, 1926). Lobby Cards (4) (11" X 14").
Alongside The Big Three (Chaplin, Keaton, and Lloyd), there's another comedian who ranks highly, both in output and talent: Charley Chase. He made over 100 comedy shorts for Hal Roach from 1924-1929. Here's Chase at his funniest, and as usual, Roach supported him with fine, well-trained actors. Three of the cards feature Virginia Pearson, the one-time Vamp rival to Theda Bara. That's Martha Sleeper as the maid and Anders Randolf as the suspicious husband. There are pinholes, a chip in the bottom left, smudges in the bottom border, and a scuff in the top right of one card. Fine/Very Fine.
Alongside The Big Three (Chaplin, Keaton, and Lloyd), there's another comedian who ranks highly, both in output and talent: Charley Chase. He made over 100 comedy shorts for Hal Roach from 1924-1929. Here's Chase at his funniest, and as usual, Roach supported him with fine, well-trained actors. Three of the cards feature Virginia Pearson, the one-time Vamp rival to Theda Bara. That's Martha Sleeper as the maid and Anders Randolf as the suspicious husband. There are pinholes, a chip in the bottom left, smudges in the bottom border, and a scuff in the top right of one card. Fine/Very Fine.
The Pilgrim (First National, 1923). Lobby Card (11" X 14").
This card features Charlie Chaplin and Edna Purviance, seen here in a sweet moment from one of Chaplin's best films. Purviance has been called Chaplin's finest muse--she was the perfect female counterpoint to his rambunctious imp persona. She made thirty-four silent films with Chaplin from 1915-1923, playing everything from a singing barmaid that couldn't sing in A Dog's Life to a farmer's daughter in The Tramp. Chaplin often thought marrying her and certainly never forgot her: she received a Chaplin Studios check each month until her death in 1958. How fitting, then, is the line beneath the scene, "True love made him tongue-tied." The stencil color registration is excellent, and there are only border pinholes, a small lower left corner chip, a nick in the right edge, border smudges, and two corner creases. Fine+.
This card features Charlie Chaplin and Edna Purviance, seen here in a sweet moment from one of Chaplin's best films. Purviance has been called Chaplin's finest muse--she was the perfect female counterpoint to his rambunctious imp persona. She made thirty-four silent films with Chaplin from 1915-1923, playing everything from a singing barmaid that couldn't sing in A Dog's Life to a farmer's daughter in The Tramp. Chaplin often thought marrying her and certainly never forgot her: she received a Chaplin Studios check each month until her death in 1958. How fitting, then, is the line beneath the scene, "True love made him tongue-tied." The stencil color registration is excellent, and there are only border pinholes, a small lower left corner chip, a nick in the right edge, border smudges, and two corner creases. Fine+.
There He Goes (Pathé, 1925). One Sheet (27" X 41").
Mack Sennett often remarked that he thought Harry Langdon was the best overall comedian that he'd ever seen. This over-sized portrait poster is one of the greatest Langdon images you're likely to run across. The artist has captured completely the naive, wide-eyed innocence of Langdon's clever screen persona. Just a short year after the release of this film, Langdon would finally become one of "The Big Four," along with Chaplin, Keaton, and Lloyd. A real find for any lover of comedy, or just great posters. Professionally linenbacked, there was some restoration for pinholes, fold wear at the bottom of the horizontal fold, a small hole in the left side, and a few minor tears in the white background. The linen has been trimmed to the edge of the poster. Fine+ on Linen.
Mack Sennett often remarked that he thought Harry Langdon was the best overall comedian that he'd ever seen. This over-sized portrait poster is one of the greatest Langdon images you're likely to run across. The artist has captured completely the naive, wide-eyed innocence of Langdon's clever screen persona. Just a short year after the release of this film, Langdon would finally become one of "The Big Four," along with Chaplin, Keaton, and Lloyd. A real find for any lover of comedy, or just great posters. Professionally linenbacked, there was some restoration for pinholes, fold wear at the bottom of the horizontal fold, a small hole in the left side, and a few minor tears in the white background. The linen has been trimmed to the edge of the poster. Fine+ on Linen.
