2008 November Signature Vintage Movie Poster Auction
| Sale Number: | 695 |
| Location: | Heritage Auctions - Dallas 3500 Maple Ave 17th Floor Dallas, TX 75219 |
| Auction Date: | November 7th at 1 PM CT through November 9th |
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Session 1
Movie Posters
Rear Window (Paramount, 1954). Three Sheet (41" X 81"). This film masterpiece was made entirely on one confined set built at Paramount Studios - a realistic courtyard composed of 32 apartments (12 completely furnished) - at a non-existent address in Manhattan (125 W. 9th Street). This is an intriguing, brilliant, macabre visual study by master filmmaker Alfred Hitchcock, of obsessive human curiosity and voyeurism. John Michael Hayes' screenplay was based on Cornell Woolrich's original 1942 short story or novelette, It Had to Be Murder. This rare three sheet had some border and foldwear which is typical of the larger format posters of the period. There was a sizable chip from the lower panel at the top left, just where it joins the larger panel. The poster has been conserved on linen and it now appears to be as brilliant as the day it was printed. Very Fine- on Linen.
Vertigo (Paramount, 1958). One Sheet (27" X 41"). In this, one of director Alfred Hitchcock's greatest thrillers, James Stewart plays Detective John "Scottie" Ferguson, a retired private investigator suffering from acrophobia - a fear of heights - who gets in deep when he agrees to check out Madeleine (Kim Novak) the wife of an old college friend (Tom Helmore). Unfortunately, as Ferguson follows Madeleine through San Francisco, eventually saving her from suicide, he falls in love with her, leading all involved to tragedy. Although the film was a box office disappointment upon its initial release, it is hailed today as one of Hitchcock's masterpieces. This striking poster, featuring dynamic artwork by the renowned designer Saul Bass, had a tear in the right border and light fold wear, but looks as good as new after professional restoration. Very Fine+ on Linen.
The Lady Vanishes (Gaumont, 1938). One Sheet (27" X 41"). Nobody believes poor Iris, played by Margaret Lockwood, when she discovers that Miss Froy is missing. Dame May Whitty is wonderful as the vanished lady and Michael Redgrave, as the dashing Gilbert, helps rescue them both. This is classic Hitchcock with an innocent bystander getting involved with a train full of spies, intrigue and murder. This stunning stone litho one sheet has pinholes in the corners, edge and fold wear, tears, tape lifts and staining on the reverse, a replaced corner at the top left, surface abrasions and tears in the title. Older restoration has addressed these issues. A very striking poster from one of Hitchcock's top films, this is not one to be passed up. Very Good/Fine on Linen.
The Woman Alone (Gaumont, 1937). Lobby Card (11" X 14") Also known as Sabotage. In speaking to François Truffaut about this film, Alfred Hitchcock expressed considerable regret over a pivotal sequence in which a young boy unwittingly carries a bomb onto a public bus. While he seems to create tension through rapid cross-cutting of the boy in jeopardy, he claims that he actually broke all of his own rules on suspense. The powerful sequence outraged audiences, and one critic in particular, the "Observer"'s C.A. Lejeune, complained of the cruelty of the plot twist. This outcry may have motivated Hitchcock's renunciation, but the shock seems consistent with his later films. This wonderful scene from the film pictures the three stars. There is a tape stain in the upper border, two pinholes in the upper left corner and a small tear in the left border. The colors are fantastic and the image is perfect. Fine/Very Fine.
Shadow of a Doubt (Universal, 1943). One Sheet (27" X 41") Style D . Young Charlie (Teresa Wright) is named after her uncle, and shares a special bond with him. She extends an invitation to visit, but when Uncle Charlie (Joseph Cotten) arrives, she finds that he is being pursued by two police detectives that suspect him of being the "Merry Widow Killer." Hitchcock often declared this to be his favorite film, and it's easy to see why: the intriguing plot, and Cotten's memorably charming/sinister performance make this film pretty unforgettable. This stunning one sheet -- the much scarcer Style D -- features a terrific layout and gorgeous colors. Pinpoint crossfold separations, fold wear, and tiny edge chips in the left border were the only condition issues, and these have been masked with professional restoration. A super-rare poster for a Hitchcock classic. Very Fine+ on Linen.
Shadow of a Doubt (Universal, 1943). Lobby Card (11" X 14"). This film noir thriller stars Teresa Wright as a young woman who discovers that her beloved uncle (Joseph Cotten) is a serial killer. This lobby card has pinholes and a crease in the top border and edge wear at the bottom along with minor scratches in the image. There's also a small chip in the bottom left corner and a tiny tear in the right border. This is considered by many to be the most desirable scene card from the set, picturing both Wright and Cotten. Fine/Very Fine.
Shadow of a Doubt (Universal, 1943). One Sheet (27" X 41") Style C. Joseph Cotten is just wonderful as Uncle Charlie, who may be the "Merry Widow Murderer" in this suspenseful tale dark doings in small town America. Teresa Wright plays it just right as Charlie's favorite niece and namesake whose perfect world slowly grows menacing as she discovers her idol may have a few flaws. Henry Travers and Patricia Collinge play young Charlie's unsuspecting parents, who cannot help her. The story was loosely based on a real mass murderer, Earle Leonard Nelson. Prior to professional restoration this one sheet had edgewear, pinholes in the corners, and chips in the top left corner and right border. The striking image of Cotten's shadow and a fearful Wright is ideal for this Hitchcock classic. Very Fine on Linen.
Lifeboat (20th Century Fox, 1944). One Sheet (27" X 41"). One of Alfred Hitchcock's most innovative films takes place almost entirely on a small lifeboat, which holds the survivors of a torpedoed freighter during WWII. Tension rises when a man rescued from the sea turns out to be the commander of the U-boat that sunk their ship. Among the living are Tallulah Bankhead, William Bendix, Walter Slezak, Mary Anderson, Henry Hull, and Hume Cronyn. The poster had pinholes in the corners, edge tears at the folds, edge tears that extend into the field, fold wear with crossfold separations, and tape lifts on the reverse, all of which has been addressed with professional restoration. The stone litho poster retains great color and a sharp appearance. Fine/Very Fine on Linen.
Notorious (RKO, 1946). French Petite (23.5" X 31.5"). Cary Grant, Ingrid Bergman and Claude Rains star in Alfred Hitchcock's masterful tale of intrigue and espionage set against the backdrop of WWII's atomic weapons race. This beautiful French petite poster, with art by Pierre Segogne, is a prize that rarely becomes available and we have never offered before. The poster had a tear in the left border extending into the artwork. There was minor fold wear which has been touched up with pencil. There was a chip from the upper left corner. Fine/Very Fine on Linen.
Notorious (RKO, 1946). Lobby Card (11" X 14"). Alfred Hitchcock's classic spy thriller is wonderfully represented here with this card #2 from the set. It pictures the two stars Cary Grant and Ingrid Bergman, clandestinely meeting to discuss their observations of the man she is married to, who is believed to be a German spy. The card is in very nice condition but has a small stain in the upper border and minor corner wear. There is an embossed stamp in the lower left corner. Fine/Very Fine.
Spellbound (United Artists,1954). Italian Post-War Release 2 - Folio (39" X 55"). Set in a mental hospital, this unsettling Hitchcock thriller stars Gregory Peck as Ballantine, a disturbed amnesiac doctor who may also be a vicious murderer. Ingrid Bergman plays Dr. Constance Peterson, who believes in Ballantine's innocence, in the first of three films she did with Hitchcock. Also wonderful in supporting roles are Leo G. Carroll and Rhonda Fleming. The eerie dream sequences were designed by the surrealist Salvador Dali. This Italian 2-Folio, dated 1954, with magnificent artwork by Anselmo Ballester, has light edge wear, small edge tears and small crossfold separations. These minor issues do not detract from this outstanding image of the two stars. Very Fine+.
Foreign Correspondent (United Artists, 1940). Lobby Card (11" X 14"). In this Alfred Hitchcock suspense film we follow New York Morning Globe reporter Johnny Jones/Huntley Haverstock (Joel McCrea) into a den of spies and action. The street shootout is the crux of the story as Jones (McCrea) attempts to catch the killer of a prominent politician and get to the bottom of the assassination. Hitchcock throws in every kind of action in this thriller loosely based (only because he doesn't call them that by name) on Nazi Germany. The card has a three inch tear from the left border into the image of McCrea in the border art. There are staple holes in the top and bottom border and extending into the image. There is a small tear in the right border. Very Good.
Rope (Warner Brothers, 1948). One Sheet (27" X 41"). After murdering their roommate in an attempt to commit the perfect crime, arrogant college students Phillip Morgan (Farley Granger) and Brandon Shaw (John Dall) stash the body in a convenient trunk and proceed to hold a dinner party for family and friends. Only their professor (James Stewart) suspects something is amiss. Alfred Hitchcock's first color feature, this was an experiment in filming a movie in one long, seemingly uninterrupted take. The stunning one sheet offered here, featuring a wonderful portrait of Stewart, had fold wear with crossfold separation, pinholes in the top corners, and small edge tears in the left border, but after professional restoration, these slight flaws have been rendered virtually invisible, making this a poster that any Hitchcock fan will be proud to own. Very Fine- on Linen.
Dial M For Murder (Warner Brothers, 1954). Poster (40" X 60"). Grace Kelly's first role in an Alfred Hitchcock film was based on the popular mystery play by Frederick Knott. In this thriller, an aging tennis pro (Ray Milland) plots the murder of his cheating wife. When things go wrong, he has to resort to his ingenious Plan B. The film was originally shot in 3D, however, none of the posters created by Warner's were printed with this information. Offered in this lot is the very rare 40" X 60" rolled poster with completely different artwork used! The poster edge has edge wear and handling wear as is common with the heavy stock used for these posters and the age of the poster. There is a larger tear approx 4 inches long from the bottom border into the credits. There is some staining on the backside which has slightly bled through in a few spots. The poster still presents very well and is certainly a rarity! Rolled, Fine.
Dial M For Murder (Warner Brothers, 1954). One Sheet (27" X 41"). Master storyteller Alfred Hitchcock is in top form with this sophisticated tale of betrayal, murder, blackmail and entrapment. Ray Milland, Robert Cummings, and the stunning Grace Kelly star in this adaptation of Frederick Knott's play where a phone, a key and a pair of scissors play integral parts in the suspenseful plot. Prior to professional restoration this one sheet had a 5" tear on the left side in the red field and a smaller tear in the credits area. It also had pinholes in the corners, fold wear and crossfold separations. This superb poster with its striking artwork displays beautifully. Fine on Linen.
The Country Girl (Paramount, 1954). Italian Photobusta (19" X 27"). Bing Crosby plays Frank Elgin, a washed-up actor who's since bottomed out as a severe alcoholic. His wife (Grace Kelly) spends day and night caring for him, and she's gone to seed because of it. Along comes Bernie Dodd (William Holden), a director who's willing to give Frank a shot at a comeback if he sobers up for the big show... but there are obstacles in the way and skeletons galore in the closets. Kelly won a Best Actress Oscar for this understated role and she assuredly did not look like the photobusta here depicts! This is a luminous portrait of the star in her prime and is amazing. The poster was folded and had a chip from the border into the image in the lower left where the title box meets the photograph. There was a chip off of the upper left corner and a small chip from the fold near the right side of Kelly's mouth. The restoration work was top-notch and the poster now appears like-new. The poster dates from Italy's first release in early 1955 as the poster is dated as such in the lower right corner. Fine+ on Linen.
To Catch a Thief (Paramount, 1955). One Sheet (27" X 41"). Cary Grant portrays a retired cat burglar who falls under suspicion by the Monaco police after a new series of thefts occur. In order to clear his name, Grant has to catch the thief before the police arrest him. Grant was one of director Alfred Hitchcock's favorite actors and the director cast the star with Grace Kelly as his elegant love interest. Posters from this suspense classic are always in demand. The poster had pinholes in the corners and a "v" shaped paper chip in the left border that did not extend into the image. There was minor wear at all of the crossfolds. The poster conservation has restored this beauty to look like new. Very Fine- on Linen.
To Catch a Thief (Paramount, R-1964). Italian 4 - Folio (55" X 78"). Cary Grant was persuaded by Alfred Hitchcock to come out of retirement for this delightful caper film -- he would go on to make films for eleven more years. This was also the film on which Grace Kelly met her future husband, Prince Rainier of Monaco. This Italian 4 - folio has edge wear with chips, and fold wear with tears and minor paper loss. Nice restoration has addressed most of these flaws, and the poster presents very cleanly. Fine+ on Linen.
Vertigo (Paramount, 1958). Poster (40" X 60") Style Z. This film is considered one of the two or three best films ever made by master filmmaker Alfred Hitchcock. It stars James Stewart and the beautiful Kim Novak as the object of his obsession, the mysterious Madeleine/Judy. This beautiful, large format poster is identical to the one sheet, but bigger and brighter. This example had some edge wear and light wrinkling within the image, but has been restored to its original splendor! This size poster is very rare, as far fewer of these were produced in comparison to the one sheet size. We have never sold another copy of this style poster before this one. Who knows when we'll see another one so don't miss out. Fine/Very Fine on Linen.
The Wrong Man (Warner Brothers, 1957). Lobby Card Set of 8 (11" X 14"). Based on a true story, Henry Fonda plays Manny Balestrero, an honest, hardworking musician who visits an insurance office to borrow money for his wife's dental work, and is mistaken for the man who robbed the place just the day before. Arrested on circumstantial evidence, Manny's life spirals downward as he faces an indifferent judicial system. The director's prologue marks the only time that Alfred Hitchcock spoke in one of his films. Offered here is a beautiful set of lobby cards. One card shows pinholes in the borders, while another, the famous "Hitchcock card," has pinholes in the borders and a smudge in the right side. Aside from these slight defects, the cards are in remarkable condition. Very Fine/Near Mint.
The Birds (Universal, 1963). Three Sheet (41" X 81"). The quote at the top of the poster from Alfred Hitchcock himself says it all: "It could be the most terrifying motion picture I have ever made!" Posters for this terrifying "man vs. beast" thriller are greatly sought after from this Hitchcock favorite. One of the things that makes the paper for this film so collectible is that Hitchcock actually appears along with a copy of his signature. This example has crossfold separations with minor paper loss, wrinkling in the image and minor smudging. There's a faint Dutch censor stamp in the top right corner of the field along with small pieces of tape in the title and bottom corners. However, these minor imperfections are overshadowed by the chilling imagery and overall nice condition. Fine/Very Fine.
The Birds (Universal, 1963). Lobby Card Set of 8 (11" X 14"). The master of suspense, Alfred Hitchcock, directed this terrifying tale of nature gone mad, based on a story by Daphne Du Maurier. Wealthy playgirl Melanie Daniels (Tippi Hedron) finds that all her money means nothing when the local birds begin to inexplicably run amok, attacking and terrorizing everyone in the Bay Area. Now regarded as one of Hitchcock's greatest films, the story was originally purchased for use on the director's TV show, Alfred Hitchcock Presents. Offered here is a fabulous lobby card set for this classic film. All of the cards have pinholes in the corners; card #4 has a stain in the top border, while card #7 has a slight dust shadow in the bottom right. Other than these minor flaws, these cards are extremely clean and attractive, perfect for any collection. Very Fine.
Rear Window (Paramount, 1954). Window Card (14" X 22"). In Alfred Hitchcock's brilliant masterpiece, the viewer joins James Stewart in the voyeurism of his apartment neighbors. We are drawn into the story as wheelchair bound Stewart slowly realizes a murder has taken place across the courtyard at Lars Thorwald's (Raymond Burr) place. Not even distracted by his breathtaking girlfriend, Lisa (Grace Kelly), Stewart watches night and day to find clues to the murder. The deadpan Thelma Ritter wonderfully plays his housekeeper, Stella. This window card has bends in the bottom corners and smudges in the left and right borders. Folded, Fine/Very Fine.
Rear Window (Paramount, 1954). Half Sheet (22" X 28") Style B. In Rear Window, Alfred Hitchcock experimented with the psychological obsession of voyeurism as James Stewart portrays a news photographer who is temporarily consigned to a wheelchair. The posters for this title are extremely desirable and this style B half sheet is one of the most sought after poster on the title. The poster was folded and has minor edge and handling wear. There are pinholes in the corners and borders. Fine/Very Fine.
Rear Window (Paramount, 1954). Half Sheet (22" X 28") Style A. Posters for this Hitchcock title are always in demand as it is and has remained one of the famous director's most viewed films. This half sheet has had one half inch of borders added all around the poster. There was a large tear from the left border into the image, through Grace Kelly's chin and into James Stewart's forehead. There was a small chip into the dark field near Stewart's name. All of these issues have been corrected with excellent restoration. Very Good/Fine on Paper.
Psycho (Paramount, 1960). Six Sheet (81" X 81"). Alfred Hitchcock's ground-breaking nihilistic thriller terrified audiences on its first release, and has continued to do so for 46 years. This fabulous large format poster has two purple rubber stamped censor notations. There are two tape lifts from the backside of one of the panels. This poster is about as clean as the day it was printed. Very Fine.
Vertigo (Paramount, 1958). British Quad (30" X 40"). James Stewart hangs by a thread on this original British quad for one of Alfred Hitchcock's greatest thrillers. The poster has a tear in the bottom right corner, bends on two corners, edge wear with small tears, pinholes in the borders, and light wrinkling. These quads rarely turn up for sale, so here is a wonderful chance to pick up this unique poster. This poster was misdescribed in catalog. It has been determined to be an early reissue. Very Fine-.
North by Northwest (MGM, 1959). British Quad (30" X 40"). Cary Grant stars in one of Alfred Hitchcock's best films as an "everyday" kind of guy who gets caught up in unusual circumstances, to say the least. Mistaken for a federal agent, he is kidnapped, drugged, and dragged into an espionage plot, a favorite subject for the master of suspense. Offered in this lot is a very rare British Quad. The poster is folded and has two snipes attached to the poster. The snipe in the upper left announces tickets for a theater staff presentation of the new film. The snipe in the lower right gives the added attractions to be shown with the film. This poster is in very clean condition other than the addition of the snipes which could be removed. This poster was misdescribed in the catalog. This poster has been determined to be an early reissue from 1962. Fine/Very Fine.
Strangers on a Train (Warner Brothers, 1951). Standee (32" X 59"). What do you get when you combine a harmless conversation about the "perfect" murder, with the harsh reality of actually seeing it come true? What you have when these two elements evolve is one of Alfred Hitchcock's greatest thrillers...Strangers on a Train. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, this film perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men. This is a very rare standee, used in theater lobbies to advertise an upcoming film. These pieces are rare due to the fact that they were oversized and would be more difficult to store. Thus most of them went to the trash heap. This poster is silk-screened artwork in the bottom two-thirds with a large full color poster glued at the top third, picturing the cast. The bottom of the standee has a tear into the credits and a bit of color loss in the bottom credits due to abrasion on the poster. Several of the corners and outer edges have been impacted. There is some soiling and color paint transfer shown in horizontal lines as the poster is printed on corrugated cardboard. The poster displays beautifully and still has the string easel hangers on the verso. This is one poster you have most likely never seen and may never see again! Fine.
Psycho (Paramount, 1960). British Quad (30" X 40") Style B. Norman Bates had mother issues, there's no doubt about it, and Hitch himself apparently had issues with people arriving late to the theater, hence this amusing entry into the "no one will be admitted..." line of publicity. This is our first opportunity to offer this exceptional British quad, which is far rarer than the Janet Leigh version. The poster has undergone conservation with only minor paint touch-ups, and condition issues include fold wear with extra vertical folds, corner pinholes, surface wear (especially in the green lettering), a small abrasion in the lower right corner, and overall surface creasing. The poster still has a very sharp appearance, and the amusing image of Hitchcock makes this a must-have for any discerning collector. Fine/Very Fine on Linen.
Psycho (Paramount, 1960). Autographed One Sheet (27" X 41"). One of the most terrifying motion pictures ever brought to the silver screen, Psycho is a masterpiece of psychological horror. Based on a story by famed horror writer Robert Bloch, this is one of the finest films of director Alfred Hitchcock's brilliant career, in which nebbishy Norman Bates (Anthony Perkins) commits a gruesome series of homicides at the urging of his dead mother. Pretty Marion Crane (Janet Leigh) takes the screen's most memorable shower when she checks into the Bates Motel... but doesn't check out. This highly desirable one sheet shows pinholes in the corners and in the image area, crossfold separation, edge wear, a torn bottom left corner, and a small stain in the top right. Additionally, it has been signed by Perkins, Leigh, and Bloch! Our in-house autograph expert has examined the signatures and believes them to be genuine; however, no COA accompanies this lot. This one sheet is always extremely sought after by collectors; the presence of the signatures makes this even more of a must have for any Psycho fan! Fine/Very Fine.
North by Northwest (MGM, 1959). One Sheet (27" X 41"). Innocent ad exec Roger Thornhill (Cary Grant) goes to lunch, and steps into a nightmare! Mistaken for a government agent, Thornhill becomes the target of a group of foreign spies, and is soon the chief suspect in a murder investigation. His only hope of salvation is the beautiful Eve Kendall (Eva Marie Saint), who may or may not be all that she appears. The climax atop Mount Rushmore is one of the most thrilling sequences in all cinema. The one sheet offered here is in superb condition, with no apparent flaws. Only our strict policy of not awarding a grade higher than Very Fine+ to a poster mounted on linen keeps this beauty from an even higher grade. Very Fine+ on Linen.
North by Northwest (MGM, R-1966). Half Sheet (22" X 28"). Considered by many to be the best U.S. poster on this title, this reissue half sheet has the iconic images of Cary Grant and the crop duster plane set against the background of Mount Rushmore - and you get Alfred Hitchcock on the poster too! There were several chips and tears in the border, pinholes, and some writing in marker on the top left. Expert restoration has rendered this all but invisible. Very Fine on Paper.
Psycho (Paramount, 1960). Half Sheet (22" X 28") Style A. Alfred Hitchcock changed the face of Hollywood thrillers with this groundbreaking film. By killing off the main character, out of the blue, nearly halfway through, Hitchcock sent the message that nothing would ever be the same again. This half sheet has pinholes in the corners, wrinkling in the center and creases on the top right, and writing in the lower left. The poster has been restored, including some touch up in the bottom yellow area, but has not been backed. A fabulous piece featuring all the main stars. Rolled, Fine/Very Fine.
Psycho (Paramount, 1960). Poster (40" X 60"). One of the most terrifying movies ever made, this film, based on a story by Robert Bloch, set the bar for all thrillers to come. All the stars aligned properly for this suspenseful production, from the taut direction by Alfred Hitchcock, to a memorable and evocative score by Bernard Hermann, to an exceptional cast, headed by stars Janet Leigh (as Marion Crane) and Anthony Perkins, who creates one of the most terrifying monsters in the history of film, the tortured Norman Bates. Not surprisingly, paper from this picture is highly prized by collectors, with this style, the striking 40" X 60", being one of the rarest. This particular example shows a few pinholes in the image area and in the borders, edge wear, a tear in the right border, a stain in the top center border, and a very small area of paper lift in the title area. Despite these minor flaws, the poster presents beautifully, making it a piece that no poster enthusiast will want to pass up. Rolled, Very Fine-.
Dr. No (United Artists, 1962). British Quad (30" X 40"). Agent 007 made his big screen debut in this 1962 hit. Sean Connery re-defined cool as James Bond, co-starring with Ursula Andress. This rare British country-of-origin quad poster is unique in that is shows Dr. No (Joseph Wiseman) lurking near the title. The poster is folded and has pinholes in the corners. The title is written in ink on the backside of the upper border but only minimally shows through. This is as clean a copy as we have ever sold! Very Fine.
Dr. No (United Artists, 1962). One Sheet (27" X 41"). Although the book that this movie is based on was the sixth in author Ian Fleming's James Bond series, it was selected to inaugurate one of the most successful and long-running film franchises ever created. Sean Connery plays suave British superspy Agent 007, as he investigates the murder of a colleague in Jamaica and comes face-to-face with the insidious Dr. No (Joseph Wiseman), an evil genius who has been interfering with American missile launches as he plots to take over the world. Paper from the Bond series is always highly sought after, especially material from the early Connery films. The example offered here shows a slight bleed-through from the NSS stamp on the reverse, and pinholes in the corners and borders, but is otherwise extremely clean and attractive. If you've been looking for a prime example of this extremely desirable poster, this is it. Very Fine.
Dr. No (United Artists, 1962). Lobby Card Set of 8 (11" X 14"). When a British agent turns up missing in Jamaica, James Bond (Sean Connery) is sent to discover the cause, leading to an explosive confrontation with Dr. No (Joseph Wiseman), a reclusive genius who is set on disrupting the American space program and dominating the world. Offered here is a very desirable set of lobby cards for this important film. Card #5 has a rusted staple hole in the bottom right corner, #8 has a small stain in the left border, #1 shows evidence of some light bug chews in the bottom right corner, and #2, 3, & 6 all have pinholes in the corners. Aside from these very minor flaws, the cards are in exquisite condition. Very Fine.
From Russia with Love (United Artists, 1964). Half Sheet (22" X 28"). The second film in the spectacularly popular Bond series, this is considered one of the best, with Sean Connery back as the suave 007. Again he is up against the villainous SPECTRE operatives while pursuing the beautiful Russian defector Tatiana Romanova (Daniela Bianchi). This is the first appearance of Desmond Llewelyn as Major Boothroyd, known as Q. This highly desirable half sheet had cross fold separations, fold wear, bent corners at the bottom, and a small tear at the bottom center fold. These minor issues have been corrected by professional restoration, and would make a spectacular highlight to any Bond collection. Very Fine- on Paper.
Goldfinger (United Artists, 1964). One Sheet (27" X 41"). Although this wasn't the first film in the James Bond franchise - Dr. No (1962) holds that distinction - many consider it one of, if not the best. When criminal mastermind Auric Goldfinger (Gert Frobe) plans to irradiate all the gold in Fort Knox, thereby making his own carefully-hoarded gold supply even more valuable, it's up to British Special Agent 007, James Bond (Sean Connery) to stop him. The one sheet offered here is the glossy style, although a matte style of the same poster was also produced. It has pinholes in the corners, and light fold wear, but is otherwise in superb condition, perfect for any Bond collection. Very Fine+.
Goldfinger (United Artists, 1964). Half Sheet (22" X 28"). One of the most popular films in the James Bond series was the first to emphasize the gadgetry that became the hallmark of many spy thrillers of the '60s. Sean Connery returns as the quintessential 007, opposed by one of his most memorable adversaries, Auric Goldfinger. This half sheet has edge wear at the top, light wrinkling with a corner bend, and a small stain and pencil mark on the border. A wonderful piece from the height of Bondmania. Rolled, Very Fine-.
Goldfinger (United Artists, 1964). Poster (40" X 60") Style Y. James Bond is back in his third filmed adventure and his next mission takes him to Fort Knox, where Auric Goldfinger and his henchman are planning to raid Fort Knox and obliterate the world economy. To save the world once again, Bond will need to become friends with Goldfinger, dodge killer hats and avoid Goldfinger's personal pilot, the sexy Pussy Galore. As always, the Sean Connery/Bond material is what all the collector's covet! This rare 40" X 60" poster is perhaps one of the brightest and cleanest copies we have ever seen and completely unrestored! Rolled, Very Fine-.
Goldfinger (United Artists, 1964). Lobby Card Set of 8 (11" X 14"). One of the best Bond movies ever, and one of the truest to the source material. This memorable entry in the series pits Agent 007 (Sean Connery) against the gold-obsessed villain of the title (Gert Frobe), who plans on taking all that he can from Fort Knox and irradiating the rest. The third Bond movie made, it became the template for the series, establishing the necessary proportions of evil archvillains, glamorous Bond girls, clever gadgets, exotic locales, outrageous schemes, and daredevil action setpieces. This complete lobby card set is in superb condition, exhibiting the faintest amount of edge wear. Near Mint+.
Thunderball (United Artists, 1965). Lobby Card Set of 8 (11" X 14"). The fourth film in the franchise has MI6 agent James Bond (Sean Connery) recovering a pair of nuclear missiles hijacked by SPECTRE who are using the weapons to hold the world hostage. An ambitious production featuring some complex underwater action sequences, it ranks as one of the most successful Bond movies to date. There is a chip to the left border on card #1, a scratch to the bottom border of card #4, smudge to the bottom left corner and crease to top right corner of card #7, and a crease to the top of card #8. All have bumps to the corners. Very Fine-.
Thunderball (United Artists, 1965). Subway (45" X 59"). Sean Connery felt he gave his best performance as James Bond in this fourth film of the series. In fact, he liked it so much that, 18 years later, he essentially remade the film as Never Say Never Again. Due to legal wrangling between producers, MGM had to relinquish rights to this story but this story only. Legally, Connery could only reprise his role for another studio (and for boatloads more money) in a remake of Thunderball. However, in 1997, MGM bought up the missing pieces from their Bond series for $15 million, giving them complete ownership of the name and library. Robert McGinnis' fabulous "rocket pack" artwork makes this poster a nice alternative to the style usually seen in this format. There is wear at the edges folds including a small tear in the left border and crossfold separations. Very Fine-.
Thunderball (United Artists, 1965). One Sheet (27" X 41"). The fourth film in the franchise, this time British Secret Agent James Bond (Sean Connery) must recover a pair of nuclear missiles hijacked by SPECTRE, who plan to use weapons to hold the world hostage. An ambitious production - a large part of the film was shot underwater - the movie was the most successful Bond film to date, reportedly earning more in its first week of release than the previous three films combined, and took home a well-deserved Academy Award for Best Special Effects. Offered here is a beautiful one sheet in near-perfect condition. Only a pinhole in the top right corner and light corner bends in the bottom left and right keep it from an even higher grade. Near Mint.
You Only Live Twice (United Artists, 1967). Lobby Card Set of 8 (11" X 14"). Set largely in Japan, this entry in the James Bond film franchise was to be star Sean Connery's last outing as Ian Fleming's superspy, Agent 007. However, after a one movie hiatus, Connery returned for one more turn in Diamonds are Forever (1971). See our Non-Live session later in the catalog for posters from that film! Offered here is a beautiful set of eight lobby cards from this fan-favorite film. Four of the cards have pinholes in the top left corner, two cards show light edge wear, and one card has a small corner bend, but overall, this is a wonderful set that will no doubt please even the most discriminating collector. Very Fine-.
You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Style B. The fifth James Bond film featuring Sean Connery is one of the best in the series. It's up to Agent 007 and the Japanese secret service ninja force to find and stop the true culprit of a series of spacejackings before a nuclear war starts. This gorgeous Style B poster has tape stains on the corners and borders, pinpoint crossfold separations and a bend in the bottom left corner. The great Bond images by artist Frank McCarthy are bright and colorful. Fine/Very Fine.
You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Style C. The great artwork of star Sean Connery and the James Bond Girls is by Robert McGinnis. The poster has tape stains on the corners and borders and a small bottom left corner chip. Fine/Very Fine.
On Her Majesty's Secret Service (United Artists, 1970). French Grande (47" X 63"). Because George Lazenby was not a well-known actor at the time of release, the marketing for this, the sixth official James Bond film, focused more on the character than the actor playing him, even going so far as to use a "faceless" Bond in some posters. This stunning French poster, however, is not one of those, and presents a good image of Lazenby looking typically cool in an iconic Bond pose, albeit with skis. This spectacular poster had a bit of fold wear with crossfold separations, but excellent professional restoration has rendered even these minor issues invisible, giving this a pristine appearance that is sure to thrill any Bond fan. Very Fine on Linen.
On Her Majesty's Secret Service (United Artists, 1970). Autographed Six Sheet (81" X 81"). When star Sean Connery announced he was leaving the James Bond franchise after You Only Live Twice (1967), producers set out to find a new leading man, casting male model George Lazenby in this, one of the most exciting films in the series. Here, Bond investigates an allergy research center in the Swiss Alps run by his old enemy, Ernst Stavro Blofeld, finding that it is merely a front for Blofeld's latest world-dominating scheme. Diana Rigg, best known for her role in The Avengers, is featured as Tracy DiVicenzo, the only Bond girl to become Mrs. 007. This stunning six sheet appears to be virtually unused, and in remarkable condition. Next to the figure of Bond, the poster is signed, "George Lazenby 007" in blue Sharpie, but no COA is included. This is an absolute gem, one that no Bond fan will want to pass up. Mint.
The Man With the Golden Gun (United Artists, 1974). One Sheet (27" X 41") Style B. This film was adapted from Ian Fleming's last James Bond novel, which had to be published posthumously in a "rough draft" form. This Style B one sheet, which is the rarest of the Moore posters from any of his Bond films, has wear at the fold lines and tiny separations at the cross folds and pinholes in the corners. The gorgeous artwork features great images of some of Bond's greatest foes including Goldfinger, Odd Job, and Dr. No. Very Fine-.
A Fistful of Dollars (PEA, 1964). French Grande (47" X 63"). With work hard to come by in the States, American television actor Clint Eastwood took a gamble by traveling to Italy to star in this Sergio Leone Western as "The Man With No Name." The gamble paid off and catapulted Eastwood to stardom and spawned the "Spaghetti Western" genre. This is the first release French poster from 1964 which Americanized director Sergio Leone's name to "Bob Robertson," it was changed to Leone's name in later releases. This beautifully illustrated French poster has wear at the edges and fold wear with separations at the crossfolds that have been reinforced with tape on the reverse. Fine/Very Fine.
A Fistful of Dollars (United Artists, 1967). One Sheet (27" X 41"). A remake of famed Japanese director Akira Kurosawa's samurai classic, Yojimbo (1961), this, the first of the "Spaghetti Westerns" to receive widespread international release, was also the first in Sergio Leone's "Man with No Name" trilogy. Clint Eastwood stars in one of his most iconic, and most memorable roles, as a cynical gunman who outwits two rival gangs in a small border town. Although legal disputes delayed the film's U.S. release for several years (Kurosawa sued over breach of copyright), it eventually made a superstar out of Eastwood and made the "spaghetti Western" a popular genre. This highly desirable one sheet had pinholes in the corners and fold wear, but these slight defects have been rendered virtually invisible by expertly-applied professional restoration, resulting in a poster that is extremely attractive and displayable. Don't let this one get past you! Very Fine on Linen.
For a Few Dollars More (PEA, 1965). Italian 4 - Folio (55" X 78"). Sergio Leone's sequel to A Fistful of Dollars reunites the Italian director with Clint Eastwood, the infamous "Man With No Name." Eastwood teams up with a bounty hunter (Lee Van Cleef) in order to capture a psychotic bandit (Gian Maria Volonte). Like the other films in the trilogy, Leone's tight closeups and Ennio Morricone's musical score have become legend, imitated and parodied in equal measure. Actors have also attempted the patented Eastwood squint-and-sneer, on full display in this impressively-sized country-of-origin poster designed by Franco Fiorenzi. Nicely restored, this sheet had edge and fold wear with separations at the cross folds and chips in the borders and bottom panel. Fine/Very Fine on Linen.
For a Few Dollars More (PEA, 1965). Italian Posters (3) (26.5" X 37"). To follow up the success of A Fistful of Dollars, Sergio Leone was anxious to quickly film a sequel. The trouble was that Clint Eastwood had not even seen the first film yet, and didn't know if he wanted to do a second. Leone sent an Italian copy of Dollars to Eastwood, who set up a screening at CBS. The message came back to Leone, "Yeah, I'll work for that director again." This extremely rare complete set of country-of-origin Italian posters have pinholes in the corners and minor fold wear. Eastwood's poster has several small chips on the left border. Expert restoration has given the posters a very clean appearance. This may be one of THE best Eastwood posters ever produced! Very Fine on Linen.
The Good, The Bad and the Ugly (United Artists, 1968). One Sheet (27" X 41"). Sergio Leone's gritty "Spaghetti Western" stars Clint Eastwood, Lee Van Cleef and Eli Wallach as three men on the hunt for gold. There was a tear in the top border along with pinholes in the corners and separations at the fold lines. Chips were visible at the edges along with a small hole in the left border. Now, there's nothing bad or ugly about this well-restored one sheet. Fine/Very Fine on Linen.
The Good, The Bad and the Ugly (United Artists, 1968). British Quad (30" X 40"). In the third film of Sergio Leone's "Spaghetti Western" trilogy, Clint Eastwood, is the Good, who teams up with Lee Van Cleef, the Bad, and Eli Wallach, the Ugly. This violent epic set against the Civil War follows the desperate men as they look for a buried treasure of gold. The fantastic score, including the memorable theme, was composed by Ennio Morricone. This British quad had pinholes in the corners and borders, crossfold separations, tape stains on the reverse, a missing corner in the top left, and some writing on the reverse that bleeds through. Some of these issues have been addressed by older restoration. British paper just does come up very often for this classic masterpiece, so do not miss your chance now. Very Good/Fine on Linen.
The Bear Cat (Universal, 1922). Three Sheet (41" X 81"). An early Hoot Gibson vehicle, this silent Western starred Universal's lackadaisical cowboy hero as "The Singin' Kid," a drifter who saves rancher's daughter Alys May (Lillian Rich) from a runaway carriage. He gets a job on her father's ranch as a reward and quickly falls in love with the girl. Gibson would go on to star in many Westerns for Universal and would continue in films up through the late 1950s with his last role being in Ocean's 11 (1960). This lovely three sheet has just minor fold wear but has been conserved on linen and now displays as a striking and magnificent stone litho! Very Fine- on Linen.
The Man from Red Gulch (Producers Distributing Corp., 1925). One Sheet (27" X 41") Style B. Based on a novel by famed Western writer Brett Harte, this exciting silent picture features Harry Carey as Sandy, a prospector in California during the Gold Rush of 1849, who must stand against the evil Latham (Lee Shumway), the man who killed his friend and partner. The exquisite stone litho poster offered here had pinholes in the corners, fold wear, crossfold separation, an edge chip in the right border, and a small chip in the bottom border, but the professional restoration done on this piece is truly first rate, rendering these slight flaws all but invisible. Win this one and display it proudly. Very Fine- on Linen.
The Heart Buster (Fox, 1924). One Sheet (27" X 41"). Tom Mix steps out of his action hero persona for this film, which allows him to display his flair for comedy. As Tod Walton, he desperately tries to convince pretty Rose Hillyer (Esther Ralston) that her beau, the dapper Edward Gordon (Cyril Chadwick), is no good, but she just won't hear it, leading to all kinds of hilarious complications. The beautiful stone litho poster for this out-of-the-ordinary Mix extravaganza is a real stunner, featuring Tom, Esther, and even Tony, the Wonder Horse. It had fold wear, crossfold separations, edge chipping, and wrinkling in the right border, but after professional restoration, these flaws have been rendered virtually invisible. For some reason, the word "Presents" under "William Fox" in the title area has been painted out, but this remains a fabulous poster with strong, glorious imagery. Fine+ on Linen.
The Lucky Horseshoe (Fox, 1925). One Sheet (27" X 41"). This beautiful stone litho poster for the Tom Mix-starring vehicle is a knock-out! The film co-starred not only the beautiful Billie Dove but also had an appearance by the famous Ziegfeld star, Ann Pennington. Oddly enough, prior to being linen backed, this poster had a snipe covering the credit of "Napoleon, the Horse Marvel" with one saying, "Tony, the Wonder Horse." Tony was Mix's horse from 1922 up through the horse's retirement in 1932, when Tony Jr. was signed on. By the way, a very young Gary Cooper makes an unbilled appearance in the film. The poster has had some white border added to the perimeter and there was some airbrushing to the yellow credit field. There was a tear from the bottom border up into the "u" of "Lucky" in the title. There was touch-up to the fold lines. The professional restoration was done beautifully and the poster displays magnificently. Fine on Linen.
My Own Pal (Fox, 1926). One Sheet (27" X 41"). Of all the Western heroes who galloped across the silver screen in the 1920s, perhaps none cut a bigger figure than Tom Mix. Certainly, William S. Hart was more historically accurate in his portrayals, and Ken Maynard may have been tougher, but there's no denying Mix's innate sense of style and showmanship. He did all his own stunts - and had the injuries to prove it - and by the early 1930s, was making $20,000 per week. After performing in a few talking pictures, Mix left the screen to headline his own circus. He died in a tragic car wreck on October 12, 1940. In this film, Tom is transported from the Old West to contemporary New York City, where he joins a traveling rodeo, meets and falls in love with a beautiful girl (Olive Borden), wins a police riding tournament, becomes a mounted officer, and even catches a fleeing jewel thief! Not bad for a day's work. This incredible stone litho one sheet had crossfold separations, fold wear, and pieces missing in the borders, but now looks as good as new, thanks to expertly applied professional restoration. It's a thrilling poster that the lucky winner will certainly display proudly! Fine on Linen.
Outlawed (FBO, 1929). One Sheet (27" X 41"). One of the top Western stars of the silent era, Tom Mix plays Tom Manning in this exciting picture, a cowboy wrongly framed and jailed for murder. Tom eventually proves his innocence, but not before making a daring prison break in order to catch the real killer. This exceptional poster, showing Mix and co-star Sally Blane (the sister of Loretta Young) - as well as Tony, the Wonder Horse - had fold wear, a piece missing in the left border, edge chipping, edge tears, a missing top left corner, a tear in the left border that extends into the image area, and a dime-sized piece missing from the center of the image, but professional restoration has done a superb job of addressing these flaws. The result is a poster that any film fan will be proud to display. Very Good on Linen.
The Fourth Horseman (Universal, 1932). Title Lobby Card (11" X 14"). Long before Roy Rogers took over the title, Tom Mix was the true "King of the Cowboys" and proved it in many pictures including this actioneer from Universal. Mix had briefly retired from the screen with the advent of sound, but by 1932, with his public clamoring for his return, Mix was signed by Universal to appear in nine talkies. The title cards for these films are among Mix's most collectible due to their great color and graphics. This card has soiling and wear to the borders and some soiling in the image. The colors are still bright on this lovely title card. Very Good+.
Under the Tonto Rim (Paramount, 1928). Three Sheet (41" X 81"). The first of three adaptations of Zane Grey's novel about gold rush fever is set in a prosperous mining camp that is beset by claim jumpers. To protect themselves, the miners form a vigilante committee under the leadership of hero Richard Arlen. Good guys and bad guys pursue one another throughout the final reels, culminating in a bloody, all-out battle, with the beautiful Mary Brian on hand as Arlen's love interest. The artwork on these early stone litho posters never ceases to astonish us with its raw beauty and power, and this one is no exception. From the finely-wrought details in Brian's dress to the tragically expressive faces, this is a masterwork. The poster had some condition issues, including tears in the borders and field, fold wear with some fold chipping, border chips, and a missing bottom left corner, all of which has been addressed with outstanding professional restoration. The poster retains exceptional color and clarity, and is one of the finest silent Western sheets we've offered. Fine on Linen.
The Painted Desert (RKO-Pathé Distributing, 1931). One Sheet (27" X 41"). The star of this early Western is William Boyd, four years before his first Hopalong Cassidy film, but it is a younger bit player, whose part puts this film firmly in movie history. The role of Rance Brett is played by a young Clark Gable in his first talkie. Helen Twelvetrees co-stars as Boyd's love interest in this story of feuding ranching families. This one sheet is incredibly rare and a valuable find for all lovers of early Hollywood Westerns. Prior to professional restoration, this one sheet had tears in the title, bottom right corner and left and right borders. There were also tape lifts in the left border, fold wear, crossfold separations, and missing top corners. The stone litho artwork is stunning to behold and makes this a real treasure. Fine+ on Linen.
Frontier Marshal (Fox, 1933). One Sheet (27" X 41"). This unofficial biography of Wyatt Earp stars George O'Brien as "Michael Wyatt" (the name was changed to avoid legal entanglements). Riding into a lawless frontier town, Wyatt immediately butts head with the crooked town boss (Alan Edwards) and tensions mount to the inevitable shootout -- not at the OK Corral, but at the local saloon, where the obligatory golden-hearted dance-hall hostess (Irene Bentley) takes a bullet intended for our hero. This was George O'Brien's last starring Western for Fox Studios; Frontier Marshal was remade under the same title with Randolph Scott in 1939, then by John Ford as My Darling Clementine in 1946. This outstanding stone litho one sheet balances an action-packed stagecoach chase with glamour portraits of the romantic leads, rendered with fantastic artwork. The poster is in great shape, with pinholes in the corner and field, fold wear and crossfold separations, and tears in the top right corner and the lower left border being the only issues; professional restoration has given this poster a like-new appearance, and the sheet retains bright, intense colors. A great sheet for this well-made Western. Very Fine- on Linen.
Silent Men (Columbia, 1933). One Sheet (27" X 41"). In this early talkie, Tim McCoy plays a cowboy who escapes from jail while serving a sentence for a crime he didn't commit, then finds himself embroiled in a range war between two cattle ranchers. This stunning stone litho one sheet features a great image of McCoy, one of the biggest Western stars of the day, who was, in real life, an expert horseman and roper, as well as an authority on Indian language and culture. This beautiful poster had some edge chipping, fold wear, and pinholes in the image area, but these slight flaws are now visible only under the closest scrutiny, thanks to expertly applied professional restoration. It's a poster that any Western fan will be proud to own. Very Fine- on Linen.
Cornered (Columbia, 1932). Three Sheet (41" X 81"). Sheriff Tim McCoy doesn't believe that his friend Niles Welch could have killed the father of his girlfriend, so he releases him. When he's fired as sheriff, McCoy goes undercover into an outlaw gang to find the real killer. This three sheet has fold wear with minor paper loss on the folds, a small hole by the horse's head, and a small hole in the lower left border. Professional restoration gives the poster the appearance that it is unused. Gorgeous stone litho artwork, with a great image of McCoy makes this an outstanding example of the great care put into the production of these early posters! Fine/Very Fine on Linen.
The Man From Guntown (Puritan, 1935). Three Sheet (41" X 81"). Tim McCoy stars in this Western written by the son of the ill-fated producer, Thomas Ince. McCoy arrives at the home of Ruth McArthur (Billie Seward) with the sad news of the murder of her brother. Feeling badly for her, he stays on to help her in the fight against the men who killed her brother and want her land. Prior to an excellent restoration, this poster had minor fold and edge wear with small chips and separations. The top left corner was missing and there was wrinkling as well. Now it presents very well. Very Good- on Linen.
The Fighting Fool (Columbia, 1932). Title Lobby Card (11" X 14"). In this, McCoy's fourth Western for Columbia, McCoy pursues a masked villain known only as "The Shadow," who blames McCoy for his brother's death. This beautiful title card has a pinhole in each corner and a piece of cellophane tape in the upper left corner. It has wear in all the corners and a few scratches in the image. Fine.
Laughing Boy (MGM, 1934). Lobby Card Set of 8 (11" X 14"). The tragic story of the marriage of Laughing Boy (Ramon Novarro), a Navajo from the rural reservation, and Slim Girl (Lupe Velez), who is passing for white in the city, is told in this adaptation of the Pulitzer winning novel. The couple love each other, but resistance from his family and temptation from her modern way of life conspire against them. This lobby set has light tanning on the borders, pinholes in three cards, and corner bends in three. The title card has a small tear on the bottom border and a bit of paper loss on the top. Gorgeous color on all the cards in the set. Fine/Very Fine.
Between Fighting Men (Sono Art-World Wide Pictures, 1932). One Sheet (27" X 41"). Ken Maynard made his film debut in 1923, coming from a background of trick rider in the Buffalo Bill Wild West Show. He rose to be a Western superstar and was famous for the stunts he could perform on his famous horse "Tarzan," who always got second billing! This film was made at the height of Maynard's fame and he would shortly thereafter fall from grace forever. The poster had pinholes in the corners as well as a couple of chips and minor paper loss in the upper border. There were small tears in the lower left and right corners which extended into the image. The poster has been restored well and displays beautifully. The linen has been trimmed to the edge of the poster. Fine/Very Fine on Linen.
The Upland Rider (First National, 1928). One Sheet (27" X 41"). In this exciting silent Western, star Ken Maynard rides his steed Tarzan to win a big race for honest horse breeder John Graham (Lafe McKee), foiling the plans of evil Ross Cheswick (Sidney Jarvis) and winning the love of Graham's daughter Sally (Ena Gregory) at the same time. Maynard was at the peak of his career when this movie was made, and would shortly hereafter join Universal, where he would make some of his best films before the studio abandoned Westerns altogether in favor of their burgeoning horror genre. The dramatic one sheet offered here had pinholes in the corners and borders, crossfold separation, fold separations with minor paper loss, and a small chip in the left border, but professional restoration has rendered these slight flaws virtually invisible, resulting in a poster that you will be proud to own and display. Fine+ on Linen.
In Old Santa Fe (Mascot, 1934). One Sheet (27" X 41"). Gene Autry and Smiley Burnette were already well-known from their radio show, The National Barn Dance, when they made what was essentially an audition appearance in this Ken Maynard Western. When Maynard backed out of The Phantom Empire a year later, Autry stepped in and a long film career began. This is a pretty stone litho one sheet for this historic Western. It features a great shot of the future star in the lower right. The poster is on older muslin backing with a small stain in the lower border and some wear to the border and folds. There was some touchup to the center crossfold and the muslin has been trimmed to the edge of the poster. Fine/Very Fine on Linen.
Trailing Trouble (Grand National, 1937). Three Sheet (41" X 81"). Ken Maynard uses his resemblance to outlaw Blackie Burke to scare off those who threaten a ranch belonging to the sweet and helpless Patty Blair (Lona Andre). This restored three sheet had cross fold separations with some slight missing paper. There is a bit of post-restoration paper chipping in the image as well as a puncture in the bottom left corner. Fine on Linen.
The Fighting Code (Columbia, 1933). Three Sheet (41" X 81"). Buck Jones finds a dead man in the desert. After reading a letter that the man was carrying, he learns that the man's sister is fending off evil Joshua La Plante (Erville Alderson) and his gunman Joe Krull (Ward Bond). He heads to town to help the woman and battle the greedy land grabbers that mean to do her harm. This restored three sheet had fold wear with separations at the cross folds but now looks fantastic. This great graphic shows Buck on the left fighting future Wagon Train star, Ward Bond. Very Fine on Linen.
Border Brigands (Universal, 1935). One Sheet (27" X 41"). Buck Jones changes from his usual cowboy duds to the bright red uniform of a Canadian Mountie in this exciting Universal Western. Buck is on the trail of the badman who killed his brother, even going so far as to chase him over the border into the U. S. This one sheet has pinholes in the top corners, small tears and chips on the borders and in Jones' image, and minor fold separations. The restoration done well, but the paper is beginning to lift off the linen at the upper left fold line. Fine on Linen.
Golden Age (1938-1955)
South of the Rio Grande (Columbia, 1932). One Sheet (27" X 41"). By the time this movie was made, star Buck Jones was at the peak of his career. A leading Western star, he had spent time as a bronco buster with a Wild West show before coming to Hollywood, skills that stood him in good stead on the screen. At one point, it's said, Jones received more fan mail than any other star in the world. Tragically, his life was cut short in 1942 while, during a war bond rally, he perished in a fire at Boston's Coconut Grove nightclub. The poster offered here is, no doubt, one of the best in the entire Western genre. Moody and dramatic, it is a thrilling portrait of a great actor. This fantastic one sheet had pinholes in the corners, minor fold wear with slight paper loss, small chips and a surface abrasion in the right border, a tiny piece missing at the center crossfold, and a small chip in the image area. All of these flaws have been addressed with professional restoration. In spite of these slight flaws, this is a great example of the very best of movie poster art. Very Good/Fine on Linen.
Movie Posters
The Throwback (Universal, 1935). Half Sheet (22" X 28"). Buck Jones returns home after many years, only to discover that the townspeople are still shunning him because his father was a rustler. When Jones is framed for rustling, his quest to find the truth about his father becomes even more desperate. This half sheet has edge wear and tears with corner bumps, fold wear with an extra horizontal crease, and a small chip missing on the lower left corner. A great poster from one of the most popular cowboy stars of the '30s. Folded, Fine+.
Ride 'Em Cowboy (Universal, 1936). One Sheet (27" X 41"). Buck Jones turns the cowboy genre on its ear in this fast paced action film, in which he proves that he's as adept behind the wheel of a racing car as he is in the saddle. As Jess Burns, Jones meets Chuck Morse (George Cooper) a sometime auto mechanic who needs a driver for the Big Race. Buck agrees, and finds time to win the race, the girl, and his freedom by the end of the picture. This exceptional one sheet, with its colorful and exciting artwork, has been mounted on linen which has been trimmed to the edge of the poster. It had edge tears in the top border, and light fold wear, but professional restoration has rendered these slight flaws virtually invisible, making this a great poster for cowboy and car enthusiasts alike. Very Fine on Linen.
Call of the Prairie (Paramount, 1936). One Sheet (27" X 41"). William Boyd had appeared in many films for Paramount Studios since the very early 1920s as a leading man, when in 1935 he was handed the title role in a film based on the Western novels of Clarence E. Mulford. He would go on to star in 66 films as the famous cowboy, Hopalong Cassidy. This fabulous poster from the second year of the series is one of the best we have ever seen and is assuredly one of the hardest to find! The poster had a chip from the upper right corner and a "v" shaped tear in the upper left corner. There was heavy wear to the folds with minor chipping around the folds. The restoration work was done very well and the poster now displays like new! Very Good+ on Linen.
The Arizona Kid (Republic, 1939). One Sheet (27" X 41"). Roy Rogers and Gabby Hayes are Confederate scouts in Missouri during the Civil War. When a gang of murderous outlaws posing as Confederate soldiers attacks a town, Roy and Gabby must track them down and bring them to justice. This beautiful Western one sheet features one of the best images of Roy Rogers ever put to paper. It had fold and crossfold separation, a half dollar-sized hole in the top right, a tear in the left border, with another in the center below Roger's name, and tape lifts in the top and bottom center. First-class professional restoration has rendered these flaws virtually invisible, so you can bid with confidence on this great, rare poster. Fine+ on Linen.
In Old Caliente (Republic, 1939). One Sheet (27" X 41"). When $40,000 is stolen from Don Vargas (Frank Puglia), the blame falls on trusted ranch hand Roy Rogers and his sidekick Gabby Whittaker (Gabby Hayes). In order to prove their innocence, Roy and Gabby must find the real thief and bring him to justice in this exciting, action-packed Western. This would be the last picture in which the lovely Lynne Roberts (billed in this film as Mary Hart) would play Roy's love interest. The one sheet offered here is widely considered one of the best to feature Rogers, and is rarely offered for public sale. This particular example had pinholes in the corners, fold wear, and tape stains in the left and right borders as well as at the crossfolds, but after expert professional restoration, it looks virtually as good as new. Very Fine- on Linen.
Union Pacific (Paramount, 1939). One Sheet (27" X 41"). The world premiere of Cecil B. DeMille's Western epic in April of 1939 was a three-day festival, with the National Guard standing watch over 250,000 people in Omaha, Nebraska. The film went on to win the very first Palme D'Or at Cannes (which was not awarded until 2002 because of the start of WWII). This one sheet has pinholes with tears in the corners, tears and chips that extend into the field and image, and fold wear with cross fold separations. Excellent restoration has addressed all those flaws, leaving the poster with a very nice appearance. Fine/Very Fine on Linen.
Jesse James (20th Century Fox, 1939). Insert (14" X 36"). Tyrone Power and Henry Fonda shed their clean upstanding gentlemen images to play the notorious outlaw James brothers. But this is Hollywood, so they are portrayed as flawed heroes who are forced into crime against the treacherous and powerful railroads and banks. Randolph Scott, Nancy Kelly and John Carradine also star. This insert has pinholes in the borders and field, corner bends, extra creases, and edge wear. There are tears in the lower half that are backed by tape and have been touched up. Paper from this popular classic is very rare and this is the first time we are able to offer the insert, so don't miss your opportunity to own this prize piece. Folded, Fine.
The Return of Frank James (20th Century Fox, 1949 Post-War Release). Italian 2 - Folio (39" X 55"). Fritz Lang directed this sequel to the huge Fox hit of the previous year, Jesse James. In the poster offered here, from the first Italian release of this film after the war, renowned artist Capitani has created a stunning design, highlighted by a lovely rendering of Gene Tierney, who was a major star by the time of the Italian release, appearing here in her first screen role. This poster is linen-backed with touch-up in the fold lines and center points, and a bit of touch-up in Tierney's cheek, but these minor flaws do not distract at all from the enormous amount of eye-appeal and displayability this Italian stunner possesses. Fine/Very Fine on Linen.
They Died With Their Boots On (Warner Brothers, 1941). One Sheet (27" X 41"). Errol Flynn and Olivia de Havilland star in this dramatization about the life and death of General George Armstrong Custer. Warner Brothers took great liberties with the facts while making this production, but no one seemed to care, as the film was a huge success at the box office. There was some chipping in the borders and pinholes in the corners. There was minor crossfold wear with slight paper loss. The poster has been expertly restored and now appears mint. Very Fine- on Linen.
Shane (Paramount, 1953). Polish One Sheet (22.75" X 33"). In the short list of classic American Westerns made in the 1950s, Shane always comes in among the top ten. With Alan Ladd, Jean Arthur, Van Heflin and Jack Palance giving some of the best performances in their careers under the direction of George Stevens. Offered here is the truly outstanding Polish poster for this film, with evocative art by Wojciech Wenzel. It was used for the first 1950s release in that country. The poster has pinholes in the corners, a small tear on the right border, and a small chip in the top left corner. Very Fine on Paper.
Shane (Paramount, 1953). Poster (40" X 60") Style Z. Considered by most film historians as one of the seminal films of the Western genre, George Stevens directs this mythic tale of good versus evil. Nominated for six Academy Awards, Alan Ladd stars as a lone gunslinger who takes it upon himself to stand up for a group of defenseless homesteaders in the 1880s. This lovely 40" X 60" poster is the only copy we have ever seen of this beauty. Differing from all the other formats produced for this film, this poster features color photographs which were printed on the poster, and not put on after printing, as this was often the case with these larger format posters. This example had small tears from the outer edges into the artwork, some wear to the edges, and minimal touch-up to stress lines within the image. There was no paper missing before restoration and the poster now displays magnificently. When bidding on these larger posters, remember they are fragile and will cost more to ship than normal. Don't miss your chance to get this prize now, who knows if you'll ever see another! Rolled, Fine/Very Fine on Linen.
High Noon (United Artists, 1952). Half Sheet (22" X 28") Style A. Gary Cooper gave one of his finest performances (for which he won an Oscar) as a town marshal who learns that a criminal he sent to prison just got out of jail and is due in on the noon train. The man has re-united with his gang and wants revenge. Cooper tries to get help but no one will come to his aide and he is forced go it alone. The poster has been paper-backed to flatten the fold and allow repair to several small chips off of the corners and out of the borders. The yellow background has been airbrushed along the top and on the left horizontal fold line. A fine piece from a classic film. Fine+ on Paper.
High Noon (United Artists, 1952). Poster (40" X 60") Style Y. Made as an allegory on blacklisting, this Western was very controversial in its day. John Wayne called it "the most un-American thing I've ever seen" and such stars as Gregory Peck, Charlton Heston, Marlon Brando and Montgomery Clift turned down the lead role of Marshal Will Kane -- a part that would win Gary Cooper his second Oscar. In later years the film came to be seen as a classic, inspiring such leaders as Bill Clinton and Lech Walesa. This poster has pinholes in the corners, edge wear with tears and corner bends, and creasing and chips throughout. The poster had a significant amount of older restoration. This larger size poster is one of the few for this title to be printed in full color, with a much better image than the one sheet. Very Good- on Paper.
The Lone Ranger (Warner Brothers, 1956). One Sheet (27" X 41"). Based on the radio adventures of the iconic Western character created by Fran Striker, this was the first feature film appearance of the Masked Rider of the Plains, although he had appeared previously in several popular serials and a hit TV show. Clayton Moore and Jay Silverheels reprise their television roles in this exciting picture, as the Ranger and Tonto must keep the peace when the evil rancher Reece Kilgore (Lyle Bettger) tries to stir up an Indian uprising so that he can become a powerful land baron. For fans of the Ranger, this exceptional one sheet is about as nice as they come, with only a light smudge in the bottom left keeping this beauty from an even higher grade. Near Mint+.
The Texas Rangers (Columbia, 1952). Italian 4 - Folio (55" X 78"). Former outlaws George Montgomery and Noah Beery are given a deal -- help the Texas Rangers capture their old gang and the two of them will go free. However, Montgomery is more interested in getting revenge on the dirty lowlife who killed his brother. This Italian 4 - folio has edge wear with wrinkling, stains on the top border, and fold wear. There are small chips at the folds, tears on the left border and side, and a long tear on the right side horizontal fold. The poster is lifting off the linen on the right side. Wonderfully exciting artwork by Alfredo Capitani. Fine- on Linen.
Winchester '73 (Universal International, R-Late1950s). Italian 4 - Folio (55" X 78"). In 1950, director Anthony Mann breathed new life into the increasingly clichéd Western with Winchester '73, a film that introduced a dark psychological element and multi-narrative plot into the genre. This was one of five Westerns that teamed Mann with James Stewart, a partnership that not only redefined the way in which Westerns were perceived. This fabulous Italian large format poster is a reissue from the late 1950s as neither Rock Hudson nor Tony Curtis were stars at the time of its original release and thus would not have received the top billing they have here. Regardless, this is a magnificent image done by artist D. Stefano. There is fold wear and some slight separation which has not been touched-up, yet the poster display very well. Very Fine- on Linen.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41"). When MGM decided to revamp the advertising campaign for this blockbuster film in 1969 they chose the tagline "The Ultimate Trip." The "eye" poster, as this poster is most often referred to, was conceived for the 1969, 70 mm relaunch in New York while the film was still playing around the country in its original 1968 standard 35 mm format. This poster was primarily used for wilding (i.e. posting on building sites, etc.). It was therefore printed in a smaller quantity than the "star child" poster, the campaign's principal image, which was retained for subsequent releases for the next decade. Some of the "eye" posters were displayed at the Ziegfeld Theatre, but as a secondary image, and never for newspaper ads, etc. It is therefore the rarest of all the U.S. one sheets for 2001: A Space Odyssey. The original printing of the "eye" and "star child" posters have no NSS or other information in the bottom border, as they were created in rush time, not knowing if the campaign would take. After the successful New York opening, the campaign was adapted in other U.S. cities. This copy has been put onto archival linen and had only pinholes in several of the corners as well as some wear to the lower left corner and minor edge wear. There was a very small amount of color touch-up within the image. This is a brilliant copy of a classic image! Very Fine on Linen.
2001: A Space Odyssey (MGM, 1968). Six Sheet (81" X 81"). After finishing Dr. Strangelove, director Stanley Kubrick wanted to make "the proverbial good science fiction movie." What he created in collaboration with Arthur C. Clarke stretched the bounds of filmmaking and human imagination, and has since set the standard for all sci-fi films. Kubrick's masterwork tells nothing less than the tale of human evolution, from the earliest ape tribes all the way "to Jupiter and Infinity." This six sheet had pinholes in the corners, edge wear with chips in the borders, fold wear with cross fold separations and tears on the folds, and holes in the titles. Excellent restoration has addressed all of these flaws, and the poster has a very clean appearance. Magnificent artwork by Bob McCall. Fine/Very Fine on Linen.
The War of the Worlds (Paramount, 1953). Poster (30" X 40"). George Pal's vivid, unforgettable version of the H.G. Wells classic has been a favorite of science fiction fans for decades. Offered here is the rarely-seen 30" x 40" poster, which features nifty comic book-style artwork including the warships! The poster has some overall creasing, edge wear, and some staining in the borders, but retains excellent color and presents very well. Rolled, Fine+.
The War of the Worlds (Paramount, 1953). French Petite (23" X 31.5"). This French petite poster, with art by Claude Venin, is for one of the top science fiction film classics of all time. To this day, the sleekly designed warships still look spectacular and the then state-of-the-art special effects hold up well from this classic of science fiction cinema. Prior to restoration there were pinholes, slight edge wear, a small tear under the logo, small crossfold separations, and minor chips in the borders and the left crossfold. Unlike the larger grande, this rarely seen French poster is the style which depicts the warships. Fine+ on Linen.
The War of the Worlds (Paramount, R-1965). Three Sheet (41" X 81"). In this adaptation of H.G. Wells' classic sci-fi novel, the residents of a small town are initially excited to see a meteor land in the hills nearby. Soon it becomes apparent that it was no meteor at all, but the beginning of an alien invasion that threatens to wipe out all life on Earth. This film stood as the only cinematic adaptation of this story for more than fifty years, and with good reason. It was a triumph in its day and has been a revered classic ever since. This very rare re-release three sheet is one of the most sought-after for this film. This is an incredibly pristine example and only our policy of grading linen-backed items no higher than Very Fine+ keeps it from being Near Mint. Very Fine+ on Linen.
Forbidden Planet (MGM, 1956). Insert (14" X 36"). We admit it: Robby is our all-time favorite science fiction robot. So it's a pleasure to offer this stunning insert poster from the SF classic Forbidden Planet that centers directly on Robby. This terrific example has been cleaned and pressed, with some minor restoration that includes sealing some minor border tears and a couple of tiny chips, as well as a longer tear in the top left corner and some minor paper loss in the yellow credits area. The poster retains utterly fantastic color, and a razor-sharp appearance. "Amazing" is too tame a word for this classic insert. Fine/Very Fine.
Forbidden Planet (MGM, 1956). Argentinean Poster (29" X 43"). The classic image of an oversized Robby the Robot carrying the beautiful Anne Francis is one of the most recognized images from 50s science fiction cinema. This gorgeous Argentinean poster is almost identical to the U.S. poster yet slightly larger and just as vibrant! The poster has minor edge wear primarily on the right hand side. Fine+.
Target Earth (Allied Artists, 1954). Three Sheet (41" X 81"). Adapted from the story Deadly City by Paul W. Fairman, this features a mis-matched set of survivors (Virginia Grey, Kathleen Crowley, Richard Denning, Dick Reeves) who find themselves alone in a suddenly deserted Chicago. Well -- not quite alone: there's a hoard of Venusian robots (seen only one at a time, of course) who are hunting them down. This rousing three sheet has spectacular artwork showing an army of metal men towering over the ruined city -- slightly more ambitious than the producers could afford! But it still makes for one fantastical poster art, with gorgeous color and a cool design. The poster had fold wear and crossfold separations, tears in the title area and the left border, and a chip out of the right border. A very large piece was missing from the top right edge. Professional restoration has addressed these issues, and the poster now looks as good as new, with vibrant colors and a very crisp appearance. Fine on Linen.
Tobor the Great (Republic, 1954). One Sheet (27" X 41"). Fearing a manned mission to outer space is too dangerous for human astronauts, scientists develop Tobor, a robot that can be controlled telepathically. However, foreign agents want the robot for their own, and will stop at nothing to get him! Unquestionably one of the greatest posters of the era, this particular copy is in outstanding condition, with only the slightest pinpoint crossfold separation and a small crease in the bottom left corner keeping it from an even higher grade. If you've been waiting for the ultimate copy of this classic one sheet, look no further! Near Mint+.
Attack of the Crab Monsters (Allied Artists, 1957). Insert (14" X 36"). A team of scientists is trapped on a rapidly shrinking island after their plane explodes. To make matters worse, the island is home to a race of giant, atomically-mutated, brain-eating crabs! If you're thinking this is a movie that could only come from the mind of low-budget auteur Roger Corman, you're absolutely right! An early Corman classic, this film boasted some great poster art, as seen on this stunning insert. The piece offered here had fold wear, pinholes in the corners, chips in the left border, and a chip in the top left corner, but professional restoration has expertly addressed all of these minor issues, resulting in a poster that is as attractive and presentable as the day it was printed. Very Fine- on Paper.
The Mole People (Universal International, 1956). Half Sheet (22" X 28") Style A. No doubt about it, this is Hugh Beaumont's best film, a nifty sci-fi thriller about scientists who descend into the bowels of the earth and find an entire civilization of albinos who keep grotesque creatures -- the mole people of the title -- as slaves. John Agar and Cynthia Patrick are the romantic leads, and keep an eye out for Batman's butler, Alan Napier, as the High Priest. This outstanding half sheet has a great head shot of a monster and cool, atmospheric artwork. Condition issues include staple holes, edge wear, corner chips, creasing in the bottom left corner, some smudging, and a cone-shaped tear just above the mole man's nose, all of which has been addressed with professional restoration. The poster still presents beautifully, with great color and clarity. Fine/Very Fine on Paper.
The Wasp Woman (Film Group, 1959). One Sheet (27" X 41"). Vanity is taken to its ultimate limits in this creepy classic from director Roger Corman, in which a cosmetics queen (Susan Cabot), searching for the ultimate in beauty, experiments with a compound made from royal wasp jelly in a desperate bid to restore her lost youth. Before long, she transforms into a horrendous wasp woman, with predictable results. Offered here is a beautiful example of this classic 1950s sheet, with only such slight flaws as pinholes in the top corners and creases in the top and bottom right corners keeping it from an even higher grade. Near Mint-.
The Beast with 1,000,000 Eyes! (American Releasing Corp., 1955). Half Sheet (22" X 28"). Beast is one of those instances where the title and the ad campaign were created and sold before the movie was ever made, which won't surprise anyone who's actually seen it. But the artwork of the snarling, tentacle-faced critter (by renowned artist Albert Kallis) that dominated the posters was certainly eye-catching, as was the hot babe in the red undergarments. Offered here is the amazing half sheet. The poster had fold wear and corner pinholes, and a small chip in the left border, all of which has been smoothed out with professional restoration; also, the linen backing has been trimmed to the poster edge. Very Fine on Linen.
Devil Girl From Mars (Spartan, 1955). Half Sheet (22" X 28"). Warning earth men, the women of Mars are on the prowl for good breeding specimens to take back home! This British 1950s sci fi thriller stars Patricia Laffan as Nyah, clad here in space age green leather. Hugh McDermott and Hazel Court also star. There are corner bends, edge wear, a vertical crease on the right side, scratches on the left side and one across the bottom. In the borders there are pinholes and some smudges. This is quite a stunning sci fi image. Rolled, Fine/Very Fine.
Attack of the 50 Foot Woman (Allied Artists, 1958). Banner (24" X 82"). The adage "Hell hath no fury like a woman scorned" is taken to new heights in this classic '50s sci-fi morality tale. Allison Hayes, in her most famous role, is the jilted wife who can no longer be ignored when an alien causes her to grow to colossal size. This banner has pinholes in the corners and top right field, edge wear with a couple of chips, and creases with surface wear. The iconic picture of Hayes, as was usual with banners of this era, is a panel that was attached to the blank spot on the end of the banner. Fine/Very Fine on Linen.
Attack of the 50 Foot Woman (Allied Artists, 1958). Poster (40" X 60"). During the 1950s, fear of radiation and its effects gripped nuclear-age America. It seems as though every science fiction film made during this period used the new science as a plot device sure to strike fear into the hearts of moviegoers nationwide. But few films had as much fun with the concept as Attack of the 50 Foot Woman. Allison Hayes is a housewife whose husband (William Hudson) openly flaunts his many affairs inspire of his wife's loving devotion. But when Hayes witnesses the crash of a UFO, she is exposed to the craft's radioactive debris, causing her to grow to gigantic proportions with confidence to match. Who can forget the scene where Hayes tromps through the streets in search of her philandering mate calling, "HARRY-HARRY"? While the one sheet for this drive-in favorite is available from time to time, the larger paper is a bit harder to come by, especially in the 40" X 60" format. This example, with its awesome Reynold Brown art, has two pinholes in the field along with staining in the bottom border and wear at the edges. Horizontal creases have formed at the top and bottom and there are chips in the bottom right and top left corners. Fine.
Not of this Earth (Allied Artists, 1957). Insert (14" X 36"). His entire race dying from the effects of a devastating nuclear war, an alien agent (Paul Birch) comes to Earth in order to acquire desperately needed blood in this Roger Corman classic. Co-starring the beautiful Beverly Garland, and hailed as one of the most memorable sci-fi films of the 1950s, it is represented here by this striking insert. It shows light fold wear, pinholes in the corners, minor edge wear, a light smudge in the bottom right corner, and a small stain in the "O" of "Not," but presents very nicely, with strong colors and a great image. Don't let this one pass you by! Very Fine.
The Time Machine (MGM, 1960). Three Sheet (41" X 81"). George Pal's colorful adaptation of the H. G. Welles novel stars Rod Taylor as the time traveler, and Yvette Mimieux as the future-girl he falls for. This glorious, pulp-style three sheet features an action-packed image of our hero and heroine being menaced by Morlocks. The poster has some condition issues including pinholes in the borders and small tears all along the left border. There was fold wear and crossfold separations, and some stains in the left border. Missing paper included a chunk out of the top right corner, a large piece out at the bottom of the "C", a large chip out of the center crossfold, and several smaller chips. Professional restoration has addressed these issues, and the poster now looks good as new. You will race into the fantastic future with this colorful poster with art by Reynold Brown. Fine/Very Fine on Linen.
Invasion of the Body Snatchers (Allied Artists, 1956). Six Sheet (81" X 81"). This classic of cold-war paranoia (cloaked in the trappings of science fiction of course) remains one of the most accomplished and frightening films of the 1950s. Kevin McCarthy and Dana Wynter stars as young lovers on the run from their own friends and family -- who have been replaced by alien spore-pods from outer space. This impressive six sheet poster features the "handprint" iconography seen on most paper for this title, which is truly spectacular in this large size. The poster had edge wear with some tears, paper loss at the folds, and a large chip out at the top right horizontal fold, all of which has been addressed with excellent professional restoration. The poster retains eye-popping color and presents beautifully. Fine on Linen.
Things to Come (United Artists, R-1947). Half Sheet (22" X 28"). H.G. Wells' meditation on the future of the human race was one of the most spectacular films of its day, directed by William Cameron Menzies, with Raymond Massey and Cedric Hardwicke in the leads. Offered here is the nifty half sheet for the 1947 re-issue, which has different, and nicely futuristic, artwork than the original release sheets. Poster conservation has been done on this piece, with no visible paint touch-ups. The sheet had pinholes in the borders, edge wear along the bottom border, multiple border tears, creasing in the top left border, and one border chip and a missing bottom left corner, which have been replaced. Your future awaits; make sure it includes this fantastic half sheet. Fine/Very Fine on Linen.
Destination Moon (Pathé, 1950). One Sheet (27" X 41"). A singular collaboration between giants in their field -- science fiction writer Robert A. Heinlein, astronomy artist Chesley Bonestell, and uber-producer George Pal -- led to this landmark speculation on man's first voyage to the moon. The production team strove for scientific accuracy at every level (as opposed to most "space opera" movies of the day), and the end result is one of the most intelligent and respected films of the '50s. There's even an appearance by Woody Woodpecker, explaining how rockets work, in an animated segment created especially for the film. This beautiful one sheet features a lush image of the sleek rocketship in flight. The poster had pinholes in the corners, borders, and field, chips out of the top right corner and right border, a tape lift at top center border, and damage where a small snipe was removed in the lower left. Excellent professional restoration has been applied to these issues, and the poster has a like-new appearance. Very Fine- on Linen.
It Came From Outer Space (Universal International, 1953). One Sheet (27" X 41"). This collaboration between science fiction giant Ray Bradbury and director Jack Arnold remains one of the most intelligent and revered science fiction films of the last century. After a spaceship crashes near a sleepy desert village, the townsfolk begin to act strangely and a local astronomer (Richard Carlson) and his fiancee (Barbara Rush) investigate. This otherworldly one sheet features the classic "giant eye" imagery associated with the film. The poster had pinholes along the left and right sides, surface color loss where a snipe was removed, a long horizontal tear above the top fold, tear in the bottom border, extra creases, and bleed-through from a stamp in lower right and top right corners, all of which has been addressed with professional restoration. The poster retains great color and presents beautifully. A sublime sheet for this fan-favorite thriller. Fine+ on Linen.
The Astounding She Monster (American International, 1958). Poster (30" X 40"). Director Ronnie Ashcroft (with the help of his mentor, Ed Wood Jr.) shot this film in eight days on a shoestring budget. A sexy female alien with a deadly touch upsets the plans of a gang to kidnap an heiress. This poster has creasing throughout, and corner bends on the bottom. It has a very nice appearance, with an art panel attached to the silk screen background. Fine/Very Fine on Paper.
Queen of Outer Space (Allied Artists, 1958). One Sheet (27" X 41"). Shot in color and in Cinemascope -- pretty lavish for a low-budget sci-fi romp starring Zsa Zsa Gabor -- this camp classic finds a group of astronauts (dressed in hand-me-down Forbidden Planet uniforms) who go off course and land on Venus, only to find it populated exclusively with beautiful women! This is probably the signature role of Gabor's film career, and she's appropriately the centerpiece of this wonderful one sheet. The poster had pinpoint crossfold separations and light edge wear, but is otherwise is in spectacular condition. It has been mounted on linen with light restoration, making it look as good as new. Very Fine+ on Linen.
The She-Creature (American International, 1956). One Sheet (27" X 41"). An AIP classic featuring Chester Morris an evil hypnotist whose experiments in past life regression go a little too far and turn his beautiful assistant (Marla English) into a prehistoric monster. Great artwork by Albert Kallis, featuring Paul Blaisdell's memorable creature design. The poster has pinholes in the corners and edges, light smudging to the right border, a small tear to the top left quadrant, bends to all four corners, and a small extra crease to the center horizontal fold. Fine/Very Fine.
Rocketship X-M (Lippert, 1950). British Quad (30" X 40"). This sci-fi gem is one of the best films ever produced by the small independent Lippert Pictures. The action centers around the first manned space flight to the moon that gets blown off course by a meteor shower and ends up on Mars. Lloyd Bridges, Osa Massen and Noah Berry Jr. star as the astronauts who discover a destroyed civilization on the red planet. This rare British quad is a silkscreen and has additional folds and a torn left lower corner. Very Good.
Cat-Women of the Moon (Astor Pictures, 1954). One Sheet (27" X 41"). A group of scientists, led by Laird Grainger (Sonny Tufts) and Kip Reissner (Victor Jory), travel to the moon, where they find a lost civilization of cat-women deep underground, guarded by a giant spider! Classic 1950s kitsch, this movie was parodied in 1987's Amazon Women on the Moon. Offered here is a wonderful one sheet for this sci-fi classic. It shows staple holes in the corners, borders, and image area, wrinkling, crossfold separation, edge wear, a tear in the left border, and bends in three corners. Nevertheless, this eye-catching poster presents very nicely, and will make a wonderful addition to any collection. Very Good.
Terror from the Year 5000 (American International, 1958). One Sheet (27" X 41"). On a remote island off the coast of Florida, a talented scientist (Frederick Downs) and his assistant (John Stratton) use a time machine to visit the past and the future. All is well until a mutated woman from the post-apocalyptic future hatches a plan to re-populate her time by kidnapping Stratton. This is one of the most sought after sci-fi posters in the hobby, with terrific art by Albert Kallis. This folded example has pinholes in the top corners, wear at the edges including small chips and corner tears. But the color and image remain very strong. Fine/Very Fine.
Plan 9 from Outer Space (DCA, 1956). One Sheet (27" X 41"). The undeniable masterpiece of legendary director Edward D. Wood Jr., this is the story of an attempted alien invasion, and their terrifying "Plan 9," in which the recently deceased are reanimated to spread fear and terror throughout the world. While Wood may have lacked the sheer talent of a Lucas or Spielberg, he more than made up for that deficit with deeply ingrained passion and enthusiasm, as well as a love of filmmaking that is apparent in every single frame of this cult classic. The cast includes such Wood company stalwarts as Tom Keene, Paul Marco, Tor Johnson, Vampira, Dudley Manlove, and Criswell the Magnificent, and is a must see for anyone who appreciates the value of sheer determination. This wonderful poster shows crossfold separation, edge wear, pinholes in the corners, staple holes in the bottom border, a small crease in the left border, and two extra vertical creases, but still presents very nicely. Any sci-fi fan will treasure this incredible classic. Very Fine.
Godzilla (Toho, 1956). French Petite (23.5" X 31.5"). Inspired by several very real events - the atomic bombing of Japan at Hiroshima and Nagasaki at the end of World War II, the hydrogen bomb explosion at the Bikini Atoll in March, 1954, and the subsequent irradiation of the fishing boat Daigo Fukuryu Maru - Gojira made his silver screen debut in this eponymously-titled film on November 3, 1954. A modern-day metaphor for the horrors of the nuclear nightmare that had been unleashed upon the world, the film struck a responsive chord in the Japanese public, the only nation ever to suffer through an atomic attack. Gojira, or Godzilla as he was rechristened when he made his Western film debut, was an instant hit, and has since starred in the most successful film franchise in movie history. Offered here is the original French petite with art by A. Poucel. Very Fine on Linen.
How to Make a Monster (American International, 1958). Lobby Card Set of 8 (11" X 14"). In a perfect example of art as therapy, this horror riot tells the tale of a studio make-up artist bent on revenge against those who took away his job. Pete Dumont (Robert H. Harris) creates monsters for horror films but when the studio releases him, he hypnotizes two actors into believing that they are real monsters and commands them to terrorize the studio lot! This lobby card set is in immaculate condition with only the smallest of bumps at the corners. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Near Mint+.
The Spider (American International, 1958). One Sheet (27" X 41"). This film, now more commonly known as Earth vs. The Spider, features a giant arachnid who is revived by rock and roll music and goes on a rampage in a small town. Director Bert I. Gordon also wrote the screenplay for this cult horror classic. The poster, with its classic exploitation art, has pinholes in the corners and borders, crossfold separation with a tearing on the top vertical fold, and edge wear on the bottom border. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Very Fine-.
Day the World Ended (American Releasing Corp., 1956). One Sheet (27" X 41"). This was cult director Roger Corman's first science fiction film. Following an atomic war, a group of survivors find refuge in a valley owned by Paul Birch and his daughter Lori Nelson. Two of the survivors, Mike Connors and Richard Denning, vie for the daughter's affection until they are attacked by a bevy of mutated beings. Classic exploitation graphics by master poster artist Albert Kallis! This poster has crossfold separation with a tear on the vertical fold, and light edge wear. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Very Fine-.
Blood Of Dracula (American International, 1957). One Sheet (27" X 41"). Sandra Harrison stars as an innocent student who falls under the spell of an evil chemistry teacher (Louise Lewis), who hypnotizes the poor girl, turning her into a vampiric creature that commits murder before waking with no memory of the killing. The art for this poster is a bit more blood-splattered than we recall the film being, but it makes for a fantastic, striking image. This amazingly fresh flat-folded example has a slight bit of fold wear in the top horizontal fold, and light edge wear at bottom left, but is otherwise in like-new condition. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Very Fine/Near Mint.
Viking Women and the Sea Serpent (American International, 1957). One Sheet (27" X 41") Flat-Folded. A group of Nordic women are on a mission to find and rescue their Viking men, who are held captive by the Grimaults tribe. Suffering through the destruction of their ship, they eventually find the men and battle the Grimaults and sea serpent to a happy ending. Roger Corman, known for many classic horror and monster movies of the 1950s and 60s, directs this fantastic adventure. This colorfully wild one sheet, with its fabulous Reynold Brown art, only has a minor pinhole in the center. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Near Mint+.
X-The Man With the X-Ray Eyes (American International, 1963). One Sheet (27" X 41"). Ray Milland stars in Roger Corman's haunting science fiction thriller about a scientist who discovers the secrets of x-ray vision but finds his life crumbling as the power of his vision becomes more and more intense. The film is memorable for Milland's commanding performance, and the existential nature of the story. This stunning flat-folded one sheet, straight from the collection of producer Samuel Z. Arkoff, features the incredible Reynold Brown artwork found on most paper for this title, and is in immaculate condition, with light edge wear on the left border and a slight corner bump in the top right being the only issues. You'll need x-ray eyes to find a better copy of this classic sheet, or one with a better provenance. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Very Fine/Near Mint.
X-The Man With the X-Ray Eyes (American International, 1963). Half Sheet (22" X 28"). One of Roger Corman's most vivid films (and that's saying something!), this stars Ray Milland as a scientist who manages to give himself x-ray vision, and then has trouble coping with the consequences. Don Rickles gives a memorable supporting performance as a con man, and the film has one of the most intriguing endings of any '60s science fiction movie. Try as we might, we can find no flaw with this astounding unrestored half sheet, which features the same iconic imagery as the one sheet, stunning artwork by Reynold Brown. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Rolled, Mint.
Black Sabbath (American International, 1964). One Sheet (27" X 41"). Black Sabbath, not to be confused with Mario Bava's earlier masterpiece Black Sunday, is an atmospheric anthology film that present three horror stories, linked and presented by the great Boris Karloff (in scenes shot especially for the American version), who also appears in the best of the three as a Germanic vampire. The film was toned down for its U.S. release, but there's no mistaking Bava at the top of his form. The flat-folded poster itself is virtually flawless, with one tiny tear in the top horizontal fold being the only issue. This terrific team-up between legends Bava and Karloff is not be missed. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Near Mint.
Black Sabbath (American International, 1964). Half Sheet (22" X 28"). Horror maestro Mario Bava crafts a trilogy of terror tales, one of which, "The Wurdalak," cast Boris Karloff as a creepy vampire. The stories were re-arranged from the original Italian edition of the film, and some of the sexual overtones were cut out altogether, but it remains one of Bava's most powerful films. Celebrate that fact with this stunning half sheet, rolled and unrestored, and featuring outstanding Reynold Brown art. The poster is in simply spectacular condition, with some dust shadowing and minor edge wear along the top border being the only problems. You can't go wrong with Karloff, and this is one of his best. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Rolled, Very Fine+.
The Masque of the Red Death (American International, 1964). Half Sheet (22" X 28"). Edgar Allen Poe's blood chilling short story is eeriely filmed by the king of 1960s terror Roger Corman. Set in medieval Europe the wonderful Vincent Price stars as the devil-worshipping Prince Prospero, who tortures his guests as they await the plague, known as the red death. The spectacularly hideous artwork is by renowned illustrator Reynold Brown. The only minor issue with this half sheet is slight tanning along the bottom edge, otherwise it is in wonderful condition and is a real treat for horror fans. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Rolled, Very Fine/Near Mint.
The Wild Angels (American International, 1966). Half Sheet (22" X 28"). Wild Angels was the first of the AIP biker films, and probably the best. Roger Corman's inside look at the Hell's Angels was controversial at the time, and the Angels themselves tried to sue for defamation of character. The performances are vivid and memorable -- Peter Fonda as the steely-eyed leader of the gang, and Nancy Sinatra as his loyal moll, are terrific, and the supporting cast includes Bruce Dern, Diane Ladd, and Michael J. Pollard. This rolled and unrestored half sheet is in spectacular condition, with faint tanning at the edges and a minor crease in the bottom right corner being the only issues. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Rolled, Near Mint-.
Motorcycle Gang (American International, 1957). One Sheet (27" X 41") Flat-Folded. As one of American International's earliest teen rebel movies, this exploitive hit sets up "good" gang member Nick (John Ashley) against "bad" gang member Randy (Steve Terrill) in a deadly drag race. Tough girl Terry is played by Anne Neyland, who was also in Jailhouse Rock the same year. Carl "Alfalfa" Switzer, from Our Gang, rides with a new gang here. This is a rare find as it is a completely different color scheme from every other copy we have offered. We do not know if this was a printer's proof given to Mr. Arkoff prior to the run which made changes or whether this was another print run entirely. This one sheet only has a pinhole in the center, and has stunning color. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Near Mint+.
Hot Rod Girl (American International, 1956). One Sheet (27" X 41"). Lori Nelson is the "Hot Rod Girl" who drives a 1955 Thunderbird. Filmed in the San Fernando Valley, the film features classic shots of drag racing on Van Nuys Boulevard and the San Fernando Valley Drag Strip. Frank Gorshin (who plays "Flat Top") was reunited with director Leslie Martinson ten years later when he played "The Riddler" in 1966's Batman movie. The poster has tape on the corners, edge tears on the vertical folds, pinholes in the corners and fold wear. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Fine.
Dragstrip Girl (American International, 1957). Lobby Card Set of 8 (11" X 14"). Gorgeous Fay Spain (God's Little Acre) is the titular girl in this rowdy drama featuring bad boys and fast cars. Spain is a "hot rod freak" who falls in with a callous rich boy, to the dismay of her parents. Frank Gorshin co-stars. Offered here is a sublime lobby card set in spectacular condition. A tiny corner bend on one card and light scratch on another are the only issues of note. One of the best lobby sets you'll ever see on this title. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Very Fine/Near Mint.
Dragstrip Girl (American International, 1957). One Sheet (27" X 41"). Car crazy! Speed crazy! Boy crazy! That sums up Faye Spain's character in this juvie potboiler, a gal who gets off on playing her two boyfriends (Steve Terrell , John Ashley) against each other. The story comes to a lively conclusion with a winner-take-all race. This nearly-perfect example has a small tear at the bottom left corner, and nothing else wrong at all. They don't get much better than this. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Near Mint.
Reform School Girl (American International, 1957). One Sheet (27" X 41"). Bad girl Donna Price, (played by Gloria Costello), is really innocent of the charges that send her to reform school. It is her no-good boyfriend, Vince (Edd Byrnes) who is responsible for a fatal car crash, but Donna has to fight her way through the juvenile reform system and survive. This was Sally Kellerman's, of MASH fame, feature debut, as another feisty delinquent. This one sheet has light edge wear and light fold wear. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Very Fine+.
Shake, Rattle and Rock (American International, 1956). Lobby Card Set of 8 (11" X 14"). A group of concerned adults try to ban rock and roll music in their town because they think that the music promotes juvenile delinquency. It's now up to a disc jockey and a hipster to defend the music in a televised trial. Mike "Touch" Connors and Lisa Gaye are the leads, while Fats Domino, Joe Turner, and Tommy Charles perform. You can't beat this nearly-perfect lobby card set with eight great images from the film. A very small ding in the lower right corner of all cards is the only condition issue. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Near Mint.
Bikini Beach Lot (American International, 1964). Half Sheets (2) (22" X 28"). American International's roots were in cheap sci-fi and teenage gang films. By the early '60s, the sci-fi rolled on, but the teen angst of the '50s had changed to the non-threatening antics of Annette Funicello and Frankie Avalon. This lot, which also includes Muscle Beach Party (1964), combines two of the best of the Beach series. Muscle Beach has surface abrasions on the top left corner, and a crease and stain in the top right. A copy of producer Samuel Z. Arkoff's autobiography Flying Through Hollywood by the Seat of My Pants as well as a COA from Lou Arkoff will be included with this auction lot. From the personal collection of Samuel Z. Arkoff. Rolled, Very Fine/Near Mint.
Hot Car Girl (Allied Artists, 1958). Poster (40" X 60"). Allied Artists, in an attempt to cash in on the turf that American International had mined so well, the teen JD drama, produced this and other teen dramas of bad hoods and the good girls that love them! This poster is one of the better produced during the day and is a demand title for poster collectors. The poster has the general edge and handling wear associated with these oversized posters which are rolled and are printed on heavier stock paper. The poster has some small holes, soiling and creasing in the image but the poster is still very displayable! Rolled, Fine.
Hot Car Girl (Allied Artists, 1958). One Sheet (27" X 41"). This is the one of the best "Bad Girl" juvenile delinquent hot rod posters from the 1950s. June Kenney made a career out of these bad girl roles starring in such other drive-in fare as Sorority Girl and Teenage Doll. The poster has pinholes in the corners, a small piece missing from the left border and minor staining from rusted staples. But the colors are very strong, so get this poster while you can! Fine.
Speed Crazy (Allied Artists, 1959). One Sheet (27" X 41"). In this slick teen melodrama, Brett Halsey, perhaps best known as Phillipe in 1959's The Return of the Fly, plays a roughneck loser named Nick, on the run from the law after killing a man during a mugging, and now working as a mechanic in a garage where he manages to alienate everyone he comes in contact with. His only interests are fast cars and fast women, both of which this classic 1950s JD flick presents in spades. An additional highlight is Slick Slavin, who sings the title song. This striking one sheet had crossfold separation and a chip in the top left corner, but these slight flaws have been addressed with professional restoration, making this a poster you'll go crazy over! Fine/Very Fine on Linen.
Hot Rod Gang (American International, 1958). Poster (40" X 60"). This "juvenile delinquent" programmer was the sort of movie that made the drive-in theater a hot spot in the fifties for teenagers. This particular film has the distinction of featuring rock legend Gene Vincent and his Blue Caps performing two hits on screen: "Dance in the Street" and "Baby Blue." These "hot rod" posters from this era are becoming very popular with collectors and this is the first time we have offered this large format on this title before. Printed in far fewer numbers than the one sheet, and on heavier paper stock, this one sports fabulous colors. There was some minor edge wear and some wrinkling within the image which has all been restored professionally and beautifully. Rolled, Fine/Very Fine on Linen.
A Hard Day's Night (United Artists, 1964). Three Sheet (41" X 81"). This was the Beatle's very first feature film, made at the height of Beatlemania. The story - about John Lennon, Paul McCartney, George Harrison, and Ringo Starr trying desperately to get to a gig on time while a series of misadventures hinder their attempt- was merely an excuse to showcase some of the group's most popular songs. This stunning three sheet is in superb condition, and only our policy of not awarding a grade higher than VF+ to a poster on linen prevents us from giving this beauty an even higher grade. Very Fine+ on Linen.
A Hard Day's Night (United Artists, 1964). Belgian (16.25" X 25.25). The Beatles' first film is a masterpiece of spontaneity, improvisation and visual gags. Even the title is from a malapropism that Ringo came up with after an all-day-and-night session. This Belgian poster has pinholes with tape lifts in the corners, small edge tears with a chip on the right border, and fold wear with pinpoint cross fold separations. A great image of the Fab Four in their prime. Fine/Very Fine on Linen.
