Session 1
Movie Posters
Blackmail (Sono Art-Worldwide Pictures, 1929). Lobby Card (11" X 14").
The first British talkie ever produced, this was also one of director Alfred Hitchcock's earliest efforts. The story concerns a young woman, Alice White (Anny Ondra), who kills a man in self-defense when he tries to rape her. A witness to the murder tries to blackmail Alice, and it's up to her boyfriend, Scotland Yard detective Frank Webber (John Longden), to protect her. Paper from this film is almost non-existent. Only a handful of lobby cards have ever turned up, most likely from a single set. To the best of our knowledge, this card has never before been offered to the collecting public. Its single defect is that all the borders were trimmed and replaced, a flaw it shares with every other card from this movie known to exist. Expert professional restoration has returned this card to a like-new appearance, making it a highly desirable addition to any advanced collection. Bid now, as a chance to own this classic beauty may never come your way again. Fine on Paper.
Saboteur (Universal, 1942). Lobby Card Set of 8 (11" X 14").
When aircraft plant worker Barry Kane (Robert Cummings) is wrongly accused of starting the fire that kills his best friend, he begins a desperate race across the country in order to clear his name by exposing the real culprits, a group of Nazi saboteurs, leading to a tense confrontation atop the Statue of Liberty. One of director Alfred Hitchcock's lesser-known films, it is nevertheless one of the most relentlessly exciting. The lobby card set offered here is in superb condition; only some very minor surface paper loss on the title card keeps this set from an even higher grade. Near Mint-.
Saboteur (Universal, 1942). One Sheet (27" X 41") Style C.
In a classic Hitchcockian plot, one very similar to The 39 Steps, an innocent man is accused of murder and has to outwit the police to find the real killers, this time a group of Nazi saboteurs. As in the earlier film, the reluctant hero (Robert Cummings) kidnaps a skeptical blonde (Priscilla Lane) who eventually believes his innocence. Norman Lloyd and Otto Kruger co-star as the villains in this suspenseful and highly enjoyable thriller. The poster had fold wear with a chip at the bottom of the vertical fold, crossfold separations with some paper loss, and a chip in both the top and left borders. After professional restoration, this great poster displays very well. Fine/Very Fine on Linen.
Mr. & Mrs. Smith (RKO, 1941). One Sheet (27" X 41") Style A.
Although suspense genius Alfred Hitchcock added much wit and humor to his more than sixty films, he only directed one actual comedy, this delightful screwball romp. Carole Lombard and Robert Montgomery play a married couple who have gotten into a rut. When they discover their marriage is not technically lawful, they have to decide whether they really want to stay together. Filled with many hilarious misunderstandings and co-starring Gene Raymond and Jack Carson, this is a fun and fast-paced gem. This poster has crossfold separations, fold wear with small tears, three corner bends, and a minor tear in the field. Very Fine.
Saboteur (Universal, Late 1940s Post-War Release). French Grande (47" X 63").
We are offering here for the first time the sensational French grande poster for Hitchcock's thrilling film about a cross-country chase of Nazi saboteurs, who appear to be upstanding citizens. It is non-stop action from start to finish with the picture's tense climax set atop the Statue of Liberty. The stunning artwork of Priscilla Lane and Robert Cummings is by noted poster artist Rene LeFebvre. The poster has been mounted on linen, but no other restoration work has been done. There are pinholes in the field, fold wear, and crossfold separations with chips. Fine/Very Fine on Linen.
The Lady Vanishes (Gaumont, 1938). Insert (14" X 36").
Adapted from the novel The Wheel Spins by Ethel Lina White, Alfred Hitchcock brilliantly directs this top thriller set aboard a train bound for England. British travelers Margaret Lockwood and Michael Redgrave unwittingly become entangled in espionage, kidnapping, and murder, after Miss Froy (Dame May Whitty) disappears. The film was a smash hit, and was one of the final movies Hitchcock made in Britain before moving to Hollywood. In the film's lighter moments we are introduced to the characters Charters and Caldicott (Nauton Wayne and Basil Radford), slightly bumbling cricket fans, who reappear in several films throughout the 1940s and 1950s. This gorgeous insert has been restored to address two corner chips, small tears in the bottom border, and fold and edge wear. There was a chip, a tape lift, and a tear in the left border. There are smudges in the center, and two creases that occurred after the restoration. We are happy to offer this format, which is especially notable for its fantastic artwork, for the first time. Fine+ on Linen.
Spellbound (United Artists, 1945). Lobby Card (11" X 14").
If Dr. Anthony Edwardes (Gregory Peck), newly appointed head of the Green Manors Mental Institution, seems too good to be true, it's because he's actually escaped mental patient John Ballantine, a paranoid amnesiac. Dr. Constance Petersen (Ingrid Bergman) sets out to help him, falling in love with the disturbed man in the process. One of the first Hollywood films to deal with psychoanalysis, this classic thriller, directed by Alfred Hitchcock, features an elaborate dream sequence designed by noted surrealist artist Salvador Dali. Offered here is one of the best cards in the set, a lovely portrait card featuring both Peck and Bergman. It has pinholes in the left and right sides and some light edge wear, but is otherwise in superb condition. Very Fine+.
Notorious (RKO, 1946). Lobby Card (11" X 14").
Alfred Hitchcock's suspenseful masterpiece has several memorable and intricately designed scenes, but it is the tension and heartbreak between the stars, Cary Grant and Ingrid Bergman, that really makes this one of the director's most exciting films. This striking portrait card has pinholes in the corners, light staining in two borders, and light edge wear. There are small bumps at the bottom corners, and light creases in the top border. This gem would be a highlight of any poster collection and is considered by most to be the best scene card from this rare set. Fine/Very Fine.
Suspicion (RKO, 1941). Lobby Card (11" X 14").
This stunningly beautiful card features Joan Fontaine as Lina Aysgarth eyeing her wastrel husband Johnnie (Cary Grant) with fear, and with the suspicious glass of milk between them. Alfred Hitchcock ingeniously illuminated the glass of milk with a light bulb to imply to the audience that it might be poisoned. This unrestored card has pinholes in the corners, a faint scratch in the image, and a piece of paper tape on the reverse. Very Fine.
Foreign Correspondent (United Artists, 1940). One Sheet (27" X 41").
One of Alfred Hitchcock's great espionage thrillers, this film is set in early-WWII England and features several visually striking scenes, such as the shooting amongst a crowd of umbrella covered onlookers, windmills turning in different directions as a signal to agents, and the climactic plane crash. Joel McCrea is the everyman news reporter who becomes entangled with foreign spies connected to Herbert Marshall and his daughter Laraine Day. George Sanders, as a sardonic British agent, is a nice foil to the naive American. The film is based on Vincent Sheean's memoir, Personal History, and had several screenwriters throughout the production, including Ben Hecht and Robert Benchley. It lost out on the Best Picture Academy Award for 1941 to another Hitchcock gem, Rebecca. The poster has had minor color touch-up in the fold lines with work on very minor paper loss at the center crossfold. There was some extra creasing which appears to be a print error in the lower portion of the poster, below the credits and within the image of McCrea's legs, which has had color touch-up. This is a very clean copy of this rare poster and the conservation work done was executed magnificently. For the Hitchcock collector, this is a never-before-seen copy of this poster with stunning stone litho artwork! Very Fine- on Linen.
Rebecca (United Artists, R-1946). Lobby Card Set of 8 (11" X 14").
Joan Fontaine and Laurence Olivier star in one of Hitchcock's most atmospheric gothic thrillers. Based on the novel by Daphne du Maurier, the de Winter household is haunted by the first wife, Rebecca. With growing psychological tension, Fontaine, as the second Mrs., doesn't know how to fit into her husband's life, and finds more mysteries than answers from housekeeper Mrs. Danvers (Judith Anderson), and neighbor Jack (George Sanders). The gorgeous title card has pinholes in the corners and one in the center, stains and smudges in the borders, and edge wear. Six scene cards have corner pinholes and smudges in the borders, two cards have a crease in one border, and three have a staple hole in the center. Fine-.
Lifeboat (20th Century Fox, 1944). Title Lobby Card (11" X 14").
In a story written by famed author John Steinbeck, at the specific request of director Alfred Hitchcock, several survivors of a torpedoed ship share a lifeboat with one of the men who sunk them. With an all-star cast, including Tallulah Bankhead, William Bendix, Walter Slezak, Henry Hull, Hume Cronyn, and Canada Lee, the story takes place entirely within the confines of the lifeboat, as the passengers struggle to stay alive on the open sea. This stunning title card has some smudging in the borders, corner bends in the bottom and top left, creasing in the right side, and a small tear in the right border, but presents very nicely. This is sure to make a welcome addition to any collection. Fine/Very Fine.
To Catch a Thief (Paramount, 1955). One Sheet (27" X 41").
Former jewel thief John Robie (Cary Grant) thinks he's left his larcenous lifestyle behind him in favor of retirement on the French Riviera. However, when an up-and-coming burglar begins a new crimewave, copying Robie's distinctive style, the spotlight of suspicion falls on him, forcing Robie to get back in action to find the thief and clear his name. Swept up in the maelstrom of events is wealthy heiress Frances Stevens (Grace Kelly), who aids Robie in his mission. One of director Alfred Hitchcock's most sumptuous films - it won an Oscar for Best Color Cinematography - this was the picture that lured Grant out of the retirement he had announced two years earlier. The lovely poster offered here has some crossfold separation, small tears in the left border, and pinholes in the corners, but presents very nicely, a perfect addition to any collection. Very Fine.
Vertigo (Paramount, 1958). One Sheet (27" X 41").
James Stewart stars in one of Alfred Hitchcock's best pictures as a detective who falls in love with a woman he's hired to follow. When she turns up dead, his obsession with her makes him change another woman into her image. Imagine his surprise when it turns out that she's the same woman. Magnificent Saul Bass art graces this very cool one sheet. Prior to expert restoration, there was only a small bit of paper loss on the top fold. It now looks brand new. Very Fine on Linen.
Rear Window (Paramount, 1954). One Sheet (27" X 41").
Alfred Hitchcock created a suspenseful masterpiece when he set this murder mystery in a claustrophobic apartment looking out onto a claustrophobic courtyard, where everyone's intimate life is on display. Based on Cornell Woolrich's short story, this classic stars two of Hitchcock's favorite actors, James Stewart and Grace Kelly, along with wise-cracking Thelma Ritter and a brutish Raymond Burr. There was edge wear with a small chip in the left and the bottom borders, fold wear with crossfold separations, and a crease on the right side. These issues have been addressed with restoration, and the poster now displays beautifully. Fine/Very Fine on Linen.
Strangers on a Train (Warner Brothers, 1951). Insert (14" X 36").
Guy Haines (Farley Granger) has trouble. The young tennis star is trapped in an unhappy marriage with Miriam (Laura Elliott) and he is in love with a senator's daughter, Anne Morton (Ruth Roman). His troubles only get worse, when he is "befriended" by Bruno Anthony (Robert Walker), who wants to help Guy solve his dilemma. One of Alfred Hitchcock's top suspense films, this one keeps the audience hooked from start to finish, with ever-building tension. This bright insert had a tear at the top, fold wear, a small hole in the lower right, and there are a few areas of paper lifts on the reverse. After expert restoration this striking design is in top condition. Very Fine- on Paper.
To Catch a Thief (Paramount, 1955). Three Sheet (41" X 81").
Grace Kelly's final film for master director Alfred Hitchcock is set in the French Riviera, an area she would soon call home, as she married Rainier III, the Prince of Monaco, the year following this film's release. Based on the 1952 novel of the same name by David Dodge, Cary Grant stars with Kelly, Brigitte Auber, and John Williams in this classic filled with romance, mystery, and intrigue. This poster had pinholes in the borders, edge wear, fold wear, and a tear in the right border. There was a small area of missing paper in the title, and one in Hitchcock's name. Restoration has addressed most of these issues, and this special poster displays very well. Fine/Very Fine on Linen.
Stage Fright (Warner Brothers, 1950). Italian 2 - Folio (39" X 55").
When young acting student Jonathan Cooper (Richard Todd) is accused of killing the husband of his high society mistress (Marlene Dietrich), aspiring actress Eve Gill (Jane Wyman) comes to his aid in this top-notch Hitchcock thriller. It deftly blurs the line between reality and artifice as this twisted story of murder and betrayal unfolds. Offered here is a beautiful 2 - folio, with stunning imagery by renowned Italian artist Luigi Martinati. The only defect of note is some crossfold separation, now rendered virtually invisible following expert professional restoration. This is a great piece that you'll undoubtedly display proudly. Very Fine+ on Linen.
North by Northwest (MGM, R-1966). Half Sheet (22" X 28").
Cary Grant, Eva Marie Saint, James Mason, and Martin Landau star in the classic Alfred Hitchcock thriller about mistaken identity, murder, and espionage. This half sheet has wrinkles, two extra creases, smudges with ink marks in the bottom border, corner bends, and pinholes in the corners. One of the most sought after of any reissue poster, the fantastic artwork features Hitchcock's iconic profile embedded into Mount Rushmore. Folded, Fine.
The Wrong Man (Warner Brothers, 1957). Lobby Card (11" X 14").
The most highly sought after card from any Alfred Hitchcock film, this rare image features Henry Fonda, with the director's iconic profile in the background. Hitchcock does not appear on any other original release scene card from any of his films. This exceptional item is in impeccable condition. Mint.
To Catch a Thief (Paramount, 1955). Autographed Window Card (14" X 18").
One of Alfred Hitchcock's most glamorous thrillers, this film is set in the French Riviera and stars Cary Grant and Grace Kelly. It was the third Hitchcock film for both stars. Kelly is decked out in diamonds and sumptuous costumes by Edith Head, who was nominated for an Oscar for her designs. This window card has been trimmed by four inches at the top of the upper imprint area, there is a tape stain in the left border, a dust shadow in the left and right borders, and staining at the bottom edge. The card has been folded vertically and there are a few creases and a scratch in the field. The card is signed "Cary Grant." From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. As many are aware, Cary Grant was an extremely elusive signature to obtain and would rarely sign in-person. You either had to know him or someone who knew him to get the signature! Very Good+.
To Catch a Thief (Paramount, 1955). French Grande (47" X 63").
Jewel thief John Robie (Cary Grant) is enjoying a quiet retirement on the French Riviera when someone initiates a crime wave copying his distinctive style, throwing an unwelcome spotlight on Robie and his old accomplices. To clear himself, Robie begins to keep an eye on prime victims, especially the lovely Frances Stevens (Grace Kelly), with whom Robie soon becomes romantically involved. Prior to making this film, Grant had been enjoying his own retirement. Director Alfred Hitchcock lured him back in front of the cameras to make this picture, after which Grant continued making movies for another 11 years. This lovely French grande, with beautiful imagery by noted French artist Boris Grinsson, shows some crossfold separation and very light edge wear, but is otherwise in exquisite condition. This is one you'll want to add to your personal collection. Very Fine+.
North by Northwest (TOWA, R-1965). Japanese B2 (20" X 29").
This thriller is quintessential Hitchcock, a tale of an innocent man (Cary Grant) entangled in espionage, murder, and a seductive blonde (Eva Marie Saint). Filmed against the dramatic backdrops of Mount Rushmore, the U.N., and the wide open Midwestern fields, this is cinematic perfection from start to finish. This stunning poster features a beautiful layout with one of the most memorable screen kisses ever captured on film. Rolled, Near Mint.
North by Northwest (MGM, 1959). Poster (30" X 40").
This is master of suspense Alfred Hitchcock's clever tale of an advertising executive (Cary Grant) mistaken for a dangerous international spy and pursued cross country. Eva Marie Saint stars as the mysterious blond who helps him unravel the truth behind the enigmatic chase. While this 30 X 40 uses the same Saul Bass design as the one sheet, it is decidedly different as it is in full color, not duotone. The poster has some wrinkling and wear and has had most of the yellow field airbrushed to repair some staining in the image above Grant. There were some tears in the image and wear to the borders. The professional restoration work was brilliantly done and the poster now displays like new. This is by far one of the best and most elusive posters from the original release of the film; nab it now while you have the chance. Fine- on Linen.
Vertigo (Paramount, 1958). Lobby Card (11" X 14").
James Stewart as Scottie Ferguson is tormented by his obsession for Madeleine Elster and Judy Barton (both roles played by Kim Novak) in this psychological thriller from master film-maker Alfred Hitchcock. This is the highly prized card #6, and with only faint smudges in the bottom border and a stamp on the reverse which does not bleed through to the front, it is in excellent condition.This is considered by most to be the best card from the set. Very Fine/Near Mint.
North by Northwest (MGM, R-1962). British Quad (30" X 40").
Cary Grant stars in one of Alfred Hitchcock's best films as a regular guy who gets caught up in unusual circumstances, to say the least. Mistaken for an agent, he is kidnapped, drugged, and dragged into an espionage plot, a favorite subject for the master of suspense. Offered in this lot is a very rare British quad. The poster has edge wear at the top, ghosting, two edge tears, and two snipes attached to the poster. The snipe in the upper left announces tickets for a theater staff presentation of the new film. The snipe in the lower right gives the added attractions to be shown with the film. This poster is in nice condition other than the addition of the snipes which could be removed. Folded, Fine/Very Fine.
Marnie (Universal, 1964). Italian 4 - Folio (55" X 78").
One of Alfred Hitchcock's favorite actresses, Tippi Hedren, stars as the title character, a compulsive liar and thief who meets her match with Mark Rutland (Sean Connery). Connery plays a wealthy businessman who, thinking he can tame the inscrutable blonde, makes a proposal to Hedren -- either marry him or go to jail for embezzlement. This sensationalized poster is from a key scene in the movie: their honeymoon night, when Connery won't take "no" for an answer. A serious larger-than-life Hitchcock looks out from behind the scenes on this cool and suspense-ridden 4 - folio. It had pinholes in the corners and fold wear, remedied with professional restoration. Very Fine on Linen.
Psycho (Paramount, 1960). Half Sheet (22" X 28") Style B.
One of the most terrifying movies ever made, this film, based on a story by Robert Bloch, set the bar for all thrillers to come. All the elements are perfection in this suspenseful production, from the masterful direction by Alfred Hitchcock, to a memorable and evocative score by Bernard Hermann, to an exceptional cast, headed by stars Janet Leigh as Marion Crane and Anthony Perkins as one of the most terrifying killers in the history of film, the tortured Norman Bates. Not surprisingly, paper from this picture is highly prized by collectors. This half sheet was missing 1/4" to 1/2" width of each border, but it has been professionally restored. This was the only issue with the poster; the image area is in impeccable condition. For all fans of the horror genre, this is the one to have. Fine on Paper.
Psycho (Paramount, 1960). Lobby Card (11" X 14").
This, the best card from the set of Hitchcock's classic film, has a few pinholes within the card. They include several in the upper roof of the house, a couple in the white border to the right, and one within the name of "Janet Leigh." There is a minor surface abrasion in the sky within the photo and additional pinholes in the bottom center border and top two corners. There is a National Screen number written in pen on the reverse which is not visible from the front. This is a fantastic card from one of the master's greatest films. Fine.
Psycho (Paramount, 1960). One Sheet (27" X 41").
Horror villains are seldom so unexpected and memorable as the reclusive Norman Bates. Based on the story by Robert Bloch, Alfred Hitchcock set a new standard for fear and shock with this pinnacle of movie making, with stars Janet Leigh, Anthony Perkins, and Vera Miles. There were paper losses in the left and right borders, and pinholes in the top and bottom borders. With professional restoration, these issues are no longer apparent; this magnificent poster is one not to be missed. Fine- on Linen.
Houdini (Paramount, 1953). One Sheet (27" X 41").
Husband and wife team Tony Curtis and Janet Leigh star in this highly entertaining biography, with added Hollywood flair, of the master magician/escape artist Harry Houdini. Directed by George Marshall and produced by George Pal, the scenes of Houdini's greatest tricks are spectacular. This was Curtis and Leigh's first film together. Prior to professional restoration, this beautiful poster had chips in the left border and top left corner, pinholes in the corners, fold wear, and tape lifts in the left and right borders. This is a truly magnificent image of Hollywood royalty. Fine/Very Fine on Linen.
Dr. No (United Artists, 1962). Half Sheet (22" X 28").
The first James Bond feature film, this exciting adventure takes place in Jamaica, as Agent 007 (Sean Connery) races against time to prevent the diabolical, world-shattering plans of the insidious Dr. No (Joseph Wiseman). As Honey Ryder, Ursula Andress set the standard for all the Bond girls to come. This great half sheet has had all the corners replaced, and shows a single pinhole in the bottom border, but is otherwise clean and unmarked. Whether you're starting a Bond collection or expanding one, you'll want to bid on this beauty! Rolled, Fine.
Goldfinger (United Artists, 1964). Half Sheet (22" X 28").
This iconic 007 film has it all -- Sean Connery, unforgettable women (Shirley Eaton and Honor Blackman), new gadgets, and delightfully evil villains (Harold Sakata as Oddjob, and Gert Frobe as Auric Goldfinger).This fabulous half sheet has light scratches and smudges, and a minor dust shadow on three edges. One of the classiest images of all the James Bond posters -- Connery and Honor Blackman are reflected on Shirley Eaton's golden body. Folded, Very Fine-.
Dr. No (United Artists, 1962). Three Sheet (41" X 81").
James Bond, Secret Agent 007, was first introduced to audiences via a wonderful advertising campaign. Sean Connery would establish the iconic spy in this picture that also co-stars Ursula Andress, and laid the foundation for the most successful series in the history of motion pictures. This American poster was designed by David Chasman and used a very stylish 1960s graphic. While the one sheets are more common, the larger format posters like this three sheet seldom turn up; we have not sold another copy since 2005. This copy is in excellent condition and appears to be unused! Very Fine+.
Thunderball (United Artists, 1965). Lobby Card Set of 8 (11" X 14").
When SPECTRE agent Emilio Largo (Adolfo Celi) steals two nuclear warheads, British superspy James Bond (Sean Connery), Agent 007 with a license to kill, is sent to recover them in this gripping, fast-paced entry in the popular action franchise. Offered here is a highly desirable set of lobby cards from this fan favorite film. Several cards show some slight moisture staining, one card has a light smudge in the bottom right corner, and another card displays some soiling in the borders. In spite of these slight flaws, this is a marvelous set of cards that any collector would be proud to call their own. Fine+.
Goldfinger (United Artists, 1964). One Sheet (27" X 41").
James Bond, Secret Agent 007, with his license to kill, is back with Sean Connery starring in his third adventure, the film that many fans consider the best in the entire series. Bond takes on the mad genius of Auric Goldfinger (Gert Frobe) and his dreamy assistant Pussy Galore (Honor Blackman) in their plot to capture Fort Knox. Prior to professional restoration there were pinholes in the top corners, tape lifts at the folds and crossfolds, and a chip in the left border. This fabulous and popular poster displays very well. Fine/Very Fine on Linen.
Dr. No (United Artists, 1962). One Sheet (27" X 41").
Ian Fleming's British superspy James Bond, Agent 007 with a license to kill, was brought to life on the big screen for the first time in this exciting film. Hot on the trail of the maniacal Dr. No (Joseph Wiseman), Bond (Sean Connery) travels to Jamaica, racing against time in order to prevent a nuclear nightmare. Ursula Andress set the style for all Bond girls to come, rising from the water in her unforgettable white bikini. Offered here is a great one sheet from this important film. It shows some light smudging, an extra vertical fold, and pinholes in the corners, but is otherwise extremely attractive. Whether you're starting a Bond collection or growing one, you'll want to add this beauty to your collection. Very Fine+.
The Spy Who Loved Me (United Artists, 1977). Banners (3) (21" X 59").
Ah, the life of James Bond (Roger Moore). No sooner does he kill a rival KGB agent then he finds himself romantically involved with the agent's stunningly beautiful wife (Barbara Bach). In his spare time, Agent 007 breaks up a plot by evil mastermind Karl Stromberg (Curd Jurgens), and his dentally-enhanced bodyguard Jaws (Richard Kiel), to heist a Polaris submarine packed to the gills with nuclear warheads. You'll want to use your license to bid to go after these three attractive banners for this great film. One has pinholes in the corners and some surface wear, while another has some light creasing in the right side. Overall, they are in excellent condition and deserve your highest consideration. This lot is from the collection of David Frangioni, collector & author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Rolled, Very Fine.
On Her Majesty's Secret Service (United Artists, 1970). French Upright Two Panel (47" X 126").
When Sean Connery retired from the role, the producers of the James Bond franchise tapped former male model George Lazenby to become the new Agent 007. Although his performance was strong in this, one of the best films in the series, Lazenby abandoned the part after this single picture, with Connery returning for one more film before handling the role over to Roger Moore in 1973's Live and Let Die. This beautiful French two panel shows some light tanning at the foldlines, and a slight stain in one fold. Otherwise, it is extremely clean and attractive, and ready to take its rightful place in any James Bond collection. Very Fine-.
Thunderball (United Artists, 1965). British Color Front of House Set of 8 (8" X 10").
This fourth film in the James Bond film franchise sees Ian Fleming's British superspy, Agent 007 (Sean Connery) in the Bahamas, trying to recover a pair of nuclear warheads stolen by SPECTRE agent Emilio Largo (Adolfo Celi) as part of a scheme to blackmail the entire world. These British color front of house cards are in superb condition. Several have some light creasing in the field, and a few show light corner bends, but overall they are remarkably clean. No Bond collection of complete without this rare country-of-origin set! Very Fine.
From Russia with Love (United Artists, 1964). French Grande (47" X 63").
Although the gadgetry that would become an important part of the James Bond film mythology is kept to a minimum in this, the second picture in the franchise, there's action aplenty as Agent 007 (Sean Connery) races to recover a Russian decoding device before SPECTRE agents Donald "Red" Grant (Robert Shaw) and Rosa Klebb (Lotte Lenya) beat him to it. This stunning French grande shows pinholes in the corners, tape stains at the top, light staining on the left border, and a top left corner chip, but is, overall, in great condition. Fine.
Burton Holmes Travel Pictures (Paramount, 1921). One Sheet (27" X 41") "Three Marvelous Matsuri."
Between 1916 and 1925, producer Burton Holmes released nearly 200 short travel films, with titles like Among the Headhunters (1916), Vesuvius in Eruption (1916), Peerless Pineapples of the Pacific (1918), and Quaint Kuala Lumpur (1920). It was Holmes who coined the term "travelogue," and he was well-known for his documentary travel lectures. This lovely stone litho poster shows a slight over-bleed in the printing process in the top left, and some very light staining on the right side, but is otherwise in superb condition. A very rare poster that you will be proud to own. Very Fine on Linen.
The Romance of Elaine (Pathé, 1915). One Sheet (27" X 41") Chapter 12 -- "The Triumph of Elaine."
Although she was not the first serial queen - that honor goes to Mary Fuller, star of What Happened to Mary? - there's little question that Pearl White was the greatest of all the women who risked life and limb each week on the cinema screen for the entertainment of the movie-going public. White made her serial debut in 1914 as the title character in The Perils of Pauline, and then went on to make three different chapterplays centered around the exploits of Elaine Dodge, of which this was the final entry in the series. This particular serial also featured future film legend Lionel Barrymore in a prominent role. For serial fans, it hardly gets any better, or rarer, than this. The stunning poster, featuring White, shows light water stains in the borders, tears in the top border, paper loss in the lower right, minor edge wear, a tear in the right border, and clear tape on the reverse at the tears. These minor concerns do little to detract from the overwhelming appeal of this wonderful sheet. Fine-.
The Romance of Elaine (Pathé, 1915). One Sheet (27" X 41") Chapter 9 -- "The Life Chain."
One of the earliest American serials, this was the third in a series of chapterplays about Elaine Dodge, a plucky young heroine played by iconic serial queen Pearl White. Making the films even more appealing to contemporary audiences was the inclusion of Detective Craig Kennedy (played here by Arnold Daly), a fictional detective in the mold of Sherlock Holmes, whose exploits were recounted in a series of short stories, novels, and films. A scientific detective, whose specialities were chemistry and psychoanalysis, Kennedy has been cited as one of the inspirations for several later heroes, including Doc Savage and Batman. Also featured prominently in this serial - and on this poster - was soon-to-be superstar Lionel Barrymore, whose later career would include roles in such classic films as Grand Hotel (1932), Captains Courageous (1937), and Key Largo (1948). This exceedingly rare poster has a split in the right center fold, slight paper loss in the upper right and left center, small edge tears, a tear in the left border, minor water staining in the border, light scuffing in the image area, and tape on the reverse. These are minor considerations, however, none of which detract from the extreme desirability of this exquisite poster. Fine+.
The Adventures of Robinson Crusoe (Universal, 1922). One Sheet (27" X 41") Chapter 11 -- "No Greater Love."
Daniel Defoe's classic novel about a man shipwrecked and forced to survive on an uninhabited island is here adapted to an 18-chapter serial starring Harry Myers in the title role and Noble Johnson as Friday. The lovely stone litho poster offered here has pinholes in the corners of the field, a top left corner bend, fold wear, several small stains in the right border, and a minor tear in the top border. In spite of these slight flaws, this is a great poster that displays very nicely, and will make a welcome addition to your collection. Fine/Very Fine.
Shadow of Chinatown (Victory, 1936). Stock One Sheet (27" X 41").
Star Bela Lugosi is in fine form as Victor Poten, a mad inventor and chemist who is hired by a European importing cartel to wipe out their competition in an unnamed West Coast city with a striking similarity to San Fransisco's Chinatown. Through fifteen hair-raising chapters, Poten utilizes a series of diabolical devices to achieve his grisly ends. Only novelist Martin Andrews (Herman Brix) stands in his way, aided by the lovely Joan Whiting (Joan Barclay). A magnificent serial, this highly attractive stock sheet will no doubt prove irresistible to the chapterplay aficionado. It had pinholes in the corners of the image, crossfold separation, a tear in the right side that extends into the image area, and a small tear and small chip in the top border. After linen backing, which has been trimmed to the edges of the poster, and expert professional restoration, this poster now looks like a million dollars, just waiting to take its rightful place in your permanent collection. Fine+ on Linen.
Captain Video, Master of the Stratosphere (Columbia, 1951). Three Sheet (41" X 81").
Inspired by the popular TV show, Captain Video and his Video Rangers, which ran on the Dumont Television Network from 1949 to 1955, this exciting serial, starring Judd Holdren in the title role, hit theaters in 1951, and told the story of the Captain's battle against the evil Vultura on the planet Atoma. The good Captain occupies an important place in media history, largely being seen as the bridge between the passing era of the movie serials and the coming television age. Offered here is a rare and glorious three sheet from this popular chapterplay. Aside from some hard-to-see tape lifts on the reverse at the fold lines, this poster is in great condition, and will be a welcome addition to any collection. Very Fine on Linen.
Flash Gordon Conquers the Universe (Universal, 1940). One Sheet (27" X 41") Chapter Seven -- "The Land of the Dead."
This was the third Universal serial to star Alex Raymond's popular comic strip hero, and in many respects, it's the best of the three. Buster Crabbe is back as Flash, opposing Charles Middleton as the diabolical Ming the Merciless, who this time threatens to unleash the dreaded Purple Death upon an unsuspecting Earth. This exquisite poster, featuring a fantastic image of Flash and Dale Arden (Carol Hughes) had some fold wear with paper loss at the crossfolds, tearing and chipping in the left border, two tears in the bottom border that extended into the image area, and creasing in the right border, but expert professional restoration has addressed these slight issues, making this poster look like a million bucks. You'll definitely want to conquer the other bidders for this one. Fine+ on Linen.
Flash Gordon's Trip to Mars (Universal, 1938). One Sheet (27" X 41") Chapter 1 -- "New Worlds to Conquer."
After the remarkable success of the first Flash Gordon serial in 1936, Universal knew they had a winner on their hands, and went ahead with production on this exciting sequel, with the action switched to Mars (rather than Mongo), to take advantage of the Red Planet hysteria caused by Orson Welles's infamous radio broadcast. Buster Crabbe is back as Flash, as is Charles Middleton as the evil dictator, Ming the Merciless, and Jean Rogers as Dale Arden. This wonderful one sheet had fold wear, crossfold separation with paper loss, tearing in the right border, pinholes in the corners, and a chip in the top left corner, but professional restoration has addressed all of these minor issues, resulting in a poster that looks absolutely brand new. A very desirable and highly collectible piece, this stellar poster is a real treasure! Fine+ on Linen.
Zorro's Fighting Legion (Republic, 1939). One Sheet (27" X 41") Chapter 7 -- "The Fugitive."
Widely hailed as one of the finest serials ever to be shown on the silver screen, this rousing action epic, directed by John English and William Witney, Republic's team supreme, stars Reed Hadley as Don Diego Vega, a seemingly foppish nobleman who dons a black mask and cape to become Zorro, protector and avenger of the common man. In this classic chapterplay, Zorro contends against a villain, disguised in a golden suit of armor as the Yaqui god Don del Oro, who plots to take over the Republic of Mexico. Offered here is a dramatic one sheet for this fan-favorite serial. It has light edge wear at the folds and some crossfold separation, but is otherwise in excellent condition. Add this one to your collection today! Very Fine+.
Secret Agent X-9 (Universal, 1945). Stock Three Sheet (41" X 81").
A youthful Lloyd Bridges stars in this big screen adaptation of the popular 1930s comic strip. Released in 13 chapters, this thrilling serial also featured Chinese actor Keye Luke who earned fame as Charlie Chan's Number One Son. Prior to restoration, this poster had a small hole in the left border and a few small cracks in the field. Now, it displays very well. Very Fine+ on Linen.
The Iron Claw (Columbia, 1941). One Sheet (27" X 41") Chapter 2 -- "The Murderous Mirror."
This fun, 15-chapter serial is set in a dark old mansion which once belonged to the miserly thief and killer Anton Benson (Forrest Taylor). On his death, his greedy relatives show up looking for the hidden Spanish gold and are murdered one by one by the Iron Claw. Director James Horne was one of the stable of talented young directors on the Hal Roach lot where he directed many of Laurel and Hardy's greatest shorts, before signing with Columbia. Joyce Bryant and Charles Quigley co-star. This one sheet has fold wear, a tear in the right border, small stains in the image, and smudges in the top border. It has been linen backed, but no other restoration has been done. The linen has been trimmed to the edges of the poster, and there are minor creases from the printing process. These small issues do not detract from the powerful imagery; this poster would make a grand addition to any serial collection. Fine+ on Linen.
The Spider Returns (Columbia, 1941). One Sheet (27" X 41") Chapter 1 -- "The Stolen Plans."
Based on the popular pulp magazine stories begun in 1933 by Norvell Page (aka Grant Stockbridge) the Spider character first showed up in film in 1938 with the serial The Spider's Web. The studios created this sequel with many of the same actors, including Warren Hull as Richard Wentworth (the Spider), Dave O'Brien and Kenne Duncan as Wentworth's assistants in crime-fighting, and Mary Ainslee as the heroine, Nita. This chapter has The Spider battling the underworld, led by the Gargoyle (Corbet Harris), who has stolen National Defense plans. The cool one sheet offered here has fold wear, pinholes, pencil marks in the image, and stains in the bottom border. Some restoration work has been done to two chips each in the bottom and top borders. A fun poster for all pulp and serial fans. Fine+ on Linen.
Batman (20th Century Fox, 1966). Japanese B2 (20" X 29").
This feature film version of the popular 1960s television show brings together the main villains from the series (the Joker, the Penguin, Catwoman, and the Riddler) as they join forces against Batman (Adam West) and Robin (Burt Ward). The fun graphics on this original release Japanese poster are far different from anything else we've seen for this cult classic adventure. The poster has very light fold wear and some minor edge wear on the bottom border. Folded, Very Fine+.
Batman (20th Century Fox, 1966). Lobby Card Set of 8 (11" X 14").
In 1966, the nation was abuzz with Batmania. Adam West as Batman and Burt Ward as Robin introduced the Dynamic Duo to a new generation of fans in their wild, colorful, and campy TV show. The show's producers quickly realized that the public wanted more Bat-action, and rushed this movie into production. Featuring four of the greatest bat-villains, the Penguin (Burgess Meredith), the Joker (Cesar Romero), the Catwoman (Lee Meriwether), and the Riddler (Frank Gorshin), the movie is still a favorite among countless fans. Offered here is a beautiful set of lobby cards highlighting some of the film's greatest scenes. One card shows some foxing in the borders, but the rest are pure mint. A better set than this would be hard to find, so get your bid in today! Very Fine+.
The Adventures of Tarzan (Numa, 1921). Window Card (14" X 22").
After the amazing miscasting of P. Dempsey Tabler as the Lord of the Jungle in The Son of Tarzan (1921) - his flabby upper body, pronounced gut, and noticeable toupee made him a less than dashing figure - the decision was made to return Elmo Lincoln to the role he had originated in 1918's Tarzan of the Apes. The decision was sound, and this exciting serial became one of the biggest hits of the year, eclipsing such popular favorites as Rudolph Valentino's The Sheik and D. W. Griffith's Dream Street. Offered here is a highly desirable and extremely collectible stone litho window card from this amazing production. It shows some staining at the bottom, several tears at the top edge, three small corner chips, and a minor chip in the top border but is highly presentable as the image area is extremely clean. This is a great piece from an important picture, one any Tarzan fan will surely covet. Fine.
Tarzan the Ape Man (MGM, 1932). French Double Grande (63" X 96").
This is the film that started it all. Johnny Weissmuller makes his first appearance as Edgar Rice Burroughs' famed "Lord of the Jungle", with expert direction from W.S. Van Dyke. C. Aubrey Smith plays the adventure seeker James Parker who sets out to find the fabled elephant's graveyard, along with his daughter Jane (Maureen O'Sullivan), and trusted companion Harry Holt (Neil Hamilton). Jane falls in love with the mysterious ape man, and renounces civilization to live with him and Cheetah, and the rest is history. The film was an instant classic and generated countless sequels and adaptations. We are offering here an extremely rare French double grande, stone litho poster from the original release. The bright and very attractive artwork is by noted artist Roland Coudon. The poster has had expert restoration to address a tear on the left side, fold wear, and crossfold separations with chips. There is a minor hole in the center of the blue field that has been filled but not touched up. A stunning and gorgeous item, this special poster will garner much deserved attention. Very Fine- on Linen.
Tarzan and His Mate (MGM, 1934). Mini Window Card (8" X 14").
Johnny Weissmuller's second outing as Tarzan is considered by most to be the best and most entertaining Tarzan film ever made. Though known by many as the film in which Maureen O'Sullivan, as Jane, swims in the nude, it is one of the more complex films in character development of the two stars, and certainly one of the strongest scripts of the entire twenty year series. This is a wonderful midget window card for the 1934 release; it exhibits minor wear such as a bent lower right corner tip and a crease in the same area. There are very minor upper border tears and some rounding of the corners. The colors on this card are brilliant, and the card displays wonderfully with no restoration ever applied to the piece. Fine+.
Trader Horn (MGM, 1931). One Sheet (27" X 41").
Based on the real-life adventures of Alfred Aloysius Horn, this blockbuster African safari tale captured the attention of audiences everywhere and was nominated for the Best Picture Academy Award. The first feature film to be shot on location in Africa, it stars Harry Carey in the title role, Edwina Booth, Duncan Renaldo, Mutia Omoolu, and Olive Carey, and is directed by the great W. S. Van Dyke. One of the more memorable and exotic roles belongs to Booth as Nina Trent, a daughter of missionaries who becomes the White Goddess tribal leader. She is featured in her full warrior pose on this outstanding one sheet, offered here for the first time. The linen has been trimmed to the edge of the poster. There is an area of paper loss in two borders, paper lifts on the reverse, fold wear, and two holes at the top. The stone litho artwork is incredibly well rendered, this will be a top prize for any major collection. Very Good/Fine on Linen.
King Solomon's Mines (Gaumont, 1937). Insert (14" X 36").
This British production stars Cedric Hardwicke as adventurer Allan Quatermain who is hired by Anna Lee to find her lost father (Arthur Sinclair) who went searching for the famed mines in Africa. Acclaimed actor and singer Paul Robeson stars as Umbopa, Lee's guide who turns out to be a tribal chief. A box-office hit, this film spawned two later adaptations of Henry Rider Haggard's novel, one in the 1950s and one in 1985. This insert has been restored and mounted on paper to address fold wear, a paper loss in the left border that extends from the top corner to the first fold, and a small chip in the right border. A grand image of all the stars with the diamond encrusted title, this is a real beauty. Fine on Paper.
King Solomon's Mines (Gaumont, 1937). Lobby Cards (6) (11" X 14").
This rare set of cards is from the highly acclaimed African safari adventure, based on Sir Rider Haggard's novel of the same name. Cedric Hardwicke, Roland Young, Anna Lee, and John Loder star, along with a notable performance by legendary Paul Robeson. Four cards have a top left corner bend, two cards have smudging in the borders, and one card has edge wear at the top. Fine/Very Fine.
The Song of Freedom (Song of Freedom, Inc., 1936). Lobby Card Set of 8 (11" X 14").
In this dramatic picture, one of Paul Robeson's most memorable roles, he plays Johnny Zinga, a London dockworker who becomes a singing sensation, but soon gives up everything to travel to Africa in search of his roots. While there, he becomes the leader of the Casangas, his ancestral tribe. Robeson wielded such power in Hollywood at the time this movie was made, that he was actually given final cut approval, a consideration few actors of the day enjoyed. Offered here is a fabulous set of lobby cards for this exceptional film. Three of the cards show light edge wear, while one has some smudging, but overall these lobby cards are as clean and bright as the day they were printed. Very Fine+.
Dark Sands (Record Pictures, R-1938). Title Lobby Card and Lobby Cards (6) (11" X 14").
This WWI epic stars the highly acclaimed singer and actor Paul Robeson, as Jericho Jackson, a colonel and doctor who heroically saves six men aboard his ship, but accidentally kills his sergeant. After he is found guilty during a court martial, Jackson goes AWOL, with the aid of Captain Mack (Henry Wilcoxon), who is then imprisoned. Jackson makes it to Morocco and becomes the chief of an African tribe, until Mack comes looking for revenge. Robeson's incredible voice is used to great effect in two original songs written for the film. The 1936 original release title for this film is Jericho; when it was re-released, it was changed to Dark Sands. The title card has a corner bend and a tear in the top right corner, rounded corners, and a nick in the bottom border. All of the cards have a staple hole in the image, corner bends, a chip, and a few tears. These great cards are a rare and exciting find. Fine.
The Emperor Jones (Screencraft, R-1930s). Lobby Card Set of 8 (11" X 14").
In this adaptation of Eugene O'Neill's play, Paul Robeson plays Brutus Jones, a liar, cheater, swindler, and master manipulator, who goes from railroad porter to chain gang, to slavery in Haiti, to ruler of a tribe of superstitious natives. Eventually, however, Jones's past transgressions catch up to him, leading to a powerful and dramatic conclusion. The lobby set offered here is from a late 1930s re-release of this landmark film. The title card has cellophane tape on the right side, a tape stain with a chip in the bottom left, a chip in the bottom right, pinholes in the top corners, and a crease in the top right. The scene cards show pinholes in the corners, a small corner chip on two cards, staining on the left side of one card, cellophane tape on the right side of one card, and staining on one card. This is a very rare, very desirable set that will certainly inspire quite a lot of bidding activity. Very Good.
The Green Pastures (Warner Brothers, 1936). Lobby Card (11" X 14").
Based on the short stories collected in Ol' Man Adam and His Chillun, by Roark Bradford, this movie presents well-known Bible stories through the eyes of a young black child in the Depression-era South, who interprets the stories based on her own perspective. A controversial film at the time of its release - it was seen as "blasphemous" in some countries - the movie, with an all-black cast, was, nevertheless, well-received by critics and the general public alike. The movie stars such notable performers as Rex Ingram as De Lawd, Eddie "Rochester" Anderson as Noah, and Oscar Polk as Gabriel. This rare and glorious linen finish lobby card had some slight surface paper loss in the top right corner, bends in the top left and top right corners, and pinholes in the corners, but expert professional restoration has rendered these slight flaws virtually invisible. Fine/Very Fine.
Gone Harlem (Sack Amusement Enterprises, 1939). One Sheet (27" X 41").
Sack Amusement Enterprises was a production company that distributed films for African-American audiences during the 1930s and 1940s. Although the production side ended in the 1940s, Sack continued to distribute films to a wider audience into the 1970s. Paper from their earlier 1930s productions is always highly collectible; offered here is a stunning one sheet from this grand Ethel Moses vehicle. Moses was a top dancer during Harlem's Golden Age, and easily made the transition to actress in the 1930s. She worked often with Cab Calloway (including an appearance in his short Hi-De-Ho), and married his pianist, Benny Payne. This bright poster has crossfold separations, edge wear, and a tear in the left border. This is a rare and bright gem. Fine.
Sweet Sweetback's Baadasssss Song (Cinemation Industries, 1971). One Sheet (27" X 41").
Although not as well known today as such pictures as Shaft (1971), Superfly (1972), or Blacula (1972), this movie holds an important place in cinema history as the very first Blaxploitation film, a genre that would largely dominate motion picture screens for much of the early 1970s. Privately financed by actor/writer/director Melvin van Peebles - no Hollywood studio was interested in backing a picture with an all-black cast - this film became the top-grossing independent movie of 1972, earning $15 million, and starting a trend that would revolutionize the motion picture industry. The poster offered here has fold wear with crossfold separation, and a corner bend in the top right, but is otherwise extremely clean and attractive. If historically significant posters are your thing, take a close look at this rare gem. Fine/Very Fine.
The Last of the Mohicans (Associated Producers, Inc., 1920). Half Sheets (2) (22" X 28").
Based on the novel by James Fenimore Cooper, this classic film is set during the French and Indian War, and tells the story of two women, Alice and Cora Munro (Lillian Hall and Barbara Bedford), who set out to find their father (James Gordon), a British officer, with the help of Chingachgook (Theodore Lurch) and his son Uncas (Alan Roscoe), as well as Natty Bumpo, better known as Hawkeye (Harry Lorraine). Although Maurice Tourneur was originally slated to direct, he fell ill during filming and turned the directing chores over to Clarence Brown, who eventually received top billing. Offered here are two different half sheets from this great silent epic. The sheet that shows the evil Magua (Wallace Beery) confronting Cora has staining and some edge wear in the top border, pinholes in the corners, a dust shadow in the bottom border, and a bottom left corner bend, while the sheet that shows Cora's funeral procession has some light staining in the bottom border and pinholes in the corners. These are great posters from a powerful film, and will make a great addition to your collection. Rolled, Very Fine-.
The Silent Enemy (Paramount, 1930). One Sheet (27" X 41"), Program (9" X 12"), and Broadside (11" X 14") .
This little known but important film was begun in 1929 as a silent, but before its release in 1930 a sound prologue by Ojibway Chief Yellow Robe was added. This is the story of the tribe's heritage, beginning centuries ago and focusing on their struggle with the silent enemy: hunger. Collecting stories from living tribe members with actual footage of wolf attacks and reindeer and caribou hunts in Canada, this semi-documentary took a year to produce. This extraordinarily beautiful stone litho poster, with artwork reminiscent of Frederick Remington's wonderful Western paintings, has been expertly restored to address chips in the left and right borders, fold wear, and crossfold separations. The bottom and top borders had been trimmed by 1/2" and 3/4" respectively though all of the copyright information remained. Despite these issues, which are no longer apparent, the image area is nearly untouched and stunning. This is truly one of the finest and most elusive posters we have seen, and it will be a treasure for any collection. Also included in this lot is a program which shows wear, and a folded broadside. Fine+ on Linen.
Redskin (Paramount, 1929). French Grande (47" X 63").
Richard Dix stars in this follow-up to The Vanishing American as Wing Foot, a Native American who is forcibly assimilated into the ways of the white man only to find bigotry in spite of his many successes. Aside from minor crossfold separations, this large French poster is in impressive condition and displays beautifully. Very Fine.
The Last of the Mohicans (United Artists, 1936). Lobby Card Set of 8 (11" X 14").
No stranger to adventure films, Randolph Scott is in top form as James Fenimore Cooper's hero Hawkeye. Set during the French and Indian War, Hawkeye must lead a group of soldiers' family members and the last two Mohican tribesmen through hostile territory to safety. Also starring Binnie Barnes, Bruce Cabot, and Henry Wilcoxon, this is a gripping adaptation of the beloved classic. The cards have pinholes and a few light stains in the borders, and corner bumps. One card has a chip in the top left corner, and one card has a tear at the right edge with cellophane tape on the reverse. This is a lovely and rarely seen set. Fine.
The Last of the Mohicans (United Artists, 1936). One Sheet (27" X 41").
Loaned out by his contract studio, Paramount, Randolph Scott received his first A-movie star billing in this popular and successful adventure classic, and his career was launched. Based on James Fenimore Cooper's novel, this film co-stars Binnie Barnes, Bruce Cabot, Henry Wilcoxon, and Phillip Reed. This rich stone litho sheet has a tear and tape stains in the top border, and a surface paper loss in the top right corner of the blue field. There are small light stains at the bottom and one in the title, pinholes in the image and borders, and a small chip in the left border. This is a beautiful depiction of the stars. Fine.
The Desert Man (Triangle, 1917). Six Sheet (81" X 81").
Born in 1864, William Surrey Hart was a well-regarded Shakespearean actor on Broadway before giving up the gaslight and greasepaint for cameras and cowboys in Hollywood. More than forty years old before he made his first film, the 1907 version of Ben-Hur in which he played Messala, Hart's motion picture career began in earnest several years later. After only a handful of well-received films, the classically-trained actor achieved super-stardom in The Bargain (1914), which featured his first starring role. Hart quickly became one of the leading stars of the silent screen, specializing in Westerns. Where others, like Tom Mix, tended to flashier portrayals, Hart preferred his pictures to be as realistic as possible, an authenticity that extended not only to the stories themselves, but to the costumes and props as well. Also, Hart professed a strong code of personal ethics that carried over from his films to his personal life. His insistence on historical accuracy over action, however, coupled with an air of grim morality, eventually proved to be Hart's downfall; although he was one of the earliest proponents of feature length films, and one of the highest paid actors in the field for a time - he received $150,000 in 1917 for The Narrow Trail, for example - he couldn't - or wouldn't - make the kinds of pictures that the public increasingly wanted to see - pictures loaded with action and stars that were matinee idols rather than real examples of frontier pioneers - and retired to his ranch in Newhall, California, after making Tumbleweeds in 1925. In a touching prologue, filmed for the sound re-release of Tumbleweeds in 1939, Hart, then 75 years old, delivered a heartfelt farewell to his legion of fans, fondly recalling his days of glory as America's favorite cowboy. Offered here is a glorious stone litho six sheet from a movie produced at the height of Hart's fame. As Jim, a good-hearted prospector who eventually saves not only the tragically fallen dancehall girl Jennie (Margery Wilson), but also the entire town of Broken Hope from despair and destruction, Hart is at his very best. Not only is he the hero, he is also the moral center of the film's universe. It's easy to see how Hart so quickly became the idol of moviegoing audiences worldwide. This exceedingly rare poster had edge wear, fold wear with crossfold separation and chips, a small hole in the image area, small chips and tears throughout, and a larger chip in the credits area, but now, after the application of expert professional restoration, looks every bit as good as new. Posters featuring this iconic Western hero are scarce to begin with, large paper like this doubly so. We urge you to give this poster your highest consideration, as another opportunity like this may not come around again for quite some time. Fine+ on Linen.
Bad Man's Bluff (Associated Exhibitors, 1926). One Sheet (27" X 41").
Born Jay C. Wilsey and given the screen name Buffalo Bill Jr. after arriving in Hollywood from the rodeo circuit in the early 1920s, he starred in a number of very low-budget Western features up through the 1930s. Though the pictures themselves were far from superior cinema fare, the posters were and are one of the best things about the films. This pretty stone litho poster had small holes in the right border and top left corner. There was minor fold and crossfold wear. The poster has undergone professional conservation and now looks stunning. Very Fine- on Linen.
The Pioneer Scout (Paramount, 1928). One Sheet (27" X 41") Style A.
Silent Western star Fred Thomson's second film for Paramount benefited from glorious locations in California's Mojave Desert. In this story of a wagon train braving dangers on its trek to California, Thomson plays the scout of the title. His horse, Silver King, also has a large role, including winning a thrilling race in one of the high points in the film. Prior to restoration, there were three corners missing, and small holes and tears in the bottom border. The expert restoration has left these defects virtually invisible. The wonderful art deco rendering in stone litho of Thomson is incredibly striking. Fine+ on Linen.
Silver Comes Thru (FBO, 1927). One Sheet (27" X 41").
Silent Western star Fred Thomson was one of the early cowboy greats, appearing in many films with his loyal horse, Silver King. Here he plays the hero (also named Fred) who saves his boss from a mountain lion, rescues sweetheart Lucindy (Edna Murphy), and finds his stolen horse before the big race that he needs to win in order to get back his ranch. This action-packed Western was directed by Lloyd Ingraham, and was Thomson's final film before he signed with Paramount. This one sheet had fold wear, crossfold separations, pinholes in the field and borders, and two holes in the left border. Some of these issues have been addressed with restoration, and there is a surface abrasion still apparent in the left border. The image area has an excellent appearance, making this one colorful and thrilling stone litho poster. Fine/Very Fine on Linen.
Treat 'Em Rough (Fox, 1919). One Sheet (27" X 41").
By the time Cowboy superstar Tom Mix made this film in 1919, he already had an impressive filmography of more than 200 pictures, having started in movies in 1910. Mix would become one of the most popular - and most highly paid - performers of the silent era, but he left Hollywood with the coming of sound, returning only briefly in 1932 and 1933 to make a handful of pictures for Universal. Mix's last screen appearance was in 1935, when he starred in the enormously successful Mascot serial, The Miracle Rider. He was killed in a car crash in 1940, still a household name to his legion of fans. This exceptionally beautiful one sheet appears never to have been used. Only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps us from awarding an even higher grade to this rare gem. If only the best is good enough for your collection, bid on this beauty today! Very Fine+ on Linen.
The Feud (Fox, 1919). One Sheet (27" X 41").
Romeo and Juliet, William Shakespeare's timeless tale of forbidden love, is brought to life on the open plains of the old West, with Jere Lynch (Tom Mix) taking the part of Romeo, and Betty Summers (Eva Novak) his Juliet. The children of two feuding families, Lynch and Summers play out their tragic romance; it's left to a future generation to bring peace to the warring families. Mix was already a major star by the time this film was released, having appeared on the screen regularly since 1910. He'd continue as one of Hollywood's top earners throughout the 1920s, eventually turning to other interests with the coming of sound. This striking one sheet, with a marvelous image of the cowboy star, had a tear in the right border, a tear in the top right that extends into the image area, tears through the center of the poster, light surface wear in the bottom left, and chips and tears in the left border, but expert professional restoration has rendered all these minor flaws virtually invisible. A lovely stone litho poster, this is one you'll display proudly. Fine- on Linen.
The Last of the Duanes (Fox, 1924). One Sheet (27" X 41").
Cowboy icon Tom Mix, star of over 300 films, is Buck Duane, a rancher on the run from the law after having shot the outlaw who murdered his father. Marian Nixon and Brinsley Shaw co-star in this early adventure based on a Zane Grey story. This beautiful sheet features one of the most striking layouts of any Western poster we have come across. The dramatic horse-hoof framing of Mix aptly suggests the thundering of the posse's horses chasing Mix and Tony "The Wonder Horse." Professional restoration has addressed fold wear, two small chips, and a tear in the right border. The bottom 5" of the poster, from the title down, was trimmed and has been expertly reconstructed, leaving this stunning stone litho poster looking absolutely marvelous. Very Good on Linen.
The Texas Bad Man (Universal, 1932). Half Sheet (22" X 28").
Tom Mix, one of the greatest Western stars of cinema history made nine movies for Universal Studios in 1932-1933. Here, Mix is a sheriff who poses as an outlaw in order to spy on a gang of murderous thieves. Fred Kohler, Lucille Powers, and Willard Robertson co-star in this action-packed Western. This poster has corner bends, a corner chip, small tears in the borders, and slight soiling in the borders. A striking portrait of the star, this will be a winner for any serious Western collector. Rolled, Fine+.
The Covered Wagon (Paramount, 1923). Window Card (14" X 22").
This early epic tale of the struggle of pioneers as they made their way west along the Oregon Trail stars J. Warren Kerrigan, Lois Wilson, and Alan Hale, with smaller roles given to Wallace Beery and Warner Oland. Kerrigan was a very popular silent screen star, who made over three hundred films since 1910, this being one of his very last. This window card has corner bumps, a corner bend, a pinhole with a tear at the top edge, a tear at the right edge with tape on the reverse, and edge wear. A beautiful image from this early epic Western feature. Fine+.
The Virginian (Paramount, 1929). Window Card (14" X 22").
This was star Gary Cooper's first talking film, and he was reportedly worried that his voice was unsuited for the new medium. However, it was his overwhelming success as the unnamed Virginian in this classic picture that turned Cooper from a popular leading man into a true superstar. This attractive window card shows a dust shadow in the left and top borders, staining in the right and bottom borders, and a top left corner bend, but none of these slight flaws detract in any way from the overwhelming eye-appeal of this rare treasure. Very Fine.
Wanderer of the Wasteland (Paramount, 1924). One Sheet (27" X 41") Style B.
Based on a novel by Zane Grey, this stunning film, now sadly lost, was the very first Western to be shot entirely in the two-strip Technicolor process. Starring Jack Holt and James Mason as two brothers - one honest, the other a gambler - the story was remade twice, once in 1935 with Dean Jagger and Monte Blue, and then in 1945, starring James Warren and Harry Woods. This stunning stone litho one sheet, which shows a slight registration error, had a small hole in the top border, a slight tear in the left border, and a pinhole in the field, but these slight flaws have been rendered virtually invisible, thanks to expert professional restoration. Another opportunity to own this magnificent piece may not come your way for quite some time. Very Fine- on Linen.
Wild Horse (Allied Pictures, 1931). One Sheet (27" X 41") and Title Lobby Card and Lobby Cards (3) (11" X 14").
Early cowboy star Hoot Gibson starred in over two hundred Westerns, and this film is one of his best and most action packed. Gibson stars as a cowpoke who gets to put his rodeo skills to work capturing the "Devil Horse." He also has to contend with a murderous ranch hand, Edmund Cobb, who steals the prize horse. Gibson co-stars with Alberta Vaughn and Stepin Fetchit. The one sheet has a small water stain at the bottom, edge wear, and pinholes in the borders. There is some residue from a snipe in the center, and a small tear in the image. The lobby cards have pinholes in the corners, edge wear, and a few small chips and tears. The poster has fantastic stone litho artwork, and the cards nearly glow with bright colors. Fine+.
Silver Spurs (Universal, 1936). Three Sheet (41" X 81").
Buck Jones is a wealthy rancher bedeviled by cattle rustlers in this enjoyable B Western from Universal studios. Muriel Evans is his leading lady and George 'Gabby' Hayes also makes an appearance. This poster has an outstanding image of one of the most popular cowboy stars of the 1930s. Prior to restoration, it had crossfold separations with small amounts of chipping and fold wear and there were also small tears on the borders. The linen has been trimmed to the border on two sides and the poster displays beautifully. Very Fine on Linen.
The Big Hop (Buck Jones Productions, 1928). One Sheet (27" X 41").
Buck Jones produced and starred in this, his first sound film. Jobyna Ralston, Harold Lloyd's leading lady in six of his features, co-starred. In addition to displaying his horseback riding skills, Jones enters an aviator contest in Hawaii. This is the first time Heritage has offered this exquisite and historically significant stone litho one sheet of the legendary cowboy star. Prior to the expert restoration, there were pinholes in the corners and one tear each in the left and right borders. It now displays beautifully. Very Fine on Linen.
Sundown Rider (Columbia, 1932). One Sheet (27" X 41").
Buck Jones stars as a happy-go-lucky cowpoke who is duped by a gang of rustlers into "guarding" their camp. When the camp is raided, Jones is caught and savagely branded by a group of heavy-handed lawmen in spite of his protests of innocence. Jones survives the ordeal and seeks revenge. The beautiful art for this early Buck Jones poster (one of his best) is stunning. Prior to restoration, this poster had significant paper loss on all the white borders, slightly extending into the field. The artwork on the interior remained intact and the expert restoration has rendered the damage almost invisible. Good- on Linen.
Chain Lightning (Fox, 1927). One Sheet (27" X 41").
In this great early silent Western, Buck Jones is an ex-gunman who has to fight once more, this time to save his horse Silver from rustlers. Diane Ellis stars as Jones's leading lady, with Ted McNamara as his friend, Shorty. Director Lambert Hillyer collaborated with Jones on sixteen of his early Fox Westerns, before moving on to Columbia Studios. The poster had fold wear at the bottom fold, a small hole in the top right corner, and a chip in the right border. This lushly colored stone litho poster is one any Western fan would fight to own! Very Fine- on Linen.
The Branded Sombrero (Fox, 1928). One Sheet (27" X 41").
One of Buck Jones's final Westerns for Fox, this is the story of Star Hallett, a young man who endeavors to clear the name of his dying foster father, "Honest" John Maggert (Stanton Heck), by returning the cattle Maggert had rustled years previously. Along the way, Hallett must also keep his foster brother (Jack Baston) from descending into a life of crime and corruption. By the time this movie was released, Jones was a major star, rivaling such popular cowboy actors as Tom Mix, Hoot Gibson, and Ken Maynard in box office popularity. Offered here is a lovely stone litho one sheet for this exciting picture. It had fold wear, with some slight paper loss in the fold lines, but expert professional restoration has addressed this issue, making the poster look as good as new. Very rare and highly desirable, this fine piece deserves an honored place in your collection. Fine+ on Linen.
Tim McCoy Ringling Brothers and Barnum and Bailey Circus Poster (mid-1930s). One Sheet (27" X 41").
An expert horseman and roper, with an extensive knowledge of Indian culture, cowboy star Tim McCoy began his career in Hollywood as a technical advisor on The Covered Wagon (1923), bringing hundreds of Native Americans to Hollywood for filming. Using the connections he made on that picture, he soon gained work as an actor, and quickly became one of the screen's biggest cowboy stars. in 1935, McCoy left Hollywood, first to tour with Ringling Brothers, and later with his own Wild West show. After the failure of his live venture, McCoy returned to the screen in 1940 and, after a stint in World War II, became the host of a popular children's TV program. The colorful and attractive poster offered here is from McCoy's brief tenure with Ringling Brothers. A rare find for any fan of this enormous star, it had light edge wear and a top right corner bend; both of these slight defects have been addressed by expert professional restoration. Additionally, it shows some minor glue staining in the bottom border. It remains, however, an extremely good looking, and no doubt very rare, poster that any fan of this classic Western star will no doubt covet. Very Fine- on Linen.
Union Pacific (Paramount, 1939). One Sheet (27" X 41").
The world premiere of Cecil B. DeMille's Western epic in April of 1939 was a three-day festival, with the National Guard standing watch over 250,000 people in Omaha, Nebraska. The film went on to win the very first Grand Prix du Festival International du Film. This one sheet had pinholes with tears in the corners, tears and chips that extend into the field and image, and fold wear with crossfold separations. Excellent restoration has addressed all of these issues, leaving the poster with a very nice appearance. Fine/Very Fine on Linen.
The Diamond Trail (Monogram, 1933). Lobby Card Set of 8 (11" X 14").
When ace reporter "Speed" Morgan (Rex Bell) helps gangster "Flash" Barrett (Lloyd Whitlock) escape from the police, he poses as a wanted criminal and is made a member of the gang, allowing him to go undercover and get the goods on a plot to retrieve some stolen diamonds from a crooked colleague. Two years before this picture was made, Bell married Jazz Age "It" girl icon Clara Bow, a marriage that endured until his death in 1962. This stunning lobby set is about as clean as they come; only pinholes in the corners of the title card keep this highly desirable lot from an even higher grade. Very Fine/Near Mint.
The Lone Ranger (Warner Brothers, 1956). Lobby Card Set of 8 (11" X 14").
This was the first of two exciting Technicolor feature films based on the enormously popular television show starring Clayton Moore as the Lone Ranger and Jay Silverheels as Tonto. Offered here is a great set of lobby cards for this fan-favorite film. In superb condition, only some foxing in the left border of one card keeps the set from an even higher grade. Saddle up and bid on this rare treasure today! Very Fine+.
Winchester '73 (Universal International, 1950). Lobby Card Set of 8 (11" X 14").
When a Winchester rifle that Lin McAdam (James Stewart) won in a shooting contest is stolen by Dutch Henry Brown (Stephen McNally), it touches off a chain of events that eventually leads to an exciting shootout atop a rocky mountaintop. This film was a major step forward for Stewart, who was anxious to show that he could take on tougher roles, as he feared the public saw him as a limited actor. All the cards have a small corner bump in the bottom left, the title card has some light foxing in the borders, five cards have corner bends in the top right, one card has pinholes, and there is light edge wear on one card. Aside from these slight flaws, the cards are in wonderful condition. The cards on this title, much less any of the posters, rarely show up, so get them while you can. Fine/Very Fine.
Winchester '73 (Universal International, R-1958). One Sheet (27" X 41").
The first of the great James Stewart/Anthony Mann Westerns centers around a rifle, the "one-in-a-thousand" Winchester '73, and it's the prize in a shooting contest. The film co-stars Shelley Winters, Dan Duryea, and Stephen McNally. This re-issue poster has edge wear with small tears, pinholes in the corners and the image, and an extra crease at the bottom. The stunning artwork for this reissue one sheet is considered by many to be far superior to the original one sheet design. Fine/Very Fine.
My Darling Clementine (20th Century Fox, 1946). Three Sheet (41" X 81").
John Ford tackled one of the Wild West's greatest legends when he cast Henry Fonda as Wyatt Earp and Victor Mature as Doc Holliday, and recreated the infamous shootout at the OK Corral. Although the film took great liberties with historical facts, Ford claimed that he actually met with Earp before his death in 1929 and filmed the shootout as Earp actually described it. This fabulous three sheet, designed by famed artist Sergio Gargiulo, features the beautiful Linda Darnell, and is by far the best poster produced for this title. Prior to restoration, there was fold wear with crossfold separations, and a small tear in the center of the poster. The linen has been trimmed to the border edges. Very Fine- on Linen.
My Darling Clementine (20th Century Fox, 1946). One Sheet (27" X 40") Alternate Style.
Dallas, Texas-born actress Linda Darnell, in her role as Chihuahua, graces this special poster. The doomed girlfriend of Doc Holliday (Victor Mature), Chihuahua wants to run away to Mexico and marry the gunslinger, in this John Ford classic based on the famed Gunfight at the OK Corral. Henry Fonda stars as Wyatt Earp, and Cathy Downs plays Holliday's old flame, Clementine. This great image was printed on heavy stock paper, and has edge wear and tears with a few pieces of tape on the reverse, creases, and small stains in the lower left corner and one in the center. An unusual item, this is a gorgeous image of the star in one of her best roles. Rolled, Fine+.
My Darling Clementine (20th Century Fox, 1946). Lobby Card Set of 8 (11" X 14").
John Ford's classic re-telling of the legend of the Gunfight at the OK Corral is one of the best of the epic Westerns, with innovative cinematography, and a slowly building tension that is captivating throughout. The all-star ensemble cast includes Henry Fonda as Wyatt Earp, Victor Mature as Doc Holliday, Linda Darnell as Chihuahua, and Walter Brennan as Old Man Clanton. The title card has stains in the borders, edge wear, corner pinholes, a tear at the right that goes into the image with paper tape on the reverse, and two tears in the bottom credits. Four cards have corner pinholes, one card has corner bends, and one card has a small edge tear. Fine.
Arizona (Columbia, 1940). Six Sheet (81" X 81").
Wesley Ruggles's Arizona is an epic Western set in an impoverished Arizona outpost. It tells the story of the feisty, no-nonsense Phoebe Titus (Jean Arthur), who, wearing leather breeches with a bullwhip and gun, can out-shoot and out-fight nearly every bad hombre in town. When handsome Peter Muncie (William Holden) arrives, on his way to California, Phoebe asserts that he is the perfect person to help her run her cattle ranch, and the two fall in love. This was the first film shot in what is now called Old Tucson, and has served as the backdrop for more Westerns than any other place in the country. This beautiful six sheet is the only copy we are aware of and is truly a work of art with its native Indian influence. It exhibits some crossfold wear and some small holes within that wear. It is in remarkable shape for an unrestored, large format poster of its age. Fine-.
Western Union (20th Century Fox, 1941). One Sheet (27" X 41") Style A.
The second Western filmed by the legendary director Fritz Lang, this is the story of the wiring of the Great Plains for telegraph service, based on the novel by Zane Grey. Robert Young, Randolph Scott, and Dean Jagger star as three workers who battle outlaws, Confederate saboteurs, and Indians to bring communications to the settlers. Virginia Gilmore plays the love interest of Young and Scott. The poster had chips in the corners and borders, pinholes in the corners, an extra crease at the bottom, and fold wear with chips. After professional restoration, the outstanding stone litho artwork displays beautifully. Very Good/Fine on Linen.
The Magnificent Seven (United Artists, 1960). British Quad (30" X 40").
In this John Sturges epic Western, Yul Brynner is the jaded gunslinger Chris Adams, who rounds up six more shooters to help defend a poor village against Calvera's (Eli Wallach) gang. With Steve McQueen, Charles Bronson, and James Coburn in supporting roles, this top film was an instant sensation. This grand British quad had two corner chips, but after expert restoration, it is in excellent condition. Fine/Very Fine on Linen.
Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). Japanese STB (20" X 58").
Taking a light-hearted attitude towards the legendary outlaws, this fun western stars Paul Newman and Robert Redford. The film follows the pair as they carry out several heists, fall for Etta Place (Katharine Ross), and head to Bolivia to escape the law. An enormously popular film, due in large part to the extraordinary chemistry between the stars, the picture won four Oscars. This Japanese poster has pinholes in the corners, a minor edge tear, light creases, and a small bend in the lower left corner. Rolled, Very Fine-.
Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). British Quad (30" X 40").
This classic "buddy" film, about two legendary bankrobbers - played by Robert Redford and Paul Newman - who attempt to flee to Bolivia when the law starts to catch up to them, was directed by George Roy Hill and won four Oscars. It is represented here by this lovely British quad. The poster had a tear in the top left corner, a chip in the right border, and pinpoint crossfold separation, but expert professional restoration has addressed all these slight flaws, returning this poster to its original, like-new appearance. Very Fine on Linen.
Breakfast at Tiffany's (Paramount, 1961). One Sheet (27" X 41").
Audrey Hepburn is the immortal Holly Golightly in Truman Capote's classic tale of love and self discovery. One of the most memorable scenes is Hepburn singing "Moon River" which helped earn composer Henry Mancini and lyricist Johnny Mercer an Oscar for Best Song. The strong supporting cast includes George Peppard, Patricia Neal, and Buddy Ebsen, with direction by Blake Edwards. The poster has been professionally linen-backed; previously, it just had some minimal fold wear. This is a wonderful portrait of the enchanting star. Very Fine+ on Linen.
Roman Holiday (Paramount, 1953). Three Sheet (41" X 81").
Audrey Hepburn had a few small roles in her first two years in Hollywood, but when she was cast in the lead role of this classic love story, opposite one of cinema's top male leads (Gregory Peck), she was on her way to superstardom. The William Wyler directed film garnered three Academy Awards, including one for Hepburn, who went on to star in many memorable and highly acclaimed romantic comedies. The poster had fold wear with chips, and crossfold separations. The beautiful artwork is particularly striking in this large format. Fine/Very Fine on Linen.
How to Steal a Million (20th Century Fox, 1966). Japanese B2 (20" X 29").
In order to cover up her eccentric father's (Hugh Griffith) art forgery, Audrey Hepburn enlists the help of Peter O'Toole to steal a million dollar replica sculpture from an art museum. Hepburn and O'Toole are wonderful together in this witty William Wyler comedy. This beautiful Japanese poster has a few soft horizontal bends. Rolled, Near Mint.
Funny Face (Paramount, 1957). Three Sheet (41" X 81").
A wonderful musical romance that blends comedy and drama with stirring Gershwin melodies. Loosely based on Richard Avedon, Fred Astaire stars as a fashion photographer who turns Audrey Hepburn into a top Paris model. The Gershwin tunes include the title song, "S' Wonderful," "How Long Has This Been Going On," "He Loves and She Loves," and "Think Pink." This wonderful three sheet is considered by most to be one of the best formats for the film. This copy has slight fold and crossfold wear, common in the larger format, unrestored posters. Don't miss this opportunity to get this scarce and beautiful poster. Fine.
Breakfast at Tiffany's (Paramount, 1961). Half Sheet (22" X 28").
In her most memorable role, Audrey Hepburn plays Holly Golightly, a glamorous yet flighty New York socialite and escort, whose life is turned upside down when she meets aspiring writer, Paul Varjak (George Peppard). The poster had two tears and a small chip in the right side, a crease in the lower left corner, a small hole in the lower right corner, and a small stain in the white field. These issues have been addressed with restoration and the poster has been pressed and lightly touched up -- there is however a minor chip in the lower left corner. Overall, this is a beautiful copy that displays well. Rolled, Fine/Very Fine.
Breakfast at Tiffany's (Paramount, 1961). Three Sheet (41" X 81").
In Blake Edwards's charming romantic comedy starring Audrey Hepburn, Truman Capote's story of the off-beat Holly Golightly remains one of the classics of sixties cinema. This wonderful large format poster has never been used and remains as pristine as the day it was printed. Near Mint+.
Roman Holiday (Paramount, 1953). Autographed One Sheet (27" X 41").
Graceful Audrey Hepburn is perfectly cast as Princess Anne, a young woman who longs to escape her royal duties and have some fun in Rome. By chance, she meets American journalist Joe Bradley (Gregory Peck), who pretends not to recognize her in hopes of obtaining an exclusive interview. This wonderful romantic comedy is the film that catapulted Hepburn to fame and earned her an Academy Award. This poster has pinholes, crossfold separations, corner bends, and a tear at the top border. There is an extra crease at the bottom, and a smudge in the right side of the blue field. This beautiful poster is signed "Audrey Hepburn, Gregory Peck, and Eddie Albert". From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine/Very Fine.
Two for the Road (20th Century Fox, 1967). Autographed Lobby Card (11" X 14").
In their only picture together, Audrey Hepburn and Albert Finney shine as married couple Joanna and Mark Wallace. We see their relationship develop through road trips over twelve years, from their first meeting to their near breakup. With director Stanley Donen and a score by Henry Mancini, this film is thoroughly enjoyable. There are very light corner bends on this stunning card, which is signed "Audrey Hepburn," "Henry Mancini," and "Stanley Donen." From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Very Fine+.
My Fair Lady (Warner Brothers, 1964). Lobby Card Set of 8 (11" X 14").
Audrey Hepburn is as charming as she is beautiful in this wonderful screen adaptation of the hit Broadway musical. As Eliza Doolittle, she becomes the pupil of master linguist, Henry Higgins (Rex Harrison), who is attempting to win a bet that he can turn a lowbred Cockney flower seller into a woman of breeding and class. Nominated for twelve Oscars, this perennially popular movie won eight, including Best Actor (Harrison), Best Director (George Cukor), and Best Picture. This lovely set of lobby cards is in superb condition; only a light dust shadow on one card keeps it from an even higher grade. Very Fine/Near Mint.
Funny Face (Paramount, 1957). Autographed Lobby Card (11" X 14").
In this top romantic musical, Audrey Hepburn is the fledgling bookstore employee, Jo, who is turned into a swan with help from photographer Fred Astaire. Hepburn and Astaire are thrilling to watch from start to finish and this stunning card is a beautiful portrait of the screen legends. There is light edge wear with two small nicks, a small surface loss in the lower left, rounded corners, and a light scratch in the image. A rare card indeed, it is signed "Fred Astaire," "Audrey Hepburn," director "Stanley Donen," and writer "Leonard Gershe." From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine+.
The Lady in Question (Columbia, 1940). One Sheet (27" X 41").
Rita Hayworth is the questionable lady in this drama set in Paris. She is acquitted of murder by a jury which includes unassuming husband and father Andre Morestan, played by Brian Aherne. When he brings the girl home out of pity, her presence stirs up trouble with his neighbors, wife (Irene Rich), and impressionable son (Glenn Ford). This was the first film Hayworth and Ford made together. They would be immortally paired by Columbia six years later in Gilda. This sheet has fold and crossfold separations, backed by a few pieces of archival tape. There are scuffs in the title and pinholes in the corners. All images of Hayworth are highly collectable, and this one is sensational. Fine/Very Fine.
Gilda (Columbia, 1946). One Sheet (27" X 41") Style B.
Rita Hayworth tore up the screen as Gilda in this 1946 film noir classic. Playing the object of desire in one third of a love-hate triangle involving Glenn Ford and George Macready, Hayworth captivated audiences with her sultry performance, the highlight being her incredible rendition of the number "Put the Blame on Mame." One of the most iconic and desirable posters of the film noir genre, this style B one sheet, with its image of an incredibly beautiful Hayworth, has become extremely hard to come by. In fact, this is the first time Heritage has offered this stunning piece. Prior to restoration, the poster had a small chip from the upper left corner which just extended into the black field. There was a small tear in the upper vertical fold and a chip from the lower left border that extended just into the stole Hayworth carries in her left hand. There were minor chips at the center point fold in the "R" of "Rita" and a slight fold separation in the lower horizontal fold. All of these relatively minor defects were magnificently restored with professional archival work. The poster now displays brilliantly. Fine+ on Linen.
Rita Hayworth Personality Poster (Columbia, 1940s). French Affiche (23.5" X 31").
One of the loveliest and most talented stars of Hollywood's Golden Age was the luminous Rita Hayworth. A professionally trained dancer before appearing in pictures, she initially made her name in a series of light song and dance movies, but soon graduated to more meaty femme fatale roles in such classic films as Blood and Sand (1941), Gilda (1946), The Lady from Shanghai (1947), and Salome (1953). The stunning French poster offered here boasts a lovely image of Hayworth by acclaimed artist Boris Grinsson. It had pinholes in the corners, and some writing on the back that bled through to the front, but these small issues have been expertly addressed via professional restoration, and have now been rendered virtually invisible. If you're a fan of this dynamite redhead, you owe it to yourself to bid on this beauty! Fine on Linen.
Love Happy (United Artists, 1950). Lobby Card (11" X 14").
The Marx Brothers are at it again, this time trying to help some Broadway hopefuls stage a show while thwarting the plans of thieves who have stolen the Romanoff diamonds. The real treasure of this rare card is the stunning image of a young Marilyn Monroe, making this a highly sought after piece. The card has staple holes in the corners and an enlarged pinhole in the lower right with a small piece of paper tape on the reverse. There is surface soiling in the lower border art area, a pinhole in the left border, and a light scratch above Groucho's head. Overall, a bright and gorgeous item. Fine+.
The Prince and the Showgirl (Warner Brothers, 1957). Lobby Cards (2) (11" X 14").
Starring Marilyn Monroe and Laurence Olivier, who also directed this comedy, this is the ultimate bombshell role for Monroe. As showgirl Elsie Marina, she finds herself caught up in a political whirlwind, as well as in the arms of Charles, the Prince Regent of Carpathia (Olivier). Card #6 has had touch-up at tape stains in the corners and in the title. Card #8 has corner bends, two pinholes at the top edge, and a stain on the reverse that shows through at the left border. These are the two best lobby card images of Monroe in the set and are always highly sought after. Fine/Very Fine.
The Fireball (20th Century Fox, 1950). Lobby Card (11" X 14").
To capitalize on the growing popularity of roller skating in 1950, 20th Century Fox starred Mickey Rooney in this drama about a kid making it to the top of the roller derby circuit. His eventual arrogance is shattered by a diagnosis of polio, and he regains his humanity with the help of priest Pat O'Brien. Most notable for an early appearance of Marilyn Monroe as one of Rooney's dates, this film is directed by Tay Garnett. There is a tear on the right that has cellophane tape on the reverse, corner bumps, one corner bend, and a small tear in the left border. This great card is the only one of the set with the blonde bombshell, therefore a popular item with collectors. Fine/Very Fine.
Don't Bother to Knock (20th Century Fox, 1952). Insert (14" X 36").
Like the popular TV show 24, the events in this gripping film noir thriller actually take place in real-time. When Jed Tower's (Richard Widmark) girlfriend (Anne Bancroft, in her film debut) dumps him, he tries to make time with sexy but suicidal Nell Forbes (Marilyn Monroe), a behavior he soon comes to regret. This was Monroe's first dramatic role, proving to critics that she could actually act. This gorgeous insert had a small tear in the bottom left, and a tear in the top border, but expert professional restoration, including airbrushing in the borders, has addressed these very minor flaws. Very Fine- on Paper.
Niagara (20th Century Fox, 1953). Insert (14" X 36").
Marilyn Monroe is powerful in her dramatic role as Rose Loomis, unhappy wife of George (Joseph Cotten), in this thriller directed by Henry Hathaway. The disturbed couple plot each other's demise during a vacation at the Falls, entangling another innocent couple (Jean Peters and Max Showalter) in their tragic struggle. With four great images of Monroe, this is a desirable item for collectors. The poster shows only a light dust shadow on three borders, a small stain in the lower right edge, and corner bumps. Folded, Very Fine.
Niagara (20th Century Fox, 1953). One Sheet (27" X 41").
Images of the glamorous star Marilyn Monroe are always highly prized, and this dramatic rendering of her atop Niagara Falls is one of the best. She gives a highly acclaimed performance as Rose Loomis, who has a love-hate relationship with husband George (Joseph Cotten), in this gripping film noir. There were chips in the borders, and chips and tears at the folds. The professional restoration work has addressed all of these issues, and now this spectacular image is a sight to behold. Fine+ on Linen.
The Misfits (United Artists, 1961). British Quad (30" X 40").
Arthur Miller, the great American playwright, wrote the screenplay for this film for his bride, Marilyn Monroe. It is the last completed picture for both Monroe and Clark Gable, and the film also features Montgomery Clift and Eli Wallach. Set in Reno, Nevada, the intensely emotional story revolves around a new divorcee (Monroe) and her romance with an aging cowboy (Gable). Offered here for the first time, this rare and stylish British quad had only very minimal wear which has been rendered unnoticeable by professional linen backing. Very Fine+ on Linen.
Bus Stop (20th Century Fox, 1956). Poster (30" X 40") Style Z.
By 1956, Marilyn Monroe had become a star with successes in Gentlemen Prefer Blondes, How to Marry a Millionaire, and especially The Seven Year Itch and was in a much stronger negotiating position with her studio. This film marks the first made by Marilyn Monroe Productions, along with a salary that finally reflected her worth and the presence of noted dramatic coach Paula Strasberg, who would be on the set of all subsequent Monroe pictures. Her hard work paid off and Monroe received critical praise for her performance as down-and-out saloon singer Chérie and her rendition of "That Old Black Magic" by Harold Arlen and Johnny Mercer. This fabulous poster had a tear in both the bottom and left edges that extended into the yellow field, a small chip in the top left corner, a minor hole in the right border, and light creasing. Professional restoration has beautifully addressed these issues. This rarely seen poster features the classic scene of Monroe with co-star Don Murray. Fine+ on Paper.
The Seven Year Itch (20th Century Fox, 1955). One Sheet (27" X 41").
The acclaimed director Billy Wilder's wide range of films includes some of the darkest film noir (Double Indemnity), hard-hitting social drama (The Lost Weekend), and some of the best-loved comedies of any era. And this Marilyn Monroe gem is Wilder at his height. Monroe is unforgettable as the bubbly "Girl," and her performance is perfectly balanced by the wry humor of Tom Ewell as the lusty paranoid Richard Sherman. The poster had a few tears at the fold lines, a tear in the credits area that extended into the shoes image, and some edge tears. The right and left borders were previously folded back. After impeccable restoration, this sensational one sheet has no noticeable issues, and would be a prize piece in any collection. Fine/Very Fine on Linen.
The Seven Year Itch (20th Century Fox, 1955). Poster (40" X 60") Style Y.
The biggest box office hit of 1955, this film became an instant classic due to the star power of blonde bombshell Marilyn Monroe, some of the wittiest screen dialogue by director Billy Wilder and George Axelrod, and an outstanding cast that included Tom Ewell, Evelyn Keyes, and Sonny Tufts. Along with several memorable scenes of Ewell daydreaming about his romantic adventures with "The Girl" (Monroe), this film features one of the most iconic cinematic moments in history -- Monroe standing over a subway grate. In her sensational white dress, Monroe was ogled during the long shooting sequence by a huge crowd of on-lookers, including her furious husband, Joe Dimaggio. This rare, and stunning poster, which is the only known copy, features this indelible image, along with a smaller bubble bath scene. The poster had staple holes in the field, small holes at the top, two corner chips, and small tears and creases throughout. There was .25" paper loss along the right edge. It has had excellent and professional restoration, to bring it to a wonderful and bright appearance. This rare beauty will be as popular with collectors today as Monroe was at the height of her career. Very Good/Fine on Paper.
Some Like it Hot (United Artists, 1959). Title Lobby Card (11" X 14").
Marilyn Monroe, as Sugar Kane Kowalczyk, makes some interesting friends on a train bound for Florida. She becomes bosom buddies with Jack Lemmon and Tony Curtis in drag, who are on the run from Spats Colombo (George Raft) and his henchmen. This Billy Wilder classic is one of the most hilarious comedies in cinema, and was nominated for six Oscars. This great card has been professionally restored to address pinholes in the borders and corners, and a crease in the bottom and right borders; it now displays beautifully. Very Fine.
Some Like it Hot (United Artists, 1959). One Sheet (27" X 41").
Director Billy Wilder's classic gender-bending comedy about two male musicians (Tony Curtis and Jack Lemmon) who try to avoid the mob by hiding out - in drag - with an all-girl orchestra, was a perfect vehicle for Marilyn Monroe, who plays the band's lead singer, Sugar Kane. Many consider it to be her best performance in any film. With several Oscar nominations, this picture also reigned as the top grossing comedy of its time, and remains a favorite of film buffs everywhere. The lovely one sheet offered here had light edge wear, a missing top right corner, and a chip in the top border, but all of these minor flaws have been addressed with expert professional restoration. A highly desirable poster, this is one you'll surely want to bid on right away! Fine on Linen.
Some Like it Hot (United Artists, 1959). Insert (14" X 36").
This classic comedy from famed director Billy Wilder is about two struggling musicians (Jack Lemmon and Tony Curtis) who inadvertently witness a gangland hit and are forced to hide out in an all-girl band, dressed as women, to save their skins. In one of the most perfect casting decisions ever made, Marilyn Monroe plays the band's lead singer, the sultry and not-too-bright - yet exceptionally big-hearted - Sugar Kane Kowalczyk. This amazing rolled insert has some light edge wear, a small stain in the bottom border, and a minor tear in the left border, but overall looks like a million bucks. This stunner will definitely enhance any collection. Rolled, Very Fine+.
How to Marry a Millionaire (20th Century Fox, 1953). Poster (30" X 40") Style Y.
Any film starring beauties Marilyn Monroe, Betty Grable, and Lauren Bacall would be a sure fire hit, and this fun romantic comedy delivers. The first film to be shot in Cinemascope, it is directed by Jean Negulesco and co-stars William Powell, Rory Calhoun, and David Wayne. Prior to professional restoration, this poster had creases throughout, edge tears, a small hole and chip at the top. A stunning poster with portraits of the stars, this will make any collector delighted. Fine on Paper.
I Married a Witch (United Artists, 1942). Lobby Cards (2) (11" X 14").
Veronica Lake is one of the most alluring and adorable witches ever to grace the silver screen. As Jennifer, she and warlock father Dudley (Robert Benchley) plot revenge on poor Wallace Wooley (Fredric March), whose ancestor condemned them to death. Through many comical mix-ups, Jennifer falls in love with her handsome target. One card is extremely clean with only a minor tear in the bottom right border. The other card has very tiny pinholes in the corners. These fun cards are in magnificent condition and feature both stars. Very Fine.
Singapore (Universal International, 1947). Italian 2 - Folio (39" X 55").
John Brahm directs this wartime romantic adventure starring Fred MacMurray and Ava Gardner in their only film together. MacMurray is a war veteran who is pining for his wife who died five years earlier. When she turns out to be very much alive, suffering from amnesia, and married to Roland Culver, he sets out to rescue her and flee Singapore. The two-folio has light fold wear, and a light ink mark in the blue field. This large portrait of Gardner, by artist Bellomia, is one of the prettiest we have encountered and will be a prize for one lucky fan. Very Fine+ on Linen.
And God Created Woman (Cocinor, 1956). French Grande (47" X 63").
Brigitte Bardot burns up the screen as she plays the central character, a curvaceous nymphet with a voracious sexual appetite who drives the three principal male characters (Curd Jurgens, Jean-Louis Trintignant, and Christian Marquand) into an erotic frenzy. Roger Vadim, Bardot's husband at the time, directed this ground-breaking film. This beautiful French grande, with exquisite art by famed illustrator Rene Peron, is the authentic 1956 original country-of-origin release. Prior to excellent restoration, there were pinholes in the corners, and small chips on the top border. Very Fine- on Linen.
Lolita (MGM, 1962). One Sheet (27" X 41").
Vladimir Nabokov's novel formed the basis for this daring film about a middle-aged college professor (James Mason) who becomes obsessed with a fourteen-year-old girl (Sue Lyon). Considered by many to be unfilmable, due to its subject matter, director Stanley Kubrick downplayed the sexual aspects of the film, focusing instead on social satire. The poster offered here had some minor fold wear, but after restoration and mounting on linen, the poster has been returned to a like-new appearance. Very Fine+ on Linen.
Lolita (MGM, 1962). Lobby Card Set of 8 (11" X 14").
Director Stanley Kubrick was forced to walk a very fine line when he brought Vladimir Nabokov's controversial novel, about college professor Humbert Humbert (James Mason) who falls in love with underage beauty Lolita (Sue Lyon), to the silver screen. The fact that he was able to do so, making a screen classic at the same time, is a testament to his skill as a cinematic auteur. Offered here is a beautiful set of lobby cards for this important film. One card shows a small stain, there are pinholes in the corners of four cards, and one card has a top right corner bend, but overall these cards are extremely clean and attractive. Very Fine+.
Lolita (MGM, 1962). Half Sheet (22" X 28").
A controversial book was turned into an even more controversial film when director Stanley Kubrick brought Vladimir Nabokov's novel about a college professor (James Mason) infatuated with an underage girl (Sue Lyon) to the screen. Offered here is a beautiful half sheet for this infamous film. It is in superb condition, and will make a welcome addition to any collection. Folded, Very Fine+.
The Lost World (First National, 1925). Window Card (14" X 22").
