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View PDF version of the printed catalog. |
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Session 1 |
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Movie Posters |
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| 28001 | Grand Hotel (MGM, 1932). Window Card (14" X 22"). Winner of the Best Picture Oscar for 1932, this lush film, starring Greta Garbo, John Barrymore, Joan Crawford, Wallace Beery, and Lionel Barrymore, is a showcase for several interconnected stories revolving around guests staying at the most luxurious - and expensive - hotel in Berlin. This film has entered pop cultural immortality as the source of Garbo's oft-repeated quote, "I want to be alone." Offered here is a beautiful window card, with art by renowned poster artist Ted Ireland, who signed his works "Vincentini." This piece had a small tear in the top border, a corner bend in the top left, and slight scuffing on several of the faces, but all of these minor issues have been addressed by professional restoration. Very Fine- on Cardstock. Not Sold. |
| 28002 | All Quiet on the Western Front (Universal, 1930). Swedish One Sheet (27.5" X 39.5"). One of the most compelling anti-war films ever made, as poignant and important today as it was when it was first released, this is the story of a group of school boys who enlist to fight in World War I. At first eager and excited to take part in the conflict, they all too soon encounter the horrors of battle when they are confronted first hand with death, mutilation, and suffering. Based on a book by German author Erich Maria Remarque, the film won Oscars for Best Picture and Best Director (Lewis Milestone). Offered here is a striking Swedish one sheet, with art similar to the classic American release. It shows slight edge wear and several small tears in the bottom border, but is otherwise fresh and untouched. Paper from this title is extremely rare and highly sought after. Don't let this beauty pass you by! Rolled, Very Fine+. Sold for: $179.25. |
| 28003 | Mutiny On The Bounty (MGM, 1935). Insert (14" X 36"). Based on the real-life events of 1789, this exciting picture chronicles the conflict between Captain William Bligh (Charles Laughton), commander of the HMS Bounty, and Fletcher Christian (Clark Gable), his first mate, who leads a revolt against Bligh's cruelty. A stunning production, it won the Best Picture Oscar, as well as Best Actor nominations for Laughton, Gable, and Franchot Tone, who played Bounty crewman Byam (they all lost to Victor McLaglen for his role in The Informer). The beautiful rolled insert offered here had slight tears in the left border, but professional restoration has rendered these minor issues virtually invisible. Paper on this popular title is relatively scarce, so don't let this gem pass you by! Rolled, Very Fine+ on Paper.Sold for: $2,868.00. |
| 28004 | Mutiny On The Bounty (MGM, 1935). Lobby Card (11" X 14"). Based on Charles Nordhoff and James Norton Hall's bestselling novel, which was in turn based upon actual historical events of 1789, this is the story of the famous mutiny, led by First Mate Fletcher Christian (Clark Gable), aboard the HMS Bounty, commanded by Captain William Bligh (Charles Laughton). Following Bligh's brutal treatment of the crew, the mutineers put the captain and several men overboard in a lifeboat and set them adrift, leading to one of the most amazing feats of seamanship ever recorded, as Bligh navigated over 4,000 miles to the Dutch East Indies, all without losing a man. This outstanding film won a well-deserved Best Picture Oscar, and remains a favorite to this day. The lobby card offered here, showing the mutiny in progress, has some minor paper loss in the lower left corner, a single pinhole in the right border, and a small, light crease in the bottom border. Aside from these few minor flaws, the card is clean, fresh, and attractive, a highly desirable piece from one of the finest films of the 1930s. Very Fine-. Sold for: $298.75. |
| 28005 | Gone with the Wind (MGM, R-1954). French Grande (47" X 63"). The winner of eleven Academy Awards and considered one of the top films ever made, this enduring legend stars the great Clark Gable and the gorgeous Vivien Leigh. And perhaps no artist captures the passion of the film better than the French master, Roger Soubie. This French Grande had small chips in the top border and minor scuffs. The poster has been mounted on linen and professionally restored. Very Fine- on Linen.Sold for: $1,015.75. |
| 28006 | Gone with the Wind (MGM, 1939). Original Costume Sketch (17" X 22"). Widely considered one of the finest films ever made, this stirring Civil War epic is as thrilling today as it was when it was originally released. Lushly lensed in glorious Technicolor and boasting an all-star cast that includes Vivien Leigh, Clark Gable, Leslie Howard, Olivia DeHaviland, Hattie McDaniel, Victor Jory, and Butterfly McQueen, to name just a few, the movie dominated the Academy Awards ceremony for 1939, taking home eight Oscars, including Best Actress (Leigh), Best Supporting Actress (McDaniel), Best Director (Victor Fleming), Best Writing, Screenplay (Sidney Howard), and, of course, Best Picture. Original production material from this all-time favorite film is incredibly sought after, with collectors vying heavily against each other on the rare occasion that it is offered. Presented here is a glorious original costume sketch by Walter Plunkett for Melanie's gown, which she wore during the wedding sequence. Delicately rendered in watercolor, the attention to detail is amazing. Attached to the front of the piece, in the top left, is an original fabric sample, and the back bears the Selznick stamp identifying the character and the scene. Additionally, it is signed by Plunkett in the bottom right. We were privileged to offer two of these exquisite pieces in a previous auction; one sold for $7,475, the other for $8,050. Extremely scarce, pieces like this rarely turn up, disappearing for years into private collections on the uncommon occasions that they do. This particular treasure displays some light foxing, and some light staining in the bottom border, but is otherwise in superb condition. Very Fine+. Sold for: $9,560.00. |
| 28007 | Gone with the Wind (MGM, 1939). Signed Original Costume Sketch of Ellen (17" X 22"). This lovely and extremely detailed watercolor was created personally by the great costume designer, Walter Plunkett, who designed 377 of the 450 costume sketches used for the epic movie. GWTW's extensive wardrobe was an integral part of the storytelling and overall visual effect and therefore exceedingly important to the detail obsessed Selznick. On the reverse, there is a "Selznick International Pictures" blue stamp with "Ellen" and Change "#2" in red pencil and "Dressing Scarlett Mourning Scene" written in red pen. Ellen, Scarlett's mother, played by the graceful Barbara O'Neill, is dressed for mourning in this scene and she is about to confront Scarlett who is resistant to wearing all black. The delicate rendering of Ellen's face and the dress' lacework is exquisite. This sketch on board has the original fabric swatch in the upper left. Plunkett's hand painted signature is in the lower right. The typed paper title "Ellen" at the bottom has some edge chipping. There is light foxing and minor stains and soiling. These extremely rare original sketches were used as promotional pieces in storefronts when the cast arrived in Atlanta for the grand premiere. They were then left in Atlanta and came to the current owner. We have only offered two other original sketches from this classic epic in a previous auction and have one other, of the lovely Melanie, in this current sale. These are highly prized works of art by a Hollywood master artist which are sure to generate much excitement. Very Fine+.Sold for: $11,950.00. |
| 28008 | The Lost Weekend (Paramount, 1945). Insert (14" X 36"). The ruinous effects of alcoholism are seen through the story of Don Birnam (Ray Milland), a dissolute writer whose brother Wick (Phillip Terry) and girlfriend (Jane Wyman) are desperate to help him remain sober. In spite of their best efforts, Don falls off the wagon, spiraling ever deeper into a pit of alcohol and despair. According to director Billy Wilder, the alcohol industry offered Paramount $5 million not to release the film, which the studio wisely refused, as the movie went on to become a huge success, garnering four Oscars, including Best Picture, Best Actor (Milland), Best Director (Wilder), and Best Writing (Charles Brackett and Wilder). This highly desirable insert had staple holes in the image area, small edge tears, extra horizontal folds, and a corner bend in the top left. Professional restoration has rendered these small flaws virtually invisible, returning a like-new appearance to this classic piece. Very Fine- on Paper.Sold for: $1,912.00. |
| 28009 | Hamlet (Eagle Lion, 1949). British Three Sheet (39" X 77"). Laurence Olivier's take on the Bard's melancholy Dane won four Oscars and set the standard for cinematic Shakespeare adaptations. The grand supporting cast includes Jean Simmons, Peter Cushing, and Patrick Troughten, with Christopher Lee appearing briefly as a literal spear-carrier. Offered here is an action-packed country-of-origin three sheet featuring Hamlet's heated sword battle with Laertes, played by Terence Morgan. The poster had staple holes, crossfold separations with some chipping, and several large tears in the borders and field, all of which has been addressed with outstanding professional restoration. Fine+ on Linen.Sold for: $1,314.50. |
| 28010 | All the King's Men (Columbia, 1949). Insert (14" X 36"). Inspired by the life and career of notorious Louisiana governor Huey "Kingfish" Long, and based on Robert Penn Warren's Pulitzer Prize-winning novel, this hard-hitting movie casts Broderick Crawford as Willie Stark, an ambitious and popular country lawyer who makes it all the way to the governor's mansion. Once there, however, his true character comes through, as he has an affair with his campaign manager (Mercedes McCambridge) and creates a despotic police force in order to protect his regime. A thought-provoking picture, it won three Oscars: Best Picture, Best Actor (Crawford), and Best Supporting Actress (McCambridge), and remains an incisive examination of the abuse of political power. This exceptional insert has undergone professional restoration to replace a small missing bottom left corner. The work is impeccable, returning this insert to a like-new appearance. Fine/Very Fine on Paper.Sold for: $567.63. |
| 28011 | An American in Paris (MGM, 1951). Three Sheet (41" X 81"). Vincent Minnelli's musical extravaganza swept the Oscars in 1951 with this Gershwin masterpiece depicting a starving American artist (Gene Kelly) in sparkling Paris. This poster was put on linen but no further restoration was applied. There are pinholes, frays and paper loss along the edges and a few scratches on the surface. There is also a tear at a fold line in the lower right quarter along with other minor fold separations and tape staining and silverfish damage in the bottom border. The three sheet for this film is a stunning improvement over the smaller paper and as such, is a rare find. Don't miss this opportunity to add this beautiful poster to your collection. Fine on Linen.Sold for: $1,553.50. |
| 28012 | The African Queen (United Artists, 1952). One Sheet (27" X 41"). Humphrey Bogart won the only Oscar of his career for this finely-wrought film about a grizzled boat captain and the prim lady he takes on as a passenger in the early days of the Great War. Katharine Hepburn never looked more like a Harlequin Romance heroine than she does on this gorgeous one sheet. The poster had pinholes, pinpoint crossfold separations, border chipping, a large tear in the right border extending into the field, and a stamp on the reverse that bleeds through. Minor restoration has been done to the poster, including paint touch-ups. A gorgeous poster with lush color. Fine on Linen.Sold for: $1,553.50. |
| 28013 | From Here to Eternity (Columbia, 1953). Six Sheet (81" X 81"). With his career going nowhere, Frank Sinatra practically begged Columbia Pictures for a shot at the role of Private Angelo Maggio. The studio took a chance and added Sinatra to an all-star cast which included Burt Lancaster, Montgomery Clift, Deborah Kerr, and Donna Reed. The gamble paid off with an Oscar winning performance by Sinatra, one of eight Academy Award wins for the film. Prior to excellent professional restoration, there were tears along the edges and separations at the crossfolds with water staining in the borders. Now, this prime example of "Big Book" poster art is in dazzling condition. Fine/Very Fine on Linen. Sold for: $478.00. |
| 28014 | On the Waterfront (Columbia, 1954). One Sheet (27" X 41"). One of Marlon Brando's greatest roles, this is the story of ex-prizefighter Terry Malloy (Brando), a young man with a conscience who has been working for the corrupt boss of the dockworker's union (Lee J. Cobb). When Terry witnesses a murder, and is later confronted by Edie (Eva Marie Saint), the dead man's sister, he is forced to confront the realities of life on the docks and prepares to testify before the crime commission. More than a mere crime movie, this picture is often seen as a defense of informers, especially since director Elia Kazan very famously cooperated with the House Un-American Activities Committee and named names of suspected Communists, an action that eventually led to blacklistings that ruined careers. Whatever the political motivations behind the picture, the movie was a massive critical and commercial success, winning eight Oscars, including Best Actor (Brando), Best Picture, Best Director (Kazan), and Best Supporting Actress (Saint). The score, by famed composer Leonard Bernstein, makes this film additionally notable. The gorgeous one sheet offered here, with its striking image of Brando, had slight fold separations at the borders, chips at the fold lines, a chip in the top border, and a chip in Brando's left eye. Professional restoration has expertly addressed these flaws, giving the poster a Near Mint appearance. Fine on Linen. Sold for: $776.75. |
| 28015 | On the Waterfront (Columbia, 1954). Italian 4 - Folio (55" X 78"). Incredible art by Anselmo Ballester, renowned as the father of the Italian movie poster, highlights this classic Italian 4-folio for one of Brando's greatest films. The story of a young dockworker (Brando) called upon to testify about mob-related activities to the crime commission, the film earned Brando a Best Actor Oscar, along with seven additional gold statuettes including Best Picture. This poster, mounted on linen that is trimmed to edges of the paper, had edge wear, fold and crossfold separations with minor chips, and small chips in the lower right corner. After professional restoration, this poster has been returned to a like-new appearance. Fine+ on Linen.Sold for: $1,553.50. |
| 28016 | Ben-Hur Lobby (MGM, 1959). Lobby Display (11" X 21.75"). One of the great Biblical epics, this is the story of Judah Ben-Hur (Charlton Heston), a Jewish prince betrayed by a childhood friend who returns to Jerusalem bent on revenge. The film won an astounding 11 Academy Awards, including Best Actor (Heston), Best Picture, and Best Director (William Wyler), and saved MGM from almost certain bankruptcy. Offered here is a rare panoramic lobby display showing the most exciting scene in the movie, the thrill-packed chariot race. It has several tears in the left edge repaired with tape on the reverse, and creases in the top left and top right. It possesses an enormous amount of eye-appeal, being a fabulous image from this perennially favorite film. Very Fine. Sold for: $310.70. |
| 28017 | Lawrence of Arabia (Columbia, 1962). Half Sheet (22" X 28"). David Lean made fewer than twenty films in his forty-year-career as a director, but virtually all of them are considered classics. Certainly this desert epic qualifies, winning seven Oscars (including Best Picture and Best Director) and making a star out of Peter O'Toole. This great-looking half sheet features O'Toole astride a camel leading his rag-tag forces across the dunes. The poster had pinholes in the bottom border, extra vertical fold lines, and some small touch-ups in the image area and borders. Professional restoration has this looking almost as good as new. We have never sold this rare format, much less even seen it! Fine/Very Fine on Paper. Not Sold. |
| 28019 | Platinum Blonde (Columbia, 1931). Lobby Card (11" X 14"). A terrific group shot with Halliwell Hobbs, Walter Catlett, Jean Harlow, Robert Williams, Louise Closser Hale, and Don Dillaway. The color is excellent on this stunner, a wonderful piece from Harlow's signature film. Professional restoration has repaired pinholes in the top corners and in the bottom center, and the top .25" of the border has been replaced. Due to the high quality of the work performed, this card now has a Near Mint appearance. Fine-. Sold for: $310.70. |
| 28020 | Forbidden (Columbia, 1932). Lobby Card (11" X 14"). The star of such classic films as Double Indemnity (1944), The Strange Love of Martha Ivers (1946), and Sorry, Wrong Number (1948), Barbara Stanwyck began her show business career as a dancer earning the lavish sum of $40 per week. She moved to Hollywood in 1928, where she quickly began appearing in feature films like this one, in which she plays a librarian who falls in love with the wrong man. Stanwyck is lovely on this colorful card, which has pinholes in the corners and a bottom right corner bend. It's a beautiful piece that spotlights a talented actress at the dawn of an impressive career. Very Fine. Sold for: $776.75. |
| 28021 | Forbidden (Columbia, 1932). Lobby Card (11" X 14"). Directed by the legendary Frank Capra, this picture tells the story of Lulu Smith (Barbara Stanwyck), a lonely librarian who takes a cruise and falls in love with District Attorney Bob Grover (Adolphe Menjou), a politician on the rise who is already married. The baby Lulu has following the cruise, and the resulting newspaper scandal, only serve to complicate matters. Offered here is a lovely lobby card, showing Stanwyck, Menjou, and Ralph Bellamy as the crusading newspaper editor who eventually falls for Lulu. It has pinholes in the corners, a slight rust stain in the top left, and small tears in the top center and bottom right. This classic pre-Code card will be a wonderful addition to any collection. Very Fine. Sold for: $776.75. |
| 28022 | Forbidden (Columbia, 1932). Lobby Card (11" X 14"). A daring pre-Code melodrama, this story, directed by Frank Capra, features Barbara Stanwyck as Lulu, a prim librarian who takes a cruise to Cuba and falls in love with a man she can't possibly have: district attorney Bob Grover (Adolphe Menjou), who is married to a disabled woman. When Lulu has a child, Grover adopts the baby without revealing its origins, which only leads to further problems. This lovely lobby card shows a crease in the top right corner, a pinhole in the right border, and very light edge wear, but is otherwise extremely clean and attractive, a fabulous piece from early in Stanwyck's career. Very Fine/Near Mint. Sold for: $597.50. |
| 28023 | Mr. Deeds Goes to Town (Columbia, 1936). Lobby Card (11" X 14"). Longfellow Deeds (Gary Cooper) is a simple soul who wants nothing more out of life than to play his tuba and write greeting card verses. But that simple life is turned upside down when he inherits a fortune from a distant relative and moves to New York City. There, he becomes a target for everyone from charitable organizations to city slickers to hotshot reporter Babe Bennett (Jean Arthur), who tries to get the inside scoop on the mysterious young man. She gets more than she bargained for, however, when she begins to fall for Deeds's simple country charm. Director Frank Capra spent over $800,000 on this picture - a hefty sum at the time - and was rewarded with his second of three Oscar wins for Best Director. This highly desirable title card is as clean and fresh as they come. You'd be hard-pressed to find an example nicer than this! Mint.Sold for: $2,629.00. |
| 28024 | You Can't Take It With You (Columbia, 1938). Pre-War Belgian (24" X 33.5"). Based on the Pulitzer Prize-winning play by George S. Kaufman and Moss Hart, this is the story of the decidedly eccentric Sycamore family, headed by Grandpa Vanderhoff (Lionel Barrymore), a former businessman who indulges the whims of everyone in the household. When daughter Alice (Jean Arthur) introduces the stuffy family of her fiancee Tom (James Stewart) to the Sycamore clan, hilarity ensues, climaxing in a police raid. A classic comedy, the film earned Oscars for Best Picture and Best Director (Frank Capra). The beautiful pre-War Belgian poster offered here features exceptional images of all the cast members. It shows pinholes in the right border and upper left corner, edge wear, extra folds and crossfold separations, corner bumps, and chipping in the top corners, but is overall a very attractive piece, featuring some of the greatest stars of the era. Fine+. Not Sold. |
| 28025 | Mr. Smith Goes To Washington (Columbia, 1939). Window Card (14" X 22"). A signature role for James Stewart, and one of his best-remembered films. Stewart plays Jefferson Smith, a young and idealistic man suddenly appointed Senator by a shifty governor, who rails against the shortcomings of the political process. Edward Arnold is excellent as the villainous Jim Taylor, and Frank Capra directs with a sure hand. This superb window card features portraits of the cast against a bright yellow background, and is in exceptional condition. There was a small scrape in the "S" in "Washington," and a minor wrinkle in Stewart's forehead; the poster has been washed and paper backed, with some minor paint touch-ups in the credits area. A fantastic sheet for this beloved film. Very Fine+ on Paper. Sold for: $1,195.00. |
| 28026 | Meet John Doe (Warner Brothers, 1941). One Sheet (27" X 41"). Great artwork of Gary Cooper and Barbara Stanwyck highlights this Frank Capra directed classic. Before being mounted on linen, this poster had fold wear, a small hole in the center crossfold, a small gouge in Stanwyck's dress, some paper loss in the borders, and pinholes. The linen has been trimmed to the edge of the poster. Very Fine on Linen.Sold for: $836.50. |
| 28027 | Meet John Doe (Warner Brothers, 1941). Title Lobby Card (11" X 14"). Frank Capra's classic about the common man was filmed right before the U.S. entered into WWII. Nobody could play a John Doe, a man who stands up against the evil forces of the world, better than Gary Cooper. Barbara Stanwyck is divine as the fast talking newspaper girl with a heart of gold. With Edward Arnold and Walter Brennan in the cast, this film remains an all-time favorite of movie lovers. This linen finish title card has pinholes in the borders, corners, and image area, corner bumps, edge wear on the left side, and small scratches in the credits. There are also two light pencil marks in the top and bottom borders. With the stunning full length image of the stars, this is a highly desirable title card. Fine/Very Fine. Sold for: $358.50. |
| 28028 | Arsenic and Old Lace (Warner Brothers, 1944). Lobby Card (11" X 14"). This hilarious comedy, based on a hit Broadway show, stars Cary Grant as Mortimer Brewster, newly married to the lovely Elaine Harper (Priscilla Lane). Unfortunately, Mortimer is the only sane member of his family - "Insanity runs in my family. It practically gallops," he quips - which includes doddering aunts Abby and Martha (Josephine Hull and Jean Adair), whose hobby is poisoning lonely bachelors, older brother Jonathan (Raymond Massey), a murderous escaped convict who arrives home with his partner in crime, Dr. Einstein (Peter Lorre), and younger brother Teddy, who believes himself to be Theodore Roosevelt. Directed by Frank Capra, this off-the-wall comedy is of the highest order. Offered here is a lovely lobby card picturing Grant, Lane, Hull, and Adair. It has a crease in the top left, pinholes in the top center, several tears in the top border and top right repaired with tape on the reverse, a thin dust shadow in the bottom right, minor corner bumps, and light smudging. It is a highly desirable card from a classic movie. Fine/Very Fine. Sold for: $418.25. |