An Unwilling Hero (Goldwyn, 1921). Rotogravure One Sheet (27" X 41").
This exceptionally rare early 1920s rotogravure one sheet has humorist Will Rogers putting a note and a rock into his Christmas stocking and hurling it through the window of a New Orleans plantation to warn the family of an impending robbery. In all, there are five great photos from the film. The one sheet has been professionally restored with some great airbrush work to address fold wear with small tears, two chips in the left border, and a small chip in the vertical fold in the image area. Fine/Very Fine on Linen.
This exceptionally rare early 1920s rotogravure one sheet has humorist Will Rogers putting a note and a rock into his Christmas stocking and hurling it through the window of a New Orleans plantation to warn the family of an impending robbery. In all, there are five great photos from the film. The one sheet has been professionally restored with some great airbrush work to address fold wear with small tears, two chips in the left border, and a small chip in the vertical fold in the image area. Fine/Very Fine on Linen.
When a Man's a Prince (Pathé, 1926). Title Lobby Card and Lobby Cards (2)(11" X 14").
Erich Von Stroheim must have fumed when he saw this very funny take-off of the sexual predator persona he was making a living portraying. And who better to skewer Von Stroheim than cross-eyed Mack Sennett regular, Ben Turpin? That's beauty Madeleine Hurlock in the cards with Turpin. The title card has a faint paper clip stain in the top border and another card has two small edge tears and a chip in the lower left corner. These are extremely clean cards from the heyday of silent comedy. Fine.
Erich Von Stroheim must have fumed when he saw this very funny take-off of the sexual predator persona he was making a living portraying. And who better to skewer Von Stroheim than cross-eyed Mack Sennett regular, Ben Turpin? That's beauty Madeleine Hurlock in the cards with Turpin. The title card has a faint paper clip stain in the top border and another card has two small edge tears and a chip in the lower left corner. These are extremely clean cards from the heyday of silent comedy. Fine.
Alla Nazimova and Rudolph Valentino in "Camille" (Metro, 1921). Portrait Photo (8" X 10.25").
Vintage single weight, glossy finish photo. Alla Nazimova and a young Rudolph Valentino portray the tragic lovers in the 1921 version of Alexander Dumas' oft-told tale. Signed "Ross," the photo has minor edge wear and minor surface wear. Very Fine-.
Vintage single weight, glossy finish photo. Alla Nazimova and a young Rudolph Valentino portray the tragic lovers in the 1921 version of Alexander Dumas' oft-told tale. Signed "Ross," the photo has minor edge wear and minor surface wear. Very Fine-.
Dorothy Vernon of Haddon Hall (United Artists, 1924). CGC Graded Lobby Cards (3) (11" X 14").
Mary Pickford, at the height of her popularity, gives a lively performance in the title role as Dorothy Vernon in this Elizabethan epic. A maiden betrothed to Allan Forrest, Dorothy, along with her father (Anders Randolf) and cousin (Marc McDermott), get caught up in the intrigue between the courts of Queen Elizabeth and Mary Queen of Scots. These exquisite, hand colored cards, which all feature Pickford, are in excellent condition, showing only light creases in the top and left borders. One card has some light corner bends. The cards have been graded by CGC, with one grading 8.5, one 9.0, and another 9.2. Very Fine/Near Mint.
Mary Pickford, at the height of her popularity, gives a lively performance in the title role as Dorothy Vernon in this Elizabethan epic. A maiden betrothed to Allan Forrest, Dorothy, along with her father (Anders Randolf) and cousin (Marc McDermott), get caught up in the intrigue between the courts of Queen Elizabeth and Mary Queen of Scots. These exquisite, hand colored cards, which all feature Pickford, are in excellent condition, showing only light creases in the top and left borders. One card has some light corner bends. The cards have been graded by CGC, with one grading 8.5, one 9.0, and another 9.2. Very Fine/Near Mint.
The Four Horsemen of the Apocalypse (Metro, 1921). Lobby Card (11" X 14").