A Hard Day's Night (United Artists, 1964). British Quad (30" X 40"). The Fab Four make their mark on moviedom, just as they did on music, with raucous energy and plenty of personality. Director Richard Lester keeps the pace snappy, but it's really the charm of the boys themselves that sells this tune-filled romp. Country-of-origin paper on the Beatles is always highly desirable, and this iconic sheet from their debut film is a holy grail. The poster had pinholes in the corner, a small tear in the bottom right border, pinpoint crossfold separations, light fold wear, and some some barely visible writing on the reverse, all of which has been addressed with professional restoration. You'll love this poster. Very Fine- on Linen.
A Hard Day's Night (United Artists, 1964). One Sheet (27" X 41"). By 1964, Beatlemania was in full swing. The Fab Four - John Lennon, Paul McCartney, George Harrison, and Ringo Starr - were at the top of the charts and were selling out concert venues around the world. Not surprisingly, the decision was made to star the Lads from Liverpool in their own feature film, and this musical gem, directed by Richard Lester, was the result. The story, recounting a "typical" day in the life of the boys and their attempts to get to a performance on time, was simply an excuse to showcase their music, including such hits as "Can't Buy Me Love," "She Loves You," "All My Loving," and, of course, the title track. Offered here is a highly desirable one sheet for this classic picture. Aside from some light wrinkling, the poster is in pristine condition, making it the perfect piece to add to your collection. Near Mint.
Yellow Submarine (United Artists, 1968). Half Sheet (22" X 28"). In order to complete their movie contract, the Beatles agreed to this animated feature that starred their songs but not their voices. The end result is a memorable bit of surreal psychedelia with Blue Meanies, Salvador Dali, Peter Max, and "Lucy in the Sky With Diamonds." This fab half sheet has all the iconic imagery from the film, and is in spectacular condition. It has been pressed and cleaned and has become slightly tan in color. Rolled, Very Fine.
Yellow Submarine (United Artists, 1968). One Sheet (27" X 41"). After making two feature films and a disappointing TV special, the Beatles - John Lennon, Paul McCartney, George Harrison, and Ringo Starr - were less than enthusiastic about participating in another movie, but saw this animated feature as a relatively painless way to fulfill their contractual obligations. When the Fab Four saw a rough cut of this charming animated fable, however, they were so impressed that they agreed to film a live action sequence for the film's end. Reminiscent of the psychedelic stylings of 1960s icon Peter Max, the movie tells the story of the Beatles' quest to free the peaceful Pepperland from the influence of the evil Blue Meanies. Of course, like the Lads previous films, this was primarily a showcase for their music, including such hit songs as "All You Need is Love," "Eleanor Rigby," "Lucy in the Sky with Diamonds," "When I'm Sixty-Four," and the title track. Offered here is a beautiful one sheet from this popular film. In exquisite condition, only some very light discoloration on the fold lines keeps this beauty from an even higher grade. Near Mint.
Yellow Submarine (United Artists, 1968). Three Sheet (41" X 81"). The Beatles got animated in this fanciful adventure as they set off on a quest to save the peaceful Pepperland from the clutches of the evil Blue Meanies. Although the Beatles - John Lennon, Paul McCartney, George Harrison, and Ringo Starr - weren't thrilled about the project at the beginning (they loathed the current television cartoon show about them), after seeing the finished film, with its Peter Max-inspired designs, they were extremely happy with it, and actually agreed to film a short live action epilogue. In addition to the title song, the soundtrack includes such classics as "Eleanor Rigby," "All Together Now," Lucy in the Sky with Diamonds," "Sgt. Pepper's Lonely Hearts Club Band," "All You Need is Love," and "When I'm Sixty-Four." This highly desirable three sheet had pinholes in the corners, and fold and crossfold separations, but professional restoration has rendered these slight flaws virtually invisible. Remember, all you need is love and the highest bids and some of Lucy's diamonds wouldn't hurt either - to win this beauty! Very Fine on Linen.
Jailhouse Rock (MGM, 1957). One Sheet (27" X 41"). For the passionate Elvis Presley fan, this is, perhaps, the greatest poster ever produced featuring the King of Rock and Roll. In this memorable picture, Vince Everett (Presley) serves a one year stretch in the pen on a manslaughter charge, and comes out the other end an overnight singing sensation. The fabulous one sheet offered here had a chip by Elvis's chin, a tear in the left border, and a chip in the bottom border, but all of these slight flaws have been expertly addressed with professional restoration, returning the poster to a glorious Near Mint appearance. Very Fine on Linen.
Jailhouse Rock (MGM, 1957). Three Sheet (41" X 81"). The perfect blending of plot and musical numbers makes this the best film that Elvis Presley ever made. A stint in the Big House gives Elvis the tools to make it big on the outside, but alas, success goes to his head and he abandons those that helped him in his climb. But it all turns out right in the end, of course. The film is filled with great tunes, including the unbeatable title song. This three sheet features Elvis three times, along with co-star Judy Tyler. This wonderful copy had some minor fold wear and has been beautifully conserved on linen. Very Fine+ on Linen.
King Creole (Paramount, 1958). Three Sheet (41" X 81"). If you're a fan of the King , this poster is for you! In this early Elvis film, Presley plays a high school dropout who gets a job as a singer in a saloon. Trouble follows, however, in the form of gangsters and girls, as well as a fistfight between Elvis and Walter Matthau. Along with Jailhouse Rock, many consider this to be one of Presley's finest films. The striking three sheet offered here, which features the same artwork as used on the one sheet, perfectly captures the spirit of the young Elvis: brash, confident, and infinitely talented. This poster is folded and appears unused and in exceedingly clean shape. Very Fine+.
Wild in the Country (20th Century Fox,1961). British Quad (30" X 40"). Elvis Presley stars in a screenplay written by Clifford Odets as a young prison parolee looking to make his way in the world with all the forces playing against him. This fabulous British quad is one of the best Elvis posters we have ever seen! This certainly makes the U.S. paper on this title pale. We have never offered this poster before and know that it must be rare. Other than minor fold wear, this poster is in excellent condition. Very Fine on Linen.
Viva Las Vegas (MGM, 1964). Six Sheet (81" X 81"). This was Elvis' biggest box office success. In the film, he plays down-on-his-luck Grand Prix race car driver, Lucky Jackson, who travels to Vegas to raise money for a new engine so he can compete in an upcoming race. Along the way he croons a few tunes, woos the heart of the always vivacious Ann-Margret and becomes a Las Vegas icon. Very Fine+.
Rebel Without a Cause (Warner Brothers, 1955). British Quad (30" X 40"). Though this poster was reproduced throughout the 1970s, this is guaranteed to be the fantastic, original release quad. James Dean made his definitive mark on the cinema as the quintessential troubled youth Jim Stark in Nicholas Ray's "Rebel Without a Cause". Natalie Wood and Sal Mineo co-starred in the picture as teens with their own set of problems that lead to dire consequences. This UK sheet presents a completely different take on the campaign for this career defining Dean film. Aside from very light fold wear, this sheet is remarkably clean. Only our policy grading linen-backed posters no higher than Very Fine+ keeps it from receiving higher marks. Very Fine+ on Linen.
Rebel Without a Cause (Warner Brothers, 1955). One Sheet (27" X 41"). The movie career of James Dean was short, but highly memorable. Perhaps his most iconic role, and the one for which he will always be remembered, was that of Jim Stark, the troubled teen with the dark past who tries to make a new life in a new town with tragic consequences. Dean filmed only one more movie after Rebel - the epic Giant (1956) - before the tragic car crash that claimed his life on September 30,1955. This classic one sheet has had the top half inch of the white border replaced. Also, it had fold wear, crossfold separation, and pinholes in the corners and in the image area. Professional restoration has addressed all of these minor concerns, however, providing this classic with a like-new appearance. Fine+ on Linen.
Rebel Without a Cause (Warner Brothers, 1955). Insert (14" X 36"). Misunderstood by parents and society, James Dean as Jim Stark feels he has to take on the world, and in doing so becomes an icon for all teenagers. Nicholas Ray's brilliant story of teenage angst also stars Natalie Wood and Sal Mineo who give outstanding performances as Stark's troubled friends. The second of Dean's three films, Rebel remains the most iconic and still captivates audiences today. Prior to professional restoration, this insert had fold wear, edge wear, pinholes in the corners, and two creases in the lower left. This impressive insert displays beautifully and is a must have for all collectors. Very Fine- on Paper.
Ocean's 11 (Warner Brothers, 1960). British Quad (30" X 40"). The "Rat Pack" was the absolute definition of "cool" not only for their era. Their plot for this classic film centered on the gang's plan to knock off five Las Vegas casinos in one night. All five stars are featured "in attitude" with great headshot artwork on this rare British quad poster. Quads were printed in far fewer numbers than their American counterparts, the one sheet. This copy is folded with the most minor edge wear. Very Fine.
Ocean's 11 (Warner Brothers, 1960). One Sheet (27" X 41"). The "Rat Pack" (Frank Sinatra, Dean Martin, Sammy Davis, Jr., Peter Lawford and Joey Bishop) are joined by Angie Dickinson, Richard Conte and Cesar Romero in this heist film set in Las Vegas. A poster for this film does not get much cleaner and whiter than this copy! Very Fine/Near Mint.
Ocean's 11 (Warner Brothers, 1960). Half Sheet (22" X 28"). What do you get when you cast Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, Joey Bishop, and Angie Dickinson in a movie together? One of the greatest heist films of all time! Danny Ocean (Sinatra) has a plan to knock off several of the biggest casinos in Las Vegas, all in one night, with the help of his ten pals. Many consider this to be the very best of the "Rat Pack" films, and consequently, paper from this picture is avidly sought after by collectors. This wonderful half sheet shows some wear on the horizontal fold, but is otherwise in superb condition. Folded, Very Fine+.
Ocean's 11 (Warner Brothers, 1960). Poster (40" X 60") Style Z. Eleven friends unite to knock off five of the biggest casinos in Las Vegas in this classic "Rat Pack" film. Frank Sinatra leads the cast as Danny Ocean, ably supported by his friends Dean Martin, Sammy Davis Jr., Peter Lawford, Joey Bishop, Angie Dickinson, and Cesar Romero. It's been said that the point to making this movie was so that Sinatra and his cronies could party in Vegas, and that sense of camaraderie is on full display in this memorable movie, as much of the dialogue between the major characters was ad-libbed. This remarkable poster has pinholes in the top corners, edge wear, light surface wear, a tear in the top border, a crease in the bottom left corner, and two small tears in the bottom left, but presents very nicely. Paper from this film is always in high demand, especially this image of the boys strolling down the strip. Don't miss out on your chance to add this rare stunner to your collection! Rolled, Fine/Very Fine.
To Kill a Mockingbird (Universal International, 1963). British Quad (30" X 40"). The American Film Institute's #1 film hero, small town lawyer Atticus Finch was the role that won Gregory Peck a well-deserved Oscar for Best Actor. Based on novelist Harper Lee's childhood (her mother's maiden name was Finch), the film tells a tale of bigotry and redemption as seen through the eyes of Scout Finch, Atticus' young daughter. This British quad has edge wear on the right border with a small tear, creases on all corners along with extra creasing on the horizontal fold, and a light smudge on the left border. Very nice artwork for this much beloved film. Very Fine-.
Get Carter (MGM, 1971). One Sheet (27" X 41"). Alternate Version. Suave Michael Caine stars as Jack Carter, a London hit man who heads to Newcastle for his brother's funeral, and begins to suspect he may have been murdered. He sets out to exact revenge, Carter-style. This is the highly desirable alternate version of the poster, with the striking faux-Lichtenstein artwork. Even better, this is a superlative copy with only very light edge wear. Brilliant white paper. Very Fine+.
Cool Hand Luke (Warner Brothers, 1967). French Grande (47" X 63). The film (along with Hud) that cemented Paul Newman's charming, rebellious anti-hero image was this chain gang story set in a Southern prison camp. When Luke Jackson (Newman) is sentenced to the camp for pulling off parking meter heads, his penchant for individuality inspires the other inmates and causes the camp bosses to bear down heavily on him. This French grande has pinholes in the fields, a tear in the top border, and light fold wear. There is a stamp with writing below Newman's credit, bleed through from writing on the back, and chips on the bottom left corner, at the bottom of the gun, and the left of Newman's head. Though it has older restoration, the appearance is still clean. Fabulous artwork by Jean Mascii. Fine/Very Fine on Linen.
Cool Hand Luke (Warner Brothers, 1967). One Sheet (27" X 41"). Paul Newman was nominated for an Oscar and George Kennedy received one for his work in this allegorical prison drama. Legendary film star Newman, whose brilliant blue eyes, good looks and talent made him one of Hollywood's top actors for over six decades recently died after a long battle with cancer. This wonderful poster had a small lower right corner chip and two small holes in the top left corner and one in the lower left corner. The restoration has been beautifully done and the poster now looks mint! Fine/Very Fine on Linen.
I Want to Live! (United Artists, 1958). One Sheet (27" X 41") Teaser. Based on the infamous case of Barbara Graham, a convicted murderess and prostitute who was put to death in San Quentin's gas chamber in 1955, this classic, yet controversial film was a stunning showcase for actress Susan Hayward, who won a well-deserved Oscar for the role. Although parts of the movie are highly fictionalized - the screenplay implies that Graham was innocent, although there was little doubt of her guilt in real life - the climactic execution scene was painstakingly researched by director Robert Wise, who visited San Quentin on several occasions to ensure that every detail was correct. Offered here is the very rare and highly desirable teaser one sheet for the film, which features a photo of the real Barbara Graham in the last moments of her life. The example offered here had pinpoint crossfold separation and minor fold wear, but professional restoration has rendered these slight flaws virtually invisible. We have only offered this one sheet once prior to this auction and that was over six years ago! Don't miss a chance to bid on this very rare and gruesome one sheet. Very Fine+ on Linen.
The Deer Hunter (EMI, 1978). British Crown (20" X 30"). Overseas, the Academy Award-winning film starring Robert DeNiro had a much more graphic ad campaign. Offered here is one of the original release British campaign posters, depicting DeNiro with the "Russian roulette" pistol to his head. This poster was withdrawn from circulation soon after its appearance. Rolled, Mint.
The Great Escape (United Artists, 1963). British Quad (30" X 40"). Sure, it may not be historically accurate, but who cares when a movie boasts an ensemble cast as extraordinary as The Great Escape does? The credits read like a who's who of talent: Steve McQueen, James Garner, Charles Bronson, James Coburn, Robert McCallum, Richard Attenborough, Donald Pleasence, etc. (Pleasence had actually been a POW in a German camp during the last year or so of World War II). This British version of the poster (note that it bills the movie as "A Glorious Saga of the R.A.F.") shows some edge wear and stains to the bottom border. Fine/Very Fine.
Midnight Cowboy (United Artists, 1969). Polish One Sheet (23" x 32.5"). It is well known in poster collecting that, for any given title, the most offbeat and intriguing sheet will most likely hail from Poland, and this moody masterpiece is no exception. John Schlesinger's film about the unlikely friendship between a wannabe-gigolo Texas rube (John Voight) and a gritty grifter (Dustin Hoffman) was a major success, both critically and financially, and was the first X-rated film to win a Best Picture Oscar. This striking poster, with artwork by Waldemar Swierzy, is actually more representative than many Polish sheets, with a duotone color scheme and simple, graphic artwork. The poster has a light crease in the left border, but is otherwise pristine. Rolled, Near Mint.
Breakfast At Tiffany's (Paramount, 1961). Half Sheet (22" X 28"). A signature role for Audrey Hepburn, the part was originally offered to Marilyn Monroe (who novelist Truman Capote claimed he had envisioned when writing the character), but Monroe eventually passed, and the rest is history. Director Blake Edwards brings a light touch to potentially unsavory material, and the feel is a breezy joy. As is this terrific half sheet, featuring the iconic image of Hepburn with her long cigarette holder. This gorgeous poster has virtually no condition issues, aside from a very small color scuff at top left and a minor crease in the bottom left corner. Terrific color, and a razor-sharp appearance. Rolled, Very Fine+.
Breakfast at Tiffany's (Paramount, 1961). One Sheet (27" X 41"). Based on a novel by Truman Capote, this charming romantic comedy stars the luminous Audrey Hepburn as Holly Golightly, a New York socialite who gets involved with her next-door-neighbor, struggling writer Paul Varjak (George Peppard). Soon, Holly's flighty lifestyle is turned upside down, especially when Doc (Buddy Ebsen) shows up bearing a secret from her past. Many consider this to be Hepburn's very best role, and the poster is widely hailed as one of the finest ever printed. This example is in superb condition; only our strict policy of not awarding a grade higher than VF+ to a poster mounted on linen keeps us from grading this poster even higher. Very Fine+ on Linen.
Breakfast At Tiffany's (Paramount, 1961). Lobby Card Set of 8 (11" X 14"). Blake Edwards' charming romantic comedy starring Audrey Hepburn in Truman Capote's story of the off-beat Holly Golightly remains one of the classics of sixties cinema. This lovely lobby set has a Canadian rubber stamp on all but one card. Several of the cards have pinholes in the corners with card #3 having the most. Fine/Very Fine.
Breakfast at Tiffany's (Paramount, 1961). Australian One Sheet (27" X 40"). For many, this is the role for which Audrey Hepburn will always be remembered. As Holly Golightly, Hepburn plays a ditzy young woman who gets involved with a struggling writer (George Peppard) when he moves into her apartment building. Based on the book by Truman Capote. This lovely Australian one sheet, very similar to the American one sheet that has proven so popular with collectors, shows some color offset, as well as some light staining in the folds, but is otherwise extremely clean and attractive, perfect for any fan of this iconic actress. Very Fine.
Roman Holiday (Paramount, 1953). One Sheet (27" X 41"). Audrey Hepburn won a well-deserved Oscar for her role as Princess Anne, a bored aristocrat who escapes the confines of her regimented schedule and falls head over heels for handsome reporter Joe Bradley (Gregory Peck) in this charming romantic comedy. The screenplay also won an Oscar, although the original scriptwriter, Dalton Trumbo, had not received credit for his work, as he was blacklisted at the time, and therefore was not able to receive the award, which was accepted instead by his friend, Ian McLellan Hunter. This highly desirable one sheet had pinholes in the corners, pinpoint crossfold separations, and a piece missing in the top border, but these slight flaws have been rendered virtually invisible after professional restoration. Don't miss out on the chance to add this exquisite beauty to your collection. Very Fine- on Linen.
The Prince and the Showgirl (Warner Brothers, 1957). One Sheet (27" X 41"). Marilyn Monroe plays a chorus girl who catches the eye of a Carpathian prince (Laurence Olivier) in this charming comedy based on a play by Terence Rattigan. This highly desirable one sheet is virtually pristine; only pinholes in the corners keep it from an even higher grade. Near Mint.
Niagara (20th Century Fox, 1953). One Sheet (27" X 41"). The beauty of the Falls is eclipsed only by a young Marilyn Monroe at the height of her loveliness. Though mainly known for comedies, Monroe was also a credible dramatic actress, a fact demonstrated by this sordid tale of infidelity and marital strife. This luscious one sheet poster showcases Monroe (of course), in both painted and photographic elements. The poster had pinholes in the corner and the field, plus fold wear with crossfold separations, minor problems that have been cleanly addressed with professional restoration, giving Marilyn her old luster back. A must for Monroe fans everywhere. Very Fine on Linen.
Let's Make Love (20th Century Fox, 1960). British Quad (30" X 40"). Billionaire Yves Montand finds out that an Off Broadway show is spoofing him. He hires Bing Crosby, Gene Kelly and Milton Berle to teach him to sing, dance and tell jokes, but they can't teach him how to resist the irresistible Marilyn Monroe! This fabulous British quad with artwork by Tom Chantrall is superior to any other poster we have seen from this title! The poster has wear to the top border and general handling wear elsewhere. Fine/Very Fine on Linen.
Love Happy (United Artists, 1950). Lobby Card (11" X 14"). Marilyn Monroe received her big break into the movies when she was cast in a walk-on role as a beautiful blonde client of private detective Sam Grunion (Groucho Marx) at Groucho's insistence. Although she only appeared on-screen for a few seconds, this brief appearance made her a star! This is the only lobby card from the set to show Monroe and is one of the most desirable and sought after cards for Monroe collectors. This film is also notable as the Marx Brothers final film together. The card has edge wear with bends in the corners and a crease on the top border. Fine/Very Fine.
Some Like It Hot (United Artists, 1959). British Quad (30" X 40"). Comedy great Billy Wilder created a classic that is considered one of the best comedies of all time. Monroe, as ukulele-playing Sugar Kane, more than keeps up with the cross dressing duo of Jack Lemmon and Tony Curtis. Superb dialogue and an outstanding supporting cast that includes George Raft and Joe E. Brown make this a non stop romp. This professionally restored British quad is in excellent condition, and if not on linen, would have graded higher. Posters just don't get prettier or hotter than this. Also included with this lot is an extremely rare (we doubt if any others have survived) snipe that was at one time affixed to this poster for an early reissue of the science fiction classic Them! Very Fine+ on Linen.
Some Like It Hot (United Artists, 1959). Poster (40" X 60"). Billy Wilder's classic screwball comedy stars Tony Curtis and Jack Lemmon as two musicians who witness a mob hit and masquerade as women to avoid getting murdered themselves, with Marilyn Monroe providing white-hot sex appeal. The film won an Oscar for costume design, and was nominated for five others. This poster is one of the most elusive for the title and certainly one of the hottest with its deep red background and alluring pose of Marilyn! The poster had minor edge wear and a long razor cut below Marilyn and above the title. The poster has been beautifully restored to its original mint state. Very Fine- on Paper.
The Seven Year Itch (20th Century Fox, 1955). One Sheet (27" X 41"). When it comes to iconic moments in movie history, few can compare with the image of Marilyn Monroe standing on a subway grate, as hot air rushes up into her skirt making it flutter about madly, while she vainly tries to retain her modesty. Equally iconic is Monroe's role as a kittenish ingénue who moves in next door to a businessman (Tom Ewell) whose family has just gone on vacation, leaving him all alone. This eye-popping one sheet has a busty shot of our Marilyn, and is in fantastic condition, with one pinpoint crossfold separation having been the only issue, and professional restoration has returned the poster to a like-new appearance. A Monroe collector could hardly ask for more. Very Fine+ on Linen.
The Asphalt Jungle (MGM, 1950). Insert (14" X 36"). This is simply a "must have" for any film poster collector for many reasons. Certainly it's one of the best film noirs ever to come out of Hollywood. Also, it was no mean feat for a noir film to be nominated for four Oscars! Last but not a bit least, Marilyn Monroe effectively launched her silver screen legend here, parlaying a bit part as Louis Calhern's "niece" into an unbilled but spectacular multiple image flash on some of the film's advertising. The insert is one of our favorites. It features three different pictures of Monroe. This terrific poster also features one of the best ensemble casts ever put together, with a wonderful atmospheric photo shot from underneath a glass table totally indicative of Harold Rossen's Oscar-nominated cinematography. This unfolded insert has a small tear on the top and bottom borders, light edge wear with bends on the bottom corners and an extra (but very light) vertical crease on the top. Rolled, Very Fine-.
Dead End (United Artists, R-1940s). British Quad (30" X 40"). Lillian Hellman adapted Sidney Kingsley's Pulitzer Prize winning play about the disparities between rich and poor along New York City's East River. The conflict comes down to a struggle for the hearts and minds of some of the children of the slums, played by the Dead End Kids in their first film. On one side is slick mobster Humphrey Bogart, and facing off with him is Sylvia Sidney, sister to one of the Kids, and Joel McCrea, an unemployed architect. This British quad has edge wear on the bottom border with tears and chips, a corner bend on the top left, and a hole in the bottom right corner. While the poster has an older restoration, it still has a very nice appearance. Though he was billed below Sidney and McCrea in the original release, Bogart always appeared first in later releases, as he is here. Fine/Very Fine on Paper.
Kid Galahad (Warner Brothers, 1937). Jumbo Window Card (22" X 28"). Edward G. Robinson and Bette Davis star in this picture about the boxing/fight business. Humphrey Bogart was given third billing, but failed to appear on any of the U.S. posters. Jumbo window cards from this picture are extremely scarce. This particular example has had a piece replaced in the upper right corner. There are several holes in it, primarily in the borders, but there is also one in Davis's hair and at the tip of her cigarette. There's a crack in the lower right corner, some edge wear, and surface scuffing in the lower left corner. In spite of these flaws, this is still a very attractive and desirable piece. Very Good+.
Racket Busters (Warner Brothers, 1938). One Sheet (27" X 41"). Honest trucker George Brent stands up to crime boss Humphrey Bogart in this hard-hitting, ripped-from-the-headlines crime film from Warner Brothers. Based on the exploits of New York D.A. Thomas E. Dewey, the film examines the infiltration of the mob into the trucking and produce industries. This one sheet has edge wear with tears on the borders, fold wear with cross fold separations and chips, and a crease in the center of the image. There are chips in the top, top left, top right and right borders, as well as the lower left corner. Excellent restoration has addressed all the flaws. Exciting imagery that practically bursts out of the poster. Fine- on Linen.
King of the Underworld (Warner Brothers, 1939). Title Lobby Card (11" X 14"). Humphrey Bogart stars as a mobster whose entire crew is blinded by a vengeful doctor (Kay Francis) who blames the gang for her husband's death. This title lobby card has pinholes in the corners, staining in the top border and minor edge tears. There is also the slightest bit of paper loss in the top margin. This stunning piece is rarely made available for auction. So, get it while you can! Fine/Very Fine.
The Maltese Falcon (Warner Brothers, 1941). One Sheet (27" X 41"). John Huston, a writer with Warner Brothers, made his directorial debut with this film, and hoped to cast George Raft in the lead as Sam Spade. When Raft turned the role down it went to Humphrey Bogart, a second string actor who had been playing villains and gangsters in many "B" films. The rest is history. The story, written by Dashiell Hammett, is his most famous detective novel, and spawned what may be the greatest American detective film. This 1941 version remains the perfect film more than 65 years after it was made. It set the standards for every film noir made thereafter. This great poster had pinholes in the corners and a large bite out of the left border next to the "B" in Bogart, though it did not extend into the image. There were minor imperfections within the border and slight crossfold separation. Fine/Very Fine on Linen.
Casablanca (Warner Brothers, 1940s). Belgian (12.5" X 18") First Post-War Release. With several writers working on the script at the same time, and a cast and crew who were not entirely sure in what direction the film was going, Casablanca could easily have been one of the many forgotten potboilers that came out of the Hollywood studio system of the 1940's. Somehow, though, magic struck and it went on to win three Oscars (including Best Picture) and become one of the best-loved films of all time. This post-war Belgian poster has a tax stamp in the lower right. There is some staining on the paper backing, but only a little on the poster itself. Gorgeous artwork of Bogart and Bergman in their most famous roles. Very Fine+ on Paper.
Casablanca (Warner Brothers, 1942). Half Sheet (22" X 28") Style B. Humphrey Bogart and Ingrid Bergman star in what many consider to be one of the greatest movies ever made. Against the war-torn backdrop of Casablanca, they rekindle a romance amidst political intrigue, corruption, and murder. The film went on to win the Oscar for Best Picture, Director, and Screenplay. Bogart would receive his first nomination for Best Actor. This style B half sheet, which Heritage has never offered before, is one of the rarest and most desirable of all the Casablanca posters. It differs greatly from the Style A, showing in addition to Bogart and Bergman, all the main characters from the film. There are faint pinholes in the corners, some light overall wrinkling, and small tears and minor smudging on the borders. The poster has been folded. Fine/Very Fine.
To Have and Have Not (Warner Brothers, 1944). Insert (14" X 36"). Based on a novel by Ernest Hemingway, this was the screen debut of Lauren Bacall, and the beginning of one of the most epic romances in cinema history. Shortly after working together on this picture, Bacall and co-star Humphrey Bogart would marry, a union that would last until Bogart's death in 1957. If the film is remembered for nothing else, it will always have a place in Hollywood history as the source of the quote, "You know how to whistle, don't you, Steve? You just put your lips together and blow," famously said by Bacall to Bogart. This beautiful insert had fold wear, a tear in Bogie's cheek and one in the right border, extra horizontal creases, and two tears in the bottom border, but these slight flaws have been rendered all but invisible with professional restoration. This great image of one of the screen's hottest couples could be hanging on your wall. All you have to do is bid! Fine on Paper.
To Have and Have Not (Warner Brothers, 1944). One Sheet (27" X 41"). This was the movie where Bogie and Bacall fell in love, and in fact it was Bacall's film debut as well. Bogart runs a wartime charter boat, and agrees to help smuggle an important underground leader in order to help his new girlfriend, a sultry pickpocket (Bacall), return to America. Sparks fly between the two stars, and the story is engrossing, even if it bears little resemblance to the original Hemingway novel. The young lovers dominate this pristine poster, though only Bogie's name is prominent. This poster has no notable flaws, and the large blank areas are still immaculately white -- it would likely score even higher except for our policy of grading linen-backed posters no higher than VF+. Originally from the renowned Royal Theatre Collection, COA included. Very Fine+ on Linen.
The Big Sleep (Warner Brothers, 1946). Insert (14" X 36"). Based on the novel by Raymond Chandler, this Howard-Hawks-directed production is arguably the most explosive and intense pairing of real-life husband and wife Humphrey Bogart and Lauren Bacall. In a complex tale involving jealousy, blackmail, and murder, Bogart plays private dick Philip Marlowe, hired by General Sternwood (Charles Waldron) to clear up some trouble his wayward youngest daughter Carmen (Martha Vickers) has gotten herself into. As it turns out, there's more to the case than meets the eye, including the General's older daughter, Vivian (Bacall). One of the highlights of Bogart's career, paper from this picture is highly desirable. This wonderful insert had fold wear, pinholes in the corners and image area, a tear in the right border, and a long tear that extends from the bottom border through Bogart's face. Professional restoration has greatly minimized these flaws, resulting in a poster that you will be proud to own and display. Very Good+ on Paper.
Dark Passage (Warner Brothers, 1947). Insert (14" X 36"). Convicted of murdering his wife and sent to prison, Vince Parry (Humphrey Bogart) breaks out in order to prove his innocence. The only problem is that his face has been splashed across every newspaper in town, leading him to gamble on some back-alley plastic surgery to change his features and enable him to move freely. Fortunately, lovely artist Irene Jansen (Lauren Bacall) comes to Parry's aid, and soon the two of them are swept up in a maelstrom of danger and revenge. One of Bogart's best performances, the real-life chemistry between him and wife Bacall is incendiary. This dramatic insert had some fold wear, but professional restoration has expertly addressed this very minor issue. Very Fine on Paper.
Dark Passage (Warner Brothers, 1947). Italian 2 - Folio (39" X 55"). With a breathtaking image by Italian artist Luigi Martinati, this is unquestionably one of the finest posters produced for this classic film noir thriller. Vincent Parry, (Humphrey Bogart) is a man who is wrongly convicted for the murder of his wife. After breaking out of prison to prove his innocence, Parry undergoes radical plastic surgery to change his well-known appearance and allow him to find the real killer. Opposite Bogart is the scorchingly hot Lauren Bacall, as a young artist who decides to help Parry in his quest to clear his name. The poster offered here had fold wear, pinholes in the corners, a tear in the top right, and crossfold separations with paper loss and tearing on the left side. After professional restoration, however, these slight flaws are only apparent under close scrutiny, making this a perfect choice for the Bogie and Bacall . Fine+ on Linen.
Dead Reckoning (Columbia, 1947). One Sheet (27" X 41") Style B. In this taut film noir thriller, Rip Murdock (Humphrey Bogart) investigates the mysterious disappearance of his friend, Johnny Drake (William Prince). Before he knows it, his investigation has led him down a twisted road, involving betrayal, murder, and Drake's girlfriend, the smokingly beautiful Coral Chandler (Lizabeth Scott). Offered here is the ultra-rare style B poster for this great film, one rarely offered for public sale, considered by many to be one of the best Bogart posters from the 1940s. This particular example shows fold and crossfold separation, a tear in the bottom border that extends into the image area, creases in both top corners, small pieces of cloth tape on the reverse, and pinholes in the corners and in the image area. Nevertheless, this is a very displayable poster that will certainly be the centerpiece of any fine Bogart collection. Fine- on Paper.
The Treasure of the Sierra Madre (Warner Brothers, 1948). One Sheet (27" X 41"). Fred C. Dobbs (Humphrey Bogart) and Bob Curtin (Tim Holt), both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard (Walter Huston) and decide to join him in search of gold in the wilds of central Mexico. They find the treasure, but greed eventually takes its toll. John Huston's superb adventure -- based on the novel by B. Traven -- won three Oscars (including the first ever father-and-son awards for the Huston boys), and is considered one of the greatest films ever made. This outstanding one sheet had corner pinholes, fold wear with crossfold separations, a crease in the top left corner, and a large chip out just below the dancing girl; these have been addressed with professional restoration. Fine/Very Fine on Linen.
The Treasure of the Sierra Madre (Warner Brothers, R-1952). French Grande (47" X 63"). One of the best examinations of the corrosive effect of greed on men's souls, this John Huston film stars Humphrey Bogart as a decent man who gradually becomes a paranoid monster through the influence of gold. Walter Huston, Tim Holt and Bruce Bennett co-star in this classic that won Oscars for both Hustons. This French grande has pinholes, and light edge and fold wear. French artists Yves Thos and Rene Ferracci contribute to make this perhaps the best artwork for this title. Folded, Very Fine+.
In a Lonely Place (Columbia, 1950). Three Sheet (41" X 81"). Director Nicholas Ray was married to Humphrey Bogart's co-star, Gloria Grahame, when production began on this classic film noir. But the marriage was failing and Ray incorporated the deterioration into the film by making the film far more bleak than the script originally intended. This was to be the fifth picture for Bogart and Bacall, but Jack Warner refused to loan Bacall to Columbia, so Grahame got the nod instead. She became a staple of film noir for the rest of her career. The poster shows just minor handling and fold wear. This great poster was printed on a far better paper stock than the infamous one sheet stock and thus has held up beautifully! Very Fine+.
The African Queen (United Artists, 1952). Three Sheet (41" X 81"). Humphrey Bogart plays a grizzled boat captain in the early days of the Great War. Katharine Hepburn is looking very glamorous in this gorgeous artwork, which also features a bold title graphic and strong colors. The poster had corner pinholes, edge wear with chips, fold wear, a chip of the bottom right corner. The piece has been restored without the benefit of modern techniques, but still presents very well. A fine sheet for this classic film. Fine- on Linen.*
The African Queen (United Artists, 1952). One Sheet (27" X 41"). Star Humphrey Bogart won his only Oscar for his portrayal of the besotted, foul-mouthed Charlie Allnut, the broken-down captain of a broken-down ship who ferries the ever-so-proper Rose Sayer (Katharine Hepburn) downriver to destroy a German warship during World War I. The very rare and extremely desirable one sheet offered here had pinholes in the corners and borders, several tears extending from the borders into the image area, a V-shaped tear just above the Technicolor box, some chipping and tearing at the fold lines, chipping in the left and right borders, and a missing top left corner. After professional restoration, these flaws are barely noticeable, providing the poster with a like-new appearance. Fine- on Linen.
Winner Take All (Warner Brothers, 1932). Window Card (14" X 22"). James Cagney used his feisty image to good effect in this tale of a boxer caught between the good country girl and the shallow society dame. Some of the excellent fight scenes were used in Cagney's last performance, the made-for-television film Terrible Joe Moran. This window card has three horizontal creases, pinholes in the corners, and small stains on the bottom border. Fabulous stone litho artwork of Cagney. Fine/Very Fine.
Taxi (Warner Brothers, 1932). Title Lobby Card (11" X 14"). James Cagney is a New York City cab driver terrorized by a monopolistic taxi trust. Loretta Young plays Cagney's love interest trying to cool the hothead, a process that goes awry when Cagney's brother is murdered. Cagney's smiling, pleasant face in this title card belies the violence of his character and of the film. Near Mint.
Taxi (Warner Brothers, 1932). Lobby Card (11" X 14"). An important film in the rise to superstardom of James Cagney, this picture finds the tough guy actor playing Matt Nolan, an independent cab driver who leads a fight against a taxi monopoly that uses rough tactics to take business away from the little guys. This picture is important in that it marks the first time that Cagney dances on screen, in the dance competition scene, and is the source of the oft-misquoted line, "You dirty rat!" (the actual line from the film is, "Come out and take it, you dirty, yellow-bellied rat, or I'll give it to you through the door!") It was also the last time Cagney allowed live ammo to be used in one of his pictures, as he nearly got hit. This great lobby card, with its wonderful image of Cagney, has light smudging in the top border, two tears in the top border repaired with tape on the reverse, and tiny corner bumps, but is otherwise clean, fresh, and attractive. Very Fine-.
G-Men (First National, 1935). Lobby Card (11" X 14"). James Cagney, as a newly-appointed F.B.I. agent James "Brick" Davis, threatens to sock his old mentor, "Mac" McKay (William Harrigan). McKay put him through law school, but now Davis has changed his ways and become a "G-Man." The only thing keeping this beautiful card from being graded pristine is one pinhole in each corner, and a scratch on the top left corner. Very Fine+.
Lady Killer (Warner Brothers, 1933). Title Lobby Card (11" X 14"). Movie theater usher Dan Quigley (James Cagney) is a nice guy who is hoodwinked by a gang of sharps led by Myra Gale (Mae Clarke). Soon, he's running the racket, until a murder sends him and Myra on the lam to California where, broke and hungry, Dan takes a job as a movie extra. He soon rises to the top echelon of Hollywood stardom, but is still susceptible to blackmail by his former associates. Offered here is a beautiful title card in superb condition, with only a very light smudge in the bottom left, and a small stain in the right border keeping it from an even higher grade. Near Mint-.
City for Conquest (Warner Brothers, 1940). One Sheet (27" X 41"). Tough truck driver James Cagney takes to boxing to support his younger brother, struggling musician Arthur Kennedy. Meanwhile, Cagney's girlfriend, Ann Sheridan, has gotten involved with shady dancer Anthony Quinn. The threads of Cagney's life come together when he is blinded in a fixed bout and Sheridan comes to regret the role she played in his downfall. This one sheet has pinholes, edge tears, and fold wear with a small chip on the bottom cross fold. There is a tear from Cagney's forehead into Sheridan's shoulder. The restoration was nicely done and the poster has a clean appearance. Fine+ on Linen.
White Heat (Warner Brothers, 1949). One Sheet (27" X 41"). In one of the his most brutal roles, James Cagney stars as Cody Jarrett, a mentally unstable criminal who gets locked up for murder and robbery. He is visited by his Ma (Margaret Wycherly), to whom he is very attached. When she is killed, Cody goes berserk, breaks out of prison and goes on a rampage against other thugs and the law, which is hunting him down. Virginia Mayo is a stunning femme fatale. Prior to professional restoration, there were pinholes in the top corners, and two tape lifts at the crossfolds. With one of the most unforgettable Hollywood endings ever, this Raoul Walsh-directed gangster film is a classic. Very Fine on Linen.
The Gang Buster (Paramount, 1931). Lobby Cards (3) (11" X 14"). In this early sound comedy, Jack Oakie plays a bumbling rube from a small town who manages to get involved in a gang war. The trouble really begins when one mob boss orders him to kidnap Jean Arthur, and Oakie protests that he cannot because it is against the law! These gorgeous cards all feature beautiful closeups of Arthur and Oakie. There is only a single pinhole on two of the cards and a small corner bend on one card preventing these incredibly nice cards from being graded a perfect Mint. Very Fine/Near Mint.
The Last Gangster (MGM, 1937). Mini Window Card (8" X 14"). Edward G. Robinson stars as a crime boss who goes searching for his ex-wife and son after a 10 year prison stint. Robinson's old gang has other plans though, and use the child to try and make him disclose the location of the loot he hid before going to the slammer. A young James Stewart, early in his career, plays a sizable role as a newspaper reporter who marries the gangster's wife. This great card is in excellent shape and features wonderful portraits of the stars. Very Fine/Near Mint.
The Philadelphia Story (MGM, 1940). Lobby Card (11" X 14"). One of the greatest American film comedies of all time, this classic stars Katharine Hepburn, Cary Grant and James Stewart. Stewart is Macaulay Connor, a reporter invited to the society wedding of Tracy Lord's (Hepburn). But Stewart becomes part of the story when he falls head over heels for the bride-to-be. This card has one pinhole in the bottom left corner, light edge wear and minor corner bumps and bends. The top left corner has been replaced, but none of the imperfection distract from this gorgeous closeup of Hepburn and Stewart - one of the best cards from the set. Fine/Very Fine.
Mr. Smith Goes to Washington (Columbia, 1939). Insert (14" X 36"). With the success of Mr. Deeds Goes to Town, (1936) director Frank Capra planned a follow-up film, in which his morally upright, down-to-earth lead character would continue his crusade for small-town values in the nation's capitol. Unfortunately, Gary Cooper, who had brought Longfellow Deeds to such vivid life in the previous film, was unavailable when this picture got underway, so Capra chose James Stewart to fulfill the role. The result was a true American classic, although a controversial one in its day. As a beloved film, paper from this production is always in high demand. This insert had some fold wear, a top right corner bend, and some light creasing in the bottom border, but professional restoration has expertly addressed these slight issues, resulting in a poster you will be proud to own and display. Very Fine- on Paper.
Dirigible (Columbia, 1931). Title Lobby Card (11" X 14"). Frank Capra directed this epic adventure about a Navy crew aboard a dirigible seeking to fly over the South Pole who wind up crashing there. Jack Holt and Fay Wray star. This card has corner bends, light overall creasing, faint staining, a tear on the top border, and pinholes in the lower right corner. There is paper tape on the reverse supporting the corners. Fine+.
Lady for a Day (Columbia, 1933). Mini Window Card (8" X 14"). May Robson is delightful as Apple Annie, a down-and-out street vendor who for years has kept her daughter (Jean Parker) living in the lap of luxury while hiding her true identity. Based on a story by Damon Runyon, this early Frank Capra comedy was nominated for several Academy Awards, and was later remade by Capra as Pocketful of Miracles in 1961. The card has pinholes in the top center and pencil marks to the bottom right corner. Very Fine+.
Lady for a Day (Columbia, 1933). One Sheet (27" X 41"). Frank Capra provided his usual flair for social comedy to this picture which featured Warren William as a New York criminal helping an indigent apple seller appear to be the toast of New York society. The graphics on this poster and blazing colors just can't be beat. This poster has some significant amount of edge wear and chipping as well as a double fold in the center horizontal fold. There is a small piece missing in the lower right image and several small pieces missing within the tagline in the upper right. The poster has older restoration which is pretty noticeable but is still a very nice copy from this major film by a great director. Fine- on Linen.
Broadway Bill (Columbia, 1934). Insert (14" X 36"). Made the same year as Frank Capra's It Happened One Night, this film was developed by Columbia to capitalize on that romantic comedy's popularity. Myrna Loy stars as a runaway heiress who has fallen in love with her brother-in-law Warner Baxter, who is trying to turn his racehorse Broadway Bill into a winner to pay off creditors. Loy also had huge hits this year withThe Thin Man and Manhattan Melodrama. Lucille Ball has a bit part as a telephone operator. This luscious insert had pinholes in the corners, light edge wear in the top left, tears in the right and left borders that extended into the fields, a paper loss in the lower left corner, and corner bumps. There was also a small tear and a crease in the bottom border and a horizontal crease in the bottom credits area. All of these issues have been addressed by professional restoration and now displays beautifully. This insert is a real stunner and Loy has never been lovelier. Very Fine- on Linen.
Broadway Bill (Columbia, 1934). Title Lobby Card (11" X 14"). This excellent Frank Capra-directed comedy features Warner Baxter as the son-in-law of a rich man who quits working for Dad in order to race his prize horse, Broadway Bill, with the help of his wayward sister-in-law Princess (Myrna Loy). Made in-between It Happened One Night and Mr. Deeds Goes to Washington, Broadway Bill is a lesser-known effort from Capra, but no less charming and amusing than his best works. This lovely title lobby card features the two stars in a passionate embrace. The card has pinholes in the corners and the field, light edge wear at top left, a small crease on the bottom right corner, and foxing in the bottom border. Still, the card retains spectacular color, and a very bright, sharp appearance. Fine/Very Fine.
It's a Wonderful Life (RKO, 1946). One Sheet (27" X 41"). One of the most universally beloved movies ever made, this traditional Christmas favorite, starring James Stewart and Donna Reed, and directed by Frank Capra, was actually a box office flop upon its initial release, earning only $3.3 million against a cost of $3.7 million. Once the film lapsed into the public domain in the mid-1970s, however, and became a regular TV staple during the holidays, it finally gained the recognition and admiration it deserved. Offered here is a beautiful one sheet for this classic film, with only pinpoint crossfold separation keeping it from an even higher grade. Very Fine/Near Mint.
Miracle on 34th Street (20th Century Fox, 1947). One Sheet (27" X 41"). Darryl F. Zanuck had so little faith in this now-perennial favorite that he ordered it released in May rather than the Christmas season because "more people go to the movies in the summer." Edmund Gwenn won an Oscar for his delightful portrayal of Kris Kringle. This magnificent one sheet had some slight foldwear and separation. The colors are vibrant and this is as clean of a copy as we have ever seen, not that we have seen that many! Very Fine+ on Linen.
It's a Wonderful World (MGM, 1939). One Sheet (27" X 41"). James Stewart is a detective who is convicted of abetting an eccentric millionaire with murder. He escapes from the police and tries to find the real killer with the reluctant help of Claudette Colbert. This one sheet has pinholes in the corners and borders, a large tear on the right side near the cross fold, and a small stain on the bottom border. There is fold wear with pinpoint cross fold separations, and a chip on the center right border. Several of these flaws have been addressed through older restoration. A very nice image of the two stars. Fine/Very Fine on Linen.
Harvey (Universal International, 1950). One Sheet (27" X 41"). Of all the roles essayed by star James Stewart during the course of his illustrious career, few are as well-beloved, or well-remembered, as that of Elwood P. Dowd, a simple, charming man whose best friend is a pooka: an invisible, six foot tall rabbit. Based on a Pulitzer Prize-winning play, the film garnered a Best Supporting Actress Oscar for Josephine Hull, who plays Veta, Elwood's sister, and a Best Actor nomination for Stewart. It remains to this day one of the finest films from one of cinema's biggest stars. This lovely one sheet, featuring full-length portraits of Elwood and his pal, had pinholes in the corners, crossfold separation, a chip in the right border, a tape lift in the bottom right, and edge chipping, but professional restoration has rendered these minor issues as invisible as Harvey himself, resulting in a poster with a like-new appearance. Don't let this one disappear! Very Fine- on Linen.
Abbott and Costello Go to Mars (Universal International, 1953). Three Sheet (41" X 81"). In spite of the film's title, stars Bud Abbott and Lou Costello never get to Mars. Instead, they accidentally launch a rocket ship that first takes them to New Orleans during Mardi Gras, and then, at the point of a bank robber's gun, to Venus, where they find a planet entirely populated by beautiful women! Anita Ekberg, one of the "Miss Universe Contest Beauties," makes a brief appearance as a Venusian guard. Aside from some pinpoint crossfold separation and light fold wear, this three sheet is in superb condition; only our policy of not awarding a grade higher than VF+ to a poster mounted on linen keeps us from giving this stunning example an even higher grade. Very Fine+ on Linen.
Abbott and Costello in Hollywood (MGM, 1945). One Sheet (27" X 41"). Bud and Lou's last film for MGM is also one of their funniest. The boys are bumbling barbers who act as talent agents for young Jeff Parker, and stage a phony murder in order to draw attention to their client. Hilarity ensues, with lots of "inside" Hollywood jokes and many memorable routines, including shaving a balloon and Lou's insomnia. This poster has terrific artwork by the great caricaturist Al Hirschfeld. Minor condition issues included fold wear, tape pulls on the reverse, and creasing on the upper right side, all of which has been addressed with professional restoration. Very Fine+ on Linen.
College Humor (Paramount, 1933). Mini Window Card (8" X 14"). A young Bing Crosby appears in an offbeat role as a college professor who falls for a student, and in the process throws her star-quarterback boyfriend into a tailspin. The stellar supporting cast includes Jack Oakie, George Burns and Gracie Allen. The window card exhibits edge wear, smudging to the top border, silverfish damage to the top border, paper loss to the bottom right corner, and a crease to the bottom right corner. Very Fine-.
Beginner's Luck (MGM, 1935). Lobby Cards (2) (11" X 14"). This was the first Our Gang short appearance of Alfalfa in this, one of the funniest of their shorts from the period. Spanky's mother (Kitty Kelly) believes he is the most talented child in a talent contest but Spanky has other ideas. He gets the rest of the gang to try to sabotage his performance. That is until he meets a pretty little contestant and he wants to help her by winning the contest money! These cards have tanning with age and have some warping. They are unrestored. The card featuring Spanky and Mother has some staining in the upper border, into the artwork. These cards from the early sound shorts are very rare and we have never offered any before! Fine/Very Fine.
Sons of the Desert (MGM, 1933). Half Sheet (22" X 28"). Considered to be Laurel and Hardy's best feature film, with the boys sneaking off to a fraternal meeting unbeknownst to their wives. It is upon their return that the real comedy begins. Posters for this film have been highly prized by collectors for years and rarely turn up anywhere. This rolled half sheet has small chips off of each of the lower corners, a pinhole in each corner and several sets of staple marks within the lower image where a snipe was probably affixed at one time. Rolled, Very Fine-.
The Bohemian Girl (MGM, 1936). Lobby Card (11" X 14"). Based on the opera of the same title, this Hal Roach-era comedy stars Laurel and Hardy as pair of henpecked gypsies who become involved in court intrigue circa the 18th century. It is notable for being the last role of actress Thelma Todd before her mysterious death. The superb lobby card has some smudging to the top border and creases and bumps to the corners. Very Fine.
Swiss Miss (MGM, 1938). Title Lobby Card (11" X 14"). Produced during the duo's tumultuous period under Hal Roach, this Laurel and Hardy classic features them as mousetrap salesmen who attempt to get rich in Switzerland, but instead get swindled by a cheesemaker, manipulated by a jealous opera singer, and confronted on a rope bridge by an angry gorilla -- in that order. The card shows smudging to the borders, tape on the reverse corners, tape to the bottom right corner, and creases and bumps to the corners. Very Fine-.
Klondike Annie (Paramount, 1936). Jumbo Lobby Card (14" X 17"). After killing her sugar daddy, Chan Lo (Harold Huber), Rose Carlton (Mae West) skips town on board a boat bound for the frozen North. While on board, she catches the eye of gruff skipper Bull Brackett (Victor McLaglen), who soon learns her secret and tries to blackmail her. Fortunately for Rose, a missionary (Helen Jerome Eddy), also traveling on board, dies suddenly, and Rose adopts both her identity and her mission - to bring religion to the sinners in Alaska - to try and lose herself and get away from the law. Offered here is a beautiful jumbo lobby card, picturing Mae West as we all remember her - sleek, sultry, and sexy. This beautiful piece has a very slight rounded corner in the bottom right, but this is the only apparent flaw keeping this gorgeous treasure from an even higher grade. Very Fine/Near Mint.
Klondike Annie (Paramount, 1936). Jumbo Lobby Card (14" X 17"). The lovely Mae West graces this stunning portrait card, a vision of loveliness who became one of the iconic beauties of the 1930s. The glorious jumbo lobby card offered here has a small corner bend in the bottom right, and very small pinholes in the left and right borders. Aside from these very minor flaws, this is an exquisite piece that will enhance any collection. Very Fine+.
Klondike Annie (Paramount, 1936). Jumbo Lobby Cards (3) (14" X 17"). Although she only appeared in a handful of films, Mae West is remembered today as one of the iconic beauties of the Golden Age. Originally a child star in vaudeville, West was also an accomplished playwright, and in fact one of her earliest plays, Sex, landed her in jail for ten days in 1926 on an obscenity charge. Diamond Lil, two years later, became a massive Broadway hit, and brought West to the attention of Hollywood, where she quickly became a sensation. Offered here are three jumbo lobby cards from one of her classic films, all featuring the provocative West. One card has some slight edge wear in the top right corner, while another shows a very tiny crease in the right border, but these are minor considerations that do not detract in any way from the enormous eye-appeal and displayability of these wonderful cards. This lot will certainly make a valuable addition to any collection. Very Fine/Near Mint.
Free and Easy (MGM, 1930). Window Card (14" X 22"). This was silent star Buster Keaton's first talking film, in which he plays Elmer J. Butts, a hapless gas station attendant assigned to accompany lovely beauty contest winner Elvira Plunkett (Anita Page) and her mother (Trixie Friganza) to an MGM screen test in Hollywood. Along the way, Butts manages to stumble through a number of MGM productions, eventually gaining fame himself as a musical comedy star! This movie was remade twice; once in 1937 as Pick a Star, and again in 1945 as Abbott & Costello Go To Hollywood. The charming window card offered here has tanning along the edges, several small tears in the left border, edge wear, small corner bends, and surface smudging, but is still extremely presentable and attractive. For any fan of classic comedy, this piece is a must! Fine-.
Jail Birds of Paradise (MGM, 1934). One Sheet (27" X 41"). Made just before the release of their first short as the Three Stooges, Woman Haters, this musical short subject featured Moe and Curly as escaped convicts! Done in Technicolor and also featuring the MGM Dancing Girls, this lovely art-deco one sheet is assuredly the only known copy of this rare sheet. If you are a Stooges fan and a completest, if there could be such a thing for the Stooges fan, you would have to have this!.The poster has some crossfold separation and pinholes in the corners. Very Fine.
Fools For Luck (Paramount, 1928). Lobby Card (11" X 14"). W.C. Fields stars (in his last silent film) as an oil swindler, trying to con hopeful townspeople out of their money. The climax of the film is a game of pool between Fields and co-star Chester Conklin, in which Fields gets to show off his dexterity with a pool cue in a series of elaborate trick shots. Very shortly after this film, with the coming of sound, Fields would be recognized as one of the medium's greatest comedians. This rare lobby card is in exceptional condition. There is only a minor crease on the top left corner and some very light edge wear to prevent this card from being graded Mint. Unfortunately, all prints of this silent film are now lost, leaving us only a handful of posters and lobby cards as representation of a classic Fields performance. Very Fine/Near Mint.
It's a Gift (Paramount, 1934). Insert (14" X 36"). A multi-talented radio and film personality, W.C. Fields perfected his persona as a hard-drinking, child-hating misanthrope. So, it made sense that Fields would find one of his greatest on-screen foils in the form of Baby LeRoy (Ronald Le Roy Overacker). In all, Fields made four films with Baby LeRoy, including this one, which is considered to be one of the comedian's finest efforts. Fields stars as a grocer who dreams of owning a California orange grove. But in reality, he must put up with bothersome customers and a knee-high nemesis that lives upstairs (LeRoy). This insert has pinholes in the borders and image along with tears in the top and bottom borders. There are chips at the corners and in the right border, along with smudging in the margins. But the image of Fields and LeRoy facing off makes this a piece a winner. Rolled, Very Good-.
International House (Paramount, 1933). Lobby Card (11" X 14"). Directed by Edward Sutherland for Paramount, this comedy has an all-star cast featuring W.C. Field and Peggy Hopkins Joyce (as seen on this card), as well as Bela Lugosi, Burns and Allen and Stuart Erwin, to name a few. This great card (one of the funniest scenes in the film) has Fields entering Joyce's boudoir. This wonderful card is unused, with only minor handling wear. Fine/Very Fine.
Man on the Flying Trapeze (Paramount, 1935). Lobby Card (11" X 14"). One of the later films in the first part of star W. C. Fields's film career - he would take a brief hiatus from moviemaking shortly after this for health reasons - this is the typical story of a henpecked husband who tries unsuccessfully to deceive those around him. Fields is at his best in this picture, seen in this beautiful card with Kathleen Howard, who plays his wife. In like-new condition, it's hard to believe that this unrestored card has survived the ravages of seven decades without even the slightest blemish, but that's certainly the case, making it a real treasure for any fan of classic comedy. Mint.
Man on the Flying Trapeze (Paramount, 1935). Lobby Card (11" X 14"). One of the most recognizable comedians in the history of cinema, W. C. Fields was a major star by the time this picture was released in 1935. A number of his previous films - including The Dentist (1932), The Fatal Glass of Beer (1933), Tillie and Gus (1933), and It's a Gift (1934) - had been enormous hits, although Fields's greatest successes still lay ahead of him. This fabulous scene card, in spectacular condition, shows Fields the way many remember him: with a drink in his hand. As clean and sharp as the day it was printed, this card will be a great addition to any collection. Mint.
Man on the Flying Trapeze (Paramount, 1935). Lobby Card (11" X 14"). Although Clyde Bruckman is credited as the director on this, one of star W. C. Fields's most popular comedies, the fact is that he was taken off the picture early on in the production, thanks to the debilitating effects of his alcoholism. As a result, Fields took over the directing chores himself, the only time in his career that he would do so. This great card, showing Ambrose Wolfinger (Fields) attempting the simple task of getting to a wrestling match on time, is in superb condition, as clean and attractive as the day it was printed. Paper from this picture rarely surfaces, particularly paper in this kind of condition. Take our word for it, you don't want to pass on this incredible gem! Mint.
Man on the Flying Trapeze (Paramount, 1935). Lobby Card (11" X 14"). William Claude Dukenfield began his show business career as a juggler on the vaudeville stage. By the age of 21, he was a headliner, touring both in America and overseas. Several years later he took his first bow on Broadway, in a 1906 musical comedy production The Ham Tree. Although he made his silver screen debut in 1915, it wasn't until 1924 that he threw himself into movies in earnest. Success followed success, both on screen and on the radio, where Fields kept up an ongoing, and very popular, feud with Charlie McCarthy. He quickly became one of the iconic personalities of the Golden Age of Hollywood, and is still fondly remembered as one of the finest comedians ever to crack a joke. This exquisite card, picturing Kathleen Howard, Fields, and Mary Brian, from one of Fields's most popular films, is in exceptional condition, without the slightest flaw to lower the grade. For those who appreciate the very best, this card is a must! Mint.
Man on the Flying Trapeze (Paramount, 1935). Lobby Card (11" X 14"). All poor Ambrose Wolfinger (W. C. Fields) wants to do is go to a long-awaited professional wrestling match. Is that too much to ask? In order to get the day off, he tells his boss that he has to attend his mother-in-law's funeral, and this one lie quickly snowballs into a turn of events that has to be seen to be believed. One of Fields's most popular comedies, paper from this title is rarely offered for sale; in seven years, this is the first time we've had anything from this fan-favorite film. This glorious, unrestored portrait card is in superb condition, looking every bit as fresh and clean as the day it was printed. If you're a Fields fan, you can't afford to let this beauty pass you by. Mint.
Man on the Flying Trapeze (Paramount, 1935). Lobby Card (11" X 14"). Sometimes things just don't work out as planned. Ambrose Wolfinger (W. C. Fields) wants to attend a professional wrestling match, and tells a little white lie to get the day off from work. That one lapse in judgement results in a string of unfortunate events, including traffic tickets, a runaway tire, an assault by a wrestler, an angry mother-in-law, and much more. Through it all, the only person on his side is his lovely daughter, Hope (Mary Brian), seen here with Fields on this wonderful lobby card. All the cards from this set being offered in this auction are in superb condition, unrestored and seemingly never used. For those that demand perfection in the pieces they accept for their collection, you're unlikely to find nicer cards than these. Mint.
Man on the Flying Trapeze (Paramount, 1935). Lobby Card (11" X 14"). W. C. Fields proves that lying is a bad idea in this classic comedy. The ultimate milquetoast, Ambrose Wolfing (Fields) can't stand up to anyone: not his boss, his mother-in-law, his wife, nor even his no-good brother-in-law. When he wants a day to himself to see a wrestling match, things go horribly - and hilariously - wrong. Here, Ambrose feels the wrath of his wife (Kathleen Howard) and her brother (Grady Sutton), while his beautiful daughter Hope (Mary Brian) stands by his side. We've rarely seen cards of this vintage look so fresh and new. To say the condition is impeccable is something of an understatement. Add that to the incredible scarcity of paper from this picture, and you've got a sure winner. Mint.
My Little Chickadee (Universal, 1940). Insert (14" X 36"). Although a major hit, this was the only time that W.C. Fields and Mae West teamed up. They each are wonderful with their one liners, as they spoof the Western genre and their own comedic images. This insert has a pinhole at the top border and one at the bottom, fold wear, tape at the corners and left and right borders, a corner chip and creases in the lower left border and a tiny chip in the lower right border. A delightful poster, this will make any collector smile. Folded, Fine/Very Fine.
My Little Chickadee (Universal, 1940). Lobby Card (11" X 14"). W.C. Fields and Mae West make an unforgettable team in this classic Universal comedy. The two enter a marriage of convenience with Mae trying to gain respectability while Fields becomes the Sheriff. Both of these Hollywood icons appear on this splendid lobby card. The card has pinholes in the corners, surface paper loss in two corners, a crease in the bottom left corner, and minor staining the top border. The card still presents beautifully, and features a terrific image of the two stars. Fine/Very Fine.
The Marx Brothers in "Cocoanuts" (Paramount, 1929). Still (8" X 10"). Vintage black and white, double weight, glossy still. Coming off of the smash-sensation Broadway show, "The Four Marx Brothers," Groucho, Chico, Harpo, and Zeppo made their on-screen debut with this all-talking and all-singing comedy. Groucho portrays the scene-stealing and land-scheming owner of a hotel with brothers Chico and Harpo foiling the heist of some jewel thieves. This great original still has been backed with cheesecloth as was done in decades past. It does not affect the look of this great still. Fine.
Monkey Business (Paramount, 1931). Jumbo Window Card (20.75" X 26.75"). The third Marx Brothers film and the first one to be written directly for the screen, this features many classic routines, including the famous stateroom scene and the boys posing as Maurice Chevalier. This rarely-seen jumbo window card features iconic artwork of the boys (including Zeppo), and colorful graphics done by artist Constantin Alajalov (1900-1987), who did much of the work for this release. Condition includes pinholes in the borders, some staining, dirt particles, and streaks in the field, a small piece missing from the top right corner, and creases in the top left and bottom right corners. The poster retains great color and clarity, and presents very well. An exceedingly rare piece, and a great bit of Marx memorabilia. Fine+.
A Night at the Opera (MGM, 1935). Lobby Card (11" X 14"). After five classic films at Paramount, the Marx Brothers moved over to MGM, where they were afforded bigger budgets and slicker production values. But the quality of the comedy remains constant, and most fans hail this as one of their masterpieces. Groucho stands at the ready as he inspects his troops (Harpo and Chico in costume). This card has a water stain in the upper left corner and the slightest handling wear. Very Fine-.
A Night at the Opera (MGM, 1935). Lobby Card (11" X 14"). No other comedy team was considered as crazy or as zany as the Marx Brothers and this lobby card captures their antics at their very best. Harpo, Chico and Groucho Marx pull off one of their most hilarious cinematic moments as they cram half of a luxury liner's crew into a tiny stateroom. This card is extremely desirable due to its comedic elements and has several pinholes per corner. The upper right corner has been replaced but this has not affected the title or blue background. Very Good+.
A Day At The Races (MGM, 1937). Mini Window Card (8" X 14"). By the time the Marx Brothers left Paramount after Duck Soup (1933), they were already major stars, having conquered both Broadway and the silver screen. Their subsequent move to MGM, and their all-too-brief association with wunderkind Irving Thalberg, resulted in two of the funniest pictures of their careers, A Night at the Opera and A Day at the Races. In the latter, Groucho plays Dr. Hugo Z. Hackenbush, a horse doctor illicitly running a sanitarium. From there, things get really strange! Paper from this period in the Marx Brothers' career is very scarce and extremely sought after. This card has had the top imprint area professionally replaced and shows some very slight edge wear. Other than that, this attractive piece, with its charming caricatures of the three brothers by Al Hirschfield, is a beauty; a great piece from a classic film. Fine/Very Fine.
A Day At The Races (MGM, 1937). Title Lobby Card (11" X 14"). The Marx Brothers are back in this equestrian comedy dealing with a young Maureen O'Sullivan trying to save her medical facility with the help of a Vet (Groucho) posing as a Doctor and his accomplices. This artful title card, with the great Al Hirschfeld caricatures of the boys, has a pinhole or two in each corner and a tiny chip from the bottom border. The colors are bright and the card appears in really clean, unrestored shape. Very Fine.
At The Circus (MGM, 1948). Post-War Italian 2 - Folio (44" X 62"). Groucho Marx, tries to woo Margaret Dumont (as usual) into accepting her nephew's circus business. Nobody in the history of the cinema could match the zany antics of Groucho and his brothers, and material for their films is some of the most sought after in the hobby. It's certainly tough to beat Groucho's rousing rendition of "Lydia the Tattooed Lady." This is a wonderful Italian post-war release poster picturing the Marx Brothers in one of their funniest MGM hits. The poster had only the most minor fold and border wear. This is a knock-out poster with bright colors and great artwork. Very Fine+ on Linen.*
At The Circus (MGM, 1939). French Grande (47" X 63"). Circus owner Jeff Wilson (Kenny Baker) is about to lose his business to a crooked creditor, and so he rallies hired hand Antonio (Chico Marx), hanger-on Punchy (Harpo Marx), and shyster lawyer J. Cheever Loophole (Groucho Marx) to help save the day. Groucho's spirited rendition of "Lydia, the Tattooed Lady" is the highlight of this Marx Brothers comedy, which co-starred Margaret Dumont and Eve Arden. This superb French grande features colorful, cartoony artwork by Poapoisso, and is in terrific condition. Crossfold separations at the bottom fold and a small tear near the "A" in Marx were the only issues, and these have been smoothed over with professional restoration. There's never any lack of demand for Marx Brothers paper of any type, so don't miss your chance to pick up this classic sheet. Very Fine+ on Linen.
Tire Trouble (Pathé, 1924). Three Sheet (41" X 81"). This is the twenty-second entry in the Our Gang series and in this, Mickey drives his own makeshift car with Mary, Joe, and Jackie in tow. This beautiful stone litho three sheet shows the whole gang including Farina and Sunshine Sammy! This fabulous poster had only the most minor foldwear prior to being linen backed and has had only the slightest touch-up! This is a fabulous poster from one of the gang's most memorable silent shorts! Very Fine on Linen.
A Dog's Life (Pathé, R-1920s). Half Sheet (22" X 28"). Charlie Chaplin was perhaps the most famous person in the world at the time of this film's release! In this classic short subject, Chaplin, down on his luck, finds an only friend -- a dog named Scraps -- to accompany him as they search for food. Along the way, Charlie meets a cabaret girl (played by longtime Chaplin co-star Edna Purviance) with whom he falls in love. Eventually, Charlie recovers some stolen money and buys a farm where he and his girl can live with their little dog. This poster was a very early re-issue by Pathé Pictures in the1920s. Paper from this re-release is nearly as hard to find as the original material and just as beautiful! The poster has slight fold wear with extra vertical folds, edge wear, corner bends and a tear in the right border. Finding a better image of the Little Tramp may be a very tough task as this is a splendid layout. Fine+.
The Kid (First National, 1921). Title Lobby Card (11" X 14"). This comedy tearjerker was Charlie Chaplin's first feature-length film. Co-starring with Chaplin was the remarkable Jackie Coogan. In this heartwarming tale, a tramp adopts "the kid" when he is abandoned by his mother (Edna Purviance). This original release title card has been pressed and cleaned as part of a gorgeous restoration. Other repaired flaws included tack holes in the borders and edge wear with small chips in the corners. Fine+.
Safety Last! (Pathé, 1923). Title Lobby Card (11" X 14"). Harold Lloyd had one of his biggest hits with this memorable film of a boy trying to make good in the big city. The image of Lloyd hanging from the face of the clock on the side of a skyscraper has become synonymous with silent comedy. This title card has one pinhole in the top center, a small stain in the upper left corner, and a small tear in the lower right. The borders have been reinforced, and there is touch up in the lettering. Although he used a safety net, Lloyd actually was dangling off the side of this building in downtown Los Angeles, without the benefit of any kind of special effect, rear projection, or trick shot! Fine/Very Fine.
The Freshman (Pathé, 1925). One Sheet (27" X 41"). In this timeless story, nerdy college freshman Harold Lamb (Harold Lloyd) tries desperately to be popular, doing all the things he's seen in the movies, but ends up as the butt of a number of practical jokes. He finally gets the chance to prove himself in the big football game at the end. A genre classic, paper from this hysterical feature is extremely rare and desirable. This wonderful stone litho one sheet had an additional vertical fold and minor crossfold and fold wear. The sheet is in truly beautiful condition and the expert restoration has cleaned up the minor issues. Very Fine on Linen.
Picking Peaches (Pathé, 1924). One Sheet (27" X 41"). Glancing at this one sheet, you might think this was Harry Langdon's first job in show business, as he began with Sennett on this very film. Far from it. Langdon had been on Broadway since 1899 at the age of 14! He began in Vaudeville in 1903, performing a hit skit, Johnny's New Car, for over 20 years. Hal Roach tried to sign Langdon in 1923, but terms couldn't be met, so he signed with Principal Pictures. They went bankrupt a year later after producing just a few shorts, and after only one month of being out of work, Mack Sennett signed Langdon and produced this, Langdon's first real film. An absolutely historic one sheet for perhaps the fourth best silent comedian, after Chaplin, Keaton, and Lloyd. This lovely stone litho poster had some very small chips within the borders and some minor paper loss within the center vertical fold. there was tear that runs from the upper horizontal fold through the shoulder of the girl in the upper right. The restoration was expertly done and the poster now looks great! Very Fine on Linen.
The Talk of the Town (Columbia, 1942). One Sheet (27" X 41"). This classic comedy directed by George Stevens stars Cary Grant, Jean Arthur and Ronald Colman. Grant plays an escaped convict hiding out in Arthur's house, which just happens to be where renowned law professor Colman comes to spend his summer. It turns out that Grant has been falsely accused, and both men are in love with Arthur, and there the comedy ensues. The film was nominated for six Academy Awards, including Best Picture. The poster has pinholes in the corners, light extra vertical creasing, crossfold separations and a small tear in the bottom border. Very Fine-.
Madame Butterfly (Paramount, 1932). Pre-War Belgian (24" X 33"). This film is based on Puccini's Madame Butterfly and has music from the opera dispersed throughout the film. This was Cary Grant's seventh film and the last one he made in 1932, and he would appear two other times with Ms. Sidney - in Merrily We Go to Hell and Thirty-Day Princess. This beautiful pre-war Belgian poster showcases Sylvia Sidney as Butterfly. Grant was too new to the game for the foreign audiences to care. The poster was folded but was in excellent shape otherwise prior to backing. The linenback work was done well and the poster now displays beautifully. Very Fine- on Linen.
Silver Age (1956-1969)
Gambling Ship (Paramount, 1933). Mini Window Card (8" X 14"). Cary Grant and Benita Hume star as two damaged souls who meet and fall in love on a train voyage, and later, trying to build a better life, invest in an ailing gambling boat. Jack La Rue and Arthur Vinton play the heavies in this well-directed crime drama. This gorgeous midget window card has some light tanning in the borders, but otherwise looks just about brand-new with a very fresh appearance and terrific color. Very Fine.
Movie Posters
Gunga Din (RKO, 1939). Half Sheet (22" X 28") Style B. This was the breakout film for George Stevens, who directed this rousing adventure yarn that was loosely based on a Rudyard Kipling poem. It's the tale of three brawling British sergeants who are stationed in 19th century colonial India and battle the head-hunting Thuggee tribe. Cary Grant, Douglas Fairbanks, Jr. and Victor McLaglen are great as the carousing comrades. The poster was folded with some wear to the top border and pinholes in the corners. Beautiful professional restoration has made the poster look like new. Fine+ on Paper.
Alice in Wonderland (Paramount, 1933). Window Card (14" X 22"). Norman Z. McLeod directed an all-star cast which included W.C. Fields, Cary Grant and Gary Cooper for this mostly live action take on Lewis Carroll's classic story. The only animated segment (The Walrus and The Carpenter) was created by the legendary Max Fleischer Studios. There is a dust shadow in the bottom border and scratches in the credits. There is wear at the edges with chips in the borders and all four corners and staining in the imprint area. Fine.
The Hunchback of Notre Dame (RKO, 1939). French Grande (47" X 63"). This second screen version of Victor Hugo's classic novel stars Charles Laughton as the tortured soul, Quasimodo. Laughton was one of the most brilliant actors of his era and the part was a wonderful challenge for the amazing star. Maureen O'Hara (represented on this gorgeous French poster) was cast as the beautiful gypsy, Esmerelda who befriends the Hunchback. The incredible artwork is by Bernard Lancy. There were pinholes in the top left corner and chips and wear at the fold lines. Now, this nicely restored poster makes an excellent presentation. Fine/Very Fine on Linen.
Faust (MGM-UFA, 1926). One Sheet (27" X 41"). One of Germany's most important directors during the 1920s, F. W. Murnau was a cinematic genius. Best known as the director of Nosferatu (1922), he also filmed an early version of Dr. Jekyll and Mr. Hyde (1920) and the brilliant character study Der Letzte Mann (1924), as well as this, a stunning adaptation of the Faust legend. With Gosta Ekman as Faust, an aged seeker of knowledge and pleasure who turns to dark forces to satisfy his longings, and Emil Jannings as Mephisto, the demonic servant who answers Faust's summons. Also featured was the lovely Camilla Horn as Gretchen, the woman with whom Faust falls in love. After a staggering six months of production and two million marks, Murnau's Faust is one of horror's most visually stunning cinematic nightmares, an archetypal tale of love, power, morality, temptation, and redemption that sizzles with passion hotter and redder than the Devil himself. This was the film that won Murnau a contract with Fox Studios in Hollywood and is voted by critics today as one of the best horror films of all time. This lot offers a lovely stone litho one sheet from the U.S. release of this classic masterpiece and is, we believe, the only copy of this one sheet known to exist. It is in fine condition and unrestored. The poster has some crossfold separation and some small tears within the horizontal and vertical folds. This poster is a vibrant white and it appears to be unused. Fine/Very Fine.
Cat People (RKO, 1942). One Sheet (27" X 41"). Val Lewton produced this moody and magnificent film on a very modest budget, and turned it into one of the most frightening films of the forties. Beautiful Simone Simon stars as a woman who turns into a panther when emotionally charged. Cat People was the first in a series of films that made Lewton an icon in the genre. The posters for this title are among the most sought after by horror enthusiasts. This wonderful copy has had the corners clipped of just the tip end. There were pinholes in the borders and minor crossfold wear. This poster does not come up often so get it while you can! Fine/Very Fine on Linen.
Cat People (RKO, 1942). Lobby Card (11" X 14"). Burdened with a scant budget, producer Val Lewton and director Jacques Tourneur were forced to rely heavily on the element of suspense to chill their audience because there simply wasn't enough money to create the customary horror imagery that fright fans had come to expect. The end result was this terrifying tale starring Simone Simon, Kent Smith and Jane Randolph. This scene card has pinholes and bumps at the corners and light edge wear. The top border has pinholes and a light crease but the card remains very presentable. Very Fine-.
The Curse of the Cat People (RKO, 1944). One Sheet (27" X 41"). Val Lewton produced this sequel to his most famous film, Cat People, and includes several of the same characters from the previous film. Robert Wise makes his directorial debut with this classic film in the Lewton series. This wonderful copy of the one sheet has minimal edge wear and slight fold wear. It is otherwise in excellent condition and displays beautifully. Very Fine.
King Kong (RKO, R-1956). One Sheet (27" X 41"). A classic film by any definition, this was also one of RKO's biggest moneymakers. It's not surprising, then, that they re-released the picture every few years to satisfy the demands of the movie-going public, anxious to see Kong ascend the Empire State Building once again, beautiful Fay Wray clutched in his hairy palm. Each re-release had a new series of posters designed in support; the 1956 release used art from the 1952 campaign, this time rendered in glorious full color, featuring portraits of stars Wray, Robert Armstrong, and Bruce Cabot, along with a great shot of Kong himself! This wonderful example had fold separation, tape lifts in the top left and right, a piece missing in the top right border, and a tear in the bottom center, but professional restoration has expertly addressed these slight issues, returning this poster to its original, like-new appearance. Fine on Linen.
King Kong (RKO, 1933). French Grande (47" X 63"). Willis O'Brien, Merian C. Cooper and Ernest P. Schoedsack's classic story of the "Beauty and the Beast" with its ground-breaking special effects has gone down in motion picture history as one of the greatest films ever made. Without Kong, the special effects of today would not exist. And who can forget Fay Wray as Ann Darrow - "the bravest girl I have ever known"? King Kong is undoubtedly one of the greatest icons of the cinema. And now we come to this poster. A huge King Kong atop the Empire State Building with the diminutive Fay Wray with the biplanes attacking - artist Rene Peron was responsible for creating one of the most stunning visualizations of Kong for this incredible French grande. Much reproduced as a fine art print in recent years, Heritage is pleased to offer this rare 1933 original, of which only a handful have ever turned up. Prior to restoration, there were pinpoint crossfold separations and fold wear with a small tear on the lower horizontal fold. The linen has been trimmed to the edge of the borders. Don't pass up this opportunity to own one of the finest posters to ever be created for this classic film. Very Fine- on Linen.
Doctor Cyclops (Paramount, 1940). Three Sheet (41" X 81"). Boasting excellent special effects (the film was nominated for a Special Effects Oscar) and the chromatic glory of Technicolor, Doctor Cyclops tells the exciting story of four explorers in the Peruvian jungle who run afoul of mad Dr. Thorkel (Albert Dekker) who has developed a process that can shrink humans to doll size. Obviously considered an important picture by Paramount, it was the first science film to be shot in Technicolor. This is the very rare three sheet and a format we have never sold before! The poster has some fold separations and fold wear issues with pinholes. There are pieces of brown paper tape used to mend and support the poster on the verso long ago. The colors are very bright and overall a clean copy. Very Fine.
Terror Aboard (Paramount, 1933). One Sheet (27" X 41"). A murderous psychopath aboard a luxury liner begins a series of grisly but creative murders. One victim is found in a refrigerator, one is poisoned. Still others are shot and stabbed. In the end, he dumps a lifeboat filled with sailors into the sea where they drown. John Halliday, Charles Ruggles, and Neal Hamilton fill out the cast of this first-rate thriller. This stunning stone litho one sheet is by far the best paper on this little-seen title, with an unnerving image of a (possibly dead) woman, her hair cascading downwards. The poster had border tears, some of which extended into the image, a small tape lift in the woman's forehead, border chips, and a small piece missing in the "e" in "Doomed." Excellent professional restoration has been applied to these issues, and the linen has been trimmed to the border. An innovative film for its time, and certainly a memorable poster, don't miss out on this one. Fine/Very Fine on Linen.
Captive Wild Woman (Universal, 1943). Insert (14" X 36"). When a mad scientist (John Carradine) transplants a human brain into a giant gorilla (Ray "Crash" Corrigan), the fearsome simian transforms into a beautiful woman (Acquanetta). The newly-created ape-woman falls for a lion tamer, but her passions quickly reawaken her savage instincts, with disastrous results! Paper from this cult favorite title is always popular with collectors, so we expect some serious bidding activity on this fabulous insert. It has some edge wear, a bit of surface wear in the top center, and a smudge in the right border, but these slight flaws are only apparent under close examination, and do not detract in any way from the beauty of this highly desirable treasure. Very Fine+.
Captive Wild Woman (Universal, 1943). One Sheet (27" X 41"). For devotees of classic gorilla posters, it hardly gets any better than this! The film is about a mad scientist (John Carradine) who performs experimental glandular surgery on a big ape, turning the simian into the beautiful Acquanetta! However, soon proving that you can't take the "wild" out of a wild woman, she soon reverts back to her savage ways, with disastrous consequences. This classic poster had a piece missing in the top right, chipping and a piece missing in the right border, tearing in the left border, a chip in the top left corner, and light edge wear in the bottom border, but first-rate professional restoration has expertly addressed these flaws, returning this poster to a Near Mint appearance. Very Good- on Linen.
House of Horrors (Universal, 1946). One Sheet (27" X 41"). Actor Rondo Hatton, who was severely disfigured in real life by the disease acromegaly, was used, and some say exploited, by Universal as a horror star, most notably as "the Creeper". Unfortunately Hatton died at the age of fifty, the year this film was released. Sculptor Stephen Morrow, (played by Robert Lowery) rescues the Creeper from drowning, only to manipulate him into murdering Morrow's enemy art critics. Lovely Virginia Grey also stars. This magnificent one sheet had only enlarged pinholes in the top left and right corners, prior to professional restoration. Now is your chance to meet the Creeper and take him home, if you dare! Very Fine+ on Linen.
Man-Made Monster (Universal, 1941). One Sheet (27" X 41"). Universal dominated the horror genre through the 1940s, and this second-tier project, second to established franchises like Frankenstein and The Wolf Man, (though it was originally launched as a Boris Karloff-Bela Lugosi vehicle) still holds up well. Today, the tale is notable for the establishment of Lon Chaney Jr.'s legacy of cult, low-budget horror. His electrical monster, controlled by a mad scientist, became an "Atomic Monster" in a rerelease later in the decade, following the nuclear detonations in Japan. This striking copy has some fold wear and small chips within the border. There is a slight registration issue, primarily in the upper portion of the poster. If you are looking to add to your Universal horror collection with a more modest budget, this would be one that you would need It will display beautifully. Fine+ on Linen.
Son of Dracula (Universal, 1943). One Sheet (27" X 41"). The third film in Universal's popular Dracula franchise, this entry finds studio stalwart Lon Chaney Jr. behind the pointed fangs. As Count Alucard, Chaney sets up shop in the American south, where he courts the lovely Katherine Caldwell (Louise Allbritton), until a band of locals discover the Count's predilection for human blood and conspire to destroy the undead fiend. With a screenplay by genre-favorite Curt Siodmak, who also wrote The Wolf Man (1941) and House of Frankenstein (1944), this film marks the first on-screen transformation of a man into a bat. The striking one sheet offered here had crossfold separations and fold wear, but after professional restoration, these minor flaws are virtually unnoticeable. If you're a fan of classic Universal horror - and who isn't? - this treasure is for you! Very Fine on Linen.
Dracula (Stage Play, 1928). Window Card (13.5" X 21.75"). This is the rarely-seen original theater window card advertising the stage version of Bram Stoker's novel Dracula, to be performed beginning on November 5, 1928 at Ford's Theatre in Baltimore, MD. This play first appeared in the U.K. in 1923 and made its New York Broadway debut in 1927. The Broadway version featured Bela Lugosi as Count Dracula and Edward Van Sloan as Van Helsing. Lugosi's success in the play led to his role in the 1931 Universal film, which also starred Van Sloan, and rocketed Lugosi to international fame. The play was highly successful and toured for over two years. This window card was created by the same printer and has the exact same graphics as the window card printed for the Broadway run. There is a center fold line (reinforced on the back with tape), light creases, pinholes and the tip-ends of three corners have been replaced. The card has had minor restoration and displays very well. Fine.
Bride of the Monster (Filmmakers Releasing, 1956). Half Sheet (22" X 28"). Ed Wood, Jr.'s name is not listed on this poster, but make no mistake -- Bride of the Monster is one of his uniquely entertaining oeuvre, and his second film with Bela Lugosi. This wonderful half sheet casts Bela as the lumbering fang-mouthed creature clutching the scantily-clad damsel, though lumbering Tor Johnson would come closer to that role in the actual movie. This beautiful example had some edge wear and border creasing plus two small border chips, very minor issues which have been addressed with professional restoration. Very Fine- on Linen.
The Ape Man (Monogram, 1943). One Sheet (27" X 41") and Lobby Card (11" X 14"). Mad scientist Bela Lugosi injects himself with spinal fluid from a gorilla, accidently turning himself into the titular character. The "cure" involves getting fresh human spinal fluid--but where? Emil Van Horn, who plays Lugosi's gorilla assistant, spent his entire seven year career in Hollywood inside a simian suit. The one sheet has bleed through from writing in ink on the back. The linen has been trimmed to the edge of the poster. The lobby card has staple holes in the borders with chips in the lower left, stains in the right field and border, and a small tear in the right border. There are pieces of cloth and paper tape on the back. Excellent pieces for collectors of Monogram horror. Fine/Very Fine on Linen.
The Black Cat (Universal, 1941). Mini Window Card (8" X 14"). Rich, old Henrietta Winslow (Cecilia Loftus) is close to dying and her relatives, led by Basil Rathbone, are hovering around waiting to inherit her wealth. Hugh Herbert and Broderick Crawford investigate the goings-on in her old, dark house, and Alan Ladd (a year before his breakthrough role in This Gun For Hire) plays one of the younger heirs-to-be. This midget window card has corner creases in the bottom right and top left, and a small crease on the top border. A delightful piece with shots of all the stars. Very Fine-.
White Zombie (United Artists, R-1938). Lobby Card Set of 8 (11" X 14"). Lest the public forget, Bela Lugosi was given billing in this tale of voodoo as Bela (Dracula) Lugosi. After his amazing success as Bram Stoker's vampire, Lugosi would make a career out of portraying evil characters and monsters on the screen. White Zombie is considered one of the classics of the genre as Bela plays a Haitian witch doctor who turns a young woman into a zombie so he can control her. This set of cards is in near mint condition with the exception of the title card that has a small chip off of the lower left corner. Although this classic horror film was originally released by United Artists, the reissue is widely assumed to be from 1938. Very Fine/Near Mint.
Carroll Borland in "Mark of the Vampire" (MGM, 1935). Publicity Still by Clarence Sinclair Bull (8" X 10"). Vintage black and white, double weight, matte still. This is a lovely still of actress Carroll Borland, who co-starred with Bela Lugosi in this MGM vampire thriller. On the verso is a paper snipe which calls the film by its working title, The Vampires of Prague. There is also a Clarence Bull credit stamp on the verso. Very Fine/Near Mint.
Murders in the Rue Morgue (Universal, 1932). Window Card (14" X 22"). After the enormous success of Dracula (1931), the film that made a superstar of Bela Lugosi, Universal lost no time in anointing the former Hungarian stage actor the new "King of Horror," and had every intention of featuring him in their upcoming Gothic chiller, Frankenstein, to be directed by Robert Florey. Although the exact reasons are unclear at this late date, both Florey and Lugosi were dropped from the picture after filming only a few make-up tests, to be replaced by Boris Karloff as the monster and James Whale as director. Instead, both Florey and Lugosi were transferred to this film, inspired by one of the Inspector Dupin stories by Edgar Allan Poe. In this dark and twisted tale of obsession and murder, mad doctor Mirakle (Lugosi) seeks to create a mate for his pet gorilla Erik by injecting ape blood into the veins of attractive young women, with decidedly deadly results. Due to Lugosi's bravura performance and Florey's inspired direction, what was intended as a low-budget thriller is elevated to the level of an enduring classic. Many commentators have noted similarities between this film and the German Expressionist classic, The Cabinet of Dr. Caligari (1919), in terms of atmosphere and tone. Like all Universal Horror films from this period, paper from this movie is very scarce and highly desirable. Offered here is a lovely window card in astonishing, unrestored condition. The top imprint area has been airbrushed, and the corners are slightly rounded, but otherwise, this piece is in impeccable condition, sure to be the centerpiece of any collection. Very Fine+.
Dracula's Daughter (Universal, 1936). Title Lobby Card (11" X 14"). With the huge success of Dracula (1931), the movie that made Bela Lugosi an overnight sensation, it's not surprising that Universal wanted a sequel. Eventually, they approached director James Whale, hot off his triumphs on both Frankenstein (1931) and Bride of Frankenstein (1935), to direct, but his proposed treatment was considered too outrageous, and he was dropped from the picture, replaced by Lambert Hillyer. The studio decided on a treatment that would focus on Marya Zeleska (Gloria Holden), the daughter of the Transylvanian Count, and her search to be cured from her strange compulsion to drink human blood. Offered here is the eerie title card for this Universal Horror favorite, featuring a chilling portrait of Holden in the upper left. The cards in this exceptional set are among the best vintage lobbies we've ever seen, absolutely dead mint with no visible flaws. For the serious poster collector, it truly doesn't get any better than this. Mint.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). This gothic and atmospheric picture marks the end of the first wave of Universal horror. Filmed as a sequel to 1931's Dracula, the movie stars Gloria Holden as the daughter of the bloodsucking Count. Four days after production wrapped, Universal was taken over by moneymen from Standard Capitol Corporation, and the Laemmles - Carl Sr. and Jr. - the founders of the studio and the driving force behind the horror genre, were unceremoniously kicked to the curb. The incoming administration had no interest in continuing the horror films, and replaced the ghouls and goblins of yesterday with a raft of snappy, wholesome, family comedies. How well their vision of a "New Universal" worked can be intuited by the fact that horror was back in full force, led by Son of Frankenstein (1939), just a few years later.The creepy card offered here is in remarkable condition, with no visible flaws of any type. If you're the type of person that can only be tempted by the very best, this card is for you! Mint.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). At the end of Dracula (1931), the bloodsucking Count, played brilliantly by Hungarian-born actor Bela Lugosi, is liquidated by the courageous Dr. Van Helsing (Edward Van Sloan), dispatched across the River Styx, apparently never to trouble mortal man again. Unfortunately, the success of the film warranted a sequel, so rather than resurrect the Count, the studio instead provided him with a daughter, Marya Zeleska (Gloria Holden), an attractive young woman with her father's taste for human blood. This glorious lobby card is in absolutely dead mint condition, one of the finest vintage lobby cards we've ever seen. You may never see a nicer lobby card than this. Mint.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). It's said that Elizabeth Bathory - "The Bloody Countess" - one of author Bram Stoker's inspirations for the character of Dracula, bathed in the blood of countless young women in an effort to preserve her youth and beauty. We're sure this unrestored card hasn't gone that far, but its condition is nothing short of remarkable for a 70+-year-old piece of movie paper. Absolutely flawless, this is one of the nicest vintage lobby cards we've ever seen, and from a Universal Horror classic to boot! We confidently predict that this glorious set is going to cause a whirlwind of bidding activity, so we advise you to place your bids today! Mint.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). When Universal set out to make this film, the sequel to 1931's Dracula, they signed the entire cast from the original picture. Due to delays in production, most of the cast, with the exception of Edward Van Sloan, who plays Dr. Van Helsing, went on to other projects before shooting started. Nevertheless, due to a foresighted "play or pay" clause in his contract, Bela Lugosi ended up pocketing a nice piece of change from this film, even though he doesn't appear in a single frame! Speaking of "nice," that's the least we can say about this incredible portrait card. Entirely unrestored, this is a real beauty, as fresh and clean as the day it was printed. Cards like this, especially from Universal Horror films, rarely surface. Don't miss this opportunity to snag this beauty for your collection! Mint.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). One of Universal's most expensive productions of the 1930s, this thrilling sequel to 1931's Dracula cost more than $278,000 to make.This stunning card is in impeccable condition, perfect for the collector that demands the very best; you'd likely need a time machine to find a better copy. Mint.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). When we first saw this incredible set of lobby cards, as mint and flawless as the day they were printed, all we could say was, "Wow!" We've rarely seen vintage lobby cards this blindingly clean, and we may never see such perfect specimens from a classic Universal Horror film again. If you treasure perfection, you won't want to miss your opportunity to bid on this rare beauty! Mint.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). Who knew that Dracula, brought to un-life on the silver screen by Bela Lugosi in 1931, had a daughter? Apparently, Universal did, and they told her story in this exciting sequel that takes place directly after the events in "Dracula". As Professor Van Helsing (Edward Van Sloan) is arrested for the murder of Count Dracula, Countess Marya Zeleska (Gloria Holden) attempts to recover her father's body from Scotland Yard so that she can break the family curse: the need to drink human blood. This classic card, featuring a chilling portrait of Holden, is in remarkable condition, appearing as crisp and clean as the day it was printed. Absolutely unrestored, a condition it shares with all the other cards in this exceptional set, this is a real treasure for the Universal Horror enthusiast. Mint.
Murder By Television (Imperial-Cameo, 1935). Lobby Card (11" X 14"). By 1935, Bela Lugosi had already been typecast as a horror star and soon found himself appearing in numerous low-budget productions tied to the horror and sci-fi genres. In this outing, he is suspected of murdering a scientist who perfects the ability to broadcast television signals. All of that aside, there may not be an actor today who has such a strong "cult" following as Lugosi, and because of that, his posters and lobby cards are always in high demand. This card has approximately one pinhole per corner with a bit more wear to the upper left corner. There is also a minor chip out of the left border. Fine-.
Night of Terror (Columbia, 1933). Lobby Card (11" X 14"). Bela Lugosi stars in this thriller where murders occur during a séance. This film has it all including secret panels, the "old dark house", creepy séances and a killer on the loose known only as "The Maniac." This is a wonderful varnish card from Columbia. It has a pinhole or two in each corner as well as a small tear in the right border. There are a couple of small pieces of cellophane tape on the reverse. Fine+.
Dracula (Universal, 1931). Still (8" X 10"). Vintage, black and white, single weight, glossy still. This fabulous image from the 1931 classic gives perspective to the dazzling set created by the masters at Universal. Prior to minor restoration, this still had damage to the corners. There is also a slight trim to the right border that in no way distract from this impressive photo. Fine.