| 28029 | It's a Wonderful Life (RKO, 1946). Lobby Card (11" X 14"). If you've got the hots for vintage Donna Reed -- and who doesn't? -- this is the Wonderful lobby card for you. Donna is resplendent in her pretty, pretty dress, gazing longingly at Jimmy Stewart. This lovely unrestored lobby has a small nick in the bottom border, minor scratch in the top center border, light tanning in the top border, and minor edge wear. Very Fine.Sold for: $1,434.00. |
| 28030 | The Lost Patrol (RKO, 1934). Lobby Card (11" X 14"). Starring Victor McLaglen as the reluctant commander of a troop of British soldiers trying to lead his men across the desert and keep them safe from Arab snipers, The Lost Patrol is particularly noted for a bravura performance by Boris Karloff as a religious fanatic driven mad by the oppressive heat and the unseen enemies. Directed by John Ford with a marvelous score by Max Steiner, this film is a classic on every level. The lobby card offered here, picturing a dramatic confrontation between Karloff and McLaglen, has several pinholes in the corners, borders, and a couple in the image area, light corner creasing, and a small area of surface paper loss on the right side in McLaglen's chest. Nevertheless, this is a card you will be proud to own. Fine/Very Fine.Sold for: $239.00. |
| 28031 | Tobacco Road (20th Century Fox, 1941). Half Sheet (22" X 28") Style B. Erskine Caldwell's controversial novel was first turned into a Broadway play, destined to become one of the longest-running productions in the history of the Great White Way. Heavily revised to make it more acceptable to the censors, this hilarious comedy is about a backwoods family of hillbillies led by clan patriarch Jeeter Lester (Charley Grapewin) about to be evicted from their land, and the comedic consequences that befall all who try to help. The movie boasts a great cast, including Marjorie Rambeau, Gene Tierney, Dana Andrews, Slim Summerville, and Ward Bond, under the direction of the legendary John Ford, making it a true classic. This beautiful paper-backed half sheet had one horizontal and three vertical fold lines, tears in the left border, cracking in the image area, and fold separations with small amounts of paper loss. Additionally, the top right corner was replaced, as was the bottom left border, with paint touch-ups in the credits. The professional restoration applied to this piece has been so expertly performed, it now has the appearance of a Near Mint poster. Folded, Good/Very Good on Paper. Sold for: $310.70. |
| 28032 | My Darling Clementine (20th Century Fox, 1946). One Sheet (27" X 41"). A seminal film in a classic American genre, this landmark John Ford Western, starring Henry Fonda as Wyatt Earp, Victor Mature as Doc Holliday, and Walter Brennan as Old Man Clanton, tells the story of the legendary gunfight at the OK Corral. As a younger man, Ford met the real Wyatt Earp, and claimed that the way he presented the gunfight was almost entirely based on Earp's own telling of the tale. An exceptional film, Westerns don't get much better than this. The artwork for this attractive one sheet was done and signed by Sergio Gargiulo. The poster has minor color touch to the fold lines and centerpoints, a small hole in the lower right background, a chip out of the lower fold line at the right edge and a tear in Victor Mature's face. With expert restoration and airbrushing to the borders, the poster now has a very clean appearance. Very Fine on Linen.Sold for: $2,151.00. |
| 28033 | My Darling Clementine (20th Century Fox, 1946). Insert (14" X 36"). Directed by the great John Ford, this classic retelling of the famed Shootout at the O.K. Corral is an example of the Western genre at its very best. Featuring standout performances by Henry Fonda, Linda Darnell, Victor Mature, and Walter Brennan, the picture is a masterpiece in every sense of the word. As a young man, Ford knew famed Marshall Wyatt Earp, and claimed that the shootout scene was largely shot as Earp had recounted it to him. Offered here is a lovely insert, that shows pinholes in the corners, light edge wear, fold wear, and a charcoal pencil mark in the bottom right corner. These minor flaws notwithstanding, this is a great piece, with a high degree of displayability, that any cinema fan will be proud to own. Folded, Very Fine. Sold for: $1,015.75. |
| 28034 | My Darling Clementine (20th Century Fox, R-1950s). Japanese STB (20" X 58"). One of the greatest legends of the West is the story of the shootout at the OK Corral, a deadly battle between the evil Clanton Gang, and the forces of law and order led by heroic lawman Wyatt Earp. Director John Ford tells the story of this classic conflict in this great movie, supposedly based on stories told to him by the real Wyatt Earp himself. Henry Fonda stars as Earp, with Victor Mature as his sometimes-ally Doc Holliday and Walter Brennan as Old Man Clanton. The all-star cast makes this one of the greatest Westerns ever filmed. Offered here is a beautiful Japanese STB. The top panel shows edge wear and faint wrinkling, while the bottom panel has small creases at the corners and very minor wrinkling at the borders. It is a rare and wonderful piece from an all-time favorite film. Very Fine.Sold for: $478.00. |
| 28035 | Fort Apache (RKO, 1948). Insert (14" X 36"). John Wayne stars in this classic Western from director John Ford. This was the second film in Ford's Cavalry trilogy that also included She Wore a Yellow Ribbon and Rio Grande. Posters on this title are the rarest in the series and this insert has one of the best images. Condition issues include pinholes, light smudging and staining in the borders, some magic marker in the lower left corner and a pencil mark in the top right, and extra horizontal creases in the lower field. A John Wayne/John Ford classic, this insert is not to be missed. Folded, Fine+. Sold for: $597.50. |
| 28036 | She Wore a Yellow Ribbon (RKO, 1949). One Sheet (27" X 41"). A classic collaboration between director John Ford and star John Wayne, this, the second in Ford's "Cavalry Trilogy," is the story of Captain Nathan Brittles (Wayne), a respected officer on the eve of mandatory retirement. As his last act of command, Brittles seeks to avert a threatened Indian attack while protecting the civilians in his charge. The cinematography - which won an Academy Award - is based on the paintings of famed Western artist Frederic Remington. Offered here is a glorious, colorful one sheet for this classic film, with great images of Wayne and co-star Joanne Dru. Only a few pinholes, rendered virtually invisible thanks to professional restoration, keep this beauty from an even higher grade. Very Fine+ on Linen.Sold for: $1,434.00. |
| 28037 | The Road to Glory (Fox, 1926). Lobby Card (11" X 14"). This Jazz Age classic, about a young couple whose freewheeling lifestyle quickly catches up to them, is important for several reasons: first, it features an early appearance by Carole Lombard in a minor role, and second, it marks the directorial debut of Howard Hawks. This extraordinary beauty, which pictures Lombard in the boa, has a corner bend in the top right, a very small corner bend in the bottom left, smudging in the bottom and right border, and a tiny corner bump in the top left. These are all very minor flaws, none of which detract from the overwhelming attractiveness and desirability of this glorious piece. Very Fine+. Sold for: $478.00. |
| 28038 | The Wedding March (Paramount, 1928). Lobby Card (11" X 14"). A triumph for director and star Erich von Stroheim, this elaborate film tells the story of the high-living Prince Nikki (Stroheim) who falls in love with a beautiful commoner (Fay Wray), but is advised to marry the homely, yet rich, Cecilia (Zasu Pitts) if he wants to continue his lavish lifestyle. Billed as "An Erich von Stroheim Creation," this remains one of the most outstanding, and important, films of the 1920s. This lovely linen-textured lobby card, with a wonderful image of Stroheim in all his aristocratic finery, has pinholes in the corners and borders, minor corner bends, and a small tear in the top border, but remains a very attractive piece that will complement any collection. Very Fine-.Not Sold. |
| 28039 | The Magnificent Ambersons (RKO, 1942). Title Lobby Card (11" X 14"). Orson Welles narrates and directs one of his best films, the tale of the closing of the 19th century and the decline of a wealthy upper class family. Booth Tarkington's masterpiece comes alive with the dynamic casting of Joseph Cotten, Agnes Moorehead, Dolores Costello, and Anne Baxter. By the end of the story, the 20th century is close at hand and George Minafer, played by Tim Holt, gets his comeuppance. It was nominated for an Academy Award for Best Picture. This title card has only a small corner bump in the top left and a small crease in the lower left. This is a beautiful card and rarely is seen in such excellent condition. Near Mint. Sold for: $1,314.50. |
| 28040 | The Stranger (RKO, 1946). One Sheet (27" X 41") Style A. Notorious Nazi war criminal Franz Kindler (Orson Welles) relocates to a small New England town, assuming the identity of kindly college professor Charles Rankin and marrying the lovely Mary (Loretta Young). The arrival in town of a former associate (Konstantin Shayne), followed by War Crimes Commissioner Wilson (Edward G. Robinson), shatters Kindler's tranquil existence, forcing him to take desperate steps. Although Welles considered this to be the least favorite of his projects, it was the only film to be directed by him that actually made a profit in its original release. The gorgeous one sheet offered here had pinholes in the bottom of the image area, a tear in the left border that extends into Robinson's face, and another that extends from the top horizontal fold line into Welles's face, slight chipping in the right and left borders, small area of paper loss in Young's forehead and chest at crossfolds, and very light scratches in Welles's face. Expert professional restoration has addressed these issues, rendering them all but invisible. This is a fabulous poster, featuring some of the top talents of the era. Fine+ on Linen.Sold for: $687.13. |
| 28041 | The Lady from Shanghai (Columbia, 1947). One Sheet (27" X 41"). Luminous Rita Hayworth is the titular Lady, in this silky film noir written and directed by Orson Welles. Shanghai was one of Welles's last Hollywood productions, and as with most of his prior films, it suffered from studio interference. Nevertheless, it has gone on to become a legendary thriller, thanks to the talents of all involved. This lovely one sheet features a stunning portrait of Hayworth (uncharacteristically blonde here) in a slinky dress, against a lush red backdrop. Professional restoration has addressed several issues, including pinholes (some enlarged) in the corners, crossfold separations, edge wear with slight edge chipping, and a corner bend top left. Due to minor fading, colors have been slightly restored in some areas, and the fold lines have also been touched up. A gorgeous poster for this beloved film; take this Lady out and give her a good home. Very Fine- on Linen.Sold for: $6,572.50. |
| 28042 | Die Nibelungen: Siegfried (UFA, 1924). German Lobby Card (9" X 12"). Based on Norse mythology and the epic operatic cycle by composer Richard Wagner, this expansive movie, directed by the legendary Fritz Lang, is the story of the hero Siegfried, who slays the dragon Fafnir with a magic sword and wins the beautiful Kriemhild. All is not well, however, as the evil Brunhilde plots against the hero, leading to a tragic conclusion. Offered here is an exceptionally rare find: a German lobby card from this landmark production bearing both the UFA logo and the embossed seal of the Berlin Film Prufstelle. An exceptional card, showing Siegfried face-to-face with the horrific Fafnir, it has damage to three corners and a tear in the top center that has been repaired with tape on the reverse. An exciting piece of film history, this lot is not to be missed! Very Good/Fine.Sold for: $1,015.75. |
| 28043 | Die Nibelungen: Siegfried (UFA, 1924). German Lobby Card (9.25" X 11.5"). The rise and fall of the great German hero Siegfried is depicted in this lavish Fritz Lang epic. Paul Richter plays the title role, undergoing various tests of valor; the special effects are excellent, and the scene where Siegfried fights the dragon is impressive even by contemporary standards. This incredibly rare card -- which has the coveted Berlin Film Prufstelle embossed stamp in the lower left corner -- features Siegfried meeting his untimely end (apparently they weren't too bothered about spoilers back in the day) at the point of a spear. Condition issues include moderate surface wear, multiple pin and tack holes (some enlarged) with the top left corner almost detached, and a chip missing from the top right corner. Still, the image is extremely sharp, and the card presents beautifully, especially given its age. Lobby cards from this release are virtually unheard of, making this a rare opportunity, not to be missed. Very Good/Fine. Sold for: $507.88. |
| 28044 | Woman in the Moon (UFA, 1929). German Lobby Card (9.5" X 11.5"). Fritz Lang went to great lengths to ensure this early science fiction film was as accurate as possible, given the information of the day. He still got a few things wrong -- such as the moon having an atmosphere and water -- but also got some of it a little too right, as the German government considered his rocket ship model uncannily accurate, and declared that both it and the film should be destroyed. This excellent German lobby card bears the Film Prufstelle Berlin embossed stamp. Condition issues include pinholes (some enlarged) in the borders and the image, creases at all corners, a hard horizontal crease about 1" from the top which runs through the entire card, and some general surface creasing. Still, the image is very sharp and dramatic. Fine-.Sold for: $334.60. |
| 28045 | Dr. Mabuse, der Spieler - Ein Bild der Zeit Publicity Still (UFA, 1922). German Still (8.5" X 10.5"). Vintage black and white, double weight, glossy still. One of the most important and influential films from director Fritz Lang, this is one of the direct predecessors of the genre that would come to be known as film noir. Based on the book Dr. Mabuse the Gambler by Norbert Jacques, this is the story of a master criminal, played by Rudolf Kleine-Rogge (who also portrayed the inventor Rotwang in Lang's Metropolis), who plots to destroy Berlin, and make a huge profit in the process. Lang would make two additional Mabuse films in later years, one in 1933 and another in 1960. Offered here is a very rare publicity still from the original release of this classic film, with Kleine-Rogge in full make-up. It shows minor edge wear and a very light crease in the top right, as well as an identification stamp and some handwriting in pencil on the reverse. It is a valuable piece of film history that will be a centerpiece of any collection. Very Fine+. Sold for: $1,075.50. |
| 28046 | Metropolis Publicity Still (UFA, 1927). German Still (9" X 11.75"). Vintage black and white, double weight, glossy still. A true cinematic triumph and one of the silent era's finest moments. It is near impossible to find UFA original material on this title, and we are proud to present such an important still from the original issue. Featured here are Fritz Rasp and Theodor Loos, on one of the incredible Art Deco sets. There are only small tears in the left and right borders, small chips in the bottom left and right corners, and small creases in the bottom right corner and the left border. Fine/Very Fine. Sold for: $358.50. |
| 28047 | Woman in the Moon (UFA, 1929). German Lobby Card (9.5" X 11.5"). This original German lobby card from Fritz Lang's science fiction trailblazer has the UFA logo in the bottom left corner and the Film-Prufstelle Berlin embossed stamp in the top right corner. While there is damage to the corners and a bit of surface paper loss, this remains a rare country of origin piece from this very important film. Very Good/Fine.Sold for: $776.75. |
| 28048 | M (Vereinigte Star-Film GmbH, R-1950s). German Program (10.5" x 15" unfolded). Note below. One of the most chilling pictures ever filmed, this landmark movie by director Fritz Lang was based on the activities of real-life child murderer Peter Kurten, who terrorized Dusseldorf in 1929. Peter Lorre, in one of his first major roles, plays Hans Beckert, a seemingly mild-mannered man living in Berlin who can't control his hideous impulses to brutally murder small children, typically while whistling Grieg's "In the Hall of the Mountain King" (whistling that was dubbed by Lang himself), a compulsion that leads to his pursuit by both the authorities and the town's criminal element. Lorre's monologue at the end, as he pleads for his life before a kangaroo court of criminals and cutthroats, is a masterpiece. Presented here is a fabulously rare original German herald for this legendary film, featuring a cast list, a plot synopsis, and a number of incredible images, many of Lorre himself. It has a fold split at the top, and an extra horizontal and vertical fold, but is otherwise in superb condition, a rare find from an enduring film. This item was misdescribed in the catalog and is from a 1950s reissue of the film. It is a program and not a herald. Fine/Very Fine .Not Sold. |
| 28049 | M (Vereinigte Star-Film GmbH, 1931). German Lobby Card (9" X 12"). This is a truly rare find. Offered here is an original German lobby card for one of the most important German films ever released: director Fritz Lang's masterpiece about a demented child murderer (Peter Lorre). The glossy, double weight card, with a fantastic image of Lorre slipping deeper into madness, bears the Nero Films logo in the bottom left, with an embossed logo just above it. It shows pinholes in the top corners and minor corner bends, but is in remarkably good condition. If you bid wisely, "M" will stand for mine! Very Fine.Sold for: $6,572.50. |
| 28050 | Emil Jannings in Herr Tartuffe Publicity Still by Karl Schlemm (UFA, 1925). German Still (8.5" X 11"). Vintage black and white, double weight, glossy still. Emil Jannings squints at his prayer book in this exquisitely sharp still from F. W. Murnau's version of Molière's famous comedy. Murnau energized the centuries-old text by adding a framing story, and lending his usual visual virtuosity to the storytelling. This stunning still has the very slightest of overall wear, but no actual flaws of note. Very Fine/Near Mint.Sold for: $286.80. |
| 28051 | Faust (UFA, 1926). German Lobby Card (8.5" X 11"). One of Germany's most important directors during the 1920s, F. W. Murnau was a cinematic genius. Best known as the director of Nosferatu (1922), he also filmed an early version of Dr. Jekyll and Mr. Hyde (1920) and the brilliant character study Der Letzte Mann (1924), as well as this, a stunning adaptation of the Faust legend. With Gosta Ekman as Faust, an aged seeker of knowledge and pleasure who turns to dark forces to satisfy his longings, and Emil Jannings as Mephisto, the demonic servant who answers Faust's summons, this was the film that won Murnau a contract with Fox Studios in Hollywood. Offered here is a very rare original German lobby card from this landmark production, with a spectacular image of Ekman and Jannings. It has both the UFA and Parufamet logos in the bottom corners, and the embossed seal of the Filmprufstelle Berlin Zugenlassen in the top right. There is pencil writing on the reverse identifying the actors, as well as a studio stamp, and a photographers stamp crediting Karl Schlemm. For fans and devotees of German Expressionist cinema, and of Murnau, one of that style's greatest proponents, this is a rare opportunity to acquire an important piece in virtually pristine condition. Don't let this one pass you by. Near Mint. Sold for: $2,629.00. |
| 28052 | The Three Penny Opera Publicity Stills (Warner Brothers, 1931). German Still (2) (8" X 10.75") and (9.25" X 12"). Vintage black and white, double weight, glossy stills. A brilliant adaptation of the Bertholdt Brecht/Kurt Weil stage production by director G. W. Pabst, this is the well-known story of Mack the Knife (Rudolf Forster), a criminal kingpin, who marries Polly Peachum (Carola Neher), whose father (Fritz Rasp), the king of the beggars, despises Mack and plots his downfall with the aid of the chief of police. Particularly notable in this production is the appearance as Pirate Jenny of Weil's wife, Lotte Lenya, perhaps better known to contemporary film audiences as the insidious Rosa Klebb in From Russia with Love (1963). Presented here are two original publicity stills from this famed production. The larger still, picturing Forster as Mack, measures 9.25" X 12", and has a large tear in the left border that has been repaired with paper tape on the reverse, a small amount of pencil writing on the reverse, a corner bend in the top left, and light edge wear. The smaller still, measuring 8" X 10.75", has light edge wear, pencil writing on the reverse, and a small chip in the top left corner. These are very rare pieces from a landmark production. Fine/Very Fine.Sold for: $262.90. |
| 28053 | Pola Negri in "Madame DuBarry" Publicity Still (UFA, 1919). German Still (8.5" X 11"). Vintage black and white, double weight, glossy still. In the midst of the French Revolution, the aristocratic Madame DuBarry (Pola Negri) carries on a torrid affair with King Louis XV, until the rebellious mob demands her head. Directed by the renowned Ernst Lubitsch, this is a historical spectacle, presented in grand fashion. Offered here is an exquisite original still of Negri, which shows the UFA logo in the bottom left. There is a bend in the bottom right, and the borders have been trimmed. There are several studio stamps on the reverse, as well as handwriting in both pen and pencil identifying the actress and the production. This is a rare and classic beauty that you will be proud to own. Fine/Very Fine. Sold for: $179.25. |
| 28054 | "Anna Boleyn" Publicity Stills by Karl Schlemm (UFA, 1920). German Stills (2) (9" X 11"). Vintage black & white, double weight, glossy stills. Based on the tempestuous second marriage of English King Henry VIII, a marriage that led to chaos and turmoil throughout the Empire, this is a sumptuous production by famed director Ernst Lubitsch. Starring the great Emil Jannings as Henry and Henny Porten as his young bride, the film is considered a high point in German filmmaking. Offered here are two gorgeous stills from this important production. They both display slight corner bumps, and have handwriting in pencil and a photographer's stamp on the reverse. Extremely rare, they are relics of a significant era in German cinematic history. Very Fine/Near Mint. Sold for: $358.50. |
| 28055 | The White Hell of Pitz Palu (Universal, 1929). Lobby Card (11" X 14"). There is perhaps no single person in the history of the movies more controversial than Leni Riefenstahl. An important pioneer in aesthetic filmmaking, Riefenstahl's films, including Triumph of the Will (1934) and Olympia (1936) are landmarks in the art of documentary cinema. Although tainted by her association with the Nazi party during World War II, Riefenstahl's importance to the development of the language of film cannot be denied. An accomplished actress as well, Riefenstahl stars in, rather than directs, this exciting film. In her memoir, Leni, Riefenstahl recounts, "We worked on this film for weeks at a temperature below minus thirty degrees centigrade and suffered serious frostbite." This beautiful lobby card, picturing Riefenstahl and co-star Ernst Petersen, had a pinhole in the bottom right, very light stains in the bottom left and right borders, a tear in the top left that extends into Petersen's head, pieces missing in the left border and in the top left, and a replaced top left corner. Professional restoration has addressed these issues, returning the card to a like-new appearance and making it a piece that you will certainly be proud to own. Fine-.Sold for: $567.63. |