A fine dramatic lobby card from the sixth highest grossing silent film ever made! Rudolph Valentino became a bona fide star after this film. It's a quite scarce card and features two great character actors alongside Valentino. That's Josef Swickard on the left and the wizard Shazam (Adventures of Captain Marvel), Nigel De Brulier, on the right. De Brulier was Disney's inspiration for the wizard in "The Sorcerer's Apprentice" episode for Fantasia. There are border pinholes, a small stain in the bottom right border, a small crease in the left border, a bump with a small tear in the top border, and clear tape on the verso. Fine+.
A fine dramatic lobby card from the sixth highest grossing silent film ever made! Rudolph Valentino became a bona fide star after this film. It's a quite scarce card and features two great character actors alongside Valentino. That's Josef Swickard on the left and the wizard Shazam (Adventures of Captain Marvel), Nigel De Brulier, on the right. De Brulier was Disney's inspiration for the wizard in "The Sorcerer's Apprentice" episode for Fantasia. There are border pinholes, a small stain in the bottom right border, a small crease in the left border, a bump with a small tear in the top border, and clear tape on the verso. Fine+.
The Four Horsemen of the Apocalypse (Metro, 1921). Title Lobby Card (11" X 13").
An interesting artifact from 1921's top grossing film (it made more money than Charlie Chaplin's The Kid!): it was written by the first female film executive, June Mathis. It is her name that appears on this rare title card, rather than that of her newly found protege, Rudolph Valentino. This film made superstars of them both, and he would be billed the rest of his career. This title card has pinholes, a small border tear, smudges in the borders, a pencil mark in the image area, and a corner bend. There are two pieces of cellophane tape on the reverse. The card has not been trimmed--this is the original size of this early item. Fine.
An interesting artifact from 1921's top grossing film (it made more money than Charlie Chaplin's The Kid!): it was written by the first female film executive, June Mathis. It is her name that appears on this rare title card, rather than that of her newly found protege, Rudolph Valentino. This film made superstars of them both, and he would be billed the rest of his career. This title card has pinholes, a small border tear, smudges in the borders, a pencil mark in the image area, and a corner bend. There are two pieces of cellophane tape on the reverse. The card has not been trimmed--this is the original size of this early item. Fine.
Sally, Irene and Mary (MGM, 1925). Title Lobby Card (11" X 14").
This MGM comedy-drama, adapted from the Eddie Dowling play, features a very young Joan Crawford in her first starring role, opposite Constance Bennett and William Haines. Crawford and Bennett both went on to huge careers on the screen, and Haines went on to become one of the premier interior decorators in Hollywood society. This good-looking title lobby card has staple holes in the top left corner of the image, light staining in the top and bottom borders, scuffing on the right side, and rounded corners. Fine/Very Fine.
This MGM comedy-drama, adapted from the Eddie Dowling play, features a very young Joan Crawford in her first starring role, opposite Constance Bennett and William Haines. Crawford and Bennett both went on to huge careers on the screen, and Haines went on to become one of the premier interior decorators in Hollywood society. This good-looking title lobby card has staple holes in the top left corner of the image, light staining in the top and bottom borders, scuffing on the right side, and rounded corners. Fine/Very Fine.
The Scarlet Letter by Apeda, NY (MGM, 1926). Handtinted Photo Poster (30" X 38.5").
Perhaps this lovely, handtinted oversize photo mounted on hardboard serves as proof of what some reviewers have called Victor Sjöström's (the father of Swedish film, working in Hollywood as "Victor Seastrom") "perfect visual frames." Photo lobby displays of this type were common in the silent period but are now impossible to find on top titles. There are grommet holes, some edge wear with pinholes, and some scratches in the top center and left center borders. This is certainly a must-have for any silent collection. Fine+ on Board.
Perhaps this lovely, handtinted oversize photo mounted on hardboard serves as proof of what some reviewers have called Victor Sjöström's (the father of Swedish film, working in Hollywood as "Victor Seastrom") "perfect visual frames." Photo lobby displays of this type were common in the silent period but are now impossible to find on top titles. There are grommet holes, some edge wear with pinholes, and some scratches in the top center and left center borders. This is certainly a must-have for any silent collection. Fine+ on Board.
The Sea Tiger (First National, 1927). Three Sheet (41" X 81").