On an expedition to South America, Professor Challenger (Wallace Beery) and his party find a hidden land populated by dinosaurs and ape-men. Based on the novel by Sir Arthur Conan Doyle, this picture is memorable for the exquisite stop-motion animation sequences staged by the brilliant Willis O'Brien, who would famously bring King Kong to life several years later. As is the case with most silent films, posters for this epic are quite scarce; of the ones that do survive, many do not picture O'Brien's dinosaur creations. For most collectors, this is the very best style available. This particular copy had some tearing and creasing throughout the image area, and several pinpoint holes in the field, but an outstanding job of expert professional restoration has returned this rare gem to a like-new appearance. These fabulous cards are rarely offered, so get your bid in today! Fine/Very Fine on Cardstock.
Transatlantic Tunnel (Gaumont, 1935). One Sheet (27" X 41").
An early science fiction film, this is the story of brilliant engineer Richard McAllan (Richard Dix), who labors to make his dream of a tunnel linking England and America a reality, in spite of the strain the project places on both his marriage and his personal life. This highly desirable poster had fold wear, a tear in the bottom border, a hole in the title area, and some paper loss, both at the center crossfold and in the upper portion, but expert professional restoration has made it look as good as new. Although the film itself is rarely seen, the poster remains popular with collectors for its outstanding imagery. Very Good- on Linen.
Things to Come (Film Classics, R-1947). Title Lobby Card (11" X 14").
Predictions of the world's future, from the prescient visions of World War II to the wildly imaginative ideas of life in 2035, fill this William Cameron Menzies production written by H. G. Wells. Raymond Massey, Ralph Richardson, and Cedric Hardwicke star in this look one hundred years ahead, with predictions ranging from a global war, to plague, to ultra-modern reconstruction. This lot contains a great title card for the 1947 re-release of the film, with terrific futuristic art. There is a tear on the top border, and another on the bottom border, light smudging, rounded corners, a top left corner bend, and scuffs on the bottom border. Fine/Very Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14").
The card offered here features Raymond Massey, who plays a dual role in the film, as both a scientist intent on saving a war-ravaged world and his great-grandfather who was instrumental in the original devastation of its population. This card had tears in the borders, edge wear, pinholes in the borders, and a bottom right corner bend. The card has been restored with touch-up in the blue background and white borders. Very Good/Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14").
Based on H. G. Wells's 1933 essay "The Shape of Things to Come" this forward looking epic decries the ravages of war. As the citizens of Everytown cope with a world war that lasts decades, John Cabal (Raymond Massey) arrives to preach salvation through science and technology. This card has pinholes in the borders and one in the field, light edge wear, corner bumps, and light smudges in the borders. This key scene from the film features Massey looking through the telescope pointing to the heavens and better things. Fine/Very Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14").
William Cameron Menzies directs this early thought-provoking science fiction classic. The amazing art deco gyrocopter was created by the acclaimed designer Norman Bel Geddes. This rare card has surface paper losses in the image, pinholes in the borders, a minor corner chip, and three corner bumps. Very Good/Fine.
The War of the Worlds (Paramount, 1953). Poster (30" X 40") Style Z.
H. G. Wells's gripping novel of an unexpected alien invasion of Earth was brilliantly brought to life on the big screen by producer George Pal in this science fiction special effects spectacular. Although Paramount secured the rights to this property in 1924 - originally, Cecil B. DeMille was intended to direct; Alfred Hitchcock was also attached to the project in the 1930s - it took until the early 1950s for filming to begin. The project almost came to a halt, however, when, two days into filming, the studio discovered that they only had the rights to make a silent version of the novel. Fortunately, the Wells estate gave permission for the picture to proceed. Offered here is a rare 30" X 40" poster for this classic film. It had pinholes in the corners, top left corner bends, a tear in the right border that extends into the image area, creasing throughout, a bottom left corner chip, small tears in the left side, and a small hole in the right side, but these slight flaws have all been addressed by expert professional restoration. The result is that the poster now looks out of this world! Fine on Linen.
The War of the Worlds (Paramount, 1953). Insert (14" X 36").
H. G. Wells, considered one of the fathers of science fiction, studied biology and zoology as a student in London. These interests, along with a fascination with the future, helped him develop his timeless themes in such classic novels as The Time Machine, The Island of Doctor Moreau, and The War of the Worlds. Producer George Pal, a huge fan of Wells's work, created two adaptations of his novels, including this smart masterpiece. The poster has been restored, but is not paper-backed. It had corner bends, chips in the top corners and in the borders, extra creases, fold wear, and two tape lifts in the borders. There are two small creases at the top edge that occurred after restoration. A remarkably important sheet, it displays beautifully. Folded, Fine.
The Mole People (Universal International, 1956). One Sheet (27" X 41").
Scientists John Agar and Hugh Beaumont discover a 5,000 year old Sumerian civilization living underneath a mountain in Mesopotamia, along with a group of hideously mutated mole people kept as the Sumerian's slaves. Once discovered, however, escaping from this underground "paradise" may be more difficult than the scientists expected. Collectors have always coveted the poster for this fun monster flick, as it is one of the best designed of the period, featuring art by the legendary Reynold Brown. This particular copy shows a faint crease in the left border, and a small tear in the right border, but is, overall, extremely clean and attractive. You'll surely want to add this one to your collection. Near Mint.
The Mole People (Universal International, 1956). Half Sheet (22" X 28") Style B.
When archaeologists Dr. Roger Bentley (John Agar) and Dr. Jud Bellamin (Hugh Beaumont) discover a hidden tribe of ancient Sumerians underneath a mountain in Mesopatamia, they also find a race of hideously deformed mutant Mole People that are kept as slaves by their Sumerian overlords, in this classic 1950s sci-fi epic. Offered here is the scarce style B half sheet; this particular copy has light edge wear and a very small corner bend in the bottom right, but is otherwise in superb condition. Folded, Very Fine+.
Godzilla (Trans World, 1956). One Sheet (27" X 41").
Far more than just another giant monster flick, this important film was actually a well-constructed nuclear fable, inspired by both the bombing of Hiroshima and the explosion of the first hydrogen bomb over the Bikini Atoll. Godzilla himself was a representation of the devastating power of nuclear weapons, brilliantly brought to life by director Ishiro Honda and special effects genius Eiji Tsuburaya. An extremely important film, it also inaugurated the dai kaiju, or "giant monster," genre in Japan. The poster offered here is from the first American release of the film, in which scenes with actor Raymond Burr were intercut for the benefit of English-speaking audiences. It is in superb condition, with only some minor crossfold separation and a small tear in the top border keeping it from an even higher grade. A stunning poster, this one deserves a space on your wall. Very Fine+.
Godzilla (Trans World, 1956). Lobby Cards (2) (11" X 14").
When Toho Studios exported their thoughtful nuclear fable, Gojira, to the West, the film underwent significant alterations, not the least of which were new scenes with Raymond Burr inserted at key points to draw in American audiences. Although much of the film's message was lost, Godzilla nonetheless became a major star, creating a long-running franchise for Toho. The two cards offered here show the King of the Monsters at his rampaging best. Both cards have a single pinhole in the center; the "subway" card has some dust shadowing and light edge wear as well. Don't miss out on these fabulous cards. Fine/Very Fine.
Godzilla (Trans World, 1956). Lobby Cards (2) (11" X 14").
This was the first film to be made using the revolutionary "suitmation" process - in which an actor donned a foam rubber and latex costume and moved around a miniature set - that would become a staple of Japanese monster movies. The original Godzilla suit, seen on both of these gorgeous cards, was so heavy - over 200 pounds - that stuntman Haruo Nakajima could barely move while in full monster regalia. Eventually, the suit was redesigned to allow more freedom of movement. These highly desirable cards are in exceptional condition. One card has a tiny corner bump in the top left, while both show a small pinhole in the center, but these minor flaws are visible only under the closest scrutiny. For the true dai kaiju fan, it doesn't get much better than this! Near Mint-.
Godzilla (Trans World, 1956). Lobby Cards (2) (11" X 14").
One of the biggest stars ever to come out of Japan, Godzilla leads one of the most popular film franchises in movie history, with 29 feature films to his credit. This version, which was recut for American audiences, with scenes of Raymond Burr added, was eventually shown in Japan, where it became as huge a hit as the original. Both of the cards offered here have a pinhole in the center, while the Raymond Burr card also has a very light dust shadow. These are great cards, and deserve a place of honor in your collection. Very Fine/Near Mint.
Godzilla (Trans World, 1956). Lobby Cards (2) (11" X 14").
Originally, producer Tomoyuki Tanaka wanted to film Gojira (the Japanese title of the film) using the stop-motion animation techniques that Willis O'Brien had used so effectively in King Kong (1933). When special effects genius Eiji Tsubaraya told Tanaka that to make the movie in that way would take many years and cost millions of yen, Tanaka abandoned that idea and allowed Tsuburaya to create the "suitmation" technique that would eventually bring Godzilla to life. An interesting note about the card that features Akihiko Hirata as Dr. Serizawa and Momoko Kochi as Emiko: this scene never actually appears in the film! These cards are in superb condition. Only a single pinhole in the center of each card keeps this lot from an even higher grade. Near Mint-.
Destroy All Monsters (Toho, 1969). Japanese B2 (20" X 29").
Toho Studios pulled out all the stops for this film, which features all their most popular kaiju creations, including Godzilla, King Ghidrah, Minya, Mothra, Rodan, Anguirus, Baragon, Gorosaurus, Manda, Spiega, and Varan... a virtual "Who's Who" of Japanese giant monsters! Ishiro Honda, who directed Gojira (1954) (retitled Godzilla for American audiences), returned to helm this big-budget spectacular - originally intended to be the last film in the franchise - which proved to be an enormous success, saving the series from the chipping block. This great poster, which features all of the star monsters, has a small tear in the bottom border, and some light fold lines, but is in excellent condition, and presents very nicely. Folded, Very Fine-.
Godzilla vs. Gigan (Toho, 1972). Japanese Lobby Card Set of 8 (11" X 14.25").
From their base atop a life-sized statue of Godzilla - the centerpiece of a kaiju themepark - aliens plot to conquer the Earth with the aid of space monsters Gigan and King Ghidrah. Humanity's only hope is that the combined efforts of Godzilla and Anguilus will be enough to stop them! Offered here is a set of Japanese lobby cards from this fun film. In dead mint condition, you are unlikely to find a nicer set. Mint.
Godzilla vs. Megalon (Toho, 1973). Japanese Lobby Card Set of 8 (11" X 14.25").
Godzilla and the noble robot Jet Jaguar battle on the side of the good guys in this later dai kaiju epic, as the nation of Seatopia makes a bid to conquer the world using the giant monster Megalon. These beautiful Japanese lobby cards are in excellent condition. Six of the eight show tape stains and pinholes in the corners, the other two are absolutely mint. These will make a perfect addition to any Godzilla collection. Very Fine-.
Godzilla vs. the Sea Monster (Toho, R-1971). Japanese B2 (20" X 29").
Although originally introduced as a terrifying personification of the horrors of nuclear destruction, Godzilla's image underwent a gradual change throughout the years, until he became more of a protector, rather than a menace, to Japan. It was in this film that the King of the Monsters first demonstrated his kinder, gentler side, as he battles the giant lobster monster, Ebirah, with the aid of Mothra, another of Toho Studio's popular kaiju. Offered here is a lovely country-of-origin poster for this fan favorite film. In superb condition, it appears never to have been used. This will certainly be a fine addition to your collection. This was incorrectly listed as original release in our catalog, it is actually a 1971 re-release. Rolled, Very Fine/Near Mint.
Terror of Mechagodzilla (Toho, 1975). Japanese B2 (20" X 29").
The last in the original series of Godzilla films, and the last Godzilla picture to be directed by Ishiro Honda, this exciting film also introduced Titanosaurus into the Toho universe. It would be nearly 10 years until The King of the Monsters would once again be seen on the big screen, when he was reintroduced in Godzilla (1984). The exciting country-of-origin poster offered here is in spectacular condition, as if it just rolled off the printing press. Add this stunner to your collection today! Rolled, Near Mint/Mint.
Attack of the Crab Monsters (Allied Artists, 1957). Half Sheet (22" X 28").
One of the most sought after of the 1950s science fiction posters, this terrific artwork is a classic monster gem. Considered to be one of Roger Corman's masterpieces of low-budget cinema, this quickie has giant mutated crabs stalking and eating the brains of their human victims so they can talk and communicate telepathically. There is light fold and edge wear, and light stains in the borders. Folded, Very Fine-.
Attack of the Crab Monsters (Allied Artists, 1957). One Sheet (27" X 41").
A group of people - including Russell Johnson, later to be cast away on Gilligan's Island as the Professor - trapped on a rapidly shrinking island have the tables turned on them as a bunch of intelligent, brain-eating crabs decide to have them as the Blue Plate Special in this entertaining thriller from legendary genre director Roger Corman. This classic one sheet had pinholes in the field, an extra vertical crease in the bottom right, and a tear in the right side, but these slight flaws have been rendered virtually invisible with expert professional restoration. Shell out whatever you have to to get your claws on this one! Very Fine- on Linen.
The Wasp Woman (Film Group, 1959). Title Lobby Card (11" X 14").
With the same wonderful image of the ill-fated but fully made up cosmetic maven Janice Starlin (Susan Cabot) contemplating her next victim, this colorful title card is just as desirable and even more rare than the one sheet. The card has a display border printed on the reverse which does not show through on the front. Some touch-up work has been done to address surface abrasions and pinholes in the borders, and there are a few light creases. Fine.
Earth vs. the Flying Saucers (Columbia, 1956). One Sheet (27" X 41").
The animated special effects in this film, by genius Ray Harryhausen, qualify it as one of the best of the science fiction genre. Starring Hugh Marlowe, Joan Taylor, and Donald Curtis, the story involves an alien ship which is accidentally fired upon, sparking an invasion and bombings of world capitals Washington DC, Paris, London, and Moscow. The only issue on this highly desirable poster was very light fold wear, which was addressed by professional restoration; it now appears nearly flawless, a real treat for 1950s sci-fi fans. Very Fine+ on Linen.
It Came from Outer Space (Universal International, 1953). One Sheet (27" X 41") 3-D Style.
As one of the few sci-fi films of the 1950s not to feed into the paranoia and scare tactics of the Cold War, this alien invasion tale, based on a story by Ray Bradbury, stands out. The main characters attempt to understand the aliens to know if they come in peace or seek to destroy. Richard Carlson, Barbara Rush, and Charles Drake star with direction by Jack Arnold, who later went on to direct This Island Earth, Tarantula, and two of the Creature from the Black Lagoon pictures. The poster has a slight printing misalignment. The outstanding artwork is by Joseph Smith. Very Fine on Linen.
It Came from Outer Space (Universal International, 1953). Title Lobby Card (11" X 14") 3-D Style.
When a meteor crashes to earth just outside of town, John Putnam (Richard Carlson) goes to investigate, and finds an alien spacecraft instead. As local people begin to disappear, replaced by alien duplicates, Putnam must try to convince the authorities of the very real invasion before it's too late. Based on a story by famed science fiction writer Ray Bradbury, this is one of the more thoughtful and intelligent sci-fi films of the 1950s. Offered here is a fabulous title card. It shows pinholes in the field and in the top border, a top right corner bend, and smudging in the borders. Also included is the original snipe, intended to overlay the "3-Dimension" logo when the film was not shown in 3-D. This one is a "must have!" Fine/Very Fine.
This Island Earth (Universal International, 1955). Poster (30" X 40") Style Z.
This film is one of the most intelligent and elaborate science fiction films of the 1950s. Scientists on Earth are enlisted by aliens to help them save their dying planet. The scientists are taken by flying saucer to Metaluna where they learn that the Metalunans are actually planning on taking over Earth and they will be robbed of their free will. This early Technicolor sci-fi film stars Jeff Morrow as the alien Exeter, Faith Domergue as Dr. Ruth Adams, and Rex Reason as Dr. Cal Meacham. Offered for the first time here is the uniquely designed Style Z poster, with great graphics of the main characters and the mutant alien on a brightly colored background. The poster has been expertly restored to address creases throughout, a small chip in the top left corner, and edge tears. This rarity is sure to make a splash with all of our sci-fi collectors. Fine on Paper.
Forbidden Planet (MGM, 1956). One Sheet (27" X 41").
Of all the great characters of the 1950s science fiction genre, perhaps the most loved and iconic is Robby the Robot, who makes his first film appearance in this classic. The idea for the character was derived from a short story "Robbie" by Isaac Asimov written in 1940 and reprinted in the 1950 collection "I, Robot." After the huge success of this film, Robby and successive imitators appear in several more films, television episodes, and video games. With Robby holding a beautiful damsel, this is one of the most sought after posters of the genre. Walter Pidgeon, Anne Francis, and Leslie Nielsen, along with the spectacular special effects and thought provoking plot combine to make this a true film classic. This quintessential 1950s poster has some paper loss in the lower horizontal fold where there was wear and slight staining. There were pinholes in the corners and some slight staining in the upper horizontal fold within the green background and also at the far right edge of the artwork near the word "Amazing." There was some touch-up to the folds. The professional restoration was done beautifully, making the defects mentioned almost imperceptible. The is the one of the greatest of the science fiction classic one sheets! Fine- on Linen.
Forbidden Planet (MGM, 1956). Australian Daybill (13" X 30").
Robby the Robot stars in this full color spectacular from MGM about a professor and his daughter who are stranded on a planet while studying an extinct race called the Krell. What set this film apart from so many of the other science fiction pictures of the 1950s was the superior script, the high-quality production, and the flawless special effects! This rare Australian stone litho poster is a real beauty, one you'll certainly want to add to your collection. Folded, Near Mint-.
The Invisible Boy (MGM, 1957). Three Sheet (41" X 81").
Although the plot of this sci-fi classic is pretty standard - young boy teams up with a cool robot to save the world from destruction - this film is made memorable by the appearance of Robby the Robot, introduced in Forbidden Planet (1956), in a major role. Even better, Robby is spectacularly featured on the dramatic posters designed for this picture, making them overwhelming fan favorites. The eye-popping three sheet offered here, which includes several unattached snipes, has pinholes in the field, edge wear, and fold wear with crossfold separation, but is otherwise in exquisite condition. Fine+.
Devil Girl from Mars (Spartan, 1955). One Sheet (27" X 41").
In a twist on the standard "Mars Needs Women" plot, Nyah (Patricia Laffan), a shapely emissary from the Red Planet, lands on Earth seeking men to replenish Mars's diminishing supply of virile males. Unfortunately for her, the Scottish men - and their womenfolk - in the small town in which she lands don't seem enthusiastic about her plan. A true cult classic, paper from this film is considered highly collectible. This particular one sheet has fold wear, pinholes in the corners, and crossfold separation. It has been mounted on linen, but is otherwise unrestored. Give this stunner a good home in your personal collection. Very Fine- on Linen.
The Man from Planet X (United Artists, 1951). One Sheet (27" X 41").
Edgar G. Ulmer, who, in 1934, directed the exceptional Boris Karloff/Bela Lugosi thriller, The Black Cat, created this unusually thoughtful 1950s sci-fi film, in which a strange visitor comes to Earth when his planet passes nearby. Evil scientist Dr. Mears (William Schallert) exploits this innocent alien who turns against all humans, changing them into mindless bodies. Undeniably one of the most popular and sought after posters of the 1950s sci-fi genre, this one sheet has had professional restoration to address small paper losses in the top border, edge wear, and surface abrasions in the credits area. There are small creases throughout the poster that are still apparent. Otherwise it is a clean and colorful gem. Fine/Very Fine on Linen.
Target Earth (Allied Artists, 1954). One Sheet (27" X 41").
Virginia Grey, Kathleen Crowley, Richard Denning, and Dick Reeves are four hapless remainders of an evacuation of Chicago. At first they fight amongst themselves, but the strangers have to work together to defeat invading robots from Venus. A fun 1950s sci-fi flick, the artwork for the poster is classic. With only fold wear and minor pinholes in the corners which are still apparent after linen backing, this one sheet displays well and is a winner for sci-fi movie buffs. Very Fine+ on Linen.
Queen of Outer Space (Allied Artists, 1958). One Sheet (27" X 41").
Voluptuous Zsa Zsa Gabor may not be the title Queen, but she is most definitely the star of this far out cult classic. Gabor plays one of the lovely ladies on planet Venus that a team of astronauts (Eric Fleming and Dave Willock) discover in their space travels. Laurie Mitchell plays Queen Ylana who wants the men dead. There is a small fold separation at the top border, pinholes in the corners, a chip with small stains in the upper right border, and a light stain in the credits area. This sheet is always a hit with sci-fi fans. Fine/Very Fine.
The Day of the Triffids (Allied Artists, 1962). Three Sheet (41" X 81").
A meteor shower not only brings ambulatory alien plant life to Earth - the Triffids of the title - but causes blindness in anyone who watched it, about 95% of the world's population. The few sighted people left must contend with the alien invaders before they utterly destroy the human race. Offered here is a dramatic three sheet from this popular film. It had light fold wear, some small holes in the left side, and several small tears in the bottom left corner, but now appears virtually unused thanks to expert professional restoration. Very Fine on Linen.
Creature from the Black Lagoon (Universal International, 1954). Three Sheet (41" X 81").
An expedition up the Amazon discovers a bizarre, human/amphibian hybrid who, like most monsters of the era, takes a shine to the lone female member of the crew (played by Julia Adams). One of the greatest horror/sci-fi films of the 1950s, this landmark film spawned two sequels, and cemented the Gill-Man's place in the pantheon of Universal monster stars. Offered here is a stunning three sheet, showing both the Creature and Adams in her unforgettable white bathing suit, with fabulous art by the great Reynold Brown. It had minor tears and a small hole in the bottom left corner, pinholes in the lower field and the top corners, and some crossfold separation, but expert professional restoration has returned this beauty to a like-new appearance. The three sheet for this title is a very rare format that hardly ever surfaces. This is only the second copy we have ever offered. Very Fine- on Linen.
Creature from the Black Lagoon (Universal International, 1954). Half Sheet (22" X 28") Style B.
We're very pleased to present this extremely rare half sheet, as we've never offered this particular style before. The art is similar to that used in the highly elusive six sheet, and features all of the main characters, including the Gill-Man and Julia Adams in her stunning white bathing suit. The borders and the fold lines have been slightly touched up, and the original 3-D snipe is included with the poster. In superb condition, this is a rare opportunity to acquire an exquisite poster from one of the great Universal monster films. Very Fine-.
Creature from the Black Lagoon (Universal International, 1954). Title Lobby Card and Lobby Card (11" X 14").
With the release of Abbott & Costello Meet Frankenstein in 1948, the Golden Age of Universal Horror was officially over, largely overshadowed by the very real horrors of World War II, as well as the emerging genre of science fiction. However, in 1954, Universal entered their second age of horror with the release of this landmark film. Based on seventeenth-century drawings of the sea monk and the sea bishop, as well as the Academy's Oscar statuette, the Creature quickly became as iconic a figure as Dracula or Frankenstein and appeared in two sequels earning a solid place in horror film history. This highly desirable title card has a small water stain in the left border. The accompanying scene card is extremely clean. This is a lot that no fan of classic monster movies will want to miss. Very Fine+.
Creature from the Black Lagoon (Universal International, 1954). Lobby Card (11" X 14").
The Creature rises from the murky depths of the Black Lagoon in this exquisite lobby card. One of the most popular horror films of the 1950s, images from this picture are always highly desirable. The card offered here has a faint smudge in the top right, a top left corner bend, and a small stain in the lower left, but these small flaws are virtually unnoticeable, making this a treasure any collector will cherish. Very Fine.
Creature from the Black Lagoon (Universal International, 1954). Lobby Card (11" X 14").
In a stunning action scene, the Creature, here portrayed by famed underwater stuntman Ricou Browning, is attacked with a spear gun. Fortunately, he'd live to fight another day in two popular sequels. This card shows some very minor scuffing in the bottom border, but is otherwise extremely clean and attractive. Don't let this gem get away! Very Fine.
Creature from the Black Lagoon (Universal International, 1954). Lobby Cards (2) (11" X 14").
During the filming of this movie, two actors actually portrayed the Creature: in the water scenes, famed stunt diver Ricou Browning donned the suit; on land, as pictured in one of the lobby cards offered here, it was Ben Chapman as the Gill-Man. These exquisite lobby cards are about as clean as they come, the very definition of this coveted grade. Don't miss out on your chance to add these beauties to your collection. Near Mint+.
Creature from the Black Lagoon (Universal International, 1954). Lobby Cards (2) (11" X 14").
The titular Creature is pictured on each of these exquisite lobby cards, which appear as pristine as the day they were printed. You'd be hard-pressed to find a pair of cards in such superb condition. Near Mint+.
Revenge of the Creature (Universal International, 1955). Window Card (14" X 22") 3-D Style.
The Gill-Man is back, in this exciting sequel to Universal's landmark picture, Creature from the Black Lagoon (1954), in which he's transported to an aquarium in Florida, from which he soon escapes and runs amuck. This classic window card, boasting stunning Reynold Brown artwork, is the only one we've seen with the 3-D logo printed - not sniped - in the box in the bottom left, no doubt making it an extremely rare variant. It has staple holes in the borders, small stains in the bottom border, light edge wear, and a small tear in the right border, but displays beautifully in spite of these minor flaws. Paper from this popular series of films is always in high demand, so the competition to acquire this scarce gem will no doubt be stiff. Very Fine.
Revenge of the Creature (Universal International, 1955). Half Sheet (22" X 28") Style B.
The Creature from the Black Lagoon is back, this time he is captured and kept in an aquarium in the city. He takes a liking to scientist Lori Nelson and once he escapes, he kidnaps her and rampages through the terror stricken streets. The poster has a pinpoint crossfold separation, edge wear with two minor chips, and fold wear. The wonderful artwork is by noted artist Reynold Brown; we have never offered a copy of this half sheet before! Folded, Very Fine-.
Revenge of the Creature (Universal International, 1955). One Sheet (27" X 41").
The highest-grossing film of the "Creature" series features the gill-man captured and brought back to civilization. This horror tale is directed by Jack Arnold and has a few surprises as the creature is moved to its new location -- this time a water amusement park. Clint Eastwood makes his film debut in this film as a lab technician. The wonderful artwork of the creature wreaking havoc is by master sci-fi artist Reynold Brown. The poster had pinholes in the corners, fold wear, and pinpoint crossfold separations. There was a chip in the left border and small chips in the top right corner, but after the expert restoration, it displays wonderfully. Fine/Very Fine on Linen.
The Creature Walks Among Us (Universal International, 1956). Australian Daybill (13" X 30").
This third and final entry in Universal's Creature from the Black Lagoon franchise sees the Gill-Man transformed into an air breather after a radical operation by a wealthy mad scientist (Jeff Morrow). Offered here is a rare Australian daybill for this classic feature; only some light smudging in the right border keeps this exceptional poster from an even higher grade. For the Creature collector, this incredible item is a "must have!" Very Fine+.
The Creature Walks Among Us (Universal International, 1956). One Sheet (27" X 41").
In the final film of Universal's Creature from the Black Lagoon trilogy, the creature begins to take on human qualities after its capture by scientists. Things go terribly wrong when the monster witnesses a murder for which he is blamed, and breaks out of captivity. John Sherwood directs Jeff Morrow, Rex Reason, and Leigh Snowden in this horror classic. Prior to professional restoration, this one sheet had chips in three corners, light edge wear, several pinholes in the right border, fold wear, and crossfold separations. Expert restoration has rendered these issues virtually unnoticeable and the wonderful Reynold Brown artwork displays beautifully. Fine+ on Linen.
The Creature Walks Among Us (Universal International, 1956). Title Lobby Card and Lobby Cards (3) (11" X 14").
In this, the third installment in Universal's Gill-Man franchise, the Creature is captured in the Everglades after escaping from Ocean Harbor, where he was housed in the previous picture. Badly burned in a fire, the Creature undergoes a radical medical procedure headed by Dr. William Barton (Jeff Morrow) to seal off his gills and allow him to breathe through a set of rudimentary lungs. Things go horrifically wrong, however, when Barton murders his lab assistant and tries to pin the blame on the Creature, leading to a monstrous rampage, which ends with the Gill-Man returning to the sea, never to be seen again. The only film in the series not made in 3-D (the fad was well over by 1956), this is nonetheless an exciting and thought-provoking film. Offered here is the highly desirable title card and three scene cards. All the cards have pinholes in the corners, while the title card has a small bend in the top right corner, and one of the scene cards shows some light foxing. Aside from these minor flaws, these cards are in great condition, well worth an honored place in your collection. Fine/Very Fine.
The Creature Walks Among Us (Universal International, 1956). Lobby Cards (2) (11" X 14").
The Gill-Man is featured on both cards in this lot, after the radical surgical procedure that would make him an air-breather. Both cards show pinholes in the corners and light edge wear, one has a top right corner bend. These are minor flaws, however, doing little to detract from the overwhelming visual appeal of these classic beauties. Very Fine+.
The Creature Walks Among Us (Universal International, 1956). Lobby Cards (2) (11" X 14").
The Creature from the Black Lagoon returns for a third time in this exciting film, the final installment in the Universal trilogy. Both of the cards in this lot feature the Gill-Man, making them perfect for any avid horror collector. Only pinholes in the corners keep these exquisite cards from an even higher grade. Very Fine+.
The Time Machine (MGM, 1960). Half Sheet (22" X 28") Style B.
Director George Pal brought H. G. Wells's classic novel to life on the big screen in this thrilling film, in which a Victorian scientist (Rod Taylor) travels far into Earth's future, to a time when humanity has been split into two races: the gentle Eloi and the monstrous Morlocks. The half sheet offered here, bearing stunning Reynold Brown artwork, is the less common "Morlock" style. It has pinholes, some enlarged, in the borders, smudging in the corners, edge wear, and a pinhole in the credits area, but is, overall, an extremely attractive and desirable piece. Folded, Fine/Very Fine.
The Time Machine (MGM, 1960). One Sheet (27" X 41").
Based on the classic novel by H. G. Wells, this lavish production, directed by George Pal, won an Oscar for Best Special Effects. Starring Rod Taylor, this is the story of a man who invents a machine that can travel through time, allowing him to view the future of the human race. The stunning one sheet, with its striking Reynold Brown art, is always a favorite. This particular copy has some smudging in the right border, some light edge wear, and a tear in the upper left side, but presents very nicely, making this a perfect display piece. Fine/Very Fine.
Rocketship X-M (Lippert, 1950). One Sheet (27" X 41").
Rushed into production to compete with George Pal's landmark movie, Destination Moon (1950), this is the story of an expedition to the Moon, headed by Col. Floyd Graham (Lloyd Bridges), that somehow gets diverted to Mars. Once there, the crew discovers the remnants of a once-mighty civilization devastated by nuclear war. Prior to expert professional restoration, this exquisite one sheet had pinpoint crossfold separation and a tear in the upper left corner, but now looks as good as new. Add this one to your collection today! Very Fine on Linen.
The Thing from Another World (RKO, 1951). Insert (14" X 36").
Based on John W. Campbell's short story, "Who Goes There?," this is the story of a group of research scientists stationed at a remote Arctic outpost who recover a crashed alien spaceship frozen under the ice. When the craft's only inhabitant (James Arness) is inadvertently thawed out, he goes on a rampage, killing everyone who gets in his way. Finally, the desperate scientists risk everything in a last-ditch effort to destroy him. One of the most popular science fiction films of the 1950s, paper from this picture is avidly sought by collectors. This glorious insert shows light edge wear, a tear in the right border, paper tape covering a tear in the left border, and a small corner bend in the top right. This insert is considered to be the best format by far for this classic film; it rarely turns up for sale. Folded, Fine/Very Fine.
2001: A Space Odyssey (MGM, 1968). Italian Promotional Posters (12) (40" X 27.5"); (3) (40" X 55").
A giant step forward in the science fiction genre, this film set a new standard for special effects, and stood as the leading movie of its type until the coming of Star Wars in 1977. It should come as no surprise, then, that paper from this picture is considered extremely collectible, especially the rare and seldom-seen formats that were created to promote this groundbreaking release. Although the posters presented here were printed in Italy, we believe that they were intended for international use - note the lack of titles - as the Italians were printing a number of deluxe lobby sets for worldwide release at this time. Due to their size, we expect that these pieces were used mainly for premiere or other large attendance releases. Hence, they are extremely rare, potentially one of the rarest poster styles created for the original release of this landmark film. Offered here are what we believe to be two complete sets, one numbering twelve pieces, the other three. In the set of three, which feature the artwork of Robert McCall, we note some edge wear with small tears on one poster, and light crimping in the interior of all, while the set of twelve has a corner bend and a tear in the border on one piece, and some light handling wear on all. An extraordinary offering, we encourage you to bid early and often on this impressive lot. Very Fine+.
2001: A Space Odyssey (MGM, 1968). Lenticular 3-D Display (10.375" X 13.5").
This is a rare 3-D tabletop display for Stanley Kubrick's classic Cinerama science fiction epic. This display has a few light surface scratches at the top and has minor warping. The original holder is included with its easel stand. We have sold a few of these displays in the past, but none in as complete a condition as this exquisite copy! Very Fine.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41").
When MGM decided to revamp the advertising campaign for this blockbuster film in 1969, they chose the tagline "The Ultimate Trip." The "eye" poster, as this is most often referred to as, was conceived for the 1969, 70mm relaunch in New York while the film was still playing around the country in its original 1968 standard 35mm format. This poster was primarily used for wilding (i.e. posting on building sites, etc.). It was therefore printed in a smaller quantity than the "star child" poster, the campaign's principal image, which was retained for subsequent releases for the next decade. Some of the "eye" posters were displayed at the Ziegfeld Theatre, but as a secondary image, and never for newspaper ads, etc. It is therefore the rarest of all the U. S. one sheets for 2001: A Space Odyssey. The original printing of the "eye" and "star child" posters have no NSS or other information in the bottom border, as they were created in rush time, not knowing if the campaign would take. After the successful New York opening, the campaign was adapted in other U. S. cities. This lovely example had fold wear and pinholes in the corners, but these slight flaws have been rendered virtually invisible thanks to expert professional restoration. If you've had your eye on this beauty, look no further! Very Fine on Linen.
2001: A Space Odyssey (MGM, 1968). Three Sheet (41" X 81") Cinerama Style.
Stanley Kubrick received a Best Director Oscar nomination for this picture, and took home a well-deserved gold statue for Best Special Visual Effects. The impact of this classic film is still being felt today, as it significantly raised the bar for every sci-fi film to follow. Offered in this lot is the scarce "Cinerama" style three sheet to Kubrick's science fiction masterpiece. The film was shown at a few select Cinerama theaters in it's initial opening and thus fewer of these posters were printed, and rarely turn up in this spectacular larger format. Mint.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style B.
One of the most significant science fiction movies ever released, this groundbreaking film is based on the short story, "The Sentinel," by Arthur C. Clarke. Offered here is the always-popular Style B one sheet, spotlighting the famous moon scene. It has small chips in the top border and the bottom left corner, as well as a light water stain in the bottom right corner, and the expected fold wear. These slight flaws, however do nothing to detract from the overwhelming eye-appeal of this stunner. Fine+.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style A "Cinerama".
This Stanley Kubrick science fiction classic which is based on a story by Arthur C. Clarke, is an examination of human's evolution from prehistoric cave dwellers to space explorers and beyond. The ambitious film took the genre of science fiction to a whole new dimension and opened a provocative window into the future of space travel and artificial intelligence. Kubrick won the Academy Award for special effects for this visual masterpiece. This is a lovely copy of the scarce "Cinerama" style poster. It had minor edge wear and some slight wrinkling within the image; this was a rolled copy and therefore prone to that type of wear. There is some slight touch-up within the black credit box in the lower right. After linen backing, the poster now appears near mint. This early clay-coated, semi-gloss stock is a very fragile material; trying to find an unfolded copy, without the usual fold chipping common on these posters, is incredibly difficult and this is it! Very Fine- on Linen.
Star Wars (20th Century Fox, 1990) Russian Poster (25.5" X 41") Style B.
What can we say about Star Wars? Not only a great movie, but a true cultural phenomenon, George Lucas's masterpiece is, without a doubt, one of the best known pictures in the history of cinema. Consequently, paper from this film is highly collectible. Although the American posters are well-known and widely available, foreign paper is much less common, and is highly prized by Star Wars devotees. One of the most graphically interesting posters produced for this film, with art by Yuri Boksyor, is the poster produced for the first Russian release in 1990 offered here. In excellent condition, only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps us from awarding an even higher grade to this rare beauty. You'll want to bid on this one now, as you never know when or if another might be offered. Very Fine+ on Linen.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Happy Birthday Style.
A year after its original release, Star Wars was still running strong in theaters across the U.S. To celebrate this milestone, these theaters were presented with this special one sheet. Though technically designated "Style E", it is known by collectors the world over as the "Happy Birthday" poster. It was photographed by Weldon Anderson and designed by Tony Seiniger using the 11 of the 12 original Kenner action figures (the Jawa was omitted). The print run of these posters is believed to have been fewer than 1500 sheets, making it a much sought after item for collectors, especially in this pristine condition. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Near Mint+.
Revenge of the Jedi (20th Century Fox, 1982). One Sheet (27" X 41") Advance "Dated Style.
Here it is, the legendary advance one sheet to the conclusion of George Lucas's original Star Wars trilogy. When the title was announced as Revenge of the Jedi, legions of Star Wars fans denounced it since "revenge" was not a Jedi Knight quality. Lucas agreed and the title was changed to Return of the Jedi. All of the advance posters were pulled from release and supposedly destroyed. The result was the creation of an instant market for the poster. Offered here is an original, folded, "Dated" style advance with minor crease wear. A must have for Star Wars collectors in galaxies near or far, far away. Very Fine-.
Revenge of the Jedi (20th Century Fox, 1982). One Sheet (27" X 41") Advance "No Date" Style.
The third film in the original Star Wars trilogy was originally titled Revenge of the Jedi, until creator George Lucas realized that revenge was a concept that would be entirely out of character for his mystical, chivalric knights. He therefore changed the title to Return of the Jedi, but not before a handful of advance posters were released with the original title. As the only artifact bearing this name, these posters are in high demand by Star Wars collectors worldwide. This particular copy is in outstanding condition; only our strict policy of not awarding a grade higher than Very Fine+ to posters mounted on linen keep us from awarding an even higher grade to this rare beauty. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON".
Very Fine+ on Linen.
Rollerball (United Artists, 1975). One Sheet (27" X 41") Mylar Advance.
In the not-too-distant future, corporations rule the world and control the teeming masses through the ultra-violent sport of Rollerball, which graphically demonstrates the futility of individuality. Jonathan E. (James Caan), one of the greatest players of all time, learns to think for himself, however, much to the displeasure of his corporate masters. This is the first time that we have presented this very rare mylar advance poster with art by Bob Peak. Aside from some wrinkling, it is in superb condition, a great piece from a fan-favorite film. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Rolled, Very Fine-.
A Clockwork Orange (Warner Brothers, 1971). One Sheet (27" X 41") X-Rated Style.
Although he was popular in Britain following a star-making turn in the movie If... (1968), Malcolm McDowell was still largely unknown in the rest of the world. That would all change with his appearance in this controversial classic from director Stanley Kubrick, in which an anti-social young man, Alex DeLarge (McDowell), undergoes extreme aversion therapy to cure him of his predilection for violence. Based on the novel by Anthony Burgess, the film was a spectacular success, launching McDowell's career as an actor to be reckoned with. This highly desirable one sheet is in great shape, with only pinholes in the corners keeping it from an even higher grade. Near Mint-.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. (Columbia, 1964). Lobby Card Set of 8 (11" X 14").
Featuring a tour-de-force performance by Peter Sellers in not one, not two, but three different roles, this spot-on satire of Cold War politics is as fresh and insightful now as it was in 1964. Based on Peter George's novel Red Alert, the film was originally intended as a serious thriller, but changed to a satire when director Stanley Kubrick realized that many of the scenes were really quite funny. For fans of this film - and there are many - this lot should be particularly attractive, as the cards in this set are all dead mint. You'd be hard-pressed to find a nicer set of cards from this highly regarded movie. Mint.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Columbia, 1964). Three Sheet (41" X 81").
One of Stanley Kubrick's most frequent cinematic statements was the absurdity of war. With Dr. Strangelove he explored the subject to its ultimate conclusion with the launch of World War III. The film is considered a masterpiece of dark humor and features one of the best ensembles to ever grace the screen, including Peter Sellers, Keenan Wynn, Sterling Hayden, James Earl Jones, George C. Scott, and the atom-bomb riding cowboy Slim Pickens. This wonderful three sheet poster was designed by Tomi Ungerer and has just slight toning and wear. The two panels that make up the entirety of the poster have some misfolding that does not effect the integrity of the poster. Very Fine-.
The Killing (United Artists, 1956). Lobby Card Set of 8 (11" X 14").
The first major directorial effort by Stanley Kubrick, this is the story of small-time hood Johnny Clay (Sterling Hayden), who attempts to pull off just one more heist before giving up his life of crime, with disastrous results. This attractive lobby card set is in superb condition; only a light smudge on the title card keeps it from an even higher grade. Near Mint.
Jaws (Universal, 1975). One Sheet (27" X 41") Shark Facts Style.
Based on Peter Benchley's best-selling novel, director Steven Spielberg created one of the most terrifying motion pictures of all time with his tale of the great white shark that terrorizes an island resort town in New England. And to frighten audiences a little more, the studio created this "public service" poster citing the most scary shark attack facts, which is always a popular item with collectors. The poster has minor edge tears at three borders, a stain in the top right side, and wrinkles in one corner. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON".
Rolled, Fine/Very Fine.
Jaws 2 (Universal, 1978). Teaser One Sheet (27" X 41").
Roy Scheider is back as Police Chief Martin Brody in this sequel to Jaws set four years after the original. When a party of waterskiers goes missing, Brody once again has to convince Mayor Vaughn (Murray Hamilton) that a killer shark is threatening Amity. This gorgeous teaser poster is in pristine condition with only minimal fold wear. Very Fine/Near Mint.
Cool Hand Luke (Warner Brothers, 1967). Japanese B2 (20" X 29").
Paul Newman was nominated for an Oscar for his portrayal of the rebel chain gang prisoner who refuses to conform. George Kennedy won an Oscar for his part as one of Luke's prison mates, and Strother Martin is the sadistic prison captain. This Japanese B2 has light horizontal bends, otherwise it is in magnificent condition. Rolled, Very Fine/Near Mint.
The Man with the Golden Arm (United Artists, 1955). One Sheet (27" X 41").
Otto Preminger's stirring look into the world of heroin addiction stars Frank Sinatra as an ex-con who battles his demons while trying to walk the straight and narrow. This performance would earn Sinatra a Best Actor Oscar nomination. While "Old Blue Eyes" may carry the film, he has outstanding support from Eleanor Parker and Kim Novak. Prior to professional restoration, this striking one sheet with its Saul Bass artwork had only pinpoint crossfold separations; it's a real beauty. Very Fine+ on Linen.
Bullitt (Warner Brothers, 1968). German A1 (23" X 33").
In one of his most famous roles, Steve McQueen plays Frank Bullitt, a tough-as-nails cop who goes after a pair of killers who rub out a mob informant he's been assigned to protect. Offered here is a dramatic German poster for this fan favorite movie. Aside from some light fold wear, now rendered virtually invisible after expert professional restoration, this poster is in excellent condition, perfect for any McQueen fan's collection. Very Fine on Linen.
Bullitt (Warner Brothers, 1968). One Sheet (27" X 41").
Steve McQueen is Lt. Frank Bullitt, a San Francisco detective with a penchant for extreme violence, a character that would pave the way for Clint Eastwood's Dirty Harry three years later. This popular poster has only one minor edge nick on the right border. Very Fine/Near Mint.
Bullitt (Warner Brothers, 1968). Three Sheet (41" X 81").
Steve McQueen defines the words "tough cop" in this action-packed thriller about a police officer who sets out to track down an underworld bigshot who killed a witness under his protection. The famed car chase scene - in which McQueen did all his own driving - set a new standard for all such action sequences to come. This exceptional three sheet is in like-new condition; were it not for our strict policy against not awarding a higher grade than Very Fine+ to any poster mounted on linen, this poster would certainly have graded much higher. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine+ on Linen.
Dirty Harry (Warner Brothers, 1971). Insert (14" X 36").
Although Clint Eastwood had gained worldwide fame as The Man With No name in Sergio Leone's trio of Spaghetti Westerns, it was this role, as Harry Callahan, that shot him to superstar status. An aggressive cop untroubled by the rights of the accused or legal niceties, Callahan's first - and only - concern is to get the job done; in this case, he's tasked with apprehending the serial killer Scorpio (Andy Robinson). This fabulous insert shows tape stains in the borders, a dust shadow in the top edge, and light staining in the right edge, but is otherwise extremely clean. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Rolled, Fine/Very Fine.
Get Carter (MGM, 1971). One Sheets (2) (27" X 41") Styles A & B.
Michael Caine is out for vengeance in this violent crime drama from director Mike Hodges. Carter is a gangster who goes after the killers who murdered his brother, meanwhile he must also save his niece Doreen (Petra Markham) from a life as a porn star. Carter is a contradictory character, who is just as brutal and unsympathetic as the thugs he is after, and the non-stop action is riveting. Offered here are both styles of the one sheet, including the rare style A, with a dramatic portrait of assassin Caine in purple. This poster had fold wear, creases, and two corner bends. The style B had only fold wear, and both have been professionally restored. This lot is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine on Linen.
The Godfather (Paramount, 1972). British One Sheet (27" X 40").
Director Francis Ford Coppola's Mafia epic is rightly revered as one of the greatest films of the 1970s. With an amazing cast, including Marlon Brando, Al Pacino, James Caan, Robert Duval, and Talia Shire, the film is based on the bestselling novel by Mario Puzo, who also wrote the screenplay. Offered here is a striking British one sheet, featuring a dramatic profile of Brando as Don Vito Corleone. It is in superb condition; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps it from an even higher grade. Very Fine+ on Linen.
Session 2
The Asphalt Jungle (MGM, 1950). Insert (14" X 36").
Sterling Hayden, Louis Calhern, James Whitmore, Jean Hagen, and Sam Jaffe star in this excellent caper film directed by John Huston and based on the novel by crime writer W. R. Burnett. There are two minor areas of surface paper loss in the top border, one pinhole, minor fold wear, and a small area of grease pencil on the reverse. Relative unknown actress Marilyn Monroe has a small role, but this great design boasts three different images of the bombshell, making this insert one very desirable item. Folded, Fine/Very Fine.
The Asphalt Jungle (MGM, 1950). German A1 (24" X 33").
This landmark film noir, about a major jewelry store heist that is derailed due to a series of bad luck and double crosses, stars Sterling Hayden, Louis Calhern, James Whitmore, Jean Hagen, and Sam Jaffe, as well as a young Marilyn Monroe in a starmaking role as the niece of a crooked attorney (Calhern). The graphically intense German poster offered here has some minor crossfold separation, small tears at the edges on the foldlines, some writing on the back that does not show from the front, and pinholes in the corners, but is otherwise extremely clean and attractive. This rare gem will be a perfect addition to any noir collection. Very Fine-.
Scarlet Street (Universal, 1945). One Sheet (27" X 41").
This brooding film looks at how easily an ordinary man can be lead down a destructive and murderous path. Edward G. Robinson is perfectly cast as the meek and married Christopher Cross who is duped by the conniving Kitty (Joan Bennett) and her creepy boyfriend (Dan Duryea). All Cross wants is to paint in peace, but he ends up wracked with guilt after murdering Kitty. Fritz Lang directs this top notch film, which was equally as successful as the similarly cast and themed Woman in the Window, also from 1945. There are pinpoint crossfold separations, edge wear at the right, and two minor tears in the right side of the image. The artwork of the three stars is truly eye-catching and dramatic. Very Fine.
Scarlet Street (Universal, 1945). Italian 2 - Folio (39" X 55").
Fritz Lang masterfully directs this bleak film about an ordinary man, Christopher Cross (Edward G. Robinson), who is in a loveless marriage, and is lured into an affair when he meets a woman named Kitty (Joan Bennett). Kitty manipulates Robinson into embezzling money from his employer in order to pay for her lavish lifestyle. When Cross realizes he has been manipulated, he starts on a downward spiral, ultimately leading to murder by the film's end, where he's so haunted by guilt and remorse that he suffers a mental breakdown. This outstanding poster sports masterful art by F. Cortagni. Prior to restoration, the poster had edge wear with small tears, a tear in the bottom border, fold wear with small tears, and the left and right borders had been folded back. The expert restoration has corrected these issues so that the poster displays beautifully. Very Fine on Linen.
The Woman in the Window (RKO, 1945). One Sheet (27" X 41").
Fritz Lang directs Edward G. Robinson, Joan Bennett, and Dan Duryea in this highly acclaimed film noir based on J. H. Wallis's novel Once Off Guard. The tragic story of mild-mannered Robinson, who is induced to murder after becoming entangled with the deceptive Bennett, is a captivating one with a memorable twist ending. Based on this film's popularity, the director and stars reunited the following year with the equally gripping thriller, Scarlet Street. This lovely poster had fold wear, chips in the left border, crossfold separations, and a tear in the top left corner. After expert restoration, the poster appears nearly flawless. Very Fine- on Linen.
Crack-Up (20th Century Fox, 1936). Title Lobby Card (11" X 14").
Peter Lorre is always masterful as a conniving henchman, and he does not disappoint as the unassuming airplane technician, who is actually a foreign spy, in this light thriller. His evil plot to steal secret aircraft plans is thwarted by Ace Martin, played by Brian Donlevy who was an actual WWI veteran pilot. This beautifully designed title card has edge wear on the bottom and right borders, a tear in the top border, and a small spot of paper residue on the bottom left field. Fine/Very Fine.
12 Angry Men (United Artists, 1957). Half Sheet (22" X 28") Style B.
In this character-driven tour-de-force, twelve men gather in a jury room to decide the fate of a young man on trial for murder. One juror who dissents from the widely-held belief that the boy is guilty slowly manages to convince the other jurors that the case may not be as clear cut as they at first believe. The all-star cast includes Martin Balsam, Lee J. Cobb, E.G. Marshall, Jack Klugman, Ed Begley, Jack Warden, and Henry Fonda. This striking half sheet shows light edge wear, a tiny nick in the upper right corner, corner bumps, and some light discoloration in the right border. In spite of these slight flaws, the poster presents very nicely, and will make a great addition to your collection. Rolled, Fine/Very Fine.
Blackboard Jungle (MGM, 1955). German A1 (23" X 33").
Glenn Ford, Vic Morrow, and Anne Francis star in this social commentary about a teacher determined to turn around a terrifying inner-city school. This German poster for the film features artwork by B. Grubel and was folded prior to backing. Very Fine+ on Linen.
The Glass Key (Paramount, 1942). Lobby Card (11" X 14").
Alan Ladd and Veronica Lake burn up the screen in this story of big city corruption, the second film adaptation of Dashiell Hammett's classic novel. A landmark film noir thriller, this movie also served as a major source of inspiration for Akira Kurosawa's samurai epic, Yojimbo (1961). Both Ladd and Lake are pictured on this wonderful portrait card. It shows pinholes in the borders, smudging on the right side, a small tear in the left border, and a very minor corner bend in the top left. Otherwise, however, this highly desirable card is clean and unmarked, and will make a valuable addition to any collection. Fine/Very Fine.
The Glass Key (Paramount, Late 1940s). First Post-War Release French Affiche (23.5" X 31.5")
After their success in This Gun For Hire, Alan Ladd and Veronica Lake were immediately reteamed in this superior remake of the 1935 film of the same name. Political corruption and murder mix in this film noir based on the Dashiell Hammett book. The American one sheet on this title is highly desirable, but this exquisite French poster, with spectacular art by noted illustrator Roger Soubie, should cause some very heated bidding activity as well. This poster shows some very minor edge wear, but is otherwise in superb condition, making it a fabulous addition to any collection. Very Fine+.
This Gun for Hire (Paramount, 1942). One Sheet (27" X 41").
After appearing in dozens of small parts for a decade, Alan Ladd made his mark in Hollywood with his seminal role as Philip Raven, the conflicted hitman who is out for revenge. This top-notch film marks the beginning of Ladd's legendary partnering with star Veronica Lake. Their playful but edgy banter is electrifying to watch and they would star together in seven more films. Ladd's powerful performance caused a sensation with audiences and he appeared in several of the top noir films of the decade. Although the poster has been mounted on linen, no other restoration work was done, and the linen has been trimmed to the edge of the poster. There are only minor issues of pinholes in the fields, and fold wear. For all fans of film noir, this remarkable piece is the premier poster to own. Very Fine- on Linen.
This Gun for Hire (Paramount, 1942). French Affiche (23.5" X 31.5").
Loosely based on Graham Greene's novel A Gun for Sale, this was one of the first of the great film noirs made during the war, and was the first to star the iconic team of Alan Ladd and Veronica Lake. Ladd is menacing as a double-crossed hired killer who needs the help of government spy, Lake. As the pair track chemical executive Tully Marshall, and stay one step ahead of hulking henchman Laird Cregar, they learn to trust each other to the point of Ladd sacrificing himself for Lake and the greater good. This was an extremely important role for Alan Ladd, and he received rave reviews which launched him to stardom and a series of top noir roles. This lovely French poster, with art by the great Boris Grinsson, had only the most minor edge wear with a tiny chip from the tip of the corner on the lower left and right. There was a small tear in the middle horizontal fold just within the art at the right border. The poster has been conserved on linen and now appears immaculate. Very Fine on Linen.
Veronica Lake Personality Poster (Paramount, 1944). French Affiche (23.25" X 31").
A talented actress who popularized the "peek-a-boo" hairstyle, Veronica Lake was a leading actress during the 1940s, appearing in such important productions as Sullivan's Travels, The Glass Key, and This Gun for Hire. Her radiant beauty is perfectly captured by renowned French artist Roger Soubie in this exquisite personality poster. Prior to restoration, this poster had fold wear with slight paper loss at the upper vertical fold. Toning on the fold lines is still evident after being restored. Fine/Very Fine on Linen.
Calcutta (Paramount, 1946). One Sheet (27" X 41").
Alan Ladd stars in the adventure in the Far East, as cargo flyer Neale Gordon. When his buddy, Bill (John Whitney) is murdered by jewel smugglers, he and his pal Pedro (William Bendix) set out to track down the killer, no matter who gets in their way. Prior to expert professional restoration, this exciting one sheet had fold wear, a top right corner chip, and chipping in the borders, but now looks like brand new. Fine+ on Linen.
The Dark Corner (20th Century Fox, 1946). One Sheet (27" X 41").
The multi-talented Lucille Ball shines as Mark Stevens's girl Friday in this taut and very enjoyable film noir. Stevens plays ex-con turned private detective Bradford Galt, who is framed for the murder of his former partner Kurt Krueger. Clifton Webb is typically delightful as a jealous husband with dark thoughts on his mind, with William Bendix as his lurking henchman. With lines like "There goes my last lead. I feel all dead inside. I'm backed up in a dark corner, and I don't know who's hitting me." this film has all the fear and paranoia of the best of the genre. This professionally restored one sheet had fold wear with crossfold separations, but features stunning stone litho noir artwork. Very Fine- on Linen.
D.O.A. (United Artists, 1950). One Sheet (27" X 41").
When vacationing CPA Frank Bigelow (Edmond O'Brien) is told that he has been poisoned with iridium and has a mere 24 hours to live, he begins to retrace his movements, desperately trying to track down his killer. This film marked the big screen debut of both Neville Brand and Beverly Garland. The dramatic one sheet offered here had a small hole in the right side, fold wear, tears in the fold line at the right side, chipping in the borders, and crossfold separation, but has been returned to a like-new appearance with expert professional restoration. An important film noir, you'll want to add this one to your collection. Fine+ on Linen.
D.O.A. (United Artists, 1950). Lobby Card (11" X 14").
Told in flashback style, D.O.A. is one of the definitive film noirs of the period. Edmond O'Brien stars as vacationing CPA Frank Bigelow, who ingests a deadly poison and is told by a doctor he only has a few hours to live. Frantically, Bigelow retraces his movements for the last 24 hours, trying to locate his murderer. This fabulous card is the best card from the set, showing the lead character being confronted by a chemist who tells him what he has ingested! And the liquid does glow! This is as clean a copy of this card as we have ever seen there is no restoration and the colors are vibrant and the whites are still as white as can be. The card had a tiny piece of tape applied on the reverse in years past which has been removed leaving just the faintest impression. The card has very slight rounding of the corners. Near Mint-.
The Killers (Universal, 1946). Insert (14" X 36").
The audience is hooked from the very opening scene of this film noir as thugs William Conrad and Charles McGraw intrude on a small town, in search of ex-boxer Burt Lancaster, who seems in no hurry to escape. Lancaster is powerful in his screen debut as the Swede, and Ava Gardner is sultry perfection in her breakout role as Kitty Collins. Gardner would become friends with writer Ernest Hemingway, sharing his love of Spain, and later starred in two more films based on his stories: The Sun also Rises, and The Snows of Kilimanjaro. This insert has color restoration in the lower right corner, green smudges and a bump in the lower left corner, light edge wear at the top, and a smudge in the bottom border. From one of the best crime dramas ever made, this poster is a knockout! Rolled, Very Fine-.
The Street with No Name (20th Century Fox, 1948). One Sheet (27" X 41").
In his second film, Richard Widmark once again plays a violent and uncontrollable gang leader in this gritty crime drama. Widmark had his film debut the previous year with his sensational portrayal of Tommy Udo in Kiss of Death. Here he battles Mark Stevens, an FBI agent, sent to infiltrate the gang and stop a robbery. Co-star Barbara Lawrence graces this lush stone litho poster. There was a missing corner in the lower left and two small holes in the title credits, but professional restoration has rendered these defects unnoticeable. Fine/Very Fine on Linen.
The Hitch-Hiker (RKO, 1953). One Sheet (27" X 41").
Top actress Ida Lupino turned to directing in the late 1940s when good roles were no longer coming her way. Notable for the fact that this is the first film noir directed by a woman, Lupino also co-wrote the script. This tense thriller stars William Talman as a psychopathic escaped prisoner who is picked up by two fishermen (Edmond O'Brien and Frank Lovejoy). They quickly realize he has killed before and they are to be his next victims. The poster has crossfold separations, light edge wear, and a small tear in the right border. There are pinholes in the corners, and one enlarged pinhole in the field. The fantastic, graphic artwork makes this a very popular poster. Very Fine.
The Devil Thumbs a Ride (RKO, 1947). One Sheet (27" X 41").
Jimmy Furguson's (Ted North) life is irrevocably changed when he picks up charming sociopathic killer Steve Morgan (Lawrence Tierney), on the run from the cops. After hooking up with a pair of women (Nan Leslie and Betty Lawford), the quartet hole up in a beach house, leading to a cataclysmic conclusion. This attractive one sheet had fold wear with crossfold separation, but has been returned to a like-new appearance after expert professional restoration. Very Fine+ on Linen.
The Third Man (Selznick, 1949). One Sheet (27" X 41").
Carol Reed's classic Cold War thriller tells the story of Holly Martin (Joseph Cotten), an American novelist, who travels to Vienna to meet a friend, Harry Lime (Orson Welles), who has promised him a job. When Martin arrives, he is shocked to learn that Lime has been killed in a car accident, but is that really his friend in the coffin? One of Welles's most popular roles, the film spawned a radio drama, The Lives of Harry Lime, starring Welles, from 1951 to 1952. This striking one sheet shows fold wear with some paper loss at the fold lines, light wear at the top and bottom corners, minor crossfold separation, and a small tear in the left border, but is otherwise clean and attractive. Fine/Very Fine.
Sorry, Wrong Number (Paramount, 1948). One Sheet (27" X 41").
Barbara Stanwyck often played powerful and independent women in her more than one hundred films, but in this suspense thriller, she is Leona Stevenson, a neurotic invalid who overhears a murder plot via crossed telephone wires. Her fear and paranoia mount as she realizes it is her murder that is being planned, and that her flawed and resentful husband, Henry (Burt Lancaster) is involved. This poster had a few stains in the yellow field, missing paper in the top right corner, and a tear in the top left corner. One of the most dramatic images of these top performers, this great poster is always a fan favorite. Fine on Linen.
Blonde Ice (Film Classics, Inc., 1948). Three Sheet (41" X 81").
Though a little-known film in the catalog of great film noir classics, the posters for this B noir are collected for their great graphics. This was Leslie Brooks last role before retirement, and in this film, she plays a beautiful society columnist whose desire for money and position turn her into a serial killer -- a story most Hollywood studios of the 1940's wouldn't touch! The poster appears unused, but has the typical crossfold separations, common for the larger format posters of the period. Very Fine+.
Ministry of Fear (Paramount, 1944). One Sheet (27" X 41").
Directed by Fritz Lang, this gripping film tells the story of an innocent man (Ray Milland) who is drawn into a web of danger and intrigue when he becomes the unwitting bearer of some important microfilm. A fine film noir, by a director whose earlier work helped shape the genre, it is represented here by a fabulous one sheet. Prior to expert professional restoration, it had fold wear with crossfold separation, tears in the bottom and right borders, and several tape lifts in the borders and in the image area, but now looks as good as new. Don't miss out on this rare treasure. Fine+ on Linen.
Sunset Boulevard (Paramount, 1950). One Sheet (27" X 41") Style A.
Gloria Swanson enjoys the role of a lifetime as aging silent screen siren Norma Desmond in this gripping film noir thriller about madness, obsession, and murder. William Holden is Joe Gillis, a desperate screenwriter in 1950s Hollywood who first becomes Desmond's employee, then her lover, and finally her victim. Offered here is the extremely attractive and desirable one sheet, with its haunting image of Swanson. It had fold wear, wrinkling, and crossfold separation, all of which have been rendered virtually invisible following expert professional restoration. If you're a fan of classic Hollywood, you can't afford to pass this one up. Fine+ on Linen.
Double Indemnity (Paramount, 1944). Lobby Card (11" X 14").
Based on the novel by James M. Cain, this seminal classic ranks as one of the greatest film noirs of all time. This spectacular portrait card features the three stars, Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson, all with murder on their mind. The card has smudges in the borders, a few light scratches in the image, and light edge wear. Very Fine.
Double Indemnity (Paramount, 1944). Lobby Card (11" X 14").
In one of the best cards of the set, Barbara Stanwyck and Fred MacMurray have lust, money, and murder on their minds. This card has a few small edge tears, edge wear, and light smudges on the left side. Fine/Very Fine.
Double Indemnity (Paramount, 1944). Lobby Card (11" X 14").
Barbara Stanwyck and Fred MacMurray make dangerous chemistry together in this Billy Wilder directed masterpiece. With Raymond Chandler adapting James M. Cain's original story, the film has two of the era's top crime novelists making one sensational screenplay. This fun card has a light scratch in the image, and light edge wear. Very Fine.
Double Indemnity (Paramount, 1944). Lobby Card (11" X 14").
Fred MacMurray and Barbara Stanwyck play two of cinema's most calculating murderers, who plot to off Stanwyck's husband and collect his life insurance in this fantastic scene card. There is a dust shadow in two borders, light smudges in the borders, and a small stain in one corner. Fine/Very Fine.
Double Indemnity (Paramount, 1944). Lobby Cards (2) (11" X 14").
Both of these great key scenes from this top Billy Wilder directed crime drama feature Edward G. Robinson and Fred MacMurray. There is light edge wear on both cards, and light scratches in the image, one card has a small stain in the top border. Fine/Very Fine.
Double Indemnity (Paramount, 1944). Lobby Cards (2) (11" X 14").
Edward G. Robinson plays Barton Keyes, a bulldog of an insurance claims inspector, who never quite trusts widow Phyllis Dietrichson's (Barbara Stanwyck) story about the untimely death of her husband. Narrated in a voice-over by Walter Neff (Fred MacMurray), this taut film noir is one of the best. Both of these scene cards have smudges in the borders and creases, one card has small stains in the right border. Fine/Very Fine.
They Live by Night (RKO, 1948). One Sheet (27" X 41").
The first feature film directed by Nicholas Ray, this is the story of a young fugitive couple (Farley Granger and Cathy O'Donnell) on the run from the law. Many see this highly-regarded film noir as a precursor to Ray's later, better-known teen drama, Rebel without a Cause, starring James Dean. This attractive one sheet shows pinpoint crossfold separation, pinholes in the corners, a small tear in the left border, and a bottom right corner bend, but remains extremely presentable in spite of these minor flaws. A tough one sheet to come by, don't miss out on your chance to add this rare gem to your collection. Very Fine.
The Face Behind the Mask (Columbia, 1941). Lobby Card Set of 8 (11" X 14").
Peter Lorre brings a sense of tormented humanity to his character of Janos Szabo, an ordinary man whose disfigured face turns him into a heartless criminal. Can he be redeemed by the love of a good woman (Evelyn Keyes)? Lorre's excellent portrayal makes this low budget thriller a cult favorite. The title card has two corner chips and a small stain in the left border. Four cards have pinholes, and a dust shadow. All cards have a small corner bend and printing smudges in the image. Fine+.
The Night of the Hunter (United Artists, 1955). Autographed One Sheet (27" X 41").
In his only outing as a director, Charles Laughton created a thrilling masterpiece of suspense, leaving audiences wishing he had helmed many more films. Robert Mitchum dominates this film noir as the psychotic Harry Powell, who goes after widow Willa Harper (Shelley Winters), looking for a stash of stolen money. As a phony preacher, his evil is pitted against the good of Willa's children and a Scripture-quoting Lillian Gish. This great one sheet has crossfold separations, fold wear, and pinholes in the top border. There is writing in grease pencil on the reverse, which does not show through. Robert Mitchum's signature is above the credits, making this a rare item indeed. Very Fine-.
Laura (20th Century Fox, 1944). Lobby Cards (3) (11" X 14").
Otto Preminger directs this superb film noir, a pinnacle of the genre. With its unforgettable theme song written by Johnny Mercer (lyrics) and David Raksin (music) and top cast of Gene Tierney, Dana Andrews, Clifton Webb, and Vincent Price, it became an instant sensation. The surreal mood is kept throughout this dark tale of murder, obsession, and jealousy. All three cards had a center fold, one had a tear at the top border, and one had light edge wear. These issues have been addressed with restoration, and now these desirable cards, from three key scenes, display beautifully. Fine.
The Lady from Shanghai (Columbia, 1947). Lobby Card (11" X 14").
With an image of one of the most famous and masterfully set up scenes in all of film history, this lobby card - known as "the mirror card," is a prize piece. The turmoil of Orson Welles and Rita Hayworth's romance on screen is a reflection of their rocky marriage off screen, and makes for an intense and marvelous film noir. The card has a tear at the bottom, extending slightly into the image area, that is repaired with linen tape on the reverse. There is light edge wear, pinholes in the corners, and a light dust shadow in two borders. The image area is in excellent shape. Fine+.
Touch of Evil (Universal International, 1958). Autographed One Sheet (27" X 41").
This dark and seedy tale of corruption and murder stars, and is written and directed by, legendary performer Orson Welles. Charleton Heston is Miguel "Mike" Vargas, who brings along his new wife Janet Leigh, as he investigates a bombing that involves policemen Welles and Joseph Calleia. A highlight of the film are the cameos by Marlene Dietrich, Joseph Cotten, Keenan Wynn, and Zsa Zsa Gabor. The sheet has crossfold separations with a minor paper loss at the center, smudges in the right border, a corner bend, and two wrinkles in the image. This unique poster features artwork by Bob Tolen, and is signed "To Dennis, Happiness! Janet Leigh." Very Fine-.
Touch of Evil (Universal International, 1958). Poster (40" X 60") Style Z.
Orson Welles, who was a master of film noir, created a powerful and influential tour de force with this film. Although it received numerous cuts and re-edits from Universal, and was released without much publicity as the B-movie in a double feature with The Female Animal, it garnered high praise from critics, especially in Europe. Along with stars Welles, Janet Leigh, and Charleton Heston, the outstanding ensemble cast includes Dennis Weaver, Mercedes McCambridge, Joseph Cotten, Marlene Dietrich, and Zsa Zsa Gabor, to name only a few! This poster has pinholes in the borders, edge wear, a vertical crease in the left border, scuffing in the field, and an edge tear in the top border. This sensational image features ominous artwork of the three stars. Rolled, Fine/Very Fine.
Touch of Evil (Universal International, 1958). French Affiche (22" X 31.5").
From the opening sequence as the audience follows a convertible making its way over the U.S./ Mexican border only to be blown up, to the closing images of Hank Quinlan's watery demise, this dark thriller by Orson Welles evokes more than just a touch of evil. With stellar performances by Charleton Heston, Janet Leigh, Joseph Calleia, and Marlene Dietrich, and a score by Henry Mancini, this is a noir treat. This fantastic French poster had only fold wear which professional linen backing has corrected. The dramatic graphics by Constantin Belinsky perfectly portray the nightmare quality of the film. Very Fine+ on Linen.
The Passing of the Third Floor Back (Gaumont, 1935). One Sheet (27" X 41").
Directed by Berthold Viertel, this interesting drama is based on a stage play written by Jerome K. Jerome. Conrad Veidt is a stranger, perhaps an angel, who touches the lowly lives of residents in a London boarding house. This lovely stone litho poster features Veidt pitted against the decidedly wrong Mr. Wright (Frank Cellier), as Rene Ray looks on. The sheet has a crossfold separation at the top, and a few pinholes in the image. A captivating and rare image from this little known film. Very Fine.
The Passing of the Third Floor Back (Gaumont, 1935). Lobby Card Set of 8 (11" X 14").
Conrad Veidt, usually in a villainous role, takes a saintly turn in this British drama set in a boarding house. We follow the tenant's lives as they fight and bicker amongst themselves, and mistreat the serving girl Stasia (Rene Ray). All their lives change when a stranger, who seems to have mystical powers of persuasion, arrives to take on the despicable landlord Mr. Wright. The great ensemble cast also includes Anna Lee and Frank Cellier. Each card has one or two pinholes, and one card has a minor stain in the border. The original envelope is also included with this beautiful set. Very Fine.
The Big Heat (Columbia, 1953). French Grande (47" X 63").
Based on the gritty crime novel by William P. McGivern, The Big Heat stars Glenn Ford as a cop who takes on the mob after they murder his wife. Gloria Grahame co-stars as gun moll Debby Marsh. This original release French grande features outstanding art by Constantin Belinsky. There is light fold wear, crossfold separation, and a chip on the left border. Very Fine- on Linen.
The Big Heat (Columbia, 1953). Three Sheet (41" X 81").
German director Fritz Lang helms this tough and violent film noir classic about cop Dave Bannion (Glenn Ford), who investigates the death of a police sergeant and uncovers the work of a powerful crime syndicate. When things get too hot, Bannion's boss takes him off the case. When his wife is killed by a mob hit meant for him, he becomes a white hot sword of vengeance in bringing the bad guys to justice. Gloria Grahame is the disfigured ex-moll of a sadistic mobster, played by a young Lee Marvin. This three sheet rarely turns up; this is the first copy we have ever offered. It shows general use with pinholes and small tears at the crossfolds. There is also some wrinkling and light staining in the bottom border. Fine+.
Anatomy of a Murder (Columbia, 1959). One Sheet (27" X 41").
Small town lawyer James Stewart defends unsympathetic murder suspect Ben Gazzara in this Otto Preminger mystery that co-stars Lee Remick, Arthur O'Connell, Eve Arden, and George C. Scott. The poster has light wear on the left edge, pinholes in the border, and light fold wear. It features striking Saul Bass artwork and is one of the most elusive one sheets of the 1960s! Very Fine.
Ocean's 11 (Warner Brothers, 1960). Half Sheet (22" X 28").
Considered by many to be the classic Rat Pack film, this is the story of a group of friends, led by Danny Ocean (Frank Sinatra), who come up with a plan to knock over several of Las Vegas's biggest casinos in a single night. Along with Sinatra, the incredible cast includes Rat Pack regulars Dean Martin, Sammy Davis Jr., Joey Bishop, and Peter Lawford, as well as Cesar Romero, Patrice Wymore, Angie Dickinson, Henry Silva, Red Skelton, George Raft, and Akim Tamiroff. This highly desirable half sheet shows some light edge wear, but is otherwise in superb condition. Folded, Very Fine/Near Mint.
Ocean's 11 (Warner Brothers, 1960). Lobby Card Set of 8 (11" X 14").
The definitive Rat Pack film, this exciting heist picture starred some of the hippest cats of the day, including Frank Sinatra, Sammy Davis Jr., Dean Martin, Peter Lawford, and Angie Dickinson, in a story about a gang of friends intent on knocking over several of the biggest casinos in Las Vegas in one night. Much of the film was shot late at night, as the leads were performing on the Vegas strip during filming. They would wake up in the afternoon, do their shows at night, and then head right on over to the set to begin shooting the movie. Offered here is a wonderful set of lobby cards, with only some light foxing on one card keeping the set from an even higher grade. Very Fine/Near Mint.
Ocean's 11 (Warner Brothers, 1960). French Affiche (23.5" X 31.5").
This ultra-cool crime caper has an all-star cast: Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop, Angie Dickinson, and Peter Lawford. The light fold wear has been addressed by professional restoration. Paper from this title is always in demand, and the unique artwork on this French poster is stunning. Very Fine+ on Linen.
Vendetta (RKO, 1950). One Sheet (27" X 41").
This film, which went through the hands of several different directors, was the pet project of billionaire Howard Hughes, who used it as a vehicle to introduce his latest find, the lovely Faith Domergue. When all was said and done, the movie ended up costing more than $4 million to produce, a significant amount for a non-epic without any major stars. This exceptional one sheet had fold wear with crossfold separation, a small tear and a light stain in the poster's center, and corner bends in the top and bottom left, but expert professional restoration has addressed all these minor issues, making it look as good as new. This great sheet has never been offered by Heritage before! Very Fine- on Linen.
The Brasher Doubloon (20th Century Fox, 1946). Insert (14" X 36").
Raymond Chandler's famed detective Philip Marlowe is back, played by George Montgomery, in this top notch murder mystery. Based on Chandler's novel The High Window, Marlowe is hired by a mysterious widow (Nancy Guild) to recover a stolen coin, which leads him to several shady characters involved with blackmail, kidnapping, and murder. This insert had a small hole in both bottom corners, small tears in the borders, and fold wear. Some of these issues have been addressed with restoration, and the image area has a clean and bright appearance. A striking poster, this will have appeal to coin collectors as well as movie buffs, due to its spectacular graphics. Fine on Linen.
Out of the Past (RKO, 1947). Title Lobby Card (11" X 14").
Though remade in 1984 as Against All Odds, that version couldn't hold a candle to this classic film noir about a small-town gas station owner (Robert Mitchum) whose mysterious past catches up with him. This lovely card shows some slight toning with age. There were pinholes in the four corners and a tiny tear in the lower center border and in the left border, neither of which extend into the image. There was also some bending in the lower right corner. All of these issues have been addressed with professional yet minor restoration. There is some that remains after restoration, but moisture warping in the lower portion of the card, predominately in the credit area, does not distract from the visual appeal; in fact it is visible only upon close inspection. This is a wonderful example of this rare title card. Fine+.
Out of the Past (RKO, R-1953). Insert (14" X 36").
The fabulous cast of Robert Mitchum, Kirk Douglas, Jane Greer, and Rhonda Fleming light up the screen with plenty of smoldering looks and cigarette smoke. Adapted by Daniel Mainwaring, aka Geoffrey Homes, from his novel Build My Gallows High, and directed by Jacques Tourneur, this is one of the best film noirs of them all. The poster is in excellent condition, with only light edge wear and corner bumps. Even more rare than the original release insert, this reissue has terrific artwork far superior to that 1947 insert. Rolled, Very Fine+.
The Postman Always Rings Twice (MGM, 1946). Title Lobby Card and Lobby Card (11" X 14").
There is a thin line between love and hate, and this superb film noir has Lana Turner and John Garfield dancing over that line so many times, audiences are kept guessing about their motives until the very end. The sparks between Garfield and Turner are on full display in both of these gorgeous cards. The title card has two pinholes in the top corners, light smudges in the borders, and a minor surface mark on Turner's forehead. The scene card has a pinhole in the top border; both cards have minor corner bumps. Overall, these cards are in excellent condition and are a rare treat for noir fans. Very Fine.
The Postman Always Rings Twice (MGM, 1946). Lobby Card (11" X 14").
This is the very rare #8 card from this classic film noir. Considered by the studio to be too racy, it was pulled from most sets. The scene portrays Lana Turner and John Garfield on the beach where they go to attempt to forget their troubles after murdering Turner's husband. Prior to some minimal restoration, there was a pinhole in the center of the card, some small tears in the left border, and light edge wear. The restoration has given it a like-new appearance. Very Fine-.
Wages of Fear (DCA, 1955). Half Sheet (22" X 28").
Yves Montand, Charles Vanel, Peter van Eyck, and Antonio Centa star as rival truck drivers who are sent on a dangerous mission through the jungles of South America. Suspense builds throughout this intense thriller as they carry loads of nitroglycerine along primitive roads to a remote oil field. This film launched director and writer Henri-Georges Clouzot's international reputation, and he soon followed up this success with another top suspense classic, Les Diaboliques. This half sheet has a pinhole in the image and a pinpoint crossfold separation. This is perhaps the most attractive format of the U.S. campaign. Folded, Very Fine.
Marcel Pagnol's Fanny Trilogy (Les Films Marcel Pagnol, R-1952). French Grandes (3) (47" X 63"). "Marius," "Fanny," and "César."
Much like the great 1930s and '40s films of John Ford and Frank Capra, Marcel Pagnol's Fanny Trilogy brought to the screen an entire set of previously unrepresented archetypes that astonished worldwide audiences and critics alike. Originally written for the stage, their outstanding reception led to his adapting them to the cinematic screen. Representing the lives of common people living in the south of France in the 1930s, these three films brought a down-to-earth storytelling style to audiences around the world. The three posters offered here are re-releases from the early 1950s, with outstanding art by Albert Dubout. Prior to being placed on linen, Marius had minor fold wear; Fanny had pinholes in the borders, fold wear, light stains in the background, and a tear in the top border; and César had light fold wear with a scuff in the top right. Overall, Very Fine on Linen.
Heartbeat Lot (Les Films Marcel Pagnol, R-1950s). French Grandes (2) (47" X 63").
Fernandel, whose real name was Fernand Joseph Desire Contandin, was a leading French comic actor from the 1930s through the 1960s, whose horse-like teeth were his trademark. He appeared in numerous French films, as well as several Hollywood productions, including Around the World in Eighty Days (1956) and Paris Holiday (1958). Offered here are two exquisite posters from the career of this great comedian, including Heartbeat (1938) and Topaze (1951), both featuring the delightful artwork of Albert Dubout. Both posters show some fold wear, and on both the linen has been trimmed to the borders, but in every other regard, these posters are as crisp and clean as when they were newly printed. The 1951 poster is an original release whereas the 1938 film poster is a reissue from the early 1950s. Very Fine+ on Linen.
Mon Oncle (Gaumont, 1958). French Affiche (23.5" X 31.5").
Jacques Tati's Monsieur Hulot returns in this classic French farce. Like Mister Hulot's Holiday (1953), this film - about the unemployed Hulot, who spends his days waiting to escort his nephew from school to his parent's home and, at the same time, trying to find his place in a world that increasingly confounds him - is largely dialogue free, relying on Tati's masterful performance to carry the, at times, very subtle comedy. This lovely country-of-origin French affiche shows edgewear in the bottom border, and some crossfold separation at the center point, but is otherwise clean and unmarked. Original material from Tati's films is hard to come by, so don't let this rare gem slip by you. Very Fine-.
Los Olvidados (Heraut Films, 1950). French Grande (47" X 63").
This highly-acclaimed film, about a gang of juvenile delinquents living a violent life in the slums of Mexico City, was the first big success for director Luis Buñuel. Controversial at the time of its release, this film marks the beginning of an extremely rich period of creativity for the legendary director. Offered here is a beautiful French poster for this film, featuring art by Boris Grinsson. It had a tear in the left border, a slight flaw rendered almost totally invisible after expert professional restoration. A rare and highly desirable poster, this is one you'll display with pride. Very Fine+ on Linen.
The Passion of Joan of Arc (Gaumont, 1928). One Sheet (27" X 41").
This is the compelling story of Joan of Arc, the Christian martyr who led the French army to victory in several decisive battles during the Hundred Years War. Claiming Divine guidance, she was also indirectly responsible for the coronation of Charles VII. Later, she was tried and convicted of heresy, and burned at the stake. In this landmark film, director Carl Theodor Dreyer focuses on Joan's trial, recreating the event with near-documentary accuracy. Maria Falconetti, in one of her only film roles, gives a stunning performance as the Maid of Orleans. This striking stone litho poster had some chipping in the right and left borders, and an extra fold in the top border with some paper loss, but, after expert professional restoration, looks as good as new. This rare poster presents beautifully, and deserves your highest consideration. Fine+ on Linen.
Beauty and the Beast (DisCina, R-1951). French Grande (47" X 63").
One of the most beautiful and poetic fantasy films ever made, this is undoubtedly director Jean Cocteau's masterpiece. The story is a simple one: Belle, a beautiful young girl (Josette Day), sacrifices herself to a hideous beast (Jean Marais) to save her father's life. The beast, however, turns out to have an all-too human soul. Due to post-war shortages, Cocteau was forced to use several different types of film stock during the making of this picture. Later, he commented that the differing visual textures added to the atmospheric effect. Offered here is an extremely rare country-of-origin grande from an early re-release of this classic film. It shows some water staining (that occurred after linen backing) and edge wear, and an area of paper separating from the linen, all on the right side. These flaws are barely noticeable, however, and do absolutely nothing to detract from this amazing piece. A stunning find, you'll certainly want to add this rare gem to your permanent collection. Fine/Very Fine on Linen.
The Bicycle Thief (ENIC, 1948). Italian 2 - Folio (39" X 55").
Based on the novel by Luigi Bartolini, this touching and heartbreaking classic film is a poignant look at the hardships endured by Italians during the post-war years. Acclaimed director Vittorio DeSica created several neo-realist films (Shoeshine, Two Women, Miracle in Milan) that attempted to show ordinary people dealing with suffering in a manner that was true to life. Considered his masterpiece, this beloved film deserves an equally brilliant poster, and this country-of-origin two folio is it, with artwork by Ercole Brini. The poster had fold wear, crossfold separations with minor chips, edge wear at the bottom, an extra horizontal crease, and corner pinholes. Restoration has addressed these issues, and the poster now displays very well. Very Fine on Linen.
The Bicycle Thief (ENIC, 1948). Italian Locandina (13" X 27").
Antonio Ricci (Lamberto Maggiorani), after two years of unemployment in post-war Italy, finds a job putting up Rita Hayworth posters around town. When his bicycle, vital for his work, is stolen, however, Ricci and his son Bruno (Enzo Staiola) set off after the thief. This important film from director Vittorio DeSica, winner of a special Academy Award for "Best Foreign Film," explores the relationship between father and son, and also examines the plight of the unemployed following the upheavals of World War II through the eyes of ordinary people thrust into desperate circumstances. This rare country-of-origin locandina, with art by Ercole Brini, is in superb condition; only a dust shadow in the right border keeps it from an even higher grade. Folded, Very Fine+.
The Bicycle Thief (ENIC, 1948). Italian Photobusta Set of 12 (13.5" X 19").
Vittorio DeSica's neo-realist, heartbreaking film is one of the most beloved pictures of all time. It tells the story of Antonio Ricci (Lamberto Maggiorani), a poor Italian worker who has to recover his stolen bicycle in order to keep his job hanging posters. With his son Bruno (Enzo Staiola) at his side, Antonio searches all of Rome and comes to the point of stealing another bicycle out of desperation. Winner of an Honorary Academy Award for Best Foreign Film, this classic is still influential today. A few of these photobustas have one corner bend. Original country-of-origin paper from this title is always immensely popular, and in such wonderful condition, this photobusta set will be snapped up quickly. Very Fine/Near Mint.
Silver Age (1956-1969)
Miracle in Milan (ENIC, 1951). Italian 2 - Folio (39" X 55").
Director Vittorio De Sica crafts a modern fairy tale in this film, which spotlights the lives of poverty-stricken people in post-war Italy. Toto (Francesco Golisano), discovered as a baby in a cabbage patch, helps a group of beggars to improve their lot in life, later aided by a magic dove, one that will grant any wish. The country-of-origin poster offered here, bearing art by Maiorana, has slight fold wear that has been touched-up with professional restoration. This is a very rare Italian poster for this classic De Sica! Fine/Very Fine on Linen.
Movie Posters
Variety Lights (Fincine, 1951). Italian 2 - Folio (39" X 55").
This bittersweet film, Federico Fellini's directorial debut, stars his wife Giulietta Masina. Their successful marriage lasted fifty years, and Masina, sometimes referred to as the female Chaplin, stars in seven of her husband's films. The tale follows a traveling troupe of actors lead by Checco (Peppino De Filippo) and his loyal mistress Melina (Masina) as they struggle to survive from town to town. Melina stands by her man as he falls in love with a younger, more ambitious girl, Liliana (Carla Del Poggio). This two-folio has been professionally mounted on linen and has tanning at the edges and folds. Artist Carlantonio Longi has created a bright and sumptuous image of the stars. Do not miss out on this rarely seen beauty. Very Fine- on Linen.
La Dolce Vita (Cineriz, 1959). Italian 4 - Folio (55" X 78").
Few directors are as revered and imitated as Federico Fellini, a true artist whose style of film-making mixed dreams and gritty reality with a touching sense of humanity. After struggling financially with his early films, La Dolce Vita broke all box office records and garnered world-wide acclaim, marking this as one of many Fellini masterpieces. Filmed mainly at the Cinecitta studios, we follow star Anita Ekberg and Marcello Mastroianni as they escape the paparazzi through the streets of Rome. This professionally linen-backed poster shows only fold wear and pinpoint crossfold separations. It is an original release Italian 4-folio with a fantastic image of a dancing Ekberg and a world-weary Mastroianni by artist G. Olivetti. The last time we offered a copy of this poster two years ago, we sold a it for $20,315. Very Fine+ on Linen.
La Dolce Vita (Consortium Pathe, 1960). French Grande (47" X 63").
Federico Fellini's seminal cinematic gem features a series of dream-like sequences that take the viewer through the streets of his beloved Rome. Marcello Mastroianni has several relationships running at the same time, with Yvonne Furneaux, Anouk Aimée, and the beautiful bombshell, Anita Ekberg. As the film star Sylvia, Ekberg has one of cinema's most memorable scenes as she frolics in the famed Trevi Fountain. The iconic and beautiful artwork is by Yves Thos. Very Fine/Near Mint.
Olympia (Tobis, 1938). German Lobby Card (9.5" X 11.75").
Following her controversial propaganda effort, Triumph of the Will (1934), Leni Riefenstahl turned her considerable talents to documenting the 1936 Olympics, held in Berlin. This was the year that Jesse Owens astounded the world with his record-setting performance on the track, considered by many to be a serious blow to the Nazi concept of Aryan superiority. Despite its political overtones, this is an important film and a landmark in the history of documentary filmmaking. The scarce German lobby card offered here shows some light handling wear and three scratches in the image area, but is otherwise clean and attractive, a rare find indeed from this groundbreaking film. Very Fine+.
Olympia (Tobis, 1938). German Lobby Card (9.5" X 11.75").
The controversial German director and producer Leni Riefenstahl became internationally known for her work on Hitler's propaganda films including the infamous Triumph of the Will. In 1936, she was asked by Hitler to document the Summer Olympics, resulting in this landmark film. It took her nearly two years to edit, and it is notable for several technical innovations, including the use of tracking shots. However, after the fall of the Nazis, her associations with, and tacit approval of Hitler and Goebbels led to her being banned from filming for many years. This iconic image is from Part 1 of her documentary. There are pinholes in the borders, and the bottom edge has been minimally trimmed. A unique and historically important image, do not miss out on this rare item. Very Fine+.
The Seven Samurai (Toho, 1954). Japanese B2 (20" X 29").
On any list of the most important Japanese films of the twentieth century, this magnificent epic - in which a poor village, ravaged by bandits, hires seven unemployed samurai to protect them from further attacks - is sure to be high on the list. Based on an actual historical event unearthed by Kurosawa during research for this picture, the film features outstanding performances by Japanese cinema giants Toshiro Mifune and Takashi Shimura. Interestingly, the film was an enormous gamble for Toho Studios. Made simultaneously with Gojira (1954) - better known as Godzilla to Western audiences - both films carried enormous budgets. If either one had been a failure, it could have spelled the end of the studio. Fortunately, both were hugely successful. In 1960, director John Sturges remade Kurosawa's classic as The Magnificent Seven, telling the story to an entirely new audience. Offered here is an extremely rare original release Japanese B2 for this critically and commercially acclaimed film. Original release posters from Kurosawa's films are extremely rare, none more so than material from this, his most beloved and highly regarded picture. This stunning example shows some edge wear with a few small tears in the top border, and pinholes in the bottom corners, but overall, this exquisite and highly desirable poster is as clean and fresh as the day it was printed. Take advantage of the opportunity to add this gem to your collection, as you never know when, or if, you might have another chance. Rolled, Very Fine.
The Hidden Fortress (Toho, 1958). Japanese B2 (20" X 29").
In this classic film, directed by Akira Kurosawa, two bumbling soldiers (Minoru Chiaki and Kamatari Fujiwara) fall in with rogue general Rokurota Makabe (Toshiro Mifune), who seeks not only a fortune in gold, but to free Princess Yuki (Misa Uehara) from the enemy forces. Taking a cue from John Ford's The Searchers (1956), this picture also provided inspiration to a young George Lucas, who incorporated various elements of plot and character into Star Wars (1977). Kurosawa regular Takashi Shimura, one of Japan's finest actors, also appears in this classic film. This magnificent original release poster is exceedingly rare, as original posters from Kurosawa's best films tend to be. It has some edge wear, a bit of fold wear, and a tear at the top, but these are small flaws, none of which detract overmuch from the overwhelming eye-appeal of this scarce gem. Get your bid in now! Very Fine.
The Seven Samurai (Toho, 1954). Japanese Roadshow B3 (17.5" X 25") Regional Style.
Possibly the greatest movie by Japan's greatest director, this is Akira Kurosawa's masterpiece. The story of a group of samurai hired to protect a poor village from the depredations of a group of marauding bandits, this movie stars Takashi Shimura and Toshiro Mifune as two of the heroic swordfighters. Filmed at the same time as Gojira (1954) (Godzilla in America), these two big budget films almost forced Toho into bankruptcy. Fortunately, they were both massive hits, and put the studio on the map internationally. Offered here is a country of origin B3 poster from the film's original Roadshow release. This poster was issued for the Kansai area, which is Osaka, as often separate posters were issued for different regions. Original paper from Kurosawa's movies is extremely scarce, perhaps none more so than this exceedingly rare style. This particular example shows some edge wear in the upper left and in the right border, and a small vertical tear at the top, but is in superb condition overall, without any writing in the white area, which would typically display the theater name. A real treasure, this one deserves your highest consideration. Rolled, Very Fine-.