| 28056 | The Eagle of the Sea (Paramount, 1926). Half Sheet (22" X 28"). This is a swashbuckling tale of pirates and adventure on the high seas starring Ricardo Cortez as Captain Sazarac and Florence Vidor as Louise Lestron, the woman he loves. Based on a novel by Charles Tenney Jackson, Sazarac must protect both himself and his beloved from the depredations of Louise's evil uncle (Sam DeGrasse), who plots to embroil England and Spain in a war, with Sazarac's help. The thrilling half sheet offered here has light smudging in the borders, several border tears repaired with tape on the reverse, a few small areas of paint touch-up, a crease in the top left, a top left corner chip and a detached bottom left corner, both replaced and repaired with tape on the reverse. The central image area is clean and fresh, making this a highly attractive and desirable poster for anyone who has ever dreamed of a life of piracy and plunder. Fine+. Sold for: $239.00. |
| 28057 | Treasure Island (MGM, 1934). One Sheet (27" X 41") Style D. Wonderful stone litho artwork highlights this version of Robert Louis Stevenson's classic pirate tale starring Wallace Beery and Jackie Cooper. This rare poster had fold wear, a tear in the right border, and a small hole in Cooper's cheek. It has been mounted on linen, which has been trimmed to the posters edges, and minor touchup done to the folds. It is a delightful piece that will enhance any collection. Fine on Linen.Sold for: $896.25. |
| 28058 | Seven Sinners (Universal, 1940). Lobby Card Set of 8 (11" X 14"). Presented here is a fun and colorful set of cards from Marlene Dietrich and John Wayne's first film together. Dietrich, as Bijou Blanche, is mesmerizing as a singer at the Cafe of the Seven Sinners, where she grabs the attention of Navy Lieutenant Dan Brent (John Wayne) and mobster Antro (Oscar Homolka). Blanche has fun as she causes all kinds of trouble for the owners and patrons of the South Seas clubs where she performs. The title card has a corner bend in the bottom left, a paperclip stain in the top border, and surface paper loss in the image area. Some cards have staining and smudges in the borders, pinholes, corner bumps, and minor edge tears. One card has a missing corner and a pinhole in the center. This amazing set would be the highlight of any movie fan's collection. Fine-. Sold for: $418.25. |
| 28059 | Trader Horn (MGM, 1931). Title Lobby Card and Lobby Cards (2) (11" X 14"). African explorers Aloysius "Trader" Horn (Harry Carey) and his faithful companion Peru (Duncan Renaldo) discover a beautiful but deadly "white goddess" - actually Nina Trent (Edwina Booth), the daughter of a missionary, kidnapped years earlier - leading a native tribe. After a number of harrowing escapes, Horn finally convinces Nina to give up her jungle ways and return with him to civilization. The first non-documentary production to be filmed in Africa, this movie earned an Academy Award nomination for Best Picture. Offered here are three superb cards, including the beautiful and dramatic title card. One of the scene cards has a small crease in the top right, and the other shows a very small area of discoloration in the top left, but all three cards are in glorious condition, fantastic prizes for any collector. Near Mint.Sold for: $1,314.50. |
| 28060 | Trader Horn (MGM, 1931). Jumbo Lobby Cards (2) (14" X 17"). Aloysius "Trader" Horn (Harry Carey) and his companion Peru (Duncan Renaldo) travel through Africa, where they meet Mrs. Edith Trent (Olive Golden, Carey's wife) who is in-country searching for her daughter. After Mrs. Trent is killed, Horn and Peru continue the search, eventually finding the girl, Nina (Edwina Booth), who has become the cruel and sadistic "White Goddess," ruler of a savage tribe. This was a landmark production for MGM, as it was the first non-documentary movie to be shot on location in Africa. During filming, a native boy was killed by a charging rhino. The mishap - one of many that plagued the filmmakers - was captured on film, and the footage can be seen in the movie. These exquisite jumbo lobby cards have tape on the reverse, light corner bumps, and tiny corner creases, but they both display very nicely, possessing a high degree of eye-appeal. Very Fine+. Sold for: $478.00. |
| 28061 | Beyond Bengal (Showmens Pictures, 1934). Three Sheet (41" X 81"). One of the most bizarre of the "staged African expedition documentaries" that were popularized in the 1930s by Clyde Beatty and Frank "Bring 'Em Back Alive" Buck. Harry Schenck and his assistant Joan Baldwin go on safari and encounter natives and wild animals, resulting in strange and gory footage (some of which was recreated in Florida). This spectacular stone litho three sheet features an unforgettable image of a tiger about to rampage upon a Great White Hunter. In outstanding condition, this had minor pinholes and minor fold separations. The poster has been mounted on linen and minor restoration performed, making it look as good as new. Very Fine+ on Linen.Sold for: $1,015.75. |
| 28062 | The Thief of Bagdad (United Artists, 1940). Half Sheet (22" X 28") "Flying Horse" Style. This opulent retelling of a familiar tale, starring Conrad Veidt as Jaffar, Sabu as Abu, and Rex Ingram as the Djinn, garnered three well-deserved Academy Awards, for Best Color Art Direction, Best Color Cinematography, and Best Special Effects. Although plagued with production problems, including a forced relocation from Great Britain to Hollywood due to the Blitz, and producer Alexander Korda's hiring and firing of six different directors, the result is a masterful piece of filmmaking, as enjoyable today as it was nearly seventy years ago. Offered here is an exceptional half sheet, that shows edge wear with tiny tears, minor areas of surface paper loss and smudging in the borders, pinpoint crossfold separations, and corner creases, but it remains a vibrant and attractive piece that will greatly enhance any collection. Folded, Fine/Very Fine.Sold for: $776.75. |
| 28063 | The Thief of Bagdad (United Artists, 1940). Half Sheet (22" X 28") "Genie" Style. A charming fantasy film, this wonderful adaptation of the classic tale features noted black actor Rex Ingram as the Djinn. Ingram, born on a riverboat in Mississippi, is perhaps best known for his role as Jim in The Adventures of Huckleberry Finn (1939, as well as the significant parts he played in The Green Pastures (1936), Cabin in the Sky (1940), and Sahara (1943), to name just a few. He is prominently featured on this wonderful half sheet, with art by the renowned Willy Pogany, which shows pin holes in the image area, edge wear with small tears, a piece missing from the bottom left, tears in the right border, wrinkling in the lower left, creases in the bottom border, and a vertical crease in the top left. In spite of these flaws, this is a lovely piece that displays very nicely. Rolled, Fine+.Sold for: $776.75. |
| 28064 | Captive Wild Woman (Universal, 1943). One Sheet (27" X 41"). John Carradine, Milburn Stone, Evelyn Ankers, and the lovely Acquanetta star in this thriller from the masters of horror, Universal Studios. The first in the "Ape Woman" series, this film would spawn two successful sequels. This one sheet had missing paper in the center of the image, chips in the bottom left corner, and small tears in the edges. But now, thanks to a great restoration, it looks like a million bucks! Very Good/Fine on Linen. Sold for: $2,270.50. |
| 28065 | Jungle Woman (Universal, 1944). One Sheet (27" X 41"). In this sequel to Captive Wild Woman, the lovely and exotic Acquanetta reprises her role of Paula Dupree, the jungle stunner who turns into a gorilla when she gets emotional. This one sheet has tape on the reverse, wrinkling in the image and borders, and separations at the folds. There are also pinholes in the corners but these flaws in no way detract from the gorgeous artwork for this entry into Universal's "Ape Woman" trilogy. Fine/Very Fine. Sold for: $491.15. |
| 28066 | Cobra Woman (Universal, 1944). Six Sheet (81" X 81"). Maria Montez pulls double duty as twin sisters in this Technicolor thriller. Tollea (Montez) is kidnapped and taken to a remote island where she is held captive by her evil sister, Naja, the Cobra Woman (also Montez). It's up to Tollea's true love (John Hall) to rescue her before she is sacrificed to the Cobra gods. Sabu and Lon Chaney co-star. This gorgeous poster features a stunning image of Montez and is in unrestored condition with pinholes and small tears in the image and borders. There are crossfold separations with slight paper loss along with creases and smudges in the field. However, this is still a beautiful example of 1940s Universal paper featuring an often overlooked screen beauty. Fine+. Sold for: $507.88. |
| 28067 | She (RKO, 1935). Lobby Card Set of 8 (11" X 14"). Fresh from his triumph on 1933's King Kong, producer Merian C. Cooper brought to the screen a stunning adaptation of H. Rider Haggard's popular adventure novel, She. The story of a beautiful woman who rules a mysterious underground civilization, this was a lavish, spare-no-expense production starring Randolph Scott, Helen Gahagan, Helen Mack, Nigel Bruce, "and a cast of thousands." An expensive film to make and a massive box office disappointment, the film was considered lost for many years, until a print was discovered in the garage of silent film comedian Buster Keaton. It has since been restored for public viewing, and, upon reevaluation, proves to be a dynamic and exciting film, a spectacular picture well worthy of its impressive cinematic lineage. In keeping with the elaborate production values of the picture itself, the paper designed to promote the movie is extremely attractive as well. Offered here is a beautiful set of lobby cards for this stunning film. The cards had pinholes in the corners, light edge wear, slight water staining, and corner creasing. Additionally, the title card had a censor stamp near the "H" in "SHE," and a scratch running partway down the left side. Professional restoration has expertly addressed all these issues however, returning these cards to a Near Mint appearance. If you're a fan of exotic adventure films, this is a lobby set you won't want to pass up! Fine/Very Fine.Sold for: $1,792.50. |
| 28068 | The Adventures of Tarzan (Numa, 1921). Lobby Card (11" X 14"). One of the most popular fictional characters ever created, Tarzan was a massive hit from the publication of his first story in a 1911 issue of The All-Story Magazine. By 1918, he made the leap to the silver screen, with Elmo Lincoln in the title role. Sequels came thick and fast, with various degrees of success without Lincoln in the lead until, in 1921, it was decided to return him to the leopard-print loincloth he had worn several years earlier. The result was The Adventures of Tarzan, a 15-chapter serial based on author Edgar Rice Burroughs's novels The Return of Tarzan and Tarzan and the Jewels of Opar that was destined to become one of the top hits of the year, eclipsing even such classic films as Rudolph Valentino's The Sheik, and D. W. Griffith's Dream Street. Posters from this particular jungle epic is exceedingly scarce, with only a handful of lobby cards known to exist. This exceptional lobby card shows pinholes in the borders and corners, a slight stain in the top left, and light corner creasing. These are minimal concerns, however, especially considering the incredible rarity and desirability of this amazing find. Very Fine-. Sold for: $507.88. |
| 28069 | The Adventures of Tarzan (Adventures of Tarzan Serial Sales, R-1928). One Sheet (28" X 41.5"). Chapter Six -- "Fangs of the Lion." A smash success upon his first appearance in the October 1912 issue of The All-Story magazine, Tarzan, the creation of novelist Edgar Rice Burroughs, quickly leapt from the pages of the pulps to the silver screen, making his debut movie appearance in 1918's Tarzan of the Apes, with Elmo Lincoln donning the leopard-print loincloth as the Lord of the Jungle. After several sequels, which featured some less-than-imposing ape men, Lincoln returned to the jungle in a 15-chapter serial entitled The Adventures of Tarzan. The production, which used real wild animals and required, according to Numa, the original production company, more time than any other serial yet produced, was plagued with problems, including, in a story that may be apocryphal, a real fight-to-the-death between Lincoln and a lion, who became enraged after being prodded one too many times. The footage of Lincoln's heroic battle can still be seen in the film. The serial proved so popular that it was re-released in 1928, re-edited into a ten chapter version. This fabulous rotogravure poster hails from that re-release, for Chapter 6: Fangs Of The Lion. It has a long tear in the left border, fold and crossfold separations with paper loss, paper missing from the right border, and a crease at the bottom horizontal fold. The wonderful poster, including a great image of Lincoln in the bottom left, is a rare find for any collector of Tarzan material. Fine+ on Linen. Sold for: $896.25. |
| 28070 | Tarzan's Revenge (20th Century Fox, 1938). One Sheet (27" X 41"). In trying to one-up Johnny Weissmuller's Tarzan, producer Sol Lesser hired two Olympic athletes, Glenn Morris (his first choice was Yankees great Lou Gehrig) and Eleanor Holm. The attempt didn't work -- each of them only made one other film after this. This wonderful one sheet certainly works, however, with its beautiful stone litho image of the two stars. The poster has small edge chips, tape scuffs on the back, pinholes, light fold wear, a corner crease, and small corner chips. It has been mounted on linen and professionally restored, giving it a very nice appearance. Very Fine- on Linen.Sold for: $388.38. |
| 28071 | Tarzan Escapes (MGM, 1936). Title Lobby Card (11" X 14"). Johnny Weissmuller and Maureen O'Sullivan star in one of the best sequels in the Tarzan series. By 1936, the Hays commission had decided that O'Sullivan's costume from 1934's Tarzan and His Mate was just a little too revealing, and made Jane cover up. Posters and lobbies on this installment are extremely scarce and this is one of the best examples of this title card we've seen. This wonderful lobby has deep color, one pinhole in each corner, a slight wrinkle in the upper border, and some light scratches in the center of the card. Very Fine-. Sold for: $1,075.50. |
| 28072 | Tarzan's Secret Treasure (MGM, 1941). Lobby Card (11" X 14"). In this, one of the most popular films in MGM's Tarzan franchise, greedy men, hungry for riches, kidnap Jane (Maureen O'Sullivan) and Boy (Johnny Sheffield) in order to coerce Tarzan (Johnny Weissmuller) into revealing the location of a secret cache of gold. Offered here is the best scene card in the set, picturing the three leads and Cheetah. It has pinholes in the top corners and one in the bottom center, as well as light staining in the bottom border, but otherwise has the appearance of a much higher grade. Very Fine+.Sold for: $657.25. |
| 28073 | Johnny Weissmuller Color-Glos Still (MGM, 1930s). Still (11" X 14"). Johnny Weissmuller was MGM's Tarzan, in a series of films from 1932 to 1942. This superb, hand-tinted, color-glos still features Weissmuller in all his swarthy glory. Condition issues include edge wear, a corner chip in the bottom left, some light smudging in the bottom border, and some edge chips in the top right. Fine/Very Fine. Sold for: $131.45. |
| 28074 | Johnny Weissmuller as Tarzan the Ape Man Publicity Still (MGM, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. Five-time Olympic gold medal winner, and widely held to be the best screen Tarzan, Johnny Weissmuller strikes an athletic pose in this terrific still from his first appearance as the Ape Man. Minor condition issues include light edge and surface wear, a tiny stain in the lower left border, and a very small crease in the lower right corner. Very Fine. Not Sold. |
| 28075 | Johnny Weissmuller and Maureen O'Sullivan in "Tarzan and His Mate" Publicity Still (MGM, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. The first sequel in MGM's ever-popular Tarzan franchise, this is the story of a group of men who come to the jungle in search of ivory, but also plan to take Jane (Maureen O'Sullivan) back with them to civilization, away from Tarzan (Johnny Weissmuller). This charming image of the jungle couple has pinholes in the upper left and bottom right, but is otherwise unmarked. Very Fine. Sold for: $119.50. |
| 28076 | Johnny Weissmuller and Johnny Sheffield in "Tarzan Finds a Son" Publicity Still (MGM, 1939). Still (8" X 10"). Vintage black and white, double weight, satin finish still. Tarzan and Boy hang out in this amusing staged photograph from the film. The still, which has a press blurb on the back with the film's original title,Tarzan in Exile, is in exceptional condition, with some minor corner bumps and very light surface wear being the only issues. Very Fine+. Sold for: $334.60. |
| 28077 | Johnny Weissmuller and Johnny Sheffield in "Tarzan Finds a Son" Publicity Still (MGM, 1939). Still (8" X 10"). Vintage black and white, double weight, satin finish still. The fourth movie in the popular MGM Tarzan series, Tarzan literally finds a son (Johnny Sheffield) in the jungle - the young survivor of an otherwise fatal plane crash - as censors at the time would not allow Jane (Maureen O'Sullivan) to be depicted as pregnant, since she and Tarzan were not legally married. As Boy, Sheffield would appear in six additional Tarzan films before essaying the role of Bomba, the Jungle Boy in another highly popular series. This charming still, which has typed caption information on the reverse, as well as writing in pencil and a stamp identifying the movie, is in superb condition, a perfect addition to any collection. Near Mint. Sold for: $239.00. |
| 28078 | Johnny Weissmuller Studio Portrait by George Hurrell (MGM, 1932). Still (16" X 20"). An Olympic champion in both 1924 and 1928, Johnny Weissmuller came to Hollywood to play the lead in MGM's highly successful Tarzan series, which quickly made him one of the biggest stars of the silver screen. Offered here is a marvelous portrait of Weissmuller, taken near the beginning of his motion picture career by famed photographer George Hurrell. This hand-signed, hand-numbered (218/250) print is from Hurrell's Portfolio II, issued circa 1980, with each copy printed from an original negative under the personal supervision of Hurrell himself. This particular copy has been mounted on foam core; were it not for this, it would have received a grade of Near Mint, as it is in remarkable condition. Fine.Sold for: $119.50. |
| 28079 | Johnny Weissmuller in "Tarzan Escapes" Publicity Still (MGM, 1936). Still (10" X 13"). Vintage black and white, double weight, satin finish still. This is a unique publicity still for Johnny Weissmuller's third outing as Tarzan. It features Tarzan returning to camp atop one of his faithful elephants carrying a basket of fresh fruit. The still has an inked date and an MGM snipe on the back, as well as a studio pencil number for the still itself. Excellent black and white color, no fading, with only mild corner creases in the upper right and lower left. There is a mild crease in the lower right border and a very small paper scuff in the bottom right border. Very Fine. Sold for: $119.50. |
| 28080 | Johnny Weissmuller Publicity Still (MGM, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. Before he was a movie star, Johnny Weissmuller was an Olympic swimming champion, winning three Gold medals and one Bronze in Paris in 1924, and two additional Gold medals in Amsterdam in 1928. He's seen here in an early publicity photo, presumably just before he was cast as Tarzan and most likely during the period in which he was employed as a high-profile model for BVD swimwear. The still has a light corner bend in the bottom right, and the date "1932" written in pen on the reverse. It is a rare image of Weissmuller at an extremely early point in his career, a wonderful piece for any Tarzan collector. Very Fine+. Sold for: $448.13. |
| 28081 | Tarzan the Ape Man (MGM, 1932) & Tarzan and His Mate (MGM, 1934). Heralds (2). One of the most popular fictional characters ever created, Tarzan, the Ape Man debuted in the October 1912 issue of All-Story Magazine, and was an instant sensation. Movies soon followed, further increasing the popularity of the jungle lord. In 1932, the actor who would become most identified with the role, former Olympian Johnny Weissmuller, made his loincloth-clad debut in Tarzan the Ape Man, and would appear in nearly a dozen additional Tarzan features over the next decade and a half. Offered here is a pair of very rare heralds from Tarzan the Ape Man (8.75" X 5.75"), which shows light fold wear, and the first sequel, Tarzan and His Mate (8.75" X 4"), that has a theater stamp on the interior. Paper from these perennially popular films is extremely scarce and highly desirable. Don't miss this opportunity to add these beauties to your collection. Very Fine+.Sold for: $215.10. |
| 28082 | Johnny Weissmuller and Maureen O'Sullivan in Tarzan the Ape Man Publicity Stills (MGM, 1932). Stills (2) (8" X 10"). Vintage black and white, single weight, gloss stills. Although it wasn't the first time Edgar Rice Burroughs's iconic creation had been brought to the screen, this exceptional picture marked the beginning of MGM's enormously successful Tarzan franchise, and kicked off the career of the actor perhaps most identified with the Jungle Lord, Olympic athlete Johnny Weissmuller, who would go on to star in nearly a dozen additional Tarzan pictures over the next 16 years. Offered here is a very attractive still picturing Weissmuller and Maureen O'Sullivan as Jane, which has writing on the reverse. Also included in this lot is a dramatic image of Weissmuller as Tarzan in Tarzan and His Mate (MGM, 1934), which has writing and a studio snipe on the reverse, as well as some staining, which bleeds through to the front. Both are excellent vintage photographs of a great actor in a classic role. Fine+. Sold for: $179.25. |
| 28083 | "Tarzan's Secret Treasure" Publicity Still (MGM, 1941). Still (8" X 10"). Vintage black and white, single weight, glossy still. This is the second MGM film to feature the entire jungle family of Tarzan (Johnny Weissmuller), Jane (Maureen O'Sullivan), and Boy (Johnny Sheffield). The still has corner creases and light wrinkling. There is a stamp on the reverse. Very Fine+. Sold for: $119.50. |
| 28084 | The Lost City (Warner Brothers, 1920). One Sheet (27" X 41"). Chapter 15 -- "The Lost City." Although largely unknown to all but the most die hard movie buffs today, The Lost City is a landmark production in several ways. The first million dollar serial, it was also the first "jungle queen" picture, the first "lost city" movie, and the first motion picture to use actual wild animals in the action sequences (rumors that the movie was filmed on location in Africa, however, were purely the result of an overactive publicity campaign. The serial was actually shot at Los Angeles' Selig Polyscope Studios, using animals from the Selig zoo). Released in 15 exciting chapters, the serial stars Juanita Hansen, a lovely and popular actress of the day, and former Mack Sennett bathing beauty, whose wild lifestyle and tragic drug problems are the stuff of legend. Offered here is a gorgeous stone litho one sheet from the last chapter of this important production. There were two pieces missing from the center of the poster, one in the lower part of Hansen's face and the other in her stomach. There were pinholes in the corners, and minor chipping in the image area and borders, but professional restoration has expertly addressed all of these issues, resulting in a very presentable image. Good on Linen. Sold for: $718.20. |
| 28085 | The Trail of the Octopus (Hallmark Pictures, 1919). One Sheet (27.25" X 41") Episode Nine -- "The Chained Soul." In this exciting silent serial, Carter Holmes (Ben F. Wilson) and Ruth Stanhope (Neva Gerber) race to find nine daggers in order to unlock the secret of the Devil's Trademark. Wilson and Gerber - one of the most prolific serial actresses ever, with 12 chapterplays to her credit - were a frequent on-screen couple, including making several serials and a number of Westerns together between 1917 and 1926. This dramatic stone litho one sheet had pinholes in the borders, minor crossfold separations, and slight stains on the reverse. Professional restoration has addressed all of these issues, giving this poster a Near Mint appearance. Very Fine- on Linen.Sold for: $956.00. |