Dracula (Universal, R-1938). One Sheet (27" X 41"). With the incredible success of both The Hunchback of Notre Dame and The Phantom of the Opera, Universal magnate Carl Laemmle Jr. set his studio on the course that would make his father's company famous: that of producing the most important and significant horror films in the history of cinema. With the box office receipts pouring in, Laemmle set about finding and securing another horror project for his company. A play in England of Bram Stoker's Dracula had become a major sensation and Laemmle thought it would be the perfect project for Lon Chaney, the actor who had starred in Universal's previous two horror hits. But Chaney was under contract to Metro and unless Universal could acquire Chaney, the studio would not buy the screen rights to the legendary Count's story. Universal finally decided to acquire the rights to Dracula when they learned Paramount and Metro were also interested in the project. In hopes of acquiring Chaney from Metro, Universal signed the actor's favorite director, Tod Browning to the film. Unfortunately, Chaney developed throat cancer and passed away before filming could begin. After auditioning several actors they settled on the Hungarian heart-throb who made the role famous on the stage, Bela Lugosi. The film was a major success for the studio upon its release in February 1931 and finally solidified Universal's association with the horror genre. By 1938, Universal had created several horror films that would go on to achieve financial success for the studio as well as cult status with the public. It was time to introduce a new generation of film-goers to the original horror shows of both Frankenstein and Dracula. The studio decided to get a bit creative with this first reissue of their classic: Dracula was reissued with a green tint to some of the prints. The one sheet that was used for this "new look" release was printed with dark greens and black. The effect is startling and captures Lugosi in his most menacing pose, as the undead Count. The poster is similar to the original style A one sheet issued in 1931, but is actually more haunting in this dramatic form. This poster was unknown for many years and to this date, no other copies of this 1938 re-release one sheet have surfaced. However, in 2003, this copy rose from its crypt in Latrobe, PA, and made its way into a collector's hands. It was then that its true value was recognized as one of the most atmospheric horror posters, capturing Bela Lugosi in his most important role: one of the most famous icons of the cinema. Another example of the significant one sheet may never come to light. The poster has had minor color touchups to the fold lines and some minor tears in the borders. There were several pinholes in the dark green background, primarily in the upper and lower corner areas and there was a small chip off of the lower right corner. All of these minor issues were professionally restored so that the poster appears very clean. (Provenance; The Latrobe Collection, The Nicolas Cage Collection.) Fine+ on Linen.
Nothing Sacred (United Artists, 1937). French Double Panel (63" X 94"). One of the best screwball comediennes, Carole Lombard, in one of her best comedies, this fast paced romp also stars a very funny Fredric March. New York newspaper reporter Wally Cook (March), in order to redeem himself to his editor, takes on the story of Hazel Flagg (Lombard), a simple girl from small town New England who believes she is dying. When given the opportunity for an all expense paid trip to the big city, she can't refuse, even though she's discovered she was misdiagnosed. With a script by the great Ben Hecht, the witty dialogue and laughs keep coming. This French double panel has pinpoint crossfold separations, two small holes in the field, and light wrinkling. With its unique and delightful artwork, this poster is going to get a lot of deserved attention. Very Fine.
Carole Lombard in "The Gay Bride" (MGM, 1934). Publicity Still by Clarence Bull (8" X 10"). Vintage black and white, double weight, glossy still. This radiant image of Carole Lombard was taken by the one and only Clarence Sinclair Bull as part of the publicity campaign for The Gay Bride. A stamp crediting Bull and a studio snipe are on the reverse. Very Fine/Near Mint.
Carole Lombard in "True Confession" (Paramount, 1937). Still (8" X 10"). Vintage, black and white, single weight, glossy still. Carole Lombard stars as pathological liar who is accused of the murder of her boss. Her only hope is her honest-to-a-fault husband/lawyer played by Fred MacMurray. There are creases at the corners and a faint horizontal crease across the bottom of the image. Adhesive reside with paper transfer can be seen in the bottom right corner but the verso is clean and includes a typed studio description. Fine+.
Carole Lombard in "Now and Forever" (Paramount, 1934). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. This shot of Carole Lombard was taken as part of the publicity campaign for Now and Forever which co-starred Shirley Temple and Gary Cooper. There are bumps and minor creases in the corners as well as a minor abrasion at the bottom of the field and wear at the edges. Fine/Very Fine.
Man of the World (Paramount, 1931). Lobby Cards (2) and Deluxe Photo (11" X 14"). William Powell plays a smooth extortionist who preys upon wayfaring Americans in Paris, wooing lonely wives and brides-to-be and then blackmailing them. One of his potential victims is Carole Lombard, with whom Powell (much against his better judgment) falls in love. In real life, William Powell and Carole Lombard became husband and wife shortly after filming this movie together. This set includes two lobby cards and a hand-tinted 11" x 14" deluxe photo. Lombard appears in one card here and Wynne Gibson in two - all three feature Powell. One of the cards shows some scuffing to the right border, and the other has a tear to its right border. Very Fine.
I Take This Woman (Paramount, 1931). Lobby Cards (2) (11" X 14"). Gary Cooper and Carole Lombard star in this early sound feature. Cooper plays a cowboy and Lombard a bored heiress who meet and marry but can't get along until Cooper is hurt in a rodeo accident and Lombard wants to take care of him. This is a fantastic couple of cards and the condition is superb. Other than a couple of minor corner bumps, they don't get much better. Very Fine+.
The Racketeer (Pathé, 1929). Title Lobby Card (11" X 14"). Filmed during the height of the rising crime wave sweeping the nation, this drama capitalized on the headlines of the day by featuring Robert Armstrong as a New York City racketeer. Carole Lombard played the love interest who was torn between a poor violinist and the nefarious crime lord. This amazing title card has a tear in the bottom border, two pinholes in the center of the card and another in the lower edge by Armstrong's hand. The card also exhibits some staining on the back and minor residual glue on the front; probably from a snipe over the "All music, All sound, All Dialog." Very Fine-.
Brief Moment (Columbia, 1933). Mini Window Card (8" X 14"). A wonderful vehicle for star Carole Lombard, this is the story of a nightclub singer (Lombard) whose idle rich husband (Gene Raymond) goes through a life-changing experience and gives up boozing and gambling, all thanks to the intervention of his sympathetic wife. Lombard was at the peak of her career at this point, and her enormous star quality is obvious in this charming, romantic picture. The midget window card offered here has a pencil mark on the bottom border, light edge wear on the right border, a small stain on Lombard's shoulder, and a very slight dust shadow with one pinhole on the blank top imprint area. Aside from these very minor flaws, the card is extremely clean and attractive. No Lombard fan will want to pass this beauty by! Very Fine-.
Rendezvous (MGM, 1935). Three Sheet (41" X 81") Style B. This espionage thriller with romantic comedy touches was loosely based on the book American Black Chamber by the real-life head of the U.S. Secret Service during World War I, Herbert O. Yardley. Starring William Powell, Rosalind Russell and Binnie Barnes, the film is a mix between comedy, love story and spy thriller! The poster did have some fold wear and chipping at the crossfolds. The beautiful stone litho portraits of the stars have a few chips within them as well. The white field has been airbrushed and the linen has been trimmed to the edge of the poster. All in all the restoration was done very well and the poster now displays wonderfully. Fine on Linen.
Ladies' Man (Paramount, 1931). Lobby Cards (3) (11" X 14"). William Powell is a gigolo who lives off lonely married women. The one woman he really cares for (Kay Francis) despises what he does. When one of his married companions' daughters (Carole Lombard) falls for Powell, tragedy ensues. These three gorgeous Paramount cards positively glow with their brilliant color. The cards have some small corner bends and light creasing. Very Fine.
The Benson Murder Case (Paramount, 1930). Insert (14" X 36"). William Powell stars as S.S. Van Dine's amateur detective Philo Vance in this, the third installment in the Philo Vance series. This magnificent insert is a stunning art-deco image of hero Powell - reminiscent of the work of Cubist painter Juan Gris, and is unlike any other art used in the campaign. The poster has been paperbacked to repair the cracked folding which was typical of inserts this age. The poster has had paint touchup to the folds and to the border, which has been airbrushed as well. There is minor color touchup to the image around the border. This striking poster is one of a very few still known to exist so get this one while you can. Very Fine- on Paper.
The Kennel Murder Case (Warner Brothers, 1933). Window Card (14" X 22"). William Powell stars in his fourth and final outing as the dilettante private detective, Philo Vance, in one of the best whodunit films of the golden age of murder mysteries. This gorgeous window card has one of the greatest art-deco images we have ever seen on a poster of the era! The card had a bend in the bottom left corner as well as small chips in both bottom corners. There was a surface abrasion on a small crease in Powell's face and slight surface paper loss in the imprint area. The card has been beautifully restored with airbrush work done in all of the white areas on the card. The card now displays like new! Fine/Very Fine on Cardstock.
The Thin Man (MGM, 1934). Lobby Card (11" X 14"). Originally intended as a simple "B" picture, this exciting comedy-mystery, starring William Powell and Myrna Loy as Nick and Nora Charles, was so successful that it spawned five sequels over the next 13 years, and immortalized author Dashiell Hammett's husband and wife sleuthing team as two of history's most famous, and popular, detectives. Offered here is the beautiful portrait card featuring Powell and Loy, considered one of the best cards in the set. Only a very small nick in the right border keeps this classic beauty from an even higher grade. Near Mint-.
The Thin Man (MGM, 1934). Lobby Card (11" X 14"). In this, the first in the popular series based on characters created by Dashiell Hammett, William Powell and Myrna Loy play Nick and Nora Charles, a former private detective and his wife who investigate a convoluted murder case. Although this was intended as a simple "B" picture, it proved so popular that it spawned five sequels as well as a successful radio series and a hit TV show. Shot in a mere two weeks, the movie cost less than $250,000 to produce, and returned more than $1.4 million at the box office. This beautiful, unrestored lobby card is in amazing condition, with only a small corner bend in the bottom right keeping it from an even higher grade. A real treasure! Near Mint.
Star of Midnight (RKO, 1935). Half Sheet (22" X 28"). Capitalizing upon the popularity of his Thin Man films, William Powell here plays private detective Clay Dalzell who, with the aid of Ginger Rogers (instead of Myrna Loy), must solve the mystery of a girl's disappearance. This striking half sheet had pinholes in the corners and in the image area, small edge tears, and surface paper loss on the reverse at the fold lines, but after professional restoration, it now looks like a million bucks. Fine/Very Fine on Paper.
Reckless (MGM, 1935). One Sheet (27" X 41") Style D. Jean Harlow plays a reckless Mona Leslie, a Broadway singer who is torn between playboy Bob Harrison (Franchot Tone) and her agent Ned Riley (William Powell). A real life romance was heating up on the set, as Harlow and Powell became involved and shortly thereafter, engaged. The great Victor Fleming directs this incredible cast, which also includes May Robson and Rosalind Russell. The linen has been trimmed to the edge of the poster. It had pinholes in the corners, fold wear, a chip in the top center, tape lifts on the reverse, and paper losses at the folds and corners. Although these issues have been addressed by older restoration, this poster displays very nicely. With the exquisite and haunting image of Harlow, this unique Style D stone litho artwork would be a prize for any collection. Fine on Linen.
Libeled Lady (MGM, 1936). Title Lobby Card (11" X 14"). Originally, Jean Harlow wanted to play the part that Myrna Loy had in this screwball comedy. Harlow was involved with co-star William Powell, and she wanted her character to get married to his. However, the studio knew that the audience wanted to see Powell end up with Loy, so that's how it went. Harlow later changed her mind and agreed that it was for the best. This title card only has one pair of staple holes in each corner. Beautiful color on the nice image of the four stars. Very Fine+.
Three Wise Girls (Columbia, 1932). Lobby Card (11" X 14"). Jean Harlow, Mae Clarke and Marie Provost are the titular heroines, three friends in New York City who share their troubles with jobs and love. Harlow and Clarke both get involved with married men, but eventually come to their senses. This lobby card has pinholes in the corners and field, and a very light vertical crease in the center. Bold, bright color on this nice shot of Harlow. Very Fine.
Jean Harlow by Clarence Sinclair Bull (MGM, 1936). Publicity Still (8" X 10"). Vintage black and white, double weight, glossy still. Gorgeous Clarence Bull photo which has a rubber stamp on the verso crediting the photo to him. The photo also has a paper snipe on the verso discussing Jean Harlow's next film, Bombshell. Very Fine/Near Mint.
China Seas (MGM, 1935). Title Lobby Card (11" X 14"). Captain Alan Gaskell (Clark Gable) is torn between two women: the sophisticated and refined Sybil Barclay (Rosalind Russell), and former flame Dolly "China Doll" Portland (Jean Harlow), an earthier type. When Gaskell throws Dolly over, she betrays him to a group of Malay pirates, placing his ship, and all aboard, in deadly danger. This beautiful title card has pinholes in the corners and in the top center border, and light bends in the top and bottom left corner, but is otherwise extremely attractive, with bright colors and great displayability. You won't regret bidding on this one. Very Fine+.
Idiot's Delight (MGM, 1939). Australian One Sheet (27" X 40"). Based on the Pulitzer Prize-winning play by Robert E. Sherwood (and adapted by the author), Idiot's Delight features a standout performance by Norma Shearer that many fans cite as their favorite. It also boasts Clark Gable as a song-and-dance man, and was perhaps the last anti-war film released before the U.S. entered into the Second World War. Seen today, it is a heady mix of glamour and politics, with wonderful production numbers and slick production values. This colorful one sheet showcases the two stars with excellent portraits, and features a bright, sunny color scheme. Condition issues include corner pinholes, fold wear, and several large chunks missing from the bottom border, all of which has been addressed with professional restoration. Fine+ on Linen.
Gone with the Wind (MGM, 1939). One Sheet (27" X 41") Style CF. Clark Gable and Vivien Leigh star in one of the most important pictures ever made. The film went on to win Oscars for Best Picture, Actress, Director, Screenplay and Supporting Actress among others. Shortly after the film's initial release the film went into a wider release and to allay the public's fears that the film would be abridged, MGM announced that the only thing that had been cut were the ticket prices. Some of the first one sheets printed were shipped out with paper snipes attached to them announcing the "Full Length, Nothing Cut" information while others were printed with the sniped information printed on the poster. This example has the printed information identifying it as a poster printed during the second month of the film's release. This is the very rare style CF and is one of the more desirable of the four styles done. The poster had some border chips and a missing lower right corner. There was a large tear from the upper border into the upper right panel. There is another tear from border into the image above Gable's head. All and all this is a very nice condition poster and with the excellent restoration displays like it is mint! The original release posters for this film do not come to auction often so get one while you can. Fine- on Linen.
Gone with the Wind (MGM, 1939). Pre-War Belgian (22" X 30.5"). Still the most viewed film in history, Gone with the Wind has become the epic against which every other blockbuster is compared. It was one of the highest points in the careers of everyone involved, and has consistently been on every list of "Best Films." This pre-war Belgian poster has pinholes in the top corners, fold wear with cross fold separations, tape lifts on the centerfold and bottom border, and small chips on the top border and center. Excellent restoration has addressed all of these flaws, leaving the poster with a clean appearance. Fine/Very Fine on Linen.
Gone with the Wind (MGM, 1939). Roadshow Lobby Card Set of 8 (11" X 14"). This lot features the entire original roadshow lobby card set of one of the greatest films ever made. Released in 1939, David O. Selznick's masterful adaptation of Margaret Mitchell's novel took theaters by storm and seized eight Oscars in the process. This amazing set depicts the major players in the film's cast. The title card, Evelyn Keyes card and Olivia DeHavilland card have all had minor restoration to the corners and borders. The other cards have approximately one set of staple holes per corner with the exception of the Vivien Leigh portrait. Arguably the best card in the set, this card had one fine pinhole in each corner and one in the center of the lower "frame". Very Good/Fine.*
Gone with the Wind (MGM, 1939). Pre-War Belgian (23" X 33"). This classic Hollywood film was released the year that most of Europe went to war against the Nazi regime. Early on,King Leopold of Belgium wanted to remain neutral and thus was not pulled into the war until May of 1940. The original release of this film was begun in Europe in early 1940. The size of this poster indicates that this was printed pre-war. The MGM logo has been blacked out from the poster as was done on most of the copies we have seen. This poster is in excellent condition and has only slight soft creasing in the middle of the rolled poster as well as some wrinkling at the top and a tape pull from the verso of the top of the poster. Very Fine/Near Mint.
Gone with the Wind (MGM, 1939). Australian Daybill (15" X 40"). This adaptation of Margaret Mitchell's classic novel of the Old South made Hollywood history by capturing eight Oscars including Best Picture, Director (Victor Fleming), Screenplay, Actress (Vivien Leigh) and Supporting Actress (Hattie McDaniel). In its original release, it was shown throughout the unoccupied, free world and Australia promoted it with this wonderful daybill. It is similar to the U.S. insert in the use of the Armando Seguso artwork. The poster was folded and had some chips from the border and a bit of writing in the upper imprint area which just barely extended into the artwork. The image remained beautifully untouched. The professional restoration makes the poster appear almost unused! This is a rare piece from this classic film and only the second copy we have ever offered. Fine+ on Linen.
Gone with the Wind (MGM, R-1955). French Grande (47" X 63"). The magnificent artwork by Roger Soubie makes this excellent condition French grande one of the better posters available on this great title. The poster has been professionally linen backed and displays magnificently. Very Fine on Linen.
Session 2
The Wizard of Oz (MGM, 1939). Insert (14" X 36"). The definitive film adaptation of L. Frank Baum's children's fantasy, MGM's 1939 version of Oz was done as a lavish musical adventure. It stars Judy Garland as Dorothy, an orphan unhappy with her drab black-and-white existence on a Kansas farm. She soon finds herself traveling "over the rainbow" to the Technicolor land of Oz to begin her wonderful adventures there. The Cowardly Lion (Bert Lahr), the Scarecrow (Ray Bolger) and the Tin Man (Jack Haley) soon join her. Offered here is the highly desirable insert poster for this film classic, which prominently shows all the main characters. The poster had one fold separation in the center, a large stain beside the Wizard's (Frank Morgan) head, three tears in the top border and two in the left border, chips in the left border, and surface paper loss on the back. All of this has been expertly restored, including some color restoration to the yellow background, giving the poster a beautiful appearance. Original posters rarely turn up for this title, so here is a wonderful chance to own this rarity. Fine+ on Paper.
The Wizard of Oz (MGM, 1939). Title Lobby Card (11" X 14"). Here is the iconic title lobby card for one of the most beloved classics of cinema. Since its original 1939 release,The Wizard of Oz has grown in popularity year after year, initially through its repeated showings on television, and then in its widespread video releases. Featuring headshots of Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, and Jack Haley at the top, and wonderful Al Hirschfeld art in the titles below, this is without a doubt, one of the most sought after title cards in the movie poster collecting hobby. This particular example had small corner chips, pinholes in the corners, and a small tear on the bottom border. Professional restoration has given the card a like-new appearance. Fine/Very Fine.
The Wizard of Oz (MGM, 1939). Lobby Card (11" X 14"). If there's a more universally beloved American film than this one, we'd be hard-pressed to think of it! An astounding musical and visual triumph, this movie instantly catapulted all of its leads into the heady realms of superstardom, and remains a classic to this day. This wonderful lobby card shows all the major characters, as The Wizard (Frank Morgan) addresses the Munchkins before departing for Kansas. The Tin Man (Jack Haley), Scarecrow (Ray Bolger), Cowardly Lion (Bert Lahr), and Dorothy (Judy Garland) look on. It has been cleaned and pressed to address pinholes in the corners, a bottom right corner bend, and two pinholes in the image area. Additionally, there has been some airbrushing in the borders. This has rendered these slight flaws virtually invisible, returning this highly desirable card to a "like-new" appearance. Very Fine-.
The Wizard of Oz (MGM, 1939). Lobby Card (11" X 14"). "We're off to see the Wizard," in this classic scene from the all-time classic movie. Based on the book by L. Frank Baum, the movie would have been very different as originally cast, with Shirley Temple as Dorothy, Ray Bolger as the Tin Man, Buddy Ebsen as the Scarecrow (the two eventually switched parts), and W. C. Fields as the Wizard. The beautiful lobby card offered here has been cleaned and pressed to address pinholes in the corners, and has had some airbrushing in the borders, but is otherwise in remarkable condition. It's a real prize for any Oz fan! Very Fine.
The Wizard of Oz (MGM, 1939). Lobby Card (11" X 14"). If any movie truly deserves the appellation "classic," this is the one! A Technicolor triumph, this film has thrilled generations of fans since its premiere, a full seven decades ago. In this charming scene, Dorothy (Judy Garland) poses with the Munchkins, who celebrate her as their liberator, the killer of the Wicked Witch of the East. The card had pinholes in the corners, but cleaning and pressing, as well as some airbrushing in the borders, has expertly addressed this slight issue. Very Fine.
The Wizard of Oz (MGM, 1939). Lobby Card (11" X 14"). Dorothy (Judy Garland), Ray Bolger (The Scarecrow), Bert Lahr (The Lion) and Jack Haley (The Tin Man) all enter the Emerald City to great fanfare in this deleted scene from the legendary Wizard of Oz. The card shows signs of minor use, including pinholes in the borders. Cards from this classic film are among the most collectible in the hobby. Very Fine-.
The Wizard of Oz (MGM, 1939). Pressbook (Multiple Pages) (18" X 17.5"). Filled with great information, ads, posters, comic book pages and every type of exploitation imaginable, this pressbook for Wizard of Oz is truly remarkable. Many of the posters for the film are shown in full color on the back cover, and a set of door panel posters are shown which have never turned up. There is a color section on glossy stock with full color magazine ads, and ad insert pages. The pressbook has wear on the spine of the cover with tape repairs on the inside, foxing on the top and bottom of the front cover, and edge tears on the back cover. In the color magazine ad section, there is foxing on the front page with one cut. There is edge chipping on one of the ad page inserts. All this wonderful material makes this rare pressbook a must-have for any Oz collector! This lot was misdescribed as it is incomplete and missing one of the sections. Fine/Very Fine.
The Wizard of Oz (MGM, R-1949). Lobby Card (11" X 14"). One of the most beloved films all time, this MGM classic has to be on everyone's list of favorite movies. This spectacular re-issue lobby card from just a decade after the original release is highly sought after as it features all of the star characters, with the Wizard about to lift off for Kansas. With only a few staple holes, minor corner creases in the top and bottom right corners and small scratches in the top right, this beautiful card is truly a prize piece. Very Fine-.
Thoroughbreds Don't Cry (MGM, 1937). Mini Window Card (8" X 14"). This is Judy Garland's fourth screen role and she steals the show as a singing sensation. Mickey Rooney co-stars in the first of the team's nine films together. The card has a fold where the blank imprint area meets the image. Fine/Very Fine.
The Thief of Bagdad (United Artists, 1940). Insert (14" X 36"). Considered to be the best of the numerous versions of this story, the film had a troubled history (originally shot in England, the production was moved to Hollywood when the start of the Second World War made conditions in England untenable) but emerges as a first-rate fantasy with a great cast including Conrad Veidt, June Duprez, and Sabu. This sweeping, extravagant story of the Arabian Nights, Sinbad the Sailor, magic genies and endless love eventually went through six directors, and remains a stunning Technicolor achievement. This superb insert poster had minor condition problems, including pinholes in the corners and field, plus light edge and fold wear, but has been superbly restored to a like-new appearance. It won't take a magic lamp and three wishes to obtain this pretty poster -- just the right bid. Very Fine- on Paper.
Stairway to Heaven (Universal International, 1946). Title Lobby Card & Scene Cards (6) (11" X 14"). Also known as A Matter of Life and Death, this charming fantasy is about Peter (David Niven), an RAF pilot who is forced to jump from his doomed plane only to wake up later, miraculously unharmed. It seems there was a mix-up, and Peter now has a second chance at life, but only if he can convince a heavenly court that he is worthy. An elaborately produced film, this picture also marks the screen debut of Lois Maxwell, better known as Miss Moneypenny of the James Bond franchise. The title card offered here has a small stain in the top right corner, and slight corner bends. Regarding the scene cards, five have small corner bends, two have pinholes in the corners, and one has a tear in the top border that extends slightly into the image area and has been repaired with clear tape on the reverse. Aside from these very minor flaws, these cards are bright, clean and attractive, a wonderful addition to any collection. Very Fine.
Son of India (MGM, 1931). One Sheet (27" X 41"). Ramon Novarro stars as the son of a wealthy man who encounters trouble when his father is murdered. He tries to sell his only remaining asset -- a large diamond -- but is accused of stealing the jewel. An Englishman (Conrad Nagel) vouches for the boy, and he is released. Years later, the young man falls for a woman (Madge Evans) who is the sister of his benefactor, but her doting aunt does not approve of the union. This well-crafted, rarely-screened romantic drama is a fine showcase for former silent star Ramon Novarro. Romantic is also the word to describe this elegant one sheet, a lovely image of the two paramours. Condition issues include a large piece missing from the top right corner, edge tears and tears in the field, fold wear, some surface scratching, creasing in the girl's face and in two corners. The poster has been professional restored, including airbrushing the borders. The poster has excellent color, and a very fresh appearance. Fine- on Linen.
Bird of Paradise (RKO, 1932). French Grande (47" X 63"). Adventurer Joel McCrea is saved from drowning in the South Seas by islander Dolores Del Rio in this early sound romance. They fall in love in the idyllic setting, but Del Rio's obligation to be the sacrifice to the volcano gods gets in the way of a long term relationship. This was the first sound film to have a full symphony score. This French grande has fold wear with a few cross fold separations. The linen has been trimmed to the edge of the poster. Though it has an older restoration, the colors are still bright, and it's appearance is very nice. Wonderful artwork by Bernard Lancy. Very Fine- on Linen.
Four Feathers (United Artists, 1939). One Sheet (27" X 41"). Based on the classic novel by A.E.W. Mason, this epic tale of cowardice, war, and heroism was so popular it was filmed three times previous to this hit. John Clements stars as the unwilling soldier in the Crimean War, who is sent four feathers accusing him of a cowardly act. He is even scorned by his fiancee, played by June Deprez. He ultimately saves his former regiment, disguised as a tribesman. C. Aubrey Smith is wonderful in his role as General Burroughs. Prior to professional restoration, this one sheet had a tear in the credits, fold wear, crossfold separations, tape lifts at the folds and chips in the top border. It now displays beautifully. This spectacular stone litho one sheet is a prize not to be missed. Fine on Linen.
Johnny Weissmuller and Maureen O'Sullivan in "Tarzan the Ape Man" (MGM, 1932). Stills (3) (8" X 10"). Vintage black and white, single weight, glossy stills. Although it wasn't the first time Edgar Rice Burroughs' iconic creation had been brought to the screen, this exceptional picture marked the beginning of MGM's enormously successful Tarzan franchise, and kicked off the career of the actor perhaps most identified with the Jungle Lord, Olympic athlete Johnny Weissmuller. He would go on to star in nearly a dozen additional Tarzan pictures over the next 16 years. Very Fine+.
Johnny Weissmuller and Maureen O'Sullivan in "Tarzan the Ape Man" and "Tarzan and His Mate" (MGM, 1932 & 1934). Stills (3) (8" X 10"). Vintage black and white, single weight glossy stills. Here is a great selection of very rare original publicity stills for the first two MGM Tarzan films starring Johnny Weissmuller and Maureen O'Sullivan. First, there are two great shots from Tarzan the Ape Man. The first is a great candid, behind-the-scenes set shot with Neil Hamilton, O'Sullivan and C. Aubrey Smith. The second is a classic shot of Weissmuller riding an elephant. The third shot is a gorgeous image of O'Sullivan, Weissmuller and Cheeta from the sequel Tarzan and His Mate. These photos are in wonderful condition with only tiny corner bends and light wrinkling. The original studio publicity snipes are on the reverse of two of them. Very Fine.
Tarzan's Secret Treasure (MGM, 1940s). French Horizontal Grande (63" X 47"). Although coming along rather late in the cycle, Tarzan's Secret Treasure was one of the most popular of the MGM Tarzan pictures. This time around, Tarzan must defend against the evil white hunters as they invade his jungle domain in search of a hidden gold mine. The action is so good, with hostile tribesmen and fierce crocodiles, that we don't even stop to ponder why Tarzan needs the gold. This is a gorgeous French horizontal poster with artwork by Roger Soubie. Released in France after WWII, this glorious poster had some small amount of fold wear and border tears and minor chipping. The restoration was performed to perfection and this wonderful image is ready for display. Fine/Very Fine on Linen.
Tarzan and the Leopard Woman (RKO, 1946). One Sheet (27" X 41"). In one of Johnny Weissmuller's best Tarzan films for RKO, he confronts a leopard cult led by Acquanetta (of Captive Wild Woman fame). Everybody's favorite chimp, Cheeta, saves the day in this one. The one sheet art for this film was one of RKO's best. There are pinholes in the corners and the background, edge wear on the left border and pinpoint crossfold separations. Fine/Very Fine.
Trader Horn (MGM, 1931). Poster (30" X 40"). Though the production was troubled, Trader Horn emerged as an exciting jungle adventure, with Harry Carey giving an outstanding performance in the title role. Carey is on a jungle expedition when he meets a dying missionary who begs help in the search for her lost daughter. Turns out the child has been adopted as the "White Goddess" by a particularly savage band of natives. With some strong pre-Code scenes of violence, Trader Horn is memorable, but rarely screened today. Offered here is the colorful poster, with outstanding artwork by Fred Powis featuring bold portraits of the three leads. The poster had pinholes in the image, a small hole in the top "R", and a section of paper loss on the left side, all of which has been addressed with outstanding professional restoration. Very Good+ on Linen.
Trader Horn (MGM, 1931). Insert (14" X 36"). The first non-documentary film shot in Africa was this adventure that told the exaggerated true-life story of Aloysius 'Trader' Horn. Since the rage of the day was "All-Talkies," a sound crew was sent to Africa. However, the sound quality was poor and all the dialogue scenes were reshot in Culver City. All of those shots were later dropped when a rumor started that none of the film was shot in Africa. This insert has tears on the lower left and top right corners, on the right border, on the center left that extends into the image, and across "Mayer." There are chips in the lower right corner and the left border, and the top border has been replaced. A marvelous poster that conveys some of the excitement involved in the filming. Very Good/Fine on Paper.
Trader Horn (MGM, 1931). Lobby Card Set of 8 (11" X 14"). Director Woody Van Dyke's seminal film of jungle adventure was the classic against which all other adventure films would be measured for years to come. Based on Alfred "Trader" Horn's book about his youth in the jungles of Africa, "Trader Horn: A Young Man's Astounding Adventures in 19th-Century Equatorial Africa." Offered in this lot are all of the gorgeous cards from this film starring Harry Carey, Edwina Booth and Duncan Reynaldo. The cards all have pinholes in the corners but are otherwise very clean with only minor handling wear. Very Fine-.
Trader Horn (MGM, 1931). Australian One Sheet (27" X 40"). Edwina Booth stars as a wayward "White Goddess" lost in the wilds of Africa, being tracked by Harry Carey and Duncan Renaldo in this not-very-PC jungle adventure that seems to have been influential on King Kong. This is our first opportunity to offer the outstanding Australian one sheet for this title, a gorgeous stone litho piece with superb artwork of a charging elephant. Fold wear with crossfold separations, a tear in the field in the rifle area, and pinholes in the corner were the only condition issues, rendered invisible with excellent professional restoration. You won't want to miss this pretty poster for a certified jungle classic. Very Fine on Linen.
The Savage Girl (Monarch, 1932). Six Sheet (81" X 81"). A great white hunter (Walter Byron) is hired by an alcoholic millionaire (Harry Myers) to lead an African safari, but instead of bagging an animal, they end up entangled with an exotic white "goddess" (Rochelle Hudson) who has been raised by natives. Action and adventure ensue, while both men fall in love with the girl and try to bring her back to civilization. The three main players are highlighted on this beautiful stone litho six sheet with terrific artwork. The poster had staining in the borders, tears in the folds and field, fold wear with crossfold separations, large chips in the top border, and small chips at the edges. Professional restoration has addressed these issues, returning the poster to a very sharp and fresh appearance. A rare sheet for this exciting jungle adventure. Fine- on Linen.
The Purple Domino (Universal, 1914). British One Sheet (28.75" X 41") Episode 1 -- "Playing with Fire." Grace Cunard was one of the silent era's leading serial queens, every bit as popular in her day as Pearl White, Marry Fuller, and Helen Holmes. First appearing in the movies as early as 1910, she met writer/director/actor Francis Ford in 1912, and the two formed a partnership that would last for many years. Among their more memorable efforts was this 15-episode serial, better known as Lucille Love, Girl of Mystery, the very first chapterplay released by fledgling Universal Studios, premiering just two weeks after the landmark Pearl White film, The Perils of Pauline (1914). This was practically a double-handed effort by Cunard and Ford, with both assuming writing, directing, and acting chores (although Ford is credited as sole director, it was apparently common for Cunard to work as assistant director on virtually all their productions). Enormously successful, it convinced studio head Carl Laemmle to move ahead aggressively with the serial format. We believe that this particular poster was produced for a British release of the serial, as it bears a printing legend for The Grosvenor Press Ltd. of London in the lower left corner. It also features the rarely-seen original Universal logo, which includes the name, "The Trans-Atlantic Film Co. Ltd.," which was Universal's British distributor in the early days. This important cinematic treasure is in remarkable condition, considering the fact that it is rapidly approaching the century mark. It had fold wear with tearing and chipping, and the white borders have been replaced, but after professional restoration, it looks every bit as good as it did upon its initial release. If you're a serial fan, this is an absolute "must-have!" Very Good on Linen.
The Iron Claw (Pathé, 1916). One Sheet (27" X 41") Episode 6 -- "The Spotted Warning." In twenty suspenseful chapters of this early serial, we follow the perils of Margery (Pearl White) who is kidnapped as a child by the devious one handed Iron Claw, played by Sheldon Lewis. Margery follows in her stepfather's footsteps to a life of crime, but is ultimately saved by an unknown hero, the Laughing Mask (Creighton Hale). White was one of the most popular of the early stars, making over 200 films beginning in 1910. Known for doing her own stunt work, she became the queen of serials, starting off with Pathe's Perils of Pauline in 1914. This one sheet had pinholes in the corners, small tears in the left and right borders, fold wear, several holes throughout and a crease in the lower right. The restoration has been expertly done and these issues are nearly unnoticeable. With stunning stone litho artwork, this gem will make a lucky collector extremely happy. Fine- on Linen.
Gordon of Ghost City (Universal, 1933). One Sheet (27" X 41"). The first of five Western serials Buck Jones was to make for Universal. This film was based on a story by Peter B. Kyne, "Oh, Promise Me!." Jones is hired to look into a series of cattle rustlings, quickly discovering that the leader of the rustlers is a ranch foreman and that the gang uses the notorious Ghost City as their hideout. The poster has pinholes in the corners, a fold separation at the right center fold where a bit of tearing has occurred also. There was an additional fold in the poster as well. This is a very rare one sheet and the only copy we have ever offered. Very Fine.
The Miracle Rider (Mascot, 1935). One Sheet (27" X 41") Chapter Five -- "Double Barrelled Doom." Tom Mix, the "idol of every boy in the world," made his final screen appearance in this fast-paced Western serial about a Texas Ranger who must stop an evil gang leader (Charles Middleton) from scaring Indians off their reservation in order to profit from the land. Mix went out with a bang: his salary of $10,000 a week was not only the highest ever paid out by Mascot Studios, but exceeded the entire budget of many other serials of the day! This outstanding poster for Chapter Five had a tear at the top left horizontal fold, and another at the top vertical fold, which have been corrected with excellent professional restoration. The poster has amazingly fresh colors and a crisp appearance. Don't miss this historic cowboy classic! Very Fine on Linen.
Flaming Frontiers (Universal, 1938). Stock One Sheet (27" X 41"). Johnny Mack Brown stars in this Universal serial made by the same folks that brought us Flash Gordon, Buck Rogers and the Green Hornet. Brown was an All American halfback while attending the University of Alabama. He left the field upon graduation to head to California to try the motion pictures instead of professional football. This serial was made in his second decade of stardom. Pictured on this glorious stock one sheet is the then unknown "Iron Eyes" Cody, who was actually an Italian-American born Espera Oscar DeCorti, who was seen several times throughout the serial without any lines. The poster has very minor wear with small pieces of cellophane tape on the backside supporting centerpoints of folds. We have never seen this beautiful sheet before and believe it to be very rare. Very Fine.
The Great Adventures of Wild Bill Hickok (Columbia, 1938). Stock One Sheet (27" X 41") Style B. Columbia Studios was producing some of the most exciting serials in the industry by the time this Western chapter-play was released prior to the war. They would go on to produce the Batman serials, the Superman serials as well as Captain Midnight, Green Archer and Jack Armstrong. This is a rarity we have never seen before and features a fabulous image of Hickok on his horse rescuing a damsel and protecting a wagon train from hostile Indians. The poster has some minor edge wear and fold wear as well as several pieces of white paper tape on the reverse supporting folds and crossfolds. Very Fine.
The Lone Ranger (Republic, 1938). One Sheet (27" X 41") Chapter Six -- "Red Man's Courage." Serial veterans William Witney and John English directed this fast-moving chapterplay in which there was not one, but five Lone Rangers. Legend has it that this initial serial departed so sharply from the iconography of the radio series that the copyright holders demanded all prints be destroyed. Whatever the reason, the serial was considered "lost" for many years and less-than-pristine copies have only recently surfaced. This outstanding one sheet is from Chapter Six, and has a terrific image of Chief Thundercloud (real name: Victor Daniels) as Tonto. Tape lifts in the top and bottom border and fold wear were the only condition issues, and these have been addressed with professional restoration. A great poster for on of the all-time great western heroes. Very Fine- on Linen.
The Lone Ranger Rides Again (Republic, 1939). One Sheet (27" X 41") Chapter 1 -- "The Lone Ranger Returns." In the previous year, Republic Studios had brought the radio adventures of the Masked Man and his faithful companion, Tonto, to the silver screen with The Lone Ranger. Now they produced a sequel to their original money-making serial with this, the second and last of his screen exploits until ABC brought Clayton Moore to the small screen in 1949. This time Robert Livingston takes the reigns from Lee Powell as the Masked Man. This is a very rare Chapter 1 one sheet to this second serial. The remainder of the one sheets to the other chapters do come to market from time to time and all feature the same artwork with different inset photos, but this one rarely shows up! This copy has been linen backed and had minor edge chipping and a bottom left corner chip. The interior of the poster has had minor foldline touch-up. The poster now displays beautifully and if you wait for another chance to get this poster you may be waiting a very long time! Very Fine- on Linen.
Flash Gordon's Trip to Mars (Universal, 1938). One Sheet (27" X 41") Chapter 10 -- "Incense of Forgetfulness." Universal Pictures' second Flash Gordon serial was even more opulent than its first, offering better special effects, more impressive sets, a bigger cast, and a more complicated story. Flash Gordon (Buster Crabbe), Dale Arden (Jean Rogers) and friends travel to Mars to find the source of a ray that is stealing the nitron from the Earth's atmosphere. They soon find out that it is Emperor Ming (Charles Middleton), with the help of Queen Azura of Mars (Beatrice Roberts), who is behind the destruction. This lot includes a wonderful one sheet to the serial. It has had some border added around the perimeter and minor touch-up to the fold lines. Fine on Linen.
Spy Smasher (Republic, 1942). One Sheet (27" X 41"). When Fawcett Publications saw the finished print of the soon-to-be released serial Captain Marvel, their excitement led them to offer Republic Studios the other hero in their comic book stable of stars, Spy Smasher. Republic rushed into production on the tale of the Nazi fighting hero, to almost immediate success. Offered in this lot is the "Special" one sheet produced by Republic as a 'teaser' for display in lobbies or in front of the theater. Shown in the press book, this is about as rare an item as they get for this great super-hero serial! The poster had fold wear and separation. There were two tears in the borders near the center horizontal fold which extended into the image. The borders were airbrushed. The restoration work was top-notch and this poster displays beautifully. Very Fine- on Linen.
The Green Archer (Columbia, 1940). Banner (35.5" x 118"). Victor Jory stars in this 15-chapter serial based on a Edgar Wallace story, about a haunted castle and the mysterious ghostly Green Archer to frequently appears to nab the bad guys. Jory usually played the villain in films like this, and this is a rare heroic turn for the actor. Offered here is an extremely rare banner for the film, which is made of muslin with metal grommets. The banner has light stains in the borders and some writing on the reverse in one spot, as well as fold wear and an overall surface wear in the printed areas, but still retains good color and clarity. Needless to say, banners from serials rarely turn up for sale, making this is an exciting opportunity for the discerning bidder. Fine/Very Fine.
The New Adventures of Batman and Robin (Columbia, 1949). One Sheet (27" X 41") Chapter 14 -- " Batman vs. the Wizard." This was the second serial to feature the Caped Crusader and Boy Wonder, here portrayed by Robert Lowery and John Duncan, respectively. In this thrilling 15-chapter serial, Batman and Robin battle the Wizard, a masked villain with a device that runs on stolen diamonds and can remotely control all machines. He holds Gotham City hostage, while the Dynamic Duo struggle through cliffhanger after cliffhanger in order to stop his nefarious plans. Offered here is a highly desirable one sheet from this exciting serial, made even more attractive as it features both Batman and Robin in the inset. It has crossfold separation, small edge tears, a tear at the top vertical fold, slight edge damage in the top left, and a small snipe in the bottom right, but these minor flaws do nothing to detract from the overwhelming eye-appeal of this fabulous poster. Very Fine-.
The New Adventures of Batman and Robin (Columbia, 1949). French Grande (47" X 63"). This follow-up to 1943's 15-part serial The Batman stars Robert Lowery and Johnny Duncan as the Dynamic Duo. This French poster had crossfold separations, a small chip in the left border and wear at the folds. Now it displays very well thanks to a great restoration and a linen backing that has been trimmed to the edge of the poster. Very Fine- on Linen.
Blackhawk (Columbia, 1952). Three Sheet (41" X 81"). Based on the 1940s comic book series, the Blackhawks are a group of World War II aviators who band together to fight the Nazis. When the war is over, they continue to battle spies and saboteurs bent on destroying the American way. This was a very popular serial from the genre's final days. The serial's stars are Kirk Alyn and Carol Forman. We have never sold this format before and assuredly very rare! Some significant fold and crossfold wear. Fabulous colors and dynamic graphics! Fine.
The Shadow Strikes (Grand National, 1937). One Sheet (27" X 41"). This was the very first film to feature Walter Gibson's immortal pulp avenger, and the first of only two to feature LaRocque in the role. This unrestored one sheet features an eerie image of the Shadow overseeing a tense confrontation, with superb artwork and a moody color palette. The poster has pinholes at the top corners, edge wear with minor edge tears, fold wear with crossfold separations, and a small piece out of the right border, but it retains outstanding color and a very sharp appearance. Don't miss a chance to pick up this fine sheet for the historic first film appearance of this legendary character. Very Fine-.
The Hound Of The Baskervilles (20th Century Fox, 1939). Jumbo Window Card (22" X 28"). Sir Arthur Conan Doyle's Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) investigate several deaths at the home of an English lord, apparently at the hands (or fangs) of a ravenous hound. This was the first of 14 Holmes films made with the Rathbone/Bruce team. This jumbo window card pictures Holmes as so much of the paper does not! It is a great image of the master sleuth and two of the co-stars. The poster has been airbrushed over much of the surface but displays very well. Very Good on Cardstock.
Terror By Night (Universal, 1946). One Sheet (27" X 41"). In the penultimate installment of the classic Universal series, Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) must recover a stolen diamond aboard a train speeding from London to Edinburgh. This pretty poster is a must for any fan of Sir Arthur Conan Doyle's famed detective, with a gorgeous emerald color scheme and terrific artwork. The poster had fold wear, several holes in the center of the poster, and a long tear through the center credits above the heads of Holmes and Watson, but professional restoration has returned an almost-new appearance to this classic beauty. Fine- on Linen.
Sherlock Holmes and the Voice of Terror (Universal, 1942). Half Sheet (22" X 28"). In the early days of World War II, Sherlock Holmes (Basil Rathbone) and Dr. John Watson (Nigel Bruce) are enlisted to track down The Voice of Terror, an unknown German broadcaster whose pronouncements always precede acts of sabotage and destruction. This was the first film in the Rathbone/Bruce franchise to be set in modern times; previous films had kept the characters in Victorian England. This exquisite half sheet has some light edge wear, a small abrasion in the bottom right, and a small tear in the bottom border, but is otherwise unmarked, making this a perfect piece for any Baker Street Irregular! Rolled, Very Fine-.
The Woman in Green (Universal, 1945). Half Sheet (22" X 28"). Based on Sir Arthur Conan Doyle's story, The Adventure of the Empty House, in this nail-biting entry in the popular Sherlock Holmes film franchise, Holmes (Basil Rathbone) and Watson (Nigel Bruce) are on the trail of a killer who always severs the right forefinger from the hands of his female victims. They eventually come face-to-face with the diabolical Professor Moriarty, leading to a gripping climax. The striking half sheet offered here shows light creasing, small tears in the top and bottom borders, cellophane tape in the top border, a smudge in the right border, and a scratch in the lower left, but is in all ways extremely attractive and appealing, perfect as an addition to any serious Holmes collection. Rolled, Fine/Very Fine.
Terror By Night (Universal, 1946). Half Sheet (22" X 28"). Sherlock Holmes (Basil Rathbone) spends most of his screen time in this entry in the series on board a speeding train. He is there to protect a valuable diamond - The Star of Rhodesia - from master of disguise arch-criminal Sebastian Moran. As usual, Dr. Watson (Nigel Bruce) is along to assist Holmes in his own bumbling way. Before restoration, there was only some fold wear with a crossfold separation. Very Fine+ on Paper.
Charlie Chan in London (Fox, 1934). Title Lobby Card and Lobby Cards (3) (11" X 14"). This was Warner Oland's sixth appearance as Earl Derr Biggers' oriental detective. In this installment Chan must prove the innocence of a man before his scheduled execution, just 65 hours away! A young Ray Milland stars as the accused young man. The title card has pinholes in the corners, some handling wear and a bent lower right corner. There are several pieces of cellophane tape on the backside. The other scene cards suffer from minor handling and imperfection. They all are very presentable. Fine+.
Charlie Chan in Egypt (Fox, 1935). Title Lobby Card and Lobby Cards (2) (11" X 14"). Usually regarded as one of the best entries in the Chan series, this film stars Warner Oland as the famed Oriental sleuth, who is working on behalf of the French Archaeological Society concerning Egyptian antiquities being sold to private collectors and rival museums. When Oland arrives he finds the mummified remains of Professor Arnold, the head of the expedition, and soon begins a murder investigation. Also appearing in the film is the young Rita Cansino, or Rita Hayworth, as she would later be known, and Stepin Fetchit. The title card has small pieces of cellophane tape on the back of three corners with slight bending to several of the corners. There is some small amount of silverfish nibbling on the upper right corner and the middle of the right border. The card with Oland and the group of men has two pinholes in the image at each corner. The close-up card has a bend which has broken the surface of the card that runs through Oland's arm and through the brim of his hat but not touching his face. It has been supported with cellophane tape on the backside. There is another bend through the back of the young man's head into his neck. It is supported as well with tape on the backside. All in all these are very rare cards and display beautifully. Fine/Very Fine.
Charlie Chan in Shanghai (Fox, 1935). Lobby Card (11" X 14"). After the success of Charlie Chan Carries On, Fox Pictures immediately went into production on a series of Chan sequels. The adventures of Earl Derr Biggers' oriental sleuth would become one of the most popular movie series in history and the star to dominate the role until his death in 1937 was Warner Oland. In this particular mystery, Charlie and his son Lee (Keye Luke) were on a mission to expose an opium-smuggling ring. Other than a few pinholes in the borders and two more in the background, this card displays beautifully. The colors are bright and it's incredibly rare to find a better portrait of Oland as Charlie Chan. Very Fine+.
Charlie Chan at the Circus (20th Century Fox, 1936). Lobby Card (11" X 14"). Warner Oland returns in this tale of mystery set inside the big top. Keye Luke returned as number one son, Lee. This card also features George and Olive Brasno, a real-life husband and wife team of midgets that appeared in numerous circus related films during the 1930s. The card is very clean with only one pinhole per corner and a very slight scuff in the edge of the lower border. Very Fine.
Charlie Chan at the Race Track (20th Century Fox, 1936). Title Lobby Card and Lobby Cards (3). (11" X 14"). Earl Derr Biggers' famous Honolulu detective is at it again in investigating the death of a racehorse owner and mysterious circumstances surrounding certain horse races. Warner Oland is back in his twelfth Chan film. These cards are absolutely beautiful with pinholes in the corners and minor handling wear. This is a tough title to find posters from so get them while you can. Very Fine-.
Charlie Chan at Monte Carlo (20th Century Fox, 1937). Argentinean Poster (29" X 44"). Warner Oland's last role was the one he was most famous for, the Chinese-Hawaiian detective Charlie Chan. In this episode, Chan is on vacation in the gambling mecca of Monte Carlo and, as usual, wherever Charlie goes, people start dying! This Argentinean poster has fold wear with small tears at the top centerfold, writing in the top blue field, and creases in the lower center of the image. The borders were folded back, and the linen has been trimmed to the edge of the poster. The restoration, though older, was nicely done and the poster has a clean appearance. Beautiful stone litho artwork that the Argentineans specialized in. Very Fine- on Linen.
Charlie Chan at the Wax Museum (20th Century Fox, 1940). One Sheet (27" X 41"). Mystery and horror abound in a creepy wax museum, housing statues of such infamous murderers as Jack the Ripper and Bluebeard, run by a mad plastic surgeon (Henry Gordon). When a vicious gangster (Marc Lawrence) plots to gain revenge upon detective Charlie Chan (Sidney Toler), the wax museum becomes a perfect venue for murder! An early Toler entry into this fine series, this memorable film is represented here by a colorful and attractive one sheet. The poster has minimal fold wear and a small chip from the top left corner border. There is a small amount of staining in the left border which slightly extends into the image. There are small pieces of cellophane tape on the backside of the poster supporting the corners and centerpoint of the folds and well as where the horizontal folds intersect the borders. This is a very pretty and displayable copy of this poster. Fine/Very Fine.
Charlie Chan at the Wax Museum (20th Century Fox, 1940). Half Sheet (22" X 28") Style B. An eerie wax museum becomes a real-life chamber of horrors when escaped gangster Steve McBirney (Marc Lawrence) takes up residence and plots his revenge on famed detective Charlie Chan (Sidney Toler). This picture is considered by many to be one of the very best of the many Chan films. Offered here is a striking half sheet for this always-popular film; it shows some edge wear, slight surface paper loss in the borders, a missing top left corner and cellophane tape in the remaining three corners, creasing in the top right, and light smudging in the right border and the top left. Nevertheless, this is an extremely attractive piece that any Chan fan will value highly. Rolled, Very Good/Fine.
Think Fast, Mr. Moto (20th Century Fox, 1937). One Sheet (27" X 41"). Based on a series of popular stories by J.P. Marquand that appeared in The Saturday Evening Post, this was the first film to feature Peter Lorre as the wily Japanese detective Mr. Moto. The Moto films were full of action, including some incredible stunt work, and very sophisticated for what many would consider "B" pictures. Lorre was superb in the role, and these films helped him to land bigger parts in "A" films shortly thereafter. In his initial appearance, Mr. Moto appears to be working with a gang of international smugglers, but in the end he reveals himself to be a special agent for the International Police. Prior to restoration, this poster had edge wear with small chips, fold wear with crossfold separations, tape lifts at the folds, and a tear in the upper right border which goes into the image. The excellent restoration job has left this gorgeous poster (with its multiple images of Lorre in his various disguises featured in the film), looking pristine. Fine/Very Fine on Linen.
Thank You, Mr. Moto (20th Century Fox, 1937). One Sheet (27" X 41"). This was the second of the Mr. Moto film series starring Peter Lorre as the famed Japanese detective. This time, he aids two members of Chinese royalty who possess six of seven ancient scrolls which, when put together, reveal the secret hiding place of Genghis Khan's treasure. It just so happens that Moto possesses the seventh scroll. Of course, a gang of thugs are after the scrolls, which leads to lots of great adventure and a shock twist ending. This poster had pinholes in the corners, fold wear with small tears in the folds, and crossfold separations. The excellent restoration job has left this poster looking pristine. Very Fine on Linen.
Look Out, Mr. Moto (20th Century Fox, 1938). One Sheet (27" X 41"). In this fourth entry in the series, Mr. Moto (Peter Lorre) poses as a high priest to rescue a beautiful young aviatrix (Rochelle Hudson), who has crash landed in an Indochinese jungle while on a secret diplomatic mission. This rare one sheet was never used in theaters as the title was changed to Mr. Moto Takes a Chance when the film was finally released. There are pinholes in the corners, light wrinkling, fold wear, crossfold separations and tape on the reverse. Fine/Very Fine.
Tales of Hoffmann (London Films, 1951). German A0 (33" X 46"). Directed by Michael Powell and Emeric Pressburger, the team behind The Red Shoes (1948), this is a collection of stories by E.T.A. Hoffmann brought to magical life by the music of Jacques Offenbach. Far more than a mere filming of the popular opera, this is the story of Hoffmann (Robert Rounseville), a young man who pursues three women, none of them successfully. Instead of love, however, he gains inspiration for his poetry and captures his muse, which, in the end, means far more to him. This beautiful German poster shows crossfold separation, light staining in the right border, and light edge wear, but is otherwise extremely clean and attractive. It will make a fabulous addition to any collection. Very Fine+.
Persona (Metro Tartan, 1966). British Quad (30" X 40"). Ingmar Bergman's psychological examination of identity was among his most important films, even to himself. "I feel that in Persona I had gone as far as I could go...I touched wordless secrets that only the cinema can discover." Liv Ullmann and Bibi Andersson star as an actress who has gone mute and the nurse who takes care of her. Gradually, their identities merge into one. This rare British quad has edge wear, a small tear in the right border, and creases on the right border and middle bottom. It features the artwork of Peter Strausfeld, who produced posters for the Academy Cinema from the end of WWII until his death in 1980. Rolled, Very Fine.
Belphegor (Trio Plakat, 1926). Austrian Poster (36" X 78"). This little-seen serial was the second of at least four versions of this creepy tale (including a highly successful French TV miniseries in the 1960s) about a mysterious figure known as the "Phantom of the Louvre." This large Austrian poster, featuring an unnerving image of the Phantom himself, was probably produced for specific showings of the feature (rather than as a general-purpose promotion), as was the custom at that time. The poster is in outstanding condition, with minor fold wear being the only issue. This has been smoothed over with professional restoration. A rare and highly unusual piece, this would be a great addition to any poster collection. Very Fine+ on Linen.
La Dolce Vita (Columbia Pictures, 1961). British Quad (30" X 40"). Swedish bombshell Anita Ekberg and Marcelo Mostroianni star in Ferderico Fellini's famed chronicle of a decadent society where no values exist except for the pursuit of personal pleasure. This British poster for the film features lush artwork and vibrant color and is free of major flaws. This folded poster does have light edge wear and a bit of wrinkling but would make a fantastic addition to any collection. This beautiful poster sold with another auction house this year for close to $10,000! Very Fine.
8½ (Embassy, 1963). Poster (30" X 40") Special LIFE Magazine Poster. Marcello Mastroianni plays film director Guido Anselmi in Federico Fellini's autobiographical masterpiece. Creatively blocked before starting his new film, and beleaguered by sycophants, Anselmi retreats to a dream world and reflects on his past loves. This is an amazing LIFE Magazine special poster distributed to theaters during the film's initial U.S. release. In the issue of July 19, 1963, the pages from which this poster were produced ran in the magazine. The poster has been conserved on linen and had just minor foldwear touch-up and repair of pinholes in the corners. This very rare poster is now ready to display. Very Fine+ on Linen.
Saturday Night and Sunday Morning (Bryanston, 1961). British Quad (30" X 40"). Albert Finney was thrust into screen stardom in this influential film about working class English society and the angry young man he portrayed, Arthur Seaton. The film won three BAFTA awards and remains one of seminal British films of the 1960s. This country-of-origin British quad has been mounted on linen with almost no restoration necessary. The linen has been trimmed to the edge of the border. Very Fine+ on Linen.
Alphaville (Athos Films, 1965). French Grande (45" X 61"). Detective Lemmy Caution (Eddie Constantine) showed up in several of director Jean-Luc Godard's previous films. Here, however, Caution is in the sci-fi future city of Alphaville, trying to overturn the computer-controlled totalitarian government. This French grande is very clean, and only our policy of not grading posters on linen higher than Very Fine+ keeps this from a higher grade. Wonderfully moody, noirish artwork by Jean Mascii. Very Fine+ on Linen.
Monty Python and the Holy Grail (EMI, 1975). British Quad (30" X 40"). With the immortal tag line, "Makes Ben Hur look like an epic!" the Python boys announce their second foray into feature films, and the result is possibly the funniest movie of all time. John Cleese, Michael Palin, Eric Idle, Graham Chapman, Terry Jones, and Terry Gilliam dress up the Arthurian quest story with inspired silliness and killer bunny rabbits. This terrific country-of-origin poster had light fold wear and pinpoint crossfold separations, all masked with professional restoration, and the linen has been trimmed to the poster edge. Sharp colors and Gilliam's amusing artwork make this a must for any Python fanatic. Have at you! Very Fine+ on Linen.
The Lavender Hill Mob (Rank, 1951). British Three Sheet (38.5" X 76"). One of Ealing Studio's best-loved comedies is this heist film starring Alec Guinness and Stanley Holloway as two mild-mannered working class men who concoct a scheme to steal a million pounds of gold bullion. Offered in this lot is the only known copy to have survived of the original British three sheet to this classic. What makes this poster so unique is that it is all artwork as opposed to the small formats which used photo montage. The artwork is signed near the top by the famous British cartoonist, Ronald Searle, whose images are a large percentage of the poster. The portrait of Guinness and Holloway is done in a beautiful stone litho. The poster had foldwear which was expertly restored and the distributor's name is printed on a snipe which reads "J. Arthur Rank," who were the original distributors. This is a wonderful find for this classic of English comedies! Very Fine+ on Linen.
La Grande Illusion (R.A.C., 1937). French Double Panel (63" X 94"). Almost seventy years after it was made, La Grande Illusion remains one of cinema's great achievements. Starring Erich von Stroheim and Jean Gabin, director Jean Renoir focuses on the human relationships that evolve during this "gentlemanly" war (World War I) and shows the universality of humankind, regardless of nationality, religion, or social class. This original release pre-war French double panel seldom turns up for sale. Prior to restoration, there were pinholes in the corners and borders, fold wear with crossfold separations, a small chip in the title, and a large tear on the left side of the title. Fine+ on Linen.
Walpurgis Night (SF, 1935). Swedish Poster (45" X 99"). In only her fourth film role, Ingrid Bergman was becoming a big star in her native Sweden, and was a year away from Intermezzo, the film that would draw the attention of Hollywood. Here, she plays a secretary who loves her boss from afar and keeps his secrets, with tragic results. This large-sized Swedish poster has light fold wear, and a slight discoloratioin where the panels have been joined below Bergman's credit. The linen has been trimmed to the edge of the poster. Gorgeous artwork by Eric Rohman. Very Fine on Linen.
Four Frightened People (Paramount, 1934). Mini Window Card (8" X 14"). When a case of bubonic plague breaks out aboard a cruise ship, four passengers panic and jump ship, landing on an inhospitable island. In order to survive, the scientist (Herbert Marshall), the schoolteacher (Claudette Colbert), the reporter (William Gargan), and the aristocrat (Mary Boland), must work together to return safely to civilization. As exciting as any of director Cecil B. DeMille's mammoth epics, the movie spotlights Colbert, just on the eve of achieving true superstardom in DeMille's Cleopatra (1934). There are pinholes in the top center and a minor stain on the bottom left corner. Fine/Very Fine.
Wine, Women and Song (Chadwick Pictures, 1933). One Sheet (27" X 41.5"). Lilyan Tashman is Frankie, the ultimate scheming Broadway diva, who will stop at nothing to get the lead in producer Lew Cody's next musical. Frankie will even go so far as to push her own daughter into Cody's evil grasp. This one sheet has pinholes in the field, tears in the lower field and corner, and fold wear with cross fold separations. All four borders have been trimmed slightly, and there are chips in the top cross fold, top right and in Tashman's hand. Restoration has been beautifully done, and the stone litho artwork appears new. Very Good on Linen.
Juke Girl (Warner Brothers, 1942). One Sheet (27" X 41"). Ann Sheridan stars as Lola, a two-timing woman who makes life miserable for Ronald Reagan in this wartime B-grade drama. The poster has pinholes in the corners, a small stain to the right border, pinpoint crossfold separations, wrinkles to the left and right borders, and light vertical creasing along the sides. Fine/Very Fine.
Siren of the Tropics (Etablissements Louis Aubert, 1927). German Stills (16) (8" X 10"). Vintage, black and white, double weight, glossy stills. The St. Louis born daughter of a musician and a laundress, Josephine Baker began performing on the streets of her hometown as a child. By 17, she was married and sick of American racism. Abandoning her husband, Baker moved to Paris where she began performing as a dancer and singer, eventually joining the famed Follies Bergere. Her notoriety quickly spread throughout Europe and the world, earning her roles in a few silent films including this one. Sadly, only portions of this movie remain, leaving stills like these to give glimpses into Baker's fabulous career. Josephine Baker paper is very hard to come by, making these stills a real treat for collectors. There is edge wear and wrinkling on all of the stills and minor staining on a few as well. Fine-.
That Hamilton Woman (United Artists, 1941). One Sheet (27" X 41"). Legendary acting couple Laurence Olivier and Vivien Leigh were newlyweds at the time they made this historical romance about the passionate, adulterous love affair between Horatio Nelson and Emma Lady Hamilton. It was the first of only two movies that Olivier and Leigh made together. The film helped raise pro-British sentiments among American audiences during World War II, and Sir Winston Churchill often cited it as his favorite. The poster has pinholes in the corners, edge wear along the right border, and crossfold separations. Very Fine-.
Cat on a Hot Tin Roof (MGM, 1958). Half Sheet (22" X 28") Style A. The alluring and provocative Elizabeth Taylor is the highlight of this beautiful poster promoting the classic film version of Tennessee Williams's Pulitzer Prize-winning play, co-starring Paul Newman. Production of this picture was a very emotional affair for Taylor, whose husband, Michael Todd, was killed in a plane crash on the very day shooting began. This beautiful half sheet had pinholes in the corners, a tear in the left border, and a small tear in the right border, but after professional restoration, these minor defects have been rendered virtually invisible, making this a solid addition to any collection. Very Fine on Paper.
The Night Club Queen (Olympic, 1934). One Sheet (27" X 41"). In this British film, Mary Clare stars as the title character who is accused of a murder at her establishment. It is up to her husband, played by Lewis Shaw, to defend her in court. Jane Carr and Lewis Casson also star. This one sheet had crossfold separations, fold wear and small chips in the right border, before it was professionally restored. The stunning colors give this poster a striking and dramatic appearance. Very Fine- on Linen.
The Women (MGM, 1939). One Sheet (27" X 41") Style C. Beautiful artwork of Joan Crawford, Norma Shearer and Rosalind Russell graces this poster for MGM's all star, all female cast extravaganza, whose biting wit and hilarious satire are just as fun today as in 1939. Clark Gable supposedly had George Cukor replaced as the director of Gone With the Wind because Cukor was widely known in the industry as "a Woman's Director." But all nine great actresses in this classic comedy would have taken a cut in pay to work with Cukor as they knew they would be well served... and they were. In her memoirs, Rosalind Russell gives total credit to Cukor as the first to totally bring out her comedic talents. This beautiful one sheet had pinholes in the corners and some minor fold and crossfold wear. Very Fine on Linen.
Laughing Sinners (MGM, 1931). One Sheet (27" X 41"). Joan Crawford joins the Salvation Army in this moody romance drama co-starring Clark Gable. This stunning one sheet has a large image of Crawford as its centerpiece, and bright, vivid color. The poster had a long vertical tear along the top, fold wear with crossfold separations, and a bottom right corner missing, all of which was addressed with professional restoration. A must-have for any Joan Crawford collection, and a terrific sheet from the early days of sound cinema. Fine/Very Fine on Linen.
Mildred Pierce (Warner Brothers, 1945). One Sheet (27" X 41"). Star Joan Crawford won her only Academy Award for her stunning portrayal of Mildred Pierce, a restaurateur who does whatever she has to in order to provide for her own happiness and the security of her spoiled daughter. When slimy lounge lizard Monte Beragon (Zachary Scott) crosses her, "anything" might just include murder. Many consider this picture to be the highlight of Crawford's career. This dramatic one sheet displays crossfold separation, a corner crease in the top right, light edge wear in the right border, a stain in the bottom center, light smudging in the bottom border, and some slight bleed-through from the studio stamp on the reverse. None of these minor flaws detract from the overwhelming eye-appeal of this beauty, a poster that will be a valued part of any collection. Very Fine-.
Raw Deal (Eagle Lion, 1948). One Sheet (27" X 41"). A beautifully made, Anthony Mann film noir, about a man wrongfully accused (Dennis O'Keefe), who breaks out of jail to take revenge on the sadistic hood that framed him (Raymond Burr). What's more, O'Keefe is torn between the love of two women; Claire Trevor, his girl friend and Marsha Hunt, the social worker who wrote to him in prison. This is an exceptional copy of the poster with just a minor tear in center fold. Very Fine+.
Raw Deal (Eagle Lion, 1948). Six Sheet (81" X 81"). Dennis O'Keefe stars as a convict whose escape is engineered by a crime boss (Raymond Burr) that hopes he will be killed in the escape attempt. Of course, O'Keefe does escape and sets out for revenge. Claire Trevor is excellent as the long suffering moll who hopes to get him out of the country and eventually marry him, and Marsha Scott is the third side of the triangle as the good girl who wants O'Keefe to give himself up. This outstanding unrestored six sheet has a great, gritty image of the major players, and lush colors. The condition issues are mainly confined to the outer panel, which has crossfold separations and fold wear, and one of the horizontal folds has chipping and slight paper loss, which would be easy to restore. There is also edge wear overall. A fantastic poster for one of the all-time great film noirs. Fine-.
Detour (PRC, 1945). Title Lobby Card (11" X 14"). Hitchhiking to California to meet up with his girl, failed pianist Al Roberts (Tom Neal) thumbs a ride, but the man driving ends up dead, and, rather than going to the cops, Al disposes of the body and assumes his identity. Later, he picks up a sultry woman (Ann Savage) with plenty of secrets of her own, who tries to blackmail him, and a downward spiral commences. Director Edgar G. Ulmer had once directed prestige studio productions (most famously the Karloff-Lugosi The Black Cat), but had fallen onto hard times making low-budget, low-aspiration titles for PRC. Detour may not have quite been a return to the glory days, but it was definitely the best of the films he made for the low-budget outfit. Memorably gritty and sleazy, Detour benefits from the incendiary performance of Ann Savage, and Ulmer's still-sharp directorial skills. Offered here is the exceptional title lobby card, giving a taste of the film's mayhem, as well as iconic shots of the two stars. Condition issues are minor, and include rounded corners and light corner creases, minor edge tears, and minor border creasing. The card still looks exceptionally sharp, with great color. A noir classic. Fine/Very Fine.
The Killers (Universal, 1946). Half Sheet (22" X 28"). Ernest Hemingway's bare-bones story of a mob killing in a small town is fleshed out in this film noir classic. Burt Lancaster (in his first film) is the victim of the hit, while Ava Gardner, playing the role that would make her a star, is the femme fatale who brings about his demise. This half sheet has small tears on the borders, a chip on the right border, and a corner bend in the bottom left. Excellent restoration has minimalized those flaws. Very Fine on Paper.
Murder, My Sweet (RKO, 1944). One Sheet (27" X 41"). Dick Powell, cast against type, stars as Raymond Chandler's legendary gumshoe Phillip Marlowe in this adaptation of Farewell My Lovely -- the title was changed because the studio was afraid audiences would think it was a musical, especially with former song-and-dance man Powell in the lead. Marlowe is hired by hulking Moose Malloy to locate an old girlfriend he lost track of while in the slammer. In the process, Marlowe finds himself in a whirlwind of larcenous activity including bribery, perjury and theft, not to mention a beautiful femme fatale played by Claire Trevor. Considered one of the best Chandler adaptations, and certainly one of the best film noirs ever made. This pretty poster had fold wear with crossfold separations, as well as tape lifts on all the fold lines, and on the borders, and pinholes in the field near the top, all of which has been addressed with professional restoration. The poster looks great, with a terrific image of Powell and Trevor, with fresh color and a sharp appearance. Fine- on Linen.
Scarlet Street (Universal, 1945). Six Sheet (81" X 81"). Fritz Lang masterfully directs this bleak film about an ordinary man, Christopher Cross (Edward G. Robinson), who is in a loveless marriage, and is lured into an affair when he meets a woman named Kitty (Joan Bennett). Kitty manipulates Cross into embezzling money from his employer in order to pay for her lavish lifestyle. When Cross realizes he has been manipulated, he starts on a downward spiral, ultimately leading to murder by the film's end, where he's so haunted by guilt and remorse that he suffers a mental breakdown. One of 1940s greatest film noirs. Prior to restoration, this poster had fold wear with crossfold separations, there were some small holes in the background area, creases on the top, bottom, and along Bennett's legs, and a tear on the top border going into the field. This very rare six sheet undoubtedly provides the best art for any of the posters on this title. The images of Robinson and Bennett are truly amazing! Fine/Very Fine on Linen.
The Dark Corner (20th Century Fox, 1946). Six Sheet (81" X 81"). Detective Mark Stevens, just out of jail, is being framed by Clifton Webb and William Bendix for the murder of Stevens' former partner. Since he's on the lam from the cops, his only ally is his faithful secretary, Lucille Ball. Fortunately, she's a good friend to have in a pinch. This six sheet has pinholes in the corners, edge tears, and fold wear with cross fold separations. There are pieces of archival and cellophane tape on the back. Beautiful stone litho artwork, with a great image of Lucy. Fine+.
Kiss of Death (20th Century Fox, R-1951). French (32" X 46"). Victor Mature gives one of his best performances as a petty thief who gets sentenced to 20 years for robbery. When his kids get sent to an orphanage, Mature agrees to blow the whistle on sadistic mob boss Richard Widmark in exchange for his freedom. The last five minutes of the movie include one of the greatest cat-and-mouse showdowns in cinema history. This is a fabulous original French release poster with superb artwork for this film noir classic. The poster had pinholes in the corners and borders. There is a small tear in the right border and the top left corner. There is a small amount of paper loss in the lower left border. This poster has been restored and it displays beautifully now. This may be the best poster we have ever seen for this film. This item was misdescribed as original release , when it is a re-issue for 1951. Fine/Very Fine on Linen.
Out of the Past (RKO, 1947). Half Sheet (22" X 28") Style B. Based on Geoffrey Homes' novel Build My Gallows High, this film noir is as good as it gets. Director Jacques Tourneur creates a perfect mood of darkness and sense of doom with his all star cast of Robert Mitchum, Kirk Douglas, Jane Greer and Rhonda Fleming. Jeff Bailey tries to make a life for himself and girlfriend Meta, but he just can't escape his past dealings with mobster Whit Sterling and femme fatale Kathie. The scenes between the trapped Mitchum and the smiling but sadistic Douglas are iconic. Prior to professional restoration this half sheet had pinholes in the corners, tears in the top border, fold wear, a small hole in the field and creases in the bottom left. A snipe over Kirk Douglas' name was also removed. A real prize for film noir lovers, this is one of the best. Very Good/Fine on Cardstock.
I Love Trouble (Columbia, 1948). One Sheet (27" X 41"). Detective Stuart Bailey (Franchot Tone) gets more than he bargained for when he's hired by a prominent politician (Tom Powers) who wants his wife (Lynn Erick) investigated. At the same time, Bailey is trying to find another client's (Janet Blair) missing sister-in-law, leading to the titular trouble when the two cases unexpectedly become one. The film is based on a book by Roy Higgins, who, years later, would create 77 Sunset Strip, The Fugitive, and The Rockford Files for TV. This one sheet had crossfold separation and fold wear, as well as a chip in the right border, but professional restoration has expertly addressed these minor issues, making this a poster you will be proud to own. Very Fine on Linen.
Gun Crazy (United Artists, 1949). One Sheet (27" X 41"). As far as "bad girl" posters go, this is one of the best in the genre! Picturing Peggy Cummins as Annie Laurie Starr, a tough-as-nails broad who leads Bart Tare (John Dall) down a dark and dangerous road full of guns, violence, and mayhem, this poster was named one of "The 25 Best Movie Posters Ever" by Premiere Magazine. This particular example shows fold and crossfold separation, pinholes in the corners, edge wear, a tear in the bottom border that extends into the image area, edge tears, and a corner bend in the bottom left, but remains a stunning and attractive piece that any collector will be proud to own. Fine-.
Night and the City (20th Century Fox, 1950). One Sheet (27" X 41"). A gritty film noir thriller, this is the story of Harry Fabian (Richard Widmark), a con man with dreams of glory who runs one con too many. With a superb supporting cast, including Gene Tierney, Hugh Marlowe, Herbert Lom, and Mike Mazurki, this movie is a visually intense and darkly surreal experience in tension and suspense. This poster has just a couple of pinholes in the upper right corner and a bleed through of the red NSS stamp near the top center vertical fold. There is also minor edge wear. Very Fine+
Macao (RKO, 1952). Three Sheet (41" X 81"). A steaming film noir thriller, this is the story of Nick Cochran (Robert Mitchum), an American exiled in Macao, looking to clear his name by tracking down seedy nightclub owner Vincent Halloran (Brad Dexter) wanted for a murder in New York. Adding some heat to the plot is sexy Jane Russell as an out-of-work nightclub singer, and Gloria Grahame as Halloran's former flame. The three sheet offered here is as hot as the film itself; only a tear in the top left, pinholes in the corners, and some crossfold separation keep this beauty from an even higher grade. Very Fine on Linen.
The Killers (Universal, R-1956) and Criss Cross (Universal, R-1958). One Sheets (2) (27" X 41"). It's twice the action, twice the suspense, and twice the one sheets for the Burt Lancaster fan! Offered here are posters from two of Lancaster's greatest films, including The Killers, which marked his film debut, and Criss Cross, an early picture in which he plays a divorced man whose attempts to win back his ex-wife are complicated by guns and gangsters. The one sheet forThe Killers one sheet has fold wear, crossfold separation, edge wear in the left border, and tape residue in the right border, while the Criss Cross poster had fold wear. Both posters have undergone professional restoration, making them as clean and attractive as the day they were printed. Don't miss this chance to add these beauties to your collection. Very Fine on Linen.
The Big Heat (Columbia, 1953). Italian 2 - Folio (39" X 55"). Director legend Fritz Lang, of Metropolis and M fame, creates a dark and chilling crime drama that showcases Glenn Ford's tough guy image. Ford plays a cop who ruthlessly follows a twisting trail of mobsters, blackmail, bombs, and murder regardless of the cost to those around him. The impressive supporting cast includes Gloria Grahame, Lee Marvin, and Jocelyn Brando. Prior to restoration this Italian folio had a tear in the bottom right corner, in the "D" of Ford, one in the top border and one above Grahame's shoulder. Fold wear, crossfold separations and tape lifts in the left border have also been touched up. Don't miss out on this striking and dramatic poster. Fine/Very Fine on Linen.
Touch Of Evil (Universal International, 1958). Half Sheet (22" X 28"). Originally hired only as an actor, Orson Welles took the reins of this moody film noir after star Charlton Heston demanded Welles be allowed to direct. It was Welles himself who changed Heston's character from a white D.A. to a Mexican gunrunner (he did the opposite with Janet Leigh's character) in his heavy rewrites of the script. Welles reportedly enjoyed the filming immensely, but was fired in post-production, and the film was edited by the producers, with another director hired to film insert scenes. Even so, Touch of Evil emerged as a powerful and evocative thriller. Equally evocative is this superb half sheet, showing all the major players. Condition issues included staple holes in the borders and field, and two extra vertical creases; there is also a light post-restoration ding in the bottom left corner. The poster presents beautifully, with great color and a very fresh appearance. Very Fine on Paper.
This Gun for Hire (Paramount, 1942). Insert (14" X 36"). Alan Ladd was only fourth billed in this classic film noir, but the character of hitman Philip Raven soon made him a star. His chemistry with Veronica Lake would result in three more pairings with her, in The Glass Key, The Blue Dahlia and Saigon. Not bad for an actor who had appeared in military training films just the year before. This insert has pinholes in the borders, fold wear, and small tears in the top right corner and left border. Though the poster has older restoration, it still has a nice appearance. Paramount must have known what they had in Ladd -- he appears larger than any of his higher billed co-stars except Lake. Very Fine on Linen.
The Glass Key (Paramount, Late 1940s). French Petite (23.5" X 31") First Post-War Release. After their success in This Gun For Hire, Alan Ladd and Veronica Lake were immediately reteamed in this superior remake of the 1935 film of the same name. Political corruption and murder mix in this film noir based on the Dashiell Hammett book. This French petite has tanning, edge wear with tears, and crossfold separations with a tear on the top vertical fold. Gorgeous artwork from Roger Soubie. Fine/Very Fine.
The Blue Dahlia (Paramount, 1946). One Sheet (27" X 41"). With a screenplay by Raymond Chandler, this gripping film noir tells the story of Johnny Morrison (Alan Ladd), an ex-bomber pilot recently returned from the war. When he finds his wife Helen (Doris Dowling) in the arms of nightclub owner Eddie Harwood (Howard Da Silva), the two have words. Later, when Helen turns up dead - shot with Johnny's gun - Morrison is the prime suspect, and sets out to prove his innocence with the help of Eddie's estranged wife, Joyce (Veronica Lake). Shortly after the movie was released, a young woman named Elizabeth Short was murdered in Los Angeles, a case the press dubbed "The Black Dahlia" in a gruesome twist on this title. The striking one sheet offered here is in exceptional condition. At one time, tape was present on the reverse to reinforce the fold lines, and some of the paper on the back has lifted with the removal of the tape. Although this defect is not visible under ordinary circumstances, we mention it for the sake of completeness. Professional restoration, which includes linen trimmed to the edge of the poster, has made this highly desirable sheet look like a million bucks, a highly prized addition to any collection. Very Fine on Linen.
The Blue Dahlia (Paramount, 1946). Insert (14" X 36"). Nominated for an Academy Award for best screenplay, this pinnacle film noir by the great novelist Raymond Chandler was his only original screenplay. His other films were adapted from his pulp fiction novels, including The Big Sleep and Farewell My Lovely. George Marshall had been directing films for thirty years before he made this hit featuring the now iconic team of Alan Ladd and Veronica Lake. The hard boiled tale of nightclubs, murder and dames is set in seedy and decadent post-war LA. This striking insert has pinholes in the top corners, a small stain in the lower left border and minor fold wear. This is truly a beautiful prize piece from one of the top films of the forties. Folded, Very Fine.
The Postman Always Rings Twice (MGM, 1946). One Sheet (27" X 41"). Sultry Cora Smith (Lana Turner) wants her slovenly husband (Cecil Kellaway) dead, and enlists the aid of drifter Frank Chambers (John Garfield) to do the deed. Although the pair beats a murder rap, they can't escape justice in this thrilling adaptation of James M. Cain's notorious novel. The book was written in 1934, but it took twelve years to develop a screenplay that would satisfy the censors, as Cain's novel was extremely graphic and explicit. The classic one sheet offered here had fold wear, crossfold separation, and chipping in the borders, but professional restoration has rendered these slight flaws virtually invisible. Fine/Very Fine on Linen.
The Postman Always Rings Twice (MGM, 1946). Half Sheet (22" X 28") Style B. Cora Smith (Lana Turner) and Frank Chambers (John Garfield) prove that even though you can foil the law, you can't escape justice in this exciting film noir thriller. Offered here is the very rare Style B half sheet, which features a torrid image of the two protagonists. Slightly faded, it had edge wear, tearing in the borders, a corner bend in the bottom right, and a tape lift on the reverse of the left side, but professional restoration has done an excellent job of addressing these issues. If paper from this classic title is your passion, you can't let this one pass you by! Very Good on Linen.
Sunset Boulevard (Paramount, 1950). Insert (14" X 36"). Nominated for 11 Oscars (it won three), this powerful drama features the unforgettable performance of Gloria Swanson as an aging silent movie star, now consigned to a dark and gloomy mansion, and the young screenwriter (William Holden) who becomes entangled in her life. Billy Wilder directed this "inside" Hollywood classic. This insert poster has been cleaned and pressed, with light restoration, to address a tear in the bottom border, fold wear, and chips in the lower border. The poster retains fantastic color and presents beautifully. Very Fine.
Sunset Boulevard (Paramount, 1950). Lobby Card Set of 8 (11" X 14"). "All right, Mr. DeMille, I'm ready for my close-up." Gloria Swanson plays the role of aging actress Norma Desmond in this sensational and dark look at Hollywood. Billy Wilder directed this nightmarish movie and it became one of the absolutely timeless classics. Erich von Stroheim and William Holden (as Joe Gillis) co-star, but it was Swanson's show and comeback vehicle. Offered in this lot is a very rare full set of lobby cards for this classic. Only one of the cards has pinholes in the corners. There is minor handling wear on a couple of the cards and several of the cards are near mint. We have sold single cards from this set for over $700. Now is your chance to acquire the whole set! Fine/Very Fine.
Laura (20th Century Fox, 1944). One Sheet (27" X 41"). The enigmatic Laura Hunt (Gene Tierney) casts a spell on every man she meets, including the detective (Dana Andrews) who investigates her murder, and subsequently falls in love with her. When Laura turns up - very much alive - the case, and the movie, takes a surprising turn, leading to an unforgettable climax. A crisp and chilling film noir thriller, this fast-paced picture, which also features Vincent Price and Judith Anderson, marked the first screen appearance of noted Broadway actor Clifton Webb since the silent era in a role that garnered him an Oscar nomination. The one sheet offered here, one of the most sought after of the genre, had fold wear with crossfold separations, several minor pieces missing in the body of the poster, a small chip in the bottom left corner, and a small tear in the top left, but professional restoration has expertly addressed all of these issues, resulting in a poster that is as displayable as it is desirable. Don't miss out on this beauty! Fine on Linen.
Laura (20th Century Fox, 1944). Half Sheet (22" X 28"). Clifton Webb had been a huge stage star on Broadway and in London, even making a few silent films. However, he was basically an unknown in film until Otto Preminger picked him to portray Waldo Lydecker, the fussy columnist based on Alexander Woollcott. The perfectly cast role made him an instant star, and he was nominated for an Oscar for his performance in this memorable mystery. This half sheet has pinholes and edge wear with small tears, fold wear with small separations, and extra creases on the right border and vertical fold. The poster has a very nice appearance, and would be a fine addition to any film noir collection. Fine/Very Fine on Linen.
Laura (20th Century Fox, 1944). Insert (14" X 36"). The seeming death and miraculous reappearance of the title character, played by the luscious Gene Tierney, is at the center of this seminal film noir. Dana Andrews plays the detective who investigates Laura's "murder," and ends up falling in love with her in the process. This beautiful insert had fold wear, pinholes in the corners, light surface wear in the top credits area, and a small tear in the bottom border, but after professional restoration, these slight flaws are visible only under the closest scrutiny. Paper from this classic film is always extremely sought after, so don't let this beauty slip through your fingers. Fine/Very Fine on Paper.
Gilda (Columbia, R-1950s). Italian 2 - Folio (39" X 55"). From the first moment you see Rita Hayworth, as she flips her hair up and looks seductively at Glenn Ford, you know you're in for a steamy love triangle. This film noir defined Hayworth for the rest of her career, sometimes to her regret. This Italian poster has staple holes in the border, edge wear and small tears, and fold wear with pieces of cellophane tape on the backside. The gorgeous artwork of Hayworth is by Italian artist Manfredo. Fine/Very Fine.
Gilda (Columbia, 1946). One Sheet (27" X 41") Style A. Rita Hayworth lit up the silver screen as no other actress could, with a silky seduction that would typecast her forever as the "girl gone bad" - the girl who would do anything to get what she wanted... anything. Without a doubt, Gilda is one of the classic film noirs and Rita Hayworth was one of the screen's greatest femme fatales. The posters on this title have always been desirable, but this image, of Gilda being slapped around by her former lover (Glenn Ford), captured one of the most memorable moments of the entire genre. The poster has some minor crimping and creasing in the corners, a small hole at the center top of the purple background, separation at the center points and an extra vertical crease to the left of center. None of these imperfections are very distracting. Very Good/Fine.
Gilda (Columbia, R-1950). One Sheet (27" X 41"). Rita Hayworth is incandescent in her signature role as the sensual spouse of an Argentinean crime lord. Glenn Ford co-stars as the small-time hood who makes a play for the boss's wife. This evocative one sheet features an iconic image of Hayworth with a smoldering cigarette, which is a duotone reworking of the original and beautiful style A one sheet. Condition issues are minor and include edge tears at the folds, fold wear, and crossfold separations, all of which was addressed with outstanding professional restoration. Fine/Very Fine on Linen.
Affair in Trinidad (Columbia, 1952). One Sheet (27" X 41"). Rita Hayworth never looked lovelier than on this incredible one sheet, presented in all her red-tressed glory. Hayworth had retired from movies during her storied marriage to Prince Aly Khan, and this picture, about a steamy cabaret singer (Hayworth) and her brother-in-law (Glenn Ford) who try to track down her husband's killer, marked the ravishing redhead's triumphant return to the silver screen,beginning a period that would see some of her greatest cinematic triumphs, including Salome (1953), Miss Sadie Thompson (1953), and Pal Joey (1957). This dazzling one sheet shows fold wear with crossfold separations, pinholes in the corners, some extra horizontal creasing, and light edge wear, but these are all minor concerns, none of which detract from the incredible eye- appeal and high degree of displayability this stunner possesses. Don't let this bombshell pass you by! Very Fine-.
The Lady From Shanghai (Columbia, 1947). Three Sheet (41" X 81"). A classic film noir, with innovative camera work and direction by the legendary Orson Welles, The Lady from Shanghai was the last film Welles made with then-wife Rita Hayworth. This fabulous three sheet has wear on the folds which includes crossfold separation and minor paper loss. There is wear to the borders. The colors are astounding in this piece and must be seen to be believed! From the GLG Collection. Fine+.
The Lady From Shanghai (Columbia, 1947). Insert (14" X 36"). In an incredibly bold move by director Orson Welles, Rita Hayworth was made to cut and dye her signature long dark hair and become a short-haired blonde for the role of temptress Elsa Bannister. Fortunately, she was Rita Hayworth and could look stunning with any hairdo. Her "come hither" pose and gorgeous gown make this insert poster a knock out! There is light fold wear, minor edge wear, a bottom left corner bend and a smudge and small scratches on the right border. Very Fine.
The Lady From Shanghai (Columbia, 1947). Lobby Card (11" X 14"). This #7 card is the best scene card in the set from this classic film noir drama. It features Orson Welles and Rita Hayworth in the famous "Hall of Mirrors" scene. There are pinholes in each corner which have been repaired. Very Fine.
You Were Never Lovelier (Columbia, 1942). One Sheet (27" X 41") Style A. Rita Hayworth's dancing career began early at the age of 12, and it was these skills that got her noticed by Fox studios. She was always happiest when a film role required dance numbers and this spectacular hit, which teams her with the sensational Fred Astaire, was one of her favorites. Set in Latin America, this was a follow up to their first pairing in You'll Never Get Rich, released a year earlier. With Xavier Cugat and his orchestra performing Jerome Kern hits such as the title song, Dearly Beloved, and I'm Old Fashioned, Astaire and Hayworth dancing and singing, it just doesn't get lovelier than this. After professional restoration the fold wear, chips in the top and bottom vertical fold, and right small edge chip are rendered nearly invisible. We have never offered this one sheet for sale before and we are extremely proud to do so now with such a fine example as this. Fine/Very Fine on Linen.
You Were Never Lovelier (Columbia, 1942). One Sheet (27" X 41") Style B. Truth in advertising is born out by the title of this Rita Hayworth vehicle -- she was never lovelier than in this frothy musical comedy co-starring Fred Astaire. A wealthy Argentine family follows the old tradition that the daughters must marry in order from the eldest to the youngest, not a problem for the oldest of the girls, but when #2 Maria (Hayworth) spins her wheels, there's pressure from her remaining sisters who already have their spouses picked out. The father engineers a "mystery man" to pitch woo to Maria, but is dismayed with an American dancer (Astaire) takes advantage of the deception. This eye-popping B-style one sheet features a stunning image of Hayworth, and is in very nice condition. Corner pinholes, light fold wear with crossfold separations, small chips in the left and right borders, and a tear in the right border were the only issues, and these have been rendered virtually invisible with professional restoration. From the GLG Collection. Very Fine- on Linen.
You Were Never Lovelier (Columbia, 1942). Lobby Card (11" X 14"). Fred Astaire and Rita Hayworth appear on this fantastic lobby card - one of the most sought after from 1940s musicals, and the best card from this set. Although Astaire was better known for his musicals with Ginger Rogers, Hayworth was clearly her equal. There are pinholes in the top corners with one in the center top border, a top right corner bend, and minor corner bumps. Very Fine.
You Were Never Lovelier (Columbia, 1942). Lobby Cards (5) (11" X 14"). Offered in this lot are five cards from the Columbia musical starring Fred Astaire and Rita Hayworth. The cards have some corner rounding and minor edge wear. The card with Astaire, Hayworth and Menjou has a small corner detached on the lower right. Very Fine-.
Tales of Manhattan (20th Century Fox, 1942). One Sheet (27" X 41") Style A. A cursed tailcoat is the crux around which this fanciful story revolves: one by one, a succession of people, including Charles Boyer, Cesar Romero, Charles Laughton, Edward G. Robinson, J. Carroll Naish, and Paul Robeson, all find - and lose - the coat, bringing them either fortune or disaster. Also included in the star-studded cast are such notables as Rita Hayworth, Thomas Mitchell, Ginger Rogers, Henry Fonda, W.C. Fields, Ethel Waters, Eddie "Rochester" Anderson, and Eugene Pallette. The lovely stone litho one sheet offered here is a triumph of Art Deco design. It displays crossfold separation, edge wear in the left border, and a small chip in the top border, but presents very nicely, making it a wonderful addition to any collection. Very Fine+.
The Game That Kills (Columbia, 1937). Three Sheet (41" X 81"). 1937 was obviously a big year for professional hockey movies: aside from this epic of the ice rink, Warner Brothers released King of Hockey, and Universal made Idol of the Crowd. In this thrilling tale, Tom Ferguson (Ward Bond), a professional hockey player, is killed in a suspicious accident during a game. Tom's brother, Alex (Charles Quigley), investigates the incident by joining the same team, and soon uncovers a gambling ring that has been forcing the team to throw games. Alex also meets, and falls in love with, pretty Betty Holland (Rita Hayworth), daughter of the team's coach, who helps him uncover the truth. This striking three sheet had pinholes in the corners, crossfold separation, light fold wear, an enlarged pinhole in the top left, and a chip with a tear in the top center image area. After professional restoration, these slight flaws are noticeable only under close examination, as it has been returned to an almost-new appearance. Avoid any unnecessary violence by bidding early on this rare and desirable gem! Very Fine- on Linen.
The Endless Summer (Cinema V, 1966). Half Sheet (22" X 28"). Two young American surfers, Robert August and Mike Hynson, follow the sun and the waves on an adventure that takes them to Africa, Hawaii, New Zealand, Australia, Tahiti and, of course, California, in search of the perfect wave. This documentary from Bruce Brown includes a surf rock soundtrack. This rare half sheet is not something we have seen before. It is from the original release and features design by legendary artist John Van Hamersveld. The poster minor handling wear and a NSS number hand-written in the bottom right corner. Rolled, Fine+.
Smith of Minnesota (Columbia, 1942). Three Sheet (41" X 81"). College football star Bruce Smith stars as himself in this biopic that looks at his life up to the time he won the Heisman Trophy in 1941. The film premiered in Smith's hometown of Faribault, Minnesota, much to the delight of his friends and family. This three sheet has fold wear with separations and paper loss, and chips on the borders and folds. There are some printing smudges on the lower border. Expert restoration has addressed most of these flaws, and the poster appears very clean. A wonderful piece for your favorite sports fan. Fine- on Linen.
The Main Event (Pathé, 1927). One Sheet (27" X 41"). Nightclub dancer Glory Frayne (Vera Reynolds) falls in love with championship boxer Red Lucas (Robert Armstrong), but Red's new opponent Johnny Reagan (Charles Delaney) falls hard for Glory, and much romantic entanglement ensues. This stunning stone litho one sheet features a smashing portrait of the lovely Ms. Reynolds. Condition issues include minor edge wear, pinpoint crossfold separations, some staining in the top border and centerfold, and two small pieces out of the left border. Still, the poster boast gorgeous color, and a memorable image. Fine+.
The Hustler (20th Century Fox, 1961). British Quad (30" X 40"). In 1997, the Library of Congress selected The Hustler for preservation in the United States National Film Registry as "culturally, historically, or aesthetically significant." Sidney Carroll and Robert Rossen's screenplay was selected by the Writers Guild of America in 2006 as the 96th best motion picture screenplay of all time. This great film starring Paul Newman, George C. Scott, Jackie Gleason, and Piper Laurie was credited with sparking a resurgence in the popularity of pool in the United States, which had been on the decline for decades. This rare British quad has some outstanding artwork which was derived from the U.S. layout but was executed in greater detail. Very Fine.
The Hustler (20th Century Fox, 1961). Contact Sheets (2) (8" X 10"). Vintage black and white, single weight, glossy stills. Offered in this lot are two contact sheets of images taken on the set of this famous film. These sheets include a number of especially rare behind the scenes candid shots, including one showing director Robert Rossen working with Paul Newman, George C. Scott, and Jackie Gleason. Many of these images were probably never used. Don't miss this chance to acquire these never-before-seen shots from the film. Almost all of the images involve the pool playing sequences. Very Fine.
The Graduate (Embassy, 1967). One Sheet (27" X 41"). Poor Dustin Hoffman. As Benjamin Braddock, recent college graduate, he finds himself trapped in an affair with Mrs. Robinson (Anne Bancroft), the wife of his father's business partner, but loses his heart to her young daughter, Elaine (Katharine Ross). Hoffman's breakout role, this was one of the most popular and influential movies of the late 1960s, and won a Best Director Oscar for Mike Nichols. The classic one sheet offered here shows pinholes in the corners, pinpoint crossfold separation, light wrinkling in the top left, and light edge wear, but is otherwise in excellent condition. Very Fine.