Japanese Exhibitor Book (Circa 1931). Hard-Bound Volume (7.75" X 10.75").
This is an intriguing piece of Japanese cinema history. Bound together in this unique volume is a collection of promotional material touting American films released in Japan in the early 1930s. Included in this book are promo sheets for such landmark films as Vampyr, M, Blonde Venus, Dr. Jekyll and Mr. Hyde, Whoopee,Charlie Chan Carries On, Horse Feathers, Mata Hari,Taxi,The Criminal Code,One Hour with You,The Champ,The Blue Light,Tarzan the Ape Man, and much, much more, featuring such stars as Greta Garbo, James Cagney, The Marx Brothers, Maurice Chevalier, Leni Riefenstahl, Joan Crawford, John Barrymore, Marlene Dietrich, Babe Ruth, Mickey Mouse and Betty Boop. Many of the pages are inset four-page heralds printed in either black and white or duotone; almost all include vintage publicity photos and titles printed in English. Virtually all of the pieces bound within are in excellent condition; the book itself shows some wear and light staining on the cover, but is otherwise in excellent condition. This is a truly unique piece of classic film memorabilia that clearly demonstrates the preponderance of American movies in Japan in the pre-World War II era. For anyone interested in the history of film, this book is a rare treasure indeed. Fine/Very Fine.
M (Unidis, R-1960). Italian 2 - Folio (39" X 55").
Peter Lorre reached international fame in only his second credited role, as the child killer Hans Beckert, who eerily whistles a tune from Edvard Grieg's "Peer Gynt," each time he buys a balloon for his next victim. The film is notable as well for being director Fritz Lang's first talking picture, which he co-wrote with his wife Thea von Harbou. The poster had edge wear, fold wear, pinholes in the borders, and a few small chips and tears in the image. Paper from this very important German film is always prized, and this beautiful poster is a unique item. The highly dramatic and chilling artwork is by the artist Manno. Fine on Linen.
M (Nero-Film AG, 1931). German Three Sheet (37" X 83").
One of the finest, and most important, films to come out of Germany, this is the story of a deranged child murderer (Peter Lorre) whose crimes are so heinous that he is hunted both by the police and the criminal underground. Directed by Fritz Lang, this film reflects the real-life crimes of Peter Kuerten, a child killer who was on the loose in Dusseldorf at the time this picture was made. A truly chilling film, it made an instant star out of Lorre, who previously had specialized in comic roles. Many consider this to be the high point of Lorre's career, and see this as an important precursor to the film noir genre that Lang would help to inaugurate once he emigrated to America in 1934. This striking country-of-origin poster had some chipping in the top border, crossfold separation with some paper loss, and a small hole in the field, but expert professional restoration, including some airbrushing in the background area, has made this rare treasure look as good as new. A rare and important piece, this poster will certainly be the centerpiece of even the most advanced collection. This poster has had the bottom panel recreated from the area of the hand's shirt cuff to the bottom of the poster. This was overlooked in our initial description. The grade has been changed. Very Good- on Linen.
The Crimson Stain Mystery (Metro, 1916). One Sheet (27" X 41") Chapter 6 -- The Phantom Image."
In this exciting early serial, Dr. Burton Montrose (Thomas J. McGrane) seeks to develop a serum to create super-intelligent beings. Unfortunately, his experiments go awry, creating hideous monsters instead. It's up to cub reporter Harold Stanley (Maurice Costello, one of the day's leading cinema stars) to save the day in sixteen action-packed chapters! This exceptional one sheet had a tear in the right border, a tear that extends from the top border to the center of the poster, and a piece missing from the center, but expert professional restoration has thoroughly addressed all of these issues, resulting in a poster that looks as good as new. This is a very rare poster from an early science fiction thriller. Very Good+ on Linen.
The Cat and the Canary (Universal, 1927). Lobby Card (11" X 14").
Today, The Cat and the Canary is considered one of the true classics of the silent screen; German director Paul Leni's film adaptation of John Willard's black comedy stage success paved the way for the next twenty years of suspense/horror cinema. It stars one of Universal's leading female stars of the time, Laura La Plante, who is featured in this great scene card with character actress Martha Mattox, who plays the keeper of the old, dark house. This moody card displays all of the spooky atmosphere that made the film so great. The card has a clean tear in the upper border that extends into the border art, as well as a moisture stain in the upper right corner. There is a bend in the right border and slightly rounded corners. This is only the third card we have ever offered from this very famous film. Fine.
The Mystery of the Wax Museum (Warner Brothers, 1933). Lobby Cards (2) (11" X 14").
Fay Wray became legendary in her "year of horror classics" in 1933 with the release of King Kong, The Vampire Bat, and this film. Here she is the object of obsession for wax museum owner and murderer Ivan Igor, played wonderfully by the devilish Lionel Atwill. Wray's roommate is reporter Glenda Farrell, who is investigating the disappearance of a young model. The double image card of Monica Bannister with her Joan of Arc likeness, one of the best cards in the set, has slight corner bumps and a small crease with two small dents in the right border. The Fay Wray/Glenda Farrell card has a very minor amount of edge damage on the bottom border, light foxing, and a faint corner bend on the top left. One of the great early horror classics, this lot is a must have for all fans. Very Fine.
The Man Who Laughs (Universal, 1928). Pre-War Belgian (24.5" X 33").
Based on the novel by Victor Hugo, this is the story of Gwynplaine (Conrad Veidt) who, as a boy, has a hideous smile carved on his face by King James II as payback for his father's treachery. In Gwynplaine, Veidt created one of his most disturbing and enduring characters, one whose appearance would provide inspiration for the creation of Batman's arch-nemesis, the Joker. This beautiful pre-war Belgian poster pictures Veidt and Mary Philbin, who plays the blind Dea, the woman Gwynplaine loves in this, the silent era's last great romantic melodrama. The poster had pinholes in the borders, small tears at the borders, a small chip in the left border, and a tear in the right border, but these flaws have been rendered virtually invisible by expert professional restoration. Paper from this movie is quite scarce! Fine+ on Linen.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14").
Henry Hull and Warner Oland fight to the death over the temporary cure for lycanthropy (becoming a werewolf) in this climactic moment from one of Universal's classic horror films. The card shows Hull in partial make-up and these are the cards most in demand. This vibrant and unrestored card has several pinholes in the border and is otherwise in exceptional condition. These rare cards hardly ever come onto the market, and rarely do they show up in this sharp condition. Very Fine.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14").
Henry Hull was cast as the screen's first werewolf and appears, dead at the bottom of the stairs in full make-up, on this classic montage lobby card, along with Warner Oland as the werewolf's antagonist, Dr.Yogami. Jack Pierce's original make-up for Hull was considered too horrific for the screen and wasn't used until Lon Chaney turned into the Wolfman in 1941. Lobbies for this classic Universal horror film are extremely rare, this partial set has never been on the market until now! The card has only two pinholes per corner and is otherwise as clean as the day it was printed. Very Fine.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14").
Typical of Universal during the mid-1930s, the studio would usually issue at least one lobby card in the set as a "montage" card, meaning that the inset was usually comprised of two or more different scenes from the film. The set from this film features two "montage" cards. This amazing scene features Henry Hull as the werewolf desperately seeking a cure for his condition in his lab, along with Valerie Hobson as the scientist's distraught wife and Spring Byington looking on in fear. This wonderful card, extremely rare as it pictures Hull in full make-up, has only a few pinholes around the border and is otherwise in amazing condition. This card is totally unrestored and has never been made available before now. Very Fine.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14").
While Universal Studio's later lycanthropic effort, The Wolf Man (1940), would prove somewhat more successful - and would use the werewolf make-up created by Jack Pierce and initially rejected for this picture - this is, without a doubt, an exceptionally well-made film, one that occupies a well-deserved place of honor in the pantheon of Universal Horror films. This lovely card features Henry Hull as the scientist looking for the cure for his nightly prowls as a werewolf. Also pictured is the beautiful Valerie Hobson of The Bride of Frankenstein fame as Hull's wife and Lester Matthews as Hobson's old flame. This gorgeous card has only two pinholes per corner and is otherwise in immaculate condition. The partial set of cards in this auction have had no restoration and are as fresh and bright as they come! Very Fine.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14").
Henry Hull is cast as the accursed scientist who is bitten by a wolf while on a botanical expedition in Tibet, and upon returning to London, finds himself turning nightly into a werewolf. Warner Oland (taking a break from his roles as Charlie Chan) is his nemesis, another werewolf on the search for a cure to their mutual fate. This great card shows Henry Hull cultivating the rare Asian flower which he hopes holds a cure for his affliction. This gorgeous and bright card has several pinholes in each corner, but this is the only defect keeping this rare card from grading much higher. These cards rarely turn up at all, not to mention in this high grade and with such vibrant colors. This partial set of cards for this title have never before been offered for sale. Very Fine.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14").
Universal Studios produced some of the most outstanding lobby card sets for their early 1930s features. The border art is magnificent and the lush colors of the cards are vibrant. This lovely card from their first "werewolf" feature pictures Henry Hull as a scientist who is bitten by a werewolf, and Warner Oland as his nemesis. Also featured is the lovely Valerie Hobson as Hull's wife. This card is unrestored and, other than a few pinholes in the borders, is in amazing condition with the most vibrant colors we have ever seen on a card from this film. The partial set of cards offered in this sale has never been on the market before. Very Fine.
Werewolf of London (Universal, 1935). Stills (2) (11" X 14").
Vintage black and white, single weight glossy stills. Henry Hull's transformation, thanks to Jack Pierce's expert makeup, from amorous Dr. Glendon to the hideous beast Werewolf can be seen in these fantastic stills. Both photos have enlarged pinholes in the corners and handling wear. The werewolf still has two missing corners, and the portrait still has creases and nicks in two corners. Fine+.
Werewolf of London (Universal, 1935). Stills (2) (11" X 14").
Vintage black and white, single weight, glossy stills. In this, the very first werewolf movie, Henry Hull plays Dr. Glendon, a botanist who is attacked by a strange animal while on an expedition to Tibet. Upon returning home to London, he finds himself turning into a werewolf by night, and terrorizing the population. Jack Pierce's original make-up proved to be too burdensome for Hull, so Pierce scaled back his lycanthropic transformation. Five years later, Pierce was able to take his unused designs out of mothballs, recycling them for The Wolf Man (1940) with Lon Chaney Jr. Offered here are two magnificent publicity stills from this great movie, one showing Hull in full werewolf make-up. Both have large pinholes in the corners as well as some handling wear. In addition, one card has a tear in the left side. Nevertheless, these are extremely attractive pieces from a classic film. Fine+.
Werewolf of London (Universal, 1935). Stills (2) (11" X 14").
Vintage black and white, single weight, glossy stills. Henry Hull made his mark in monster movie history as the first screen lycanthrope in this classic werewolf picture. Offered here are two exceptional stills, both featuring Hull, and one picturing co-star Warner Oland. Both stills show pinholes in the corners and borders, edge wear, light corner creasing, and handling wear, while one card has a chip in the top right corner. Both are fabulous artifacts from this fan favorite film, and they deserve an honored place in your collection. Fine.
I was a Teenage Werewolf (American International, 1957). One Sheet (27" X 41").
American International combined the horror and juvenile delinquent genres in this classic picture, in which Michael Landon undergoes hypnotic regression therapy with horrifying results. It's Rebel without a Cause meets The Wolf Man in this drive-in classic, one of the studio's all-time most successful pictures. This dramatic poster had crossfold separation, small tears in the left border, and a small piece missing in the lower right, but all of these slight flaws have been expertly addressed by professional restoration, giving this poster a like-new appearance. Add this one to your collection today! Fine+ on Linen.
Cat People (RKO, 1942). Title Lobby Card (11" X 14").
The first collaboration between producer Val Lewton and director Jacques Tourneur was this psychological thriller that, believe it or not, probably benefited from having a low budget! Unable to afford expensive special effects, the filmmakers opted for suggestion and suspense in a film that has become a classic in the horror genre. This title card has pinholes, light edge wear with a repaired edge tear, and a few smudges. There is rounding of the corners, a corner crease in the lower right, and a small corner chip in the upper right. Wonderfully eerie imagery. Fine/Very Fine.
The Curse of the Cat People (RKO, 1944). One Sheet (27" X 41").
The follow-up to producer Val Lewton's superb psychological thriller, The Cat People (1942), this gripping film tells the story of six-year-old Amy Reed (Ann Carter), daughter of Irena - the cat-woman of the first film - who seems destined to follow in her mother's paw prints. The glorious one sheet offered here had pinholes in the borders and in the image area, and some crossfold separation, but expert professional restoration has rendered these slight flaws virtually invisible, making this a poster you will be proud to own. Very Fine on Linen.
I Walked with a Zombie (RKO, 1943). One Sheet (27" X 41").
Val Lewton produced this atmospheric tale, set in the West Indies, about a nurse (Frances Dee) who attempts to revive her dead patient (Christine Gordon) with the use of voodoo magic, with predictable results. Jacques Tourneur directed this horror film, as he did several other of Lewton's imaginative features for RKO Studios. This chilling one sheet had fold wear with crossfold separation, small holes in the center of the image, and chipping in the borders, but these slight flaws have been rendered virtually invisible with the application of professional restoration, making this poster look as good as new. These Val Lewton posters have become exceedingly scarce in this day and rarely turn up on the market. We have only offered one other copy of this scarce and desirable sheet in our poster auctioning history! Fine on Linen.
The Ghost Ship (RKO, 1943). One Sheet (27" X 41").
RKO's Val Lewton produced some of the eeriest films of the World War II era. This small film stars Richard Dix as a psychopathic ship's captain who rules his vessel with an iron hand, to the point of killing some of the crew. This copy of the famous poster had small tape lifts at several points on the back of the poster. There was some fold wear and some minor points of paper loss at the crossfolds within the image, but these issues have been addressed with professional restoration and the poster now displays very well. Very Fine on Linen.
The Leopard Man (RKO, 1943). Title Lobby Card (11" X 14").
Directed by Jacques Tourneur and produced by Val Lewton, this stylish and compelling film tells the story of a huge leopard that stalks a small town in New Mexico. The big cat that appears in this film, named Dynamite, also appeared in the Lewton classic, The Cat People (1942). This striking title card shows pinholes in the corners, as well as in the top and bottom borders, light edge wear, light writing in the left border, minor bends in the top corners, and a light smudge in the title, but these slight flaws are only apparent under close examination. This is a great card that you will be proud to own and display. Very Fine-.
Mighty Joe Young (RKO, 1949). Half Sheet (22" X 28") Style B.
After the enormous success of King Kong (1933) and Son of Kong (1933), producers Merian C. Cooper and Ernest B. Schoedsack hoped to hit simian gold one more time with this giant ape picture. Robert Armstrong plays Max O'Hara, a role very similar to his Kong role as promoter Carl Denham, and Willis O'Brien once again heads the remarkable special effects team (working with a young Ray Harryhausen, the man who would soon assume the mantle of stop-motion wizard from O'Brien), creating a charming tale of a good-natured giant gorilla who goes on a rampage after being cruelly treated by a crowd of drunks. As with its predecessors, paper from this film is highly desirable, and we are pleased to present this gorgeous half sheet. It shows some light edge wear, a tear in the left border, and some soiling at the edges, but is still a very attractive, extremely desirable piece that you're sure to go ape over. Folded, Fine+.
Mighty Joe Young (RKO, 1949). One Sheet (27" X 41") Style C.
When Jill (Terry Moore) brings her 15-foot pet gorilla back with her to California from Africa, all is well until he is provoked by unfriendly crowds and a ruthless hunter. In this sensational poster, Joe is protecting Jill while fighting off a pack of lions. Ben Johnson, in his first credited role, plays a zoologist who helps find a safe home for Joe. This sheet had an area of missing paper in the top and bottom borders, pinholes in the corners, two corner chips, a hole in the right side of the image, and one in the left border. There are a couple of tears in the borders, and crossfold separations with minor paper loss. Expert restoration has addressed all of these issues, leaving this amazing poster with a bright and clean appearance. Fine on Linen.
Doctor Cyclops (Paramount, 1940). Insert (14" X 36").
One of the most interesting horror films of the era, this great classic stars Albert Dekker, who is always brilliant in a villainous role. Offered here for the first time is the spectacular insert that features two scenes from the film, including one of the cast after being shrunken down by Dr. Thorkel. Prior to professional restoration this insert had fold wear, and a minor tear in the left border. A rare treat for horror fans. Very Fine on Paper.
Doctor Cyclops (Paramount, 1940). One Sheet (27" X 41").
An early Technicolor horror film, boasting excellent special effects, this thriller is directed by Ernest Schoedsack, who is best remembered for King Kong. Albert Dekker is the diabolical Dr. Thorkel, who experiments on unwitting victims Thomas Coley, Victor Kilian, Janice Logan, and Charles Halton, shrinking them to doll size. The only issue on this spectacular poster was fold wear, which is unnoticeable after professional linen backing. Very Fine+ on Linen.
The Invisible Man Returns (Universal, 1940). One Sheet (27" X 41").
When Geoffrey Radcliffe (Vincent Price, in his first horror role) is jailed for a murder he did not commit, he convinces Dr. Frank Griffin (John Sutton), son of the original Invisible Man, to inject him with his father's serum, even though Radcliffe is warned that the concoction will likely drive him insane. Escaping from prison, Radcliffe tracks down the real murderer (Sir Cedric Hardwicke), hoping to bring the fiend to justice before he entirely loses control. This extremely dramatic poster, which is mounted on linen that has been trimmed to the borders, shows pinpoint crossfold separation and several small tears in the right border, but, following expert professional restoration, these slight flaws have been rendered virtually...well, invisible. This is one you'll display proudly. Very Fine+ on Linen.
House of Horrors (Universal, 1946). Half Sheet (22" X 28").
Rondo Hatton, who was afflicted with acromegaly, a disfiguring disease, used his unusual visage to great affect in many Universal features. Typically cast as the murderer, Hatton received his first starring role as the Creeper, in this low-budget horror flick. The Creeper is used by a murderous sculptor (Martin Kosleck) to take care of his critics. Virginia Grey also stars as a potential victim. This delightfully haunting poster had fold wear, pinholes in the corners, a chip in two borders, and a tape lift in the bottom border. It has been restored, and displays marvelously, with a creepy Hatton looming. Fine on Linen.
Dead of Night (Universal, 1946). One Sheet (27" X 41").
This acclaimed British horror film features five separate tales of terror, each told by a guest staying at a lonely country estate. From a ghostly driver with "room for one more," to a ghost story revolving around a young girl at a Christmas party, to a story about a ventriloquist driven mad when his dummy seemingly comes to life, this great film led to a slew of imitators in coming years. This chilling poster, a genre classic, had fold wear, crossfold separation, and tearing at the top crossfold, but professional restoration has returned this beauty to a like-new condition. Fine/Very Fine on Linen.
Dead of Night (Universal, 1946). Insert (14" X 36").
Walter Craig (Mervyn Johns) is living his recurring nightmare as a guest in an old farmhouse, where he meets several other guests who have their own supernatural tales. As they tell their stories one by one, Craig begins to dread the deadly outcome he has foreseen. This well-written British suspense thriller started the genre of horror anthology films, and is notable for the sequence involving a mad ventriloquist and his dummy. The insert has three tears that extend into the field, pinholes in the corners, a small corner bend in the lower right, fold wear, light edge wear, and scratches in the lower portion. Overall it displays clean and bright, making it a must-have horror classic. Folded, Fine+.
Curse of the Demon (Columbia, 1957). Half Sheet (22" X 28") Style A.
Dr. John Holden (Dana Andrews), is an American psychologist intent on exposing demonic cult leader Dr. Julian Karswell (Niall McGinnis), whom Holden believes to be a fraud. Holden's investigation, however, forces him to rethink his long-held beliefs about the supernatural. Director Jacques Tourneur originally intended that the demon never be seen, but studio heads convinced him otherwise. This wonderful and dramatic half sheet shows some light wear in the horizontal fold, and slight ghosting, but is otherwise clean and unmarked, a perfect addition to any horror collection. This is the first time that we have offered this rare style half sheet and is by far the better of the two. Folded, Very Fine+.
Curse of the Demon (Columbia, 1957). One Sheet (27" X 41").
Originally titled Night of the Demon, this gripping and atmospheric British film is about American psychologist John Holden (Dana Andrews) who gets in deeper than expected when he investigates a devil worshipping cult run by the infamous Julian Karswell (Niall McGinnis). The monster, as pictured on this striking one sheet, is one of the most memorable of 1950s horror. This highly desirable one sheet is in superb condition, with only a small separation in the bottom of the vertical fold line keeping it from an even higher grade. A true treasure for any monster movie fan! Very Fine.
Curse of the Demon (Columbia, 1957). Lobby Card (11" X 14").
In this chilling horror film, American professor Dr. John Holden (Dana Andrews) travels to London to investigate and expose psychic researcher Julian Karswell (Niall MacGinnis). He gets more than he bargains for, however, when Karswell turns out to be the leader of a devil-worshipping cult that targets Holden as their next victim. Without a doubt, this is the best card in the set. It has some smudging in the bottom border, and pinholes in the top center, but these slight flaws are easily overlooked. This is a great card, that deserves a place in your collection. Very Fine+.
The Mummy (Realart, R-1951). One Sheet (27" X 41").
Originally conceived as a story about the famous French magician Cagliostro, who claimed to have lived for centuries, this film was later rewritten to take advantage of the current craze for all things Egyptian. Cast as the titular monster was rising horror star Boris Karloff, who had gained international renown the year before in Frankenstein (1931); this film solidified the actor's place as the reigning King of Horror. Offered here is an extremely attractive re-issue one sheet from this classic film. It had fold wear, pinholes in the corners, a chip in the top right corner, and a small hole in the bottom right corner, but expert professional restoration has rendered these slight flaws virtually invisible. Paper from this picture is extremely scarce and highly desirable. Don't miss this opportunity to add this great piece to your collection. Very Fine on Linen.
The Mummy's Curse (Realart, R-1951). Insert (14" X 36").
Kharis rises from the dead one more time in this Realart re-release of the classic Universal Horror film. Lon Chaney Jr. reprises his role as the undead Egyptian mummy, and the poster for this reissue is as popular as the original from 1944. This very clean example was folded prior to being backed, but is otherwise immaculate. Very Fine+ on Paper.
The Mummy's Ghost (Realart, R-1951). Lobby Card (11" X 14").
Proving that you just can't keep a good mummy down, Egyptian high priest Yousef Bay (John Carradine) sends the living mummy Kharis (Lon Chaney Jr.) to find the current incarnation of Princess Ananka (Ramsay Ames), spreading terror throughout the town of Mapleton in the process. This was the third in Universal's Mummy series, represented here by an exquisite portrait card. This stunning piece has staple holes in the corners and borders, and a small tear in the center, but is otherwise in excellent condition. Fine/Very Fine.
The Mummy's Ghost (Realart, R-1951). One Sheet (27" X 41").
Kharis the Mummy (Lon Chaney Jr.) spreads terror through the small town of Mapleton while searching for his long-lost love, the Princess Ananka, now reincarnated as Egyptian exchange student Amina Mansouri (Ramsay Ames). George Zucco and John Carradine are the requisite bad guys in this, Universal's fourth Mummy movie. The attractive reissue one sheet offered here had a small tear with a tape life in the left border and some crossfold separation, but is otherwise extremely clean and attractive. This is one you'll own and display proudly. Very Fine on Linen.
The Mummy's Tomb (Realart, R-1949). One Sheet (27" X 41").
Plotting revenge on the Banning family, who thwarted his nefarious plans in the previous film, The Mummy's Hand (1940), Egyptian High Priest Andoheb (George Zucco) travels to America with Kharis the Mummy (Lon Chaney Jr.), where the reanimated creature embarks on a reign of terror in the town of Mapleton. This striking reissue one sheet had pinholes in the borders, fold wear with crossfold separation, and slight bleed-through from a stamp on the back, but these slight flaws can now only be detected under close examination due to expert professional restoration. This is a rare poster that any horror aficionado will be proud to own. Very Fine- on Linen.
The Mummy's Curse (Realart, R-1951). Three Sheet (41" X 81").
Kharis the Mummy rises from the bayous of Louisiana (Lon Chaney Jr.) in this Universal Horror classic. Buried in the swamps 25 years earlier, Kharis once again sets out to find his reincarnated lost love Ananka (Virginia Christine). This was the last film in Universal's Mummy franchise; Britain's Hammer Films would pick up the ball in 1959 with their update of the classic tale. This fantastic linen-backed three sheet for this linen-wrapped mummy movie is in great condition; only pinholes in the corners, light fold wear with crossfold separation, and some very small tears in the image area keep this bandage-wrapped beauty from an even higher grade. Very Fine on Linen.
The Mummy (Universal International, 1959). One Sheet (27" X 41").
With the release of The Curse of Frankenstein in 1957, and The Horror of Dracula in 1958, Britain's Hammer Film Studios single-handedly revived the moribund horror genre, which had lain fallow since just after World War II. Following the enormous success of their first two monster films, Hammer struck a deal with Universal, gaining the rights to remake Universal's classic monster movies of the 1930s. The first film produced under this agreement was The Mummy (1959), a classy color remake of the Boris Karloff original. Starring Peter Cushing as archaeologist John Banning, and Christopher Lee as Kharis, the bandage-wrapped title character, the film was another triumph for Hammer, but it never launched the franchises that Dracula and Frankenstein did. This striking one sheet, one of the most attractive ever produced for a Hammer production, is in superb condition; only a small tear in the bottom border keeps it from an even higher grade. Very Fine/Near Mint.
A Fistful of Dollars (Unidis, R-1968). Italian 4 - Folio (55" X 78").
Here is an incredibly striking and rare country-of-origin Italian 4-folio for Clint Eastwood and Sergio Leone's ground-breaking Spaghetti Western. The bold artwork is by Papuzza and comes from the film's reissue in Italy in 1968 after attaining its classic status. Prior to restoration, there was edge wear with minor chips in the left border and a small tear in the right border. The linen-backing was expertly done and the poster looks amazing. Very Fine- on Linen.
For a Few Dollars More (PEA, 1965). Italian Program (13" X 13") and Italian Theater Mobile (8.5" X 12").
One of Clint Eastwood's most memorable films, Sergio Leone directs Eastwood, Lee Van Cleef, Gian Maria Volonte, and Klaus Kinski in this Western masterpiece. Offered here is a very clean double-sided mobile used in Italian theaters, and a wonderful program filled with many color images of key scenes from the film. Both of these very items were used only for the Rome premiere for the film and are exceedingly rare! The program was misdescribed as being hardbound, it is actually softcover. Very Fine+.
The Good, The Bad and the Ugly (PEA, 1966). Italian 2 - Folio (37.5" X 53").
Posters for this seminal Western, Sergio Leone's final film in his trilogy, are always a hit with fans, and even more so are the original Italian items, when available. This fantastic and unusual poster with the mugs of Clint Eastwood, Lee Van Cleef, and Eli Wallach has a unique reflective silver background, with key scenes from this modern classic highlighted in red. This exceedingly rare poster was used only for the Rome premiere and its limited run in that city. The number of these still existing is said to be less than a small handful! There is minor edge wear with small tears, and extra creases in the folds. There is a water stain on the reverse, at the top center that does not show through to the front. This is a very rare design for a timeless epic. Very Fine-.
The Good, the Bad and the Ugly (PEA, 1966). Italian Photobusta Set of 8 (18.25" X 26.25").
In this Sergio Leone-helmed Spaghetti Western, three men - "Blondie" (Clint Eastwood), the Good; Angel Eyes (Lee Van Cleef), the Bad; and Tuco (Eli Wallach), the Ugly - race to find a fortune in gold, with each one possessing only a portion of the treasure's location, forcing them into an uneasy alliance. Offered here is an exceedingly scarce set of country-of-origin photobustas for this classic film, used only for the Rome premiere! When the film was released on a country-wide basis in Italy, a completely different set of photobusta were distributed. Aside from a soft bend in the center of the cards, they appear unused, making this a rare find indeed for the Eastwood collector. Very Fine+.
The Good, the Bad and the Ugly (PEA, 1966). Italian Program Hard-Cover Book (22 pages).
A unique item, this fantastic country-of-origin Italian program features many of the iconic scenes from the film, in both color and black and white. Clint Eastwood had gone into the first film in Sergio Leone's trilogy, A Fistful of Dollars, as a T.V. actor, and by the time the third film was released in the U.S., he had become an international star, forever remembered as The Man With No Name. This great hard-cover book has only light handling wear. It is a very rare item used only for the Rome premiere! Get it while you can as you may never see another copy of this item! Very Fine+.
The Good, the Bad and the Ugly (United Artists, 1966). French Grande (47" X 63").
Sergio Leone's Civil War trilogy starring Clint Eastwood came to an end with this legendary Western. Eastwood, Lee van Cleef, and Eli Wallach all try to locate a cache of buried gold and cheat the others out of their share as the war wages around them. This is a modern classic, set to the score of Ennio Morricone. The dramatic artwork is by noted artist Jean Mascii. This is the original first release poster for this classic Spaghetti Western. Very Fine/Near Mint.
The Good, The Bad and the Ugly (United Artists, 1967). Japanese B2 (20" X 29").
This bright Japanese poster features a great shot of one of the key scenes in Sergio Leone's third entry in his immensely popular trilogy. Clint Eastwood as Blondie, is facing down Angel Eyes (Lee Van Cleef), and Tucco (Eli Wallach) in the climax showdown at the cemetery, accompanied by the Ennio Morricone theme "The Triple Duel" The poster has been professionally mounted on linen to address two edge tears, and pinholes in the corners, and now is in great condition. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine- on Linen.
For a Few Dollars More (United Artists, R-1969). British Quad (30" X 40").
The second film in Sergio Leone's "Dollars" trilogy, this time the Man with No Name (Clint Eastwood) teams up with bounty hunter Col. Douglas Mortimer (Lee Van Cleef) to track down the outlaw El Indio (Gian Maria Volonte). Offered here is a beautiful British quad for this fan-favorite film. It has pinholes in the corners, a paint spot in the bottom left corner, crossfold separation, and small edge tears at the right and left fold lines. In spite of these minor flaws, this is a very attractive poster that any Eastwood fan will be proud to own. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine-.
For a Few Dollars More (United Artists, 1967). Half Sheet (22" X 28").
Clint Eastwood stars alongside steely Lee Van Cleef in this follow-up to Sergio Leone's A Fistful of Dollars. This time, the pair are bounty hunters hot on the heels of a psychotic outlaw played by Gian Maria Volante. This original release half sheet has staining and a small tear in the bottom border and light edge wear. But the colors remain very fresh and sharp. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Folded, Very Fine-.
For a Few Dollars More (United Artists, 1967). Australian One Sheet (27" X 40").
Clint Eastwood is back as the Man with No Name in this classic follow-up to director Sergio Leone's A Fistful of Dollars (1964), this time teaming up with bounty hunter Col. Doug Mortimer (Lee Van Cleef) to track down the notorious outlaw Indio (Gian Maria Volonte). The gorgeous Australian one sheet offered here is in impeccable condition. It would grade much higher were it not for our strict policy of not awarding a grade higher than Very Fine+ to any poster mounted on linen. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine+ on Linen.
For a Few Dollars More (United Artists, 1967). Japanese B2 (20" X 29").
If you like your Westerns rough, tough, and violent, look no further than director Sergio Leone's "Dollars" trilogy, featuring Clint Eastwood as the Man with No Name. Although Eastwood struggled for recognition in this country, his work abroad with Leone in these classic Spaghetti Westerns, made him a star of the first magnitude and one of the screen's iconic tough guys. Offered here is a dramatic Japanese B2 for the second film in this fan-favorite series. In impeccable condition, only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps up from awarding an even higher grade to this outstanding piece. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine+ on Linen.
A Fistful of Dollars (Towa, 1965). Japanese B2 (20" X 29").
In crafting this legendary Spaghetti Western, director Sergio Leone took inspiration from Akira Kurosawa's samurai epic Yojimbo (1961), about a sly ronin who drifts into a small Japanese village infested with thugs, and begins to play the two rival gangs against each other in order to save the town. Kurosawa considered Leone's version so similar - many see it as a virtual remake - that he sued, eventually winning a substantial portion of the worldwide gross. Offered here is a gorgeous Japanese B2 for this landmark picture. Aside from a light wrinkle, it is virtually as good as new. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON".
Folded, Near Mint.
A Fistful of Dollars (United Artists, 1967). Lobby Card Set of 8 (11" X 14").
Clint Eastwood became an international star when he appeared in Sergio Leone's Western as "The Man with No Name." As the first film in Leone's Spaghetti Western trilogy, it was soon followed by For a Few Dollars More and The Good, the Bad and the Ugly. This is the first printing, authentic flat stock set of lobby cards for this classic Western, and the original glassine envelope is included. Very Fine/Near Mint.
For a Few Dollars More (PEA, 1965). Italian Locandina (13" X 27.5").
Like the other films in the trilogy, Sergio Leone's tight close-ups and Ennio Morricone's musical score have become legend; imitated and parodied in equal measure. Actors have also attempted the patented Clint Eastwood squint-and-sneer, on full display in this impressive country-of-origin poster designed by Franco Fiorenzi. This locandina has tape in the borders and on the reverse, two small corner chips, and a tear in the left side that extends into the image. There is a small tear and tape stain in the center of the image. This is THE image from this classic film and the Italian 4-folio with the same image, we sold in our November 2008 auction for almost $12,000! Folded, Very Good/Fine.
The Good, the Bad and the Ugly (United Artists, 1968). Half Sheet (22" X 28").
It's inconceivable that director Sergio Leone originally wanted Rory Calhoun for the role of Blondie in his "Man With No Name" trilogy. Fortunately, Calhoun's asking price was far too high forcing Leone to settle on a 34-year old Clint Eastwood. Eastwood along with Lee Van Cleef and Eli Wallach would combine to create one of the greatest Westerns of all time. This half sheet is in immaculate condition with only light edge wear at the bottom and a few very faint creases. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Rolled, Near Mint-.
A Fistful of Dollars (United Artists, 1967). One Sheet (27" X 41") Advance Style A.
Although Clint Eastwood was somewhat known in this country in the early 1960s due to his work on the TV show Rawhide (1959-1965), it took this movie, filmed in Italy, to make him a superstar. As The Man with No Name, Eastwood stars as a wandering gunfighter who plays two warring families against each other in this, one of the premiere Spaghetti Westerns. Offered here is the rare Advance Style A one sheet. This particular copy had fold wear and crossfold separation, but, after expert professional restoration, these slight defects can only be seen under the closest examination. Very Fine on Linen.
A Fistful of Dollars (United Artists, 1967). One Sheet (27" X 41") Advance Style B.
Made on a limited budget, and starring a virtually unknown American TV actor who was having trouble landing roles in feature films, this movie, directed in Italy by Sergio Leone, would birth a new genre of pictures that would come to be known as Spaghetti Westerns, and make a major star of Clint Eastwood. The very rare Style B teaser offered here is in superb condition; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps this rare gem from an even higher grade. Very Fine+ on Linen.
Pale Rider (Warner Brothers, 1985). International One Sheet (27" X 41").
Clint Eastwood, as the Preacher, rides into town on a pale horse, a reference to "Death" of the Four Horsemen of the Apocalypse. A hired gun, he takes on the plight of poor miners who are being harassed by a nearby gang leader. His character is similar to earlier Eastwood roles especially that of The Man with No Name in the Sergio Leone trilogy; and the vengeful lone rider would appear again in Eastwood's later film, Unforgiven. This powerful one sheet, with artwork by Bob Peak, was only used in the international release film campaign, and hence is much rarer than the U.S. domestic release. It has only light fold wear and a slight stain in the top border. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine/Near Mint.
Hang 'em High (United Artists, 1968). Japanese B2 (20" X 29").
Although Jed Cooper (Clint Eastwood) is innocent, he is accused of cattle rustling by a group of nine men, and lynched. Left for dead, Cooper survives and, after an appointment as deputy marshall, sets out to track down the men who "killed" him. This film followed Eastwood's highly acclaimed "Dollars" trilogy, and was, indeed, intended for director Sergio Leone. Already committed to another project, however, Leone was forced to decline, leaving the film in the hands of director Ted Post. Offered here is a striking Japanese B2 for this fan-favorite film. It shows edge wear at the top, tearing in the right side, a dust shadow in the top right corner, and a tear in the bottom border, but is, overall, in great condition. It displays very nicely and will certainly make a welcome addition to your collection. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Folded, Fine/Very Fine.
High Plains Drifter (Universal, 1973). Japanese B2 (20" X 29").
When the Stranger (Clint Eastwood) blows into the small town of Lago, the desperate townsfolk enlist his aid against a trio of bandits that are on their way. This dramatic Japanese B2 is in superb condition, perfect for any Eastwood fan. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Rolled, Mint.
To Kill a Mockingbird (Universal, 1963). One Sheet (27" X 41").
Pulitzer prize winning author Horton Foote wrote this Academy Award winning screenplay based on Harper Lee's beloved story of the Finch family growing up in the deep South. Atticus Finch (Gregory Peck) is father to Scout (Mary Badham) and Jem (Phillip Alford), and is one of the most memorable heroes of all fiction. Robert Duvall makes his film debut as the reclusive Boo Radley. This popular one sheet has pinholes in the corners and a few in the field, a tiny tear in the top border, pinpoint crossfold separations, and a corner bend. Very Fine+.
A Streetcar Named Desire (Warner Brothers, 1951). Half Sheet (22" X 28").
This classic film adaptation of Tennessee Williams's Pulitzer Prize-winning play won four Academy Awards, including Best Actress (Vivien Leigh), Best Supporting Actor (Karl Malden), and Best Supporting Actress (Kim Hunter), as well as eight additional nominations, including Best Actor (Marlon Brando), Best Director (Elia Kazan), Best Picture, and Best Writing (Tennessee Williams). Considered one of Brando's most powerful roles, the part of Stanley was originally offered to John Garfield, who turned it down as he did not want to be overshadowed by a female lead. This dramatic half sheet has paper tape on the reverse, pinholes in the corners, small tears and smudging in the borders, and a bend in the bottom left corner. This is considered to be perhaps the best format poster for this film. Rolled, Fine.
On the Waterfront (Columbia, 1954). One Sheet (27" X 41").
As one of the greatest films dealing with mob violence, labor issues, and the definition of honor to ever grace the screen, this classic won Oscars for Best Picture, Actor (Marlon Brando), Supporting Actress (Eva Marie Saint), Director (Elia Kazan), and Screenplay (Budd Schulberg). Brando defined his generation with his unforgettable tortured performance and cry of "I coulda been a contender, I coulda been somebody." This one sheet had only one minor chip at the top of the vertical fold; it has been professionally restored, leaving a beautiful and desirable work of art. Very Fine+ on Linen.
Rebel without a Cause (Warner Brothers, 1955). Insert (14" X 36").
As Jim Stark, James Dean created one of his most memorable characters in Nicholas Ray's iconic J. D. drama about a rebellious teen who strives to find friendship and acceptance as the new kid in town. Although Dean's film career was brief - he died in a tragic car accident in 1955 - he remains one of the most legendary actors in the history of Hollywood. The insert offered here, from the film that, in many ways, defined Dean's image, had minor chips in the bottom left and bottom right corners, pinholes and small tears in the top corners, and chipping in the right and bottom borders, but expert professional restoration has fixed these slight flaws, making it look just as good as new. Fine+ on Paper.
Giant (Warner Brothers, 1956). Italian Locandina (13" X 27").
Director George Stevens won the Oscar for Best Director for this epic tale of Texas oil and land barons. With Rock Hudson, Elizabeth Taylor, and James Dean headlining, this is one powerful film dealing with greed, racism, pride, and family. This incredible Italian poster features a full portrait of the rebel Dean, with gorgeous images of Hudson and Taylor. The only minor issue with this locandina is light edge wear at the bottom right, otherwise, it displays beautifully. Very Fine on Linen.
A Hard Day's Night (United Artists, 1964). One Sheet (27" X 41").
Already megastars throughout the world, the Beatles (John Lennon, Paul McCartney, George Harrison, and Ringo Starr), made their big screen debut in this hilarious comedy directed by Richard Lester. Purportedly showcasing a "day in the life" of the Fab Four, the picture was primarily a showcase for such songs as "Can't Buy Me Love," "If I Fell," and " I'm Happy Just to Dance with You," as well as the title tune. This highly desirable one sheet is in great condition; only light creasing in the bottom and top right keeps this beauty from an even higher grade. Near Mint.
A Hard Day's Night (United Artists, 1964). Half Sheet (22" X 28").
John Lennon, George Harrison, Ringo Starr, and Paul McCartney were all introduced to American audiences in this ground-breaking film about the British sensation! Innovative director Richard Lester developed a whole new film style with this "day in the life" of the Beatles, which also includes many of their famous songs. This classic poster has only a light dust shadow along the edges, and small stains throughout. Folded, Fine/Very Fine.
Help! (United Artists, 1965). One Sheet (27" X 41").
The Beatles (John Lennon, Paul McCartney, George Harrison, and Ringo Starr) spoof the popular James Bond franchise in this comic misadventure, the second of their feature films, also directed by Richard Lester. A sacred ring, unwittingly possessed by Ringo, makes the Fab Four's drummer a target for the members of an exotic religious cult who will do whatever they have to do to retrieve their holy jewelry. In fabulous condition, this sheet has very light fold wear, and a small edge tear at the right. Very Fine+.
Beatles Special Look Magazine Prints by Richard Avedon (NEMS Enterprises, Ltd., 1967). Prints (4) (22.5" X 31") .
In 1967, Look Magazine commissioned famed photographer Richard Avedon to do a set of individual portraits of the members of the most popular rock and roll group of the day - the Beatles. He created a set of photographs that have come to represent that time in all its psychedelic glory. John Lennon with his kaleidoscope eyes, George Harrison in mystical Indian attire, Paul McCartney surrounded by flowers, and Ringo Starr with the dove of peace, perfectly capture that fleeting moment in history. After appearing in the magazine, Look offered the photos as a set of four prints, offered here in this extraordinary lot. These prints are in perfect condition, and would grade higher if not for our strict grading policy about items placed on linen. Very Fine+ on Linen.
A Hard Day's Night (United Artists, 1964). Three Sheet (41" X 81").
It's the Beatles, in their ground-breaking comedy and rock and roll musical film that is still just as enjoyable to watch today as it was 45 years ago. Prior to being placed on linen, this poster had only minimal wear. Bid now to get this three sheet in extraordinarily fine condition. Very Fine+ on Linen.
Jailhouse Rock (MGM, 1957). Lobby Cards (2) (11" X 14").
Young Vince Everett (Elvis Presley) turns his life around after serving a jail term for manslaughter, becoming a rock-'n-roll superstar in the process. One of the King's best pre-Army pictures, this fan-favorite film features such popular songs as "Young and Beautiful," "I Want to be Free," and "Treat Me Nice," as well as the chart-topping title tune. Both of the cards offered here show minor corner bumps in the top and bottom right, and one card has a light smudge in the top border, but they both feature Presley, and possess a high degree of eye-appeal, making them prime candidates for adding to your collection. Near Mint-.
Jailhouse Rock (MGM, 1957). One Sheet (27" X 41").
Elvis Presley, in his third film, is rebel Vince Everett who learns to play guitar in jail, resulting in one of the most iconic scenes in cinema -- Presley and fellow inmates dancing to the title song, "Jailhouse Rock." Co-starring Judy Tyler and Mickey Shaughnessy, this is one of the King's top films. This sensational one sheet has only a fold separation at the top, which is backed by archival tape. Very Fine+.
Love Me Tender (20th Century Fox, 1956). Lobby Card Set of 8 (11" X 14").
This fan favorite musical, featuring the big screen debut of Elvis Presley, is unique for being the only one of his pictures for which the King did not receive top billing. Nevertheless, a record number of prints of this film were struck in order to meet the incredible demand generated by the King's legion of fans. It was second only to James Dean's Giant in 1956 for opening weekend box office receipts, raking in more than $1 million. Offered here is a highly desirable lobby card set; the title card shows some foxing in the bottom border, a smudge in the top left, and pinholes in the corners. Three of the scene cards also have pinholes in the corners, one has a smudge in the top border, and several show some light scuffing. In addition, it should be noted that one scene card is from a 1956 re-release. Nevertheless, this is a great set, featuring one of the twentieth century's greatest entertainers. Fine/Very Fine.
Loving You (Paramount, 1957). Lobby Card Set of 8 (11" X 14").
Elvis Presley is most like his true self in this tale of Deke Rivers, a country boy who makes it big in the world of rock n' roll. In only his second film, Elvis gives a memorable acting performance and delivers legendary hit songs such as "Got a Lot o' Livin' to Do," "Teddy Bear," and "Mean Woman Blues." The great supporting cast includes Lizabeth Scott, in her last major film role, Wendell Corey, and Dolores Hart. One card has foxing, and all cards have one slight corner bend. Overall, these are bright cards with several great shots of the King. Very Fine+.
Blue Hawaii (Paramount, 1961). One Sheet (27" X 41").
One of Elvis Presley's best films, this musical comedy has the star romancing Joan Blackman (Maile Duval), amid the exotic backdrop of the lush Hawaiian islands. Musical highlights include "Rock-a-Hula Baby," "Can't Help Falling in Love," "Island of Love," and the title song, "Blue Hawaii." Angela Lansbury, Roland Winters, and Howard McNear co-star. The poster has edge wear at the top, light wrinkles, and a tear in the left border. This wonderfully bright poster features Elvis in full swing. Fine/Very Fine.
It Happened at the World's Fair (MGM, 1963). Poster (40" X 60").
Here is one of the rarities of the hobby. This is a beautiful oversized full-bleed poster of the "King" himself advertising for the Reveille amplifier company promoting his appearance in It Happened at the World's Fair. The poster was folded and has been linen backed. There has been some touch-up to the crossfolds and outer fold area near the edges of the poster. Pinholes have been touched up as well. Very Fine on Linen.
Jailhouse Rock (MGM, 1957). Window Card (14" X 22").
In this, his third film, Elvis Presley is doing what he does best, playing a lovable rebel and singing his blockbuster hits including the title song, "Treat Me Nice," "Young and Beautiful," "Don't Leave Me Now," and many more. Considered one of his best films, Elvis stars with Judy Tyler and Mickey Shaughnessy. This ever-popular poster has stains in the bottom border and image, light corner bends, and a small tear at both the top and right edges. Very Fine-.
Viva Las Vegas (MGM, 1964). Lobby Card Set of 8 (11" X 14").
Elvis Presley, the most popular entertainer of his time, and Swedish-born dancing sensation Ann-Margret make a dynamite team in this musical blockbuster. Made at the height of Elvis's career, this fun film is considered by many to be his best. Elvis is Lucky Jackson, a race car driver who meets his match in Rusty Martin (Ann-Margret), a girl who will not take second place in Lucky's life. One card has a dust shadow and light foxing, and the rest of the set is in pristine condition. Very Fine+.
King Creole (Paramount, 1958). Three Sheet (41" X 81").
Acclaimed director Michael Curtiz helms this finely acted Elvis Presley story of poverty, ambition, and love in the deep South. The film features a fantastic opening sequence of Elvis singing "Crawfish" in a give-and-take performance with Kitty White, as she makes her way down the lonesome streets of New Orleans. Other highlights are Elvis' bluesy rendition of "Trouble," and the upbeat "Hard Headed Woman." Walter Matthau co-stars as the thuggish Maxie Fields, Carolyn Jones is his jaded moll Ronnie, and Elvis' Loving You co-star Dolores Hart is back as his sweetheart Nellie. This dramatic poster had only fold wear and crossfold separations which have been addressed with professional restoration. Very Fine+ on Linen.
Woodstock (Warner Brothers, 1970). Japanese Poster (62" X 79").
This rare - very large Japanese poster focuses on the phenomena that was Woodstock - the overwhelming crowds that came to attend this "festival of peace and love." Most of the major rock groups of the time also came to perform, of course. There are pinholes in the borders, fold wear with crossfold separations, edge wear, an extra horizontal crease on the top and bottom and a chip out of the bottom border. Fine+.
Gimme Shelter (20th Century Fox, 1970). Lobby Card Set of 12 (10.75" X 15").
One of the most important documentaries from the turbulent 1960s, this film covers the free concert by the Rolling Stones at Altamont Speedway and captures the murder of a fan by members of the Hell's Angels Motorcycle Club. Highlights include: "Satisfaction," "Sympathy for the Devil," and "Under My Thumb." One card in this set has a slight surface abrasion, others have corner bumps and light edge wear. Very Fine.
Monterey Pop (Leacock-Pennebaker, 1968). One Sheet (27" X 41").
The first concert film of the rock & roll era, Monterey Pop is an invaluable record of some of the major musical figures of the late 1960s. The organizers of the Monterey International Pop Festival, held June 16-18, 1967, wisely chose to record the proceedings on film for commercial distribution. Jimi Hendrix, Janis Joplin, The Who, Jefferson Airplane, and Otis Redding were just some of the acts to be filmed. Tomi Ungerer, one of the most renowned illustrators of the 1960s and 1970s, did the whimsical artwork for this ground-breaking documentary. Prior to restoration, there was light fold wear with crossfold separations and minor touch-up where the snipe was removed from the poster. The excellent restoration has left this poster looking brand new. Also included in this lot is the original "snipe" listing the names of all the performers. Very Fine+ on Linen.
Help! (United Artists, 1965). Poster (30" X 40").
For their second feature film, the Beatles get color and overseas locations. George Harrison was introduced to Indian culture and music in this film, and the rest is history. There is a tear in the top border, writing and corner bends on the bottom border, and light smudging in all of the borders. Rolled, Fine.
A Hard Day's Night (United Artists, 1964). Poster (30" X 40").
One of Ringo Starr's malapropisms - "it's been a hard day's night" - was the basis for the title of this film, which itself was inspired by the cinema verite of the Maysles brothers documenting the Beatles' first visit to the U.S. There is light creasing throughout the poster, writing on the top and bottom borders, and corner bends on the bottom. Rolled, Fine+.
Yellow Submarine (United Artists, 1968). Poster (30" X 40").
The Beatles get animated in this psychedelic cartoon based on their popular tune. Although others took on the voices of John, Paul, George, and Ringo in the film, the real-life Beatles make an appearance at film's end. This is the cleanest copy we have ever seen of this poster; it is in amazing condition. Rolled, Mint.
Yellow Submarine (United Artists, 1968). Japanese B2 (20" X 29").
This Japanese poster features very cool graphics for the psychedelic animated adventures of the Beatles based on their popular hit song and the characters they assumed for the Sgt. Pepper's Lonely Hearts Club Band album. The wonderful "Sea of Holes" sequence from the film is featured on most of this poster. There is light edge wear on the right border and a faint top right corner bend. Rolled, Very Fine/Near Mint.
Yellow Submarine (United Artists, 1968). One Sheet (27" X 41").
British animation producer George Dunning directs this psychedelic cartoon set in Pepperland, under the sea. Sgt. Pepper guard's the inhabitants from the music-hating Blue Meanies, but calls on band members Ringo Starr, Paul McCartney, John Lennon, and George Harrison for added musical help. A fantastic and bright poster, this psychedelic beauty is always a hit with Beatles fans. Near Mint+.
Popeye Stock Poster (Paramount, 1939). One Sheet (27" X 41").
Elzie Chrisler Segar introduced what would become his most famous creation on January 17, 1929 in his popular comic strip, Thimble Theater. Seeking to hire a boat, Castor Oyl finds a likely looking gob standing on a pier. "Hey there! Are you a sailor?" Castor asks. The squinty-eyed seaman, his arms tattooed with anchors, candidly replies, "Ja think I'm a cowboy?" Thus, the comic reading public first met Popeye the Sailor, who would quickly take over Thimble Theater and go on to headline his own long-running strip. In 1933, Popeye made his first animated appearance in a Betty Boop cartoon, and was soon starring in his own shorts, produced by Fleischer Studios. Fleischer was absorbed by Paramount in 1939, and the Popeye series continued until 1957, in which year the catalog of cartoons began appearing on TV, where they've been seen ever since. Offered here is an early Popeye stock poster, which bears both the Fleischer Studios and Paramount names. It had crossfold separation, a chip in the top left corner, a piece missing in the left border, and pinholes in the corners, but expert professional restoration has returned this poster to a like-new appearance. Fine- on Linen.
Gulliver's Travels (Paramount, 1939). Jumbo Lobby Card Set of 8 (14" X 17").
After RKO/Disney's box office smash hit Snow White and the Seven Dwarfs, Paramount asked Fleischer Studios to come up with an equally successful full-length animated film, even going as far as building the animators a new studio in Miami, Florida. The result is this exquisite picture, based on Jonathan Swift's 1726 novel about the citizens of Lilliput Island and their encounter with the giant shipwrecked Gulliver. Some of the musical highlights include "All's Well," "It's a Hap-Hap-Happy Day," and "Faithful Forever." Three of these linen finish jumbo lobby cards have a corner bend, and two have a small tear at the top. A clean and beautiful set, we have never seen these before, much less a full set! Very Fine-.
Sleepy-Time Tom (MGM, 1951). One Sheet (27" X 41").
Tom's been out for a big night on the town, and just wants to come home to some much-needed shut-eye. Mammy, however, has other plans, insisting that Tom stay awake and perform his duties as mouser. Hoping to get Tom out of the way, Jerry does everything he can think of to get his feline nemesis to go to sleep in this charming Tom and Jerry cartoon. Offered here is a delightful one sheet featuring the popular cat and mouse team. Aside from some fold wear, rendered virtually invisible by expert professional restoration, this poster is in tip-top shape, making it a perfect candidate for any animation collection. Very Fine on Linen.
Old Rockin' Chair Tom (MGM, 1948). One Sheet (27" X 41").
In this classic Hanna and Barbara animated short, Mammy Two-Shoes (Lillian Randolph) thinks Tom is getting too old to chase down Jerry, and brings in a replacement cat, Lightning. The two-faced feline frames Tom for his own misdeeds and forces Tom to ask Jerry for help. The Tom and Jerry series was extremely popular and won the Best Short Subject Oscar seven times. This delightful stone litho poster of the duo had a small chip in the right and left borders, slight chips in the title, a tear that extended through the title "Jerry," and pinholes in the borders. All of these issues were addressed with professional restoration, leaving a poster that will be a fun addition to any collection. Fine on Linen.
Jerky Turkey (MGM, 1945). One Sheet (27" X 41").
A Tex Avery Technicolor classic, this wonderful cartoon short features a very smart turkey who avoids being eaten by the Pilgrims at the first Thanksgiving dinner. With plenty of sight gags and twisted history, it's a hoot from start to finish. The voices of the hunter and the turkey belong to Daws Butler and Bill Thompson (best known for his Droopy characterizations). Offered for the first time by Heritage, this is the very special stone litho one sheet. The poster has crossfold and fold separations with two pieces of paper tape and archival tape on the reverse, and two small edge tears. All of Tex Avery's work is highly sought after, including this popular gem. Very Fine-.
Droopy's Double Trouble (MGM, 1951). One Sheet (27" X 41").
For all Droopy fans this fabulous poster is the one to have -- a double dose of the Tex Avery hero, seen here with his twin Drippy. The doggedly resolute pair are hired to protect a house while butler Theeves is gone. Droopy's pal, Spike, is left highly confused when he comes across the more aggressive Drippy, not knowing he is a twin. The sheet has wear in the right border, pinholes in the corners, crossfold separations, and grease pencil on the reverse that does not show through to the front. Overall, this is a bright and rare poster for animation collectors. Very Fine-.
Droopy's Good Deed (MGM, 1951). One Sheet (27" X 41").
Legendary animator Tex Avery created some of the most memorable cartoon characters of the 1940s and 1950s for both Warner Brothers and MGM studios. At MGM, Avery developed one of his most beloved personalities, the slow moving but indomitable Droopy dog. In this great short Droopy is hounded by nemesis Spike as they both compete as boy scouts for the honor of meeting the President. Slowly but surely Droopy foils Spike's attempts at sabotage. This one sheet has staple holes in the corners and a few in the image, crossfold separations, and a separation at the top of the vertical fold with archival tape on the reverse. There are grease pencil marks on the reverse that do not show through to the front, and two extra vertical folds. With its colorful stone litho artwork, this treasure is sure to be a hit. Fine.
Mutt and Jeff in "The Tonsorial Artists" (Fox, 1918). One Sheet (27" X 41").
With its debut in 1907, Bud Fisher's Mutt and Jeff started on the road to becoming one of the most famous and successful comic strips of all time. In 1913, the first of what would eventually be nearly 350 animated cartoons featuring the mismatched duo was released; this series would run until 1926. The strip itself finally finished its newspaper run in 1982, after entertaining fans for an impressive 75 years. Offered here is a beautiful poster for one of the pair's earliest films. There was a large piece missing from the top border, another large piece missing from the credits area, and small holes in the center, but an outstanding job of expert professional restoration has returned this poster to a like-new condition. An important landmark in both the history of comics and animation, this is sure to pique the interest of a number of collectors. Very Good on Linen.
Romiet and Julio (Eclectic Films, 1915). One Sheet (27" X 41").
This extremely rare one sheet, probably the only known example, was produced to advertise an early animated cartoon short from the Bray Studios. John Randolph Bray, considered by historians to be one of the major pioneers of animated film, patented many of the techniques which revolutionized the process of film animation, including the use of cels and printed backgrounds. This poster has edge wear with paper loss on the bottom right corner, border tears going into the field, and a piece missing from the top border. Don't miss your chance to acquire this unique piece of animation history. Very Good-.
The Merry Dwarfs (Columbia, 1929). One Sheet (27" X 41").
The Silly Symphonies, begun by Walt Disney in 1929, provided an interesting forum for experimentation in a new medium. Unlike Disney's other animation at the time, these cartoons were set entirely to music. The music was composed by Carl Stalling, who would move on to Warner Brothers in 1930, and become the most accomplished composer in animation. Aside from dancing, the cartoon figures -- here bearded elves with pointed hats -- participate in gags (a tiny blacksmith puts tiny "horse" shoes on a grasshopper) that sometimes verge on the surreal (the dwarfs get drunk, prefiguring similar absurdity in Dumbo). This poster features many of the trademarks of the Silly Symphonies -- including the first symphony, The Skeleton Dance -- with isolated illustrations of this particular short. Mounted on linen, restoration has addressed fold wear, crossfold separations with tape lifts, and edge wear with chips. A unique poster, the gorgeous colors have maintained their original vibrancy. Fine on Linen.
Lonesome Ghosts (RKO, 1937). Poster (30" X 40").
This gem is one of the very rare silkscreen posters that Disney produced in the years 1937-38, while they halted their one sheet production. The silkscreen process allows for a heavier ink application, which results in a richer, more colorful work of art, especially effective for this classic animation. Shown here are Mickey Mouse, Donald Duck, and Goofy, as "Ajax Ghost Exterminators," who are spooked by a triplet of lonely ghosts. This beautiful poster has been paper-backed with very little in the way of restoration performed. There were two 3" or better tears in the top of the poster extending into the title, and there was repair to minor edge wear. The restoration is seamless and was performed beautifully; the poster displays as if near mint. Very Fine on Paper.
Sea Scouts (RKO, 1939). One Sheet (27" X 41").
This rare and beautiful Walt Disney poster shows Donald Duck as "Master and Commander" of his rowboat, with his three nephews, Huey, Dewey, and Louie, as his put upon crew. One of the Duck's best 1930s Technicolor cartoons, Clarence Nash is the beloved voice of the ducks. The wonderful image makes this poster a very sought after item! There were pinholes in the corners, small chips along the left border and in the left corners, fold wear, and minor surface abrasions. After professional restoration, the colorful image displays very well. Very Fine on Linen.
Trick or Treat (RKO, 1952). One Sheet (27" X 41").
After Donald Duck plays a cruel Halloween prank on his nephews, Huey, Dewey, and Louie team-up with a witch and her enchanted broomstick to teach him a lesson. This great poster for the Disney animated short features images of each of the characters along with three jovial ghosts. This poster has some restoration on the center vertical fold, otherwise, this fun gem is in terrific condition. Very Fine+ on Linen.
Pluto's Blue Note (RKO, 1947). One Sheet (27" X 41").
Pluto desperately wants to serenade his lady love, but his tone deafness gets in his way. He develops a unique way of overcoming his handicap: with a crooner record, and the tip of his tail standing in for a record needle. Soon, every female dog in town is swooning over our triumphant hero. This lovely one sheet, featuring Pluto surrounded by a bevy of lovely admirers (is that an early version of Lady from Lady and the Tramp (1955) standing next to him?) had fold wear, a piece missing in the top border, crossfold separation, and chipping in the borders, but expert professional restoration has rendered these minor flaws virtually invisible, returning this extremely desirable poster to a like-new appearance. No Disney fan will want to miss out on this one! Fine on Linen.
Pinocchio (RKO, 1940). Half Sheet (22" X 28") Style A.
Walt Disney's second feature film, and the first to use Multiplane Technicolor, this picture was a major hit for the studio, one that proved Snow White wasn't a fluke. Based on Carlo Collodi's classic children's story about a little wooden boy who longs to be "real," the picture was a financial disappointment upon its initial release. The 1945 re-release, however, was extremely successful, and the film has been considered one of Disney's best ever since, a family favorite for nearly seven decades. This lovely half sheet had a hole in the right side, a tear in the right border, chipping in the bottom border and in the foldlines, missing bottom left and top right corners, and a tear in the bottom border, but expert professional restoration has returned this highly desirable poster to a like-new appearance. Whether you're young or just young at heart, you'll want to add this beauty to your collection. Very Good+ on Linen.
Pinocchio (RKO, 1940). Poster (40" X 60") Style A.
Walt Disney and RKO had an immense success with their first animated feature-length film, Snow White and the Seven Dwarfs, and quickly wanted to follow that up with another film based on a children's classic tale, "Pinocchio: Tale of a Puppet" by Carlo Collodi. The character of the wooden puppet who wanted to be a boy was voiced by Dick Jones, and the other memorable characters include his toymaker Geppetto (Christian Rub), Jiminy Cricket (Cliff Edwards), and the Blue Fairy (Evelyn Venable). The poster has been professionally mounted on linen to address tears in the borders and field, a small corner chip, paper loss in the bottom right border, fold wear, creases, and edge wear. This beautiful large format image of the beloved characters is extremely scarce (there are only three known to exist), making it a highly desirable and sought-after collectible. Fine+ on Linen.
Alice in Wonderland (RKO, 1951). Banner (24" X 82").
Walt Disney personally supervised the production of this Technicolor animated classic. He had been imagining a film version of Lewis Carroll's story since the 1930s, and the movie is actually a combination of both of the "Alice" books. The voices were provided by Kathryn Beaumont as Alice, Ed Wynn as the Mad Hatter, Sterling Holloway as the Cheshire Cat, and Jerry Colonna as March Hare, to name but a few. Beaumont went on to voice another Disney classic character four years later-- Wendy Darling in Peter Pan. This poster has surface wear, light creases, light stains in the borders, and corner bends. A special format, this unique poster will be a sure hit for all Disney fans. Rolled, Fine/Very Fine.
Merrie Melodies (Warner Brothers, 1933). Stock One Sheet (27" X 41").
As originally conceived by producer Leon Schlesinger, the Merrie Melodies cartoons were to feature music from current Warner Brothers films, serving as an additional source of advertising for those pictures. To develop this new property, Schlesinger recruited Rudy Ising and Hugh Harmon from rival Disney Studios in 1931. The series proved extremely popular, and soon developed a recurring cast of characters. Harmon and Ising left Warner Brothers in 1933, taking the rights to their cartoons and characters with them, so Schlesinger responded by creating a new raft of characters, eventually including such animation icons as Porky Pig, Daffy Duck, and Bugs Bunny. The poster offered here is from an extremely early period in Merrie Melodies' history, one of a very few to survive the ravages of time. This particular copy has crossfold separation, a tear on the left side with tape on the reverse, minor edge tears, and pinholes in the top border. Nevertheless, this is a very attractive copy of a very important part of animation history, a poster no animation collection is complete without. Fine/Very Fine.
Looney Tunes (Warner Brothers, 1940-41). Stock One Sheet (27" X 41").
The Looney Tunes cartoons were produced by Leon Schlesinger from 1930 to 1944, before he sold his interest to Warner Brothers. These early posters from the Schlesinger era are always eagerly sought by collectors. This beauty features Porky Pig and an early version of Daffy Duck, two of the most endearing of the many Tunes stars. This great sheet has a faint stain in Porky's forehead, tack holes in the borders, staple holes and light ghosting in the blank snipe area, and crossfold separations. A fun and bright poster! Fine-.
Merrie Melodies (Warner Brothers, 1941-42). Stock One Sheet (27" X 41").
Warner Brothers animation department, which was run by Leon Schlesinger until 1944, had two very successful series of shorts: the Looney Tunes and Merrie Melodies cartoons. This delightful design features most of the cast of characters from both series, and an original attached snipe for Double Chaser. Making this particular poster extra desirable is the early looks of both Bugs Bunny and Elmer Fudd, as well as the appearance of Sniffles the Mouse, created by legendary animator Chuck Jones in 1939. This sheet has a slight bleed-through on the left side from a stamp on the reverse, crossfold separations, and stains in the bottom and right borders. A very attractive example of the best in animation. Fine.
Warner Brothers Cartoons (Warner Brothers, 1946). Stock One Sheet (27" X 41").
This charming poster for the Looney Tunes, Merrie Melodies, and Bugs Bunny Specials features favorite characters Bugs Bunny, Elmer Fudd, Porky Pig, Daffy Duck, Sniffles the Mouse, Henry Hawk, and Beaky Buzzard. One of the rarer of the desirable Warner Brothers stock one sheets, this is also one of the more colorful, a great find for any animation collector. Professional restoration has repaired fold wear and crossfold separations, leaving this a bright and fantastic gem. Very Fine on Linen.
King of Kings (Pathé, 1927). One Sheet (27" X 41").
Cecil B. DeMille's epic tale of the life of Jesus Christ had an auspicious premiere on May 18, 1927 at the grand opening of the famed Grauman's Chinese Theater. H. B. Warner stars as Jesus, with Dorothy Cumming, Ernest Torrence, and James Neill rounding out the cast. Intelligently told, the film has many deeply moving moments such as the Sermon on the Mount, Jesus's healing of the lame, and his crucifixion on the cross. The spectacular ending sequence of the Resurrection was filmed in Technicolor. Demille's studio produced several different styles of one sheets for this epic, including this beautiful stone litho of "Maria & the Little Blind Girl." The poster had two chips in the right border, a small chip and tear in the top border, fold wear, and a tape stain in the title. With the excellent restoration, this poster has a gorgeous appearance. Very Fine- on Linen.
The Night Flyer (Pathé, 1928). One Sheet (27" X 41").
Starring William Boyd, who would, several years later, gain enduring fame as Western icon Hopalong Cassidy, this is a thrilling story about the pioneering railroaders who connected the East Coast and the West. Boyd plays engineer Jimmy Bradley, whose engagement to Kate Murphy (Jobyna Ralston) is called off after he gets dead drunk at his bachelor party. Kate runs to Jimmy's rival, Bat Mullins (Philo McCullough), but after Jimmy saves the day when Mullins's engine suffers a breakdown, and gets the mail through on time anyway, all is forgiven, and Kate returns to the arms of the heroic Jimmy. This dramatic stone litho one sheet shows some edge wear, a few tears in the borders, crossfold separation, an extra horizontal fold, and some small chips in the bottom border, but presents very nicely, and will no doubt make a wonderful display piece. Get your bid in on this beauty now! Fine.
Camille (Metro, 1921). Half Sheet (22" X 28").
Camille (Alla Nazimova) is a French prostitute who falls in love with Armand (Rudolph Valentino), a young man of means. When Armand's father begs Camille to turn away from his son, so as not to ruin his chances for the future, she does, but fate conspires to bring the two lovers back together again in the end. A leading star of the silent screen, Nazimova was a top box office draw when this picture was released. She was known for her bold, experimental films, many of which came under fire from the Hays Code for their scandalous and salacious nature. Seen here as the ultimate diva, this beautiful half sheet shows some overall creasing, a smudge in the left side, pinholes in the corners, and some toning at the edges, but presents very nicely. It's a great piece that deserves an honored place in your collection. Rolled, Fine/Very Fine.
The Four Horsemen of the Apocalypse (Metro, 1921). Half Sheet (22" X 28").
Although this film, based on the novel by Vincent Blasco-Ibanez, is a gripping anti-war drama, chillingly illustrating the devastating effects of World War I on an Argentinean family, it is primarily remembered today as the movie that both introduced the tango to a waiting world and made an instant superstar of Rudolph Valentino. Enormously successful, it remains the highest-grossing silent movie ever released. Offered here is a very rare half sheet from this landmark film, featuring a lovely image of Valentino with starlet Alice Terry. It has some staining and light foxing in the bottom border, and some light edge wear in the top border, but is otherwise extremely clean and attractive. One of the most significant stars of the silent era, paper from Valentino's films is always popular with collectors. Rolled, Fine/Very Fine.
Blood and Sand (Paramount, 1922). Lobby Card (11" X 14").
The great lover Rudolph Valentino plays the bullfighter Juan Gallardo in this immensely popular Paramount tear-jerker. Gallardo is tormented by his passion for Dona Sol (Nita Naldi) while married to his other love, Carmen (Lila Lee), eventually leading to tragedy. Idolized by women around the world, Valentino starred in several films written by screenwriter June Mathis, including The Sheik which launched them both to stardom. This card had a stain and two pinholes in the upper border. There is a small printer's mark on Dona's cheek. The card has had a small amount of restoration work and now displays beautifully. Images from this film are quite scarce; one this fine rarely comes to market. Fine/Very Fine.
Dangerous Money (Paramount, 1924). Window Card (14" X 22").
In this silent melodrama, Bebe Daniels plays Adele, a young woman who inherits some valuable farmland before being sent to finishing school in Europe. While there, she meets a dashing prince (William Powell), who leads her into a life of extravagance and debauchery. Soon, it's up to her former sweetheart Tim (Tom Moore) to straighten her out and save the day. This beautiful stone litho window card, with its striking image of Daniels, shows some very light foxing in the borders and rounded corners, but after cleaning and pressing, it looks virtually as good as new. This is a beauty that any film fan will be proud to own. Very Fine.
Ragtime (First Division Pictures, 1927). One Sheet (27" X 41") Style A.
This Jazz Era drama co-stars John Bowers, an actor whose tragic rise, fall, and death inspired the original 1937 A Star is Born. Bowers plays a Tin Pan Alley songwriter who writes a love song for a debutante (Marguerite de la Motte - his real-life wife). Prior to restoration, there was fold and crossfold separation with small bits of paper loss in the center of the poster. There was a tear in the right border, light edge wear, and small chips in the top and bottom borders. Expert restoration has left this beautiful stone litho one sheet looking immaculate. Fine on Linen.
The Awakening (United Artists, 1928). Pre-War Belgian (24" X 33").
When Samuel Goldwyn brought the Hungarian actress Vilma Banky to Hollywood, she became one of the biggest stars of the 1920s, appearing in three Rudolph Valentino pictures. Nicknamed the "Hungarian Rhapsody," Banky married another major player of the era, Rod La Rocque; a marriage that lasted over forty years. Here, Banky stars in this Victor Fleming directed melodrama as a French country girl. She becomes a nun during WWI, after having been compromised by a German count, played by Walter Byron. This Belgian poster has edge wear with small tears, a dust shadow in the top border, and corner bends. A lushly colored stone litho image, this portrait of Banky is gorgeous. Fine/Very Fine.
Her Man (Pathé, 1930). Pre-War Belgian (24" X 34").
The popular story of doomed lovers Frankie and Johnnie began as a song from the turn of the last century and was used as the basis of several movies, beginning with this version set in Havana, Cuba. This is one of Helen Twelvetrees's top films; she gained considerable notice in a role that would become familiar to her -- a long suffering heroine, who is in love with the wrong man. The ill-fated Johnnie is played by Ricardo Cortez, who would be re-teamed with director Tay Garnett and Twelvetrees the following year, in the gangster drama Bad Company. This bright poster has a tear at the bottom of the image that has been backed by archival tape, wrinkles at the top, edge tears, and one corner bend. Fine+.
Variety (Paramount, 1925). Lobby Card (11" X 14").
This daring German film from UFA (Universum Film AG) was seriously altered by critical censors when it made its debut in the U.S. Emil Jannings plays disabled carnival worker Boss Huller, who is abandoned by wife Lya De Putti for a handsome acrobat. In the original German version, the couple is not married and Jannings is less sympathetic and more deserving of his fate, having abandoned his first wife for mistress De Putti. The card has a corner chip, three rounded corners, and light edge wear. There is a minor dust shadow in two borders, and light soiling in the white areas. Cards from UFA productions, which was transformed into Deutsche Film AG after WWII, are quite scarce and this beauty will be a treasure for any serious collector. Fine/Very Fine.
The Blonde Vampire (Gunning Organization, 1922). Three Sheet (41" X 81").
Proving that the bad boys get all the best-looking girls, in this film Marcia Saville (played by De Sacia Mooers, billed as "America's Most Beautiful Blonde," in her second movie role) falls for underworld type Tom Smith, also known as "The Snapper" (Alfred Barrett), preferring him to the upstanding-but-dull Martin Kent (Edwin August). Of course, The Snapper shows his true colors when he tries to bilk Marcia's father (Joseph Smiley), allowing Martin to demonstrate his true strength of character and win the girl in the end. Although the film, and the star, are both largely forgotten, there's no denying the incredible appeal of this great poster. Although it has been mounted on linen, no further restoration work has been performed. It shows fold wear with chipping, split creases, small edge tears, and smudging in the borders, but these slight flaws do nothing to detract from the overwhelming beauty of this wonderful sheet. Fine- on Linen.
Black Oxen (First National, 1924). One Sheet (27" X 41").
An incredibly beautiful image of silent superstar Corinne Griffith graces this wonderful stone litho poster. Griffith plays Madame Zatianny, a woman who closely resembles Mary Ogden, who mysteriously disappeared thirty years earlier. It turns out she has had a "gland operation" which has restored her youth. Clara Bow plays a pretty young flapper in a supporting role in this film and received rave notices, which led to her getting much bigger and better roles. Prior to restoration, there was fold wear with crossfold separations, tears in the top and bottom borders, and minor chips in the corners. The restoration is top-notch, giving this poster a like-new appearance. Fine/Very Fine on Linen.
Lonesome (Universal, 1928). Title Lobby Card (11" X 14").
Bubbly Barbara Kent was one of the WAMPAS Baby Stars of 1927, and had a successful decade of acting, before her retirement from films in 1935. In this sweet romantic silent, she and Glenn Tryon star as two lonely souls who meet at an amusement park and spend the day together falling in love. The title card has pinholes, smudging in the top left corner, and corner creases. This bright image of Kent with the amusement park silhouette, will make an appealing addition to any collection. Fine/Very Fine.
The Dove (United Artists, 1927). Window Card (14" X 22").
Norma Talmadge was never lovelier than in the stunning stone litho window card offered here, promoting this Roland West production of Willard Mack's successful stage play. Talmadge plays cabaret dancer Dolores, who loves gambler Johnny Powell (Gilbert Roland), but is desired by crooked political boss Don Jose (Noah Beery Sr.). A beautiful film, Art Director William Cameron Menzies won an Oscar for his efforts. This exquisite piece had a tear in the left side, a small hole in the top center, a smudge in the right side, and light edge wear, but after the application of expert professional restoration, these flaws have been rendered virtually invisible. Fine/Very Fine.
The Veiled Adventure (Select, 1919). One Sheet (27" X 41").
Geraldine Baker (Constance Talmadge) is engaged to dashing Reginald Crocker (Stanhope Wheatcroft), until she discovers some other woman's grey veil in her beau's pocket. Soon, she meets the upstanding Richard Annesly (Harrison Ford), who eventually wins her heart. Constance followed her sister, Norma, to Hollywood, quickly becoming a major star in her own right, although she abandoned the screen with the coming of sound. This charming poster has a vertical crease in the top border, but is otherwise in exceptional condition. Very Fine on Linen.
Hollywood (Paramount, 1923). One Sheet (27" X 41") Style A.
The story is a familiar one: a starstruck young girl (Hope Drown) travels to Hollywood, in search of fame and fortune. But what really makes this silent film special are the cameos by virtually the entire roster of Tinseltown royalty - in fact, so many stars were seen in cameo roles that it was necessary to cast unknowns in the leads. The stars included Mary Astor, William Boyd, Charles Chaplin, Bebe Daniels, Cecil B. DeMille, Douglas Fairbanks, Sid Grauman, Alan Hale, William S. Hart, Jack Holt, Pola Negri, Anna Q. Nilsson, Charles Ogle, Mary Pickford, Zasu Pitts, Will Rogers, Gloria Swanson, and Ben Turpin, just to name a few. In perhaps the most poignant cameo of all, Roscoe "Fatty" Arbuckle, whose career had been scuttled in 1921 as the result of a scandal surrounding the death of actress Virginia Rappe (he was eventually acquitted on all counts), appears briefly as an unemployed actor, standing forlornly in a casting line, unable to get work. The gorgeous stone litho one sheet offered here is extremely rare and highly desirable. It had some paper loss in the top and left borders, small tears in the top and bottom borders, pinholes in the corners, and crossfold separation in the bottom panel, but expert professional restoration has addressed all of these issues, rendering them virtually invisible. No fan of classic Hollywood will want to miss out on the chance to bid on this rare prize! From the Ira Resnick Collection. Fine/Very Fine on Linen.
The She-Devil (Fox, 1918). Three Sheet (41" X 81").
One of the most intriguing actresses of the silent era, Theda Bara was one of Hollywood's first fully-created personalities. Born Theodosia Goodman in Cincinnati, Ohio, studio publicists released outlandish stories about her background, claiming that the beautiful femme fatale was the daughter of an artist and an Arabian princess, that her name was an anagram of "Arab Death," and that she was raised in the shadow of the Sphinx. None of this was true, but, coupled with Bara's kohl-darkened eyes and penchant for revealing, semi-transparent costumes, generated enormous interest among the movie-going public. She successfully created the image of the "vamp" - slang for a sexually predatory woman - an image later imitated by Nita Naldi, Pola Negri, and others. Between 1914 and 1926, Bara made over 40 films, nearly all of which are now considered lost following a fire at Fox Studios' New Jersey-based nitrate film storage vault in 1937. Only three complete pictures remain, as well as a handful of brief fragments. Nevertheless, Theda Bara remains an indelible image in the history of cinema, and will forever be remembered as one of the silver screen's first sex symbols. The She-Devil, one of Bara's lost films, was reportedly a solid effort, featuring Bara as the fiery Spanish girl Lolette. This stunning poster had fold wear with crossfold separation, and several small areas of missing paper along the vertical fold. Additionally, approximately one inch of the top border was missing. After expert professional restoration, all of these issues have been addressed, making the poster look every bit as good as the day it was printed. This is, without a doubt, a piece of film history. Although the film itself has been lost to the ravages of time, this beautiful poster survives, ready to take an honored place in your collection. Fine on Linen.
Sunrise (Fox, 1927). Lobby Card (11" X 14").
One of the most important directors in the history of German cinema, Friedrich Wilhelm Murnau is primarily remembered today for his landmark vampire film, Nosferatu (1922), an unauthorized adaptation of Bram Stoker's Dracula. After helming several important films in Germany - including Der Letzte Mann (1925) and Faust (1926), Murnau was lured to Hollywood by Fox Studios where, given an unprecedented amount of creative and artistic control, he made this movie. Although it received lavish critical acclaim - it won three Academy Awards, including a special Best Picture award for "artistic quality of production," and was hailed as "the most important picture in the history of movies" by playwright Robert Sherwood - it was a disappointment at the box office, causing Fox to take a firmer hand with Murnau in the future, and leading the director to break his contract with the studio in frustration. Nevertheless, this picture stands as a true classic, one of the most beautiful and artistic films ever brought to the screen. Offered here is a glorious embossed Lobby Card with artwork by Jochimsen. This artist did sets for The Big Trail, What Price Glory, and The Follies of 1929, and we are proud to offer cards from those sets in this auction as well. This very rare portrait card has marking in the bottom border, and some creasing in the left side and the top left corner, but is otherwise extremely clean and attractive. A truly great film, paper from this title is avidly sought after by collectors worldwide. Any devoted collector will be proud to own and display this rare treasure! Very Fine.
Sunrise (Fox, 1927). Jumbo Lobby Card (14" X 17").
Janet Gaynor and George O'Brien star in F. W. Murnau's landmark film about an unfaithful farmer who is tempted by a woman from the City (Margaret Livingston). Although he comes close to drowning his wife to satisfy his mistress, ultimately, he can't go through with it. A touching morality play, this is one of the most important films to come out of the silent era. It also earned Janet Gaynor the first-ever Best Actress Academy Award. This rare jumbo lobby card shows O'Brien sneaking back from a rendezvous with his lover at night while wife Gaynor sleeps. The card has been professionally restored to address two areas of paper loss in the right corner, a chip in the top border, and a chip in the lower left corner. There were tears and a hole in the image, and there is minor edge wear that occurred after restoration. This unique item now displays beautifully. Very Good on Paper.
United Artists Exhibitor Book (United Artists, 1928-29). Soft-Bound Exhibitor's Book (9.5" X 14") 40+ pages.
This outstanding exhibitor book features wonderful line drawings of United Artists' top stars and directors from 1928-1929. Included are Charlie Chaplin (for City Lights, not released until several years later), D. W. Griffith, Buster Keaton, Mary Pickford, Gloria Swanson, Norma Talmadge, Douglas Fairbanks, John Barrymore, and an ad for the silent version of Hell's Angels. There is a small tear, a dust shadow, and a crease on the front cover. Very Fine.
The Heart Specialist (Realart, 1922). Half Sheet (22" X 28").
In order to keep her "advice to the lovelorn" column off the chopping block, Rosalie Beckwith (Mary Miles Minter) bets her editor (Jack Mathis) that she can find love within 40 miles of the city. Not only does she succeed, she also foils a murder plot and sends a crooked doctor (Noah Beery) to jail in the process. Minter's career began to decline after the murder of director William Desmond Taylor, with whom she had an affair. She made a few pictures in 1923, but retired from the screen forever after a single picture in 1924. This gorgeous half sheet shows two small tears in the bottom border, and some foxing in the right border, but is otherwise very clean and highly desirable. Rolled, Fine/Very Fine.
A Doll's House (United Artists, 1922). Half Sheet (22" X 28").
Alla Nazimova stars in this, the third filmed version of the famous Ibsen play. She plays Nora Helmer, a woman betrayed by her husband (Alan Hale) after she saves his life by forging her dead father's signature to secure a loan. This was a role she had already essayed on the New York stage in 1907 and again in 1918. This lovely half sheet has only pinholes in the border and the field, a tear in the left side, and a top right corner bend. These are minor issues, this never-folded poster displays beautifully. Rolled, Very Fine.
Carnival (Alliance, 1921). Half Sheet (22" X 28").
As manager of a theater company, Silvio Steno (Matheson Lang) throws himself into his work, causing him to neglect his beautiful wife, Simonetta (Hilda Bayley). When Silvio's best friend Andrea (Ivor Novello) takes an interest in the lonely woman, Silvio goes somewhat mad, leading to a violent confrontation on stage during the murder scene of Othello. The lovely half sheet offered here shows edge wear, pinholes in the corners, and a tear in the bottom border, but these slight flaws do nothing to detract from the overwhelming eye-appeal of this vintage beauty. Rolled, Fine+.
Gloria's Romance (K-E-S-E Service, 1916). One Sheet (28.25" X 42") "A Modern Pirate."
This extremely early serial stars Billie Burke - better known to today's film fans as Glinda, the Good Witch of the North from The Wizard of Oz (1939) - as Gloria Stafford (a role for which Burke was reportedly paid the then-enormous sum of $140,000), a spoiled little rich girl who attempts to find love and adventure over the course of 20 chapters. The gorgeous stone litho poster offered here had two large pieces missing in the bottom border, a chip out of the left border, tearing at the folds, two small holes at the bottom fold, and a small hole just below the top border, but expert professional restoration has addressed all these slight flaws, once again making this poster look as good as new. Posters from these early serials are quite rare. Very Good/Fine on Linen.
Gloria's Romance (K-E-S-E Service, 1916). One Sheet (28.25" X 42") "The Shadow of Scandal."
This twenty-chapter serial marked Billie Burke's second screen role after gaining fame as one of the brightest stars on Broadway. Between films, she would often return to the stage, as it remained her first love for the rest of her life. This exceptionally beautiful stone litho one sheet had three tears in the right border that extended into the image area, as well as an extra vertical crease in the right side, but now looks as good as new thanks to expert professional restoration. Fine+ on Linen.
Golden Age (1938-1955)
Greed (MGM, 1924). Swedish Poster (35" X 47.5").
A fortune won in a lottery has a disastrous effect on the lives of three separate people - played by Gibson Gowland, Zasu Pitts, and Jean Hersholt - who are dramatically changed by the sudden influx of cash. Based on the novel McTeague, by Frank Norris, this is one of director Erich von Stroheim's greatest films. As originally shot, the picture ran to 40 reels, or more than 10 hours of screen time, pared down to 20 reels after a confrontation with MGM's head of production, Irving Thalberg. After the intractable von Stroheim refused to further compromise his masterpiece, the studio took the picture away from him, and assigned June Mathis to get the film down to a more manageable 10 reels. It was this version that was eventually released to the public. Greed remains an intense and powerful film, even in its highly edited form. Offered here is a beautiful stone litho Swedish one sheet for this landmark production, with art by Eric Rohman. In remarkable condition, only our strict policy of not awarding a grade higher than Very Fine+ to any poster mounted on linen keeps us from giving this piece an even higher grade. A real stunner, this is one you'll be proud to own and display. Very Fine+ on Linen.
Movie Posters
The Land of Liberty (Mutual, 1914). One Sheet (27" X 41").
While little is known about this film, there's no missing the patriotic fervor that obviously inspired it. Although the United States would not officially enter World War I for several more years, the conflict was already raging in Europe, with many young Americans traveling overseas to fight with foreign companies like the Lafayette Escadrille. Therefore, patriotic sentiment in the U.S. had already begun to stir, as seen in this glorious and colorful stone litho one sheet. This exceptional piece had small chips from the right, top, and left border, and edge wear in the top border. An outstanding job of expert professional restoration has returned this unique and important piece to its original glory. This lovely poster is pictured in the 1988 book, Reel Art by Rebello and Allen. Fine on Linen.
The Scarlet Saint (First National, 1925). One Sheet (27" X 41").
In this silent melodrama, Mary Astor plays Fidele Tridon, a beautiful young woman who has been promised in marriage to the rapacious Baron Kurt Badeau (Frank Morgan). Fidele, however, has other plans, as she has fallen in love with the young and dashing Philip Collett (Lloyd Hughes), leading to a duel of honor between the two men. This exquisitely beautiful stone litho poster, seemingly inspired by the luscious Art Nouveau designs of Alphonse Mucha, had chips and tears in the borders, some small tears in the field, and two small pieces missing in the right border, but expert professional restoration has made it look as good as the day it was printed. Although the movie now seems lost to the ages, you can own this rare beauty as part of your permanent collection. Fine+ on Linen.
The Jungle Child (Triangle, 1916). One Sheet (27" X 41").
In this interesting twist on the Tarzan legend, Ollante (Dorothy Dalton) is orphaned in the Amazon jungle and adopted by curious natives. Years later, their village is discovered by unscrupulous explorer Ridegeway Webb (Howard C. Hickman), who learns that the wild girl is the heir to a fabulous fortune. Returning to New York, Webb courts and marries Ollante, who soon discovers his true motives. Flying into a rage, she reverts to her savage roots and metes out vengeance on the scurrilous cad. Offered here is a rare and very attractive stone litho one sheet for this intriguing film. It had light fold wear and pinpoint crossfold separation prior to expert professional restoration. Only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen prevents us from awarding an even higher grade to this silent stunner. Very Fine+ on Linen.
The Country Cousin (Selznick, 1919). One Sheet (27" X 41").
Adapted from a play by Booth Tarkington and Julian Street, this silent era melodrama stars Elaine Hammerstein, cousin of famed lyricist Oscar Hammerstein II, in a story about a young girl (Hammerstein) who follows her cousin to the Big City, there to find adventure and romance. This beautiful stone litho poster had some tearing through the center, chipping and tears in the left border, and a piece missing in the right border, but now looks brand new after expert professional restoration. A wonderful portrait of the lovely actress of the silent era. Fine on Linen.
The Flower of No Man's Land (Columbia, 1916). One Sheet (27" X 41").
Silent screen star Viola Dana appeared in over a hundred films in her career, and was married to this picture's director, John H. Collins. Dana is the exotic Echo, a girl growing up in the Wild West, who is pursued by several suitors, including Duncan McRaem, Mitchell Lewis, and Harry C. Browne, before moving to Greenwich Village. Collins was one of the unfortunate victims of the 1918 influenza epidemic, leaving Dana a young widow, she was later involved with the aviator daredevil Ormer Locklear and comedian Buster Keaton. This lush one sheet is in extremely nice condition with only pinpoint crossfold separations, fold wear, three minor tears in the field, and light wrinkles in the borders. A gorgeous stone litho print, it will be a long time before we see another one this special. Very Fine.
The Last Hour (Mastodon, 1923). One Sheet (27" X 41").
A suspenseful crime drama, this film follows Steve Cline (Milton Sills) as he attempts to save his brother Tom (Jack Mower) who has escaped from prison where he was being held for robbery. When Tom is killed by a crooked cop and Steve is set up for a murder he didn't commit, he must rely on his love Sadie (Carmel Myers), to stop his execution. Sills, previously a Broadway actor, had a long and prolific career in Hollywood that began in 1914. This poster has a piece missing from the right border and a tear at the upper crossfold. There was a large missing piece from the lower left corner, but in the border only. The poster has had touch-up to the fold lines. The conservation work on this piece was professionally and beautifully done. This is a magnificent stone litho with a wonderful image of the film's two stars. Fine on Linen.
The Red Mill (MGM, 1927). Title Lobby Card (11" X 14").
Roscoe "Fatty" Arbuckle, the very talented and popular actor, also wrote and directed several films throughout his early career. In 1921, after the scandalous trials for manslaughter for which he was acquitted, his acting career was ruined, and he turned to alcohol. Having been banished from acting, Arbuckle was still allowed to direct, under the pseudonym William Goodrich. Marion Davies and newspaper mogul William Randolph Hearst (the financial backers of Cosmopolitan Pictures and ironically the leader of the public attacks against Arbuckle) hired the former actor to direct this light romantic comedy, loosely based on an earlier operetta. Owen Moore and George Siegman co-star. This near-pristine card has only two smudges in the borders, and pinholes in the corners. Very Fine.