| 28086 | Mistress of the World (Paramount, 1919). One Sheet (27" X 41") Chapter 4 -- "Saved by Wireless." Style A. Little is known about this intriguing silent serial. Filmed in Germany in 1919 at UFA Studios, the plot apparently revolves around a heroic young woman (Mia May) who travels first to China and then to the legendary city of Ophir in search of the fabled treasure of the Queen of Sheba, providing plenty of exotic locations to thrill contemporary audiences. Originally filmed in eight parts, it seems that Paramount re-edited the serial into four parts for the American release. This serial was, in part, directed by Joe May, an important figure in the development of early German cinema. It was May who gave future director Fritz Lang his start in the industry, frequently employing him as a scriptwriter. May emigrated to the U.S. after the Nazi take-over, and went on to direct some excellent films for Universal, including The Invisible Man Returns (1940) and The House of the Seven Gables (1940). His wife, Mia, had an enormously successful screen career in Germany, culminating in the film, The Indian Tomb (1921), written by Lang and Thea von Harbou and directed by her husband, a lavish spectacle that remains an important part of motion picture history today. This stunning stone litho one sheet had pinholes in the borders and corners, a small tear in the top right border, minor fold separations, and a small edge chip in the right border, but professional restoration has rendered these slight flaws virtually invisible, returning a like-new appearance to this vintage classic. Very Fine- on Linen. Sold for: $717.00. |
| 28087 | Velvet Fingers (Pathé, 1920). Three Sheet (41" X 81") Episode 5 -- "The Deserted Pavilion." By the time director and star George B. Seitz made this early serial, in which the title character (Seitz) is an expert safecracker who matches wits with famed criminologist Professor Robin (Harry Semels), he already had nearly a dozen silent chapterplays under his belt, including such landmark titles as The Perils of Pauline (1914), The Exploits of Elaine (1914), The Iron Claw (1916), and The House of Hate (1918). One of the most prolific directors of the silent era, Seitz is perhaps best known as the director of the film, A Family Affair (1937), the movie that introduced the character of Andy Hardy and helped make Mickey Rooney a superstar, as well as a dozen additional films in the popular Andy Hardy franchise. By the time of his death in 1944, Seitz had helmed more than 100 motion pictures. Offered here is a gorgeous three sheet for this exciting serial. It had fold wear, crossfold separation, and a tear at the top border, but professional restoration has rendered these slight flaws virtually invisible, making this a poster that displays with a like-new appearance. Very Fine on Linen.Sold for: $956.00. |
| 28088 | Hurricane Hutch (Pathé, 1921). One Sheet (27" X 41"). Episode 14 -- "The Secret in the Flame." Daredevil Charles Hutchinson stars in this exciting 15-episode serial as he races to obtain a secret formula for making paper from common seaweed. A popular star known for his thrilling stuntwork, Hutchinson would go on to appear in a number of additional serials well into the 1940s. This beautiful stone litho one sheet had edge chips, a long tear in the bottom border, fold separations with chips, and several small holes in the word "Hutch." Professional restoration has expertly addressed these issues, resulting in a poster with a very attractive, Near Mint appearance. Fine+ on Linen.Sold for: $1,314.50. |
| 28089 | The Range Fighter (Exhibitor's Pictures, 1926). One Sheet (27" X 41"). Chapter Eight -- "The Pit of Despair." Ken Maynard was a cowboy for Ringling Brothers Circus in the early 1920s when he was discovered by director Lynn Reynolds, who suggested that the superb horseman test for movies. After several small roles, it was his role as Paul Revere in Janice Meredith (1924) that first earned him fame. From there, he signed as a cowboy star with J. Charles Davis, for whom he made eight Western pictures including this, his first serial. In the following years, Maynard, along with his horse Tarzan, became one of the biggest stars in Hollywood, and would be the first singing cowboy. Later, he inadvertently kickstarted the career of Gene Autry when he turned down the leading role in Mascot's serial, The Phantom Empire (1935). Determined to prove that he could cast anyone in the role, producer Nat Levine turned to bit player Autry, and a new superstar was born. Offered here is a very rare find indeed, a beautiful stone litho one sheet from one of Maynard's first starring roles, and the earliest piece featuring this major Western star we've ever offered. It had light edge wear, fold separations, and small chips in the bottom, but superb professional restoration has repaired these slight issues, making this poster look as good as new. Fine/Very Fine on Linen. Sold for: $866.38. |
| 28090 | Darkest Africa (Republic, 1936). One Sheet (27" X 41"). This One Sheet, from Chapter 1: "Baru - Son of the Jungle," features gorgeous artwork from the first serial made by Republic Pictures, the studio that would go on to produce the best serials in the industry. Posters for this early serial are exceptionally scarce and extremely attractive, as they didn't add "insets". This lovely example has had restoration to slight missing crossfold paper as well as minor border and corner chipping. The restoration work was done well with colored pencils; there has been no paint applied. Very Good/Fine on Linen. Sold for: $836.50. |
| 28091 | A Dangerous Adventure (Warner Brothers, 1922). One Sheet (27" X 41") Episode 12--- "The Lion's Prey." An early jungle serial, this exciting chapterplay, starring Grace Darmond as treasure-hunting Marjorie Stanton, was directed by Sam and Jack L. Warner themselves. As was not uncommon in the early days of motion pictures, especially in films involving wild animals, accidents on the set were rampant, including attacks on actors and crewmembers by leopards and lions, and a narrowly-avoided conflagration started when an extra attempted to put out a flaming torch. The result, however, is an action-packed picture, perfectly represented by this exciting one sheet for Episode 12: "The Lion's Prey." It had pinholes in the corners, pinpoint crossfold separation, and fold wear, but expert restoration has rendered these slight flaws virtually invisible, resulting in a lovely piece to both collect and display. Very Fine on Linen. Sold for: $776.75. |
| 28092 | King of the Wild (Mascot, 1931). One Sheet (27" X 41"). Chapter 10 -- "The Leopard's Lair." In this exciting, 12-chapter serial, Walter Miller plays Robert Grant, an American soldier of fortune wrongly imprisoned in India. Grant escapes and flees to Africa, where he meets Mustafa (Boris Karloff, in a pre-Frankenstein appearance), a sheik who possesses a map to a fabulous diamond field. A thrilling adventure, the stunning stone litho posters for this excellent chapterplay are truly exquisite. This particular copy, which shows Mustafa about to be attacked by the ape man Bimi (Cyril McLaglen), is one of the few in the series to show Karloff, making it a rare find indeed. It has very small tears at the center horizontal fold line, very minor edge tears, and pinpoint crossfold separations, but is otherwise clean, attractive, and highly desirable. If you've ever wanted a great Karloff poster from the 1930s, this is your chance. Very Fine+. Sold for: $717.00. |
| 28093 | Flash Gordon (Universal, 1936). Autographed One Sheet (27" X 41") Chapter 5: "The Destroying Ray." Chapter 5" "The Destroying Ray" is represented on this incredibly rare one sheet for the best serial Universal ever made - Flash Gordon. This poster features a fine depiction of Buster Crabbe as Flash, with Jean Rogers as Dale Arden behind him. Unlike many other serial posters for other studios, the posters for Flash Gordon had entirely different art for each episode, and the art for The Destroying Ray is considered by many collectors to be the best of the lot. Posters for this serial are in incredibly high demand, and rarely come up for auction. Here is a great opportunity to acquire a truly outstanding cinematic collectible. The poster has pinholes in the corners, edge wear with small chipping on the right border, fold separations repaired with tape on the reverse, and creases on all four corners. As an amazing added bonus, it has been signed by Buster Crabbe! Fine. Not Sold. |
| 28094 | Buck Rogers (Universal, 1939). One Sheet (27" X 41"). A modern-day Rip Van Winkle, Anthony "Buck" Rogers was trapped in a collapsed mine and fell into a state of suspended animation, waking 500 years later, in the year 2419. Buck, who made his fist appearance in the August 1928 issue of Amazing Stories magazine, quickly became a wildly successful comic strip, debuting on January 7, 1929. He conquered the nation's airwaves in 1932, with his own syndicated radio show, and came to the silver screen in 1939, the hero of a thrilling 12-chapter serial, starring Buster Crabbe as Buck, a companion serial to Universal's popular Flash Gordon serials (also starring Crabbe). Paper from this popular serial is extremely scarce, and is rarely offered for sale. The wonderful duotone example offered here, for Chapter 9: "Bodies Without Minds," had fold separations with minor paper loss, tearing and some paper loss at the center crossfold, a large tear in the bottom right that goes into Crabbe's face, as well as several additional tears in the image area. Additionally, the borders have been replaced. The professional restoration applied to this poster is absolutely first rate, returning a like-new appearance to this classic, and hard-to-find, sheet. Good+ on Linen. Sold for: $717.00. |
| 28095 | The Adventures of Captain Marvel (Republic, 1941). Title Lobby Card (11" X 14"). One of the greatest serials ever brought to the screen, this exciting chapterplay was based on the popular character created by C. C. Beck and published by Fawcett Comics. Surpassing even Superman in popularity for a time, Captain Marvel was the alter ego of young Billy Batson who, in this great thriller, battles the evil Scorpion for possession of a series of ancient Egyptian lenses that, when aligned properly, can project a terrible death ray! Featuring the heroic Tom Tyler as Captain Marvel and Frank Coghlan Jr. as Billy, this serial is as enjoyable today as it was more than six decades ago. Offered here is an exceptional title card for chapter 11 "Valley of Death." It shows pinholes at the top, a very light tape stain in the lower right, and some very light corner creasing, but these are minor flaws, only visible under close examination. Paper from this popular serial is highly desirable, so don't miss your chance to add this gem to your collection. Very Fine+. Sold for: $388.38. |
| 28096 | Drums of Fu Manchu (Republic, 1940). One Sheet (27" X 41"). Chapter 15 -- "Revolt." Widely considered one of the greatest serials ever filmed, this classic chapterplay stars Henry Brandon as the insidious Dr. Fu Manchu, the evil Asian genius and mad scientist created by author Sax Rohmer. In this exciting serial, Fu seeks the keys that will unlock the tomb of Genghis Khan, thus fulfilling a prophecy he believes will allow him to rule the world. Directed by Republic's team supreme - William Whitney and John English - this serial is somewhat unique in that it actually stressed the mystery elements of the story, rather than relying purely on slam-bang action, but never skimped on the chilling cliffhangers. Offered here is a beautiful poster from the final chapter of this great production. It shows small edge tears, a small chip in the top left corner, a small area of surface paper loss in the inset, and slight corner bends, but is still a wonderful piece that you will be proud to own and display. Fine/Very Fine.Sold for: $537.75. |
| 28097 | Warner Oland and Henrietta Crosman in "Charlie Chan's Secret" Publicity Still (20th Century Fox, 1936). Still (8" X 10"). Vintage black and white, single weight, glossy still. When author Earl der Biggers visited Hawaii, he learned of the exploits of storied Chinese-American detective Chang Apana, and quickly used the real-life cop as the basis for his own fictional sleuth, Charlie Chan. Before long, Chan was appearing on the screen, first in several silent versions, then in a great series of motion pictures, first from Fox, then by Monogram. This wonderful still, showing actors Warner Oland as Chan and Henrietta Crosman as spiritualist Henrietta Lowell relaxing on the set, is in superb condition, as fresh and clean as the day it was printed. It has typed captioning information on the reverse that identifies the actors and the production. Near Mint.Sold for: $119.50. |
| 28098 | Charlie Chan Carries On (Fox, 1931). Lobby Card (11" X 14"). As one of the earliest Charlie Chan films, and the first appearance of Warner Oland as the title master sleuth, it is sad to note that this film no longer exists. Marguerite Churchill and John Garrick costar in what would become one of the most popular movie detective series ever. The card is in wonderful condition, with one pinhole in the top border, one in the lower image area, minor corner bumps, and a crease in the bottom left border. There is also a small bend in the top left corner reinforced with tape on the reverse. Any image from this lost film is hard to find, especially in this beautiful condition. Very Fine. Sold for: $537.75. |
| 28099 | Charlie Chan's Chance (Fox, 1932). Lobby Card (11" X 14"). Warner Oland's third excursion as the Chinese detective, this early talkie features a plot in which Chan himself was the intended victim of a murder, but escaped, while another man was killed. He has to fend off the inquiries of both Scotland Yard and the New York police while he tracks down the killer. Unique in the series as being the only Chan film to have the involvement of creator Earl Derr Biggers (credited with "added suggestions"), this is a lost film, much to the chagrin of many Chan enthusiasts. What's not lost is this fantastic lobby card with a terrific image of Oland in a tuxedo. The condition on this card is simply impeccable, with a single extremely minor corner crease being the only flaw we can detect. Near Mint.Sold for: $896.25. |
| 28100 | Charlie Chan's Courage (Fox, 1934). Lobby Card (11" X 14"). In his fifth appearance as Charlie Chan, Warner Oland takes on the case of solving the murder of a wealthy man who hired him to deliver a valuable necklace. Chan disguises himself as a servant to spy on all the usual suspects. This lobby card has light smudges in the borders and a small tear with creases in the top border that has archival tape on the reverse. This wonderful image is a rare find from a lost film. Very Fine.Sold for: $597.50. |
| 28101 | Charlie Chan at the Circus (20th Century Fox, 1936). Window Card (14" X 22"). Charlie Chan (Warner Oland) takes his entire family on an outing to the circus but soon finds himself as the main attraction in this three-ring mystery. This was the 11th Fox-produced Chan film to star Oland as the wise and mysterious detective from the Orient. This colorful window card has undergone professional restoration. Prior to refurbishing, it had small tears in the borders, a couple that stretched into the artwork, corner creases, and a few chips in the borders. Now, it displays incredibly well. Fine/Very Fine on Cardstock. Sold for: $388.38. |
| 28102 | Charlie Chan on Broadway (20th Century Fox, 1937). Three Sheet (41" X 81"). Charlie Chan (Warner Oland) is In New York City to attend a police testimonial in his honor, and winds up taking on a new murder mystery. This time, the victim is a blackmailing nightclub singer who had listed the names of all known criminals in Manhattan in her diary. Chan takes on the case and eventually tracks down the killer - who turns out to be the least likely suspect. Prior to restoration, there were pinholes in the corners, tears in the top border and top left corner, chipping on the borders, crossfold separations and fold wear with some paper loss. This gorgeously designed stone litho three sheet will make a fine addition to anyone's collection. Fine/Very Fine on Linen.Not Sold. |
| 28103 | Charlie Chan at the Olympics (20th Century Fox, 1937). Lobby Card (11" X 14"). Warner Oland as Chan, along with two Berlin police, confronts sinister spymaster C. Henry Gordon in a climactic moment. There are pinholes in the corners, some light edge wear on the top border, very minor staining in the image, and a small bent corner piece in the lower right supported with archival tissue tape on the verso. There is also a bend in the card which is visible in the upper left. All in all, the card displays very nicely. Fine/Very Fine. Sold for: $119.50. |
| 28104 | Charlie Chan in Reno (20th Century Fox, 1939). One Sheet (27" X 41"). It's a tangled web of divorce and murder in this Charlie Chan classic, with Sidney Toler making his second appearance as the famous detective. Based on the Philip Wylie story, Death Makes a Decree, this is one of the most well-regarded entries in the popular series. The one sheet offered here had fold wear and wrinkling in the image area, but these minor flaws have been corrected by professional restoration, resulting in a clean and attractive overall appearance. Very Fine- on Linen. Sold for: $776.75. |
| 28105 | Charlie Chan in Reno (20th Century Fox, 1939). French Grande (47" X 63"). Sidney Toler's second outing as Charlie Chan finds the honorable detective defending a woman (Pauline Moore) who is accused of killing the husband she was about to divorce. A good detective yarn with outstanding production values. This fabulous French grande has artwork by Joseph Koutachy. The poster was mounted on linen, but has only had minor restoration, and some flaws are still visible. These include edge wear with minor chips and small edge tears, fold separations with slight paper loss, and a tear in the word "Chan." Fine on Linen.Sold for: $1,673.00. |
| 28106 | Murder Over New York (20th Century Fox, 1940). Insert (14" X 36"). Charlie Chan travels to NYC for a police convention, and becomes embroiled in a mystery concerning sabotage at aircraft factories. This was Sidney Toler's eighth excursion as the Chinese detective, and the New York setting was an appropriately fresh vista. This excellent insert is nicely-designed with a great image of Toler, as well as young leads Marjorie Weaver and Robert Lowery. Minor condition issues include light edge wear, a small stain in the top right corner, minor border tears, and corner bumps. A great-looking poster with very fresh color. Rolled, Very Fine.Sold for: $657.25. |
| 28107 | Black Magic (Monogram, 1944). One Sheet (27" X 41"). Charlie Chan (Sidney Toler) battles the world of the occult in this spirited entry in the Chan series. Instead of Number One Son, Chan is assisted by Number One Daughter, Frances (Frances Chan) in this film, which co-stars the ever reliable Mantan Moreland as Birmingham Brown. This eerie one sheet had fold separations with minor paper loss on the left side, and slight scuffing by the skeleton in the image, but professional restoration has expertly addressed these issues, resulting in a clean and attractive poster you will be proud to own. Fine on Linen. Sold for: $358.50. |
| 28108 | The Scarlet Clue (Monogram, 1945). Half Sheet (22" X 28"). A later entry in the Sidney Toler series of Charlie Chan films, this finds the famed Chinese-American detective investigating the death of a foreign agent, leading him to a building that houses both a suspicious radio station and a government research lab. The highlight of this enjoyable Chan film is the classic vaudeville routines performed by Mantan Moreland and his real-life nightclub partner Ben Carter. This dramatic half sheet has pinholes in the corners, light edge wear, pinpoint crossfold separations, corner bumps, and a light dust shadow in the left border, but is overall clean and attractive. If you're a Chan fan, don't let this one pass you by. Folded, Very Fine-. Sold for: $298.75. |
| 28109 | The Trap (Monogram, 1946). One Sheet (27" X 41"). This film, in which Charlie Chan investigates a murder in a Malibu beach house inhabited by a bunch of showgirls, marked Sidney Toler's last appearance as Earl der Bigger's famed Chinese-American detective, and, indeed, his last film appearance of any type, as he passed away from cancer shortly after completing this picture. This dramatic one sheet had pinholes in the corners, but this slight flaw has been corrected with professional restoration, which includes a small amount of airbrushing in the bottom left corner. Although this poster has not had the benefit of modern restoration techniques, it is an attractive sheet that any Chan fan would be proud to own. Very Fine on Linen. Sold for: $448.13. |
| 28110 | The Chinese Ring (Monogram, 1947). One Sheet (27" X 41"). For Roland Winters' first turn as Charlie Chan, director William Beaudine decided to remake the 1939 film Mr. Wong in Chinatown. The result is a fast-paced and entertaining picture that allowed Winters to get his feet wet in the role. He would play Chan in five more pictures for Monogram over the next several years. This attractive one sheet, which pictures Winters as well as co-stars Mantan Moreland as chauffeur Birmingham Brown and Victor Sen Young as "Number One Son," had pinholes in the corners, and a tear in the left side near the foldline, but professional restoration has ably addressed all of these minor flaws, resulting in a poster that presents very nicely. Very Fine- on Linen. Sold for: $262.90. |
| 28111 | Basil Rathbone and Nigel Bruce in Sherlock Holmes Publicity Stills (Universal, 1940s). Stills (5) (8" X 10"). Vintage black and white, single weight, glossy stills. Offered here is a great collection of publicity stills from Universal's popular Sherlock Holmes series. Only two of the stills are identified as being from particular films; one of the Nigel Bruce stills has a studio snipe on the reverse that says it is from Sherlock Holmes and the Voice of Terror (1942), and one of the Basil Rathbone stills is identified on the front as being from Dressed to Kill (1946). The remaining stills are likely from the same era, and showcase these great stars. All of the stills show some light edgewear, but are all in superb condition. Very Fine+.Sold for: $388.38. |
| 28112 | The Hound of the Baskervilles (20th Century Fox, 1939). Insert (14" X 36"). This was the first of the 14 Sherlock Holmes movies made with Basil Rathbone and Nigel Bruce and established Rathbone as the definitive Sherlock Holmes. Rathbone states in his autobiography that The Hound of the Baskervilles was always his favorite Sherlock Holmes film. This lot contains a beautiful insert card for one of the most elusive films of the late 1930s for which to find posters! This classic insert had slight fold wear and pinholes in the corners but was rendered flawless by expert restoration. The card now appears Near Mint. Very Fine+ on Paper. Sold for: $10,755.00. |
| 28113 | The Hound of the Baskervilles (20th Century Fox, 1939). Lobby Card (11" X 14"). The first film to star Basil Rathbone as Arthur Conan Doyle's legendary detective Sherlock Holmes, this adaptation of the classic novel is one of the best screen adaptations of this oft-filmed story. Rathbone and Nigel Bruce, as Holmes's confidant Dr. Watson, would star in an additional 13 Holmes films over the next seven years. The lobby card offered here is in impeccable condition. The only defects of note are very slightly blunted corners and a slight mistrim in the bottom right, but this appears to be a printer's error and not something done later. Otherwise, the card is in immaculate shape, sure to be the pride of any collection. Near Mint-.Sold for: $657.25. |
| 28114 | Sherlock Holmes and the Secret Weapon (Universal, 1942). Lobby Card (11" X 14"). The second Sherlock Holmes film set in contemporary times, this one finds the evil Professor Moriarty (Lionel Atwill) collaborating with the Nazis, intent on stealing a new bomb sight that could well change the course of the war. A fast-moving and action-packed picture, this is one of the most popular films in the franchise. This impressive lobby card, which pictures Holmes (Basil Rathbone), Dr. Watson (Nigel Bruce), and co-star Kaaren Verne, has pinholes in the vertical borders, a small scuff in the top right border, and corner creases in the top left and bottom right. These are extremely minor considerations, however, apparent only upon close examination, making this a card that will no doubt find an honored place in a fine collection. Very Fine+.Sold for: $310.70. |