What a lovely image of a 21-year-old Mary Astor in one of her first starring roles. She was a veteran of over 26 films by 1927, and had been named, with Joan Crawford, as a WAMPAS Baby Star just before making this film. The colors and art work are just what you'd expect from the top stone lithography work of the artists at Morgan Litho. Gorgeous! Excellent linenbacking with some fine airbrushing has addressed a 1/2" of missing paper along most of the length of the left edge, surface wear in the blue background, and smaller chips in the top and bottom borders with a larger one at the top of Sills's name. A great uncommon oversize piece from the silent era. Fine on Linen.
What a lovely image of a 21-year-old Mary Astor in one of her first starring roles. She was a veteran of over 26 films by 1927, and had been named, with Joan Crawford, as a WAMPAS Baby Star just before making this film. The colors and art work are just what you'd expect from the top stone lithography work of the artists at Morgan Litho. Gorgeous! Excellent linenbacking with some fine airbrushing has addressed a 1/2" of missing paper along most of the length of the left edge, surface wear in the blue background, and smaller chips in the top and bottom borders with a larger one at the top of Sills's name. A great uncommon oversize piece from the silent era. Fine on Linen.
The Stolen Bride (First National, 1927). One Sheet (27" X 41") Style A.
Lovely Billie Dove is the stuff of Hollywood legend. Her life was far more interesting than any of her great films. She performed in the Ziegfeld Follies at fifteen, conquered Tinseltown in the 1920's appearing with Douglas Fairbanks in the smash hit The Black Pirate, was named The American Beauty, and ended the roaring era with a three year whirlwind romance with a totally smitten Howard Hughes! This wonderful stone lithograph poster is Alexander Korda's first American project during his short three year stay in Hollywood. This very rare style A one sheet has had professional restoration to address minor issues of a small hole in the credits area and a hole above Dove's name. This is your chance to obtain one of the best pieces featuring one of the brightest stars of the silent era. Fine/Very Fine on Linen.
Lovely Billie Dove is the stuff of Hollywood legend. Her life was far more interesting than any of her great films. She performed in the Ziegfeld Follies at fifteen, conquered Tinseltown in the 1920's appearing with Douglas Fairbanks in the smash hit The Black Pirate, was named The American Beauty, and ended the roaring era with a three year whirlwind romance with a totally smitten Howard Hughes! This wonderful stone lithograph poster is Alexander Korda's first American project during his short three year stay in Hollywood. This very rare style A one sheet has had professional restoration to address minor issues of a small hole in the credits area and a hole above Dove's name. This is your chance to obtain one of the best pieces featuring one of the brightest stars of the silent era. Fine/Very Fine on Linen.
The Swamp (Robertson-Cole, 1921). Title Lobby Card (11" X 14").
Sessue Hayakawa's important place in film history is due not only to his acting and writing talents but also to the fact that he was the one and only non-Caucasian star of the silent era. He both wrote and starred in this simple but well-told drama. Bessie Love, his co-star who's featured on this title card, was "inspired" by Hayakawa's script according to reviewers. There is only a small chip in the lower right corner, some faint border smudges, some edge wear with small tears, and some minor corner bends. Fine+.
Sessue Hayakawa's important place in film history is due not only to his acting and writing talents but also to the fact that he was the one and only non-Caucasian star of the silent era. He both wrote and starred in this simple but well-told drama. Bessie Love, his co-star who's featured on this title card, was "inspired" by Hayakawa's script according to reviewers. There is only a small chip in the lower right corner, some faint border smudges, some edge wear with small tears, and some minor corner bends. Fine+.
Tempest (United Artists, 1928). Title Lobby Card and Lobby Cards (2)(11" X 14").
One of the best "peasant-loves-princess" films ever made. John Barrymore woos Princess Tamara (German actress, Camilla Horn, in her first US film.) The title card has been beautifully restored with paper backing and some touch-up for some edge and surface wear, border pinholes, and a staple hole in the image. The two lobby cards are in their original state and have only left and right center border staple holes, a horizontal crease in the bottom border of one, minor right bottom border corner bumps, and a small stain in the bottom left corner of one. Fine/Very Fine on Paper.