Little Lord Fauntleroy (United Artists, 1921). Half Sheet (22" X 28").
Based on the novel by Frances Hodgson Burnett, which has been produced in theater and on film countless times, this version is one of the best and stars America's Sweetheart, Mary Pickford. She is featured in two roles, as both Cedric Errol, and the poor boy's widowed mother known as Dearest. Director Alfred E. Green does a sensational job especially in a scene in which Pickford is shown in both roles in one shot, a difficult and time-consuming technical feat at the time. Pickford's brother Jack, known mainly as an actor, is also given a directorial credit, the second and last he would receive. The poster has pinholes in the borders, light edge wear, wrinkling and a tear in the left border, and light soiling. Offered here for the first time, this very rare half sheet features a stunning profile of the acting legend. Rolled, Very Fine-.
Nice People (Paramount, 1922). Insert (14" X 36").
William C. DeMille (older brother of Cecil B.) directs top silent stars Bebe Daniels, Wallace Reid, and Conrad Nagel in this wild Roaring Twenties comedy. Daniels shocks her conservative family with her partying, and getting sent to their country estate doesn't slow her down. This insert has surface abrasions with paper loss in the right corners and one area at the right edge, and light fold wear. This really special poster displays many wonderful Jazz Age party scenes. Folded, Fine.
Huck and Tom (Paramount, 1918). One Sheet (27" X 41") Style A.
This popular silent picture was directed by the infamous William Desmond Taylor, who would make national headlines in 1922 when he was found shot to death in his Hollywood bungalow; the culprit was never found and his murder remains unsolved to this day. This was the second time Taylor had used Mark Twain's immortal novels as the basis of a film - he released Tom Sawyer in 1917 (also starring Jack Pickford, Mary's brother), and would return to the well in 1920 with a production of Huckleberry Finn. The lovely stone litho poster offered here had fold wear, a top right corner bend, chips in the left and right borders, and tears in the top and bottom borders, but expert professional restoration has rendered these slight flaws virtually invisible. This is a beautiful poster that will enhance any collection. Fine+ on Linen.
The Adventures of Tom Sawyer (United Artists, 1938). Lobby Card Set of 8 (11" X 14").
Mark Twain's beloved classic is brought to life by David O. Selznick, with help from director Norman Taurog, and stars Tommy Kelly (in his film debut), Jackie Moran, Walter Brennan, Victor Jory, and May Robson. All cards have corner bumps and a light bend in the top right corner. These wonderful cards feature many of the classic scenes, which were filmed in Technicolor, by famed cinematographer James Wong Howe. Very Fine/Near Mint.
Roaring Lions on the Midnight Express (Fox, 1918). One Sheet (27" X 41").
Little is known about this early silent two-reeler, save that it stars Lloyd Hamilton, Billie Ritchie, Monty Banks, and Slim Summerville, and that a print reportedly exists in the Czech Film Archives. Other than that, we can only speculate based on the wonderful image on this exceptional stone litho poster. As far as great imagery goes, this poster is hard to beat! It had some paper loss in the left border, small chips in the right, top, and bottom border, and small tears at the fold lines, but professional restoration has rendered these slight flaws virtually unnoticeable. This is a great piece, that any film fan would love to own. Fine on Linen.
Sonny Boy (Warner Brothers, 1929). One Sheet (27" X 41") Style A.
Child star Davey Lee first appeared on screen at the age of four in the 1928 hit The Singing Fool, sitting on Al Jolson's lap as the entertainment icon croons "Sonny Boy" to him. Taking off from the popularity of that film, Warner Brothers created this vehicle for the little boy with the Buster Brown hairdo. Also starring are the always enjoyable Edward Everett Horton and Betty Bronson. Lee's older brother Frankie was also a child star, appearing in over fifty films before retiring in 1925 at the age of fifteen. Restoration has addressed the issues of pinholes in the corners and chips in the left and right borders. There is light soiling throughout and scuffs in Lee's face that are still apparent after restoration. This is a remarkably beautiful stone litho poster which any lucky collector of early talking films would be proud to own. Very Good on Linen.
Say it with Songs (Warner Brothers, 1929). Title Lobby Card (11" X 14").
After the success of The Singing Fool in 1928, Warner Brothers re-teamed popular entertainer Al Jolson, director Lloyd Bacon, and child star Davey Lee for this musical melodrama with a message. Jolson plays a radio star who forsakes his wife (Marian Nixon) and son, Little Pal (Davey Lee) for his gambling habit. After a stint in prison, and almost losing his son in an accident, Jolson learns the true value of his family. Musical highlights include "Back in your Own Backyard," "I'm Ka-razy for You," and "Little Pal." This linen finish lobby card has stains in the top and bottom borders, and bends in the top corners. Fine+.
The Jazz Singer (Warner Brothers, 1927). Lobby Card (11" X 14").
As every movie fan knows, after twenty years of silent films, The Jazz Singer was the first full-length sound feature and it began the revolution of talking pictures. Produced by Warner Brothers with their Vitaphone sound process, Al Jolson, performing in black face, speaks and sings for the first time! His first words were prophetic -- "Wait a minute, wait a minute, you ain't heard nothin' yet." The production costs for the film were $422,000, a large sum for the financially strapped studio, but the film was a hit, creating a world wide sensation, and virtually saving Warner Brothers. This beautiful card has light smudges in two corners, and a minor edge nick in the bottom border. Paper from this historic title is scarce, and rarely, if ever, becomes available. In such pristine condition, this lobby card will garner much attention from serious collectors. Very Fine.
Fox Movietone Follies of 1929 (Fox, 1929). Title Lobby Card and Lobby Card (11" X 14").
This charming early musical had a lot going for it, including the considerable talents of Lincoln Theodore Monroe Andrew Perry, the first black actor to reach millionaire status under the name Stepin Fetchit, and the delightful hit song, "The Varsity Drag." These beautiful all-art cards, with superb Jazz Age imagery by Jochimsen, perfectly capture the spirit of this ebullient musical. The title card shows some light scuffing, a top left corner bend, and creasing in the bottom border. Both cards have some paper tape on the reverse. These cards, for a film now lost, are extremely rare and desirable. Very Fine-.
Show Boat (Universal, 1929). One Sheet (27" X 41") Helen Morgan Style.
The 1929 version of Show Boat was made as a silent film, but the studio panicked when they realized that because of the coming of sound, audiences might be expecting a talking picture version of the novel. So, several scenes were then reshot to include about thirty minutes of dialogue and singing. Because of the success of the stage musical, which was playing on Broadway at the same time that the film was being shot, a two-reel sound prologue, featuring several members of the stage cast singing five songs from the show, was also added, and the movie was released both as a part-talkie and as a silent film without the prologue. This special poster was produced to promote the sound prologue, and features Helen Morgan, who appeared in the stage version, but she doesn't actually appear in the main body of this film. A very rare poster example from the dawn of the cinema sound era. Prior to restoration, there was a small hole in the right side, a chip out of the left border, the top left corner was missing, tears in the top and bottom borders, and a small piece was torn on the bottom right corner. The excellent restoration has rendered these flaws nearly invisible. Very Good/Fine on Linen.
Show Boat (Universal, 1929). One Sheet (27" X 41").
Based on a book by Edna Ferber, which also spawned a successful Broadway show, this is the story of Magnolia Hawkes (Laura LaPlante), daughter of a nineteenth century showboat Captain. When her husband, inveterate gambler Gaylord Ravenal (Joseph Schildkraut) abandons her and her infant daughter, Magnolia is forced to use the talents earned on her father's boat to become a successful stage star. Like The Jazz Singer, this picture was released as a part-silent, part-talking version, retaining the song "Ol' Man River," and jettisoning all the rest of Jerome Kern and Oscar Hammerstein's popular songs. This lovely stone litho poster had fold wear, crossfold separation, pinholes in the corners, a tear in the bottom vertical fold, some paper loss at the bottom left fold, a small chip in the left border, and a missing top left corner, but expert professional restoration has returned this classic sheet to a like-new appearance. Fine- on Linen.
Syncopation (RKO, 1929). One Sheet (27" X 41").
Noted illustrator Hap Hadley, famed as the artist on such movie posters as The General, Hell's Angels, and The Circus, created the wonderful poster artwork for this, RKO's first sound musical. The film features Fred Waring's Pennsylvanians, one of the jazz era's top bands, and crooner Morton Downey Sr. This poster is featured on page 233 of the Reel Art book. Prior to restoration, this poster had minor fold wear, slight tearing on the top and bottom borders that just extends into the image, minor chipping in the borders, and edge wear. There has been touch-up work done on the titles. This is an exceedingly rare and fabulous Jazz Age poster! Fine on Linen.
The Broadway Melody (MGM, 1929). One Sheet (27" X 41").
As MGM's first musical, The Broadway Melody was the biggest Hollywood sensation of the decade. It spawned a series of Broadway themed blockbusters for MGM lasting years, which lifted the company to its position as the most prominent of all the studios. It is hard to overstate the importance of this musical for MGM, or its place in creating the studio's golden age. MGM featured some of the highest production value films being made at the time. This film, with its phenomenal financial and critical success, started it all and won the Academy Award for Best Picture. It featured a few scenes in Technicolor, which would soon be a staple for the musicals, and was also released in a silent version, as some theaters at the time had not made the transition to sound pictures. Directed by Harry Beaumont and produced by the legendary Irving Thalberg, with music by Nacio Herb Brown and Arthur Freed, this all-talking, all-singing, all-dancing spectacle stars Charles King, Anita Page, and Bessie Love, who was nominated for a Best Actress Award. There was minor chipping in the right border as well as very tiny chips in a couple of small spots within the image. There was a clean tear from the "M" in the title "Melody" downward a couple of inches, and another small tear in the upper border down to the "a" in "Broadway." The poster was professionally and archivally treated and now looks like new! This is a magnificent and exceedingly rare and important poster for a legendary film. Fine/Very Fine on Linen.
The Broadway Melody (MGM, 1929). Lobby Card (11" X 14").
This Oscar winning musical extravaganza stars Anita Page, Bessie Love, Charles King, and Kenneth Thomson. The first of the popular MGM films that feature behind-the-scenes peeks at Broadway and its stars, this classic was an instant hit in the early days of the talkies. It was also the first sound film to win a Best Picture Award and features songs by Nacio Herb Brown and Arthur Freed and the grand George M. Cohan masterpiece "Give My Regards to Broadway." There is only a very minor printing imperfection in the right border. A colorful and stunning card. Very Fine+.
The Broadway Melody (MGM, 1929). Lobby Card (11" X 14").
The immense MGM musical legacy began with this seminal early sensation. The studio knew immediately it had something special, and with one of the earliest scenes ever filmed in Technicolor, this gem started a wave of musical productions. Anita Page and Bessie Love are dancing sisters in love with Charles King. Images from this important film are very hard to come by, and offered here is a full color scene card featuring the three stars, with only a small tear in the right border and a slight crease in the image, which is hardly detectable. Gorgeous condition for this rare card. Very Fine.
The Broadway Melody (MGM, 1929). Lobby Card (11" X 14").
Popular beauty Bessie Love was given her start in Hollywood by D. W. Griffith in small roles in The Birth of a Nation and Intolerance. She was nominated for an Academy Award for her performance as Hank Mahoney in this grand musical and is featured here with Charles King, who would co-star again with Love in the 1930 MGM sequel Chasing Rainbows. The card has minor moisture staining in the top left corner and a very small bend in the bottom left corner. Very Fine-.
The Broadway Melody (MGM, 1929). Lobby Card (11" X 14").
Anita Page was one of MGM's biggest stars and was at the height of her career when she made this first all-talking-and-singing smash musical hit, which was the top grossing film of 1929. She had just finished another important film, Our Dancing Daughters, in which she starred with Joan Crawford. A few years later Page would briefly marry composer Nacio Herb Brown, who wrote the score for The Broadway Melody. This card has a slight stain and some moisture wrinkling in the top and left borders, and a very minor corner bend in the lower left. Beautiful vibrant colors on this very rare card with Page front and center. Fine/Very Fine.
Gold Diggers of 1933 (Warner Brothers, 1933). Mini Window Card (8" X 14").
Opening with a bang with Ginger Rogers's unforgettable and charming version of "We're in the Money," this Busby Berkely extravaganza is a joy to watch and listen to! Ruby Keeler, Dick Powell, Joan Blondell, and Rogers sing and dance their way through Harry Warren and Al Dubin's hits: "Remember My Forgotten Man," "Pettin' in the Park," and "Shadow Waltz." This midget window card had a center vertical crease, small holes in the bottom and one in the right border, and one corner bend. There was a tear on the left side that extended into the image, and the top imprint area has been replaced. This item has been expertly restored, rendering these issues unnoticeable. With the great border art of the stars and wonderful central artwork, this is a dynamite little piece! Very Good-.
Gold Diggers of 1935 (Warner Brothers, 1935). Insert (14" X 36").
Released during the depths of the Great Depression, this film wasn't as much about the story - about a wealthy woman backing a play who wants her daughter to marry a rich man; the daughter, however, has other plans - as it is about the music and the incredible Busby Berkeley choreography. Particularly memorable is the classic "Lullaby of Broadway" number. This charming insert perfectly captures the elegant atmosphere of the film. It has bends in the bottom and top right corners, smudging in the bottom corners, two small tears in the right border, and a scuff in the left side, but is otherwise clean and attractive. This is a beauty, a piece you'll display proudly. Rolled, Very Fine.
The Singing Kid (First National, 1936). Jumbo Lobby Card (14" X 17").
Al Jolson, as Al Jackson, is a singer recuperating in the country, who then falls for Ruth Haines, played by Beverly Roberts, in her film debut. Cab Calloway sings "You Gotta Have that Hi-Di-Ho in Your Soul" and two duets with Jolson -- "The Swingin'est Man in Town" and "I Love to Sing-a." This very rare card has creases in the left and right borders, one corner bend, pinholes in the corners, and edge wear. This is a fantastic image of the brilliant bandleader, Calloway. Fine/Very Fine.
Hit the Deck (RKO, 1930). Three Sheet (41" X 81").
An adaptation of a ht Broadway play, this charming musical, now sadly lost to the ravages of time, is about a sailor (Jack Oakie) pursued by a cafe owner (Polly Walker). Offered here is a lovely three sheet. It shows edge wear, foxing at the fold lines, an edge tear in the right border, and crossfold separation, but is eminently presentable and very attractive. All hands on deck to bid on this beauty! Fine/Very Fine.
42nd Street (Warner Brothers, 1933). Lobby Card (11" X 14").
This legendary backstage Busby Berkeley production set the standard high for all future musicals, and garnered a Best Picture Academy Award nomination. This lush card has only pinholes in three corners and one in the left border. It is one of the best of the set with stars Warner Baxter, Ginger Rogers, Guy Kibbee, and Ned Sparks featured. Very Fine.
Anything Goes (Paramount, 1936). Jumbo Lobby Cards (4) (14" X 17").
This star-studded Cole Porter blockbuster features Bing Crosby, Ethel Merman, Ida Lupino, and Charles Ruggles. Ethel Merman's renditions of the title song,"Anything Goes," "I Get a Kick Out of You," and her duet with Bing Crosby, "You're the Top" are just a few of the highlights. Bing Crosby would also appear in the 1956 re-make. The cards have creases, and pinholes in the corners. One card has a tear on the left edge that extends into the image with archival tape on the reverse. These linen finish jumbo lobby cards feature all the stars, and a great image with five Crosbys! Fine.
Flying Down to Rio (RKO, 1933). Pre-War Belgian (24.5" X 34").
Here is the film that began the career of the most popular dance team in cinematic history - Fred Astaire and Ginger Rogers. Flying Down to Rio ostensibly starred Dolores Del Rio and Gene Raymond, but Astaire and Rogers steal the film with their incredible dance number done to the tune of "The Carioca." In fact, as shown on this very rare Belgian poster, Carioca was the film's title in Europe. It was a tremendous hit there, just as it was here in the States. What makes this poster particularly desirable is that Astaire and Rogers are both pictured on it, something that didn't occur on the U.S. one sheet. Prior to restoration, there was light fold wear and a tear on the top border. Very Fine on Linen.
Follow the Fleet (RKO, 1936). Autographed Title Lobby Card (11" X 14").
Fred Astaire and Ginger Rogers once again bring the fabulous Irving Berlin hits to life, this time putting on a show aboard a naval battleship. Shortly after their sensational Top Hat of the previous year, Berlin again composes the unforgettable songs including: "Let Yourself Go," "I'm Putting All My Eggs in One Basket," "Let's Face the Music and Dance," and more. The film features early appearances from Betty Grable, Lucille Ball, and Tony Martin. There is light edge wear, rounded corners, two small border tears, and light creasing. This gorgeous card is signed by Fred Astaire, Ginger Rogers, Randolph Scott, Harriet Hilliard, and Joy Hodges! From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine/Very Fine.
Follow the Fleet (RKO, 1936). Lobby Card (11" X 14").
Fred Astaire and Ginger Rogers make cinematic magic with their hit dancing number "Let Yourself Go" in this great scene card. The card has edge wear, two corner bends, a light dust shadow in the left border, light foxing in the right border, and pinholes in the image. Fine/Very Fine.
Follow the Fleet (RKO, 1936). Lobby Card (11" X 14").
Fred Astaire plays a lovesick sailor and Ginger Rogers is his ex-partner, dressed in stylish nautical gear in this top musical hit. This card has a chip in the top right corner, pinholes in the image, edge wear, a corner bump, and light smudges in the borders. Fine.
Follow the Fleet (RKO, 1936). Lobby Card (11" X 14").
Fred Astaire and Ginger Rogers win the dancing trophy at the Paradise Club competition. Did any other dancing pair have a chance? The card has a small corner chip, edge wear, smudges in the borders, and pinholes in the image. Fine/Very Fine.
Follow the Fleet (RKO, 1936). Lobby Card (11" X 14").
Ginger Rogers isn't buying Fred Astaire's explanation in this great scene from their fifth film together. The card has a small tear in the bottom of the image, two corner bends, edge wear, smudges in the borders, and pinholes in the field. Overall the image appears bright and is a wonderful portrait of the dancing team. Fine+.
Follow the Fleet (RKO, 1936). Lobby Card (11" X 14").
Fred Astaire, as Bake Baker, listens in as Sherry Martin (Ginger Rogers) talks to the wisecracking Kitty Collins played by comedienne Lucille Ball in her third picture with the legendary dancing pair. The card has creases in the top left corner, edge wear, smudges in the borders, and pinholes in the fields. Fine+.
Follow the Fleet (RKO, 1936). Lobby Cards (2) (11" X 14").
Fred Astaire taps his way through the fantastic Irving Berlin song "We Saw the Sea" on this delightful lobby card. The other card in this group features Randolph Scott and Harriet Hilliard (best remembered as Harriet Nelson of the hit TV show The Adventures of Ozzie & Harriet) who shines in her number, "Get Thee Behind Me, Satan." Both cards have pinholes in the fields, light edge wear, two edge tears, and two corner bends. Fine/Very Fine.
Top Hat (RKO, 1935). Jumbo Lobby Card (14" X 17").
Ginger Rogers and Fred Astaire star in this romantic comedy musical, the fourth of their ten films together. In a case of mistaken identity, Rogers believes Astaire is married to her good friend Madge (Helen Broderick), and she is put out when he starts to romance her. Madge is actually married to the bewildered Edward Everett Horton. A young Lucille Ball has a small part as a flower check girl. This superb linen finish card has pinholes in the corners, light edge wear, light creases in the top right corner, and one small edge tear. Fred and Ginger have never looked lovelier. Fine/Very Fine.
Top Hat (RKO, 1935). Jumbo Lobby Card (14" X 17").
In this stunning image, the ethereal dancing team of Fred Astaire and Ginger Rogers are floating away to Irving Berlin's "The Piccolino," against the backdrop of a faux Venice. This linen finish card has pinholes in the corners, a small tear in two borders, three small corner chips, and light edge wear. Fine+.
Top Hat (RKO, 1935). Jumbo Lobby Card (14" X 17").
Considered the best film from the iconic partners Fred Astaire and Ginger Rogers, this musical comedy remains a beloved classic. Irving Berlin composed the hits: "No Strings (I'm Fancy Free)," "Isn't This a Lovely Day?," "Top Hat, White Tie and Tails," and the sensational "Cheek to Cheek." This linen finish card has a small tear at the top border, pinholes, and a stain above Astaire's head. Paper from this grand musical is always highly sought after, and these rarely seen jumbo lobby cards are a real treat to behold. Fine+.
Top Hat (RKO, 1935). Jumbo Lobby Card (14" X 17").
This grand scene card is from Fred Astaire's performance of "Top Hat, White Tie and Tails," one of many classic hits written by Irving Berlin. Astaire and Berlin became close friends after their collaboration on this film, and the composer would write music for five more Astaire pictures. This card has pinholes in the corners, tiny chips in the bottom corners, and bumps in the top corners. There is light edge wear and three small edge tears. This linen finish jumbo card has bright images from one of the most memorable musicals of all time. Fine+.
Swing Time (RKO, 1936). Promotional Mailer (17" X 34").
Legendary dance partners Fred Astaire and Ginger Rogers star in their fourth picture together, a sensational hit directed by the great George Stevens. The film is brimming with Jerome Kern favorites such as "Never Gonna Dance," "A Fine Romance," "Pick Yourself Up," and "The Way You Look Tonight" which won the Academy Award for best song. This divine poster is a promotional mailer sent to RKO theater managers before the film's release, as a sample of what the 24 sheet would look like. Prior to professional restoration, the poster had punch holes at the top border and light fold wear. The rarity of the style and its magnificent condition, make this beauty a real find for collectors. Very Fine on Linen.
Shall We Dance (RKO, 1937). Window Card (14" X 22").
One of the most divine parings in cinema history, Fred Astaire and Ginger Rogers made ten films together, all immensely successful. This one combines ballet and popular dance, with incredible Gershwin hits including "They All Laughed," "Let's Call the Whole Thing Off," and " They Can't Take That Away," to name just a few. The delightful Edward Everett Horton lends his expert comedic touch. The poster had chips in two corners and two areas of paper loss in the left field, and a tear in the left side that extended into Astaire's forehead. There were creases, stains at the top, and tears in the right border. These issues were addressed with expert restoration. This stunning portrait of Astaire and Rogers is a winner. Very Good+.
Shall We Dance (RKO, 1937). Title Lobby Card and Lobby Card (11" X 14").
For fans of classic musicals, it doesn't get much better than this. Fred Astaire and Ginger Rogers star as a ballet dancer and a showgirl who fall in love, all to the music of a classic George and Ira Gershwin score. Offered here is a beautiful title card, with pinholes in the corners, small corner bends, a dust shadow in the right border, and light tanning, as well as a great scene card, showing pinholes in the corners as well as the top and bottom borders, small stains in the bottom border, light corner bends, and light tanning. These are exceptional pieces from one of Fred and Ginger's greatest films, a true prize for any fan. Very Fine-.
The Story of Vernon and Irene Castle (RKO, 1939). Title Lobby Card (11" X 14").
Ginger Rogers and Fred Astaire star in their final RKO film together, as the real-life dancing team of Vernon and Irene Castle. The couple popularized ballroom dancing prior to WWI, and became a sensation across the country. In the sad but effective ending, Irene must carry on after Vernon is killed in a plane crash. Edna May Oliver and Walter Brennan co-star. There are pinholes in the corners, a light crease in the top border, edge wear at the right, and rounded corners. There is a light smudge in the image and one piece of paper tape on the reverse. This spectacular card features several images of the dancing couple. Very Fine-.
The Band Wagon (MGM, 1953). Autographed One Sheet (27" X 41").
This very witty musical stars the indomitable Fred Astaire as Tony Hunter, a Broadway star who is asked by friends Oscar Levant and Nanette Fabray to headline their new production, a musical revival of Faust. Tony is not thrilled by his ballerina co-star Cyd Charisse, nor by the artsy director, Jack Buchanan, but all performers put aside their differences to put on a top show. The poster has crossfold separations, pinholes in the corners, light edge wear, two extra vertical creases, and smudges in the borders. This beautiful one sheet is a rare find and is signed "Fred Astaire," "Vincente Minnelli," (Director), "Betty Comden," (Writer) and "Adolph Green," (Writer). There is also a fabulous inscription at the top-- "For Arthur Kern. That's Entertainment--my warmest wishes-- Arthur Schwartz." Schwartz co-wrote the songs in the film, including the screen debut of "That's Entertainment." From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Very Fine-.
The Band Wagon (MGM, 1953). Three Sheet (41" X 81").
When down-on-his-luck movie star Tony Hunter (Fred Astaire) agrees to star in a Broadway musical, he's not prepared for his leggy co-star (Cyd Charisse) or self-described "genius" director Jeffrey Cordova (Jack Buchanan), both of whom proceed to make his life miserable. This charming musical, directed by Vincente Minnelli, very much reflected real life, in that Astaire's career had come to something of a standstill at the time, and he was considering retirement. The design of this great three sheet is far different than the stunning one sheet, and magnificent in the fact that it is all Charisse and her fabulous legs! The poster has some minor crossfold wear and pinholes in the corners. The two panels were carefully glued together sometime in its past. Get this rare poster while you can. Fine.
Holiday Inn (Paramount, 1942). Lobby Card Set of 8 (11" X 14").
One of the best Christmas themed movies of all time, this Paramount hit boasts a dream cast of Bing Crosby, Fred Astaire, Marjorie Reynolds, and Virginia Dale, and an unforgettable score by Irving Berlin. The most famous highlight of the picture is the first performance of "White Christmas," (sung by Crosby and Reynolds) which won the Academy Award for Best Song and went on to be the best-selling single of all time. Due to the song's resonance with wartime audiences, and immense popularity, Paramount created another Crosby holiday vehicle twelve years later, simply titled White Christmas. Other Berlin highlights include "You're Easy to Dance With," "Happy Holidays," ""Be Careful, It's My Heart," and so many more. This set has had some restoration work to several cards with tears and wear. Three cards have not been restored and have corner pinholes. Once card has a small abrasion in the image, and one card has a chip. Fine-.
Easter Parade (MGM, 1948). One Sheet (27" X 41") Style C.
The great Fred Astaire plays celebrity dancer Don Hewes, who plucks little Hannah Brown (Judy Garland) out of obscurity to star with him in his new show after being dumped by his former partner Nadine (Ann Miller). A delightful musical, the Irving Berlin hits include "Steppin' Out," "We're a Couple of Swells," "Happy Easter," and "It Only Happens When I Dance With You." This professionally restored one sheet had fold wear, pinholes in the corners, small chips in the right border and top corner, and a tear in the credits area. This wonderful design has Garland in full Technicolor glory. Fine on Linen.
Easter Parade (MGM, 1948). Lobby Card Set of 8 (11" X 14").
This sensational MGM musical, one of the best of the genre, showcases the immense talents of Fred Astaire, Judy Garland, Ann Miller, and Peter Lawford. They fall in and out of love and dance and sing their way through several hit Irving Berlin classics. This lobby card set is in excellent condition and features the iconic artwork of Al Hirschfeld on the title card. The original paper envelope is also include with the set. Mint.
Babes in Arms (MGM, 1939). One Sheet (27" X 41") Style D.
This charming musical, starring Mickey Rooney and Judy Garland as two young performers trying to find fame and fortune in show business, and avoid the workhouse at the same time, was MGM's biggest money-earner of 1939, surpassing even The Wizard of Oz. This exquisite one sheet had fold wear, and pinholes in the corners, but professional restoration has expertly addressed these minor flaws, returning this poster to a like-new appearance. Very Fine on Linen.
Presenting Lily Mars (MGM, 1943). Three Sheet (41" X 81") Style A.
Judy Garland is doing what she does best: singing, dancing, and acting. She plays a struggling actress who starts off as an understudy, in this Norman Taurog directed musical based on the Booth Tarkington novel. Van Heflin co-stars as the producer who loves Lily, and gives her her big break. This lovely three sheet has fold wear, crossfold separations with chips, edge wear, and a tear at the bottom. It has been mounted on linen, but no other restoration work has been done. Very Fine- on Linen.
Meet Me in St. Louis (MGM, 1944). Insert (14" X 36").
In this totally charming Technicolor musical, life seems perfect for lovely Esther Smith (Judy Garland). She's young, she's from a well-to-do family living in St. Louis in the days of the 1904 World's Fair, and she's in love with the handsome boy next door (Tom Drake). Everything is turned upside down, however, when her father announces he's moving the whole family to New York! The charming insert offered here has some tape on the reverse, a smudge in the top portion of the piece, a small stain in the bottom right, and light edge wear, but displays very nicely, making this a piece that any fan of classic cinema will be proud to own. Folded, Very Fine.
Girl Crazy (MGM, 1943). Insert (14" X 36").
Busby Berkeley directs song and dance sweethearts Mickey Rooney and Judy Garland in this toe-tapping remake of the 1932 Wheeler and Woolsey comedy. There are small tears along the edges, a few of which extend into the image at the bottom and right borders. Minor paper loss can be seen in the image and corners, as well as a pencil mark in the top right corner. There is also a bit of staining in the margins, but overall, this is a nice, unrestored example. Fine+.
A Midsummer Night's Dream (Warner Brothers, 1935). Title Lobby Card and Lobby Cards (3) (11" X 14").
The all-star cast for this Shakespearean fantasy includes James Cagney as Bottom, Mickey Rooney as Puck, Olivia de Havilland as Hermia, Joe E. Brown as Francis Flute, and Dick Powell as Lysander. The film won Academy Awards for Cinematography and for Film Editing, and the haunting music is by Felix Mendelssohn, adapted by Erich Wolfgang Korngold. Prior to professional restoration, this stunning title card had creases, a small corner chip, and a small tear at the right edge that just extended into the image. The card with Mickey Rooney had a tear at the top and a tape lift in the bottom border. The restoration was expertly done and these cards display very well in all their lush color. Fine+.
The Grapes of Wrath (Shoei, 1963). Japanese B0 (39" X 60").
Toned down for 1940 audiences, John Ford's film adaptation of Steinbeck's harrowing novel remains a powerful depiction of the Depression and its devastating effects on a generation of Americans. Henry Fonda gives a career-making performance as Tom Joad, the leader of a dirt-poor clan who make their way towards California in search of gainful employment and survival. This first release Japanese poster has chips and stains along the edges, as well as wear along the fold lines and bends at the corners. Still, the sheet features excellent graphics and colors far different from any American release paper. Fine+.
A Midsummer Night's Dream (Warner Brothers, 1935). Jumbo Lobby Cards (11) (14" X 17").
Shakespeare's fantastical tale of fairies, nymphs, and actors, set during preparations for a woodland wedding celebration, was the basis for an all-star musical extravaganza from Warner Brothers. With direction by Max Reinhardt and William Dieterle, the studio enlisted some of their top stars, including James Cagney, Mickey Rooney, Olivia de Havilland, Joe E. Brown, Dick Powell, Anita Louise, and Victor Jory. The result was an over-the-top magical fantasy that was a box office hit, and garnered two Oscars. These colorful and rare, linen finish jumbo lobby cards have rounded corners, chips, and tears, but still present with all the charm and whimsy that Shakespeare intended. Very Good.
The Wizard of Oz (MGM, 1939). Lobby Card (11" X 14").
This beloved film in Hollywood's most classic year was nominated for six Academy Awards, including Best Picture (producer Mervyn LeRoy), Best Color Cinematography (Hal Rosson), Best Interior Decoration (Cedric Gibbons, William A. Horning), Best Special Effects, Best Song ("Over the Rainbow" by Harold Arlen and lyrics by E. Y. Harburg), and Best Original Score (Herbert Stothart). It won only two Oscars, for its dual musical nominations, as Gone With the Wind swept the awards. Offered in this lot is perhaps the best scene card from the entire set. Dorothy (Judy Garland) wipes a tear from the cowardly Lion's (Bert Lahr) cheek as he confesses to not being the real king of the jungle! The card shows some signs of fading and has black paper tape on the reverse and remnants on the upper border. Otherwise, the card is exceptionally clean. Very Fine-.
Singin' in the Rain (MGM, 1952). Title Lobby Card and Lobby Card (11" X 14").
One of the greatest musicals of all time, this effortlessly entertaining feature was co-directed by Stanley Donen and Gene Kelly, and features the dancing skills of Kelly, Donald O'Connor, Debbie Reynolds, and Cyd Charisse. The three stars appear on both lobby cards. The title card had bends in the top corners, a tear in the bottom border, and pinholes in the field. The scene card had pinholes in the corners. Both have been professionally restored and display beautifully. Fine/Very Fine.
Golden Age (1938-1955)
An American in Paris (MGM, 1951). One Sheet (27" X 41").
Vincente Minnelli directs this top Gershwin musical with Gene Kelly, Leslie Caron, and Oscar Levant lighting up the screen. This film is still a delight today with hit tunes such as "Our Love is Here to Stay," "S' Wonderful," and "I Got Rhythm." This classic one sheet had fold wear, a chip in each of the lower right and left corners, and enlarged pinholes in the corners. These issues have been addressed by professional restoration. There are small stains in the tagline and title which are still apparent, but do not distract from the overall excellent appearance of this always popular poster. Fine/Very Fine on Linen.
An American in Paris (MGM, 1951). Lobby Card Set of 8 (11" X 14").
Leslie Caron and Gene Kelly are a sensational pair in this romantic musical extravaganza, directed by Vincente Minnelli, with music by geniuses Ira and George Gershwin. The story of an ex-GI artist who falls in love with a Parisian girl co-stars Oscar Levant and Nina Foch. All cards have a corner bend and corner bumps. Two cards have edge wear in one border. Very Fine-.
Movie Posters
High Society (MGM, 1956). Three Sheet (41" X 81").
Talk about a musical pedigree -- Bing Crosby, Frank Sinatra, and Louis Armstrong all appear at the height of their talents in this suave musical set in the cool age of jazz. Even Grace Kelly -- who was no singer by any account -- got a hit record out of the film, the tender "True Love," which Cole Porter wrote specifically to accommodate her limited range. This colorful three sheet features a great image of the four main stars against a lush teal background. The poster had some fold and crossfold wear with minor chips. There were some very small holes and a tear below the credits in the lower part of the poster. The poster has had professional restoration and now displays beautifully. Very Fine on Linen.
The Sound of Music (20th Century Fox, 1965). Three Sheet (41" X 81") Todd AO Roadshow Style.
One of the most beloved musicals of all time, this is the story of Maria (Julie Andrews), an irrepressible nun who becomes governess of the Von Trapp family, which includes seven initially difficult children. Eventually, Maria finds herself falling in love with the imposing Captain Von Trapp (Christopher Plummer), just before the Nazis threaten to overrun Austria. Nominated for 10 Academy Awards, it won five, including Best Director (Robert Wise) and Best Picture. The songs, by Richard Rodgers and Oscar Hammerstein II, have become some of the best known in movie history. As such an important and cherished film, it should come as no surprise that paper from this picture is highly prized; the beautiful three sheet offered here is no exception. Aside from a slight extra crease at one fold, this poster in in impeccable condition. You don't have to climb every mountain to bid on this one, sure to be one of your favorite things. Near Mint.
West Side Story (United Artists, 1961). Autographed Lobby Card (11" X 14") Academy Award Style.
A contemporary version of William Shakespeare's Romeo and Juliet, this stunning musical was a hit Broadway show before being adapted for the silver screen. The result was a stunning picture that won a staggering ten Academy Awards, including Best Supporting Actor (George Chakiris), Best Supporting Actress (Rita Moreno), Best Director (Robert Wise and Jerome Robbins), and Best Picture. Offered here is a beautiful lobby card, signed "Robert Wise" (director), "Ernest Lehmann" (screenplay), "Jerome Robbins" (director), "Saul Chaplin" (associate producer/music supervisor), "Leonard Bernstein" (original music), and "Stephen Sondheim" (lyrics). From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. This card is in superb condition, and is a unique memento from this classic picture. Near Mint.
Cabaret (Allied Artists, 1972). Japanese STB (20.5" X 58").
First a best-selling novel by Christopher Isherwood, then a hit Broadway production, this story became one of the best movies of the early 1970s, winning eight Academy Awards. Directed by Bob Fosse, this extravaganza stars Liza Minnelli, Joel Grey, and Michael York and is set in 1930s Weimar Berlin before the rise of Hitler. The poster has edge wear at the top of the bottom panel and light bends. Rolled, Very Fine.
Paint Your Wagon (Paramount, 1969). Peter Max Promo Poster (24" X 36").
This striking promo poster for Clint Eastwood's well-known musical was designed by legendary artist Peter Max, one of the most influential stylists of the 1960s. Max designed a total of six psychedelic posters for this film, all of which were offered to theaters on a special order basis. Hence, they are far rarer and more valuable than the rest of the paper from this film, as they were issued in far smaller numbers. The poster offered here shows one tear at the top edge, but is otherwise every bit as clean and attractive as the day it was printed. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Rolled, Very Fine.
Sweet Rosie O'Grady (20th Century Fox, 1943). Three Sheet (41" X 81").
Her iconic bathing suit photo made her the number one pin-up girl of the World War II era, and her legs were insured for $1,000,000 by Lloyd's of London. Betty Grable was 20th Century Fox's hottest star throughout the 1940s. This lovely stone litho three sheet is from one of the biggest hits of the era, Sweet Rosie O'Grady. The poster shows some fold separation and wear, but its colors are vibrant and would make a great gift for the Grable fan in your life! Fine.
The Great Ziegfeld (MGM, 1936). Autographed One Sheet (27" X 41") Style D.
Winner of the Best Picture of the Year Oscar, this classic all-star musical extravaganza from MGM set a high standard for musicals to come. William Powell stars in this biopic as the legendary showman Florenz Ziegfeld alongside Luise Rainer (who won an Oscar for her role) and Myrna Loy, as his first and second wives. The wonderful original music is by Walter Donaldson and Irving Berlin and Ziegfeld performers Fanny Brice and Ray Bolger play themselves. The poster has light stains in the white field, minor crossfold separations, a stain at the bottom edge, pinholes in the top corners, and a minor corner chip. This rarely seen style is just stunning, with portraits of the three stars. It is signed "Best Wishes, Myrna Loy," "Best Wishes, Allan Jones" (Jones has an uncredited singing role in the film), and "William Powell." From the collection of Artie Kern, A/V man to Oscar-winning songwriter Sammy Cahn for many years, who was personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980 to 1985, until its closing. Sammy Cahn helped Kern obtain the autographs as he was president of the hall for over 17 years; nearly all of the signatures were from his personal friends. Fine/Very Fine.
Alice in Wonderland (Paramount, 1933). Jumbo Lobby Card (14" X 17").
One of the most beloved stories of all time, Lewis Carroll's Alice in Wonderland was brought to the screen in 1933 with an all-star cast that included Edward Everett Horton as the Mad Hatter, Cary Grant as the Mock Turtle, W. C. Fields as Humpty Dumpty, and, as seen in this spectacular jumbo lobby card, Gary Cooper as the White Knight. This spectacular piece, which was previously folded into quarters, shows some slight wear at the edges, some light surface paper loss in the top border, and a bit of light staining in the bottom left. Expert professional restoration has addressed all of these issues, returning this piece to a like-new appearance. Posters from this film are very rare! Fine+ on Paper.
Session 3
Gone with the Wind (MGM, 1939). Pre-War Australian Daybill (15" X 40").
The winner of eleven Academy Awards and considered one of the top films ever made, this enduring film stars the great Clark Gable and the gorgeous Vivien Leigh. Offered here is the rare first release Australian large daybill, similar to the U.S. insert in its use of the Armando Seguso artwork. In the process of restoration, the top imprint area was replaced, and work was done to repair chips in three borders and a tear in the bottom border. Fine on Linen.
Gone with the Wind (MGM, 1939). Roadshow Lobby Card Set of 8 (11" X 14").
Offered here is the entire original roadshow lobby card set of one of the greatest films ever made. Released in 1939, David O. Selznick's masterful adaptation of Margaret Mitchell's novel took theaters by storm and earned eight Oscars in the process. This amazing set depicts the major players in the film's cast, including Clark Gable, Vivien Leigh, Leslie Howard, and Olivia de Havilland. Seven cards have corner bends, light smudges, edge wear, and pinholes. The title card also has minor surface abrasions, a crease in the bottom right, and small pieces of tape on the reverse. Fine.
Gone with the Wind (MGM, R-1950). Italian 2 - Folio (38" X 55").
This 1950 Italian release 2-folio for this classic film features excellent art by Fiorenzi of the burning of Atlanta, along with classic shots of Clark Gable and Vivien Leigh. Prior to restoration, there was only light fold wear and a tear in the bottom border. Very Fine on Linen.
Idiot's Delight (MGM, 1939). Three Sheet (41" X 81") Style B.
Norma Shearer and Clark Gable star in this war-time romantic comedy based on Robert E. Sherwood's Pulitzer Prize-winning play. Set in a European hotel, Gable, as a vaudevillian showman (who sings and dances for the only time in his career in the great "Puttin' on the Ritz" number) meets up with an old flame (Shearer) who is posing as an exotic companion to war mongering businessman Edward Arnold. During an air raid, Gable helps to save the other guests and the film ends with him looking forward to a utopian future with Shearer at his side. This three sheet has fold wear, crossfold separations, and light stains in the title and at the crossfolds. This large format is rarely seen for this top MGM film. Fine+.
Dancing Lady (MGM, 1933). Lobby Card (11" X 14").
Clark Gable plays the cold-hearted Patch Gallagher, a Broadway director who grudgingly takes a chance on a young dancer with promise, Janie Barlow (Joan Crawford). He finds she really has talent, despite his suspicions that she is the mistress of playboy Franchot Tone. Among the many highlights of this blockbuster are appearances by Ted Healy and The Three Stooges, and Fred Astaire in his film debut. This spectacular portrait card is in exceptional condition with only a light smudge in one border. Near Mint-.
It Happened One Night (Columbia, 1934). Two Sheet (40" X 54").
Frank Capra's classic comedy starred Clark Gable and Claudette Colbert. It swept the Oscars in the year of it's release, the first time for one film to take all the major awards. It was a runaway success and established Capra's career for the next 30 years. This is one of the golden comedies from the "Golden Age" of Hollywood. Offered here is an extremely rare two sheet poster, printed only for distribution in the New York area and used for outdoor advertising. As far as we know, this is the only surviving example of this rare poster size for this film, it having been saved by the original artist and passed down to his family. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. This rare two sheet has been mounted on poster board. There are tack holes in the borders and body of the poster, edge wear, small corner bends, and some scuffing and warping. Fine+.
Harvey (Universal International, 1950). Insert (14" X 36").
Of all the roles played by James Stewart, few are as fondly remembered as that of Elwood P. Dowd, the charming eccentric who goes through life accompanied by a six-foot tall, invisible rabbit named Harvey. Prior to professional restoration, this insert had a small hole in the credits, a tear at the left edge that extends into the yellow field, a chip in the right border, and one in the top left corner. It now displays beautifully with its delightful imagery. We have never offered this insert before and we believe this size to be the scarcest of the posters on the film. Fine+ on Paper.
Harvey (Universal International, 1950). One Sheet (27" X 41").
This enchanting film stars the indelible James Stewart and his very own "pooka", an Irish spirit in the shape of an invisible, giant bunny. The slightly inebriated Elwood P. Dowd (Stewart), his sister Veta, played by Josephine Hull in an Oscar-winning role, and Harvey have quite a madcap effect on the folks of their sleepy conservative town in this beloved story. The poster's minor issues of fold wear, crossfold separations, and pinholes in the corners have all been addressed with professional restoration with the result: clean, colorful, and classic poster. Very Fine on Linen.
You and Me (Paramount, 1938). One Sheet (27" X 41").
George Raft and Sylvia Sidney star as ex-cons in this light gangster film with musical numbers by Kurt Weill. Directed by the great Fritz Lang, the pair try to marry and go straight, working in a department store run by Harry Carey. This is the first time we have been able to offer this stunning poster for sale, a gem with its striking portraits of the stars. It has been expertly restored to address a minor hole in the top right, pinholes in the corners, light fold wear, and minor chips in the bottom corners. It now displays wonderfully, in all of its glorious color. Very Fine on Linen.
She Couldn't Take It (Columbia, 1935). Jumbo Lobby Cards (6) (14" X 17").
George Raft, as bootlegger Joe "Spot" Ricardi, lectures fellow cellmate Daniel Van Dyke (Walter Connolly) on how to bring his spoiled rich kids and wife into some semblance of order. When Van Dyke realizes he is dying, he makes Ricardi the trustee of his estate, forcing the former gangster to practice what he preaches while trying to pass as a high society gentleman. Joan Bennett, as Van Dyke's daughter, gives Spot the most trouble, in a way that he grows to love. Raft is brilliant in his charismatic role, and Bennett, Bille Burke, and Alan Mowbray have great comedic turns. These beautiful cards have minor corner bumps, one card has a small tear and surface abrasion, one has a small chip, and three cards have corner pinholes. These linen finish Deco gems make a delightful set. Very Fine-.
Thirty Day Princess (Paramount, 1934). One Sheet (27" X 41").
Sylvia Sydney was given two roles in this delightful romantic comedy. She is Princess Catterina, who is in the U.S. to get backing for a loan for her country. When she is taken ill, an actress (also Sydney) is hired to take her place. This is the third and final film Sydney would make with Cary Grant, who is charmingly antagonistic as newspaper publisher Porter Madison III. We are excited to offer the sensational one sheet for the first time here. In excellent condition the poster has pinholes in the image, and a fold separation at the bottom of the vertical fold that has archival tape on the reverse. With its lush stone litho portraits of the stars, you won't find a prettier poster anytime soon. Very Fine.
Thirty Day Princess (Paramount, 1934). Lobby Cards (2) (11" X 14").
The doe-eyed actress Sylvia Sydney got her start in several successful Broadway productions before heading to Hollywood. Her big break came in 1931, when she was selected as Clara Bow's replacement in City Streets, when Bow dropped out due to a nervous breakdown. She's divine in her comedic role in this romantic film opposite Cary Grant and Edward Arnold. Both lobby cards offered here are in superb condition with only a small light stain in the right border of each. Although Heritage has sold other lobby cards from this title, this is the first time the one with Grant and Sydney embracing has been offered, decidedly the best card in the set. Very Fine+.
Thirty Day Princess (Paramount, 1934). Lobby Cards (3) (11" X 14").
Sylvia Sidney, in a rare light-hearted role, and Cary Grant make a striking couple in this romantic comedy classic. These beautiful scene cards have a small stain in one border of each card, and two cards have minor edge wear in the left border. Very Fine-.
The Philadelphia Story (MGM, 1940). Autographed One Sheet (27" X 41") Style C.
Katharine Hepburn's career was in a shambles in the late 1930s. Reeling from a series of flops - including Sylvia Scarlett (1935), A Woman Rebels (1936), and Mary of Scotland (1936) - Hepburn was dubbed "box office poison," a view exacerbated by her outspoken attitudes regarding her fellow actresses and her unconventional lifestyle. Returning to the Broadway stage, Hepburn starred in The Philadelphia Story, in a role that had been written especially for her. The play was an enormous success, and, with the help of former lover Howard Hughes, Hepburn acquired the film rights and sold them to MGM. The resulting movie was one of that studio's biggest successes of 1940, instantly revitalizing Hepburn's career, and returning her to the heights of Hollywood stardom, a position she would retain for the rest of her life. This wonderful one sheet, picturing Hepburn, along with co-stars Cary Grant and James Stewart, has been signed "Cary Grant," "Jimmy Stewart," and "Joseph Mankiewicz," who was the film's producer. It had fold wear, crossfold separation, and a tear in the left border, but these flaws are not noticeable since there has been expert professional restoration. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. As many are aware, Cary Grant's signature was almost impossible to obtain unless you knew him or someone who knew him! Very Fine- on Linen.
The Philadelphia Story (MGM, 1940). Lobby Card (11" X 14").
James Stewart captures Katharine Hepburn in a wine and moonlight inspired, unguarded moment in this screwball comedy classic. This gorgeous portrait card displays beautifully and has only pinholes in the corners and two small corner bends. There are a few pieces of cellophane tape on the reverse. Very Fine-.
The Awful Truth (Columbia, 1937). Window Card (14" X 22").
Considered one of the all-time great screwball comedies, this poster comes from director Leo McCarey's wonderful high society romp starring Cary Grant and Irene Dunne. The storyline surrounds the efforts of both of our recently divorced heroes to undermine the other's remarriage. There was a light corner crease on the top left, a lower left corner bend, and light surface wear. Minimal restoration has rendered these small imperfections near invisible. Very Fine.
The Bishop's Wife (RKO, 1948). One Sheet (27" X 41") Style A.
David Niven plays an Episcopalian bishop whose prayers for divine guidance in building a new cathedral are answered by a charming angel (Cary Grant). The bishop soon regrets his prayers when he feels Grant is usurping his place in his household, and with his wife Loretta Young. Niven originally was slated to play the angel, with Grant as the bishop, but they agreed to swap just before filming. The poster has crossfold separations, pinholes in the corners, light fold and edge wear, and light creases. There is a small hole in the top left corner, and a few pieces of paper tape on the reverse. This great image from the ice-skating scene, is beautiful and quite scarce. Fine+.
Holiday (Columbia, 1938). Title Lobby Card (11" X 14").
Katharine Hepburn and Cary Grant are a pair of well-to-do society misfits, who want more out of life than to make money. Despite several obstacles, and with a little help from friends Edward Everett Horton, Jean Dixon, and Lew Ayres, they fall in love, and embark on a meaningful life together. This bright title card has been professionally restored to address three corner bends, one corner chip, and a tear in the top border. Fine/Very Fine.
Holiday (Columbia, 1938). Lobby Card (11" X 14").
Eccentric Linda Seton (Katharine Hepburn) doesn't fit in with her privileged, upper crust family, and she and brother Ned (brilliantly played by Lew Ayres) battle her staid sister and father. Linda finds salvation in kindred spirit Cary Grant, but he is about to wed sister Julia. The personalities of Hepburn and Grant always worked well together; this is one of their best films. This card has a couple of pinholes in the border art and one in the image, a small stain in the bottom border and a corner bend. There is a light scratch in the image and a small bit of brown tape on the reverse. Fine/Very Fine.
Arsenic and Old Lace (Warner Brothers, 1944). Half Sheet (22" X 28") Style B.
A brilliant comedy of murder and manners, this delightful movie, directed by Frank Capra, stars Cary Grant as the charmingly normal Mortimer Brewster, who has recently married the lovely Elaine Harper (Priscilla Lane). His life is turned upside down, however, when he discovers that his sweet old maiden aunts (Josephine Hull and Jean Adair) are homicidal maniacs, and that his older brother Jonathan (Raymond Massey), an escaped convict, is incensed that the family matriarchs are challenging his record for murder! Although Boris Karloff had famously originated the part of Jonathan Brewster on Broadway, he was still appearing on stage during production of this picture and was thus unavailable, leading to Massey's eventual casting in the role. This delightful half sheet, with a lovely image of Grant and Lane, has crossfold separation, slight fold wear, a small chip in the right border, pinholes in the corners and field, clear tape on the reverse, and a tear in the left side, but remains quite attractive and highly desirable. Folded, Fine.
Once Upon A Honeymoon (RKO, 1942). Autographed Lobby Card (11" X 14").
Pat (Cary Grant) is an American reporter who warns showgirl Katie (Ginger Rogers) about her new husband, Baron von Luber (Walter Slezak), a titled European with close ties to the Nazi Party, in this charming World War II-era comedy. The lobby card offered here, signed "Ginger Rogers" and "Cary Grant," has a pinhole in the center, light edge wear, a light diagonal crease in the center, and a scuff in the field, but is otherwise extremely clean and attractive. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine/Very Fine.
The Talk of the Town (Columbia, 1942). Autographed Lobby Card (11" X 14").
Cary Grant is at his mad-cap best as Leopold Dilg, an escaped arson suspect, in this delightful comedy. Dilg hides out at sympathetic schoolteacher Nora Shelley's (Jean Arthur) rental house, which is also occupied by stuffy Professor Lightcap (Ronald Colman). Lightcap and Dilg become friends, even as they vie for Shelley's heart. This is the second film Arthur made with Grant, and the second she made with director George Stevens. The card is signed "Cary Grant" and has pinholes in the corners, a corner bend, and a light stain at the bottom edge. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. As many are aware, Cary Grant would not sign autographs unless you knew him or knew someone who knew him. This is a rare chance to obtain this elusive autograph. Fine/Very Fine.
Topper (MGM, 1937). Lobby Card (11" X 14").
When George and Marion Kerby (Constance Bennett and Cary Grant) are killed in an automobile accident, they return to Earth as ghosts, intent on reforming their stuffy, henpecked friend, Cosmo Topper (Roland Young). The movie was so successful that it spawned two sequels and a television series, which was nominated for a Primetime Emmy in 1953. This attractive card, that features all three stars, is in wonderful condition. It shows a dust shadow in the top and right border, and pinholes in the corners, but is otherwise clean and attractive, a great piece that any vintage film buff will surely covet. Very Fine-.
Bringing Up Baby (RKO, 1938). One Sheet (27" X 41").
Katharine Hepburn and Cary Grant made four films together, all of which are outstanding classics: The Philadelphia Story, Sylvia Scarlett, Holiday, and this screwball comedy, which is perhaps the most popular film of the genre. The fast-paced dialogue (a specialty of both performers), non-stop chase scenes, and general hilarious confusion combine to make this an enjoyable treat from start to finish. A highlight in all the fun chaos is the running theme song, "I Can't Give You Anything but Love" which must be sung to calm "Baby." This one sheet has had professional restoration to address fold wear and a corner chip. There is a small surface abrasion in the bottom left, and the linen has been trimmed to the edge of the poster. It is in marvelous condition, featuring portraits of the stars and a delightful caricature of Hepburn and Grant feeding their "Baby" leopard. A rarely seen gem, this is always a popular item for collectors. Very Fine- on Linen.
Bringing Up Baby (RKO, 1938). Autographed Mini Window Card (8" X 14").
Katharine Hepburn is non-stop trouble for Cary Grant in this top screwball comedy, directed by Howard Hawks. Initially not a box office success, this has become one of the most beloved comedies of the era. The top imprint area of this card has been replaced through professional restoration, there was one pinhole, and the back has been airbrushed. This rare and fabulous midget window card is signed "Cary Grant," and features a delightful rendering of the stars and their baby leopard. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City, and many of his items were on display there from 1980-1985 until its closing in 1985. Sammy Cahn helped Kern obtain the autographs, as he was president of the hall for over 17 years; almost all of the signatures were from his personal friends, a must, as Cary Grant's signature was almost impossible to obtain unless you knew him! This is a ultra-rare opportunity to obtain that rare signature on a very rare poster! Fine.
Little Women (RKO, 1933). Two Sheet (39.5" X 52.5").
George Cukor guided this film to three Oscar nominations, including Best Picture, Best Director, and Best Adapted Screenplay. Katharine Hepburn stands out among the excellent cast, an ensemble that later versions of the film would attempt to match. Offered here is an extremely rare two sheet poster, printed only for distribution in the New York area and used for outdoor advertising. As far as we know, this is the only surviving example of this rare poster size for this film, it having been saved by the original artist and passed down to his family. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. This rare two sheet has been mounted on poster board. It has tack holes in the corners. Fine/Very Fine.
Spitfire (RKO, 1934). Lobby Cards (2) (11" X 14").
Mountain girl Trigger Hicks (Katharine Hepburn in her third film) is the title spitfire, who lives by the Bible and tries to heal her backwoods neighbors. They mistake her powers for witchcraft, and Robert Young and Ralph Bellamy co-star as dam engineers who try to help the poor girl. For Hepburn fans, these pristine cards are the ones to have! Near Mint/Mint.
Sylvia Scarlett (RKO, 1935). Lobby Card (11" X 14").
Katharine Hepburn stars as the title character in this unusual romantic comedy. She is the mixed-up young daughter of con artist Edmund Gwenn. Sylvia dresses as a boy to elude the police, which results in more conflict with Cary Grant and Brian Aherne. The card has a few minor edge tears with tape on the reverse, and small bumps in all the corners. This stunning portrait card features Hepburn and Aherne. Very Fine-.
Mr. Lucky (RKO, 1943). One Sheet (27" X 41").
Cary Grant is clever, amoral Joe Adams, a gambler who steals a dead man's identity to avoid the draft. However, the love of a good woman, Laraine Day, turns his selfishness around and he begins to legitimately work for the American War Relief. One of Grant's best dramatic roles, his light-hearted and charming ne'er-do-well character made a big impression on audiences. This sheet has crossfold separations, paper tape on the reverse at small tears and pinholes, and an extra crease at the bottom. There is a surface paper loss in Grant's name. This is a beautiful portrait of the top stars, from their only film together. Fine+.
Night and Day (Warner Brothers, 1946). Autographed Lobby Card (11" X 14").
Cary Grant stars as the renowned composer Cole Porter, in this lavish biopic directed by Michael Curtiz. "Night and Day," "Begin the Beguine," "Let's Do It," and "In the Still of the Night" are just a few of the Porter hits highlighted in this blockbuster which was nominated for an Oscar. There is edge wear, small tears in the right border, and light staining in the bottom border. This special card is signed "Cary Grant," "Dorothy Malone," "Alexis Smith," and "Eve Arden." From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine/Very Fine.
Penny Serenade (Columbia, 1941). One Sheet (27" X 41") Style B.
This was the third pairing for Cary Grant and Irene Dunne; this one being a tragic melodrama rather than their usual lighthearted comedy. This lovely poster has some crossfold wear and pinholes in the corners. There is minor wear to the upper and lower borders. Fine/Very Fine.
Only Angels Have Wings (Columbia, 1939). Autographed Window Card (14" X 22").
Howard Hawks put together a legendary cast for this aviation drama with Cary Grant, Jean Arthur, Thomas Mitchell, and a talented newcomer, Rita Hayworth. The compelling story centers around a mail route in the Andes Mountains run by fatalistic flyer Grant. With dramatic aviation sequences, terrific dialogue, and sparks from Hayworth, this is a genuine classic. The card has corner bumps, edge wear, light toning, and a small tear with an abrasion at the top. This stunning card is signed boldly in dark fountain pen by Cary Grant. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. As many know, Cary Grant's signature was almost impossible to obtain unless you knew him or someone who knew him. Fine/Very Fine.
Indiscreet (Warner Brothers, 1958). Autographed One Sheet (27" X 41").
Cary Grant and Ingrid Bergman made one previous film together, the unforgettable Notorious, twelve years earlier. In this sophisticated romantic drama, Grant plays Philip Adams, a financier who wants no long term attachments, so he pretends to be married. When he falls for a famous actress Anna Kalman (Bergman) and she learns he is not married, she is insulted and gets her revenge. This special one sheet is signed "Sammy Cahn" (the famed songwriter who wrote the lyrics for the title song), "Cary Grant," and "Stanley Donen" (Director). From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Very Fine-.
When You're in Love (Columbia, 1937). Mini Window Card (8" X 12").
Louise Fuller (Grace Moore) is an Australian opera star who needs an American husband in order to enter the U. S. for a performance. Luckily she selects the dashing Cary Grant, and they fall in love between songs such as: "Our Song," "Siboney," "The Waltz Song," and Cab Calloway's smash hit "Minnie the Moocher." This card has been trimmed by 2" at the top, it has rounded corners and glue residue at the top border. Still, this is a lovely image of the stars, worthy of any collection. Fine-.
Abbott and Costello Signed Menu (Circa 1947). Framed (14" X 16.5").
They were Universal Studio's most famous and bankable stars throughout the 1940s. Bud Abbott and Lou Costello's work in film, radio, and later television, put them at the top of the list of box-office draws for over ten years. In 1947, Lou Costello's hometown of Paterson, New Jersey honored him with a dinner. In attendance was not only his partner but the former governor of the state, Harold G. Hoffman (1935-38). All three have signed the cover of this wonderful banquet menu made using a die-cut photo of the famous comedian. The signatures are boldly signed, making this a wonderful display piece for the major A&C fan! Very Fine.
In the Navy (Universal, 1941). One Sheet (27" X 41").
After their box office smash hit, Buck Privates, Bud Abbott and Lou Costello were given free reign by Universal to create another service oriented comedy. This time the comedy duo share the trials of Navy life with an incognito radio crooner played by Dick Powell. In between Abbott and Costello's classic comedy bits, the Andrews Sisters perform. The poster had a chip in the top right corner, fold wear, and crossfold separations. After professional restoration, this delightful poster displays beautifully. Fine/Very Fine on Linen.
Abbott and Costello in Hollywood (MGM, 1945). One Sheet (27" X 41").
The dynamic comedic duo work their magic in this non-stop madcap spoof of Hollywood. Bud Abbott and Lou Costello are a pair of barbers turned talent agents who take Tinsletown by storm. They don't have much luck, but they have a lot of fun as they romp with guest stars Lucille Ball, Preston Foster, and Mike Mazurki. The linen has been trimmed to the edge of the poster. Prior to professional restoration, this one sheet had fold wear, crossfold separations with small paper losses, a tear that extends into the red field, some paper loss in the left border, and tape lifts with small tears in the right border. There were pinholes, tears and chips in the borders; there are two chips still apparent. A delightful poster with terrific artwork by caricaturist Al Hirschfeld. Fine on Linen.
The Ghost Breakers (Paramount, 1940). One Sheet (27" X 41").
When Mary Carter (Paulette Goddard) inherits the ancestral mansion, located on a small island off Cuba, radio broadcaster Larry Lawrence (Bob Hope), mistakenly suspected of murder, sees the perfect opportunity to get out of the country for a while. Once there, however, the pair find their troubles only beginning, as they are forced to deal with ghosts, a zombie (Noble Johnson), and the twin brother of the man Lawrence is supposed to have killed (Anthony Quinn). Offered here is the charming one sheet from this great movie. It had fold wear with crossfold separation, small chips in the right border, a small chip in the bottom left corner, and tears in the bottom border and in the center of the poster. These slight flaws are now apparent only under the closest examination, thanks to expert professional restoration. Fine+ on Linen.
Nothing But the Truth (Paramount, 1941). One Sheet (27" X 41").
Bob Hope and Paulette Goddard starred in three films together, all first-rate comedies. In this one, Hope makes a bet that he can tell the truth for 24 hours. He gets into hilarious trouble as he lays it all out for his investment clients, and girlfriend Goddard, in his attempt to win the wager. Willie Best and Edward Arnold co-star. This rare poster has pinholes in the corners and field, crossfold separations, light fold and edge wear, and light smudges in the top border. This is one impressive poster, with a sultry Goddard and a happy Hope. Fine/Very Fine.
Sons of the Desert (MGM, 1933). Mini Window Card (8" X 14").
Director William A. Seiter started his prolific film career in 1918, and worked with many of the great comedy stars of the 1920s-1940s, including the Marx Brothers, Wheeler and Woolsey, and Lucille Ball. This film marked the only time Seiter directed the dynamic team of Stan Laurel and Oliver Hardy, and it is considered by many to be their best feature. The hapless boys scheme to make it to Chicago to attend the National Convention of their fraternal lodge, Sons of the Desert, despite threats from their respective wives (Dorothy Christy and Mae Busch). Hardy feigns an illness, hiring a doctor to prescribe a trip to Hawaii. The man Stan hires is actually a veterinarian, but he didn't think the man's religion would make any difference -- just one of the many hilarious mix-ups that make this a gem from start to finish. This bright midget window card has only bends at the bottom corners. Paper from this comedy classic is scarce and in this great condition, it will be in high demand. Very Fine-.
Jitterbugs (20th Century Fox, 1943). Lobby Card Set of 8 (11" X 14").
Stan Laurel and Oliver Hardy don their zoot suits with reet pleats in this delightful picture in which the boys play a couple of traveling musicians who unwittingly team up with likeable con man Chester Wright (Bob Bailey), and come to the aid of charming Sally Cowan (Vivian Blaine), whose mother has been duped by real estate swindlers. Hardy, who actually appears without Laurel in several scenes, often referred to this movie as one of his very favorites. The lobby card set offered here, which is complete with its original shipping envelope, is extremely attractive. All the cards show pinholes in the corners and borders, and they have all been folded vertically at the center, but aside from these slight defects the cards are lovely and present very nicely. Fine.
At the Circus (MGM, 1939). Lobby Card (11" X 14").
When owner Jeff Wilson (Kenny Baker) is in danger of losing his circus to crooked creditors, Antonio (Chico Marx) and Punchy (Harpo Marx) enlist the aid of attorney J. Cheever Loophole (Groucho Marx) to help save the day. One of the highlights of this hilarious film is Groucho's rendition of "Lydia, the Tattooed Lady," one of his most popular and enduring songs. This great portrait card with all three Marx Brothers has a smudge in the bottom border, a small nick in the bottom left corner, and a light smudge in the bottom right, but is otherwise extremely clean and attractive. This was the Marxes in their prime, so don't miss out on your chance to add this great piece to your collection. Very Fine.
Go West (MGM, 1940). Title Lobby Card (11" X 14").
Fantastic Al Hirschfeld caricature art highlights this wonderful title card. Groucho, Chico, and Harpo Marx run riot in the Wild West in this frantic comedy from MGM. Pinholes in the borders and light smudging are the only defects on this fabulous title card. Very Fine.
A Night in Casablanca (United Artists, 1946). Japanese B3 (14" X 20.5") Style A.
In this classic comedy, if a band of Nazis want to recover a cache of stolen treasure in post-war Casablanca, they're going to have to get past the Marx Brothers first! This delightful Japanese poster pictures all three of the Brothers Marx - Groucho, Harpo, and Chico - in a style not seen on any of the domestic paper issued for this film. It has some light staining, edge wear, pinholes in the corners and borders, a small tear in the top border, and a crease in the bottom right, but is otherwise quite clean and attractive. This is a rare and highly desirable piece, certain to prove irresistible to any dedicated Marxist. Folded, Fine+.
A Night in Casablanca (United Artists, 1946). Japanese B3 (14.75" X 21") Style B.
Originally intended as a spoof of the Humphrey Bogart classic, Casablanca (1942), this madcap Marx Brothers film sees Groucho, Harpo, and Chico running riot in the fabled city as Sig Ruman, a disguised Nazi war criminal, seeks to recover a fortune in stolen art treasures. This delightful post-war Japanese poster features the three brothers in a charming cartoon style. It shows some staining, a dime-sized hole in the right side, edge wear, and a chip in the top left corner, but is, overall, extremely attractive, and highly displayable. If you're a fan of the Brothers Marx, you'll want to bid on this rare treasure! Folded, Fine-.
The Bank Dick (Realart, R-1949). Three Sheet (41" X 81").
This film, the second-to-last to star comic genius W. C. Fields, is also one of that actor's very best. As Egbert Sousè, Fields gives a matchless performance as a henpecked husband who, after accidentally foiling a bank robbery, is given a job as guard. Soon, Fields encourages his daughter's beau, Og Oggilby (Grady Sutton), a teller at the same establishment, to "borrow" some of the bank's money in order to invest in a questionable mining scheme. Unfortunately, the bank examiner soon comes calling, leading to a hysterical climax. Fields made one last picture after this one - Never Give a Sucker an Even Break (1941) - and then largely retired; his failing health forced him to limit himself to brief guest appearances in other people's films. This charming three sheet captures Fields at his very best. The only defect of note is a small degree of fold wear, now rendered virtually invisible thanks to expert professional restoration. It is a stunning piece, featuring one of cinema's greatest comedic talents. Very Fine+ on Linen.
Dumb-Bells in Ermine (Warner Brothers, 1930). One Sheet (27" X 41") Style B.
Several years before he mounted an expedition to Skull Island looking for a giant gorilla, Robert Armstrong played the lead in this charming comedy. As Jerry Malone, Armstrong is a prize fighter who travels to a Southern town to train, and falls in love with a local girl in the process. The colorful one sheet offered here had pinholes in the corners, light fold wear, pinpoint crossfold separation, and some writing that bled through in the credits area. All of these slight flaws have been addressed via expert professional restoration, returning this vintage beauty to its original glory. Very Fine- on Linen.
The Lady Eve (Paramount, 1941). One Sheet (27" X 41").
In the era of screwball romantic comedies, Paramount studios created one of the best when they teamed their top-tier stars Barbara Stanwyck and Henry Fonda with director Preston Sturges. Already an Oscar-winning writer, Sturges was just getting started on his way to becoming a highly successful director, and with this gem, he began a long line of blockbusters. With delightful, fast-paced dialogue, con artist Stanwyck and father Charles Coburn make short work of the wealthy and naive Fonda. Here at Heritage, we are excited to offer this rare and sensational one sheet for the very first time, especially as it is in such excellent, unrestored condition. There is a small fold separation at the bottom of the vertical fold, two minor crossfold separations, and a few pinholes in the corners and borders. Do not miss out on this remarkable find. Very Fine.
Ball of Fire (RKO, 1941). Title Lobby Card (11" X 14").
The great Howard Hawks directed this tale of seven professors, led by one Professor Potts (Gary Cooper), who are compiling an encyclopedia. When their sanctuary is invaded by strip-tease dancer Sugarpuss O'Shea (Barbara Stanwyck), a gangster's moll who hides from the police by helping Cooper with his research on slang, the fun begins. Posters from this screwball classic have always been scarce, and this wonderful title card is a gem. The card had a chip in the upper border which just extended into the blue floral background. Professional restoration has rendered the defect hard to detect, and the card looks great. Fine-.
The Gaucho (United Artists, 1927). Window Card (14" X 22").
The ever popular adventure hero, Douglas Fairbanks, takes on a complex role in this silent classic set in Argentina. As the Gaucho, Fairbanks is at first quite unsympathetic as he laughs at the faithful pilgrims to a holy shrine, plotting to steal their offerings. After experiencing a visitation from the Madonna (wife Mary Pickford) and the love of a young woman (Joan Barclay), the outlaw finds religion and changes his evil ways. Lupe Velez is given her first starring role as the Mountain Girl. There is light toning at the edges of the card and some foxing in the left field. The poster has had minimal restoration work to fix a top right corner bend and a small tear at the right border. The strikingly original design of this rare card is beautifully rendered in stone lithography. Very Fine-.
The Three Musketeers (United Artists, 1921). One Sheet (27" X 41").
Based on the classic novel by Alexander Dumas, this was star Douglas Fairbanks's second swashbuckler, made to capitalize on the popularity of The Mark of Zorro (1920), the movie that turned the charming actor from a lightweight comedian into an action hero heart-throb. Although liberties were certainly taken with the source material in making this film, all the changes play to Fairbanks's strengths, making this a true classic of the silent era. This exquisite poster, with its incredible image of Fairbanks, had some fold wear, a chip in the top border, pinholes in the corners, and some paper loss in the right border, but expert professional restoration has made this poster look as good as new. Very Good/Fine on Linen.
Douglas Fairbanks (Artcraft, ca. 1918-19). Personality Poster (22" X 28").
One of the biggest stars of the silent era, Douglas Fairbanks worked a series of odd jobs - including cattle freighter, hardware store employee, and Wall Street clerk - before landing on Broadway in 1902. He relocated to Hollywood in 1915, where he began the silver screen career that would make him an international icon. Handsome, charming, and athletic, Fairbanks started out in a series of light comic roles, but soon discovered his flair for swashbuckling adventure when he starred in The Mark of Zorro in 1920, a role that lifted him to megastar status virtually overnight. Famously married to "America's Sweetheart," Mary Pickford, the couple, along with Charlie Chaplin and director D. W. Griffith, founded United Artists in 1919, making Fairbanks one of the most powerful men in Hollywood. The coming of sound was not kind to the former matinee idol, who made his last film in 1934 and then retired to private life. Offered here is a great personality poster of Fairbanks, most likely dating from a time shortly before Zorro. It has pinholes in the borders and corners, tears in the left and top borders, and a smudge at the top, but is otherwise clean and attractive. This is a rare piece featuring one of the screen's greatest actors. Folded, Fine/Very Fine.
The Black Pirate (United Artists, 1926). French Double Grande (63.5" X 94").
In 1920, Douglas Fairbanks transformed himself from a charming star of light romantic comedies into a dashing hero when he starred in The Mark of Zorro. Fairbanks found that the action-oriented picture suited his athletic nature perfectly, and he soon embarked on additional swashbuckling roles, including such silent epics as The Three Musketeers (1921), Robin Hood (1922), The Thief of Bagdad (1924), and Don Q, Son of Zorro (1925), the follow-up to his initial black-masked role. It was then that Fairbanks set his sights on the high seas, adding "pirate" to his repertoire of dashing rogues, with this film, originally screened in two-strip Technicolor. Fairbanks plays the duke of Arnoldo, who goes undercover with the pirates who murdered his father, in order to gain revenge. Offered here is an extremely rare stone litho French Double Grande, the only copy known to exist, from this incredible film. Backed with rice paper, it is presented in two pieces. It had some fold wear, a few edge tears, and tears in the top right and the top center, as well as in the lower center of the image, but expert professional restoration has rendered these slight flaws virtually invisible. One of the nicest pieces produced for this lavish film, this is a piece that you will own and display proudly. Very Fine on Paper.
Robin Hood (United Artists, 1922). Window Card (14" X 22").
The legendary Douglas Fairbanks co-founded United Artists in 1919 with his then-wife Mary Pickford, D. W. Griffith, and Charlie Chaplin. This is one of their earliest and most successful releases, with Fairbanks writing, producing, and starring in the heroic title role. One of the most expensive silent films of the decade, it also features Wallace Beery as King Richard, Enid Bennett as Lady Marian, and Alan Hale as Little John, a role he would reprise in 1938 with The Adventures of Robin Hood. This lush stone litho window card had been previously folded and the top blank imprint area had been trimmed. The card was magnificently and expertly restored, and these issues are in no way evident. This is a rare card indeed -- a work of art from Hollywood's golden age. Fine+ on Cardstock.
The Adventures of Robin Hood (Warner Brothers, 1938). Title Lobby Card (11" X 14").
One of the greatest swashbuckling adventure films ever produced, this rousing epic has it all: action, romance, humor, adventure, a great cast, lavish costumes, gorgeous Technicolor, a solid script, and some of the best performances in the careers of stars Errol Flynn, Olivia DeHaviland, Claude Rains, and Basil Rathbone, not to mention such stalwart character actors as Alan Hale, Eugene Pallette, Una O'Connor, and Herbert Mundin. Originally, James Cagney was slated to play the outlawed Earl of Locksley, but as great as Cagney was, Flynn's performance in this career-defining role is so strong, it's almost impossible to imagine anyone else donning the Lincoln green tights. At the time of its release, this was the most expensive film Warner Brothers had yet produced, costing a then-staggering $2 million. Fortunately, virtually every dime ended up on the screen, as this is one of the most lavish, sumptuous movies in Hollywood history. Not surprisingly, paper from this title is extremely popular with collectors, and bidding wars are common when prime pieces come to the auction block. Offered here is a remarkable, linen finish title card for this great film. It had pinholes in the border and the field, a top left corner bend, corner bumps, and a minor tear in the right border, but after expert professional restoration, these flaws are virtually invisible. If you're looking for the perfect piece from this classic film, you need look no further. Very Fine-.
The Prince and the Pauper (Warner Brothers, 1937). Half Sheet (22" X 28").
Errol Flynn has top billing, but the stars in the title roles are the Mauch twins, Billy and Bobby. Adapted from a Mark Twain story, the film shows the misadventures of two identical young boys, one the heir to the throne and the other a poor beggar, as they switch places. This magnificent half sheet is probably the most attractive poster from this film as the one sheet is rather lackluster, having been done in just three colors. This poster is identical to the title card in design and is the first copy we have ever offered. The poster was folded and had pinholes in corners, slight fold wear, small chips in the border, and general border wear. It has been restored magnificently and is not backed. This may be the last time you will see this gem for a while. Very Good/Fine.
Captain Blood (Warner Brothers, 1935). Title Lobby Card (11" X 14").
Based on the novel by Rafael Sabatini, this movie was a major gamble for Warner Brothers, as it featured no major names. Robert Donat was originally cast as Peter Blood, but when he failed to show up for filming, the role was offered to Brian Aherne, who turned it down. Desperate for a leading man, the studio decided to gamble on then-unknown Australian actor Errol Flynn, a gamble that paid off handsomely, as both Flynn and his co-star Olivia DeHaviland became box-office superstars after the release of this picture. This stunning title card features spectacular art by famed illustrator Alex Raymond, best known as the artist of the Flash Gordon newspaper strip, which set a new benchmark for comic artwork and is revered to this day. Rarely offered, this highly desirable title card has paper tape on the reverse, and a small smudge and a small crease in the top left. Whether you're a fan of Flynn, Raymond, swashbucklers, great art, or just very rare title cards, this is a lot you'll want to follow closely. Very Fine.
The Sea Hawk (Warner Brothers, 1940). Jumbo Window Card (22" X 28").
Michael Curtiz directs Errol Flynn in one of the most thrilling swashbucklers of all time. Flynn obviously is having a grand time and is riveting to watch as Geoffrey Thorpe, captain of the Albatross. His ship is one of a fleet of Sea Hawks, British privateers who plunder Spanish ships during the time of the build-up of the Armada. Thorpe falls in love with the Spanish envoy's (Claude Rains) niece played by Brenda Marshall. This colorful jumbo window card has been professionally restored and backed to address creases, a tear in the bottom border, and two tears in the image. There is a minor surface abrasion in the top border that occurred after restoration. This is one sensational poster, with artwork that features Flynn in his element, rallying his men to attack. Fine/Very Fine on Cardstock.
The Sea Hawk (Warner Brothers, 1940). Lobby Card (11" X 14").
One of the greatest swashbucklers ever filmed, this rousing story, based more on the story, "Beggars of the Sea," by Seton I. Miller than on the Rafael Sabatini novel that the film was named after, was the perfect vehicle for star Errol Flynn. The story, about dashing privateer Geoffrey Thorpe and his daring raids on the Spanish Armada during the reign of Queen Elizabeth, set the standard for virtually every pirate movie to come, and remains one of the highlights of Flynn's career. This exceptional, linen finish card features both Flynn and his erstwhile sidekick, the wonderful Alan Hale. It shows pinholes in the corners, museum tape on the reverse, and corner bumps, but presents wonderfully, and will no doubt be an important addition to any collection. Fine/Very Fine.
The Dawn Patrol (Warner Brothers, 1938). Lobby Card (11" X 14").
Errol Flynn and Basil Rathbone appeared together for the third time in this exciting film, set amidst the carnage of World War I. Flynn plays Captain Courtney, a brash young flyer who criticizes his commander (Rathbone) for sending flyers on suicide missions. The tables are turned, however, when Courtney is promoted to squadron commander, and is forced to make the same impossible decisions. This great linen finish card pictures all three stars, Flynn, Rathbone, and David Niven. It has pinholes in the corners, borders, and the field, but is otherwise clean and attractive. Very Fine.
Another Dawn (Warner Brothers, 1937). Half Sheet (22" X 28") Style B.
A dramatic tearjerker set in the Sahara desert, this feature was a successful teaming of superstars Errol Flynn and Kay Francis. Flynn is an army flier who falls in love with his best friend's wife. All parties are too noble to seek or accept a divorce, and a heroic suicide mission is the only certain way to solve this love triangle. This beautiful poster has been mounted on paper to address chips in the corners, tears, and a light abrasion and crease at the top of the field. Although there is a faint stain still apparent in the right side, the restoration work was superbly done leaving this a gorgeous piece worthy of attention from all serious collectors. Very Good/Fine on Paper.
The Charge of the Light Brigade (Warner Brothers, 1936). Lobby Card (11" X 14").
Based on the famed poem by Alfred Lord Tennyson, this is the thrilling story of a regiment who defy official orders to seek revenge against a despotic warlord after a brutal slaughter at a besieged fort. Errol Flynn and Patric Knowles star as brothers in arms, both of whom are smitten with the lovely Olivia deHavilland. This film was made right after Captain Blood (1935), the movie that made Flynn an overnight sensation and first paired him with deHavilland. It also reteamed Flynn with director Michael Curtiz, who would go on to direct the swashbuckling star in such classic pictures as The Adventures of Robin Hood (1938), Dodge City (1939), and The Sea Hawk (1940). This lovely linen finish portrait card, featuring both Flynn and deHavilland, has some creasing in the right side, edge wear, and a bottom right corner bend, but is otherwise unmarked. Paper from Flynn's classic films, like this one, is extremely collectible, so get your bid in right away. Fine/Very Fine.
Two Lovers (United Artists, 1928). Insert (14" X 36").
Based on a novel by Baroness Orczy (best known for her series of books starring the Scarlet Pimpernel), this was to be the final on-screen pairing of Goldwyn stars Ronald Colman and Vilma Banky. The film tells the story of a heroic masked avenger, known as Leatherface (Colman), who aids the Prince of Orange during the Spanish occupation of Flanders in the sixteenth century. As Mark van Ryke, Leatherface's secret identity, the daring swashbuckler falls in love with Spanish aristocrat Donna Leonora de Vargas (Banky), his country's bitter enemy. This dazzling insert shows a tear in the right border and a grease pencil mark in the bottom border, but is, overall, in remarkable condition. Rolled, Very Fine+.
The Private Life of Henry VIII (United Artists, 1933). Two Sheet (40" X 55").
A highly regarded stage actor in his native country of England, it wasn't until he appeared in The Old Dark House (1932) that Charles Laughton became known to American audiences. Several other impressive roles, including that of Dr. Moreau in Island of Lost Souls (1932) followed, but it was this picture, for which Laughton won a Best Actor Academy Award, that made him a true superstar. Also appearing in the cast is Elsa Lanchester, Laughton's real-life spouse, as the delightful Anne of Cleves. Offered here is an extremely rare two sheet poster, printed only for distribution in the New York area and used for outdoor advertising. As far as we know, this is the only surviving example of this rare poster size for this film, it having been saved by the original artist and passed down to his family. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. Although fairly unknown today, he designed the posters for such films as The Barefoot Contessa with Ava Gardner and Gilda with Rita Hayworth. This stunning poster, which is mounted on board, has tack holes in the borders and in the center, edge wear, scuffing in the top right corner, a stain in the bottom right corner, and a top left corner chip, but is remarkably presentable, a beautiful, rare and unique memento from this fabulous film. Fine-.
The Buccaneer (Paramount, 1938). Insert (14" X 36").
This fast-paced adventure stars the talented Fredric March as French pirate Jean Lafitte. His plundering days are put on hold when he heroically fights on the American side during the War of 1812. Franciska Gaal and Margot Grahame vie for his attentions, and Anthony Quinn is seen in an early role. This insert has a chip in the right border, minor tack rust stains in the borders, light fold wear, and light smudges in the white field. A delightful and striking poster, the artwork is by illustrator Daniel Sayre Groesbeck, who was a favorite of Cecil B. DeMille and provided costume and set designs for the film. Folded, Fine/Very Fine.
Anthony Adverse (Warner Brothers, 1936). Jumbo Lobby Card Set of 8 (14" X 17").
Fredric March stars as the title character, an illegitimate child who grows disillusioned with life after his sweetheart (Olivia de Havilland) dumps him. He travels far, to the West Indies, to forget her and finds adventure along the way. The all-star cast includes Anita Louise, Claude Rains, Edmund Gwenn, and Gale Sondergaard who won the first ever Best Supporting Actress Award for this, her film debut. It is extremely rare to find these linen finish jumbo lobby cards in good condition, and these beauties are some of the best we have seen. One card has a corner bend and one card has a small edge tear. The original envelope and a 5" X 17" snipe is included in the lot. What a glorious set from this top adventure! Very Fine/Near Mint.
Don Juan (Warner Brothers, 1926). Title Lobby Card (11" X 14").
This was one of the greatest film roles for "The Great Profile," John Barrymore, in this elaborate costume drama based on the life of legendary lover Don Juan de Marana. It was the first feature film with a Vitaphone soundtrack, which included music and sound effects, but no dialogue. Co-starring was Barrymore's offscreen lover, Mary Astor, as the object of Don Juan's ardor, Adriana della Varnese. Offered here is a wonderful title card, picturing Barrymore at his rakish best. It has a very small bottom right corner crease, pinholes in the corners, a small tear in the right border, and a light smudge in the top border, but these slight flaws are almost unnoticeable, making this a great addition to any collection. Very Fine+.
The Sea Beast (Warner Brothers, 1926). Title Lobby Card (11" X 14").
Warner Brothers brought John Barrymore to the studio in 1924 to lend credibility to their pictures, and what was more appropriate to tackle than the classic Herman Melville story, Moby Dick? The film was a loose adaptation of the novel, rewritten to give the story more of a romantic flair. This 10-reel silent was the film on which Barrymore wooed his future wife, Dolores Costello, whom he would marry soon after the picture wrapped. Barrymore would later remember this film as his favorite and he would star in the remake in 1930 titled Moby Dick. The lovely title card offered here has had the borders trimmed up to the image and it had one pinhole within the image. Beautiful professional restoration has returned the card to its former glory, it now appears in beautiful condition. Very Good on Paper.
Sherlock Holmes (Goldwyn, 1922). Lobby Card (11" X 14").
Although this was not the first Sherlock Holmes film, it does have the distinction of being the only silent picture to star Sir Arthur Conan Doyle's fictional detective to survive to the present day. Furthermore, it stars John Barrymore, "The Great Profile," as Holmes, and features future superstar William Powell in his first screen appearance. The entire lobby set for this film was offered in either a sepia tone set or in a hand tinted color set, to the exhibitor. Offered here is a beautiful portrait card featuring Barrymore as Holmes, in the rare tinted version of the card. It has pinholes in the corners, a smudge in the top left, a corner bump in the bottom left, and light edge wear, but is otherwise quite clean and attractive. Very Fine.
Sherlock Holmes (Goldwyn, 1922). Lobby Card (11" X 14").
From Sir Arthur Conan Doyle's popular stories comes this excellent version starring one of the greatest stars of the cinema, John Barrymore, as the genius detective. The story revolves around Holmes's early days, and with Roland Young as Dr. Watson, he is able to outwit the diabolical Moriarty (Gustav von Seyffertitz). Young William Powell has his film debut in this classic. The card had some moisture staining in the right upper corner and along the lower border. There was some wear in the top border and a tear in the right border with some slight creasing within the card. The card has benefited from some excellent conservation work and it now displays beautifully. This is a fabulously rare card with Holmes having captured Moriarity. Fine-.
Dressed to Kill (Universal, 1946). Half Sheet (22" X 28").
A nefarious criminal has hidden stolen Bank of England engraving plates in a series of music boxes, and it's up to Sherlock Holmes and Dr. Watson (Basil Rathbone and Nigel Bruce) to find them before they can fall into the wrong hands in this highly entertaining mystery, the final entry in the long-running Holmes series. Offered here is a lovely half sheet for this great movie; it shows edge wear, a tear in the bottom border, and smudging in the top and bottom borders. while the poster has been mounted on linen, we note that no additional restoration has been performed. This is a very attractive piece that will be a perfect addition to any Sherlock Holmes collection. Very Fine on Linen.
The Woman in Green (Universal, 1945). One Sheet (27" X 41").
In this chilling entry in the Sherlock Holmes series, the famed detective, (played by the sensational Basil Rathbone) and his loyal Dr. Watson (Nigel Bruce) set out to solve the case of a serial killer who severs the right forefinger of his female victims. This is the third Holmes film to star Henry Daniell as the villain, this time as the detective's arch nemesis, Moriarty. The poster had pinholes in the corners, light fold wear, crossfold separations, and a small tear in the bottom border. After professional restoration, this classic sheet displays beautifully. Very Fine on Linen.
Terror by Night (Universal, 1946). One Sheet (27" X 41").
In the penultimate installment of the classic Universal series, Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) must recover a stolen diamond aboard a train speeding from London to Edinburgh. This pretty poster is a must for any fan of Sir Arthur Conan Doyle's famed detective, with a gorgeous emerald green color scheme and terrific artwork. The poster had fold wear, several small holes in the center of the poster, and a long tear through the credits above the heads of Holmes and Watson, but professional restoration has returned an almost-new appearance to this classic beauty. Fine on Linen.
Sherlock Holmes Faces Death (Universal, 1943). Three Sheet (41" X 81").
At a convalescent home where Dr. Watson (Nigel Bruce) has volunteered, several murders have taken place forcing Watson to call upon Sherlock Holmes (Basil Rathbone) and his illuminating detective skills. After the case was solved, though, Watson might have regretted his decision when Holmes began pontificating about patriotism and the innate goodness of man. Some fans hold this Holmes entry as their favorite of the Universal series, but even more agree that the poster is among the best, and rarest, of the Sherlock Holmes films. This three sheet has some vertical fold line separation in the bottom two-thirds. The edges are a little scuffed, but the art is unblemished. Fine/Very Fine.
Charlie Chan at Monte Carlo (20th Century Fox, 1937). Title Lobby Card (11" X 14").
This movie marked the final silver screen appearance of Warner Oland, whose film career stretched all the way back to 1912. Shortly after making this picture, Oland returned to his native Sweden, where he passed away in 1938. While Oland appeared in such high profile pictures as The Jazz Singer (1927), The Mysterious Dr. Fu Manchu (1929), and Werewolf of London (1935), he was most famous for his portrayal of Earl derr Bigger's renowned Chinese-American detective Charlie Chan, a role he essayed in 16 features between 1931 and 1937. Offered here is a lovely title card in immaculate condition, as clean and fresh as the day it was printed. If you demand the best, this card is for you! Near Mint.
Murder Over New York (20th Century Fox, 1940). One Sheet (27" X 41").
Sidney Toler was well-established as Earl der Biggers's popular Chinese-American detective Charlie Chan by the time this film was released; he had taken over the role from Warner Oland in 1938, and would continue making Chan films until shortly before his death in 1947. In this installment, Chan solves a murder and foils the plan of a gang of saboteurs while attending a police convention in New York. The attractive poster offered here had fold wear with crossfold separation, a tear in the right side, and pinholes in the corners, all of which have been rendered virtually invisible with expert professional restoration. No Chan collection is complete without this classic sheet! Very Fine on Linen.
The Scarlet Clue (Monogram, 1945). Three Sheet (41" X 81").
During Charlie Chan's (Sidney Toler) investigation of a murder in a radio station, he also comes across a plot to steal government radar plans during the course of this tightly-plotted wartime mystery. The highlight of the film is Mantan Moreland and Ben Carter recreating one of their classic vaudeville routines. The stunning three sheet offered here is in superb condition; we note only some light fold wear, rendered virtually invisible with expert professional restoration, and a small area of separation from the linen in the top right corner. Nevertheless, this is a great poster that any Chan fan will be proud to own. Very Fine on Linen.