| 28115 | Sherlock Holmes Faces Death (Universal, 1943). Title Lobby Card (11" X 14"). There are many who consider this film to be the best of Universal's Holmes series. The plot finds Holmes (Basil Rathbone) and Watson (Nigel Bruce) being summoned to the Musgrave estate when several mysterious murders occur. Hillary Brooke and Milburn Stone ("Doc" in TV's Gunsmoke) co-star. Peter Lawford shows up unbilled as an inebriated sailor. Prior to restoration, there was a tear from the top border to the "C" in the title and a small hole in the left side of the card. An excellent restoration has rendered these flaws nearly invisible. Very Good+.Sold for: $418.25. |
| 28116 | The Spider Woman (Universal, 1944). Half Sheet (22" X 28"). When prominent gamblers begin dying under mysterious circumstances, Sherlock Holmes (Basil Rathbone) fakes his own death in order to disguise himself and get to the bottom of the case, assisted, as always, by the steadfast Dr. Watson (Nigel Bruce). Finding the truth, however, becomes the least of Sherlock Holmes's worries when he crosses paths with the deadly Andrea Spedding (Gale Sondergaard), a woman with a heart of stone and a fondness for spiders. Considered one of the best of the Universal Holmes features, the film is represented here by a lovely half sheet. It shows slight smudging in the borders, a small tear in the bottom border, five evenly spaced vertical creases, and small corner creases in the top and bottom left. None of these minor flaws detract overmuch from the overwhelming eye-appeal of this classic beauty, which is sure to please any fan of the great detective. Rolled, Fine/Very Fine. Sold for: $1,195.00. |
| 28117 | The Scarlet Claw (Universal, 1944). Lobby Cards (2) (11" X 14"). Set in Canada, this Sherlock Holmes movie - one of the few not based on a story by Sir Arthur Conan Doyle - is considered by many Baker Street Irregulars to be one of the best Universal Holmes pictures. Starring Basil Rathbone as Holmes and Nigel Bruce as the ever-present Dr. Watson, this time the duo investigates a series of bizarre murders in a small Canadian village. Filmed during the Second World War, this film was very much seen as a tribute to Canada's wartime efforts, as the movie ends with a quote from Winston Churchill to that effect. Offered here is a pair of lobby cards from this fan-favorite picture. The one showing Watson has pinholes in the borders, a small amount of creasing in the top right and bottom left corners, minor tears in the borders, and cellophane tape on the back reinforcing these problem areas. The other card, picturing Holmes, is much cleaner, with only some very light smudging in the borders. The grade given is an aggregate grade for both cards, which will no doubt make an excellent addition to any collection. Very Fine. Sold for: $262.90. |
| 28118 | The Woman in Green (Universal, 1945). One Sheet (27" X 41"). Basil Rathbone's eleventh outing as Sherlock Holmes pits him against a murderous femme fatale (Hillary Brooke as the titular W.i.G.) and his archnemesis Professor Moriarty, played by Henry Daniell. Nigel Bruce provides the usual comic relief as Dr. Watson. This emerald beauty of a one sheet features all the key players and bold title graphics. The poster had pinpoint crossfold separations, chipping in the borders, and two missing corners, all of which has been addressed with professional restoration. Stunning color and superb artwork makes this a must-have for any Holmes collector. Fine/Very Fine on Linen. Sold for: $1,792.50. |
| 28119 | Pursuit to Algiers (Universal, 1945). One Sheet (27" X 41"). After the assassination of his father, Prince Nikolas (Leslie Vincent), heir to a European throne, is escorted home by Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce), who must keep the young man safe from any number of conspirators out to exterminate him. The striking one sheet offered here had pinholes in the corners, edge wear, a tear in Rathbone's shoulder. Additionally, there was a large tear extending from one side of the poster to the other. After professional restoration, however, these flaws are virtually unnoticeable, requiring close examination to see where repairs have been made. The attractiveness of this great poster is undimmed, and it is ready to be displayed proudly. Very Good/Fine on Linen.Sold for: $478.00. |
| 28120 | Terror By Night (Universal, 1946). Lobby Cards (5) (11" X 14"). The classic Sherlock Holmes, played by the great Basil Rathbone, brilliantly solves another murder mystery, this time on the train from London to Edinburgh. Aided by the trusty Dr. Watson (Nigel Bruce) and Inspector Lestrade (Dennis Hoey), Holmes investigates the passengers and prevents the theft of the priceless diamond, the Star of Rhodesia. These cards have pinholes in the borders and corners, and corner bumps. One card has light foxing in the bottom right, one card has a thin dust shadow along the right edge, and one card has a small abrasion in the bottom border. This is a wonderful collection of cards from Rathbone's thirteenth Holmes movie. Very Fine-. Sold for: $956.00. |
| 28121 | Mr. Moto's Last Warning (20th Century Fox, 1939). One Sheet (27" X 41"). The sixth entry in the Moto series, this features Mr. M in Egypt, investigating the death of a colleague who was using Moto's name to confuse the bad guys. Peter Lorre is in fine form here, with able support from John Carradine, George Sanders, Ricardo Cortez, and Virginia Field. This evocative poster had pinholes in the corners, borders, and several in the image, slight fold and crossfold separations, a small hole in the title area, and a small tear in the left border, all of which has been addressed with professional restoration. Moto fans unite! Fine+ on Linen. Not Sold. |
| 28122 | Mr. Moto in Danger Island (20th Century Fox, 1939). One Sheet (27" X 41"). Created by novelist John P. Marquand to satisfy the public's desire for Asian-themed mystery stories after the death of Earl Der Biggers, creator of Charlie Chan, Mr. Moto became an enormous success in his own right, spawning a number of popular books and movies. Played by the estimable character actor Peter Lorre (who was actually born in Austria-Hungary) in a series of eight films between 1937 and 1939, Mr. Moto - a Japanese character - fell out of favor with the American public with the advent of World War II. The films, however, stand as solid examples of the mystery genre: exciting, fast-paced, and well-written. Mr. Moto in Danger Island, the penultimate film in the series, is actually a remake of an earlier film, Murder in Trinidad, starring Nigel Bruce. In this entry, Moto travels to Puerto Rico to investigate a diamond smuggling ring, at the request of the U.S. government. The colorful poster offered here had crossfold separation at the top horizontal fold line, corner damage from enlarged pinholes in all the corners, a piece missing from the top right fold line, and small chips in the left border, but all of these flaws have been rendered virtually invisible by the application of professional restoration. As a result, it's no mystery that this poster will be an important part of some lucky bidder's collection. Fine+ on Linen.Sold for: $478.00. |
| 28123 | The Saint Strikes Back (RKO, 1939). One Sheet (27" X 41"). George Sanders makes his debut as Leslie Charteris's anti-hero Simon Templar, aka the Saint. Here, the Saint leaves New York for the wilds of San Francisco, where he gets mixed up with the daughter (Wendy Barrie) of a disgraced policeman who is making a name for herself as a crime lord. This sultry one sheet features incredibly fine artwork with a moody green-and-blue color palette, and of course the Saint's famous stick-man emblem. The poster had pinholes, crossfold separation with minor paper loss in the folds, several missing border corners, and edge chipping, all of which has been addressed with stunning professional restoration, leaving this poster looking as good as new. Fine+ on Linen. Sold for: $567.63. |
| 28124 | Fog (Columbia, 1933). Midget Window Card (8" X 14"). A classic "locked room" mystery, this one set aboard a fog-enshrouded ocean liner, Fog is a truly atmospheric film, starring Mary Brian, Donald Cook, and Reginald Denny, that keeps its audience guessing from beginning to end. The eerie midget window card presented here shows pinholes in the top corners, but is otherwise as clean, crisp, and fresh as the day it was issued. Near Mint+. Sold for: $1,792.50. |
| 28125 | The Silver Streak (RKO, 1934). Half Sheet (22" X 28"). America's first "streamlined" locomotive was The Pioneer Zephyr, built for the Burlington line out of Chicago in 1934. It was an innovative marvel of its time with a diesel engine and a stainless steel body. This film bears the famed train's nickname, "The Silver Streak," a moniker attached after a historic run from Denver to Chicago with the train averaging over 77 mph with speeds up to 112 mph! That's Charles Starrett at the helm of the train, shortly before he landed at Columbia and made 115 Westerns. Truly the "star" of the film, the Zephyr would remain in service until 1960, finally being restored and given a permanent home in the Chicago Museum of Science and Industry. An absolute "must have" for any real fan of American rail history. There is a faint Netherlands censor stamp on the cowl of the engine that looks as if it almost belongs there, pinpoint fold separations, slight fold wear, and pinholes. Along the right center fold line there is light staining. Folded, Fine/Very Fine. Sold for: $358.50. |
| 28126 | Stranger on the Third Floor (RKO, 1940). Lobby Card (11" X 14"). A prototypical film noir thriller, this compelling film is about Joe Briggs (Elisha Cook Jr.) wrongly convicted of murder due to the circumstantial testimony of reporter Michael Ward (John McGuire) and sent to Death Row. Ward begins to doubt his testimony, however, especially after another murder is committed, and the circumstantial evidence points to him! Although Peter Lorre's role is brief - albeit significant - he received top billing, and is prominently pictured on this dramatic lobby card. It has two small scratches on Lorre's face in the bottom right, and a thin dust shadow in the upper left, but is otherwise in superb condition, a remarkable piece from a great film and perhaps the best scene card from the set! Very Fine.Sold for: $418.25. |
| 28127 | Scarlet Street (Universal, 1945). One Sheet (27" X 41"). Directed by the masterful Fritz Lang, this stylish thriller is the story of Christopher Cross (Edward G. Robinson), a bank cashier who escapes the travails of his life, including his nagging wife, by painting. When he meets the amoral Kitty (Joan Bennett) and her con-man boyfriend Johnny (Dan Duryea), he quickly becomes ensnared in a web of extortion, blackmail, and murder. Lang's talent for crafting dark, psychological suspense is on full display in this cornerstone film noir. This extremely attractive and desirable one sheet had a small tear in the left border, two small holes near the bottom, and an extra crease at the bottom horizontal fold line, but expertly applied professional restoration has rendered these slight flaws virtually invisible. The result is a beautiful, and highly displayable, poster. Very Fine+ on Linen. Sold for: $956.00. |
| 28128 | Scarlet Street (Universal, 1945). Australian Daybill (13" X 30"). Fritz Lang directs this drama about a cashier (Edward G. Robinson) with little to show for his life, who one evening rescues a beautiful girl (Joan Bennett) from an attacker. He tells the woman he's a wealthy painter, not knowing she and her boyfriend are scam artists. This great-looking Australian daybill has light edge wear, minor tears and creases, repaired on the reverse with tape, and light foxing in the fold lines and bottom border, but still retains great color and a very fresh appearance. Folded, Very Fine-.Sold for: $215.10. |
| 28129 | The Red House (United Artists, 1947). One Sheet (27" X 41"). An eerie little mystery chiller, directed with considerable flair by Delmer Daves. Edward G. Robinson is superb as a crippled farmer with a deep, dark secret in the Red House in the woods! This fine copy of the one sheet has crossfold wear, a 4" separation in the upper right fold, and general fold wear as well. There is a small piece of brown paper tape supporting the lower crossfold on the verso, and pinholes in the corners. Fine/Very Fine. Sold for: $191.20. |
| 28130 | Detour (PRC, 1945). One Sheet (27" X 41"). Director Edgar G. Ulmer, known for his unusual films like The Black Cat, created this yarn about a pianist who hitch-hikes to LA to see his girlfriend. Along the way he picks up Vera (Ann Savage) a black-mailing she-devil who takes him on a decent into hell. The motif on this one sheet was very original using the black and white stripes of a "detour" sign. There are minor separations with slight paper loss at the cross folds and tiny corner creases, but this remains a nice sheet from this classic crime drama. Fine/Very Fine. Sold for: $2,629.00. |
| 28131 | Detour (PRC, 1945). Title Lobby Card (11" X 14"). If pianist Al Roberts (Tom Neal) didn't have bad luck, he wouldn't have any luck at all. While hitchhiking, he's picked up by friendly Charles Haskell Jr. (Edmund MacDonald), who promptly has a heart attack and dies. Afraid he'll be arrested for murder if he goes to the authorities, Roberts disposes of the body, and takes the dead man's clothes and wallet, assuming his identity, driving off in Haskell's car. His cover is blown, however, when he picks up a beautiful hitchhiker (Ann Savage) who knew the dead man and threatens to expose Roberts unless he goes along with her dangerous plan. This gorgeous title card is about as clean as they come, with only some very minor corner bumps keeping this beauty from an even higher grade. Near Mint.Sold for: $2,629.00. |
| 28132 | Somewhere in the Night (20th Century Fox, 1946). One Sheet (27" X 41"). George Taylor (John Hodiak) returns from World War II with amnesia. Back home in Los Angeles, he tries to track down his old identity, stumbling into an old murder case and a missing $2 million. Nancy Guild, Lloyd Nolan, and Richard Conte co-star. This lovely Stone Litho poster has been stabilized on linen and restored to correct fold and crossfold separation, minor corner chips, pinholes, and minor edge tears. A portion of the border has been airbrushed to correct a narrow torn strip. Some minor bit of writing on the back has bled through and is visible in the image area. Fine- on Linen.Sold for: $478.00. |
| 28133 | The Brasher Doubloon (20th Century Fox, 1946). Australian Daybill (13" X 30"). Based on the story The High Window by Raymond Chandler, tough-as-nails private shamus Philip Marlowe gets more than he bargains for when a simple case of robbery spirals out of control to include blackmail, madness, and murder. The delightful daybill offered here has a small tear in the bottom border and a very light fold in the top left, but is otherwise pristine, perfect for any film or coin buff. Folded, Very Fine.Sold for: $191.20. |
| 28134 | Murder, My Sweet (RKO, 1944). Three Sheet (41" X 81"). Originally titled Farewell My Lovely - the same title as the Raymond Chandler book on which it is based - the movie was renamed when it became apparent that audiences were assuming it was another Dick Powell musical and staying away. Indeed, director Edward Dmytryck was initially appalled at the choice of Powell as hard-bitten private dick Philip Marlowe, but the actor's performance was so strong, he actually earned the approval of Chandler himself. The film remains one of the keystone film noir titles, a triumph for all concerned. Offered here is the best paper on the title, the striking three sheet. This particular example had pinholes in the corners, some minor staining and a small piece missing at the bottom in the cast list, a piece missing from the left border, a corner chip in the bottom left, and an extra crease near Powell's head, but professional restoration has addressed all of these issues, returning a high degree of displayability to this extremely desirable poster. Fine+ on Linen. Sold for: $3,883.75. |
| 28135 | Cornered (RKO, 1946). One Sheet (27" X 41") Style A. A Canadian flyer (Dick Powell), investigating the death of his wife after the war, follows the trail all the way to Argentina, where he finds the Nazi menace alive and well and living in exile. The exquisite one sheet offered here has pinholes in the top and bottom center, pinpoint crossfold separation, and a crease in the bottom right, but remains a vibrant and exciting piece, a worthy addition to any film noir collection. Very Fine+. Sold for: $179.25. |
| 28136 | The Long Night (RKO, 1947). One Sheet (27" X 41"). Henry Fonda gives a riveting performance in this under-rated film noir classic directed by Anatole Litvak. Fonda plays an ex-serviceman who has been accused of murder, and winds up shooting it out with policemen from his small upstairs apartment. The story is told in flashback, and we see how Fonda's girlfriend Barbara Bel Geddes falls under the spell of a phony magician, played by Vincent Price, and how Fonda eventually confronts him. The film is a remake of the French classic Le Jour Se Lève (1939), which starred Jean Gabin. The poster has fold wear with crossfold separations, pinholes in the borders, corner creases, staining in the credits, and small paper loss in the "d" in "Fonda." Fine-.Sold for: $179.25. |
| 28137 | The Long Night Publicity Stills (RKO, 1947). Deluxe Stills by Alexander Kahle (17) (11" X 14"). Vintage black and white, double weight, matte stills. Henry Fonda is a tortured Everyman in this slick remake of the French classic Le jour se lève. When a magician (Vincent Price) is murdered, the police corner Joe Adams (Fonda), an easygoing blue collar worker, but he refuses to surrender. In a series of flashbacks and flashbacks-within-flashbacks, he ruminates on the events that led to this tragedy. Barbara Bel Geddes (her film debut) is the wholesome gal, and Ann Dvorak the hard-edge showgirl. Smoothly directed by Anatole Litvak, this glossy noir makes good use of Fonda's easy charm. Offered here is a fantastic set of deluxe stills featuring many great images from the film, particularly of Fonda and Bel Geddes. Each still has a blind stamp for Alexander Kahle. One photo has some overall toning, and one of the photos has been trimmed to 10.25" x 13", but the rest are in exemplary condition. Very Fine/Near Mint.Sold for: $388.38. |
| 28138 | Johnny O'Clock (Columbia, 1947). One Sheet (27" X 41") Style B. In this breathless film noir thriller, Dick Powell stars as Johnny O'Clock, a tough-as-nails gambler who runs afoul of the law when people around him start dying. Powell, known for years as an affable song and dance man, proved that he could portray tougher, grittier types with roles in films like this and Murder My Sweet, in which he played iconic gumshoe Philip Marlowe. This film marked the directorial debut of Robert Rossen, who would go on, years later, to make the classic poolhall film, The Hustler. The dramatic one sheet offered here shows fold splitting, slight creasing in the borders, and a slight corner crease in the bottom left, but remains a strong and powerful example of a great film noir sheet. Fine/Very Fine.Sold for: $203.15. |
| 28139 | Raw Deal (Eagle Lion, 1948). Three Sheet (41" X 81"). A rough, gritty film noir thriller directed by Anthony Mann, this is the story of Joe (Dennis O'Keefe), who busts out of jail to take revenge on Rick (Raymond Burr), the man who framed him, and to collect $50,000 that Rick owes him. Things go wrong as Joe's girlfriend Pat (Claire Trevor) and social worker Ann (Marsha Hunt) get involved. The incredible three sheet offered here had fold wear with slight paper loss and crossfold separations, tears in the top border with one going into the image area, and a chip out of the top border, but these minor flaws have all been addressed by professional restoration, returning this poster to a clean, like-new appearance. Fine/Very Fine on Linen.Sold for: $1,075.50. |
| 28140 | Gun Crazy (United Artists, 1949). One Sheet (27" X 41"). While the philosophical battle rages on whether this is a film noir or an "existential" film, we're content to just sit and enjoy looking at an exciting poster that defined an entire decade. Peggy Cummins, in all her torpedo-bosomed, blonde-tressed, smoking gun in each hand, nastily-posed glory, is simply a quintessential icon for anyone who would understand what really fueled the 1950s. "We go together, Laurie," says Bart. "I don't know why. Maybe like guns and ammunition go together." Indeed, and with the excellent restoration for minor pinholes, small fold separations, and small chips in the upper left and right corners, and a small chip in the bottom right corner, we know where this poster should go: to a collector looking for one of "The Top 25 Movie Posters Ever" (Premiere Magazine). Fine/Very Fine on Linen. Sold for: $7,170.00. |
| 28141 | Gun Crazy (United Artists, 1949). Half Sheet (22" X 28"). When gun-lover Bart Tare (John Dall) meets circus sharpshooter Annie Laurie Starr (Peggy Cummins), he gets more than he bargained for, as the ambitious girl convinces Bart to join her in a daring series of robberies, a decision that leads to tragedy for all involved. This classic "bad girl" movie was blessed with incredible poster art, such as this brazen and evocative half sheet. It had pinholes in the corners and borders, two tears in the top border, one going through the "i" in "Flaming" down through the man's upper arm, and another through the "S" in "Starr," extending to just above the man's shoulder, and minor chipping in the top border. Additionally, the upper left corner has had some of the border paper replaced. The professional restoration performed on this half sheet is absolutely superb, returning a Near Mint appearance to this highly desirable beauty. Fine- on Paper. Sold for: $1,792.50. |
| 28142 | Gun Crazy (United Artists, 1949). Lobby Card Set of 8 (11" X 14"). Thrills, guns, and love are the themes of this fascinating and dark crime drama. Gun crazy Bart Tare (John Dall) is in over his head when he meets the beautiful carnival sharpshooter, Annie Laurie Starr (Peggy Cummins). After they are married, Annie leads him on a wild bank robbery spree that doesn't end happily for the young couple. The title card has a tear in the bottom border, creases, a corner bend, a minor tear in the right border, an abrasion in the image area, and pinholes in the corners. Five cards have small tears in the image area. One card has a missing corner in the lower right. A rare set from one of the most important crime stories of the times. Fine. Sold for: $1,434.00. |
| 28143 | Ace In The Hole (Paramount, 1951). Six Sheet (81" X 81"). Chuck Tantrum (Kirk Douglas) is an embittered journalist, stuck in a small town after losing his job on a New York paper. After a year of covering nothing but routine occurrences, Tantrum is overjoyed when a real story - about a man (Richard Benedict) trapped in an abandoned mineshaft - falls in his lap. What should be a simple procedure stretches into days as Tantrum milks the situation for all it's worth, turning the area into a circus in the process. A Bloomfield disappointment at the time of its release, the film was re-released with the title The Big Carnival, and the posters with the original title are harder to come by. This captivating drama, directed by Billy Wilder between his legendary hits Sunset Boulevard (1950) and Stella 17 (1953), is now seen as a true classic, and one of Wilder's best films of the era. The six sheet offered here has minor fold wear with some separations as well as crossfold separations, but is otherwise in excellent condition. It's a piece any collector will be proud to own. Fine/Very Fine.Sold for: $567.63. |