The Blues Brothers (Universal, 1980). Prop Window Card (14" X 22"). Of all the films to spin out of TV's legendary showcase, Saturday Night Live, perhaps none have been so successful as this, the story of two brothers, Jake and Elwood Blues (John Belushi and Dan Akroyd) "on a mission from God." Born out of a 1976 sketch on SNL, the band took on a life of its own, soon releasing an album, Briefcase Full of Blues, that was destined to go double platinum. After several additional guest appearances on SNL, a movie was inevitable. Directed by John Landis, and featuring such musical legends as Aretha Franklin, James Brown, Cab Calloway, Ray Charles, and John Lee Hooker, the movie is about Jake and Elwood's quest to reassemble their band in order to raise money to save the orphanage in which they grew up. Offered here is an original prop window card produced for the film. These window cards can be seen in the sequence in which the Blues Brothers are promoting their upcoming concert, with many of them handed out by children. A spokesperson for Tribune Showprint, the original creator of these props, has examined this image and believes this piece to be authentic. Aside from a very light dust shadow at the top border, this exquisite piece of both film and music history is in impeccable condition, and will make a unique addition to any collection. Near Mint+.
Nude on the Moon (J.E.R. Pictures, 1961). One Sheet (27" X 41"). Part of the genre of nudism/naturism films that enjoyed a brief window of popularity in the early 1960s, this is the second film by director Doris Wishman, whose maiden effort had been Hideout in the Sun (1960). She would go on to become one of the leading directors of nudist films, counting such genre classics as Diary of a Nudist (1961), Blaze Starr Goes Nudist (1962), and Behind the Nudist Curtain (1964) among her finer efforts. Unquestionably, however, Nude on the Moon is her masterpiece, an intriguing look at the alien nudists who live and frolic on Earth's only satellite. Offered here is an extremely desirable one sheet for this cult favorite. It shows creasing in the top right and the left center, light staining in the bottom border, edge wear, some writing on the back that bleeds through to the front in the top right, a small fold tear in the left center, and a tear in the top border. None of these slight defects detract from the delicious eye-appeal of this kitschy classic; this poster will put you in orbit! Fine/Very Fine.
Doctor Zhivago (MGM, 1965). Deluxe Poster Set (12) (26.75" X 39.25"). Based on the novel by Boris Pasternak, this epic film is set amidst the conflict and turmoil of the Russian Revolution. As Dr. Yuri Zhivago, Omar Sharif is a married man who has an affair with another woman, while trying to survive the upheaval of both World War I and the ensuing internecine conflict within Russia. An astounding achievement by filmmaker David Lean, the movie won five Oscars, and picked up an additional five nominations. Offered here is a spectacular collection of nine large character portraits breathtakingly painted by artist Maciek Piotrowski, two jumbo stills, and a jumbo title card. All the pieces show some light edge wear, several display light creasing, and there is a tear in the top left of the Siobhan McKenna portrait, but these small flaws in no way detract from the overall beauty of these exceptionally rare pieces. If you're a fan of this remarkable movie, you won't want to miss out on the opportunity to add these treasures to your collection. Rolled, Very Fine.
Lawrence of Arabia (Columbia, 1962). One Sheet (27" X 41") Roadshow Style. Forty-five years after its initial release, many consider this epic film to be the best of not only director David Lean's greatest work, but of its outstandingly brilliant cast of Peter O'Toole, Alec Guinness, Omar Sharif and Anthony Quinn. It is one of the landmarks of cinema by any standard, and remains a yardstick against which all other epics are measured. This beautiful Roadshow copy of the one sheet is unused and in as clean a condition as the day it was printed. Mint.
Lawrence of Arabia (Columbia, 1962). One Sheet (27" X 41") Style A. Based on T. E. Lawrence's book, The Seven Pillars of Wisdom, this incredible motion picture was nominated for eighteen Oscars and won seven, including Best Director (David Lean), Best Score (Maurice Jarre), and Best Picture. A true account and epic depiction of the revolt of the Arabs against the Ottoman empire during World War I, it established Peter O'Toole as a major star in the lead role of Lawrence. Making the movie even better was a brilliant supporting cast, including Alec Guinness, Anthony Quinn, and newcomer Omar Sharif. Since its initial release, the film has come to be regarded as one of the most important movies ever made, inspiring other directors such as Martin Scorsese and Steven Spielberg. This one sheet, with its dramatic art by Howard Terpning, is the most sought after poster for the film. This particular example is in stunning condition, with only some very light wrinkling in the top corners keeping it from an even higher grade. Most examples of this style have undergone some amount of restoration prior to being offered for sale. Not this one. This Style A one sheet is dated 1963; most of the original posters from the film's roadshow release are dated 1962. This example was probably printed sometime later in the film's release, as the film played for more than nine months in theaters. Near Mint+.
Lawrence of Arabia (Columbia, 1962). Lobby Card Set of 8 (11" X 14"). This is a beautiful full set of lobby cards for the classic David Lean film. All of the cards other than the title card show only the slightest handling wear. The title card has some blue paint on the verso and on the right border. Very Fine.
Beau Geste (Paramount, 1939). Jumbo Window Card (22" X 28"). A true film classic, this picture stars Gary Cooper as Michael "Beau" Geste, who, in order to protect a beloved aunt, confesses to a robbery he did not commit, and joins the French Foreign Legion in disgrace. There, he is reunited with his brothers, John (Ray Milland) and Digby (Robert Preston), and eventually redeems his honor at the hour of his death. This poster has a bend in the top left corner. Prior to restoration, there were bumps in all the corners, a small hole in the credits, and creasing throughout the body of the poster. The professional restoration has given this jumbo window card an exquisite appearance. Fine/Very Fine on Cardstock.
Beau Geste (Paramount, 1939). Lobby Card Set of 8 (11" X 14"). Gary Cooper, Ray Milland and Preston Foster star as the three Geste brothers who join the French Foreign Legion rather than bring dishonor on their family name when they are suspected of stealing a rare blue sapphire. Although the film was originally made in 1926, this is widely considered to be the definitive version and the lobbies are highly collectible. These cards have had some airbrushing to the borders to blend out a water stain and a couple of others had a tear in the left border. The cards now have a very nice appearance. Trying to acquire a complete set on this title could be an arduous process at best, however, Heritage is honored to bring these cards to auction. Fine-.
The Lives of a Bengal Lancer (Paramount, 1935). Six Sheet (81" X 81"). Gary Cooper, Franchot Tone and Richard Cromwell stars in this rousing adventure saga about three British officers of the Bengal Lancers stationed in India. The three stumble upon a plot by the fanatical Mohammed Khan, who is planning an uprising against the British, utilizing the mountain tribes for a massive assault. They wind up being captured and tortured by Khan, but manage to escape just as their troop are heading into an ambush. Any original paper for this classic adventure film rarely turns up, and this incredible six sheet has to be the best American poster done for this title. Absolutely stunning stone litho art! The only defect prior to restoration was some minor tearing on the folds. Very Fine on Linen.
The Fountainhead (Warner Brothers, 1949). Half Sheet (22" X 28"). In Ayn Rand's epic tale of individualism, architect Howard Roark played by Gary Cooper, struggles to create public housing for the masses, without compromising his ethics and ideals. One of Neal's first films, she gives an outstanding performance as Dominique Francon, who loves Roark but ends up marrying tycoon Wynand (Raymond Massey). A real life romance ignited between Neal and married co-star Cooper that lasted for several years. This half sheet had fold wear with some paper loss, crossfold separations, small tears and paper loss in the left and right borders, and lower corner chips. This striking poster would be a prize piece for all fans. Fine+ on Paper.
The Fountainhead (Warner Brothers, 1949). Lobby Card Set of 8 (11" X 14"). Based on the landmark Objectivist novel by Ayn Rand, this is the story of Howard Roark (Gary Cooper), a visionary architect who refuses to compromise his artistic ideals for any reason. Rand herself wrote the screenplay for this King Vidor-directed film, and, although some have criticized it for not presenting the novel's powerful themes effectively, it is a captivating film, with strong performances by Cooper and co-star Patricia Neal. The cards in this set have all been pressed; the title card had pinholes in the corners, while most of the scene cards had small corner bends and pinholes in the corners, and a few had light edge wear. These slight flaws notwithstanding, this is a wonderful set that you will be proud to own. Fine/Very Fine.
Captain Blood (Warner Brothers, 1935). Mini Window Card (8" X 14"). Errol Flynn made his mark on cinema by appearing as a swashbuckler in a number of films, however, it was in Captain Blood that Flynn came to fame. Although it wasn't his first picture, the public was unaware of the actor's appearance, so Warners was unconcerned about getting his likeness on the posters accurate. The studio commissioned Alex Raymond (the creator of the comic strip Flash Gordon) to create the artwork used on the ad campaign. This midget card, with one set of staple marks per corner, features Raymond's art in better color than the other posters. Very Fine on Cardstock.
The Sea Hawk (Warner Brothers, 1940). Mini Window Card (8" X 14"). Under the direction of Michael Curtiz, Errol Flynn defined the swashbuckling genre with action epics likeThe Sea Hawk. This is a very rare and beautiful card from this classic film. It has had the blank imprint area replaced and has a corner bend in the lower right corner. The card looks near mint and displays beautifully as was printed on the Warner Brothers linen stock paper. From the Collection of Denver Sherry. Fine.
The Adventures of Robin Hood (Warner Brothers, 1938). Lobby Card (11" X 14"). Warner Brothers' first three-strip Technicolor film was this swashbuckler that was the height of Errol Flynn's career. This is a classic shot of Flynn as Robin Hood about to encounter Basil Rathbone and his men. This lobby card has pinholes in the top right corner and the field, creases in three corners, and missing paper along five inches of the top border. That missing paper has been replaced and the borders have been shot, giving the card a clean appearance. Fine- on Paper.
The Adventures of Robin Hood (Warner Brothers, R-1948). Three Sheet (41" X 81"). One of the greatest adventure movies ever filmed, this was the picture that solidified star Errol Flynn's position as the "King of the Swashbucklers." Lensed in glorious Technicolor, it set the standard for all action/adventure pictures to follow. In addition to Flynn, who plays the legendary Bandit of Sherwood Forest, the outstanding cast includes such impressive names as Olivia de Havilland, Claude Rains, Basil Rathbone, Alan Hale, Eugene Pallette, and Una O'Connor, all wrapped up with an Oscar-winning score by Erich Wolfgang Korngold, and impeccable direction by Michael Curtiz. At a cost of more than $2 million, this was Warners' most expensive picture at the time it was released, and became the studio's biggest money-maker of the year. Offered here is a beautiful three sheet for this landmark film, showing only some very light fold wear and pinholes in the corners. It is a beautiful piece from a fabulous film, sure to make some lucky collector very, very happy. Very Fine+ on Linen.
The Magnificent Ambersons (RKO, 1942). One Sheet (27" X 41"). Fabulous Norman Rockwell art highlights this wonderful poster for Orson Welles' second directorial effort for RKO. Although severely cut in post-production, the film still shines with powerful performances by all involved, including Joseph Cotten, Agnes Moorehead, Dolores Costello, Anne Baxter and Tim Holt. This poster has extra vertical creases, pinholes in the corners, and light edge wear. Very Fine.
The Song of Bernadette (20th Century Fox, 1943) One Sheet (27" X 41") Style B. In 1858 France, Bernadette (Jennifer Jones), an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. Townsfolk infer it to be the Virgin Mary, and much furor is raised. As Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives, while the church wants nothing to do with it. Jennifer Jones made her "comeback" with this film (after acting under her real name of Phyllis Isley), and won an Oscar for her role. Offered here is the B-style poster, which is by far the more desirable sheet for this title by virtue of the Norman Rockwell artwork used. Condition issues included pinholes in the corners and borders, fold wear with crossfold separations, small edge tears at the folds and a tear in the bottom right border, all of which has been addressed with professional restoration. Very Fine- on Linen.
The Razor's Edge (20th Century Fox, 1946). Door Panel (22" X 52"). Based on the novel by Somerset Maugham, Tyrone Power stars as a vet returning from WWI who questions all of his values. He travels the world seeking enlightenment but finds himself embroiled in a tragic love triangle. This lovely oversized image is by Norman Rockwell, who did the famous painting for the film from which this is taken. The poster is the size of a door panel and has the notation on the bottom left of Motion Picture Daily, Nov. 14, 1946. The poster is printed on the verso with portraits of the stars of the film and was obviously a folded supplement to the Daily which folded out to make this oversized poster. It is assuredly rare and though it has had touch-up to the fold it now displays beautifully. Very Fine- on Linen.
Queen Christina (MGM, 1933). Lobby Card (11" X 14"). Greta Garbo portrays the Queen of Sweden in this romantic- melodrama directed by Rouben Mamoulian. It would be the last time she was cast with her silent screen co-star, John Gilbert and their team-work was never better. This card is in glorious condition with only a very minor "scuff" in the lower purple border keeping it from being perfect. Near Mint+.
Queen Christina (MGM, 1933). Lobby Card (11" X 14"). Greta Garbo gives one of the best performances of her career in this major production from MGM. Queen Christina is considered one of Garbo's best films and in this scene with Lewis Stone, she glows under the direction of Rouben Mamoulian. This card has a very minor "warp" to it but is otherwise virtually flawless. Near Mint+.
The Painted Veil (MGM, 1934). Lobby Card (11" X 14"). One of Greta Garbo's finest films, this is the story of Katrin (Garbo), trapped in a loveless marriage with Dr. Walter Fane (Herbert Marshall), a scientist driven by his research. She has a brief affair with Jack Townsend (George Brent), but soon accompanies her husband to China, in order to fight a cholera epidemic. The common cause brings the couple closer together, until Fane is seriously wounded in a peasant uprising. This beautiful portrait card, featuring a luminous Garbo, has a stain in the bottom border, a small nick in the top border, a light crease in the top left border, and the top left and bottom right corners have been replaced. However, in spite of these slight flaws, this is an extremely attractive card that deserves a place in the finest collection. Fine/Very Fine.
Conquest (MGM, 1937). Mini Window Card (8" X 14"). Greta Garbo stars as Countess Walewska to Charles Boyer's Emperor Napoleon Bonaparte in this grand MGM historical drama. Offered in this lot is a superb midget window card for the film which is in excellent condition. There is minor handling wear with rounding of the corners and a small chip from the upper right corner. Very Fine-.
Ninotchka (MGM, 1939). One Sheet (27" X 41"). Ernst Lubitsch directed this engaging comedy that stars Greta Garbo as the cold and humorless Comrade Ninotchka, who is sent to Paris to retrieve a trio of Russian delegates. Once in Paris, Garbo is courted by Count Leon (Melvyn Douglas), who finally manages to penetrate her stone facade and makes the once stoic Soviet fall in love. Garbo's comedic performance earned her her fourth and final Oscar nomination and the film was nominated for Best Picture, Story and Screenplay (Billy Wilder). Garbo was at the height of her fame at the time of this film's release and she would retire from the screen forever just two years later! The poster had pinholes in the corners and minor foldwear. The linen was trimmed to the edge of the poster. The professional restoration is seamless and the poster will display beautifully! Very Fine- on Linen.
Ninotchka (MGM, 1939). Three Sheet (41" X 81"). "Don't pronounce it -- see it!" Good advice for this savvy comedy in which "Garbo Laughs!" So does the audience, in this frothy tale about renegade Russians and wayward diamonds. Garbo plays the stern comrade whose icy resolve is finally thawed by Melvyn Douglas, and there's a good supporting turn by Bela Lugosi. This alluring three sheet features a stunning painting of a reclining Garbo. The poster had fold wear and crossfold separations, and a 3/4" strip has been added to the left side of the lower left panel border in order to keep the poster size consistent. Professional restoration has given the poster a very fresh appearance. Fine/Very Fine on Linen.
Dishonored (Paramount, 1931). Jumbo Lobby Card (14" X 17"). Marlene Dietrich stars as an Austrian prostitute who successfully puts her "skills" to use as a spy during WWI. But when she falls for a target (Victor McLaglen), she is torn between love and duty. This card features a fabulous shot of Dietrich and McLaglen. There was a faint tape stain in the top border as well as a light vertical crease near the center of the image. Minor creases and a repaired chip were also in the right border. But an older restoration has addressed many of these issues, making this a very presentable card. Fine/Very Fine on Paper.
Angel (Paramount, 1937). Lobby Cards (6) (11" X 14"). Marlene Dietrich was at the height of her creative powers when she made this unjustly-overlooked picture, directed by the famed Ernst Lubitsch. As Maria Barker, Dietrich plays the wife of a British diplomat (Herbert Marshall) who is more involved with his career than with his wife. She travels to Paris, where she meets a charming man (Melvyn Douglas) who seems quite interested in her, creating a dilemma that follows her back home. These lovely lobby cards feature Dietrich in all her glory. All have pinholes in the corners, and all have been cleaned and pressed; one has a repaired top right corner, and one has a small chip in the bottom border, but aside from these minor flaws, they are in excellent condition. Very Fine-.
Angel (Paramount, 1937). French Petite (23.5" X 31.5"). Ernst Lubitsch directs Marlene Dietrich in this drama about a married woman's desires and her husband's neglect. Dietrich was made a star by Paramount Studios in the early 1930s and with this film she makes her final return to the studio for more than ten years. This is a gorgeous French petite poster depicting Dietrich in all of her beauty. The poster had minor imperfections repaired with linen backing and it now appears as if mint. Very Fine+ on Linen.
The Scarlet Empress (Paramount, 1934). Lobby Card (11" X 14"). The collaboration of director Josef von Sternberg and his protege/lover, actress Marlene Dietrich, reached a crescendo with this sumptuous telling of the life of Catherine the Great of Russia. Catherine is brought from Germany to marry the slightly crazy Grand Duke Peter (Sam Jaffe, in his screen debut), but she has more to contend with in the overbearing Empress (Louise Dresser). This lobby card has pinholes in the corners, edge tears on the right and bottom, and chips on all four corners. The card has been cleaned and pressed, and the borders have been shot. A gorgeous image of Dietrich, with glowing color. Very Good/Fine.
Shanghai Express (Paramount, 1932). Swedish One Sheet (27.5" X 39.5"). The great director Josef von Sternberg and sultry Marlene Dietrich made history in their several films together and this is one of their best collaborations, which won an Academy Award for cinematography. Dietrich is unforgettable as Shanghai Lily, a notorious drifter with a past who attempts to win back her old love, Captain Harvey, played by Clive Brook. Anna May Wong gives an outstanding performance in this film, one of her best roles. Also along for the train ride is Warner Oland, best known for his Charlie Chan roles. This stunner has only light edge wear on the left side and pinpoint crossfold separations. It has been professionally restored and has a very thin Japanese paper backing to lend support. This is a truly unique and spectacular poster for a Hollywood masterpiece. Very Fine+ on Paper.
Baby Face (Warner Brothers, 1933). Mini Window Card (8" X 14"). This was pre-Code Hollywood at its best! Barbara Stanwyck stars as a young woman sleeping her way up the corporate ladder... wrong by wrong. One of her "rungs" on the way up was John Wayne in a rare, non-Western bit part. The morality of the film was considered so shocking that it was actually banned in several US cities. This midget card is in incredibly clean condition and paper from this title is almost unheard of. Near Mint.
The Lady Eve (Paramount, 1941). Pre-War Australian Daybill (15" X 39.5"). Returning from a trip to the Amazon to study snakes, naive - and very wealthy - bachelor Charles Pike becomes the target of a trio of con artists: Colonel "Handsome Harry" Harrington (Charles Coburn), his partner Gerald (Melville Cooper), and his daughter Jean (Barbara Stanwyck), who are intent on separating him from his money. Soon, however, the unexpected happens, and Jean actually falls in love with Charles, upsetting everyone's plans! This extremely attractive daybill had tears in the bottom and right borders, a missing bottom right corner, and a bottom left corner bend, but professional restoration has expertly addressed these slight flaws, making this a poster that any collector will be proud to own. Very Fine on Linen.
Annie Oakley (RKO, 1935). Walter Plunkett Costume Sketch (15" X 20"). Walter Plunkett was one of the top costume designers of the 1930s, working primarily at RKO with such stars as Barbara Stanwyck, Katharine Hepburn and Ginger Rogers (who wore his gowns in all the Fred and Ginger musicals). This sketch of Stanwyck's costume from Annie Oakley was recreated by Plunkett in the early to mid-1970s. The sketch is beautifully done in watercolor on illustration board. Plunkett has signed boldly at the bottom right of the art. This is a unique example. From the Walter Plunkett Estate. Near Mint+.
Of Human Bondage (RKO, 1934). Walter Plunkett Costume Sketch (15" X 20"). Bette Davis' tough-edged portrayal of Mildred Rogers in Of Human Bondage was the role that cemented her status as one of the best actresses of her era. Costume designer Walter Plunkett helped her achieve that characterization with the half-seedy, half-sexy gowns that she wore in the film. Plunkett created this beautiful costume sketch in the early to mid-1970s, in watercolor on illustration board. He boldly signed the sketch at the bottom right of the art. A beautiful piece from one of the top designers of the '30s. From the Walter Plunkett Estate. Near Mint+.
Dark Victory (Warner Brothers, 1939). One Sheet (27" X 41"). Bette Davis has never looked lovelier than on the poster for this searing drama co-starring George Brent, Humphrey Bogart, Geraldine Fitzgerald, and Ronald Reagan. Davis plays a socialite who is diagnosed with a brain tumor. She undergoes surgery and falls in love with her doctor, but the tumor recurs. The poster had pinholes in the field and borders, fold wear, an extra crease at the bottom, and a small chip out of the top left corner, all of which has been addressed with professional restoration. The sheet has lush colors and a silky appearance. Fine/Very Fine on Linen.
Jezebel (Warner Brothers, 1938). Lobby Card (11" X 14"). Henry Fonda and Bette Davis star in this vintage Warner Brothers drama about a headstrong young woman living in the Antebellum South, and how her actions cost her the love of the man she truly loves. Davis would have been a contender for the role of Scarlett O'Hara in Gone With the Wind, had this film not hurt her chances. She was considered to have already played (and won an Academy Award) for a too similar role. The card has a two-inch tear to the top border, a tear to the right of the title, corner bends, and a horizontal crease to the lower portion. Very Good+.
Fashions of 1934 (Warner Brothers, 1934). Mini Window Card (8" X 14"). A charming musical brimming with scantily-clad Busby Berkeley showgirls, this wonderful film stars William Powell as Sherwood Nash, a con man who relocates to Paris to cash in on the fashion racket, and Bette Davis as his accomplice cum love interest Lynn. A lavish production, it is represented here by this gorgeous art deco midget window card. There are three pinholes in the upper blank imprint area. Very Fine+.
Bureau of Missing Persons (First National, 1933). Mini Window Card (8" X 14"). Pat O'Brien plays Butch Saunders, a brutal cop who has been transferred to the Missing Persons department after crossing the line one too many times. He disdains such "kindergarten" work, but quickly finds a case to his liking in the matter of Norma Roberts (Bette Davis), a Chicago woman wanted for the murder of her husband. A hard-hitting, fast-paced crime drama, with terrific performances all around. This little-seen midget window card has nifty magazine-style illustrations and cool title graphics. The card has minor edge wear with paper loss and a small chip out of the bottom border, and light surface wear, but still presents beautifully. Fine/Very Fine.
The Working Man (Warner Brothers, 1933). Mini Window Card (8" X 14"). A nice pinup shot of a very young Bette Davis adorns this poster for a George Arliss starring vehicle. Arliss plays a wealthy man who pretends to be a hobo in order to teach his know-it-all nephew a lesson. There is only one pinhole in the top center, and light tanning on the bottom border to prevent this beautiful and rare midget card from being graded Mint. Posters for these early Davis film appearances are few and far between, so don't miss your opportunity to get this one! Very Fine+.
The Golden Arrow (Warner Brothers, 1936). Window Card (14" X 22"). Hot off her Academy Award win as Best Actress in Dangerous (1935), Bette Davis made this picture, about a waitress (Davis) hired by a perfume company to impersonate a wealthy heiress for publicity purposes. She meets and falls in love with a young man (George Brent) who isn't what he seems to be either, leading to a series of amusing complications. This lovely window card had a single pinhole in the image area, but professional restoration, which includes airbrushing in the image area, has made this piece look as good as new. Very Fine on Cardstock.
All About Eve (20th Century Fox,1950). One Sheet (27" X 41"). One of cinema's greatest dramas featured Bette Davis as the aging star Margo Channing, and her understudy, aspiring actress Eve Harrington (Anne Baxter), who plots to take over her mentor's world. Marilyn Monroe also appears in the film, introduced by Addison De Witt as "a graduate of the Copacabana school of dramatic art." The film received 6 Academy Awards, including Best Picture, Director, and Screenplay. The poster had showtimes written in the upper left hand corner, but was otherwise in excellent condition. The expert restoration makes the poster appear in like-new condition. Very Fine on Linen.
The Animal Kingdom (RKO, 1932). Lobby Card (11" X 14"). Leslie Howard and Ann Harding star in this pre-code, filmed adaptation of the stage play by Philip Barry (Philadelphia Story). This gorgeous art-deco style lobby is a fabulous portrait of the two stars. The card has a dust shadow in the right border and a tear in the upper left border. Very Fine+.
The Animal Kingdom (RKO, 1932). Lobby Card (11" X 14"). Based on a play by Philip Barry (Philadelphia Story), the film stars Leslie Howard, Ann Harding and Myrna Loy. This pre-code film did not do well during the depression era. Offered in this lot is a very rare portrait of the lovely Myrna Loy as the "villain' of the story and Leslie Howard, the hero. Other than slight dust shadow on the right border, the card is in superb condition. Very Fine/Near Mint.
Pride and Prejudice (MGM, 1939). One Sheet (27" X 41") Style D. Greer Garson is Elizabeth Bennett and Laurence Olivier is Mr. Diarchy in this austere adaptation of Jane Austen's classic novel of delayed gratification. The excellent supporting cast included Maureen O'Sullivan, Anne Rutherford, and Mary Boland. This excellent one sheet features terrific portraits of the two stars, and is in very nice condition overall. Fold wear and crossfold separations, corner pinholes, a missing bottom left corner and a small hole in the top left corner were the only issues, and these have been addressed with professional restoration. Very Fine on Linen.
Wuthering Heights (United Artists, 1939). One Sheet (27" X 41"). This film is director William Wyler's somber tale of doomed and tragic love, conflicting passions, and revenge. It is considered one of Hollywood's all-time most romantic/drama classics. Filmed with haunting beauty, it is the first film dramatization of Emily Bronte's wildly passionate 1847 best-selling literary masterpiece, from a screenplay written by Ben Hecht and Charles MacArthur. It is still considered the best adaptation. Laurence Olivier was nominated for the Best Actor Academy Award, and the film was nominated for Best Picture as well as six other nominations. This poster is a real rarity and we have only offered one copy before. The poster had some slight fold and border wear. It was professionally restored and appears near mint. Very Fine+ on Linen.
Golden Age (1938-1955)
Topaze (RKO, 1933). One Sheet (27" X 41"). Based on the play by Marcel Pagnol and adapted by Benn Levy and the great Ben Hecht, this film stars legends John Barrymore and Myrna Loy. Barrymore plays Professor Topaze, who struggles to keep his integrity as he is being manipulated and used for dubious business schemes by Baron de La Tour, played by Reginald Mason. Myrna Loy is Coco, the Baron's mistress who is loved and redeemed by Topaze. The linen on this one sheet has been trimmed to the edge of the poster. There were pinholes in the corners, crossfold separations, a 9" vertical tear at the bottom, a stain in the bottom right corner and minor tears in the top border. Professional restoration has made these issues virtually unnoticeable. The color and art of this poster is just stunning and deserves a high place in any film aficionado's collection. Fine/Very Fine on Linen.
Movie Posters
Svengali (Warner Brothers, 1931). Lobby Card (11" X 14"). John Barrymore stars as the title character and Mae Marsh as his hypnotized Trilby in this classic horror film. This lovely card features both Barrymore and Marsh. The card had some soiling to the right border and upper corners. The borders have been airbrushed to cover these imperfections Very Fine+.
The Unholy Garden (United Artists, 1931). One Sheet (27" X 41"). Ronald Colman and Fay Wray star in this tale of thieves and lovers set in a hotel at a Saharan Desert oasis. Colman leads an iniquitous band of reprobates set on scamming Wray's father, but finds his loyalties torn when he falls in love with her. This beautiful one sheet has pinholes in the corners and fold wear with cross fold separations. There is a tape lift on the bottom border and a small tear on the right border. These minor flaws do not detract from the gorgeous stone litho artwork of Colman and Wray. Fine/Very Fine on Linen.
Applause (Paramount, 1929). Jumbo Lobby Card (14" X 17"). Although he only directed seventeen films in his career, Rouben Mamoulian had a profound effect on film history, beginning with this backstage melodrama starring Broadway star Helen Morgan. Mamoulian brought camera movement back to filmmaking, after the coming of sound had forced a static quality on Hollywood. This jumbo lobby card has light edge wear with corner bumps, and a small tear on the bottom border. A rare piece from the early days of sound showing Morgan to the far left. Fine/Very Fine.
Wonder Bar (First National, 1934). Mini Window Card (8" X 14"). Based on Al Jolson's 1931 Broadway hit, this was an all-star extravaganza in the fashion of Grand Hotel but in a Paris nightclub with music and dance. Kay Francis and Dick Powell star, as does Jolson and Dolores Del Rio with musical numbers by Busby Berkeley. This card is near mint with only a pinhole in the blank imprint area and in the credit box below. Very Fine+.
Wonder Bar (Warner Brothers, 1934). French Double Panel (63" X 94"). Grand Hotel -- Paris nightclub style! Master of Ceremonies Al Wonder (Al Jolson) has a crush on Inez (Dolores Del Rio) who loves Harry (Ricardo Cortez) who is fooling around with Liane (Kay Francis) who is married to Renaud (Henry Kolker) who....whew! Surprisingly risque for it's day, several plot points (homosexuality and unpunished murder) somehow got by the Hays Office. This French double panel has light edge wear, minor fold wear with small cross fold separations, and a tiny chip out of the top border. Surely the French applauded this wonderful large format poster as much as they did the delightfully fun naughtiness of the film. Very Fine+.
Flirtation Walk (First National, 1934). Three Sheet (41" X 81") Style B. Poor Canary Dorcey (Dick Powell). When the lovely and flirtatious Kitt Fits (Ruby Keeler) sets her sights on him, he panics and flees his home in Hawaii for an appointment at the West Point Military Academy. Dorcey throws himself into his studies in order to forget Kitt, but four years later, she appears at the Academy when her father, General Jack Fitts (Henry O'Neill) is appointed Commander! This charming military musical was filmed on a massive scale - the military wedding number alone required 400 professional dancers - and received two Oscar nominations, including Best Picture. The lovely three sheet offered here had minor crossfold separation, several tears in the center, slight paper loss in the bottom left border, and some chipping in the right border, but expert professional restoration has addressed all of these issues, resulting in a poster that is as clean and attractive as the day it was printed. Don't miss your chance to own this incredible beauty! Fine+ on Linen.
Shall We Dance (RKO, 1937). Title Lobby Card and Lobby Card (11" X 14"). For fans of classic musicals, it doesn't get much better than this. Fred Astaire and Ginger Rogers star as a ballet dancer and a showgirl who fall in love, all to the music of a classic George and Ira Gershwin score. Offered here is a beautiful title card, with pinholes in the corners, small corner bends, a dust shadow in the right border, and light tanning, as well as a great scene card, showing pinholes in the corners as well as the top and bottom borders, small stains in the bottom border, light corner bends, and light tanning. These are exceptional pieces from one of Fred and Ginger's greatest films, and a true prize for any fan. Very Fine-.
Shall We Dance (RKO, 1937). Window Card (14" X 22"). With a memorable score by George and Ira Gershwin, including such timeless hits as "They All Laughed," "They Can't Take That Away from Me," and "Let's Call the Whole Thing Off," this was the seventh pairing of dance legends Fred Astaire and Ginger Rogers. In this outing, Astaire plays a ballet dancer who falls in love with musical comedy star Rogers. A charming picture, the highlight is an unforgettable dance number performed on roller skates! This lovely window card, featuring luminous portraits of the stars, shows slight touch-ups in the title area, but is otherwise clean and attractive. A better piece for fans of Astaire and Rogers would be hard to find. Very Fine on Cardstock.
Swing Time (RKO, 1936). Lobby Card (11" X 14"). This was the sixth pairing of RKO's legendary dance team, Fred Astaire and Ginger Rogers. This film followed their 1935 hit Top Hat and may well be their very best. Directed by the great George Stevens at a time when he was at his peak, all of the elements in this film come together in spectacular fashion. Some of the great songs presented in the film include such favorites as "Never Gonna Dance," "A Fine Romance," "Pick Yourself Up," "Bojangles of Harlem" and "The Way You Look Tonight." Near Mint.
Follow the Fleet (RKO, 1936). Pre-War Belgian (24" X 33"). Fred Astaire and Ginger Rogers are called the greatest dance team in all of film history and the ten films they made together are perhaps some of the greatest film musicals ever made! This is a fabulous and rare pre-war Belgian poster for one of their best musicals and is perhaps a better poster than the U.S. release. The poster had minor edge wear and pinholes within the corners. Very Fine on Linen.
Flying Down to Rio (RKO, 1933). One Sheet (27" X 41"). Fred Astaire and Ginger Rogers burst onto the musical screen in 1933 in this early sound film doing their version of the "Carioca", and the world's most famous dance team, almost by accident, was born. The other highlight of this spectacular Merian C. Cooper produced musical is an incredible sequence - featuring the title tune - with hundreds of scantily-clad showgirls swinging and swaying while strapped onto the wings of biplanes as they fly over the South American city of Rio. It is one of the most outrageously brilliant numbers in movie musical history. Together with King Kong (also produced by Cooper), Flying Down to Rio saved the fledgling RKO Radio Studios from bankruptcy. The film was a smash everywhere it played, encouraging the studio to concoct future teamings of Astaire and Rogers. This wonderful stone litho one sheet features the fabulous airborne sequence with planes and girls galore. It is one of the rarest and most sought-after posters in the collecting hobby. Just a handful of copies of this U.S. domestic style of the sheet are known to exist. There also is an international variation of this poster of lesser quality printing, of which several have turned up. This poster is exceptional for its near pristine condition. Several other examples that have turned up have been censored by having additional clothing added to the body of the woman in the foreground. This unrestored poster has light crossfold separation, minor edge wear on the right border, and a light dust shadow on the top right border. Very Fine/Near Mint.
Dames (Warner Brothers, 1934). Standees (3) (21" x 59"). This Busby Berkeley musical is filled with memorable numbers, including the wondrous "I Only Have Eyes for You," and lots of beautiful "dames." Dick Powell and Ruby Keeler are teamed once again, along with Joan Blondell, in this frothy musical confection. Offered here are some of the rarest items associated with this film - three of the original 1934 lobby display standees, featuring three pretty showgirls out of the many featured in Dames. That these have even survived is remarkable, but they are also in extraordinary condition, with only light scratches on one and light surface wear on another. There were probably only a set of four to six offered in the press book. Very few of these were originally made and these might very well be the only ones to survive from this film. Very Fine+.
20 Million Sweethearts (First National, 1934). Mini Window Card (8" X 14"). Unscrupulous agent Pat O'Brien makes singing waiter Dick Powell a big radio star while Ginger Rogers, who has lost her own radio show, helps Powell. The Mills Brothers and Ted Fio Rito and His Band join in the fun. This gorgeous midget window card has only a small stain on the bottom right corner to prevent it from being graded Mint. Very Fine+.
The Great Ziegfeld (MGM, 1936). Half Sheet (22" X 28"). William Powell stars as Florenz Ziegfeld and headlines a cast of stars including Myrna Loy, Louise Rainer, and others, in this Oscar-winning biopic of the legendary showman. The running time in 1936 was an astounding three hours and captured the magnificence of one of Ziegfeld's own shows. Posters on this title are extremely hard to come by and in high demand by Best Picture collectors. This colorful half sheet has had extensive restoration including airbrushing to the borders and to several major tears. Good+ on Paper.
Ziegfeld Follies (MGM, 1945). One Sheet (27" X 41") Style D.
. Florenz Ziegfeld was a master showman known for extravagant stage productions and beautiful showgirls. Fred Astaire, Judy Garland, Lena Horne, Fanny Brice, Lucille Ball, Gene Kelly, Red Skelton, Esther Williams, and William Powell make up the all-star cast for this MGM musical comedy. But the real star was George Petty, the master pin-up artist who provided a half-dozen leggy showgirls for this pretty one sheet. The poster had a snipe covering the line "Greatest Production Since the Birth of Motion Pictures!" The restoration to that area was not done as well as might be expected. There was some separation to the folds and a large tear within the upper center image of the woman. There were pinholes in the corners. Good/Very Good on Linen.
. Florenz Ziegfeld was a master showman known for extravagant stage productions and beautiful showgirls. Fred Astaire, Judy Garland, Lena Horne, Fanny Brice, Lucille Ball, Gene Kelly, Red Skelton, Esther Williams, and William Powell make up the all-star cast for this MGM musical comedy. But the real star was George Petty, the master pin-up artist who provided a half-dozen leggy showgirls for this pretty one sheet. The poster had a snipe covering the line "Greatest Production Since the Birth of Motion Pictures!" The restoration to that area was not done as well as might be expected. There was some separation to the folds and a large tear within the upper center image of the woman. There were pinholes in the corners. Good/Very Good on Linen.
Syncopation (RKO, 1942). Three Sheet (41" X 81"). This delightful toe-tapper covers the history of America's "syncopated" musical styles (jazz, swing, ragtime, blues). Before production, RKO and The Saturday Evening Post held a contest to determine what musicians would make up the All-American Dance Band that would be featured in this film. The voters did not disappoint when they selected the likes of Benny Goodman, Harry James and Gene Krupa. Having an older restoration, a few minor flaws can still be detected including a small tear in the left border, crossfold separations and minor scuffing and chipping in the borders and field. A splice has also been added to the bottom right portion of the poster. None the less, this is a great item with fabulous art and color. Fine+ on Linen.
Cabin in the Sky (MGM, 1943). Six Sheet (81" X 81"). Poor Eddie "Rochester" Anderson. He's married to a faithful and loving wife (Ethel Waters) but find himself tempted by the alluring Lena Horne at every turn. Little does he know, he's part of the eternal clash between God's General (Kenneth Spencer) and Lucifer, Jr. (Rex Ingram). Though MGM knew that the film could not succeed in the segregated South, it still spared no expense on this all-black extravaganza. The studio gave the project (and a huge budget) to first time feature director Vincente Minnelli and the film does not disappoint, thanks to stellar musical numbers including an appearance by Louis Armstrong. Al Hirschfeld art accents this poster which features great images of Anderson, Waters and Horne. There was a sizeable tear in the lower left border and chips at the edges and image. The folds had signs of wear and separation and there is a bit of post-restoration smudging across the surface. Still, this is a a fantastic item from this incredibly important film and will make a fabulous addition to any serious collection. Fine on Linen.
Cabin in the Sky (MGM, 1943). Three Sheet (41" X 81"). Up-and-coming director Vincente Minnelli was assigned this all-black musical, and was afforded the usual impeccable MGM production values, even though the studio knew the film would face much opposition in the South. Eddie "Rochester" Anderson plays a shantytown dude torn between the affections of faithful wife Petunia (Ethel Waters) and slinky seductress Georgia (Lena Horne). A barroom brawl leaves him daydreaming of a conflict between heaven and... the other place, leading to musical numbers. Song highlights include "Taking a Chance on Love," "Happiness Is Just a Thing Called Joe," "Life's Full of Consequences," and the title song. This splendid three sheet had light fold wear and crossfold separations, a tear at bottom left, tape pulls on the reverse, some creasing at the center fold, and some writing on the reverse that bleeds through slightly; professional restoration has addressed these issues, giving the poster very fresh appearance. Featuring wonderful artwork by the great Al Hirschfeld. Fine/Very Fine on Linen.
Golden Age (1938-1955)
Springtime in the Rockies (20th Century Fox, 1942). One Sheet (27" X 41"). This jaunty vehicle for Betty Grable had the benefit of a first-rate cast, including John Payne, Carmen Miranda, Cesar Romero, Edward Everett Horton, Jackie Gleason and Harry James & His Orchestra. Full of terrific songs, including "I Had the Craziest Dream." This gorgeous stone litho one sheet features Grable and Romero dancing a lively jitterbug against a colorful background. Condition issues included pinholes in the borders and field, fold wear with crossfold separations, paper loss in the lower right, plus edge wear, wrinkling, and small chips in the borders, all of which has been addressed by professional restoration. Fine/Very Fine on Linen.
Movie Posters
Singin' in the Rain (MGM, 1952). One Sheet (27" X 41"). Stanley Donen and Gene Kelly directed one of the best and most beloved musicals of all time. The non-stop musical hits such as "Singin' in the Rain," "All I Do Is Dream of You," "Good Morning," combined with the excellent dancing of stars Kelly, Debbie Reynolds, and Donald O'Connor make this an unforgettable classic. A light hearted look at Hollywood's move from silents to talkies, this joyful comedy was nominated for two Oscars. This bright one sheet had pinholes in the corners, pinpoint crossfold separations, edge tears, and small tears at the folds with small paper losses, all of which have been addressed by restoration. What a glorious feeling and what a glorious poster! Very Fine- on Linen.
Singin' in the Rain (MGM, 1952). British Quad (30" X 40"). The high point in the careers of everyone involved with this film, Singin' in the Rain is arguably one of the best musicals ever made. Created by Arthur Freed's MGM musical unit, it has been voted among the top ten films ever produced by the American Film Institute. Starring Gene Kelly, Debbie Reynolds and Donald O'Connor, it tells the tale of Hollywood's transition from silents to talkies in the late '20s. This is a very rare British poster for the hit film and very attractively designed. The poster has a missing lower right corner which included the MGM logo. there was fold wear as well. The restoration work done is top notch. Fine on Linen.
Moon Over Miami (20th Century Fox, 1941). Three Sheet (41" X 81"). Alberto Vargas is often credited with creating the Betty Grable pin-up artwork for this beautiful poster, but it is believed that Vargas only did the work for the print ads. His work was emulated by the talented studio artist that did do this fabulous piece and others from the campaign! Whoever did the artwork of this poster was very accomplished and in its large format, it is stunning! This poster has some fold wear and some tape staining at several of the crossfolds. There was some minor paper loss at a few of the crossfolds as well. The conservation work was done brilliantly and it now appears to be mint! From the GLG Collection. Fine/Very Fine on Linen.
Moon Over Miami (20th Century Fox, 1941). Mini Window Card (8" X 14"). A gorgeous image of Betty Grable, featuring her world famous legs, dominates this fantastic midget card. After moving over to 20th Century Fox from Paramount, Grable starred in a series of lavish Technicolor musicals, of which this is one of the best. Don Ameche, Robert Cummings and Carole Landis co-starred. The card has edge wear on the top and bottom borders with light tanning, there is a tear on the bottom left corner and the top left corner has a small bend. The one sheet featuring this very same image sold for almost $36,000 in our auction in March of this year! Very Fine-.
Cabaret (Allied Artists, 1972). Polish One Sheet (22.75" X 33.5"). First a best selling novel by Christopher Isherwood, then a hit Broadway production, this story became one of the best movies of the early 1970s and winner of eight Academy Awards. Directed by Bob Fosse, this extravaganza stars Liza Minnelli, Joel Grey and Michael York and is set in Weimar 1930s Berlin before the rise of Hitler. The outrageous artwork is by Wiktor Gorka. This Polish one sheet had edge wear with small tears, paper loss on the reverse and small holes in the fields, all of which have been addressed with professional restoration. Fine/Very Fine on Linen.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style B. No one would ever view classical music in quite the same way again after seeing the revolutionary 2001: A Space Odyssey. Stanley Kubrick's treatise on the continuing evolution of mankind used orchestral pieces like "The Blue Danube" and "Also Sprach Zarathustra" to stunning effect. On offer here is the spectacular B-style poster featuring a lunar vista and a handful of hard-working astronauts, courtesy of artist Bob McCall. This stunning poster had only a bit of fold wear keeping it from absolute perfection, and professional restoration has given it a like-new appearance. The year 2001 has come and gone, and likewise this opportunity won't be around forever. Very Fine on Linen.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style A. One of the most influential films ever made, director Stanley Kubrick's philosophical epic, based on a story by Arthur C. Clarke - an examination of man's evolution from rock-wielding cave dwellers to spacefaring explorers and beyond - changed the way the movie-going public looked at science fiction. It remains one of the most famous films of the genre; consequently, paper from this film, particularly this iconic Style A one sheet, is fervently sought after by eager collectors. This stunning example shows some light fold wear and a scuff in the top left, but is otherwise in superb condition. Very Fine.
The War of the Worlds (Paramount, 1953). Poster (40" X 60"). Paramount Pictures had originally envisioned The War of the Worlds as a silent-era project for Cecil B. DeMille. In the original H.G. Wells novel, the story was set in Victorian England and the proposed DeMille version would have followed suit. But by the time the studio got around to actually making the movie, Orson Welles' 1938 radio adaptation of the story had become legendary in part because Welles set the tale in modern times. Special effects master George Pal saw the writing on the wall and gave this 1953 Technicolor extravaganza the same treatment with similar successful results. This 40" X 60", rarely seen at auction, is one of the few styles to actually feature the Martian warships in the art. The poster has wear along the edges, including small tears chips in the top border that have been re-enforced with tape on the reverse. There is also smudging in the borders and a bit of creasing in the image. Still, this remains a tough find from one of the most important science fiction films of all time. Fine+.
The War of the Worlds (Paramount, 1953). Three Sheet (41" X 81"). In 1953, producer George Pal finally brought the H. G. Wells book of the invasion of Earth by Martians to the screen. Starring Gene Barry and Ann Robinson, it tells the tale of a meteorite that lands near a small town in California. When it turns out to be the vanguard of a Martian army, scientist Barry must try and save the world. This poster has strong and vibrant colors. It does show signs of wear and use. There are very small pieces missing in the crossfolds and wear to the folds and borders. This is the first three sheet we have ever sold from this important title and is assuredly one of the few to have survived. Fine-.
The War of the Worlds (Paramount, 1953). Half Sheet (22" X 28") Style B. One of the most sought after posters for a 50s sci-fi film, this style B half sheet showing the Martian warships is considered to be the most desirable of all the original release posters for this classic film. Based on the famous H.G. Wells novel, "War of the Worlds" was first optioned by Paramount to be a silent film directed by Cecil B. DeMille. When the studio finally got around to filming it, the property was given to George Pal, the special effects master, who moved the setting to modern-day California. The sleekly designed warships still look spectacular and the then state-of-the art special effects still look good. This is definitely still one of the top science fiction film classics of all time. This great poster had several small tears in the lower border, one of which is "u" shaped. There were a couple of very small tears in the left border. there was a minor tip of a corner off of the upper left corner. This has all been beautifully corrected with professional restoration which makes this wonderful rolled copy look mint. The colors on this copy are as bright as the day the poster was printed! Very Fine+.
Forbidden Planet (MGM, 1956). One Sheet (27" X 41"). Loosely based on The Tempest by William Shakespeare, this is one of the seminal science fiction films of the 1950s. Not surprisingly, the poster is one of the most desirable in the entire science fiction collecting field, prized for its incredible artwork and its association with a truly classic film. This particular example had pinpoint crossfold separations and pinholes in the corners, but professional restoration has rendered these slight flaws virtually invisible. If you've always wanted a great copy of this outstanding poster, bid on this beauty today! Very Fine+ on Linen.
Forbidden Planet (MGM, 1956). Title Lobby Card (11" X 14"). The crew of the space cruiser C-57-D land on Altair-4 in search of survivors from the Bellerophon expedition, missing for twenty years. They find Dr. Edward Morbius, the sole survivor, and his daughter Altaira, living in an alien paradise, and served by a remarkable robot named Robby. Morbius has mastered the technology of the Krel, the former inhabitants of the planet, or so he thinks. Unwittingly, Morbius unleashes the Id Monster, which threatens to destroy the planet and everyone on it, leading to an explosive climax. Offered here is the highly desirable title card for this landmark film, one of the greatest sci-fi pictures of the 1950s. This card has staple holes in the top corners, corner bumps, and a very small stain in the left border, but is otherwise in superb condition. Paper from this movie is always in high demand; don't miss your chance to own this beauty! Very Fine.
The Day the Earth Stood Still (20th Century Fox, 1951). Insert (14" X 36"). Currently set to premiere in December of this year, is a full blown remake of this classic science fiction thriller! Robert Wise directs this epic and it is the standard to which all other sci-fi films are and will be compared. The Day the Earth Stood Still is considered the forerunner of all the 1950s sci-fi films that followed. Wise's masterpiece deals with man's paranoia and aggression towards things he doesn't understand. This stunning insert features the mighty Gort unleashing his mighty laser-like death ray. The poster was folded and has some restoration work performed within the word "Day" of the title and across the poster horizontal to the word. There was touch-up work to the folds and a slight bit to the border. The colors are bright and the poster displays well. Fine on Linen.
The Day the Earth Stood Still (20th Century Fox, 1951). Three Sheet (41" X 81"). Based on Harry Bates' short story "Farewell to the Master" (in which Gort was the controlling force), this science fiction allegory attracted A-list director Robert Wise because of its anti-military stance. For the kids, however, it was all about Gort, laser beams, flying saucers, and "Klaatu barada nikto." Of course, Gort himself is one of the coolest robots in the history of the genre, and what could be more exciting than a poster that presents the sleek automaton almost life size? That's what you'll get with the amazing three sheet poster for this science fiction classic, with big G looming large over leading lady Patricia Neal (in a cocktail dress!), his laser beam unleashed. This amazing unrestored poster has some staple holes at the corners, crossfold separations with fold wear, and a few small holes in the field, but the awesome color and razor-sharp printing are not diminished in the least. Once fully assembled, this is one of the most awe-inspiring sights in science fiction movie poster history. Fine/Very Fine.
Attack of the Crab Monsters (Allied Artists, 1957). One Sheet (27" X 41"). This is Roger Corman's monster movie about a bunch of people trapped on a desert island with a giant mutated crab creature who talks in a booming voice like a college professor. Richard Garland, Pamela Duncan, Gilligan's Island star Russell Johnson, and Mel Welles are among the humans trying to avoid being eaten. This awesome one sheet has iconic distressed-damsel imagery, and a spooky shot of the titular beast. The sheet had a tear in the bottom center border, and a long tear in the crab's head, both of which have been addressed with professional restoration, but otherwise is in very nice shape, with great color and a fresh appearance. Fine/Very Fine on Linen.
Target Earth (Allied Artists, 1954). Half Sheet (22" X 28") Style A. This sci-fi thriller stars Richard Denning and Kathleen Crowley as a couple stranded in Chicago as giant robots from Venus invade the city. There were pinholes in the corners and field as well as wear and tear at the folds. Tape lifts were present at the top fold lines, too. Now, this restored poster looks great and is ready to add to your collection. Fine on Linen.
Invasion of the Saucer-Men (American International, 1957). One Sheet (27" X 41"). Boasting some of the most incredible creature costumes ever designed (by Paul Blaisdell, who also created such memorable monsters as the optically enhanced beast from Beast with a Million Eyes (1955), "Beulah," from It Conquered the World (1956), and It! The Terror from Beyond Space (1958)), this popular sci-fi spectacle is part monster movie, part juvenile delinquent film, combining elements of both genres to great effect, when a couple of teens discover an impending alien invasion. Of course, none of the adults believe them, so it's up to the kids and their cars to save the day. One of the greatest posters of the era, with spectacular artwork by Albert Kallis, this particular example has corner bends in the bottom and top right, as well as a pinhole in the top corner, but is otherwise extremely clean and attractive. Near Mint.
Invasion of the Saucer-Men (American International, 1957). Lobby Card Set of 8 (11" X 14"). This comedy/horror/science fiction drive-in favorite features some of the most outrageous alien creatures to ever grace the silver screen. Designed by Paul Blaisdell, these cabbage-head creatures have enjoyed a cult following in the years following the film's initial release. When a spaceship lands in the woods, two teenagers (Steve Terrell and Gloria Castillo) accidentally run over one of the aliens. In retaliation, the saucer-men kill Frank Gorshin, who has accidentally stumbled across the alien body. Meanwhile, the hand of the extraterrestrial corpse detaches itself from its body and wreaks havoc on the countryside. There are pinholes in the borders on all eight cards, chips out of the corners on two cards, small tears on all, and paper tape and staining on one other card. A great set of cards, with the aliens pictured on five of the eight cards and all featuring fantastic border art. Fine-.
The Thing From Another World (RKO, 1951). One Sheet (27" X 41"). James Arness plays the title role in this classic science fiction thriller, based on the novella Who Goes There by John W. Campbell, Jr. In a remote arctic outpost, a team of American scientists and military discover a crashed spaceship under the ice, and eventually face off against its only survivor: a blood-sucking plant creature from outer space. Offered here is the film's iconic one sheet; one of the more distinctive science fiction posters ever, this eschews the more traditional artwork in favor of a bold alien-esque logo, with stark contrast between the red letters and the green background. A bit of fold wear was the only condition issue of note, and this has been addressed with excellent professional restoration. An out-of-this-world poster for one of the great SF thrillers. Very Fine+ on Linen.
This Island Earth (Universal International, 1955). One Sheet (27" X 41"). One of the greatest sci-fi movies of the '50s, This Island Earth was one of the first major entries in the genre to be filmed in glorious Technicolor. Critics praised the ground-breaking special effects and eye-popping color, both of which are deftly promoted on this one-sheet featuring classic images of flying saucers, death rays, and bug-eyed monsters. A great poster with only some smudges to the left border and pinpoint crossfold separations. Very Fine.
This Island Earth (Universal International, 1955). Lobby Cards (2) (11" X 14"). One of the best sci-fi films of the 1950s was this adaptation of the Raymond F. Jones novel about aliens who recruit engineers from Earth to help in their battle against a rival world. When Mystery Science Theater 3000 made their feature debut, they chose this one to spoof because it was several notches above their usual fare. The mutant card (#2) has creases on the edges of the picture and across their legs, tack holes with tape stains and stains in the border, and edge wear with small border tears. The spaceship card (#5) has been cleaned and pressed. Nice color from one of the last three-strip Technicolor films. Fine/Very Fine.
Creature From the Black Lagoon (Universal International, 1954). Insert (14" X 36"). One of the most popular monster pictures ever filmed, this movie ushered in the Second Golden Age of Universal Horror, and introduced the world to the awesome Gill Man! A team of scientists travel to the Amazon jungle in search of a heretofore unknown species of humanoid fish creature. They find more than they bargained for, and almost lose lovely Julie Adams to the monster, who has "centuries of passion pent up in his savage heart," according to this incredibly cool, and highly desirable insert. It has staple holes in the borders and in the image area, a small hole in the bottom center, staining in the bottom border, and a small tear in the right border, but it presents very nicely, in spite of these small flaws. Fine+.
Revenge of the Creature (Universal International, 1955). One Sheet (27" X 41"). After the success of The Creature from the Black Lagoon (1954), the film that launched the Second Golden Age of Universal Horror, a sequel was inevitable. The following year brought this worthy addition to the canon, wherein the Gill Man is captured by scientists and brought to an aquarium in Florida. Distraught by the indignity of being kept in an oversized fish tank, the Creature escapes, sowing mayhem and terror in his wake. Sharp-eyed viewers will notice a young, uncredited Clint Eastwood, in his first movie appearance, as a white-coated lab assistant. This dynamic one sheet, a science fiction classic, has minor crossfold separation, pinholes in the corners, light edge wear, and an extra vertical crease, but these slight defects do nothing to detract from the overwhelming appearance of this highly desirable beauty. You don't need to go on a rampage to get this stunner, just bid early and often! Very Fine.
The Creature Walks Among Us (Universal International, 1956). One Sheet (27" X 41"). The final film in Universal's Creature from the Black Lagoon trilogy, this exciting picture sees the Gill Man transformed into an air breather, thanks to radical surgery by Dr. William Barton (Jeff Morrow). Of course, things go wrong, and the Creature sets off on a horrific rampage before returning to the sea. The one sheet for this film is truly stunning, and incredibly desirable. This particular copy has crossfold separation, a crease in the top right, and two small areas of surface paper loss: one in the bottom right, and one in the "S" of "US." Aside from these minor defects, the poster is in superb condition and presents very nicely. Fine/Very Fine.
Creature From the Black Lagoon (Universal International, 1954). Title Lobby Card and Lobby Card (11" X 14"). Director Jack Arnold's tale of terror and passion still ranks as one of the all-time legendary sci-fi horror films ever created. Offered in this lot is the spectacular title lobby card and one scene card. Both cards have been cleaned and pressed. There was tape staining in the corners of the title card, thus there was airbrush work done within the border. There were pinholes in the scene card which have been repaired. Both cards have been warped slightly due to the pressing and do not lay completely flat but will display very well. Fine/Very Fine.
Creature From the Black Lagoon (Universal International, 1954). Lobby Cards (2) (11" X 14"). This lot includes card #4 and card #7 from the famous Universal horror film. Card #4 has two pinholes in the image as well as a small area of paint retouch within the dark water area. Card #7 has a crease in the upper border. Fine/Very Fine.
The Mole People (Universal International, 1956). Three Sheet (41" X 81"). During a scientific expedition, Dr. Roger Bentley (John Agar) and Dr. Jud Bellamin (Hugh Beaumont) discover a fabulous civilization hidden deep underground. The tyrannical rulers of this lost Sumerian tribe keep a race of mute Mole People as their slaves, whom the scientists must battle to escape certain death. Considered one of the best of the 1950s horror/sci-fi posters, this unforgettable image (by renowned poster artist Reynold Brown) is second to none. The gorgeous example offered here had a few staple holes in the top left corner, but is otherwise clean and sharp. Only our policy of not grading a poster on linen higher than VF+ keeps us from awarding this poster an even higher grade. VF+ on Linen.
The Mole People (Universal International, 1956). One Sheet (27" X 41"). During an archaeological expedition, Dr. Roger Bentley (John Agar) and Dr. Jud Bellamin (Hugh Beaumont) discover an ancient race of Sumerians living deep below ground, tended by the deformed Mole People, who are kept as slaves under the control of the Elinu, the High Priest (Alan Napier, Alfred from TV's Batman). The poster is a true classic, boasting incredible artwork. No wonder it's one of the more desirable posters in the hobby. It has a small bend in the top left corner, and a light crease in the top left, but aside from these extremely minor flaws, this poster is in beautiful condition. Bid now, as you may never find a nicer copy. Near Mint+.
War of the Colossal Beast (American International, 1958). Insert (14" X 36"). "How do you reason with a 60 foot giant?" Very carefully, when he's a raging freak of science run amok. Colonel Glenn Manning (Dean Parkin) has continued the growth spurts that started in The Amazing Colossal Man, and now in the sequel he is a disfigured, insane monster attacking the populace of Los Angeles. This insert, with artwork by Albert Kallis, has light edge wear on the right border, a scuff in the lower left, and corner bumps on the bottom. The vertical format of the insert works well to emphasize the towering image of Col. Manning. Folded, Very Fine.
The Beast from 20,000 Fathoms (Warner Brothers, 1953). One Sheet (27" X 41"). As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the East Coast of North America, wreaking havoc in its wake. This was the first of the 1950s giant creature features, and Ray Harryhausen's effects were totally believable. The stunning one sheet offered here, with all its vibrant color totally intact, had minor fold wear, and a bottom left corner bend, but professional restoration has expertly addressed these minor issues, returning this poster to a like new appearance. Very Fine on Linen.
Them! (Warner Brothers, 1954). Italian 4 - Folio (55" X 78"). As originally written, Them! was set in New York City, where giant ants run rampant through the subways. The producers, however, deemed that New York locales were too expensive to film, so they settled on Los Angeles and its extensive network of storm drains. Filmed from September to November 1953, the film was originally to be shot in a 3-D color format. But equipment failures, coupled with studio budget concerns, effectively killed that idea, and the movie reverted to standard black and white. This glorious Italian large format poster has artwork by the master, Luigi Martinati. The poster had minor foldwear and crossfold separation. It has been beautifully conserved on linen and now displays magnificently! We have never offered this scarce piece before and it may be a long time before we will see another. Very Fine+ on Linen.
Them! (Warner Brothers, 1954). Poster (40" X 60") Style Y. Atomic radiation strikes again in this classic '50s sci-fi flick. James Whitmore, Edmund Gwenn and James Arness join forces to combat an assault by giant mutated ants bent on the destruction of Los Angeles. This movie had everything: a creepy little girl, a climactic final battle in the tunnels under the City of Angels, even Leonard Nimoy in an uncredited appearance! This large format poster is an impressive piece from this enduring classic. There is minor wrinkling and creasing in the field along with a few pinholes. Top and bottom borders tears have been supported with paper tape on the reverse. There's also a chip in the right border and staining in the margins. However, this is still one of the most desirable titles in this genre. Rolled, Fine+.
Godzilla (Trans World, 1956). Autographed One Sheet (27" X 41"). By 1954, the world had seen dozens of nuclear tests and were very aware of the mutating effects of radiation. Hollywood capitalized on these fears by starting a whole series of horror films featuring giant ants, mantis, scorpions, tarantulas, etc. Not to be outdone, though, were the Japanese. Their entry into the giant mutated monster came in the shape of a resurrected prehistoric lizard by the name of Godzilla! The King of the Monsters became so popular that he went on to make dozens of sequels, becoming one of the most successful film franchises in movie history. The posters for his first appearance are some of the most sought after, as the images are considered some of the best of the horror/sci-fi genre of the 1950s. This particular example is unique, in that it bears the title, "Gojira (Godzilla)" written in kanji in silver point, as well as the signature of the actor who first trampled Tokyo in the Godzilla costume, Haruo Nakajima, boldly signed in black Sharpie. For all you Godzilla fans, this is a unique piece of dai kaiju history. Fine on Linen.*
Tarantula (Universal International, 1955). One Sheet (27" X 41"). In the 1950s, nobody did science fiction cinema better than the great Jack Arnold, whose impressive resume boasts such titles as The Creature from the Black Lagoon, It Came from Outer Space, and the giant-bug favorite Tarantula. Nuclear energy was causing all kinds of havoc back then, and mutating a simple spider into a countryside-crawling creature was just one of them. This spectacular one sheet shows the leggy menace bearing down on romantic leads John Agar and Mara Corday. The poster had fold wear and crossfold separations, small holes in the corners and top center, a tear below the center horizontal hold, and a tear in the body of the woman in the spider's mouth, all of which has been addressed with fine professional restoration. The poster boasts vivid colors, and a sharp overall appearance. Fine+ on Linen.
Tarantula (Universal International, 1955). Insert (14" X 36"). In the 1950s, everything, it seemed, was growing to giant size. Movie goers were treated to the rampages of giant ants, giant shrews, giant leeches, giant mantises... the list is seemingly endless. None, perhaps, were so terrifying as the enormous spiders, mutated through the effects of atomic radiation, unleashed upon an unsuspecting humanity in this gripping film starring John Agar, Mara Corday, and Leo G. Carroll as the scientist whose experiments in gigantism go awry, birthing the arachnid horror. Thank goodness for the heroic efforts of a young - and uncredited - Clint Eastwood as the leader of the jet fighter squadron that attacks the eight-legged fiend in the explosive climax! This gorgeous insert, boasting a stunning portrait of the title monster, had creasing in the top border, a staple hole in the bottom right, a small hole in the left border, small edge tears, fold separations, and pinholes in the corners, but these issues have been expertly addressed with professional restoration, resulting in a poster that you'll definitely want to catch in your web! Fine+ on Paper.
The Time Machine (MGM, 1960). One Sheet (27" X 41"). H. G. Wells's classic novel gets the George Pal touch in this thrilling film. A scientist (Rod Taylor) develops a machine that lets him travel freely through time. As he travels further into Earth's future, he finds that humanity has developed into two distinct species: the gentle Eloi and the monstrous Morlocks. The film won a well-deserved Oscar for its outstanding special effects. Offered here is a beautiful one sheet with art by the renowned Reynold Brown. It has a small tear in the left border and a very small tear in the bottom border, but is otherwise in outstanding condition. The time is now to bid on this classic beauty! Very Fine/Near Mint.
Invasion of the Body Snatchers (Allied Artists, 1956). Half Sheet (22" X 28") Style A. This unforgettable film, about a subtle alien invasion brought about by replacing human beings with clone-like "pod people," is a brilliant allegory for America's paranoia during the Cold War era, caused by the very real threat of the McCarthy blacklists and witch hunts. Starring Kevin McCarthy and Dana Wynter, the film is a classic of psychological terror. This exceptional half sheet had fold wear and pinholes in the image area, but professional restoration has done an excellent job of virtually eliminating these minor flaws. Don't let someone else snatch this beauty away from you... bid now! Very Fine on Paper.
Invaders From Mars (20th Century Fox, 1953). One Sheet (27" X 41"). In one of the truly classic science fiction pictures to emerge from the Cold-War scare of the 1950's, director William Cameron Menzies delivered this tale of aliens taking over the adults and the world from a child's perspective. The poster is considered a classic as well with plenty of action and alien graphics to grab the audience's attention. This is one of the original one sheets from 1953, not the very early reissue from 1955. The poster has a small stain in the lower border, a tiny edge chip in the upper left, several minor tears in the edges and a few pinholes on the interior of the image. None of these issues are a major distraction and the poster is still very presentable. Fine.
When Worlds Collide (Paramount, 1951). One Sheet (27" X 41"). Based on the novel by Edwin Balmer and Philip Wylie, this classic sci-fi picture tells the story of a rogue planet entering Earth's orbit, and the panicked race to build an ark and escape our doomed world. Although rights to the novel were purchased in 1932, as a project for director Cecil B. DeMille, a suitable treatment was never developed, and the project languished until 1950, when producer George Pal, looking for a follow-up to his successful Destination Moon, picked it up. The film won a well-deserved Oscar for Special Effects. This wonderful poster had minor fold wear and slight pinpoint crossfold paper loss. There were pinholes in all of the corners and into the image near the corners. These blemishes were restored beautifully and the copy now appears as if unused! Very Fine on Linen.
The Man from Planet X (United Artists, 1951). One Sheet (27" X 41"). Directed by Edgar G. Ulmer, The Man from Planet X is an unusually thoughtful 1950s sci-fi film, in which a "strange visitor" comes to Earth when his planet passes near ours. Initially benevolent, the alien is corrupted by evil human forces, leading to tragedy for all involved. One of the better genre films of the period, the movie was also blessed with outstanding poster art, showing the alien of the title menacing a helpless Earth woman. This copy had several border chips, two of which extended just into the artwork. There were several tears within the image as well as pinholes in the corners. There was heavy fold wear and some slight crossfold paper loss. The poster has been professionally restored, returning it to its full beauty. Very Good/Fine on Linen.
It Came From Outer Space (Universal International, 1953). Half Sheet (22" X 28") Style B. An oddity in the Red-fearing atmosphere in the U.S. of the early '50s, this sci-fi classic featured aliens who were not intent on invading the Earth. Ray Bradbury wrote two different treatments, with the other featuring more traditional malevolent creatures. This half sheet has tears in the border, including three that extend into the image, and small chips on three of the corners. Excellent restoration has addressed all of these flaws. The wonderful imagery emphasizes the 3-D release of the film. Fine on Paper.
Metropolis (Paramount, 1927). Herald (6" X 9"). One of the greatest epics of the silent era, this is director Fritz Lang's undisputed masterpiece. It tells the story of a future society, in which the wealthy live above ground in gleaming penthouses, supported by the workers, who toil below, in cramped, subhuman conditions. When a riot breaks out in the worker's city, both sides must come to an accord or risk losing everything. Based on a story by Thea Von Harbou, Lang's wife at the time, the film is a true marvel, with special effects far surpassing anything that was being done at the time. Originally running 210 minutes at its Berlin premiere, the film was heavily edited and rewritten by playwright Channing Pollock for its American release. Pollock also softened the undeniably pro-socialist themes, then considered far too controversial for general release. The result was a muddle of a film, one that enjoyed only limited success with American audiences. Since then, several restorations of the film have served to highlight Lang's brilliant achievement, and have allowed Metropolis to take its rightful place as one of the most important and influential films ever made. Offered here is a herald for the American release of this silent classic. Aside from a single very small edge tear, this piece is in remarkable condition, boasting some stunning graphics. Paper from this picture is always highly sought after, as it is one of the first science fiction films ever released. Bid now, as you never know when another opportunity like this might come along. Very Fine+.
The She-Creature (American International, 1956). Three Sheet (41" X 81"). One of the few American International posters where the monster depicted in the artwork were a pretty close representation of what actually appeared in the film, this pretty sheet also has Marla English front and center, and we have no complaints about that. A wonky reincarnation fantasy that is notable for the sinister-looking monster costume created by Paul Blaisdell, who was actually inside the suit as well. The nifty artwork is even more impressive in the three-sheet format, and if you have a snarling monster, it might as well be green. This sheet had multiple tears and border chips, as well as fold wear, all of which have been corrected with excellent professional restoration. You'll be hypnotized by this splendid poster, so don't say we didn't warn you. Fine/Very Fine on Linen.
Barbarella (Paramount, 1968). Japanese B2 (20" X 29"). The surreal science fiction masterpiece from Roger Vadim gets even more psychedelic as a Japanese poster. Vadim's third wife Jane Fonda stars as the title character who brings swinging sexual adventures to outer space in the year 40,000. Her mission is to find the villain Durand Durand, played by Milo O'Shea. Along the way she encounters characters such as the winged Pygar (John Phillip Law) and the Great Tyrant (Anita Pallenberg). The only issues with this fantastic poster are pinholes in the corners. Otherwise this space age beauty is in wonderful condition and ready to be snapped up by a lucky bidder. Very Fine+ on Linen.
Rollerball (United Artists, 1975). Match Poster Set (3), Bob Peak Portfolio of Prints (6), and Presskits (3) (Multiple Pages). Issued in support of this cult favorite movie starring James Caan, the material offered here is the very definition of "exceedingly rare." First is a special set of the match posters used in the movie, promoting games between Tokyo and Houston, New York and Houston, and Houston and Madrid, in the year 2018. Extremely bold and striking, the posters, which measure 20.5" X 29.5", are housed in a black folder. The posters are in Mint condition while the folder shows light edge wear. Next is a portfolio of art prints painted by legendary poster illustrator Bob Peak. Housed in a silver folder, which bears the legend, "Great moments from Rollerball painted on location by the world famous artist/illustrator Bob Peak," the six prints, which measure 19.5" X 16.5", are in Mint condition while the folder displays some light edge wear. Finally, a trio of press kits is included, each one in a folder that bears art similar to the match posters referenced above. Each one measures approximately 9" X 12", and again, each folder shows some very light fold wear. The kits each contain various press items and stories, but no stills are included. For the Rollerball fan, it doesn't get much rarer, or more desirable, than this. Bid now, as the opportunity to acquire these impressive pieces may never come again! Very Fine/Near Mint.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Happy Birthday Style. A year after its original release, Star Wars was still running strong in theaters across the U.S. To celebrate this milestone, these theaters were presented with this special one sheet. Though technically designated "Style E", it is known by collectors the world over as the "Happy Birthday" poster. It was photographed by Weldon Anderson and designed by Tony Seiniger using the 11 of the 12 original Kenner action figures (the Jawa was omitted). The print run of these posters is believed to have been fewer than 1500 sheets, making this rolled survivor a rare find indeed. While other examples have turned up over the years, one would be hard pressed to find one in better condition than this one. There is a tiny tear in the top right corner that has been backed with a very small piece of tape and the faintest of edge wear from storage. Rolled, Near Mint-.
E.T. The Extra-Terrestrial (Universal, 1982). One Sheet (27" X 40.5") "Bicycle" Style. Although this is sometimes referred to as the "Style B" poster, it was never released to theaters, that we are aware of. As rumor has it, director Steven Spielberg had this special poster created specifically for the cast and crew of the film, and liked the image so much, he adopted it as the logo of Amblin Entertainment. Whether or not that is the case, there's no denying that this is, by far, the most visually attractive poster depicting the most iconic moment from the film. This particular example is in perfect condition, with no visible flaws to mention. If you've been looking for an opportunity to pick up a copy of this elusive beauty, now is your chance! Rolled, Mint.
The Great Mexican War (El Paso Feature Film, 1914). Three Sheet (41" X 81"). This early and historically important four reel film has an amazing story behind it. One of the first war documentaries with actual battle scenes, it was filmed and hosted by Dr. Charles A. Pryor, who along with all of America during 1914, was fascinated with the revolutionary leader, Pancho Villa. Apparently several film companies sent crews to the Mexican border to attempt to secure film rights to Villa's story and to shoot footage of the Mexican Revolution. In this film, there are scenes from the Battle of Ojinaga, Chihuahua, after which Villa became provisional governor of the state of Chihuahua. Villa's popularity in the US evaporated after 1916 when he and his men killed several Americans and president Woodrow Wilson supported Villa's rival. Charles Pryor promoted his film across the country, when crowds were hungry for any news from the war, and although he claimed on his posters that he was a reporter for the Associated Press, this was one of many of his false claims. Shortly after the release, he was arrested for grand larceny, never delivering the movie to some theater owners. This stone litho three sheet was part of the group of posters featured in an episode of PBS' History Detectives. According to their research, copies of the original film still exist. Backed with its original canvas, this poster has pinholes in the corners, light stains throughout the image, crossfold separations with some paper loss, corner bends and a tear with paper loss in the upper right. We are very proud to offer this extremely rare and stunningly beautiful poster. Fine+ on Canvas.
The Crimson Skull (Norman, 1922). One Sheet (27" X 41"). Produced on location in Boley, Oklahoma, by the Norman Film Manufacturing Co., this all-black Western was advertised as featuring a cast of "30 colored cowboys." Leading lady Anita Bush was a well-known New York singer-actress who later managed her own Harlem-based stock company. The plotline to the film has cowhand Bob Calem trying to rid the range of a gang of outlaws that are rustling cattle. Working on the gang leader's superstitions, Calem dons a skeleton costume to strike fear into the gang. The cast also included famous bull-doggers Bill Pickett and Steve Reynolds! There were small tears in the borders and fold wear which has all been expertly restored. This is a gorgeous stone litho printed by Ritchey Litho in New York. Very Fine- on Linen.
The Crimson Skull (Norman, 1922). Three Sheet (41" X 81"). Norman was able to shoot enough footage for The Bull-Dogger to produce a complementary dramatic piece called The Crimson Skull (1921).This film starred Anita Bush and Lawrence Criner in a tale about an outlaw gang's attempt to stir up trouble in the peaceful town of Boley, Oklahoma. It featured Steve "Peg" Reynolds, a one legged star who also appeared in The Green Eyed Monster, and includes footage of famous cowboy Bill Pickett, though almost always seen completely covered in skeleton costume. Norman released the two pictures almost simultaneously to receptive Black viewers who had heard of, but never seen, true Black cowboys. Very Fine/Near Mint.
Black Gold (Norman, 1928). One Sheet (27" X 41"). Kathryn Boyd and Lawrence Criner were such a success in The Flying Ace, that they starred in Norman's last colored production, Black Gold. Set in Oklahoma, this film is a story of oil, greed, love, and heroism. The beautiful stone litho poster is a nice as the day it was printed 80 years ago! Rolled, Very Fine-.
Black Gold (Norman, 1928). Three Sheet (41" X 81"). This was Norman Studio's last all-black cast film. It reunites stars Lawrence Kriner and Kathryn Boyd of The Flying Ace and is based on the true story of John Crisp and his efforts to secure oil in spite of the efforts of a crooked oil drilling contractor. Very Fine/Near Mint.
The Flying Ace (Norman, 1926). One Sheet (27" X 41"). This is a beautiful one sheet from Norman Studios for an aviation film starring Lawrence Criner and Kathryn Boyd. The lovely Richey litho has some significant fold wear to the bottom horizontal fold. and minimal wear to the center horizontal fold. Very Good/Fine.
The Flying Ace (Norman, 1926). Three Sheet (41" X 81"). Released in 1926, starring Lawrence Criner and Kathryn Boyd, two established Black actors, this film was a major hit for Norman Studios. Criner played a World War I fighter pilot who returns home a hero. Peg Reynolds was Criner's side kick and together they rescue Boyd and her father from railroad thieves. The film boasted death defying feats in "the greatest airplane thriller ever filmed," but in reality, Norman shot all the airplane scenes with the plane on the ground. Even so, the film was a sensation and grossed close to $20,000 through Norman's distribution efforts. This beautiful three sheet is in excellent, near mint condition. Very Fine/Near Mint.
The Green Eyed Monster (Norman, 1919). Six Sheet (81" X 81"). Produced by the Norman Film Company, this was a film made for black American audiences by Richard E. Norman, an inventor and businessman who realized a need for specific films for black audiences. This gorgeous six sheet advertises the $80,000 climactic train wreck which had "$1,000,000 railroad equipment used" in the production. The poster has some fold wear and chipping. Fine.
Golden Age (1938-1955)
The Bull-Dogger (Norman Film Manufacturing, 1921). One Sheet (27" X 41"). Bill Pickett, a black American cowboy and Rodeo star is remembered as the father of "bull-dogging." This was a technique Pickett developed after watching his dog herd cattle. It is widely practiced today in the rodeo circuit and involves biting the tender part of a steer's lip and wrestling it to the ground. Pickett was cast by the Norman Film Manufacturing Company, at the age of 59, in two feature films during the early 1920s. The film's production studio was based in Florida and Norman produced films featuring all-black casts tailored for black audiences. Until posters were found in Florida, none were known to exist. This beautiful stone litho image had only the most minor edge wear but was linen mounted. Very Fine+ on Linen.
Movie Posters
Uncle Tom's Cabin (Universal, 1927). One Sheet (27" X 41"). Universal Studio's version of Uncle Tom was produced in 1927 with a big-budget, full-length version of the novel. (By 1927 "full length" meant just over two hours. "Big budget" added up to $1.8 million, though it was advertised as $2 million.) The story was dramatically changed to be more about the story of Eliza and her troubles, with Uncle Tom becoming a very secondary character. This beautiful stone litho one sheet by Morgan, has had some border added around the perimeter. There was minor touch-up to the foldlines. This is a lovely piece of film history with the old Universal logo seen in the lower left. Fine- on Linen.
Weary River (First National, 1929). One Sheet (27" X 41") Style A. Pardoned by the governor, ex-con Jerry Larrabee (Richard Barthelmess) tries to go straight as a vaudeville singer, mainly performing the title theme song. Rival gangster Spadoni (Louis Natheaux) is his nemesis, but Jerry finds aid and redemption with ex-moll Alice (Betty Compson). Shot at the time of the transition to talkies, this was mainly a silent film with a few instances of spoken dialogue and songs. Prior to professional restoration, this one sheet had small holes in three borders, a chip in the right border and pinholes in the corners. The stone litho artwork is sumptuous. Fine/Very Fine on Linen.
Silver Age (1956-1969)
The Poor Nut (First National, 1927). One Sheet (27" X 41") Style B. The poor nut, played by prolific actor Jack Mulhall, is a cowardly college student who desperately tries to impress beauty Julia (Jane Winton) with his athletic prowess. He succeeds, but in the end his heart is won by the soda shop girl, played by the always delightful Jean Arthur (nine years before her success in Mr. Deeds Goes to Town). This one sheet had paper losses in the borders and vertical folds, small holes throughout, fold wear, tape lifts in the center crossfold and pinholes in the corners. The professional restoration is magnificent and has rendered these issues virtually undetectable. The stunning stone litho artwork will be a hit with all collectors. Very Good on Linen.
Movie Posters
Vamping Venus (First National, 1928). One Sheet (27" X 41"). Irish-American politician Michael Cassidy (Charlie Murray) goes back in time to ancient Greece after hitting his head. While there, all his friends and loved ones show up as Greek gods. This one sheet has pinholes throughout, edge tears, and chips on the edges, fold lines, and in Murray's sideburn. Excellent restoration has addressed all of these flaws, giving it a very clean appearance. Very Good/Fine on Linen.
The Way of All Flesh (Paramount, 1927). One Sheet (27" X 41"). Emil Jannings in his debut in American films won the first Academy Award for Best Actor for his performance in this film and his performance in The Last Command (the only year that acting Oscars were awarded for multiple performances). The melodrama was directed by Victor Fleming and is a lost film today. This lovely stone litho poster had chips and wear to the border. There were several small chips within the image as well as a number of pinholes within the image. The restoration work was done professionally and magnificently and the poster now displays like-new! Fine- on Linen.
Wildfire (Theatrical Poster, c. 1906-1908). One Sheet (28" X 41"). This is an extremely rare theatrical poster for one of Lillian Russell's greatest stage hits. It would be filmed in 1915 by William A. Brady's World Pictures. Russell, one of the true celebrated beauties of the American stage, was almost as famous for her off-stage theatrics, with legendary affairs with 'Diamond' Jim Brady (40 years!) and Sandow the Strongman, to name only two. When Alexander Graham Bell introduced long distance telephone service on May 8th, 1890, her voice was the first carried over the line. Sports collectors will recognize the title. It became the nickname of the Chicago Cubs first MVP, slugging right fielder Frank Schulte, after he saw her in this play in Mississippi and was so impressed with it that he named one of his trotting horses "Wildfire." The sports writers picked the story up and called him "Wildfire" Schulte from that time on. The poster only has slight edge wear, a small chip in the lower left border, and a small punch mark in the forehead and the lower left. A beautiful stone litho with original color. Rolled, Very Fine+.
Attaboy's Last Race (Triangle, 1916). One Sheet (27" X 41"). Famous Hollywood director Tod Browning began writing scripts around 1915 and the following year this story was produced as a starring vehicle for Dorothy Gish of the famous Gish sisters. This wonderful poster pictures the star at her loveliest and is a dramatic stone litho produced by Ritchey Litho Company. The poster had tape on the backside of each crossfold where slight bits of paper loss was present. The restoration work was professionally done and the poster now presents beautifully. This is a rare and magnificent find from an early film starring Dorothy Gish. Fine/Very Fine on Linen.
Orphans of the Storm (United Artists, 1921). Window Card (13.5" X 22"). D. W. Griffith's tale of two sisters (Dorothy and Lillian Gish) caught up in the French Revolution was a thinly disguised commentary on the recent Russian Revolution, with Griffith warning of the dangers of Bolshevism. Ironically, Soviet filmmakers such as Eisenstein and Pudovkin were being inspired by many of Griffith's techniques and using them in their own films. This window card has very light edge wear and corner bumps. Very Fine+ on Cardstock.
Dream Street (United Artists, 1921). One Sheet (28" X 41"). Although D. W. Griffith was one of the founders of United Artists in 1919, along with Douglas Fairbanks, Mary Pickford, and Charlie Chaplin, his tenure there was brief; by 1924, due to dwindling box office revenues, he left UA to direct movies for Paramount. Nevertheless, the five years he spent at UA resulted in some of his greatest films, including Broken Blossoms (1919), Way Down East (1920), Orphans of the Storm (1921), and this spectacular picture. Dream Street is a classic melodrama about three men; roughneck Spike (Ralph Graves), his brother, shy composer Billy (Charles Emmett Mack), and devious Asian Swan Way (Edward Piel), all in love with music hall dancer Gypsy Fair (Carol Dempster). When Gypsy rejects Swan Way's advances, he embroils her and the others in an insidious tangle of lies, jealousy, and murder. The stunning stone litho one sheet offered here had small tears in the image area, some edge tears, a missing top right corner, minor edge chipping, and several small to medium chips in the body of the poster, but all of these issues have been expertly addressed with professional restoration, resulting in a poster that appears as clean and fresh as the day it was printed. Griffith material from this period is very scarce and highly desirable. Very Good on Linen.
Abraham Lincoln (United Artists, 1930). Window Card (14" X 22"). D. W. Griffith's first sound film is still the only one to examine all of Abraham Lincoln's life, from birth to death. All the high points are there -- his romance with Ann Rutledge, his career as a lawyer, marriage to Mary Todd, election to the Presidency, the Civil War and his assassination by John Wilkes Booth. It was well received, but ended up being Griffith's penultimate film. This window card has a vertical crease on the left, a smaller crease on the lower right side, and the lower left corner has been replaced. Expert restoration has addressed these flaws, and the poster has a brand new appearance. Gorgeous stone litho artwork, with the unusual practice of featuring Walter Huston both in and out of character. Fine on Cardstock.
Forbidden Paradise (Paramount, 1924). Insert (14" X 36"). Ernst Lubitsch directs Pola Negri in a comic look at royalty and revolution. Negri is Catherine, the czarina of an unnamed European country. She is rescued from rebels by Captain Rod La Rocque, but when he discovers that he is one of many paramours, he joins the revolutionary side. This insert has light smudging on the left top, and minor corner bumps. A beautiful piece from this silent film, in exceptional condition. Rolled, Very Fine+.
So This is Paris (Warner Brothers, 1926). Three Sheet (41" X 81"). Monte Blue and Patsy Ruth Miller are a doctor and his wife who meet the dance team of Lilyan Tashman and Andre Beranger in Paris. Hidden attractions, propositions and peccadilloes are the order of the day in this romantic comedy with the patented Ernst Lubitsch touch. Watch for Myrna Loy in an early role as a maid. This three sheet has fold wear with paper loss and cross fold separations. The poster has an older restoration, but the colors are sharp and bright with a clean appearance. Fine on Linen.
The Green Temptation (Paramount, 1922). One Sheet (27" X 41"). Beautiful Betty Compson stars in this melodrama about a low-level member of the Parisian underworld who joins the Red Cross as a nurse to evade police. Her experiences change her, and after the war she emigrates to America to begin a new crime-free life. But, as in many of these films, she soon meets up with a former accomplice, who tries to force her to help him steal a valuable emerald called "Green Temptation." The director, William Desmond Taylor, was murdered under mysterious circumstances just two months before the film was released. This eye-catching stone litho one sheet boasts moody, outstanding artwork by Henry Clive (1881-1960), and a razor-sharp appearance. The poster had chips out of the bottom border, tears at the vertical folds, and some staining in the borders, all of which has been addressed with exceptional professional restoration. Fine/Very Fine on Linen.
Thunderbolt (Paramount, 1929). One Sheet (27" X 41") Style B - Silent Version. George Bancroft had starred in dozens of Westerns, and also done several films for director Josef von Sternberg, who made his sound feature debut with this gritty film noir. Here, Bancroft plays "Thunderbolt" Jim Lang, a death row inmate who still has one more murder on his mind. He plans to kill the young lover (Richard Arlen) of his former girlfriend (Fay Wray); fortuitously the lover is incarcerated in the same prison where Bancroft awaits the chair. This moody piece has an in-your-face image of Bancroft's "mug", with rich, vivid colors. Minor condition issues included a tear on the top right side that goes into the "T", and minor fold wear; the poster has been professionally restored, and the linen trimmed to the border, which has caused some post-mount chipping along the bottom edge. An impressive poster for this underrated thriller. This is one of the rare Paramount full-bleed posters. Very Fine on Linen.
Across the Footlights (Universal, 1915). One Sheet (27.5" X 41.25"). The director of this short drama, Burton L. King, is perhaps most remembered for helming two of Harry Houdini's films: The Master Mystery (1920) the great magician's only serial, and The Man from Beyond (1922). This striking stone litho poster is backed with muslin, as was the practice at the time, as posters were returned with the film to the film exchanges to be used over and over again in other venues. It has some foldwear and crossfold separation, some scuffing and tearing in the title area, and a small tear in the upper center, but is in remarkable condition considering its age. Any fan of silent cinema will be proud to own this gem, as it is an extremely rare example (it might very well be the only remaining copy) from Universal Pictures' earliest days. Very Good/Fine on Muslin.
The Test of a Man (Universal, 1915). One Sheet (27.25" X 41.5"). There's little information about this picture available, other than that it was directed by Henry MacRae and featured Wellington A. Playter, Marie Walcamp, and Sherman Bainbridge. Still, once you see the great image featured on this early one sheet - of an ammunition train being destroyed - what else do you need to know? As was customary in cinema's early days, this stone litho poster is backed with muslin, thereby increasing its durability and making it possible to exhibit it in multiple venues. It shows some crossfold separation and light fold wear, but is in remarkable condition considering its age. Any fan of silent cinema will be proud to own this gem, as it is an extremely rare example (it might very well be the only remaining copy) from Universal Pictures' earliest days. Very Fine on Muslin.
The Old Doctor (Universal, 1915). One Sheet (27.25" X 41.5"). Although little is known about this early Universal production, it seems to be part of a series from actor/director Murdock MacQuarrie, who also helmed such films as The Old Cobbler (1914), The Old Bell-Ringer (1914), The Old Tutor (1915), and The Old Grouch (1915). MacQuarrie had a long career in the movies, beginning with a role in The Hand of Mystery (1912), and continuing all the way into the 1940s, with perhaps his most significant part, that of J. Widdecombe Billows in the Charlie Chaplin classic, Modern Times (1936). The stone litho poster offered here is mounted on muslin, as was the custom in the early days of the cinema. As these posters were often reused for multiple venues, the muslin made them more durable than they would otherwise have been. It has crossfold separations, fold wear, a tear in the right center, and a small tear in the left center. Considering its age, the poster is in great condition. Any fan of silent cinema will be proud to own this gem, as it is an extremely rare example (it might very well be the only remaining copy) from Universal Pictures' earliest days and will make a great addition to any collection. Very Good/Fine on Muslin.
Homage (Universal, 1915). One Sheet (27" X 41"). This dramatic short from the Silent Era was directed by opera singer and stage actor William Worthington, who also starred in the lead role. Worthington acted in films from 1913-41, but only directed from 1913-25; little, if any, of his work behind the camera is known to still exist. This striking stone litho poster is backed with muslin, as was the practice at the time, as posters were returned with the film to the film exchanges to be used over and over again in other venues. It is in remarkable condition considering its age, showing only light fold wear and some minor creases on the left and right borders. Any fan of silent cinema will be proud to own this gem, as it is an extremely rare example (it might very well be the only remaining copy) from Universal Pictures' earliest days. Very Fine on Muslin.
How Billy Got His Raise (Universal, 1915). One Sheet (27" X 41"). A rare and quite beautiful vintage poster for this obscure comedy short by director Allen Curtis, who cranked almost 300 such works during his nine-year career. The colors on the stone litho graphics are still sharp and unfaded after 93 years. This striking stone litho poster is backed with muslin, as was the practice at the time, as posters were returned with the film to the film exchanges to be used over and over again in other venues. It has some foldwear and crossfold separation, some scuffing and a small crease near the top, but is in remarkable condition considering its age. Any fan of silent cinema will be proud to own this gem, as it is an extremely rare example (it might very well be the only remaining copy) from Universal Pictures' earliest days. Very Fine on Muslin.
My Boy (First National, 1921). One Sheet (27" X 41.5"). Jackie Coogan, in one of his best early roles, is an orphan immigrant who manages to sneak through Ellis Island with the help of grandfatherly Claude Gillingwater. They share a run-down shack, not knowing that Coogan's rich grandmother is looking desperately for him. This one sheet has small tears on the edge and folds, light foxing on the left side, and a horizontal crease on the bottom edge. Excellent restoration has addressed most of these flaws. The linen has been trimmed to the edge of the poster, and the smudging seen around the border is a printing error. Truly a gorgeous stone litho, full-bleed image. Very Fine on Linen.
The Sheik (Paramount, 1921). French Grande (47" X 63"). Rudolph Valentino stars in this romantic adventure film that would cement his reputation as a legendary screen lover for decades to come. Millions of women flocked to the theaters to see the handsome star, making Valentino an overnight, international heartthrob. In fact, female fans became so enthralled during the initial showing of the film, that many fainted making Valentino the first male superstar of the silver screen. There were tears at the edges and fold lines with minor paper loss at the folds. But, after a nice older restoration, this poster is very displayable in linen that was trimmed to the edge of the poster. Fine/Very Fine on Linen.
Blood and Sand (Paramount, 1922). Lobby Card (11" X 14"). Rudolph Valentino (billed as Rodolph here) stars in this melodrama about a young man of poor standing who rises to fame as a toreador, marries his childhood sweetheart (Lila Lee), and then faces the loss of everything when his heart turns to another woman (Nita Naldi). Blood and Sand is among a handful of films that truly exemplify the Valentino mystique, as the superstar would die tragically just four years later. This eye-pleasing lobby card features a great image of Valentino, with striking colors. Condition issues are very minor, and include rounded corners, a small edge tear in the bottom border, and tape on the reverse. Don't miss out on this iconic image of the Great Lover. Very Fine.
The Four Horsemen of the Apocalypse (Metro, 1921). Lobby Card (11" X 14"). With this film, and specifically with the Argentinean tango scene, Rudoph Valentino became a star. Intended as a vehicle for director Rex Ingram's wife, Alice Terry, it was instead stolen by Valentino, as the grandson of landowner Pomeroy Cannon. The film introduced the tango to America, and Valentino followed it up with a dance tour with his wife, Natacha Rambova. This lobby card has pinholes, small stains on the bottom and left, small edge tears, and creases and chips in the corners. There are pieces of cellophane and masking tape on the back of the tears and chips. A beautiful hand-tinted shot of a star in the making. Fine/Very Fine.
George O'Brien, Janet Gaynor and Magaret Livingston in "Sunrise" (Fox, 1927). Stills (6) (8" X 10"). Vintage, black and white, single weight, glossy stills. Widely heralded as the greatest American silent film ever made, Sunrise is gripping tale of love, infidelity and regret. George O'Brien is farmer married to the sweet and supportive Janet Gaynor. All is well until he strikes up a relationship with a flashy temptress from the city (Margaret Livingston), jeopardizing all that he once held dear. These six original stills feature the three stars as well as a dazzling shot from one of the film's city sequences. Holes were punched at the edges of the images for placement in a book. There is also wear and tear at the edges with a bit of paper loss. Paper on this title is incredibly scarce and this is an opportunity that should not be missed. Fine-.