After the Thin Man (MGM, 1936). Window Card (14" X 22").
One of the most brilliant pairings in cinema history, William Powell and Myrna Loy made modern marriage fun as Nick and Nora Charles. This is the sequel to the first Dashiell Hammett mystery, and would soon be followed by four more successes. This one is set in San Francisco and features James Stewart in an early, dark role. The card had edge wear, pinholes at the top and in the corners, two holes at the bottom of the image, and a surface abrasion in the yellow field. After professional restoration, this fun poster really shines. Fine/Very Fine.
Another Thin Man (MGM, 1939). Lobby Card (11" X 14").
In the third of their six highly popular Thin Man films, William Powell and Myrna Loy are joined by an on-screen son, Nicky Charles Jr. The setting is a Long Island mansion owned by Colonel McFay (C. Aubrey Smith), who suspects someone is out to kill him. Virginia Grey, Otto Kruger, and Ruth Hussey co-star, and W. S. Van Dyke directs. The card has pinholes, two corner bends, and a small tear in the left side. A bit of restoration work has been done on the reverse to correct some of these issues, and it displays very well. One of the most beautiful portrait cards of the stars (who remained lifelong friends), this image is always highly desirable. Very Fine-.
Thirteen Women (RKO, 1932). Lobby Card (11" X 14").
In a gripping plot combining astrology, betrayal, racism, and revenge, Myrna Loy, at her evil best, plots the destruction of twelve former college classmates who did her wrong. Irene Dunne, fresh off her triumph in Back Street (1932), plays the brave heroine who eventually ends Loy's reign of terror. This striking card has a bend in the bottom left corner and a small scuff in the bottom right, but is otherwise unmarked, and presents an early and beautiful image of Loy. Very Fine+.
Ladies' Man (Paramount, 1931). Lobby Card (11" X 14").
In this charming 1930s comedy-drama, William Powell plays Jamie Darricott, a dashing rogue who lives off the largesse of married women. Unfortunately, the only woman Jamie cares about is Norma Page (Kay Francis), who is repulsed by his lifestyle. Darricott's number may be up, however, when the husband of one of his conquests - whose daughter, coincidentally, has fallen for the scoundrel - seeks revenge for his family's destruction. Francis and Powell both appear on this stunning gloss finish card, which has pinholes in the corners and field, a bottom left corner chip, a crease in the top border, and top and bottom right corner bends. These minor flaws do nothing to distract from the overall beauty of this vintage stunner, however, which presents very nicely. Fine/Very Fine.
High Pressure (Warner Brothers, 1932). Lobby Card (11" X 14").
William Powell is at his very best here, in this adaptation of the popular play Hot Money. As Gar Evans, "the world's foremost promoter," he's hired to tout an invention designed to turn sewage into artificial rubber. When the inventor turns out to be a demented lunatic, a fact Evans learns only after having sold large amounts of stock in the now-worthless venture, the fun really begins. This gorgeous card, featuring Powell and co-star Evelyn Brent, is in superb condition, with only two pinholes in the upper field keeping it from an even higher grade. This is a great piece sure to enhance any collection. Very Fine+.
Bulldog Drummond Strikes Back (United Artists, 1934). Title Lobby Card (11" X 14").
The popular character Bulldog Drummond was created by British author Herman Cyril McNeile (a.k.a. Sapper) in 1920. Drummond is a clean cut gentleman detective, who fought in WWI and has since turned to solving mysteries and capturing criminals. The popular stories made their way to Hollywood early in the 1920s and this is the second feature to star Ronald Colman. Roy Del Ruth directs an all-star cast that includes Loretta Young, C. Aubrey Smith, Warner Oland, and Una Merkel. This sharp title card had a crease across the top border, a bend in the lower right corner, three minor edge tears, and a light smudge in the bottom border. It has had expert conservation work applied and now displays beautifully. Fine/Very Fine.
Girl Missing (Warner Brothers, 1933). One Sheet (27" X 41").
In this engaging mystery, chorus girls Kay Curtis (Glenda Farrell) and June Dale (Mary Brian) turn amateur detectives after their pal, Daisy Bradford (Peggy Shannon) turns up missing following an affair with millionaire Henry Gibson (Ben Lyon). Complicating matters is the body of gangster Jim Hendricks (Harold Huber), found near the room in which Daisy was last seen, throwing suspicion on the missing gold-digger. Offered here is an extremely dramatic one sheet for this vintage film. It had fold wear, an extra crease at the top horizontal fold, and a tear in the top left that extended into the image area. Additionally, all of the borders have been replaced. After expert professional restoration, this poster now looks as good as new. You certainly won't want to miss out on this one! Very Good+ on Linen.
Citizen Kane (RKO, 1941). Half Sheet (22" X 28") Style A.
Director Orson Welles's thinly-veiled biopic of newspaper mogul William Randolph Hearst was the subject of much controversy upon its initial release, much of it led by Hearst himself, who was incensed at the portrayal of Charles Foster Kane (Welles) - Hearst's screen incarnation - in the movie. He forbade any mention of the film in his papers, and even tried to purchase the negative with the intention of destroying it. Fortunately, the film survived Hearst's efforts, and is today widely hailed as one of the greatest movies ever made. Presented here is an extremely rare Style A half sheet, the first one we've ever had the privilege of offering. It had a pinhole in the bottom center, edge wear in the left and bottom borders, small tears in the top borders, a crumpled bottom left corner, and scuffing in the credits, but all of these minor issues have been addressed with expert professional restoration, returning this highly desirable piece to its original glory, without any paper backing. A great piece on a great film, we suggest you get your bid in today! Rolled, Fine/Very Fine.
Citizen Kane (RKO, 1941). Title Lobby Card (11" X 14").
Offered here is the wonderful title card for the film that started the extraordinary film career of the legendary Orson Welles. Featuring vignettes from the film and an idealized figure of the master director and actor himself, this is indeed a magnificent and highly sought after collectors item. There was a pinhole in the top right corner, and bends in the bottom left corner, all expertly restored. Very Fine-.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
Here it is, the most desirable scene card in this set, the iconic "podium" card. Considered by many to be the greatest American film ever made, Orson Welles's crowning achievement is well represented with this wonderful image. There are pinholes in the borders, light smudging on the borders, a small corner bend on the bottom left, and light edge wear on the top border. Here is your chance to bid on one of the most sought after lobby cards in the movie collecting hobby. Very Fine+.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
Kane (Orson Welles) celebrates his victory over his leading newspaper rival in this wonderful scene card from the film nominated as America's greatest in most cinematic polls. There were pinholes in the two top corners, a bend in the top right corner, and a small corner bump on the bottom left. All has been expertly restored. Very Fine.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
Charles Foster Kane (Orson Welles) watches as Everett Sloane and Joseph Cotten greet the editor-in-chief (Erskine Sanford) of the newspaper Kane has just purchased. [Cards from this film, considered by many top critics the greatest American film ever made, are highly desirable and very sought after by collectors.] There were pinholes in the two top corners, and a tear and bend in the bottom left corner, all expertly repaired to give this card a like-new appearance. Very Fine.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
Orson Welles as Kane, running for governor, holds his son and revels in the crowd's acclaim, as his wife (Ruth Warrick) smiles beside him. The top right corner has some paper loss, there is some scuffing on the right border, a light stain on the top left corner, and pinholes in the top corners. Fine/Very Fine.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
Kane (Orson Welles) gathers his new editorial staff (Joseph Cotten and Everett Sloane) around him as former editor-in-chief Carter (Erskine Sanford) fumes behind them. There are pinholes and some very light smudging on the borders. Very Fine+.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
Charles Foster Kane (Orson Welles) celebrates the acquisition of his leading newspaper rival's entire staff with a bevy of show girls in this wonderful scene card. Lobby cards from this film are highly sought after by collectors. There were pinholes in the top corners, a bottom left corner bend, and a small crease in the left border. These minor issues have been expertly restored, giving the card a perfect appearance. Very Fine.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14").
The famous "confrontation" scene, when Boss Jim Gettys (Ray Collins) confronts Kane (Orson Welles) and his wife Emily (Ruth Warrick) with Kane's mistress, Susan Alexander (Dorothy Comingore). Cards from this film, considered by many top critics to be the greatest American film ever made, are highly desirable and sought after by collectors. There is a crease on the top border, a smudge on the bottom border, bends on the top corners, and a small dust shadow on the bottom left corner. Very Fine.
Moby Dick (Warner Brothers, 1956). Autographed Lobby Card (11" X 14").
Ray Bradbury penned this adaptation of Herman Melville's classic novel of obsession and revenge, a picture that stars Gregory Peck as Captain Ahab, Richard Basehart as Ishmael, and Orson Welles as Father Mapple. Of all the screen adaptations of this classic work, this version is largely considered to be the most faithful. Offered here is a wonderful lobby card from this great film. It shows some toning in the borders, and is signed "John Huston," "Gregory Peck," and "Orson Welles." From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Very Fine-.
The Widow from Chicago (First National, 1930). Lobby Card (11" X 14").
This fast-paced and twisting plot of crosses, double-crosses, and gangster shootouts stars movie legends Edward G. Robinson, Alice White, and Neil Hamilton. In one of the earliest gangster roles of his career, pre-Little Caesar, Robinson carries this film as mob boss Dominic, whose nightclub is infiltrated by Alice White, posing as the title character. There is a faint corner bend in the bottom left, one tiny pinhole in the top border, and very light spotting on the right side of the bottom border of this nearly perfect card. A stunning and very rare card that features all of the stars and great border art of White's legs. Gangster lobby cards don't get better than this! Very Fine.
Silver Dollar (First National, 1932). One Sheet (27" X 41").
Using fictitious names, this film is based on the tumultuous life story of H. A. W. Tabor and his mistress, then wife, Baby Doe. Edward G. Robinson plays Yates Martin (Tabor) and Bebe Daniels plays Lily Owens (Baby Doe). Robinson makes his fortune in the silver mines, establishes Denver, Colorado as a major city, then loses everything when the price of silver crashes, which in the film, drives him insane. The poster had fold wear with minor chipping and paper loss on the right borders, crossfold separations, and chips out of the left border. Warner Brothers posters from this pre-Code era are exceptionally difficult to find in any condition and they are some of the most beautiful produced! By our estimation, we believe there to be less than a very small handful of these one sheets known to exist. The expert restoration has left the defects on this beautiful stone litho one sheet nearly invisible. Fine+ on Linen.
Racketeers in Exile (Columbia, 1937). One Sheet (27" X 41") Style A.
The ever graceful Evelyn Venable could redeem any man, even Death himself, as she proved in her early success, Death Takes a Holiday. So gangster George Bancroft hasn't got a chance when she sets her sights on him in this crime drama. A few years later, Venable's melodious voice would be used to great effect as The Blue Fairy in Pinocchio. This striking art deco image dramatically demonstrates Bancroft's mental battle between his life of crime with his henchmen, and innocent Venable's allure. The sheet has a small tear in the left side of the image, pinpoint crossfold separations, and a small hole in the bottom of the vertical fold. A colorful and elegant piece, this is a real gem. Fine/Very Fine.
Racketeers in Exile (Columbia, 1937). One Sheet (27" X 41") Style B.
Crime boss William Waldo (George Bancroft) sets himself up as an evangelical minister in order to fleece the members of a religious revival in his small hometown. After his plan is successful, he begins to have second thoughts, and changes his criminal ways with the help of soft-spoken Evelyn Venable. This sensational one sheet has pinholes in the image, light edge wear, and crossfold separations. This is one of the prettiest crime drama posters we have seen, with two lovely images of Venable. Fine/Very Fine.
The Public Defender (RKO, 1931). One Sheet (27" X 41").
In this socially conscious film, Richard Dix plays Pike Winslow, a crusader named "The Reckoner," who avenges people who have been swindled by corporate executives. Aided by several sidekicks, including "the Professor" played by a pre-Frankenstein Boris Karloff, Winslow wages a tireless crusade against the rich and powerful, emerging as a Robin Hood-like figure for justice. This striking one sheet had some light fold wear, which has been rendered virtually invisible through expert professional restoration. Only our policy of not awarding a grade higher than Very Fine+ to a poster that has been mounted on linen keeps this beauty from an even higher grade. Very Fine+ on Linen.
Graft (Universal, 1931). Lobby Card (11" X 14").
In 1931, the great actor Boris Karloff was just on the brink of super stardom with his role as the monster in Frankenstein, when he appeared in this film. He plays the crime boss's creepy henchman with an air of menace, completely dominating the scenes he appears in. He steals the show from the nominal star of the film, Regis Toomey. Dorothy Revier and Sue Carol, a decade later the wife of Alan Ladd, co-star. There are pinholes in the corners and borders, a small tape lift in the left border, one tear in the top border, and tape on the front at a tear in the bottom border. The image area is untouched with great portraits of Karloff and Revier in stunning color. Fine.
The Criminal Code (Columbia, 1931). Window Card (14" X 22").
Young prison inmate Robert Graham (Phillips Holmes) faces a grave dilemma: does he tell Warden Mark Brady (Walter Huston) what he knows about a jailhouse murder committed by his cellmate Ned Galloway (Boris Karloff), or does he keep the criminal code of silence? Not long after making this movie, Karloff would be spotted by director James Whale and tapped for the role of the Monster in Frankenstein (1931); years later, this film could be seen in Peter Bogdanovich's Targets (1968), one of Karloff's last films. Offered here is a dramatic window card. It has some foxing in the borders, one stain in the lower left and one in the right side, a dust shadow in the left edge of the top imprint area, and corner bumps, but it has strong color and presents very nicely. A beautiful piece from the early talkie era. Fine+.
Big City (MGM, 1937). Mini Window Card (8" X 14").
Spencer Tracy stars as Joe, an independent taxi driver harassed by the larger Comet Taxi company, who doesn't want any competition. When Comet's office is bombed, the DA's office finds it easiest to blame Tracy's foreign-born wife, Anna (Luise Rainer), and have her deported. Directed by Frank Borzage, this is the only film these top stars made together. A striking image, this colorful midget window card is in pristine condition. Near Mint.
Up the River (Fox, 1930). Window Card (14" X 22").
In one of Humphrey Bogart's earliest screen appearances, directed by John Ford, he appears opposite his good friend Spencer Tracy in one of that actor's earliest movie roles. It was the only time these three cinematic superstars would all work together. This highly stylized window card, with its great art deco illustrations, prominently features Bogart, as far as we know, for the first time on a movie poster, making this a very rare and desirable collectible. The card had been folded once in the middle, with some tearing in the right border, crumpled corners, and a bend in the bottom left, but it presents very nicely now with professional restoration. A great early piece featuring some of Hollywood's leading lights. Fine+ on Cardstock.
Body and Soul (Fox, 1931). Window Card (14" X 22").
In this early talkie, future superstar Humphrey Bogart plays Jim Watson, a courageous flyer shot down in a raid on German observation balloons during World War I. His friend (Charles Farrell) tries to track down Watson's widow, but the woman who claims to be Bogart's grieving spouse (Myrna Loy) is actually a German spy responsible for the deaths of many valiant airmen. This colorful and attractive window card had a bend in the bottom left corner, minor holes in the credits area, minor chipping in the right and top borders, and some scuffing in the credits, but an outstanding job of expert professional restoration has rendered these slight flaws virtually invisible. Don't pass this vintage treasure by! Very Fine on Cardstock.
Midnight (Universal, 1934). Window Card (14" X 22").
Sidney Fox mistrustfully eyes her lover Humphrey Bogart in this fabulous window card. Fox's father, played by O.P. Heggie, is a merciless juror on a murder trial, who is soon to find out his own daughter has killed her cheating boyfriend (Bogart), in this gripping crime drama. Fox had earlier appeared with Bogart in one other film, the 1931 dark drama The Bad Sister. This is one of the earliest movie posters to actually feature Bogart prominently on the poster, and as such, it has become very hard to come by. It has been professionally restored and mounted on cardstock to address a crease in the center and one in the bottom border, small holes in the title and one in the credits. The top imprint area has been replaced and there are minor chips at the top edge. The card now displays beautifully and is impressive with it's art deco layout. Very Good/Fine on Cardstock.
Stand-In (United Artists, 1937). Lobby Card (11" X 14").
Although Leslie Howard and Joan Blondell are credited as the stars of this picture, in which an efficiency expert (Howard) investigating a Hollywood studio falls in love with a former child star (Blondell), it's primarily remembered today as an early vehicle for Humphrey Bogart, who plays producer Doug Quintain in this charming picture. Offered here is the only Bogart scene card in the lobby set; he's pictured here with his good friend Howard. The card had a top left corner chip, a crease in the lower right, a staple hole at the top, missing paper in the top right that extended into the image area, a small hole in the image, and stains at the top portion. After expert professional restoration, however, this card looks every bit as good as new, and is ready to take an important place in your collection. Very Good- on Paper.
San Quentin (Warner Brothers, 1937). Title Lobby Card (11" X 14").
Steve Jameson (Pat O'Brien) is a tough big-house warden, and Joe (Humphrey Bogart) is an incarcerated con, with a sister (Ann Sheridan) who has eyes for Jameson in this gripping Warner Brothers prison film. Offered here is the dramatic glossy finish title card; it shows light edge wear in the top right corner, small tears in the bottom and right borders, corner bumps, brown paper tape on the reverse, bottom right corner bends, and light dust shadowing in the top and right borders, but still displays very nicely. The title card from this early Bogart crimer has always been an elusive one for the Bogart completist! Very Fine-.
Crime School (Warner Brothers, 1938). One Sheet (27" X 41").
In this remake of the James Cagney classic Mayor of Hell, Humphrey Bogart proves that there's no such thing as a bad boy in this movie. Starring as Deputy Commissioner of Corrections Mark Braden, Bogart rehabilitates the rowdy Dead End Kids. During the 1930s, Warner Brothers excelled at these grim and gritty tales, "ripped from today's headlines," and this is one of their very best. This highly desirable, extremely collectible poster, had a chip out of the left border which has been expertly restored, a small stain in the right border, a small tear in the bottom left, and some light edge wear. This is a very scarce poster from Bogart's filmography so get this one while you can. Fine/Very Fine.
Invisible Stripes (Warner Brothers, 1939). One Sheet (27" X 41").
Although this gripping crime drama is only William Holden's second starring role, he is billed above Humphrey Bogart and gives a powerful performance as George Raft's younger brother. Raft plays an ex-con who tries to go straight and prevent Holden from following in his footsteps, but gangster Bogart keeps getting in the way. Jane Bryan is Holden's sweetheart. The poster has crossfold separations, pinholes in the corners, and light edge wear. This stunner features the stars and key scenes from the film. Very Fine.
Invisible Stripes (Warner Brothers, 1939). Swedish One Sheet (27.5" X 39.5").
Just when he thought he was out, they pull him back in. That's the dilemma faced by ex-con Cliff Taylor (George Raft), who tries to go straight after serving a stretch in the pen. Unfortunately, he quickly finds that his "invisible stripes" keep him from landing an honest job. With no alternative, Taylor joins Chuck Martin's (Humphrey Bogart) mob, hoping to earn enough dough to set his younger brother (William Holden) up in business and keep him from turning to a life of crime. As in virtually all the Warner Brothers' gangster pictures, the bad guys pay for their crimes in the end, no matter how good their intentions. Offered here is a lovely Swedish poster for this great film. It has minor edge wear, two small tears in the top border, and several holes in the upper left and right. These are minor flaws, however, none of which do anything to detract from the overwhelming appeal of this vintage classic. Rolled, Very Fine-.
The Big Shot (Warner Brothers, Post-War 1949). French Grande (47" X 63").
In this classic gangster picture, Humphrey Bogart plays three-time loser Duke Berne, a mob leader who tries to get his old gang back together after a stretch in stir. He falls in love with Lorna Fleming (Irene Manning), wife of a crooked lawyer (Stanley Ridges) who sees to it that Berne is sent back up, this time for life. An escape from the joint, and a trip to the mountains with Lorna, complicates things in ways Berne never foresaw. The beautiful grande offered here, boasting lovely art by Boris Grisson, from the first French release of the film, had pinholes in the corners, fold wear with crossfold separation, small tears in the top left and top center, and a small chip in the top right. Expert professional restoration has addressed all of these slight flaws, resulting in a poster that looks virtually as good as the day it was printed. Additionally, there is a crease in the left side that occurred after linen backing. Nevertheless, this is a great poster that any film fan will be proud to own. Fine/Very Fine on Linen.
The Petrified Forest (Warner Brothers, 1936). Lobby Card (11" X 14").
Perhaps the best image in the set, this scene card showcases all the stars: Bette Davis, Leslie Howard, and Humphrey Bogart. Howard, as Alan Squier, faces down Bogart, in his breakout role as the killer Duke Mantee. This piece has a corner bend and a very light dust shadow in two borders. This is one of the few cards to feature Bogart and is always highly sought after, and therefore quite rare. Very Fine+.
The Petrified Forest (Warner Brothers, R-1951). Italian 4 - Folio (55" X 78").
Pulitzer Prize winning playwright Robert E. Sherwood was one of the members of the literary Algonquin Round Table, and many of his successful plays were turned into equally successful films. This crime drama/love story is one of his best. Leslie Howard and Bette Davis are two dreamers, whose view of the world at large is drastically altered by a visit from killer Duke Mantee (Humphrey Bogart). Thanks to Howard, Bogart was chosen to recreate his Broadway role as Mantee, which in turn was highly acclaimed, and launched Bogart into stardom. This four-folio has been professionally mounted on linen to correct the minor issues of fold wear and border pinholes. One of the most lavish posters from this title, with Davis holding Howard in his noble death scene, the brilliant artwork is by Luigi Martinati. Very Fine on Linen.
The Treasure of the Sierra Madre (Warner Brothers, 1948). Insert (14" X 36").
One of the greatest Humphrey Bogart films, this one depicts the legendary actor at the top of his game. Bogie plays the desperate Fred C. Dobbs who, along with Tim Holt and Walter Huston, searches for gold in the dangerous Mexican territories, which are full of bandits and federalistas. A tale of greed and redemption, this masterpiece earned Academy Awards for both father and son, Walter and John Huston. This striking insert has had expert restoration to address a small area of paper loss and creases in the top border, a minor chip in the lower left corner, and staple holes in the left and right borders. There was a small tape lift and tear at the bottom that extended into Bogart's arm within the photo. With paper backing, the poster displays well and will be a grand addition to any poster collection. Fine+ on Paper.
The Treasure of the Sierra Madre (Warner Brothers, 1948). Half Sheet (22" X 28") Style A.
Fred C. Dobbs (Humphrey Bogart), Bob Curtin (Tim Holt), and grizzled old timer Howard (Walter Huston) set out to find a fortune in gold, but actually discover only paranoia, betrayal, and murder in this intense classic, directed by John Huston. Winner of three Oscars for Best Supporting Actor (Walter Huston), Best Writing (John Huston), and Best Director (John Huston) - this perennially favorite picture is represented here by this marvelous half sheet. It shows fold wear, a tear in the bottom border, smudging, pinholes with tears in the borders, and some light surface paper loss in the bottom right. In spite of these minor flaws, this poster presents beautifully, possessing a high degree of eye-appeal. Folded, Fine+.
The Big Sleep (Warner Brothers, 1946). Lobby Card (11" X 14").
Based on the novel by Raymond Chandler, with a screenplay by William Faulkner and Leigh Brackett, this steamy film noir is a wonderful showcase for the explosive onscreen chemistry between real-life couple Humphrey Bogart and Lauren Bacall (they were married shortly after filming on this picture wrapped). This great lobby card, showing Bogart as iconic detective Philip Marlowe, is in excellent condition, with only a light vertical bend and a minor smudge in the left border keeping it from an even higher grade. Very Fine+.
The Big Sleep (Warner Brothers, 1946). Lobby Card (11" X 14").
With one of the most convoluted but mesmerizing plots in all cinema, this Humphrey Bogart/ Lauren Bacall masterpiece never lets up from start to finish. Howard Hawks directs Bogart as Raymond Chandler's immortal detective Philip Marlowe and wife Bacall as femme fatale Vivian Sternwood. The card has only minor surface abrasions in the white borders. Movie images don't get better than this portrait of the two screen icons. Very Fine-.
The Big Sleep (Warner Brothers, 1946). One Sheet (27" X 41").
Although the plot of this classic movie is notoriously confusing and convoluted, it remains an all-time classic based entirely on the electrifying scenes shared by real-life couple Humphrey Bogart and Lauren Bacall. Bogart was actually married to Mayo Methot during the filming of this picture; his relationship with co-star Bacall became so intense, however, that he divorced Methot to marry Bacall shortly after filming completed. One of Hollywood's great love stories, that marriage lasted until Bogart's death in 1957. This highly desirable one sheet, promoting one of the greatest film noir detective stories ever lensed, had chipping in the right border, and fold wear with crossfold separation, but after expert professional restoration, looks every bit as good as new. Fine/Very Fine on Linen.
The Big Sleep (Warner Brothers, 1946). Argentinean Poster (29" X 43").
With lightning fast dialogue, a labyrinthian plot, legendary femme fatales (Lauren Bacall and Martha Vickers), and Humphrey Bogart as the unflappable P.I. Philip Marlowe, this outstanding film noir became an instant classic. William Faulkner co-wrote the screenplay with Leigh Brackett and Jules Furthman, with Howard Hawks directing the non-stop action as Marlowe untangles the web of lies surrounding Sean Regan, Owen Taylor, and Arthur Geiger's murders. This sensational poster has fold wear, a minor chip at the bottom edge, light wrinkles, pinholes in the field, and edge wear with small pieces of tape on the reverse. There is a small hole in the top right, and two corner bends. This great poster will garner a lot of attention with its iconic image of Bogey and Bacall. Fine+.
Across the Pacific (Warner Brothers, 1942). Autographed Title Lobby Card (11" X 14").
This is a true rarity: perhaps the only poster that the great Humphrey Bogart ever signed! Here it is, a beautifully inscribed title card for this wartime thriller, directed by Bogart's good friend John Huston. The inscription is written in fountain pen and says, "For Bill good luck Humphrey Bogart." The card is in remarkably good condition with just the most minor surface dirt and a tiny dot of ink on Bogart's cheek, no doubt where the star may have started to write or let the pen rest momentarily! What a magnificent piece of cinema history! The card comes with a certificate of authenticity. Fine+.
All Through the Night (Warner Brothers, 1942). Autographed One Sheet (27" X 41").
In a rare comedic role, Humphrey Bogart plays "Gloves" Donahue, a Runyonesque gambler who stumbles upon a cell of Nazi saboteurs when his daily shipment of cheesecake is disrupted. The exceptional cast includes such silver screen stalwarts as Conrad Veidt, Jane Darwell, Peter Lorre, William Demarest, Frank McHugh, Phil Silvers, and Jackie Gleason, in his second screen role. This extremely popular one sheet, personally signed by "Vincent Sherman" (Director), "Jackie Gleason" (Co-Star), and "Phil Silvers" (Co-Star), had slight fold wear, crossfold separation, pinholes in the corners and borders, a small area of paper loss in the top right, and a small hole in the right border, but looks Near Mint after expert professional restoration. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine+ on Linen.
High Sierra (Warner Brothers, 1941). Insert (14" X 36").
Released just prior to The Maltese Falcon, the movie that would make Humphrey Bogart a superstar, this was the last time Bogie would receive second billing, in this case just after Ida Lupino. In this taut crime drama, Bogart plays Roy "Mad Dog" Earle, a criminal whose release from prison is arranged so that he can aid in an upcoming robbery. When things go wrong, Earle hides out in the Sierra mountains, but things are complicated when he becomes personally involved with a local farming family. This classic linen-textured insert had edge and fold wear, a small hole above the title, some paper loss on the reverse, a small tear near Lupino's shoulder, and one near Bogart's left hand. Professional restoration has addressed these issues, resulting in an insert that is clean, attractive, and eminently displayable, an exceptional piece from one of Bogart's best films. Of all of the posters produced for this film, the insert sports the best image with Bogart leaning on his shotgun, ready to rob banks as "Mad Dog." This poster is also incredibly rare with only a few copies known to exist. Very Good+ on Paper.
Dark Passage (Warner Brothers, 1947). Lobby Card (11" X 14").
The fourth film to feature the electrifying husband and wife team of Humphrey Bogart and Lauren Bacall, this is the story of convicted murderer Vincent Parry, who busts out of jail in order to prove his innocence. Realizing that his features are too well known, Parry heads to a back alley plastic surgeon, who alters his appearance. While recovering, he hides out in the apartment of Irene Jansen (Bacall), with whom he soon falls in love. Offered here is the best card in the set, a great portrait of Mr. and Mrs. Bogart. It shows light smudging in the bottom border, staple holes in the border and in the field, and a small corner bend in the top left, but none of these minor issues detract from the overall appeal of this highly desirable card. Very Fine-.
Dark Passage (Warner Brothers, 1947). One Sheet (27" X 41").
Few Hollywood pairings are as memorable as Humphrey Bogart and Lauren Bacall who are sensational in all of their films together, including this dark thriller. An escaped convict (Bogart), who has his face altered to evade the police, sets out to find the real killer of his wife. Bacall plays an artist who takes an interest in Bogart's dilemma, and who has a nagging, spiteful friend, played by Agnes Moorehead. The poster had pinholes in the corners, a tear in the left border, fold wear, crossfold separations, and small chips in the right border. After professional restoration, the one sheet with its lovely portraits displays beautifully. Fine/Very Fine on Linen.
The Maltese Falcon (Warner Brothers, 1941). British Front-of-House Still Set of 8 (8" X 10").
Few tough guys were as tough as Humphrey Bogart, and few of his onscreen personas could compare with the cool-as-a-cucumber Sam Spade, the creation of hard-boiled novelist Dashiell Hammett. In this film, Spade finds himself caught in the middle of a struggle for a priceless statuette of a bird, the Maltese Falcon of the title. Supported by such outstanding character actors as Mary Astor, Peter Lorre, Elisha Cook Jr., and Sydney Greenstreet - in his film debut, which garnered him a Best Supporting Actor nomination - as well as first-time director John Huston, Bogart gives the performance of a lifetime. A classic against which nearly all other film noir pictures are measured, this is not only one of Bogie's best, it's arguably one of the best movies ever made. Offered in this lot is a very rare British set of black and white, front-of-house stills. Bogart is featured on each still as well as the fabulous Peter Lorre as Joel Cairo, on three. The photos retain a wonderful gloss finish, but have some slight signs of handling and wear. There has been no restoration on this very rare set. Fine/Very Fine.
The Maltese Falcon (Warner Brothers, 1941). Pressbook (11" X 17").
When George Raft turned down the role as Sam Spade in this, the third remake of Dashiell Hammett's novel (he took advantage of a clause in his contract stating that he didn't have to do remakes), he could little have known that he was launching the career of Warner's character actor Humphrey Bogart, who was raised to the dizzying heights of Hollywood superstardom after his dazzling performance in this film. One of the formative film noirs, this movie also features Sidney Greenstreet (in his film debut), Peter Lorre, and Mary Astor. Offered here is a beautiful, and very rare, pressbook for this great film. It is in superb condition, with no cuts, and only an ink stamp in the bottom of the back cover keeping it from an even higher grade. Very Fine.
Humphrey Bogart Signed War Bond (Warner Brothers, 1942). Framed Black and White Photo (8" X 10") and Autographed War Bond (13" X 20").
One of the greatest stars of the silver screen, Humphrey Bogart was born to a prominent Manhattan surgeon and a highly successful commercial illustrator. He was enrolled at the prestigious Phillips Academy, but was soon expelled, after which he served a stint in the U.S. Navy (it was most likely during this period that he picked up his trademark scar and his often-imitated lisp). After leaving the Navy, he turned to the stage, where he developed a fairly successful career. It was his portrayal of Duke Mantee in the Broadway production of The Petrified Forest in 1935 that brought him to the attention of Hollywood, where he reprised the role on the screen. A popular character actor, Bogie became a veritable superstar after his performance as Sam Spade in John Huston's The Maltese Falcon (1941). A succession of plum roles, including Rick Blaine in Casablanca (1942), Harry Morgan in To Have and Have Not (1944), and Philip Marlowe in The Big Sleep (1946) followed, several of them opposite rising young starlet Lauren Bacall, who would become the fourth - and final - Mrs. Humphrey Bogart in 1945. Bogie passed away in 1957, a victim of throat cancer from the cigarettes he had habitually smoked for many years. Clearly one of the greatest actors in the history of film, Bogart's legacy has earned him a permanent place on Hollywood's A-list. Offered here is a rare presentation piece; a framed portrait of the great actor along with a vintage war bond signed "Humphrey Bogart" in black ink. Very Fine+.
Humphrey Bogart Personality Poster (Warner Brothers, Late 1930s). Poster (22" X 28").
One of the greatest - and most recognizable - stars of the twentieth century, Humphrey DeForest Bogart first gained fame as the deranged killer duke Mantee in The Petrified Forest (1936), a role he had originated on Broadway. True superstardom had to wait until 1941, and Bogie's iconic portrayal as Dashiell Hammett's hard-bitten, hard-drinking private eye, Sam Spade in The Maltese Falcon. Success followed success, and Bogart's star burned even brighter following his first on-screen team up with the lovely Lauren Bacall in To Have and Have Not (1944), an on-screen partnership which resulted in a steamy off-screen relationship and, soon after filming The Big Sleep in 1946, marriage. A dedicated actor, Bogart continued working up until almost the time of his death from throat cancer in 1957. Offered here is an early personality poster featuring this amazing artist, most likely dating from some time before The Maltese Falcon. It had edge tears in both the bottom and top that extended into the field, a tear in the right border, some surface paper loss on the reverse that shows through to the front in the center of the image, and some light creasing, but is, overall, in wonderful condition. It presents beautifully, and will make a wonderful display piece for the lucky winner. Fine- on Paper.
To Have and Have Not (Warner Brothers, 1944). One Sheet (27" X 41").
Humphrey Bogart and Lauren Bacall met and fell in love while making this Howard Hawks directed film and every bit of their chemistry shows on screen. In this Ernest Hemingway based adventure, Bogart operates a charter boat in WWII Martinique where he runs into a sultry pickpocket (Bacall) and French resistance fighters. Bacall sings "How Little We Know" by Johnny Mercer and Hoagy Carmichael, who has a small role as the piano player, Cricket. This one sheet had small crossfold separations and corner bends. All of the one sheets for this film's original release had a snipe pasted over the titles to change a mistake made to the credits when printed. Some of the snipes can be removed without any trouble and some require a good bit of work and usually some damage to the underlying poster. This copy comes with the removed snipe as this copy came clean with no wear and now displays beautifully! Very Fine on Linen.
To Have and Have Not (Warner Brothers, 1944). Lobby Card (11" X 14").
Humphrey Bogart and Lauren Bacall team up for the first time in this action-filled adventure set in Vichy-held Martinique. Shown here is the suspenseful confrontation between Bogie and the Vichy Prefect of Police (Dan Seymour). There are small tears on the top and bottom borders with paper tape on the back, smudges on the right border, and corner bumps. Fine/Very Fine.
Casablanca (Warner Brothers, 1942). Pressbook (10.5" X 17", Multiple Pages).
Warner Brothers originally planned for George Raft, Ronald Reagan, and Ann Sheridan to star in Casablanca. But when director Michael Curtiz insisted on Humphrey Bogart and Ingrid Bergman, a masterpiece was born. This original release pressbook has grease pencil marks on the front cover, a spine separation with minor paper loss, and pencil marks on page three. There is also wear along the edges and the single vertical fold line. Otherwise the book is complete and free of all cuts. Fine+.
Sirocco (Columbia, 1951). Italian 2 - Folio (39" X 55").
Set in Damascus, Syria, Humphrey Bogart stars as casino owner and gun runner Harry Smith. Lacking political convictions, Smith nevertheless is caught between the French forces and Syrian rebels in their battle for weapons and control of the city. But the real trouble begins when Bogart romances French Colonel Lee J. Cobb's mistress Marta Toren. Anselmo Ballester created one of the most spectacular posters for this title, in beautiful vivid color. There were pinholes in the corners, light edge wear, fold wear, and pinpoint crossfold separations. The piece has had expert restoration work and the original tax stamps are still attached above Toren's shoulder. This will be a stunning highlight to any collection. Very Fine on Linen.
The Treasure of the Sierra Madre (Warner Brothers, 1948). One Sheet (27" X 41").
In this masterpiece of film making, director John Huston deftly weaves this powerful story with his stellar cast of Humphrey Bogart, Tim Holt, and the director's father, Walter Huston, along with a hauntingly beautiful score by Max Steiner. The film is based on the novel by German author B. Traven (a pseudonym). Little is known about the enigmatic man, and there is much speculation about his true identity, some believing him to be Hal Croves, who lived for many years in Mexico City. One of the top films of all time, this one sheet is always desirable for collectors. This piece had a lower right corner chip and fold wear, which have been impeccably restored. Fine/Very Fine on Linen.
The Treasure of the Sierra Madre (Warner Brothers, 1948). Title Lobby Card (11" X 14").
John Huston directed this gripping adaptation of Bernard Traven's bestselling novel, a story of adventure, betrayal, and murder as Fred C. Dobbs (Humphrey Bogart) and Bob Curtin (Tim Holt) set out to find a lost fortune in gold, guided by grizzled prospector Howard (Walter Huston). Along the way, however, they have to deal with greed, paranoia, and a group of bandidos, all of which threaten to destroy them. Walter Huston picked up an Oscar for Best Supporting Actor, while his son, John, took home twin statuettes for Best Director and Best Screenplay. Offered here is the rare title card for this memorable film. It shows small tears in the right border, light edge wear in the top border, and minor corner bumps, but displays very nicely. Very Fine.
Key Largo (Warner Brothers, 1948). One Sheet (27" X 41").
John Huston directs the top notch cast of this film noir, including Humphrey Bogart, Lauren Bacall, Edward G. Robinson, Lionel Barrymore, and Claire Trevor. Any one of these top stars could carry a picture on their own, and together they make movie magic. Each scene is taut and suspenseful as the key players wait out a hurricane and the explosive climax between jaded hero Bogart and the toughest crime boss of them all, Robinson. The professionally restored poster had a small corner chip, and small chips in the bottom border, corner pinholes, and fold wear. These issues are no longer apparent and in no way detract from this striking poster. Very Fine on Linen.
The African Queen (United Artists, 1952). French Grande (44.5" X 61.5").
The story of the making of this classic film is, in many ways, even more gripping than the film story itself. Shot largely on location in Africa, the cast was plagued with a host of problems, including frequent bouts of dysentery (only director John Huston and Humphrey Bogart were immune from this affliction, as they totally eschewed drinking water, preferring large quantities of imported Scotch instead, according to co-star Katharine Hepburn). The result of all the trial and hardship the cast endured is one of the greatest adventure movies ever filmed, a high point in the careers of both Bogart and Hepburn. Offered here is a lovely grande for this landmark film from the original French release, with a similar layout and artwork as the British one sheet. It had a tear in the top center, minor foldwear, a small chip in the top right corner, but these slight flaws have all been addressed with expert professional restoration. Always in high demand, paper from this title is extremely popular with collectors. Very Fine- on Linen.
The African Queen (United Artists, 1952). Six Sheet (81" X 81").
Hard-driving director John Huston pushes Humphrey Bogart to a Best Actor Oscar in this tale of a boozing river-boat captain and a Bible-thumping spinster (Katharine Hepburn) traveling down an African river to blow up a German warship. This magnificent poster will take your breath away; it features all of the action you expect from this legendary motion picture. The colors are bright and the overall condition of the paper is wonderful, making the few flaws in this piece relatively minor. Very Fine.
Angels with Dirty Faces (Warner Brothers, 1938). One Sheet (27" X 41").
This incredible picture, in which two childhood friends take very different paths in life, features one of James Cagney's very best roles. As Rocky Sullivan, Cagney plays a big shot gangster who becomes a local hero to a gang of youths (The Dead End Kids). Rocky's old friend, Father Jerry Connelly (Pat O'Brien), tries to convince Rocky to help him save the kids from a life of crime. The final scene, in which Rocky seems to turn yellow on his way to the electric chair - was Rocky really scared, or did he do it for the kids? - is a masterpiece of ambiguity. Rounding out the stellar cast is Humphrey Bogart, who co-stars as the crooked James Frazier, and Ann Sheridan, who plays Laury Ferguson, Rocky's angelic girlfriend. As one of Warner Brothers' top gangster films of the 1930s, paper from this title is considered extremely collectible. It is also exceedingly rare. Offered here is a highly desirable, and seldom-seen, one sheet. It had pinholes in the corners, fold wear with small chips at the fold lines, crossfold separation, a tear in the lower right corner, tears in the left and top borders, and missing paper in the lower left corner, the left border, the top left corner, and the top border. After expert professional restoration, however, this stunning poster looks as good as new. In eight years, we've only offered one other copy of this rare sheet, and it may be nearly another decade until another comes your way. Don't risk disappointment, bid on this one right away! Very Good+ on Linen.
The Oklahoma Kid (Warner Brothers, 1939). Lobby Card (11" X 14").
In this great Western, James Cagney plays tough-talkin' cowboy Jim Kincaid, and Humphrey Bogart plays the evil Whip McCord. Basically a gangster picture set in the Old West, this is Cagney and Bogart in their prime. The linen finish lobby card offered here, which pictures both of the stars, illustrates why Bogart commented that Cagney looked like "a mushroom" in his costume. In beautiful condition, it has pinholes in the corners and small nicks in the top left and bottom right, but these are small flaws, apparent only upon close examination. Paper from this picture is fairly scarce, so don't pass up your chance to win this beauty. Fine/Very Fine.
Devil Dogs of the Air (Warner Brothers, 1935). Window Card (14" X 22").
The versatile actor James Cagney could play almost any role, as he proved through his long and successful career, but he was best as the brash but sympathetic tough guy, roles he perfected at Warner Brothers. Starring opposite Cagney in this popular WWI fighter pilot drama is Pat O'Brien who worked with Cagney in a total of eight films. This professionally restored window card had small tears in Cagney's face and along the right edge. There were two small holes in the image, creases, and edge wear. The poster now shows beautifully, with its bright and colorful artwork. Fine+ on Cardstock.
The Strawberry Blonde (Warner Brothers, 1941). One Sheet (27" X 41").
Raoul Walsh directs the all-star line-up of James Cagney, Olivia de Havilland, Rita Hayworth, and Jack Carson in this turn-of-the-century courtship tale. The poster had crossfold separations with paper loss, fold wear, pinholes in the corners, and tears at the bottom and left borders. One tear at the bottom goes into the image, and one inch of the top border has been replaced. Expert restoration has rendered these issues unnoticeable; now the sheet displays wonderfully with its fun Cagney and de Havilland portraits. Fine+ on Linen.
James Cagney Personality Poster (Warner Brothers, 1939). French Affiche (25" X 39").
James Cagney shot to the very heights of stardom with The Public Enemy (1931), and quickly proved himself to be one of the most versatile actors of the twentieth century. Able to switch effortlessly from hard-boiled gangster roles to light comedy assignments to song and dance numbers, Cagney was never less than charming, personable, and a joy to watch. He worked in virtually every genre (save for horror/science fiction), including Westerns, as seen in the stamp for The Oklahoma Kid (1939) on this beautiful personality poster, with art by the renowned Jacques Bonneau. This lovely French sheet has pinholes in the corners and some crossfold separation, but is otherwise clean and attractive. No Cagney fan will want to miss out on this beauty. Very Fine.
City for Conquest (Warner Brothers, late 1940s). First Post-War Release Italian 2 - Folio (39" X 55").
Danny Kenny (James Cagney) is a down-on-his-luck truck driver who enters the fight game in order to support the music career of his brother, Eddie (Arthur Kennedy). Danny's promising career comes to an abrupt end, however, when he is blinded by a crooked fighter. This beautiful poster, with stunning art by Luigi Martinati, had some light fold wear with crossfold separation, and pinholes in the corners, but these slight flaws have been rendered virtually invisible thanks to expert professional restoration. Any Cagney fan would be proud to own this one! Very Fine on Linen.
White Heat (Warner Brothers, 1949). Lobby Card Set of 8 (11" X 14").
James Cagney had many memorable gangster roles throughout his remarkable career, but as Cody Jarrett, he gives his most psychologically disturbed performance, and it is riveting to watch. Cody is a little too close to his Ma (Margaret Wycherly), and when she dies at the hands of his wife Verna (Virginia Mayo), Cody goes berserk at the prison dining hall. Once he escapes there is no stopping his ruthless revenge. The title card has some wrinkles and edge wear. All cards have a staple hole in the top left corner, three cards have smudging, and one card has a tear in two borders. Don't miss out on these fantastic images of Cagney at his best. Fine/Very Fine.
Yankee Doodle Dandy (Warner Brothers, 1942). Three Sheet (41" X 81").
This rousing tribute to patriotic songwriter George M. Cohan is widely considered to be one of star James Cagney's finest roles, and the one that won him his sole Best Actor Oscar. Here, Cagney gets a chance to show off the singing and dancing talents he earned through many years spent in vaudeville, ably demonstrating why he was the personal choice of Cohan himself for the part. The colorful three sheet offered here is in superb condition, with only some light fold wear to note. Were it not for our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen, this stunning piece would have received an even higher grade. Very Fine+ on Linen.
The Wasp Woman (Film Group, 1959). One Sheet (27" X 41").
Susan Cabot made her film debut with a part as an extra in the 1947 film Kiss of Death, and made several films throughout the 1950s. She left movies for a while to star on the New York stage, but was lured back to Hollywood by producer/director Roger Corman, and made five films for him, including her most memorable role here as the Wasp Woman. She plays cosmetic executive Janice Starlin who looks for the fountain of youth in all the wrong places, and is soon injecting herself with royal jelly from queen wasps. Fred Eisley and Michael Mark co-star in this delightful mad-scientist romp, a favorite of all 1950s sci-fi buffs. This highly desirable poster had only light fold wear with crossfold separations and has been professionally restored leaving the ghoulish imagery in excellent shape. Very Fine on Linen.
Tarantula (Universal International, 1955). Poster (40" X 60").
A memorable entry in the giant monster genre so popular in the 1950s, this exciting film stars Leo G. Carroll as a scientist doing research in gigantism. When one of his experimental spiders escapes and grows to enormous size, the entire surrounding population is threatened. Sharp-eyed viewers will recognize a very young Clint Eastwood in the climax of the movie, as the jet squadron leader who attacks the giant spider. Offered here is a wonderful poster for this fan-favorite film, brilliantly presented in dazzling day-glo colors. The poster had pinholes in the corners and in the image area, punch holes in the top corners, a minor corner chip in the bottom right, and small tears in the top and bottom borders. Professional restoration has expertly addressed all these issues, resulting in a poster that will be the pride of any collection. Rolled, Very Fine- on Linen.
Tarantula (Universal International, 1955). Title Lobby Card and Lobby Card (11" X 14").
One of the best of the giant monster movies of the 1950s, this film stars Leo G. Carroll as Professor Gerald Deemer, a scientist conducting growth experiments on innocent animals. When a tarantula injected with the professor's growth serum escapes from the lab, all hell breaks loose, and it's up to Clint Eastwood, in an uncredited role as a Jet Squadron Commander, to napalm the giant beast into oblivion. Offered here are two extremely desirable cards, including the action-packed title card with art by Reynold Brown. It has a top right corner bend, a light dust shadow in the top border, and a small top left corner crease. The scene card, which pictures Carroll, is absolutely pristine. Very Fine+.
Tarantula (Universal International, 1955). Lobby Cards (2) (11" X 14").
In the 1950s, nobody made better science fiction films than the great Jack Arnold, whose impressive resume boasts such titles as Creature from the Black Lagoon, It Came from Outer Space, and the giant-bug favorite Tarantula. Nuclear energy was causing all kinds of problems in the '50s; here a mutated spider terrorizes citizens of a small Arizona town. The portrait card of the tarantula is fantastic, and so is the Reynold Brown border art. Near Mint+.
Tarantula (Universal International, 1955). Lobby Cards (2) (11" X 14").
It's all about the spider, man, in these stunning cards from this classic giant monster movie. The tarantula card represents the classic Reynold Brown artwork from the title card and the one sheet, while the other card shows Leo G. Carroll being attacked by a deformed lab assistant. Both cards have small chips in the top right corner, and one shows some slight edge wear, but both are extremely appealing and attractive, just waiting to catch you in their web. Very Fine.
Tarantula (Universal International, 1955). Lobby Cards (2) (11" X 14").
This classic 1950s science fiction thriller of an experiment gone awry stars John Agar, Leo G. Carroll, and Mara Corday. The film is directed by the talented Jack Arnold. The amazing artwork by Reynold Brown can be seen in the border of these two outstanding cards. In fabulous condition, one card has a corner bend and one card has a minor corner chip. Very Fine.
Creature from the Black Lagoon (Universal International, 1954). Argentinean Poster (29" X 43").
One of the greatest horror movies of the 1950s, this film introduced the Gill-Man to the pantheon of Universal monster stars. The Argentinean one sheet offered here features strikingly different art than its American counterpart, boasting a fabulous image of the Creature himself. It had fold wear and crossfold separation, but these slight defects have been rendered virtually invisible thanks to expert professional restoration. Don't be left out; bid on this one today! Very Fine on Linen.
Creature from the Black Lagoon (Universal International, 1954). Spanish One Sheet (27.5" X 39").
This is the scarce one sheet from Spain with evocative art for the last great Universal Horror classic. The green Gill-Man is the last Devonian Age survivor of his species - a humanoid man-fish. Bud Westmore (Tarantula, Mole People, It Came from Outer Space, etc.) contributed astonishingly realistic make-up for one of Hollywood's most original - and most memorable - "beauty and the beast" films. This great poster features different art from any of the domestic paper released! It has pinholes in the corners, some slight edge wear and minor tears, as well as slight crossfold wear. There is some age toning to the piece and it has an additional fold. Fine+.
Attack of the Crab Monsters (Allied Artists, 1957). Insert (14" X 36").
Giant atomic mutant crabs rise out of the ocean to attack and eat a scientific expedition on a remote island in the Pacific. Roger Corman produced some of the best of the 1950s and 1960s B-movies that have reached cult status, and this fun science fiction doesn't disappoint, with stars Richard Garland, Pamela Duncan and Russell Johnson (the professor from Gilligan's Island). This professionally restored insert had only pinholes in the corners and fold wear. The sensational artwork speaks for itself, a real treat for 1950s monster film fans. Very Fine on Paper.
Attack of the Crab Monsters/Not of this Earth Combo (Allied Artists, 1957). Six Sheet (81" X 81").
Two of Roger Corman's earliest and best monster flicks were originally released together and make for one sensational poster. The large format six sheet posters of the low budget cult sci-fi films are fairly rare, with only a few having been produced; to get two-in-one is almost unheard of! What could be better than radioactive giant crabs and blood sucking aliens? This fabulous sheet has edge and fold wear, a few crossfold separations, and a small amount of paper loss at the bottom of one top panel. This outstanding poster appears not to have been used and is in excellent condition. Fine/Very Fine.
Not of this Earth (Allied Artists, 1957). Insert (14" X 36").
In this creepy Cold War-era horror by Roger Corman, Paul Birch plays an alien who has come to earth looking for human blood to rescue his dying planet, Davanna. Beverly Garland is nurse Nadine Storey who must save mankind from the invaders. This over-the-top insert has very light stains at the bottom, pinholes in the corners, and a minor bump at the left edge. One of the most dramatic of all sci-fi posters, this one is sensational. Folded, Very Fine.
Not of this Earth (Allied Artists, 1957). One Sheet (27" X 41").
Nurse Nadine Storey (Beverly Garland) has never had a patient quite like Paul Johnson (Paul Birch). He needs frequent blood transfusions, because he has no blood of his own! Johnson is actually a space alien, sent from a dying planet ravaged by nuclear war, to find a ready supply of the blood his race needs to survive. One of director Roger Corman's best efforts of the 1950s, the film also features a classic cameo by Corman stock player Dick Miller. This highly desirable one sheet has pinholes in the corners, light edge wear in the left border, enlarged pinholes in the borders and in the field, crossfold separation, and a small tear in the left border. It presents very nicely, however, possessing a high degree of eye-appeal, and will make a wonderful addition to your collection. Fine/Very Fine.
The Beast From 20,000 Fathoms (Warner Brothers, 1953). One Sheet (27" X 41").
As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the East Coast of North America, wreaking havoc in its wake. This was the first of the 1950s giant creature features, and Ray Harryhausen's special effects were totally believable and frightening. This poster had minor fold wear, pinholes in the corners, and a bottom left corner bend. This professionally restored poster has fantastic artwork with vibrant colors. Very Fine on Linen.
The Amazing Colossal Man (American International, 1957). One Sheet (27" X 41").
When Lt. Col. Glenn Manning (Glenn Langan) tries to rescue a downed flyer during a plutonium bomb test, he is bathed in radiation. Miraculously, Manning survives, but soon begins to grow to monstrous size, eventually embarking on a rampage through beautiful downtown Las Vegas. A perennial favorite, this poster boasts stunning artwork by the great Albert Kallis. It had a tear in the bottom border, and a small nick in the right border, but professional restoration has expertly addressed these slight flaws, returning the poster to a Near Mint appearance. Very Fine+.
War of the Colossal Beast (American International, 1958). One Sheet (27" X 41").
Glenn Manning (Dean Parkin), the atomically mutated colossal beast of the title, fell off the Boulder Dam, apparently to his death, in the climax of The Amazing Colossal Man (1957), but inexplicably returns, just as big and twice as ugly, in this exciting sequel. The one sheet offered here, featuring a great image of "the towering terror from hell," is in near-perfect condition; only some pinpoint crossfold separation keeps it from an even higher grade. Near Mint.
The Incredible Shrinking Man (Universal International, 1957). One Sheet (27" X 41").
This tale of an ordinary man (Grant Williams) who continues to grow smaller after exposure to a radioactive cloud was adapted by Richard Matheson from his own novel. The state-of-the-art special effects and thoughtful script made this a sure fire hit. Offered here is the prized one sheet, with art by Reynold Brown, which depicts our hero doing battle with the house cat. It has been expertly restored to fix the light fold wear and crossfold separations with small paper losses. Very Fine- on Linen.
Attack of the 50 Foot Woman (Allied Artists, 1958). One Sheet (27" X 41").
One of the most desirable and sought after posters in the entire 1950s sci-fi genre, this classic, with its iconic art by Reynold Brown, is on every collector's must-have list. Allison Hayes stars as Nancy Archer, a jealous wife who grows to enormous proportions after an encounter with a giant alien. William Hudson is her cheating spouse and Yvette Vickers is the doomed other woman. This classic science fiction poster had some paper loss in the lower horizontal fold, in one area about the size of a small matchbook, in the pavement between two cars, and another much smaller chip within the hood of the car, half hidden by the woman's right leg. Aside from that, there was just the most minor edge wear, pinholes in the corners and a very small amount of writing on the reverse which is not apparent when viewing the poster. The conservation work was done brilliantly and the poster displays as near mint with very vibrant colors! Fine on Linen.
The Blob (Paramount, 1958). One Sheet (27" X 41").
An iconic 1950s sci-fi thriller, this teen flick was a favorite at the drive-ins, and its theme song "The Blob," written by a young Burt Bacharach, was an instant hit. Steve McQueen and girlfriend Aneta Corsaut hunt for a mysterious meteor that has landed in their town. The monster that comes out of the meteor terrorizes the townspeople and chases the teens into a diner for the final showdown, which is depicted on this great one sheet. The poster has had very minimal restoration to address fold wear, and is a real stunner. Very Fine+ on Linen.
Terror from the Year 5000 (American International, 1958). Insert (14" X 36").
On a remote island off the coast of Florida, a talented scientist (Frederick Downs) and his assistant (John Stratton) use a time machine to visit the past and the future. All is well until an atomic-mutated woman (Salome Jens) from the post-apocalyptic future hatches a plan to re-populate her era by kidnapping Stratton. There is staining in the right border, light edge wear, a few wrinkles, and a bump and stain in the right corner. With terrific art by Albert Kallis featuring one of the sexiest aliens from the genre, this is always a popular item. Folded, Very Fine-.
Invasion of the Body Snatchers (Allied Artists, 1956). Half Sheet (22" X 28") Style B.
This chilling picture, in which innocent people are replaced by alien creatures grown from seed pods, is one of the best invasion films to come out of the Cold War era. Many see this film as a loosely veiled allegory for the fear of Communist infiltration that was of paramount concern to people nationwide in the 1950s. Offered here is the rare and desirable "spotlight dance" style half sheet; it had fold wear and a pinhole in the left border, but now looks like a million bucks after expert professional restoration. A key film from the period, this poster is one you'll want to add to your permanent collection. Very Fine on Paper.
Monster from the Ocean Floor (Lippert, 1954). Insert (14" X 36").
The first of nearly 400 films produced by the legendary Roger Corman, this picture was shot on a total budget of $16,000, a shoestring even in 1954. The story, about an atomically mutated amoeba that rises from the sea to strike terror into the hearts of a surely doomed mankind, is 1950s sci-fi at its best. The colorful insert offered here had been folded, and had pinholes in the corners, fold wear, and a tape lift in the left border, but expert professional restoration has dutifully addressed all of these minor flaws, resulting in a poster that looks like a million bucks. Fine/Very Fine on Paper.
It Conquered the World (American International, 1956). One Sheet (27" X 41").
An early effort from director Roger Corman, this is, nonetheless, one of his most entertaining films, about a planned take over of Earth by hostile Venusians. Paul Blaisdell's unforgettable creature, dubbed "Beulah" by him, but referred to by various crew members as, "the Tee-Pee Terror," "the Cucumber Critter," and "the Carrot Monster," remains a favorite of sci-fi fans everywhere. The highly desirable one sheet offered here is in excellent condition, with only some light edge wear keeping it from an even higher grade. Very Fine+.
Destination Moon (Pathé, 1950). Insert (14" X 36").
As everyone with any interest in movies knows, there was no shortage of science fiction films during the 1950s: films that documented supposed trips to the Moon, Mars, and beyond. What sets this film apart, however, is the fact that it was one of the very first to attempt to tell a compelling story with a high degree of technical accuracy. Using everything from paintings by renowned space artist Chesley Bonestell to Woody Woodpecker cartoons, the movie captured the imagination of the movie-going public, and even won an Academy Award for Best Special Effects. Consequently, this is a favorite of sci-fi collectors everywhere. This lovely insert has some soiling in the bottom left, a bend in the bottom left corner, a tear in the left border, and some smudging in the borders, but is extremely attractive overall. Folded, Very Fine.
Robot Monster (Astor Pictures, 1953). Half Sheet (22" X 28"). 3-D Style.
George Nader and Claudia Barret head a distinguished cast, including John Mylong, Selena Royle, and Gregory Moffett, as the last, best hope of humanity after mankind is obliterated by Ro-Man (George Barrows), a fearsome conqueror from beyond the stars. Ro-Man's mission is threatened, however, when he falls in love with the provocative Alice (Barrett), and, for the first time, longs to feel the stirrings of human emotion, a wish that runs counter to his destructive programming. A remarkable film - which boasts an early score by Elmer Bernstein, a leading film composer - once seen it is not easily forgotten. Offered here is a rare half sheet for this cult film, only the second we have offered since 2001. Unfolded, it shows some tearing in the borders, as well as a tear in the bottom that extends into the image area. However, expert professional restoration has returned this beauty to a pristine appearance. Fine/Very Fine on Paper.
Invasion of the Saucer-Men (American International, 1957). One Sheet (27" X 41").
One of the best of the fun and campy 1950s drive-in sci-fi genre, this film features small, green, bug-eyed aliens, designed by Paul Blaisdell, who are out to seek revenge for the accidental death of one of their own. Frank Gorshin, Steven Terrell, and Gloria Castillo are the hapless humans who eventually figure out how to use their car headlights to defeat the invaders! This classic science fiction one sheet has some wear to the borders and at the corners, but there was no paper loss, and just minor tearing and bending with pinholes. There was touch-up work performed to the fold lines and to small blemishes within the image. The colors are outstanding on this copy and the conservation work was done exceedingly well. This would make a fabulous addition to any sci-fi or movie monster poster collection with its great Albert Kallis artwork. Fine/Very Fine on Linen.
Invasion of the Saucer-Men (American International, 1957). Lobby Card (11" X 14").
This has to be one of the most sensational alien cards out there. This great lobby card features the best closeup in the set of the angry, green, bug-eyed, cabbage-head extraterrestrials. The card has pinholes in the corners, a small corner chip, an ink mark in the border art, and smudges. Fine/Very Fine.
Invasion of the Saucer-Men (American International, 1957). Lobby Cards (2) (11" X 14").
A very enjoyable drive-in romp, which was released on a double bill with I was a Teenage Werewolf, this sci-fi flick stars Frank Gorshin, Steven Terrell, Gloria Castillo, and Lyn Osborn. One of these fabulous cards shows a great close-up of one of Paul Blaisdell's campy aliens. One card has two dust shadows, and one card has a minor cut along one edge and two pieces of paper tape on the reverse. Very Fine-.
Invasion of the Saucer-Men (American International, 1957). Lobby Cards (2) (11" X 14").
This is, without a doubt, one of the most memorable science fiction films of the 1950s, due, in large part, to Paul Blaisdell's incredible cabbage-headed aliens. Gloria Castillo, best known to bad-girl fans for her star turn in Reform School Girl (1957), and Frank Gorshin, who gained international fame several years later as the Riddler in TV's Batman, appear in this AIP classic, in which the aliens are eventually defeated by bright car headlights. The cards offered here are in great shape. One has a pinhole in the center, but the other is pristine. It would be hard to find nicer examples than these. Very Fine/Near Mint.
Invasion of the Saucer-Men (American International, 1957). Banner (24" X 81.75").
These classic cabbage-headed aliens were the creation of Paul Blaisdell, who was also responsible for "Beulah," who starred in It Conquered the World (1956), and the titular monster from The She Creature (1956). Although the films Blaisdell worked on were undoubtedly low budget, his creations have stood the test of time for their creativity and unforgettable visual impact. Offered here is a rare banner for this fan favorite film. It has a pinhole in the center of the image, edge wear with light soiling, tears in the right and top borders, and small holes around the photo, but is otherwise in great condition. Starring Gloria Castillo, who would go on to headline Reform School Girl in the same year, and Frank Gorshin, the Riddler from TV's Batman, this is one of the 1950s' greatest sci-fi sagas. Rolled, Fine+.
Forbidden Planet (MGM, 1956). Insert (14" X 36").
Robby the Robot made his debut in this classic science fiction film, a loose adaptation of William Shakespeare's The Tempest. A rescue mission sent to Altair IV, captained by Commander J. J. Adams (Leslie Nielsen) to investigate the disappearance of the Bellerophon, finds lone survivor Dr. Edward Morbius (Walter Pigeon) and his beautiful daughter Altaira (Anne Francis), along with Robby, Dr. Morbius's creation. Unfortunately, they also find a horrific monster, the last remnant of the civilization that used to inhabit Altair IV, that threatens to destroy them. In terms of desirability, this is one of the top science fiction posters of the 1950s, due to its terrific, eye-catching graphics. This gorgeous insert, with its incredible image of Robby, shows clear tape in the top and bottom borders, as well as edge wear with some small tears, but is, overall, in exceptional condition. Rolled, Fine+.
Forbidden Planet (MGM, 1956). Lobby Card (11" X 14").
Loosely based on The Tempest by William Shakespeare, this landmark science fiction film is considered by many to be one of the best pictures of the 1950s. With an intelligent script, an excellent cast, and brilliant special effects, not to mention the haunting all-electronic soundtrack and the introduction of android icon Robby the Robot, this picture is the very definition of the word "classic." Small wonder, then, that paper associated with this highly respected film should be some of the most desirable in the entire hobby. Offered here is a wonderful lobby card, showing the "great space cruiser" landing on the surface of Altair-4. It has a tape stain in the bottom border, a tear in the top border with paper tape on the reverse, two staple holes in the bottom border, and some surface paper loss just below the image. In spite of these slight flaws, this is a beautiful card that possesses a high degree of eye-appeal, a perfect piece to enhance any collection. Fine+.
Earth vs. the Flying Saucers (Columbia, 1956). Insert (14" X 36").
Dr. Russell A. Marvin's (Hugh Marlowe) first contact with an alien spacecraft that lands on Earth seems peaceful enough, but it soon becomes apparent that the extraterrestrial visitors come not as friends but as conquerors. The movie is made particularly memorable by the superb stop-motion special effects of the legendary Ray Harryhausen, especially the scenes of destruction set in Washington D.C. This dramatic insert had fold wear, small chips in the left and right borders, pinholes in the corners, a bend in the top right corner, creasing in the top border, and a tear in the top that extends into the image area, but professional restoration has rendered these slight flaws all but invisible. Prominently featuring both the titular saucers and the armored aliens, this is a poster that any science fiction fan will want to own. Folded, Fine+ on Paper.
Earth vs. the Flying Saucers (Columbia, 1956). Title Lobby Card and (2) Lobby Cards (11" X 14").
Suggested by the book Flying Saucers from Outer Space by retired U.S. Marine Corps Major Donald F. Keyhoe, this story, about an alien invasion of Earth, is highlighted by spectacular special effects by Ray Harryhausen. All of the cards in this lot have pinholes in the corners, one of the scene cards has a very light foxing in the right border, and the title card and the scene of Marlow and Taylor running from the burning truck has slight registration problems. Overall, these wonderful and highly collectible cards are attractive and desirable. Note: The lot was misdescribed for the catalog and only calls the lot two cards, when in fact it is three cards as seen here! Very Fine-.
Earth vs. the Flying Saucers (Columbia, 1956). Lobby Cards (2) (11" X 14").
Ray Harryhausen's amazing special effects, particularly the destruction of the Capitol Building by marauding aliens, make this picture a real sci-fi classic. Offered here are two superb cards from this highly desirable set, including the ever-popular "flying saucer" card, marred only by the very lightest of edge wear. Very Fine+.
Earth vs. the Flying Saucers (Columbia, 1956). Lobby Cards (3) (11" X 14").
One of the most popular, and fondly remembered, science fiction films of the 1950s, this was one of the earliest efforts of special effects legend Ray Harryhausen. All three cards in this lot feature the mighty metallic alien invader. One card has pinholes in the corners, the others are in superb condition. Don't miss this opportunity to add these beauties to your collection! Very Fine+.
Queen of Outer Space (Allied Artists, 1958). Half Sheet (22" X 28") Style B.
Zsa Zsa Gabor, the Hungarian-born beauty queen, graces this outstanding half sheet. The screenplay for this fun, campy flick, set on the female-run planet of Venus, was written by science fiction and horror writer Charles Beaumont, writer of some of The Twilight Zone's most memorable episodes. The poster has edge wear, two corner bends, a surface abrasion in the lower right corner, and a tear in the right border backed by tape. Folded, Fine/Very Fine.
The Time Machine (MGM, 1960). French Grande (47" X 63").
George Pal's adaptation of H. G. Wells's classic novel is an epic tour de force, one of the finest adaptations of a Wells story ever filmed. The movie won an Oscar for Special Effects, and is widely considered to be one of the top sci-fi films of the 1960s. This colorful and eye-catching French grande, which features art by Soubie based on Reynold Brown's original designs, shows minor crossfold separations. There is also a fold separation that has been backed with archival tape. Otherwise, it is in exceptional condition, and presents very nicely. Fine/Very Fine.
The War of the Worlds (Paramount, 1953). One Sheet (27" X 41").
Based on the classic novel by H. G. Wells, Earth is invaded by aliens, against which all human technology is useless. This became a landmark science fiction film, made memorable by its incredible special effects (which garnered a well-deserved Oscar for George Pal), for which $1.4 million of the film's $2 million budget was spent. It remains a classic of the genre, one of the best sci-fi films of any era. The poster had a small amount of paper loss in the lower left that extended into the image, crossfold separations with slight paper loss, and fold wear. With expert restoration this iconic poster now displays superbly. Very Good/Fine on Linen.
The Day the Earth Stood Still (20th Century Fox, 1951). Banner (24" X 82").
Robert Wise's thoughtful science fiction classic is based on the story "Farewell to the Master" by Harry Bates. The outstanding cast includes Michael Rennie, Patricia Neal, Sam Jaffe, and Hugh Marlowe, and the memorable score is by the legendary composer Bernard Herrmann. Offered here for the first time is the rare banner with its sensational silkscreen artwork. The poster has pinholes in the corners, one corner bend, edge wear, some ink transfer in the white areas, and creasing with cracks in the image. One of the best sci-fi titles of them all, paper for this film is always highly prized, and it will be a long time before this special style is seen again. Rolled, Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Title Lobby Card (11" X 14").
One of the most powerful science fiction movies ever made, this film told the compelling story of alien emissary Klaatu (Michael Rennie), who comes to Earth with a dire warning: change your warlike ways or face destruction. As timely today as it was during its initial release, it's not surprising that this film has gained a reputation as one of the top movies in the genre. Consequently, paper from this picture is very highly sought after. Offered here is a beautiful title card that had pinholes in the corners and corner bumps, but after expert professional restoration, which included airbrushing at the corners, these slight flaws are virtually unnoticeable. If you're a fan of great science fiction movies, this classic card is a must have! Very Fine-.
The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card (11" X 14").
Michael Rennie as Klaatu and Lock Martin as the robotic Gort are featured on this highly desirable lobby card from one of the greatest sci-fi films ever made. The card offered here, which has been cleaned, had a small chip in the bottom right corner and pinholes in the field, but after expert professional restoration, including airbrushing at the corners, these minor flaws are only visible under the closest scrutiny. Fine/Very Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card (11" X 14").
If giant robots are your thing, this card, which pictures classic science fiction icon Gort, as well as lovely Patricia Neal, is for you! It had pinholes in the corners, and light edge wear in the right border, but after expert professional restoration, which included airbrushing in the corners and cleaning, it now looks virtually as good as the day it was printed. Very Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card (11" X 14").
One of the most popular cards in the set, this dramatic scene shows the robot Gort tending to his injured master Klaatu (Michael Rennie), as a worried Helen Benson (Patricia Neal) looks on. This highly desirable card had pinholes in the corners, very small chips in three corners, and a small tear in the top border, but after expert professional restoration, which also included cleaning and airbrushing in the corners, it looks as good as new. Fine/Very Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card (11" X 14").
In this wonderful scene card, Helen Benson (Patricia Neal) pleads with Klaatu (Michael Rennie) to spare the Earth from destruction, as the impassive robot Gort stands by. This marvelous card, which has been cleaned, had pinholes in the corners and a small chip in the bottom right, but expert professional restoration, including airbrushing in the corners, has returned this card to a like-new appearance. Fine/Very Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card (11" X 14").
Underneath the imposing helmet, Klaatu (Michael Rennie) prepares to deliver an ultimatum to the people of Earth. The role of Klaatu was originally offered to Claude Rains, and then Spencer Tracy, but director Robert Wise thought a lesser-known actor would be more effective in the role of the alien ambassador. This exceptional card, which has been cleaned and the corners airbrushed, will make a wonderful addition to any collection. Very Fine-.
The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Cards (2) (11" X 14").
Based on the story "Farewell to the Master" by Harry Bates, this classic sci-fi film includes a healthy dose of Christian allegory, as Klaatu (Michael Rennie) - who poses as "Mister Carpenter" for a time - comes from above to try and save the Earth from its course of destruction. These two scene cards are in exceptional condition: one had pinholes in the corners and the other showed some light edge wear, but these slight flaws have been rendered virtually invisible by the application of expert professional restoration, which included airbrushing in the corners and cleaning. No true science fiction fan will want to pass up a chance to own these classic treasures. Very Fine.
Golden Age (1938-1955)
Seed (Universal, 1931). Lobby Card (11" X 14").
Based on the Charles G. Norris novel Seed: A Novel of Birth Control, Bette Davis stars here in her second screen role. She plays Nancy Carter, one of five children of self-centered father Bart (John Boles). Writer Bart abandons his wife and children to pursue a life with publisher Mildred (Genevieve Tobin) who sets him up writing cheap thrillers to keep her in luxury. She begins to worry after a decade when he pines for the family he left behind. Zasu Pitts co-stars as Davis's sister. This card has small creases and corner bends, but overall is in great condition. It is a beautiful and rare item with its original varnish luster and featuring a very early image of Davis at center. Fine/Very Fine.
Movie Posters
Three on a Match (Warner Brothers, 1932). Title Lobby Card (11" X 14").
Somewhat scandalous at the time of its release, this is the story of three girlhood friends (Joan Blondell, Ann Dvorak and Bette Davis), whose lives have taken very different paths. One is a chorus girl, one a secretary, and the third is a philandering hussy. Making the picture particularly memorable is the appearance of Humphrey Bogart - in his second Warner Brothers film - playing the sneering gangster, a role that would become his trademark, for the very first time. This exceptionally rare title card has a tiny dent in the top right corner, pinholes in the top right and in the bottom border, and a scuff in the top border. These slight flaws are virtually unnoticeable, however, and do nothing to detract from the overwhelming beauty of this vintage stunner. Very Fine-.
Marked Woman (Warner Brothers, 1937). Title Lobby Card (11" X 14").
This compelling gangster story, based on the life of Lucky Luciano, is about "night club hostess" Mary Strauber (Bette Davis), a call girl with a heart of gold who stands up to mobster Johnny Vanning (Eduardo Ciannelli), and takes a beating for her troubles. After those same mobsters cause the death of Mary's sister, she turns state's evidence on Vanning, with the help of crusading District Attorney David Graham (Humphrey Bogart). It was during the filming of this picture that Bogart met Mayo Methot (she plays dissipated hooker Estelle in this movie), who would become his second wife. The striking gloss finish title card offered here has pinholes in the corners, a small nick in the top left, rounded corners, creasing in the bottom border, and water spotting, but remains extremely attractive and presentable, a highly desirable card from one of Warner Brothers' classic gangster titles. Fine/Very Fine.
Marked Woman (Warner Brothers, 1937). Lobby Card (11" X 14").
Those eyes, those Bette Davis eyes, can express a thousand thoughts, the full force of which is on display in this divine lobby card. Davis stars as a "nightclub hostess" (post-Code name for call girl) who helps bring about the downfall of her gangster boss Johnny Vanning, played by Eduardo Cianelli. Davis heads to the District Attorney, (Humphrey Bogart) to testify against the syndicate after the death of her sister (Jane Bryan). The card has a small edge chip in the top right, minor edge wear, and a streak in the varnish on the right side. This is one bright and beautiful card. Fine/Very Fine.
Marked Woman (Warner Brothers, 1937). Pre-War Belgian (24.5" X 33").
In this exciting picture, Bette Davis is Mary, a down-on-her-luck clip joint girl who is convinced to testify against her mobster boss Johnny Vanning (Eduardo Cianelli) after her younger sister Betty (Jane Bryan) becomes a B-girl, a move that results in her death. Humphrey Bogart appears as crusading district attorney David Graham, who makes it his business to bring Vanning to justice. This lovely Belgian poster, with a great image of a stunning Davis, shows fold wear, crossfold separation, edge wear, small tears in the borders, and a paper snipe attached at the top. Mounted on linen, it is unrestored, and presents very nicely. Paper is scarce from this highly desirable title. Fine/Very Fine on Linen.
Kid Galahad (Warner Brothers, 1937). Lobby Card (11" X 14").
Edward G. Robinson, Bette Davis, and Humphrey Bogart all appear in this classic gangster film set in the world of professional boxing. When fight promoter Nick Donati (Robinson), finds a fighter (Wayne Morris) who can go all the way to the top, he thinks his career is made, until his hot temper gets him in Dutch not only with his girlfriend (Davis), but with gangster Turkey Morgan (Bogart). This great linen finish portrait card, featuring Robinson and Davis, shows a top right corner chip, light edge wear, corner bumps, bottom left and right corner bends, paper tape on the reverse, and some light scuffing in the center, but presents very nicely. Warner Brothers gangster material from this period is highly collectible. Very Fine-.
Of Human Bondage (RKO, 1934). Lobby Card (11" X 14").
Leslie Howard and Bette Davis brilliantly bring Somerset Maugham's seedy tale of tormented obsession to life. Sensitive artist Philip Carey (Howard) loves Mildred Rogers (Davis), though she torments and abandons him several times. She seeks to destroy his life as she herself is slowly brought down by prostitution, the loss of her baby, and eventually, tuberculosis (changed by censors, from the novel's original ailment of syphilis). The card has a small crack on the right side with cellophane tape on the reverse. This beauty would have graded higher, but for the slight color fade. Nonetheless, it is a wonderful portrait of these top actors. Fine+.
Of Human Bondage (RKO, 1934). Lobby Card (11" X 14").
Bette Davis is all rage and fury in her unsympathetic role as Mildred Rogers. After four years in films, this part was Davis's first serious critical success, and led many to believe she would be considered for an Academy Award. The Oscar never materialized, as her contract studio, Warner Brothers, did not want to promote her performance in a rival (RKO) production. The public uproar over the absence of her nomination led the Academy to change its voting procedures; the following year, Davis won the Academy Award for her role in Dangerous. This lovely card has pinholes in the corners, a smudge and bump in the top right corner, one corner bend, and a faint stain in the image. Fine/Very Fine.
Of Human Bondage (RKO, 1934). Lobby Card (11" X 14").
Bette Davis's riveting performance, as the selfish and manipulative harlot Mildred Rogers, earned her critical acclaim and proved her to be one of the top actresses in Hollywood. Her intensity, as Mildred falls into dissolution, is perfectly matched by Leslie Howard's portrayal of the meek and infatuated Philip Carey. This stunner has pinholes in the corners that have been touched up, and a small surface abrasion in the right border. Featuring one of the most dramatic and impassioned scenes from the film, this beautiful card is a must-have for Bette Davis fans. Very Fine.
All About Eve (20th Century Fox, 1950). Six Sheet (81" X 81").
Bette Davis stars as aging star Margo Channing whose understudy, aspiring actress Eve Harrington (Anne Baxter), plots to take over her mentor's world. Marilyn Monroe also appears in the film, introduced by Addison De Witt as "a graduate of the Copacabana school of dramatic art." The film received six Academy Awards, including Best Picture, Director, and Screenplay. This large format poster has small separations at the crossfolds as well as a tear at the bottom of one of the panels. Do not miss your chance to get this very rare large format poster for one of the all-time classics! Very Fine-.
The Corn is Green (Warner Brothers, 1945). Autographed One Sheet (27" X 41").
Bette Davis plays courageous schoolteacher Lilly Moffat, who sets up a school to provide basic education to villagers in a Welsh mining town, against the objections of both her family and the local authorities. This charming one sheet is signed "Bette Davis" and "Irving Rapper" (the director of the film). It shows some fold wear, some crossfold separation, light fold line splitting at the edges, pinholes in the corners, and light edge wear, but presents very nicely. It's an absolute "must have" for any fan of this great actress. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine-.
Bette Davis Personality Poster (Warner Brothers, Late 1930s) Half Sheet (28" X 22").
In the mid-twenties, studios began to release a series of posters with images of their stars to distribute to the theater owners to exhibit with the posters advertising the films. This lovely portrait is from a set produced and distributed by Warner Brothers in the late thirties. Bette Davis was one of the studio's top stars at this time having already won two Academy Awards. The poster exhibits some tanning and shows some creasing and wear. There was a tear that runs from the upper border into Davis's hair and forehead. The poster has been expertly restored and now displays very well. Fine on Paper.
Session 4
Golden Age (1938-1955)
The Actress (MGM, 1928). One Sheet (27" X 41").
Based on Arthur Wing Pinero's stage play Trelawny of the Wells, Norma Shearer stars as Rose Trelawny, a struggling stage actress who falls for blue blood Tom Wrench (Owen Moore), much to the consternation of his family. At the time of this film, Shearer had just recently married MGM studio executive Irving Thalberg, who developed many of the studio's prestige pictures, and is credited with much of its early success. This one sheet had pinholes in the corners, tears in the top and bottom borders, and three corner chips. There was minor fold wear and a small hole in the top border. After expert restoration, it is in fantastic condition. This lovely stone litho poster is wonderful in its design as it appears as a poster within a poster, which presents the beautiful portraits of the stars as a poster being viewed by the patrons of a theater! Fine on Linen.
Movie Posters
Fast Life (MGM, 1932). One Sheet (27" X 41").
The beautiful MGM star Madge Evans had been modeling and acting on stage since she was a young child. She stars here as a wealthy daughter of a shipping magnate, who causes all kinds of problems for William Haines. This lively romantic comedy also features Conrad Nagel as a crooked banker. This sheet has been professionally restored to address tears at the top and bottom, a hole in the black field, and a tear at the left border that extended into the image. There was 1" of missing paper along the right border, and .75" along the top border, and there has been touch-up work in the MGM credit area. Although the poster had these issues, the restoration work was impeccably done, and no flaw is detectable. The stone litho artwork of Evans and Nagel is just spectacular. Very Good on Linen.
Mae West "Old Gold" Cigarettes Ad (1934). Poster (30.5" X 41.5").
In the 1930s, P. Lorillard, the oldest tobacco company in the U.S., chose one of the most popular celebrities of the era, Mae West, to promote their Old Gold cigarettes. West appeared in print ads, as well as larger posters, and is posed here in her famous figure-flattering blue gown from her latest hit movie Belle of the Nineties. This unique poster is mounted on its original heavy board, and has been expertly restored to address holes along both the left and right sides, and two in the image. It also had a bend in the top left corner, light smudges, edge wear, and chips in the bottom corners. With topnotch restoration, it now displays beautifully and is a real knockout for a lucky collector. Fine+.
Good and Naughty (Paramount, 1926). Lobby Card (11" X 14").
Poor Pola Negri. As Germaine Morris, she loses out on a job, since owner Gerald Gray (Tom Moore) holds to a strict policy against hiring attractive women, believing that pretty girls leave their jobs unexpectedly when they get married. So, in order to win both the job and Gerald, Germaine "dresses down," attempting to become more attractive by making herself less so. The lovely lobby card offered here shows Negri at her beautiful best, surrounded by a clutch of amorous suitors. It has very light foxing in the bottom borders, a very light dust shadow in the top border, and light corner bumps, but is overall very attractive and desirable. Very Fine.
Madam Satan (MGM, 1930). Lobby Card (11" X 14").
The second talkie - and the first and only musical - helmed by famed director Cecil B. DeMille, this is a movie about a married couple on the brink of divorce after Angela Brooks (Kay Johnson) adopts the guise of Madam Satan in order to seduce her philandering husband, Bob (Reginald Denny). A freak zeppelin accident high over New York Harbor reunites the couple, but will they both survive? The beautiful, and very rare, card offered here shows some writing on the reverse, and a tear - reinforced with tape on the reverse - in the top left corner. Other than these minor issues, the card is extremely attractive, sure to enhance any collection. Very Fine.
The Bitter Tea of General Yen (Columbia, 1933). Lobby Card (11" X 14").
The most exotic project directed by Frank Capra, who is so beloved for his light hearted take on a very American way of life, this drama is set during a military revolution in China. Swedish actor Nils Asther stars as the title General who kidnaps missionary Barbara Stanwyck and falls in love with her. Due to the strict moral codes of the 1930s, in which interracial romances were taboo, their affair must end in tragedy. The card has pinholes in the top corners, and a minor area of missed varnish in the bottom border. This stunning card features two images of Stanwyck and Asther in their full color costumes. With its original varnish, this a rich and beautiful item. Paper from this title rarely shows up, so don't miss this opportunity. Very Fine+.
Shopworn (Columbia, 1932). Lobby Card (11" X 14").
No one can match Barbara Stanwyck as a tough gal with a heart, and she is divine in this early role as Kitty Lane, a working girl from the wrong side of the tracks. When she falls for wealthy society scion Regis Toomey, his mother has her framed for prostitution! The always delightful Zasu Pitts co-stars as Kitty's aunt. This rare and lovely card, with lingerie-clad Stanwyck also appearing in the border art, has only a minor bend in the lower right corner, and a pinhole in the upper border. Very Fine+.
Stella Dallas (United Artists, 1937). Lobby Card Set of 8 (11" X 14").
Barbara Stanwyck is wonderful as the brassy Stella Dallas in this top melodrama directed by King Vidor. After Stella marries Stephen (John Boles) a blue-blood used to high society, she begins to realize she can never belong in his world. This is brought home to the free-thinking party girl after her daughter is snubbed by society matrons. Stella leaves, sacrificing her own happiness, so that her daughter can have all the privileges of the wealthy. The great ensemble cast includes Anne Shirley, Barbara O'Neil, Hattie McDaniel, Alan Hale, and Laraine Day (in her screen debut). This lobby set has small tears, stains, edge wear, pinholes in the corners, corner creases, and masking tape on the reverse. Two cards have small pieces of masking tape in one border. Very Good/Fine.
Titanic (20th Century Fox, 1953). One Sheet (27" X 41").
Years before James Cameron ever thought about offing Leonardo DiCaprio in the icy waters of the North Atlantic, the story of the doomed White Star liner Titanic was told in this exciting film. It has an outstanding cast, including Clifton Webb, Barbara Stanwyck, Robert Wagner, Thelma Ritter, Richard Basehart, and Brian Aherne, and the film won an Academy Award for Best Writing. Offered here is a lovely one sheet for this classic picture. It has pinholes in the corners and in the field, as well as some crossfold separation, but is otherwise quite attractive, a great piece for anyone fascinated by this legendary maritime disaster. Very Fine.
Employees' Entrance (Warner Brothers, 1933). Lobby Card (11" X 14").
Already a popular leading lady by age twenty, Loretta Young is caught between husband Wallace Ford and department store owner Warren William, in this delightful pre-code romp. This unrestored card has only a minor area of foxing at the bottom edge. Very Fine+.
Employees' Entrance (Warner Brothers, 1933). Window Card (14" X 22").
Debonair rogue Warren William stars as a department store owner who has his eye on one of his employees' (Wallace Ford) wife, Loretta Young. The card has a hole in the white upper imprint area, and a scuff near Young's name. After professional restoration, it now displays beautifully with just minimal foxing in the title noticeable. This stunning window card with its rich colors, features a racy image of Young and a watchful William. Fine/Very Fine on Cardstock.
Fast Life (First National, 1929). Window Card (14" X 22").
Loretta Young and Douglas Fairbanks Jr. star as husband and wife Douglas and Patricia Stratton, who are caught up in a murder mystery. Douglas is accused of killing a man who flirts with his wife, but the real culprit turns out to be the governor's son. Chester Morris co-stars and John Francis Dillon directs this tragic melodrama set at the end of the Roaring Twenties. This window card has a corner chip, a corner bend, stains in the bottom border, light edge wear, and a vertical crease. This is a gorgeous portrait of the stars. Fine/Very Fine.
Zoo in Budapest (Fox, 1933). Lobby Card (11" X 14").
This fantastic and eccentric love story follows Zani (Gene Raymond), an unusual zookeeper who wants to free the animals, and a poor orphan named Eve (Loretta Young). Zani sees Eve as another entrapped creature and encourages her to escape her cruel caretakers and hide out with him at the zoo. Raymond was a likable and popular star of the 1930s and 1940s, and his marriage to Jeanette MacDonald would last nearly thirty years. This pristine portrait card has only a printing smudge in the left border. Near Mint.
Blondie Johnson (Warner Brothers, 1933). Title Lobby Card (11" X 14").
Of all of the gangster bosses portrayed in the Depression-era films of the 1930s, Joan Blondell has to be the sexiest. She is as tough as they come as the title character Blondie Johnson, who has to fight her way to the top of the crime world along with Chester Morris. The title card has pinholes in the corners, a printer ink mark on the top border and one on Blondie's chest, a crease mark in the upper-left corner, and minor scuffs in the title. This gorgeous card features the stars rendered in watercolor perfection. Very Fine-.
Pick Up (Paramount, 1933). Mini Window Card (8" X 14").
When Sylvia Sidney is released from a two year stint in the pen, she tries to start a new life. But things don't go as planned when her husband busts out of jail and she's charged with aiding his escape. This is a lovely midget window card with one of the best taglines of pre-Code Hollywood. The card has a dust shadow and minor tears on the top of the white imprint area. There is a small tear in the bottom border. This is a wonderful card with perhaps the best image of Sidney on any poster! Fine/Very Fine.
Street Scene (United Artists, 1931). Window Card (14" X 22").
Based on the Pulitzer Prize-winning Broadway play by Elmer Rice, this fascinating film spotlights a day in the lives of a group of ordinary people, documenting their triumphs and tragedies as their fortunes collide and intertwine. Shot on a single New York City block, virtually all the action takes place in front of a brownstone, the city itself brought to life by the brilliant direction of King Vidor. Paper from this classic film is extremely scarce and highly desirable; we've only ever offered a single half sheet in all our previous auctions. This lovely stone litho window card, with great portraits of William Collier and Sylvia Sidney, shows some dust shadowing in the borders, a bottom right corner bend, corner bumps, a replaced bottom left corner with paper tape on the reverse, and some small tears in the left and right borders, but presents very nicely. Fine-.
Street Scene (United Artists, 1931). Lobby Card (11" X 14").
Based on Elmer Rice's Pulitzer Prize-winning play, this King Vidor directed film stars Sylvia Sidney, William Collier Jr., Beulah Bondi, and Estelle Taylor. The tale follows the ups and downs of eight families in a working class neighborhood in New York during a twenty-four-hour period. The card has pinholes in the fields and borders, and a corner bend. This bright card features Sidney, with David Landau as her alcoholic father. Very Fine-.
The Miracle Man (Paramount, 1932). Window Card (14" X 22").
A remake of the silent film that first brought Lon Chaney Sr. to the attention of moviegoers worldwide, this is the story of a group of criminals running a scam involving a faith healer. When real miracles begin to occur unexpectedly, however, the crooks start to see things differently. An early film in the career of Sylvia Sidney, this picture also features a small role for Boris Karloff as a tavern keeper. The beautiful window card offered here shows water staining in the top right, warping, a crease in the left side, corner bumps, and a small tear in the left border, but is otherwise clean and attractive, a great piece sure to enhance any collection. Fine.
The Trail of the Lonesome Pine (Paramount, 1936). Jumbo Lobby Cards (4) (14" X 17").
This was not only Paramount's first Technicolor feature, it was also the first feature film from any studio to shoot in three-strip Technicolor on location, outside of a studio environment. Based on the famous Hatfield/McCoy feud, and starring Fred MacMurray, Sylvia Sidney, and Henry Fonda - Little Rascal's Spanky McFarland also makes an appearance as Sidney's youngest brother - this was actually the third filmed version of the novel by John Fox Jr. These beautiful jumbo lobby cards have pinholes in the corners, light edge wear, and a slight printing defect on one card. Notwithstanding these minor defects, these are extremely attractive cards, well worth an honored place in your collection. Fine+.
The Yellow Ticket (Fox, 1931). Three Sheet (41" X 81").