| 28144 | The Bad and the Beautiful (MGM, 1953). One Sheet (27" X 41"). A compelling film that casts a jaundiced eye on the inner workings of Hollywood, this hard-hitting picture stars Kirk Douglas as ruthless movie mogul Jonathan Shields whose studio needs a sure-fire hit. He knows he can get one if he can convince actress Gloria Lorrison (Lana Turner), writer James Lee Bartlow (Dick Powell), and director Fred Amiel (Barry Sullivan) to sign on, but there's a problem: he's abused and betrayed each of them in the past, and they all despise the opportunistic businessman. Loosely based on the career of producer David O. Selznick, the film won five Oscars, the most any movie has ever won without taking Best Picture. This exceptional one sheet had pinholes in the corners, as well as pinpoint crossfold separations and a small hole near Douglas's head, but professional restoration has addressed these concerns expertly, making it a poster that any collector will be proud to own. Very Fine on Linen.Sold for: $657.25. |
| 28145 | The Narrow Margin (RKO, 1952). One Sheet (27" X 41"). A mobster's wife (Marie Windsor) drops dime on him, and has to be escorted cross-country via train by the detective on the case (Charles McGraw) -- but the mob has ordered a hit, and the ride gets bumpy. One of the first films to make extensive use of hand-held cameras, this fast-paced crime flick benefits from the novel setting and a terrific performance by Charles McGraw. Offered here is the gorgeous one sheet with bright, attractive artwork. Condition issues include crossfold separations, and creasing in the top and bottom right corners. The poster has vibrant color, and a very fresh appearance. Very Fine+.Sold for: $388.38. |
| 28146 | The Big Knife (United Artists, 1955). One Sheet (27" X 41"). An "inside" Hollywood story featuring Jack Palance as an actor who has forsaken "art" for a big paycheck, and is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. The terrific cast includes Ida Lupino, Shelley Winters, Jean Hagen, Rod Steiger, and Everett Sloane. This eye-catching one sheet features an interesting design, with text elements framed against splatters of blood. Minor condition issues include pinholes, light edge wear, tiny tears at the folds, crossfold separations, and corner creases. The poster still displays beautifully with fantastic color. Very Fine.Sold for: $179.25. |
| 28147 | Criss Cross (Universal, R-1958). One Sheet (27" X 41"). Burt Lancaster is a man obsessed with his ex-wife (Yvonne DeCarlo), and believes he can rescue her from the L.A. underworld. Dan Duryea is memorable as the bad guy. Slickly directed by Robert Siodmak, this is a classic film noir. Also in the classical mode is this terrific re-issue one sheet which has all the noir elements firmly in place. In terrific condition, this has some minor condition issues including pinpoint crossfold separations, corner creases, and a tape pull on the reverse. The artwork for this 1958 re-issue is far superior to the original paper, and would be a fine addition to any crime collection. Very Fine.Sold for: $310.70. |
| 28148 | The Maltese Falcon (Warner Brothers, 1931). Lobby Card (11" X 14"). Offered here is one of the rarest and most sought after lobby cards in the movie collecting hobby: an original card from the very first film version of Dashiell Hammett's The Maltese Falcon. This is a classic scene from the film featuring the starring players - Bebe Daniels as Brigid O'Shaughnessy (rechristened Ruth Wonderly for this version) and Ricardo Cortez as private detective Sam Spade. The border art featuring the Falcon surrounded by grasping hands also adds a great deal to this rare card. This version, like the 1941 film with Humphrey Bogart, follows the book fairly closely, but both versions change the ending to the story. The cards to this 1931 version almost NEVER turn up for auction or sale, so here is a rare opportunity to own a unique piece of film history. The very minor defects on this card are one pinhole and a very light stain on the top border, and one pinhole in the bottom right side. Very Fine+. Sold for: $9,560.00. |
| 28149 | The Maltese Falcon (Warner Brothers, 1941). Insert (14" X 36"). John Huston's adaptation of Dashiell Hammett's novel helped launch the film noir genre. Humphrey Bogart brought Sam Spade to life, and the rest of the cast became icons of the cinema: Mary Astor, Peter Lorre, Barton McLane, Ward Bond, Elisha Cook Jr., and, making his motion picture debut, Sydney Greenstreet as Kasper Gutman, The Fat Man. This insert is rolled and has a minor chip off of the upper left corner and a light diagonal crease in the upper right. There is light smudging and some very minor tears around the edges. Overall, this poster is nothing short of spectacular and may very well be the best copy in existence. Rolled, Very Fine+.Sold for: $8,962.50. |
| 28150 | The Maltese Falcon (Warner Brothers, 1941). Midget Window Card (8" X 14"). Although his breakout role in The Petrified Forest made him a star, it was his portrayal of Dashiell Hammett's two-fisted private eye Sam Spade in this film that made Humphrey Bogart a true superstar. The third film version of Hammett's novel, this one was far-and-away the best, featuring a terrific supporting cast including Mary Astor, Gladys George, Peter Lorre, Elisha Cook Jr., and, in his film debut, the sublime Sydney Greenstreet. The midget window card offered here is a dead ringer for the highly desirable one sheet. The top imprint area has been replaced and the borders have been airbrushed, restoring a Near Mint appearance to this classic piece. Fine on Paper.Not Sold. |
| 28151 | Casablanca (Warner Brothers, R-1950s). Japanese STB (20" X 58"). This rare Japanese "STB", with the benefit of a bit of historical hindsight, and employing a graphic artist with a great eye, gets it right. This is certainly one of the top Casablanca posters, with its absolutely gorgeous full portrait of Ingrid Bergman and one of the greatest moments in screen history, done from a screen capture, right in the center of the poster. The bottom third does not disappoint either; there are portraits of Bogart and Lorre wielding guns in scenes not really seen in the film! There are mild horizontal creases with light wrinkles, and very minor edge wear with tiny chips. Beautiful color! Rolled, Very Fine+.Sold for: $1,314.50. |
| 28152 | Humphrey Bogart in "To Have and Have Not" Publicity Still by Longworth (Warner Brothers, 1944). Still (8" X 10"). Vintage black and white, single weight, glossy still. One of Humphrey Bogart's most memorable performances was in this adaptation of a story by Ernest Hemingway. This still has small tears in the top left and the bottom right, a light vertical crease in the bottom left, and a studio snipe and a photographer's stamp on the reverse. It is a stunning portrait of a great actor. Very Fine+.Sold for: $448.13. |
| 28153 | Humphrey Bogart in "To Have and Have Not" Proof Sheet by Longworth (Warner Brothers, 1944). Still (8" X 10"). Vintage black and white, single weight, glossy still. Bogie strikes four different poses in this rare sample sheet from To Have and Have Not. The sheet has very slight blunting at the corners and a crease in the bottom left corner. Very Fine+. Sold for: $334.60. |
| 28154 | Humphrey Bogart in "To Have and Have Not" Publicity Still by Longworth (Warner Brothers, 1944). Still (8" X 10"). Vintage black and white, single weight, glossy still. This great film is made even more remarkable by the sizzling chemistry between stars, and real-life couple, Humphrey Bogart and Lauren Bacall. This still, a charming portrait of Bogie, has a small crease in the top left, and a photographer's stamp on the reverse, but is otherwise unmarked. Near Mint-. Sold for: $388.38. |
| 28155 | To Have and Have Not (Warner Brothers, 1944). Half Sheet (22" X 28") Style B. While this would have been an outstanding movie based on the strength of Humphrey Bogart's performance alone, it was made legendary by the addition of a smoldering hot Lauren Bacall, making her film debut. The incredible chemistry between Bogie and Bacall was real; the couple fell in love while filming and were married shortly afterward. The famous "You know how to whistle" scene was written by director Howard Hawks as a screen test for Bacall. Her performance was so strong that Hawks asked scenarist William Faulkner to work it into his script. The film remains a high point in the careers of both Bogart and Bacall. Offered here is a lovely half sheet. It had several edge tears in the borders, a corner chip in the top right, small chips in the left border, a larger chip in the right border, and a corner crease in the top left. Professional restoration has admirably addressed these minor issues, returning a crisp, clean appearance to this highly attractive and desirable piece. Fine- on Linen. Sold for: $2,390.00. |
| 28156 | Humphrey Bogart and Martha Vickers in "The Big Sleep" Publicity Still (Warner Brothers, 1946). Still (8" X 10"). Vintage black and white, single weight, glossy still. Based on the novel by Raymond Chandler, this is a complex tale involving blackmail, deception, and murder. One of Bogart's very best roles, the film is marked by his sizzling on-screen chemistry with real-life wife Lauren Bacall. This great original release still shows some very minor gloss chipping in the borders, and a "6" stamped on the reverse, but is otherwise in superb condition. An iconic image of a great actor, it will make a perfect addition to any collection. Very Fine+. Sold for: $119.50. |
| 28157 | Humphrey Bogart and Martha Vickers in "The Big Sleep" Publicity Still (Warner Brothers, 1946). Still (8" X 10"). Vintage black and white, single weight, glossy still. Martha Vickers plays the beautiful, spoiled, and very bad little sister who spells trouble for Bogart in this classic film, one of his finest. This fabulous still has just some gloss chipping in the borders; there is a blind stamp in the lower left. Very Fine+. Sold for: $143.40. |
| 28158 | Humphrey Bogart and Dorothy Malone in "The Big Sleep" Publicity Still (Warner Brothers, 1946). Still (8" X 10"). Vintage black and white, single weight, glossy still. Bogart and Malone share a lighter moment in the Acme Bookstore as the plot of this favorite film noir twists and turns. The only issue with this great image is gloss chipping in the borders. There is a blind stamp in the lower left corner. Very Fine+. Sold for: $334.60. |
| 28159 | The Big Sleep (Warner Brothers, 1946). Italian 2 - Folio (39.5" X 55"). One of the greatest film noir thrillers ever produced, the plot of this hard-boiled classic was so convoluted and complicated that virtually no one understood it, including director Howard Hawks and Raymond Chandler, upon whose book the screenplay by William Faulkner and Leigh Brackett was based! Nevertheless, the film is a true classic, due entirely to the incredible chemistry between stars Humphrey Bogart and Lauren Bacall, who almost literally set the screen on fire each time they appear together. As one of Bogart's most popular films, paper from this title is always highly desirable. Offered here is a beautiful Italian 2-Folio, with luscious artwork by Luigi Martinati. It had center fold separations with some paper loss, minor edge chipping, a piece missing in the top right, and heavy creasing in the image area, but professional restoration has expertly addressed all these issues, returning this sumptuous piece to a Near Mint appearance. Whether you're a fan of the stars, the film, or the gorgeous image, this poster has it all! Fine+ on Linen. Sold for: $7,767.50. |
| 28160 | The Big Sleep (Warner Brothers, 1946). Insert (14" X 36"). Humphrey Bogart and Lauren Bacall heat up the screen in this high-pedigree film noir, produced and directed by Howard Hawks, with a screenplay by William Faulkner and Leigh Brackett, from the novel by Raymond Chandler. Bogie plays Chandler's famous detective Philip Marlowe, hired by a wealthy general to investigate gambling debts incurred by his youngest daughter. This leads Marlowe into a web of treachery and deceit, and into the arms of the beautiful Bacall. Sultry brunette Martha Vickers co-stars. This evocative insert features Bogie and both lovely ladies and has a bit of fold wear, some small edge tears, minor staining in the lower right border, and some creasing at top left. As film noirs go, this one is an all-time classic, and this pretty poster is one of the best noir inserts you could ask for. Very Fine-.Sold for: $3,585.00. |
| 28161 | The Big Sleep (Warner Brothers, 1946). Lobby Card (11" X 14"). One of the most incendiary couples ever to burn up the silver screen, Humphrey Bogart and Lauren Bacall caught fire from their first movie pairing, in 1945's To Have and Have Not. Perhaps their most memorable film, however, was The Big Sleep, based on Raymond Chandler's best-selling novel. Often criticized for its impenetrability, the sizzling chemistry between Bogart and Bacall is unmistakable, and instantly elevates the film to classic status based on the strength of their performances alone. It's understandable, then, that this card, which pictures the legendary couple in a passionate moment, is the most desirable card in the entire set. The card offered here shows light staining in the borders, and the left border has been replaced just to the edge of the credits. The restoration is extremely well done, however, and the few flaws are evident only upon close inspection. This is a piece that no Bogart fan should be without. Fine-.Sold for: $286.80. |
| 28162 | Dead Reckoning (Columbia, 1947). One Sheet (27" X 41") Style A. When Johnny Drake (William Prince) ends up dead en route to Washington, his friend, Rip Murdock (Humphrey Bogart), tries to find out the truth, but instead is caught up in a complex web of blackmail, betrayal, and murder. The luscious Lizabeth Scott plays the femme fatale role in this gripping thriller. Offered here is a beautiful and highly desirable one sheet for this classic film. It has pinholes in the corners, tears in the borders, crossfold separations, paper loss on the reverse, and fold wear, but remains a bright, clean example of this perennial favorite. Fine/Very Fine on Linen.Sold for: $1,195.00. |
| 28163 | Dark Passage (Warner Brothers, 1947). Half Sheet (22" X 28") Style A. Hollywood's most sensational couple, Humphrey Bogart and Lauren Bacall, starred in this thrilling film noir where Bogart undergoes plastic surgery to disguise his appearance and hunt down a murderer. The film is one of the best examples of the "noir" genre and the paper for this title is highly collectible. This rolled half sheet has been paper-backed to correct some minor flaws including a few tears in the left and right borders and some minor chipping along the edges. The borders and the yellow background were both airbrushed. Fine/Very Fine on Paper.Sold for: $2,868.00. |
| 28164 | Humphrey Bogart in "Dark Passage" Publicity Still (Warner Brothers, 1947). (8" X 10"). Vintage black and white, single weight, glossy still. Bogie means business with a gat in his hand, in a terrific still from this dark drama, one of the four times he teamed with Lauren Bacall. Very light edge wear, light surface crazing, and minor corner bumps are the only condition issues. Very Fine. Not Sold. |
| 28165 | The Two Mrs. Carrolls (Warner Brothers, 1947). One Sheet (27" X 41"). Humphrey Bogart stars in this chilling tale of half-mad artist, Geoffrey Carroll, who paints his first wife as the "Angel of Death" before he poisons her. Once his new wife, Sally, played by Barbara Stanwyck, sees her portrait as the same angel, she begins to wonder if she is next. Bogart is fantastic as he goes from easygoing lover to psychologically tormented murderer. Alexis Smith co-stars as his next love interest. This one sheet has fold wear, corner creases, light smudges in the borders, and small holes in the image area. There are also small edge tears, crossfold separations and a small area of soiling in the lower left. This is a beautiful image of all three stars. Fine. Sold for: $191.20. |
| 28166 | In a Lonely Place (Columbia, 1950). Italian Locandina (13" X 27.5"). Humphrey Bogart plays a screenwriter with a mysterious past in this dark and sinister film noir from director Nicholas Ray. The film was destined to become a cult classic. The fantastic artwork of Bogart and Gloria Grahame is by Anselmo Ballester, one of the most collectible artists to ever work on Italian posters. The poster had pinholes, horizontal color cracking, minor fold wear, and minor border chips; the poster has been restored and mounted on linen. Very Fine- on Linen.Sold for: $418.25. |
| 28167 | In a Lonely Place (Columbia, 1950). One Sheet (27" X 41"). Nicholas Ray's film noir thriller, released by Columbia in 1950, is regarded as one of star Humphrey Bogart's better films from his Columbia released Santana productions. Bogart's portrayal of short-tempered, possibly homicidal screenwriter Dixon Steele is regarded as one of his best roles, one giving play to most of the qualities that made Bogart the archetypal figure he remains today. All of the one sheets from this film, and many that were released in 1950, were printed on the infamously poor paper stock that makes this poster hard to find in excellent, unrestored condition. This copy has not been restored and has vibrant colors but does suffer from that browning that this acidic stock succumbs to. There is minor chipping in the upper border and slight crossfold chipping. Fine-. Sold for: $507.88. |
| 28168 | The Caine Mutiny (Columbia, 1954). French Grande (47" X 63"). Humphrey Bogart gives one of his finest performances as an unhinged Naval commander in this classic film, based on the novel by Herman Wouk. Over a year in production, the film was at first denied the cooperation of the Department of Defense, but once the novel won the Pulitzer prize, the DOD, who had been critical of Wouk's book, softened its stance, and made its resources available to the filmmakers. This beautiful French Grande has stunning artwork by Arnstam, with a deep aqua background befitting a seafaring tale. This unrestored poster has some edge wear, tanning in the fold lines, with corner creases, and minor fold and crossfold separations. The piece still presents beautifully with vibrant, eye-catching color. Folded, Very Fine-.Sold for: $298.75. |
| 28169 | Veronica Lake in "The Glass Key" Publicity Still (Paramount, 1942). Still (8" X 10"). Vintage black and white, single weight, glossy still. Veronica Lake is at her most alluring in this gorgeous Edith Head gown from Paramount's The Glass Key. The photo has light edge wear, a caption typed on the reverse, and some minor gloss chipping at two corners. Very Fine-. Not Sold. |
| 28170 | Veronica Lake in "This Gun for Hire" Publicity Still (Paramount, 1942). Autographed Still (10" X 13"). Vintage black and white, single weight, glossy still. A Paramount studio photographer caught diminutive beauty Veronica Lake at her best. This lovely oversized still photo used for publicity for This Gun for Hire has been signed by Ms. Lake in a fine large signature. There are small creases in the borders with mild edge wear and a tiny tear in the middle of the bottom border. Lake's autograph on a photo such as this is rare to find especially such a bold and clear example. Fine/Very Fine.Sold for: $3,346.00. |
| 28173 | Veronica Lake Publicity Still (Paramount, 1940s). Still (8" X 10"). Vintage black and white, double weight, glossy still. Taken at the dawn of her brilliant career with Paramount, this image is unique in that it features Veronica Lake sans her iconic peek-a-boo hairstyle. There is light bending along with edge and corner wear, but this is still a very displayable photo. Very Fine-. Sold for: $239.00. |
| 28174 | Veronica Lake (Paramount, 1944). French Petite (23.5" X 31.5"). A talented actress who popularized the "peek-a-boo" hairstyle, Veronica Lake was a leading actress during the 1940s, appearing in such important productions as Sullivan's Travels, The Glass Key, and This Gun for Hire. Her radiant beauty is perfectly captured by renowned French artist Roger Soubie in this exquisite personality poster. It had crossfold separation and some slight chipping in the middle fold, but professional restoration has rendered these slight flaws all but invisible. Very Fine on Linen.Sold for: $1,553.50. |
| 28175 | I Married a Witch (United Artists, 1942). Lobby Card (11" X 14"). Jennifer (Veronica Lake) is burned at the stake for witchcraft in 17th-century America, but returns to life in contemporary times to plague Wallace Wooley (Fredric March), the descendant of the man who sentenced her to death. Unfortunately, Jennifer takes the love potion intended for Wallace, and ends up falling in love with him herself! This film served as the inspiration for the popular TV sitcom Bewitched. Offered here is a lovely lobby card featuring both Lake and March. It shows some edge wear and some light corner bumps, but is overall an attractive card that will be a worthy addition to any collection. Very Fine.Sold for: $507.88. |
| 28176 | This Gun for Hire (Paramount, 1942). One Sheet (27" X 41"). This is seminal film noir, as a hit-man named Raven (Alan Ladd) is bent on revenge against a man who paid him in hot cash for a job he did. Along the way, he meets Ellen (Veronica Lake) who forms an uneasy alliance with him. Ladd, as the cruel protagonist, received fourth billing on the film, but was the true star of the picture. For Lake, this was the second film she made sporting her "peek-a-boo" hairstyle which soon became her trademark. This Gun for Hire was also the first pairing of Ladd and Lake, a duo that would become icons of the film noir genre. The one sheet for this film is considered one of the most important, best graphically designed, posters of the entire hobby. There are pinholes in the corners, minor edge wear with a small chip in the left border, pinpoint crossfold separations, light fold wear and small bends in the corners. Very Fine.Sold for: $22,705.00. |
| 28177 | This Gun for Hire (Paramount, R-1945). Lobby Cards (2) (11" X 14"). Here's a real treat! The two very best cards from the extremely hard-to-find 1945 re-release lobby set for this film noir classic. Veronica Lake and Alan Ladd heat up the screen in this tale written by Graham Greene. Star billing has been accorded to Ladd for the reissue, replacing the originally top-billed Robert Preston. There is one small corner bend on one card. Very Fine+.Sold for: $567.63. |
| 28178 | The Glass Key (Paramount, 1942). One Sheet (27" X 41"). Classic film noir based on the novel by Dashiell Hammett, starring Alan Ladd, Veronica Lake, and Brian Donlevy with William Bendix giving a scene-stealing performance as a brutal henchman. This outstanding one sheet has a cool design (based around the key motif) and great portraits of the stars, especially Ms. Lake. The poster had pinholes in the corners, a small chip out of the top right corner, and light paper loss at the bottom horizontal fold, all of which has been rendered all but invisible by professional restoration. A real beauty. Very Fine- on Linen. Sold for: $7,170.00. |
| 28179 | The Glass Key (Paramount, 1942). Half Sheet (22" X 28"). No poster collection of film noir is complete without representation on this title. This second filming of Dashiell Hammett's classic book is notable for the sultry shifting loyalties of Veronica Lake and the chemistry she and Alan Ladd ignited. A great find, this very rare half sheet has six great images of Ladd and two of Lake. Some excellent restoration has this poster displaying as it should. There were pinholes in the top corners, a vertical tear in the center field, center fold separations with tape stains, small chips in the image area, and a crease in the bottom right corner. The borders have been expertly replaced. Good/Very Good on Paper. Sold for: $3,107.00. |
| 28180 | The Glass Key (Paramount, 1942). Lobby Card (11" X 14"). Fans of Veronica Lake -- and who isn't? -- will be lining up for this sultry lobby card from the 1942 remake of The Glass Key, a wicked crime noir based on the novel by Dashiell Hammett. The card has been professionally restored to correct some damage, including tears, minor corner chips, pinholes, and staining. The borders have been airbrushed and the yellow areas have been retouched. As a result, this card is almost as beautiful as Lake herself. This is by far the best card from this set, and there should be no question of adding this swell dame to your collection. Very Good+ on Paper. Sold for: $956.00. |