Companionate Marriage (First National, 1928). One Sheet (27" X 41") Style A. In 1924, Betty Bronson was rocketed to instant stardom when she was handpicked by author J. M. Barrie to star in the silent adaptation of his classic children's book, Peter Pan, handily beating out such established stars as Gloria Swanson and Mary Pickford. Bronson would continue to star in romantic dramas such as this. The poster offered here had pinpoint crossfold separations, and a small tear in the right border, but professional restoration has expertly addressed these small flaws, rendering it worthy of an honored place in any collection. Very Fine+ on Linen.
The Siren Call (Paramount, 1922). One Sheet (27" X 41"). A classic love triangle plays out against the backdrop of the Alaskan Gold Rush in this heart-tugging melodrama starring Dorothy Dalton as Charlotte, a dancehall girl who adopts an orphaned baby and then must deal with the jealousy of trapper Beauregard (Mitchell Lewis) and the depredations of her husband, Brent (Edward J. Brady). Fortunately, a hungry pack of wolves and a well-placed bullet resolve everything in the end. This evocative stone litho one sheet, unrestored save for mounting on linen, shows pinholes in the corners and the image area, edge chipping in the borders, smudging in the bottom border, and a small tear in the credits area, but remains a stunning piece of cinema history. Fine/Very Fine on Linen.
Quality Street (MGM, 1927). French Grande (47" X 63"). This light-hearted drama from the play by J. M. Barrie, the beloved author of Peter Pan, centers around the romance of Valentine (Conrad Nagel) and Phoebe (Marion Davies). Valentine is sent to fight in the Napoleonic wars and when he returns ten years later, he realizes he is no longer attracted to Phoebe, who seems aged and tired. To win him back, Phoebe disguises herself as her own "niece", the younger spirited Livvy. Davies and her longtime lover, William Randolph Hearst, produced this popular hit. The later 1937 version stars Katharine Hepburn and Franchot Tone. This stunning grande has fold wear with tears, one vertical fold is fragile with a few separations and crossfold separations. A really lovely early French poster, this will surely please all collectors. Very Fine-.
The Patsy (MGM, 1928). Half Sheet (22" X 28"). Marion Davies shines in this light comedy as a young woman dealing with feelings of love for her sister's boyfriend, and the disapproval of her mother. The film was also a comeback for silent star Marie Dressler, whose career had been on the skids in recent years. This splendid half sheet features a pretty portrait of Ms. Davies, and an unusually wide border, giving it a distinctive look. The poster has been cleaned and pressed but is otherwise unrestored, with a chip in the right border, crease in the top left corner, pinholes, and tear with chip in the bottom border. These are scarcely noticeable, however, and the poster has a very bright appearance. Rolled, Fine/Very Fine.
The Lonely Road (First National, 1923). One Sheet (27.25" X 41"). In this silent drama, Betty Austin (Katherine MacDonald) abandons her dreams of a successful career to marry Warren Wade (Orville Caldwell). When the marriage turns sour, Betty flees to the city where she meets Dr. Devereaux (William Conklin), a prominent surgeon. Although Wade follows and attempts to reclaim his wife, she is forced to return to Devereaux when he is the only one who can help her critically ill son. Elinor Glyn, the best-selling author of It, and other trend-setting books, called Caldwell, "the most physically perfect man on the American stage," while MacDonald, nicknamed "The American Beauty," and at the peak of her popularity in 1923, would become one of the first female film producers in Hollywood history. This lovely one sheet, with its gorgeous portrait of the popular starlet, had edge chipping with small tears, and a long vertical tear in the center of the poster, but professional restoration has rendered these flaws virtually unnoticeable, making this a piece you will be proud to display. Very Good/Fine on Linen.
Women Men Forget (American Cinema, 1920). British Three Sheet (40" X 89"). A pregnant woman (Mollie King) invites an old friend from her school days (Lucy Fox) to her home for a visit. But Fox is a false friend who begins an affair with King's husband (Edward Langford). Discovering the affair, she leaves home to have the baby only to return in an effort to win her husband back. This three sheet for this twisted drama has undergone an older restoration, so a few faults are still visible. The paper is lifting from the linen, there are chips and separations at the folds, and a tear in the left border. But the L.J. Hodges stone litho artwork more than makes up for these imperfections. Fine/Very Fine on Linen.
Synthetic Sin (First National, 1929). One Sheet (27" X 41"). Based on the play by Frederick and Fanny Hatton, Colleen Moore stars as a pretty local girl who travels to New York to be in a play and decides she must live a wicked life for awhile to gain sophistication. This pretty poster had a half inch of border replaced around the perimeter. There was minor fold wear. Fine/Very Fine on Linen.
Louise Brooks Publicity Still by Eugene Richee (Paramount, 1920s). Still (8" X 10"). Vintage black and white, double weight, glossy still. A trendsetter and free spirit, Louise Brooks was almost as controversial as she was stunning. This shot of the screen beauty was captured by the lens of Eugene Richee. There is wear along the edges including minor chipping and a few tiny tears. There are also wrinkles in the margins and a faint surface abrasion. The verso is clean save for identifying writing in pencil. Fine.
Louise Brooks in "Now We're in the Air" (Paramount, 1927). Publicity Still by Eugene R. Richee (8" X 10"). Vintage black and white, single weight, glossy still. This beautiful still of Louise Brooks was taken by Paramount staff photographer Eugene R. Richee from the film Now We're in the Air. There are remnants of black scrapbook paper on the verso where the photo was once pasted into a book. There is a Richee credit stamp on the verso. Very Fine+.
A Society Scandal (Paramount, 1924). Insert (14" X 36"). Made at the height of Gloria Swanson's and Rod La Rocque's careers, this silent film just teems with lurid romance. La Rocque plays a lawyer who is responsible for implementing the divorce between Swanson's character and her rich husband. She seeks revenge on the lawyer and fakes an attack, but ultimately is won over by her love for him. Swanson was clearly the larger star, and as the highest paid actress of the 1920s, she fascinated her public with her extravagant wardrobe, many affairs and six husbands. This striking insert has a replaced corner at the top right and a replaced border chip on the left. Other minor issues are small bumps in the top and bottom left corners, and a surface loss in the right corner. Swanson is just stunning in this colorful early gem of a poster. Rolled, Very Fine-.
The Palm Beach Girl (Paramount, 1926). One Sheet (27" X 41"). Bebe Daniels was a major star by the time this story of social classes was made in 1926. Legend has it that the star was making a personal appearance at a Chicago hotel and several thousand dollars' worth of jewelry was stolen from Daniels' hotel room. Gangster Al Capone, a longtime Daniels fan, heard about it and put out the word that whoever stole the jewelry had 24 hours to return it "or else." The jewelry was returned the next day! This is a fabulous image from the heyday of Daniels' stardom! The poster had some significant edge wear and damage as well as some pinholes throughout the poster. There was paper loss within the Paramount name in the lower portion of the poster. The restoration work was fairly significant but beautifully done making this poster a star attraction in itself! Good/Very Good on Linen.
Dangerous Curves (Paramount, 1929). One Sheet (27" X 41") Style B - Silent Version. Clara Bow is one corner of a love rectangle set in the world of circus performers. Richard Arlen, Kay Francis and David Newell round out the cast of broken-hearted lovers under the big top. This beautiful stone litho one sheet has only the most minor edge wear. It is notated on the bottom border as being for the silent version - as both sound and silent versions were distributed for this film. Very Fine+ on Linen.
Mantrap (Paramount, 1926). Lobby Card (11" X 14"). As the young, vivacious Alverna, Clara Bow just can't seem to help herself: after an impulsive marriage to a burly woodsman (Ernest Torrence), she begins flirting with city lawyer Ralph Prescott (Percy Marmont), who shows up on a camping trip. Needless to say, this doesn't end well for anyone. Although Bow was a major star by 1926, her biggest, most iconic, success would come shortly after this picture, with the release of the Jazz Age classic, It (1927). The lobby card offered here is in wonderful condition, with a pinhole in the bottom border, light smudging at the top and bottom borders, and a small smudge in the background area. Aside from these minor concerns, the card is extremely clean and attractive, featuring a marvelous portrait of an incandescent star. Very Fine.
The Saturday Night Kid (Paramount, 1929). Lobby Card (11" X 14"). A remake of the 1926 silent picture Love 'Em and Leave 'Em, this early talkie stars Clara Bow and Jean Arthur as salesgirls in a department store, both on the prowl for wealthy bachelors. Jean is far craftier - and far more vicious - than Clara, but everything works out in the end. This picture also includes an early appearance by future superstar Jean Harlow. The lobby card offered here, which boasts outstanding color, has pinholes in the left and right image area near the borders, but is otherwise clean and attractive. This is a very impressive piece that any Bow fan will want to own. Very Fine.
The Bait (Paramount, 1920). Half Sheet (22" X 28"). Salesgirl Joan Grainger (Hope Hampton) is the victim of Bennett Barton (Jack McDonald), who has her framed for a crime and then pretends to rescue her. They travel to France, where Joan is unaware that Barton is using her as a pawn in a scheme to rook a famous millionaire. Hampton was the fiance of the producer, and respected director Maurice Tourneur was not particularly interested in working with her, but finally agreed, though he ended up delegating much of the direction to his assistant, John Gilbert (yes, the actor), who also wrote the screenplay. This evocative half sheet features stunning artwork and an eerie mood. The piece has been restored, but not paper backed, with a top left corner chip replaced and a long tear in the top border repaired; several pinholes in the field have also been filled. The restoration was beautifully executed, giving the poster a like-new appearance. Very Fine-.
Ben-Hur (MGM, 1925). One Sheet (27" X 41"). Trumpeted as "The Picture Every Christian Ought to See!" this epic telling of Lew Wallace's best-seller was the most expensive silent film ever made, costing almost $4 million. This one sheet has very small holes on Roman Navarro's arm and in the left border, minor tears into the image, and a small tape lift on his cheek. One inch of the bottom border has been restored. Excellent restoration and conservation work has left the poster with a beautiful appearance. Gorgeous stone litho artwork of stars Ramon Novarro and May McAvoy. This is a museum quality relic from the silent age of cinema! Fine/Very Fine on Linen.
The Iron Mask (United Artists, 1929). Window Card (14" X 22"). Douglas Fairbanks' last silent film was this sequel to 1921's The Three Musketeers. Most of the cast of that film returned, with Fairbanks and his comrades fighting to rescue the rightful King, Louis XIV, from a dungeon. Symbolic of the end of the silent era, this was the only time Fairbanks died onscreen. This window card has edge wear, a corner chip on the lower left, a corner bend on the lower right, and corner bumps on the top. Beautiful stone litho artwork with the subtle color that process was known for. Fine+.
Mr. Robinson Crusoe (United Artists, 1932). Three Sheet (41" X 81"). The next to last film featuring the long-reigning King of Hollywood, Douglas Fairbanks Sr., this delightful film could well have been the inspiration for TV's Gilligan's Island. While sailing on his yacht, Steve Drexel (Fairbanks) bets his friends that, armed only with his toothbrush, he can survive, and thrive, on a nearby desert island. With that, he jumps overboard and swims to shore, followed by his faithful dog. In a short time, Drexel has constructed a lavish home for himself, stocked with every modern convenience - all made out of native materials - and has even managed to teach some of the island's animals to perform simple tasks. The icing on the cake is when he discovers a beautiful woman on "his" island whom he dubs Saturday (Maria Alba). Filled with the energetic optimism and "can-do" spirit that made Fairbanks a star in the 1920s, this is a great showcase for the talents of a wonderful actor. The beautiful stone litho three sheet offered here, featuring a glorious portrait of Fairbanks and Alba on their private beach, had pinholes in the corners, crossfold separation with some small amount of paper loss, and a tear in the top right of the bottom panel, but professional restoration has rendered these slight flaws all but invisible. For Fairbanks fans, it doesn't get much better than this! Very Fine on Linen.
The Farm-Hand (Bray Studios, 1927). One Sheet (26.5" X 41"). An early film from famed animator Walter Lantz (Chilly Willy, Woody Woodpecker), this "Hot Dog Cartoon" features Clyde Geronimi's Pete the Pup. Geronimi would go on to direct many Disney classics, including Cinderella, Peter Pan and Alice in Wonderland. This one sheet has minor paint touch-ups in the title image, mainly for purposes of color restoration. There are a few tiny tears at the borders and in the image area including one in Pete's ear. There is faint wrinkling near the top border. The only sign of folding is a very light fold line through the title. A cute touch to the artwork is the misspelling of "vegetable" on one of Pete's cans on the tree. The few flaws have been expertly addressed through a professional restoration. Fine+ on Linen.
Casper (Paramount, 1950). Stock One Sheet (27" X 41"). The brainchild of writer Seymour V. Reit and animator Joe Oriolo, everyone's favorite spook debuted in The Friendly Ghost (Paramount, 1945) and went on to a long and successful career in cartoons, comic books, movies, licensing, and more. In spite of his fame, Casper only ever appeared by himself on two posters; one for Boo Moon (Paramount, 1954), and this one, a scarce and highly desirable animation treasure. This particular example had fold and crossfold separations, as well as pinholes in the corners and in the image area. After professional restoration, however, these minor flaws have been rendered all but invisible. Get your bid in now, because you won't stand a ghost of a chance of winning this beauty if you don't! Very Fine on Linen.
Bosko and the Pirates (MGM, 1937). One Sheet (27" X 41"). Happy Harmonies is the name of a series of animated cartoons distributed by MGM and produced by Hugh Harman and Rudolf Ising between 1934 and 1938. One sheets seldom surface on these titles. Produced in Technicolor, these cartoons were very similar to Disney's Silly Symphonies. They occasionally featured Bosko, a character who starred in the first Looney Tunes shorts that the duo produced for Leon Schlesinger. After the first few releases, the design of Bosko changed from an ink blot to a realistic African American boy. In this cartoon, Bosko is taking some cookies to Grandma's house, but he is hassled by a group of wily buccaneer frogs, who eventually make him walk the plank! Like many cartoon posters of this era, this is essentially a stock sheet with the specific title printed in an open area below the artwork. The poster had pinholes all along the borders, a small tear in the top border, fold wear with crossfold separations, and some smudging in the borders, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.
Mickey Mouse Stock Poster (United Artists, 1933). One Sheet (27" X 41"). With the release of Steamboat Willie in 1928, Mickey Mouse became a character known around the world. Voiced by his creator, Walt Disney, Mickey would be the cornerstone of an empire that would grow to include films, television shows and theme parks. When Columbia dropped the Disney franchise in 1932, United Artists was there to pick it up, and this is probably the first poster distributed under that new arrangement. This one sheet has a pinhole in the bottom border, along with small holes in the top right field, the field near his ear, and one in his ear. There is fold wear, a small tear in the upper left, stains on the reverse that show through, and light smudges in the bottom border. Beautiful restoration has addressed most of these flaws, leaving it with a clean appearance. With its simple lines and clean colors, this may be the quintessential Mouse poster. Fine on Linen.
Tugboat Mickey (RKO, 1940). One Sheet (27" X 41"). Mickey Mouse, Donald Duck and Goofy spar with Murphy's Law while trying to get their tugboat underway and affect a rescue at sea. Mickey tangles with a pesky pelican while Donald fusses with the machinery, and Goofy tries to get the boiler stoked with coal. What else could go wrong? This wonderful one sheet is the first we've offered on this title, and features a great image of Mickey aboard ship. The poster had corner pinholes, and a small amount of paper loss in the field along the left and right border, all of which has been addressed by by professional restoration. Set sail with Mickey Mouse and this pretty poster. Very Fine- on Linen.
Pueblo Pluto (RKO, 1949). One Sheet (27" X 41"). Mickey Mouse takes his dog Pluto along with him on a Southwest vacation. Pluto finds a buffalo bone but a little puppy steals it from him and hides in the cactus. The delightful art on this gorgeous one sheet shows what became of the puppy - much to Mickey's surprise. Prior to restoration, there were pinholes in the corners, crossfold separation and light edge wear. Thanks to a beautiful restoration job, the poster now looks perfect. Very Fine on Linen.
Cold Storage (RKO, 1951). One Sheet (27" X 41"). Fred Stork, rather than migrate south for the winter, decides to take over Pluto's doghouse instead. Pluto objects, but Stork proves to be a worthy adversary. Unlike most of the Disney characters, Pluto was not anthropomorphized, and didn't speak or walk upright, and generally acted like a real dog -- and that was a big part of his charm. This was the second-to-last Pluto cartoon, after a long run of over forty short films. The poster had fold wear with some tears, some larger tears in the artwork, and a few chips out of the borders, all of which has been addressed by professional restoration. Very Good+ on Linen.
Merbabies (RKO, 1938). One Sheet (27" X 41"). This "Silly Symphonies" short features cute little frolicking baby mermaids swimming beneath the sea, and not a whole lot else. But the animation is lively and lush, as was par for Disney studios at the time. This is the first poster from this classic short we have ever offered, as paper on this title is extremely hard to find. The piece had some tears and two edge chips in the top border, a small tear in the right border, and a small hole in the top left corner, all of which has been addressed with professional restoration. Add these adorable aquanauts to your bidding list, and don't miss this rare opportunity. Very Fine on Linen.
Chef Donald (RKO, 1941). One Sheet (27" X 41"). Clarence Nash was the unique voice behind the cherished Disney character Donald Duck. He gives life to Donald's many hilarious frustrations, including his antics in the kitchen in this delightful seven minute short. Trying to make waffles, Donald confuses rubber cement with baking soda, which leads him to fly around the room after the bouncing bowl. This one sheet features Donald with his pals Pluto and Goofy and had only pinpoint crossfold separations, a small chip in the bottom border and light edge chips in the right border, before it was superbly restored. You are never too old to love Donald Duck or to appreciate this wonderful treasure of a poster. Very Fine on Linen.
Donald's Camera (RKO, 1941). One Sheet (27" X 41"). Donald Duck had overshadowed Walt Disney's star character, Mickey Mouse, by the time this short was made and Donald would remain the most popular for many years to come. In this great short the irascible title character buys a camera to shoot wildlife and is promptly made to suffer by his furry and feathered peers! The poster had a small chip in the left border, pinholes in the corners, and a tiny hole in the lower border. There was minor fold wear and slight paper loss at the crossfolds. All of these issues were addressed in professional restoration and the poster now displays like new. Very Fine on Linen.
Flying Jalopy (RKO, 1943). One Sheet (27" X 41"). In this charming one sheet, Ben Buzzard is about to swoop down on the unsuspecting Donald Duck. Donald has rented the dilapidated plane from Buzzard along with a life insurance policy payable to the treacherous bird. Things do not look good for Donald, but the indelible Duck always finds a way to muddle through. This one sheet had pinholes in the corners, crossfold separations, a small chip in the bottom crossfold and one in the top right corner. The professional restoration is beautiful done and these slight flaws are undetectable. This is a rare and wonderful example of early Disney animation which quickly became an endearing classic. Very Fine- on Linen.
The Trial of Donald Duck (RKO, 1948). One Sheet (27" X 41"). Poor Donald Duck tries to eat his lunch in the park, but things never go as planned for Disney's beloved hapless duck. It starts to rain on his picnic, so he heads to Chez Pierre for a cup of coffee, which ends up costing him $35.99. With only a nickel to his name, he is put on trial and ordered to wash dishes for ten days. One of the most popular cartoon characters of all time, Donald was given life by the distinctive voice of Clarence Nash, who continued to do so until 1983. Prior to professional restoration, this one sheet had pinholes in the field at the corners, fold wear, crossfold separations, a small paper loss at the top vertical fold and small tears on the left border. This very special poster is bound to delight all collectors. Very Fine on Linen.
Disney Press Book (United Artists, 1935). Pressbook (19 Pages). This is a very rare item, one which we have never seen before. Mickey Mouse was about to turn seven years old in 1935 and Disney wanted it to be an occasion the exhibitors' of the cartoon shorts would make note of. He produced a mimeographed booklet 19 pages in length, detailing how the exhibitor could sell this occasion of September 28, 1935. This was seven years to the date of the release of Steamboat Willie. The mimeograph machine or stencil duplicator were for many decades used to print short-run office work, classroom materials, and church bulletins. These technologies began to be supplanted by photocopying in the 1960s. There was a Mickey Mouse Revue released to mark the date which consisted of several Mickey and Silly Symphony shorts to be shown the full week of September 28 to October 4. There was special set of stills, snipes for the one sheets and buttons produced. The book is stapled and printed on one side of each page. There is some minor separation of the back page and a small stain on the lower right corner of the book which was absorbed to each page. This is a very rare item and for the Disney collector, a once-in-a-lifetime find. Very Fine.
Donald's Better Self (RKO, 1938). Standee Title Placard (14" X 28"). Disney issued a stock Mickey Mouse Standee to theaters in the 1930s and each week they would ship a placard for the individual cartoon being shown which would be placed in Mickey's hands. The attrition rate of all these items was incredibly high. The individual placards almost never surface. Donald Duck appears eight times on this amazing title card/placard from one of his best Walt Disney cartoons. This example has nail holes, creases, tears, and other signs of use. All of that being said, this is a wonderful piece and a "must" for true collectors of Disneyana. Here is an excellent chance to acquirewhat might be a unique item from the golden age of animation. Very Good+.
No Sail (RKO, 1945). One Sheet (27" X 41"). Donald Duck and Goofy rent a coin-operated boat, but become stranded when they run out of nickels. Their misadventures in shark-infested waters eventually provide a solution for the dilemma. This wonderful Disney short is a great showcase for these two characters, with excitable Donald and laid-back Goofy being at odds virtually every minute. Offered here is the rare one sheet for this hilarious 'toon, with fantastic artwork and a like-new appearance. Corner pinholes, fold wear, and small chips in the left border were the only condition issues, and these have been corrected with excellent professional restoration. Posters for Donald Duck cartoons are always highly desirable. Very Fine- on Linen.
For Whom the Bulls Toil (RKO, 1953). One Sheet (27" X 41"). It could only happen to Goofy! While traveling in Mexico, the dim-witted dog is mistaken for a famous matador, and soon finds himself in the center of a bullfighting arena facing down an enraged bull! A lovely poster, with Goofy in full matador regalia, this colorful sheet shows crossfold separations, edge tears, and a tear at the top center that extends into the image area, but it still presents very nicely. Very Fine.
The New Neighbor (RKO, 1953). One Sheet (27" X 41"). As we all know, Donald Duck isn't one to bear offense quietly. So when his new neighbor turns out to be a slob, a mooch, and the owner of the worst dog in history, the resultant battle grows to such epic proportions that it becomes an instant media sensation! Offered here is a charming one sheet in superb condition; only our strict policy of not awarding a grade higher than VF+ to a poster that has been mounted on linen keeps us from granting an even higher grade to this vintage stunner. Very Fine+ on Linen.*
Trick or Treat (RKO, 1952). One Sheet (27" X 41"). When Donald Duck tries to prank his nephews on Halloween, they retaliate with the aid of Witch Hazel, who brews up a potion to turn the tables on the devious duck! This outstanding poster, with its great spooky graphics, has staple holes in the corners and in the image area, crossfold separations, wrinkling in the corners, an enlarged pinhole in the bottom right, a small tear in the top right, and some creasing in the body of the poster, but these slight flaws do little to detract from the incredible beauty of this Disney favorite. Bid now, and treat yourself to this beautiful one sheet! Fine/Very Fine.
Chips Ahoy (RKO, 1956). One Sheet (27" X 41"). It's Donald Duck versus Chip and Dale in this cartoon classic, as the two irrepressible chipmunks steal one of Donald's model boats in order to get to an island laden with acorns. Needless to say, Donald is less than amused with the highjacking of his boat, and hilarity ensues. This colorful one sheet had a 10" tear in the title area, and a small chip in Donald's left eye that slightly extends into his beak. These issues have largely been addressed with professional restoration, resulting in a poster that will certainly prove irresistible to any Disney fan. Fine on Linen.
Snow White and the Seven Dwarfs (RKO, 1937). Argentinean Poster (29.25" X 43.5").
Ironically, Snow White -- perhaps the greatest animated feature of all time -- was considered by the Hollywood community to be a high-risk proposition, and was labeled "Disney's Folly" at the time. Just goes to show what those guys knew. Snow White is a classic on every level, from the fine voice work to the fantastic design to the lush, eye-popping animation. This lovely Argentinean one sheet mimics the artwork of the American paper, and is an interesting alternative. Condition issues are generally minor and included corner pinholes, fold wear with crossfold separations, and a top left corner chip, all of which has been seamlessly restored. Celebrate this historic film with a terrific poster. Fine/Very Fine on Linen.
Ironically, Snow White -- perhaps the greatest animated feature of all time -- was considered by the Hollywood community to be a high-risk proposition, and was labeled "Disney's Folly" at the time. Just goes to show what those guys knew. Snow White is a classic on every level, from the fine voice work to the fantastic design to the lush, eye-popping animation. This lovely Argentinean one sheet mimics the artwork of the American paper, and is an interesting alternative. Condition issues are generally minor and included corner pinholes, fold wear with crossfold separations, and a top left corner chip, all of which has been seamlessly restored. Celebrate this historic film with a terrific poster. Fine/Very Fine on Linen.
Snow White and the Seven Dwarfs (RKO, 1937). One Sheet (27" X 41") Style A. Walt Disney invested $1,500,000 and three years of hard work, along with the combined talents of 570 artists, into the production of this animation classic. The film was a huge success, earning 8.5 million depression-era dollars. Considered to be one of Disney's top works, this film remains a favorite among fans everywhere. This style A one sheet pictures a tremendous image of the Seven Dwarfs. The poster has several small chips and tears in the borders. There was some tape behind the folds at one time before backing. The restoration was done exceedingly well and the poster displays wonderfully with vibrant colors! Very Fine- on Linen.
Snow White and the Seven Dwarfs (RKO, 1937). Insert (14" X 36"). Walt Disney had entertained the idea of producing a feature-length animated film for years, and when financial troubles began to brew, Disney knew he had to come up with something new to save his company. He invested $1,500,000 and three years of hard work, along with the combined talents of 570 artists, into the production of this animation classic. The central illustration of Snow White is by Gustaf Tenggren, the celebrated Swedish artist. This is the cleanest copy of this insert we have ever seen! The poster is rolled and has just the most minor restoration to a small chip from the right border. Very Fine+.
Pinocchio (RKO, 1940). Three Sheet (41" X 81") Style B. This is Walt Disney's classic story of a little puppet that wants to be a real boy. In the late 1930s, Walt Disney tried to maneuver his animation studio into feature-length films, and this fairy tale was the second film in Disney's transition from shorts. Dick Jones' voice brings the beloved character to life and the former vaudevillian, Cliff Edwards is the delightful Jiminy Cricket. This beautiful poster has only a few wrinkles in the linen, a very small paper loss under Disney's name and minor crossfold separations. You just don't see vintage Disney posters in this condition as they were frequently reused for each reissue of the film. Very Fine+ on Linen.
Fantasia (RKO, 1940). One Sheet (27" X 41") Style B. Walt Disney's animated masterpiece was developed from a short-subject cartoon that was based on the Paul Dukas musical piece "The Sorcerer's Apprentice." Mickey Mouse starred in the eight-minute short that was orchestrated by Leopold Stokowski. Disney and Stokowski both liked the finished product so well that they decided to expand the production from a short subject into a full two hour feature. Seven classical music selections were incorporated into this animation masterpiece including: Bach's "Toccata and Fugue in D Minor," Tchaikovsky's "Nutcracker Suite", Beethoven's "Pastorale Symphony" and Schubert's "Ave Maria." Featured here is the very rare Style B one sheet picturing the famous mouse himself as the apprentice. This is the first time we have ever offered this one sheet in auction. The poster has minor fold wear and a couple of minor border chips the size of a small fingernail. You should bid while you can on this gorgeous example as it may be a long time before another copy of this poster surfaces. Very Fine on Linen.
Peter Pan (RKO, 1953). One Sheet (27" X 41"). The last Disney film distributed by RKO, and also the last one to feature all of the "Nine Old Men" as directing animators, this beloved fantasy is based on the play by J. M. Barrie, and is perhaps the best-known version of the Peter Pan story. This splendid one sheet features a large image of the Boy Who Never Grew Up. Condition issues included corner pinholes, a small tear on the right side at the horizontal fold, fold wear with crossfold separations, top left corner chip, and a small hole in the right border; professional restoration has rendered these minor issues all but invisible. A lovely sheet for this perennial classic. Very Fine- on Linen.
Sleeping Beauty (Buena Vista, 1959). One Sheet (27" X 41") Style A. Everyone knows the story of this classic fairytale: an evil witch places a spell upon a beautiful princess, casting her into a deep sleep, from which only a kiss by a handsome prince can awaken her. Walt Disney brought this classic story to life in 1959, resulting in another animated classic for the studio. The last Disney film to feature hand-inked animation cells, this production truly marked the end of an era. This colorful one sheet, with artwork by Eyvind Earle, shows some crossfold separation, pinholes in the corners, creasing in the left and right border, and small edge tears at the fold lines, but is in overall excellent condition. Very Fine.
Sleeping Beauty (Buena Vista, 1959). One Sheet (27" X 41") Style B. This beautiful adaptation of Charles Perrault's classic fairy tale, in which a beautiful princess falls under the spell of a wicked witch that only the kiss of a handsome prince can break, was Disney's first feature created for the 70mm format, and the last animated film from that studio to feature hand-inked cels. With music adapted from Tchaikovsky's "Sleeping Beauty" ballet, this is one of Disney's all-time classics. The exquisite poster offered here, the extremely rare Style B one sheet, has light fold wear with crossfold separation, a small tear in the bottom right corner, minor edge tears at the fold lines, top and bottom right corner bends, light staining in the title area, and small chips in the top center and left border, but presents very nicely, sure to be a valued addition to any fine Disney collection. Fine+.
Little Runaway (MGM, 1952). One Sheet (27" X 41"). Tired of his workaday life blowing horns and punting beach balls, a baby seal escapes from the zoo and hides out in Tom & Jerry's swimming pool. This lively cartoon has the requisite chase scenes, but this time Tom is pursuing the runaway seal rather than Jerry, which adds a nice twist. We've offered quite a few Tom and Jerry posters over the years, but this is the first time for this particular title, and we think it's one of the best. Minor condition issues included pinholes in the corners and field, light fold wear, a tiny hole at right center, and a small chip in the bottom border; professional restoration has rendered these virtually invisible. Very Fine+ on Linen.
The Framed Cat (MGM, 1950). One Sheet (27" X 41"). Tom frames Jerry for stealing lunch, and the latter gets his revenge via a bulldog, a magnet, and the dog's bone. One of numerous Tom and Jerry shorts directed by William Hanna and Joseph Barbera between 1940 and 1958, this one closes with a classic sight gag. The poster has some edge wear to the right border with some small chips, light wear to the top border, and pinpoint crossfold separations. Fine/Very Fine.
Bronze Age (1970-1979)
Mutt and Jeff in "White Meat" (Fox, 1921). One Sheet (27" X 41"). Launched in 1907, Bud Fisher's daily comic strip Mutt and Jeff quickly gained national and then international popularity. Fisher ultimately entered into an agreement with Pathe to supervise a series of animated cartoons. The series ran from 1913 through 1926 and were released over time by Pathe', Celebrity Films and finally Fox Films. They were a huge favorite with theater going audiences in the silent years. This fabulous poster of the comic duo is the only known copy that we are aware of and though politically incorrect, must be viewed as a relic of the time. The poster has fold separation in the upper horizontal fold and a small piece missing in the upper vertical fold within the clouds above the native's head. Very Fine- on Linen.
Movie Posters
Mutt and Jeff in "A Roman Scandal" (Short Films Syndicate, 1926). One Sheet (27" X 41"). In 1916, Bud Fisher, the cartoonist who began the first daily cartoon strip in 1907, licensed the production of "Mutt and Jeff" for animation with pioneers Raoul Barre and Charles Bowers. The animated series lasted 11 years and more than 300 animated Mutt and Jeff shorts were released, making it the longest running theatrical animated film series, second to Krazy Kat. This cartoon short was released during the last full year of their production. The poster had tape supporting all of the folds and there was a chip from the lower left corner and edge chips. The poster has been professionally restored and has had much of the red and white title fields airbrushed. This is an early piece of animation history and it is unlikely that another copy exists. Very Good on Linen.
Golden Age (1938-1955)
Mutt and Jeff in "Oil's Well That Ends Well" (Fox, 1919). One Sheet (27" X 41"). This one sheet from the Mutt and Jeff animated series features the series' namesakes about to be executed. These cartoons ran from 1913 to 1926 and were originally produced by Pathe, but moved to Fox Films in about 1918. This incredibly rare poster displayed fold wear, and an extra vertical fold at one time. However, the poster has been mounted on linen and professionally restored, giving it a very clean appearance. Very Fine on Linen.
Movie Posters
Mutt and Jeff in "Mixing in Mexico" (Screen Attractions Corp., R-1930). One Sheet (27" X 41"). From 1913 through 1926, Mutt and Jeff animated shorts were showing at theaters throughout the country at the pace of one a week! This wonderful poster was for an early reissue by Screen Attractions Corp. when they added a soundtrack and color to the shorts. The poster had some small border chips and some tape removal from the verso. There was a section of paper loss below the "M" in Mutt in the title and along the top horizontal fold. The poster looks great after professional restoration. Fine on Linen.
The Big Trail (Fox, 1930). Window Card (14" X 22"). Though a failure at the box office during its original release, this film has the honor of being the first movie ever shot in 70mm. Only a few theaters had the ability to run the format, so a 35mm version of the film was shot at the same time. While the film's tagline, "The Most Important Film Ever Produced," referred to the new film process, it could very well have been a prophetic reference to the movie's inexperienced male lead, as it marked the first starring role for John Wayne. Aside from pinholes and bumps at the corners, there are chips in the top left and bottom right corners as well as a hole in the bottom left border. Fine+.
Sagebrush Trail (Monogram, 1933). Half Sheet (22" X 28"). Jailed for a murder he didn't commit, John Brandt (John Wayne) escapes and makes his way out west, where he hooks up with an outlaw gang that just happens to count the real killer among its members. Sharply-directed and exciting, this is a terrific early Wayne Western. Offered here is the rare half sheet, which features a great image of the Duke atop a stagecoach. The poster had a large stain in the top right quadrant, and another in the bottom left corner, a tear in the right border, slight paper loss in the bottom right corner, a puncture in Wayne's hip area, and some creasing, all of which has been addressed with excellent professional restoration. Far scarcer than the one sheet, this is definitely the paper to have on this title, and a must for Wayne fanatics. Fine+ on Paper.
Randy Rides Alone (Monogram, 1934). Title Lobby Card (11" X 14"). John Wayne is the lonely Randy, who is accused of murder. He breaks out of jail with the aid of Sally Rogers (Alberta Vaughn) in order to find the real bad guys. The usually talkative Gabby Hayes plays Marvin Black, a mute hunchbacked shop keeper who seems to have something to hide. This B Western is somewhat of a cult classic due to the opening scene of a saloon full of dead bodies and the sounds of a player piano. This title card had a missing top left corner, chips in the top and left borders, stains at the bottom, corner pinholes, small holes in the image and a staple hole in the top center. Most of these issues have been addressed by older restoration and there are pieces of tape on the reverse. A truly great image of a Hollywood legend, this is a prize for any collector. Very Good/Fine.
The Oregon Trail (Republic, 1936). One Sheet (27" X 41"). Although John Wayne enthusiasts can debate which of the Duke's films was the best, there's little question as to the best poster to feature this fine actor. Although this film, basically a remake of Wayne's earlier effort,The Big Trail (1930), is now lost - the only one of Wayne's early films to bear that unfortunate distinction - this poster remains as one of the finest ever to feature America's hero. Republic rarely issued stone litho posters for their B Westerns, but they pulled out all the stops when they created this beauty. The result is an absolute classic. Few copies of this poster are known to exist; best current estimate is that there are fewer than half a dozen extant examples. This particular copy had crossfold separation and some fold wear, but expertly applied professional restoration has rendered these slight flaws virtually invisible. Whether you're a Wayne collector, a Western fan, or merely someone who appreciates outstanding poster images, this glorious stone litho one sheet is for you! Very Fine- on Linen.
The Man from Monterey (Warner Brothers - First National, 1933). One Sheet (27" X 41"). Filmed several years before Wayne's breakout role in Stagecoach (1939), this was the last B Western the rising star would make for Warner Brothers. After this, he moved to Monogram where he made a number of fine films. In this picture, Wayne plays Captain John Holmes, a U.S. army officer on a mission to get local ranchers to register their property before it falls into the hands of unscrupulous outlaws, a task that brings him into conflict with local land baron Don Luis Gonzalez (Donald Reed). This wonderful stone litho poster had small crossfold separations, a tear in the bottom left corner, a tear in the bottom center that extends into the image area, edge tears in all the borders, and a tear in the top border that extends into the "W" in "Wayne." All of these minor issues have been addressed with professional restoration, making this a piece that any poster enthusiast will be proud to own. Very Fine- on Linen.
Ride Him, Cowboy (Warner Brothers, 1932). Lobby Card (11" X 14"). In John Wayne's first B Western for Warner Brothers, he plays cowboy John Drury, a man falsely accused of a recent rash of barn burnings. Just as he's about to be lynched, evidence is presented that clears Drury, who sets out to find the real villain. A remake of Ken Maynard's The Unknown Cavalier (1926), this picture uses stock footage from that earlier production. The lobby card offered here, showing Drury left for dead in the desert with his horse Duke, had pinholes in the borders and in the image area, surface paper loss on the reverse, and light edge wear in the right border. After professional restoration, including pressing and tissue backing, this early Wayne treasure looks as good as new. Very Good/Fine.
Paradise Canyon (Monogram, 1935). Three Sheet (41" X 81"). The last of the "Lone Star Westerns" John Wayne made for Monogram in the early years of his career, this is probably the most action-packed. As undercover Federal agent John Wyatt, Wayne is on the trail of a counterfeiting ring operating near the Mexico/Arizona border. Legendary stuntman Yakima Canutt supplies much of the action in this picture; Wayne and Canutt would soon become good friends and would go on to appear in a number of pictures together. This stunning stone litho three sheet, considered by many to be Wayne's best from the 1930s, had a small tear in the top center border, crossfold separation, and fold wear, all of which has been expertly addressed with outstanding professional restoration. The result is an absolute treasure that will be a fabulous addition to any collection. Very Fine- on Linen.
Three Texas Steers (Republic, 1939). One Sheet (27" X 41"). John Wayne got his first big break in 1931 with a film called The Big Trail. He was not particularly well-received in the major role and it would take him another eight years to get a second chance to head up a major film in 1939's Stagecoach. In the interim years, Wayne starred in B Westerns for the likes of Monogram and Republic Studios. This film was one of the latter studio's series, based on stories by William Colt MacDonald's Three Mesquiteers. This lovely poster has very heavy border wear with some significant chips missing. There was a large piece which extended from the left border into the name "Ray Corrigan," which has been replaced. there was paper loss in the lower left corner which extends into the artwork as well. There was some heavy fold wear especially in the vertical fold. The poster restoration was well done and the poster now displays very well. Good/Very Good on Linen.
Stagecoach (United Artists, 1939). Title Lobby Card (11" X 14"). Although Director John Ford had worked with John Wayne in the past, it was in this legendary Western that that two men would team up for one the most important films in each man's career. John Wayne appears as the Ringo Kid, an outlaw who leads a group of people to safety aboard an embattled stagecoach. This title card has wear to the borders in the form of pinholes, minor tears, creases and smudging. Very Good/Fine.
Stagecoach (United Artists, 1939). Half Sheet (22" X 28"). One of the most important and influential Westerns ever filmed, this classic picture, about a group of strangers making a dangerous journey across the plains on a stagecoach, not only elevated star John Wayne and director John Ford to superstar status, it also redefined the genre, proving that Westerns could be more than just shoot-'em-ups. A thoughtful, character-driven film, this picture stands as a masterwork for all involved. Offered here is one of the extremely desirable half sheet posters from this classic film (we sold the other style in a previous auction), spotlighting the entire cast, including John Wayne, Claire Trevor, George Bancroft, Donald Meek, Thomas Mitchell, John Carradine and Andy Devine. The one sheet from this film, while extremely desirable and attractive, shows only the stagecoach. This poster has some smudging, tears in the borders, corner bends and vertical creasing. Fine/Very Fine.
The Night Riders (Republic, 1939). One Sheet (27" X 41"). This Three Mesquiteers Western is based on the exploits of one James Addison Reavis, a clever 19th century con artist who, through a series of elaborate land swindles, tried to declare himself owner of the state of Arizona. Enter the Three Mesquiteers -- Stony Brooke (John Wayne), Tucson Smith (Ray Corrigan) and Lullaby Joslin (Max Terhune) -- who don capes and masks to do battle with Talbot's minions under cover of darkness. President Garfield makes an appearance, and then gets assassinated. The Duke, of course, is the main attraction of this rip-roarin' one sheet, which has exciting action and great color. The poster had multiple long tears in the field, fold wear and crossfold separations, large chips out in the folds and field, paper lifts on the reverse, and multiple extra horizontal creases. The poster has undergone excellent professional restoration, including extensive paint touch-ups, and looks as good as new. Very Good on Linen.
Three Godfathers (MGM, 1948). Three Sheet (41" X 81"). John Ford directed John Wayne in this version of the Peter Kyne story which had been filmed several times before. He assembled his stock of players including Ward Bond, Mildred Natwick, and Ben Johnson, and dedicated the film to his first Western star of years before, Harry Carey. The beautiful three sheet is the best format from this film with it great Tomaso artwork. This poster has had minor fold separation and small imperfections repaired in the linen backing. Very Fine on Linen.
Red River (United Artists, 1948). Insert (14" X 36"). A classic Western from director Howard Hawks and star John Wayne, this is the story of Thomas Dunson (Wayne), a tyrannical cattle baron driving his herd from Texas to Missouri with his adopted son Matthew (Montgomery Clift in his first screen role) and his erstwhile sidekick Groot (Walter Brennan). Along the way, tempers flare and son turns against father, leading to a dramatic conclusion. Although the film was completed several years earlier, it was held due to legal challenges from Howard Hughes, who considered it too similar to his earlier picture, The Outlaw (1943). This fabulous insert had several small holes in the title area, small edge chips in the left border, and a corner bend in the top right, but professional restoration has rendered these slight flaws virtually invisible, making this a fantastic piece from a remarkable film. Fine/Very Fine on Paper.
She Wore a Yellow Ribbon (RKO, 1949). Three Sheet (41" X 81"). John Ford's steady hand and one of John Wayne's finest performances make this middle film of Ford's "Cavalry Trilogy" a true classic of the Western genre. The three sheet format for this masterpiece is truly impressive. Strong colors and excellent artwork elevate this poster to must-have status. There were tears at the fold lines and minor chipping in all four borders. But now, thanks to a great restoration, it displays very well. Fine+ on Linen.
Rio Grande (Republic, 1950). Standee (32.5" X 59). John Ford directed this romantic action film set just after the Civil War, when the U.S. Army turned its attention to the Apaches in the Southwest, who had been roaming at will while the Army was busy elsewhere. John Wayne and Maureen O'Hara star, with Claude Jarman Jr., Chill Wills, Victor McLaglen, and Harry Carey, Jr. turning in nice supporting performances, in Ford's last film in his "Cavalry Trilogy." This is a very rare standee, used in theater lobbies to advertise an upcoming film. These pieces are rare due to the fact that they were oversized and would be more difficult to store. Thus most of them went to the trash heap. This poster is silk-screened artwork in the bottom two-thirds and a large black and white portrait of the two stars glued at the top third. The bottom two corners are impacted and there is some soiling and color paint transfer shown in horizontal lines as the poster is printed on corrugated cardboard. The poster displays beautifully and still has the string easel hangers on the verso. This is one we have never seen before and offers a fabulous image of Wayne and O'Hara together! Fine-.
The Searchers (Warner Brothers, 1956). One Sheet (27" X 41"). This true classic of the American cinema is considered by many to be one of the greatest Westerns ever made. Director John Ford tells of a man's search, that spans several years, trying to find his niece who was kidnapped by Indians. This legendary movie has been copied by many, but never equaled. John Wayne gives the performance of his career, in the role he claimed to be his favorite, as Ethan Edwards, a man driven by guilt and responsibility. Prior to restoration, there were pinholes in the borders, a long tear on the left border, fold wear with light paper loss on the top vertical fold, crossfold separations, and a small chip on the right border. All this has been beautifully restored, giving this poster a like new appearance. Fine/Very Fine on Linen.
Rio Bravo (Warner Brothers, 1959). One Sheet (27" X 41"). No discussion of classic Westerns is complete without a mention of Rio Bravo. All the iconic elements are in place: the small town sheriff, the drunken gunfighter, the young gunslinger looking to make his name, and the mysterious beauty - along with an incredible cast that includes John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, and Walter Brennan, making this an unforgettable example of a film that is the very definition of the word "classic." This stunning poster is in pristine condition, with a slight bit of fold wear being the only issue. The sheet has been mounted on linen and looks like a million bucks. Don't miss this terrific poster for one of the Duke's best. Very Fine+ on Linen.
The Horse Soldiers (United Artists, 1959). British Quad (30" X 40"). The brilliant team of director John Ford and legend John Wayne are back in this gripping Civil War epic. Wayne plays Union Colonel John Marlowe, whose mission is to destroy a Confederate railroad. Major Kendall (William Holden) is a doctor who is troubled by the moral dilemmas and horrors of war and who constantly battles the colonel. The pair are also rivals for the affections of Miss Hannah, played by Constance Towers. This fantastic British poster features extended artwork not seen on any of the US paper. Edge wear with small tears and wrinkling in the top right are the only issues with this quad. This truly unique poster is a must have for all John Wayne fans. Rolled, Very Fine-.
The Alamo (United Artists, 1960). One Sheet (27" X 41") Roadshow. In the mid 1940s, star John Wayne began developing, with screenwriter James Edward Grant, a film about the historic battle of 1836 during the Texas Revolution. It took him 15 years to bring it to fruition and it remains the definitive film version of the story. Released in October of 1960, it premiered at its 70mm roadshow length of 202 minutes, including overture, intermission, and exit music. This lovely one sheet, with artwork by the great Reynold Brown, is the very rare Todd A-O Roadshow poster. It has pinholes in the corners and very minor wear and soiling. Very Fine.
The Man Who Shot Liberty Valance (Paramount, 1962). Italian 4 - Folio (55" X 78"). In 2007, The Man Who Shot Liberty Valance was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." The fabulous poster depicts John Wayne and James Stewart in heroic poses. It has some foldwear and a water stain in the upper right border. There has been no touch-up to restore the wear on the poster yet it displays very well. Fine+ on Linen.
Adventure's End (Universal, 1937). One Sheet (27" X 41"). John Wayne would make six films for Universal after taking a leave of absence from Republic, with bigger budgets, better supporting casts, and shown in better movie houses. This is the last of those, with Arthur Lubin, the budget conscious director of five of Wayne's six Universal pictures, recalling "we made this picture because there was an old boat on the Universal lot we could use." This beautiful one sheet is as near mint as they come with almost no signs of use or age! Near Mint.
Sands of Iwo Jima (Republic, 1950). One Sheet (27" X 41") Style B. Shortly after finishing his first Oscar-nominated role in this film, John Wayne received one of Hollywood's ultimate honors -- he was asked to put his footprints in cement outside Grauman's Chinese Theater. For the occasion, black sand from Iwo Jima was shipped in and mixed with the concrete, so that Wayne could actually leave his foot (and fist!) prints in the sands of Iwo Jima. Prior to restoration, this one sheet had tape lifts at the crossfold and borders, and a small abrasion on "Iwo." The poster has a very clean appearance. Very Fine- on Linen.
All Quiet on the Western Front (Universal, 1930). Mobile (22.5" x 13"). One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. This is our first opportunity to offer this intriguing mobile that would have hung in theater lobbies during the film's initial run; the piece has a very interesting design, including a hinged book that opens to reveal the cast and crew credits. This mobile is in excellent condition overall, with a small pencil mark on the lower right side, and light edge wear; the book cover has come loose and been professionally reattached. A terrific piece of ephemera from this powerful film. Fine/Very Fine.
All Quiet on the Western Front (Universal, 1930). Half Sheet (22" X 28"). This powerful anti-war. The film won Oscars for Best Picture and for Lewis Milestone's direction. The American posters for this film's original 1930 release have been almost impossible to find. This is the first time we have offered this extremely rare half sheet with its haunting image of a shell-shocked Lew Ayres. There were pinholes in the corners and borders, a chip in the left border, a small chip out of the top left corner, two tears on the right border, a small amount of paper loss by Aryes' nose, and some paper loss on the folds. This has been restored, but the horizontal fold line is still evident. Fine+ on Paper.
All Quiet on the Western Front (Universal, R-1934). Lobby Card Set of 8 (11" X 14"). One of the most stunning anti-war movies ever made, this landmark film, based on the novel by Erich Maria Remarque, follows a group of German students who enlist in the army during World War I, inspired by tales of heroism and adventure. The horrific reality that they face in the trenches of Europe, however, is quite a different story. Considered the most violent film of its time - the Production Code was not yet in force - the gruesome depiction of war is still disturbing, effectively heightened by the complete lack of music throughout the movie. This beautiful set of lobby cards is in exceptional condition. The title card shows a corner chip in the bottom right, and a smudge in the top left; several of the scene cards have small corner creases, and two cards show light smudging in the bottom borders. Aside from these very minor flaws, these cards are extremely clean and attractive, waiting to become an important part of your permanent collection. Very Fine/Near Mint.
All Quiet on the Western Front (Universal, 1930). Window Card (14" X 22"). An exceptionally powerful film, All Quiet on the Western Front is a haunting picture about the horrors and futility of war. Based on the best-selling novel by Erich Maria Remarque, the film was a sensation upon its initial release. During its brief run in Germany - it was banned shortly after its release - members of the Nazi party, upset by the film's anti-war message and its inherent criticism of German militarism, disrupted showings by releasing rats into the theater! It won the Best Picture Oscar in 1930, the first all-talking, non-musical feature to be so honored, and Steven Spielberg acknowledges the film as a partial inspiration for his Saving Private Ryan (1998). Paper from the original release of this landmark picture is exceptionally difficult to come by; offered here is a beautiful window card for your consideration. It had a single pinhole in the image area and a small tear at the top, but professional restoration, including some airbrushing in the imprint area, has rendered these slight flaws virtually invisible. Don't miss your chance to add this important beauty to your collection. Very Fine- on Cardstock.
Come and Get It (United Artists, 1936). Three Sheet (41" X 81"). Lumber tycoon Edward Arnold got ahead in life by dumping his true love, Frances Farmer, and marrying into money. Years later, his attraction to the true love's daughter (also played by Farmer) causes a scandal and friction with his son, Joel McCrea. Walter Brennan won the very first Best Supporting Actor Oscar with his role in this film. This three sheet has tears in the title and left side, fold wear with extra creasing and paper loss on the folds, and small holes in the credits and title. There is surface wear with no touchup, and a scratch in the red of the book. Beautiful stone litho artwork of the three leads is featured on this, the only known copy of this fabulous poster. Fine+ on Linen.
The Air Circus (Fox, 1928). One Sheet (27" X 41"). One of the first films of director Howard Hawks' many aviation films, The Air Circus stars Arthur Lake and David Rollins as two young flight-school cadets. After bragging about their airborne prowess to pretty Sue Carol, the boys are dismayed to learn that she is an accomplished aviatrix, who can fly rings around both of them! Hawks had served as a pilot for the Army Air Corps during World War I. After he was discharged he worked in an aircraft factory designing and flying planes. Hawks used his first hand experience to masterfully craft this early aviation film and would go on to direct several others of the same theme, including the 1930 version of Dawn Patrol. This lovely stone litho poster has had paper added around the borders as they had been trimmed at one time. The interior image is in great condition and has minor fold touch-up. The poster has been beautifully restored to appear near mint!. Fine/Very Fine on Linen.
Hell's Angels (United Artists, 1930). Title Lobby Card (11" X 14"). Some of the most spectacular aerial footage ever shot for a Hollywood film was seen in this WWI epic produced and directed by maverick businessman and filmmaker Howard Hughes. When the former war aces he had hired as stunt pilots refused to go up for one particularly difficult shot, Hughes took the controls himself. He crashed in the process, but he got the shot. This title card has staple holes in the borders with a tear on one, tanning in the borders, and creases on the corners and borders. There is a piece of cellophane tape on the back of the staple tear. A very nice title card from Hughes' masterpiece. Fine/Very Fine.
Hell's Angels (United Artists, 1930). Lobby Card (11" X 14"). Howard Hughes finished the shooting for this WWI epic in 1928, and was planning on releasing it as a silent. Then The Jazz Singer came out. Hughes scrapped everything and started over, this time as a talkie. Although his two stars, Ben Lyon and James Hall, had fine voices, he replaced the female lead, Greta Nissen, with Jean Harlow because Nissen's Norwegian accent was too thick. This lobby card has a couple of pinholes, edge tears with cellophane and paper tape on the back, and corner bumps and creases with a small corner chip on the top left. A beautiful shot of the love triangle of Harlow, Lyon and Hall. Fine-.
Hell's Angels (United Artists, 1930). Lobby Card (11" X 14"). This lobby card features a color image of starlet Jean Harlow, a prized rarity for this film, since an eight-minute, two-strip Technicolor sequence remains the only surviving color footage of her. As is the case in the Oscar-winning film Wings, the starlet sits at the center of a love triangle between two aviator brothers. The card has some pinholes and staining to the borders, and a bend in the bottom left corner. Fine-.
Non-Stop New York (Gaumont, 1937). One Sheet (27" X 41"). This fantastic murder mystery took advantage of the fascination at the time with transatlantic air travel. Jennie Carr (Anna Lee) stows away aboard a sea plane bound for New York. Death defying aerial battles ensue aboard the plane, which are wonderfully illustrated on the poster. The linen has been trimmed to the edge of the poster. Prior to professional restoration this poster had enlarged pinholes in the corners in the field, foldwear, and a cossfold separation. The stone litho artwork is just stunning and this would be a prize addition for any collector. Very Fine on Linen.
Non-Stop New York (Gaumont, 1937). Insert (14" X 36"). A flight of fantasy that was enough ahead of its time as to almost qualify as sci-fi. This fun crime caper has witness Anna Lee (the wife of director Robert Stevenson) running away from hitmen for the London mob on the Transatlantic Clipper. After the killers do away with the crew and parachute out, it's up to detective John Loder to save the day. This insert has pinholes in the borders and field, tears in the top border and right corner, and missing paper on the bottom border. Nice restoration has addressed all of the flaws. The fun artwork is filled with action without seeming too busy. Fine/Very Fine on Paper.
The Lost Squadron (RKO, 1932). French Four Panel (90.5" X 121.5"). Taken aback that the maniacal character he was being asked to play was named Erich von Stroheim, the real von Stroheim demanded a name change before he would take the role in this film. It is a tale of three World War I fliers (Richard Dix, Robert Armstrong and Joel McCrea) who turn to stunt flying in the movies after the war is over. This French four panel has light wrinkling near the folds with pinpoint cross fold separations. Beautiful artwork and the remarkable condition of a poster this size make this a rare offer. Very Fine/Near Mint.
Sky Devils (United Artists, 1932). One Sheet (27" X 41"). Hoping to match the success of his boisterous (and Oscar-winning) silent comedy Two Arabian Knights, and the spectacular aviation drama Hell's Angels and at the same time indulge his fascination for aviation, Hollywood producer Howard Hughes came up with this film, starring Spencer Tracy and William "Stage" Boyd. This is a fabulous early sound one sheet featuring stone lithography by H.C. Miner Litho Company. The lovely art-deco image of the sensuous female to the right is an excellent example of poster art of the era. The poster has a chip from the upper right corner and some slight fold wear and wrinkling. There is a piece of brown paper tape behind the upper and lower left corners. Fine-.
Arrowsmith (United Artists, 1931). Half Sheet (22" X 28"). Ronald Colman stars as the title character in this John Ford directed adaptation of the Sinclair Lewis novel. Coleman is a talented scientist who gives up a research career to get married (to Helen Hayes) and become a town doctor. Eventually he succumbs to his true calling and heads to Africa to help cure the Black Plague. The film earned an Oscar nomination for Best Picture as well as for Art Direction, Cinematography and Writing (Adaptation). This lovely half sheet has a chip each corner and one from the left border. There is a single pinhole in each corner. Rolled, Fine.
Young Mr. Lincoln (20th Century Fox, 1939). One Sheet (27" X 41") Style B. One of the most beloved and honest actors of all time, Henry Fonda was the perfect choice to play the popular president. Set in Kentucky and Illinois, this is a fictionalized account of the young lawyer in the ten years before he gained national prominence. Alice Brady also stars, in this her last film, along with Marjorie Weaver and Arleen Whelan. Fonda and the legendary director John Ford work together again in Drums Along the Mohawk and the following year in The Grapes of Wrath. This bright one sheet had light fold wear prior to restoration and the linen is trimmed to the edge of the poster. A very appealing poster of a classic favorite. Very Fine+ on Linen.
Wee Willie Winkie (20th Century Fox, 1937). Half Sheet (22" X 28") Style A. Widely considered to be one of her best films, Shirley Temple stars here as a young girl who goes to live in a British Army outpost in India with her mother, works hard to win over her grandfather (C. Aubrey Smith), and is quickly adopted by a kind-hearted sergeant (Victor McLaglen). This John Ford classic, inspired by a Rudyard Kipling story includes action, romance, and 20th Century Fox's most bankable star. The pretty poster offered here had some fold wear with some slight separation in, as well as a minor chip in the lower left corner, but professional restoration has greatly minimized these minor defects. Fine+ on Paper.
The Lost Patrol (RKO, 1934). Mini Window Card (8" X 14"). Victor McLaglen and Boris Karloff star in this epic tale of a group of soldiers lost in a Mesopotamian desert while Arab enemies try to pick them off, one at a time. This was director John Ford at his best, delivering a character study that would provide inspiration for other war-time classics like Sahara. This gorgeous card is almost pristine! Near Mint.
The Grapes of Wrath (20th Century Fox, 1940). Mini Window Card (8" X 14"). "We'll go on forever, cause we're the people." Jane Darwell, in perhaps her finest role, sums up the plight and hope of the Okies and the rest of the country in this classic adaptation of John Steinbeck's Pulitzer and Nobel winning novel. Henry Fonda's lead performance as Tom Joad made Steinbeck "believe my own words." This midget window card has all four corners missing, with the bottom left extending into the field. The card has been cleaned and pressed, all four corners restored, and the borders and imprint area have been shot, leaving the card with a brand new appearance. A beautiful piece from one of director John Ford's best. Fine.
The Quiet Man (Republic, 1951). Standee (32.5" X 58"). According to those who knew him, John Ford's personal favorite of all of his films was The Quiet Man. He had to wait a number of years before he could make the picture in his homeland of Ireland. The picture was a virtual "who's who" of Ford players, including John Wayne, Maureen O'Hara, Victor McLaglen, and Ward Bond, and remains one of the director's masterpieces. This is a very rare standee, used in theater lobbies to advertise an upcoming film. These pieces are rare due to the fact that they were oversized and would be more difficult to store. Thus most of them went to the trash heap. This poster is silk-screened artwork in the bottom two-thirds and a large full color poster glued at the top third. The bottom two corners are impacted as well as the tip of the right side. There is some soiling and color paint transfer shown in horizontal lines as the poster is printed on corrugated cardboard. The poster displays beautifully and still has the string easel hangers on the verso. If you have been waiting for something special to collect on this all-time favorite, this would be the item! Fine+.
The Hurricane (United Artists, 1937). French Grande (47" X 63"). An examination of individual freedom vs. the harshness of colonial rule is the main thrust of this John Ford romance of the South Seas starring Jon Hall and Dorothy Lamour. However, the most impressive part of the film is the titular storm. Special effects chief James Basevi split his budget of $400,000 by using $150,000 to build the village set, and then $250,000 to destroy it. This French grande has fold wear with small pieces missing. Though the poster has older restoration with touch ups on the yellow field, the beautiful stone litho artwork is untouched. Very Fine- on Linen.
The Nightmare Before Christmas (Touchstone, 1993). Alternate Lenticular One Sheet (27" X 41"). As if the advance lenticular wasn't rare enough, this version, featuring the film's cast in a graveyard and referred to as the "Hell's Gate" style, was never issued to theaters. Made out of photographic material laminated onto plexiglass that creates a 3D effect, this is called a barrier strip image in the industry. It's thought that only thirty to fifty exist as they were produced for an '"in-house" promotion or as a prototype/concept poster that was ultimately refused by the studio. Near Mint/Mint.
Young Frankenstein (20th Century Fox, 1974). One Sheet (29" X 49"). Mel Brooks' comedy masterpiece spoofs the early Frankenstein horror films. Starring Gene Wilder, Madeline Kahn, Teri Garry and Peter Boyle as the Monster. This poster is a special printing done oversized on a heavier stock paper than the standard one sheet. The image is very sharp in which the smallest detail of the artwork is revealed. It is done full-bleed and has exceptionally vibrant colors. This was most likely a printing done for studio execs and special roadshow promotions. Get this one while you can as we have never seen this before. The poster is rolled with minor creasing seen within the image from handling. Rolled, Very Fine/Near Mint.
The Ghost Breakers (Paramount, 1940). One Sheet (27" X 41"). Bob Hope and Paulette Goddard star in one of the best pictures to ever blend horror and comedy! Goddard's character is set to inherit a castle on an island with only one catch; it seems that the castle is haunted. Although this wasn't a sequel, Paramount recast the duo after the success of 1939's The Cat and the Canary. Posters for this title are fan favorites and sought after by collectors. This copy had tape behind the folds and on each corner. There was some surface rubbing in the area of the ghost's midsection above the "The" in the title. There was some slight paper loss in the crossfolds. All of these issues were professionally addressed in the restoration and the poster now displays well. Fine- on Linen.
Abbott and Costello Meet Frankenstein (Universal International, 1948). One Sheet (27" X 41"). Bud Abbott and Lou Costello rub shoulders with Dracula (Bela Lugosi), the Wolfman (Lon Chaney Jr.), and the Frankenstein monster (Glenn Strange) in a raucous monster mash directed by Charles Barton, who helmed all of the best A&C movies. The poster had pinholes in the corners, some border chips, and fold wear with crossfold separations. Excellent professional restoration has addressed these issues. All the monsters appear on this terrific one sheet, a must for any Bud & Lou collection. Fine/Very Fine on Linen.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Lobby Card (11" X 14"). Lou Costello is completely unaware that he's about to become "lunch" in this hilarious moment from the last film in the original Universal Horror series. Universal had pretty well decided to pull the plug on the Horror series as well as their comedy team of Abbott and Costello when someone hit on the novel idea of putting them all together in the same film. Lon Chaney Jr. made his final appearance as the Wolf Man in this classic lobby card #5. The card has two pinholes per corner, a tiny tear in the right border and a Dutch censor stamp embossed into the lower right corner. Fine/Very Fine.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Lobby Card (11" X 14"). This incredible lobby card features Bela Lugosi as Dracula, Glenn Strange as Frankenstein's Monster, and Lenore Aubert as Dr. Sandra Mornay, as well as Abbott and Costello, and Lon Chaney Jr. as the Wolfman in the border. The card shows minor corner and handling wear. There is one pinhole near the bottom of the image and a repaired very small tear in the top border which is still visible. There are two linen hinge pieces on the verso top border from framing. This is an extremely attractive card, featuring two of Universal's greatest monsters. There's little in this hobby today that's more desirable than Universal Horror paper, so don't miss your chance to own this rare beauty! Very Fine-.
Kwaidan (Continental, 1966). Polish One Sheet (22.5" X 33.5"). Kwaidan literally means "Ghost Story." this quartet of eerie tales is adapted from Greek writer Lafcadio Hearn. He began writing in America at 19, but moved to Japan twenty years later, where he took the name Koizumi Yakuno. These subtle horror stories eschew gore, using atmosphere and slow suspense to deliver a deeper psychological shiver. This Polish poster has small tears on the left border. The frightening artwork is by Polish artist Wiktor Gorka. Rolled, Very Fine+.
The Fly (20th Century Fox, 1958). Poster (40" X 60") Style Z. One of the creepiest sci-fi/horror films of the 1950s found a scientist accidentally trapped in a matter transporter with a fly. After the initial experiment, he finds that his atoms and those of the fly have merged. The script and effects were top rate and made this film a classic. This wonderful and rare format is the only poster that shows Al Hedison as he appears for half of the film as the half human, half fly creature! The poster has edge and handling wear typical for posters such as this and the heavier paper they are printed on. There are a few tears in the borders as well as a small amount of soiling and staining on the poster. Rolled, Fine-.
I Was a Teenage Werewolf (American International, 1957). One Sheet (27" X 41"). Young Michael Landon is outstanding in this classic teen-monster mix, and sports a pretty convincing make-up job as well. Troubled teen Tony (Landon) is sent to a scientist (Whit Bissell) for hypnotherapy, and ends up regressing into an animalistic creature who kills. Offered here is the one sheet that features the familiar imagery for this title, with a scary wolf claw ripping a bloody swath through the image. The poster had small tears in the lower border, fold wear with crossfold separations, and some chips out of right border; professional restoration has rendered these issues invisible, and the poster presents beautifully. Fine/Very Fine on Linen.
House on Haunted Hill (Allied Artists, 1959). Half Sheet (22" X 28"). Five strangers are offered a cool $10,000 if they can just survive one night in the house of mysterious Frederick Loren (Vincent Price). How hard could that be? This attractive and dramatic half sheet has pinholes in the bottom left corner, the bottom border, and the left border, a small crease in the right border, and a small corner bend in the top right, but is otherwise extremely clean and attractive. Folded, Very Fine+.
House on Haunted Hill (Allied Artists, 1959). One Sheet (27" X 41"). Want to make $10,000 overnight? All you have to do is spend that night in Frederick Loren's (Vincent Price) eerie mansion. Once the doors are locked at midnight, there's no telling what might happen! This creepy classic from director William Castle featured the gimmick "Emergo," in which a skeleton on a wire flew out of a black box next to the screen, over the heads of terrified audience members, at a key point in the film. The skeleton proved a tempting target for young boys with slingshots, which may explain why this particular gimmick was never used again. The outstanding graphics on this great one sheet make it a highly-desired prize among collectors; this particular example shows some wrinkling in the top left and a scuff at the top right, but is otherwise in beautiful condition. Fine/Very Fine.
Curse of the Demon (Columbia, 1957). Half Sheet (22" X 28") Style A. The film tells the story of Dr. John Holden (Dana Andrews), an American psychologist intent on exposing demonic cult leader Dr. Julian Karswell (Niall McGinnis), whom Holden believes to be a fraud. Holden's investigation brings him more than he bargained for, however, forcing him to rethink his long-held beliefs about the supernatural. Director Jacques Tourneur originally intended that the monster never be seen, but studio heads convinced him otherwise. This wonderful and dramatic half sheet shows some light wear in the horizontal fold, but is otherwise clean and unmarked, a perfect addition to any collection. Folded, Very Fine+.
Curse of the Demon (Columbia, 1957). One Sheet (27" X 41"). Originally titled Night of the Demon, this gripping and atmospheric British film is about American psychologist John Holden (Dana Andrews) who gets in deeper than expected when he investigates a devil worshipping cult run by the infamous Julian Karswell (Niall McGinnis). When Holden gets too close to the truth, a piece of cursed parchment slipped into his pocket threatens to bring his investigation to an unfortunate end. The monster, as pictured on the striking one sheet, is one of the most memorable ever to be seen on the silver screen. This highly desirable one sheet is in superb condition, with only a tear in the vertical fold line at the bottom keeping it from an even higher grade. A true treasure for any monster movie fan! Very Fine.
Night Tide (American International, 1961). One Sheet (27" X 41") Style B. Dennis Hopper is a sailor on liberty who falls for a dark-haired young woman (Linda Lawson) who plays a mermaid in the local carnival. But when strange things start happening, he begins to wonder if she might really be a mermaid. This evocative thriller was directed by Curtis Harrington (Queen of Blood) and has achieved "cult" status due to its unnerving tone. Young Hopper is terrific, and Lawson has an unnerving, offbeat beauty. Offered here is the exceptionally scarce B style one sheet, in superb condition; some light staining in the right border and pinpoint crossfold separations were the only issues, and professional restoration has rendered these nearly invisible. Very Fine+ on Linen.
Robot vs. The Aztec Mummy (Cinematográfica Calderón S.A., 1958). Mexican One Sheet (27" X 41"). Sometimes known as The Aztec Mummy vs. the Human Robot, this is the third and final entry into the Aztec Mummy series, in which the returning villain "The Bat" creates an oversized metal man in a plot to destroy his Aztec arch-foe. This outstanding country-of-origin one sheet features the battle royale between these two iconic forces, with a sexy shot of leading lady Rosa Arenas included. This unrestored poster has some edge wear, minor border stains, and crossfold separations, but still retains great color and presents well. Fine/Very Fine.
The Mummy's Ghost (Universal, 1944). Three Sheet (41" X 81"). In this sequel to The Mummy's Tomb, Lon Chaney Jr. stars again as Kharis the mummy, now protector of princess Ananka, who has been reincarnated as Amina Mansouri (Ramsay Ames). John Carradine plays Yousef Bey, kidnapper of Amina, who uses Kharis to destroy his enemies. The linen has been trimmed to the edge of the poster and some of the paper is lifting. This spectacular three sheet had pinholes in the corners, fold wear with chips and tears, crossfold separations, a missing corner in the bottom right, and paper loss at the join. Many of these issues have been addressed with older restoration. The fantastic creepy colors on this very rare Universal horror poster will prove irresistible to many collectors. Very Good- on Linen.
The Mummy's Ghost (Universal, 1944). Half Sheet (22" X 28"). The third entry in Universal's popular Mummy series, this classic chiller finds Kharis (Lon Chaney Jr.), along with Yousef Bey (John Carradine), searching for his beloved Ananka, whose body had crumbled to dust but whose soul has been reincarnated in the person of Amina Mansouri (Ramsay Ames), a young Egyptian exchange student studying Egyptology with Professor Norman (Frank Reicher). The movie also features George Zucco as the High Priest and Robert Lowery, several years before he would don the cowl of the Caped Crusader in Columbia's Batman and Robin (1949), as leading man Tom Hervey. This stunning half sheet, with its bright, near-flourescent colors, has never been folded, but has benefited from pressing and cleaning. It had a long cut in the lower right, a tear and small hole in the lower left, small edge tears in the top border, and a small hole in the upper left corner, but professional restoration has admirably addressed all of these issues, returning this wonderful poster to its original glory. As with all Universal horror paper, material from this highly desirable title is extremely hard to come by; don't miss this chance to add this rare beauty to your collection! Rolled, Very Fine-.
The Mummy (Universal, 1932). Lobby Card (11" X 14"). After the overwhelming success of Frankenstein, released at the end of 1931, it was clear that star Boris Karloff was the reigning King of Universal Horror, a position usurped from Bela Lugosi, who had briefly worn the crown since the release of Dracula in the first part of the same year. After playing the role of Morgan, the psychotic butler in The Old Dark House (1932), and a loan-out to MGM for the title role in The Mask of Fu Manchu, Boris, now referred to simply as Karloff, returned to Universal to film The Mummy. Originally developed as Cagliostro, about a man who had lived for centuries, the film was retooled to take advantage of the then-current interest in all things Egyptian, sparked by the discovery of King Tut's tomb in 1922 and the subsequent display of the pharaoh's artifacts over the next decade. The result was one of Karloff's finest performances - and the first to truly showcase his full range of skills as a leading actor - as Im-Ho-Tep, alias Ardeth Bey, an ancient Egyptian high priest who returns to life to wreak vengeance on those who desecrated his tomb. Along the way, he falls for Helen Grosvenor (Zita Johann), in whom he recognizes the reincarnated spirit of his great love, Anck-es-en-Amon. One of the most important films of the original Universal Horror cycle, paper from this title is exceptionally scarce and always in high demand. Offered here is the "Sarcophagus" card, picturing Bramwell Fletcher, Karloff, Edward Van Sloan, and Arthur Byron, one of the nicest cards in the entire set. It had pinholes in the corners, corner bends in the top right and top left, edgewear in the right border, and two small marks on Van Sloan's forehead, but professional restoration, which includes airbrushing in the borders and color touch-up in the word "Karloff," has resulted in an extremely beautiful and eminently displayable piece that will certainly be an important addition to any collection. We've only offered lobby cards from this important picture twice before, so don't miss out on this rare opportunity to own this fabulous trophy! Fine+.
The Mummy (Realart, R-1951). Half Sheet (22" X 28"). Boris Karloff's first day of shooting for this classic Universal horror film was "the most trying ordeal I ever endured." Makeup artist Jack Pierce began applying the complicated costume at eleven in the morning and didn't finish until seven that night, after which Karloff shot until two the next morning. Removing the mass of cotton and spirit gum took another two painful hours. This half sheet has edge wear on the right border, some tanning, abrasions in the corners, and an extra crease on the bottom border. Wonderful images of Karloff the Uncanny and his co-star Zita Johann. Rolled, Fine/Very Fine.
The Ghost of Frankenstein (Universal, 1942). Three Sheet (41" X 81").
After the original Frankenstein movie in 1931 and its highly successful sequels - Bride of Frankenstein (1935) and Son of Frankenstein (1939) - star Boris Karloff decided to relinquish the role of the monster that had made him a superstar. With that, Universal began a search for someone to replace Karloff under the famous make-up, and soon found Creighton Tull Chaney, better known to the movie-going world as Lon Chaney Jr. Naturally tall and imposing, Chaney was a fine choice to play Mary Shelley's immortal creation, aided by Bela Lugosi as Ygor, Lionel Atwill as Doctor Bohmer, Sir Cedric Hardwicke as Dr. Ludwig Frankenstein - the second son of Henry, the creator of the fearsome creature - and Evelyn Ankers "the Fay Wray of the 1940s," as Ludwig's daughter. Aside from being the first film in the canon without Karloff under the make-up, this would prove to be the last time the Monster was featured by himself; in subsequent movies, such as Frankenstein Meets the Wolf Man (1943) and House of Frankenstein (1944), he would be part of a larger ensemble of creatures.
After the original Frankenstein movie in 1931 and its highly successful sequels - Bride of Frankenstein (1935) and Son of Frankenstein (1939) - star Boris Karloff decided to relinquish the role of the monster that had made him a superstar. With that, Universal began a search for someone to replace Karloff under the famous make-up, and soon found Creighton Tull Chaney, better known to the movie-going world as Lon Chaney Jr. Naturally tall and imposing, Chaney was a fine choice to play Mary Shelley's immortal creation, aided by Bela Lugosi as Ygor, Lionel Atwill as Doctor Bohmer, Sir Cedric Hardwicke as Dr. Ludwig Frankenstein - the second son of Henry, the creator of the fearsome creature - and Evelyn Ankers "the Fay Wray of the 1940s," as Ludwig's daughter. Aside from being the first film in the canon without Karloff under the make-up, this would prove to be the last time the Monster was featured by himself; in subsequent movies, such as Frankenstein Meets the Wolf Man (1943) and House of Frankenstein (1944), he would be part of a larger ensemble of creatures.
The Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). This was Lon Chaneys only appearance as the Frankenstein monster, the fourth in the venerable Universal series. In this one, the hunchback Ygor (Bela Lugosi) brings the creature to yet another son of Frankenstein, Ludwig (Cedric Hardwicke), and then bad brains are exchanged. This nifty lobby card has a cool image of the monster on a rampage. Condition issues include corner and border creasing, light border smudging, a pulled pinhole at bottom center, rounded corners, a surface scratch top left, and tape on the reverse. Still, the card presents very nicely, with good color and clarity. Fine/Very Fine.
The Ghost of Frankenstein (Universal, 1942). Insert (14" X 36"). The fourth film in the Frankenstein saga, this was the first picture in which the Monster was portrayed by someone other than Boris Karloff. Lon Chaney Jr. dons the make-up in this installment, as mad Ygor (Bela Lugosi) schemes with the disgraced Dr. Bohmer (Lionel Atwill) to have Dr. Ludwig Frankenstein (Sir Cedric Hardwicke) place his brain into the body of the mighty creature. This gorgeous insert, featuring art similar to the three sheet also offered in this auction, is unbacked. It had fold wear, a small nick at the top center, small edge tears, surface paper loss repaired in the top right, and a missing top left corner, but outstanding professional restoration, which includes pressing, has expertly addressed these minor issues, returning the poster to a like-new appearance. If you're looking for an exquisite example of paper from a classic Universal Horror film, don't overlook this treasure! Fine/Very Fine.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). This was the second sequel to 1931's Frankenstein, and marked the last time that Boris Karloff would play the Monster that made him a superstar. When Wolf Frankenstein (Basil Rathbone), eldest son of Henry, the Monster's creator, returns to the family mansion, he finds more than he expected, including the mad hunchback Ygor (Bela Lugosi), and a comatose creature. Keeping an eye on everything is the one-armed Inspector Krogh (Lionel Atwill), who had a disastrous encounter with Frankenstein's monster years before. This highly desirable lobby card, which shows all three of the principal actors - Rathbone, Lugosi, and Karloff - has been cleaned and pressed. It had tiny punch holes in the left and right borders as well as one to the left of the main image, a small tear in the right border, repaired top and bottom left corners, and a bend in the bottom right corner. After professional restoration, however, the card appears immaculate, making this a real treasure for any Universal Horror fan. Fine+.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). This classic Universal horror film was the last time Boris Karloff played Frankenstein's Monster -- if you don't include a celebrity baseball game in 1940 or a TV episode of Route 66 twenty years later. The film is the primary target of Mel Brooks' wonderful spoof,Young Frankenstein, but the original still has power with its great performances by Bela Lugosi and Basil Rathbone (in a role that was to go to Peter Lorre). This lobby card has a pinhole in the bottom right, smudges and surface scuffs, and horizontal creases with small tears at the top and bottom right. Fine.
Collin Clive, Elsa Lanchester and Ernest Thesinger in "The Bride of Frankenstein" (Universal, 1935). Still (8" X 10"). Vintage, black and white, single weight, glossy still. This original photo from the 1935 release features three of the film's stars in the unmistakable confines of Frankenstein's laboratory. There are creases at the corners, minor wear at the edges and a pit of paper loss in the borders . A faint smudge can be seen in Thesiger's apron as well as in the top right corner. This is a great shot from one of the seminal horror films of the 20th century. Fine+.
Frankenstein (Universal, 1931). Title Lobby Card (11" X 14"). James Whale created a legend when he cast a virtual unknown, Boris Karloff, to portray the Monster in the cinematic version of Mary Shelley's classic horror story. Colin Clive was fantastic as Dr. Frankenstein and Dwight Frye will always be remembered as his lab assistant Fritz. There are a very few posters from the original release of this classic film still in existence. This title card is one of a very few known. The card shows some light foxing along the left border and some minor creasing in the lower corners. There were two pinholes in the lower right corner, three in the lower left corner, four in the upper left corner, and six in the upper right corner. All of these have been repaired and the card's appearance is now outstanding! Very Fine.
Frankenstein (Universal, 1931). Lobby Card (11" X 14"). Before this film, Boris Karloff was a bit player whose career, at the age of 44, was going nowhere. Cast in a role that other actors, including Bela Lugosi, turned down, Karloff became an overnight sensation as Mary Shelley's tragic figure: created, and then abandoned and despised, by an unfeeling scientist. Rather than treating the monster as a mere mute juggernaut, Karloff brought a childlike humanity to the creature, making him one of the most indelible and iconic figures in cinema history. This exquisite scene card, showing Fritz (Dwight Frye) torturing the Monster, had pinholes in the corners and borders, a tear in the right border, a chip in the top left corner, creasing on the left and right sides, and a pinhole in the title area. Additionally, as part of the restoration process, all the white border areas have been airbrushed. The card now looks like a million dollars, a fabulous image from a landmark film. Fine- on Tissue.
Frankenstein (Universal, 1931). Stills (4) (8" X 10"). Vintage, black and white, single weight, glossy stills. Of all of the Universal horror paper, few titles are more sought after than the original Frankenstein. These four stills from the film's first release are in remarkable condition. Three of the photos have had holes punched in the margins for book placement. However, the lone photo that features Karloff as The Monster is free of holes and may be the best still in the set! Faint wrinkles and creases can be seen in the borders and at the corners but the images themselves are very clean making this collection highly desirable. Fine/Very Fine-.
Frankenstein (Universal, R-1938). Three Sheet (41" X 81"). The February 1931 release of Dracula convinced Universal Pictures that the horror genre was a force to be reckoned with and since they had a solid foothold in the genre, they should proceed ahead. The next logical choice was Mary Shelley's novel, a cross between science fiction and horror, Frankenstein: Or the Modern Prometheus. The novel was written in 1818 and the first adaptations for live theatre appeared in 1823. However, it wasn't until 1910 that the novel was filmed for the first time. It was a crude adaptation and Universal's Carl Laemmle Jr. realized the studio could modernize Thomas Edison's silent version. Although Bela Lugosi was the studios original choice to play the Monster, it proved difficult to talk the actor into the role. Lugosi balked at playing a lumbering creature that didn't have any lines. He was convinced that anyone could do the part and that since he was a "true" actor, his talents would be wasted in the picture. In one of the greatest casting "coups" of all time, director James Whale replaced the Hungarian actor with a bit player, Boris Karloff, who went on to international fame in the role. Lugosi was, however, relegated to smaller roles in lesser horror films for the remainder of his career. To this day, the image of Boris Karloff as the Monster is recognized around the world and his name will be forever associated with Shelley's classic character. The image on this poster depicts Karloff as the most important monster to ever stalk the silver screen. The style is reminiscent of German Expressionism and is very similar to the artwork used on the film's original campaign from 1931. To date, this is the only three sheet from any release of Frankenstein to ever surface. The condition is truly stunning as well. Although the poster is 70 years old, it is amazingly clean with very slight repair to a minor crease in the chest area of the Monster. Provenance: The Nicolas Cage Collection. Very Fine+ on linen.
The Walking Dead (Warner Brothers, R-1942). One Sheet (27" X 41"). Boris Karloff has one of his best roles as a soft-spoken patsy who takes the fall for a crime and faces execution, only to be brought back to life to hunt down those who caused his demise. An interesting mixture of gangster and horror genres, beautifully directed by the great Michael Curtiz. This evocative re-release poster has a great image of Karloff, and an eerie green color scheme. The poster has three replaced corners, tape lifts on the borders, surface paper loss and border chips, along with multiple tears, some staining in the borders, and tape on the reverse. One of Karloff's most stylish films, with a stylish poster to match. Very Good/Fine.
The Body Snatcher (RKO, 1945). Half Sheet (22" X 28") Style B. The dream team of Boris Karloff and Bela Lugosi join forces once again for this horror classic, loosely based on a story by Robert Louis Stevenson. Robert Wise directs this atmospheric thriller with a sure hand. The poster features a haunting image of Karloff, and evocative artwork. Condition issues included long tears in the borders and field, fold wear, top left corner missing, and pieces out in the left and bottom borders. Professional restoration has been applied, giving this a great look. Very Good on Linen.
The Wolf Man (Universal, 1941). Window Card (14" X 22"). A particularly hirsute Larry Talbot (Lon Chaney Jr.) glares out from this eerie duotone window card, poised over the recumbent form of Evelyn Ankers. One of the most important and successful films in the Universal Horror franchise, this was a career-defining role for Chaney, who had previously toiled in the shadow of his famous father. This unbacked beauty has a top right corner bend and a small scratch to the right of the figure. Some light scuffing across the image is evident, as is a small tear in the left border. The top and bottom edges display very minor wear, and there's some very slight foxing at the bottom border. Lastly, there is a small amount of ink smudging at the top in the theater name. Overall, however, this is a very attractive card that should bring out the beast in all horror collectors. Very Fine+.
The Wolf Man (Universal, 1941). Lobby Card (11" X 14"). One of Universal's "big three" horror franchises, the ongoing saga of Larry Talbot, aka the Wolf Man, was probably the most consistent in terms of quality. It all began here, with the memorable original, which featured a razor-sharp script by Curt Siodmak that invented the "rules" of what we now think of as werewolf lore. Lon Chaney Jr. finally emerged from the shadow of his famous father and gave a memorable performance as the doomed Talbot, while a luminous Evelyn Ankers and stalwart Claude Rains headed up the excellent supporting cast. This terrific lobby card immortalized the moment where Maleva (Maria Ouspenskaya) tends to the fallen Wolf Man. The card is in exceptional condition, with corner pinholes and a small tear in the bottom border being the only issues; the card also appears to have been cleaned and pressed. Very Fine.
The Wolf Man (Universal, 1941). Half Sheet (22" X 28"). Lon Chaney Jr. finally emerged from the shadow of his famous father in this classic Universal monster movie, one of the slickest and best of the era. The combination of a tight script by Curt Siodmak, a fine cast, and the genius of Jack Pierce's make-up make this a classic to watch over and over. This half sheet had signs of heavy handling wear and fold wear. There was a chip from the left and bottom border, and there was a couple of tears in the left border leading into the artwork. There was tape applied to the backside which has left staining and some tape lifts from the verso. Expert restoration has made this half sheet appear to be in excellent shape. It has not been traditionally paperbacked but has a tissue thin Japanese paper applied. There are a couple of rubber stamps on the verso as well. Fine-.
The Invisible Man (Universal, 1933). Window Card (14" X 22"). One of the best films in the Universal Horror canon, this picture, directed by the visionary James Whale, made a superstar of Claude Rains virtually overnight, even though his face only appears in the last few moments of the movie. Based on the novel by H. G. Wells, this is the story of scientist Jack Griffin (Rains) who uses himself as a guinea pig in his experiments involving invisibility. He's successful in making himself vanish, but the serum has an adverse effect on his mind, sending him on a murderous rampage throughout a small English village. Paper from this title is some of the rarest of all the Universal Horror films, and is avidly sought by anxious collectors. This beautiful window card, which boasts exceptional color, has rounded corners, airbrushing in the top imprint area, and some slight colored pencil touch-ups in the top right image area, but these minor defects do nothing to detract from this exquisite piece. Don't disappear when the bidding starts; you know you want this rare and desirable piece! Very Fine+.
The Invisible Man (Universal, 1933). Still (8" X 10"). Vintage, black and white, single weight, glossy still. This still features an outline drawing of the title character attacking a helpless victim. Prior to restoration, the bottom right corner was missing and there was a chip in the top border Fine-.
The Invisible Man Returns (Universal, 1940). One Sheet (27" X 41"). One of the earliest movies in the filmography of future horror superstar Vincent Price, this is the sequel to the classic 1933 Universal film that starred Claude Rains. The studio had signed a multi-picture deal with H. G. Wells, the author of the book upon which the original film was based, and hoped to turn the character into a franchise, much as they had done with Dracula and Frankenstein. In this picture, Sir Geoffrey Radcliffe (Price), a man wrongly accused of murder and imprisoned, is given the original invisibility serum to aid him in tracking down the real murderer, although he's warned that the concoction will almost certainly drive him mad. The film received an Oscar nomination for its amazing special effects. This stunning one sheet is in exceptional condition; we note some evidence of fold wear, but after expert professional restoration, this slight flaw is virtually as invisible as the title character. Paper from this film is almost as hard to locate as material from the original; don't pass up this rare opportunity to add this beauty to your collection! Very Fine on Linen.
King Kong (RKO, 1933). French Grande (47" X 63"). Merian C. Cooper's film captivated the world when it was first seen on the big screen in 1933, with its landmark special effects that brought a whole new dimension to movie making. "Kong! The Eighth Wonder of the World" (as he was billed in the movie) still reigns supreme as king of one of the greatest sci-fi/horror films ever made! This wonderful full-bleed stone litho poster, with art by Roland Coudon, shows Kong illuminated by the glow of native torches, as he gazes upon the lovely Fay Wray -- a classic scene from this classic film. The poster had light fold wear with pinpoint crossfold separations, light scuffs at the right side, and is pulling away from the linen at the top right corner. Professional restoration has been applied, giving this a like-new appearance, with glorious color and a razor-sharp appearance. The King of Monsters has proven to be true royalty among poster collectors, and this rare French gem is no exception. Very Fine on Linen.
King Kong (RKO, 1933). Insert (14" X 36"). King Kong clutches the side of the Empire State Building as he ascends with a screaming Fay Wray in his hand. This incredible insert features the art used on the Style B three sheet, and in duotone, the art from the six sheet and the Style A one sheet, and it certainly packs a lot of excitement, typical of RKO inserts from this era. From one of the most important films in the horror genre, this insert, one of only two known copies to exist, has had extensive restoration. The borders and all of the yellow areas have been painted as has Fay Wray's dress. Additionally, restoration has been applied to much of the background and to imperfections within the image. Good/Very Good on Paper.
The Unholy Three (MGM, 1925). Window Card (14" X 22"). In this classic silent film, three sideshow performers, including Professor Echo, the ventriloquist (Lon Chaney), Hercules, the strongman (Victor McLaglen), and Tweedledee, the dwarf (Harry Earles) turn their talents to a life of crime in a scam involving a bird store and Chaney's impersonation of a kindly old grandmother. Directed by the great Tod Browning, who would go on to helm some of Chaney's best pictures, this movie was remade in 1930 as Lon's first - and sadly only - talking picture. The exquisite window card offered here has edge wear in the top and bottom borders, corner bumps, foxing in the area of Mae Busch's credit, and light creasing. Still a fantastic portrait of one of the screen's finest performers. Very Fine.
Lon Chaney Sr. Personality Poster (MGM, ca. 1926). Poster (22" X 28"). One of the greatest actors of any age, Lon Chaney Sr. left an indelible mark on the face of cinema. Born to deaf parents in Colorado in 1883, Chaney entered the theater as a young man, and was soon touring with a traveling theater company. In 1912, after divorcing his first wife, and with a young son to support, Chaney moved west to Hollywood, where he initially found work on the fledgling Universal lot. During these early years, Lon worked to hone his skills with make-up, skills that would stand him in good stead throughout his career. Although Chaney was regarded as a gifted character actor early on, his real breakout role was as The Frog in 1919's The Miracle Man. As a fake cripple, Chaney unwinds from a complicated contortion, a scene that is as thrilling today as it must have been 90 years ago. After that, he moved into an increasingly impressive string of leading roles, playing everything from a legless crimelord in The Penalty (1920) to a humble Asian laundryman in Shadows (1922). True superstardom, however, would come in 1923 with his iconic role as Quasimodo in The Hunchback of Notre Dame, fame that was further enhanced in 1925 with The Phantom of the Opera, considered the beginning of the Universal Horror genre. Now one of the biggest stars in Hollywood, Chaney was at the top of his game when this stunning personality poster was issued, most likely sometime around 1926. Sadly, he had only a few more years to live, as he passed away in 1930, on the verge of becoming one of the few silent performers who would make the successful transition to sound films. He remains an icon of the cinema, and one of the most exceptional actors ever to grace the silver screen. This lovely poster had some creasing, a chip in the top right corner, and small chips and tears in the borders, but professional restoration has addressed all these slight flaws, making this a rare prize that any serious collector will be proud to own. Very Fine- on Paper.
The Phantom of the Opera (Universal, 1925). One Sheet (27" X 41"). In 1923, Universal Pictures President Carl Laemmle made a decision that would not only set the course for his studio in the coming decades, but also make cinematic history. He essentially created the modern horror film with his production of The Hunchback of Notre Dame. Laemmle knew that the obvious star to appear as the misshapen lead could be none other than Lon Chaney. Known as a master of make-up, Chaney would be the only actor who could bring novelist Victor Hugo's tragic Quasimodo to life on the screen. The film was a major sensation, going on to become Universal's biggest money-maker up to that time. Due to its incredible popularity, Laemmle kept the film in continuous release for the next two years. By 1924, Laemmle was already looking for another sensation along the lines of The Hunchback. He turned to the classics again, and this time, found Gaston Leroux's novel, The Phantom of the Opera. The story concerned a horribly disfigured musician/composer, Erik, who falls in love with a rising diva in the Paris Opera Christine (Mary Philbin). His tutelage of her soon turns to obsession and Erik kidnaps her to become his bride. To portray the disfigured composer, Carl Laemmle turned once again to the only man who could play the role: Lon Chaney. Laemmle knew that with Chaney, he would have another major hit on his hands. Chaney, known as "the Man of a Thousand Faces", was given total control to create the make-up for his soon-to-be legendary character. He created a lasting masterpiece when he transformed himself into Erik the Phantom, by making his face appear as a living skull. He used thin wire to make his eyes bulge and to enlarge his nostrils. He also applied jagged teeth to his mouth and dark make-up around the eyes to complete the effect. The make-up was kept a complete secret from the public and wasn't revealed until the World Premiere of the picture. That night came in early 1925 at the Curran Theatre in San Francisco. In attendance were the films lead's: Chaney, Philbin, and Norman Kerry (Raoul), and the film's directors, Rupert Julian and Edward Sedgwick. It was a celebrated event that brought major dignitaries and Hollywood's elite to the city. Although the film initially met with mixed reviews, it appeared that it would still be a major hit. To insure the success of his picture, Laemmle ordered retakes under the direction of Sedgwick and had Technicolor sequences added to the film. The picture had another premiere at the Astor Theatre in New York City on September 6. To say the least, the film was a smash sensation.The Phantom of the Opera includes one of the scariest moments ever filmed. When Christine approached the Phantom and tore the mask from his face, the resulting exposure of Chaney's face (and make-up) reportedly sent women screaming from the theater and fainting in the aisles. The scene has been imitated many times and in many films over the years, but the impact of this singular cinematic moment can't be overstated. Over the years, the film attained legendary status and solidified Universal's position in the coming horror genre. Universal Pictures considered this film to be so important, that the studio has preserved a portion of the original opera house set on Soundstage 28, where it stands to this day. It could be argued that without the success of The Phantom of the Opera, Universal might have abandoned the horror genre and Dracula, Frankenstein, The Mummy, and a host of other Universal Horror films might never have been made.