Based upon a well-known play by Michael Morton, this film was a very early role for the young Laurence Olivier. Elissa Landi stars as a young Jewish woman who tries to visit her dying father in Czarist Russia and is given a "yellow ticket" to do so. This ticket is intended only for prostitutes. She comes under the lecherous influence of a Russian baron played by Lionel Barrymore, as well as a young British journalist, Olivier, with whom she falls in love. Look for a small role by Boris Karloff as a drunk orderly. This poster is in amazing unused condition with just minor crossfold separation. Very Fine.
Thunder Below (Paramount, 1932). Lobby Card (11" X 14").
An early film in the career of star Tallulah Bankhead, this classic tearjerker tells the story of Susan (Bankhead), the unhappy wife of rough, tough oil worker Walt (Charles Bickford). Susan is cheating on Walt with his best friend Ken (Paul Lukas), until she finds herself attracted to Davis (Ralph Forbes). When Walt loses his eyesight, Susan is forced to make an impossible choice. This lovely card, with a gorgeous image of a young Bankhead, has pinholes in the top left, the bottom right, and in the field, a light dust shadow in the top border, and a very small tear in the right border. Despite these minor issues, this fabulous beauty would make a perfect addition to any classic Hollywood collection. Very Fine-.
Chu Chin Chow (Gaumont, 1934). One Sheet (27" X 41").
This British musical comedy is loosely based on the story of "Ali Baba and the 40 Thieves," and was first introduced as a London stage production, written, directed, and starring Oscar Asche. It was extremely popular with critics and audiences alike and the play ran for five years, 1916-21, a record at the time. It was then filmed in 1923, and again in 1934, this time with Anna May Wong as Zahrat Al-Kulub, Fritz Kortner as the robber captain Abu Hahan, and George Robey as Ali Baba. Part of its immense appeal was no doubt due to the exotic but scant costumes of the many dancing slave girls. This very rare poster has pinholes in the borders, crossfold separations, light fold wear, a chip in the bottom right, and a small stain in two borders. With its spectacular stone litho artwork, this poster is sure to be a hit with collectors. Fine+.
Corsair (United Artists, 1931). One Sheet (27" X 41").
Popular screen idol Chester Morris plays a football star turned bootlegger, who wants to prove himself worthy of fiancee Thelma Todd (who used the name Alison Loyd for this picture). Morris disapproves of Todd's father's (Emmett Corrigan) business practices and gets involved with murder, gangsters, and bribery to get back at the ruthless banker. This was the final film by director Roland West, who was involved with Todd at this time, and would remain close to her until her untimely death in 1936. This one sheet has a stamp in the top right corner, pinholes in the corners, and a small tear in the right border at a fold. There is light fold wear, edge wear, and crossfold separations. This spectacular portrait of Morris and Todd would make any lucky collector proud. Fine/Very Fine.
Red Hair (Paramount, 1928). Window Card (14" X 22").
The most famous red-head in early Hollywood, Clara Bow, stars in a light comedy based on a story by Elinor Glyn, the British writer who first coined the term "The It Girl" in reference to Bow and her sex-appeal. Bow stars here as Bubbles McCoy opposite Lane Chandler as Robert Lennon, a wealthy socialite Bubbles has set her sights on. Mischief ensues as Bubbles flirts and entices Robert's older guardians. The window card had a tear at the right edge, and has been professionally cleaned and backed, with minor touch up in one letter of the title. A spectacular image of the silent screen idol. Very Fine- on Cardstock.
The Wild Party (Paramount, 1929). Lobby Card (11" X 14").
This movie, the first talkie to feature iconic "It" girl Clara Bow, is about a young college student (Bow) who pays more attention to parties than to her studies, until she winds up in a class taught by the tough, yet handsome, Professor Gil Gilmore (Fredric March). This fun film was helmed by Dorothy Arzner, one of Hollywood's first female directors and the very first film editor to receive a screen credit, whose oeuvre of three silent films and fourteen talkies ranks her as perhaps the most prolific female director of any era. It was on this picture, to help alleviate Clara Bow's fear of the new sound technology due to her thick Brooklyn accent, that Arzner mounted a microphone on a fishing pole in order to follow her star around the set, in effect creating the first boom mike. This lovely portrait card, with a great image of the popular red-headed actress, has pinholes in the corners and borders, but is otherwise exceptionally clean and fresh. Very Fine-.
Three Week Ends (Paramount, 1928). Title Lobby Card (11" X 14").
The ever-exuberant Clara Bow stars in this great Elinor Glyn comedy. British author Glyn was the first to tag Bow as the "It Girl" and created three screenplays for the popular star. Bow sets her sights on Neil Hamilton, who she mistakenly thinks is wealthy. She first has to escape the clutches of playboy Harrison Ford. This was another smash hit for Bow, one of the biggest stars in Hollywood at the time. This spectacular title card is in excellent condition, something quite rare for such an early item! Near Mint.
Kid Boots (Paramount, 1926). Title Lobby Card (11" X 14").
Clara Bow - soon-to-be "It" girl and Jazz Age icon - stars with popular Ziegfeld star Eddie Cantor in this charming comedy about golf and golddiggers. This was Cantor's film debut - he would soon gain considerable fame as a significant singer and comedian. This exquisite title card, which pictures both Cantor and Bow, has a light scuff in the right side, a dust shadow in the bottom right corner, and staple holes in the corners, but remains a very attractive and desirable piece, featuring two of the era's biggest stars. Very Fine.
The Scarlet Empress (Paramount, 1934). Lobby Card (11" X 14").
Joseph von Sternberg directs his legendary muse Marlene Dietrich in this imaginary biopic of Catherine the Great. The German aristocrat is destined for a marriage of convenience to the mad Grand Duke Peter of Russia, played to great effect by Sam Jaffe, in his film debut. Jaffe's other memorable roles include the High Lama in Lost Horizon and the title role in Gunga Din. This professionally restored card had slight corner bends, a small corner chip, four pinholes in the image, and minor edge wear. The gorgeous image of the top stars now displays beautifully. Fine/Very Fine.
The Scarlet Empress (Paramount, 1934). French Grande (47" X 63").
Marlene Dietrich reigns supreme as the German Princess Sophia Frederica, who became Catherine the Great after her arranged marriage to the mad Russian Grand Duke Peter, played brilliantly by Sam Jaffe. Delightfully seductive, Catherine chafes under the restrictions of her aristocratic duties, but finds time to woo several members of the Russian army, including the dashing John Lodge, as Count Alexi. To add to her woes, she must also endure her mother-in-law Empress Petrovna, played by the imposing, Louise Dresser. Director Joseph von Sternberg's elaborate and surreal set designs and lighting make this historical drama a stunning work of art to behold. The poster had light fold wear and crossfold separations. It has been professionally restored and now displays magnificently. This sensational original release French grande features one of the most beautifully rendered drawings of Dietrich we have ever seen. Created by artist Roger Vacher, it is believed to be the only known copy extant. This poster was sold over ten years ago in an auction overseas. Very Fine on Linen.
The Scarlet Empress (Paramount, 1934). Jumbo Lobby Card (14" X 17").
Josef von Sternberg brilliantly directs his protégée Marlene Dietrich in this thrilling story of Sophia of Germany who rose to power as Catherine the Great. In typical Dietrich fashion, she woos the Russian army along the way. There are pinholes in the corners, creases in the bottom corners, and light stains on the lower left side. There is a small British censor snipe next to the title. This gorgeous linen-finish lobby card features Dietrich and John Lodge as Count Alexei. Very Fine-.
Marlene Dietrich (Paramount, 1936). Personality Poster (22" X 28").
One of the most recognizable stars of the 1930s, the German-born actress Marlene Dietrich's image was used to great effect on this gorgeous poster. With such successful films as Blond Venus, Morocco, and The Blue Angel behind her, by 1936 Dietrich was at the height of her career. This linen finish poster has slight chipping at the edges, light wrinkles, a small chip in Dietrich's face, and foxing in the borders. It has been mounted on linen, but other than the restored chip in her face, no other work has been done to the poster. This is the first time we have offered this glamorous poster; it will be the highlight of any collection. Fine on Linen.
Desire (Paramount, 1936). Half Sheet (22" X 28") Style B.
The deceptive and clever jewel thief Madeleine de Beaupre (Marlene Dietrich) thinks she has found an easy mark in shy American Tom Bradley (Gary Cooper), when she uses him to get a stolen necklace through Spanish customs. She doesn't count on falling in love with the auto mechanic, but will she change her thieving ways to be with him? These top Paramount stars are in their element and all of their scenes together are pure movie magic. This gorgeous poster had fold wear, chips in the bottom border, and tears in the border with one in the image. There was a hole in the top left corner and a few small holes in the image. Restoration of this gem was expertly done, and it now displays impeccably. Fine+ on Paper.
Desire (Paramount, 1936). Mini Window Card (8" X 14").
Marlene Dietrich is an unabashed jewel thief in this glamorous film directed by Frank Borzage. This was Dietrich and Gary Cooper's second film together after the sensational Morocco from 1930, and their chemistry makes this a very enjoyable film. John Halliday and William Frawley co-star. The card displays beautifully with only one minor corner crease. Very Fine+.
The Flame of New Orleans (Universal, 1941). One Sheet (27" X 41") Style C.
Sultry star Marlene Dietrich is radiant as a notorious Frenchwoman whose past catches up to her in her new home, New Orleans. Her web of deceit grows more complicated as she is romanced by two men (Bruce Cabot and Roland Young) and has to take on yet another disguise. This sheet has minor crossfold separations, a small tear at the top, pinholes in the borders with one in the image, and one corner bend. This gorgeous poster, with design by glamour artist Alberto Vargas features one of the sexiest images of the screen legend. Very Fine-.
Queen Christina (MGM, 1933). Window Card (14" X 22").
Greta Garbo is cinematic perfection in the role she was born to play, that of the 17th century Swedish monarch. Christina falls in love with her Spanish envoy, played by John Gilbert, Garbo's real-life sweetheart, in what would be their last picture together. The top blank imprint area of this card has been replaced, and there was a minor edge tear and two minor corner chips at the bottom. All of these issues have been addressed with professional restoration. A unique design, done in the style of the popular Vanity Fair artist Miguel Covarrubias , this is the first time we have seen this striking window card with a very stylized image of the screen siren. Fine+ on Cardstock.
Camille (MGM, 1937). Window Card (14" X 22").
Few stars captured the imagination of their audiences as enduringly as the mysterious Greta Garbo. Her remoteness and the ethereal roles she played left her fans always wanting more. She is radiant as Camille starring opposite Robert Taylor and the great Lionel Barrymore in this masterful Alexandre Dumas tragic love story. George Cukor would direct Garbo in 1941 in her final film,Two-Faced Woman. This lovely card had four holes in the black field, pinholes in the top imprint area, and a tear through Taylor's name, all of which have been expertly restored, leaving this card in excellent shape. Fine+.
Grand Hotel (MGM, 1932). Window Card (14" X 22").
Winner of the Best Picture Oscar for 1932, this lush film, starring Greta Garbo, John Barrymore, Joan Crawford, Wallace Beery, and Lionel Barrymore, is a showcase for several interconnected stories revolving around the staff and guests staying at the most luxurious - and expensive - hotel in Berlin. This film has entered pop cultural immortality as the source of Garbo's oft-repeated quote, "I want to be alone." Offered here is a beautiful window card, with art by renowned poster artist Ted Ireland, who signed his works "Vincentini." This piece had a small tear in the top border, a corner bend in the top left, pinholes in the corners, and slight scuffing on several of the faces, but all of these minor issues have been addressed by professional restoration. Very Fine- on Cardstock.
A Woman of Affairs (MGM, 1928). Title Lobby Card (11" X 14").
This top-notch melodrama of the silent era stars Greta Garbo as a tragic femme fatale who is at the center of several men's lives including John Gilbert, Lewis Stone, John Mack Brown, Douglas Fairbanks Jr., and Hobart Bosworth. MGM starred the real-life couple, Garbo and Gilbert, in six films together, capitalizing on their immense popularity with movie-goers. This card has been professionally restored and backed with rice paper to address wear and a few tears in the borders, a small hole above the title, pinholes in the image, and a tear in the lower right credits area. It now displays beautifully, and is a prize image of the screen idols. This lobby card was previously misdescribed. The borders have been replaced. Good/Very Good on Paper.
A Woman of Affairs (MGM, 1928). Lobby Card (11" X 14").
Nineteen-year-old Douglas Fairbanks Jr. holds his own among the top stars of the era, and turns in a powerful performance as Greta Garbo's disenfranchised, alcoholic brother in this racy tear-jerker. Directed by Clarence Brown, the film is based on Michael Arlen's novel and co-stars Garbo's real-life love John Gilbert. This great card, with Fairbanks Jr. and Garbo, has been professionally restored to address a pinhole in the top border and one in the image, a small tear in the bottom border, and a minor staple hole in the background. This is a colorful beauty for all Garbo fans. Fine/Very Fine on Paper.
The Divine Woman (MGM, 1928). Lobby Card (11" X 14").
In this grand silent drama, directed by Victor Sjostrom, the glorious Greta Garbo plays Marianne, a young woman with stars in her eyes who goes to Paris, hoping to achieve fame and fortune on the stage. The center of a passionate love triangle - both Henry LeGrand (Lowell Sherman) and Lucien (Lars Hanson) are in love with her - Marianne is forced to decide between the man she wants and the man who wants her. The striking card offered here shows pinholes in the top corners, light water staining in the borders, and very light spotting, but is extremely attractive overall. A gorgeous card from a classic lost film, this rare gem could be yours for the right bid. Very Fine-.
As You Desire Me (MGM, 1932). Lobby Card (11" X 14").
Greta Garbo goes blonde for this melodrama set in Budapest, where she plays Zara, a lost soul pursued by Melvyn Douglas and Erich von Stroheim. This high-production MGM vehicle for star Garbo features art direction by Cedric Gibbons, costume design by Adrian, and it was co-produced by the studio's powerhouse, Irving Thalberg. There is a small tear in the B of Garbo's name which was repaired from behind with white museum tape and a tiny tear on the right border which has also been repaired. There is a tiny corner bend in the top right corner, a couple of staple holes in the top border, and two pinholes in the bottom border; all have been repaired. The card has beautiful colors and displays well. Fine/Very Fine.
Conquest (MGM, 1937). Mini Window Card (8" X 14").
MGM went all out for their top star, Greta Garbo, in this historical romance based on the affair between Napoleon and Countess Marie Walewski. Although the Countess was married at the time, she was enlisted to seduce the Emperor (played convincingly by Charles Boyer), in order to save her native Poland. Eventually she fell in love with Napoleon and bore him a son. The card has soiling in the borders and a surface abrasion in the bottom border. Very Good/Fine.
Queen Christina (MGM, 1933). Lobby Card (11" X 14").
Greta Garbo is cast alongside one of her most popular leading men, John Gilbert, in this scene from one of Garbo's best pictures. In this epic, Garbo portrays the young Queen of Sweden, forbidden to marry anyone below her royal station. Gilbert is her Spanish lover and this card depicts them in the midst of their romance. Lobby cards from this picture are extremely desirable and are rarely offered for sale. This example has staple holes and bending in the corners, slight edge wear with very minor tears, and slight creasing in the left edge extending into the artwork. Fine.
Queen Christina (MGM, 1933). Lobby Card (11" X 14").
Greta Garbo gives one of the best performances of her career in this major production from MGM. Queen Christina is considered one of Garbo's best films and she glows under the direction of Rouben Mamoulian. The card has staple holes in all of the corners and chips from three of the corners within the border. There is edge wear and small tears in the borders. Fine-.
Anna Karenina (MGM, 1935). Lobby Card (11" X 14").
In the role Greta Garbo was born to play, she is Leo Tolstoy's tragic heroine, Anna Karenina, a married aristocrat who gives up her home and child (Freddie Bartholomew) for the love of Count Vronsky (Fredric March). Bartholomew's, career at this time, at age eleven, was off to a grand start as he appeared in another blockbuster MGM literary classic earlier in the year, David Copperfield. The card has only a light stain in the left border, light wrinkles, a pinhole in the center of the top border, on corner bend, and a surface paper loss in the lower left corner. The image area with the gorgeous, back-lit photo of a radiant Garbo and March, is in excellent condition. Very Fine-.
Anna Karenina (MGM, 1935). Lobby Card (11" X 14").
As the titular heroine of this lavish adaptation of Leo Tolstoy's classic novel, Greta Garbo, seen here with Freddie Batholomew, is absolutely luminous. Tolstoy's novel had proved a fertile inspiration for filmmakers; by 1935, the story had been filmed at least six times (the first was in Germany in 1910), but this version is widely considered to be the best, mostly because of the strong performances by Garbo as Anna and Fredric March as Count Vronsky. The gorgeous lobby card offered here is in superb condition. It has a lower right corner bend, a single pinhole in the bottom border, and some light wrinkling, but presents very nicely. It is certain to enhance any collection. Very Fine.
Greta Garbo Stock (MGM, 1930s). Swedish One Sheet (28" X 39.5").
Swedish born Greta Garbo, one of the most enigmatic of all actors, made some of the most memorable romantic dramas of the 1920s and '30s, including: Flesh and the Devil, Mata Hari, Grand Hotel, Camille, and the lighter Ninotchka. In 1941, she famously left Hollywood, and left her fans wanting more. Garbo films have stood the test of time, and her performances continue to be admired for their power and subtlety. This gorgeous poster from her native Sweden is an extremely effective portrait of the icon. It has been professionally mounted on rice paper to address a tear in the bottom portion that extended into the image, a corner chip, and edge wear. Fine/Very Fine on Paper.
The Painted Veil (MGM, 1934). Lobby Card (11" X 14").
Greta Garbo, as Katrin Fane, is seen here with her second leading man George Brent, as Jack Townsend, before she realizes that he won't leave his wife for her. This bright card has a small crease at the bottom border, a light bend across the top border, and a light stain in the left border. At the bottom of the card the studio incorrectly printed Garbo's character's name as Hilda. Very Fine.
The Painted Veil (MGM, 1934). Lobby Card (11" X 14").
When Katrin (Greta Garbo) follows her husband (Herbert Marshall) on a missionary trip to China, even as she is heartbroken over her failed romance with Jack (George Brent), she eventually finds a new purpose to her life, and redemption. This card has a crease in the bottom border, a light bend across the top border, a pinhole in the center, and a small tear in the left side of the image. Shown here is the iconic leading lady with Marshall and Jean Hersholt. At the bottom of the card the studio incorrectly printed Garbo's character's name as Hilda. Fine/Very Fine.
Mata Hari (MGM, 1931). Half Sheet (22" X 28").
The unforgettable Greta Garbo stars as the exotic dancer and WWI spy Mata Hari in one of her greatest films. Romantic lead Ramon Novarro is Lt. Alexis Rosanoff, the only man Mata Hari has ever loved, and Lionel Barrymore plays a general who threatens to expose the couple. The poster had fold wear, bends in the left corners, light edge wear, a tear and pinhole in the top right corner, and light touch-up in the image. This sensational sheet has been expertly restored, with only a small light stain still showing in the bottom border. Offered here for the first time, with one of the most dramatic images of Garbo we have seen, this is a dazzling show-stopper. Fine/Very Fine on Paper.
Saratoga (MGM, 1937). Mini Window Card (8" X 14").
This racetrack comedy stars Jean Harlow in her final screen performance, with Clark Gable, Lionel Barrymore, Una Merkel, and Walter Pidgeon. Harlow plays Carol Clayton, who learns that her father has lost the family's horse farm to Duke Bradley (Gable) because of gambling debts. Her wealthy stockbroker fiancé (Pidgeon) offers to help, but Carol insists that she will pay the debt in full when her champion horse wins at Saratoga. This midget window card has rounded corners, a small tear at the top and bottom edges, and light edge wear. A truly gorgeous card, this one is a winner. Fine/Very Fine.
Bombshell (MGM, 1933). Lobby Card (11" X 14").
In this wonderful card, Lee Tracy carefully considers the assets of the Blonde Bombshell before him, the matchless Jean Harlow. The Platinum Blonde is at her sexy, comedic best in this classic sendup of early Hollywood stardom, originally written as a parody of the life of iconic "It" girl, Clara Bow. The exceptional card offered here shows a stain in the top center, pinholes in the corners and in the center of the image, small bends in the top corners, a faint dust shadow in the right border, and light spotting, but these slight flaws fade to insignificance when considering the high degree of eye-appeal possessed by this gorgeous stunner. Harlow's career was unfortunately brief, and consequently, paper featuring this early sex symbol is extremely desirable. Fine.
The Girl from Missouri (MGM, 1934). One Sheet (27" X 41") Style C.
Jean Harlow shines as Eadie Chapman, a poor girl from the slums who, along with pal Kitty (Patsy Kelly), makes it to the big city to find a rich husband. She succeeds in finding playboy T. R. Paige Jr., played by the charming Franchot Tone, but must overcome papa's (Lionel Barrymore) prejudice against his son marrying a showgirl. Harlow was at her best in romantic comedy roles where her bubbly personality and sex appeal could be used to great effect. She was one of the most popular stars in Hollywood at the time of this picture, and one of MGM's biggest box-office draws. The studio went all out in advertising their star, resulting in this spectacular stone litho one sheet, which has to be the prettiest portrait of Harlow we have ever seen. The poster has been professionally restored to address the minor issues of crossfold separations, tack holes, a tiny chip in the right border, and a small abrasion in the lower left field. Paper from this title is scarce and with its excellent condition, this will be a prized piece for just one lucky collector. Very Fine on Linen.
Reckless (MGM, 1935). Mini Window Card (8" X 14").
Legendary star Jean Harlow stars as the reckless Mona Leslie, a showgirl who falls into a tragic marriage with wealthy playboy Franchot Tone. All along, she is desired by friend William Powell (who was Harlow's real-life love as well), and their onscreen chemistry is magical to watch. A tear-jerker, this film benefits from a fine cast that also includes Rosalind Russell and May Robson. This beautiful card has been professionally restored to address staple holes at the top and a minor mark in Harlow's cheek. There was edge wear at the bottom which has been repaired with rice paper on the reverse. Few Harlow items of this quality surface, and this will be a treat for all collectors. Fine/Very Fine.
Riffraff (MGM, 1936). Title Lobby Card (11" X 14").
Everything looks jake when hotshot fisherman Dutch (Spencer Tracy) marries cannery worker Hattie (Jean Harlow), but when he is kicked out of his union and loses his job, the ever-loyal Hattie is forced to steal money for him - even after he deserts her - a crime that lands her in jail. Eventually, Dutch gets back on top, after foiling a plot to dynamite a ship, and vows to wait for Hattie while she serves her time. The title card offered here, with its wonderful images of the stars, shows some light spotting in the right border, pinholes in the borders, a bottom right corner bend, a smudge in the right border, and minor edge wear in the top right. Overall, however, this card is extremely attractive, and will certainly make a wonderful addition to your collection. Fine/Very Fine.
Riffraff (MGM, 1936). One Sheet (27" X 41") Style C.
This gorgeous one sheet features a great shot of Jean Harlow. She plays the extremely loyal wife of an egotistical Spencer Tracy, so loyal that she finds herself stealing him and going to prison for him. Prior to restoration, this poster had fold wear with crossfold separations, and a small tear in the right border. The expert work has left these minor defects virtually unnoticeable. One sheets for these early Harlow films are rare. Very Fine on Linen.
Reckless (MGM, 1935). One Sheet (27" X 41") Style D.
Both wealthy Bob Harrison (Franchot Tone) and sleazy agent Ned Riley (William Powell) have their eye on bombshell showgirl Mona Leslie (Jean Harlow) in this drama-cum-musical, directed by Victor Fleming. Although Mona initially chooses Bob, she eventually ends up with Ned, as she did in real-life (Harlow had an affair with Powell just prior to her death in 1937). This stunning stone litho poster, featuring great images of both Powell and Harlow, had some fold wear with crossfold separation, but expert professional restoration has addressed these slight issues, giving it a like-new appearance. Very Fine on Linen.
Personal Property (MGM, 1937). Title Lobby Card (11" X 14").
When gold-digging widow Crystal Wetherby (Jean Harlow) finds herself stranded in London with a stack of debts and not a shilling to her name, she turns on the charm and tries to woo the seemingly wealthy Claude Dabney (Reginald Owen), hoping that his fortune will become hers. The problem is, he's broke too. Add to the mix Claude's brother Raymond (Robert Taylor), a dashing rogue just released from prison and hired by Crystal to oversee her home and possessions, and you have all the makings of a classic comedy. The lovely title card offered here had pinholes in the corners and in the field, and a crease in the top border, but expert professional restoration has rendered these slight flaws virtually invisible. This is a wonderful piece, sure to enhance your collection. Fine/Very Fine.
Bolero (Paramount, 1934). Lobby Card (11" X 14").
George Raft started life in the depressed neighborhood of Hell's Kitchen. His ticket off the rough and gritty streets was his dancing talent, which took him to the heights of Broadway in the 1920s, and eventually to Hollywood, where he is best remembered for brilliant gangster roles. In Bolero, he returns to his love--dancing, and stars opposite the divine Carole Lombard. The film is also notable for the appearance of Sally Rand, the famed fan-dancer. The card has been professionally restored to address a small hole in the lower left corner, pinholes in the corners, and stains in the borders. It now displays beautifully and is a dramatic scene of these talented legends. Fine/Very Fine.
Bolero (Paramount, 1934). Still (11.25" X 13.75").
Vintage black and white, single weight, glossy still. George Raft could make all the ladies swoon with his unusual good looks and renowned dancing skills. Carole Lombard is no exception, and their chemistry is used to great effect in this film. They were re-teamed the following year in the equally successful Rumba. The still has light handling wear and a tiny mark in the bottom border, but it displays well. Fine/Very Fine.
White Woman (Paramount, 1933). Lobby Card (11" X 14").
Carole Lombard, Charles Laughton, and Charles Bickford star in this melodrama set on a rubber plantation in Malaysia. Laughton plays the jealous and abusive husband who sends his wife's lover (Bickford) out on a mission in head-hunting territory. This beautiful card has two staple holes and a minor stain in the lower right corner. What a gorgeous setting for stars Lombard and Bickford. Very Fine.
White Woman (Paramount, 1933). Lobby Card (11" X 14").
The ever-stylish Carole Lombard stands out amongst the wild jungles of Malaysia in this delightfully tawdry drama. Charles Laughton is wonderful as Lombard's cruel husband. This lush card now has only pinholes in the borders, a staple hole in the image, a light smudge in the top border, rounded corners, and a tear on the left side that goes into the image. There has been some restoration work, and this card has a bright and clean appearance. Very Fine-.
Man of the World (Paramount, 1931). Lobby Cards (2) (11" X 14") and Deluxe Still (11" X 14").
William Powell is at his most endearing, as sophisticated rogue Michael Trevor, in this romantic comedy, directed by Richard Wallace. Powell is in the business of romancing wealthy women (married and unmarried) whom he then blackmails. He is very successful until he falls in love with his latest victim Mary, played by Powell's soon-to-be wife Carole Lombard. The card with Lombard has a tear in the right border with a piece of archival tape on the reverse, and light corner bends. The other card has a smudge in the right side, and the still is in pristine condition. A beautiful set of images, these cards from Lombard and Powell's first film together are a rare treat. Very Fine+.
Golden Age (1938-1955)
No One Man (Paramount, 1932). Lobby Card (11" X 14").
Legendary actress Carole Lombard is always smart and enjoyable in romantic comedies; here she is caught between two dashing suitors in this Paramount drama. As socialite Penelope Newbold, she is looking for the perfect husband, but believes no one man can possess all the qualities she is looking for. She is torn between dependable, Dr. Karl Bemis (Paul Lukas) and the handsome, but philandering Bill Hanaway (Ricardo Cortez). This card has a stain in the lower right corner, pinholes in the bottom corners, and one in the top edge. There are light stains at the top and two small, faint marks in the lower left. This beauty has the original varnish finish, and shows these top stars in all their glory. Fine/Very Fine.
Movie Posters
Carole Lombard Personality Poster (Paramount, 1930s). Jumbo Lobby Card (14" X 17").
During the period when this portrait was made, Carole Lombard was the highest paid actress in Hollywood, and deservedly so. She had been acting since the age of twelve, and is beloved for her comedic roles in classics such as: Twentieth Century, My Man Godfrey, Nothing Sacred, and many many more. The poster has creases, three pinholes, a corner chip, light edge wear, and a small area of foxing on the left edge. There is surface paper loss on the reverse at the left side, which does not affect the front. This linen finish poster is a stylish portrait of the screen idol. Fine+.
Cleopatra (Paramount, 1934). Leader Press One Sheet and Press Proofs (2) (27" X 41").
Long before Elizabeth Taylor seduced Richard Burton as the Queen of Egypt, Claudette Colbert thrilled movie audiences as history's most alluring ruler. Colbert was at the height of her fame in 1934; she also appeared in Imitation of Life and It Happened One Night - for which she won a Best Actress Academy Award - in addition to this landmark picture. Director Cecil B. DeMille's penchant for grandeur and spectacle is on full display in this lavish production, one of the most elaborate films of its time. Offered here is a rare lot indeed. The one sheet is one of the famous Leader Press posters printed by a company in Oklahoma City. Leader was an independent poster manufacturer who made posters for studio released product and sold them to theater owners at reduced prices. Understandably, the print run for these posters was normally much smaller than the standard studio one sheet run, and they are, consequently, far rarer. In addition to the stunning deco one sheet, which showed some evidence of fold wear, we are also pleased to offer two printer's proofs, one showcasing the red, yellow, and blue plates, the other, the black plate. The color and black plates would be combined in the printing process to make the final poster. Proofs like this are rarely seen, and provide an intriguing insight into the art of silkscreen poster production. Both proof pieces had fold wear; the color plate also had some edge wear and some paper loss in the top vertical fold, but expert professional restoration has addressed all of these issues, rendering these slight flaws virtually invisible. Rarer than rare, the winner of this lot also acquires significant bragging rights! Very Fine- on Linen.
Cleopatra (20th Century Fox, 1963). Six Sheet (81" X 81").
"Lavish" hardly even begins to describe this enormous production, which began life as a modest $2 million movie, but, by the time all was said and done, ballooned to $44 million (including $194,800 for star Elizabeth Taylor's 65 costumes, the most ever spent on outfits for a single actress to that point), and involved thousands of actors and extras, and over three years of production. The result was one of the most visually spectacular films in history, and one that is still enormously popular. Richard Burton and Rex Harrison starred opposite Taylor, as Marc Antony and Julius Caesar, respectively, and the film claimed four Oscars and an additional five nominations. Offered here is a spectacular six sheet, a big poster for a big movie. It shows slight edge wear, as well as a Dutch museum stamp in the upper right corner, but aside from these slight flaws, presents very nicely. Very Fine+.
Hotel for Women (20th Century Fox, 1939). Title Lobby Card and Lobby Cards (6) (11" X 14").
This movie casts Linda Darnell in her film debut, and she stars along with Ann Sothern, James Ellison, and Jean Rogers, in a tale about romance in the fashion world. The all-star cast highlights this film which is based on a story by Elsa Maxwell, the powerful gossip columnist who also appears on the title card, which features wonderfully evocative pin-up artwork by one of the greatest illustrators of the genre, George Petty. All cards have two corner bends, one card has a vertical crease on the left side, and two cards have paper tape on the reverse. In excellent condition, these cards will make all fans of 1930s pin-up art very happy. Very Fine.
Dr. No (United Artists, 1962). British Quad (30" X 40").
Sean Connery appears for the very first time as Ian Fleming's legendary British superspy - James Bond, Agent 007 with a license to kill - in this superb production. Bond travels to Jamaica to thwart the plans of the insidious Dr. No (Joseph Wiseman), a madman who threatens to destroy the world by hijacking the United States' nuclear arsenal. Ursula Andress scores as the first Bond girl, making waves in her classic white bikini. This excellent British quad had a crease in the top left, an extra vertical fold in the right side, tears in the top border with small amounts of paper loss, and some tearing in the bottom left. After expert professional restoration, these slight flaws are visible only under close examination, as the poster has been returned to a like-new appearance. Fine/Very Fine on Linen.
You Only Live Twice (United Artists, 1967). British Quad (30" X 40") Style C.
When an American spaceship is hijacked by a mysterious craft, James Bond (Sean Connery) goes into action in Japan against his old nemesis Ernst Stavro Blofeld in an attempt to avert World War III. This lovely country-of-origin British Quad, boasting the stunning artwork of Robert McGinnis, is in superb condition. Only our strict policy of not awarding a grade higher than Very Fine+ to any poster mounted on linen keeps us from assigning an even higher grade to this highly desirable beauty. Very Fine+ on Linen.
On Her Majesty's Secret Service (United Artists, 1970). British Quad (30" X 40").
George Lazenby became the third actor to play Ian Fleming's British superspy, James Bond (Barry Nelson was the first, followed by Sean Connery), in this exciting entry in the ever-popular 007 franchise. This time, bereft of most of the gadgets that had come to mark the Connery Bond, 007 must stop Ernst Stavro Blofeld (Telly Savalas) from devastating the world with a deadly virus. One of the most faithful adaptations of any of Fleming's novels, this is considered by many to be one of the best films in the series. This lovely country-of-origin British quad had pinholes in the borders and corners, but these very small issues have been rendered virtually invisible by expert professional restoration. Very Fine on Linen.
Diamonds are Forever (United Artists, 1971). British Quad (30" X 40").
Sean Connery's last outing as James Bond (at least until the unofficial Never Say Never Again) finds him tracking a plot to steal diamonds for a high-powered laser gun. Loosely based on Ian Fleming's fourth Bond novel, this substitutes a returning Blofeld (Charles Gray) for the book's original villains, and co-stars Jill St. John and Lana Wood. This rare country-of-origin poster has been professionally mounted on linen and had only minor fold wear at the top. Very Fine+ on Linen.
Goldfinger (United Artists, 1964). Japanese B2 (20" X 29").
This spectacular Japanese B2 poster definitely plays up the sex appeal of this third outing for Sean Connery's agent 007, James Bond. A portrait of Connery, gun at the ready, dominates, and, whether bikini-clad or golden, Shirley Eaton catches the eye as well. The poster is in excellent condition with only light horizontal bends. Rolled, Near Mint-.
You Only Live Twice (United Artists, R-1976). Japanese B2 (20" X 29").
Since James Bond (Sean Connery) travels to Japan to thwart the evil schemes of Ernst Stavro Blofeld (Donald Pleasance), it's particularly appropriate that we offer a Japanese B2 from this fan-favorite film. This great poster shows some small stains in the bottom border, but is otherwise clean and unmarked. This poster was misdescribed as being original release in our catalog, it is actually from the 1976 re-release. Folded, Very Fine.
Goldfinger (United Artists, 1964). French Grande (47" X 63") Style A.
This third film in the franchise, in which James Bond (Sean Connery) must stop Auric Goldfinger (Gert Frobe) from shattering the world's economy by irradiating all the gold in Fort Knox, is considered by many to be one of the very best in the series, and the film that finally set the tone and structure for virtually all the Bond movies to come. As an overwhelming fan favorite, it should come as no surprise that paper from this film is highly valued. Offered here is the rare original French grande, with art by Jean Mascii. It is in superb condition, virtually as clean and attractive as the day it was printed. You can't go wrong when you bid on this scarce treasure. Very Fine/Near Mint.
Goldfinger (United Artists, 1964). French Grande (47" X 63") Style B.
James Bond (Sean Connery) returns in this, the third film of the franchise, to battle Auric Goldfinger (Gert Frobe) who has a diabolical plan to rob Fort Knox, aided by his inscrutable henchman Oddjob (Harold Sakata) and the lovely Pussy Galore (Honor Blackman). Considered by many Bond aficionados to be one of the very best films in the series, this picture set the tone for virtually all the Bond films to come. Offered here is a lovely French grande. It has light toning in the foldlines, a small tear in the bottom border, and slight crossfold separations, but is otherwise in superb condition. A perfect addition to any Bond collection! Very Fine.
Thunderball (United Artists, 1965). French Grande (47" X 63").
The James Bond franchise was well-established by the time this film, the fourth in the franchise, was released. A thrilling story of espionage and blackmail, Sean Connery hits all the right notes as Ian Fleming's British superspy, Agent 007. This lovely French grande shows Connery's Bond in several action sequences, and is in great condition. Only some light edge wear and light toning on the fold lines keep this beauty from an even higher grade. Very Fine.
Thunderball (United Artists, 1965). French Double Grande (62.5" X 92").
In military parlance, a "thunderball" refers to the mushroom cloud seen during atomic bomb tests. The term is apt as, in this movie, James Bond (Sean Connery) seeks to recover a pair of nuclear warheads stolen by SPECTRE agent Emilio Largo (Adolfo Celi) as part of an international extortion scheme. A thrilling picture, it is represented here by this gorgeous French double grande. Only some light edge wear at the top keeps this beauty from an even higher grade. Very Fine+.
Submarine (Columbia, 1928). Sound Version One Sheet (27" X 41").
Director Frank Capra had been making films for a decade, mostly comedies with Hal Roach, Mack Sennett, and Harry Langdon, when he moved to Columbia and took on this silent underwater drama. Stars Jack Holt and Dorothy Revier's marital bliss is threatened by Holt's Navy buddy, Ralph Graves, who falls for Revier. When Graves is trapped in a submarine, diver Holt is enlisted in the rescue effort and must put aside his jealousy. With actual underwater scenes and a gripping screenplay, this adventure film was a big success for Capra, one of many that helped to grow the fledgling Columbia Pictures. The picture was shot as a silent film but, since sound was making tremendous headway at this time, sound effects were added to increase the box office appeal. This one sheet is the alternate "sound" version. It had small tears in the right border and one in the top border going into the field, chipping in the bottom crossfold, and fold wear. There was a tape lift with small surface paper loss in the lower left tagline area. Restoration has addressed some of these issues. An important early film, this rare poster is not to be missed! Fine+ on Linen.
American Madness (Columbia, 1932). One Sheet (27" X 41") Style B.
A Depression-era tale of embezzlement, adultery, and greed, this picture represents director Frank Capra on the verge of Hollywood fame. Just a few years later, Capra would helm such classics as Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Mr. Smith Goes to Washington (1939). This extremely attractive one sheet, a lovely example of early offset lithography, had a small hole in the center, crossfold separation, a small tear in the left border, and pinholes in the corners, but expert professional restoration has rendered these slight flaws virtually invisible. Fine/Very Fine on Linen.
Lost Horizon (Columbia, 1937). Window Card (14" X 22").
James Hilton's wonderful story of Shangri-la is beautifully transferred to the screen under the direction of Frank Capra. This enduring tale of peaceful redemption is just as relevant now as then, 72 years ago. Ronald Colman stars as Robert Conway, a high-ranking British diplomat, who finds love in a utopian hideaway. Prior to restoration, there were creases on the top imprint area with small tears, a small hole and a surface abrasion in the art, and bends in three of the corners. The excellent repair work has left these flaws invisible. Fine/Very Fine on Cardstock.
Lost Horizon (Columbia, 1937). Title Lobby Card and Lobby Card (11" X 14").
Even in this early fantasy set in the exotic Himalayas, Frank Capra's ubiquitous themes of human goodness, and a utopian vision for the future are apparent. Ronald Colman, Jane Wyatt, John Howard, Edward Everett Horton, and Thomas Mitchell star in this classic, which garnered two Academy Awards. The title card had pinholes in the corners, and both cards had a crease in the right side, one missing corner, edge wear, and corner bends. They have been professionally restored and these rare and magnificent cards display beautifully. Fine-.
Lost Horizon (Columbia, 1937). Autographed Lobby Card (11" X 14").
Frank Capra directs this unusual love story of stranded airplane passengers who find Shangri-La in the Himalayas. Ronald Colman stars as Robert Conway, a professor who falls in love with Sondra (Jane Wyatt), one of the residents of the utopian paradise, where the inhabitants never age or grow ill. The new arrivals must decide for themselves whether Shangri-La is Eden or just an illusion. This card has a tear across the top left corner, corner bends, edge wear, a corner chip, and pinholes in the border. There are three tears at the top, and cellophane tape on the reverse. The card is signed "To Ralph from Frank Capra." Very Good.
Meet John Doe (Warner Brothers, 1941). Mini Window Card (8" X 14").
Barbara Stanwyck is brilliant as ace reporter Ann Mitchell, who may be too clever for her own good as she hatches a plot to get her job back by exploiting the plight of everyday working men. Mitchell prints a fake letter bemoaning society's ills and hires John Willoughby (Gary Cooper) to act as the man behind the story. With Frank Capra directing, and a top-notch supporting cast that includes Edward Arnold and Walter Brennan, this was a sure fire hit at the box office and remains one of the most enduring of Capra's social commentary dramas. This linen finish midget window card has four pinholes, one rounded corner, edge wear at the bottom, and a piece of paper tape on the reverse. This is a stunning portrait of the stars. Fine+.
Mr. Smith Goes to Washington (Columbia, 1939). Autographed Half Sheet (22" X 28").
In one of James Stewart's most beloved roles, he plays Jefferson Smith, a naive young man appointed to fill a vacant Senate seat, who quickly learns the realities of Washington politics. An honest man in a sea of vipers, Smith's simple goodness and integrity win the day in the end. This is the first time we have offered a half sheet from this perennial favorite; this particular copy, signed "Jimmy Stewart" and "Frank Capra," has fold wear, creasing in the right and left sides, edge wear, and pinholes in the corners, but this linen paper beauty displays very nicely. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980 until 1985 when it closed. Sammy Cahn helped Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Fine/Very Fine on Paper.
It's a Wonderful Life (RKO, 1946). Insert (14" X 36").
In this beloved classic, James Stewart stars as George Bailey, a man whose suicide on Christmas Eve is interrupted by a guardian angel, Clarence Oddbody (Henry Travers), who is sent to help him see his worth. This always enjoyable Frank Capra gem features one of the best supporting casts ever assembled, including Donna Reed, Lionel Barrymore, Thomas Mitchell, Gloria Grahame, Beulah Bondi, and many more. This poster has paper tape on the reverse across the folds, a small tear with a pinhole in the top border, a tape stain in the lower right border, and edge wear in the left border. An endearing poster classic. Folded, Fine/Very Fine.
It's a Wonderful Life (RKO, 1946). Half Sheet (22" X 28") Style A.
As one of the sweetest courtships in all of cinema history, the romance between James Stewart and Donna Reed is unforgettable in Frank Capra's holiday classic. Stewart's singing of "Buffalo Gal," as he walks Reed home is one of many touching moments, and this fantastic half sheet captures the stars in two embraces. The poster had pinholes in the borders, small edge tears in three borders, and a small hole in the right side. After professional restoration, this unmounted half sheet has a bright appearance. Rolled, Fine/Very Fine.
It's a Wonderful Life (RKO, 1946). Half Sheet (22" X 28") Style B.
James Stewart gives one of his most memorable roles as the indelible George Bailey in Frank Capra's timeless classic. Donna Reed is endearing as George's supportive wife, Mary, and the outstanding ensemble supporting cast includes Lionel Barrymore, Thomas Mitchell, Beulah Bondi, Henry Travers, Gloria Grahame, Ward Bond, and so many more. We are offering here, for the first time, the rarely seen Style B half sheet, which is sure to be a sensational addition to any collection. It had a small tear in the top left corner and one in the right border, which have been restored and are no longer noticeable. There is a dust shadow in one border, and a nick in the lower left corner. Don't Miss out on this charming poster! Rolled, Very Fine-.
It's a Wonderful Life (RKO, 1946). Lobby Card (11" X 14").
Offered here is the card that features the famous "Our Gang" alumnae Carl "Alfalfa" Switzer, trying to cut in on George (James Stewart) and Mary (Donna Reed) dancing in the gym. The card has a slight bleed-through in the top border from marker writing on the reverse, and a small chip in the top left corner that has been re-attached with cellophane tape. There are small corner bumps and a minor smudge at the top border. A bright and extremely desirable card, it displays very well. Very Fine-.
Miracle on 34th Street (20th Century Fox, 1947). Insert (14" X 36").
When's the best time to release a movie about the Christmas holidays? If you're studio head Darryl F. Zanuck, the answer is May, which is when this classic film hit the theaters, due to Zanuck's contention that more people go to the movies during the summer. Despite this, and the fact that the studio did everything possible to keep the holiday content a secret, this has become one of the most beloved movies of all time, a yearly viewing staple for millions of people. Offered here is a lovely insert for this classic film. It has paper tape on the reverse and in the right border, pinholes in the corners, bends in the top and bottom left corners, and small tears in the right border, but none of these minor issues detract overmuch from the overwhelming eye-appeal of this charmer. Folded, Very Fine-.
Journey's End (Tiffany, 1930). Deluxe Lobby Cards (4) (11" X 14").
This is the film that made James Whale's career. He first produced this successful RC Sheriff play in Britain, then brought it to Broadway. He then moved to Hollywood to direct the film version starring Colin Clive, Ian Maclaren, and David Manners. The story follows the ravages of WWI from the point of view of the tormented Captain Denis (Clive). Whale directed many of the great films of the 1930s including Waterloo Bridge, Showboat, and The Man in the Iron Mask, but is best remembered for his atmospheric horror classics for Universal including Frankenstein, The Old Dark House, The Invisible Man, and The Bride of Frankenstein. Whale made four films with Clive, using his stark and brooding looks to great effect, especially in the Frankenstein films. Two cards have a tear in the center, one has a surface abrasion, and all four have pinholes and edge wear. These rare and important cards scarcely turn up, and will be a great hit with all collectors. Very Good/Fine.
Mrs. Miniver (MGM, 1942). Lobby Card Set of 8 (11" X 14").
This beloved classic started as a series of newspaper columns written by Jan Struther, about her experiences with family life and the slow encroachment of WWII in their idyllic world. Greer Garson and Walter Pidgeon star as the happily married parents of three children, who do their patriotic duty and in the process, rally millions of movie-goers to fight for Britain. This William Wyler production won a Best Picture Academy Award and five more, including one each for stars Garson and Teresa Wright. This rarely seen set is in wonderful condition. All cards but one have pinholes, some have smudges in the borders, and two cards have a small scuff in the image. Fine/Very Fine.
Sands of Iwo Jima (Republic, 1950). Lobby Card Set of 8 (11" X 14").
John Wayne plays John Stryker, a hard-edged Marine sergeant who pushes his green recruits to the limit. But his strict lessons come in handy when he leads the men into the famous battle of Iwo Jima. The great title card features the famous image of the flag raising. It has light smudging in one border, a small tear in the right border, corner bumps, and edge wear at the top border. One scene card has a scratch in the field, one has corner pinholes, and four have light corner bends. Fine+.
The Great Escape (United Artists, 1963). Lobby Card Set of 8 (11" X 14").
One of the greatest action pictures ever made, this film, based on a true story, recounts the efforts of a group of prisoner of war camp inmates to stage a mass escape during World War II. With an all-star cast, including Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasance, James Coburn, and David McCallum, director John Sturges consulted several real-life POWs in order to make his film as realistic as possible, including Wally "The Tunnel King" Floody, and actor Donald Pleasance, a former RAF pilot, who had been shot down, captured, and tortured by the Nazis during the war. Offered here is a great set of lobby cards from this always-popular film. Three cards show pinholes in the corners, and one card has a small hole in the center and a water stain in the bottom border. Aside from these small flaws, the cards are in excellent shape, just waiting to become an important part of your collection. Fine/Very Fine.
The Great Escape (Dear Film, 1963). Italian 4 - Folio (55" X 78").
One of the most thrilling action films ever made, this blockbuster motion picture is about a group of Allied soldiers during World War II who plot an elaborate escape from a German prisoner of war camp. Steve McQueen heads the all-star cast, which includes James Garner, Richard Attenborough, Charles Bronson, Donald Pleasance, James Caan, and David McCallum. This dramatic Italian 4 - folio has a top left corner chip, pinholes in the corners, small edge tears, a minor chip in the bottom right border, and a bottom right corner bend, but these slight flaws do nothing to detract from the overall attractiveness and high degree of desirability this poster possesses. For McQueen collectors, this is a "must have!" Very Fine-.
Lawrence of Arabia (Columbia, 1962). One Sheet (27" X 41") Style A.
David Lean's epic biopic, based on the World War I experiences of noted memoirist T. E. Lawrence, is largely considered one of the finest films ever made, reaping an astounding seven Academy Awards, including Best Picture and Best Director. Although the title role was initially offered to Albert Finney, Marlon Brando, and even Anthony Perkins, it eventually went to Peter O'Toole (reportedly with the recommendation of Katharine Hepburn), for whom it was a star maker. As one of the most significant films of the 1960s, it's not surprising that paper from this production is eagerly sought by collectors. Offered here is an exceptional one sheet, every bit as clean and pristine as the day it was printed. If you've been seeking a poster from this film to add to your collection, don't hesitate to bid on this beauty, as you may never find a nicer copy. Mint.
Lawrence of Arabia (Columbia, 1962). One Sheet (27" X 41") Roadshow Style B.
Peter O'Toole gives the performance of his life in this sensational epic from noted director David Lean. Based on T. E. Lawrence's autobiography, Seven Pillars of Wisdom, this film earned seven Academy Awards, including one for Lean, who was a master storyteller and renowned for such classics as The Bridge on the River Kwai and Doctor Zhivago. Posters from this brilliant feature are always in demand, especially when in this exceptional condition. Mint.
Twelve O'clock High (20th Century Fox, 1949). British Quad (30" X 40").
Brigadier General Frank Savage (Gregory Peck) has his work cut out for him when he assumes command of an American Bomber Squadron: morale is low and fatigue is high. By setting high standards for both himself and his men, however, Savage is able to turn the disorganized squadron into a well-regulated fighting force in this exciting World War II drama. This glorious British quad is in superb condition; only some light edge wear in the bottom border keeps it from an even higher grade. Very Fine/Near Mint.
From Here to Eternity (Columbia, 1953). Japanese B2 (20" X 29").
Fred Zinnemann directs Frank Sinatra, Burt Lancaster, Montgomery Clift, Deborah Kerr, and Donna Reed in one of the greatest of all war movies. This B2 has a minor tear in the image, pinholes in the corners and one in the image, and two small edge tears. There is glue residue on the reverse, along the top and bottom edges, that does not affect the front. The unique artwork features a soldier being shot by Japanese fighter planes, a striking portrait of Clift, and one of the most famous scenes in all of cinema: Kerr and Lancaster on the beach. Folded, Fine/Very Fine.
Kanal (P.P. Film, 1957). Japanese B2 (20" X 29").
Set during the Warsaw uprising in the latter days of World War II, this dramatic Polish film tells the story of a handful of resistance fighters forced to flee through the city's sewers (the "kanal" of the title) in hopes of escape. This striking Japanese poster has clear tape on the reverse, as well as paper tape on the reverse bottom border, but is otherwise in superb condition. Don't miss out on this gem! Folded, Very Fine-.
Apocalypse Now (United Artists, 1979). German A1 (23" X 33").
Loosely based on Joseph Conrad's novel, Heart of Darkness, this compelling drama is set in the jungles of Vietnam, wherein Capt. Benjamin Willard (Martin Sheen) is assigned to find AWOL officer, Colonel Kurtz (Marlon Brando), who has set himself up as a god in the remote wilderness. An acknowledged classic, the film was nominated for eight Academy Awards, winning two for Best Sound and Best Cinematography. This striking German poster, spotlighting exquisite Bob Peake imagery, has pinholes in the corners with pinhole tears in the top right, and a corner bend in the bottom left, but is otherwise in excellent condition. Fine/Very Fine.
The Lost Squadron (RKO, 1932). Title Lobby Card (11" X 14").
Richard Dix stars as a World War I ace who becomes a Hollywood stunt pilot after the war's end. When he discovers his former girlfriend (Mary Astor) has become his maniacal director's (Erich von Stroheim) wife, the sparks begin to fly. Joel McCrea and Robert Armstrong also star, as Dix's fellow air aces. There is a light crease on the top border on the right side and a very faint dust shadow on the bottom border. Fantastic deco graphics. Very Fine/Near Mint.
The Lost Squadron (RKO, 1932). Window Card (14" X 22").
Based on the real-life experiences of such famed stunt fliers as Ormer Locklear and Dick Grace (who scripted this picture and also appears in the film), this is the story of a trio of former flying aces (Richard Dix, Robert Armstrong, and Joel McCrea) who return from World War I looking for work. Unable to find anything else, they become stunt fliers employed by megalomaniacal director Von Furst (Erich von Stroheim) who has no qualms about sending men to their deaths in pursuit of cinematic "realism." This striking art deco window card shows corner bends, some surface paper lifting in the top left, and light smudging as well as a small tear in the right border. These slight flaws are barely noticeable, however, and the card displays very nicely. Any fan of early Hollywood will surely covet this rare treasure. Fine/Very Fine.
The Road to Mandalay (MGM, R-1930s). French Grande (47" X 63").
In this Tod Browning-directed classic, Lon Chaney plays Singapore Joe, a man with a past who now runs a Mandalay brothel. His daughter Rosemary (Lois Moran) has been raised in a convent and knows nothing of her father's existence, until Joe finds out that the man Rosemary's in love with (Owen Moore) is an old criminal accomplice of his. Joe tries to save Rosemary from destruction, with tragic results. The collaborations between Browning and Chaney were, in many ways, the high points of both men's careers, and the ten pictures they made together are universally regarded as some of Chaney's very best. Offered here is a stunning Grande from an early sound re-release of this classic silent film. It had fold wear with chips, crossfold separation, chipping in the top and bottom border, and small tears at the edges with one in the top that extends into the credits area. After expert professional restoration, however, these defects can only be seen under the closest scrutiny, giving this rare and highly desirable poster a like-new appearance. Paper from Chaney's films, especially those directed by Browning, is extremely scarce, so bid now on this rare beauty. Fine/Very Fine on Linen.
Quincy Adams Sawyer (Metro, 1922). Lobby Cards (5) (11" X 14").
Masterful villain Lon Chaney Sr. plays Obadiah Strout in this rural story of jealousy and revenge. Lawyer Quincy Adams Sawyer, played by John Bowers, arrives in the small village and falls for Alice Pettengill (Blanche Sweet) who goes blind and is one of the victims of Strout's menacing plots. Chaney is seen in three cards and one border. Two cards have slight staining in the top border and the card featuring Blanche Sweet has some silverfish damage. Three cards have pinholes in the corners. Fine+.
Phantom of the Opera (Universal, 1943). Lobby Card (11" X 14").
In 1943, Universal decided to remake the film that had launched their popular horror franchise, returning to Gaston Leroux's classic novel about a disfigured madman who haunts the sewers below the Paris Opera House. Cast as Erique, the Phantom, in the role that made Lon Chaney an immortal superstar, was Claude Rains, who had proved his talent for bizarre characterizations in his first film, The Invisible Man (1932), and had since become a major star in his own right. The result was a picture that, while similar to the Chaney original, was far more than a slavish remake, and remains a genre favorite to this day. Offered here is a beautiful lobby card for this great film, which features Rains and the lovely Susanna Foster as Christine Dubois, the rising young opera singer who becomes the object of Erique's ardor. In virtually unimprovable condition, we're confident that you will never find a nicer copy of this wonderful card. Mint.
Black Friday (Universal, 1940). Pressbook (11.5" X 17.5").
Kindly professor Kingsley (Stanley Ridges) becomes a crazed madman after an experimental operation by Dr. Ernest Sovac (Boris Karloff) transplants parts of a killer's brain into Kingsley's own. Bela Lugosi plays Eric Marnay, a mobster who runs afoul of the now-crazed doctor. Offered here is a beautiful pressbook for this classic Karloff/Lugosi thriller. In excellent condition with no cuts, only a horizontal fold in the middle and some light edge wear keep it from an even higher grade. Very Fine+.
The Invisible Menace (Warner Brothers, 1938). Insert (14" X 36").
When Army private Eddie Pratt (Eddie Craven) smuggles his new bride Sally (Marie Wilson) onto the base, they find themselves embroiled in a murder investigation. The chief suspect, Jeffries (Boris Karloff) is definitely a man with a shady past, but is he truly the murderer? The dramatic linen finish insert offered here has been mounted on cardstock with some restoration, including the repair of a small hole at the bottom, and a lower left corner bend. Additionally, we note a small chip in the top border, and one in the right, both of which occurred following restoration. These slight flaws do nothing to detract from this great piece, which any Karloff fan is bound to covet. Fine+ on Cardstock.
The Man Who Lived Again (Gaumont, 1936). Half Sheet (22" X 28").
Also known as The Man Who Changed His Mind, this chilling British film features Boris Karloff as the reclusive Dr. Laurience, a dedicated researcher driven mad when he is humiliated before an august scientific body. He seeks revenge using his technique for switching minds from one body to another, with disastrous results. This dramatic half sheet has some smudging in the borders, edge wear, a small chip in the bottom left corner, pinholes in the corners, and some scuffing in the center, but presents very nicely, and will make a welcome addition to any collection. Folded, Very Fine-.
The Ape (Monogram, 1940). Title Lobby Card (11" X 14").
In this Monogram quickie (written by Curt Siodmak, who would pen the Universal classic, The Wolf Man, in the same year), Boris Karloff plays Dr. Adrian, a dedicated but unbalanced scientist who obtains human spinal fluid for his polio vaccine research by dressing up as a gorilla and breaking the spines of innocent people. A bizarre role, this was Karloff's last effort for Monogram, for whom he had made a series of Mr. Wong pictures during prior years. This exquisite title card, which pictures renowned simian impersonator Ray "Crash" Corrigan in full ape regalia, has corner bends in the top and bottom right, rounded corners, edge wear, and pinholes in the corner that have been filled in. Very Fine-.
The Man They Could Not Hang (Columbia, 1939). One Sheet (27" X 41").
When the authorities interrupt Dr. Henryk Savaard's (Boris Karloff) experiments in cryonics, inadvertently killing his test subject, Savaard is convicted of murder and sentenced to death. After his hanging, Savaard is revived, and seeks revenge against all those who conspired against him. The exceptional one sheet offered here had a chip in the top right corner, pinholes in the corners and borders, and crossfold separation, but now looks as good as new following expert professional restoration. A classic Karloff thriller, this is a poster you'll be proud to own. Fine/Very Fine on Linen.
The Walking Dead (Warner Brothers, R-1942). One Sheet (27" X 41").
Ex-con John Ellman (Boris Karloff) is executed for a crime he did not commit, moments before evidence proving his innocence is received. Seeing an opportunity to advance his theories, Dr. Evan Beaumont (Edmund Gwenn) installs a mechanical heart into Ellman's body, reviving the dead man, who now seeks out the criminals who framed him. This striking one sheet is in wonderful condition. It had some fold wear with crossfold separation, but these slight flaws have been addressed with expert professional restoration, returning this highly desirable poster to a like-new appearance. Though this poster is undated, it is believed that this is one of the early WWII reissue posters. During the war, there was a ration on film stock, so Warner Brothers, to keep their theater chain stocked with product, reissued many of their thirties titles, this film being one of them. The original paper on this film is nearly impossible to find. Very Fine- on Linen.
The Invisible Ray (Realart, R-1948). Insert (14" X 36").
This was the third film to team horror icons Boris Karloff and Bela Lugosi, following The Black Cat (1934) and The Raven (1935). In this chiller, Karloff plays Dr. Janos Rukh, whose experiments with Radium X have tragic consequences. This striking insert had tears in the bottom left and right, a top left corner chip, a tear in the right border that extended into the image area, edge wear, bottom corner bends, and some extra creasing in the bottom border, but expert professional restoration has rendered these slight flaws virtually invisible. Fine on Paper.
Night Key (Universal, 1937). One Sheet (27" X 41").
David Mallory (Boris Karloff) invents a new, high-tech burglar alarm system to help combat crime, but when a group of criminals find out about his new device, they kidnap Mallory and force him to help them commit burglaries, bypassing the system he created. The horror genre was on the decline in 1937, and this was an attempt by Universal to present Karloff in a different type of movie. Offered here is the dramatic one sheet for this fine picture. It had fold wear with crossfold separation, pinholes in the corners, small chips in the right border, and some paper loss at the top vertical fold. All of these minor defects have been addressed via expert professional restoration, making the poster look as good as new. Additionally, it should be noted that the linen has been trimmed to the borders of the poster. This is a great piece, featuring a fabulous image of Karloff, that you will be proud to own and display. Fine/Very Fine on Linen.
The Raven (Universal, 1935). Argentinean Poster (29.5" X 43.5").
This was the second pairing of horror superstars Bela Lugosi and Boris Karloff following The Black Cat (1934). In this classic chiller, Lugosi plays Dr. Richard Vollin, a twisted brain surgeon who seeks revenge on Judge Thatcher (Samuel S. Hinds) for rejecting his proposal to the judge's beautiful daughter (Irene Ware). When escaped con Edmond Bateman (Karloff) shows up on Vollin's doorstep demanding plastic surgery in order to evade the law, the mad doctor deforms the desperate man and uses him as a tool to gain his revenge on the judge. The stunning Argentinean stone litho poster offered here is in superb condition. We note only some crossfold separation, now rendered virtually invisible by expert professional restoration. This is a fabulous stone litho poster featuring two of horror's greatest superstars. Very Fine+ on Linen.
The Ghoul (Towa, 1933). Pre-War Japanese (31.5" X 43").
For years, The Ghoul was considered to be a lost film, until a print turned up in the Czech National Archive in Prague. Boris Karloff stars as an Egyptologist who seeks immortality by being buried with an ancient jewel from a tomb. After his death, he returns from the grave to seek those who nabbed the jewels. The film drew inspiration from The Mummy which had been released by Universal the year before, and was inspired by Howard Carter and Lord Carnarvon's discovery of King Tut's tomb in 1922. This is a glorious and very rare, pre-war Japanese poster which is assuredly unique. Very Fine- on Linen.
Frankenstein (Universal, 1931). Lobby Card (11" X 14").
One of the greatest horror films ever made, this picture made an overnight sensation of Boris Karloff, the man underneath the monster make-up. Loosely based on the classic novel by Mary Wollstonecraft Shelly, the picture is a Gothic/Art Deco triumph, which, along with Dracula (1931), inaugurated the Golden Age of Universal Horror. One of the most significant films of the 1930s, paper from this title is very rare and highly sought after among advanced collectors. Records are often set when original release paper from this important film is offered, and we expect that will be the case with this exquisite lobby card featuring Edward van Sloan, Dwight Frye, Colin Clive, and Karloff himself. In remarkable condition, only a light dust shadow in the left border, and some light smudging and a small corner bend in the bottom left, keep this glorious card from an even higher grade. Although cards for this film do occasionally surface, rarely are they offered to the collecting public in such exceptional, unrestored condition. Very Fine+.
The Old Dark House (Universal, 1932). Lobby Card (11" X 14").
Just one year after the immense success of Frankenstein, director James Whale and star Boris Karloff team-up again in this seminal gothic horror classic. Stranded by storms and flooded roads, travelers Melvyn Douglas, Charles Laughton, Raymond Massey, Gloria Stuart, and Lillian Bond seek shelter in the old dark house, and find themselves at the mercy of a family of eccentrics. In a superb homage to Frankenstein, Bond cries "He's alive. He's alive" after Douglas stirs from having been knocked out in a fight with the pyromaniac Saul. This fabulous card has had professional restoration to address a tiny corner chip, a tear in the left side, a minor tear at the right edge, and pinholes in the borders. There was some paper lifting on the reverse, at the bottom border, that does not show through to the front. This is one of the best scene cards from the set, with nearly all the stars appearing. Fine/Very Fine.
The Raven (Universal, 1935). Pre-War Belgian (24" X 33.25").
While most of the Universal horror films from this period were creepy and atmospheric, this film is genuinely frightening! Borris Karloff and Bela Lugosi were at the peak of their powers in 1935, and the result is a brilliant collaboration, the second in their respective careers after The Black Cat, and one that would rarely be repeated with such incredible results. Offered in this lot is a very rare and pre-war Belgian poster for this classic film. The poster had only minor corner bending, a tear from the lower right border up through the image of the woman on the bottom right, a small tear in the upper imprint area, and pinholes in the corners. The restoration work on this poster makes any defects almost impossible to detect. This is a beautiful stone litho image of the horror stars in their finest roles. Very Fine- on Linen.
The Ghost of Frankenstein (Universal, R-1940s). Argentinean Poster (29" X 43").
Lon Chaney Jr. takes over the role of the Frankenstein Monster in this, the fourth film in the franchise. Reprising his role as Ygor, Bela Lugosi takes the Monster to Dr. Ludwig Frankenstein (Sir Cedric Hardwicke), son of the Creature's creator, who decides to restore the Monster to full power, with disastrous results. This striking Argentinean one sheet had crossfold separation with minor paper loss at the center, minor chipping in the left and right border, a bottom left corner chip, and pinholes in the corners, but expert professional restoration has addressed all these minor issues admirably. This rare style will make a perfect addition to your Universal Horror collection. Fine- on Linen.
The Ghost of Frankenstein (Eros, R-1950s). British Quad (30" X 40").
Lon Chaney Jr., as the new King of the Monsters on the Universal lot, stalked alongside Bela Lugosi in this, the fourth installment of the Frankenstein series. This poster had a few small tears and pinholes in the border that have been restored, as well as a larger tear that went diagonally from the middle left, through the G in "Ghost," and into the blue background. Additionally, there has been some minor color touch to the fold lines. The poster has been expertly restored and now appears near mint. This is a gorgeous stone litho image for this classic horror title! Fine+ on Linen.
The Bride of Frankenstein (Universal, 1935). Half Sheet (22" X 28") Style A.
The film was a major hit for Universal Studios and many critics feel it is the best film to emerge from the horror series of pictures created by the studio. Boris Karloff reprised his role as the Monster from the 1931 blockbuster, and Elsa Lanchester, with a shock of white hair, co-starred as the monster's mate. Roger Ebert wrote of this classic in 1999, "The best of the Frankenstein movies--a sly, subversive work that smuggled shocking material past the censors by disguising it in the trappings of horror. Some movies age, others ripen. Seen today, Whale's masterpiece is more surprising than when it was made because today's audiences are more alert to its buried hints of homosexuality, necrophilia, and sacrilege. But you don't have to deconstruct it to enjoy it; it's satirical, exciting, funny, and an influential masterpiece of art direction." This is truly the greatest film from the studio's fifteen-plus years of horror film-making. This poster is one of the rarest in the hobby of movie poster collecting. There are assuredly fewer original one sheets available from this film, but this poster is only one of two known copies of this style half sheet! Among the posters from the famous New Zealand find, this was by far the one in better condition. It was folded at one time and has a pinhole in each corner and one in the center of each of the top and bottom borders. There is only minor surface scuffing, including one in the monster's forehead and a couple of small scuffs around the credit area. There is almost no fold wear! It has no restoration and it is in amazing shape with the most vibrant colors imaginable. Folded, Very Fine.
Frankenstein Meets the Wolf Man (Realart, R-1949). One Sheet (27" X 41").
With this exciting entry in their popular horror franchise, Universal began their practice of teaming up their most popular monsters. In this fan favorite film, lycanthropic Larry Talbot (Lon Chaney Jr.) searches for Dr. Frankenstein, hoping that the legendary scientist can help lift the curse that afflicts him when the moon is full. He doesn't find the doctor, but does uncover Frankenstein's daughter, as well as his monstrous creation, leading to a climactic clash of crazed creatures. This is the first time we have offered this attractive re-issue one sheet. It had some paper loss in the bottom horizontal fold, crossfold separation, small chips in the borders, and small tears in the bottom border, as well as in the top left and right corners, but after professional restoration, the poster looks as good as new, and will make a fabulous addition to your collection. Fine+ on Linen.
Man Made Monster (Universal, 1941). One Sheet (27" X 41").
This dark tale is notable for the establishment of Lon Chaney Jr.'s legacy of cult, low-budget horror classics. Here he stars with horror veteran Lionel Atwill who is wonderfully creepy as the mad scientist who turns Chaney into an electrified murderous creature. The film was re-released in the early 1950s as The Atomic Monster, to the delight of Cold-War sci-fi fans. The poster had fold wear, crossfold separations with small paper losses, and pinholes in the corners with two of them enlarged. There was a chip in the lower right corner, edge wear with small chips in the borders, and a small blue printing mark in the left border that is still visible. Expert restoration has addressed these issues; the poster now displays beautifully with its colorful and dramatic artwork. Fine/Very Fine on Linen.
Son of Dracula (Universal, 1943). One Sheet (27" X 41").
The mysterious Count Alucard (Lon Chaney Jr.) relocates from Budapest to the American South and takes a bride, the lovely Katherine (Louise Allbritton), who is also a student of the occult. When friends notice that Katherine is acting strangely, they discover that Alucard is actually the son of the infamous Count Dracula, and race against time to destroy the evil vampire. The third installment in Universal's Dracula franchise, this is the first film to show the vampire transforming into a bat. Offered here is a glorious, and highly desirable, one sheet for this great film. Prior to expert professional restoration, it had pinholes in the image area, edge wear, tears in the top right corner and the bottom border, fold wear, and a tear in the right side that extended into the image area. It now looks as good as new, ready to display proudly in your crypt, haunted mansion, or mausoleum. Fine+ on Linen.
Dracula's Daughter (Realart, R-1949). One Sheet (27" X 41").
This is a solid entry in Universal's horror canon, with Gloria Holdren playing the enigmatic Countess Marya Zaleska, a foreign noblewoman with a taste for blood. Offered here is a beautiful one sheet for the re-release of this classic picture. It had fold wear and crossfold separation - now rendered virtually invisible following expert professional restoration - and a small chip in the lower right that occurred following restoration. Additionally, we note that the linen has been trimmed to the poster's borders. Nevertheless, this is a very attractive and desirable poster that any fan of Universal Horror will surely covet. Very Fine on Linen.
The Return of the Vampire (Columbia, 1943). Three Sheet (41" X 81").
Bela Lugosi dons the cape and fangs of the vampire - not as Dracula, but as Count Armand Tesla, since Universal still controlled the rights to Bram Stoker's creation - in this classic horror film. When his tomb is inadvertently opened during the London Blitz, Tesla recruits a talking werewolf (Matt Willis) to serve him as he embarks on a new reign of terror. Offered here is a very attractive three sheet; it had fold wear, pinholes in the corners, and a tear in the title area, but expert professional restoration has addressed these minor issues, returning the poster to a Near Mint appearance. Very Fine- on Linen.
Dracula (Universal, R-1938). Lobby Card (11" X 14").
In 1930, Universal was a struggling studio, desperate for a hit. Taking a chance on an adaptation of a popular Broadway play, Carl Laemmle Jr. acquired the film rights to Bram Stoker's immortal novel about an aristocratic vampire, and brought Dracula to the silver screen in 1931. Not only was the film a sensation, but it made an overnight superstar of Bela Lugosi and ushered in the Golden Age of Universal Horror. Paper from this landmark film is always in high demand, and we anticipate heavy bidding action on this incredible early re-release card. Prior to expert professional restoration, this card had a crease and a small tear in the top border, a top left corner bend, a tear in the top border just going into the image area, and pinholes in the corners, but these slight flaws have been rendered virtually invisible. You'd be hard pressed to find a better image of Lugosi as the Transylvanian count! Fine+.
The Corpse Vanishes (Monogram, 1942). Three Sheet (41" X 81").
In order to preserve the youth of his octogenarian wife (Elizabeth Russell), mad Dr. Lorenz (Bela Lugosi) must collect fluid from the glands of virgins. So he poisons a series of brides-to-be, with the help of his equally-mad hunchbacked assistant, Angel (Frank Moran). Although Lugosi was going through a difficult period in his career in 1942, this film stands out as one of his finest Monogram releases. The stunning three sheet offered here shows fold wear with chips, as well as some small chips in the top right field and the left border, but professional restoration has admirably addressed these issues, returning this poster to a like-new appearance. Very Fine- on Linen.
Mark of the Vampire (MGM, 1935). Lobby Card (11" X 14").
Although Lionel Barrymore receives top billing, there's no doubt that the real draw of this film was - and still is - Bela Lugosi, in this sound remake of director Tod Browning's legendary silent film, London After Midnight (1927). In this version, Lugosi plays Count Mora, a vampire who, along with his daughter Luna (Carroll Borland), is terrorizing a small European village. Although many fans object to the ending - in which the vampires are revealed to be actors hired to help flush out a murderer - others see it as a sharp satire on the then-current conventions of horror movies. Whatever your feelings on the ending, there's no denying that this is a particularly attractive card, featuring both Borland and Lugosi. Paper from this picture is exceedingly rare, making this a significant opportunity for collectors of vintage horror memorabilia. It had staple holes in the left and right borders, a pinhole in the top border, a very small chip in the bottom left corner, a small tear in the top left corner, and a small chip in the bottom border, but expert professional restoration has rendered these minor flaws virtually invisible. We've only offered a handful of pieces from the original release of this picture, so don't miss out on this extraordinary opportunity to add this blood-sucking beauty to your collection! Fine/Very Fine.
The Ape Man (Monogram, 1943). Three Sheet (41" X 81").
Directed by William "One Shot" Beaudine, this is the story of crazed scientist Dr. James Brewster (Bela Lugosi), who has, due to his strange experiments, turned himself into a half-human, half-ape. Brewster embarks on a campaign of terror and murder in search of the human spinal fluid that is the only cure for his condition. Offered here is a stunning three sheet for this popular film. It had a tear in the top portion of the poster, as well as fold wear and crossfold separation, but all these slight issues have been addressed with expert professional restoration, making the poster look as good as new. No Lugosi fan will want to pass up this stunner. Very Fine on Linen.
White Zombie (United Artists, 1932). Title Lobby Card (11" X 14").
In one of his most chilling roles, Bela Lugosi plays the diabolical Murder Legendre, a mysterious character in Port Au Prince, Haiti who has perfected a serum for turning unsuspecting natives into zombie slaves. Even though he had become an international sensation as Dracula just the year before, Lugosi took the role of Legendre for a relatively paltry sum - variously reported as $500 or $800 - a decision he came to regret later when the film proved both critically successful and commercially profitable. Indeed, the film stands as one of the most effective and memorable horror films of the era, easily standing alongside its Universal contemporaries. In much the same way that German Expressionism was created by pioneering filmmakers who were forced to create atmosphere on an extremely limited budget, producer/director Victor Halperin used his own low budget to his advantage, suggesting more than could possibly be shown on the screen, and thus effectively increasing the sense of terror and unease throughout this jewel of a film. The result is a film that stands the test of time as a true horror masterpiece. Paper from this film is so scarce as to be almost non-existent. Indeed, in eight years of auctions, we have never offered any original paper from this title, save for a pressbook and a handful of heralds. Now, however, we are pleased to present this highly desirable and extremely collectible title card. It had pinholes in the borders and field, small tears in the borders, minor chips in the bottom right and bottom left corners, and a clean tear in the left side that goes into the image area. After expert professional restoration, however, this card is a real stunner, looking every bit as good as new. If you're looking for the rarest of the rare, then look no farther. This is one of only two known copies, with the other being held in a private collection which may not see the light of day again for a very long time! Get this while you can. Fine+.
Invisible Ghost (Astor, R-1949). One Sheet (27" X 41").
Although Bela Lugosi's roller coaster career had been on an upswing at the end of the 1930s, with notable roles in Son of Frankenstein (1939) and Ninotchka (1939), he soon found himself back on Poverty Row, making films for Sam Katzman's Monogram pictures, of which this was the first. Although cheaply made, these Monogram releases were often quite atmospheric, and typically featured solid performances from Lugosi, who remained a dedicated, if underappreciated, actor for the remainder of his career. This striking one sheet, from the 1949 Astor Pictures reissue, features a fabulous image of the Hungarian actor. It had fold wear with crossfold separation, small holes in the center, a tear in the top right corner, pinholes in the corners, and small chips in the right border, the top border, and the top left corner, but expert professional restoration has addressed all of these issues, returning this poster to its original glory. A fabulous poster featuring a legendary star. Fine+ on Linen.
Bride of the Monster (Filmmakers Releasing, 1956). Half Sheet (22" X 28").
Doctor Eric Varnoff (Bela Lugosi) has a dream: to create a race of supermen using the newly-harnessed powers of atomic radiation. When newspaperwoman Janet Lawton (Loretta King) stumbles upon the doctor's mad scheme, it takes all her resources to keep from becoming Varnoff's latest victim. Director Edward D. Wood's biggest budget film, and the only one that proved financially successful in its original release, this picture also marked Lugosi's last starring role in a feature film. As with all of Wood's legendary films, paper is extremely scarce and highly collectible. This gorgeous half sheet had a vertical crease in the right side, tears in the top border, wrinkling overall, a small area of surface paper loss in the bottom, pinholes in the corners, a missing top left corner, edge wear, and a bottom right corner bend, but professional restoration has largely addressed all these issues, making the poster look like a million bucks. Very Good/Fine on Paper.
Brides of Dracula (Universal International, 1960). French Grande (47" X 63").
In the late 1950s, Hammer Studios revitalized the flagging horror film genre with a pair of first-rate chillers, The Curse of Frankenstein (1957) and Horror of Dracula (1958). Both starred Peter Cushing and Christopher Lee - who would quickly become Hammer's most important stars - and were directed by Terence Fisher. Fisher returned to the crypt for this effective sequel, one of the few Hammer vampire movies to feature an actor other than Lee in the role of the legendary Count (the studio feared that Lee, now an international star, would be too expensive, and so cast David Peel as the bloodsucking Baron Meinster). A richly realized film, it is represented here by a glorious Grande, boasting a superb image by renowned French artist Joseph Koutachy. Only some light fold wear, now rendered virtually invisible by expert professional restoration, keeps this poster from an even higher grade. Very Fine on Linen.
I Was a Teenage Frankenstein (MGM, 1957). International One Sheet (27" X 41").
It was the 1950s. Teen movies were big box office, and horror flicks were enjoying a well-deserved comeback. What could be better, then, than a teen monster picture? Leave it to American International to stitch these two popular genres together and come up with this drive-in gem! Whit Bissell stars as Dr. Frankenstein, a mad scientist out to prove his theories on limb replacement by cobbling together the fearsome fiend of the title. An always popular film, it is represented here by this classic one sheet. Released here under the AIP banner, it was released internationally by MGM, as represented by this rare style. It has edge wear, foxing in the borders, water staining in the bottom border, pinholes in the corners, scuffing in the bottom left, and fold wear with crossfold separation. In spite of these minor flaws, it presents beautifully, and is sure to make a welcome addition to any fine collection. Fine+.
I was a Teenage Frankenstein (Anglo Amalgamated, 1957). British Quad (30" X 40").
This fun follow-up to I was a Teenage Werewolf features Whit Bissell as Professor Frankenstein, descendant of the original doctor, who likes to experiment on creatures of his own. When a group of teenage athletes conveniently dies in an accident near his spooky house, the professor pieces together Gary Conway as Bob the monster, who then stalks pretty young girls. Phyllis Coates (formerly TV's Lois Lane) co-stars. The poster has a small center point crossfold separation. There is some slight edge wear on the top left corner, a small amount of fold wear in the upper left, and there is an additional fold. The creepy and colorful artwork on this British poster is a real treat for horror fans. Fine/Very Fine.
Screaming Skull (American International, 1958). Insert (14" X 36").
One of the most gruesome and intense horror images from the 1950s, this insert always grabs attention. Eric Whitlock (John Hudson) is trying to drive his wealthy but distraught bride (Peggy Webber) crazy, in order to collect her fortune. Alex Nicol directs and co-stars as the gardener/suspect. There is a light dust shadow in the right edge, an extra fold, and a minor tear in the left edge. Folded, Very Fine.
The Undead (American International, 1957). Three Sheet (41" X 81").
The influential and prolific producer/director Roger Corman helms this devilishly dark horror classic. Pamela Duncan, Richard Garland, Allison Hayes, and Richard Devon, as Satan, star in this tale of witches, regression, and murder. With the same sensational artwork as the one sheet, this large format poster shows extremely well, with professional restoration having addressed the minor issues of fold wear and extra vertical folds. Very Fine on Linen.
Carnival of Souls (Tony Tenser Films, 1962). British Quad (30" X 40").
Shot in Salt Lake City, Utah over the course of three weeks, with a budget of $17,000, this film was a flop when first released on a drive-in double bill with The Devil's Messenger. It was picked up by syndicated television shortly after its release and given late-night showings which helped it gain a strong cult following. This is a rare British quad for the landmark psychological horror classic. The poster shows some edge wear, water and mildew staining, and moisture warping throughout. Though the condition is not optimal, this is a very rare poster and completely different from the U.S. release posters. Very Good.
Night of the Living Dead (Continental, 1968). Autographed One Sheet (27" X 41").
An unassuming film, made for about $100,000, this classic shocker, directed by George Romero, set a new standard for horror movies, and paved the way for such gory genre classics as The Texas Chainsaw Massacre (1974) and Halloween (1978), grossing millions in the process. In its own way, this film is as significant as Frankenstein (1931) or Dracula (1931), the films that launched the Golden Age of Universal Horror. Due to its limited original release, posters from this film are relatively scarce, making this an excellent opportunity for any horror fan. This particular copy, signed and inscribed "Beat 'Em or Burn 'Em, George Romero," shows pinpoint crossfold separation, light fold wear, and some extra vertical creasing, but presents very nicely. Fine/Very Fine.
Night of the Living Dead (Continental, 1968). German A1 (23" X 33").
One of the most significant horror films of the latter half of the twentieth century, this low-budget feature, directed by George Romero, set a new standard for graphic, visceral terror. Shot in a semi-documentary black-and-white style, the film is relentless in its presentation of a farmhouse overrun by a horde of shambling zombies, all seeking human flesh. Offered here is a rare German poster featuring some truly intense imagery. It has pinholes in the corners, pinpoint crossfold separation, and some light fold wear, but is otherwise extremely clean, with a high degree of displayability. Very Fine.
Night Tide (American International, 1961). One Sheet (27" X 41") Style B.
This incredibly moody little film, shot on a budget of just $75,000, is considered by many to be one of the greatest horror films of the 1960s. Starring a young Dennis Hopper and the beautiful Linda Lawson, the film is reminiscent of the Val Lewton classics like Cat People. This is the scarce Style B one sheet, in unused condition, as clean as the day it was printed. Near Mint-.
Dead of Night (Eagle-Lion, 1945). British Quad (30" X 40").
A chilling horror anthology, this film is made up of five stories of supernatural terror united by a simple framing device: a group of strangers inexplicably gathered at a country farmhouse, each compelled to tell a story of supernatural happenings. Several of the stories, like the story of a bizarre driver with "room for one more," and a ventriloquist whose mind begins slipping away as his dummy comes to life, have become nearly legendary in their own right, and the structure of this classic film inspired countless imitators in the ensuing decades. Offered here is an extremely rare country-of-origin poster for this wonderful film. With superb art by Leslie Hurry, we estimate that this is one of only a small handful of these posters known to exist. This particular copy had paper lifts in the borders, water staining in the bottom border, and some small tears in the left border, but expert professional restoration has returned this rare treasure to a like-new appearance. This may be your only opportunity to acquire this great piece, so get your bid in right away! Fine+ on Linen.
Dr. Jekyll and Mr. Hyde (Paramount, 1931). Lobby Card (11" X 14").
Robert Louis Stevenson's story of an ambitious scientist who succeeds in separating the good and evil sides of his personality is one of the most adapted horror tales in all of film history. This version, however, starring Fredric March as both the kindly Dr. Jekyll and his beastly alter-ego, Mr. Hyde, is, perhaps, the most successful, earning March a Best Actor Oscar for his outstanding performance. Previously known primarily for lightweight roles, it was this film that made Hollywood sit up and take notice of the talented March. This highly desirable, gloss finish lobby card, which pictures March and co-star Miriam Hopkins, has had the bottom right corner neatly sliced off. Additionally, it shows pinholes in the corners, a tiny top left corner chip, rounded corners, and light edge wear. Regardless of these slight flaws, this is an extremely attractive card from an important film in the horror genre. Paper from this title is scarce, so don't miss this opportunity to acquire this rare gem. Very Good/Fine.
Dr. Jekyll and Mr. Hyde (Paramount, 1931). Pre-War Australian Daybill (15" X 36").
In a brilliant adaptation of Robert Louis Stevenson's immortal novel, Fredric March vividly brings to life both the dedicated scientist Dr. Henry Jekyll, and his monstrous alter-ego Mr. Edward Hyde. Although March had primarily been known for lightweight romantic roles prior to this picture, he immersed himself in the role and turned in an inspired performance, one so remarkable that he won a Best Actor Academy Award for his efforts. The gorgeous pre-war Australian daybill offered here is in excellent condition. It had pinholes in the upper left and in the bottom border, as well as a light smudge in the bottom right, but those minor flaws have been corrected via expert professional restoration, leaving this piece looking every bit as good as new. Like other horror films from this era, paper from this picture is rare and highly desirable. We urge you to give this one your highest consideration. The size listed in our catalog was wrong - this pre-war daybill actually measures 15" X 36" - as the top imprint area has been trimmed. Very Fine on Linen.
Death Takes a Holiday (Paramount, 1934). Window Card (14" X 22").
Fredric March shows the human side of Death in this touching fantasy, directed by Mitchell Leisen. When Death arrives at an Italian villa for the weekend, Duke Lambert (Guy Standing) is the only one who knows his true identity. Posed as Prince Sirki, Death is loved by Grazia, played by the ethereal Evelyn Venable, who wants to leave with him to the afterlife. The film was an instant hit and remains a popular and thoughtful classic today. This sumptuous window card has been expertly restored to address edge wear, a tear in the left side of the blue field, a few minor holes in the bottom, a small tear on the right side, and a minor surface abrasion above March's name. Fine+ on Cardstock.
Abbott and Costello Meet the Invisible Man (Universal International, 1951). Three Sheet (41" X 81").
In the continuing run of "meet and greets" for Bud Abbott, Lou Costello, and every monster on the Universal lot, the boys operate as mail-order private eyes to help a boxer clear his name of murder. Lou steps into the ring to face a professional boxer, and gets the invisible assist of the boxer they're trying to help. This three sheet has a delightful image of Lou as a befuddled 'Sherlock Holmes,' and Bud with his usual slow burn consternation. This lovely large format poster has some typical crossfold separation, common for the larger format posters of this period, and a tear in the top right corner. Fine/Very Fine.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Half Sheet (22" X 28") Style B.
Comedy duo Bud Abbott and Lou Costello made one of their best films when they teamed with horror geniuses Bela Lugosi (as Dracula), Lon Chaney (as The Wolfman), and Glenn Strange (as Frankenstein's monster). The creatures are supposed to be wax statues that the bumbling pair deliver to a museum, but much to Wilbur's (Costello) horror, they are very much alive. One of Abbott and Costello's greatest cinematic moments is when Wilbur tries to tell Chick (Abbott) that the monsters are on the loose. The half sheet has fold wear with a separation at the bottom edge, pinholes in the corners, and light edge wear. With the classic caricatures of the stars, this is one special poster. Folded, Very Fine-.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Lobby Card (11" X 14").
From the film that marked the end of the Golden Age of Universal Horror, this classic card features Bud Abbott, Lou Costello, Glenn Strange (as Frankenstein's Monster), and Bela Lugosi (as Dracula, the second - and last - time he would play the vampire that made him a star). As part of the Universal horror cycle, paper from this title is highly desirable, especially paper that pictures so many of the main characters. This card shows staple holes in the corners and in the bottom center, very minor surface paper loss in the right border, a scuff in the bottom center, and very light corner bends in the top and bottom left, but these minor flaws do nothing to detract from the overwhelming appeal of this vintage beauty, a rare piece that displays very nicely. Very Fine.
House on Haunted Hill (Allied Artists, 1959). Lobby Card Set of 8 (11" X 14").
Frederick Loren (Vincent Price) makes several strangers an offer they can't refuse: spend a single night in my haunted mansion and receive $10,000. The catch is, they have to be alive to collect in the morning! This fun film earned such large profits - no doubt bolstered by producer William Castle's usage of the "Emergo" gimmick, in which a plastic skeleton on a wire flew out at the audience at a key point in the film - that it led director Alfred Hitchcock to create his own low-budget horror picture, Psycho (1960). The one sheet is more commonly offered, sets of lobby cards for this fan favorite film are much harder to come by. This particular set has a dust shadow on four cards, a crease in the top and bottom left on one card, foxing in the bottom border in one card, a crease in the bottom left corner in three cards, and a pinhole in the bottom right in one card. These are extremely minor flaws, almost unnoticeable, none of which detract overmuch from the overall appeal of these creepy classics. Very Fine-.
House on Haunted Hill (Allied Artists, 1959). One Sheet (27" X 41").
Superb horror star Vincent Price is at his ghoulish best in this haunted house thriller directed by William Castle. Eccentric millionaire Price and wife Carol Ohmart invite several guests (including Elisha Cook Jr., Richard Long, Alan Marshall, and others) to spend the night in their mansion filled with ghosts and demons. If they aren't murdered through the night, they will earn $10,000. Price and Castle worked together again in The Tingler. This classic sheet has creases in the bottom, a light stain in the left border, and a bend in the top left corner. Very Fine.
Dante's Inferno (Jawitz Pictures Corp., 1921). Title Lobby Card (11" X 14").
An Italian film originally released under the title Dante nella vita e nei tempi suoi and adapting the most famous portion of poet Dante Alighieri's immortal epic, The Divine Comedy, this picture was released domestically under a less cumbersome title. Very little paper from this impressive production - alternately titled The Inferno - survives; this is the first lobby card we have ever offered. It shows edge wear, soiling in the borders, a dust shadow in the left border, and a bottom right corner chip, but is otherwise clean and attractive, an excellent addition to any collection. Also included in this lot is the original envelope in which the card was shipped. Fine-.
Gabriel Over the White House (MGM, 1933). Insert (14" X 36").
Weak-willed President Judson Hammond (Walter Huston) is content merely to mark time and let his successor sort out the problems of Depression Era America, until a near-death experience changes his perspective and sends him on a mission to save the country and the world. We're pleased to present this highly attractive insert, featuring a dynamic image of Huston and the angel Gabriel. It shows pinholes in the borders and in the field, an ink mark in the bottom border, small edge tears, and slight bends in the bottom corners, but is otherwise clean and attractive, a great piece with a high degree of eye appeal. This will be a welcome addition to any collection. Rolled, Very Fine.
Svengali (Warner Brothers, 1931). Window Card (14" X 22").
John Barrymore gives a powerful performance as the mind manipulator Svengali, in this gripping tragedy, based on the 1894 George du Maurier novel Trilby. Marian Marsh plays the nude model turned musician who is hypnotized to the point where she cannot perform without Svengali present. The huge success of the film led to the character's name becoming synonymous with evil mind control. Warner Brothers quickly found another vehicle for Barrymore and Marsh later that year, the horror film The Mad Genius. Material from this top film is scarce, and this is the first time we have been able to offer this stunning window card. In its original unrestored state, with only minimal stains in the white borders, this lush poster will be the prized centerpiece to any collection. Very Fine.