| 28181 | The Blue Dahlia (Paramount, 1946). One Sheet (27" X 41"). A film noir classic, this is the story of returning war vet Johnny Morrison (Alan Ladd) who, upon arriving home, finds his wife, Helen, (Doris Dowling) in the arms of another man. After a heated argument, Johnny walks out, but soon learns that his wife has been murdered and he's the chief suspect! To help prove his innocence, he turns to the ex-wife of Helen's lover, Joyce Harwood (Veronica Lake). From then on, it's a race to the finish, as, pursued by the police, Johnny tries to find the real killer. Written directly for the screen by Raymond Chandler under grueling conditions - Ladd had just been called up for military service and production had to be stepped up considerably - the screenplay was nominated for an Academy Award. Offered here is the classic one sheet,. one of the most desirable of the film noir genre. It had pinholes, small edge tears, an extra vertical crease in the right side, a small hole in the bottom horizontal crease, a hole in Ladd's eyebrow with a small amount of paper loss, a replaced bottom right corner, and a tiny hole in Lake's head. Professional restoration has done a remarkable job of rendering these slight flaws virtually invisible, making this a poster that displays extremely well. Fine/Very Fine on Linen.Sold for: $4,481.25. |
| 28182 | The Night of the Hunter (United Artists, 1955). One Sheet (27" X 41"). LOVE and HATE are tattooed on the knuckles of sadistic killer Harry Powell (Robert Mitchum), a religious zealot who marries and murders widows for their money, believing that he is doing God's work. His latest mark is the lonely Willa Harper (Shelley Winters), the wife of his former cellmate, who dropped information about the $10K he stole which was never recovered. Notable as the only film directed by the legendary actor Charles Laughton, The Night of the Hunter is a harrowing affair, with Laughton adding some unforgettable visual touches. Mitchum is superb, and Winters at her most appealing. This eye-catching one sheet features great artwork and a striking blue-aqua color palette. One large crossfold separation and minor corner creases are the only condition issues on this fresh-looking poster. Very Fine+. Sold for: $358.50. |
| 28183 | Out of the Past (RKO, 1947). One Sheet (27" X 41"). A past that small town gas station owner Jeff Bailey (Robert Mitchum in his first starring role) thought was well behind him comes back with a vengeance when gang lord Whit Sterling (Kirk Douglas), who hired Jeff in his previous life as a private dick, comes calling, leading to an explosive climax that changes both men's lives. This textbook film noir is one of the top films in the genre, with a poster that is recognized as one of the most desirable in the hobby. This particular example has small corner abrasions, a tear in the bottom center that goes into the image area, crossfold and fold separations with slight paper loss, and small chips in the right side at the center horizontal fold lines. The professional restoration applied to this poster has been expertly applied, rendering these flaws all but invisible. Fine+ on Linen.Sold for: $16,730.00. |
| 28184 | Out of the Past (RKO, 1947). Insert (14" X 36"). A man -- trying to run away from his past. A woman -- trying to escape her future! Robert Mitchum and Jane Greer are the fate-crossed lovers in this fine film noir from the legendary Jacques Tourneur. This splendid insert poster features great headshots of the two stars, against an eye-pleasing green background. It has been linen-backed, but has not had any further restoration; condition includes pinholes, some tiny tears in the top border, a top left corner bend, and an extra fold at the center line. Very Fine- on Linen. Sold for: $2,868.00. |
| 28185 | Out of the Past (RKO, R-1961). Italian Locandina (13.25" X 27"). Jeff Bailey's (Robert Mitchum) past catches up to him when he's summoned to meet mobster Whit Sterling (Kirk Douglas), who is looking to collect on an old debt. The simple task that Whit asks Jeff to perform turns out to be a trap, but who will be caught in its snares? Considered a textbook example of film noir filmmaking at its finest, Humphrey Bogart was interested in the part of Jeff, but Warner Brothers passed on the picture and the rest is history. This exquisite locandina features thrilling art by Angelo Cessalon, and has edge wear, tape stains in the left border and light staining in all the borders, a tear in the right border and a small tear in the top border, and creasing in the lower left. The image is incredible though, making this a great piece for anyone who appreciates great poster art. Fine+. Not Sold. |
| 28186 | Out of the Past (RKO, R-1953). Half Sheet (22" X 28"). Intricately plotted and tense, with well-rounded characters, Jacques Tourneur's Out of the Past is rightly considered one of the greatest film noirs ever created. Robert Mitchum plays a gas station attendant whose mysterious past catches up with him. Jane Greer and Rhonda Fleming are the lovely ladies involved, and Kirk Douglas is the bad guy. This outstanding unrestored reissue half sheet features a bold image of Mitchum's mug, as well as the two beauties. Condition includes some edge wear with slight border tears, creases in all four corners, two small chips in the bottom border, and some stains and dust shadowing in the borders. Many consider the 1953 reissue paper better in some ways than the original and it is certainly as hard to find! Folded, Fine/Very Fine. Sold for: $1,553.50. |
| 28187 | Crossfire (RKO, 1947). Australian Daybill (12.75" X 30"). When a man is killed by one of a group of soldiers returning home from the war, director Edward Dmytryk, in Rashomon-like style, shows the event leading up to the killing from different points of view, making this an unusual, and very effective film noir thriller. The breakthrough role for star Robert Ryan, the movie was nominated for five Academy Awards, including Best Actor (Robert Ryan), Best Actress (Gloria Grahame), Best Director (Dmytryk), Best Picture, and Best Writing (John Paxton). It's been suggested that the film failed to win any of the awards for which it was nominated due to the refusal of Dmytryk and producer Adrian Scott to testify before the House Unamerican Activities Committee. Presented here is an exquisite Australian daybill. Its only flaw is some extra creasing at the fold lines. Otherwise, it is as fresh and clean as the day it was printed. Very Fine. Sold for: $717.00. |
| 28188 | The Night of the Hunter (United Artists, 1955). Lobby Card (11" X 14"). The only film ever directed by legendary actor Charles Laughton, this compelling drama stars Robert Mitchum as a psychopathic preacher, the Reverend Harry Powell, hot on the trail of $10,000 hidden away by a now-dead criminal. Also starring Shelly Winters and Lillian Gish, the movie failed at the box office at the time of its initial release, but is now considered a modern classic, renowned for its sense of terror and menace. This is the best card from the set and shows Powell's (Mitchum) distinctive "LOVE" and "HATE" finger tattoos! The card shows some light edge wear, and a small crease in the bottom left corner, but is otherwise clean, attractive, and highly desirable. Don't miss out on your chance to own this stunner! Near Mint-. Sold for: $717.00. |
| 28189 | Nightmare Alley (20th Century Fox, 1947). Lobby Card Set of 8 (11" X 14"). Stanton Carlisle (Tyrone Power) is an ambitious carnival roustabout who learns the basics of a mentalism act from blonde sharpster Zeena Krumbein (Joan Blondell) and her alcoholic husband Pete (Ian Keith). From there, he refines his act until it takes him all the way to the top, an upscale nightclub. But even that's not enough for the greedy con artist, who eventually finds out that the farther up one rises, the farther there is to fall. Tyrone Power made his name playing dashing, romantic leads, an image he broke stupendously in this gritty film, proving that he was far more than just a pretty face. Offered here is a set of lobby cards from this compelling picture. The title card has edge wear, a long tear in the top repaired with paper tape on the reverse, pinholes in the corners (including an enlarged pinhole in the bottom right with some surface paper loss), a tear in the right border, and small edge tears in the left border. The scene cards all show some edge wear and minor creasing in the corners. Nevertheless, this is a wonderful set from a marvelously dark film. Fine.Sold for: $358.50. |
| 28190 | Nightmare Alley (20th Century Fox, 1947). Color-Glos Lobbies (5) (11" X 14"). Stanton Carlisle (Tyrone Power) is an ambitious carnie who plays scams alongside phony mentalist Zeena (Joan Blondell). But Stan has no intention of staying with the carnival; he has his heart set on an upscale night club act. A hard-hitting drama rarely seen until its recent DVD release, with powerful performances and a gritty ambiance. Offered here are five superb color-glos deluxe lobbies (out of a set of eight) with hand-tinted scenes from the film, including great shots of Power and his leading ladies. These are in outstanding condition; one card shows some slight toning and a wrinkle in the left border, and the rest are immaculate. Also included is the original envelope, also in excellent condition. Near Mint-. Sold for: $478.00. |
| 28191 | Sorry, Wrong Number (Paramount, 1948). One Sheet (27" X 41"). Barbara Stanwyck portrays a wealthy invalid who inadvertently listens in on a conversation involving a murder plot via a telephone party line. This one sheet had a small corner chip and light fold wear with small separations. It has been mounted on linen and professionally restored, leaving a like-new new appearance. Fine/Very Fine on Linen.Sold for: $657.25. |
| 28192 | Kiss of Death (20th Century Fox, 1947). One Sheet (26" X 39.5"). Victor Mature plays a small-time crook who goes to jail rather than rat out his buddies, but when his depressed wife commits suicide, he pleads out, and tries to start a new life. Unfortunately, one of the goons he squealed on comes looking for revenge. This unusual black and white, stone litho, full bleed poster (the only time Fox did anything like this on a one sheet) has a memorable image of Mature's mug and an interesting logo design. The poster had several holes and tears throughout, with some paper loss; these have been amended with excellent professional restoration. Good on Linen. Sold for: $896.25. |
| 28193 | Road House (20th Century Fox, 1948). One Sheet (27" X 41"). In September 1947, the studio purchased the rights to an original story and screenplay entitled Dark Love from Ida Lupino, who had commissioned them from writers Margaret Gruen and Oscar Saul. Included in the $130,000 purchase price were the acting services of Lupino. This was right at the time that Lupino left Warner Brothers to become a freelance actress which would later lead to her becoming a director and producer in her own right. This wonderful film was the result, spawning this fabulous film noir poster with bright colors. There are pinholes in the corners, but it is otherwise in splendid condition. Very Fine. Sold for: $567.63. |
| 28194 | D.O.A. (United Artists, 1950). Japanese B2 (20" X 28.5"). What do you do when you find out you've been poisoned? If you're Frank Bigelow (Edmund O'Brien) in this taut film noir thriller, you begin a desperate race against time to find out who killed you and why! A true classic of the genre, this gripping movie is represented here by a stunning Japanese B2 that shows pinholes in the borders and corners, light foxing in the upper right and left corners, light ghosting at the bottom, edge tears and chips, a missing bottom left corner, and several horizontal creases. It remains, however, a very attractive and desirable piece with a strong central image that is certain to entice fans of this perennial favorite. Very Good+.Sold for: $119.50. |
| 28195 | Night and the City (20th Century Fox, 1950). One Sheet (27" X 41"). A gritty film noir thriller, this is the story of Harry Fabian (Richard Widmark), a con man with dreams of glory who runs one con too many. With a superb supporting cast, including Gene Tierney, Hugh Marlowe, Herbert Lom, and Mike Mazurki, this movie is a visually intense and darkly surreal experience in tension and suspense. The dramatic one sheet offered here has some light edge wear as well as an NSS stamp on the back that bleeds through to the front, but it is very attractive, ready to become an important part of your film noir collection. Very Fine-. Sold for: $836.50. |
| 28196 | Gloria Swanson and William Holden in "Sunset Boulevard" Publicity Still (Paramount, 1950). Still (8" X 10"). Vintage black and white, double weight, glossy still. Gloria Swanson and William Holden star in this masterpiece of drama. The two stars are featured in this remarkably clean still with stamps and a typed description on the reverse. If not for minor corner dings and a small ink smudge in the left border, this still would grade higher. Near Mint-. Sold for: $203.15. |
| 28197 | Gloria Swanson and Buster Keaton in "Sunset Boulevard" Publicity Still (Paramount, 1950). Still (8" X 10"). Vintage black and white, single weight, glossy still. Gloria Swanson, seen here with comedy legend Buster Keaton, created one of the most compelling and enduring characters in all of cinema history as Nora Desmond, the faded silent film star who slips slowly into madness, culminating in an emotionally charged and riveting climax. A studio snipe with captioning information is adhered to the reverse. Only the small creases evident in the bottom right and top left corners keep this wonderful piece from an even higher grade. Near Mint-.Sold for: $191.20. |
| 28198 | Cecil B. DeMille and Gloria Swanson in "Sunset Boulevard" Publicity Still(Paramount, 1950). Still (7.25" X 9.25"). Vintage black and white, single weight, glossy still. Great director meets great actress in this excellent photo of two Hollywood legends. Tiny corner bumps and a light crescent crease at top left are the only condition issues, and there is a typed studio snipe attached to the reverse. Very Fine/Near Mint.Sold for: $119.50. |
| 28199 | Billy Wilder, Director of "Sunset Boulevard" Publicity Still (Paramount, 1950). Still (7.5" X 9.25"). Vintage black and white, single weight, glossy still. The diminutive director of Double Indemnity, Lost Weekend, and of course Sunset Boulevard, appears in this posed publicity still. The photo has corner bumps and creases, surface wear, and a studio snipe on the reverse. Very Fine-. Sold for: $286.80. |
| 28200 | Sunset Boulevard (Paramount, 1950). One Sheet (27" X 41") Style B. Director Billy Wilder takes a harsh and uncompromising look at Hollywood stardom in this classic film noir picture. Gloria Swanson is brilliant as faded silent screen actress Nora Desmond, a broken down relic who ensnares young screenwriter Joe Gillis (William Holden) in her elaborate web of madness and self-delusion. A powerful film, it garnered 11 Academy Award nominations, and took home three Oscars. Offered here is the stylishly simple Style B one sheet. It has pinholes in the corners and several in the image area, bumps and creases in three corners, small edge tears, minor crossfold separations, and a small chip in the bottom left corner. Paper from this landmark picture is highly desirable, so don't miss your chance to bid on this vintage gem. Very Fine-.Sold for: $2,151.00. |
| 28201 | Gilda (Columbia, 1946). Title Lobby Card (11" X 14"). A complex noir thriller involving a sleazy casino owner (George Macready), a down-on-his-luck gambler (Glenn Ford), and the sultry vixen who is one man's wife and the other's ex-lover (Rita Hayworth), this is one of the most steamy and provocative pictures ever to sizzle on the silver screen. Hayworth is at her gorgeous best in this, one of her most famous roles, igniting the screen whenever she appears. Offered here is a virtually-unimprovable title card. It shows a very small tear in the bottom right edge, two very minor pinholes in the bottom center, and a very light smudge in the bottom left, but these are extremely minor issues, visible only upon close examination. One of the nicest examples of this highly desirable card you're ever likely to find, how can you resist... Gilda? Near Mint.Sold for: $1,135.25. |
| 28202 | Gilda (Columbia, 1946). Insert (14" X 36"). Intensity ran so high on the set of Gilda that Rita Hayworth actually broke two of Glenn Ford's teeth while filming a scene in which she slaps him on both sides of his face! The smoldering energy of the film is evident on this original release insert. It has been folded and has pinholes in the image along with a small hole in the credits. Edge tears have developed in the margins near the fold lines, and there is adhesive residue and creasing in the corners. But this is still a very displayable item from the pinnacle of Hayworth's career. Folded, Fine. Not Sold. |
| 28203 | Rita Hayworth Advertising Sign (RC Cola, 1946). Framed Royal Crown Cola Advertising Sign (12.5" X 29"). Classic vintage advertising sign, in its original frame, with glamorous star Rita Hayworth holding a bottle of Royal Crown Cola. Hayworth was currently appearing in one of her most famous films - Gilda. There is some light soiling, a few minor surface scuffs and a tear on the top right. This is a great opportunity to own a unique collectible for one of Hollywood's most beautiful and iconic stars. Fine/Very Fine.Sold for: $776.75. |
| 28204 | Rita Hayworth in "You'll Never Get Rich" Publicity Still by Schafer (Columbia, 1941). Still (8" X 10"). Vintage black and white, single weight, glossy still photo by photographer A.L. Whitey Schafer. The photo has a type-written, paper snipe as well as a photographer's rubber stamp on the verso. Very Fine+.Sold for: $388.38. |
| 28205 | The Lady From Shanghai (Columbia, 1947). Insert (14" X 36"). Autographed. Orson Welles plays Irish seaman Michael O'Hara who rescues the beautiful Rita Hayworth from three muggers in Central Park. Sparks fly, but it turns out the lady is married to a crippled, but brilliant criminal attorney played by Everett Sloane. Sloane nevertheless takes a shine to Welles and hires him to skipper his yacht. Murder, intrigue, and betrayal follow. Welles made this silky film noir as his marriage to Hayworth was self-destructing, and some see it as his attempt to rekindle their romance. This attractive insert poster has a dust shadow in the bottom border, very small stains in the image area, and scuffing in the credits and and slightly in the image. The poster was signed by Orson Welles in January, 1980, and there is an extensive notation on the reverse in pencil concerning obtaining the signature. A terrific sheet highlighting Hayworth and her famous figure. Folded, Fine-. Sold for: $4,182.50. |
| 28206 | The Lady From Shanghai (Columbia, 1947). Title Lobby Card (11" X 14"). Orson Welles wrote and directed this film (based on the novel by Sherwood King), and called for his then-wife Rita Hayworth to cut her hair short and dye it blonde. The results puzzled the critics, but the film has since been embraced by fans as one of the most unusual film noir thrillers. Offered here is the sultry title lobby card, which has a serious va-va-va-voom quotient, with Hayworth reclining in a sexy red dress. Only a bit of light creasing in the top border keeps this from being absolutely perfect. Near Mint-. Sold for: $776.75. |
| 28207 | The Lady from Shanghai (Columbia, 1947). Lobby Card (11" X 14"). It doesn't get much better than this. Offered here is the best card in the set, the famous "room of mirrors" scene, from this complicated Rita Hayworth/Orson Welles masterpiece. Although Hayworth and Welles were still legally married at the time this picture was made, they had been separated for some time, but had an amicable enough relationship to still work together. The result was a movie that, although disappointing upon its release, has come to be considered a true classic. Virtually unimprovable, this card should inspire some spirited bidding. Near Mint.Sold for: $2,868.00. |
| 28208 | The Lady from Shanghai (Columbia, 1947). Lobby Card (11" X 14"). Director and star Orson Welles and Columbia Pictures head Harry Cohn were at constant odds of over how to best utilize Rita Hayworth for The Lady From Shanghai. In the end, the film became one of Welles's greatest directorial efforts and one of Hayworth's best performances. This #5 lobby card features a fabulous image of Welles and Hayworth and is in fantastic condition with minor edge and corner wear and a faint wrinkle in the lower right border. Very Fine+.Sold for: $298.75. |
| 28209 | The Lady from Shanghai (Columbia, 1947). Lobby Card (11" X 14"). Orson Welles is a sailor caught up in a web of deceit when he is hired to work aboard a yacht owned by the wealthy husband of seductive Rita Hayworth. This #8 lobby card has staining, smudging, and pinholes in the borders, but retains a clean image area. Fine/Very Fine.Not Sold. |
| 28210 | The Lady from Shanghai (Columbia, 1947). Lobby Card (11" X 14"). In an incredibly bold move by director Orson Welles, Rita Hayworth was made to cut and dye her signature long dark hair for the role of temptress Elsa Bannister. Fortunately, she was Rita Hayworth and could look stunning with no hair at all. Her "come hither" pose and gorgeous gown make this lobby card a knock out! There are small tears in the borders and creases in the corners. But with Rita Hayworth as the centerpiece, who's looking at the few imperfections? Very Fine-.Sold for: $418.25. |
| 28211 | The Lady From Shanghai (Columbia, 1947). Lobby Cards (3) (11" X 14"). Orson Welles and Rita Hayworth steam up the screen in this Columbia Pictures thriller. Two of the lobby cards featured here capture the desperation of the dramatic courtroom scene, while the shot of Welles in the funhouse exudes the tension of the film's classic ending. The funhouse card has a staple hole in the top border and pinholes in the corners, while all three pieces have corner dings. As a whole, all three cards are very clean and will display quite well. Very Fine. Sold for: $388.38. |
| 28212 | Barbara Stanwyck and Fred MacMurray in "Double Indemnity" Publicity Still (Paramount, 1944). Still (8" X 10"). Vintage black and white, single weight, glossy still. This charming portrait of Double Indemnity's two handsome stars belies the film's darker themes. The photo has some minor corner creases and overall toning. Very Fine-. Not Sold. |
| 28213 | Barbara Stanwyck and Fred MacMurray in "Double Indemnity" Publicity Still (Paramount, 1944). Still (8" X 10"). Vintage black and white, single weight, glossy still. This is a stunning portrait of Stanwyck and MacMurray and highlights the chemistry that makes this classic film noir so gripping. There are corner bumps, some slight surface wear, creases in the border and corners, and a small tear at the bottom edge. Fine/Very Fine. Not Sold. |
| 28214 | Barbara Stanwyck Publicity Still by Bert Six (Warner Brothers, 1945). Autographed Still (10.75" X 14"). Vintage black and white, double weight, matte still. This marvelous portrait still of "the best actress that never won an Oscar" was taken by one of Warner Brothers top photographers Bert Six, and bears his stamp on the back. It is most likely a publicity shot for Christmas in Connecticut as the still is autographed and inscribed to "Perc", Perc Westmore, the fine makeup artist, who attended to Ms. Stanwyck during that production. A terrific piece of "insider" film history and a great closeup of a true star. The left and right edges have been trimmed slightly in the border. There is a tiny chip in the top left corner, and light creases in the corners. Fine/Very Fine.Sold for: $155.35. |
| 28215 | Double Indemnity (Paramount, 1944). One Sheet (27" X 41"). Life insurance. The idea was simple enough; when you died, your beneficiaries would be compensated for their loss of your income. It was also an e-ticket for a family member with big ideas to send you on a one-way trip to the big sleep. Director Billy Wilder used James M. Cain's famous novel as the basis for this seminal film noir. However, the screenplay was written by the leading noir author of the era, Raymond Chandler. No one could ever match Chandler's dialogue. The result was a legendary film that was nominated for Best Picture and paired Barbara Stanwyck as the wife looking for a way out and Fred MacMurray as the smitten insurance salesman caught in her sultry web. This beautiful, unrestored copy has minor fold and border wear. There is paper tape behind the center crossfold on the verso and a small piece behind a tear on the bottom border. There are small pencil dots in both Stanwyck's and MacMurray's face, but they are not terribly noticeable. This copy has strong colors and displays well. Very Fine+. Sold for: $5,676.25. |