Universal went all out in the creation of publicity material to advertise their production. No fewer than eight different one sheet posters were created for the film, yet only two of those depict the Phantom. Two of the eight one sheets were simple white titles against a black background. Two more posters featured the film's two romantic leads, (Raoul) Norman Kerry and (Christine) Mary Philbin. Another two tried to capture a hint of the film's mystery and menace: the first by showing a shadowy violinist terrorizing the film's Opera cast, and the second by showing a masked patron in a box seat while the theatre stage burns below him. It has been argued that this poster does depict the Phantom. However, since the Phantom never appears like this in the movie, the argument is irrelevant. The final two one sheets depict Lon Chaney as Erik the Phantom. One shows him atop the Paris Opera House after the Bal Masque sequence. The Phantom's red cape swirls around him and he covers his face as he listens to Christine and Raoul's plans to escape his control. Although this poster is quite spectacular, it is clearly an artist's interpretation of Chaney as the Phantom since it neither looks like Chaney, nor features him wearing the skull mask as he did in this scene from the film. In the creation of eight posters for this legendary classic of horror, Universal made only a single one sheet that accurately captured Lon Chaney as his greatest creation, Erik - The Phantom of the Opera. As Raoul ( Kerry) searches for the kidnapped Christine (Philbin), the Phantom swims beneath the waters of the catacombs awaiting his chance to eliminate his rival for Christine's affections. The poster shows Chaney unmasked and in make-up and, even though his face is slightly obscured by the river's currents, there is no doubt that this is Chaney as the Phantom! Many collectors feel that this is one of the most spectacular posters created for any of the classic Universal Horror films. To date, there are only four copies known to exist. One is in the archive at Universal Studios and another two are in private collections. This one sheet is currently the only copy available and may remain so for years to come. Once this copy is gone into the catacombs of some lucky collector, you may not get a whack at another! The interior of this poster is fantastic with no fading whatsoever. There are some very minor color touchups to the fold lines and the lower centerpoint in the "P" of Opera. The poster had a few one inch wrinkles in the background and those have had some color pencil touch ups as well. The borders have been airbrushed, primarily to repair a few minor tears, tiny edge chips and a light horizontal crease in the top and bottom borders. All of these issues have been dealt with by very professional restoration so that the poster has a very clean appearance. Provenance; From the Collection of Nicolas Cage. Very Fine- on Paper.
Universal went all out in the creation of publicity material to advertise their production. No fewer than eight different one sheet posters were created for the film, yet only two of those depict the Phantom. Two of the eight one sheets were simple white titles against a black background. Two more posters featured the film's two romantic leads, (Raoul) Norman Kerry and (Christine) Mary Philbin. Another two tried to capture a hint of the film's mystery and menace: the first by showing a shadowy violinist terrorizing the film's Opera cast, and the second by showing a masked patron in a box seat while the theatre stage burns below him. It has been argued that this poster does depict the Phantom. However, since the Phantom never appears like this in the movie, the argument is irrelevant. The final two one sheets depict Lon Chaney as Erik the Phantom. One shows him atop the Paris Opera House after the Bal Masque sequence. The Phantom's red cape swirls around him and he covers his face as he listens to Christine and Raoul's plans to escape his control. Although this poster is quite spectacular, it is clearly an artist's interpretation of Chaney as the Phantom since it neither looks like Chaney, nor features him wearing the skull mask as he did in this scene from the film. In the creation of eight posters for this legendary classic of horror, Universal made only a single one sheet that accurately captured Lon Chaney as his greatest creation, Erik - The Phantom of the Opera. As Raoul ( Kerry) searches for the kidnapped Christine (Philbin), the Phantom swims beneath the waters of the catacombs awaiting his chance to eliminate his rival for Christine's affections. The poster shows Chaney unmasked and in make-up and, even though his face is slightly obscured by the river's currents, there is no doubt that this is Chaney as the Phantom! Many collectors feel that this is one of the most spectacular posters created for any of the classic Universal Horror films. To date, there are only four copies known to exist. One is in the archive at Universal Studios and another two are in private collections. This one sheet is currently the only copy available and may remain so for years to come. Once this copy is gone into the catacombs of some lucky collector, you may not get a whack at another! The interior of this poster is fantastic with no fading whatsoever. There are some very minor color touchups to the fold lines and the lower centerpoint in the "P" of Opera. The poster had a few one inch wrinkles in the background and those have had some color pencil touch ups as well. The borders have been airbrushed, primarily to repair a few minor tears, tiny edge chips and a light horizontal crease in the top and bottom borders. All of these issues have been dealt with by very professional restoration so that the poster has a very clean appearance. Provenance; From the Collection of Nicolas Cage. Very Fine- on Paper.
Universal Weeklies (Universal, 1925). Magazines (2) (Multiple Pages). Universal produced a weekly magazine that was mailed to their exhibitors or theater owners to showcase the constant supply of material being produced to fill their theaters. These two volumes deal with the new release of The Phantom of the Opera starring Lon Chaney. Each book has a double page spread devoted to the title. The one copy has a great image on the cover of Chaney. Each book is in nice shape for its age. One is done in full-color, the other black and white. Very Fine.
The Unholy Three (MGM, 1930). Lobby Card (11" X 14"). This fantastic lobby card - featuring Lon Chaney and a menacing gorilla - is from Chaney's very last screen appearance and is the only film in which we hear his voice. Chaney plays a master criminal who employs a midget and a strongman to do his dirty work. This beautiful card only has pinholes in the corners to keep it from grading Mint. Very Fine+.
Phantom of the Opera (Universal, 1943). Title Lobby Card (11" X 14"). Claude Rains stars as the Phantom of the Paris Opera House in this lavish Technicolor remake of the 1925 Lon Chaney classic. Nelson Eddy and Susanna Foster supply the operatic voices. This near pristine title card has only a small smudge on the top border and a small corner bend on the top right to keep it from grading perfect Mint. Very Fine+.
Phantom of the Opera (Universal, 1943). Lobby Card (11" X 14"). Claude Rains as the mysterious Phantom cuts the huge Paris Opera House chandelier loose to fall on the audience below in one of the pivotal scenes from this Technicolor horror classic. Near Mint.
Phantom of the Opera (Universal, 1943). Lobby Card (11" X 14"). This card features a great closeup of Claude Rains as the Phantom as he is about to strangle Jane Farrar. There is some light smudging on the card. Very Fine+.
Session 3
Gulliver's Travels (Paramount, 1939). Australian One Sheet (27" X 40"). The Fleischer brother's answer to Snow White and the Seven Dwarfs was the first American animated film not released by Disney. Taken from the first part of Jonathan Swift's satirical novel, the film concentrates on the miniature kingdoms of Lilliput and Blefuscu, and Gulliver's trials and tribulations dealing with the opposing kings of those lands. This one sheet has pinholes in the corners, a tear in the top left corner, and fold wear with cross fold separations. A censor stamp below the "G" in Gulliver has been painted out. The restoration is nicely done, and the poster has a very clean appearance. Nice stone litho artwork of many of the main characters. Very Fine- on Linen.
Woody Woodpecker Stock (Universal, 1950). One Sheet (27" X 41"). Walter Lantz created his famous bird, an obnoxious mischief-maker, after he and his wife were interrupted on their honeymoon at a lakeside cottage by a pesky woodpecker. With arguably the most famous laugh of any cartoon character in history, Woody Woodpecker made his debut in a 1940 Andy Panda theatrical short entitled Knock Knock. Woody continued to appear in short films throughout the 40s and 50s. In 1957 the Kellogg's company collected the shorts into a syndicated package that were sold to television as The Woody Woodpecker Show. The only posters that were produced for Woody were stock posters such as the one featured here. This copy is in outstanding condition. Near Mint.
Lady and the Tramp (Buena Vista, 1955). One Sheet (27" X 41"). Lady and Tramp both appear on this wonderful one sheet from one of Walt Disney's most romantic animated features. There was wear at the folds with crossfold separations and a bit of paper loss on the reverse. But a wonderful restoration has rendered these flaws a thing of the past. Very Fine- on Linen.
Snow White and the Seven Dwarfs (RKO, R-1943). One Sheet (27" X 41"). Before it was released, this first American animated feature was known as "Disney's Folly." Even his wife and brother tried to convince him that he was wrong to make it. Walt Disney had the last laugh -- the film was an instant success and, until Gone With the Wind came out a year later, was the highest grossing film of all time. This one sheet has pinholes in the corners, small tears on the bottom and left border, cross fold separations, and chips on the top left corner, right border and bottom vertical fold. Nice restoration has addressed all of these flaws, and the poster has a very clean appearance. A nice piece from the first re-release of this classic. Fine/Very Fine on Linen.
Pigs is Pigs (RKO, 1954). One Sheet (27" X 41"). In this delightful short, based on the story by Ellis Parker Butler, Flannery, a station master, receives a shipment of guinea pigs and, declaring that "pigs is pigs," demands that they be paid for at the livestock rate of 48 cents each, rather than the pet rate of 44 cents each. McMorehouse, the parsimonious customer, refuses to pay the extra charge and leaves the animals with Flannery, which is fine until the inevitable piglets begin to arrive. This splendid cartoon from the Disney studios features Thurl Ravenscroft, best known as the voice of Tony the Tiger, in an uncredited singing role, as well as the film debut of famed announcer Gary Owens as the Narrator. The lovely one sheet offered here had crossfold separation and a few pinholes in the image area, all of which have been rendered virtually invisible by expert professional restoration. This beautiful piece will be a wonderful addition to any collection. Very Fine on Linen.
Mighty Mouse "In the First Snow" (20th Century Fox, 1943). Stock One Sheet (27" X 41"). As the pint sized singing imitation of Superman, Mighty Mouse always arrived to save the day, usually doing battle with an evil cat. Created by Izzy Klein and voiced by Roy Halee for Terrytoons theatrical shorts, the adorable tough mouse later became a staple of children's television viewing starting in the mid-1950s. Prior to professional restoration, this one sheet had small border chips, a 12" tear in the lower left corner, a missing corner in the top right, fold wear and pinpoint crossfold separations. This poster displays beautifully and would make a delightful addition to any collection. Fine+ on Linen.
Terry-Toons Cartoon Stock (20th Century Fox, 1950). One Sheet (27" X 41"). Although never accorded the respect of such cartoon powerhouses as Disney or Warner Brothers, Paul Terry's Terrytoons studio was responsible for a number of memorable cartoons throughout the first half of the twentieth century, featuring such well-known characters as Mighty Mouse, Heckle and Jeckle, and Deputy Dawg. Even though the studio shut its doors in 1968, its cartoon library was still heavily syndicated to local TV markets, ensuring that these great characters would live on in the hearts and minds of future generations. Some of the studio's top characters are featured on the wonderful stock poster offered here, including Mighty Mouse, Heckle and Jeckle, Dinky Duck, Gandy Goose, Oil Can Harry, Pearl Pureheart, and Sourpuss. In superb condition, the poster has some edge wear on the top border and an NSS stamp on the back that slightly bleeds through to the front, but it is otherwise extremely attractive, and displays very nicely. Very Fine+.
Warner Bros. Cartoon Stock (Warner Brothers, 1952). One Sheet (27" X 41"). As a kid, you were invariably in one of two camps: either you were a Disney kid, or a Warner Brothers fan, and rarely did the two camps overlap. Blessed with such talented animators as Chuck Jones, Bob McKimson, Bob Clampett, Tex Avery, and Friz Freleng, as well as the amazing voice work of Mel Blanc, the Warner Brothers cartoons are wonderfully subversive and unfailingly funny, starring such legendary stalwarts as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, and Tweety Bird. As was common at the time, Warner Brothers released stock posters to promote their cartoons, with this style being widely considered the most desirable, as it features the best image of Bugs. This particular example has tears in the left border, edge wear in the right border, and staple holes in the image area, but is otherwise in excellent condition. Any Warners' fan will be proud to display this classic beauty. Very Fine.
George Pal Puppetoon Stock "Madcap Models" (Paramount, 1941). One Sheet (27" X 41"). When Hungarian-born George Pal first emigrated to the US, he started work with Paramount on the popular animated Puppetoons series. This background set the stage for his best known fantasy work in science fiction classics such as The War of the Worlds and The Time Machine. Pal received a special honorary Academy Award for his Puppetoon innovations and this bright one sheet features two of his wonderful characters. Prior to restoration, there were pinholes in the corners and field, fold wear with tiny tears, cross fold separations, and small border chips. Other issues included a small hole in the imprint area, tape lifts in the center horizontal fold and in the bottom of the vertical fold. It now displays beautifully and would be a delight for any collector of top animation. Fine/Very Fine on Linen.
From Russia with Love (United Artists, 1964). One Sheet (27" X 41") Style A. As much as the James Bond film franchise is known for its elaborate and inventive gadgets, true 007 fans regard this movie, the second in the franchise and one that relies more on true espionage than any hi-tech accoutrements, as being one of the best in the series. Bond (Sean Connery) is assigned to track down and retrieve a Lektor, a top-secret Soviet decoding device, a mission that brings him into conflict with psychotic killer Donald "Red" Grant (Robert Shaw) and the vile Rosa Kleb (Lotte Lenya). A taut and suspenseful film from beginning to end, it helped to solidify the popularity of the Bond franchise, one of the most successful film series in cinema history. This highly desirable Style A one sheet has pinholes in the corners, light tape stains in the center and top borders, a small hole in the left border, and some light foxing at the bottom fold line. Nevertheless, this is a wonderful piece that will certainly prove a welcome addition to any James Bond collection. Very Fine.
From Russia with Love (United Artists, 1964). Three Sheet (41" X 81") Style B . The second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula, the action sequences are intensified and lend greater tension to the proceedings; John Barry's inimitable score makes its first appearance; Q is seen for the first time; and Sean Connery as Bond has nailed down his role as 007, accentuating Bond's stylishness and sophistication, while toning down his cold-bloodedness. This fabulous three sheet had minor fold and border wear. It is now mounted on linen and displays very well. Very Fine on Linen.
From Russia with Love (United Artists, 1964). One Sheet (27" X 41") Style B. The second entry in the James Bond film franchise, this one was even harder-edged than the first film, 1962's Dr. No. When SPECTRE steals a top-secret decoding device, it's up to British Special Agent 007 to retrieve it, even though Soviet agents Donovan "Red" Grant (Robert Shaw) and Rosa Kleb (Lotte Lenya) stand in his way. Although later films would rely much more heavily on gadgets and special effects, many consider this film to be the closest in spirit to author Ian Fleming's original novels. This highly desirable Style B one sheet has fold wear, pinpoint crossfold separations, a tear in the left border that extends into the image area, and a vertical tear in the center of the poster, but professional restoration has rendered these slight flaws virtually invisible. No Bond fan will want to pass up this beauty. Fine/Very Fine on Linen.
Goldfinger (United Artists, 1964). French (23.5" X 31.5"). Sean Connery reprised his role as Ian Fleming's master spy James Bond in this, the third installment in the Bond series. Many fans of the Bond films feel that this is the best of the series, as agent 007 takes on the forces of Auric Goldfinger. This film also introduced the most famous "Bond Girl" of the series, the stunning Honor Blackman as Pussy Galore. This is the small French poster which offers striking Jean Mascii artwork. This poster has been linen backed and has had much of the borders and white airbrushed. Fine- on Linen.
Casino Royale (Columbia, 1967). One Sheet (27" X 41") Style B Advance. This was the only James Bond film produced for almost twenty years that was not done by the Broccoli/Saltzman team. David Niven played an aging Bond in this highly stylized sixties spoof of the Connery films. Offered in this lot is the very rare advance one sheet for the film. It has a number of pinholes in each corner as well as some tears from pulled pinholes. There is some minor staining in the lower left corner. Very Fine-.
Casino Royale (Columbia, 1967). French Grande (47" X 63"). With the 007 films of Broccoli and Saltzman dominating at the box office, Columbia pictures had a stroke of genius. The studio had bought the rights to Ian Fleming's "Casino Royale" novel years before. As such, they could make a James Bond movie of their own as long as it was completely different from the the already established Bond franchise. The result was this hilarious spoof starring David Niven, Peter Sellers, Woody Allen and Dr. No Bond girl Ursula Andress. With only minor edge wear and pinpoint crossfold separations. to speak of, this is an excellent example for the Bond completist. Near Mint-.
On Her Majesty's Secret Service (United Artists, 1970). French Petite (23.5" X 31.5"). George Lazenby steps into Sean Connery's shoes for just one film, the oft-neglected On Her Majesty's Secret Service, which co-starred the sultry Diana Rigg as the love of Bond's life. This is actually one of the most faithful films of the series, with the script following Ian Fleming's novel very closely, and was also Telly Savalas' only appearance as Blofeld. Offered here is the nifty French petite, with Bond surrounded by a bevy of beauties. A staple hole in the top right corner is about the only thing keeping this from perfection, and even that has been restored, giving the poster a like-new appearance. Very Fine+ on Linen.
Diamonds are Forever (United Artists, 1971). Six Sheet (81" X 81"). After taking a one picture break, star Sean Connery returned to the James Bond franchise that he helped create in this thrilling adventure, in which Agent 007 travels to Las Vegas to break up a diamond smuggling operation. He gets much more than he bargained for, however, when he comes face-to-face with his old nemesis, Ernst Stavro Blofeld. If it seems that the special effects were scaled back in this film, they were, due to Connery's unheard-of at the time $1.25 million salary. Offered here is a very attractive six sheet for this popular film. It shows some wrinkling and a small edge tear in the left border, but is otherwise in exceptional condition. Bid early and often on this rare beauty! Very Fine.
Diamonds Are Forever (United Artists, 1971). British Quad (30" X 40"). Sean Connery's last outing as James Bond (at least until the unofficial Never Say Never Again) finds him tracking a plot to steal diamonds for a high-powered laser gun. Loosely based on Ian Fleming's fourth Bond novel, this substitutes a returning Blofeld (Charles Gray) for the book's original villains, and is heavy on the eye-candy, with buxom beauties Jill St. John (the first American Bond girl) and Lana Wood adding decoration. This stunning country-of-origin British quad features Bond flanked by a couple of bikini babes, amid plenty of explosions. In stunning condition, a small tear in the top border and some minor wrinkling along the bottom border were the only issues. The poster has been professionally restored and mounted on linen. Very Fine+ on Linen.
Diamonds Are Forever (United Artists, 1971). British Double Crown (20" X 30") Advance. After a single film absence over a salary dispute, Sean Connery returned to the role of James Bond in this seventh entry into the 007 series. This country of origin poster is very clean with minimal fold wear earning it our highest grade possible for a poster on linen. Very Fine+ on Linen.
The Lost World (First National, 1925). Lobby Card (11" X 14"). Based on a tale by Sir Arthur Conan Doyle, an adventurer travels to a plateau in the heart of the Amazonian jungle and discovers a world where the dinosaurs still thrive. The special effects used in the film were "ground-breaking" for the time and delivered by stop-motion animator Willis O'Brien. O'Brien would use the skills he developed on The Lost World several years later in bringing King Kong to life. This card has wear in the borders with pinholes and slight silverfish nibbling. Very Good/Fine.
Flight to Mars (Monogram, 1951). One Sheet (27" X 41"). Flight to Mars is the second American film of the postwar era (after Rocketship X-M) to depict a manned space trip to the Red Planet. Arthur Franz, Cameron Mitchell and Virginia Huston stars as the Astronauts. Upon landing on Mars, the earthlings learn that the planetary leader, Ikron (Morris Ankrum), intends to conquer the Earth. The poster has crossfold separations, light edge wear, bottom right corner bend, and a small edge tear in top border. Very Fine.
This Island Earth (Universal International, 1955). Belgian (14" X 22"). Well-known scientists are being spirited away to a think tank in a "secret location," which turns out to be the base of operations for aliens from the planet Metaluna, who are trying to find a way to end the war in which their world is embroiled. Jeff Morrow and Faith Domergue are the too-good-looking-to-be-scientists leads, and the big-brained Mutant lends some cheesy monster fun to the proceedings. This nifty Belgian sheet features colorful artwork similar to the American release, and is in very nice shape overall. The poster had some edge wear, and tape pulls in the border, which have been addressed with restoration, but the biggest issue is a paper trim along the top. A great poster for this sci-fi classic! Fine+ on Linen.
This Island Earth (Universal International, 1955). Window Card (14" X 22"). The planet Metaluna is under attack by hostile forces, and so a group of scientists travel to the relatively backward planet Earth to recruit technological assistance. Kidnapped back to Metaluna are Dr. Cal Meacham (Rex Reason) and Dr. Ruth Adams (Faith Domergue) where they dodge space missiles and the big-brained mutant. This spectacular science fiction epic was the first big science fiction film to be shot in Technicolor, and was one of the last three-strip Technicolor movies. This celestial window card some elements of the one sheet art, but features a different (and frankly superior) image of Reason and Domergue. The card is in spectacular condition, with one staple hole in the left border, some light overall creasing, and a soft crease just above Faith's shoulder. Very Fine+.
World Without End (Allied Artists, 1956). One Sheet (27" X 41"). Returning to Earth after the first manned voyage to Mars, a group of astronauts travel through a time warp and arrive in the world of the 26th century, a world devastated by atomic war. Now, in the face of deformed mutants, hideous giant spiders, and the requisite beautiful women, it's up to the visitors, led by Hugh Marlowe and Rod Taylor, to reclaim the Earth for humanity. This highly desirable and eye-catching one sheet is in great shape with only the very smallest pinpoint crossfold separation and a small tear in the left border keeping it from an even higher grade. Very Fine/Near Mint.
Forbidden Planet (MGM, 1956). Set Continuity Still (8" X 10"). Vintage black and white, single weight, glossy still. This lot contains a very rare set continuity still used during the production of this classic science fiction film. The still is dated May, 7 1955 and has a production number on it. On the verso is a rubber stamp that reads "Return to Property Dept., Metro Goldwyn Mayer." This photo also shows Robbie the Robot on the far right side of the still with a man in the robot suit. The production number is inked into the upper left and lower right borders. Very Fine.
It Conquered the World (American International, 1956). Half Sheet (22" X 28"). Creature creator Paul Blaisdell, who worked on such sci-fi classics as Not of This Earth and The Beast with a Million Eyes, had one of his best monsters in Beulah, the Venusian star of It Conquered the World. Originally shorter than star Beverly Garland, Beulah had a topknot added to give her more of a presence. This half sheet, with its incredible art by Albert Kallis, has edge wear with small tears, corner creases and light wrinkling, and smudges. A wonderful piece from the early career of Roger Corman. Rolled, Very Fine.
The Monster that Challenged the World (United Artists, 1957). One Sheet (27" X 41"). An underwater earthquake releases a horde of long-extinct mollusk monsters that come ashore and consume the life forces of the unfortunate humans that get in their way. In the end, the Navy triumphs over these horrific creatures... or do they? One of the more popular giant monster films from the 1950s, the poster is also one of the most desirable from the period. This particular copy has fold and crossfold separations in the top horizontal fold, and a small tear at the top vertical fold, but is otherwise in exceptional condition. Very Fine-.
Beginning of the End (Republic, 1957). Half Sheet (22" X 28"). Chicago is invaded by radioactive giant grasshoppers in this classic sci-fi cult favorite, filmed in Horrorscope. The military is powerless against the creatures, but luckily scientist Dr. Wainwright, (played by Peter Graves) is able to save the day with the aid of reporter Audrey Aimes (Peggie Castle). Special effects were provided by producer Bert I. Gordon and his wife Flora. This remarkable half sheet has fold and edge wear, a corner bend in the lower right corner, and small tears in the right border. Don't miss out on your chance to add this sensational image to your sci fi collection. Folded, Fine/Very Fine.
Beginning of the End (Republic, 1957). Three Sheet (41" X 81"). Peter Graves and Peggie Castle discover that grasshoppers in a state test farm have gotten into radioactive wheat and are now growing to immense size. What's worse is their taste has changed...from wheat to humans! The filmmakers started with about 200 insect stars, but cannibalism dwindled that number to twelve by the end of shooting. This three sheet has a 10" tear at the bottom, fold wear with cross fold separations, and the bottom right corner is missing. Though the poster has older restoration, it's appearance is still clean. Great '50s sci-fi imagery. Hop right up and bid! Fine+ on Linen.
The Blob (Paramount, 1958). Lobby Card Set of 8 (11" X 14"). Featuring the first lead role for ultra-cool actor Steve McQueen, this is the story of a strange visitor from another planet who comes to Earth and begins devouring everything in sight. McQueen obviously had little faith in this film, as when he was offered $2,500 or 10% of the profits for his participation, he quickly took the cash. In the end, the film grossed over $4 million against production costs of less than $250,000, becoming one of the most significant sci-fi films of the 1950s. This extremely desirable set of lobby cards shows only the most minor flaws: most of the cards have pinholes in the corners and light edge wear, two cards have a light smudge on the border, two cards have light staining on the borders, and one card has some tape staining at the top. Aside from these very minor flaws, the cards are in excellent condition, and will make a valued addition to any collection. Very Fine.
I Married a Monster from Outer Space (Paramount, 1958). One Sheet (27" X 41"). Pretty Marge Bradley Farrell (Gloria Talbott) knows there's something wrong with her new husband Bill (Tom Tryon), but she little suspects the truth... that he's been replaced by a horrorific monster from the Andromeda Nebula, intent on mating with our delectable earth women! A classic 1950s drive-in favorite, the film is represented here with a gorgeous one sheet. Only some light fold wear keeps it from grading even higher. Very Fine/Near Mint.
Curucu, Beast of the Amazon (Universal International, 1956). One Sheet (27" X 41"). Traveling up the Amazon to find out why plantation workers are deserting in droves, Rock Dean (John Bromfield) and Dr. Andrea Romar (Beverly Garland) hear rumors of a terrifying giant bird monster, unseen by civilized eyes, and quickly come face-to-face with unimaginable terror. Filmed in the Brazilian jungle in glorious Technicolor, the film was written and directed by Curt Siodmak, the genius behind such genre classics as The Wolf Man (1941), Bride of the Gorilla (1951), Donovan's Brain (1953), and Earth vs. the Flying Saucers (1956). This stunning poster, with art by Reynold Brown, has a small hole in the left side of the center horizontal fold line, a small chip in the top right, and a small tear in the bottom right, but is otherwise unmarked. Very Fine/Near Mint.
The Deadly Mantis (Universal International, 1957). One Sheet (27" X 41"). When an Arctic iceberg is opened, it releases a horrific monster that eats people and wantonly destroys national monuments. One of the great "Big Bug" movies of the 1950s, this film also boasted some of the best looking posters. This one, with gorgeous art by Ken Sawyer, has pinholes in the corners, fold wear with pinpoint crossfold separation, and a chip in the bottom left corner. This striking poster, with absolutely perfect color, shows very nicely, and will make a strong display piece. Very Fine- on Linen.
Fire Maidens of Outer Space (Topaz, 1956). Half Sheet (22" X 28"). A team of British astronauts lands on the 13th moon of Jupiter (which wasn't even discovered until 1974) and finds that it is populated by an old man and his sixteen man-hungry daughters. Refugees from the lost city of Atlantis, they are being terrorized by a horrible, nameless beast which only the astronauts can kill. This half sheet has corner bumps, and a couple of small tears on the left border. Wonderfully over-the-top '50s sci-fi, with fabulous art, by the renowned Albert Kallis, to match. Folded, Very Fine-.
The Invisible Boy (MGM, 1957). One Sheet (27" X 41"). Although sci-fi movies specialized in aliens from other planets, no other creation summed up the genre better than robots! Robots were used in films from the earliest days of the cinema, but it wasn't until the 1950s that they came into their own as major characters. Forbidden Planet introduced Robby the Robot, and Robby became so popular that he went on to star in his own picture, The Invisible Boy. Posters featuring robots have some of the most desirable and sought after images in the hobby. This one sheet has multiple pinholes, light fold wear with crossfold separation, tiny border tears at the folds, and an extra horizontal fold. These defects have been professionally restored and the poster has been mounted on linen, leaving it with a very clean appearance. Very Fine- on Linen.
The Fly (20th Century Fox, 1958). Half Sheet (22" X 28"). In this classic chiller, scientist Andre Delambre (Al Hedison) is working on a matter transportation device. Rashly using himself as a guinea pig, his DNA gets mixed up with that of a common housefly with horrifying results. The final scene, with Andre's plaintive cry of "Help me!," one of the most famous in all sci-fi cinema, is truly haunting. This great half sheet, which pictures co-star Vincent Price, has pinholes in the corners, light fold wear, and a stamp on the back that slightly bleeds through to the front, but is otherwise clean and attractive. Add this beauty to your collection. Folded, Very Fine-.
The Giant Leeches (American International, 1959). One Sheet (27" X 41"). With everything from ants to shrews to spiders to gila monsters growing to giant size in the 1950s, it was only a matter of time until someone came up with the idea of using giant, radioactively-mutated leeches as a title monster. And here they are in this drive-in classic starring Yvette Vickers as the damsel in distress du jour. The art for this classic poster is really outstanding, one of the best monster posters of the era. This particular example has a small tear in the top border, a small corner bend in the top left, wrinkling in the right border, and a small corner bend in the bottom right, but is otherwise in superb condition, and will make a great display piece. Very Fine+.
The Killer Shrews (McLendon Radio Pictures, 1959). One Sheet (27" X 41"). As if being stranded on a remote island during a hurricane wasn't bad enough, this particular island is the home of a mad scientist (Baruch Lumet, father of renowned director Sidney Lumet) and his giant, killer, flesh-eating rodents, who suddenly decide to make lunch of the island's inhabitants. Starring Ken Curtis, former singing cowboy and Festus from Gunsmoke, and James Best, better known as Sheriff Roscoe P. Coltrane from The Dukes of Hazzard, this picture is a hoot. The highly dramatic poster offered here has small stains in the top and right borders, a small tear in the bottom border, and light staining in the title, but is, overall, extremely clean and attractive, perfect for any fan of 1950s sci-fi. Very Fine+.
Beast from Haunted Cave (Film Group, 1959). One Sheet (27" X 41"). In the wilds of South Dakota, a group of gold thieves plan what they think is an ingenious heist. Unfortunately, the explosion they set off in a local mine as a distraction irritates a giant spider monster that sees the crooks as a tasty snack. This is a great poster with excellent graphics, and only some very slight discoloration in the top vertical fold keeps this highly desirable example from an even higher grade. Near Mint+.
The Day of the Triffids (Allied Artists, 1962). One Sheet (27" X 41"). Based on the novel by John Wyndham, the Triffids are giant plants that invade earth and attack with a poisonous sting. Most of the world's population has been rendered blind by a meteor shower, which leaves them vulnerable to the evil weeds. The fantastic artwork is by Joseph Smith. Prior to professional restoration this bright one sheet had fold wear, crossfold separations and a chip in the bottom left corner. It now displays extremely well and is a real gem for sci-fi fans everywhere. Very Fine- on Linen.
Jason and the Argonauts (Columbia, 1963). Lobby Card Set of 8 (11" X 14"). Based on the epic poem Argonautica by Apollonius of Rhodes in the late 3rd century BC, this classic film features the breathtaking special effects of stop-motion wizard Ray Harryhausen. The story of the brave adventurer Jason (Todd Armstrong) who leads his men on a perilous journey to find the fabled Golden Fleece, Harryhausen considers this to be his very best film. Regarding the lobby card set offered here, the title card has pinholes in the corner and one in the center, as well as a dust shadow in the bottom border; one card has a pinhole in the center; the "Colossus" card has a tear in the top right corner; the "Argo" card has a tear in the top border with a piece missing, and pinholes in the corners; and the "Dancing Girls" card has a tear in the top that extends into the image area. Aside from these slight flaws, the cards are in excellent condition. Your quest to find this fabulous set is at an end! Fine.
Barbarella (Paramount, 1968). Lobby Card Set of 8 (11" X 14"). Based on Jean-Claude Forest's groundbreaking comic strip, this classic '60s film casts Jane Fonda in the title role as the sexiest woman in outer space. Directed by Roger Vadim. This campily erotic picture is a kind of science fiction version of The Wizard of Oz, with Barbarella making a long trek to find a missing scientist, and picking up several friends and companions along the way. Although the movie was a box office disappointment upon its release, the visuals in this psychedelic film - supervised by Forest himself - are absolutely stunning. Those great visuals are brought to life on these gorgeous lobby cards. Each card has a hole punched through the center (there is no paper loss, however), and most display some light wrinkling. In addition, card #7 has a light smudge in the bottom right. Aside from these minor considerations, the cards are in great shape, and will make a wonderful addition to your collection. Fine.
Barbarella (Paramount, 1968). Czech Poster (11" X 15.5"). The fourth and last collaboration of actress Jane Fonda and her then-husband, director Roger Vadim, was this psychedelic space opera that was a turning point in her career. Her political activism began shortly after, leading to a number of more serious roles and two Oscars. This Czech poster only has small tape stains on the back. Wonderful artwork by Kaja Saudek. Rolled, Near Mint-.
One Million Years B.C. (20th Century Fox, 1966). One Sheet (27" X 41"). If there's a better sight in this world than Raquel Welch in a fur bikini, we sure don't know what it is! This poster has become an iconic part of popular culture, and an indelible image of one of cinema's greatest beauties. Aside from Raquel's obvious charms, the movie also boasts incredible stop-motion effects by the legendary Ray Harryhausen. Only a single pinhole in the image area keeps this classic treasure from an even higher grade. Near Mint+.
Fahrenheit 451 (Universal, 1967). One Sheet (27" X 41"). This dark and disturbing look at a future in which books are banned and burned (hence the title, the temperature at which paper ignites) is based on one of the earliest published works by legendary author Ray Bradbury. Starring Oskar Werner as a fireman, responsible for destroying any illegal books, who begins to question his profession, and Julie Christie in a dual role as both Montag's compliant wife and as the free-spirited girl he meets one night who makes him rethink his priorities, this is director Francois Truffaut's only English-language film. This dramatic one sheet is the alternate style with far superior art to the commonly known style. It has a light pencil mark in the lower right corner, but is otherwise clean and pristine, a near-perfect example of this highly desirable sheet. Near Mint.
The Time Machine (MGM, 1960). Polish One Sheet (22.75" x 32.5"). This striking Polish one sheet, with artwork by Marian Stachurski, is certainly the most unusual paper to be found on George Pal's classic time travel tale. The silhouetted head may be a representation of the flesh-eating Morlocks, and the sheet is designed like a "Wanted" poster, certainly a novel approach to this H.G. Wells story, which was vividly filmed by Pal and his team in 1960. This unrestored poster has edge wear, creasing in the right border, magic marker on the edge creases, and three border tears, but still has good color and a very crisp appearance. No Pal collection is complete without this intriguing variant. Rolled, Fine/Very Fine.
Batman (20th Century Fox, 1966). One Sheet (27" X 41"). Although fans are sharply divided as to Adam West's interpretation of the Caped Crusader, those of us who grew up during the height of Batmania in the mid-1960s have a certain fondness for his tongue-in-cheek, ultra-square characterization. With the TV show a smash hit, the producers decided that a feature film was needed, and so pulled out all the stops in this colorful and exciting film. The movie featured not one but four vile villains: Cesar Romero as the Joker, Burgess Meredith as the Penguin, Frank Gorshin as the Riddler, and Lee Meriwether as the Catwoman, as they plot to hold the world ransom with the help of a device that dehydrates people. This beautiful poster has pinholes in the corners and in the top border, as well as some extra creasing in the top and bottom borders, but these slight flaws do nothing to detract from the poster's high degree of eye-appeal and desirability. Very Fine.
Godzilla vs. Gigan (Toho, 1972). Polish One Sheet (26.25" x 36.5"). Even hard-core Godzilla collectors may not have seen this oddball sheet from -- where else? -- Poland. Godzilla vs. Gigan features alien cockroaches plotting to conquer Earth by controlling the world's monsters (an oft-used plot in this series), who utilize a kid's amusement park as their base. Wonky fun, but not quite as wonky as this blue-tinged full-bleed one sheet featuring a stylized image of Gojira and, for some reason, a big yellow beetle. Pop art at its finest, courtesy of artist Socha. The poster has light wrinkling at the edges, creases in the top right corner and bottom edge, plus a small tear in the top edge, but these have little effect on the overall presentation, and the poster retains great color and a sharp appearance. Rolled, Very Fine.
Godzilla vs. the Smog Monster (Toho, 1971). Polish One Sheet (22.5" X 32"). From Earth's pollution a new monster is spawned. Hedorah, the smog monster, destroys Japan and fights Godzilla while spewing his poisonous gas to further the damage. This is a wonderful Polish poster for this classic from the Toho series. It features great imagery of the form of Godzilla in the gases rising from the smokestacks below. Within the smoke are the eyes of Hedorah! Artwork by Zbobrowski. Rolled, Very Fine.
Go Ape! (20th Century Fox, 1974). One Sheet (27" X 41"). This poster was designed to promote the 1974 re-issue of all of the Planet of the Apes films. Advertised on the poster are: Planet of the Apes, Beneath the Planet of the Apes, Escape from the Planet of the Apes, Conquest of the Planet of the Apes and Battle for the Planet of the Apes. Fold wear was the only condition issue with this spiffy example, with gentle restoration returning it to a like-new state. The linen has been trimmed to the poster edge. Very Fine on Linen.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Style A. The original and still the best, George Lucas' tale of rebellion against an evil galactic empire created a phenomenon unlike anything the motion picture industry had ever seen. Merchandising, sequels and product tie-ins were all taken to new heights in 1977 thanks to this science fiction classic that few believed in when it was first conceived. This Tom Jung-designed poster is one of the most recognizable movie posters of all time. There is light creasing in the top border and bottom left corner of this rolled one sheet as well as a faint bend in the top left corner. Rolled, Near Mint-.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Style D. In George Lucas' epic masterpiece, we are introduced to all the characters that make this the most popular movie series of all time. The special effects, and nonstop excitement of this sci-fi adventure turned it into legend and the film topped all box office records at the time. The fantastic artwork is by Drew Struzan and Charles White III. The only thing keeping this spectacular one sheet from being graded mint is light fold wear. Near Mint-.
Revenge of the Jedi (20th Century Fox, 1982). One Sheet (27" X 41"). Prior to the release of the third Star Wars film, this poster was issued with the title Revenge of the Jedi. Shortly before the film's premiere, however, creator George Lucas decided that the concept of revenge was one that was foreign to the Jedi philosophy, and changed the title to Return of the Jedi. This poster, as issued, has since become one of the most coveted Star Wars items amongst collectors. This particular example is in immaculate condition, with only some very light wrinkling keeping it from an even higher grade. Rolled, Near Mint/Mint.
Blade Runner (Warner Brothers, 1982). One Sheet (27" X 41"). In a dystopian future, a blade runner is a detective who hunts down and kills rogue replicants -- androids engineered to work in extreme off-world conditions. Harrison Ford plays one of the best blade runners, forced out of retirement when a group led by Rutger Hauer returns to Earth for revenge. This one sheet has light edge wear on the left border, and bends on the top corners. The gorgeous art is some of the finest work John Alvin did in his career. Rolled, Very Fine/Near Mint.
Al Jolson in "The Jazz Singer" (Warner Brothers, 1927). Stills (2) (8" X 10"). Vintage, black and white, single weight, glossy stills. Eddie Cantor and stage star George Jessel both refused the lead role in The Jazz Singer, opening the door for Al Jolson and the "talkie" era film. These two stills, one with co-star Mary McAvoy, both feature Jolson in his signature Blackface make-up. Both photos have minor corner bumps and faint surface abrasions. The duet card has a tiny tear in the top border and the single shot of Jolson has creasing in the bottom left corner. Very Fine-.
Warner Baxter and Myrna Loy in "Broadway Bill" (Columbia, 1934). Still (8" X 10"). Vintage, black and white, single weight, glossy still. Director Frank Capra made this horse racing comedy on the heels of It Happened One Night and would later re-make it as Riding High in 1950 with Bing Crosby. There are creases and cracks in the borders along with surface abrasions in the image and a small pen mark in the bottom left corner. Writing in ink and pencil is on the reverse. None the less, this is a delightful image of Loy and Baxter. Fine/Very Fine.
William Powell and Myrna Loy in "The Thin Man Goes Home" (MGM, 1945). Still (8" X 10"). Vintage black and white, double weight, glossy still. The pairing of William Powell and Myrna Loy proved to be pure box office gold for MGM. This publicity still features Loy, Powell and their cunning canine, Asta, is from the set of The Thin Man Goes Home. This still has writing in the bottom border, a tiny tear in the left border and minor creasing in the top left corner. Studio descriptions adorn the reverse. Fine/Very Fine.
Myrna Loy Studio Portrait (MGM, 1938). Still (10" X 13"). Vintage, black and white, double weight, glossy still. Known as "The Queen of Hollywood," Myrna Loy consistently displayed a regal charm and grace, as this studio portrait clearly depicts. Taken around the time of Test Pilot, this still has creasing in the borders, image and corners as well as paper loss in the right border. There's also a studio snipe on the reverse but this remains a very presentable photo. Very Fine-.
Gary Cooper and Madeleine Carroll in "The General Died at Dawn" (Paramount, 1936). Still (8" X 10"). Vintage, black and white, single weight glossy still. Cooper and Carroll star in this tale based on the life of real-life gun runner, Morris "Two Gun" Cohen. There is light creasing and wear in the borders including cracks in the right margin. But this remains a very presentable pre-release still complete with the film's original title, Chinese Gold. Very Fine-.
Shirley Temple in "Stowaway" (20th Century Fox, 1936). Color-Glos Studio Portrait (11" X 14"). Vintage, Color-Glos, double weight, glossy still. Perhaps the greatest child star of all time, Shirley Temple charmed her way into the hearts of fans of all ages. This photo has pinholes in the corners along with corner bumps and edge wear. There are a few faint abrasions in the field as well but these trivial faults in no way distract from the adorable image of "America's Sweetheart." Fine/Very Fine.
Clark Gable and Mamo Clark in "Mutiny On The Bounty" (MGM, 1935). Publicity Still by William Grimes (8" X 10"). Vintage black and white, double weight, glossy still. A lovely still of Clark Gable and Mamo Clark from the Academy Award winning film of 1935. The photo has a pristine paper snipe on the verso describing the scene as well as a rubber credit stamp for William Grimes. The photo has had the production number crossed out on the lower right corner and revised in the lower border in ink. Very Fine/Near Mint.
Wallace Beery and Jackie Cooper in "Treasure Island" (MGM, 1934). Publicity Still by Russell Ball (8" X 10"). Vintage black and white, double weight, glossy still. This original portrait shot from the 1934 adventure classic features the film's stars, veteran actor Wallace Beery and child prodigy Jackie Cooper. The photo has a paper snipe on the verso describing the still. There is also a rubber stamp crediting the photo to Russell Ball. Very Fine/Near Mint.
Clark Gable and Norma Shearer in "Idiot's Delight" (MGM, 1939). Still (11" X 14"). Vintage, black and white, single weight, glossy still. Norma Shearer stepped into this project after Greta Garbo refused the role of Irene Fellara. This image of Shearer sharing a toast with co-star Clark Gable has a chip in the top left corner, creasing in the borders and wrinkling and cracking in the field. Fine.
Claudette Colbert in "Under Two Flags" (20th Century Fox, 1936). Still (11" X 14"). Vintage, black and white, double weight, glossy still. Claudette Colbert is a cafe dancer named Cigarette who catches the eye of Foreign Legionnaire, Ronald Colman but soon loses him to the classy Rosalind Russell. This was the fourth film adaptation of the popular novel of the same name, one of which starred Theda Bara as Cigarette. This still has creases and ink splatter in the corners and minor scuffs in the image and borders. Still, the whimsical image of Colbert is absolutely tops! Fine+.
Burgess Meredith, Betty Field and Bob Steele in "Of Mice and Men" (United Artists, 1939). Stills (2) (8" X 10"). Vintage, black and white, single weight, glossy stills. Burgess Meredith and Betty Field are pictured in the first still while Bob Steele and Field are in the second. Both stills have creases in the corners that in no way distract from their overall clean appearance. Very Fine.
Cary Grant Publicity Still (1940s). Still (8" X 10"). Vintage, black and white, single weight, glossy still. Always a gentleman, this still beams with the grace and debonair of the one and only Cary Grant. There are creases and bumps at the corners and a few faint scratches in the field. Very Fine-.
James Dean and Elizabeth Taylor in "Giant" (Warner Brothers, 1956). Still (6.5" X 9.5"). Vintage, black and white, single weight, glossy still. This candid shot of Liz Taylor and James Dean taken during a break from filming. This still appears to have been trimmed down to 6.5" X 9.5" but is in otherwise great condition. Fine/Very Fine.
Stepin Fetchit Wardrobe Still (1930s). Still (8" X 10"). Vintage, black and white, single weight, glossy still. Fetchit (pictured on the left) was one of the biggest Black stars of the 1930s. Though his portrayals of African American stereotypes is considered controversial today, he is credited with opening the door for many performers of color that would follow. There are bumps at the corners and minor chips in the gloss at the borders. The reverse has a faint studio stamp and writing in pencil. Fine/Very Fine.
Pulps
Bill "Bojangles" Robinson Photograph (20th Century Fox, 1935). Still (8" X 10"). Vintage black and white, single weight, glossy still. Portrait publicity photo of Bill Robinson holding his dancing shoes. On the verso is a snipe which describes his owning the same pair of dancing shoes for thirty years! Very Fine/Near Mint.
Movie Posters
Eleanor Powell in "Broadway Melody of 1938" (MGM, 1937). Publicity Still by Ed Cronenweth (8" X 10"). Vintage, black and white, single weight, glossy still. The tap-dancing beauty starred with Robert Taylor in this delightful entry into the Broadway Melody series. There is a studio snipe along with credit stamps on the reverse while the front has light creasing in the corners and borders. Very Fine-.
Edwina Booth, Harry Carey and Duncan Renaldo in "Trader Horn" (MGM, 1931). Autographed Still (8" X 10"). Vintage, sepia tone, single weight, glossy still. This fabulous shot of the film's three stars was taken on location in Africa where the film's original footage was shot. There are staple holes in the top and bottom borders along with wear and tear at the edges. What makes this item highly significant is that it is signed by all three stars but does not include a COA. Very Good/Fine.
Theodore Roberts Personality Poster (Paramount, ca. 1925). Poster (22" X 28"). Widely known as "The Grand Duke of Hollywood," Theodore Roberts was a respected stage actor before moving west to become part of director Cecil B. DeMille's stock troop. He is most remembered today for his role as Moses in DeMille's first filmed version of The Ten Commandments, released in 1923. A well-known and well-beloved actor, his funeral in 1928 was attended by more than 2,000 people. This exquisite personality poster had chipping and tearing in the borders, as well as a long tear in the top border that extends into the image area, but professional restoration has expertly addressed these slight flaws, resulting in a poster that looks as good as the day it was printed. Very Fine- on Paper.
MGM Exhibitors Book (MGM, 1929-30). "The Greatest Shows on Earth" Exhibitor's Hardcover Book (9.5" X 12.5"). This has been a favorite of exhibitor book collectors for many years due to the ten pages of incredible art portraits by a master artist of the cinema, Vincentini (Ted Ireland). His renderings of Greta Garbo, Joan Crawford, Lon Chaney, Buster Keaton, Marion Davies, Norma Shearer, and others are certainly some of the finest ever done. Note must also be taken of a dust jacket on this item, a rarity on these exhibitor books. It hides and protected one of the most colorful covers done in an artist's watercolor palette with purples and gold inks as fresh as the day they were printed! There is an incredible full page Laurel and Hardy by a young artist named Al Hirschfeld, as well as terrific art by John Held Jr., the definitive "Roaring Twenties" artist. Other visual goodies include 70 pages with spreads for Our Gang, Hallelujah, Green Ghost, The Viking, Broadway Melody, Hollywood Revue of 1929, Mysterious Island, and much more. The dust jacket has edge tears, with several small pieces missing. The title page is loose and the last page has staining near the spine. There is also a crease on the front fly leaf, but the interior pages are in excellent condition and display beautifully. Fine/Very Fine.
Theda Bara Studio Portrait (Fox, 1915). Still (8" X 10"). Vintage black and white, double weight, matte finish still. She was the reigning star of Hollywood and the world before the start of the First World War. Theda Bara starred in Cleopatra, Salome, and Romeo and Juliet, all to critical acclaim. By the time the war had ended she was beyond her prime and would make only one more film before her death in 1955. Offered in this lot is a beautiful still of the most famous actress in Hollywood circa 1915. Very Fine+.
Constance Bennett in "Moulin Rouge" (United Artists, 1934). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. Ah...those eyes! Constance Bennett plays twins in this musical comedy. The film was pulled from circulation in the 1950s to avoid confusion with John Huston's Toulouse Lautrec biopic of the same name. Aside from loss of glossing in the borders and faint edge wear, this still is remarkably clean with a date stamp on the reverse. Very Fine.
Genevieve Tobin by Scotty Welbourne (Warner Brothers, 1934). Studio Portrait (8" X 10"). Vintage, black and white, single weight, glossy still. This Scotty Welbourne shot features the leggy actress in nautical gear. There is an acid burn in the top left corner along with a dust shadow in the top right border. Bumps are visible at the corners and the reverse has stamps and a studio snipe. Fine-.
Magazines
Ann Sheridan by George Hurrell (Warner Brothers, 1930s). Publicity Stills (2) (7.5" X 10" and 8" X 10"). Vintage black and white, double weight, glossy stills. Acclaimed photographer George Hurrell snapped both of these dazzling shots of Ann Sheridan for Warner Brothers at the height of the star's career. Both stills have wear along the edges and bumps at the corners Fine/Very Fine.
Movie Posters
Ann Sheridan in "Shine On Harvest Moon" (Warner Brothers, 1944). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. Ann Sheridan and Dennis Morgan star in this biopic about Vaudeville stars Nora Bayes and Jack Norworth. This great photo of Sheridan has a small tear in the right border, light creases in the bottom corners and faint surface abrasions. There is clear tape on the reverse behind the tear and a green paper dot sticker. Very Fine-.
Alice Faye Publicity Still (20th Century Fox, 1930s). Still (8" X 10"). Vintage, black and white, single weight, glossy still. This image of Faye holding a feather is a stab at the then-controversial use of egret feathers as part of her costume in 365 Nights in Hollywood. There is a bit of de-glossing in the image and borders as well as bumps at the corners. The reverse has a typed studio description as well as a stamp. Very Fine.
Alice Faye Studio Portrait (20th Century Fox, 1930s). Still (8" X 10"). vintage, black and white, single weight, glossy still. This sultry image of Faye was taken during the late 1930s as her star was on the rise. Her career with Fox would be cut short, though, due to a clash with the studio over her screen time in Fallen Angel (1945). Tiny creases have formed in the corners and there is a bit of de-glossing in the borders but the appearance is otherwise clean. Very Fine.
Jean Harlow in "Dinner at Eight" (MGM, 1933). Publicity Still (8" X 10"). Vintage, black and white, double weight, satin still. This image of the ill-fated starlet was taken between scenes on the set of Dinner at Eight (note the script for the play in her hands). There is a crease in the bottom right corner as well as dings at all four points but this is still a great candid shot of Harlow on-set. Very Fine.
Carole Lombard Publicity Still (1930s). Still (8" X 10"). Vintage black and white, double weight, glossy still. Tragically taken far too soon, Carole Lombard will always be the young beauty shown in this glamorous photo. There is wrinkling in the image and borders, creases at the corners and a small tear at the top. The reverse has stamps and writing along with partially removed studio snipes. Fine+.
John Barrymore and Carole Lombard in "20th Century" (Columbia, 1934). Still (8" X 10"). Vintage, black and white, single weight, glossy still. Howard Hawks created one of the first classic screwball comedies with this hilarious film - well represented here with an incredibly gorgeous portrait shot of John Barrymore and Carole Lombard. This fabulous still has some wrinkling and light creasing. Very Fine-.
Greta Garbo Studio Portrait by Clarence Sinclair Bull (MGM, 1930s). Still (8" X 10"). Vintage black and white, double weight, glossy still. Legendary photographer Clarence Sinclair Bull snapped this image of Greta Garbo, one of his favorite subjects, in the 1930s as part of MGM's publicity campaign for the star. This photo is embossed with Bull's name in the bottom border and features the photographer's stamp on the the reverse. There are minor bumps at the corners and slight edge wear. Very Fine.
Lon Chaney and Greta Garbo Publicity Still (MGM, 1926). Still (8" X 10"). Vintage black and white, single weight, glossy still. The caption on the back of this still says it all, "Beauty and the Beast!" Greta Garbo, working on her second American film The Temptress, visits the set of The Road to Mandalay and meets screen icon Lon Chaney - she already appears aloof. Along with the two stars are Garbo's mentor Mauritz Stiller and co-star Antonio Moreno. The still has a small hole in the left side of the background. Very Good+.
Paulette Goddard in "The Cat and the Canary" (Paramount, 1939). Still (8" X 10"). Vintage, black and white, single weight, glossy still. The fetching Paulette Goddard strikes a pose as part of the campaign for The Cat and the Canary which co-starred Bob Hope. There are a few cracks and creases in the borders and image while the reverse has stamps, stickers and a studio snipe. Fine/Very Fine.
Bebe Daniels Publicity Still Lot (First National, 1930s). Still (8" X 10"). Vintage, black and white, single weight, glossy still. The gorgeous image of the 42nd Street star has a bit of de-glossing in the image and borders along with creasing and light smudging in the boarders. Very Fine-.
Veronica Lake Publicity Still (Paramount, 1940s). Still (8" X 10"). Vintage black and white, double weight, glossy still. With a sultry mysticism and her famous "peek-a-boo" hair style, Veronica Lake became became the envy of every woman and every man's desire. There is a small hole and a crease in the top left corner as well as a faint horizontal crease in the center of the image and bending at the bottom. There is identifying writing in pencil on the otherwise clean verso. Fine/Very Fine.
Veronica Lake in "The Glass Key" (Paramount, 1942). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. Veronica Lake is gorgeous in this Edith Head dress for her appearance in The Glass Key with Alan Ladd. There is light cracking in the field and a small puncture in the top left corner of the image. There is a typed studio description as well as writing in pencil and a stamp on the reverse. Fine+.
Veronica Lake by A.L. "Whitey" Schafer (Paramount, 1943). Still (8" X 10"). Vintage black and white, double weight, glossy still. Veronica Lake is keeping an eye on you in this fun still from 1943. Taken by photographer "Whitey" Schafer, this still is in great shape with a credit stamp and tape on the reverse and only minor wear at the edges and corners. Very Fine.
Marlene Dietrich in "The Blue Angel" (Paramount/UFA, 1930). Still (8" X 10"). Vintage, black and white, single weight, glossy still. Original photo of Marlene Dietrich in her breakthrough role that led to international stardom. This photo has chips in three of the corners and a crease that runs the length of the right border. There is a rust stain and punctures from a removed staple in the bottom border but the image itself remains very clean. Fine-.
Marlene Dietrich Studio Portrait (1930s). Still (8" X 10"). Vintage, black and white, single weight, glossy still. This glamorous image of the German star dressed to the nines, cigarette in hand, is a great piece for any Dietrich collector. Creasing in the corners and right border and faint scratches in the image are minor faults on this otherwise gorgeous photo. Stamps on the reverse. Fine/Very Fine.
Marlene Dietrich in "Manpower" (Warner Brothers,1941). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. The lovely Marlene Dietrich stars with Edward G. Robinson and George Raft in this hard-nosed crime drama. There are faint wrinkles in the image as well as small creases at the corners. Very Fine-.
Lucille Ball by A.L. "Whitey" Schafer (Paramount, 1949). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. "Whitey" Schafer snapped this image of America's favorite redhead around the time of the release of Sorrowful Jones (with Bob Hope). There is wear at the edges including corner dings and a small tear in the right border. There are also scratches and cracks in the border and abrasions in the image. This remains a great shot of Ball prior to her television success. Fine/Very Fine.
Lucille Ball Wardrobe Still (RKO, 1940). Still (10" X 13"). Vintage, black and white, double weight, glossy still. This wardrobe department shot of Lucille Ball was taken in 1940 shortly after completion of Dance Girl Dance. There's a bit of edge wear and the corners are rounded. The reverse has a studio stamp and snipe describing the costume but this remains a beautiful image of America's queen of comedy during her early career. Very Fine-.
Vivien Leigh in "That Hamilton Woman" (United Artists, 1941). Publicity Still by Lazlo Willinger (8" X 10"). Vintage, black and white, single weight, glossy still. This gorgeous image of Leigh was taken on the set of the film by Hollywood lenseman, Lazlo Willinger as part of a series of costume portraits. There are tiny ceases in the left corners but the photo is near flawless otherwise. Very Fine/Near Mint.
Lila Lee by Fred Archer (Warner Brothers, 1930s). Studio Portrait (11" X 14"). Vintage, black and white, double weight, glossy still. A former child star, Lila Lee grew up to appear opposite Rudolph Valentino in Blood and Sand. Later she would successfully transition to talkies with an appearance in Lon Chaney's The Unholy Three. There are two small tears in the top, light bending and minor edge wear. A credit stamp and writing in pencil can be found on the reverse. Fine/Very Fine.
Marion Davies Studio Portrait By Elmer Fryer (MGM, 1930). Still (11" X 14"). Vintage black and white, double weight, matte finish still. This is a lovely portrait photograph with an embossed blind stamp for photographer Elmer Fryer in the lower right corner. Aside from wear along the edges, this is a fantastic still. Very Fine+.
Magazines
Lana Turner Publicity Still (MGM, 1941). Still (8" X 10"). Vintage black and white, double weight, glossy still. This lovely still has type-written notes on the verso describing this as a vacation shot of Turner after completing Dr. Jekyll and Mr. Hyde. The still has minor corner wear on the lower two corners and some surface cracking in the upper left of the image. Very Fine-.
Movie Posters
Grace Kelly Publicity Studio Portrait (1950s). Still (8" X 10"). Vintage black and white, single weight, glossy still. Has there ever been a star been more aptly named than Grace Kelly? Capturing every bit of her beauty and charm, this still will make a wonderful addition to any collection. There is a crease in the bottom left corner along with wear along the edges and corner dings. On the reverse, there is a partially removed sticker and writing in pencil. Fine/Very Fine.
Joan Crawford and Conrad Veidt in "A Woman's Face" (MGM, 1941). Still (8" X 10"). Vintage, black and white, double weight, glossy still. This is widely regarded as one of Joan Crawford's finest performances. Crawford, pictured with co-star Conrad Veidt, is a bitter woman whose facial scar leads her to a life of blackmail and scandal. If not for the light edge wear at the bottom, this still would grade higher. Near Mint-.
Joan Crawford in "The Bride Wore Red" (MGM, 1937). Publicity Still by Frank Tanner (11" X 14"). Vintage, black and white, single weight, glossy still. Joan Crawford stars as a nightclub dancer and singer who gets a taste of the good life and decides that she likes it. This still has creases and wear in the borders along with faint surface scratches and a few light bends in the image. Very Fine-.
Maureen O'Sullivan by Laszlo Willinger (MGM, 1938). Studio Portrait (10" X 13"). Vintage, black and white, double weight, glossy still. Laszlo Willinger came to the United States from Austria at the invitation of famed celebrity photographer Eugene Richee. Once in Hollywood, he made a name for himself thanks to fabulous images such as this one of the lovely Maureen O'Sullivan. There are minor dings and creases at the corners along with light edge wear and a studio snipe that has been affixed to the verso. Very Fine-.
Pulps
Jayne Mansfield Publicity Still (1950s). Still (8" X 10"). Vintage, black and white, single weight, glossy still. What's more American than Jayne Mansfield and baseball? This publicity still from the 1950s features the bubbly blonde with score card in hand as she takes in America's pastime. There is wear along the edges along with tiny indentions in the top border. Very Fine+.
Movie Posters
Sue Lyon in "Lolita" (MGM, 1962). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. It was said that Nabakov's novel could never be made into a film. But Stanley Kubrick found a way by changing Lolita's age from 12 to 15, casting 16-year-old Sue Lyon in the title role. Stunningly clean, this photo has faint uniform abrasions on the left side that appear to be machine made and writing in pencil on the reverse. Near Mint.
Teenage Bad Girl (DCA, 1957). Half Sheet (22" X 28"). Originally titled My Teenage Daughter, this British film from the spousal team of Howard Wilcox (director) and Dame Anna Neagle (star) strives for social relevance and places the emphasis on the mother, rather than the bad kid, played by sexy Sylvia Syms. This nifty half sheet features a great image of Syms, and plenty of juvenile delinquent action. The poster is in stunning condition, with some light wrinkling in the left and right borders being the only issues of note. Rolled, Very Fine/Near Mint.
Silver Age (1956-1969)
Joy Ride (Allied Artists, 1958). One Sheet (27" X 41"). Following on the heels of AIP's success with the juvenile delinquent films, Allied followed suit and produced a number of their own. The item of most note about this film, other than the fun poster is the appearance of Ann Doran as the wife of the owner of the hot car the boys want to "joy ride." Doran played the mother of James Dean's character in Rebel without a Cause. Fine+.
Movie Posters
Dragstrip Riot (American International, 1958). One Sheet (27" X 41"). Great graphics of a hot car and a motorcycle gang on this classic 1950s American International poster. Starring Fay Wray, Yvonne Lime, Connie Stevens and Gary Clarke, this poster is what AIP was all about in advertising, a great poster that delivers a lot more than the film usually did. Very Fine.
Bus Riley's Back in Town (Universal, 1965). One Sheet (27" X 41") Advance. Although this movie was ostensibly about Bus Riley (Michael Parks), a young man who returns home from a stint in the Navy to find that his life is very different from the way he left it, the real draw is obvious from this incredibly sexy teaser poster: Ann-Margret. Although this exquisite piece shows pinpoint crossfold separation, a small tear in the bottom center, and light wrinkling at the top horizontal fold, we know you'll overlook these slight defects when faced with Ann-Margret's obvious charms. Add this stunner to your collection today! Very Fine.
Beach Party (American International, 1963). Half Sheet (22" X 28"). This was the first of the American International Beach Party movies, in which Anthropology Professor Robert Cummings and his assistant Dorothy Malone hit the beaches to study the mating habits of the American teenager. Their main subjects turn out to be Frankie Avalon and Annette Funicello, who spend the rest of the movie surfing, dancing, and battling a gang of motorcycle toughs led by Eric von Zipper (Harvey Lembeck), who tries to abduct Funicello. Originally intended as a low-budget spoof of the Elvis Presley musicals, the series soon took on a life of its own, making Frankie and Annette beach blanket icons. This lovely half sheet has a small tear in the bottom border and light fold wear, but is otherwise in superb condition, making it a great piece from a cult classic film. Folded, Very Fine+.
Ride the Wild Surf (Columbia, 1964). One Sheet (27" X 41"). It's love amidst the waves of the Hawaiian beaches in this fun surfing film starring Fabian, Shelley Fabares, Barbara Eden, Tab Hunter, and James Mitchum as "Eskimo," as well as a soundtrack featuring the music of Jan and Dean. for surfing fanatics, posters don't get much better than this. The one sheet offered here has a smudge in the left border and a small chip in the top left corner, but is otherwise in near-pristine condition. For all you surfers, or those who merely wish to ride the waves, this one's for you! Very Fine.
Easy Rider (Columbia, 1969). One Sheet (27" X 41") Style C. One of the defining films of the counter-culture movement, this landmark picture, starring Peter Fonda and Dennis Hopper - who also directed - was a road movie for a new generation, as Wyatt (Fonda) and Billy (Hopper) set out on their motorcycles to go to Mardi Gras, and find America in the process. Largely improvised, Hopper and Fonda did not write a full script, but made most of the film up as they went along. This classic one sheet is in near-perfect condition, with only a pinhole in the top right keeping it from an even higher grade. Near Mint-.
Easy Rider (Columbia, R-1972). One Sheet (27" X 41"). One of the defining films of the 1960s, paper from this seminal title is always in high demand. Oddly, none of the posters produced for the original release of the film showed stars Peter Fonda and Dennis Hopper on their motorcycles, an oversight that was rectified with this re-release classic. The stunning example offered here has fold wear, a small stain in the left center near the border, and bottom left and right corner bends, but is otherwise clean and attractive. A hard-to-find, and very desirable, treasure. Very Fine.
Mondo Mod (Timely Motion Pictures Inc., 1967). One Sheet (27" X 41"). Beginning with the title song, "It's a Mod Mod World" by the Gretschmen, Mondo Mod explores West Hollywood, California's famous Sunset Strip in 1966. Humble Harve Miller narrates this laughable look at the "Mod" phenomena of 1966, including Hell's Angels, surfers, strip clubs, pot parties and the like. The poster had pinholes in the corners and a small hole in the lower white field. There were minor chips in the border. This great throwback to the groovy sixties has been beautifully restored and now looks great. Very Fine- on Linen.
Mister Rock and Roll (Paramount, 1957). One Sheet (27" X 41"). Alan Freed, the man who claimed to have created rock and roll, and certainly was the first disc jockey to majorly promote it, stars in this swingin' time capsule, which features footage of such legendary performers as Lionel Hampton, Ferlin Huskey, Frankie Lymon and the Teenagers, The Moonglows, LaVern Baker, Little Richard, Brook Benton, and Chuck Berry. For fans of 1950s rock, this poster is a must-have! In exceptional condition, only some very light foxing at the fold lines keeps this beauty from an even higher grade. Very Fine+.*
The Girl Can't Help It (20th Century Fox, 1956). Poster (40" X 60") Style Y. Jayne Mansfield had just finished her successful Broadway run in Will Success Spoil Rock Hunter when she made this tune-filled romp written and directed by Frank Tashlin. A recently sprung mob boss (Edmond O'Brien) wants to promote his talent-free girlfriend (Mansfield) as a singer, but she'd rather settle down and make babies. When O'Brien balks at domesticity, she instead falls for her hapless new agent (Tom Ewell). Ray Anthony, Fats Domino, the Platters, Little Richard, Gene Vincent, and more contribute to the rockin' and rollin'. Mansfield herself is the focus of this rare and impressive 40" x 60", which features art not seen on any of the other style posters from the film. There are pinholes, edge wear, some staining in the borders and bottom field, creasing in the bottom right corner, and a piece missing in the left border. Still, the eye can't help but be distracted by that legendary figure, and the poster presents very nicely. Rolled, Fine+.
Performance (Warner Brothers, 1970). Half Sheet (22" X 28"). What starts off as a rough, violent crime drama takes a turn for psychedelia as Chas (James Fox), a small-time hood, needs a place to hole-up after a hit, and finds refuge in the cloistered mansion of former rock star Mr. Turner (Mick Jagger), who lives in a world of overamped decadence. Director Nicolas Roeg made a career out of bizarre films such as this, and Performance was ultimately shelved for two years because of its strong sexual content. This half sheet has light creasing and minor stains in the top and bottom border, but is otherwise in spectacular condition. Coveted by poster collectors and Rolling Stones fans alike, this is a poster not to be missed. Rolled, Very Fine+.
Viva Las Vegas (MGM, 1964). French Grande (47" X 63"). Viva Las Vegas was one of Elvis Presley's most popular vehicles, and remains so today. Elvis plays a Las Vegas Grand Prix race car driver, who meets his match when he falls for singing and swinging Ann-Margret. Little wonder the French titled the film L'Amour en Quatrieme Vitesse ("Love in Fourth Gear"). This French grande has light fold wear. The poster has been mounted on linen and professionally restored. Beautiful artwork by Roger Soubie of Presley and Ann-Margret. Very Fine+ on Linen.
Blue Hawaii (Paramount, 1961). One Sheet (27" X 41"). This was the picture that perfected the formula for all of Elvis' films to follow; hit tunes worked into a simple story where Elvis always gets the girl! Some consider this a turning point in Elvis' film career. With Blue Hawaii, he made the leap from being just another teen singing actor, to becoming a true American cultural icon. There were pinholes in the borders and corners as well as staple holes in the right side of the image. There were also chips in the top corners and holes in the left side of the image. Now, this restored poster has a presentation befitting a king! Fine/Very Fine on Linen.
Girls! Girls! Girls! (Paramount, 1962). One Sheet (27" X 41"). As rockin' young tuna boat fisherman Ross Carpenter, Elvis Presley scored one of his biggest hits with this rollicking musical that co-starred Stella Stevens and Laurel Goodwin as the titular girls. This fun romp is the only one of Presley's feature films to garner a Golden Globe nomination. Offered here is a fabulous one sheet for this popular film. In superb condition, only some light staining in the bottom center keeps it from an even higher grade. Very Fine+.
Roustabout (Paramount, 1964). One Sheet (27" X 41"). Charlie Rogers (Elvis Presley) joins Maggie Morgan's (Barbara Stanwyck) struggling carnival when his bike is damaged in an accident, and soon becomes the star of the show as a hit singer. Aside from a great performance by Presley, who did all his own stunts, the film is also notable for early appearances by Raquel Welch and Terri Garr. This beautiful one sheet is about as clean as they come, looking every bit as crisp and fresh as the day it was printed. Near Mint+.
Love Me Tender (20th Century Fox, 1956). One Sheet (27" X 41"). After the Reno Brothers - Vance (Richard Egan), Brett (William Campbell), and Ray (James Drury) - steal a shipment of Union gold, they find out that the Civil War is over and they are now outlaws. Returning home, Vance discovers that his youngest brother, Clint (Elvis Presley, in his first film role), has married his sweetheart, Cathy (Debra Paget). Like the rest of Elvis's oeuvre, the plot was simply a device to allow "The King of Rock and Roll" to perform a few musical numbers, including the hit title tune. Although this is the only one of Presley's films in which he did not receive top billing, it's reported that a record number of prints of the movie were struck to accommodate the enormous demand for Elvis's film debut. The one sheet offered here, featuring a fabulous portrait of Presley, has a top left corner bend, wrinkling in the top left corner, light edge wear, and faint ghosting, but is otherwise extremely clean and presentable, a fine piece for anyone who counts himself among the King's legion of fans. Very Fine-.
Loving You (Paramount, 1957). One Sheet (27" X 41"). Deke Richards (Elvis Presley) is a truck driver with a penchant for singing, until he's discovered by publicity agent Glenda Markle (Lizabeth Scott) who turns him into an overnight superstar. The most autobiographical of Elvis' movies, it's also considered one of his very best. The superb one sheet offered here shows crossfold separation, pinholes in the lower center of the image area, small stains in the top left and right, and a small scratch in Presley's forehead. In spite of these slight flaws, this is a great sheet, one that any Elvis fan will treasure. Very Fine-.
Elvis Presley Publicity Still (Early 1960s). Still (8" X 10"). Vintage black and white, double weight, glossy still. Already a star of the recording industry, Elvis Presley set his sights on Hollywood, making 31 films in all. This publicity still of "The King" is in remarkable condition with only a light crease in the left side of the image and at the corners. The reverse is clean with only identifying writing in pencil. Very Fine.
That's the Way It Is (MGM, 1971). Italian 4 - Folio (55" X 78"). After Change of Habit in 1969, Elvis Presley gave up his acting career and concentrated on live concerts. This documentary shows the King in rehearsal for his Summer Festival in Las Vegas, and performing at the International Hotel. This Italian poster has light edge and fold wear, a corner bend, and a double punch stamp in the lower panel. A wonderful piece for the true Elvis fan. Very Fine+.
Help! (United Artists, 1965). Three Sheet (41" X 81"). This was the second film to feature the Fab Four, made to take advantage of the explosion of interest in the Beatles worldwide in the mid-1960s. Ringo Starr is the focus here, as he's pursued by a weird cult who have marked him for human sacrifice due to his inadvertent possession of a sacred ring. It's up to band mates John Lennon, George Harrison, and Paul McCartney to help bail him out as the cult chases them to a variety of exotic locales. Along the way, of course, there's music, including "Ticket to Ride," "You're Going to Lose That Girl," "You've Got to Hide Your Love Away," and the title song. This extremely rare and desirable three sheet is in remarkable condition. It had some crossfold separation and some surface paper loss in the bottom right, but professional restoration has rendered these slight issues virtually invisible, making this a perfect addition to any collection. Very Fine on Linen.
Help! (United Artists, 1965). One Sheet (27" X 41"). With Beatlemania in full swing, and the Beatles' first feature film, A Hard Day's Night (1964), a smash success, it's no surprise that a second film featuring the Fab Four - John Lennon, Paul McCartney, George Harrison, and Ringo Starr - was rushed into production. This time, Ringo finds himself the target of an obscure cult, after him to retrieve a ring the drummer possesses. This one sheet has light fold wear, pinpoint crossfold separation, pinholes in the corners and in the top center, and a small tear in the bottom center, but it presents very nicely, and will make a wonderful display piece for any diehard Beatles fan. Very Fine-.
Sanjuro (Toho, 1962). Polish One Sheet (22.75" X 32.25"). The filmmaking team of Akira Kurosawa and Toshiro Mifune bring the crude, dirty but honorable ronin samurai of Yojimbo back to the screen. Mifune assists nine inexperienced warriors in bringing down the corrupt officials of their town, after which he leaves with a flippant "See ya later." This Polish poster has tears on the top and left borders, a stain on the bottom left corner, and bends on the top right corner and border. Wonderful artwork by Polish artist Andrzej Krajewski. Very Fine+.
Red Beard (Toho, 1965). Polish One Sheet (22.75" x 32"). In Nineteenth Century Japan, the arrogant and proud Dr. Noboru Yasumoto (Yuzo Kayama), who has just graduated from medical school, is forced to work in the Koshikawa Clinic, a non-profit health facility ruled by Dr. Kyojio Niide (Toshirô Mifune), a.k.a. "Red Beard." Red Beard is a good man, sentimental, but also very firm and strong; their personalities initially clash, but they eventually learn from each other. This evocative Polish one sheet features a stunning image of the great Mifune, with superb artwork by Wojciech Zamecznik. The poster has some edge wear, a small tear, and smudging in the left border, and some tape on the reverse, but still has a razor-sharp appearance and great color. Very Fine+.
The Seven Samurai (Toho, R-1987). Polish One Sheet (26.5" X 38"). Takashi Shimura, Toshiro Mifune, Yoshio Inaba, Seiji Miyaguchi, Minoru Chiaki, Daisuke Kato and Isao Kimura star in director Akira Kurosawa's masterpiece of Japanese cinema. The film would later serve as the inspiration for The Magnificent Seven and is a must-see for any movie fan. This re-release Polish poster is very clean with only minor bends at the bottom corners. Very Fine/Near Mint.
The Hidden Fortress (Toho, 1958). Polish One Sheet (22.75" X 32.5"). Two lowly thieves help a general escort a princess and her cache of gold across enemy territory in Akira Kurosawa's popular tale that later inspired Star Wars. George Lucas took the outline of the plot, but his main focus was telling the story through the viewpoint of two minor characters. This Polish poster has pinholes in the corners and middle, light edge wear, and surface wear at the bottom. Dramatic artwork from Polish artist Andrzej Piwonski. Rolled, Very Fine-.
Blow-Up (MGM, 1966). Polish One Sheet (26.5" X 37"). Michelangelo Antonioni's first English language film was also his biggest hit. David Hemmings is a photographer in the swingin' London of the '60s who is not sure whether he has uncovered a murder in his lens or not. Vanessa Redgrave and Sarah Miles co-star in this examination of reality and perception. This Polish poster has intriguing artwork by Waldemar Swierzy. Near Mint+.
L'Avventura (Cino del Duca, 1961). Italian Photobusta (18" X 26"). Michelangelo Antonioni's existential examination of the breakdown of human communication was a polarizing film on its first release. Booed when it was first shown at Cannes, it went on to win the Special Jury Prize that same year. Dismissed and lionized, the film has nevertheless greatly influenced film technique and language ever since. This country-of-origin Italian photobusta has pinholes in the corners, fold wear and light creasing, and chips on the top and bottom left and right border. Of the entire set of photobustas from the film, this is considered to be the very best with its image of star Monica Vitti. Fine/Very Fine on Linen.
La Parisienne (United Artists, 1958). Polish One Sheet (11.5" x 32.5"). Beautiful, bodacious Brigitte Bardot is at her best in this sparkling slapstick comedy about the war of the sexes. Interestingly, this Polish poster makes the movie look far more serious than it is, with a moody image of a tearful Bardot. Condition issues included pinholes, fold wear with one small tear, and trimmed borders; restoration has been performed, and the poster mounted on linen. No Bardot collection is complete without this rare gem. Very Fine- on Linen.
La Parisienne (United Artists, 1958). Polish One Sheet (23.5" X 33"). Brigitte Bardot took America by storm. Not since the "It" girl had someone like "the Sex Kitten" so intrigued men. This lot contains a very scarce original Polish poster for one of her most charming films co-starring Charles Boyer. The art is by fabled Polish artist, Waldemar Swierzy. The poster does display two soft folds but is rolled and is in excellent condition. Rolled, Very Fine+.
Bonjour Tristesse (Columbia, 1958). German A0 (33" X 46"). Based on the novel by teenaged author Francoise Sagan, this sumptuous film stars the lovely Jean Seberg as Cecile, a spoiled young girl who lives with her playboy father (David Niven) on the French Riviera. When daddy's old flame Anne (Deborah Kerr) enters the picture, Cecile's world is thrown upside down. The beautiful German poster offered here, with evocative artwork by Bruno Rehak, is in superb condition; only some very light edge wear keeps it from an even higher grade. Rolled, Near Mint.
Juliet of the Spirits (Rizzoli, 1965). Polish One Sheet (23" X 32"). Married to director Federico Fellini for fifty years, Giulietta Masina starred in seven of his widely acclaimed and influential films, including the iconic La Strada and Nights of Cabiria. This film, full of visions, mysticism, sexuality and guilt, centers around Juliet's need to break free from her adulterous husband, played by Mario Pisu. With beautiful artwork by Eryk Lipinski, this Polish one sheet only has minor edge tears and some writing on the reverse that is showing through in the figure. This is a real gem from one of Fellini's masterpieces. Very Fine/Near Mint.
A Woman Like Satan (Lopert, 1959). British Quad (30" X 40"). A loose remake of the Pierre Louïs novel of which Josef von Sternberg's The Devil is a Woman was an earlier version. This British quad is particularly attractive due to the large image of Brigitte Bardot which dominates the artwork. There is fold wear and a bit of marker bleed through on the lower left corner. Fine+.
Magazines
This Sporting Life (Continental, 1964). British Quad (30" X 40"). Adapted by David Storey from his own novel, this features Richard Harris as Frank, an athletic coal miner who aspires to the greener pastures of professional rugby. Soon establishing himself as one of the most brutal and arrogant players in the business, Frank begins to amass a fortune. He also falls in love with his landlady, Mrs. Hammond (Rachel Roberts) who initially resists his advances. Their relationship is rocky, and eventually Frank's self-worth is tied directly to his performance on the rugby field. Considered by many to be one of the finest British features films ever produced, this was the dramatic directing debut of former documentarian Lindsay Anderson (O Lucky Man!). William Hartnell's memorable co-starring turn in this film led to him being cast as the very first Doctor Who. This stunning unrestored country-of-origin British quad is in exceptional condition, with some light edge wear and a vertical crease on the right side, and light wrinkling overall. The superb condition only highlights the dramatic design, which casts the faces of Harris and Roberts against a stark black background. You'll be a long time looking for a better example of this terrific sheet. Very Fine.
Movie Posters
Tom Jones (United Artists, 1963). British Quad (30" X 40") Style A. Albert Finney shot to stardom in this uproarious, Oscar winner. The film won Academy Awards for Best Picture, Score, Director, and Writing. Posters without the Oscar appearing on them are quite scarce, and this British country-of-origin quad is from the film's initial release. With only light edge wear, a bit of staining in the bottom border and minor pinholes in the corners, this folded sheet is a winner itself. Very Fine.
Shame (United Artists, 1968). British Quad (30" X 40"). Liv Ullman and Max von Sydow are two artists who retreat to a rural island to escape an unnamed war, but a local colonel first interrogates them and then begins to ingratiate himself into their lives. One of Ingmar Bergman's bleakest films, a treatise on war and the damage it does to the human soul. This breathtaking British quad features the artwork of Peter Strausfeld. Strausfeld was an emigré artist who was interned during the war along with Academy Cinema director George Hoellering. After the war, Hoellering asked Strausfeld to produce some posters for the cinema which he did in wood and lino-cuts till his death in 1980. A light smudge above Ullman's head, and a small tear in the bottom left corner are the only condition issues of note. Rolled, Very Fine+.
James Joyce's A Portrait of the Artist as a Young Man (Contemporary Films, 1977). British Quad (30" X 40"). Adapted by Judith Rascoe from James Joyce's first novel, Portrait of the Artist as a Young Man is told through the eyes of Joyce's alter ego, Stephen Dedalus (played by Bosco Hogan). This wonderful British quad features the artwork of Peter Strausfeld. Strausfeld was an emigré artist who was interned during the war along with Academy Cinema director George Hoellering. After the war, Hoellering asked Strausfeld to produce some posters for the cinema which he did in wood and lino-cuts until his death in 1980. The poster is unfolded with minimal handling wear. Rolled, Very Fine/Near Mint.
Naked Under Leather (Girl on a Motorcycle) (Warner Brothers-Seven Arts, 1970). One Sheet (27" X 41"). Marianne Faithfull stars in this French film about a woman who leaves her husband's Alsatian bed on her prized motorbike, symbol of freedom and escape, to visit her lover in Heidelberg. En route she indulges in psychedelic reveries as she relives her changing relationship with the two men. Released in Europe in 1968, it made its way to America in 1970 via Warner Brothers. This poster has just the most minor discoloration in the top vertical fold area. Otherwise the poster is near mint. Very Fine on Linen.
Marilyn Monroe in "Love Happy" (United Artists, 1950). Still (8" X 10"). Vintage black and white, double weight, glossy still. A year before her appearance in The Asphalt Jungle, Marilyn Monroe had a bit part in this Marx Brothers vehicle. This costume test photo features a fresh-faced Monroe well before fame and fate would turn her into an icon. There are two small stains in the image along with minor wear along the edges and a small wrinkle in the bottom border. There is writing in pencil on the reverse as well as minimal staining. However, this remains a must-have item for any Monroe collector. Fine/Very Fine.
Marilyn Monroe Studio Portrait (1950s). Signed Still (8" X 10"). Vintage black and white, double weight, glossy still. In a word, she was simply "Marilyn." Few stars have captured the hearts and souls of fans the world over like Marilyn Monroe and in this photo, it's easy to see why. There are bumps at the corners and writing on the reverse. The still is signed "To George Warmest Regards Marilyn Monroe" and is believed to be secretarial. Still, this remains a fantastic image of the definitive Blonde Bombshell. Very Fine.
Bus Stop (20th Century Fox, 1956). One Sheet (27" X 41"). Don Murray was Oscar-nominated as a simple-minded cowboy trying to romance a hillbilly showgirl (Marilyn Monroe), even going so far as to kidnap her, though that's really just his good ol' boy nature trying to take charge. Monroe gives one of her more complex performances, and this is often seen as a breakout for her away from breathy ingénue roles. Offered here is a stunning example of the playful one sheet poster for the film, with the blank background still starkly white, and the color strike looking absolutely pristine, as if the poster were printed yesterday. The only issue is that the linen has been trimmed to the poster edge. Very Fine+ on Linen.
The Misfits (United Artists, 1961). Three Sheet (41" X 81"). The final film for both Marilyn Monroe and Clark Gable (who suffered a heart attack just one day after filming concluded), this is the story of a sexy divorcee who takes up with two men, both of whom fall for her. And who could blame them? The script was by Monroe's then-husband Arthur Miller, and John Houston was in the director's chair. This impressive flat-folded three-sheet poster has terrific images of Monroe, Gable, and Montgomery Clift , and is in spectacular condition. The unrestored poster has virtually no flaws aside from some very minor marker bleed from the reverse in the top border. Probably never displayed, this is about as fresh as you're likely to find this highly desirable sheet. Very Fine/Near Mint.
The Seven Year Itch (20th Century Fox, R-1966). German A0 (33" X 46"). Billy Wilder directed this amusing sex farce about the temptations of a middle-aged married man. His troubles begin when he sends his family away for the summer, letting his overactive imagination go wild when a delightfully, voluptuous blonde (Marilyn Monroe) moves in upstairs. This striking German re-issue poster has been folded but is otherwise near mint. Very Fine/Near Mint.
The Seven Year Itch (20th Century Fox, R-1966). German A1 (23" X 33"). Wilder directed this amusing sex farce about the temptations of a middle-aged married man. His troubles begin when he lets his overactive imagination go wild when a delightfully voluptuous blonde (Marilyn Monroe) moves in upstairs. The poster exhibits pinholes in the corners, a staple mark to the top left section, light edge wear, pinpoint crossfold separations, and a corner bend to the top left section. Very Fine-.
Marilyn Monroe in "Niagara" (20th Century Fox, 1953). Publicity Still (8" X 10"). Vintage, black and white, glossy still. The sultry and playful Marilyn Monroe exits the shower in this still from Henry Hathaway's dynamic thriller. There are minor surface abrasions and a small indentation in the top border. The reverse has stamps, writing in grease pencil and a sticker. Very Fine.
Marilyn Monroe Publicity Still (20th Century Fox,1950s). Still (8" X 10"). Vintage, black and white, single weight, glossy still. "Icon" is the only word to describe her. Marilyn Monroe strikes a swimsuit pose for 20th Century Fox in this beautiful still. There are creases in the top right and bottom left corners. A slight trim has been made to the left border and there is a sticker on the reverse. However, this remains a great shot of THE movie star of her time! Fine.
The Prince and the Showgirl (Warner Brothers, 1957). Half Sheet (22" X 28"). Carpathian Prince Charles (Laurence Olivier) gets a lot more than he bargained for after a night with flighty American showgirl Elsie Marina (Marilyn Monroe) in this charming adaptation of Terence Rattigan's play, The Sleeping Prince. Although the relationship between Monroe and Olivier was somewhat contentious during filming, Olivier, as director, manages to pull a fine performance out of the mercurial starlet. This gorgeous half sheet had fold wear and pinholes in the corners and in the image area, but professional restoration has rendered these slight flaws virtually invisible. This is a wonderful piece from a wonderful film. Very Fine+ on Paper.
Niagara (20th Century Fox, 1953). Half Sheet (22" X 28"). Marilyn Monroe's career was steadily building during the early 1950s, with a breakthrough in The Asphalt Jungle and a number of increasingly larger roles. However, 1953 proved to be a pivotal year for Monroe, with Gentlemen Prefer Blondes, How to Marry a Millionaire and this Technicolor film noir directed by Henry Hathaway. This half sheet has light edge wear with minor tanning, and a small crease in the bottom border. One of the best images of Monroe from any of her posters, with the half sheet format emphasizing the great artwork. Folded, Very Fine+.
River of No Return (20th Century Fox, 1954). One Sheet (27" X 41"). Two of the most popular actors of the 1950s, Robert Mitchum and Marilyn Monroe, star in this adventure set during the gold rush in Canada. Matt Calder (Mitchum) builds a raft to chase down bad guy Harry Weston (Rory Calhoun) through the rapids with the help of his son Tommy (Mark Calder) and dance hall girl, Monroe. This one sheet only had fold wear before it was professionally restored. This fantastic poster highlights the always appealing Monroe. Very Fine+ on Linen.
The Crimson Trail (Universal, 1935). Title Lobby Card (11" X 14"). In a story involving neighboring ranches and low-down cattle thieves, cowboy star Buck Jones shines in this Universal Western. Considered by many to be one of the greatest of the B-movie Western stars, Jones' skills with riding and shooting were real, gained during his childhood living on a ranch in Oklahoma, and later stints in a variety of Wild West shows. This pretty title card is from the period of Jones' heyday with Universal Studios. The card has some water staining in the lower border and a couple of minor chips from the borders. Fine.
Silver Age (1956-1969)
Left Handed Law (Universal, 1937). Title Lobby Card (11" X 14"). Another beautiful title card from Buck Jones' heyday with Universal Studios. This card has only minor wear with a tanning of the borders which shows it was held in place by scrapbook stays. Very Fine.
Movie Posters
Sandflow (Universal, 1937). Title Lobby Card and Lobby Cards (2) (11" X 14"). Buck Jones produced and starred in this Western, represented here by this spectacular title card, typical of those produced by Universal during this era. The title card has pinholes in the corners as well as the image. There are two rubber stamps on the verso of the title card. The lobby cards show wear in the borders and pinholes as well as one having black scrapbook paper adhered to the verso. Fine.
John Wayne and Alberta Vaughn in "Randy Rides Alone" (Monogram, 1934). Still (8" X 10"). Vintage, black and white, single weight, glossy still. This shot of "The Duke" and co-star Alberta Vaughn has cracking and creasing in the field and borders along with light smudging. This is still a wonderful image of a great American movie hero from his early Western career. Fine-.
John Wayne in "The Telegraph Trail" Publicity Still (Vitagraph, 1933). Still (8" X 10"). Vintage black and white, single weight, glossy still. An early starring role for Western icon John Wayne, this is the story of cavalry scout John Trent (Wayne) whose mission is to stop an Indian uprising that threatens the construction of a new telegraph line. This still, featuring a dramatic portrait of Wayne, has a light surface abrasion in the lower left, and a corner bend in the bottom right, but is otherwise clean and unmarked. It will be an important addition to any Wayne collection. Very Fine+.
The Trail Beyond (Monogram, 1934). Three Sheet (41" X 81"). John Wayne and Noah Beery Jr. set out to find the missing relatives of a friend of Wayne's. They have a map to find their gold mine, but there's also competition in the chase from a crooked French trapper. Shot in Kings Canyon National Park in central California, this was one of the better entries in the series of Westerns Wayne made for Monogram. This three sheet has pinholes in the corners, a tear in the top left corner, fold wear, and wrinkling on the bottom. There are chips and glue stains where the two pieces come together, and the poster is coming off the linen in places. The poster has older restoration, but the colors are still bold and bright. Fine/Very Fine on Linen.
Flame of Barbary Coast (Republic, 1945). One Sheet (27" X 41"). John Wayne stars in a tale of early turn-of-the-century San Francisco. The poster had tape lifts from the verso of the poster at all of the crossfolds and there was some small amount of paper loss at the upper crossfold. The poster has been restored well but has a slight trim into the bottom border. The linen was trimmed around the edges. Fine- on Linen.
Angel and the Badman (Republic, 1947). Australian Daybill (13" X 30"). The first film produced by John Wayne himself is also one of the few movies to cast the Duke as a bad guy, at least at first. Quirt Evans is the most feared man in the territories, but when he's shot by enemies, he's taken in by a beautiful Quaker girl (Gail Russell) who nurses him back to health. Quirt decides to change his ways, but the past is not so easily cast aside. This gorgeous Australian daybill features a bold image of Wayne and Russell, and is in spectacular condition, with a scuff in the right border being the only issue. Very Fine on Linen.
Three Godfathers (MGM, 1948). One Sheet (27" X 41"). A trio of outlaws (John Wayne, Pedro Armendariz, and Harry Carey Jr.), on the run from the law after robbing a bank, come across a lone pregnant woman (Mildred Natwick) who, shortly thereafter dies, in childbirth. Before she does, however, she makes the bandits promise to see her child to safety. Unable to deny the woman's final request, the three men set off to town with their precious cargo. This is a remake of director John Ford's 1916 film of the same name, which starred Harry Carey Sr. The one sheet offered here has pinholes in the corners, a tear in the bottom border and one near Carey's head, small tears at the fold lines and in the left border, and a slight color offset near the title. These are all small flaws, however, that do not detract overmuch from the displayability of this terrific poster. Very Fine.
Red River (United Artists, 1948). Belgian (13.75" X 22"). Director Howard Hawks made the unprecedented move of casting John Wayne as the bad guy in this tale of the first cattle drive over the famous Chisholm Trail. Montgomery Clift is riveting in his debut film role and Wayne is grand in what is considered by many to be the one of the best Westerns roles he ever had. This Belgian poster features far superior art and color to any of the American paper for this film. The poster has creasing and remnants of a theater logo on the top area, edge wear with corner bumps, a chip out of the top left corner and left border, and dust shadow on the borders. Fine/Very Fine.
Fort Apache (RKO, 1948). Half Sheet (22" X 28") Style B. John Ford, one of the primary forces for developing the mystique of the Western in cinema, began his famous "Cavalry Trilogy" with this picture. John Wayne and Henry Fonda were never better as two soldiers who see their military roles completely different from each other. Ford shot the film in Monument Valley (John Ford Country) and the picture was a thinly veiled version of Custer's last stand at Little Big Horn. This rare style half sheet was folded and had pinholes in the corners and some chips from the border and border wear. The restoration work was top-notch and the poster now looks near mint. Fine on Paper.
Fort Apache (RKO, 1948). Half Sheet (22" X 28") Style A. The first of John Ford and John Wayne's "Cavalry Trilogy," this Western examines responsibility and loyalty, with Wayne's Capt. Kirby York keeping the secret of the malfeasance of Henry Fonda's martinet commander. Shirley Temple, along with her then-husband John Agar, co-starred in the wonderfully named role of Philadelphia Thursday. This half sheet has two tears in the right border, wrinkling, and some surface paper loss on the reverse. Though the restoration is older, the poster has a very clean appearance. Very Fine on Linen.
Stagecoach (United Artists, R-1948). One Sheet (27" X 41"). Breaking out of B Westerns, John Wayne finally got his chance at a top role with one of the best Westerns ever made. The cast also includes Thomas Mitchell, John Carradine, Tim Holt and the wonderful Claire Trevor as Dallas, the prostitute with the heart of gold. The linen has been trimmed to the edge of the poster. This 1948 reissue had border tears, a 6" tear in the top left, fold wear with paper loss, crossfold separations, chips in the the borders and a small hole in the top right. All of these issues have been addressed by superb professional restoration. Original one sheets from Stagecoach are extremely rare and do not feature John Wayne, so this is a fantastic opportunity to own a piece from this classic film. Fine+ on Linen.