One of the best "peasant-loves-princess" films ever made. John Barrymore woos Princess Tamara (German actress, Camilla Horn, in her first US film.) The title card has been beautifully restored with paper backing and some touch-up for some edge and surface wear, border pinholes, and a staple hole in the image. The two lobby cards are in their original state and have only left and right center border staple holes, a horizontal crease in the bottom border of one, minor right bottom border corner bumps, and a small stain in the bottom left corner of one. Fine/Very Fine on Paper.
The Ten Commandments (Paramount, 1923). Lobby Cards (2) (11" X 14").
Cecil B. DeMille erected one of the largest film sets in history for this epic story of the ten commandments. The movie balanced both historical and modern parables with the nifty idea of having visual motifs for each commandment appear in the sets. These very rare cards show scenes from two of the commandment episodes. The first is "Thou Shalt Not Steal": Rod La Rocque looks up horrified at the commandment facing him. The shoddy concrete walls of the building collapse around him, killing his mother (Edythe Chapman) to his left. The other card is "Thou Shalt Not Commit Adultery": here, La Rocque is with his mistress, Nita Naldi, when Leatrice Joy appears unexpectedly. There are small chips with pinholes in the corners and image, dust shadows, edge wear with small tears, handwritten titles of the commandments, and corner bends and creases. The adultery card has a punch in the center. Fine-.
Cecil B. DeMille erected one of the largest film sets in history for this epic story of the ten commandments. The movie balanced both historical and modern parables with the nifty idea of having visual motifs for each commandment appear in the sets. These very rare cards show scenes from two of the commandment episodes. The first is "Thou Shalt Not Steal": Rod La Rocque looks up horrified at the commandment facing him. The shoddy concrete walls of the building collapse around him, killing his mother (Edythe Chapman) to his left. The other card is "Thou Shalt Not Commit Adultery": here, La Rocque is with his mistress, Nita Naldi, when Leatrice Joy appears unexpectedly. There are small chips with pinholes in the corners and image, dust shadows, edge wear with small tears, handwritten titles of the commandments, and corner bends and creases. The adultery card has a punch in the center. Fine-.
Tess of the Storm Country (United Artists, 1922). Lobby Cards (6) (11" X 14").
If you think a silent film can't make you cry, rent this Mary Pickford classic. When you get to the scene (shown on one of these great cards) where she performs an illegal baptism on her lover's sister's illegitimate child, don't be embarrassed if you have to reach for a hankie. Pickford is that good. She was as spunky as she was pretty, and in this movie she takes on two bad boys with her broom. These super rare cards have her in some great shots with some very nice border inset photos, most of which differ from card to card. Five of the cards have a deluxe glossy finish, and one is from a regular set. There are small chips in the top right of one, corner bumps on most, a paint spot in the right border of one, and four with pinholes. Fine+.
If you think a silent film can't make you cry, rent this Mary Pickford classic. When you get to the scene (shown on one of these great cards) where she performs an illegal baptism on her lover's sister's illegitimate child, don't be embarrassed if you have to reach for a hankie. Pickford is that good. She was as spunky as she was pretty, and in this movie she takes on two bad boys with her broom. These super rare cards have her in some great shots with some very nice border inset photos, most of which differ from card to card. Five of the cards have a deluxe glossy finish, and one is from a regular set. There are small chips in the top right of one, corner bumps on most, a paint spot in the right border of one, and four with pinholes. Fine+.
The Toll of the Sea (Metro, 1922). Lobby Card (11" X 14").
There's lots of Hollywood history in this pretty handtinted silent card. This was seventeen-year-old Anna May Wong's first starring role, and with it she became the first native-born Asian performer to star in a major Hollywood movie. This film was also the first feature film shot entirely in Technicolor's two-strip color process. The tagline on the lobby card reads, "Technicolor... In Perfect Natural Colors." That's Kenneth Harlan as the male lead. There is edge wear with tears in the borders, a scratch in the top credits, some staining in the top right, border pinholes, and handwritten captions for the two photo shots. On the verso are handwritten pencil notes and a light titling for a coming attraction. The color is excellent. Fine-.