Mighty Joe Young (RKO, 1949). One Sheet (27" X 41") Style A.
Producer/writer Merian C. Cooper and director Ernest B. Schoedsack went back to the well that they had mined so successfully in King Kong (1933) and Son of Kong (1933) for this third entry in the giant monkey franchise. This one is about a pet gorilla, raised in Africa by the lovely Jill Young (Terry Moore), and brought to America by Hollywood promoter Max O'Hara (Robert Armstrong), who exploits the giant ape with tragic results. Although Willis O'Brien gets top special effects billing, and did the designs and storyboards, Ray Harryhausen, working as Obie's assistant, actually completed most of the stop-motion animation shots for this film. This wonderful one sheet showed edge wear, a chip in the top border, fold wear with crossfold separation, and small chips in the top image area, but after expert professional restoration, it now looks as good as new. Fine/Very Fine on Linen.
Mighty Joe Young (RKO, 1949). One Sheet (27" X 41") Style B.
Mighty Joe Young, the giant gorilla raised by Jill Young (Terry Moore) and brought to America by Hollywood exploitation artist Max O'Hara (Robert Armstrong), struts his stuff on this lovely one sheet. An early effort by special effects wizard Ray Harryhausen - working here with the legendary Willis O'Brien - this was his first opportunity to use his own newly-created stop-motion animation technology. The one sheet offered here shows pinholes in the corners, crossfold separation, staining in the title area, a small hole in the right side, tape on the reverse, a chip and a tape stain in the bottom left corner, and tape staining in the bottom right and the top left corner, but is otherwise extremely clean and attractive. Very Good/Fine.
King Kong (Enterprise Films, R-1960s). Argentinean Poster (29" X 43").
A truly remarkable film by any standard, this unforgettable picture was made possible by the groundbreaking special effects technology of Willis O'Brien, who took a puppet covered with fur and turned it into a living, breathing creature via the miracle of stop-motion animation. Although technology has progressed exponentially since the release of this classic movie, Kong's final fate can still be counted on to bring a tear to the eye of audiences everywhere, thanks to the character and emotion O'Brien was able to convey through his work. As a fan favorite film for more than seven decades, it should come as no surprise that paper from this picture is avidly sought by fans. Original release pieces set record results on the rare occasion that they are offered, with re-release posters, like the one offered here, commanding strong prices as well. This lovely Argentinean poster shows minor fold wear and a slight ink bleed-through in the center of the image, but remains a wonderful piece for anyone who has ever thrilled to this classic adventure. This poster was misdescribed in our catalog as being from the 1940s. It is actually from the 1960s. Very Fine.
RKO Exhibitor Book (RKO, 1932-33). Exhibitor Book (9.5" X 12.5").
This highly desirable exhibitor's book spotlights several of RKO's most important productions, including The Most Dangerous Game, Frank Buck's Bring 'em Back Alive, and, most significantly, King Kong, referred to here simply as Kong. There are also great ads for Bill of Divorcement, The Animal Kingdom, Thirteen Women, Sweepings, and Phantom of Crestwood, featuring such stars as John Barrymore, Richard Dix, Leslie Howard, and Irene Dunne. There is edge wear on the cover, but the interior of this book is in exceptionally clean condition. Very Fine-.
Kwaidan (Toho, 1965). Japanese B2 (20" X 29") Red Style.
A visually impressive and expressionistic picture, this masterpiece of subtle horror by director Masaki Kobayashi is made up of four short films, the most noted of which is "Hoichi the Earless," in which a blind musician, requested by spirits to play for a dead samurai, is covered with protective symbols, all except for his ears. Once seen, this film is not soon forgotten. The rare "Red Style" country-of-origin poster offered here is flawless, you may never again see such a pristine example. Near Mint/Mint.
Kwaidan (Toho, 1965). Japanese B2 (20" X 29") Blue Style.
Based on the writings of Lafcadio Hearn, this classic Japanese horror film tells four stories, all about ghosts, supernatural beings, and weird happenings. Directed by Masaki Kobayashi, this is considered one of the landmarks of Japanese cinema. The country-of-origin poster offered here, the "Blue Style," is in exquisite condition, with only two horizontal bends keeping it from an even higher grade. Near Mint.
Frankenstein Conquers the World (Toho, 1966). Japanese B2 (20" X 29").
During World War II, the heart of the legendary Frankenstein Monster is taken to a Japanese lab, where it is exposed to radiation following the destruction of Hiroshima. Searching through the rubble, a starving child finds and eats the heart, and begins to grow and mutate, until, as a deformed giant, he battles Baragon, the guardian of Mount Fuji. Nick Adams, who came to prominence in the James Dean vehicle, Rebel without a Cause (1955), appears as Dr. James Bowen, intent on studying the now-monstrous creature. This exceptional country-of-origin poster is in superb condition, and has likely never been used. You'd be hard pressed to find a better copy of this classic poster. Rolled, Near Mint/Mint.
The Shadow of the Eagle (Mascot, 1932). One Sheet (27" X 41") Chapter 5 -- "The Telephone Cipher."
Paper from this early John Wayne serial is extremely difficult to come by, and to be able to offer such a unique and colorful design is even more incredible. In the midst of his decade long stretch of B Westerns, Wayne was cast as the aviator hero Craig McCoy for this Mascot adventure serial. Set in 1918, with the typical characters of a traveling carnival, Fred Beebe directs Wayne as he saves the day in each episode, and by Chapter 15, discovers the identity of the mysterious "Eagle." The villain has been making threats via sky writing and, along with his henchmen, has kidnapped Dorothy Gulliver and her father Edward Hearn. This remarkable stone litho poster has been expertly restored to address a chip in both the left and right borders, and pinholes in the corners and borders. It displays incredibly well and, with the early image of young Wayne and carnival villains, this will be a unique treasure for any collector. Fine/Very Fine on Linen.
Ride Him, Cowboy (Warner Brothers, 1932). Half Sheet (22" X 28").
John Wayne, in one of his early B Westerns, rescues Duke "the Devil Horse" from being put down. After being tricked and left for dead in the desert by outlaw Frank Hagney, Wayne returns to town to find that he's been framed for murder. Ruth Hall stars as Wayne's romantic interest. The poster had fold wear with tears, a lower left corner crease, and tears at the edges that extend into the image area. This bright poster with the fantastic image of Wayne atop a bucking bronco, has been expertly restored and has a very nice appearance. Fine on Paper.
West of the Divide (Monogram, 1934). One Sheet (27" X 41").
Robert N. Bradbury, the father of cowboy star Bob Steele, directs another Western legend, John Wayne, in this Lone Star picture. Wayne is Ted Hayden, an honest pioneer who infiltrates Gentry's (Lloyd Whitlock) outlaw gang to discover who murdered his father. Along the way, there are fist fights, a damsel to save (Virginia Brown Faire), and a long lost brother to find (Billy O'Brien). This one sheet had crossfold separations, a tear across the top border, missing paper in the top left corner, pinholes, and a few small chips in the borders. This classic poster features a lush and bright stone litho portrait of Wayne and is rarely seen. Fine on Linen.
The Trail Beyond (Monogram, 1934). Lobby Card (11" X 14").
This Lone Star Western, released by Monogram, stars a young John Wayne, and father and son Noah Beery and Noah Beery Jr. Wayne and Beery Jr. are old schoolmates who head to Canada in search of missing family members and a gold mine. This rare card pictures both Wayne and Beery Jr., and displays outstanding color. The card is in wonderful condition with only a few smudges in the borders. Very Fine+.
The Sagebrush Trail (Monogram, 1933). Stock Insert (14" X 36").
Several years before his star turn in Stagecoach (1939), John Wayne honed his craft in a series of B Westerns like this one. This wonderful portrait insert is a stock insert which was common for some of the cheaper studios to use for their series stars. This great insert shows some extra horizontal creases, a chip with a tear in the left side, paper tape on the reverse, corner bends, and a tear in the bottom border, but none of these slight flaws detract overmuch from the overwhelming appeal of this desirable piece. Folded, Fine.
The Desert Trail (Monogram, 1935). Half Sheet (22" X 28").
One of his later Lone Star Westerns for Monogram, John Wayne's on screen personality as a likable rogue was well developed in this enjoyable feature. Here he is accused of murder during the Rattlesnake Gulch rodeo. It is up to Wayne and comedian Eddy Chandler to round up the real culprits; along the way he falls for Mary Kornman (the former child star from the Our Gang shorts). The poster had a small hole in the title, tears in the borders, creasing and a corner bend in the top left and pinholes in the borders with a few in the image. After expert restoration, this great image of the star displays very well. This is an outstanding portrait poster for the then young star of B-Western fame. Fine/Very Fine on Paper.
The Desert Trail (Monogram, 1935). Half Sheet (22" X 28").
When John Scott (John Wayne) is falsely accused of murder, he and his buddy Kansas Charlie (Eddy Chandler) set out on the trail of the real killer. A fine early performance by Wayne, who was still several years away from finding real stardom in Stagecoach (1939), the film co-stars Mary Kornman, whose acting career began as one of the "Our Gang" kids in the 1920s. This attractive half sheet shows minor water staining in the bottom border, a small tear in the top border, small bends in the top corners, and a very small stain in the top border. These are minor flaws, however, none of which detract from the high degree of eye-appeal possessed by this rare beauty. Rolled, Fine.
The New Frontier (Republic, 1935). Half Sheet (22" X 28").
The early John Wayne material, pre-Three Mesquiteers, has always been a tough and rare area for movie poster collectors. The material just does not surface frequently. The theory that it was collected years ago and has been held in private collections for years may hold some weight, but realistically, these films did not receive huge releases and thus the paper may very well have always been in somewhat of short supply. We are very pleased to offer an outstanding collection of early Wayne material in this auction, including this classic half sheet. It has some fold wear, a tear in the right border, pinholes in the borders, a water stain and light smudging in the bottom border, a small scuff in the top left, and a rusty pinhole in the center. Other than these minor flaws, the poster is in great condition, and displays wonderfully. Folded, Fine-.
The Lawless Frontier (Monogram, 1934). Stock One Sheet (27" X 40").
John Wayne got his start in films with a little help from director John Ford, who gave him bit parts in some of his early movies, years before casting Wayne in his breakout role in Stagecoach. Wayne's early training included nearly seventy low budget Westerns, most for Monogram, and this is a fun early example with director Robert N. Bradbury and co-stars Sheila Terry and George "Gabby" Hayes. This fabulous art deco one sheet had an extra vertical fold which was apparent to the left and right of the center fold. There was a clean tear from the lower credits through the second "l" in "Lawless" up to the name "John." There is a bit of white touch-up on a few blemishes and there were pinholes in the corners. There was some minor writing on the reverse that is apparent from the front, next to the Tooker Logo. This is an outstanding graphic on this early Western one sheet. Fine on Linen.
Lawless Range (Republic, 1935). Half Sheet (22" X 28").
John Middleton (John Wayne) sets out to investigate a series of cattle rustlings, but ends up discovering a much bigger plot to seize several secret gold mines in this wild and early Republic Western. This film is notable for the songs John Wayne "sings," including "On the Banks of the Sunny San Juan" (Wayne's singing voice was actually supplied by character actor Jack Kirk). This exquisite half sheet has minor staining in the bottom border, slight fold wear, and pinholes in the borders and in the field, but presents very nicely. A great example of Wayne early in his career, this is a poster that any fan of classic film will be pleased to own. Folded, Fine/Very Fine.
Paradise Canyon (Monogram, 1935). Half Sheet (22" X 28").
Undercover agent John Wyatt (John Wayne) tracks a cadre of counterfeiters in this great Monogram Western. Wayne was a solid B movie star by the time this entry in the "Lone Star" series was released; in just a few years, he would become a household name thanks to his portrayal of the Ringo Kid in Stagecoach (1939). This action-packed half sheet shows some minor water damage in the bottom border, paper tape on the reverse, pinholes in the corners, several small tears in the right border, and a bend in the bottom left corner. Overall, however, this is a very attractive and desirable piece, spotlighting a future megastar at an early point in his career. Rolled, Fine-.
Rainbow Valley (Monogram, 1935). Half Sheet (22" X 28").
John Martin (John Wayne) is tasked with building a railroad through the Rainbow Valley, which would be a simple enough task were it not for Rogers (LeRoy Mason) and his gang if thugs, who want the valley for their own, as it contains some rich mineral deposits. This stunning half sheet shows a small chip in the left border, a minor tear in the right border, and tiny corner chips in the top and bottom right corners, but is otherwise exceptionally clean and attractive. Rolled, Very Fine-.
The Lonely Trail (Republic, 1936). Three Sheet (41" X 81").
John Wayne stars as a Union officer who finds the going tough when he returns to his hometown in Texas which has sided with the Confederacy. Cy Kendall and Ann Rutherford co-star. There was wear along the folds with some paper loss, some of which is still visible post-restoration. There was also a chip in the right border as well as a pinhole in the top border. Nonetheless, this remains a fantastic example of the artwork for which Republic became famous. Fine+ on Linen.
Stagecoach (United Artists, 1939). Lobby Card (11" X 14").
One of the greatest Westerns of all time, this landmark film, directed by John Ford, also boasted an incredible cast, including John Wayne, Claire Trevor, Andy Devine, John Carradine, Thomas Mitchell, Donald Meek, and Tim Holt, all of whom are pictured on this great card. It has pinholes in the corners, and some light spotting in the top border, but is otherwise clean and attractive. If you've been looking for that perfect piece from this classic film, look no further; this is the one! Very Fine+.
Stagecoach (United Artists, 1939). Lobby Card (11" X 14").
A landmark of the genre, Stagecoach redefined the Western for all time. Previous to this film, Westerns were mostly shoot-'em-ups, with cowboys vs. either Indians or cattle rustlers, presented in a formulaic manner. Director John Ford broke the mold with this picture, set largely in Utah's famed Monument Valley, a gripping character study of a diverse group of people thrown together in the cramped quarters of a stagecoach, making their way across hostile territory. Making the film even more significant was the casting of John Wayne in the lead role of the Ringo Kid. Wayne, who had toiled as a player in a string of B movies for years, was suddenly elevated to superstar status with the release of this film, the first of many collaborations between Wayne and Ford. Not surprisingly, paper from this film is considered highly desirable and eminently collectible. The card offered here, featuring a beautiful panorama of Monument Valley, has pinholes in the corners and in the field, paper tape on the reverse, a tear in the right side, corner bumps, slight bends in the top and bottom left corners, light creasing in the top border, minor edge wear, and light smudging in the right border. These slight flaws are barely noticeable however, and the card presents beautifully. Fine-.
Hondo (Warner Brothers, 1953). Three Sheet (41" X 81").
Hard-bitten Army dispatch rider Hondo Lane (John Wayne) tries to convince a strong-willed woman (Geraldine Page) and her son (Lee Aaker) to leave her homestead in anticipation of a coming Apache attack. When he finds that she is determined to stay, he becomes her protector, going so far as to defend her even against her dissolute husband (Leo Gordon). Offered here is an extremely rare three sheet, a very rare format for this title. It had some extra horizontal creasing, a tear in the right side, fold wear with chipping, a hole near the center of the poster, and a piece missing from the left border, but expert professional restoration has expertly addressed all of these issues, making this scarce beauty look eery bit as good as new. Fine/Very Fine on Linen.
Angel and the Badman (Republic, 1947). Three Sheet (41" X 81").
John Wayne not only stars in but produces this character study about a wounded outlaw who is sheltered by a kind Quaker family. While in their care, he begins to change his bad ways thanks to the love of a good woman (Gail Russell). This was the first film that Wayne personally produced and is often hailed as one of his most heartfelt efforts. Aside from pinholes in the corners, this three sheet is in exceptional condition and would grade higher if it were not mounted on linen. The three sheet for this title rarely turns up, so don't miss your opportunity to acquire this beauty. Very Fine+ on Linen.
The Searchers (Warner Brothers, 1956). Lobby Card Set of 8 (11" X 14").
Filmed on location in Monument Valley, Arizona in VistaVision, this powerful epic Western, directed by John Ford, stars John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, and Natalie Wood. Exploring themes of revenge, racism, and conflicting morals, this classic has influenced countless directors over the last fifty years. These cards feature many of the film's iconic scenes, and are in wonderful condition. Four cards have pinholes in the borders and field, one card has paper lifts in the corners, two cards have a corner crease, and one has a scratch in the credits. Very Fine.
The Searchers (Warner Brothers, 1956). Window Card (14" X 22").
The always heroic cowboy John Wayne impressively takes on a role that was full of conflict and edgier than most in this John Ford epic. Wayne is Ethan Edwards, an ex-soldier who spends years searching for his kidnapped niece (Natalie Wood), but wants her dead when he learns of her marriage to a Comanche chief. Vera Miles and Jeffrey Hunter co-star in one of the most influential of all Westerns. This great window card, which is merely a smaller scale one sheet, was folded horizontally in the middle at one time, and the fold is just barely visible still. There was a small chip on the lower border which included the small logo. The conservation work was done to perfection and the card now displays beautifully. Fine+ on Paper.
The Searchers (Warner Brothers, 1956). Japanese B2 (20" X 29").
This true classic of the American cinema is considered by many to be one of the greatest Westerns ever made. Director John Ford tells of Ethan Edwards's (John Wayne) search, spanning several years, trying to find his niece who was kidnapped by Indians. This legendary movie has been copied by many, but never equaled. With artwork similar to the one sheet, this Japanese B2 is in excellent condition, showing only faint horizontal bends. Rolled, Near Mint.
Fort Apache (RKO, 1948). Insert (14" X 36").
Henry Fonda is the egotistical Lt. Colonel Owen Thursday who is driven to destroy the Apache chief Cochise (Miguel Inclán) in this epic John Ford classic. John Wayne as Captain Kirby York clashes with Fonda in a futile attempt to stop the massacre. Co-star Shirley Temple falls in love with John Agar, her real-life husband at the time. Small corner bends in the top right and bottom left. There is slight fold wear and a small amount of creasing in the upper portion of the poster. Folded, Very Fine-.
Rio Bravo (Warner Brothers, 1959). British Quad (30" X 40").
Infuriated by the liberal subtext of High Noon (1952) - seen as an indictment of those who failed to stand up to the bullying tactics and blacklisting of the House Un-American Activities Committee - John Wayne, a strong supporter of blacklisting, and director Howard Hawks made this film as a response. It is seen today as one of Wayne's best. Great Britain's poster output was relatively small compared to the U.S., so quads from this period are always rather scarce, especially for such a well-known film. The poster also advertises a 1956 film A Day of Grace which was originally released three years prior to this film. The poster had small chips at both top and bottom border and light creasing near the top. The wonderful expert conservation has minimized these issues and the poster now displays beautifully. This is a great design, far superior to the U.S. campaign. Very Fine- on Linen.
Rio Bravo (Warner Brothers, R-1964). French Grande (47" X 63").
Howard Hawks directs John Wayne as Sheriff John T. Chance. Chance is charged with holding Joe Burdette (Claude Akins), brother of wealthy land owner Nathan Burdette (John Russell), on a murder charge. When Nathan plans a jailbreak, using his money and influence to isolate the town, Wayne rounds up an unlikely posse for support, including lame stumblebum Walter Brennan, drunken former deputy Dean Martin, and young gunslinger Ricky Nelson. This stunning, unrestored, re-release French grande features eye-catching artwork by Jean Mascii and is in superb condition. Near Mint.
Red River (United Artists, 1948). British Quad (30" X 40").
The first of five John Wayne films directed by Howard Hawks, the success of this gripping tale of the first cattle drive along the Chisolm Trail, is due in large part to the fine performances of Wayne and co-star Montgomery Clift. With Walter Brennan along for the ride the two men, as father and son, battle each other along the Trail and fight for the love of Joanne Dru. This striking poster has pinholes in the corners, small edge tears, and light fold wear. This is a bright poster from one of Wayne's most popular Westerns. Fine/Very Fine.
The Quiet Man (Republic, 1952). One Sheet (27" X 41").
John Wayne and Maureen O'Hara always made a striking and dramatic pair in their five films together, and their chemistry here is why this classic is still such a delight to watch. Wayne is brash ex-boxer Sean Thornton who comes back to his roots in Ireland to settle down. He falls for and marries the fiery Mary Kate Danaher O'Hara and struggles to adapt to her pride and the Irish way of life. This beautiful poster, with portraits of all the stars, had a chip in the right border, crossfold separations, a small hole in the lower left corner, and a tear in the top left corner. Professional restoration has expertly addressed these issues; the poster now appears like new. Fine+ on Linen.
Rawhide (20th Century Fox, 1938). Title Lobby Card and Lobby Card (11" X 14").
In 1938, baseball legend Lou Gehrig was known as one of the greatest hitters of all time, and "The Iron Horse" drew large crowds for his only movie appearance, in which he plays himself. Filmed just before the first signs of his debilitating illness, Gehrig is joined by Evalyn Knapp and singing cowboy star Smith Ballew. Although the scene card has three chips and pinholes, the title card is in excellent condition with only a few pinholes. The original printed envelope for the cards is also included. Very Fine.
Rawhide (20th Century Fox, 1938). Lobby Cards (3) (11" X 14").
New York Yankees star Lou Gehrig, a big fan of Westerns, appears in all three of these outstanding action cards. One card depicts the climactic fight scene at the saloon/pool hall, where the baseball great shows his strength. One card has a chip and a pinhole, while the other two are in pristine condition. These beautiful and rare cards are a must-have for Western collectors and baseball fans alike. Very Fine.
Rawhide (20th Century Fox, 1938). Lobby Cards (3) (11" X 14").
With his movie star good looks and immense popularity, Lou Gehrig made this B Western a big success. Directed by prolific serial and Western director Ray Taylor, Gehrig (playing himself) goes to his sister's ranch in Montana after his baseball career is over. He uncovers an extortion plot, and with the help of Smith Ballew, foils the crooks. Two cards have small areas of yellow tempera paint on one edge and several staple holes. The fight scene card is in excellent condition with only one pinhole. Very Fine-.
The Pride of the Yankees (RKO, R-1949). Title Lobby Card (11" X 14").
This great 1949 reissue title card features two images of the legendary Babe Ruth, something that was missing from the 1942 original title card. Gary Cooper stars as Lou Gehrig, along with Teresa Wright as his wife. There were tape stains on the bottom corners, and pinholes in the borders, all expertly repaired. There is a blue design printed on the back of the card which does not through through. Fine/Very Fine.
The Pride of the Yankees (RKO, 1942). Lobby Card (11" X 14").
Based on the life of baseball legend Lou Gehrig, Gary Cooper portrays the Iron Man in this heart-tugging drama. Offered here is the highly desirable "Babe Ruth" card, which pictures the actual Sultan of Swat along with Cooper. This exquisite card shows corner bumps, pinholes in the borders, and a small nick in the bottom border, but these slight flaws are apparent only under close inspection. If you're a baseball fan, you won't want to pass up this beauty! Very Fine+.
The Pride of the Yankees (RKO, 1942). Title Lobby Card (11" X 14").
In 1941, baseball legend Lou Gehrig passed away, the victim of amyotrophic lateral sclerosis, a disease that would come to bear his name. The very next year, RKO released this biopic, based on the life of the game's famed Iron Man. To portray Gehrig, director Sam Wood chose Gary Cooper, a highly bankable star whose recent triumphs included Meet John Doe (1941) and Sergeant York (1941). To add verisimilitude to the picture, Wood also cast several real-life baseball stars, including the ever-popular Babe Ruth. The result was a gripping film that earned an impressive 11 Oscar nominations, including Best Actor (Cooper), Best Actress (Teresa Wright), and Best Picture. Offered here is the highly desirable title card. It has pinholes in the borders, a smudge in the left border, a top right corner bend, and corner bumps, but is otherwise clean and attractive. This is an extremely collectible piece from a truly classic film, one which we're sure you'll want to bid on. Very Fine-.
Modern Age (1980-Present)
Bobby Jones' How to Play Golf (The Standard Star, 1931). Window Card (14" X 19.25").
A legendary golfer who competed on a national and international level, Bobby Jones was the Tiger Woods of his day; not only a great athlete, but a media darling as well. He was so popular that, in 1931, he made a series of short films under the title, How I Play Golf. At around the same time, The Standard Star, a newspaper based in New Rochelle, NY, began a series of articles by this great athlete, titled, "How to Play Golf," and it is this newspaper series that the window card offered here was created to promote. With beautiful art by Max P. Millians, this rare piece has edge wear with tears, a top left corner chip, tears in the corners, light smudging and staining throughout, a horizontal crease at the top of the poster, and a tear in the bottom border. Additionally, the bottom right corner has been reattached with museum tape on the reverse. These slight flaws do nothing to detract from the overwhelming appeal of this scarce and desirable beauty. It is a true treasure for anyone who loves the game of golf. Very Good/Fine.
Movie Posters
Headin' Home (Kessell & Baumann, 1920). Lobby Card (11" X 14").
Baseball icon Babe Ruth stars in his first feature film, made in the year he was sold to the New York Yankees. Ruth's immense popularity and super-stardom, for both baseball fans and the general public, guaranteed a large audience for any project he took on, and they came in droves to see this drama. Lawrence Windom directed the picture under the supervision of Raoul Walsh, and Ruth Taylor (mother of Buck Henry) co-stars. The "Bambino" would star seven years later in Babe Comes Home, another popular hit. This card has corner bends in the top left, and pinholes in the corners and border. This is a rare and important card, a real winner for all fans. Hit one over the fence and bring this Babe home. Fine/Very Fine.
The Hustler (20th Century Fox, R-1964). One Sheet (27" X 41").
Although a poster from the later release, this ultra-cool design makes this a highly sought after item. Paul Newman gives one of the best performances of his career as the arrogant "Fast" Eddie Felson, a pool shark who brings along girlfriend Sarah (Piper Laurie), as he tries to make it in the big time with Bert Gordon (George C. Scott). Jackie Gleason makes a memorable role as Minnesota Fats. The poster has a tear at the right edge of the bottom horizontal fold, and light wrinkles at the top of the vertical fold. Very Fine.
The Hustler (20th Century Fox, 1961). Half Sheet (22" X 28").
In one of the best pool shark movies ever made, Paul Newman is sensational as the self-centered and charismatic "Fast" Eddie Felson. Piper Laurie, plays Newman's alcoholic girlfriend, and Jackie Gleason and George C. Scott also give powerful performances. A great copy of this popular poster, there is only light fold and edge wear. Folded, Fine/Very Fine.
The Hustler (20th Century Fox, 1961). Lobby Card (11" X 14").
Paul Newman's portrayal of Fast Eddie Felson in Robert Rossen's The Hustler is one of his best. Jackie Gleason appears in a rare dramatic turn as Minnesota Fats, and George C. Scott plays Eddie's mentor, Bert Gordon. This is the most sought after lobby card in the set, with Gleason and Newman shooting pool, and is in pristine condition. Near Mint.
Susannah of the Mounties (20th Century Fox, 1939). One Sheet (27" X 41").
When pretty and precocious little Susannah Sheldon (Shirley Temple) is orphaned in an Indian attack on her Canadian home, a kindly Mountie (Randolph Scott) and his girlfriend (Margaret Lockwood) take her in. Susannah gets to return the favor during a subsequent raid, when her intervention with the marauding Indian chief (Maurice Moscovitch) is the only thing that can save her new daddy's life. This lovely poster had crossfold separation, pinholes in the corners, and a top left corner bend, but expert professional restoration has rendered these slight flaws virtually invisible. Very Fine on Linen.
Stowaway (20th Century Fox, 1936). Title Lobby Card and Lobby Cards (3) (11" X 14").
Eight-year-old Shirley Temple had been a film star for four years when this light- hearted romance was released. As orphan Barbara Ching-Ching Stewart, Temple works her magic on Alice Faye and Robert Young en route from Shanghai to San Francisco, singing and dancing all the way. The cards have pinholes in the corners. One card has a hole in the bottom left corner and a light stain in the top border, and one card has a paper loss. The adorable actress is featured on all of these bright cards. Fine.
Stowaway (20th Century Fox, 1936). Lobby Cards (4) (11" X 14").
Dimple cheeked Shirley Temple is the wise orphan Ching-Ching, who plays matchmaker to playboy Robert Young and Alice Faye. The couple eventually marries to provide a home for the little girl, who is entertaining throughout, performing impersonations of Eddie Cantor, Al Jolson, and Fred Astaire. There are pinholes in the corners of each card. A few cards have tears and creases. One card has a corner chip and bend, and two have paper tape on the reverse. Overall, the cards are bright and clean and feature the popular star on each. Fine.
Tire Trouble (Pathé, 1924). Title Lobby Card (11" X 14").
Hal Roach's Rascals began their long and prosperous comedy series in 1921, and paper from the earliest shorts is always highly prized. This outstanding title lobby card features three of the most memorable Our Gang members: Mary Kornman, Allen "Farina" Hoskins, and Mickey Daniels. This card has a small corner chip, a small tear in the right border, foxing in the borders, two corner bends, and two pieces of tape on the reverse. Fine+.
Tire Trouble (Pathé, 1924). Three Sheet (41" X 81").
This silent two-reeler was the twenty-second short film to feature director Hal Roach's Our Gang kids, including Joe Cobb, Mickey Daniels, Allen "Farina" Hoskins, and "Sunshine Sammy" Morrison. In this charming entry, the Gang builds their own taxi, and helps a sick old man gain a new lease on life. Paper from these early Little Rascals pictures is always popular with collectors, and we predict this colorful gem will prove no different. Aside from some crossfold separation with minor paper loss, rendered virtually invisible thanks to expert professional restoration, this poster looks brand new. Very Fine on Linen.
Mighty Like a Moose (Pathé, 1926). One Sheet (27" X 41").
This is screwball comedy at its finest! Charley Chase and Vivien Oakland play a married couple - Mr. and Mrs. Moose - with an interesting problem: he has a set of prominent buck teeth, while her nose is enough to stop traffic. Independently, they each decide to undergo plastic surgery to surprise the other. The results, however, were such a radical change in their appearances that they no longer recognize each other, leading to a series of hilarious complications. One of the great comics of the silent era, Chase also had a significant career as a director, helming several early Three Stooges features. This classic poster had a tear in the right border, fold wear, and several pinpoint stains in the image area, but these slight defects have been addressed with expert professional restoration, making it look as fresh and clean as the day it was printed. Very Fine- on Linen.
Cactus Nell (Triangle, 1917). One Sheet (27" X 41").
During her heyday Polly Moran was one of Mack Sennett's most popular comediennes, appearing in dozens of shorts for Keystone Studios. One of her more successful recurring characters was Sheriff Nell, The Pride of Triggerville. This incredible poster is from her earliest appearance as the spunky sheriff. Wallace Beery, another actor who made his start with Sennett comedy shorts, co-stars with Moran. Although Moran's career slowed after the 1920s, she later made a comeback role in the 1949 hit Adam's Rib. This poster had fold wear, crossfold separations with small chips, a tear in the right border, and edge wear with small chips. Some of these issues have been addressed with restoration, and this wonderful early stone litho portrait displays beautifully with its rich colors. Fine+ on Linen.
The Venus Model (Goldwyn, 1918). Title Lobby Card (11" X 14").
Mabel Normand struts her stuff as a low-level employee of a bathing suit company who manages to streamline the business, design a new bathing suit, and win the hand of the boss's son in the process, in this charming silent comedy. One of the great silent comediennes, Normand worked extensively with both Charlie Chaplin and Roscoe "Fatty" Arbuckle, the two top film comics of their day. This glorious, glossy finish title card has corner bumps, a light dust shadow in the right border, pinholes in the left and right border, edge wear and a small tear in the bottom border, and a light smudge in the right side, but presents very nicely, in spite of these extremely minor flaws. With its lovely image of Normand, this card is sure to capture your heart. Fine/Very Fine.
A Reckless Romeo (Paramount, 1917). One Sheet (27" X 41").
In Fatty Arbuckle's second independent two-reel short, he goes to the park and flirts with Al St. John's girlfriend. As a result, Arbuckle gets a sound thrashing. He tells a wild tale to explain his injuries when he gets home to his wife (Alice Lake). When he and Lake go to the movies a few nights later, they see that his escapade in the park has been filmed for posterity. St. John and his girlfriend are there also, and pandemonium insues - which this exquisite and very rare stone litho one sheet depicts. Prior to restoration, there was paper loss and tears in the bottom and top borders, and fold wear with tears and chipping in the titles and center area. The excellent restoration has given the poster a top-notch appearance. Very Good+ on Linen.
Fatty's Honeymoon (Paramount, 1920). Austrian Poster (37" X 49.5").
At the height of his fame, Roscoe "Fatty" Arbuckle was second only to Charlie Chaplin as the screen's most popular silent comedian. Beginning his career with Mack Sennett, as part of that director's famed Keystone Kops series, Arbuckle soon became a headliner, pulling in a remarkable $3 million per year by 1918. In spite of his size, "Fatty" was extremely agile and athletic, allowing him to perform the physical comedy that was a staple of silent film. In 1921 however, Arbuckle's career was derailed following the death of rising starlet Virginia Rappe at a party thrown in Arbuckle's hotel room. Charged with the rape and manslaughter of Rappe, Arbuckle's name was dragged through the mud in a sensational series of trials the likes of which Hollywood had never seen. Stoking the fires were the Hearst newspapers, whose talent for yellow journalism was on full display in their exaggerated stories about the events at the party. Eventually, after three excruciating trials, Arbuckle was acquitted of all charges, but his reputation was so tarnished that he never regained his former position of media prominence. On the verge of a comeback, filming two-reelers for Warner Brothers in 1933, Arbuckle suffered a fatal heart attack and died in his sleep. Little is known about the movie for which this poster was made (a picture called Fatty's Honeymoon does not appear in the actor's filmography), but there is no doubt that this is an exceptional image of one of the silver screen's biggest talents. Aside from some pinpoint crossfold separation and some very light fold wear, this poster is in pristine condition. Very Fine/Near Mint.
Camping Out (Paramount, 1919). One Sheet (27" X 41").
One of the biggest stars of the silent era, Roscoe "Fatty" Arbuckle got his start on the screen in Mack Sennett's Keystone studio in 1913, where he made hundreds of one reel comedies, many with the famed Keystone Kops. By 1914, he was directing, and in 1915, he was popular enough to appear in two-reelers. In 1917, Arbuckle left Keystone to form his own production company, giving him complete creative control over his films. Second only to Chaplin as a silent comedian during this time, Arbuckle's career was scuttled in 1921 with his arrest and trial for the manslaughter death of Virginia Rappe, a young actress who died at a party held in Arbuckle's hotel suite. The Hearst papers led an inquisition against Fatty, who, although acquitted after three trials, was virtually finished in Hollywood as a result of the scandal. Nevertheless, he remains an important figure of the silent era, and paper featuring this legendary comedian is ardently sought by his many fans. Offered here is a one sheet from a picture produced at the height of his fame. It had pieces missing from the right, left, and top borders, none of which extended into the image, as well as a tear in the center of the poster, but expert professional restoration has addressed all these issues, returning the poster to a like-new state. Don't miss this opportunity to own this rare and gorgeous stone litho poster from the early days of comedy cinema. Very Good/Fine on Linen.
Follow the Crowd (Pathé, 1918). One Sheet (27" X 41").
Harold Lloyd is menaced by an aggressive knife-thrower while Bebe Daniels tries to protect him on this rare poster for one of Lloyd's early "glasses character" shorts. Lloyd had just given up his "Lonesome Luke" series created his own unique character. Prior to restoration, this poster had fold wear, several chips and tears in the left and bottom borders, tears in the center crossfold, and small holes in the field. It has been beautifully restored and now displays magnificently. Very Good+ on Linen.
The Cameraman (MGM, 1928). One Sheet (27" X 41").
Buster Keaton is considered one of the greatest comic actors of all time. His influence on physical comedy is rivaled only by Charlie Chaplin. An acrobatically skillful and psychologically insightful actor, Keaton made dozens of short films and fourteen major silent features, attesting to one of the most talented and innovative artists of the time. After doing nine films under the auspices of Joseph Schenck and United Artists, he was offered a lucrative contract by the reigning power in film at the time, MGM Studios. At MGM Keaton was put on a much tighter leash and ultimately the creative control he once knew was greatly diminished. Despite the loss of his creative independence, Buster Keaton somehow was able to make a comic masterpiece within the studio-system constrictions of MGM with this film. This great poster was completely intact with pinholes in the corners, and some fountain pen writing on the reverse next to Keaton's left elbow and into the yellow field with minor bleed-through. Expert airbrush work was done to diminish it, with just slight touch-up painting within the yellow field and border that is very subtle. There are a couple of minor dot stains around the main title, and the linen has been trimmed to the border. The expert restoration work was resulted in a poster that displays beautifully. Fine/Very Fine on Linen.
The Cameraman (MGM, 1928). Title Lobby Card (11" X 14").
Considered by many to represent the peak of legendary comedian Buster Keaton's comedy career, this is the story of Luke Shannon (Keaton), a tintype photographer who falls for studio secretary Sally (Marceline Day). In order to impress her, the bumbling photographer becomes a newsreel cameraman, with hilarious results. It's reported that, for many years, MGM held this movie up as an example of the perfect comedy; they would often gather all their directors and producers together to watch it and learn from it. Sadly, it was also Keaton's last great film, as increasing studio interference in the coming sound era would seriously compromise his artistic vision. Offered here is a truly impressive piece, indeed: a title card from this landmark film in virtually unimprovable condition. If you're a fan of classic comedy, you'll likely never have another opportunity to acquire such a superb example of this important piece. Near Mint.
Shoulder Arms (First National, 1918). One Sheet (27" X 41").
Boot camp private Charlie Chaplin has dreams of military glory in this classic silent film, in which he captures thirteen German soldiers by "surrounding" them, wanders through Germany disguised as a tree, and cleans out a German trench with a hunk of limburger cheese. One of Chaplin's most popular films, this is the Little Tramp at his very best. This remarkable one sheet had a piece missing in the top border (which does not affect the image), fold wear, a tear in the top border that extends into the image area, and a tear in the bottom credits area. Expert professional restoration has addressed all of these issues. Fine on Linen.
A Dog's Life (First National, 1918). Title Lobby Card (11" X 14").
After leaving Mutual in 1917, Charlie Chaplin, by then a true international superstar, joined First National under a deal that gave him unprecedented production and creative control over his films. Although the studio expected Chaplin to deliver a series of short comedies, he took advantage of his new situation to expand his projects to feature length for the first time in his career. Although the First National period was brief - in 1919, he joined Douglas Fairbanks, Mary Pickford, and D. W. Griffith in founding United Artists - it was during this time that Chaplin produced some of his best films, including Shoulder Arms (1918), The Kid (1921), The Pilgrim (1923), and this unforgettable classic. This was his initial First National release, and his first three-reeler, and the care he lavished upon this production is apparent in every frame. We are pleased to offer an amazing series of lobby cards from this fan favorite, beginning with this highly desirable title card. Only some light toning at the edges keeps it from an even higher grade; you're unlikely to find a more attractive and desirable Chaplin card at any price. Very Fine/Near Mint.
A Dog's Life (First National, 1918). Lobby Card (11" X 14").
Charlie Chaplin, a genius comedian whose films are still seen and studied nearly a century after they were released, is pictured in three charming portraits on this highly desirable lobby card. In amazing condition for a piece that is nearing the century mark, this is, perhaps, the ultimate collectible for the true Chaplin fan. If you're a fan of the Little Tramp - and who isn't? - you're sure to want to add this rare treasure to your collection. Mint.
A Dog's Life (First National, 1918). Lobby Cards (2) (11" X 14").
Comedy superstar Charlie Chaplin shared the screen with his canine companion, Scraps, in this classic silent three-reeler. As the Little Tramp, he and his pooch set out to win the heart of the lovely Edna Purviance, leading to the inevitable complications and misunderstandings that marked Chaplin's best work. These cards are in exquisite condition, with the only defect of note being some rounded corners on one card. These cards are so clean, they look like they could have been printed yesterday! Near Mint/Mint.
A Dog's Life (First National, 1918). Lobby Cards (2) (11" X 14").
Made as the first picture under star Charlie Chaplin's landmark First National deal, this three-reeler stands as a great example of Chaplin's comedic genius. The two cards offered here are in exquisite condition, with only a very small tear in the top border of one card keeping them out of the truly Mint range. We defy you to find nicer Chaplin cards than these! Near Mint/Mint.
Sunnyside (First National, 1919). Six Sheet (81" X 81").
After leaving Mutual Studios in 1919, Charlie Chaplin signed a lucrative deal with First National. Mutual had paid Chaplin more than $600,000 to make twelve films and sought to renew. Instead, Chaplin signed with First National for $1.25 million to make eight pictures. Still in his twenties, he was one of the richest entertainers in the world. In exchange for producing eight two-reelers, which First National would finance and distribute, Chaplin was given virtually unlimited creative control, a situation he had long sought. The result was a series of pictures - a couple of them feature length - which stand today as some of the finest silent comedies ever brought to the screen. This picture was the third produced under Chaplin's new arrangement, in which he stars as a lovestruck farmhand pining for the lovely Edna Purviance, a frequent collaborator in Chaplin's best films. This beautiful six sheet poster is completely unrestored and in its original state of six separate sheets. There is very minor crossfold separation and the most minor border wear. This gorgeous stone litho poster is a rare and beautiful work of art to behold. Very Fine.
The Kid (First National, 1921). Title Lobby Card (11" X 14").
In these "six reels of joy," the Little Tramp finds an abandoned baby and takes him in, even though he is barely scraping by. In one of Charlie Chaplin's most touching and beloved classics, Jackie Coogan learns several inventive survival tricks from his adoptive father, and nothing can separate the ragged pair. Frequent Chaplin star, Edna Purviance, and future wife Lita Grey co-star. This card has been restored to address creases in the center, a few tears in the borders, and a bend in one corner. There are two small pieces of linen tape on the reverse, and there are still pinholes in the corners. Both stars are depicted on this outstanding title card. Fine/Very Fine.
The Gold Rush (United Artists, 1925). Window Card (14" X 22").
Charlie Chaplin's iconic character, the Little Tramp, ever optimistic, heads to Alaska to strike it rich in the gold rush. He has several run-ins with a fugitive and other prospectors, and falls in love with a pretty saloon maid played by Georgia Hale. This is one of Chaplin's best and most endearing films, and features the classic scene of the Little Tramp imagining a dinner party where he creates a dance with dinner rolls at the end of two forks. This beautiful card has been mounted on cardstock; there is a center crease, one in the lower right corner, and another in the left border. There are a few light smudges and touch-up was done in a few areas within the image. With the lovely and colorful stone litho artwork this is one of the best portraits of the Tramp. Fine on Cardstock.
The Great Dictator (United Artists, 1940). Half Sheet (22" X 28").
At a time when most of America was not eager to join the fight in Europe, movie genius Charlie Chaplin took full aim at the maniacal German leader Adolf Hitler, and created one of his most powerful and important films. Chaplin as Adenoid Hynkel, spoofs the dictator. In a second role, he ridicules the Nazis for their racism, by portraying a likeable Jewish barber who falls in love with Hannah, played by Chaplin's wife Paulette Goddard. Comedian Jack Oakie does a fine job mocking Mussolini as Benzino Napaloni, dictator of Bacteria. Chaplin's first talkie was both courageous and a monumental success. The poster had slight fold wear, several tears in the borders, a corner bend, a small corner chip, and minor chips along the bottom edge. This important piece has been expertly restored, and it displays in near perfection. Fine+ on Paper.
The Great Dictator (Constantin Films, 1947). First Post-War Release Danish Poster (24" X 33").
This sensational poster is from the original release of the film in Denmark, which wasn't until 1947. A delightful and unique design, it features the "Little Tramp" contemplating his Doppelganger, Adenoid Hynkel, Dictator of Tomania. Chaplin had one of his most commercially successful hits with this masterpiece, his first talkie. The original censor stamp with the date is in the top left corner, and there were pinholes in the corners. It has been professionally mounted on linen, and displays very well. Very Fine+ on Linen.
The Great Dictator (United Artists, 1940). One Sheet (27" X 41").
Charlie Chaplin plays two roles: Adenoid Hynkel, the dictator of Tomania, and a Jewish barber who so greatly resembles Hynkel that he is mistakenly given the opportunity to give a radio address posing as the leader. This film, obviously a satire on Hitler, was banned in the Nazi-controlled countries, but Hitler did get a copy and screened it twice. As Hannah, this is Paulette Goddard's second and final starring role in one of her husband's films. This one sheet has a crossfold separation with a small loss, minor edge wear, and a fold separation in the top right. This is a wonderful image from one of the most important films made during WWII. Fine+.
Session 5
Forbidden Planet (MGM, 1956). Lobby Card (11" X 14").
Robby the Robot stars in this full-color spectacle from MGM. Setting this film apart from so many of the other science fiction pictures of the 1950s were the superior script, the high-quality production, and the flawless special effects! The card has pinholes in the top corners, staple holes in the corners of the image, pinpoint spots in the top border, corner bumps, and a small surface abrasion in the image. One of the most desirable sci-fi lobby cards from any film, this beauty features Robby and Anne Francis. Fine/Very Fine. *****
The Crawling Eye (DCA, 1958). One Sheet (27" X 41").
This classic sci-fi film began as a six-part series on British TV entitled The Trollenberg Terror. Packaged as a 90-minute feature by Jimmy Sangster, it was released in the U.S. as The Crawling Eye. The film stars Forrest Tucker as Alan Brooks, a troubleshooter for the United Nations who travels to a remote Alpine village to investigate a series of grisly deaths. He finds a race of gigantic, tentacled eye monsters who are preparing an assault on an unsuspecting mankind. The eye-catching poster offered here shows fold separation, some staining in the center, offset ghosting in the bottom white portion of the poster, and a bend in the top right corner, but is extremely attractive, possessing a high degree of eye-appeal. If you've got your eye on science fiction posters, make sure you eyeball this beauty! Fine. *****
The Beast of Hollow Mountain (United Artists, 1956). One Sheet (27" X 41").
Special effects artist Willis O'Brien wrote this science fiction tale of cowboys versus a dinosaur, which stars Guy Madison, Patricia Medina, and Carlos Rivas. The poster has edge wear, wrinkles, light stains in the borders, a bend in the lower right corner, and a small tear in the top border. This classic sheet features a fantastic image of the beast. Fine/Very Fine. *****
Beast from Haunted Cave (Film Group, 1959). Half Sheet (22" X 28").
Michael Forest, Sheila Carol, Frank Wolff, and Richard Sinatra star in this campy horror flick from producer Gene Corman. What starts out as a typical heist for four thieves, turns into a battle to the death with a furry monster that has been tracking them through the snow covered mountains of Canada. This sensational poster has only a minor dust shadow on the left edge and light fold wear. Folded, Very Fine. *****
Fiend Without a Face (MGM, 1958). One Sheet (27" X 41").
The experiments of psychic researcher Professor Walgate (Kynaston Reeves) have unexpected consequences, when he unintentionally creates a horde of invisible brain monsters who are sucking the spinal fluid out of hapless workers at a nuclear plant. Fortunately, a massive radiation surge makes the creatures visible, leading to an energetic - and excessively gory - battle between the beleaguered humans and the bizarre, tentacled brain beasts, with the ultimate survival of mankind on the line. The highly desirable one sheet offered here is about as nice as they come, appearing unused and virtually untouched since it was printed. You're not likely to find a nicer copy of this sheet. Mint. *****
I Married a Monster from Outer Space (Paramount, 1958). Three Sheet (41" X 81").
Pretty Marge Bradley Farrell (Gloria Talbott) knows there's something wrong with her new husband Bill (Tom Tryon), but she little suspects the truth... that he's been replaced by a horrific monster from the Andromeda Nebula, intent on mating with our earth women! A classic 1950s drive-in favorite, the film is represented here with a ghoulish image of Talbott and her "groom." This three sheet has been professionally mounted on linen to correct the minor issues of edge wear and crossfold separations, and now displays spectacularly. Very Fine on Linen. *****
Day the World Ended (American Releasing Corp., 1956). One Sheet (27" X 41").
The first science fiction film from director Roger Corman, this is a post-apocalyptic tale of life after nuclear devastation, as a group of survivors - including Mike "Touch" Connors and Lori Nelson - try to eke out a living while contending with horrific mutated monsters. The poster is a 1950s sci-fi masterpiece. This particular copy has a small piece out of the right border, small tears at the bottom left and bottom right, as well as in the top border, some light water staining in the bottom left, small bends in the top corners, and a light smudge in the bottom left, but none of these minor flaws detract overmuch from the incredible appeal of this eye-catching beauty. Bid now to add this gem to your collection! Fine+. *****
Attack of the Puppet People (American International, 1958). One Sheet (27" X 41").
John Hoyt is Mr. Franz, a lonely doll maker who shrinks his favorite people in order to keep them around. His secretary (June Kenney) and another employee (John Agar) are his latest victims, but they hatch a plan with the others to escape Franz's clutches. A superbly clean copy, this poster has slight ghosting in the white areas, and a minor stain at the top and bottom edge. With the dramatic artwork by Reynold Brown, this is always a sci-fi fan favorite. Very Fine+. *****
The Monster that Challenged the World (United Artists, 1957). One Sheet (27" X 41").
Tim Holt, Audrey Dalton, and Hans Conreid must save the world from an attack by massive mutated mollusk monsters, released after an earthquake in California's Salton Sea. A popular title with collectors, the poster is a real gem. This particular copy has a tear in the top vertical fold, fold wear, and some crossfold separation, but otherwise appears to have been unused. Any sci-fi fan will certainly covet this beauty! Very Fine-. *****
The Monster that Challenged the World (United Artists, 1957). Half Sheet (22" X 28").
Western star Tim Holt stars as Lt. Commander John "Twill" Twillinger who is investigating the mysterious deaths of three Naval divers. What he and the other officers find is a sack full of killer mollusk eggs that they take back to their base. Once hatched, the mollusks terrorize the citizens of California. This piece has edge and fold wear, and minor spots in the top right border, but it features a great image of the "terrifying" creature. Folded, Very Fine. *****
The Brain from Planet Arous (Howco, 1957). One Sheet (27" X 41").
A giant evil floating brain takes over the body of an important nuclear scientist (John Agar), with the intention of taking over the planet. Only the eventual arrival of a good brain, hiding in the body of the scientist's dog, offers any hope of rescue to a terrified mankind. One of the classic 1950s "brain" films, this is a true drive-in classic. The poster offered here shows some crossfold separation, a tear, and a light dust shadow in the left border, but presents very nicely. No collection is complete without this rare treasure! Very Fine-. *****
The Killer Shrews (McLendon Radio Pictures, 1959). One Sheet (27" X 41").
When an unexpected storm strands Captain Thorne Sherman (James Best) and his sidekick "Rook" Griswold (Judge Henry Dupree) on a remote island inhabited only by an eccentric scientist (Gordon McLendon) and his family, they are forced to battle for their very lives against a horde of rampaging rodents, grown to giant size thanks to the professor's experiments. The title monsters were portrayed either by hand puppets (in the close-ups) or by dogs wearing shrew masks, their true identities betrayed by their wagging tails. Nevertheless, this is an enormously entertaining film, blessed by one of the simplest, yet most striking, posters of the era. This highly collectible beauty shows some light edge wear, and a bottom left corner bend, but is otherwise in superb condition, just waiting to be awarded a place of honor in your collection. Very Fine. *****
The Angry Red Planet (American International, 1960). Half Sheet (22" X 28").
A manned Mars probe, thought to be missing, suddenly returns to Earth with only three survivors. Under hypnosis, one of the crew members recalls the harrowing events that took place on the red planet, and the dire message sent by the Martians: stay away or face destruction. The bat-rat-spider monster, pictured on this dramatic half sheet, is one of the better 1950s sci-fi terrors. This spectacular piece is virtually pristine, only the very lightest handling wear keeps it from an even higher grade. Rolled, Near Mint. *****
First Spaceship on Venus (Crown International, 1962). One Sheet (27" X 41").
A massive East German/Polish co-production, this is the story of the first manned flight to Venus, following the discovery of a mysterious magnetic spool found to have come from that planet. As the spaceship nears "the Silent Planet," the recordings on the spool are deciphered, revealing a plot by the Venusians to invade the Earth. This attractive poster could not be in better condition, looking every bit as clean and fresh as the day it was printed. If only the best is good enough for you, bid on this one today! Mint. *****
2001: A Space Odyssey (MGM, 1968). Advance Lobby Display (12.5" X 19").
This advance display for Stanley Kubrick's groundbreaking sci-fi masterpiece is rarely seen at auction. The beautiful shot of a huge galaxy is the perfect image to herald the showing of this outer space epic in Cinerama. Only some very tiny edge tears along the right side keep this rare gem from an even higher grade. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Rolled, Very Fine. *****
2001: A Space Odyssey (MGM, 1968). Mini Window Card (8" X 14").
Stanley Kubrick's screen adaptation of Arthur C. Clarke's 1948 story, "The Sentinel," revitalized the moribund science fiction genre, with its high-tech look, its compelling and thought-provoking storyline, and its dazzling special effects (for which it won a well-deserved Oscar). Offered here is an extremely rare Midget Window Card from this landmark film, which utilizes the art from the Style B one sheet and the highly desirable lenticular 3-D display. In the rare Cinerama style, used only for the opening at Cinerama theaters, this incredible card is in virtually unimprovable condition; only a very small bottom left corner bend keeps it from a higher grade. This will be an important addition to any collection. Near Mint/Mint. *****
Destroy All Planets (Daiei, 1968). Japanese B2 (20" X 29").
Fortunately for Tokyo, Gamera has turned from his anti-human ways to become the defender of Earth. In this installment of the popular franchise, alien squids threaten the planet and it's up to everyone's favorite giant turtle to stop them before it's too late. This country-of-origin poster has a v-shaped tear in the field as well as edge wear with a few chips and tears at the borders. Folded, Fine-. *****
X - The Man With the X-Ray Eyes (American International, 1963). One Sheet (27" X 41").
Ray Milland is Dr. James Xavier, a scientist who goes too far with his experiments, despite the misgivings of his colleagues Dr. Diane Fairfax (Diana Van Der Vlis) and Dr. Sam Brant (Harold J. Stone). Xavier ends up with super human sight, enabling him to see inside the human body, but things spiral downward when he accidentally kills Dr. Brant. This sheet has stains in two borders. A gripping sci-fi, this is one fantastic poster with artwork by Reynold Brown. Fine/Very Fine. *****
A Clockwork Orange (Warner Brothers, 1971). Lobby Card Set of 8 (11" X 14").
Anthony Burgess's classic novel, a hard-hitting story about an ultra-violent teen who is "cured" of his anti-social tendencies through classical conditioning techniques, was brought to the screen by director Stanley Kubrick. Starring Malcolm McDowell as Alex, the film was an instant classic at the time of its release, and remains a powerful cinematic experience today. Offered here is a superb set of lobby cards in pristine condition. If you're a fan of this great movie, you'll want to add these incredible cards to your collection. Mint. *****
Go Ape! (20th Century Fox, 1974). Poster (30" X 40").
This poster was designed to promote the 1974 reissue of all of the Planet of the Apes films. Advertised on the poster are: Planet of the Apes (1968), Beneath the Planet of the Apes (1970), Escape from the Planet of the Apes (1971), Conquest of the Planet of the Apes (1972), and Battle for the Planet of the Apes (1973). This particular copy has never been folded; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps us from giving this beauty an even higher grade. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine+ on Linen. *****
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Style A.
One of the most significant films of the latter half of the twentieth century, Star Wars was not just a movie, it was a true phenomenon. Raising the bar for all fantasy and science fiction films to follow, its themes and characters entered our cultural language in a way that few, if any, films have done before or since. Consequently, virtually everything related to the original release of this landmark picture is highly collectible, especially the posters that promoted the film to a generation of fans. Offered here is the iconic Style A poster, with art by Tom Jung. It is in superb condition; only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps this beauty out of the Near Mint/Mint range. Very Fine+ on Linen. *****
Kismet (MGM, 1944). Autographed Lobby Card (11" X 14").
The legendary Marlene Dietrich struts her stuff in this gorgeous lobby card which is signed "Marlene Dietrich." In this infamous scene - which was routinely cut from television broadcasts, as it was considered too racy - Dietrich's legs are actually painted gold, a process that required four coats, according to an article in Life Magazine, and her hair was sprinkled with gold dust. The effect, as you can see, is stunning. Aside from some dust shadowing in the borders, this card is in superb condition. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Very Fine+. *****
It Happened Tomorrow (United Artists, 1944). One Sheet (27" X 41").
Newspaper reporter Larry Stevens (Dick Powell) gets more than he bargains for when he starts receiving newspapers a day in advance. At first ecstatic that he can get the jump on important news stories, his goldmine takes a dark turn when one headline informs him of his own death! A charming fantasy film that co-stars Linda Darnell as Larry's girlfriend, the movie is represented here by a gorgeous one sheet. It shows some crossfold separation, pinholes in the corners, and a tear in the top right, but is otherwise in great condition. Fine-. *****
Terror Aboard (Paramount, 1933). Window Card (14" X 22").
When a luxury liner is found with everyone aboard brutally murdered, an investigation soon leads to a cunning psychopath with a talent for grisly death, in this chilling mystery. The dramatic window card offered here shows some foxing in the borders, corner bends in the lower right and top left, and a light horizontal crease, but these slight defects do nothing to detract from the overwhelming eye appeal of this vibrant beauty. This is a real treasure from Hollywood's Golden Age. Fine/Very Fine. *****
Pulps
Doomed to Die (Monogram, 1940). One Sheet (27" X 41").
Boris Karloff starred in the first five of the six Mr. Wong Monogram series, this being his last. Marjorie Reynolds and Grant Withers were also veterans of the series and had worked with Karloff in two previous films, Mr. Wong in Chinatown and The Fatal Hour. Central to the plot is the burning of the fictional Wentworth Castle flagship, which was in fact actual footage from the infamous 1934 Morro Castle fire, a tragedy that took the lives of 137 ship passengers. The poster had tears and paper loss in the title area, a small chip in the right border, and fold wear. These issues are not apparent in the wonderful stone litho artwork due to expertly rendered restoration. Fine on Linen. *****
Movie Posters
The Devil Commands (Columbia, 1941). Insert (14" X 36").
In this gripping chiller, Boris Karloff plays mad doctor Julian Blair, whose experiments in telepathic communication with the dead end in tragedy. Offered here is a wonderful insert for this classic film. Prior to expert professional restoration, it had tears in the borders, fold wear, a bottom left corner chip, a tear in the bottom right corner, edge chipping in the top border, and some paper loss in the top right, but these issues have all been addressed, returning the poster to a like-new appearance. With its fabulous image of Karloff, this is a poster that every horror fan will want. Folded, Very Good/Fine on Paper. *****
The Picture of Dorian Gray (MGM, 1945). Half Sheet (22" X 28") Style A.
Hurd Hatfield plays Dorian Gray, an enigmatic man with a very special portrait in his attic, in this adaptation of the classic novel by Oscar Wilde. With a cast that includes George Sanders, Donna Reed, Angela Lansbury, and Peter Lawford, the movie is a true masterpiece, and received several Oscar nominations, winning the coveted statuette for Best Cinematography, Black and White (although the sequences with the portrait are shot in Technicolor). This gorgeous half sheet shows a small tear in the left border, light edge wear, and light creasing in the bottom left and right corners. In spite of these slight flaws, this highly desirable and collectible piece presents very nicely. Folded, Very Fine-. *****
Bedlam (RKO, 1946). Half Sheet (22" X 28") Style B.
In this atmospheric Val Lewton-produced chiller, Boris Karloff stars as George Sims, master of the lunatic asylum St. Mary's of Bethlehem, popularly known as Bedlam. Lewton's inspiration for this thrilling film was an engraving in William Hogarth's series, "A Rake's Progress," showing a formerly wealthy man confined to the madhouse. This dramatic half sheet, with a wonderful image of Karloff, has edge wear, pinholes in the corners, fold wear, a top right corner bend, and light staining in the top border, but is very attractive and presentable. Representing one of Karloff's finest performances, this is a treasure any horror fan will own and display proudly. Folded, Fine/Very Fine. *****
How to Make a Monster (American International, 1958). Insert (14" X 36").
The make-up artist (Robert H. Harris) at American International is out for revenge in this horror riot. When studio executives take away his job making monsters (in order to focus on producing musicals), Harris hypnotizes actors Gary Clarke and Gary Conway into believing that they are the Teenage Frankenstein and Teenage Werewolf. This outrageously wonderful poster has a tear in the top border, corner bumps, light edge wear on the left, creases in the top right border, and light smudges at the bottom. Rolled, Fine/Very Fine. *****
The Undead (American International, 1957). One Sheet (27" X 41").
The publication of The Search for Bridey Murphy - about a Colorado woman who claimed to remember a past life as an Irish washerwoman while in a state of hypnotic regression - inspired a number of films based on themes of reincarnation. Director Roger Corman jumped on the bandwagon with this exciting thriller, in which researcher Pendragon (Richard Garland) regresses streetwalker Diana Love (Pamela Duncan), with horrific results. Although the movie has proven somewhat forgettable, the poster is truly outstanding, with some of the greatest horror imagery of the 1950s. This particular copy shows some crossfold separation and a tear in the bottom border, but is otherwise clean and attractive, ready to display in your crypt, laboratory, or mausoleum. Bid on this beauty today! Very Fine-. *****
The Undead (American International, 1957). Insert (14" X 36").
One of Roger Corman's dark cult flicks, this is most memorable for Allison (Attack of the Fifty Foot Woman) Hayes's appearance as a sultry witch in a tight dress. It's hard to improve on the spooky sight of a skeletal figure menacing a gorgeous girl trapped in the frame of a coffin! The poster has a tear with a chip on the right side, one tear at the bottom edge, a few light creases, and a bend in the lower right corner. This is one ghoulish gem of a poster! Rolled, Fine/Very Fine. *****
I was a Teenage Werewolf (American International, 1957). Insert (14" X 36").
Michael Landon stars as an angst-ridden teenager experimented on by a mad scientist (Whit Bissell) in this horror romp, which sparked another drive-in favorite (I Was a Teenage Frankenstein) the same year. Yvonne Lime, veteran of multiple teenage dramas, co-stars. This dramatic insert has pinholes in the corners, creases in the left border, and light stains in the borders. The classic artwork is by Reynold Brown. Rolled, Very Fine-. *****
The Giant Leeches (American International, 1959). Insert (14" X 36").
A favorite of the cult horror genre, this creepy flick finds the inhabitants of a backwoods swamp getting attacked by tremendous leeches. Gene Corman (brother of Roger) produces, and Bernard Kowalski, who went on to a prolific television career, directs Ken Clark and Yvette Vickers as they fight off the slimy green giants. This impressive insert has pinpoint stains, faint marks in the credits, a bend in the top left corner, and light edge wear. Folded, Very Fine. *****
Monster on the Campus (Universal International, 1958). Half Sheet (22" X 28").
When college professor Donald Blake comes in contact with the irradiated blood of a prehistoric coelacanth, he transforms into a primitive beast and embarks on a murderous rampage around the campus. The striking half sheet offered here boasts spectacular artwork by the renowned Reynold Brown. It shows edge wear, spotting in the top border, and minor bends in the bottom and top left corners, but presents very nicely. Monster posters from the 1950s don't get much better than this. Rolled, Very Fine. *****
Monster on the Campus (Universal International, 1958). Poster (30" X 40").
This was Jack Arnold's last horror film for Universal, and the director pulled out all the tricks of his trade for this foray into the teenage drive-in monster genre. Joanna Moore and Arthur Franz star, and Troy Donahue makes an early screen appearance, in this campy campus creature feature. This poster has edge wear with small tears, a dust shadow on the right side, a corner chip, and wrinkling and creasing throughout with a small amount of cracking. The NSS stamp is in the bottom border. The classic Reynold Brown artwork is in near perfect condition. Rolled, Fine. *****
The Tingler (Columbia, 1959). Three Sheet (41" X 81").
William Castle, a famous producer/director of low budget horror films, used gimmicks with his promotions to attract audiences to the theater throughout the late '50s and '60s. In this feature, Vincent Price stars as a doctor who discovers a creature that lives in the vertebrae of humans and feeds on fear. Only the impassioned scream of the victim can render the creature inert. When the doctor and his assistant David Morris (Darryl Hickman) chase the beast into a crowded movie theater, the audience is encouraged to scream their lungs out! The grand three sheet depicts your seat at the theater, wired with "Percepto." Hidden buzzers programmed to vibrate your seat at a climactic moment in order to terrify you even more. This poster has slight fold wear and some minor foxing within the borders and surrounding image. This poster is a wonderful example of the long ago age of "3-D," "Vista-Vision," and gimmicks made to lure an audience away from their television screen. Fine+. *****
The Brain that Wouldn't Die (American International, 1962). Insert (14" X 36").
In this disturbing but watchable 1960s horror flick, Herb Evers plays Dr. Bill Cortner, a scientist who performs human transplant experiments, which comes in handy when he causes an auto accident that decapitates his fiancee (Virginia Leith). As he searches for the perfect body to re-attach Jan to, Cortner keeps her head alive, against her wishes. This fabulous poster has one light smudge in the right border. Rolled, Near Mint+. *****
Creature from the Black Lagoon (Universal International, R-1960s). French Grande (47" X 63").
In the untraveled backwaters of the Amazon dwells a strange half-human, half-amphibian creature previously unknown to modern man. When a scientific expedition sets out to find this fantastic Creature from the Black Lagoon, they get far more than they bargained for in this classic Universal horror film. The studio had been out of the horror market since 1948, but re-entered the genre in a big way with this landmark picture. Offered here is a marvelous grande, boasting outstanding Belinsky art, for a French re-release of this fan favorite film. It had fold wear with crossfold separation, as well as some light spotting in the image area, but these slight flaws have faded to insignificance after expert professional restoration. Very Fine on Linen. *****
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (Fairway International, 1967). One Sheet (27" X 41").
This mod monster musical, from the mind of filmmaker Ray Dennis Steckler, certainly wins the award for Greatest Title of All Time. Filmed in "Bloody-Vision" and "Hallucinogenic Hypnovision," the movie is about an evil gypsy fortune teller (Brett O'Hara) who kidnaps young men and women, scars them with acid, and keeps them in a cage. Ultimately her victims break loose, killing her and going on a rampage. A popular title, this one sheet is always in demand. The copy offered here shows some small stains in the top and bottom right, as well as some clear tape on the reverse, but is otherwise clean and unmarked. You'll be proud to own this one! Very Fine. *****
House of Usher (American International, 1960). One Sheet (27" X 41").
This was the first of director Roger Corman's adaptations of Edgar Allan Poe's works, and was the biggest budget film Corman had worked on to date. The film was so successful that it launched a franchise, and solidified star Vincent Price's position as the reigning King of Horror. This striking one sheet is in superb condition, with only a small tear in the bottom border keeping it from an even higher grade. Very Fine/Near Mint. *****
The Pit and the Pendulum (American International, 1961). Half Sheet (22" X 28").
Vincent Price stars as the malevolent Nicholas Medina, son of a notorious Spanish Inquisition torturer, in this atmospheric adaptation of Edgar Allan Poe's chilling story, directed by the great Roger Corman. This stunning half sheet features chilling artwork by Reynold Brown, one of the leading poster artists of the period, and is considered to be the best format for this film! Only some light edgewear keeps this beauty from an even higher grade. Folded, Near Mint. *****
The Raven (American International, 1963). One Sheet (27" X 41").
Billed as a "Macabre Masterpiece of Terror," this great Roger Corman film brings together some of the screen's greatest horror stars, including Boris Karloff, Peter Lorre, and Vincent Price. Also in the cast, in one of his earliest film roles, is a young Jack Nicholson, along with the stunning Hazel Court. Reportedly, Lorre and Nicholson enjoyed ad-libbing their lines in this film, much to the annoyance of Karloff. Offered here is an exceptionally clean and unused copy of this attractive poster, featuring glorious Reynold Brown art. Looking every bit as good as the day it was printed, you're not likely to find a nicer copy at any price. Mint. *****
Big Monster War (Daiei, 1968). Japanese B2 (20" X 29").
It's East vs. West when European vampire Daimon (Chikara Hashimoto) comes to Japan, beginning his reign of terror by killing revered samurai Lord Hyogo Isobe (Takashi Kanda). Daimon goes too far, however, when he goes after the village's children, arousing the wrath of a number of local spirits, known as Yokai, including Long-Necked Woman, Two-Headed Woman, Umbrella, and more, all derived from traditional Japanese folklore. Many of the imaginative monsters are depicted on this fantastic country-of-origin poster, which has a light center bend. Rolled, Near Mint. *****
The Exorcist (Warner Brothers, 1974). Special Poster (18.5" X 24.5").
This landmark film, based on the bestselling book by William Peter Blatty, spawned a legion of imitators following its enormous, and unexpected, success. Although one sheets for this film are relatively common, the striking promo poster offered here is very seldom seen. This film was one of the most heavily publicized films of the early 70s and this special poster was sent to theaters by Warner Brothers to be used in conjunction with the more common sizes available. This particular copy is in exquisite condition; only some light handling wear keeps it from an even higher grade. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON".
Rolled, Near Mint. *****
The Broadway Hoofer (Columbia, 1929). Half Sheet (22" X 28").
Star Marie Saxon, pictured here in scandalous attire, was a real-life Broadway hoofer when this picture was made. Her Hollywood career was short, including only this film and Under Suspicion (1930), after which she packed up her dancing shoes for good, apparently leaving show business altogether. This gorgeous half sheet has very light edge wear, a small stain and a small tear in the top left, minor surface scuffing, a tiny chip in the top right, and minor corner bumps. Aside from these very minor flaws, this is a very attractive art deco-style poster showing Ms. Saxon in her costume for "Hawaiian Love Song," well worthy of a prominent place in your collection. Rolled, Very Fine. *****
Colleen (Warner Brothers, 1936). Title Lobby Card (11" X 14").
Ruby Keeler and Dick Powell made seven hit musicals together; this colorful title card is from their last picture. Powell is Donald Ames, who is sent to keep tabs on his philandering uncle Cedric (Hugh Herbert), a millionaire with a penchant for creating scandals. When he buys a dress shop for bubbly Minnie (Joan Blondell) and her bookkeeper Colleen (Keeler), romantic complications ensue. The musical numbers are once again written by the brilliant team of Harry Warren and Al Dubin. The card has two staple holes in the top corners, and one in the center of the bottom border. A bright and clean card featuring the all-star cast. Very Fine+. *****
Little Miss Broadway (20th Century Fox, 1938). Mini Window Card (8" X 14").
Shirley Temple is the darling of a boarding house filled with show people, including Jimmy Durante, Edward Ellis, El Brendel, and George and Olive Brasno. George Murphy and Phyllis Brooks provide the romance in this fun musical comedy. This stunning midget card features Temple in the center of all the stars. Near Mint. *****
Reveille with Beverly (Columbia, 1943). One Sheet (27" X 41").
Dancing star Ann Miller plays Beverly Ross, a phone operator at a classical radio station who takes over an early morning time slot and shockingly plays swing music from the likes of Bob Crosby, Duke Ellington, Count Basie, and Frank Sinatra, who make appearances in the film. In fact this is Frank Sinatra's first screen appearance, not counting a small appearance in a short subject eight years previously! The poster has an edge tear on the left, minor crossfold separations, pinholes, a few of which are enlarged, and a tear in the image. This spectacular WWII-era sheet is a beauty and a rare one to find due to the legions of fans for "Ol' Blue Eyes." Very Fine-. *****
Going My Way (Paramount, 1944). Lobby Card Set of 8 (11" X 14").
As one of the greatest and most influential singers of all time, Bing Crosby had mass audience appeal for the eighty films he starred in. This smash hit won seven Academy Awards, including Best Actor for Crosby and Best Song for "Swinging on a Star" by James Van Heusen and Johnny Burke. Barry Fitzgerald, Jean Heather, and Frank McHugh co-star. The huge popularity of this film led to a sequel two years later, The Bells of St. Mary's, again with Crosby as a priest. This set is in excellent shape -- two cards have smudges, and one has edge wear. A rare set, these cards are always in high demand, and feature many fabulous scenes. Very Fine/Near Mint. *****
A Star is Born (Warner Brothers, 1954). One Sheet (27" X 41").
George Cukor directs acting legends Judy Garland and James Mason in this musical remake of the classic 1937 Janet Gaynor film. Very few remakes match the success of their original film, but this is definitely one that does that brilliantly, with a powerful performance by Garland which led to a nomination for a Best Actress Academy Award. This top film is filled with a great musical score by Harold Arlen and Ira Gershwin. With beautiful images of Garland, this professionally restored poster had only fold wear, and is in excellent shape. Very Fine+ on Linen. *****
High Society (MGM, 1956). Window Card (14" X 22").
This star-studded remake of the hit The Philadelphia Story features Bing Crosby, Grace Kelly, Frank Sinatra, and Celeste Holm, with some great Cole Porter musical interludes and Louis Armstrong numbers. Filmed in Technicolor and VistaVision, this would be Grace Kelly's last big screen performance. The card is in excellent condition with one fold, a small spot in the top imprint area, and a smudge on the right side. Folded, Very Fine+. *****
Funny Face (Paramount, 1957). Insert (14" X 36").
As a child, Audrey Hepburn dreamed of becoming a ballet dancer and had taken lessons in her native Netherlands, and later England. When she realized she would not make it as a prima ballerina, she turned to acting, and the rest is history. Hepburn gets to showcase her dancing abilities to great effect in this fun romantic comedy, with her dream partner Fred Astaire. There are creases in the left side, and a dust shadow in the bottom border. This sensational insert features five images of the talented actress. Folded, Very Fine. *****
Can-Can (20th Century Fox, 1960). British Quad (30" X 40").
This has to be the prettiest poster we have ever seen produced for the film starring Frank Sinatra, Shirley MacLaine, and Maurice Chevalier. This quad is folded with a snipe included which was to be used to cover the tag at the top of the poster advertising the TODD-AO showings. With just a minor tear at the bottom edge, and light wrinkles on the left edge, this quad displays extremely well in all its glorious color. Folded, Very Fine. *****
West Side Story (United Artists, 1961). One Sheet (27" X 41").
Robert Wise and Jerome Robbins directed this masterful adaptation of the Broadway musical, an updated version of Shakespeare's Romeo and Juliet. The film won ten Oscars, including Best Picture, Best Director, Best Supporting Actor and Actress (George Chakiris, Rita Moreno), and a special Oscar for Jerome Robbins's choreography. A striking design highlights this bright one sheet, which is in pristine condition. Very Fine+ on Linen. *****
It Happened at the World's Fair (MGM, 1963). Japanese B2 (20" X 29").
Norman Taurog directed nine Elvis Presley films, including this spectacle set in Seattle. Presley is pilot Mike Edwards, who heads to the World's Fair with partner Danny (Gary Lockwood). Between hits like "How Would You Like to Be," "I'm Falling in Love Tonight," and "Take Me to the Fair" Elvis finds time to help a lost little girl (Sue-Lin) and sweep Joan O'Brien off her feet. A great portrait of the King. Folded, Very Fine+. *****
Viva Las Vegas (MGM, 1964). Half Sheet (22" X 28").
Elvis Presley and Ann-Margret dance and sing their way through this non-stop musical hit, directed by George Sidney. Some of the best songs in any Presley film include "The Yellow Rose of Texas," "What'd I Say," "Viva Las Vegas," "Appreciation," and more... This fabulous half sheet has only fold wear that barely mars its appearance. Folded, Very Fine. *****
Roustabout (Paramount, 1964). Half Sheet (22" X 28").
Charlie Rogers (Elvis Presley) joins Maggie Morgan's (Barbara Stanwyck) struggling carnival when his bike is damaged in an accident, and soon becomes the star of the show as a hit singer. Aside from a great performance by Presley, who did all his own stunts, the film is also notable for early appearances by Raquel Welch and Terri Garr. This great sheet has only light stains in the borders and a minor, faint dust shadow in the bottom border. Folded, Very Fine. *****
Rock, Rock, Rock (DCA, 1956). Insert (14" X 36").
Although there is a plot to this film - a young girl (Tuesday Weld, in her film debut at age 13) desperately tries to earn enough money to buy a new dress for the prom - the main draw of this picture was, and is, the outstanding musical numbers from such fabulous groups as Frankie Lymon and the Teenagers, Chuck Berry, La Vern Baker, Connie Francis, The Moonglows, the Johnny Burnette Trio, and more, all served up by Alan Freed, the self-styled King of Rock 'n' Roll. This great insert has light edge wear, a smudge in the right border, and light fold wear, but is otherwise extremely clean and attractive. You know you want this one! Folded, Very Fine. *****
Help! (United Artists, 1965). Japanese B2 (20" X 29").
John Lennon, Paul McCartney, George Harrison, and Ringo Starr as The Beatles are back after the success of their first feature film, 1964's A Hard Day's Night. The musical highlights here include "Ticket to Ride," "You're Going to Lose That Girl," "You've Got to Hide Your Love Away," and the title song. This poster has light water stains at two edges and a small one in the image. Rolled, Very Fine. *****
Yellow Submarine (United Artists, 1968). German A1 (23" X 33").
This animation landmark, using every old-school style available, including roto-scoping, was the only Non-Disney feature animation film to make money in the 1960s. Heinz Edelmann used surrealism, art nouveau, and a pinch of modernism in creating a freewheeling pastiche that is only rivaled by the best of Max Fleischer in the early 1930s. This German poster features incredible psychedelic imagery of the Beatles. It has minor fold wear and light edge wear in the bottom border and pinholes in the corners. Very Fine-. *****
Woodstock (Warner Brothers, 1970). German A2 (16.5" X 23").
The legendary music festival became an Oscar-winning documentary, must-see crib notes for the millions of people who claimed they were among the thousands who attended. The festival was the last hurrah of the hippie movement, as just a few months later the good vibes would end in a fit of violence at the Rolling Stones' show at Altamont, also chronicled on film. Woodstock, while a social and musical success, proved to be a financial disaster, with the only money made on this festival derived from the film and soundtrack -- in which the festival's sponsors did not invest because they couldn't see either making any money. This German poster perfectly promotes the film with only one word, in English, Woodstock. The wonderful art by famed poster illustrator Richard Amsel conveys the rest: the portraits of the performers, the sprouting flowers, the hippie couple who seemingly walked onto a Klimt canvas. Wrap your arms around this poster, give it a big kumbaya, then take it home with you. Folded, Very Fine. *****
Mr. Jack, Doctor by Proxy (Vitagraph, 1916). One Sheet (28" X 42").
Vitagraph comedic star Frank Daniels was dubbed "The Man with a Million Laughs" for his many beloved characters, including: "Captain Jiggs," "Kernel Nutt," and "Mr. Jack," which were showcased in dozens of early silent shorts. The Mr. Jack character was known for his outrageous and hilarious behavior, and this stunning poster is from one of more than ten films he appeared in during 1916. C. J. Williams directs Daniels, Rose Tapley, and his wife, Ida. The poster had a tear in the image, fold wear with a tear at the top horizontal fold, wrinkles, and a corner bend. It has been professionally restored, and the magnificent stone litho artwork displays wonderfully. Fine on Linen. *****
Battling Jane (Paramount, 1918). One Sheet (27" X 41").
Dorothy Gish plays Jane, a vagabond who stumbles upon a family quarrel between a doctor and his wife (George Nichols and May Hall). When the doctor runs out, and the wife unexpectedly dies, Jane is left as the sole guardian of their infant son (Ernest Marion). After entering the child in a baby contest, Jane wins $500, which she must protect - often at gunpoint - when the doctor returns. Gish enjoyed a long and impressive career, finding regular work in television after largely retiring from the screen following the coming of sound. This beautiful stone litho poster shows tears in the credits area and in the right border, chips in the bottom border, and some extra creasing as well as a small hole in the right side. Fine/Very Fine on Linen. *****
Zaza (Paramount, 1923). Lobby Card (11" X 14").
Few in Hollywood could match Gloria Swanson for sheer star power and mass audience appeal; in this she radiated glamour for millions of movie fans. In this Parisian love story, Swanson stars as Zaza, a theater performer who falls for wealthy politician Dufresne (H. B. Warner), who is very much married. The story was a popular stage play, and this Allan Dwan directed picture is the third of seven film versions! The card has a bend and surface paper loss in the top left corner, and a smudge in the top and bottom borders. Swanson glows with all her finery in this bright and bold lobby card. Very Fine. *****
Indiscreet (Artcinema, R-1937). One Sheet (27" X 41").
This fast-paced fun melodrama from 1931 stars Gloria Swanson as a party girl who tries to hide her past relationship with a philandering fiance (Monroe Owsley) from her new beau (Ben Lyon). This early talkie is directed by Leo McCarey and features two songs "If You Haven't Got Love" and "Come to Me." Prior to professional restoration, the poster had light fold wear, crossfold separations, and a tiny chip in one corner. The linen has been trimmed to the edge of the poster. This glamorous portrait of the popular star is now in wonderful condition. Very Fine on Linen. *****
Stage Struck (Paramount, 1925). Lobby Card (11" X 14").
Long before her unforgettable performance as fading silent screen siren Norma Desmond in Sunset Boulevard (1950), Gloria Swanson was a real silent star, one of the biggest of the era, who reportedly made - and spent - more than $8 million in the 1920s alone. One of the relative few that made the transition to sound, Swanson worked sporadically in the 1930s and 40s, content to pursue other interests, including painting, sculpture, and political activism, as well as occasional TV work. This lovely lobby card, with a splendid image of the glamorous star, has a small hole in the credits area, a small chip in the left border, corner bends in the top left and bottom right, slight edge wear, and some light surface paper loss in the bottom left corner. These minor flaws notwithstanding, this is a magnificent piece that will look great displayed proudly as a key part of your collection. Fine+. *****
Lightnin' (Fox, 1925). One Sheet (27" X 41").
In one of legendary director John Ford's earliest productions, Jay Hunt stars as Lightnin' Bill, a lazy but honest soul who owns a hotel with his wife Mother Jones (Edythe Chapman). The valuable property comes to the attention of a couple of con men, who are outwitted by Wallace McDonald who loves Bill's daughter (Madge Bellamy). The story originated as a Broadway play by Winchell Smith and Frank Bacon. Prior to professional restoration, this one sheet had edge wear. There is also slight discoloration at the edges of the bottom and right borders which is still visible, otherwise this poster, with its stunning stone litho artwork, is in beautiful condition. Very Fine on Linen. *****
The Love Trap (Universal, 1929). Lobby Cards (3) (11" X 14").
Masterful director William Wyler pairs bubbly Laura LaPlante with the debonair Neil Hamilton in this early talkie. Hamilton marries down-and-out dancer LaPlante, much to the chagrin of his high class family members. These cards show minor moisture staining in the borders only. One card has a small tear on the bottom border. Overall these cards are in great condition considering their age. Colors are magnificent. Fine/Very Fine. *****
The Nervous Wreck (Producers Distributing Corp., 1926). One Sheet (27" X 41") Style B.
Harrison Ford (yes, there was a silent star by that name) plays a hypochondriac who heads to an Arizona health farm to regain his strength. On the way, he meets Phyllis Haver, who is engaged to marry the sheriff in the Western community where Ford is headed. She hitches a ride, which leads to a bunch of confusing complications, ending up with Ford being chased by every cowboy in the region. The Nervous Wreck was later remade with Eddie Cantor as Whoopee (1930) and with Danny Kaye as Up in Arms (1944). Prior to restoration, the poster had fold wear with crossfold separations, slight paper loss at the bottom left, a chip in the top left corner, and a small hole in the bottom border. All this has been expertly repaired and the poster now displays beautifully. Fine/Very Fine on Linen. *****
Swim Girl, Swim (Paramount, 1927). Jumbo Lobby Card (14" X 17").
This light college comedy was put together to showcase swimming celebrity Gertrude Ederle, who rose to fame the previous year as the first woman to swim the English Channel. Paramount star Bebe Daniels plays college girl Alice Smith, who is recruited to swim the Channel (with a little training help from Ederle) to raise money for her school. Prior to Ederle's historic swim, she had won three medals at the 1924 Summer Olympics. The card has two corner chips, two rounded corners, pinholes in the borders, and one corner crease. There is light soiling, but overall this is a wonderful and rare item. Fine+. *****
Dinner at Eight (MGM, 1933). Stills (2) (7.25" X 9.25") and (8" X 10").
Vintage black and white, single weight, glossy stills. George Cukor directs the all-star cast of this great MGM hit, which is based on the hilarious play by George S. Kaufman and Edna Ferber. Jean Harlow, Wallace Beery, John Barrymore, and Marie Dressler are just a few of the luminaries to headline this sophisticated comedy. One still has been trimmed. Although both stills are original, the one featuring Bille Burke, Harlow, and Beery has a later NSS stamp in the lower right corner. For Harlow fans, these images are must-haves. Fine/Very Fine. *****
Lady for a Day (Columbia, 1933). Title Lobby Card (11" X 14").
Frank Capra directs this touching comedy which is based on the Damon Runyon story "Madame la Gimp." May Robson is Apple Annie, a poor street peddler who sent her only daughter away to a better life. Now that the daughter (Jean Parker) is grown and about to marry, she wants to return to New York to visit the mother she believes is a high society matron. With a little help from gambler Dave the Dude (Warren William), Annie pulls off the charade for a little while. The movie was remade with Bette Davis in 1961, as Pocketful of Miracles. There are three corner bends, a corner chip, and two small stains and a small tear in the bottom border. This bright title card, with its original varnish, features great head shots of all the stars. Fine/Very Fine. *****
Beginner's Luck (MGM, 1935). Lobby Card (11" X 14").
George McFarland steals the show as Spanky, who has one of the worst "stage mothers" (Kitty Kelly) of any aspiring actor. Forced to undertake Shakespeare against his will, his gang members, including Billie "Buckwheat" Thomas, Matthew "Stymie" Beard, and Carl "Alfalfa" Switzer, come to his rescue and disrupt the show. This hilarious short is also notable as the first appearance of Alfalfa. The card has a corner chip, a few edge tears, and stains in the borders. This adorable and rare card features McFarland and his stage partner Marianne Edwards. Fine. *****
The Old Grey Mayor (Warner Brothers, 1935). Lobby Card (11" X 14").
In one of Bob Hope's earliest screen appearances, his third in fact, he is hilarious as a suitor who has to convince his would-be father-in-law (who is also the mayor), that he is worthy of daughter Gwennie (Ruth Hall). George Watts is the mayor, who has serious doubts about Hope's worthiness. Short films were a great way to inexpensively try out new stars and comedy routines, and get audience reactions. Paper from these early Hope shorts is rarely seen; this lobby card is a gem. It has creases, a tear in the top border and a small one in the bottom border, and a smudge in the left border. There are pinholes, edge wear, paper tape on the reverse, and rounded corners. Fine. *****
My Man Godfrey (Realart, R-1940s). Autographed Lobby Card (11" X 14").
Carole Lombard and William Powell are perfectly cast as scatter-brained socialite Irene Bullock and vagrant-turned-family-butler Godfrey, in this charming screwball comedy. The re-release lobby card offered here is signed "William Powell." It shows some minor edge wear and a light stain in the bottom left corner, but is otherwise in superb condition. From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also the Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. Very Fine. *****
Sally, Irene and Mary (20th Century Fox, 1938). Three Sheet (41" X 81") Style B.
Sally (Alice Faye), Irene (Joan Davis), and Mary (Marjorie Weaver), are three manicurists who hope to make it big on stage. When Mary inherits a ferry boat, she turns it into a floating nightclub for her entertainer friends, including Jimmy Durante and Louise Hovick, aka Gypsy Rose Lee, in this terrific musical comedy. The poster had fold wear with separations, small tears in the field, cross fold separations, and pinholes in the borders. There is slight staining in the field, and wrinkling at the top; some of these issues have been addressed with restoration. A bright and colorful stone litho poster. Fine on Linen. *****
Bluebeard's Eighth Wife (Paramount, 1938). Lobby Cards (2) (11" X 14").
German-born director Ernst Lubitsch had a wonderful way of taking the simplest story and turning it into an endearing romantic tour de force full of sophisticated wit. Dubbed "the Lubitsch touch," it is apparent in many of the best comedy classics of the 1920s-1940s, including this gem. Gary Cooper plays Michael Brandon who is looking for perfection in wife number eight, and the lucky target is Claudette Colbert, who wants none of it, until father Edward Everett Horton convinces her otherwise. Both cards have faint stains throughout, light edge wear, and one pinhole in the image. Fine+. *****
Service de Luxe (Universal, 1938). One Sheet (27" X 41").
Vincent Price made his film debut in this romantic comedy starring Constance Bennett. Bennett plays a glamorous woman who runs a service that will provide any type of assistance to wealthy customers. What she's really looking for is a man who can take care of himself, which she finds in Price, an inventor in town to secure funding for his latest project. This colorful poster has pinholes in the corners, crossfold separation and some minor wear to the borders. Fine-. *****
The Philadelphia Story (MGM, 1940). Post-War Japanese Poster (14.5" X 20.5").
Perhaps the best romantic screwball comedy of the era, George Cukor directs a dream ensemble of Katharine Hepburn, Cary Grant, James Stewart, Ruth Hussey, and Roland Young. Stewart won an Oscar for Best Actor, and Hepburn received a nomination. This is a very early, post-war Japanese poster for the release of this classic. Paper was scarce, so posters were smaller. This poster has the MPEA seal in the upper right corner. The MPEA (Motion Picture Export Association) was set up in 1946, after the war ended, to help spread the release of American-made movies in occupied Japan, both new releases and movies not released during the war. There are tears in the image with archival tape on the reverse, a minor tear at the right edge, a horizontal crease, and a light stain in Hepburn's robe. This is a rare little gem, don't miss out. Rolled, Fine-. *****
Penny Serenade (Columbia, 1941). Lobby Cards (3) (11" X 14").
To the background music of the song "Penny Serenade," Irene Dunne, as Julie Adams, tells the bittersweet story of her marriage to Roger (Cary Grant) and their struggle to have a child. Beulah Bondi and Edgar Buchanan co-star in this memorable love story. One card in this set has a surface abrasion in the image and a corner chip, and one card has a small tear. All three have corner bends, creases, and edge wear. With their original varnish finish, these beautiful images are a treasure. Fine+. *****
Penny Serenade (Columbia, 1941). Lobby Cards (3) (11" X 14").
Cary Grant and Irene Dunne made three magical hit films together:The Awful Truth, My Favorite Wife, and the George Stevens classic, Penny Serenade. Both top actors were geniuses of comic timing, and although this film has its sad moments, Grant and Dunne imbue a wonderful sense of whimsy into many of their scenes together. Each card has creases, corner bends, and edge wear. Two have a small tear in one border. Fine/Very Fine. *****
Pot O' Gold (United Artists, 1941). One Sheet (27" X 41").