Rio Grande (Republic, 1950). Argentinean Poster (29" X 43"). As far as Westerns go, it's hard to beat the combination of director John Ford and leading man John Wayne, as this rousing action picture proves. Here, Wayne stars as Lt. Col. Kirby Yorke, a Civil War veteran who is unexpectedly reunited with his wife Kathleen (Maureen O'Hara) and his estranged son Jeff (Claude Jarman Jr.), when the latter transfers to his father's post. The climax of the film is a bloody battle with the Apaches. This is a dramatic artistic representation of Wayne and O'Hara by artist Graziella del Carmen. The poster has been professionally restored where there was minor paper loss at the crossfolds as well as small spots within the border and at the upper left corner of the border. The linen has been trimmed to the border. Very Fine- on Linen.
Rio Bravo (Warner Brothers, 1959). Insert (14" X 36"). Holding a murderer (Claude Akins) in jail proves to be more than Sheriff John T. Chance (John Wayne) bargained for when the outlaw's brother (John Russell) attempts to break him out. Until the U.S. Marshall comes to town, Chance, along with his unlikely posse - including an alcoholic former deputy (Dean Martin), a young would-be gunfighter (Ricky Nelson), and a lame old jail guard (Walter Brennan) - must keep the town, and the prisoner, safe. Infuriated by the liberal subtext of High Noon (1952) - seen as an indictment of those who failed to stand up to the bullying tactics and blacklisting of the House Un-American Activities Committee - Wayne, a strong supporter of blacklisting, and director Howard Hawks made this film as a response. It is seen today as one of Wayne's best. The insert offered here has pinholes in the corners, a bottom right corner bend, light smudging, and a small amount of staining in the bottom right corner, but is otherwise in superb condition. Very Fine-.
The Alamo (United Artists, 1960). Lobby Card Set of 8 (11" X 14"). John Wayne stars as the legendary Col. Davy Crockett in this stirring account of the Battle of the Alamo, in which a small band of heroes stand before the mighty Mexican army to protect the newly-formed Republic of Texas. Wayne, who also directed this exciting picture, saw it as an allegory for America's Cold War battle against the Soviet Union. The exquisite lobby card set offered here is about as clean as they come; if you're the kind of collector who insists on the best, this set is for you! Near Mint.
Chisum (Warner Brothers, 1970). British Quad (30" X 40"). John Wayne, in one of the iconic roles of his later career, plays real-life cattle baron John Chisum. Squared off against land developer Forrest Tucker, he enlists the aid of Billy the Kid and Pat Garrett in what would be known as the Lincoln County Cattle War. This British quad has edge wear, a small tear on the right border, a corner bend on the lower left, and stains on the top, left and bottom. The dramatic artwork is by Tom William Chantrell. Rolled, Fine/Very Fine.
Billy the Kid Returns (Republic, 1938). One Sheet (27" X 41"). Roy Rogers fans were probably quite shocked to enter the theater in 1938 and see their beloved singing cowboy gunned down in the first five minutes! That's because Roy plays not only the doomed Billy The Kid, but also his doppelganger, conveniently named "Roy Rogers." Since no one knows about the Kid's death, Rogers convinces Pat Garrett to let him impersonate Billy, and take up the cause of the homesteaders vs. the big ranchers. Roy's frequent sidekick Smiley Burnette provides the comic relief and Lynne Roberts in the romantic interest. This colorful one sheet has plenty of action and a great shot of Roy. Condition issues are extremely minor, and include corner pinholes and pinpoint crossfold separations. You'll be hard-pressed to find a better example of this Roy Rogers classic. Very Fine+ on Linen.
Silver Age (1956-1969)
Heart of the Golden West (Republic, 1942). One Sheet (27" X 41"). Roy Rogers and his well known team of Smiley Burnette, Gabby Hayes, and Sons of the Pioneers are up against greedy trucking executives who are overcharging the ranchers of Cherokee City in this action packed Western. Ruth Terry plays Roy's love interest, three years before he would partner with wife Dale Evans. This one sheet had pinholes in the corners, fold wear, and writing on the reverse before professional restoration. A great image of the "KIing of the Cowboys," this one should not be missed. Very Fine- on Linen.
Movie Posters
San Fernando Valley (Republic, 1944). One Sheet (27" X 41"). Ranch foreman Roy Rogers sets himself up for trouble when he fires all the male hands and replaces them with women! Of course, the ranch owner's daughter (Dale Evans) wants things back the way they were, but her scheme to win back the men backfires, thanks to a pair of conniving horse thieves. This exciting Western was directed by John English, who was one of Republic's leading serial directors at the time. The one sheet offered here shows crossfold separation, corner creases, pinholes in the corners and borders (some enlarged), tearing at the fold lines in the left and right borders, and a pencil mark on Roy's nose. Aside from these slight imperfections, this is a gorgeous poster that any Western fan will be proud to own. Fine.
On the Old Spanish Trail (Republic, 1947). One Sheet (27" X 41"). Roy Rogers needs to come up with $10,000 fast, so he goes after the reward on the notorious Gypsy (Tito Guizar). There's only one problem: Roy discovers that the Gypsy is innocent, and soon both men team up to capture the real villain. This beautiful one sheet had fold wear, pinpoint crossfold separations, pinholes in the corners, and a tear in the bottom right image area. After professional restoration, this stunner looks virtually as good as new. Very Fine- on Linen.
The Man from Music Mountain (Republic, 1938). One Sheet (27" X 41"). A devious con man (Ivan Miller) attempts to sell bogus lots in a ghost town, and phony shares in a tapped-out gold mine, to unsuspecting townspeople, but his plan is upset by the heroic efforts of Gene Autry and his erstwhile sidekick Frog Millhouse (Smiley Burnette), who have to escape from a collapsed mine in order to save the day. This exquisite poster had pinholes in the corners, borders, and image area, fold and crossfold separations, a chip in the left border, small holes in the top center, and a small scuff in Autry's forehead, but all of these minor issues have been addressed with expertly done restoration. The result is a poster you will be proud to display. Very Fine- on Linen.
The Singing Hill (Republic, 1941). One Sheet (27" X 41"). Gene Autry and his saddle pal Smiley Burnette ride into town and make the acquaintance of heiress Virginia Grey, who wants to divest herself of her land holdings. Villain George Meeker hopes that she'll do this so he can charge inordinately high prices for grazing lands. Gene sets things right, and gets to sing a few songs, too. Prior to restoration, there were pinholes in the corners and background area, the top right corner was missing. There was a small amount of missing paper on the left border, and a tape lift on the top left corner. There was also fold wear and minor crossfold separations. Fine+ on Linen.
The Rainbow Trail (Fox, 1918). Lobby Card Set of 9 (8" X 10"). The Mormons are villains simply because they are Mormons, in this, the earliest version of Zane Grey's novel. Starring William Farnum in the dual role of fugitive cowboy Lassiter and his look-alike son Shefford. This film reunited the winning team of Frank Lloyd as director and Farnum as star. This fabulous early set of nine cards has pinholes in the corners of all of the cards. These early sets often did not have title cards as this one does not. This set also comes with the original paper bag it was mailed with, though somewhat tattered. Fine+.
Hoot Gibson Still (Universal, 1928). Autographed Still (10.75" X 13.5"). Vintage hand-colored, double weight, matte still. Hoot Gibson was a major film attraction from the mid-1920s until the early 1940s, ranking second only to Tom Mix as a Western film box office draw during the silent era. This is a beautiful hand-tinted and autographed still. The inscription reads, "For Blanche, One of the best. Success Always, The Hoot, 1928." The photo has a couple of small tears on the right side and may have a slight trim on the lower edge. Very Fine.
Trimmed (Universal, 1922). Title Lobby Card (11" X 14"). Edmund Richard "Hoot" Gibson made a handful of silent films before he won the crown of World's All Around Champion Cowboy in 1912. His career in Westerns lasted almost 50 years after that accomplishment. Hoot's leading lady in Trimmed, Patsy Ruth Miller, went on to even greater fame the next year, as Esmeralda in The Hunchback of Notre Dame. This title card has light creases on the upper and lower right corners, a very minor wrinkle above Hoot's hat, and light staining in the lower left corner. A nice hand-tinted shot of Gibson. Very Fine+.
Tumbleweeds (United Artists, 1925). Lobby Card (11" X 14"). After practically inventing the image of the screen cowboy -- laconic and morally upstanding -- and turning out a number of films in which he both starred and directed, William S. Hart found the tenor of the times changing in the early 1920s. Tom Mix and Hoot Gibson were taking away his audience, and a paternity suit and divorce had tainted his reputation, so Hart finished Tumbleweeds and then retired to his ranch, never to appear in a film again. This lobby card has had all of the borders replaced. The restoration is very well done, and the card has a brand new appearance. Beautiful hand-tinted color. Very Good/Fine.
The Devil's Saddle (First National, 1927). Insert (14" X 36"). Known for doing all his own stunts, cowboy legend Ken Maynard with his trusted horse, Tarzan doesn't fail here, in this early Western silent. He plays Harry Morrel, a rancher who is accused of killing a Hopi tribe member. When the Hopi burn his father's home, he sets out with Jane Grey (Kathleen Collins) to find the real killer. This insert had a missing corner in the top left, a hole in the top right corner, small holes throughout and horizontal creases. Professional restoration has corrected these issues, and although most of the blue background has been touched up, it displays beautifully. The wonderful watercolor-like artwork is lovely, and the design is particularly appealing in this long insert format. Fine on Paper.
The Texan (Paramount, 1930). Window Card (14" X 22"). Gary Cooper already had an impressive filmography behind him when he made this early talkie. As Enrique, the Llano Kid, Cooper plays a daring young bandit with a price on his head who gets involved with a crooked lawyer and poses as the long-lost son of Mexican aristocrat Senora Ibarra (Emma Dunn). While playing his part, Enrique falls in love with Consuelo (Fay Wray), Senora Ibarra's niece, further complicating matters. This gorgeous window card had a tear in the right border, small edge tears, a small tear in Cooper's hand, and a missing top left corner, but after expertly applied professional restoration, these small defects are all but invisible. Any fan of this great star will be proud to own this stunning piece! Very Fine- on Cardstock.
The Plainsman (Paramount, 1936). Window Card (14" X 22"). When villainous gunrunners plot to instigate an Indian uprising in the years just after the Civil War, it's up to lawman Wild Bill Hickok (Gary Cooper), aided by such legendary figures as Calamity Jane (Jean Arthur) and Buffalo Bill Cody (James Ellison), to stop them in this Western epic directed by the great Cecil B. DeMille. An accomplished horseman in real life, Cooper did most of his own riding stunts in this film, including the thrilling moment spent hanging between two horses. This beautiful window card has a small corner bend in the bottom left, and some very light foxing on the right side, but is otherwise extremely clean and fresh; a remarkable piece from one of Cooper's best films. Very Fine.
Not Exactly Gentlemen (Fox, 1931). One Sheet (27" X 41"). A remake of 1926's Three Bad Men, this Western has Victor McLaglen and two of his cohorts wooing Fay Wray, simply because she has a map that shows the location of a gold mine. The lady, however, has other plans! This one sheet has pinholes in the corners with small paper loss, a small stain in the lower center with color touchup in the yellow field, and tears and holes in the border and image. Beautiful restoration has addressed all of these flaws. The linen has been trimmed to the edge of the poster. Gorgeous stone litho artwork, with one of the nicest images of Wray to be found anywhere. Fine- on Linen.
Vanishing Men (Monogram, 1932). Insert (14" X 36"). Tom Tyler stars in this "lost" Western co-starring Adele Lacy, Raymond Keane, William Thorne, and John Elliot. Little is known about the film, but this insert poster gives a few clues, with a fantastic head-shot of Tyler (the future Captain Marvel), and interesting artwork, as well as the promise of "Noiseless Recording" for this early sound feature. The poster had paper loss in a couple of the corners and in the borders, an extra horizontal crease, and tears, all of which has been addressed with professional restoration. A very attractive poster for this vintage oater. Fine on Paper.
In Old Santa Fe (Mascot, 1934). Lobby Card (11" X 14"). Ken Maynard's first film for Mascot also served as a screen test for Gene Autry and Smiley Burnette (in their film debuts). A year later, when Maynard argued with Mascot head Nat Levine, Autry starred in what was to be a Maynard film, The Phantom Empire. This lobby card has pinholes in the field and borders, very light stains in the bottom border, and light surface scuffs in the image and Maynard's credit. Very Fine.
The Texas Rangers (Paramount, 1936). One Sheet (27" X 41"). This sprawling historical Western was made with the full cooperation of the real-life Texas Rangers and starred Fred MacMurray as an outlaw who decides to go straight and join the newly-founded Rangers. This film was released to coincide with the Texas Centennial. There was fold wear and crossfold separations with some paper loss, including some tearing on the center fold, several horizontal creases on the bottom, and chipping on the borders. Professional restoration has rendered all this nearly invisible. Very Good+ on Linen.
Sutter's Gold (Universal, 1936). Mini Window Card (8" X 14"). Edward Arnold plays Swiss immigrant Johann Sutter, who seeks his fortune in the California of the 1830s. Against all odds, Sutter builds up a huge land empire, only to watch it explode when gold is discovered at his mill in 1848. This Universal biopic is credited with being one of the financial blunders that ended the Carl Laemmle regime in 1936, as it went way over budget. This wonderful card has two uniformly punched binder holes in the right side of the card. The card has a nicely rubber stamped theater name and date in the imprint area. From the Collection of Denver Sherry. Fine-.
Hittin' the Trail (Grand National, 1937). One Sheet (27" X 41"). It's action and music under the Western skies as Tex Ritter inadvertently gets involved with a swindling horse thief (Earl Dwire) who plans to dupe Tex into moving his stolen herd across the border, then holding him up for the goods. With his trusty sidekick (Hank Worden, billed here as Heber Snow), Tex eventually wins the day. This beautiful poster had pinholes in the corners, crossfold separation, fold wear with chipping, a missing top left corner, edge chipping, pieces missing in the left and right border, edge tears, and a small piece missing in the first "T" of "Ritter," but after undergoing professional restoration, one would be hard-pressed to see any of these issues except under close inspection. Hit the trail and bid on this classic Western beauty. Very Good+ on Linen.
Santa Fe Trail (Warner Brothers, 1940). Mini Window Card (8" X 14"). Set in the days leading up to the Civil War, this film boasts screen luminaries Errol Flynn, Olivia de Havilland and Ronald Reagan. The story follows Jeb Stuart (Flynn) and his friendship with George Custer (Reagan), and his romance with Kitty Carson Holiday (de Havilland), as well as his military conflicts. This scarce midget window card has had the top blank imprint area replaced. There is a small lower right corner bend and a slight surface chip from the lower left corner. Printed on the Warner Brothers linen paper stock, this card now displays beautifully and appears very fine in condition. From the Collection of Denver Sherry. Fine.*
Blood on the Moon (RKO, 1948). One Sheet (27" X 41"). Jim Garry (Robert Mitchum) wanders into the middle of a range war between his friend Tate Riling (Robert Preston) and John Lufton and his daughter Amy (Tom Tully and Barbara Bel Geddes). At first Garry aligns himself with Riling, but soon comes to realize how evil he really is. There is some tiny fold separations at the edge of the poster, pinholes, and faint wrinkling. There is a very minor pencil writing of play days in the credit area. Fine/Very Fine.
The Gunfighter (20th Century Fox, 1950). One Sheet (27" X 41"). Gregory Peck gives one of his greatest performances as Johnny Ringo, an aging gunfighter desperately trying to escape his legend and his past. This film is one of the best adult Westerns ever made, with a darker ending than is usually seen in that genre. Prior to restoration, there were pinholes in the borders, fold wear with crossfold separations, a small edge tear on the left and one on the top border. The professional restoration has given the poster a like new appearance. Very Fine on Linen.
Montana (Warner Brothers, 1950). One Sheet (27" X 41"). Errol Flynn plays an Australian rancher (perhaps the only time he played his own nationality) in the old West, who meets resistance when he tries to bring sheep into cattle country. There's also some romantic entanglement with pretty Alexis Smith. An offbeat Western for Flynn, with gorgeous Technicolor photography. This colorful poster has a great image of Flynn, and a bright color scheme. Condition issues included pinholes in the corners, one pinpoint crossfold separation, small surface abrasion in the right border, a small tear and small holes in the left and bottom borders, and the linen has been trimmed to the borders. Professional restoration has given the poster a refreshed appearance, and the sheet retains great color. Very Fine on Linen.
Johnny Guitar (Republic, 1954). One Sheet (27" X 41"). Not the most popular person in the territory, pretty saloon-owner Vienna (Joan Crawford) sticks it out in her small Arizona town in anticipation of the day the railroad comes through, bringing with it a slew of thirsty customers. Rancher Emma Small (Mercedes McCambridge) likes things just the way they are and wants Vienna out, and she'll do anything to make that happen. But Vienna has an ace up her sleeve: ex-lover Johnny Guitar (Sterling Hayden) who, unbeknownst to the rest of the town people, is a deadly gunslinger. Expertly directed by Nicholas Ray, this is one of the most unique - and unusual - Westerns ever filmed. The exquisite one sheet offered here had fold wear, pinpoint crossfold separation, pinholes in the corners, and several light creases, but professional restoration has addressed all of these issues, making this a clean, attractive, and highly desirable prize. Very Fine on Linen.
Davy Crockett (Buena Vista, 1955). One Sheet (27" X 41"). Few figures in American history have become as fabled as Davy Crockett, frontiersman, trapper, scout, senator, and one of the heroes of the legendary Battle of the Alamo. Nothing elevated the Crockett mythology more than the popular Disney TV series starring Fess Parker that aired in the mid-1950s. It proved such a hit, Disney decided to edit several episodes together to feature length, and this movie was born. Despite the fact that most of America had already seen the episodes on the small screen, the motion picture went on to gross more than $1 million, leading to a sequel the following year. This gorgeous one sheet has a stamp on the back that bleeds through to the front, some color offset in the title area, a small chip in the left border, and some light edge damage in the bottom left corner. Very Fine.
The Magnificent Seven (United Artists, 1960). British Quad (30" X 40"). With far superior art to the U.S. one sheet, this original British quad really conveys the impact of this ground-breaking Western. Steve McQueen, James Coburn, and Charles Bronson all got their big breaks in this film, which starred Yul Brynner as the leader of the seven gunslingers who ride into Mexico to save a small village from a gang of bandits. There are pinholes in the corners, and a stain on the bottom border. Very Fine.
The Magnificent Seven (United Artists, 1960). Half Sheet (22" X 28") Style B. This John Sturges' Western, about a group of gunslingers hired to protect a small town from the depredations of a gang of bandits, is a remake of acclaimed Japanese director Akira Kurosawa's immortal samurai epicThe Seven Samurai. The movie features an outstanding cast, including Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson, Robert Vaughan, and James Coburn, as well as Oscar-nominated music by Elmer Bernstein. This highly desirable half sheet is in excellent condition, with only some light discoloration at the extreme right edge and some light wrinkling in the right border keeping it from an even higher grade. Folded, Very Fine+.
The Magnificent Seven (United Artists, 1960). Lobby Card Set of 8 (11" X 14"). An American remake of Japanese director Akira Kurosawa's The Seven Samurai (1954), this gripping Western is about a group of gunslingers hired to protect a small town against the depredations of a gang of approaching bandits. The incredible cast, including Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson, Robert Vaughan, and James Coburn, makes this movie an all-time classic. The lobby card set offered here is in first-rate condition; only some light tanning at the edges prevents us from awarding an even higher grade to this stunning treasure. Very Fine+.
For a Few Dollars More (United Artists, 1967). One Sheet (27" X 41"). In this, the sequel to director Sergio Leone's classic A Fistful of Dollars, "The Man with No Name" (Clint Eastwood) forms an uneasy alliance with fellow bounty hunter Col. Douglas Mortimer (Lee Van Cleef) in order to track down Indio (Gian Maria Volonte), a dangerous outlaw. These stylish "spaghetti Westerns" were the films that elevated Eastwood to international stardom, paving the way for his return to Hollywood. This striking one sheet has some light wrinkling in the left border, and a light crease in the top border, but is otherwise clean and unmarked. For a few dollars more than the next highest bidder, you can add this hard-to-find sheet to your collection. Near Mint-.
The Wild Bunch (Warner Brothers, 1969). One Sheet (27" X 41"). In the dying days of the Old West, an aging group of outlaws attempt one last score before heading off into the sunset. This Sam Peckinpah classic, starring William Holden, Ernest Borgnine, Robert Ryan, Edmund O'Brien, and Warren Oates, was an extremely controversial film in its original release, due to its high level of bloodshed and violence. Supporters of the film, however, saw it as a movie very much of its time, released during the period when footage from the battlefields of Vietnam was being shown on the evening news. The one sheet offered here has light discoloration in the bottom border, light fold wear, and some edge wear in the right border, but is, overall, a very attractive piece. You'll go wild over this one! Very Fine.
Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). Three Sheet (41" X 81"). Paul Newman and Robert Redford (in his star-making role) rob trains in the Old West...until the Super Posse comes along. This three sheet comes in one piece and features a great image of Newman, Redford and Katharine Ross. There is some minor wrinkling by the folds and pinholes in the borders. Very Fine.
Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). One Sheet (27" X 41") Style B. One of the greatest "buddy" movies in the history of cinema, this is the story of two outlaws, Butch (Paul Newman) and Sundance (Robert Redford), during the declining days of the Old West, who find that civilization is coming to even the far reaches of the country. They hit on the idea of relocating to Bolivia, but will they make it in time before the law catches up with them? An enormously popular film, due, in large part, to the extraordinary chemistry between Newman and Redford, the picture won four Oscars and set a record - maintained to this day - for the most BAFTAs ever won by a single movie (it took home nine). This exceptional one sheet has pinholes in the corners, a small stain in the lower left, and pinpoint crossfold separations. None of these minor issues detract in any way from the poster's overwhelming eye-appeal; it is a clean and attractive specimen, worthy of a place in the finest collection. Very Fine+.
Butch Cassidy and the Sundance Kid (20th Century, 1983). Polish One Sheet (37" x 26.5"). George Roy Hill's flawless Comedy-Western benefits immensely from the crackling, eminently quotable script by William Goldman, and the high-powered performances of Paul Newman and Robert Redford in the title roles. This intriguing Polish poster features stunning Pagowski art of the boys with a blood-splatter overlay. The poster is virtually problem-free, with some very light scuffing in one corner; the linen backing has also been trimmed to the poster edge. A terrific and unusual sheet for this all-time favorite. This poster was inaccurately described as being a re-release. It is the first release in Poland. Very Fine+ on Linen.
The Shielding Shadow (Pathe, 1916). One Sheet (27" X 41") Chapter Six -- "The Disappearing Prisoner." This exciting Pathé serial was directed by Louis Gasnier and written by George B. Seitz, the team that gave the world The Perils of Pauline two years earlier. Near as we can tell, the plot is something about a box of mysterious pellets that can render its owner invisible. The serial starred up-and-coming actress Grace Darmond and ran for 15 episodes. This intriguing one sheet for episode six atypically features exquisite black-and-white line art illustrating "Bianca's surveillance of the mysterious stranger." The poster had creasing on the left side, minor edge tears in all borders, a tear in the credits area, and chipping in the right and left borders, all of which has been addressed with professional restoration. The impact of the beautiful artwork is in no way diminished. Needless to say, posters for this obscure chapter play turn up very rarely, so don't ignore this opportunity. Very Fine- on Linen.
The Night Cry (Warner Brothers, 1926). One Sheet (27" X 41"). Beautiful stone litho one sheet for another adventure from Warner Brothers' canine star, Rin Tin Tin. The poster has wear to the bottom border with some mildew. There is fold separation in the top vertical fold. Fine.
The Lone Defender (Mascot, 1930). One Sheet (27" X 41") Episode 2-- "The Fugitive." Rescued from the battlefields of France during World War I, Rin-Tin-Tin, or "Rinty" as he was affectionately called, made his first film in 1923 and was Hollywood's biggest star by the time this serial was released. He is often credited with single-handedly saving Warner Brothers from bankruptcy. Offered here is a lovely stone litho one sheet to the second episode of Rinty's first serial. The poster has minor crossfold separation and a tear in the lower right corner of the poster which is supported on the backside with cellophane tape. There is cellophane tape supporting the lower horizontal fold and lower vertical fold. There is no staining from the tape. Very Fine-.
The Lightning Warrior (Mascot, 1931). One Sheet (27" X 41"). Chapter 12 -- "Painted Faces." This serial starring Rin Tin Tin in his last role, is regarded as one of the better Mascot serials. Rinty, as he was called, was one of Warner Brothers' biggest stars of the 1920s would die in 1932. This is an amazing stone litho one sheet which features the dog prominently. The poster has fold separation and minor paper loss at the lower crossfold. there is wear to the top and side borders. Fine-.
The Lost City (Super Serial Productions, 1935). One Sheet (27" X 41") Episode 6 -- "Human Beasts." A scientist (Kane Richmond) tries to figure out what is causing a rash of unexplained natural disasters around the globe and deduces that the epicenter of the incidents is coming from the unexplored jungles of Africa. There, William "Stage" Boyd is using his high-tech "brain destroyer" to turn the natives into mindless brutes. Considered one of the more bizarre serials of the 1930s, offered here is a wonderful one sheet from the sixth chapter. The poster has minor edge and fold wear. There is slight fold and crossfold separation . Very Fine-.
G-Men vs. the Black Dragon (Republic, 1943). One Sheet (27" X 41") Chapter 1--"The Yellow Peril." One of Republic Studios' better wartime serials, this 15-chapter thriller featured Allied agents (Rod Cameron, Roland Got and Constance Worth) battling an evil Japanese spy (played oddly enough by Italian-American actor Nino Pipitone). This one sheet had wear at the folds and pinholes in the corners. There was also a small chip in the bottom border and an extra fold in the left border. But after a wonderful restoration, it presents very well. Fine/Very Fine on Linen.
The Lost Jungle (Mascot, 1934). One Sheet (27" X 41") Chapter Four -- "The Pit of Crocodiles." Animal trainer Clyde Beatty heads a rescue party in search of his girl, Ruth (Celia Parker), who disappears, along with her father, in search of an uncharted island. Beatty's dirigible crashes into the dark jungles of the island, and he locates Ruth, but learns that her father has disappeared. The ensuing search is hindered by greedy gold hunters and wild animals. Up for grabs here is the Chapter Four one sheet for this fast-paced chapterplay, a great image of Beatty getting menaced by a thick-necked thug. The poster had tears in the top fold and the lower border, as well as small holes in the right and bottom borders, but professional restoration has rendered these all but invisible. Serial posters are always in high demand, and this exciting jungle adventure is no exception. Fine/Very Fine on Linen.
The New Adventures of Tarzan (Burroughs-Tarzan-Enterprise, 1935). One Sheet (27" X 41"). Edgar Rice Burroughs, the creator of Tarzan, produced this film to bring to life his interpretation of his stories, rather than accept the MGM/ Johnny Weissmuller versions. Bruce Bennett, billed with his real name, Herman Brix stars with Frank Baker and P.B. Raglan. Filmed in Guatemala, the story centers around the Green Goddess, a totem full of precious jewels and secret weapons formulas, wanted by both a mercenary villain and a Major Martling, who is trying to keep it out of the wrong hands. Tarzan's companion chimpanzee is named Nikima, from the Burrough's books, rather than Cheetah, used in the MGM films. This one sheet had fold wear and small tears and losses at the top and bottom crossfold separations. There were also small border chips, enlarged corner pinholes, and a small tear at the top of the vertical fold, all of which have been rendered unnoticeable by professional restoration. This unique and colorful poster displays very well. Very Fine- on Linen.
Deadwood Dick (Columbia, 1940). One Sheet (27" X 41"). A 15-chapter serial featuring Don Douglas as the masked Western hero who battles a mysterious villain known as the Skull. This eye-catching poster promises "The Most Colorful Character of the Old West" and features art reminiscent of the lurid pulp magazine covers of the era. It has a small tear to the center right side and some stains along the top border, but is otherwise in superb condition. Very Fine-.
Shadow of Chinatown (Victory, 1936). Stock One Sheet (27" X 41"). In this exciting 15-chapter serial, Bela Lugosi stars as Victor Poten, a mad scientist of Asian and European parentage, cast out by both groups, who seeks to destroy everyone in a west coast Chinatown to gain a twisted revenge. Only the heroic efforts of Martin Andrews (Herman Brix) save the day in the end, overcoming such fiendish devices as solar death rays, deadly gas, a virtual army of Asian followers, and even poisoned food. Offered here is the stock one sheet for this fabulous serial - not to be confused with the one sheet for the feature version, released at roughly the same time - featuring a wonderful portrait of Lugosi. The poster had crossfold separations with areas of paper loss and fold wear, missing corners, tape scuffing on the borders, and a small hole in the "N" of "Chinatown," but now has a near Mint appearance after the benefit of professional restoration. This is one you'll display proudly. Very Good+ on Linen.
Saboteur (Realart, R-1948). One Sheet (27" X 41"). Robert Cummings stars as a worker in an aircraft plant fingered for sabotage. In order to clear his name, he must find the real saboteur, a quest that ends on top of the Statue of Liberty. Alfred Hitchcock capitalized on the paranoia surrounding World War II and even included a shot of an actual ship capsizing in what would turn out to be a real act of sabotage, by Mafia extortionists, not foreign agents. This one sheet was part of a 1948 reissue by Universal's Realart division, but the art stays true to the original. The poster has minor border and fold wear. Fine+.
Rear Window (Paramount, 1954). Danish One Sheet (24.5" X 33.5"). Lovely and moody artwork grace this Danish poster for the Hitchcock classic with art by Stilling. The poster has minor handling wear with a couple of very small edge tears and corner impacting. Fine/Very Fine.
Dial M For Murder (Warner Brothers, 1954). Half Sheet (22" X 28"). A classic even amid the master's mostly-classic oeuvre, this stars a luminous Grace Kelly as the object of Ray Milland's scorn, who is set up for a murder she didn't commit. Offered here is a the nifty half sheet, which uses the same evocative artwork featured on most of the Dial M paper, an innovative design that gives a hint of the film's terror rather than highlighting the stars, and is one of our very favorite Hitchcock designs. The poster has had extensive restoration including overall color touch, to address fading and heavy fold wear and extra creases. It retains considerable eye appeal. Good on Paper.
Dial M For Murder (Warner Brothers, 1954). Window Card (14" X 22"). Grace Kelly stars in one of Alfred Hitchcock's best films from the 1950s. The poster has edge wear on the top border, has a horizontal fold in its center, and a light smudge in the top area. Very Fine-.
The Man Who Knew Too Much (Paramount, 1956). Autographed Half Sheet (22" X 28"). Alfred Hitchcock only remade one of his own pictures during his lengthy career, and it remains one of his best. James Stewart and Doris Day star as an American couple who accidentally stumble upon an assassination plot and quickly become personally involved in the series of events. Although this poster was folded at one time, it has obviously been lying flat for many years as there is virtually no wear on the fold lines. There is a very small stain on the very edge of the right border, and a few small and hardly noticeable crimps in the image area. The poster has been beautifully signed in the white background next to Stewart, and says, "To John, With thanks and best regards, James Stewart", but no C.O.A. is included. Very Fine/Near Mint.
Vertigo (Paramount, 1958). Belgian (21.5" X 14"). This wonderful Belgian poster tell more about the film than perhaps the poster viewing public should see prior to seeing the film! The poster was folded and had a surface abrasion on the lower border which extended into the tag line at the base of the poster. Great restoration work has rendered the poster looking near perfect. Fine/Very Fine on Linen.
North by Northwest (MGM, 1959). Lobby Card (11" X 14"). One of director Alfred Hitchcock's greatest films, this is the story of advertising exec Roger Thornhill (Cary Grant) who is mistaken for a government agent and pursued by a gang of hostile spies who chase him across the country as he struggles to survive. The attack by a crop dusting plane, as seen in this highly desirable lobby card, is one of the highlights of the film. The card offered here has pinholes in the corners, very light edge wear along the top border, and light bends in the top corners, but is otherwise extremely attractive, as the minor flaws are visible only under close examination. Very Fine-.
Psycho (Paramount, 1960). Title Italian Photobusta (19" X 27"). While color films had been around for some time, director Alfred Hitchcock chose to shoot this thriller in black in white not only to reduce the gore but to keep production costs down, too. It was not uncommon for photobusta sets to be issued with a "title" piece and several scene sheets. This title photobusta is in fantastic condition. Only our policy of grading linen-backed items no higher than Very Fine+ prohibits a higher mark. Very Fine+ on Linen.
The Birds (Universal, 1963). British Quad (30" X 40"). "Fascinating new personality" Tippi Hedren stars as a socialite who pursues potential boyfriend Rod Taylor to a sleepy seaside town where his mother and sister live. Not long after, the avian population becomes aggressive, and begins to attack the lowly humans. Hitchcock ratchets up the suspense in one of his few outright horror films. This terrific British quad features basically the same artwork as the American paper, nicely integrated into the horizontal format. The poster is in fantastic condition, with light fold wear and tape lifts in the top border having been the only issues, which have been smoothed over with professional restoration. A Hitchcock classic. Very Fine on Linen.
Grand Prix (MGM, 1967). One Sheet (27" X 41") Cinerama Style. Noted for its groundbreaking cinematography, many have hailed this as the greatest racing film ever produced. Starring James Garner as Pete Aron, a driver who is fired from his racing team after a serious accident, the movie was filmed on location in Monaco, the U.K., Belgium, France, Italy, the Netherlands, and the U.S., and took home three technical Oscars (Best Sound, Best Sound Effects, and Best Film Editing). It remains a favorite of race fans everywhere. This rare Cinerama style one sheet has pinpoint crossfold separation, an extra vertical crease, a small chip in the right border, and edge wear in the left border, but displays very nicely. This style is rarely offered for public sale, so don't miss your chance to add this beauty to your collection. Very Fine.
Knute Rockne - All American (Warner Brothers, 1940). Mini Window Card (8" X 14"). One of the best and most inspirational sports biographies ever made, Knute Rockne - All American, stars Pat O'Brien, in his finest hour, as the famed football coach for Notre Dame. Ironically, the film's most famous scene, George Gipp's (Ronald Reagan) deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life.The top imprint area has been replaced, there were bends in the bottom corners, and a tear in the bottom border. From the Collection of Denver Sherry. Fine+.
The Pride of the Yankees (RKO, 1942). Lobby Card (11" X 14"). One of the greatest baseball films ever made, this classic starred Gary Cooper as the Iron Horse himself, Lou Gehrig! The producers of the film missed a sure thing when they forgot to put Babe Ruth (who appeared in the film as well) on the posters! But he did appear on the one lobby card which is featured in this lot. The card has a 2 inch diagonal tear in the right side from border into the image. It has been supported with tape on the verso. There is also brown paper tape on two edges of the backside of the card. Fine.
Safe at Home (Columbia, 1962). One Sheet (27" X 41"). Baseball legends Roger Maris and Mickey Mantle are featured in this light hearted children's film, released a year after their famous race for Babe Ruth's home-run record. The Yankee greats help teach little Hutch, played by Bryan Russell, a valuable lesson about lying, after he brags to friends that he personally knows both players. The linen has been trimmed to the edge of the poster. It had light fold wear and and pin point crossfold separations before professional restoration. Very Fine+ on Linen.
The Greatest (Columbia, 1977). Autographed One Sheet (27" X 41"). Muhammad Ali stars as himself in this biopic based on his autobiography. Covering a fifteen-year period in the life of the "The Greatest Boxer of All Time," the film attempts to offer insights into this legendary sports figure. Robert Duvall, James Earl Jones, and Ernest Borgnine head up the supporting cast. Offered here is the outstanding one sheet poster, with only minor condition issues, which included corner pinholes, fold wear, and crossfold separations. Professional restoration has rendered these invisible. This poster is signed "Muhammad Ali," but no COA is provided. Very Fine on Linen.
The Girl in Room 20 (Astor Pictures, 1946). One Sheet (27" X 41"). In this all-black film, aspiring singer Daisy Mae Walker (Geraldine Brock), a naive country girl, travels to New York City, where she instantly becomes the target of every sharpster and con man in the Big Apple. The film is directed by Spencer Williams, who would go on to gain fame as Andy Brown on TV's Amos 'n Andy Show. This poster had fold wear, extra creasing, chipping and a tape lift in the right border, and tape stains in the left and top borders, but after professional restoration, it looks virtually as good as new. Fine+ on Linen.
House-Rent Party (Toddy Pictures, 1946). One Sheet (27" X 41"). One of several "race films" of the late '40s to feature Dewey "Pigmeat" Markham, who was largely unknown to white audiences until his "Here Come the Judge" and "Look that up in your Funk and Wagnalls" routines were borrowed decades later on Laugh-In. The poster has light edge wear on the left border, tears on the right border, fold and crossfold separations, and creasing to the upper half. Fine/Very Fine.
The Bronze Venus (Toddy Pictures, R-1945). One Sheet (27" X 41") Originally released as The Duke is Tops (Million Dollar Productions, 1938). The Bronze Venus was a re-titled and slightly re-edited version of The Duke is Tops, an all-black musical that was the screen debut of lovely Lena Horne. The re-issue was done to capitalize on her subsequent success in Cabin in the Sky and Stormy Weather. In a typical backstage story, Horne plays a small-time singer torn between two men, her old friend and co-star Duke (Ralph Cooper), and slick talent scout Marshall (Monte Hawley) who promises her the Big Time. Complications ensue. Horne is effervescent in her youthful beauty and charm. Said beauty is certainly the centerpiece of this alluring one sheet, which highlight Ms. Horne. The poster is in great shape, with fold wear and crossfold separations being the only real issue; professional restoration has rendered these virtually invisible, though the linen has been trimmed the the paper edge. A fantastic example of this uncommon poster. Very Fine+ on Linen.
Foxy Brown (American International, 1974). One Sheet (27" X 41"). Pam Grier created her ultimate on-screen persona as Foxy Brown in this classic Blaxploitation picture. Foxy Brown was originally intended as a sequel to Coffy but AIP decided to alter the script at the last minute to make Foxy a stand-alone film. Very Fine on Linen.
Spartacus (Universal, R-1970s). French Petite (21.5" X 29.5"). When William Wyler cast Charlton Heston in Ben-Hur, Kirk Douglas was disappointed, having worked with Wyler before in Detective Story. Spartacus was Douglas' attempt to outdo the Academy Award winning epic, with young director Stanley Kubrick helming his first big Hollywood film. This French petite has pinholes, light edge wear, and small creases on all the corners. The dramatic artwork is by French artist Yves Thos. Very Fine-.
Spartacus (Universal International, 1960). Australian Daybill (13" X 30"). The stirring story of a slave (Kirk Douglas) who becomes a gladiator, and ends up leading a revolt against the powerful Roman empire, this is a truly epic film from director Stanley Kubrick and writer Dalton Trumbo. One of Douglas's greatest roles, it stands today as a monumental historical drama. This beautiful daybill is in superb condition, having never been folded. Only our strict policy of not awarding a higher grade than VF+ to a poster mounted on linen keeps us from giving this beauty an even higher grade. Very Fine+ on Linen.
Spartacus (Universal International, 1960). Record Poster (18" X 26").
This is a poster which is completely unique in the lexicon of "Spartacus" posters, using elements of the roadshow art and the roadshow lobby cards, but also for use in record stores. The score for "Spartacus" by Alex North is one of the key film scores of the 1960s. The soundtrack recording was distributed by Decca Records. The poster has corner bends, pinholes in the top corners, fold wear, a crease on the right side, and light edge wear. Fine/Very Fine.
This is a poster which is completely unique in the lexicon of "Spartacus" posters, using elements of the roadshow art and the roadshow lobby cards, but also for use in record stores. The score for "Spartacus" by Alex North is one of the key film scores of the 1960s. The soundtrack recording was distributed by Decca Records. The poster has corner bends, pinholes in the top corners, fold wear, a crease on the right side, and light edge wear. Fine/Very Fine.
Doctor Zhivago (MGM, 1965). Three Sheet (41" X 81") Style B. This stunning saga of life during Russia's Bolshevik Revolution stars Omar Sharif as Dr. Yuri Zhivago, a surgeon/poet who is married to one woman, yet in love with another, all the while trying to juggle the demands of both passion and fidelity against the background of a nation in turmoil. Directed by David Lean, the film won five Oscars, and, although critically castigated upon its initial release, is seen today as a timeless classic. This impressive three sheet is virtually pristine, with only some light wrinkling keeping it from an even higher grade. Near Mint.
Keep 'Em Rolling (RKO, 1934). Mini Window Card (8" X 14"). Walter Huston stars in this story of a touching bond between a cavalry horse and the doughboy whose life he saves. After the horse's heroism, he and the soldier are nearly inseparable until an officer intervenes and separates them. This enrages the soldier and he deserts. He is captured and things look bleak until the US president intervenes and reunites the soldier and his beloved steed. This is a beautiful card and has only the most minor corner wear and a pinhole in the upper imprint area. There is some slight foxing in the upper imprint as well. Very Fine.
Ace of Aces (RKO, 1933). Mini Window Card (8" X 14"). Based on the book Bird of Prey by John Monk Saunders, an acknowledged master of aviation epics. Richard Dix stars as Rex Thorne, a pacifistic sculptor who registers as a conscientious objector when World War I breaks out. Thorne's unwillingness to fight in a war he believes to be unnecessary is misread as cowardice by his socialite sweetheart Nancy Adams (Elizabeth Allen). In Four Feathers fashion, Thorne signs up with the Air Corps to prove his courage. There is a dust shadow on the right border and a faint stain on the bottom left corner. Very Fine.
Paths of Glory (United Artists, 1958). Half Sheet (22" X 28") Style B. The great Stanley Kubrick directs Kirk Douglas in this WWI epic tale about the futility of war and soldiers who face court martial for the failures of their maniacal general. Douglas defends the three soldiers played by Ralph Meeker, Timothy Carey and Joe Turkel. George Macready stars as the diabolical General Mireau. Based on the novel by Humphrey Cobb, the film's ending is truly chilling. This half sheet has a pencil mark in the left border, a bend in the top left corner, and minor creases. This great action shot of Douglas is riveting. Folded, Very Fine-.
Devil Dogs of the Air (Warner Brothers, 1935). Lobby Card (11" X 14"). This big screen adaptation of a novel by the author who wrote The Dawn Patrol stars James Cagney as a brash stunt flyer who joins the Air Corps at the urging of his pal, Pat O'Brien. His arrogance quickly gets on the nerves of his fellow airmen until he proves himself under fire. This restored lobby card had pinholes in the borders and field along with a small chip in the top right corner and small border tears. Now, it displays very well. Fine+.
The Road to Glory (20th Century Fox, 1936). Poster (40" X 60"). William Faulkner helped write this World War I story about a French company fighting in the trenches under two officers in love with the same nurse. Directed by Howard Hawks just before he was to make such a tremendous mark with his screwball comedies, it stars Fredric March and Warner Baxter, as well as Lionel Barrymore making his last screen appearance without a wheelchair. Prior to restoration, this poster had pinholes in the corners, a tear in the left border, a long vertical tear from the bottom, and a corner chip in the bottom left. The restoration is top notch, giving this rare silk-screen poster, amazing in its colorful brilliance and beauty, a like new appearance. Fine- on Linen.
Wake Island (Paramount, 1942). Three Sheet (41" X 81"). Made during the early years of the U.S. involvement in WWII, Wake Island was one of the first Hollywood films to trace America's entry into the conflict, beginning a few weeks before the attack on Pearl Harbor. Despite being heavily outnumbered during the subsequent Japanese attack on Wake, the Americans put up a valiant fight, at great cost to the Imperial Forces. Brian Donlevy plays the military commander, with Robert Preston, William Bendix, Albert Dekker, and Macdonald Carey also on hand. The impressive title graphics make a huge impact on this impressive three sheet poster. The sheet had fold wear with crossfold separations, small tears in the right and left borders, tape lifts in the top border, and small chips in the folds and the blue background; professional restoration has returned the poster to a like-new appearance, with excellent color. Don't miss out on this patriotic classic. Fine+ on Linen.
China (Paramount, 1943). One Sheet (27" X 41"). Alan Ladd and Loretta Young star in this wartime drama about a pair of American opportunists (Ladd and William Bendix) selling oil to the Orient in the days before Pearl Harbor; Young is a compassionate teacher they meet while traveling to Shanghai. There's a lot going on in this splashy one sheet with great images of the leads. Condition issues included a long tear in the lower right, edge tears in the right border, and small chips out of the left and right borders, all of which has been finessed with professional restoration. The poster retains fantastic color and presents beautifully. A great sheet for this well-done drama. Fine/Very Fine on Linen.
Five Graves to Cairo (Paramount, 1943). One Sheet (27" X 41"). A compelling drama set during the African Campaign of World War II, this is the story of British Army Corporal John Bramble (Franchot Tone), left behind after his comrade's retreat to Cairo. When Bramble reaches a dilapidated hotel on the Libyan border just before the advancing German Army, he embarks on a dangerous game of espionage that could very well determine the outcome of the entire war. Directed by Billy Wilder and co-starring Anne Baxter, this was the third adaptation of Lajos Biro's play, Hotel Imperial. This striking poster, which has the linen cut to the borders, had crossfold separations, fold wear, and pinholes in the top left corner, but these slight flaws are only noticeable now under close examination, thanks to the expert application of professional restoration. Don't miss your chance to own this classic sheet! Very Fine on Linen.
The Great Escape (United Artists, 1963). One Sheet (27" X 41"). Based on a true story, this is a gripping account of a group of Allied soldiers during World War II, and their attempt to break out of an "escape proof" German POW camp. Starring Steve McQueen, the star-studded cast also features James Garner, Richard Attenborough, Charles Bronson, Donald Pleasance, James Coburn, and David McCallum, and employed several of the actual participants in the escape as consultants on the picture. The extremely desirable one sheet offered here is virtually pristine, with no flaws to mention. You'd have to search long and hard to find a copy in nicer condition than this! Near Mint+.
The Caine Mutiny (Columbia, 1954). French Double Panel (63" X 94"). Later in his career, Humphrey Bogart was drawn to roles that were ambiguously evil, such as those in Conflict, The Two Mrs. Carrolls and In a Lonely Place. One of the greatest was Captain Queeg, the skipper of the U.S.S. Caine, who may or may not be insane. Bogart was nominated for an Oscar, but he also got the highest possible Hollywood accolade -- a standing ovation from the crew after he shot the courtroom scene. This French double panel has edge wear with tiny tears, and fold wear with cross fold separations. The dramatic artwork by Rene Peron features all the stars, and is among the best images for this title. Folded, Fine/Very Fine.
The Longest Day (20th Century Fox, 1962). Three Sheet (41" X 81") Advance. Rare style for Darryl F. Zanuck's classic war film about the Allied invasion of Europe on D-Day, the 6th of June, 1944, with an all-star cast including Henry Fonda, Robert Mitchum, and John Wayne. Very Fine+.
The Longest Day (20th Century Fox, 1962). British Quad (30" X 40"). This massive, star-studded recreation of the D-Day invasion was one of the first war films to depict the enemy speaking in their own language (with subtitles provided), and utilized as many authentic locations as was possible. It was a pet project for producer Darryl F. Zanuk, and his faith was rewarded by the film's huge success, which helped offset the costs of Cleopatra, which was being filmed concurrently. John Wayne heads up the huge cast, which also includes Richard Burton, Eddie Albert, Red Buttons, Sean Connery, Henry Fonda, Mel Ferrer, Robert Mitchum, Roddy McDowall, Rod Steiger, and many more. This evocative, unrestored British quad features a moody shot out the window of a bunker as the invasion begins. The sheet is in superb condition, with corner creases and a small chip at the bottom centerfold being the only flaws of note. Declare victory with this stunning poster. Very Fine.
Lawrence of Arabia (Columbia, 1962). Belgian (21" X 17"). A beautiful poster for the original release of this Academy Award winning classic. It was folded and had writing in the upper white imprint area. There were pinholes in the corners. The poster has been restored on paper with airbrushing done to the white imprint and border areas. Art by Ray. Very Fine- on Paper.
From Here to Eternity (Columbia, 1953). One Sheet (27" X 41"). Fred Zinnemann's epic about the days before the attack on Pearl Harbor is film making at its finest. Burt Lancaster, Deborah Kerr, Montgomery Clift, Frank Sinatra and Donna Reed star in this popular hit that won eight Academy Awards. Sinatra fought for the role of Private Maggio and to be seen as a serious actor, it paid off when he was rewarded with the Oscar for best supporting actor. This wonderful sheet had pinholes in the corners, edge wear, a 4" tear on the right side, crossfold separations, chips in the borders, and a paper loss in the lower center. Professional restoration has addressed these issues. This classic poster features the amazing cast, and would be a spectacular addition to any collection. Fine- on Linen.
Away Goes Prudence (Paramount-Artcraft, 1920). Lobby Card Set of 9 (11" X 14"). A red-haired beauty, Billie Burke became the toast of Broadway and married promoter Florenz Ziegfeld Jr. in 1914. She split her time between the stage, which was her first love and the young industry of the movies. This was an early vehicle for the actress whose flair for comedy would continue to enthrall audiences for forty years. This lovely set of nine cards, done in a sepia tone is in very nice condition. There are pinholes in a few cards and a corner bend on a couple of the cards. The cards all show signs of minor handling wear. An exquisite early silent set which rarely appear as a full set. Very Fine.
Triple Trouble (Essanay, 1918). Lobby Card (11" X 14"). Triple Trouble, although commonly acknowledged in Chaplin filmographies, was not really a Charlie Chaplin film in that it was released without his permission, and much to his annoyance by Essanay three years after he left the studio. In this scene excised from an unfinished film called Life, Charlie goes to a flop house for the night where he encounters some rather odd characters, including a drunk who won't stop singing until Charlie smashes him with a bottle, but not before preparing his bed and pillow and tucking him in afterward. This original card has a pinhole in each corner and is otherwise on excellent, unrestored condition. Very Fine.
The Frozen North (First National, 1922). Lobby Card (11" X 14"). Buster Keaton makes a rare appearance as the bad guy in this melodramatic short set against the Alaskan gold rush. Contemporaries William S. Hart and Erich von Stroheim get the full Keaton treatment as the comedian satirizes the two actors. There was a vertical fold in the center of the card along with a tear along with wear along the edges and corner chips have also been replaced as part of the restoration process. Fine-.
The Freshman (Paramount, 1925). Pre-War Australian Daybill (14.25" X 40"). Renamed College Days for international release, The Freshman was one of Harold Lloyd's best feature length comedies. Lloyd plays a naive young man who goes to college thinking it will be like it is portrayed in the movies. Trying out for the football team, he winds up as the water boy until he finally gets to prove himself worthy of being on the team. This extremely rare Australian daybill with its outstanding stone litho artwork has extra horizontal folds, light wrinkling and some paper tape on the verso. This is a very desirable piece that is sure to enhance anyone's collection. Very Fine-.
Naughty But Nice (First National, 1927). Window Card (14" X 22"). Cute "flapper art" highlights the poster for this Colleen Moore silent comedy. Moore plays a gawky country girl who is suddenly thrust into high society when her uncle strikes oil. At school, she is snubbed by her snooty classmates, until she undergoes a make-up job to bring out her beauty. The poster has a tear and a spot of paint in the top left imprint area, corner bumps, pinholes in the corners, a light stain on the left border and minor edge wear on the top border. Fine/Very Fine.
Out All Night (Universal, 1927). Lobby Card Set of 8 (11" X 14"). During the 1920s, Reginald Denny was popular in pictures for portraying the all American young man (this changed after the sound era revealed his British accent). With the advent of talkies, Denny switched to character roles and continued working in film and television into the 1960s. This wonderful Universal card set is one of two sets they produced for this light comedy. Universal did produce two sets of cards during this period for what they thought were their "A" pictures. The set has slight corner rounding, the title card with a bit more so. The lower left border of each card has some slight mildew staining. Otherwise these bright and colorful cards would make a great addition to any silent era collection. Fine.
Dumbbells in Ermine (Warner Brothers, 1930). Window Card (14" X 22"). A fighter in training (Robert Armstrong) and an impressionable young country girl (Barbara Kent) fall in love, much to the dismay of the girl's mother (Beryl Mercer), who wants her daughter to marry a rich man. Of course, love conquers all in the end. In 1930, Armstrong was only a few years away from his landmark role in the RKO classic, King Kong (1933), and Beryl Mercer would, just one year hence, play the role of Ma Power in the seminal gangster film, The Public Enemy (1931). This lovely window card has a punch hole in the top and bottom center, two small stains in the right border, light surface wear, and a light horizontal crease that does not break color in the center. Overall, this is a very attractive card from an early talking picture. Fine-.
Aping Hollywood (Tiffany, 1930s). One Sheet (27" X 41"). One of the fads in Hollywood in the 1930s was anthropomorphic animals. Dressed up in clothing and spouting dialogue, these animals were good for a few laughs before the main feature. One of the better known troupes was the Tiffany Talking Chimps. Here, they take on the conventions and foibles of the film industry. This one sheet has only the slightest of wear, and only our policy of not grading posters on linen higher than Very Fine+ keeps this from a higher grade. Wonderfully fun artwork in gorgeous stone litho. Very Fine+ on Linen.
Too Much Harmony (Paramount, 1933). Mini Window Card (8" X 14"). A singing star (Bing Crosby) brings small-town talent, including a comedian (Jack Oakie) and an actress (Judith Allen), with him to Broadway. This was Crosby's third starring role for Paramount studios and was directed by their resident comedy director, A. Edward Sutherland. This card has a dust shadow on both sides of the card which extends from the blank upper imprint down to the lower border. It does not detract from the appeal of this card and is very subtle. Very Fine.
Mississippi (Paramount, 1935). Window Card (14" X 22"). Loosely based on the Booth Tarkington play Magnolia, this musical comedy stars Bing Crosby as Tom Grayson, a young man who sensibly refuses a duel and is ostracized by his girlfriend's family as a coward. Taking a job as a singer on a riverboat, captained by the inimitable Commodore Jackson (W. C. Fields), Grayson is soon involved in a brawl that results in the death of the other man. Consequently, Jackson bills Grayson as "The Singing Killer." But will that get the young man back in everyone's good graces? The poster has light tanning, a hole in the top imprint area, and corner bumps. Fine/Very Fine.
The Three Stooges in "Dancing Lady" (MGM, 1933). Still (8" X 10"). Vintage black and white, single weight, glossy still. Ted Healy and His Stooges (Curly, Moe and Larry) go into their routine in the Joan Crawford big-budget musical Dancing Lady in this delightful original 1933 studio photo. The Stooges would leave Healy shortly after this and begin their own series of comedy shorts for Columbia Pictures. Very Fine+.
Laurel and Hardy Publicity Still (MGM, 1933). Still (8" X 10"). Vintage black and white, single weight, glossy still. This shot of Stan Laurel and Oliver Hardy was taken around the time of the duo's hit comedy The Devil's Brother. The photo has a corner crease in the upper left corner, minor corner bumps and light edge wear. Fine.
Hips, Hips, Hooray (RKO, 1934). Mini Window Card (8" X 14"). Scantily-clad chorus girls cavort throughout this pre-Code comedy from RKO featuring the comedy team of Bert Wheeler and Robert Woolsey. Famed Depression-era songstress Ruth Etting co-starred, along with Thelma Todd and Dorothy Lee. This is widely considered by comedy aficionados to be one of Wheeler and Woolsey's best efforts. There is a stain on the bottom left side of this card and one pinhole in the blank top imprint area. Very Fine-.
Hi, Nellie! (Warner Brothers, 1934). Mini Window Card (8" X 14"). Paul Muni stars in this lighthearted romp after appearing in such dramas as Scarface and I am a Fugitive From a Chain Gang. Muni plays a city newspaper editor who is demoted to writing the advice to the lovelorn column. This fabulous card has a dust shadow in the upper imprint area as well as a small grease pencil mark. These do not detract from its glow and great design. Very Fine/Near Mint.
Face in the Sky (Fox, 1933). One Sheet (27" X 41"). Spencer Tracy and Stuart Erwin are sign-painters who are inspired by the beautiful smile of a young woman (Marian Nixon), and paint her face on billboards all over the country. Tracy eventually weds the young lady, but complications ensue when the two men get a big commission in New York City. This lovely stone litho one sheet features terrific artwork, and an eye-catching shot of Nixon showing off her shapely gams. The main condition issue here is that the poster border was trimmed irregularly around the artwork (probably to use in a separate display), and there was a large piece missing in the bottom right corner; there was also a chip out above the word "Marian." Outstanding professional restoration has brought this pretty poster back to a like-new appearance, and the linen has been trimmed to the border. A superb poster for this little-seen romantic comedy. Very Good- on Linen.
Mama Loves Papa (Paramount, 1933). Mini Window Card (8" X 14"). One of stalwart screenwriter Nunnally Johnson's first projects, about an inveterate social climber (Mary Boland) who puts her husband (Charles Ruggles) through the wringer in an attempt to get ahead socially. There are dust shadows and paper loss to the right and bottom borders, and a small faint stamp to the top right corner. Very Fine.
His Double Life (Paramount, 1933). Mini Window Card (8" X 14"). Roland Young plays a famous and reclusive artist who, instead of traveling to London to accept a knighthood, decides to switch identities with his dead valet and start life over again and take up with spinster Lillian Gish. There is a pinhole in the top center, a dust shadow in the upper left corner of the border, a bend on the bottom left corner, minor corner bumps and water damage on the bottom left corner. Fine.
Easy to Love (Warner Brothers, 1934). Mini Window Card (8" X 14"). Carol (Genevieve Tobin) suspects her husband John (Adolphe Menjou) is seeing another woman. She hires a private detective (Hugh Herbert) and discovers Menjou in an apartment with her best friend Charlotte (Mary Astor).There is one pinhole at the top and a light crease on the bottom border of this extremely clean midget window card. Very Fine+.
Meanest Gal in Town (RKO, 1934). Mini Window Card (8" X 14"). A barber (El Brendel) gets caught in a love triangle between a store owner (Zasu Pitts) who's holding out for a man with a bigger paycheck, and a showgirl (Pert Kelton) in this Russell Mack comedy. The card has some edge wear, dust shadows on the top border and lower right corner, silverfish damage to the bottom border, a crease to the top border, and a light crease to the image. Very Fine-.
The Countess of Monte Cristo (Universal, 1934). One Sheet (27" X 41"). Just a year after her jungle ordeal with King Kong, the stunning Fay Wray stars in this light-hearted comedy. She is Janet Krueger, a broke actress who decides to have a weekend fling at a luxury resort. Disguised with borrowed finery and a fancy car she poses as the Countess. Along with friend Mimi, played by Patsy Kelly, she pulls off the charade a little too successfully and becomes the target for jewel thieves Paul Lukas and Reginald Owen. The linen has been trimmed to the edge of the poster. Prior to professional restoration there was a 2" tear in her left arm, chipping in the right border, and fold wear. This dramatic image of Wray displays beautifully and would be a highlight to any collection. Fine/Very Fine on Linen.
Goin' to Town (Paramount, 1935). Jumbo Lobby Card (14" X 17"). Mae West herself wrote the screenplay to this vibrant musical comedy, with elements of social drama. When her fiancée Buck Gonzales is killed, dance hall queen Cleo Borden (West) inherits his money. British engineer Edward Carrington (Paul Cavanaugh) catches Cleo's eye, and she sets out to win him over by becoming a "lady." West is the main attraction on this colorful jumbo lobby card. Light creasing in all four corners and some very light edge wear are the only condition issues of note, and these are only obvious under close examination. The card has like-new clarity and sharp, striking colors. Get your bids in early on this bawdy beauty! Very Fine/Near Mint.
Klondike Annie (Paramount, 1936). Jumbo Lobby Card (14" X 17"). Mae West was never lovelier than she was in this scorching story of a woman on the run. A talented performer who was also a gifted writer, West's overtly sexual humor was one of the prime motivations for the establishment of the Motion Picture Production Code. This excellent card, picturing West with co-star Victor McLaglen, has a small corner bend in the top right, a light crease in the right border, and a small nick in the bottom border, but is otherwise in outstanding condition. Don't miss this terrific piece of movie art. Very Fine.
Klondike Annie (Paramount, 1936). Jumbo Lobby Card (14" X 17"). On the run from the law, Rose Carlton (Mae West) heads north, adopting the identity of deceased missionary Annie Alden (Helen Jerome Eddy) along the way. The picture was directed by Raoul Walsh, a Hollywood legend who had previously helmed The Thief of Bagdad (1924), What Price Glory (1926), and The Big Trail (1930). This beautiful jumbo lobby card is in superb condition, with only a very small corner bend in the bottom right and a light corner crease in the upper right keeping it from an even higher grade. Very Fine/Near Mint.
Klondike Annie (Paramount, 1936). Jumbo Lobby Card (14" X 17"). On the run from the law, Rose Carlton (Mae West) travels to Alaska, quickly assuming the identity of missionary and fellow traveler Annie Alden (Helen Jerome Eddy) who dies during the trip. The Legion of Decency took great umbrage with a woman of West's character playing a religious figure, and managed to emasculate the film through a reportedly extensive series of cuts and edits. The jumbo lobby card offered here, picturing West and Victor McLaglen as the ship's captain who falls for her, has a very slight corner bend in the top right, but is otherwise clean and pristine, a great piece from a great film. Very Fine/Near Mint.
The Milky Way (Paramount, 1936). Jumbo Lobby Cards (4) (14" X 17"). Burleigh Sullivan (Harold Lloyd) is a timid milkman, content with his lot in life, until he accidentally kayos a boxing champ (William Gargan) in a dust-up. The champ's manager (Adolphe Menjou) gets the bright idea to set Sullivan up as a fighter in a series of phony bouts, so that he can then meet the champ who can clobber Sullivan and regain both his honor and his title. This hilarious Lloyd comedy is represented here by four wonderful lobby cards. One card has a light crease in the top right, one shows a corner bend in the top left, and another has a corner bend in the top right. These are extremely minor flaws, however, none of which take away from the inherent beauty of these vintage gems. Very Fine+.
The Milky Way (Paramount, 1936). Jumbo Lobby Cards (3) (14" X 17"). A fun comedy about a timid milkman (Harold Lloyd) who becomes an overnight sensation as a fighter in a series of rigged bouts, this story was later remade as The Kid from Brooklyn, starring Danny Kaye, in 1946. When producer Samuel Goldwyn bought the rights to the original film, he destroyed the original negative and virtually all of the existing prints! These great jumbo lobby cards are in stellar condition: one card has a bend in the top right and a small crease in the right border, while another shows a small chip in the bottom center, and a bend in the top right. These are minor flaws, however, truly apparent only under close examination. These will be great additions to your collection! Very Fine.
Silver Age (1956-1969)
The Bride Comes Home (Paramount, 1935). Lobby Card Set of 8 (11" X 14"). In this charming romantic comedy, socialite/heiress Jeanette Desmereau (Claudette Colbert) accepts a job writing for a magazine edited by Cyrus Anderson (Fred MacMurray), a notorious hothead, on the advice of friend and fellow magazine staffer Jack Bristow (Robert Young). In spite of their strong personalities, Jeanette and Cyrus soon fall for each other and decide to marry. A humdinger of a fight soon has Jeanette heading for the altar with Jack instead, with Cyrus in hot pursuit on his motorcycle before it's too late. Offered here is a wonderful set of lobby cards for this fun film. All the cards show a light dust shadow in the right border, and the portrait card, featuring an exquisite image of Colbert, has a light stain in the bottom right. Aside from these minor flaws, this set is in beautiful condition, perfect for any collection. Very Fine+.
The Bride Comes Home (Paramount, 1935). Jumbo Lobby Cards (4) (14" X 17"). Cyrus Anderson (Fred MacMurray) and Jack Bristow (Robert Young), two young and struggling magazine publishers, hire socialite Jeannette Desmereau (Claudette Colbert) as a writer, but soon find that they've both fallen for her in this snappy romantic comedy. Offered here are four extremely attractive jumbo lobby cards from this fun film. The only defect of note is a small corner ding in the top right of three of the cards. Otherwise, they are extremely clean and would make a terrific addition to any collection. Very Fine+.
The Bride Comes Home (Paramount, 1935). Jumbo Lobby Cards (4) (14" X 17"). Claudette Colbert was riding high on her stunning Best Actress Oscar win for It Happened One Night when she appeared in this fun romantic comedy opposite Robert Young and Fred MacMurray. At this point, she was one of the highest paid performers in Hollywood, and remained extremely popular until her retirement from the silver screen in the 1950s. These exquisite jumbo lobby cards perfectly capture this dedicated and talented actress. One card shows some edge wear at the bottom with some surface paper loss, another has a corner bend in the top right, while a third displays a very tiny corner chip in the bottom right. These are truly minuscule defects, none of which detract significantly from these exceptionally beautiful pieces. Very Fine.
Movie Posters
The Gilded Lily (Paramount, 1935). Mini Window Card (8" X 14"). Now, this is what you call the beginning of beautiful friendship! The Gilded Lily marked the first pairing of Fred MacMurray and Claudette Colbert, forging a film partnership that would endure for seven more films. This midget window card for this romantic comedy is nearly perfect except for a bend in the top left corner. Very Fine/Near Mint.
Splendor (United Artists, 1935). Counter Card (5.25" X 12.25"). Brighton Lorrimore's (Joel McCrea) parents hope he will marry rich scion Edith Gilbert (Ruth Weston), so they can renew their family fortune. However, Brighton has different ideas, returning from vacation married to Phyllis Manning (Miriam Hopkins), a free soul who encourages him to break away from his family's wishes. This extremely rare countertop card with its gorgeous art only has light tanning and a faint scratch in the center. Very Fine.
Golden Age (1938-1955)
She Loves Me Not (Paramount, 1934). Jumbo Lobby Cards (4) (14" X 17"). When Curly Flagg (Miriam Hopkins), a cabaret dancer, witnesses a murder, she's forced to disguise herself as a male student at Princeton, with the help of students Paul Lawton (Bing Crosby) and Buzz Jones (Edward J. Nugent), sort of like Some Like It Hot in reverse. These beautiful jumbo lobby cards are in excellent condition. Three of the cards have corner chips - two in the top right, one in the bottom right - one card has a bend in the bottom left corner and another has a similar bend in the bottom right. Aside from these slight considerations, these cards look as nice as the day they were printed. Don't let them pass you by. Fine/Very Fine.
She Loves Me Not (Paramount, 1934). Jumbo Lobby Cards (4) (14" X 17"). This was a relatively early film in the career of Bing Crosby, who would go on to be one of the first true multi-media stars, with massive success in both radio and the movies, not to mention his huge popularity as a recording artist. This fun picture features several great tunes, including "Love in Bloom," which would become Jack Benny's theme song several years later. The colorful jumbo lobby cards offered here all have corners missing in the bottom right. Also, there is a light crease in the bottom right on one card, and small corner bends on two cards. Nevertheless, these are exquisite pieces of movie history, picturing an iconic performer at the dawn of his career. Fine/Very Fine.
Movie Posters
Service de Luxe (Universal, 1938). One Sheet (27" X 41"). Vincent Price made his film debut in this romantic comedy starring Constance Bennett. Bennett plays a glamorous woman who runs a service that will provide any type of assistance to wealthy customers. What she's really looking for is a man who can take care of himself, which she finds in Price, an inventor in town to secure funding for his latest project. The poster has pinholes in the borders, crossfold separations, light smudging on the borders, edge wear with creasing and small tears on the left and right borders. Fine/Very Fine.
Topper (MGM, R-1940s). Belgian (13.75" X 21"). Constance Bennett and Cary Grant shine on this pretty Belgian poster for this classic fantasy film. The poster has horizontal creasing, remnants of a theater logo on the top area with wrinkling, tax stamp on the bottom right, chip out of the bottom border and left border, and corner bends on the right side. Fine+.
Thin Ice (20th Century Fox, 1937). One Sheet (27" X 41") Style B. After winning gold medals at three straight Olympics, Norwegian skater Sonja Henie went to Hollywood for a short, but spectacular career. Here, Henie is a ski instructor who teaches hiding European prince Tyrone Power the fine art of schussing. This one sheet has pinholes in the corners, small chips and a tape lift on the edges, and cross fold separations with small pieces missing. Excellent restoration has addressed all the flaws, leaving the poster appearing brand new. Fine/Very Fine on Linen.
Sally, Irene and Mary (20th Century Fox, 1938). Mini Window Card (8" X 14"). Alice Faye stars, along with Tony Martin, Jimmy Durante and Joan Davis in this Fox comedy musical. Gypsy Rose Lee (here billed under her real name, Louise Hovick and pictured on this card) also stars. Three girls vie for stardom in a Greenwich Village nightclub, all through the auspices of their wisecracking agent (played by radio star Fred Allen). There is a single punch hole in the top border and a light dust shadow on the right border. Very Fine.
Blondie (Columbia, 1938). Half Sheet (22" X 28"). The first of twenty eight films in the series that spanned 1938-1950 stars Penny Singleton, Arthur Lake, Larry Simms, Jonathan Hale and Gene Lockhart. Bumbling Dagwood has lost his job on his and Blondie's fifth wedding anniversary, and as several misunderstandings ensue Dagwood tries to get back in Mr. Dithers good graces. The Blondie series was incredibly popular due in no small part to the perfect casting. This half sheet has a 5" vertical tear at the bottom, pinholes in the borders and field, tape on the reverse, stains, scratches, fold wear and crossfold separations. The intense color is remarkable and the appearance of the original Chic Young cartoon in the background makes this one a unique and highly collectible piece. Folded, Very Good.
Blondie Plays Cupid (Columbia, 1940). Three Sheet (41" X 81"). The seventh film in the Blondie series finds the Bumsteads on vacation. When they come upon a groom-to-be (Glenn Ford in an early role) who needs help with his elopement, Blondie's meddling ways soon turn into near-disaster for Dagwood. This three sheet has pinholes in the borders, tears in the border and field, and chips on the corners and cross fold. Excellent restoration has left the poster with an almost new appearance. Wonderful artwork of stars Penny Singleton and Arthur Lake. Fine on Linen.
Charlie McCarthy and Edgar Bergen Publicity Still (Universal, 1939). Still (8" X 10"). Vintage black and white, single weight, glossy still. Perhaps the most famous ventriloquist in the history of show business, Edgar Bergen was a sensation with his creations Charlie McCarthy and Mortimer Snerd, in radio and film. In this photo Bergen sits with a miniature version of McCarthy as he works on his radio show scripts. Very Fine.
Life Begins for Andy Hardy (MGM, 1941). One Sheet (27" X 41") Style D. This was number ten in MGM's heart-warming (and immensely profitable) "Andy Hardy" series with the unbeatable team of Mickey Rooney and Judy Garland returning once again. Fresh out of high school, Andy departs for New York City without benefit of a college education, much to the consternation of his father Judge Hardy (Lewis Stone). In the "Big Apple", he gets a job and a crush on a fickle telephone operator (Patricia Dane), but is unable to cope with life in the fast lane. It takes the combined efforts of his father and his hometown sweetie Betsy Booth (Garland) to convince him of this fact. This is our first offering of the little-seen D style, which has a charming image of the ever-youthful protagonists and a lively color scheme. Minor condition issues included corner pinholes, fold wear with crossfold separations, tape lift in the bottom corner, and some creasing in the top left corner, all of which has been addressed with professional restoration. Very Fine on Linen.
$1000 a Touchdown (Paramount, 1939). One Sheet (27" X 41"). Rubber-faced comic Joe E. Brown plays a ham actor who inherits a run-down college (of course he does), and needs to build up a good football team, so he offers $1000 for every touchdown made. Martha Raye -- another big mouth -- plays his wacky wife. Offered here is the eye-catching one sheet for this comedy classic, which features excellent images of the two stars. The poster had fold wear with some tearing, and crossfold separations, all of which has been addressed with professional restoration; the linen has also been cut to the poster edge. Score a TD with this terrific sheet! Fine/Very Fine on Linen.
The Devil and Miss Jones (RKO, 1941). One Sheet (27" X 41"). The always delightful Jean Arthur stars as Mary Jones, a lowly shopgirl who befriends the tycoon owner of Neeley's Department Store where she works. The tycoon, John P. Merrick, is undercover, attempting to discover who the employee union organizers are. Charles Coburn was nominated for an Academy Award for his role as the curmudgeon millionaire who learns how to live from new friends Jones, her boyfriend Joe O'Brien (Robert Cummings), and good hearted Elizabeth Ellis (Spring Byington). This one sheet had pinholes in the field, chipping in the bottom border, fold wear and crossfold separations, all of which have been addressed by professional restoration. A beautiful one sheet featuring Arthur at her best, this is a great find. Fine/Very Fine on Linen.
The More the Merrier (Columbia, 1943). One Sheet (27" X 41"). During the Washington, DC housing shortage of World War II, patriotic Connie Milligan (Jean Arthur) decides to sublet her apartment, an offer quickly taken up by kindly, middle-aged Benjamin Dingle (Charles Coburn), who, in turn, sublets half of his half to attractive bachelor Joe Carter (Joel McCrea), leading to an assortment of hilarious misadventures. A fabulous film, the picture garnered several Academy Award nominations, and an Oscar win for Coburn as Best Supporting Actor. This extremely attractive one sheet has fold wear with crossfold separation, pinholes in the corners, and small tears in both the left and right borders, but is otherwise in superb condition. Very Fine-.
To Be or Not to Be (United Artists, 1942). One Sheet (27" X 41"). In Warsaw at the beginning of World War II, Maria Tura (Carole Lombard) and husband Joseph (Jack Benny) perform anti-Nazi plays with their theatre troupe until they are forced to switch to Shakespeare's Hamlet. Soon they're impersonating Nazi officers - and even Hitler himself - in order to outwit the enemy and keep the resistance safe from spies. Ernst Lubitsch's classic political satire marked the final screen appearance of comedienne Lombard, who died tragically in a plane crash two months prior to the film's release. Condition issues include pinholes to top left corner, edge wear to top and bottom borders, tears on three corners and top border, crossfold separations, piece missing from right border, and extra vertical creases. Fine-.
Sure Cures (MGM, 1946). One Sheet (27" X 41"). Being hired by MGM in 1925 as the head of its publicity department, Pete Smith held the position until 1930. Beginning in 1931 up through 1955, Smith produced, wrote and narrated a series of shorts known as Pete Smith Specialties for the studio. The one-reelers covered just about every subject imaginable, from the animal world to the latest technology to how to handle annoying patrons in movie theaters, all delivered with Smith's trademark wry, bemused narration. This great one sheet covers the subject of baldness. The poster had pinholes in the corners with light edge wear including small chips. There was slight fold wear and separation with minor paper loss in the folds. The poster has been restored to look new and the colors are magnificent. Fine/Very Fine on Linen.
The Man Who Came to Dinner (Warner Brothers, 1942). Mini Window Card (8" X 14"). Bette Davis and Ann Sheridan co-star with Monty Woolley (in the title role) in this George S. Kaufman and Moss Hart comedy about a man who came to dinner, slipped on some ice, and wound up in his host's house for a long stay. There is light scuffing on the right border and slightly rounded corners. From the Collection of Denver Sherry. Very Fine.
The Ghost and Mrs. Muir (20th Century Fox, 1947). One Sheet (27" X 41"). This romantic fantasy film starring Gene Tierney and Rex Harrison is based on a 1945 novel written by Josephine Leslie under the pseudonym of R. A. Dick. The poster had pinholes in the corners and a top right corner bend. There was tape behind the crossfolds and along the top quadrant vertical fold. There was grease pencil writing within the top right quadrant on the verso of the poster. Restoration has corrected all of the issues mentioned and the poster now displays beautifully. Fine/Very Fine on Linen.
Rio Rita (MGM, 1942). One Sheet (27" X 41") Style C. The dynamic duo of Abbott and Costello are fighting Nazis on the Mexican border in their seventh film together. Most of their films were made for Universal, but this is one of three for which the pair was loaned out to MGM. The lovely Kathryn Grayson plays the resort owner who hires them as detectives. The linen has been trimmed to the edge of the poster. Prior to restoration, this sheet had fold wear, crossfold separations, and tape lifts throughout. This fun poster with the crooning stars is a delight for all fans. Fine/Very Fine on Linen.
Abbott and Costello Meet the Mummy (Universal International, 1955). Australian One Sheet (27" X 40"). This classic comedy was the last film that the legendary comedy team of Bud Abbott and Lou Costello would make for Universal, and it would be the next-to-last film the duo would appear in together before the formal dissolution of their partnership in 1957. Having met Frankenstein, the Killer, the Invisible Man, and Dr. Jekyll and Mr. Hyde previously, this entry finds the pair stranded in Egypt, and pursued by a secret cult trying to retrieve a sacred medallion that Costello unwittingly carries. This fabulous Australian one sheet had pinpoint crossfold separations, a chip in the top corner, and light edge chipping in the top and left border, but professional restoration has rendered these slight flaws virtually invisible, resulting in a poster with a high degree of eye-appeal and displayability. Don't miss this one! Very Fine on Linen.
Golden Age (1938-1955)
Rumpus in the Harem (Columbia, 1956). One Sheet (27" X 41"). Essentially a remake of Malice in the Palace (1949), this comedy short used archive footage from the earlier effort and a double for the recently deceased Shemp Howard in some new scenes. The duotone poster offered here had light fold wear and very small cross fold separations, but professional restoration has expertly addressed these issues, making it a real beauty. Very Fine+ on Linen.
Movie Posters
Harvey (Universal International, 1950). Title Lobby Card (11" X 14"). James Stewart plays Elwood P. Dowd, a wealthy and eccentric drunk who sees an imaginary rabbit, a claim that raises the eyebrows of local townspeople. Although his sister (Josephine Hull, in an Oscar-winning turn) occasionally sees him too, Stewart's imaginary friend begins to interfere with her plan to find a suitable husband for her daughter. The card shows pinholes in the corners as well as one in the yellow background. Slightly rounded corners. Very Fine.
Mister Roberts (Warner Brothers, 1955). British Quad (30" X 40"). Henry Fonda returned to films after an eight-year absence to reprise his stage roll as Lt. Doug Roberts, chief cargo officer of the supply ship "Reluctant," in this film adaptation of the successful Broadway play. The terrific cast that co-starred with Fonda included: James Cagney, Jack Lemmon (who won the Oscar for his performance), and William Powell (in his final film appearance). Legendary director John Ford began the film but was replaced halfway through, reportedly because of an illness, by Mervyn LeRoy. This wonderful British quad has completely different artwork than used in the U.S. campaign and was done by noted British poster artist Tom Chantrall. The poster is folded, has pinholes in the corners and minor edge wear. Very Fine.
The Apartment (United Artists, 1960). British Quad (30" X 40"). Winner of six Academy Awards, including Best Picture and Best Director, this Billy Wilder film is one of the best of the 1960s comedies. This is a rare British poster for the film and is completely different from the domestic campaign artwork which was somewhat dull comparatively. The poster shows wear primarily to the center vertical fold which also exhibits a slight amount of foxing. There are pinholes in the corners and other minor imperfections. Fine.
It's a Mad, Mad, Mad, Mad World (United Artists, 1963). Three Sheet (41" X 81"). An amazing cast is assembled to make for one of the funniest chase movies ever made. Stanley Kramer's epic cross-country chase to find the fortune buried under the big "W" is one hilarious catastrophe after another. Offered here is the Jack Davis style poster for the Stanley Kramer classic featuring the all-star cast. The poster appears unused save for a couple of minor fold separations. Very Fine.
It's a Mad, Mad, Mad, Mad World (United Artists, 1963). One Sheet (27" X 41"). When escaped con Smiler Grogan's (Jimmy Durante) dying words hint at great riches buried under "a big W," four groups of strangers set off on a desperate race against time, and each other, to see who can unearth the fabled riches first. The very definition of an all-star cast, this film features such superstars as Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Phil Silvers, Jonathan Winters, Eddie "Rochester" Anderson, Jim Backus, William Demarest, Andy Devine, Peter Falk, Stan Freberg, Sterling Holloway, Buster Keaton, Don Knotts, and Carl Reiner, just to name a few. Paper from this title is always popular; this striking one sheet had fold wear, edge wear, chipping in the right and bottom borders, and missing corners in the top left and right, but professional restoration has expertly addressed all these minor flaws, resulting in a poster that any fan of classic comedy will be proud to own and display. Fine+ on Linen.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Columbia, 1964). One Sheet (27" X 41"). This classic Cold War spoof features Peter Sellers in not one, but three great roles. As Group Commander Lionel Mandrake, he is forced to watch the mental breakdown of Brigadier General Jack D. Ripper (Sterling Hayden), a breakdown likely to lead to nuclear Armageddon. As President Merkin Muffley, it's up to him to try to avert disaster by allaying the fears of the Soviet Premier. As Dr. Strangelove, wheelchair-bound former Nazi scientist, he comes up with a desperate plan to save the human race in case of a worst-case scenario. Directed by the great Stanley Kubrick, this is a powerful film, as resonant today as it was nearly half a century ago. The one sheet offered here is in near-perfect condition; only some slight color offset in the title area keeps it from an even higher grade. Near Mint+.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Columbia, 1964). Lobby Card Set of 8 (11" X 14"). A sharply biting political comedy, this film, one of star Peter Sellers's best, is as darkly relevant today as it was 45 years ago at the height of the Cold War. As group Captain Lionel Mandrake, President Merkin Muffley, and the titular Dr. Strangelove, Sellers dominates the picture from beginning to end, presenting three of his greatest characterizations (Sellers was originally slated to play the role of Major Kong as well, but after he broke his ankle, director Stanley Kubrick cast Slim Pickens in the part instead). The film received four Oscar nominations, including Best Picture, Best Actor (Sellers), Best Director (Kubrick), and Best Screenplay, and is considered a masterpiece of dark humor. This extremely desirable lobby card set is in superb condition; there is a small nick and a light smudge on the title card, a small stain in the bottom border of one card, and corner bumps in the top left of two cards. Aside from these minor imperfections, this set is extremely clean, and presents very nicely. It will make a great addition to any collection. Very Fine+.
The Producers (MGM, 1967). Poster (40" X 60"). Before the Broadway hit show won twelve Tonys in 2001, there was this comedy sleeper of the 1968 film season, writer Mel Brooks's first feature film. This dark comedy about two theatrical partners who deliberately contrive the worst possible Broadway show stars Gene Wilder and Zero Mostel. The film was so brazen in its satire that the major studios wouldn't touch it, nor would many exhibitors. Brooks finally found an independent distributor, who released it like an art film, as a specialized attraction. It received an Oscar for Best Original Screenplay and became a smash underground hit, first on the nationwide college circuit, then in revivals. This rare large format poster had minor edge wear and some slight wear within the image, but beautiful restoration has returned this gem to like-new. Rolled, Fine/Very Fine on Linen.
One, Two, Three (United Artists, 1962). One Sheet (27" X 41"). Billy Wilder has James Cagney running in circles in this fast paced comedy that takes a satiric look at post war politics in Germany, capitalism, communism, cold war fears and rock music! Cagney, as Coca-Cola executive C. P. MacNamara in West Berlin is assigned to look after his boss' daughter, Scarlett (Pamela Tiffin) and goes into panic mode when she marries an East Berlin communist (Horst Buchholz). This fantastic poster was designed by the great Saul Bass whose poster art (North by Northwest, Vertigo, West Side Story...) and title sequences are always memorable. The linen has been trimmed to the edge of the poster. This one sheet had pinholes in the corners, fold wear and pinpoint crossfold separations before it was professionally restored. Very Fine+ on Linen.
Up in Smoke (Paramount, 1978). One Sheet (27" X 41"). A surprise hit, this low-budget stoner classic starred Cheech Marin and Tommy Chong as potheads in for their favorite green substance. This sheet features the tagline, "Don't go straight to see this film." Censors believed this to be a drug reference and ordered the poster altered, making this surviving rolled example a rarity. There are small tears in the along the edges and a horizontal bend across the center of the field. A small abrasion can also be seen in the title but this is still a great original poster from Cheech and Chong's breakout success. Rolled, Very Fine-.
1941 (Universal, 1979). One Sheet (27" X 41") Advance. In between Close Encounters of the Third Kind and Raiders of the Lost Ark, Steven Spielberg directed this raucous, star-studded comedy featuring John Belushi, Dan Ackroyd, Ned Beatty, Christopher Lee, Warren Oates, Robert Stack, and written by future Oscar winners Robert Zemeckis and Bob Gale. This fabulous one sheet is one of many different styles highlighting different characters, with Belushi's Wild Bill being the most desirable. This pristine example has a slight amount of edge wear, but is otherwise immaculate. Wild Bill wants you, and you want Wild Bill. Rolled, Near Mint.
Gary Cooper and Sylvia Sidney in "City Streets" (Paramount, 1931). Stills (2) (11" X 14"). Vintage black and white, double weight, glossy stills. What an incredible lot, with co-stars Gary Cooper and Sylvia Sydney pointing their guns directly at the viewer. City Streets was Rouben Mamoulian's foray into the world of cinematic crime and the result was one of the most explosive crimers of the era. Cooper slowly descends into the hell of the underworld in order to save the daughter of a racketeer. Both of these stills exhibit minor wear to their corners. Very Fine+.
Humphrey Bogart in "Key Largo" (Warner Brothers, 1948). Publicity Still by Max Julian (8" X 10"). Vintage black and white, single weight, glossy still of Humphrey Bogart on bicycle between takes on the set of Key Largo taking a phone call. To his right can be seen Lionel Barrymore in a wheelchair. This great print has some surface cracking from bending in the right border as well as in the upper dark area above Bogart's head. Photographer Max Julian's credit stamp is on the verso. Fine.
Headline Shooter (RKO, 1933). Mini Window Card (8" X 14"). William Gargan plays a daredevil newsreel photographer in this action adventure film that utilized plenty of actual newsreel footage. Frances Dee plays his equally adventurous girlfriend and Ralph Bellamy is (as usual) the upstanding "other man." There is light edge wear on the left border, dust shadowing on the borders and a small tear on the top border. Very Fine-.
The Line-Up (Columbia, 1934). Mini Window Card (8" X 14"). William Gargan is a detective on the trail of a gang of fur smugglers. He winds up arresting a whole nightclub full of people, including innocent hat-check girl Marion Nixon. There is a pinhole in the top center, staining in the left corner, small creases in the corners with tiny corner bumps, and a small pencil mark on bottom border. Very Fine-.
The Crime Doctor (RKO, 1934). Mini Window Card (8" X 14"). Otto Kruger stars as as a super detective who attempts to mastermind the perfect crime. He has his wife's lover convicted of a murder that he didn't commit. But the plot backfires on him with tragic results. The card has a dust shadow on the top border and faint smudging to the top and bottom borders. Very Fine.
From Headquarters (Warner Brothers, 1933). Mini Window Card (8" X 14"). George Brent and Eugene Pallette are detectives out to solve the mystery of a murdered man hated by everyone! This is an early CSI type drama with much of the action taking place in police headquarters showing the ballistics expert, the autopsy surgeon, the fingerprint men and the toxicologist at their business of shifting and sorting clues, creating hypotheses for the events of the fatal evening and reconstructing the crime and its participants from fragments of apparently innocent evidence. This pretty card is truly drop dead mint. Near Mint/Mint.
Terror Aboard (Paramount, 1933). Mini Window Card (8" X 14"). Starring Neil Hamilton (best known to an entire generation of Baby Boomers as Commissioner Gordon on TV's Batman), this gruesome pre-Code classic is a grim story about a serial killer on a vicious murder spree aboard a luxury liner. The card has a pinhole in three corners and two in another corner. There is slight staining in the left border. Very Fine.
The Silk Express (Warner Brothers, 1933). Mini Window Card (8" X 14"). On a train from Seattle to New York, an exporter and his rival battle over a silk shipment. This lovely card has a great tagline and is from a thriller featuring stars Neil Hamilton and Sheila Terry. Very Fine/Near Mint.
Hush Money (Fox, 1931). Lobby Cards (4) (11" X 14"). Joan Bennett stars as a woman trying to live down her gangster past. She meets a wealthy man (Hardie Albright) but winds up being blackmailed by her former gang. Myrna Loy and George Raft (in early roles) are two of the gang members. Three of the cards feature great close-ups of Bennett and one features a beautiful shot of Loy. These gorgeous cards only have very light smudging on the borders to prevent them from being Mint. Very Fine/Near Mint.
Anna May Wong in "Limehouse Blues" (Paramount, 1934). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. Anna May Wong stars with George Raft and Jean Parker in this dark crime drama set in London's Limehouse district. There is a tiny crease in the bottom right corner and date stamps and a typed studio description can be found on the verso. Very Fine+.
Limehouse Blues (Paramount, 1934). Lobby Card (11" X 14"). A half-caste Chinese gangster (George Raft) with a smuggling business based in London's Limehouse district falls for a low-class white pickpocket (Jean Parker), sparking a cultural identity crisis as well as the jealousy of his Chinese girlfriend (Anna May Wong). Potent stuff for 1930s Hollywood, as well as an interesting variation for quintessential screen gangster Raft. The card has two pinholes in the background and a paint stain on the bottom border. Very Fine.
Dead Men Tell (20th Century Fox, 1941). Insert (14" X 36"). Starring Sidney Toler as author Earl Der Bigger's popular Chinese-American detective, Charlie Chan, this fun film concerns an elderly lady supposedly scared to death by the ghost of a pirate ancestor. Chan suspects there's more to it, and sets out to solve the mystery, aided by Number Two Son, Jimmy (Victor Sen Yung). This dramatic insert shows some fold wear, and a few tape stains at the borders, but is otherwise in excellent condition. Very Fine.
Murder Over New York (20th Century Fox, 1940). One Sheet (27" X 41"). Sidney Toler made his eighth appearance as Charlie Chan in this film, as the witty detective's visit to the Big Apple leads to an investigation of sabotage on an aircraft plant assembly line. Also making an appearance is Shemp Howard of the Three Stooges. Condition issues include pinholes in the corners, a tear to the top border, fold wear, and a fold separation with tape on the back. Fine+.
Get Carter (MGM, 1971). One Sheet (27" X 41"). Writer-Director Mike Hodges wanted violence with reality, which he delivers with real punch. This film is a hard-as-nails British crime movie, featuring a brutal performance by Michael Caine that stands as one of his best. There are pinholes in the borders, fold wear, bleed through from an NSS stamp on the reverse, surface wear, a small chip in the left border and two punch holes in the top border. Fine+.
Pulp Fiction (Miramax, 1994). British Posters (5) (24" X 34"). The film that many consider to be director Quentin Tarantino's masterpiece, this gritty crime drama tells several separate stories, all of which intertwine dramatically. John Travolta and Samuel L. Jackson are two mob hitmen in the employ of Marsellus Wallace (Ving Rhames), assigned to look after his attractive wife Mia (Uma Thurman). Things take a sudden nosedive, as all the disparate stories collide uncontrollably. Considered one of the most influential films of the 1990s, the sparkling dialogue won a well-deserved Oscar for screenwriters Tarantino and Roger Avary. Paper from this title is always in high demand with collectors; offered here is a set of five British posters promoting this exceptional film. Rarely seen, they are in pristine condition, and will certainly give the winning bidder serious bragging rights among the cinematic cognoscenti. Rolled, Mint.
Dirty Harry (Warner Brothers, 1971). One Sheet (27" X 41"). This is the film that established Clint Eastwood as a cinema icon, portraying the tough San Francisco cop, Harry Callahan. When the film was released in 1971, it caused quite a sensation for its use of extreme action and violence. This copy is mounted on linen and has a small stain in the lower right that has been airbrushed. There is also an additional vertical fold which appears on both sides of the poster but has been well restored. Very Fine- on Linen.
13 Rue Madeleine (20th Century Fox, 1947). Danish Poster (24.5" X 33"). James Cagney is a trainer for the O.S.S. (the forerunner to the C.I.A.) during WWII. One of his students, Richard Conte, is a German double agent who the agency plans to feed false information. Complications arise, however, when Conte discovers that his cover has been blown. This Danish poster has fold wear, and the linen has been trimmed to the edge of the border. Nice restoration gives the poster a very clean appearance. Very Fine+ on Linen.
12 Angry Men (United Artists, 1957). Half Sheet (22" X 28") Style B. A young man's life is on the line in what seems like an open-and-shut case, until jury deliberations begin. All the jurors vote guilty, except one man (Henry Fonda) who raises the specter of doubt, leading to an intense climax. The film also stars Martin Balsam, Lee J. Cobb, E.G. Marshall, Jack Klugman, Jack Warden, and Ed Begley as Fonda's fellow jurors. This dramatic half sheet shows light fold wear, a bottom right corner bend, and light tanning on the extreme left and right edges. It is an extremely attractive piece from an incredibly powerful film. Folded, Very Fine.
Bullitt (Warner Brothers, 1969). Polish One Sheet (23" X 33"). In this top cop action film Steve McQueen as the rebellious and violent Lt. Frank Bullitt paves the way for the later Dirty Harry films. Robert Vaughn and Jacqueline Bisset costar. Known for one of the earliest and best car chases in movie history, this film has Bullitt driving a Ford Mustang. This is obviously not the car featured on this poster, but nonetheless this Polish one sheet is a unique and interesting alternative to the US artwork. The illustrator for this poster is Marian Stachurski. The only minor issues are light edge wear, a corner crease in the upper right, three minor tears at the top and it displays beautifully. Rolled, Very Fine+.
They Made Me a Fugitive (Warner Brothers, 1947). Italian 2 - Folio (39" X 55"). Trevor Howard is a former Royal Air Force pilot who turns to a life of crime only to be framed for the murder of a policeman by a rival thug (Griffith Jones). This gorgeous Italian poster has a crease in the top right corner, wear and minor separations at the folds and tape on the reverse. There is also minor wear and tear at the edges. Fine/Very Fine.