There's lots of Hollywood history in this pretty handtinted silent card. This was seventeen-year-old Anna May Wong's first starring role, and with it she became the first native-born Asian performer to star in a major Hollywood movie. This film was also the first feature film shot entirely in Technicolor's two-strip color process. The tagline on the lobby card reads, "Technicolor... In Perfect Natural Colors." That's Kenneth Harlan as the male lead. There is edge wear with tears in the borders, a scratch in the top credits, some staining in the top right, border pinholes, and handwritten captions for the two photo shots. On the verso are handwritten pencil notes and a light titling for a coming attraction. The color is excellent. Fine-.
Way Down East (United Artists, 1920). Lobby Cards (2) (11" X 14").
Lillian Gish turned in one of her most complete performances in this wonderful early D. W. Griffith film. This lot contains two key scenes on original high gloss cards. One shows noted actor/lecturer Burr McIntosh about to toss Gish out into a snow storm. She pleads for understanding while a bewildered Richard Barthelmess tries to console her. Both cards have corner pinholes, some small surface scratches, and small border stains, and there's a slight vertical crease from the edge through the head of Barthelmess. Fine+.
Lillian Gish turned in one of her most complete performances in this wonderful early D. W. Griffith film. This lot contains two key scenes on original high gloss cards. One shows noted actor/lecturer Burr McIntosh about to toss Gish out into a snow storm. She pleads for understanding while a bewildered Richard Barthelmess tries to console her. Both cards have corner pinholes, some small surface scratches, and small border stains, and there's a slight vertical crease from the edge through the head of Barthelmess. Fine+.
Mary Miles Minter (Paramount, 1910s). Autographed Photo (7" X 9.25").
Vintage, double weight, matte finish photo. Starting out as a child actress, Minter's demure beauty kept her employed in the silent era, where she was often compared to Mary Pickford. However, the scandal resulting from the (still unsolved) murder of Minter's lover, director William Desmond Taylor (who was 30 years her senior), effectively ended her career. Signed "Sincerely Yours, Mary Miles Minter." The photo has surface smudges and minor stains, a pinhole in the bottom border, overall toning, a crease in the top left corner, plus scrapbook paper residue and a collector's stamp on the reverse. Fine-.
Vintage, double weight, matte finish photo. Starting out as a child actress, Minter's demure beauty kept her employed in the silent era, where she was often compared to Mary Pickford. However, the scandal resulting from the (still unsolved) murder of Minter's lover, director William Desmond Taylor (who was 30 years her senior), effectively ended her career. Signed "Sincerely Yours, Mary Miles Minter." The photo has surface smudges and minor stains, a pinhole in the bottom border, overall toning, a crease in the top left corner, plus scrapbook paper residue and a collector's stamp on the reverse. Fine-.
Mary Pickford and Douglas Fairbanks (1924). Autographed Photo (7" X 9.5").
Stunning vintage gelatin silver, double weight, matte finish photograph, autographed, of Mary Pickford and Douglas Fairbanks, just four years into their marriage. Only some very slight edge wrinkling and wear and some light smudges. Fine/Very Fine.
Stunning vintage gelatin silver, double weight, matte finish photograph, autographed, of Mary Pickford and Douglas Fairbanks, just four years into their marriage. Only some very slight edge wrinkling and wear and some light smudges. Fine/Very Fine.
Pola Negri (RKO, 1920s). Autographed Photo (11" X 14").
Vintage gelatin silver, double weight, matte finish portrait of Rudolph Valentino's lover, Pola Negri. She made film history by being the first ever Continental star to be imported into Hollywood (1922). She has inscribed the photo to L. Allan Smith, a journalist who had a column called "Circle of Stars." The inscription reads: "To Allan Smith, My Best Wishes, Pola Negri." Very Fine/Near Mint.
Vintage gelatin silver, double weight, matte finish portrait of Rudolph Valentino's lover, Pola Negri. She made film history by being the first ever Continental star to be imported into Hollywood (1922). She has inscribed the photo to L. Allan Smith, a journalist who had a column called "Circle of Stars." The inscription reads: "To Allan Smith, My Best Wishes, Pola Negri." Very Fine/Near Mint.