Jimmy Stewart plays a small-town guy who loves music, but is forced to take a job at his rich uncle's food factory. Moving to town, he befriends the musical McCorkle family, who live next door to the factory and drive his uncle batty with their racket. Naturally, Jimmy falls for the clan's pretty daughter (Paulette Goddard) in this frothy musical comedy, directed by the prolific George Marshall. This terrific poster has edge wear, crossfold separations, pinholes, and an extra crease at the vertical fold. There is a small chip at the right edge that has paper tape on the front and back. Fine+. *****
The Ghost and Mrs. Muir (20th Century Fox, 1947). One Sheet (27" X 41").
The beautiful Gene Tierney is Mrs. Muir in this warm-hearted ghost story. A widow with a daughter (Natalie Wood in one of her earliest roles) comes to live in a haunted seaside cottage and strikes up a friendship with the late owner and sea captain played by Rex Harrison. The film is based on the novel by Josephine Leslie, aka R. A. Dick, and its popularity spawned a 1960s TV series. This striking poster had fold wear, crossfold separations, and chips in the right border. Some of these issues have been addressed with restoration, but there is a small area of chipping in the lower left corner that occurred after restoration. A real beauty. Fine/Very Fine on Linen. *****
Roman Holiday (Paramount, R-1970). Japanese B2 (20" X 29").
This charming romantic comedy, in which bored Princess Ann (Audrey Hepburn) escapes, right out from under the watchful eyes of her guardians, and flies to Rome, where she meets and falls in love with dashing American newsman Joe Bradley (Gregory Peck, in a role originally intended for Cary Grant), scored three Oscars: Best Actress for Hepburn (in her first major role), Best Costume Design for Edith Head, and Best Writing for Dalton Trumbo (although, due to his blacklisted status as part of the infamous Hollywood Ten, the award was actually presented to his friend, Ian MacLellan Hunter). Offered here is a beautiful Japanese poster, bearing a gorgeous image of Hepburn. It shows pinholes in the top border, the corners, and the bottom center, but is otherwise pristine. If glamour and elegance are your thing, this poster is for you. Rolled, Very Fine-. *****
Mister Roberts (Warner Brothers, 1955). British Quad (30" X 40").
Henry Fonda returned to films after an eight-year absence to reprise his stage roll as Lt. Doug Roberts, chief cargo officer of the supply ship Reluctant, in this film adaptation of the successful Broadway play. The terrific supporting cast includes: James Cagney, Jack Lemmon (who won the Oscar for his performance), and William Powell (in his final film appearance). Legendary director John Ford began the film but was replaced halfway through, reportedly because of an illness, by Mervyn LeRoy. This wonderful British quad has completely different artwork than what was used in the U.S. campaign, and was done by noted British poster artist Tom Chantrell. The poster has pinholes in the corners, minor smudges and edge wear. Folded, Very Fine. *****
How to Marry a Millionaire (20th Century Fox, 1953). Insert (14" X 36").
Three New York models (Betty Grable, Marilyn Monroe, and Lauren Bacall) hatch an elaborate scheme to meet and marry a trio of millionaires, but telling rich men from poor proves to be more of a challenge than they anticipated. Offered here is a lovely insert for this always-popular film. Edge wear in the left border and a bottom left corner bend are the only defects of note, otherwise this highly desirable piece is extremely attractive. Folded, Very Fine-. *****
The Prince and the Showgirl (Warner Brothers, 1957). Insert (14" X 36").
The acclaimed actor who was knighted as Sir Laurence Olivier, was always comfortable playing members of the aristocracy and Shakespearean kings. Here, he stars in this lighter fare as Charles the Prince Regent, opposite one of the queens of Hollywood, Marilyn Monroe. A stunning portrait of the two legends, this poster has only a few smudges. Folded, Very Fine+. *****
Some Like it Hot (United Artists, 1959). French Grande (47" X 63").
One of the greatest screen comedies of all time, this is director Billy Wilder's masterpiece. When struggling musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) inadvertently witness a gangland rubout, they hide out in an all-girl band fronted by Sugar Kane Kowalczyk (Marilyn Monroe), dressed as women. this gorgeous French Grande, featuring unique imagery, looks great and is highly displayable. Only some edge wear and crossfold separation keep it from an even higher grade. Very Fine.
Tom Jones (United Artists, 1963). British Quad (30" X 40").
Albert Finney shot to stardom in this uproarious Oscar winner. The film won Academy Awards for Best Picture, Score, Director, and Writing. Posters without the Oscar appearing on them are quite scarce, and this British country-of-origin quad is from the film's initial release. With only light edge wear, a bit of staining, and minor pinholes, this folded sheet is a winner itself. Folded, Very Fine-. *****
Love in the Afternoon (Allied Artists, 1957). Half Sheet (22" X 28") Style B.
The comedic director Billy Wilder based this film on the novel Arian by Claude Anet. Audrey Hepburn is adorable as the young daughter of P. I. Maurice Chevalier, who is spying on playboy Gary Cooper. Hepburn falls for the much older man, despite her father's warnings, and the film's ending is one of the most memorable of all love stories. Saul Bass designed this striking half sheet, which has fold wear, light edge wear, and a corner bend. Folded, Fine/Very Fine. *****
Breakfast at Tiffany's (Paramount, R-1965). Lobby Card Set of 8 (11" X 14").
Audrey Hepburn is the beloved party girl, Holly Golightly, in Truman Capote's irresistible tale of two lonely people living in New York. Cinema perfection is made with Blake Edward directing, a bittersweet score by Henry Mancini, and a superb supporting cast including George Peppard, Patricia Neal, and Buddy Ebsen. Two cards have tape stains in the bottom border, one has foxing in two borders, and all have pinholes in the borders. These bright cards are always a hit with collectors. Very Fine. *****
The Graduate (United Artists, 1968). Japanese B2 (20" X 29").
Mike Nichols captures the essence of the sixties when an entire generation faced an uncertain future. Dustin Hoffman was given the role of Benjamin Braddock and became an overnight sensation in the process. The posters for this title are among the most collectible of the 1960s and this Japanese B2 is a beauty with its portrait of Katharine Ross, Hoffman, and his Alfa Romeo Spider. There is edge wear on the left side. Folded, Very Fine+. *****
The Belle of Broadway (Columbia, 1926). One Sheet (27" X 41") Style A.
Aging stage star Mme. DuBarry (Edith Yorke) will do anything to recapture her former fame and glory, including hatching a scheme to have pretty young ingenue Marie Duval (Betty Compson), a dead ringer for DuBarry in her younger days, impersonate the older actress. Compson had a substantial Hollywood career, appearing in more than 200 films between 1915 and 1948. She appeared opposite Lon Chaney in The Miracle Man (1919), and received a Best Actress Academy Award nomination for her role in The Barker (1928). After retiring from pictures, she became a successful businesswoman until her death in 1974. This striking stone litho one sheet had tears in the top right and left corners, tears in the right border, and fold wear, but all these minor issues have been addressed by professional restoration, making it look as good as new. A beautiful poster, this is one that you will be proud to own. Very Fine on Linen. *****
Hot Rod Gang (American International, 1958). Insert (14" X 36").
Those wild and crazy teenagers of the 1950s got their thrills from fast cars, girls, and that rock 'n roll beat. It's all on display on this great poster from the hot rod cult classic with John Ashley, Jody Fair, Steve Drexel, and Gene Vincent, who sings several of his hit songs. This fabulous insert has a red ink spot in the top border, a scuff in the red field, pinholes, and a smudge in the lower left border. Folded, Very Fine-. *****
Dragstrip Girl (American International, 1957). Half Sheet (22" X 28").
One of American International's great juvie films of the 1950s, this one stars Fay Spain as the titular bad girl, in search of love, thrills, and fast cars, as well as Frank Gorshin, billed here as "one of Hollywood's newest teenage stars." This exciting half sheet is in great condition, with only some light edge wear and light fold wear keeping it from an even higher grade. Folded, Very Fine. *****
Chained for Life (Classic Pictures, 1951). Lobby Card (11" X 14").
Daisy and Violet Hilton were, perhaps, the best known conjoined twins of the twentieth century. Born in England in 1908, they began performing in their native country as children. They eventually came to America, where they performed a tap dance routine with Bob Hope. After successfully suing for independence from their abusive managers in 1931, the twins set out on a successful vaudeville tour and, most famously, appeared in director Tod Browning's widely-banned circus picture, Freaks, in 1932. Their next screen appearance was in this 1951 exploitation classic, after which they continued a schedule of personal appearances until shortly before their deaths in 1969. Offered here is the highly desirable portrait card from their well-known film. In excellent condition, only some light foxing in the bottom border and staple holes in the corners keep this rare beauty from an even higher grade. Very Fine+. *****
Beach Party (American International, 1963). Lobby Card Set of 8 (11" X 14").
The first of the zany teenage beach films, this classic stars Annette Funicello, Frankie Avalon, Harvey Lembeck (as Eric Von Zipper), Robert Cummings, Dorothy Malone, and a cameo by Vincent Price. This hit would spawn five more sequels starring Avalon and Funicello. This wild comedy also features Dick Dale (The King of the Surf Guitar) and the Del Tones. One card has a dust shadow and foxing. Very Fine+. *****
Beach Party (American International, 1963). Half Sheet (22" X 28").
Frankie Avalon and Annette Funicello hit the surf in this, the first of seven classic teen surf movies from American International. The gorgeous half sheet offered here is in excellent condition; only some light smudging in the borders and pinholes in the corners keep this stunner from an even higher grade. This, being the first of the series, has always been the most desirable of the series posters, so get it while you can. Folded, Very Fine+. *****
Love Finds Andy Hardy (MGM, 1938). Spanish One Sheet (27.5" X 39.5").
Andy Hardy (Mickey Rooney) has girl trouble in his third film in the popular franchise. When Andy's girlfriend Polly (Ann Rutherford) goes out of town for the holidays, he agrees to escort his best friend's girl, Cynthia (Lana Turner) to the big dance. As if that wasn't bad enough, newcomer Betsy Booth (Judy Garland) soon falls head-over-heels for Andy. Lewis Stone, as Judge Hardy, is nearby for needed advise. This one sheet has stains at three edges, crossfold separations, ghosting in the white areas, and an extra vertical crease. This delightful Spanish poster features both stars in a wonderful rendering. Fine/Very Fine.
Andy Hardy's Double Life (MGM, 1942). Three Sheet (41" X 81") Style B.
The Andy Hardy series was one of MGM's biggest money-makers from 1937 through 1946, and made Mickey Rooney one of the top stars of that period. This entry deals with Andy departing for college, and his troubles with his girlfriend, Polly (Ann Rutherford). This three sheet is very special as it pictures, in bathing suit, a young Esther Williams in her studio debut as one of Polly's good friends. The poster has pinholes, some fold wear, and some slight crossfold separation. There is some paper tape on the reverse. Fine+. *****
Tempest (United Artists, 1928). Title Lobby Card (11" X 14").
German actress Camilla Horn made her Hollywood debut in this Sam Taylor directed drama. Opening right before the Russian revolution, John Barrymore is Ivan Markov, a successful soldier who is ridiculed by the aristocracy. After the fall of the Czar, Markov is in a position of power and falls for the once haughty Princess Tamara (Horn). Prior to professional restoration, this fabulous card had wear with a few pinholes in the borders, and a staple hole in the image. This gem is an important and appealing piece for Barrymore fans. Fine+ on Paper. *****
Tempest (United Artists, 1928). Lobby Card (11" X 14").
Set during the dark days of the Russian Revolution, John Barrymore plays Sgt. Ivan Markov, a member of the Czar's military, who is thrown in jail and stripped of his rank for daring to love the aristocratic Princess Tamara (Camilla Horn). This lovely portrait lobby card of the two stars has had the borders trimmed and there was a pinhole within the image. The restoration work on this card was done magnificently, and the card, though paper backed, now appears near mint. Very Good on Paper. *****
The Woman from Moscow (Paramount, 1928). Lobby Card (11" X 14").
One of the most popular and exotic stars of the silent era, Pola Negri was born in Poland and trained as an actor and a dancer in Russia. Following World War I, she teamed with director Ernst Lubitsch for several highly regarded films, and soon found herself in Hollywood, where her vamp character made her the chief rival to popular Theda Bara. Unfortunately, her career was short-lived. In 1926, she made a public spectacle of herself at the funeral of Rudolph Valentino, an unfortunate event that tarnished her image with movie-going audiences. At about the same time, the Hays Office began enforcing strict codes of movie conduct that severely diminished her ability to portray herself as a dark sex symbol. Most damaging to Negri, however, was the coming of sound, as her thick, European accent was utterly unsuited to talking pictures. Abandoning Hollywood, she made a few pictures in Europe, but soon returned to America, where she failed to reignite her career, making only two additional pictures between 1943 and her death in 1987. This beautiful card, however, is from an earlier point in Negri's career, a time in which she still commanded the hearts and minds of movie audiences worldwide. A lovely portrait card, only some very minor corner dings and a very light corner bend in the bottom right keep it from an even higher grade. You'd be hard-pressed to find a more glorious image of this beautiful star, so bid early and often! Near Mint. *****
Companionate Marriage (First National, 1928). Insert (14" X 36").
Author J. M. Barrie handpicked the unknown Betty Bronson to play the title role in the silent film adaptation of his classic children's fable, Peter Pan, choosing her over such well-known actresses as Mary Pickford and Gloria Swanson. The result was instant fame and notoriety for the young actress, considered by many to be the first viable threat to Pickford's title as "America's Sweetheart." After only a year of "Bronson-mania," the young woman's star began to dim, as more adult stars like Clara Bow and Colleen Moore began to emerge and capture the public fancy. Bronson continued working until the end of the silent era, appearing in romantic melodramas like this one, until her retirement in 1933. Also appearing in the cast is actress-turned Hollywood gossip columnist Hedda Hopper. This lovely insert has chipping in the bottom right corner, tears in the left and right borders that go into the image area, pinholes in the corners, spotting in the borders, and scuffing in the center of the image. In spite of these slight flaws, it is a highly presentable piece, a wonderful late silent gem. Rolled, Fine. *****
Ann Vickers (RKO, 1933). Two Sheet (40" X 52").
Irene Dunne stars in this adaptation of Sinclair Lewis' novel. Left alone and pregnant by her soldier sweetheart, Dunne's character turns her life around by becoming a social worker. She falls in love with a politically progressive judge (Walter Huston) who helps finance her career, standing by him when he is unjustly accused of graft. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. Although fairly unknown today, he designed the posters for such films as The Barefoot Contessa with Ava Gardner and Gilda with Rita Hayworth. This rare two sheet has been mounted on poster board. It has tack holes in the borders and field, edge wear, and water staining in the bottom border. Fine+.
The Masquerader (United Artists, 1933). Lobby Card (11" X 14").
One of the most respected and talented actors in Hollywood, Ronald Colman stars in dual roles in this British melodrama. Sir John Chilcote is a drug-addicted, alcoholic member of Parliament, who enlists his look-alike cousin John Loder to take his place while he rehabilitates. Loder does a magnificent job with the help of Chilcote's butler Brock (Haliwell Hobbes), and even has his cousin's wife (Elissa Landi) falling in love with him. A stunning dual portrait of the debonair star, this card is in impeccable condition. Near Mint/Mint. *****
The Painted Veil (MGM, 1934). Lobby Card (11" X 14").
Greta Garbo and Herbert Marshall star as married couple Katrin and Walter Fane, in this gripping melodrama based on Somerset Maugham's tragic novel. Katrin did not marry her doctor husband for love, and has an affair with the more dashing Jack Townsend (George Brent). When Walter discovers what is going on, he takes his wife with him on a humanitarian mission to quell a cholera epidemic in China. This beautiful card has a crease in the top and bottom borders, a smudge in the bottom border, and a pinhole in the center. This is a clean and bright image of the two top stars. Very Fine. *****
The Painted Veil (MGM, 1934). Lobby Card (11" X 14").
This dramatic version of Somerset Maugham's acclaimed novel, stars Greta Garbo, Herbert Marshall, and George Brent, and is directed by Richard Boleslawski. It also features Warner Oland and Keye Luke a year before they would begin their first Charlie Chan film. The card has a small smudge in the top left corner, and a small crease in the bottom border. Images of Garbo are always prized by collectors, and this one is a beauty. Very Fine. *****
Dodsworth (United Artists, 1936). Lobby Cards (2) (11" X 14").
Based on Sinclair Lewis's same-titled novel, this film follows the plight of a successful, now retired, automobile tycoon (Walter Huston) who agrees to tour Europe with his socially ambitious wife (Ruth Chatterton). It is a touching account of the decline of their marriage and Dodsworth's second chance at happiness with Mary Astor. The card with Chatterton and David Niven has surface scratches, a stain in the lower right corner, pinholes in the borders and three in the image, and two small edge tears. The card with Chatterton and Astor has pinholes in the corners and two in the image, a minor hole in the upper left border, minor creases, and a scuff on the left side. Great cards from this popular classic. Fine+. *****
Men in White (MGM, 1934). Lobby Card (11" X 14").
Clark Gable and Myrna Loy star in this dramatic tear-jerker based on Sidney Kingsley's Pulitzer Prize-winning play. The film was released during the play's sensational run on Broadway, and was the second of eight films the two screen legends made together. Gable is a dedicated doctor who drifts away from society girlfriend Loy when she becomes jealous of his work. He then begins an affair with a young nurse (Elizabeth Allan), with tragic consequences. An absolutely stunning image of Loy and Allan, this card also has inset shots of Loy and Gable. Near Mint. *****
Another Dawn (Warner Brothers, 1937). Half Sheet (22" X 28") Style A.
One of the great directors of the era, German-born William Dieterle, worked with star Errol Flynn in The Prince and the Pauper before starring him, with Kay Francis and Ian Hunter, in this romantic drama. The story concerns British aviators in Northern Africa, with lush music provided by Erich Wolfgang Korngold, who would go on to compose several more highly acclaimed scores for Warner Brothers/Flynn adventures. This sheet had chips and tears which have been addressed with restoration. Minor bottom corner chips and a stain in the bottom border occurred after restoration. This stunning portrait of the stars is hauntingly beautiful. Very Good- on Paper. *****
Madame X (MGM, 1937). One Sheet (27" X 41") Style D.
Gladys George stars in this tearjerker about a woman who abandons her husband (Warren William) and child to have an affair. Her choice leads her down a road of dissipation, prostitution, and a murder trial. In a twist of irony, the lawyer set to defend her case is the son she has been missing for the last twenty years, played by John Beal. George is probably best remembered for her role as Miles Archer's wife in The Maltese Falcon. This beautiful poster has been professionally restored to address pinholes in the corners, crossfold separations, and light fold wear. Very Fine on Linen. *****
The Grapes of Wrath (20th Century Fox, 1940). Lobby Card (11" X 14").
Based on the Pulitzer Prize winning novel by John Steinbeck, this John Ford epic has become one of the most acclaimed and beloved classics of the cinema. Henry Fonda's career really took off after his Academy Award nominated performance as Tom Joad, son of Russell Simpson and Jane Darwell, who won a Best Supporting Actress Oscar. This beautiful card has a dust shadow in the right border, rounded corners, one corner bend, and a surface paper loss in the left border. Fine/Very Fine. *****
The Man I Married (20th Century Fox, 1940). One Sheet (27" X 41").
This anti-Fascist tale revolves around an American, Carol Hoffman (Joan Bennett), who marries a German (Francis Lederer) during the beginning of the Nazis' rise to power. She slowly begins to realize that her husband is involved with Hitler's movement and that he wants to raise their son as a good Nazi. A gripping film, there is quite a bit of actual newsreel footage of Hitler used. The poster has edge wear, pinholes in the corners, a stain at the bottom, an extra crease, and crossfold separations. There is a light printing mark in Bennett's face. This sensational one sheet features lovely stone litho portraits of the stars. Fine+. *****
Casablanca (Warner Brothers, R-1974). Japanese B2 (20" X 28.75").
The pinnacle of movie making, many consider this Michael Curtiz masterpiece to be one of the greatest films ever made. And most movie buffs can recite the multiple classic lines by Rick and Ilsa, by heart. Paper for this title is always sought after, and this romantic Japanese B2, with Humphrey Bogart and Ingrid Bergman, is a beauty. There is only one very light corner bend, and a small area of creasing at the top with a minor edge tear. Rolled, Very Fine. *****
Flesh and Fantasy (Universal, 1943). One Sheet (27" X 41") Style C.
Much like director Julien Duvivier's earlier film, Tales of Manhattan (1942), this is a collection of three loosely connected episodes, tied together, in this case, by a compelling occult theme. Also like Tales, this film boasts a superb cast, including Edward G. Robinson, Charles Boyer, Barbara Stanwyck, Robert Cummings, Thomas Mitchell, Dame May Whitty, Robert Benchley, and, in an uncredited role, Peter Lawford. This very attractive one sheet has light edge wear, crossfold separation, and some light creasing in the bottom border, but is otherwise clean and attractive, certain to enhance any collection. Very Fine. *****
The Great Gatsby (Paramount, 1949). Lobby Card Set of 8 (11" X 14").
F. Scott Fitzgerald's masterpiece is brought to life by Alan Ladd, Ruth Hussey, Betty Field, Barry Sullivan, and Shelley Winters. Ladd's Jay Gatsby learns the hard lessons of fast living and easy money in the Jazz Era. This lavish production featured costumes by Edith Head. The portrait card has a paper clip stain at the top border, and a small stain in the field. The other cards have smudges and a small stain in the bottom border. One card has pinholes in the corners. Overall, these are great images from this classic. Very Fine-. *****
Portrait of Jennie (Selznick, 1949). Insert (14" X 36").
In this David O. Selznick fantasy production, Joseph Cotten plays an artist who meets a mysterious young girl (Jennifer Jones) in the park. After painting her portrait and falling in love with her, Cotten discovers the secret behind her strange behavior. The actual portrait used in the film was painted by artist Robert Brackman. It became one of Selznick's prized possessions after he and Jones married in 1949. This insert has light smudges and stains at the bottom, otherwise it is in excellent condition. Folded, Very Fine. *****
Hard, Fast and Beautiful (RKO, 1951). One Sheet (27" X 41").
This is one of Ida Lupino's earliest directorial projects. Claire Trevor stars as Millie, the pushy and ambitious "stage" mother of tennis pro daughter Florence (Sally Forrest) in this edgy drama. The poster has enlarged pinholes in the top of the image, a surface abrasion in the right border, smudges and light stains in two borders, bends in the top corners, and pinpoint crossfold separations. Fine/Very Fine. *****
The Company She Keeps (RKO, 1951). Banner (24" X 82").
This gritty 1950s melodrama stars two of Hollywood's sexiest female stars, Jane Greer and Lizabeth Scott. Greer is Diane Stuart, a tough gal who is recently out of prison. She causes trouble for her parole officer Joan Wilburn (Scott) when she seduces Joan's boyfriend Larry (Dennis O'Keefe). The banner has pinholes in the corners and borders, light creasing, and corner bends. A sultry portrait of Scott, this unique format poster is a must for any fan of the films of the 1950s. Rolled, Very Fine. *****
The Quiet Man (Republic, 1952). Insert (14" X 36").
John Wayne is at his very best in this fan favorite picture as Sean Thornton, a retired prize-fighter who returns to Ireland, the land of his birth, to settle down. Winning over the locals in the small town, especially the beautiful - but high-spirited - Mary Kate Danaher (Maureen O'Hara), may prove more challenging than anything he ever faced in the ring, however. Directed by John Ford, this was one of the most prestigious films produced by Republic Pictures, a small studio better known for releasing B Westerns and serials. This gorgeous insert, with its wonderful images of Wayne and O'Hara, has several tears and a tape stain in the left border, and a small smudge in the top border, but is otherwise in exceptional condition. Rolled, Fine/Very Fine. *****
On the Waterfront (Columbia, R-1950s). British Quad (30" X 40") Academy Award Style.
Marlon Brando turned in a tour de force performance in this tale of a failed boxer who won't rat on the mob. On the Waterfront earned the young actor his first Oscar. One of the most important films of the 1950s, Waterfront took home eight Oscars in all, including Best Picture. This British quad has edge wear with several small tears, but is in extraordinarily nice condition overall. Very Fine-. *****
The Man with the Golden Arm (United Artists, 1955). Half Sheet (22" X 28") Style B.
One of the films that brought down the MPAA Production Code, this examination of drug addiction, starring Frank Sinatra, is every bit as chilling as when it first came out. Within a year of the release of this film, the Code was amended to allow such topics as abortion, prostitution, and drugs. The powerful cast also includes Kim Novak and Eleanor Parker. This striking Saul Bass designed half sheet has light fold wear, edge wear at the bottom, a small fold separation at the left edge, and pinholes in the corners. There is a smudge in the top border, and a scuff and pinholes in Sinatra's face. Folded, Fine/Very Fine. *****
The Man with the Golden Arm (United Artists, 1955). Title Lobby Card (11" X 14").
Saul Bass's classic and stark image dominates this impeccable title card from one of Frank Sinatra's most powerful films. One corner has a minor corner crease. Near Mint+. *****
East of Eden (Warner Brothers, 1955). Insert (14" X 36").
The legendary James Dean was given his first screen role and first starring role in this adaptation of John Steinbeck's East of Eden. Dean's portrayal of Cal Trask was riveting, justifiably earning the young actor an Oscar nomination for Best Actor. This nicely restored insert was folded and had tears in the bottom and right borders as well as the bottom left corner. There was also a chip in the bottom border and wrinkling in the field. Now it presents very well. Fine on Paper. *****
Giant (Warner Brothers, 1956). Banner (24" X 82").
Although he's third billed, behind Elizabeth Taylor and Rock Hudson, this is, in many ways, James Dean's movie. As Jett Rink, in his very last role before the tragic auto accident that ended his life, Dean turns in an outstanding performance, one that tantalizingly hints at the actor he could have become. Offered here is a very rare banner for this outstanding movie. It shows edge wear with minor tears, creasing, pinholes in the field, and paper tape on the reverse, but presents very nicely, and will be a welcome addition to any collection focused on one of the most iconic actors of all time, James Dean. Very Good.
12 Angry Men (United Artists, 1957). One Sheet (27" X 41").
Henry Fonda stands alone on the side of justice in this taut and powerful courtroom drama. He never gives up trying to convince his fellow jurors -- Lee J. Cobb, Jack Warden, Ed Begley, E. G. Marshall, and Jack Klugman to keep an open mind in the murder trial of a Puerto Rican man. This one sheet has wrinkles, a small stamp bleed through in the credits area, wear in the left edge, a smudge in the tagline, and a small tear in the top edge. With its striking artwork, this is always a popular poster. Very Fine-. *****
She Walks by Night (Union Films, 1960). Three Sheet (41" X 81").
This thrilling docudrama is based on the real-life murder of a German prostitute named Rosemarie in post-war Frankfurt. Offered here is a rare three sheet for the American release of this German film. It has some fold wear, and staple holes in the borders and corners, but is otherwise in exceptional condition. Very Fine+. *****
La Dolce Vita (Astor Pictures, 1961). One Sheet (27" X 41").
Federico Fellini's landmark film, about a bored gossip magazine photographer's (Marcello Mastroianni) search for meaning in his life, won several major awards, including a Best Film BAFTA and a Golden Palm at Cannes. Named #6 on the Entertainment Weekly list of Greatest Films of All Time, it remains one of the most highly acclaimed European films of the 1960s. This striking one sheet had crossfold separation, fold wear, and pinholes in the field, but all of these slight concerns have been addressed with expert professional restoration. Very Fine- on Linen. *****
Othello (Royal Films, 1952). Belgian (14" X 22").
Illustrious actor and director Orson Welles gives another stellar performance as the tormented and paranoid lead in William Shakespeare's tragedy. With only a minimal budget, Welles was able to create a powerful film which received the Palme d'Or at Cannes. In excellent shape, this piece has only a few staple holes in the blank imprint area. A beautiful rendering of Welles and his Desdemona, Suzanne Cloutier. Folded, Very Fine. *****
The Trial (De Laurentiis, 1963). Italian 4 - Folio (55" X 78").
When you combine Franz Kafka's themes of isolation and angst, Orson Welles stark and tense cinematography, and an intense performance from the sardonic Anthony Perkins, you get one powerful cinematic experience! Perkins stars as Josef K., a man seeking answers to his arrest and receiving none from a cast of characters played by Welles, Jeanne Moreau, Romy Schneider and Akim Tamiroff. This Italian 4 - folio has been professionally mounted on linen and had only pinholes in the borders. This gorgeous and highly dramatic poster is by artist Ermanno Iaia. Very Fine+ on Linen.
The Seventh Seal (Towa, 1957). Japanese B2 (20" X 29").
This compelling film from director Ingmar Bergman is a thoughtful meditation on life, death, and the existence of God, told through the eyes of Antonius Block (Max von Sydow), a knight heading home through a plague-ravaged Europe after a decade spent on the battlefield. Along the way, he meets Death (Bengt Ekerot) and plays a game of chess, with his very life hanging in the balance. It's reported that Bergman drew inspiration from the period films of Akira Kurosawa, as well as murals he saw in a church in which his father used to preach. Offered here is a beautiful Japanese poster for this landmark art house film. It shows a small tear in the bottom border, and a minor corner bend, but is otherwise in exceptional condition. A classic film by any definition, paper on this title is hard to come by. Don't miss out on your chance to win this beauty. Rolled, Near Mint-. *****
Two Women (Embassy, 1960). Japanese STB (20" X 58").
Sophia Loren gives the most powerful performance of her career, as Cesira, in this heart-breaking Vittorio De Sica classic. Depicting the inhuman toll that war takes on the lives of civilians, we follow Cesira as she and her daughter Rosetta (Eleanora Brown) are torn from their home, brutalized by Moroccan soldiers, and struggle to survive. Loren won an Academy Award for Best Actress, the first given for a non-English-speaking role. The bottom panel of this STB has edge wear with chips and a dust shadow on the right side, creases, three corner bends, a small tear, and a surface paper loss at the bottom. The top panel is in excellent shape. Rolled, Fine+. *****
A Man and a Woman (Allied Artists, 1966). Japanese B2 (20" X 29").
Jean-Louis Trintignant and Anouk Aimee are strangers who meet at their children's boarding school, in this sensational romantic drama from Claude Lelouch. At first wary of trying love again, we follow their slow courtship, which is filmed in both black and white, and color. The winner of two Oscars for Best Foreign Film, and for Best Writing, it also won the Golden Palm at Cannes. This sheet has pinholes in the corners, a small edge tear in the right border, and one soft fold. Rolled, Very Fine. *****
Fellini Satyricon (United Artists, 1969). Japanese B2 (20" X 29").
Federico Fellini loosely adapted Petronius's Satyricon, a series of stories about ex-gladiator Encolpius and his adventures in and around decadent Rome during the reign of Emperor Nero. Fellini kept the bawdy, farcical tone of the original work, adding a healthy dose of surrealism to create a unique portrait of first century Rome. This Japanese poster is in exceptional condition, with only some light edge wear keeping it from an even higher grade. Rolled, Very Fine/Near Mint. *****
The Hustler (20th Century Fox, 1961). Japanese B2 (20" X 29").
Paul Newman turns in one of the best performances of his career as "Fast Eddie" Felson, a two-bit pool hustler who wants a shot at the big time: a match with reigning champion and billiards legend Minnesota Fats (Jackie Gleason). Except for one difficult massé shot accomplished by Willie Mosconi, Newman and Gleason performed all their own pool shots in the film, adding an air of realism and authenticity to this classic picture. The Japanese B2 offered here is in nigh-unimprovable condition. If you've ever chalked a cue, this poster will be on your "must have" list. Near Mint. *****
The Cincinnati Kid (MGM, 1965). British Quad (30" X 40").
This top notch drama centers around a high stakes poker game, and the egos and intrigue behind the scenes. The outstanding all-star cast includes Steve McQueen as The Kid, Edward G. Robinson, Ann-Margret, Karl Malden, and Tuesday Weld, and an unforgettable theme song by Ray Charles. This British quad has pinholes in the corners, edge wear, light fold wear, and a corner bend. The sensational artwork is classic 1960's cool. Very Fine.
Easy Rider (Columbia, 1969). Japanese B2 (20" X 29").
Dennis Hopper's ground-breaking road trip movie turned out to be one of the very few films that captured the spirit of tumultuous 1960s America. Peter Fonda and Jack Nicholson co-starred with Hopper in this film about a couple of hippie bikers who traverse the country on their way to "retire" in Florida. The rock music score by The Byrds, Steppenwolf, and Jimi Hendrix perfectly matched the film's tenor. This original Japanese poster has light creasing, minor edge wear, and light foxing. Rolled, Very Fine+. *****
Charade (Universal, R-1973). Japanese B2 (20" X 29").
More than just a pretty face, the lovely Audrey Hepburn had serious talent, charm, and that undefinable star quality, which has endeared her to audiences for decades which have made all her posters highly desirable. A fun thriller/mystery, Charade is directed by Stanley Donen. This unique Japanese layout highlights the star with a dramatic inset of a gun-toting Cary Grant. Rolled, Very Fine. *****
Charade (Universal, 1963). Lobby Card Set of 8 (11" X 14").
Screen idol Audrey Hepburn starred with many of the great male leads of the 1950s and '60s, including Cary Grant, in this enjoyable crime caper. Hepburn is Regina Lampert, a recent widow who doesn't know who to trust when she discovers her deceased husband had a secret life and was murdered for a stash of stolen money. Stanley Donen directs Walter Matthau, James Coburn, and George Kennedy as they relentlessly pursue Hepburn, hoping she knows where the cash is hidden. With the exception of one card that has foxing in the borders, this set is in wonderful condition. Very Fine+. *****
Airport (Universal, 1970). Autographed One Sheet (27" X 41").
Based on the novel of the same name by Arthur Hailey, this massively popular disaster film is the first of the genre. The movie features an all-star cast. It has been signed: Burt Lancaster, Dean Martin, George Kennedy, Barbara Hale, Maureen Stapleton, Whit Bissell, Barry Nelson, and the legendary Helen Hayes (who won the Academy Award for Best Supporting Actress). From the collection of Artie Kern, A/V man to Oscar winning songwriter Sammy Cahn for many years, who was also personal lyricist to Frank Sinatra for almost fifty years. Kern was also Memorabilia Consultant to the Songwriters Hall of Fame Museum in New York City and many of his items were on display there from 1980-1985, until its closing. Sammy Cahn helped Mr. Kern obtain the autographs as he was president of the hall for over 17 years and almost all of the signatures were from his personal friends. The sheet has fold wear, crossfold separations, and light edge wear. Fine/Very Fine. *****
Husbands (Columbia, 1970). Promotional Posters (2) (24.5" X 25") and Promotional Book (10.5" X 13.5").
When their friend dies suddenly, three middle-aged men (Ben Gazzara, Peter Falk, and John Cassavetes) face a jarring mid-life crisis, in which their friendship is put to the test and their marriages are strained to the breaking point. With dialogue largely improvised by the three leads, this is an intense and affecting picture from one of the era's most promising filmmakers. Offered here are two promotional posters and a promotional book. Only some fold wear in the posters keeps this exquisite lot from an even higher grade. Very Fine.
You Can't Get Away with it! (Universal, 1936). Title Lobby Card (11" X 14").
Released at the height of the Great Depression, when gangsters and bootleggers cut a bloody swath across America, J. Edgar Hoover attempted to bolster the image of his Federal Bureau of Investigation with this documentary short. Legendary badman John Dillinger is featured prominently, as he was one of the Bureau's big success stories, cut down in a hail of bullets in 1934, in a raid led by famed G-Man Melvin Purvis. A fine addition to any gangster film collection, this exquisite title card shows a chip in the right border, corner bends, pinholes in the borders, and light smudging in the borders. Notwithstanding these slight flaws, this is a great, and very scarce, piece that any collector of vintage rarities will covet. Fine+. *****
The Amazing Dr. Clitterhouse (Warner Brothers, 1938). Lobby Card (10.875" X 13.75").
In order to learn more about the inner workings of the criminal mind, Dr. T. S. Clitterhouse (Edward G. Robinson) decides to become a thief himself, hooking up with the notorious Rocks Valentine (Humphrey Bogart) in order to facilitate his research. Of course, things go farther than he intended, and Clitterhouse soon finds himself at odds with the desperate Valentine. One of the great Warner Brothers gangster films, paper from this picture is highly sought after, especially pieces like this one that feature both stars. The linen finish lobby card offered here has been slightly trimmed to an overall dimension of 10.875" X 13.75", but the image area is untouched. It shows some staining in the bottom and right borders, a tear with tape on the reverse in the bottom border, light edge wear, a crease in the bottom left, pinholes in the top border, and a chip in the top right. In spite of these minor flaws, this is still a very attractive and highly desirable card that any movie buff would be proud to own. Fine-. *****
Convicted (Columbia, 1938). One Sheet (27" X 41").
By the time they made this exciting film, Charles Quigley and Rita Hayworth were a familiar pair to movie-going audiences, having appeared in several previous features, most notably 1937's The Game that Kills, a story of murder in the hockey rink. This would be their last feature together; Quigley would go on to relative obscurity, making his biggest mark in serials like Daredevils of the Red Circle (1939) and The Crimson Ghost (1946), while Hayworth, of course, went on to become one of Hollywood's brightest stars. This dramatic one sheet had crossfold separation, a bend in the bottom right corner, light staining in the right border, light fold wear, and several small tears in the borders, but expert professional restoration has addressed all of these minor flaws, rendering them virtually invisible. This is a rare piece, sure to prove irresistible to any Hayworth fan. Fine+ on Linen. *****
Born to Be Wild (Republic, 1938). One Sheet (27" X 41").
An explosive film, this is the story of two hot shot truck drivers (Ralph Byrd and Ward Bond) who race to dynamite a dam after greedy land baron J. Stearns Davis (Robert Emmett Keane) shuts down the water supply to the town of Indian Head. Perhaps most importantly, this film has been cited as a principal inspiration for director Henri-Georges Clouzot's 1953 masterwork, The Wages of Fear. This dramatic one sheet had pinholes in the corners and borders, a small chip in the left border, and crossfold separation, but expert professional restoration has given it a like-new appearance. Very Fine on Linen. *****
Queen of the Mob (Paramount, 1940). One Sheet (27" X 41").
This was a 61-minute gangster morality tale based on the J. Edgar Hoover book, Persons in Hiding, which gave the first on-screen account of "Ma" Barker and her gang of no-good gangster sons. The names were changed, but this is a fun film full of shady characters, tommy-gun-toting gangsters, and Ralph Bellamy as an FBI agent. The poster has minor crossfold wear, pinholes in the corners, and several within the image. We've never offered this one sheet before! Fine/Very Fine. *****
The Face Behind the Mask (Columbia, 1941). Insert (14" X 36").
This low budget Columbia thriller stars Peter Lorre as Janos, a poor worker who is disfigured in a fire. With his ghastly appearance he cannot find work and turns to a life of crime. Eventually he is able to purchase a mask to hide his face, and falls for a kind blind woman played by Evelyn Keyes. Director Robert Florey had a long and successful film career, and was an expert at creating memorable horror classics, such as Murders in the Rue Morgue, and The Beast with Five Fingers (also with Lorre), with limited budgets. He made a successful transition to TV and directed episodes of Alfred Hitchcock Presents, Outer Limits, and The Twilight Zone. This insert has pinholes in the borders and field, light edge wear, a corner bend, fold wear, and light scratches on the mask. A dramatic image for this dark thriller. Folded, Fine/Very Fine. *****
Dick Tracy (RKO, 1945). One Sheet (27" X 41").
When Ralph Byrd took a break from the role of America's Greatest Lawman following several serials, Morgan Conway stepped into the yellow overcoat briefly as Chester Gould's square-jawed detective, first in this entry and then in Dick Tracy vs. Cueball (1946). After escaping from prison, Splitface (Mike Mazurki) begins tracking down and slaughtering the members of the jury who convicted him, until Tracy tracks him to a deserted riverboat for a final showdown. The dramatic one sheet offered here shows crossfold separation, light edge wear, and several pinholes in the field, but is extremely attractive and appealing despite these minor flaws. Very Fine-. *****
Dick Tracy vs. Cueball (RKO, 1946). One Sheet (27" X 41") Style A.
Chester Gould's detective hero Dick Tracy is back, this time up against the bald villain Cueball, played by Dick Wessel, who is out to axe all his former gang members, and Tracy. The crime crusader's girlfriend, Tess Trueheart, is played by Anne Jefferys, and some of the seedy characters are Vitamin Flintheart, Filthy Flora, and Jules Priceless (Ian Keith, Esther Howard, and Douglas Walton). Tracy, who started in the pages of the Chicago Tribune in 1931, was an instant sensation who soon grew into other media, including radio, comic books, and, of course, film. This desirable one sheet has crossfold separations, two corner bends, edge wear, and pinholes in the borders, but still displays beautifully. Very Fine-. *****
Gilda (Columbia, 1946). Lobby Card (11" X 14").
George Macready as Ballin Mundson, a Nazi sympathizer and shady casino owner, plots revenge on his tormented wife Gilda (Rita Hayworth). In this great scene card, Mundson is spying on Gilda and her former lover Johnny (Glenn Ford). The card has light smudges in two borders, and a small edge tear at the top. This is a beautiful piece from one of the greatest of all film noirs. Very Fine+. *****
The Two Mrs. Carrolls (Warner Brothers, 1947). Autographed One Sheet (27" X 41").
Humphrey Bogart stars in this taut thriller as a mentally unstable artist who kills one wife and seems on the brink of killing a second. Barbara Stanwyck is wonderful as Sally, wife two, who gradually realizes her husband is deranged and is once again painting the Angel of Death, this time with her face. Alexis Smith co-stars as Bogart's new love interest. This popular poster has fold wear with some separations, pinholes in the borders, and a few minor tack stains. There is cellophane and archival tape on the reverse along the folds. Barbara Stanwyck's signature is above the title of this impressive sheet. Fine. *****
Sorry, Wrong Number (Paramount, 1948). Half Sheet (22" X 28") Style A.
Barbara Stanwyck plays Leona Stevenson, a bedridden woman who overhears a murder plot via crossed telephone wires in this gripping adaptation of the classic radio play. In one of his earliest film roles, Burt Lancaster co-stars as Leona's weak-willed husband, Henry. This dramatic half sheet shows edge wear, small tears in the top and bottom borders, top and bottom right corner bends, and paper tape on the reverse, but is still quite appealing and attractive. A quintessential film noir thriller, you'll be proud to own this highly desirable half sheet. Rolled, Very Fine-. *****
The Big Clock (Paramount, 1948). One Sheet (27" X 41").
This fantastic thriller is directed by John Farrow, and stars Ray Milland as George Stroud, an innocent man who is involved with a blonde who is later found dead. Stroud's boss, Earl Janoth (Charles Laughton) puts him in charge of finding the real killer, which is actually a double-cross as Janoth is the guilty party and wants to frame Stroud. The paranoia and fear never let up, and strong performances are given by the stars and supporting cast including Maureen O'Sullivan, Elsa Lanchester, and George Macready. This striking one sheet has only light fold wear and crossfold separations. Very Fine+. *****
The Killers (Universal, R-1956). Lobby Card Set of 8 (11" X 14").
Director Robert Siodmak, brother of equally successful screenwriter Curt, started in Hollywood in the late 1930s making sensationalized B-pictures but is best remembered for several top notch film noirs, including his masterpiece, The Killers. Based on the Ernest Hemingway short story, this film stars Burt Lancaster as "the Swede", and Ava Gardner, in her breakthrough role, is the double-crossing Kitty Collins. Edmond O'Brien, Albert Dekker, and Sam Levene co-star in this fatalistic crime drama. Four cards have pinholes in the top and bottom borders and corner bumps, one card has a corner bend, and one card has a smudge in the bottom border. Very Fine-.
The Asphalt Jungle (MGM, 1950). Title Lobby Card (11" X 14").
A true landmark in the film noir genre, this is a classic "big caper" picture, in which a group of crooks band together for a major jewel heist. Making the picture even better is the star-making turn of Marilyn Monroe, as the sexy "niece" of crooked attorney Emmerich (Louis Calhern), a role that made her a star of the first magnitude. This highly desirable title card has clear tape on the reverse, bends in three corners, a small stain in the top border, pinholes in the borders, and light edge wear in the bottom border, but is otherwise extremely clean and attractive. Very Fine-. *****
Pickup on South Street (20th Century Fox, 1953). Half Sheet (22" X 28").
In this Cold War thriller, when a thief picks the wrong pocket, he ends up with a message intended for enemy agents, making himself the unwitting target of a Communist spy ring. The dramatic half sheet offered here shows pinholes in the corners, light edge wear, fold wear, light toning at the edges, a small hole in the top center, and light staining in the top border. These are minor flaws, however, none of which detract overmuch from this poster's intrinsic attractiveness and desirability. Folded, Fine+.
The Big Heat (Columbia, 1953). Lobby Card Set of 8 (11" X 14").
Glenn Ford as Dave Bannion, a crusading cop, comes up against a wall of police corruption, mob ties, murder and blackmail, in this shocking and gritty drama. Gloria Grahame gives a powerful performance as an abused gangster moll, as do co-stars Lee Marvin, Alexander Scourby, and Carolyn Jones. These cards are in wonderful condition, with a few cards showing edge wear, a small stain, smudging, or a pinhole. They feature key scenes from this top crime story along with fantastic border art of Grahame and Ford. Fine/Very Fine.
The Sellout (MGM, 1952). Autographed Three Sheet (41" X 81").
Newspaper editor Walter Pidgeon falls victim to a corrupt sheriff's (Thomas Gomez) savage intimidation until state's attorney John Hodiak comes to his rescue. This outstanding three sheet features gorgeous art of Audrey Totter, who has signed the poster. Prior to restoration, there was fold wear and crossfold separations with minor paper loss. There is a bleed through from a stamp on the reverse and a small bit of surface paper loss on Pidgeon's face still evident after restoration. Very Fine- on Linen. *****
Un Flic (Allied Artists, 1972). Japanese STB (20" X 58").
Alain Delon, Richard Crenna, and Catherine Deneuve star in this exciting heist film from director Jean-Pierre Melville. The highlight of the film, which contains very little dialogue, is a daring robbery from a moving train. This gorgeous STB is in superb condition; only some light edge wear keeps it from an even higher grade. Rolled, Very Fine/Near Mint. *****
The Godfather (CWF, 1972). Polish One Sheet (22.75" X 32").
Based on the bestselling novel by Mario Puzo, this film went on to spawn several sequels and has, since its release, become one of the most important films of modern times. Directed by Francis Ford Copolla, it made stars of such young performers as Al Pacino, James Caan, Robert Duvall, and Talia Shire, and provided one of the greatest roles in the career of the legendary Marlon Brando. As Don Vito Corleone, Brando's face dominates this starkly dramatic Polish poster. In excellent condition, it is only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen that keeps up from giving an even higher grade to this highly desirable poster. Very Fine+ on Linen. *****
Dirty Harry/Magnum Force Combo (Warner Brothers, R-1975). British Quad (30" X 40").
This great combo poster features two classic shots of the controversial police detective "Dirty Harry" Callahan (Clint Eastwood), from the first two films of the popular series. This British quad had slight fold wear, before it was professionally mounted on linen. Do you feel lucky? Bid on this cool poster. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Very Fine+ on Linen. *****
Thunderbolt and Lightfoot (United Artists, 1974). One Sheets (4) (27" X 41") Styles A, B, C, and Advance.
Michael Cimino, in his directorial debut, helms this crime caper, with Clint Eastwood as John "Thunderbolt" Doherty and Jeff Bridges as Lightfoot. The pair of thieves make several attempts to recover stolen loot from a previous heist, and when that proves impossible they start planning a new one with George Kennedy and Geoffrey Lewis. Offered here are all four one-sheets for this popular title. The advance poster has pinholes in the corners, and the style B has light edge wear.This lot is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON".
Near Mint-.
Dog Day Afternoon (Warner Brothers, 1975). Door Panels Set of 4 (20" X 60").
It was a simple plan: rob the bank, get away, spend the money. But things didn't go that smoothly for Sonny Wortzik (Al Pacino) and Sal (John Cazale), whose bungled burglary quickly turns into a massive media event. Based on an actual event, Pacino's role in this picture is considered by many to be one of the greatest performances in the history of cinema. Ironically, Pacino actually quit the production early on, and the role of Sonny was offered to Dustin Hoffman. Pacino changed his mind when he heard that Hoffman might take the role. The rare set of door panels offered here are in excellent condition. Only some minor edge wear on all four, and an extra vertical crease on one poster, keeps this lot from an even higher grade. This item is from the collection of David Frangioni, collector and author of the upcoming film poster book, from Palace Press International entitled "Clint Eastwood: ICON". Folded, Very Fine+.
The Getaway (Towa, 1972). Japanese STB (20" X 58").
Steve McQueen is always riveting in action films, and this is one fast-paced crime drama, full of double and triple crosses, car chases, and gun fights. This hit also stars McQueen's soon-to-be wife, Ali MacGraw. This sensational Japanese poster is in pristine condition, showing only one corner bend. Folded, Very Fine/Near Mint. *****
Dick Tracy (Buena Vista, 1990). Advance Double-Sided One Sheets (2) (27" X 41").
Warren Beatty brought Chester Gould's iconic lawman to life on the silver screen in this big-budget picture that co-starred such cinematic luminaries as Madonna, Al Pacino, Mandy Patinkin, Paul Sorvino, Dick van Dyke, Kathy Bates, James Caan, Henry Silva, and Dustin Hoffman. Offered here are two extremely rare advance posters, one featuring Madonna as the devastatingly sexy Breathless Mahoney. We have never offered these styles before, as they are extremely scarce and highly desirable. In absolutely Mint condition, these posters look every bit as good as the day they rolled off the press. Don't miss your chance to add these beauties to your collection. Rolled, Mint. *****
Popeye Stock Poster (Paramount, 1943). One Sheet (27" X 41").
Created by Elzie Crisler Segar, Popeye the Sailor Man first appeared in a daily cartoon strip in 1929. He found his way to Paramount four years later in a series of very popular shorts, voiced mostly by Jack Mercer. During the dark days of World War II, his optimism and strength was an inspiration to movie-goers everywhere. This poster has light edge wear with tears, crossfold separations, and a corner chip in the lower right. There is a small tear in the last "E" of the title. This bold and whimsical stock poster will be a hit for fans of all ages. Fine/Very Fine. *****
The Paradine Case (Selznick, 1948). Three Sheet (41" X 81").
Suspense master Alfred Hitchcock wanted Laurence Olivier as Barrister Antony Keane and Greta Garbo as the sly and beautiful accused murderess, Madame Paradine. David O. Selznick, to whom Hitchcock was under contract, exerted his studio power and insisted on casting Gregory Peck and Alida Valli in these pivotal roles. Legend has it that Hitchcock was so put out with Selznick and their relationship so devastated, that Hitchcock slept behind the camera through much of the shooting. This says a lot perhaps of his skill as the film is still a pleasure to watch! This rare three sheet, which we have never offered before, has slight edge wear and minor crossfold wear. Very Fine. *****
Rope (MGM, R-1950s). French Grande (47" X 63").
Director Alfred Hitchcock's first color film, this gripping story, about two college students, Brandon Shaw and Phillip Morgan (John Dall and Farley Granger), who attempt the "perfect crime," is seemingly shot in one long, uninterrupted take (actually, the picture is made up of about ten takes, the longest of which lasts for nearly ten minutes, the maximum amount of film a camera at the time could hold). After Shaw and Morgan kill a fellow student and stow his body in an antique chest in the middle of their apartment, they throw a party, dropping more and more hints about their nefarious deed as the evening progresses. Eventually, their professor (James Stewart) begins to suspect that something is amiss. This stunning poster, with its great image of Hitchcock by popular artist Roger Soubie, has crossfold separation, small edge tears at the fold lines, and a split in the top horizontal fold, but is otherwise clean and attractive, making this a poster that any fan of this iconic director will be proud to own. Fine. *****
Rear Window (Paramount, R-1962). One Sheet (27" X 41").
One of director Alfred Hitchcock's most gripping films, this is the story of photographer Jeff Jeffries (James Stewart), a photographer laid up with a broken leg, who witnesses a murder in a neighboring apartment building, and then feels compelled to bring the killer to justice. This striking re-release one sheet shows some light foxing in the borders, a top right corner bend, and some extra horizontal creasing, but is otherwise in excellent condition, possessing a high degree of eye-appeal. Very Fine-. *****
Rear Window (Paramount, R-1962). Lobby Card Set of 8 (11" X 14").
Raymond Burr is in his most memorable film role as the suspicious neighbor Lars Thorwald, whom James Stewart watches from his courtyard window. Alfred Hitchcock's suspenseful drama also stars one of his favorite actresses, Grace Kelly, along with Wendell Corey and Thelma Ritter. This great set is from the 1962 re-release, eight years after the movie premiered, and the studio was able to capitalize on Burr's growing popularity as the TV detective, Perry Mason. They added a head shot of Burr in the bottom left corner of these cards. One card has foxing in the borders, and another has a smaller area of foxing. The rest of the cards are in pristine condition. Very Fine+. *****
The Birds (Universal, 1963). Half Sheet (22" X 28").
Daphne Du Maurier's short story is chillingly brought to life in this, one of director Alfred Hitchcock's greatest films, in which a small coastal town is terrorized by a sudden attack of birds. Tippi Hedren, the film's lead, was discovered by Hitchcock while doing a commercial on the Today Show in 1962. Shortly thereafter, he placed her under a personal contract and cast her in this picture, which turned out to be a star-maker for the pretty young actress. This dramatic half sheet offered here has a smudge in the top border and some light wrinkling at the fold lines, but is otherwise clean and fresh, a perfect addition to any collection. Folded, Very Fine+. *****
From Russia with Love (United Artists, R-1972). Japanese STB (20" X 58").
Agent 007 (Sean Connery) goes to Turkey to help a Soviet officer, Corporal Tatiana Romanova (Daniela Bianchi), defect. But the defection is a trap set by SPECTRE to avenge the death of Dr. No. This unique style for the second James Bond film has one pinhole, and light edge wear at the right. Rolled, Very Fine/Near Mint. *****
From Russia with Love (United Artists, 1964). Lobby Card Set of 8 (11" X 14").
The second film in the popular James Bond franchise, this gritty Cold War thriller finds Agent 007 (Sean Connery) hot on the trail of the Lektor, a Russian decoding device, while trying to avoid the clutches of the evil Red Grant (Robert Shaw) and Rosa Klebb (Lotte Lenya), who are after the same device on behalf of SPECTRE. Many Bond fans consider this to be one of the best films in the series, as it emphasizes action over the gadgets that would later come to be a trademark of the franchise. These exquisite lobby cards are a collector's dream. There is a light dust shadow in the bottom right corner of five cards, pinholes in the corners of four, and light edge wear on most, but these slight flaws are easily overlooked, as this set possesses a high degree of eye-appeal and desirability. No Bond collection is complete without this important set. Fine/Very Fine.
You Only Live Twice (United Artists, 1967). French Grande (47" X 63").
James Bond (Sean Connery) travels to the mysterious Orient in this exciting film, in order to stop a series of spacejackings that threaten to ignite a nuclear war. This glorious French Grande has staple holes and several tears in the borders, and some edge wear, but is, overall, in superb condition, possessing a high degree of eye-appeal. Fine-.
Casino Royale (Columbia, 1967). Lobby Card Set of 8 (11" X 14").
By 1967, the James Bond film franchise was already ripe for parody having become one of the most popular series in movie history. One of the most expensive films made at that time, this exciting comedy featured an all-star cast, including Peter Sellers, Ursula Andress, David Niven (Ian Fleming's reported first choice to play his famed superspy), Orson Welles, Woody Allen, Deborah Kerr, William Holden, Charles Boyer, John Huston, and George Raft. This gorgeous set of lobby cards is in impeccable condition, the perfect addition to any Bond collection. Mint.
On Her Majesty's Secret Service (United Artists, 1970). One Sheet (27" X 41") Style B.
When Sean Connery announced he was leaving the franchise following You Only Live Twice (1967), the hunt was on for the new James Bond. After a highly publicized talent search, Australian male model George Lazenby assumed 007's license to kill, going on to make this terrific film, one that many consider to be one of the very best films in the series. With Telly Savalas as the evil mastermind Ernst Stavro Blofeld, and Diana Rigg as Tracy Di Vincenzo, Bond's one true love, this picture is long on action, as Bond races to prevent Blofeld's plot to destroy the world with a deadly virus. The beautiful one sheet offered here is in great condition, with only some fold wear, light edge wear, and minor crossfold separation keeping it from an even higher grade. Very Fine+.
Diamonds are Forever (United Artists, 1971). Half Sheet (22" X 28").
After a one-film hiatus, Sean Connery returned to the role of James Bond, author Ian Fleming's British superspy with a license to kill, in this fast-paced action picture. This time around, 007 sets out to foil a diamond smuggling operation, but uncovers a larger extortion plot, headed by his chief nemesis Ernst Stavro Blofeld (Charles Gray). The half sheet offered here shows some surface paper loss in the borders, edge wear, pinholes in the borders, a tear in the center, and some water staining in the bottom border, but is otherwise extremely clean and presentable. No Bond collection is complete without this stunning beauty! Folded, Fine+. *****
Diamonds are Forever (United Artists, 1971). Lobby Card Set of 8 (11" X 14").
Sean Connery thought he had put the role of superspy James Bond behind him forever after You Only Live Twice (1967), passing 007's license to kill to his successor, George Lazenby, who starred in On Her Majesty's Secret Service (1969). After the box office underperformance of that film, the producers wooed Connery back to the role, reportedly paying him an astronomical salary for his return in this film. Offered here is a beautiful set of lobby cards in pristine condition, looking every bit as fresh and clean as the day they were printed. It doesn't get much better than this for the avid Bond fan! Mint. *****
Diamonds are Forever (United Artists, 1971). Three Sheet (41" X 81").
After a one picture hiatus, Sean Connery returned to the James Bond franchise one final time in this action-filled epic. While investigating a diamond smuggling plot in Las Vegas, Bond is drawn into a massive extortion plot headed by his old nemesis, Ernst Stavro Blofeld (Charles Gray). The three sheet offered here appears to never have been used. It is in impeccable condition, and deserves an honored place in your collection. Mint.
Diamonds are Forever (United Artists, 1971). Six Sheet (81" X 81").
Shirley Bassey's haunting theme song will always be recalled at the mention of this classic Sean Connery - James Bond film, as well as the wonderful artwork used to illustrate its posters. Prior to being linen-backed, there were only minor edge tears and pinholes in the image. Very Fine on Linen.
Live and Let Die (United Artists, 1973). Six Sheet (81" X 81").
James Bond entered a new era - the Swingin' Seventies - in this popular film, which not only introduced Roger Moore as Ian Fleming's Agent 007, but also took its cue from the Blaxploitation pictures that were setting box office records at the time. This time out, Bond is sent to New Orleans to stop bigshot heroin kingpin Kananga (Yaphet Kotto) who uses a tantalizing tarot reader (Jane Seymour) to guide his criminal organization. Offered here is a stunning six sheet, which appears to have never been used. For Bond collectors, it doesn't get much better than this. Mint.
Live and Let Die (United Artists, 1973). Lobby Card Set of 8 (11" X 14").
After George Lazenby's turn as Ian Fleming's famed superspy in On Her Majesty's Secret Service (1969), and Sean Connery's brief return to the role in Diamonds are Forever (1971), it was time for a new actor to take up James Bond's famous license to kill. Stepping into the role was Roger Moore, who had made a name for himself as Simon Templar, the Saint, several years earlier. This was Moore's first turn as Agent 007, in a tale that was equally spy thriller and blaxploitation film. Appearing as his first Bond girl was the luscious Jane Seymour, in one of her earliest film roles. This highly desirable lobby card set is in superb condition, a real find for any fan of this popular franchise. Don't let this one pass you by! Near Mint/Mint. *****
The Man with the Golden Gun (United Artists, 1974). Lobby Card Set of 8 (11" X 14").
British Intelligence has received a threat against James Bond (Roger Moore in his second outing) in the form of a gold bullet with "007" engraved on it. Bond follows the trail of the bullet to world-class hit man Scaramanga (Christopher Lee), who wants the killing of James Bond to be his masterpiece. Maud Adams and Britt Ekland play the alluring Bond women. Mint. *****
A Fight for Millions (Vitagraph, 1918). One Sheet (27" X 41") Chapter -- "The Snare."
This was the first of eight action-oriented serials to star William Duncan and Edith Johnson. The popular pair, who reigned as the screen serial's leading couple for years, eventually married, teaming up off-screen as well as on. In this exciting, 15 episode chapterplay, Johnson must choose between two suitors - one an outlaw, the other a dandy - or risk losing her inheritance. This lovely poster, picturing both Duncan and Johnson, had an extra vertical crease in the left side, tears at the top and bottom border, each of which extended into the image area, a small piece missing from the top left, and a small hole in the top right; expert professional restoration has rendered these slight flaws virtually invisible. Very Good/Fine on Linen. *****
Dick Tracy vs. Crime Inc. (Republic, 1941). One Sheet (27" X 41") Chapter One -- "The Fatal Hour."
Ralph Byrd returns to the big screen as Chester Gould's classic comic strip detective Dick Tracy in this exciting serial from Republic. Many fans consider this to be the best of the Dick Tracy serials, and the one sheets from the first chapter are always the most desirable. This one sheet had only pinholes in the corners and borders, and edge wear; after professional restoration it displays beautifully. Very Fine on Linen. *****
Dick Tracy vs. Crime Inc. (Republic, 1941). One Sheet (27" X 41") Chapter 9 -- "Beheaded."
Ralph Byrd is Chester Gould's classic comic strip detective Dick Tracy who battles the underworld in this ever popular Republic serial. Here he is up against villains the Ghost and Ralph Morgan. Byrd would go on to star again as Tracy in the TV series of the early 1950s. Slight wrinkling and general wear overall along with small pinpoint crossfold separation are all that mar this stellar poster. Fine. *****
G-Men vs. the Black Dragon (Republic, 1943). One Sheet (27" X 41") Chapter One -- "The Yellow Peril."
This pulse-pounding war-time chapterplay, from leading serial studio Republic, brought together agents from the U.S.A., Great Britain, and China to oppose the evil Japanese Black Dragon Society, an organization dedicated to the downfall of America through a campaign of sabotage and terror, headed by agents smuggled into the country disguised as mummies. Largely considered one of the very finest of the Republic serials, this is a real corker, helmed by one of the genre's greatest directors, the incomparable William Witney. The all-art, Chapter One one sheet offered here has some crossfold separation, fold wear, some edge wear in the left border, an extra vertical crease in the right side, and a small area of surface paper loss in the bottom border, but is otherwise clean and attractive, a great addition to any serial poster collection. Fine+. *****
Brenda Starr, Reporter (Columbia, 1945). One Sheet (27" X 41") Chapter 12 -- "Murder at Night."
Joan Woodbury stars as the spunky and glamorous girl reporter in this 13-chapter serial. The films were based on the popular comic strip created in 1940 by Dale Messick for the Chicago Tribune. Starr is chased by a gang of thieves led by Joe Heller (Wheeler Oakman) and saved from various tough situations by Larry Farrell (Kane Richmond). There is slight border wear and minor chips with general handling wear overall. There are also pinholes in the corners and pinpoint crossfold separation. The reverse shows some tanning. Fine-. *****
Jack Armstrong, the All American Boy (Columbia, 1947). One Sheet (27" X 41") Chapter 1 -- "Mystery of the Cosmic Ray."
John Hart is the title character and hero, Jack Armstrong, who is kidnapped for his knowledge of atomic energy, in this action-packed Columbia serial. Battling the evil Dr. Grood alongside Armstrong is Rosemary La Planche and Joe Brown Jr. The poster has pinholes in the borders and field, fold wear with tape lifts, chips in the top and left borders, and some minor paper loss in the lower left corner. Some touch-up work has been done to two of the chips. Fine on Linen. *****
China Seas (MGM, 1935). Lobby Card (11" X 14").
MGM producer Irving Thalberg brilliantly casts the top sex symbols of the silver screen, Clark Gable and Jean Harlow, in this love triangle (with Rosalind Russell) set aboard a British steamer. Gable and Harlow starred together in six films and their chemistry is fun to watch in each of them. Here, down-to-earth Harlow battles aristocratic Russell for the love of the ship's captain (Gable), who also has to deal with a group of pirates headed by Wallace Beery. The card has a small smudge in the bottom border, and one pinhole in each of the top and bottom borders. This is one spectacular image with Gable, Harlow, Russell, and C. Aubrey Smith. Very Fine+. *****
West of Shanghai (Warner Brothers, 1937). One Sheet (27" X 41").
The incomparable Boris Karloff appears in this exciting picture as General Wu Yen Fang, a Chinese warlord who controls a large part of northern China, and becomes involved in a life-or-death struggle between a small village and a band of greedy oilmen. The striking one sheet offered here had fold wear, a hole in the right side, small holes in the left border, and a tiny chip in the bottom right, but, after expert professional restoration, these slight flaws are only visible under the closest examination. This is sure to be a popular lot with Karloff's legion of fans. Fine+ on Linen. *****
The Buccaneer (Paramount, 1938). Half Sheet (22" X 28") Style A.
Fredric March stars as storied French privateer Jean Lafitte in this great romantic adventure directed by Cecil B. DeMille. March is at his swashbuckling best on this glorious half sheet, which also pictures Franciska Gaal and Akim Tamiroff. It had small chips and a tear in the bottom border, as well as a tear in the top border that extended into the image area, but all of these slight flaws have been addressed via expert professional restoration, returning the poster to a like-new appearance. Fine/Very Fine on Paper. *****
The Black Swan (20th Century Fox, 1942). Insert (14" X 36").
Although the film is billed as being based on the novel by Rafael Sabatini, this is actually an entirely original story about swashbuckling buccaneer Jamie Waring (Tyrone Power), who is driven to a life of respectability when he falls in love with smoldering beauty Margaret Denby (Maureen O'Hara). Of course, just as he tries to get out, they pull him back in, when Margaret is kidnapped, forcing Jamie to return to his rough-and-tumble ways. This dazzling insert has pinholes in the corners and borders, a soft horizontal crease in the center, and a small tear in the bottom border, but presents very nicely, with a high degree of eye-appeal. Rolled, Very Fine. *****
White Cargo (MGM, 1942). Title Lobby Card (11" X 14").
Set on a rubber plantation in Africa, Hedy Lamarr stars as the exotic and enticing Tondelayo, who marries British plantation manager Langford (Richard Carlson), who was warned to stay away from the native girls. The couple soon tire of each other and Tondelayo plots to poison her husband. Walter Pidgeon and Frank Morgan co-star. This is one of Lamarr's best remembered roles; it received a lot of heat from censor boards. This title card has paper tape on the reverse, pinholes in the field and corners, light stains in the borders, and rounded corners. With one of the best images of Lamarr on any poster, this card is always highly sought after. Very Fine-. *****
Joan of Arc (RKO, 1948). One Sheet (27" X 41") Style A.
Director Victor Fleming's last film, this was Ingrid Bergman's personal project that she had been trying to produce for years. Co-starring Jose Ferrer (in his film debut), Francis L. Sullivan, and J. Carrol Naish, the film tells the story of the life of the peasant girl Joan who rose to lead the French army in repelling the English, during the Hundred Years War. The heroine was burned at the stake as a heretic, and later declared a Catholic saint. This dramatic and popular poster has been professionally restored to address enlarged pinholes in the corners, small edge tears at the folds, and a minor chip in the top border. There are ink marks in the borders. This powerful image of Bergman depicts her in full armor, her sword and flag held high, and is considered by many to be the best style of the four or five one sheets produced. Fine+ on Linen. *****
Ben-Hur (MGM, 1959). Insert (14" X 36") Academy Award Style.
William Wyler's Biblical epic is the first of only three films to win eleven Academy Awards. Judah Ben-Hur (Charlton Heston) returns from slavery to take revenge on his former friend Messala (Stephen Boyd), the Roman who falsely convicted him. Co-starring in the film are Jack Hawkins, Haya Harareet, Stephen Boyd, and Hugh Griffith. There is cellophane tape on the reverse at the top edge, a tiny corner bend, and a very faint dust shadow at the edges. This unique style insert features two great renderings of scenes from the film. Rolled, Very Fine. *****
Romeo and Juliet (Paramount, 1968). Japanese B2 (20" X 29").
Considered one of the greatest film adaptations of any of William Shakespeare's plays, director Franco Zeffirelli broke new ground in this movie by actually casting youngsters in the lead roles (Leonard Whiting, who played Romeo, was 17, while his Juliet, Olivia Hussey, was only 15). Sumptuously filmed in various Italian locations, the picture remains a true classic. Offered here is a gorgeous Japanese poster for this popular film. In absolutely stunning condition, this piece will satisfy even the most ardent condition fanatic. Rolled, Mint. *****
Kagemusha (Toho, 1980). Japanese Poster (19" X 40").
A poor thief (Tatsuya Nakadai) tapped to impersonate powerful warlord Shingen Takeda (also played by Nakadai) is forced to continue his deception when the warlord is assassinated. Brilliantly conceived and directed by the renowned Akira Kurosawa, the movie was made possible thanks to the support of Francis Ford Coppola and George Lucas. It also marks the final feature film of famed Japanese actor Takashi Shimura. Offered here is a very rare poster issued in support of this film. It shows edge wear, creasing, and fold wear, but is, overall, in great condition, and will make a valued addition to any collection. Folded, Very Good. *****
Kagemusha (Toho, 1980). Japanese Poster (46" X 71").
A sixteenth century thief's life is spared when he agrees to pose as a powerful, secretly deceased warlord, whose throne is coveted by others. Akira Kurosawa had difficulty securing backing for this film, but was finally able to begin production with financial support from longtime admirers Francis Ford Coppola and George Lucas. Aside from pinholes and bends in the corners, this country-of-origin poster is quite impressive and will display very nicely. Very Fine+. *****
The Treasure of the Sierra Madre (Warner Brothers, 1948). Belgian (14" X 22").
John Huston directs Humphrey Bogart, Walter Huston, and Tim Holt as three prospectors trying to change their luck in Mexico. Notoriously brutal conditions made for one of the most thrilling and gritty Warner Brothers efforts of the late 1940s, and earned Oscars for Direction, Screenplay, and Supporting Actor for Walter Huston. This gorgeous Belgian poster has undergone excellent restoration which addressed light fold wear and a trimmed imprint area. Fine+ on Linen. *****
Action in the North Atlantic (Warner Brothers, 1943). One Sheet (27" X 41").
Lloyd Bacon is best remembered for directing many of Warner Brothers' hits from the 1920-1940s, and he worked with one of the studio's biggest stars, Humphrey Bogart, in seven of his pictures. Raymond Massey, as Capt. Steve Jarvis, and his first mate Lt. Joe Rossi (Bogart) are on a dangerous mission aboard a merchant marine vessel bound from Halifax to Murmansk. Alan Hale, Ruth Gordon, and Julie Bishop co-star in this suspense-filled war film. The poster has been professionally restored to address a paper loss and chip in the right border, and pinholes in the corners. There is a corner bend in the lower right that occurred after restoration. This great poster features a striking image of Bogart and Bishop, and several action scenes. Fine/Very Fine on Linen. *****
Across the Pacific (Warner Brothers, 1942). Lobby Card (11" X 14").
Capitalizing on the immense success of the previous year's hit, The Maltese Falcon, Warner Brothers re-united director John Huston with stars Humphrey Bogart, Mary Astor, and Sydney Greenstreet in this espionage thriller. Despite the title, the action takes place onboard a ship bound for Panama, where Japanese spies are plotting to attack the canal, on the cusp of American involvement in WWII. The card has a small tear at the bottom edge that extends slightly into the blue field. This great image features Bogart, Astor, and Keye Luke. Fine/Very Fine. *****
The Purple Heart (20th Century Fox, 1944). One Sheet (27" X 41").
When eight airmen crash during a bombing raid on Tokyo during World War II, they are taken prisoner and tried in a Japanese court for war crimes. Directed by Lewis Milestone, whose immortal classic, All Quiet on the Western Front (1930), remains one of the great anti-war pictures of all time, this is a moving war-time drama of heroism and sacrifice. This highly attractive one sheet shows pinholes in the corners and borders, minor crossfold separation, and an instance of minor surface paper loss in the right border. These slight flaws notwithstanding, this is a beautiful poster. Fine+. *****
From Here to Eternity (Columbia, 1953). Insert (14" X 36").
This sensational adaptation of James Jones's acclaimed war novel follows the private lives of soldiers stationed in Hawaii, just prior to the Pearl Harbor attack. Columbia took a chance and added Frank Sinatra to an all-star cast which includes Burt Lancaster, Montgomery Clift, Deborah Kerr, and Donna Reed. The gamble paid off with an Oscar winning performance by Sinatra, one of eight Academy Award wins for the film. This insert has pinholes in the corners and borders, a corner bend in the top left, pinpoint stains in the lower left, and fold wear with minor tears. There is an extra horizontal fold, a tear in the top border, and tape on the reverse along the edges. Folded, Fine+. *****
To Hell and Back (Universal, 1955). One Sheet (27" X 41").
Audie Murphy delivers his most acclaimed performance as himself in this WWII epic. Taken from the star's autobiography, this film tells the incredible story of Murphy's road to becoming America's most decorated soldier during WWII. The poster has a fold separation at the right edge, a light stain in the title, and crossfold separations. This is one colorful and dramatic poster. Very Fine+. *****
The Bridge on the River Kwai (Columbia, 1958). Lobby Card Set of 8 (11" X 14").
Director David Lean's gripping drama of obsession and monomania, set in a Japanese POW camp during World War II, was a major triumph for everyone involved winning seven Oscars, including Best Actor (Alec Guinness), Best Director (Lean), and Best Picture. Guinness plays Colonel Nicholson who is tasked with building a bridge by the camp's commander, Col. Saito (Sessue Hayakawa). He initially accepts the assignment as a way of providing a morale-booster for his troops, but, as the project wears on, his obsessive desire to complete the bridge to perfection slowly drives him mad. William Holden is the American officer assigned to destroy Nicholson's masterpiece. Only a light dust shadow on the title card of this exquisite lobby set keeps it from an even higher grade. Very Fine/Near Mint. *****
The Great Escape (United Artists, 1963). Japanese B2 (20" X 29").
Based on a real-life escape from a German POW camp during World War II, this exciting, action-packed film was a tour-de-force for actor Steve McQueen, who played brash American officer Hilts (McQueen reportedly accepted the role on the condition that he be allowed to show off his motorcycle skills. Hence, the scene where McQueen is chased on motorcycle by a cadre of German soldiers was added to the script, although such a chase never occurred in real life). With an outstanding cast, including James Garner, Charles Bronson, Donald Pleasance (who had really been a POW in a German camp during WWII), Richard Attenborough, James Coburn, and David McCallum, this film remains a popular favorite of fans of action films worldwide. Offered here is a very attractive Japanese poster, which has pinholes in the bottom right and in the field, a smudge in the right border, overall light wrinkling, and a top left corner bend. In spite of these slight flaws, this is a striking poster that displays very nicely, possessing a high degree of eye-appeal. Folded, Fine/Very Fine. *****
Zulu (Paramount, 1964). One Sheet (27" X 41").
Filmed on location in Natal National Park, Zulu is an epic, told in appropriately grand scale, and notable as well for providing Michael Caine's first major screen role. The story is based on the historical Battle of Rorke's Drift in 1879, in which 139 British troops successfully defended a lone outpost against more than 4,000 Zulu warriors. The top right corner has surface paper loss on the reverse. This bright poster displays beautifully. Very Fine/Near Mint. *****
Where Eagles Dare (MGM, 1968). British Quad (30" X 40").
The screenplay for this smart war film was written by espionage novelist Alistair MacLean. Richard Burton and a young Clint Eastwood, in one of his earliest roles, star as WWII soldiers sent behind enemy lines to rescue an American General (Robert Beatty). Their mission becomes more and more precarious as double agents emerge. This striking and rarely seen British quad had only light fold wear prior to professional restoration with linen backing. The linen has been trimmed to the edges of the poster. Very Fine+ on Linen. *****
Idol of the Crowds (Film Classics, R-1948). Insert (14" X 36").
In a break from his roles in the Republic Westerns, John Wayne moves into the world of sports, a genre he was very comfortable with since he was a former USC football player. As the honorable and upright hockey player Johnny Hansen, Wayne refuses to throw a game, so the gangsters who offered him a bribe seek revenge on the team's mascot, played by Billy Burrud. Arthur Lubin directs and Sheila Bromley co-stars. This insert has minor edge wear on the bottom and top right borders and there is general handling wear around the bottom and top edges. The corners have small bends and there is a small stain near the title. Folded, Fine. *****
Jim Thorpe - All American (Warner Brothers, 1951). One Sheet (27" X 41").
Burt Lancaster shines in this exciting biopic as one of America's most naturally gifted athletes, the incomparable Jim Thorpe. Thorpe won Gold medals in both the pentathlon and decathlon in the 1912 Olympics, but had them stripped from him on a technicality, when it was discovered he had played several years of semi-pro baseball, thus voiding his amateur status. This attractive poster shows some crossfold separation, a small tear in the bottom border, and light wrinkling in the left side, but presents very nicely. This is a great poster for any movie or sports fan. Very Fine. *****
The Weekend Warriors (Champion, 1966). One Sheet (28" X 44").
Little is known about this film, save what is revealed by this stunning, eye-catching poster. The weekend warriors in question are drag racers, and it appears that this picture was a documentary about racing, filmed at the National Hot Rod Association Championships in 1966 and sadly, now lost. Included in this film were appearances by the Ramchargers, Bobby Langley, Dick Harrell, Tom McEwen, Jim Dunn, and Tommy Ivo, among many others. The poster, which is silkscreened in a striking day-glo pink, is slightly oversized compared to a standard one sheet. It shows a tear in the right border, light fold wear, pinpoint crossfold separation, and minor edge staining, but remains a very desirable and attractive piece for any fan of classic drag racing. Fine/Very Fine. *****
The Covered Wagon (Paramount, 1923). Title Lobby Card (11" X 14").
This early Western is directed by prolific director James Cruze and stars J. Warren Kerrigan, Lois Wilson, Alan Hale, and Ernest Torrence. The film follows the travails of pioneers in a wagon train as they make their way from Kansas to Oregon. Wilson was one of the original WAMPAS Baby Stars of 1922, the promotion's inaugural year. The card had pinholes in the right border and an abrasion and a hole in the top yellow field, all of which have been filled in and touched up. There is tape on the reverse at the holes and two corners. Very Good-. *****
Buck Jones Stock Window Card (Columbia, 1932). Window Card (14" X 22").
Buck Jones, "The Screen's Ace Outdoor Star," was a well-known cowboy star for more than twenty years, playing a variety of characters, most of whom were named "Buck." Jones was at the peak of his career when he died in the infamous 1942 Cocoanut Grove fire. There is printing in the imprint area as well as staining in the borders, a small tear in the field, and a paper lift in the bottom right corner. There is also a pinhole in the top border and a bump at the bottom right corner. Still, it presents beautifully, with strong, vibrant colors. Fine. *****
In Old Santa Fe (Mascot, 1934). One Sheet (27" X 41").
Set in the modern West, Ken Maynard stars as Kentucky, a hand at a dude ranch. Kentucky dukes it out with villain Chandler (Kenneth Thomson) who is after his girl Lila (Evelyn Knapp). One of the most notable scenes in this film takes place when the action moves to a saloon, where singing cowboys Gene Autry and Smiley Burnette take center stage, in their screen debuts. The only issues with this one are the top and bottom borders, which have been trimmed. They were replaced with excellent restoration work, and the poster now displays wonderfully. This beautiful one sheet features colorful portraits of the stars with a great background of silhouettes of cowboys riding off into the sunset. Fine on Linen. *****
In Old Santa Fe (Mascot, 1934). Lobby Card (11" X 14").
This colorful lobby card is important as a snapshot of Western film history in the making. Although star Ken Maynard is the headliner, by this time he was wearing out the patience of studio executives at both Universal and Mascot. Fortunately Mascot included a small scene in this feature with debut performances by relative unknown singing cowboys Gene Autry and Smiley Burnette, both shown here front and center. The card has been professionally restored to address vertical creases, a chip in the top border and one in the right corner that minutely extends into the border art, and a small tear at the right edge. Very Good/Very Fine. *****
Cowboy Holiday (Beacon, 1934). One Sheet (27" X 41").
Guinn "Big Boy" Williams stars as Buck Sawyer, a good-natured cowboy who is mistaken for a notorious Mexican bandido, The Juarez Kid, who is on the lam after killing a rancher. In the end, however, Sawyer not only captures the outlaw and clears his good name, he also wins the slain rancher's beautiful daughter as well. Offered here is a fabulous poster that any Western fan will surely covet. It had fold wear, some crossfold separation with paper loss, and tears in the borders, but after expert professional restoration, it looks as good as new. Fine+ on Linen. *****
The New Frontier (Republic, 1935). Lobby Card (11" X 14").
John Wayne has to clean up the town of Frontier, Oklahoma in this action-packed B Western, his second film for Republic Studios. This extremely clean card has only a faint bottom right corner bend to keep it from being graded mint. Near Mint. *****
King of the Pecos (Republic, 1936). Lobby Card (11" X 14").
Cowboy hero John Wayne plays a lawyer who is out for justice as he comes up against the murderous King of the Pecos (Cy Kendall), who killed his parents years ago. Having to use both the law books and his gun, Wayne brings order to the land and finds time to woo Belle (Muriel Evans). This bright and clean card has two pinholes, two rounded corners, one minor edge tear, and a scratch in the bottom of the image. Very Fine. *****
Tall in the Saddle (RKO, 1944). Insert (14" X 36").
John Wayne might be taking on more trouble than he can handle as he tangles with two female ranch owners in this top RKO Western. As chauvinistic Rocklin, Wayne can't accept a woman, Ella Rainer or Audrey Long, as his boss. However, he does come to their rescue when he takes on a corrupt judge played by Ward Bond. A lovely poster, there is only one minor edge tear at the right. Rolled, Very Fine/Near Mint. *****
The Arizona Raiders (Paramount, 1936). One Sheet (27" X 41").
Larry "Buster" Crabbe was at the height of his fame, just having made the first of a trio of popular Flash Gordon serials, when he starred in this exciting Western. As Laramie Nelson, Crabbe plays the honest cowpoke about to be lynched for a crime he didn't commit, in this thrilling adaptation of Zane Grey's Riders of Spanish Peaks. This beautiful one sheet shows tears in the right and left borders, fold wear with some paper loss, crossfold separation, and airbrushing to Marsha Hunt's face. Additionally, it should be noted that the linen has been trimmed to the borders, although this does not affect the poster itself in any way. Expert professional restoration has addressed these minor flaws, returning this poster to a like new appearance. This is one you'll be proud to own and display. Very Good/Fine on Linen. *****
Wide Open Town (Paramount, 1941). One Sheet (27" X 41").
On the trail of a gang of cattle rustlers, Hopalong Cassidy (William Boyd) and the Bar-20 Boys head to Gunsight, a lawless town ruled by Belle Langtry (Evelyn Brent), a low woman who runs the Paradise Saloon, in this entertaining B Western. The fabulous one sheet offered here has edge wear, pinpoint crossfold separation, edge tears, and top and bottom left corner bends, but is otherwise in superb condition. Very Fine-. *****
They Died with Their Boots On (Warner Brothers, 1941). Lobby Card (11" X 14").
The last of eight films Errol Flynn and Olivia de Havilland made together, this is one of their best, with Anthony Quinn co-starring as Chief Crazy Horse. Raoul Walsh directs this biopic of George Custer, with much added Hollywood romanticizing. There were pinholes in all of the corners and one each in the top and bottom center border, and one in the image. The right border had a small chip and the corners are rounded. There was a small amount of touch-up work done within the image, in the blue sky. The card had some restoration performed to correct the defects mentioned leaving a spectacular item any collector will cherish. Fine. *****
Shane (Paramount, R-1970). Japanese B2 (20" X 29").
Nominated for six Academy Awards, this epic stars Alan Ladd as the lone gunslinger who takes it upon himself to stand up for a group of defenseless homesteaders in the 1880s. This great poster from the final scene, with the Tetons in the background, has pinholes in the corners, light bends, and a light surface abrasion in the image. Rolled, Very Fine. *****
The Lone Ranger and the Lost City of Gold (United Artists, 1958). Lobby Card Set of 8 (11" X 14").
Although Clayton Moore wasn't the first actor to wear the mask of the Lone Ranger, he was, without a doubt, the most popular, starring as the Masked Rider of the Plains from 1949 through 1957 on TV, and in several theatrical features. This picture would mark Moore's last major appearance as the character he helped to immortalize, (he donned the black mask one final time in a 1959 episode of TV's Lassie). In this film, the Ranger and Tonto (Jay Silverheels) track down a killer who is on the trail of a hidden Lost City, reported to contain a fortune in gold. This lobby card set is truly exceptional; the title card has a dust shadow and a slight smudge in the bottom border, while one other card shows a small smudge. The remaining six cards are pristine. Very Fine/Near Mint. *****
Rio Bravo (Warner Brothers, 1959). Lobby Card (11" X 14").
Howard Hawks directs the all-star cast of John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, and Walter Brennan in this top Western, one of the best of the genre. In this hard-to-find lobby card, Wayne and Nelson are seen in the famous gunfight scene. Very Fine/Near Mint. *****
The Alamo (United Artists, 1960). One Sheet (27" X 41").
In star John Wayne's only directorial effort, the Duke intended this picture as an allegory for the then-current Cold War between the United States and the Soviet Union. Aside from Wayne himself, who plays Davy Crockett, the all-star cast includes Richard Widmark, Laurence Harvey, Frankie Avalon, and Chill Wills. This dramatic one sheet, with classic art by Reynold Brown, shows a tear in the top vertical fold, light smudging on the fold lines in the credits area, pinpoint crossfold separation, and light fold separations, but is otherwise clean and fresh. If you're a fan of the Duke, this is a "must have." Fine/Very Fine. *****
The Magnificent Seven (United Artists, 1960). Insert (14" X 36").
Yul Brynner, Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, and others ride to the rescue of a Mexican village being terrorized by a bandido played by Eli Wallach in this Western remake of Akira Kurosawa's The Seven Samurai. With direction by John Sturges and music by Elmer Bernstein, this is an outstanding Western classic. The insert has a stamp bleed-through at the lower right corner, a bend in the top right corner, an extra horizontal fold, and two minor stains in the yellow field. The top edge has light toning. Folded, Very Fine-. *****
How the West was Won (MGM, 1963). Half Sheet (22" X 28") Style A.
A true MGM blockbuster, this Oscar-winning epic follows several families over generations as they tame the wild west. The star-studded cast includes Debbie Reynolds, James Stewart, Eli Wallach, John Wayne, Richard Widmark, Henry Fonda, Karl Malden, Gregory Peck, to name just a few! This grand poster has only a minor stain below the tagline. Folded, Very Fine/Near Mint. *****
For a Few Dollars More (United Artists, 1967). One Sheet (27" X 41").
The sequel to A Fistful of Dollars, this action-packed film sees the Man with No Name (Clint Eastwood) teamed up with rival bounty hunter Col. Douglas Mortimer (Lee van Cleef), to track down notorious bandido Indio (Gian Maria Volonte). A classic of the "spaghetti Western" genre, this film helped to solidify Eastwood's tough guy persona. The fantastic poster has only one pinpoint crossfold separation, and extremely light fold wear. Very Fine/Near Mint. *****
For a Few Dollars More (United Artists, 1967). Lobby Card Set of 8 (11" X 14").
The second in director Sergio Leone's "Dollars" trilogy, this is the sequel to A Fistful of Dollars (1964), featuring the return of Clint Eastwood's iconic man with no name. Made as part of the Spaghetti Western genre, this trilogy would quickly become a classic, making Eastwood a star in the process. The lobby card set offered here is in superb condition. There are pinholes in the corners of several cards, and one has a very slight top right corner bend, but these are extremely minor flaws, only detectable under the closest examination. Near Mint+. *****
The Good, the Bad and the Ugly (Titanus, R-1972). Italian 2 - Folio (39" X 55").
In this classic Spaghetti Western, three men - the Good (Clint Eastwood), the Bad (Lee Van Cleef), and the Ugly (Eli Wallach) - form an uneasy alliance in order to unearth a buried fortune in gold. The stunning country-of-origin poster offered here is in superb condition; we note only a top left corner bend and light fold wear, both now rendered almost totally invisible after expert professional restoration. Very Fine+ on Linen. *****
Once Upon a Time in the West (Paramount, 1969). Japanese B0 (39" X 60").
Sergio Leone cast Henry Fonda against type, as a cold-blooded killer, in this seminal Western. Charles Bronson co-stars as a man bent on revenge and Claudia Cardinale is the woman who comes between them. During the course of Leone's career, he'd made many classics, but many feel that this is his lasting masterpiece of the cinema. The minimalist opening scene with Jack Elam and Woody Strode is worth the price of admission alone! This Japanese poster has been folded over at the borders, it has an extra vertical fold and pinholes in the corners. Still, it remains a stunning alternative to American paper for the film. Fine/Very Fine. *****
Once Upon a Time in the West (Paramount, 1969). French Grande (47" X 63").
Sergio Leone helmed this classic Spaghetti Western about a mysterious stranger (Charles Bronson) who teams up with a notorious outlaw (Jason Robards) to protect a beautiful widow (Claudia Cardinale) from a deadly assassin (Henry Fonda). This stunning French poster, with art by Landi, is in superb condition, with only some fold wear and crossfold separation keeping it from an even higher grade. Very Fine on Linen.
The Outlaw Josey Wales (Warner Brothers, 1976). Japanese B2 (20" X 29").
Clint Eastwood, as Josey Wales, stars in this classic Western about a former Confederate soldier whose wife and children were killed at the hands of pro-Union Jayhawkers. Wales refuses to end his war against the Union and seeks revenge for the crimes against his family. This top-notch Western is based on the novel Gone to Texas by Forrest Carter. This spectacular Japanese poster has a few minimal stains. Folded, Very Fine. *****
Gaumont British Exhibitor Book (Gaumont,1936-37). Exhibitor Book (9.75" X 13") .
This fantastic exhibitor book is from the heyday of Gaumont British Studios, which had become independent of its French parent company in 1922. The book is full of color illustrations from such films as The Hawk with Constance Bennett, King Solomon's Mines, and Doomed Cargo. Two interesting pages are from an Alfred Hitchcock film entitled The Hidden Power originally set to star Robert Donat and Sylvia Sydney. The title was later changed to Sabotage, and Hitchcock ultimately selected John Loder as the lead, as he was unable to get Donat due to the actor's health problems. There is minor wear on the spine, but the interior pages are in like-new condition. This is an important piece of cinema history, a real treasure for any film fan. Very Fine. *****