The Lady From Shanghai (Columbia, R-1950s). Belgian (15" X 21.75"). With a plot so complicated that not even director Orson Welles could explain it to studio head Harry Cohn, this film noir substituted style and visual flair for coherence. The audience was shocked when Welles' estranged wife, Rita Hayworth, appeared with close-cropped, dyed blonde hair, instead of her trademark red tresses. Perhaps because of this, the film was not a hit when it first came out, but has gone on to be recognized as a classic of the genre. This Belgian poster has light edge wear with a tear in the top left corner, staining in the lower left corner, and a small bend in the top right corner. Gorgeous artwork of Hayworth and Welles. Rolled, Very Fine-.
Chinatown (Paramount, 1974). German A1 (23" X 33"). "Forget it Jake -- it's Chinatown." Yeah, but we're not likely to forget Roman Polanski's legendary film noir starring Jack Nicholson as a down-on-his-luck private dick who gets involved with a dame (Faye Dunaway) with a questionable past, and gets a clipped nose for his trouble. This evocative German poster features great images of Nicholson and Dunaway, against a start black background. The poster is in superb shape; pinholes in the corners and fold wear were the only issues, which have been smoothed over with professional restoration. Very Fine+ on Linen.*
The Big Heat (Columbia, 1953). One Sheet (27" X 41"). Tough cop Dave Bannion (Glenn Ford) investigates the death of a police sergeant, but when things get too hot, his boss takes him off the case. Then his wife is killed by a mob hit meant for him, and he goes on a rampage to bring the bad guys to justice. Gloria Grahame is the disfigured ex-moll of one of the gangsters, and Jeanette Nolan and Dorothy Green add to the eye candy. Fritz Lang directs what was considered an extremely violent film for its day. If you're looking for crime-noir paper, you can't do much better than this sultry sheet, with Ford and Grahame locked into a tense confrontation. The poster is in outstanding condition, with pinpoint crossfold separations and some light wrinkling near the bottom being the only issues of note. No crime buff should be without this stunning sheet. Very Fine+.
T-Men (Eagle Lion, 1947). Publicity Still (8" X 10"). Vintage, black and white, single weight, glossy still. Two U.S. Treasury agents (Dennis O'Keefe and Alfred Ryder) are out to bust up a counterfeiting ring in this tense crime drama. Simply stated, this is the quintessential film noir image! Aside from faint creasing in the bottom left corner, this still is very clean. Very Fine+.
Sorry, Wrong Number (Paramount, 1948). Three Sheet (41" X 81"). Barbara Stanwyck gives an Oscar-nominated performance as a bedridden woman who picks up her phone and accidentally overhears two men plotting a murder -- possibly hers. Burt Lancaster plays her husband, and the screenplay is by Lucille Fletcher, who wrote the original radio play on which the film is based. This stunning three sheet poster has a great image of Stanwyck and Lancaster, and is in excellent condition. Corner pinholes, fold wear, and crossfold separations were the only condition issues, and these have been rendered invisible by excellent professional restoration. A colorful sheet for this classic film noir. Very Fine+ on Linen.
Killer's Kiss (United Artists, 1955). Half Sheet (22" X 28"). Stanley Kubrick's first released feature was an exercise in guerilla filmmaking. He borrowed money from an uncle to finance the film, shot without permits, and worked around uncooperative truckers and homeless people, all the while living on welfare. It was enough of a success to ensure a 44-year career for Kubrick. This half sheet has light edge wear with tiny corner bumps, faint stains on the bottom left corner, and a small tear on the right edge. Bold, bright colors and dramatic imagery. Rolled, Very Fine+.
Out of the Past (RKO, 1947). Lobby Card (11" X 14"). Jacques Touneur directs this moody film noir classic while Robert Mitchum gives a career-defining performance as a detective caught in a web of deceit and intrigue. There are bends at the corners and light edge wear, including small tears, and paper tape on the reverse. Otherwise, this #7 card is in very displayable condition. Fine/Very Fine.
Christmas Holiday (Universal, 1944). Mini Window Card (8" X 14"). Although the film was a box office success for Deanna Durbin, she was criticized for having tarnished her trademark persona playing a dance-hall "hostess." This black-and-white film noir, based on a novel by W. Somerset Maugham and directed by Robert Siodmak, co-starred a young Gene Kelly as a murderous cad. This gorgeous card is in near mint condition other than a lightly pencil-written title in the upper imprint area. From the Collection of Denver Sherry. Very Fine/Near Mint.
White Heat (Warner Brothers, 1949). Half Sheet (22" X 28"). James Cagney took his tough-guy gangster persona to a new height of menace ("Made it, Ma! Top of the world!") with more than a touch of psychosis and Oedipal complex. A high point in Cagney's career, Cody Jarrett is one of the most chilling characters in film history. This nice half sheet was folded and had pinholes in the corners. There was some fold wear, but after expert restoration this sheet looks fabulous. Very Fine- on Paper.
The Woman in the Window (RKO, 1945). Lobby Card Set of 8 (11" X 14"). One of the 1940s greatest film noirs, The Woman in the Window is the tragic story of the doomed love of married psychology professor Edward G. Robinson. He sees a portrait of a beautiful woman (Joan Bennett) in a window, eventually meets her, and winds up committing a murder in self-defense. This was one of director Fritz Lang's best American films, delivering not one but two shock twist endings. This set of cards is in incredibly nice condition, with only a light smudge on the title card and a small corner bend on the bottom right on all the cards preventing them from being grading Mint. The card set comes with the original paper wrapper. Very Fine/Near Mint.
Night Has a Thousand Eyes (Paramount, 1948). One Sheet (27" X 41"). Edward G. Robinson plays a mind reader haunted by visions of Gail Russell's impending death in this film noir suspense story. Russell gives a haunting performance, and many consider this to be her best work. Robinson, as usual, excels in his role, playing John Triton, "The Mental Wizard." There is one pinhole in background of the poster, pinpoint crossfold separations, and light fold wear. The one sheet's artwork beautifully conveys the eerie nature of this classic film. Very Fine+.
Night Has a Thousand Eyes (Paramount, 1948). Lobby Card Set of 8 (11" X 14"). Edward G. Robinson plays a mind reader, known as "The Mental Wizard", haunted by visions of Gail Russell's impending death in this film noir suspense story. Russell gives a haunting performance, and many consider this to be her best work. The set has minor corner rounding and slight handling wear and soiling. Very Fine.
Knock on Any Door (Columbia, 1949). Half Sheet (22" X 28") Style A. A hard-hitting social drama, Humphrey Bogart plays Andrew Morton, a crusading attorney defending an underprivileged kid from the slums (John Derek) who stands accused of murder. Directed by Nicholas Ray, who would go on to helm Rebel Without a Cause (Warner Brothers, 1955) just a few years later, this movie is the source of the oft-quoted line, "Live fast, die young, leave a good-looking corpse." This eye-catching half sheet had some light fold wear, but after professional restoration, it looks every bit as good as new. Very Fine+ on Paper.
Call Northside 777 (20th Century Fox, 1948). One Sheet (27" X 41"). Reporter P. J. McNeal (James Stewart) investigates a decade-old murder case. Inexplicably, he runs into more and more resistance from local authorities the closer he gets to the truth. An interesting bit of trivia: the man who administers the lie detector test to convict Frank Wiecek (Richard Conte) is Leonard Keeler, the real-life inventor of the polygraph machine. The poster offered here had some fold wear, but professional restoration has rendered this small defect virtually invisible. Call today and bid! Very Fine on Linen.
While the City Sleeps (RKO, 1956). Half Sheet (22" X 28") Style B and Pressbook (18" X 14"). Two stories, one about the future of a media conglomerate left rudderless after the death of newspaper magnate Amos Kyne (Robert Warwick), and the other about a comic book-reading serial killer (John Barrymore) - dubbed "The Lipstick Killer" - who is terrorizing the city, come together explosively in this taut film noir thriller by legendary director Fritz Lang. An all-star cast, including Dana Andrews, Rhonda Fleming, George Sanders, Howard Duff, Thomas Mitchell, Vincent Price, Ida Lupino, and Mae Marsh, highlights this great film. The half sheet offered here showed some fold wear, but professional restoration has expertly addressed this minor issue. The pressbook is in excellent condition: it has been folded once and shows a single vertical crease in the center, as well as some light edge wear, but is completely intact, with no cuts. This is a great lot for any fan of this stunning film. Very Fine+ on Paper.
Where Danger Lives (RKO, 1950). Australian Daybill (13" X 30"). Young doctor Jeff Cameron (Robert Mitchum) falls hard for Margo (Faith Domergue), a woman under his care who has attempted suicide, and dumps his nurse girlfriend in the process. But Margo has secrets, and soon Jeff is embroiled in her lies, and headed for the Mexican border. This sublime daybill has an alluring image of the couple, and is in near-pristine condition, with no obvious flaws. Very Fine+ on Linen.
The Lady From Shanghai (Columbia, 1947). Australian Daybill (13" X 30"). Luminous Rita Hayworth is the titular Lady, in this silky film noir written and directed by Orson Welles. Shanghai was one of Welles' last Hollywood productions, and as with most of his prior films, it suffered from studio interference. Nevertheless, it has gone on to become a legendary thriller, thanks to the talents of all involved. Nearly flawless, this gorgeous Australian daybill features voluptuous Rita in a come-hither pose, an invitation most men in the audience would have been happy to accept. Light fold wear was the only issue of note. A terrific sheet highlighting Hayworth and her famous figure. Very Fine+ on Linen.
Eyes in the Night (MGM, 1942). One Sheet (27" X 41"). Edward Arnold stars in this gripping mystery as Captain Duncan McLain, a blind detective. Ann Harding and Donna Reed co-star as mother and stepdaughter. The plot involves murder, Nazi spies, and a secret formula. In a neat plot twist, McLain's seeing-eye dog Friday saves the day. There are pinholes in the borders and background field, foxing on the right border, edge tears, fold wear and crossfold separations, two pieces missing on the left border, a crumpled bottom left corner and a light corner bend on two corners. Fine.
Confidential Agent (Warner Brothers, 1945). Three Sheet (41" X 81"). Lauren Bacall's second film - after To Have and Have Not (1944) and before The Big Sleep (1946) - was based on a novel by Graham Greene about a secret agent (Charles Boyer) during the Spanish Civil War who finds much more than the fuel supplies he was sent to Great Britain to bargain for when he meets the lovely Rose Cullen (Bacall), who helps him navigate a treacherous web of deceit and villainy. Bacall quickly became one of the leading stars in Hollywood, with smoldering performances in such films as Dark Passage (1947), Key Largo (1948), and Blood Alley (1955). This exquisite three sheet had fold wear, crossfold separations, and a small tear in the bottom right, just above the credits, but professional restoration has expertly addressed these slight issues. If you're a Bacall fan - and who isn't? - this poster is for you! Very Fine- on Linen.
Journey into Fear (RKO, 1942). Lobby Card (11" X 14"). Joseph Cotten, Dolores Del Rio and nearly every member of Orson Welles' Mercury Theater Company star in this twisting, turning thriller which is 69-minutes of pure intrigue! Welles even wrote, produced and appeared as multiple characters. This card, the only one in the set to feature Welles, has a crease in the top border and a bend in the bottom left corner. Very Fine+.
High Sierra (Warner Brothers, 1941). Lobby Card (11" X 14"). In one of Humphrey Bogart's greatest roles, he is caught up in a hotel robbery that goes terribly wrong. He is on the run from the law for murder, with moll Marie, in an intense performance by Ida Lupino, along for the ride. Joan Leslie is also wonderful as Velma, a crippled girl who Bogart meets and eventually helps with a needed operation. The sweet and innocent Velma, changes into a selfish and vain woman, completing Bogart's disillusionment with people. With direction from the great Raoul Walsh, this film is an all time classic. This card features the Warner Brothers linen finish. There were pinholes in the borders, edge wear, corner chips, small tears and tape lifts in the borders. All of these issues have been addressed with restoration and this card displays beautifully. This spectacular card showcases Bogart in his toughest pose with the lovely Lupino watching the action. Fine+.
Kiss Me Deadly (United Artists, 1955). Half Sheet (22" X 28") Style B. Ralph Meeker is possibly the screen's toughest Mike Hammer in this frank and sensual adaptation of Mickey Spillane's two-fisted classic. Hammer picks up a terrified woman (Cloris Leachman, in her first film role), running barefoot along the highway, and is immediately drawn into a web of intrigue and deceit. The glowing briefcase would later reappear in Tarantino's Pulp Fiction. This splendid half sheet poster has great color and a very sharp appearance; light restoration includes airbrushed borders and cleaning. It had light edge wear, and there is a very minor post-restoration chip in the border, but is otherwise in sensational condition. A great poster for one of the great film noir classics. Very Fine+ on Paper.
Kiss Me Deadly (United Artists, 1955). Three Sheet (41" X 81"). When private detective Mike Hammer (Ralph Meeker) picks up a young woman on the road one dark night, he finds himself entangled in a complex web of deceit, nuclear intrigue, and murder. Based on the book by Mickey Spillane, this movie was actually condemned by the infamous Kefauver Senate Commission as 1955's biggest threat to American youth! Many now consider this one of, if not the best, film noirs ever released. The three sheet offered here had crossfold separation and a small hole in the top left, but professional restoration has expertly addressed these slight defects, resulting in a stunning poster that presents very nicely. Very Fine on Linen.
D.O.A. (United Artists, 1950). Half Sheet (22" X 28") Style B. Told in flashback, D.O.A. is one of the definitive film noirs of the era. Edmond O'Brien stars as vacationing accountant Frank Bigelow, who ingests a deadly poison (iridium) and has only a few hours to live. Frantically, Bigelow retraces his movements for the last 24 hours, trying to locate his murderer. Offered here is the rarely-seen Style B half sheet poster, featuring the oft-quoted opening line in the film. Prior to the expert restoration, this poster had fold wear with a crossfold separation, and a crease on the upper left border. Very Fine on Paper.
The Love Parade (Paramount, 1929). Jumbo Lobby Card (14" X 17"). Director Ernst Lubitsch's first talking picture, The Love Parade was a witty souffle about a royal "marriage of state." Maurice Chevalier stars as a highborn Sylvanian diplomat called back to his country, due to his amorous escapades, to marry Jeanette MacDonald. The card has small tears in the borders, creasing on the left and right borders, and small bends in the corners. Fine/Very Fine on Cardstock.
The Love Parade (Paramount, 1929). Window Card (14" X 22"). Considered by many to be the first musical in which the songs were truly integrated into the plot, The Love Parade was a frothy vehicle for popular singer Maurice Chevalier (in only his second Hollywood film) and was even nominated for a Best Picture Oscar. Offered here is a nifty window card that prominently features Chevalier. The card has rounded corners along the bottom and a small smudge in the top border, but otherwise is in exceptional condition. A terrific image of the colorful crooner and sharp color make this one a winner all around. Very Fine.
The Smiling Lieutenant (Paramount, 1931). Lobby Cards (2) (11" X 14"). Nominated for Best Picture the year it was released, this was Ernst Lubitsch at his very best. Starring Maurice Chevalier, Claudette Colbert and Miriam Hopkins, the plot is the usual romantic twist of mistaken identity and love triangle. The cards offered in this lot are two of the best from the set as there was no title card (being a Paramount film). The portrait card has a small tear in the right border and a couple of bent corner tips. The other card has a couple of minor corner bends as well. Fine/Very Fine.
A Bedtime Story (Paramount, 1933). Lobby Card (11" X 14"). Maurice Chevalier, playing the French sophisticate, decides to forego his playboy ways and raise an orphan found abandoned in the back seat of his car. It doesn't stop him from taking time out to "woo" Helen Twelvetrees in this amazing closeup scene from the film. It was the first role for Baby LeRoy who would go on to become the foil for W.C. Fields in some of Fields' best comedies. The card has some minor wear on the corners. Very Fine-.
Call of the Flesh (MGM, 1930). Lobby Card Set of 8 (11" X 14"). Originally shot with Technicolor sequences, this is a musical done in elaborate style by MGM Studios. Roman Novarro stars as a flamboyant and aspiring opera singer who falls for a nun-in-training (Dorothy Jordan). This is a remarkably pretty set of early lobby cards with luminescent colors. There are pinholes in the corners and with general handling wear. The title card has some surface wear as well as enlarged pinholes and a nick from the right border. Fine.
Modern Age (1980-Present)
Let's Fall in Love (Columbia, 1933). Mini Window Card (8" X 14"). Ann Sothern does her best imitation of Greta Garbo in this delightful comedy/musical spoof of the movie industry. In six weeks, Jean (Sothern) is transformed from a humble Brooklyn girl into the newest Swedish sensation, by love interest and director Ken Lane, played by Edmund Lowe. Another highlight of this film is the hit title song written by the great Harold Arlen (who later would compose several classics for The Wizard of Oz) and Leo Koehler. This lovely card has a pinhole in the top center, light edge wear at the top and small pencil marks in the bottom border. A charming image, this would make a wonderful addition to any collection. Very Fine.
Movie Posters
Rose-Marie (MGM, 1936). Title Lobby Card (11" X 14"). In this tuneful operetta, Jeanette MacDonald and Nelson Eddy sing and smile their way through a story about a spoiled opera singer (MacDonald) who heads to Canada when informed that her brother (a youthful James Stewart) has escaped from prison and killed a Mountie. Upon arrival, she is confronted with another Mountie (Eddy) who believes she is helping her brother -- at first, anyway. "America's Sweethearts" are front and center on this eye-catching title lobby card, looking as cute as they can be. The card is in exemplary condition, with a small nick in the top border and very, very minor bumps in the left corners being the only issues keeping this from the Mint category. Very Fine/Near Mint.
Gold Diggers in Paris (Warner Brothers, 1938). Mini Window Card (8" X 14"). This last in the series of Warner Brothers "Gold Digger" musicals stars Rudy Vallee and Rosemary Lane, and once again features Busby Berkeley's choreography. The top imprint area has been replaced, there is a bend in the bottom right corner and a small scuff on the right border. From the Collection of Denver Sherry. Fine+.
Ready, Willing and Able (Warner Brothers, 1937). Mini Window Card (8" X 14"). Ruby Keeler co-stars with Lee Dixon and Ross Alexander (who died before the film was released) in this frothy musical famed for its production number featuring chorus girls performing "Too Marvelous for Words" on a giant typewriter. There is staining on the left side of the card, corner bends and a crease on the left side. From the Collection of Denver Sherry. Fine+.
Sweet Surrender (Universal, 1935). Swedish One Sheet (27.5" X 39.5"). A convoluted story about the complicated and comedic lives of entertainers, this stars Frank Parker, Tamara and Russ Brown. A distraught ballet dancer breaks her contract and runs away to Europe aboard a boat. While on board, she assumes a fake identity but runs into an old friend who is confused by her appearance and her presence. This rolled Swedish poster had small edge tears, and a small hole in the center, and the linen has been trimmed to the poster edge. The sheet has lovely artwork and bold colors. Very Fine- on Linen.
Wake Up and Live (20th Century Fox, 1937). Mini Window Card (8" X 14"). The imaginary 1930s radio feud between bandleader Ben Bernie and columnist Walter Winchell is the foundation for this film. Between the bickering of the two stars is the story of a singer played by Jack Haley, who falls in love with leading lady Alice Faye. There are two punch holes on the right side of the card, some surface paper loss on the bottom right corner, and pencil writing on the top imprint area. From the Collection of Denver Sherry. Fine/Very Fine.
Hollywood Hotel (Warner Brothers, 1937). One Sheet (27" X 41"). Busby Berkeley directed this musical comedy set in the "Orchid Room of the Air." Dick Powell plays a saxophonist in Benny Goodman's swing band who wins a screen test in a Hollywood talent contest and achieves stardom on Louella Parsons' radio program. There is light wrinkling on the right border, a small tear on the top border, and light fold wear with crossfold separations. Very Fine+.
Swanee River (20th Century Fox, 1939). One Sheet (27" X 41") Style A. An extravagant Technicolor biopic of the great songwriter Stephen Foster, played with suave charm by Don Ameche. Beautiful Andrea Leeds plays his wife, for whom "I Dream of Jeanie" was written and Al Jolson also makes an appearance. This is the first time we have offered the A style of this great title, which is essentially a mirror image of the more common B style. Condition issues included pinholes in the corners, a chip in the top right corner, small tears in the fold lines, and some wrinkling along the right edge, all of which has been addressed with professional restoration; also, the linen has been trimmed to the paper edge. A very handsome poster that still boasts terrific color and a great image. Very Fine on Linen.
Cover Girl (Columbia, 1944). Insert (14" X 36"). Rita Hayworth is effervescent in this comedy/musical as an aspiring hoofer who has trouble with various beaus. Rita Hayworth's singing was dubbed (by Martha Mears), but her dancing was first-rate, and the film has opulent production values. This gorgeous insert features Hayworth front and center with Jinx Falkenburg and another beautiful model in the background. The poster had pinholes in the corners, and small chips in the right border, all addressed with professional restoration. Very Fine on Paper.
Coney Island (20th Century Fox, 1943). One Sheet (27" X 41"). Betty Grable charms as a small-time entertainer at the turn of the century who catches the eye of George Montgomery (who believes she can make the Big Time). A frothy confection with excellent songs and Cesar Romero as a romantic rival. This eye-catching stone litho one sheet has the leggy Grable front and center. Condition issues included smudging in the borders, small tears in the lower border, fold wear, small holes in the field, tape lifts on the reverse, and an extra vertical crease, all of which has been countered with professional restoration. Fine+ on Linen.
Sweet Rosie O'Grady (20th Century Fox, 1943). One Sheet (27" X 41"). This lovely stone litho poster portrays WWII's most popular and voluptuous pin-up girl, displaying those "million dollar" legs! Fox had a sure fire star with Betty Grable during this period, and used her in many of their top musicals. Fine/Very Fine on Linen.
Betty Grable Publicity Still (Paramount, 1938). Still (8" X 10"). Vintage black and white, double weight, glossy still. This gorgeous image of Betty Grable proves that she was much more than just a great pair of gams. The song and dance beauty looks every bit the big screen stunner in this publicity photo from Paramount. There is faint creasing in the corners along with minor abrasions in the field. Very Fine.
State Fair (20th Century Fox, 1945). One Sheet (27" X 41"). For the farming Frake family, nothing is so exciting as the Iowa State Fair. On the very first day, both daughter Margy (Jeanne Crain) and son Wayne (Dick Haymes) meet new love interests, but will their romance end with the closing of the fair? Filmed in glorious Technicolor, this rousing musical, with a score by Richard Rodgers and Oscar Hammerstein, took home a Best Song Oscar for "It Might as Well be Spring." Offered here is a wonderful stone litho one sheet for this fabulous film. It had small crossfold separations, pinholes in the corners, a chip in the top left corner, and a tear that ran from the bottom border through the credits, but all of these issues have been expertly addressed with professional restoration. The result is a beautiful poster that will certainly be a welcome addition to even the finest collection. Fine+ on Linen.
Iceland (20th Century Fox, 1942). One Sheet (27" X 41"). This bit of wartime escapism featured John Payne as a marine who inadvertently becomes engaged to an Icelandic beauty played by Olympic figure skating gold medalist Sonja Henie (who was actually Norwegian). Wackiness ensues. This stone litho poster has light edge wear to the left border, a small tear to the right border, and crossfold separations. Very Fine.
A Star is Born (Warner Brothers, 1954). Insert (14" X 36"). In this classic story of Hollywood stardom, a young Esther Blodgett (Judy Garland) arrives in Tinseltown hoping to make it big, and succeeds with the help of broken down, dissolute actor Norman Maine (James Mason). The two marry, but as her career is on the way up, his spirals downward, leading to a tragic climax. This remake of the 1937 original marked the rebirth of Garland's career, and garnered six Academy Award nominations. The lovely insert offered here shows pinholes and tape stains in the borders and corners, but is otherwise in exceptional condition, a perfect addition to any collection. Very Fine.
Guys and Dolls (MGM, 1955). One Sheet (27" X 41"). Classic images of Marlon Brando, Jean Simmons, Frank Sinatra and Vivian Blaine from Damon Runyon's classic story adorn this poster. Prior to restoration, it had minor fold wear and pinholes in the corners. The linen backing has been trimmed to the borders but the restoration yielded a near mint appearance. Very Fine+ on Linen.
White Christmas (Paramount, 1954). Insert (14" X 36"). Bing Crosby and Danny Kaye play army buddies who find success as a song-and-dance team. They fall for a pair of beautiful sisters (Rosemary Clooney and Vera-Ellen) and follow them to a Vermont lodge, where they discover their old army general is the owner. Irving Berlin contributes the memorable score (though the title tune had previously been introduced in Holiday Inn more than a decade earlier). This nifty insert had fold wear with some extra horizontal creases, multiple tears on the right side which run into the image area, creasing in the top border, small tears on the left side, and a vertical tear at bottom center which runs into the credits. Professional restoration has addressed these issues, and the insert presents beautifully with excellent color. A terrific poster for this beloved holiday film. Fine on Paper.
High Society (MGM, 1956). One Sheet (27" X 41"). Frank Sinatra, Bing Crosby and Grace Kelly star in this musical version of The Philadelphia Story. This was Kelly's last film before leaving Hollywood to become Princess Grace of Monaco. There were a number of pinholes in the borders and image as well as large tears in the lower left and right sides of the image. There were chips at the borders and separations at the fold lines. Several of these issues were addressed through an older restoration. U.S. one sheets for this film have become increasingly scarce over the years. So, don't miss this opportunity. Very Good on Linen.
High Society (MGM, 1956). Title Lobby Card (11" X 14"). Bing Crosby, Grace Kelly, and Frank Sinatra star in this send-up of high society based upon the Philip Barry play,The Philadelphia Story. Cole Porter music performed by Louis Armstrong made this one of the most enduring films of its genre. This vibrant title card has an outstanding image of the young Grace Kelly. There is a pinhole in the two top corners and several small pieces of brown paper tape on the verso. Very Fine+..
Funny Face (Paramount, 1957). Half Sheet (22" X 28"). A wonderful musical romance that blends comedy and drama with stirring Gershwin melodies. Loosely based on Richard Avedon, Fred Astaire stars as a fashion photographer who turns Audrey Hepburn into a top Paris model. The Gershwin tunes include the title song, "S'wonderful," "How Long Has This Been Going On," "He Loves and She Loves," and "Think Pink." This wonderful format pictures Hepburn four times! It is folded and has minimal crossfold wear.Folded, Very Fine-.
Annie Get Your Gun (MGM, 1950). Polish One Sheet (23" X 33.5"). This musical look at the life of sharpshooter Annie Oakley was to have reteamed Wizard of Oz co-stars Judy Garland and Frank Morgan. However, Garland had to drop out due to health problems and was replaced by Betty Hutton, who gave one of the finest performances of her career. Morgan died before shooting started and Louis Calhern took over the role of Buffalo Bill Cody. This Polish poster has light fold wear, and has had the linen trimmed to the edge of the poster. Fun artwork by Marian Stachurski. Very Fine+ on Linen.
Can-Can (20th Century Fox, 1960). British Quad (30" X 40"). This has to be the prettiest poster we have ever seen produced for the film starring Frank Sinatra, Shirley MacLaine, and Maurice Chevalier. This quad is folded with a snipe included which was to be used to cover the tag at the top of the poster advertising the TODD-AO showings. Very Fine.
Golden Age (1938-1955)
An American in Paris (MGM, R-1963). French Grande (47" X 63"). George and Ira Gershwin's blockbuster musical extravaganza explodes on the screen with direction by the great Vincente Minnelli and choreography by Gene Kelly. The lovely Leslie Caron shares the dancing stage with Kelly, but it is Oscar Levant who brings the lighter comedic moments as the struggling concert pianist. This film is still a delight today with classic tunes such as "Our Love is Here to Stay", "S Wonderful", and "Embraceable You". The only issues with this grande are light edge wear with minor separations, and writing on the reverse that is noticeable above her arm. With the colorful Roger Soubie artwork, this fantastic poster is a must have for all movie musical lovers. Very Fine.
Movie Posters
The Sound of Music (20th Century Fox, 1965). One Sheet (27" X 41") Todd-AO Roadshow Style. The stirring story of the Von Trapp Family Singers, and their daring escape from Nazi-occupied Austria, is the centerpiece of this beloved film. Starring Julie Andrews as Maria, the young nun who becomes governess to the family of military officer Captain Von Trapp (Christopher Plummer), the film was based on a hit Broadway musical, and earned five Oscars, including Best Picture and Best Director (Robert Wise). It remains as popular today as it was upon its initial release. Aside from some light foxing in the top and right borders, this poster is in superb condition. It is the hard-to-find "Roadshow" version, and features classic art by Howard Terpning. If you're a fan of classic musicals, this poster is a must-have! Very Fine+.
The Mark of Zorro (20th Century Fox, 1940). Swedish One Sheet (27.5" X 39.5"). Perhaps the best version of the tale of Zorro, this film has Tyrone Power as the fop by day, masked hero by night. Linda Darnell co-stars as his love interest, with Basil Rathbone and J. Edward Bromberg as excellent villains. This Swedish poster has edge wear, staining on the top left corner, and tears on the right border. Fabulous artwork by Gosta Aberg. Rolled, Fine/Very Fine.
The Viking (MGM, 1928). Lobby Card (11" X 14"), Stills (3) (8" X 10") and Signed Deluxe Stills (12) (10.5" X 13.5" on 14" X 18" Mattes). Filmed in Technicolor, The Viking was the most successful use of color up to that point. Ericsson (Donald Crisp) leads his band of surly Norsemen to pillage England. The one lobby card has light edge wear, while the beautiful 8" X 10" photos have small corner bends but are nearly pristine. One of these photos is a duplicate. Each of the deluxe photos have been signed by the photographer, J. Henry Kruse. A most unusual lot from the earliest days of sound. Very Fine+.
Legion of Terror (Columbia, 1936). Mini Window Card (8" X 14"). The plot deals with a "Ku Klux Klan-like" vigilante group who have mailed a bomb to a U.S. Senator. Bruce Cabot and Crawford Weaver are newly appointed postal inspectors sent to track the criminals down. This is a great midget card from a largely forgotten exploitation film. The card has no flaws to mention other than some handwritten notes on the verso. From the Collection of Denver Sherry. Very Fine.
The Woman I Stole (Columbia, 1933). Mini Window Card (8" X 14"). Jack Holt and Fay Wray star in this screen adaptation of Joseph Hergesheimer's novel, Tampico. This card is almost as clean as the day it was printed. There is a number 97 penciled in the lower border and slight wear to the lower corners. Very Fine+.
Love Slaves of the Amazons (Universal International, 1957). Half Sheet (22" X 28"). Writer and director Curt Siodmak, best known for cult classic screenplays such as I Walked with a Zombie, The Wolf Man, and Donovan's Brain, wrote, directed and produced this wild jungle adventure. Don Taylor stars as one of a group of explorers in South America who are captured by Amazon women and turned into love slaves. This half sheet has paper loss in the bottom right corner, a small piece of brown paper attached to the left border, a minor tear in the right border and corner bumps. What a find this sensational poster would make for any collector. Folded, Fine/Very Fine.
The Jungle Princess (Paramount, R-1946). One Sheet (27" X 41"). Dorothy Lamour had her first starring role in this highly enjoyable jungle adventure. She plays Ulah, a young girl raised alone in the jungle (who nevertheless looks like she's been through the Hollywood hair & makeup department), and has a tiger for a pet. Hunter Ray Milland spots her in the jungle, and wants to take her back to civilization, much to the chagrin of his fiance. This gorgeous reissue poster has beautiful artwork and vivid colors. Condition issues included edge wear with some tearing, and fold wear with crossfold separations; the poster has been professionally restored, including all borders painted. No jungle fan will be able to pass up this pretty poster. Very Fine- on Linen.
Cobra Woman (Universal, 1944). One Sheet (26" X 39.5"). Set in the South Seas islands, this film stars Maria Montez in dual roles as twin sisters, Tollea and Naja, vying for the title of priestess of Cobra Island. Helping the good Tollea in defeating the villains is her fiance Ramu (Jon Hall), his sidekick Kado (Sabu) and chimp Coco. Lon Chaney, Jr. has a supporting role as one of the evil twin's henchmen. This one sheet has fold wear with some touch up, a small replaced corner in the top right and pinholes in the corners. The borders have been trimmed. A sultry Montez dominates this colorful one sheet which would be a prize for any adventure seeker. Fine+ on Linen.
Jungle Book (United Artists, 1942). One Sheet (27" X 41"). Indian child star Sabu stars as Mowgli in this less-than-faithful but visually lush Technicolor adventure. The first screen adaptation of Rudyard Kipling's well-loved stories was created to exploit the commercial popularity of its boy star, first seen in director Zoltán Korda's Elephant Boy (1937). Due to wartime limitations on location shooting, Korda was forced to shoot entirely on a Hollywood soundstage. The poster has pinholes in the corners and borders, staining in the field, tears to the edges, a large tear to the bottom border, creases from a past misfolding, and wrinkling in the image and borders. Fine.
Samson and Delilah (Paramount, 1949). German A0 (32.5" X 47"). The classic tale of Samson (Victor Mature), the Biblical strongman whose hair and strength was shorn by the deceitful Delilah (Hedy Lamarr), is told by legendary director Cecil B. DeMille, the genius behind such epic productions as The Buccaneer (1938), The Greatest Show on Earth (1952), and both silent and sound versions of The Ten Commandments (1923 and 1956). This gorgeous first German release poster is virtually flawless; a nicer copy would be hard to imagine. Near Mint+.
Treasure Island (RKO, 1950). One Sheet (27" X 41"). Based on the classic adventure novel by Robert Louis Stevenson, this is the story of young Jim Hawkins (Bobby Driscoll), waylaid by pirates in a search for buried treasure. Disney Studio's first live action feature, this movie is particularly notable for the performance of Robert Newton as Long John Silver, on which many subsequent pirate characters have been based. The one sheet offered here had fold wear, crossfold separation, pinholes in the corners, and paper loss in the left border, but after professional restoration, these slight faults have been made virtually invisible. Paper from this title is notoriously scarce; don't miss your chance to bid on this beauty! Very Good/Fine on Linen.
The Golden Hawk (Columbia, 1952). Italian 2 - Folio (39" X 55"). Buccaneer Kit Gerardo (Sterling Hayden) is out of his league when he meets up with lady pirate Captain Rouge, played by the lovely Rhonda Fleming. Set in the seas of the Caribbean, this daring adventure has plenty of swashbuckling battle scenes. This beautiful Italian poster had small tears and a chip in the left border, fold wear with small chips, pinholes in the borders, cross fold separations, and tape lifts in the upper folds. Many of these issues have been addressed by older restoration. The stunning artwork is by artist Alfredo Capitani, and would be a real gem for any fan of the high seas. Fine+ on Linen.
Treasure Island (MGM, 1934). Lobby Cards (4) (11" X 14"). Wallace Beery stars as Long John Silver and Jackie Cooper as Jim Hawkins, in Robert Louis Stevenson's tale of pirates and buried treasure. You really have to see these gorgeous cards to believe how wonderful and luminescent they really are! All of the cards are in wonderful condition without a single pinhole between them. There is just a small amount of staining in the borders for a couple of them, but this is hardly noticeable. Other than some slight warping due to the way they were stored, these are as clean as we have ever seen cards from this film. Very Fine+.
Goldwyn Promotional Poster (Goldwyn, late 1920s). One Sheet (27" X 41") "It's Goldwyn Week." Samuel Gelbfisz legally changed his name to Goldwyn after he partnered with Edgar and Archibald Selwyn in creating their Goldwyn Pictures Corporation. When Goldwyn was forced out prior to the studio merging into MGM, he then went on to form his own company, Samuel Goldwyn Studio. During the twenties when this striking poster was created, his studio produced such greats as Stella Dallas, Bulldog Drummond and Raffles. This one sheet had tears at the folds, edge wear, small chips in the left and right borders and small paper loss at the top and bottom horizontal fold. Older restoration has addressed many of these issues. This rare poster is a magnificent piece of Hollywood studio history! Fine+ on Linen.
In Old Kentucky (First National, 1919). One Sheet (27" X 41"). Anita Stewart, Louis B. Mayer's biggest star at the time, plays mountain gal Madge Brierly, who saves the life of flatlander Frank Layson (Mahlon Hamilton). Madge falls in love with Layson, rescuing him from the clutches of a predatory female and ultimately helping him win an important horse race. Stewart is front and center on this colorful stone litho one sheet. The poster had staining in the title area, fold wear, small holes in the body of the poster and a chunk missing near the horse's eyes, plus a chip out of the right border, all of which has been addressed with professional restoration; the line has also been trimmed to the border. Fine on Linen.
Through the Back Door (United Artists, 1921). Window Card (14" X 22"). In turn-of-the-century Belgium, a young widow (Gertrude Astor) remarries to a wealthy American, and is forced to leave her young daughter Jeanne (Mary Pickford) behind with the child's nurse (Helen Raymond). The mother returns several years later but the nurse, not wanting to give up custody, tells her Jeanne is dead. However, when Belgium is invaded in 1914, the nurse fears for the child's safety and sends the now-teenaged girl to America to reunite with her mother. A well-mounted production, one of only two films to be co-directed by her brother Jack, this features many of the elements that Pickford often used in her films. The card is in beautiful condition, and would grade much higher except for the fact that the top imprint area was trimmed and has been replaced. It remains a superb piece, and a great collectible from this Hollywood pioneer. Fine+ on Cardstock.
Kiki (First National, 1926). Jumbo Lobby Card (14" X 17"). Norma Talmadge stars in the title role in this first filmed version of Andre Picard's stage success. A saucy Parisian dancer, Kiki begins keeping time with a theatrical manager (played by Ronald Colman). Her rival for Colman's affections is icy "legitimate" actress Paulette (Gertrude Astor), but Kiki is willing to go to any lengths to claim her man. Kiki was remade in 1931, with Mary Pickford cast in the lead. There is a crease on the left side of the card, three corner bends, a small crease on the top border and one on the right side. Fine/Very Fine.
Pleasures of the Rich (Tiffany, 1926). One Sheet (27" X 41"). Marcin Asher plays newly-wealthy Henry "Pushcart" Wilson, who falls for the beautiful but treacherous divorcee Mona Vincent (Hedda Hopper). Meanwhile, Henry's daughter Mary (Helene Chadwick) gets stuck on handsome socialite Frank Clayton (Jack Mulhall), whom the predatory Mona would like to make time with. Mona takes Mary aside and promises to dump Henry if Mary will do the same with Frank. Whew! This convoluted silent soap is rarely screened today, but the stone litho one sheet is more than gorgeous, with deep, rich colors and appealing artwork. The poster is in superb condition with a bit of fold wear being the only real issue; this has been smoothed over with professional restoration, and the piece looks as good as new. Very Fine+ on Linen.
Untamed (MGM, 1929). Lobby Card (11" X 14"). Joan Crawford's first sound picture starred her as the scion of a rich oilman, raised in South America, who inherits the company, is sent to new York to be civilized, and falls for a less well-to-do young man -- whom she shoots. A gorgeous card with only a small stain on the left border. Very Fine.
His Jazz Bride Lot (Warner Brothers, 1926). Lobby Cards (2) (11" X 14"). Offered in this lot are two spectacular lobby cards from Warner Brothers dealing with the lifestyles of the late 1920s Jazz Age! The first lobby is a lovely card depicting Marie Prevost in her starring role as the "Jazz Bride." The other card is a beautiful card depicting a pivotal scene from the film The College Widow (Warner Brothers, 1927). The film stars Dolores Costello, who as Jane Witherspoon, uses her feminine wiles to lure several top athletes to the campus, to comprise a decent football team. Both cards offer fabulous deco border art and both are hand colored. These cards are what many collectors feel was the Golden Age of lobby cards! Very Fine.
Someone to Love (Paramount, 1928). One Sheet (27" X 41") Style A. Charles "Buddy" Rogers and Mary Brian are the leads in this silent romance. This beautiful early Paramount full-bleed stone litho poster features a sensual portrait of the couple against a dark background, accentuating the vibrant color palette. There were chips out at the folds and other minor paper loss, along with crossfold separation, creasing from misfolding, pinholes at the corners, and an extra crease in the top center. Professional restoration has diminished any defects and the poster now displays beautifully. A terrific poster for an extremely rare film. Fine on Linen.
Our Modern Maidens (MGM, 1929). Swedish One Sheet (27.5" X 39.5"). This was MGM's follow-up to Our Dancing Daughters, and would be Joan Crawford's last silent film, starring with her real-life husband at the time, Douglas Fairbanks Jr. The poster has terrific art by top Swedish artist Rohman that captures the era completely. It had only minor fold wear, and small edge tears, both of which have been rendered virtually invisible by professional restoration. This is one of the most beautiful Swedish one sheets we have seen from this period, and will certainly make a valuable addition to any collection. Very Fine+ on Linen.
Modern Age (1980-Present)
Manhattan Cocktail (Paramount, 1928). Lobby Card (11" X 14"). Richard Arlen, Danny O'Shea and Nancy Carroll star as three college pals with dreams of taking their thespian talents to Broadway. Their dreams are crushed, however, when they cross paths with a hard-nosed producer played by Paul Lukas. This otherwise silent film featured two musical numbers which showcased the singing talents of Carroll. Aside from a hard crease in the bottom right corner, this card is in exceptional condition with vibrant color and clean borders. Very Fine.
Movie Posters
The Bachelor Girl (Columbia, 1929). Lobby Card (11" X 14"). One of the earliest talkies, this light romantic film stars William Collier Jr., as Jimmy, a struggling salesman who lands a job with the help of girlfriend Joyce, played by Jacqueline Logan. Beautiful Thelma Todd arrives to complicate matters. Todd was becoming quite popular at this time and soon would star with the Marx Brothers in Monkey Business and Horse Feathers. Her successful career was cut short in 1935, with her mysterious death, which was hurriedly investigated and ruled a suicide. This colorful card is in wonderful condition with only a faint corner bend and edge wear at the right border. Bubbly Todd and Collier in their fashionable 1920s era swimsuits would make any collector smile. Very Fine+.
On Your Back (Fox, 1930). Window Card (14" X 22"). In this early talking drama, Irene Rich plays a lowly seamstress who rises to become the head of a fashionable boutique, which is actually a front for a high class bordello. Her plans for a life of comfort and respectability are thrown into disarray when her son Harvey (Raymond Hackett) announces his intentions to marry a chorus girl. The lovely window card offered here, with its classic Art Deco stylings, had a punch between the "B" and "A" of "Back," and a small hole in the bottom left, but professional restoration has returned this card to a like-new appearance, making it eminently attractive and displayable. Very Fine- on Cardstock.
Skyline (Fox, 1931). Lobby Card (11" X 14"). The wonderful dramatic actor Thomas Meighan stars as James McClellan, a Manhattan architect who guides the career of his illegitimate son, John Breen (Hardie Albright), while trying to keep him away from his charming mistress, Paula (Myrna Loy). A very young Maureen O'Sullivan also stars as the girl who ultimately wins John's heart. In great condition, this card has some foxing and a dust shadow in the top border and foxing in the bottom right corner. This sophisticated image features Hardie Albright and a blonde Myrna Loy. Very Fine-.
Leftover Ladies (Tiffany, 1931). One Sheet (27" X 41"). Claudia Dell, Dorothy Revier, Walter Byron and Alan Mowbray star as couples who change partners after divorce. As usual, Marjorie Rambeau steals the movie from under the noses of the rest of the cast. Based on a book by Ursula Parrott, who specialized in women's stories. The poster had pinholes in the border corners and a small chip in the top border. There were two small holes in the top left corner and a couple of small tears in the right border. The poster has been mounted on linen and professionally restored, leaving it with a like-new appearance. It features gorgeous stone litho, pre-Code artwork and colors that range from sharp and crisp to soft and subtle. Fine/Very Fine on Linen.
Rasputin and the Empress (MGM, 1932). Window Card (14" X 18"). John, Ethel, and Lionel! Rasputin and the Empress was the only film in which the famous Barrymore siblings all appeared together (although Lionel and Ethel play lovers), and it was also the subject of multiple lawsuits against MGM by disgruntled European royalty. The film itself is a boisterous if historically inaccurate narrative about the mysterious Rasputin being called in to attend to the sickly young Prince Alexis, and eventually exerting control over the entire royal family. Four inches have been trimmed off the top of this excellent window card, and there is light edge wear and a stain in the top left corner, but overall the piece has a very sharp appearance, and superb clarity. It's historic and historical, and would make a fine addition to any collection. Fine+.
One Man's Journey (RKO, 1933). Mini Window Card (8" X 14"). Lionel Barrymore stars in a film just turned up by TCM about a country doctor who could have anything in life but gives it up to serve others. This is a beautiful card with almost no wear whatsoever. Very Fine/Near Mint.
Once to Every Woman (Columbia, 1934). Mini Window Card (8" X 14"). A gripping medical drama in which maverick surgeon Dr. Barclay (Ralph Bellamy) vies with hospital head Dr. Selby (Walter Connolly) over medical practices, and with fellow physician Dr. Preston (Walter Byron) for the attentions of pretty Nurse Farnshawe (Fay Wray). Everything comes down, in the end, to a tension-packed experimental brain operation. Bellamy and Wray are stunning on this lovely midget window card, which shows pinholes in the image area, a very light pencil notation in the bottom border, a very slight discoloration in the bottom left, and a top left corner bend. Aside from these almost unnoticeable flaws, this is a beautiful piece that will enhance any collection. Very Fine.
The House on 56th Street (Warner Brothers, 1933). Mini Window Card (8" X 14"). Kay Francis and Ricardo Cortez star in this drama about a family scarred by tragedy, death, and deceit. The card has a dust shadow on the top border, corner creases, and some faint foxing to the top corners. Very Fine.
Mary Stevens, M.D. (Warner Brothers, 1933). Mini Window Card (8" X 14"). Although the plot seems tame by today's standards, it was a shocker when released. Kay Francis and Lyle Talbot star as two doctors who set up practice together. He marries a socialite and neglects his practice, while she becomes a famous physician. An affair leads to a child born out of wedlock, and an encounter with a sick baby who proves to have polio, endangering everyone. This card has only the most minor wear to the top edge of the card. Very Fine/Near Mint.
What Price Innocence? (Columbia, 1933). Mini Window Card (8" X 14"). Canadian-born Willard Mack was a theatrical triple threat: actor, director, and playwright,. Mack grew wealthy from royalties accrued by such plays asThe Dove, Tiger Rose, A Free Soul and Kick In, most of which were eventually filmed, sometimes more than once. This directorial and acting effort was well received when released, but he would die the following year. Betty Grable has an early featured role in this film. Other than a faintly penciled number in the lower border the card is near mint. Very Fine/Near Mint.
Shadows of Sing Sing (Columbia, 1933). Mini Window Card (8" X 14"). Mary Brian was leading lady material beginning with her first film role as Wendy in the first screen version of Peter Pan with Betty Bronson in the title role. She would continue up through the late 1930s starring in some of the best films of the silent/sound transition. Columbia Studios like many in the day, were trying to capture some of the audience that was flocking to the Warner Brothers hits such as Public Enemy and Little Caesar. This card is in exceptional condition. Very Fine.
East of 5th Avenue (Columbia, 1933). Mini Window Card (8" X 14"). Billed as the "Grand Hotel of a New York boarding house", the drama stars Wallace Ford, Dorothy Tree and Mary Carlisle. The card has minor dust shadowing on the left and right borders. There is a faint number written in pencil in the lower border. Very Fine+.
Master of Men (Columbia, 1933). Mini Window Card (8" X 14"). In 1933, the same year that she made King Kong, Fay Wray co-starred in this film as the neglected wife of a rich industrialist. When he works even harder to increase the business, she sabotages a deal he has made, just in time for the stock market crash! This card has a single pinhole in the blank imprint area and very minor silverfish nibbling on the left edge. The card looks mint! Very Fine/Near Mint.
Captured! (Warner Brothers, 1933). Mini Window Card (8" X 14"). Though usually not considered to be on par with The Grand Illusion or Stalag 17, this POW movie nevertheless boasts some fine talent. Paul Lukas, Leslie Howard, and Douglas Fairbanks Jr. star as POWs held captive by the Germans. The situation is complicated by the fact that Fairbanks and Howard's wife have recently fallen in love. The card has a stain on bottom left corner. Very Fine.
The World Changes (Warner Brothers, 1933). Mini Window Card (8" X 14"). The World Changes is a 1933 drama starring Paul Muni as an ambitious farm boy who becomes rich, but does not handle success well. Aline MacMahon and Mary Astor play his mother and wife respectively. This film was made right after Muni's fine performance in I Am a Fugitive From a Chain Gang and before his Oscar-winning role in The Story of Louis Pasteur. This card is as near mint as could possibly be imagined for a poster 75 years old! The only detriment would be a tiny dent in the lower border. Near Mint.
My Woman (Columbia, 1933). Mini Window Card (8" X 14"). This is a small pre-Code drama made at the midpoint in Helen Twelvetrees' career. As the decade wore on she became more temperamental and difficult until her career came to screeching halt in 1938. She died of a drug overdose in 1958 at the age of 49. This is a lovely midget window card with a great illustration of its star, Twelvetrees, in the arms of Victor Jory. The card has a dust shadow on the left and bottom border. There is a number faintly written in pencil in the bottom border. Very Fine.
Beloved (Universal, 1934). Mini Window Card (8" X 14"). In this dramatic musical romance, John Boles stars as an Austrian composer in the 1800s who comes to America when war breaks out in his country. He meets and marries Gloria Stuart, and the rest of the film depicts the trials and tribulations he goes through in this country as he struggles to be recognized as a composer. There are pinholes in the top center, light edge wear, minor corner bumps and a scratch on the top border. Very Fine-.
Bedside (First National, 1934). Mini Window Card (8" X 14"). Warren William was a natural for the talking film with his deep and mellifluous speaking voice and he rose to fame in such classics as Lady for a Day, Gold Diggers of 1933 and Imitation of Life. In this film he is cast as a fraudulent doctor who earned his diploma by providing drugs to a "dope fiend" doctor. This lovely card with portraits of its stars is in excellent condition. There is minor silverfish nibbling on the upper left edge. There is a tiny corner bend in the lower right. Very Fine.
Man of Two Worlds (RKO, 1934). Mini Window Card (8" X 14"). Francis Lederer was brought to Hollywood and was being groomed for stardom by Irving Thalberg. He had become a big name in his native Germany and co-starred in the legendary film Pandora's Box, starring Louis Brooks. Thalberg's untimely death ended Lederer's attempt at leading man roles. This was an early role in which he plays an Eskimo who falls in love with a photograph of an English girl whom he meets when fate brings him to London. The card has three tiny pinholes in the blank upper imprint area. This card has a wonderful motif depicting several faces of Lederer in several colors. Very Fine+.
All of Me (Paramount, 1934). Mini Window Card (8" X 14"). This compelling gangster film tells the story of schoolteacher Don Ellis (Fredric March) who wants to quit his day job and move out West with one of his students, the wealthy Lydia Darrow (Miriam Hopkins), to tackle a big dam project. As they discuss their plans in a nightclub, they meet a mobster (George Raft) and his girlfriend (Helen Mack), whose acquaintance turns the young couple's life upside down, culminating in a hail of bullets and bloodshed. This great card has turned tan with age and has some dust shadows in the lower right and left corners as well as within the upper imprint area. Fine+.
As the Earth Turns (Warner Brothers, 1934). Mini Window Card (8" X 14"). In the romantic drama, Jean Muir stars with Donald Woods as two people who fall in love. Unfortunately, their families are struggling with prejudice and distrust of each other. There is a dust shadow on the top imprint area and light edge wear on the right border. Very Fine-.
Miss Fane's Baby Is Stolen (Paramount, 1934). Mini Window Card (8" X 14"). Alice Brady saves the day in this tale of child kidnapping, which was released just two years after the infamous Lindbergh kidnapping. German actress Dorothea Wieck plays Miss Fane, a star, whose son Baby LeRoy is stolen and disguised as an African-American baby. Brady discovers the kidnappers and comes to the child's rescue resulting in a happy ending, which unfortunately wasn't the case for the Lindbergh baby. William Frawley and Alan Hale also star. This midget card has a pinhole and a light smudge in the top center, and a stain in the bottom left corner. This unique card features a dramatic story literally ripped from the day's headlines. Very Fine-.
Dark Hazard (First National, 1934). Mini Window Card (8" X 14"). Edward G. Robinson stars as a compulsive gambler whose habit wrecks his marriage to Genevieve Tobin and eventually destroys his life. Great art for a seldom offered Robinson poster from the early 1930s. There is only a single pinhole in the top center to prevent this card from graded Mint. Very Fine/Near Mint.
8 Girls in a Boat (Paramount, 1934). Mini Window Card (8" X 14"). A pre-Code remake of a 1932 German movie about a girl (Dorothy Wilson) impregnated by a medical student (Douglass Montgomery). Contemplating suicide, her seven best girl friends agree to adopt the baby. Daring content at the time, made even more titillating by the skimpy costumes. The card has wear to the bottom edge and a stain on the bottom border. Very Fine.
San Francisco (MGM, 1936). Mini Window Card (8" X 14"). When Mary Black (Jeanette MacDonald), an attractive young singer, arrives in San Francisco, she catches the eye of both local political boss and saloon/gambling hall owner Blackie Norton (Clark Gable) and opera house magnate Jack Burley (Jack Holt), both of whom desire her personally and professionally. Stirred into the mix is the disapproving Father Tim Mullin (Spencer Tracy), Blackie's unlikely best friend, who wants what's best for the poor girl. Fortunately, the Great San Francisco Earthquake of 1906 intervenes, and resolves everything in a dazzling display of special effects technology. This was one of MGM's biggest hits, and remained in almost constant reissue for the next thirty years. Offered here is a lovely original midget window card. The top imprint area has been replaced, and there is some light foxing in the bottom border, but after professional restoration, this highly desirable card looks virtually as good as new! Fine+.
Cross Country Cruise (Universal, 1934). One Sheet (27" X 41"). Magnificent graphics highlight this gorgeous stone litho one sheet. Lew Ayres stars in this off-beat crime drama about a husband who murders his wife and flees across the country in a Greyhound bus pursued by a determined police officer. This poster has a chip on the bottom border and crossfold wear with creases on the fold lines. It has been mounted on paper and some touch-up work has been done, leaving the poster with a very nice appearance. Very Fine on Paper.
Way Back Home (RKO, 1931). Lobby Card (11" X 14"). Made in the first year of Bette Davis' film career, this homespun classic is based on stories by national radio personality Phillips Lord. He was an instant hit with his famous character Seth Parker, a rural preacher with old time New England humor who helps out his neighbors in need. Lord eventually published two books and even released gospel records. This bright card has a pinhole and a corner bend in the bottom left, light staining in the borders and on Davis' face. This is a lovely image of 23-year old Davis, and is a must-have for her fans. Fine/Very Fine.
Bette Davis in "Dark Victory" (Warner Brothers, 1939). Publicity Still (7.5" X 9.5"). Vintage black and white, double weight, glossy still. Unconventional beauty and an unwavering commitment to her craft made Bette Davis one of the greatest stars of all time. This publicity still from Dark Victory has a slight trim at the edges along with minor edge wear. On the reverse, there is writing in pencil and adhesive residue. Fine.
Dangerous (Warner Brothers, 1935). Lobby Card (11" X 14"). In an Oscar-winning performance, Bette Davis is captivating as former star Joyce Heath, now a penniless alcoholic bent on self-destruction. Taking a chance on her rehabilitation, wealthy architect Don Bellows (Franchot Tone) pulls strings to get Heath back on the stage, but Heath seems set on bringing down herself and everyone around her, leading to a tragic conclusion. This beautiful lobby card, featuring both Davis and Tone, shows pinholes in the corners as well as in the top and bottom borders, very light edge creasing in the top and bottom left corners, and a light scuff in the lower right, but these slight flaws do nothing to detract from the exceptional beauty of this classic treasure. Do yourself a favor, and bid on this gem today! Very Fine.
That Certain Woman (Warner Brothers, 1937). Other Company Three Sheet (41" X 81"). Featuring two of the biggest stars of the 1930s - Henry Fonda and Bette Davis - this is a tearjerker about a woman, Mary Donnell (Davis), whose life goes from one bad choice to another, leading to tragedy after tragedy. Davis was a major star by this time, having won the Best Actress Oscar for Dangerous several years earlier. This excellent three sheet had fold wear, crossfold separations with paper loss, tears in the title area, paper loss on the reverse, and a piece missing in the right border, but after professional restoration to address these minor flaws, the poster looks virtually as good as new. Very Good on Linen.
The Sisters (Warner Brothers, 1938). Title Lobby Card (11" X 14"). A relatively early film in the careers of both Errol Flynn and Bette Davis, this emotional tearjerker is the story of three sisters, Louise, Grace, and Helen Elliot (Davis, Jane Bryan, and Anita Louise respectively) who marry, for better or for worse. Louise marries dissolute newspaperman Frank Medlin (Flynn), who eventually decides that his wife is better off without him, resolutely boarding a slow boat to China. After the Great San Francisco Earthquake of 1906 (depicted through stock footage from Old San Francisco (1927)) - and Louise's unfortunate miscarriage. Medlin returns to reunite with his shattered bride. This lovely linen finish title card has been cleaned and pressed. It had pinholes in the top and bottom borders, and small stains in the right border and the bottom right corner. The card presents wonderfully after professional restoration, and will certainly enhance any collection. Very Fine.
Rembrandt (United Artists, 1936). Lobby Cards (3) (11" X 14"). Offered here are three gorgeous lobby cards in incredibly beautiful condition for Alexander Korda's British film Rembrandt. Charles Laughton stars as the famed Dutch painter with his real-life wife Elsa Lanchester in a supporting role. Cinematographer Georges Perinal was responsible for the exquisite lighting effects. Near Mint+.
Next Time We Love (Universal, 1936). Window Card (14" X 22"). An emotional tearjerker, this film is particularly notable as James Stewart's fourth movie, right after Rose-Marie (1936). It also features established actor Ray Milland in a supporting role, with Margaret Sullivan taking the lead. The lovely window card offered here had edge wear, a horizontal crease, and light surface wear, but professional restoration has rendered these slight flaws all but invisible. A beautiful piece that presents very nicely, this will be a proud addition to any collection. Fine/Very Fine on Paper.
Green Light (Warner Brothers, 1937). Mini Window Card (8" X 14"). Errol Flynn and Anita Louise star in this melodrama that was a far cry from Flynn's usual turn in a swashbuckler or other action flick from Michael Curtiz. In it, Flynn portrays a surgeon who takes the noble course when a mentor botches an operation. One inch of the top border has been replaced, there is staining on the left side and the bottom right corner has been replaced. From the Collection of Denver Sherry. Fine-.
Marie Antoinette (MGM, 1938). Swedish One Sheet (27.5" X 39.5"). Norma Shearer, the First Lady of Hollywood, was cast in this historical epic as the tragic Marie Antoinette. The film followed her life from childhood until her guillotine execution. Shearer's final moments onscreen are among the best of her career. Tyrone Power is the love interest. There is a stain on the bottom border, a piece out of the right border and a tear in the right border. Rolled, Fine/Very Fine.
Blockade (United Artists, 1938). One Sheet (27" X 41"). Nominated for two Academy Awards, this magnificent tale of the struggles of the common man during the Spanish Civil War stars a young Henry Fonda. William Dieterle directs Fonda and the lovely Madeleine Carroll in this epic which was released a year before he did The Hunchback of Notre Dame and Juarez. Prior to professional restoration, this one sheet had pinholes in the corners, fold wear, pinpoint crossfold separations, and small tears in the corners. There are a few smudges at the top. With the stunning portraits of Fonda and Carroll, this image is a truly eye appealing gem. Very Fine- on Linen.
The Lady in Question (Columbia, 1940). Insert (14" X 36"). Rita Hayworth and Glenn Ford teamed up for the first time in this dramatic film. Hayworth plays a woman recently acquitted of murder, who comes to stay in Brian Aherne's home and falls in love with his son (Ford). Three wonderful images of screen goddess Hayworth adorn this lovely poster. There are pinholes in the borders, extra horizontal creases, fold wear and light edge wear. Fine/Very Fine.
H.M. Pulham, Esq. (MGM, 1941). One Sheet (27" X 41") Style D. Conservative Boston businessman Robert Young has a predictable, ordered life with his conservative Boston blue-blood wife, Ruth Hussey. His world is shaken up, however, when a class reunion reminds him of Hedy Lamarr, the girl who got away twenty years before. This one sheet has pinholes in the corners and borders, small tears and a chip on the folds, and tape scuffs on the upper fold and field. Excellent restoration has addressed all these flaws, leaving the poster with a very clean appearance. Fine+ on Linen.
Baby Face (Warner Brothers, 1933). French Lobby Card (11" X 14"). Barbara Stanwyck, as the social-climbing Liliane, sleeps her way to the top of the social and corporate world. In this scene she has finally achieved the success she craved by capturing the heart of George Brent. Original cards on this title are extremely scarce making this item from France a prized collectible for any Stanwyck fan. The card has corner chips and wear but the interior scene is quite clean. Very Good+.
Lady of Burlesque (United Artists, 1943). One Sheet (27" X 41"). Taken from a novel by famous stripper Gypsy Rose Lee (in which she was one of the main characters), this musical mystery gives us a backstage look at burlesque, as well as two murders to solve. Barbara Stanwyck is Dixie Daisy, lead dancer in the show and the prime suspect in the killings of two fellow performers. This one sheet has fold wear with cross fold separations, and chips in the top, bottom and left corners, and top and bottom left corners. Expert restoration has left the poster with a brand new appearance. Fine/Very Fine on Linen.
Barbara Stanwyck Publicity Stills by Scotty Welbourne (Warner Brothers, 1930s). Stills (2) (8" X 10"). Vintage black and white, single weight, glossy stills. The timeless beauty of Barbara Stanwyck has never been more visible than in these studio shots by photographer Scotty Welbourne. There is faint wear along the edges and corners and credit stamps on the reverse. Very Fine+.
Boom Town (MGM, 1940). One Sheet (27" X 41") Style C. Romantic entanglements among oil wildcatters is the subject of this star-studded film. Clark Gable and Spencer Tracy are rowdy oil men who are suddenly at odds when Gable falls for Tracy's girlfriend, played by Claudette Colbert. Eventually, a flip of a coin ends their friendship, and later on Hedy Lamarr enters the picture to complicate things even further. This spiffy one sheet poster has lovely portraits of the stars, and bold graphics. The poster had pinholes in the corners, missing top right corner, chips in all borders, and fold wear with crossfold separations, which has been smoothed over with professional restoration. Fine+ on Linen.
The Flame of New Orleans (Universal, 1941). Half Sheet (22" X 28"). This romantic comedy features Marlene Dietrich as a sexy woman of the world engaged to one man, but dallying with another. The brainchild of director Rene Clair and screenwriter Norman Krasna, the film was conceived to lampoon Dietrich's screen image of a dangerous femme fatale, a parody that Dietrich herself embraced wholeheartedly. Prior to restoration, there were pinholes in the borders, a small tear in the right border, and a corner bend on the bottom right. Very Fine- on Paper.
Heaven Can Wait (20th Century Fox, 1943). One Sheet (27" X 41"). After a life of profligate living, Henry van Cleave (Don Ameche) shuffles off this mortal coil and finds himself trying to convince Satan (Laird Cregar) to let him into Hell. As he recounts the story of his wayward life, the film documents his many indiscretions, especially those involving his long-suffering wife, Martha (Gene Tierney). A charming comedy directed by Ernst Lubitsch, this was, reportedly. Ameche's personal favorite of all his films. The lovely one sheet offered here had fold and crossfold separation, pinholes in the corners, tape lifts in the image area, and edge chipping in the left border, but these minor flaws have all been expertly addressed by professional restoration, resulting in a clean and attractive poster that will certainly enhance any collection. Don't wait to bid. Very Good/Fine on Linen.
The Fountainhead (Warner Brothers, 1949). Insert (14" X 36"). Adapted by Ayn Rand from her landmark novel, this film version boasts superb performances by Gary Cooper and Patricia Neal, as well as presenting the author's Objectivist viewpoints. Rand was unhappy that director King Vidor tried to alter some of her dialogue, and in fact never wrote another feature screenplay again. The poster had paper loss in the word "Patricia," and a crease in the top right corner, but the main issue is that the borders have all been replaced. Otherwise, the field area is quite good, with terrific color and clarity. Good/Very Good on Paper.
Gary Cooper and Patricia Neal in "The Fountainhead" (Warner Brothers, 1949). Publicity Still (8" X 10"). Vintage, black and white, glossy still. Gary Cooper stars as an uncompromising, driven architect while Neal is his spurned love interest, abandoned when he chooses his career over love. this still has a light dust shadow in the left border and light creasing in the corners. Very Fine.
Patricia Neal by Bert Six (Warner Brothers, 1950s). Studio Portrait (8" X 10"). Vintage, black and white, single weight, glossy still. This gorgeous image of Neal was taken in the early 1950s around the time of her appearance in Bright Leaf. There are creases in the borders and image along with light abrasions and cracks in the field. The reverse has a credit stamp and writing in pencil. Fine/Very Fine.
Joan of Arc (RKO, 1948). One Sheet (27" X 41") Style A. Director Victor Fleming's last film, this was Ingrid Bergman's personal project that she had been trying to produce for years. However, once the film was released, her affair with Roberto Rossellini became known to the public and caused the film to flop. Co-starring Jose Ferrer, Francis L. Sullivan and J. Carrol Naish, the film told the life of the peasant girl Joan who rose to lead the French army in repelling the English, but was later burned at the stake as a heretic. The poster is folded and has minor stress marks within the folds. Very Fine/Near Mint.
The Robe (20th Century Fox, 1953). One Sheet (27" X 41"). In this moving Biblical epic, Richard Burton plays Marcellus, a tribune assigned by Pontius Pilate (Richard Boone) to oversee the crucifixion of Jesus (Donald C. Klune). After winning Christ's robe in a game of dice, Marcellus begins to experience strange dreams and visions, an experience that changes his life. The first film released in Cinemascope, it was an enormous success upon its release, earning two Academy Awards and three additional nominations. This stunning one sheet has a small tear in the top vertical fold and some light discoloration at the fold lines, but is otherwise extremely clean and attractive. Very Fine.
Maureen O'Hara Personality Poster (20th Century Fox, 1940s). French Poster (29.75" X 45.5"). Brought to Hollywood by Charles Laughton, Maureen O'Hara started at the top with Jamaica Inn and The Hunchback of Notre Dame. She is best remembered for her films with John Wayne, giving back every inch that the Duke dished out! O'Hara semi-retired from films in 1973, becoming the first woman president of an American airline, Antilles Airboats. This French personality poster has light fold wear. The linen has been trimmed to the edge of the poster. Excellent restoration has left the poster looking brand new. Gorgeous artwork by French artist Jacques Bonneau. Very Fine+ on Linen.
The Bad and the Beautiful (MGM, 1953). One Sheet (27" X 41"). A biting and incisive look at the inner workings of Hollywood, this daring picture, directed by Vincente Minnelli, is the story of reprehensible studio executive Jonathan Shields (Kirk Douglas) - loosely based on David O. Selznick - who seeks the help of a top actress (Lana Turner), a brilliant director (Barry Sullivan), and a gifted screenwriter (Dick Powell) to produce a hit that will save his failing studio. Unfortunately, each of the three artists have their own reason to hate Shields! An engaging film, it won five Oscars and holds the record for most awards ever received for a movie not nominated for Best Picture. This glorious one sheet had pinholes in the corners and borders, edge chipping in the right border, small holes in the right center and bottom right, a small hole in the "L" of "Lana," a chip in the top right corner, and another in the top border. After professional restoration, these small flaws have been rendered virtually invisible, giving the poster a fresh, clean appearance. Fine/Very Fine on Linen.
Sabrina (Paramount, 1954). Italian Photobusta.(18.5" x 27") In spite of a difficult shoot, stars Humphrey Bogart, William Holden and Audrey Hepburn and director Billy Wilder create a light, magical romantic comedy that was one of the biggest hits of 1954. This Italian photobusta has pinholes in the field, fold separations, and two tears in the left border. There is a date stamp on the lower border. Gorgeous color on the nice shot of the three stars. Folded, Fine/Very Fine.
Sabrina (Paramount, R-1962). Italian Photobusta (18.5" X 27"). This reissue Italian photobusta features a beautiful shot of Humphrey Bogart and Audrey Hepburn kissing, with a nice image of William Holden below. The poster has a horizontal fold in the middle with light wrinkling, a few light creases, very light edge wear, and a corner crease. Very Fine.
Baby Doll (Warner Brothers, 1956). One Sheet (27" X 41"). Based on Tennessee Williams's controversial play,"27 Wagons Full of Cotton," this is the story of "Baby Doll" Meighan (Carroll Baker), a 19-year old virgin who refuses to sleep with her husband Archie (Karl Malden) until she's 20. But when Archie burns down the cotton gin of rival Silva Vacarro (Eli Wallach, in his film debut), the Sicilian takes a unique form of revenge involving Archie's child bride. Upon its release, the movie was condemned by the Legion of Decency for "carnal suggestiveness," and by "Time Magazine" who called it, "just possibly the dirtiest American-made motion picture that has ever been legally exhibited." Today, it's seen as a true classic, and one of director Elia Kazan's greatest works, with electrifying performances by everyone in the cast, with an Oscar nomination for Baker. The poster offered here shows some light fold wear, slight bleed-through from the studio stamp on the reverse, light edge wear, and a few small holes in the bottom right image area, but is otherwise clean and attractive. Very Fine.
Gentleman's Agreement (20th Century Fox, 1947). Insert (14" X 36"). A thoughtful treatise on anti-Semitism in the post-war period, Gentleman's Agreement features Gregory Peck as a recently widowed journalist who poses as a Jew in order to research an article on racism. He is shocked by the amount of bigotry he encounters, including the insidious "gentleman's agreement" by which anti-Semetic comments are taken for granted. Dorothy McGuire plays his new love interest, and John Garfield, in a terrific performance, plays Peck's Jewish buddy. This exceptional insert features handsome images of the three stars, and is in excellent condition. Edge wear with some small tears, smudging in the right border, and corner bumps are the only minor condition issues. The card has great color and presents beautifully. Very Fine.
The Man With the Golden Arm (United Artists, 1955). Half Sheet (22" X 28") Style A. As compared to its Style B counterpart, this Style A half sheet for the Frank Sinatra drug drama more prominently features the Saul Bass artwork. This restored poster had pinholes in the corners, a vertical center fold and smudging and wrinkling in the borders and field. Many of these issues have been addressed through an older restoration. Fine/Very Fine on Linen.
The Man With the Golden Arm (United Artists, 1955). Half Sheet (22" X 28") Style B. Frank Sinatra was nominated for an Academy Award for his portrayal of Frankie Machine, the ex-con who struggles to stay clean once he is released from prison. His wife Zosch, played by Eleanor Parker, manipulates him into continuing with his lucrative gambling ways rather than pursuing his dream of being a jazz musician. Sultry Kim Novak attempts to save Frankie from himself. There are smudges in the borders, two small abrasions in the credits and staple holes in the image and borders. The striking artwork by Saul Bass and great images of the these top stars make this a must have. Folded, Fine/Very Fine.
On the Waterfront (Columbia, R-1950s). British Quad (30" X 40"). Marlon Brando turned in a tour de force performance in this tale of a failed boxer who won't rat on the mob. On the Waterfront earned the young thespian his first Oscar. One of the most important films of the 1950s, Waterfront took home eight Oscars in all, including Best Picture. This British quad has edge wear with several small tears but is in extraordinarily nice condition overall. Very Fine-.
Desiree (20th Century Fox, 1954). German A1 (24" X 34"). In this gripping film, the story of Napoleon Bonaparte (Marlon Brando) is told through the eyes of Desiree Clary (Jean Simmons), a young woman infatuated with the Great Emperor with whom she eventually has a brief affair. While both end up marrying other people, their paths do cross again, under very different circumstances. Offered here is a beautiful German poster for this fine film, with art by Degen. Only some very light edge wear keeps it from receiving an even higher grade. Very Fine/Near Mint.
Sayonara (Warner Brothers, 1957). German A0 (33.5" X 48"). Based on a novel by James Michener and set during the Korean War, this is the story of by-the-book Air Force Major Lloyd Gruver (Marlon Brando), a staunch advocate of the policy prohibiting marriages between American servicemen and Japanese women. That is, until he falls in love with the beautiful Hana-ogi (Miiko Taka) and must now choose between his duty and his desires. A powerful film, it won four Oscars, including Best Supporting Actor (Red Buttons) and Best Supporting Actress (Miyoshi Umeki). This fabulous poster is in beautiful condition, with only some light edge wear keeping it from an even higher grade. Though the American posters for this title were very boring, this poster is just superb! Near Mint-.
Cat on a Hot Tin Roof (MGM, 1958). British Quad (30" X 40"). Elizabeth Taylor is stunning as Maggie the Cat in this Pulitzer Prize-winning Tennessee Williams tale of the dysfunctional, southern Pollitt family. Sons Brick (Paul Newman), who would rather drink than deal with the world's mendacity, and Gooper (Jack Carson) cannot ever live up to the demands of Big Daddy, played by the wonderful Burl Ives. This poster had pinholes in the corners, light fold wear, a tear in the lower left corner, missing paper on the left center edge, and writing on the reverse that is coming through in some areas of the top center. Many of these issues have been addressed by older restoration. The British quad is rarely available, so this is definitely one poster not to be overlooked. Fine/Very Fine on Linen.
A Night to Remember (Rank, 1959). One Sheet (27" X 41"). Decades before James Cameron developed that sinking feeling, there was A Night to Remember, based on the book by Walter Lord, and still considered by many to be the best Titanic film ever. Kenneth Moore, Honor Blackman, and Ronald Allen are among the passengers and crew, and keep a sharp eye out for Sean Connery in a tiny role as a deckhand. This unforgettable poster has gorgeous artwork by John Floherty Jr., that puts the emphasis directly on the blonde woman being rescued from the unsinkable ship. This outstanding unrestored one sheet has fold wear with crossfold separations, plus some edge tears, but it retains amazing color and a very fresh appearance. No doubt about it, this is a poster to remember, so don't miss your chance to bid. Very Fine+.
Cool Hand Luke (Warner Brothers, 1967). Italian Poster (18" X 26.75"). As Luke Jackson, Paul Newman proves that while the prison system can break his back, they can never break his spirit. One of Newman's most memorable roles, he received an Oscar nomination for his work. This striking poster, unlike anything produced domestically, has never been folded. It had a corner bend in the bottom right, and shows a date punch in the upper left, but after professional restoration, this piece presents as clean and crisp as the day it was printed. Very Fine+ on Paper.
Boris Karloff in "The Ghoul" (Gaumont, 1933). Stills (2) (8" X 10"). Vintage black and white, single weight, glossy stills. Boris Karloff, as a professor of Egyptology, rises from the dead like an ancient Mummy to avenge the theft of an ancient jewel. Although the film was long considered lost, prints were eventually found in Europe. These two very rare stills, from Gaumont-British, depict Karloff as the recently risen dead Professor Morant strangling Ernest Thesiger and Dorothy Hyson. Very Fine.
Lon Chaney Jr. and Evelyn Ankers in "The Ghost of Frankenstein" (Universal, 1942). Still (8" X 10"). Vintage black and white, double weight, glossy still. Lon Chaney Jr., in his only appearance as Frankenstein's Monster, terrorizes Evelyn Ankers in this publicity still. The still shows minor signs of wear including a crease in the upper left corner and a tape stain in the upper right. Very Fine.
Lon Chaney Jr. in "The Ghost of Frankenstein" (Universal, 1942). Still (8" X 10"). Vintage black and white, double weight, glossy still. Lon Chaney Jr. stares into the burning flames of a laboratory as his only appearance as the Monster comes to a conclusion. Chaney was the only actor on the Universal roster to appear as every "major" horror monster - including Dracula, the Wolf Man and the Mummy. This still has a slight stain in the flames. Very Fine+.
Universal Studios Staff and Talent (Universal,1932). Publicity Still (11" X 14"). Vintage black and white, double weight, matte finish still. Universal Pictures executives, stars and personnel are included in this wonderful publicity shot that dates from approximately 1932. Included in the group are studio head, Carl Laemmle, director Karl Freund, director James Whale and actors Boris Karloff, Bela Lugosi, John Boles, Raymond Massey, Tom Mix, Mickey Rooney, Noah Beery Jr. and many others. The still has a chip off of the lower corners and several tears in the bottom and upper borders. Very Good/Fine.
Bela Lugosi Studio Portrait (Universal, 1931). Still (8" X 10"). Vintage black and white, single weight, glossy portrait still. This wonderful portrait of Bela Lugosi was taken sometime in the summer or fall of 1931 as the actor was awaiting word of his next project, Frankenstein. Lugosi quite elegantly displays the ring on his right hand in the shape of a bat- a memento of his greatest role in Dracula. There is a paper snipe on the verso describing his upcoming work on Frankenstein and discussing the ring. The still shows light creasing to the corners and some slight staining in the right side of the background. Fine-.
The Black Cat (Universal, 1934). Still (8" X 10"). Incest, murder, torture, devil worship and perverse psychological obsessions are layered throughout this film as Boris Karloff and Bela Lugosi play a game of chess to determine the fate of a young couple. Karloff and Lugosi were cast together for their first horror film in Edgar G. Ulmer's adaptation of Edgar Allan Poe's classic tale.This is a very nice original still from the film, picturing both of the horror stars and David Manners as well as Henry Armetta and Albert Conti as the police. The still has an irregular trim on the right side but is otherwise in excellent condition. Fine.
Lon Chaney in "The Phantom of the Opera" (Universal, 1925). Still (8" X 10"). Vintage black and white, single weight, glossy still. Lon Chaney appears in full make-up as Erik, The Phantom of the Opera in this still. Since the original advertising material distributed by Universal never revealed Chaney in full makeup, there is some question as to whether this still is from the 1925 release or the later release in 1929, but it is still an amazing image. The still shows very minor wear to the corners and a sticker on the verso. Very Fine.
Lana Turner, Spencer Tracy and Ingrid Bergman in "Dr. Jekyll and Mr. Hyde" (MGM, 1941). Clarence Sinclair Bull Stills (2) (8" X 10"). Vintage black and white, double weight, glossy stills. Offered in this lot are two wonderful stills from the Victor Fleming-directed version of Robert Louis Stevenson's horror classic. One still is a posed publicity photo of Lana Turner, Spencer Tracy and Ingrid Bergman in front of an oversized book. The other is a portrait of a young Lana Turner. Both stills have a type-written description on the verso as well as Bull's credit stamp. Very Fine+.
Myrna Loy and Boris Karloff in "The Mask of Fu Manchu" (MGM, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. Boris Karloff and the stunning Myrna Loy star in this creepy classic. Karloff is the diabolical Dr. Fu Manchu who is desperately seeking the tomb of Genghis Kahn so that he may possess a mystical power. With his beautiful and deadly daughter (Loy) by his side, Manchu plans on using the evil energy to control the world. This black and white still features both stars in beautiful detail. There is a paper snipe with description on the verso. The only flaw seen on this lovely still is a slightly trimmed left border, though the measurement is still 8 inches. Fine/Very Fine.
Lionel Barrymore in "The Devil Doll" (MGM, 1936). Stills (2) (8" X 10"). Vintage black and white, single weight, glossy stills. Offered in this lot are two stills from the set of the MGM horror thriller, The Devil Doll. One still shows Lionel Barrymore in his female impersonation costume talking with director Tod Browning. The other still pictures Barrymore with his co-stars, Henry Walthall and Grace Ford. Both stills have MGM studio snipes on the back with the original title The Witch of Timbuktu. The title was later changed to The Devil Doll. Very Fine.
Fredric March in "Dr. Jekyll and Mr. Hyde" (Paramount, 1931). Still (7.5" X 10"). Vintage, black and white, double weight, glossy still. This still from the 1931 horror classic features a terrifying Fredric March in full Mr. Hyde make-up. There are two tiny pen marks in the top border of this still as well as small creases in the bottom right corner and faint edge wear. There has also been a slight trim to the top border but the image remains presentable. Fine/Very Fine.
Boris Karloff and Zita Johann in "The Mummy" (Universal, 1932). Still (8" X 10"). Vintage, black and white, single weight, glossy still. Thanks to his breakout success in Frankenstein, Universal only had to advertise this film as "Karloff...The Mummy". This still features Karloff and co-star Zita Johann. There are staples at the corners and a faint bleed-through of a stamp in the top right corner. Faint wrinkles and de-glossing spots can barely be seen in the image but they in no way distract from the presentation. Very Fine-.
The Horror (Bud Pollard Productions, 1932). One Sheet (27" X 41"). Bud Pollard was an American producer/director/writer who was one of the most prolific producers of low-budget films in the history of cinema. In contrast however, are the posters Pollard had printed for his productions, which were usually very well done with colorful graphics and exciting illustrations. This is one of those rare instances when no one seems to know anything about this horror picture. It was apparently the first of six features planned for FP Productions, but the company must have gone bankrupt before any of the films were released. One thing is for sure, this "missing" film has a fantastic poster! The poster has some fold separation and slight centerpoint chipping in the upper horizontal fold. Very Fine-.
The Sphinx (Monogram, 1933). Swedish One Sheet (27" X 38.5"). Lionel Atwill was always delightful as a suave villain and he gets to shine in the role of Jerome Breen, a wealthy businessman who is accused of murder and who happens to be mute. Sheila Terry and Theodore Newton play amateur sleuths who discover too many clues for their own good. This stunning Swedish poster has a 5" tear at the left edge, backed by tape, a chip in the lower left, and edge wear with small tears. A truly wonderful image of Sheila Terry cast in creepy green and black shadows, this is a keeper for fans of suspense thrillers. Rolled, Fine+.
The Monster Walks (Astor, R-1938). Three Sheet (41" X 81"). One of the first of the "creaky house on a stormy night" genre, this thriller came out eight months before The Old Dark House. Our heroine's scientist father has died, leaving her the dark house and the proceeds from his experiments. What she doesn't know is that there is a killer ape stalking the halls! This three sheet has edge wear with chipping, and fold wear with tears and separations. The eerie artwork is done in beautiful stone litho. Fine.
Doctor Cyclops (Paramount, 1940). Window Card (14" X 22"). In this science fiction classic, the first film in the genre to be shot in three strip Technicolor, mad Dr. Thorkel (Albert Dekker) conducts bizarre experiments deep in the heart of the Peruvian jungle, eventually shrinking a hapless quartet (Thomas Coley, Victor Killian, Janice Logan, and Charles Halton) to one-fifth their normal size. The incredible special effects, for which this film received a well-deserved Oscar nomination, make this one of the all-time greats! This dramatic window card is in superb condition, save for the presence of some foxing - particularly noticeable at the borders. Were it not for this single flaw, the card would receive a much higher grade. Extremely rare and desirable, this is one you'll want to keep your eye on! Fine+.
The Corpse Vanishes (Monogram, 1942). One Sheet (27" X 41"). This fun entry from the Monogram quicky horror series has mad scientist Bela Lugosi murdering young virgins on their wedding days with poison orchids. Why? Well, he has to extract their glandular fluid so he can keep his ancient wife alive and young. This one sheet has pinholes in the corners, fold wear with cross fold separations, and tears in the top and right border. There is a piece missing with a long tear in the right border, and a small hole in the top left corner. Expert restoration has left the poster with a brand new appearance. One of the better images of Lugosi to be found. Fine+ on Linen.
The Return of the Vampire (Columbia, 1943). Lobby Card (11" X 14"). One of only three films in which Bela Lugosi plays a "true" vampire, this thriller from Columbia features Lugosi as a buried and staked vampire whose eternal sleep is interrupted by the Germans bombing England in WWII. He comes out of the grave with revenge for his stakers in his heart. This lobby card has only three pinholes in the border and field, smudges on the yellow background and border, and a censor stamp and small stain on the lower border. Lugosi at his best, in a seductive vampire pose. Fine/Very Fine.
The Ghost Ship (RKO, 1943). One Sheet (27" X 41"). RKO Producer Val Lewton produced some of the eeriest films from the World War II era. This small film, set aboard a ship, stars Richard Dix as a psychopathic captain who controls his ship to the point of killing some of the crew. This copy of the famous poster had small tape lifts at several point on the verso of the poster. There was some fold wear and some minor amounts of paper loss at the crossfolds within the image. These issues were addressed with professional restoration and the poster now displays very well. Very Fine on Linen.
The Leopard Man (RKO, 1943). Window Card (14" X 22"). The third psychological thriller in a row from the collaboration of producer Val Lewton and director Jacques Tourneur, this horror film was one of the first to explore the concept of a serial killer, before the term came into vogue. When several maulings take place in a small New Mexico town, a leopard is the prime suspect, but press agent Dennis O'Keefe doesn't think that is the case. This window card has tanning, corner bumps, and a bend in the bottom left corner. An eerie dark image of O'Keefe and his co-star Margo. Fine/Very Fine.
Bedlam (RKO, 1946). Half Sheet (22" X 28") Style B. Boris Karloff had one of his best roles in this dank drama, as the keeper of the notorious Bedlam asylum. When a young socialite (Anna Lee) calls for reforms of the infamous madhouse, the sadistic Master Sims (Karloff) has her committed. Mark Robson (The Seventh Victim) directs this claustrophobic thriller with a sure hand, under the guidance of producer Val Lewton. This evocative half sheet (the scarcer B style) had some condition issues including multiple pinholes, extra vertical creases, border and fold chips, a tear in Karloff's nose, and some missing paper in his forehead. The poster has undergone professional restoration and now looks almost as good as new. This Karloff classic would be a fine addition to any horror collection. Very Good on Paper.
Pulps
Scared to Death (Screen Guild Productions, 1947). Insert (14" X 36"). Completed several years before its 1947 release, Scared to Death is historically important as Bela Lugosi's only color film. It's the story of a beautiful but treacherous young woman (Molly Lamont) who literally dies of fright. Predating Sunset Boulevard by at least five years, the film is narrated by the deceased "heroine." Lugosi plays a sinister hypnotist named Leonide (with a dwarf companion that dresses like Bela), who turns out to be a red herring. This spooky insert card has plenty of eye-appeal and a great image of Lugosi, as well as co-star George Zucco. The insert is in terrific condition, with two small tears in the right border, light dust shadowing at the top edge, and light creasing in the lower right corner being the only issues. Don't be scared to bid on this creepy classic. Rolled, Very Fine+.
Movie Posters
How to Make a Monster (American International, 1958). Half Sheet (22" X 28"). An amusingly metatextual film, this is the story of Pete (Robert H. Harris), a long-time make-up artist for American International, who is unceremoniously sacked from his position. His mind now unhinged, he decides to exact revenge on the studio that wronged him, by hypnotizing a pair of actors into believing that they are the monsters they portrayed in films, and urging them to commit a string of gruesome murders on the lot. Gary Clarke plays the "Teenage Werewolf," while Gary Conway is the "Teenage Frankenstein," reprising the role he played in 1957's I Was a Teenage Frankenstein, his film debut. This eye-catching half sheet has an extra crease in the bottom border, a scuff in the left side, light fold wear, and light smudging in the left border, but is otherwise extremely clean and attractive. Folded, Very Fine.
Monster on the Campus (Universal International, 1958). Half Sheet (22" X 28"). Long thought to be extinct, the humble coelacanth, a species of fish that dates from the Devonian age some 410 million years ago, was found off the east coast of South Africa in 1938. Little known is the fish's ability to cause other organisms to regress along evolutionary lines, or so this movie would have us believe. When Professor Donald Blake (Arthur Franz) comes in contact with some coelacanth blood, he transforms into a wild subhuman caveman, who goes on a killing spree around the campus until the effects wear off. What's a respectable educator to do? This classic half sheet has a scuff in the left border, a stain in the top left corner, a top right corner crease, a small tear in the bottom vertical fold, and light fold wear, but remains an impressive poster that any collector will be proud to own. Folded, Very Fine.
House of Wax (Warner Brothers, 1953). One Sheet (27" X 41"). Warner Brothers' first venture into 3-D technology also became the most successful 3-D movie of the decade as well as the studio's most profitable film since 1947. In his first lead role in a horror film, a role that would define his career, Vincent Price plays Prof. Henry Jarrod, the owner of a wax museum with incredibly life-like wax statues. When murder victims begin resembling the museum's famous figures, the professor and his deaf-mute sculptor, Igor (a young Charles Bronson -- still billed as Charles Buchinsky), arouse suspicion. The 3-D process is really the star, but ironically, Andre de Toth, the film's director, had only one good eye, and he had to constantly ask his cast and crew if the 3-D effects worked. The poster had minor fold and border wear. The restoration was done very well and the poster displays beautifully. Very Fine on Linen,
The Bride and the Beast (Allied Artists, 1958). One Sheet (27" X 41"). Written as only the cult master Ed Wood could have, Dan Fuller (Lance Fuller) gets more than he bargained for when he marries Laura (Charlotte Austin), who, through hypnosis, discovers she was once the Queen of the Gorillas. Dan's jealousy causes him to kill his pet ape and to take his wife away on a hunting safari to Africa, where, unexpectedly, there are more gorillas. Despite his limited budgets, Wood produced many entertaining, if bizarre films that are still enjoyed today. This one sheet had only pinholes in the top corners, fold wear and a small tear in the lower left border, all of which have been corrected by professional restoration. Don't miss out on this delightfully horrifying one sheet. Very Fine on Linen.
The Tingler (Columbia, 1959). One Sheet (27" X 41"). Dr. Warren Chapin (Vincent Price) discovers a creature that lives in the vertebrae and feeds on fear. Only the impassioned scream of the victim can render the creature inert, so when Chapin and his assistant David Morris (Darryl Hickman) chase the beast into a crowded movie theater, the audience is encouraged to scream their lungs out! As was typical with features helmed by William Castle, this picture had a gimmick: "Percepto", in which hidden buzzers vibrated the seats of terrified movie-goers. This attractive one sheet has a tear in the bottom left, and some printing offset in the bottom portion, but is otherwise extremely clean and desirable. If you're feeling a tingling in your spine right now, the only remedy is to bid, bid, bid! Very Fine+.
The Pit and the Pendulum (American International, 1961). Half Sheet (22" X 28"). The second of Roger Corman's Poe cycle, this has a script by legendary science fiction writer Richard Matheson, and features a top-notch cast including Vincent Price, Luana Anders, and Barbara Steele. Fantastic artwork highlights this evocative half sheet. The poster has been linen backed, and has some minor condition problems including fold wear and some small tears in the top border, as well as color touch-ups in the fold lines. These are hardly noticeable, however, and the sheet has a very bold appearance, with great color. Very Fine- on Linen.
The Pit and the Pendulum (American International, 1961). Lobby Card Set of 8 (11" X 14"). After the success of House of Usher, Roger Corman brought Vincent Price back to the screen for another adaptation of an Edgar Allan Poe tale of terror. Price is slowly driven insane by his wife (Barbara Steele) and begins to enact the tortures of the Inquisition. These films were ground-breaking at the time; they were shot with fairly high production values and they were made in color. Near Mint/Mint
Black Sunday (American International, 1961). One Sheet (27" X 41"). Samuel Z. Arkoff and James H. Nicholson, founders of American International Pictures, would often go to Europe to find films that they could distribute in the U.S. They stumbled upon the product of a little known Italian director named Mario Bava and were fascinated by this film and bought it. Very Fine+ on Linen.
Curse of the Werewolf (Universal International, 1961). Half Sheet (22" X 28"). One of the great werewolf films of all time (and the only one made by Hammer Studios), Curse of the Werewolf tells the tale of young Leon (Oliver Reed) a troubled man whose mother was raped by a mad prisoner, and who has been raised by a kindly nobleman. But his questionable parentage eventually leads to lycanthropy. The makeup design by the great Roy Ashton was certainly different than Universal's take on the Wolfman, and suitably scary. This superb half sheet had pinholes in the corners, edge wear, and creasing in the top border and bottom right corner, all of which has been addressed with excellent restoration. Fine/Very Fine on Linen.
The Phantom of the Opera (Universal International, 1962). Three Sheet (41" X 81"). Hammer Studios' version of "The Phantom" cast Herbert Lom in the title role and also changed the story by adding some new plot twists and turns. Typical of the studio, this version added the usual Hammer flair for gory make-up and didn't disappoint its audiences. The artwork for this three sheet is by Reynold Brown. The poster has enlarged pinholes in the corners and several within the artwork. The poster is otherwise in excellent condition. Very Fine.
Night of the Living Dead (Continental, 1968). One Sheet (27" X 41"). George A. Romero's landmark film about flesh-eating zombies gave birth to the era of the modern horror film. Filmed on a shoestring budget, it has grossed untold millions up to the present day. This poster had a tear that ran from the right border into the zombie on the far right with his arms outstretched. There was a large stain in the the lower border which extended slightly into the credits. There were pinholes and minor foldwear. The poster has been restored and now displays well. Fine+ on Linen.
Dracula Has Risen From the Grave (Warner Brothers, 1969). British Quad (30" X 40"). Count Dracula (Christopher Lee) rises from the grave once again on this country-of-origin British quad. There is a stain in the top left corner, and light edge wear. Rolled, Very Fine-.
Carnival of Souls (Herts-Lion International, 1962). Autographed Pressbook (11" X 17"). The only survivor of a tragic car crash, Mary Henry (Candace Hilligoss) tries to put her life back together after the accident, but soon suffers a series of bizarre visions and inexplicable experiences, all drawing her to an old, dilapidated carnival on the outskirts of town. Directed by Herk Harvey on an almost non-existent budget, the film has become a cult classic due to its bold style and surreal imagery. This very rare pressbook has a corner bend in the bottom right with some surface paper loss, and a small crease in the top left, but is otherwise unmarred. It is signed, "With best Wishes, Sidney Berger" (Berger played John Linden, Mary's lecherous neighbor), but no COA accompanies this lot. Paper from this picture seldom surfaces, so don't miss your chance to bid on this rare beauty! Very Fine.
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Dallas, Texas 75261-4127
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All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842