Her Gilded Cage (Paramount, 1922). Lobby Card (11" X 14").
A great handtinted lobby card from the Gloria Swanson costume drama, Her Gilded Cage. It's pure Swanson, the woman who once sent a telegram to her studio after filming Madame Sans Gene, which read: "Arriving with the Marquis (her new husband) tomorrow morning. Stop. Please arrange ovation." There are pinholes in the borders and just into the image in the top and bottom. Very Fine-.
A great handtinted lobby card from the Gloria Swanson costume drama, Her Gilded Cage. It's pure Swanson, the woman who once sent a telegram to her studio after filming Madame Sans Gene, which read: "Arriving with the Marquis (her new husband) tomorrow morning. Stop. Please arrange ovation." There are pinholes in the borders and just into the image in the top and bottom. Very Fine-.
The Little French Girl (Paramount, 1925). Lobby Card (11" X 14").
Beautiful handtinted lobby card with petite Mary Brian enjoying the attentions of a suitor in her 1925 hit for Paramount, The Little French Girl. There are only corner pinholes, some mild edge wear with a small tear in the top border, a mild corner bend and crease in the top left, and foxing along the top border. Someone has written Brian's name in above the title. Fine/Very Fine.
Beautiful handtinted lobby card with petite Mary Brian enjoying the attentions of a suitor in her 1925 hit for Paramount, The Little French Girl. There are only corner pinholes, some mild edge wear with a small tear in the top border, a mild corner bend and crease in the top left, and foxing along the top border. Someone has written Brian's name in above the title. Fine/Very Fine.
The Shopworn Angel (Paramount, 1928). Lobby Cards (4) (11" X 14").
Uber-adorable Nancy Carroll is featured on all four lobby cards from this drama, the first of three film versions of the Dana Burnet short story "Private Pettigrew's Girl," in which Carroll stars as a flighty cabaret entertainer who is transformed by her romance with an army private played by Gary Cooper. Various cards have smudging/soiling, surface creasing, and two cards have light corner creases, but all retain terrific color and a very sharp overall appearance. Very Fine-.
Uber-adorable Nancy Carroll is featured on all four lobby cards from this drama, the first of three film versions of the Dana Burnet short story "Private Pettigrew's Girl," in which Carroll stars as a flighty cabaret entertainer who is transformed by her romance with an army private played by Gary Cooper. Various cards have smudging/soiling, surface creasing, and two cards have light corner creases, but all retain terrific color and a very sharp overall appearance. Very Fine-.
Wages of Virtue (Paramount, 1924). Lobby Cards (2) (11" X 14").
Allan Dwan directs Gloria Swanson, Ben Lyon and Ivan Linow in this drama, based on the novel by Percival Wren. Luigi, a carnival strongman (Linow), and his girlfriend flee to Algiers to escape a murder charge but are ensnared in a tangle of jealousy, betrayal, and murder. These vibrant lobby cards both feature Swanson, who the critics again praised as an actress at the zenith of her career. One lobby card has a smudge and tear in the right border, with tape on the verso, the other card has a chip in the top right border, and both have minor corner bends. Highly presentable and rarely seen, these lobby cards should not be missed. Fine/Very Fine.
Allan Dwan directs Gloria Swanson, Ben Lyon and Ivan Linow in this drama, based on the novel by Percival Wren. Luigi, a carnival strongman (Linow), and his girlfriend flee to Algiers to escape a murder charge but are ensnared in a tangle of jealousy, betrayal, and murder. These vibrant lobby cards both feature Swanson, who the critics again praised as an actress at the zenith of her career. One lobby card has a smudge and tear in the right border, with tape on the verso, the other card has a chip in the top right border, and both have minor corner bends. Highly presentable and rarely seen, these lobby cards should not be missed. Fine/Very Fine.
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Mailing Address:
PO Box 619999
Dallas, TX 75261-6199
Street Address:
2801 W. Airport Freeway
Dallas, Texas 75261-4127
(Northwest corner of W. Airport Freeway & Valley View Lane)
All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842