| 28216 | Double Indemnity (Paramount, 1944). Insert (14" X 36"). Insurance agent Walter Neff (Fred MacMurray) gets involved with the wife (Barbara Stanwyck) of a client, and she convinces him to help murder her husband and make it look like an accident, thus collecting on the double indemnity clause of his life insurance policy. Billy Wilder's third U.S. film as a director has become a classic film noir, and one of the most identifiable titles in the genre, with Stanwyck as the very definition of femme fatale. This insert poster has some minor smudging in the border, fold wear with extra folds and some small edge tears. It still presents beautifully, with great color and a stunning image of Stanwyck. Many collectors feel that this is the best poster on the film. Fine/Very Fine. Sold for: $4,063.00. |
| 28217 | Double Indemnity (Paramount, 1944). Lobby Card (11" X 14"). One of the all-time greatest film noir thrillers, this exciting drama, directed by Billy Wilder and starring Fred MacMurray and Barbara Stanwyck, is about an insurance man who has an affair with the wife of a client, and soon finds himself in over his head in a scheme that is far more than he bargained for when irregularities are investigated by Edward G. Robinson. Nominated for an amazing seven Academy Awards, including Best Picture, Best Director, and Best Actress, this film occupies a solid spot on virtually every "Best Film" list. This highly desirable lobby card, featuring Stanwyck, MacMurray, and Robinson, has pinholes in the corners, a small stain in the left border, a few tiny edge tears, and a crease in the right border. None of these flaws are noticeable enough to detract from the overwhelming eye-appeal of this classic beauty. Very Fine-. Sold for: $262.90. |
| 28218 | The Shanghai Gesture (United Artists, 1942). One Sheet (27" X 41"). This dark and convoluted tail of blackmail and revenge is about Poppy (Gene Tierney), a young girl whose father (Walter Huston) intends to close down a gambling den in Shanghai run by the disreputable Mother Gin Sling (Ona Munson). In order to forestall her eviction, Mother leads Poppy deeper and deeper into a web of gambling and alcohol, in order to blackmail her father. Based on a popular play, the film required more than thirty revisions to make the salacious and provocative material acceptable to the Hays office! Offered here is a beautiful one sheet for this intriguing movie. It had pinholes in the corners and image area, fold chips with some paper loss, and pinpoint crossfold separations, but professional restoration has been expertly applied, returning this splendid poster to a Near Mint appearance. Fine/Very Fine on Linen.Sold for: $1,195.00. |
| 28219 | Laura (20th Century Fox, 1944). Insert (14" X 36"). The murder of beautiful career woman Laura Hunt (Gene Tierney) throws her social circle into chaos, with both her best friend (Clifton Webb) and her fiance (Vincent Price) as prime suspects. As the gruff detective in charge of the case (Dana Andrews) pieces together the events leading up to her death, he begins to fall in love with Laura as well. Arguably Otto Preminger's greatest film, this is a certified film noir classic. Tierney's timeless beauty graces this attractive insert poster, which also features a dark color scheme and bold logo. Minor condition issues include pinholes in the borders and field, a drip of paint in the top section, minor fold and edge wear and creasing in the top corners. These hardly detract from the poster's powerful imagery, and of course, the luminous Ms. Tierney. Very Fine. Sold for: $2,629.00. |
| 28220 | Leave Her to Heaven (20th Century Fox, 1945). Insert (14" X 36"). Life seems grand when Richard Harland (Cornel Wilde) marries the beautiful Ellen Berent (Gene Tierney), until unexplained tragedies, such as the deaths of Harland's brother and then his unborn son, begin to occur, all seemingly linked to Ellen's insane jealousy regarding her husband. When she believes that family friend Ruth (Jeanne Crain) is showing too much interest in Richard, Ellen's final act is to commit suicide in such a way that Ruth is blamed for the crime! Offered here is a beautiful insert that features excellent images of the lovely Gene Tierney. It had tears in the borders but professional restoration has rendered these slight flaws virtually invisible, making it a poster that any collector will be proud to own. Very Fine- on Paper. Sold for: $717.00. |
| 28221 | The Postman Always Rings Twice (MGM, 1946). One Sheet (27" X 41"). Drifter Frank Chambers (John Garfield) and devastatingly attractive Cora Smith (Lana Turner) plot to bump off Cora's husband, Nick (Cecil Kellaway), for his insurance money. Arrested after committing the murder, they beat the rap in court, but soon find that they still must pay the price for their crime. Based on a novel by James M. Cain, the screenplay required a number of drafts over many years to enable it to conform with the Hays Code restrictions. The intense and dramatic one sheet offered here had several tears in the left and right borders that extended into the image area, crossfold separation and fold wear, chipping in the borders, a missing piece at top left and right corner, a small area of paper loss in the bottom center of the image area, and a bottom right corner crease. Professional restoration has addressed all of these concerns, rendering this a highly attractive, and eminently displayable piece, perfect for any fan of this film noir classic. Very Good/Fine on Linen. Sold for: $5,377.50. |
| 28222 | The Postman Always Rings Twice (MGM, 1946). Insert (14" X 36"). Frank Chambers (John Garfield) and Cora Smith (Lana Turner) fall in love and plot to kill Cora's husband, Nick (Cecil Kellaway), in this taut and exciting adaptation of James M. Cain's bestselling novel. Although the movie differs significantly from its source material, due mainly to censor standards of the day, this is still one of the most intense and influential films in the noir genre. This lovely insert shows pinholes in the corners and borders, as well as some light edge wear, but these minor flaws do little to detract from the overwhelming appeal of this beauty. Folded, Very Fine. Sold for: $2,868.00. |
| 28223 | The Postman Always Rings Twice (MGM, 1946). Lobby Card (11" X 14"). The classic noir about the bored wife (Lana Turner), the drifter (John Garfield), and the husband they decide to kill so they can be together. This exceptional lobby card has a sultry image of Turner, along with Hume Cronyn and Garfield. It has only minor condition issues, including a small tear in the right border, pinholes, and light smudging in the borders. A great-looking card with terrific color. Very Fine. Sold for: $310.70. |
| 28224 | Dust Be My Destiny (Warner Brothers, 1939). One Sheet (27" X 41"). Much like the classic I Am a Fugitive from a Chain Gang, this is the story of Joe Bell (John Garfield), a man who just can't seem to catch a decent break. Released from prison after serving time for a crime he didn't commit, Bell is picked up for vagrancy and sent to a work farm. His fortunes seem to improve when he marries Priscilla (Priscilla Lane), the lovely daughter of the farm's cruel foreman, but when his drunken father-in-law provokes a fight, Bell accidentally kills him and is tried for murder. The moral of the story is that Bell isn't to blame for his plight; society is the true culprit. This lovely one sheet has undergone professional restoration to address light stains in the bottom left, minor tears in the corners, an edge tear in the left border, slight paper loss in the horizontal folds, and diagonal creases in the lower portion of the poster. The restoration work is superb, returning this poster to a glorious state. Fine+ on Linen.Sold for: $358.50. |
| 28225 | The Racket (Paramount, 1928). Half Sheet (22" X 28"). Director Lewis Milestone helmed this early gangster film about local police captain McQuigg (Thomas Meighan) who vows to bring down bigtime gangster and bootlegger Nick Scarsi (Louis Wolheim). The young entrepreneur and multi-millionaire Howard Hughes had a fascination with the gangsters of the era and produced this picture for Paramount as he would later produce the famous film "Scarface" (1932). The film would go on to be nominated for an Oscar as Best Picture. As a side note, the film was long thought lost before being located in Howard Hughes' film collection after his death. This colorful half sheet has pinholes in the corners, light border staining, several small border tears, light corner bends in the bottom right and left, and a crease in the bottom right. It is a beautiful example of a very rare and desirable half sheet. Rolled, Very Fine-. Sold for: $3,585.00. |
| 28226 | Alibi (United Artists, 1929). Title Card and Lobby Cards (3) (11" X 14"). An early gangster picture directed by the notorious Roland West - he insisted on absolute secrecy during the filming of his movies and only shot at night - this is the story of Chick Williams (Chester Morris), a ruthless criminal faced with establishing an alibi after pulling off a daring warehouse robbery. A critical and popular success, the film was nominated for three Oscars, including Best Picture, Best Actor (Morris), and Best Art Direction (William Cameron Menzies). Offered here is the title card and three scene cards from this important picture. The title card and the scene card picturing the police officer each have several staple holes in the image area, but these are the only flaws of note. Otherwise, these extremely attractive and desirable cards are in exquisite condition. Near Mint-. Sold for: $657.25. |
| 28227 | Bulldog Drummond (Hodkinson Pictures,1922). Window Card (13" X 21"). This first filmed version of the famed stage melodrama starred Carlyle Blackwell as Captain Hugh Drummond, soldier of fortune. Bored by inactivity, Drummond advertises for "adventure" in the Times, and gets adventure aplenty when he becomes involved with a plot to kidnap an industrialist. The film's tension highlight was the scene in which the villainous Dr. Lakington (Warwick Ward) taunts a bound Drummond by fondling unconscious heroine Phyllis Benton (Evelyn Greeley. This early silent version was shot in England. A sound version was done in 1929 with Ronald Colman playing the lead. This extremely rare window card for the first 1922 version is in beautiful condition. Prior to restoration, it had been folded once horizontally in the center. The artwork was done by E. William Haemmel. Very Fine on Cardstock.Sold for: $956.00. |
| 28228 | Broadway (Universal, 1929). Lobby Card (11" X 14"). An early "talkie," this film, directed by Paul Fejos, is a story of guns and gangsters set against the backdrop of a Broadway cabaret. Particularly notable is the use of a camera crane, invented by the director specifically for use on this film. This groundbreaking innovation, which was to become a cinematic staple in the years to come, allowed for previously unseen panoramic shots and fluid motions that made this movie stand out from the crowd in 1929. The fabulous Art Deco-style card offered here displayed light edge wear and several holes in the borders, as well as missing paper in the top right corner. The professional restoration was first rate, resulting in a card that looks every bit as good as the day it was printed. Very Fine- on Paper. Sold for: $537.75. |
| 28229 | I Am a Fugitive from a Chain Gang (Warner Brothers, 1932). Lobby Card (11" X 14"). Far more than a mere gangster picture, this is social commentary at its very best. Based on the real-life experiences of Robert Elliot Burns, this famed picture tells the story of James Allen (Paul Muni), a veteran returned from World War I, who, like so many others, finds work hard to come by. Flat broke and desperate, he is arrested for a crime he did not commit, and sentenced to a brutal ten years on a chaingang. Allen escapes and, relocating to Chicago, starts life anew, quickly becoming a successful businessman and a leading citizen. His past catches up to him, however, and he's returned to the chaingang. When a deal with the authorities goes bad, Allen's situation becomes even worse. Burns, still a fugitive at the time this movie was made, served as an advisor for a short time. His book, and the impact of this hard-hitting movie, led to real reforms in the Georgia chaingang system upon which the movie was based, and established Warner Brothers as the studio of socially-conscious films. Paper from this title is extremely rare and exceptionally desirable. This card, featuring Muni and Helen Vinson, has pinholes in the top and bottom left corners, but is otherwise wonderfully clean and attractive. Pieces like this don't come around very often, so don't miss your chance to bid on this incredible beauty. Very Fine+. Sold for: $776.75. |
| 28230 | Raffles (United Artists, 1939). One Sheet (27" X 41"). Starring Olivia DeHavilland and David Niven in the popular title role, this is one of several film adaptations of an 1899 novel by E. W. Hornung, Raffles, the Amateur Cracksman. In fact, Sidney Howard wrote the screenplay for both this movie and the 1930 film of the same name starring Ronald Colman. F. Scott Fitzgerald may also have worked on the script, but this is unconfirmed. The one sheet offered here is a lovely illustration of the two stars in the prime of their careers. The poster has some crossfold wear and pinholes in the corners and at the intersection of the vertical fold and the upper and bottom borders. There are two larger pinholes in DeHavilland's shoulder as well. Fine/Very Fine.Sold for: $657.25. |
| 28231 | Partners in Crime (Paramount, 1928). Lobby Card (11" X 14"). An extremely popular silent film comedy team, Wallace Beery and Raymond Hatton appear here as a dim private eye and an equally dim newspaper reporter who team up to catch a mob of gangsters. Of course, they succeed in spite of themselves, but only after a series of hilarious misadventures. This colorful card shows both the stars and their costar, William Powell between them. There is only some slight edge wear, a tiny chip in the top right border, and a small crease in the bottom right corner keeping it from an even higher grade. Very Fine+. Sold for: $143.40. |
| 28232 | Jewel Robbery (Warner Brothers, 1932). Lobby Card (11" X 14"). William Powell is perfectly cast as a debonair gentleman thief in this charming romantic comedy. He plays opposite Kay Francis as a bored baroness who sees the light-fingered rogue as just what she needs to break her out of the doldrums of her humdrum life. Unfortunately, her husband has other ideas. Powell and Francis are both pictured on this exquisite lobby card, along with a charming, and somewhat risque, illustration in the border. The card itself is in superb condition, with only a light crease in the bottom right keeping it from an even higher grade. Near Mint-.Sold for: $776.75. |
| 28233 | Private Detective 62 (Warner Brothers, 1933). Lobby Card (11" X 14"). William Powell stars as a stylish but down-on-his-luck detective out to clear his girlfriend (Margaret Lindsay) from a blackmail scheme. Michael Curtiz directs. This lobby card has scuffing in the top border that extends into the top right corner of the field. There is also a small ding in the right border. But these minor imperfections in no way distract from the overall clean appearance of the card. Very Fine. Sold for: $262.90. |
| 28234 | Private Detective 62 (Warner Brothers, 1933). Lobby Card (11" X 14"). A lightweight crime comedy, this film is made unforgettable by the efforts of director Michael Curtiz and star William Powell as a private eye whose career is failing until he meets up with an unscrupulous flatfoot (Arthur Hohl) who persuades him to run a blackmail scheme on a pretty socialite living in Paris (Margaret Lindsay). It's not until Powell starts to fall for the mark that things get complicated. This card was misdescribed in catalog as being mint. It grades as a Very Fine as it has paper replacement in the top border and the tip of the lower right corner. The card looks beautiful now. Very Fine.Sold for: $1,314.50. |
| 28235 | William Powell Color-Glos Still (MGM, 1930s). Still (11" X 14"). Debonair William Powell is featured on this splendid color-glos portrait. Some of his films for MGM included Double Wedding, The Great Ziegfeld, and Libeled Lady. The still has light edge wear, a small stain in the border, corner creases, and two corner chips. Very Fine-. Sold for: $119.50. |
| 28236 | William Powell in "Fashions of 1934" Publicity Still by Bert Longworth (Warner Brothers, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. William Powell plays a suave con man in this charming musical set in the glamorous fashion capitol of Paris during the 1930s. This elegant still has a light corner bend in the bottom left, as well as a studio snipe and a photographer's stamp on the reverse. It is a great portrait of a leading star. Very Fine+.Not Sold. |
| 28237 | Midnight Club (Paramount, 1933). Lobby Card (11" X 14"). Set in London, this entertaining film tells the story of an ingenious gang of thieves who are free to commit a series of burglaries as their doubles establish their alibis in a nightclub while the police look on. George Raft, best known for his gangster roles, appears as an American cop who goes undercover to infiltrate the mob. He is pictured with the beautiful Helen Vinson in this lovely lobby card. It displays some minor edge wear, pinholes in the left and right borders, a light crease in the bottom left, and very slight corner bumps; overall, the card is in superb condition. Very Fine-Sold for: $167.30. |
| 28238 | Midnight Club (Paramount, 1933). Midget Window Card (8" X 14"). In an interesting twist, George Raft appears on the right side of the law in this slick crime drama in which criminal mastermind Colin Grant (Clive Brook) runs an establishment that provides exact doubles of crooks planning crimes, in order to help them establish air tight alibis. As investigator Nick Mason, Raft becomes a part of Grant's "Midnight Club," quickly getting more deeply involved than he ever could have foreseen. This beautiful midget window card, featuring Raft, Brook, and the lovely Helen Vinson, shows some chipping at the edges, a slight crease in the upper right corner, and a light dust shadow along the left border, but is otherwise clean and attractive, a wonderful addition to any collection. Very Fine+.Sold for: $956.00. |
| 28239 | The Little Giant (First National, 1933). Midget Window Card (8" X 14"). Edward G. Robinson was one of the greatest screen gangsters of all time. In movies like Little Caesar, Smart Money, and Two Seconds, Robinson proved he could be as tough as any mug in Hollywood. In this picture, Robinson, as ex-bootlegger "Bugs" Ahern, relocates to California from Chicago with the end of Prohibition. Looking forward to a life of ease with his ill-gotten loot, Ahern soon learns that the so-called "respectable" set on the West Coast are criminals of a vastly different sort, much to his chagrin and dismay. This exquisite midget window card is highlighted by a wonderful portrait of Robinson, and is about as close to perfect as one could ask for. Only a very light smudge in the left border keeps it from grading higher. Near Mint.Sold for: $4,780.00. |
| 28240 | I Loved a Woman (First National, 1933). Midget Window Card (8" X 14"). An early film in the career of star Edward G. Robinson, this picture is about the rise and fall of an ambitious businessman whose career as an honest and successful owner of a meat-packing plant is derailed by his social-climbing wife and the opera singer with whom he is having an affair (Kay Francis). It's only when he seems to have lost everything that he finds out what is truly important. The beautiful Art Deco-style midget window card offered here is virtually unimprovable, with very slight edge wear and a very small stain in the bottom left being the only considerations keeping it from an even higher grade. Near Mint.Sold for: $657.25. |
| 28241 | Before Dawn (RKO, 1933). Midget Window Card (8" X 14"). Part crime drama, part haunted house mystery, this thriller is based on a story by noted novelist Edgar Wallace. As Joe Valerie (Frank Reicher) lays dying, he reveals the location of a fortune in gold that he stole 15 years earlier to his doctor (Warner Oland). Thus begins a frenzied search for the loot, a search that not only involves the doctor, but a dogged gumshoe (Stuart Erwin) and a bogus psychic (Dorothy Wilson). The striking midget window card offered here is virtually as clean as the day it was printed, with only some very slight edge wear keeping it from an even higher grade. Near Mint. Sold for: $507.88. |
| 28242 | The Girl in 419 (Paramount, 1933). Midget Window Card (8" X 14"). A compelling crime drama about a woman (Gloria Stuart) beaten nearly to death by gangsters she refuses to identify for fear of retaliation. The young doctor who treats her (James Dunn) soon falls in love with her, and must protect her from the gunman seeking to ensure her silence. This wonderful midget window card is virtually unimprovable, with only some very slight corner bumps keeping it from an even higher grade. Add this one to your collection today! Near Mint+. Sold for: $179.25. |
| 28243 | Public Hero #1 (MGM, 1935). Insert (14" X 36"). When G-man Jeff Crane (Chester Morris) gets involved with the beautiful Terry O'Reilly (Jean Arthur), he has no idea that her brother (Joseph Calleia) is the very hood he's been tasked with tracking down! Lionel Barrymore turns in an incredible performance as drunken gang medico, Dr. Josiah Glass. This lovely insert had pinholes in the corners and borders, a long stain in the left border, minor border chips, a crease in the bottom right, and corner bumps, but professional restoration has largely addressed these flaws, returning this poster to a nearly like-new state. Rolled, Fine/Very Fine on Paper. Sold for: $358.50. |
| 28244 | Big City Blues (Warner Brothers, 1932). Title Card and Lobby Card (11" X 14"). Small-town boy Bud Reeves (Eric Linden) comes into a passel of money and heads straight for the bright lights of New York City, where he proceeds to get himself into a whole heap of trouble, not the least of which is a whirlwind relationship with bombshell chorus girl Joan Blondell. There's a brief, and uncredited, appearance by future superstar Humphrey Bogart in the party scene - he's the one who gets into a fight with Lyle Talbot - making this film even more noteworthy. Offered here is the title card and one scene card from this splendid picture. The title card shows staple holes at the center of the image, creasing in the top right corner, slight staining in the top border, a small tear in the bottom center, and an "8" written in pen in the top left. The scene card has some light edge wear, and a paperclip rust stain in the top border. These minor considerations notwithstanding, these are exceptional cards from a very scarce, pre-code Warner Brothers film. Fine/Very Fine. Sold for: $478.00. |
| 28245 | Big City Blues (Warner Brothers, 1932). Lobby Cards (2) (11" X 14"). Simple country boy Bud Reeves (Eric Linden) thinks he's hit the jackpot when he inherits a bunch of money unexpectedly, so he packs up and heads to New York City, where he gets involved with gambling, drinking, and, worst of all, a beautiful showgirl (Joan Blondell). The cast includes a young Humphrey Bogart in an uncredited role. Offered here are two lovely lobby cards from this fun picture. The card that shows Blondell in a diner has pinholes in the top left and bottom right corners, and some slight water staining in the bottom left corner and the left border. The other card, with a fabulous image of Linden and Blondell, is extremely clean, with only some very slight edge wear and a bit of smudging in the bottom border. Both of these are spectacular, colorful cards that will wash away the blues of any collector. Very Fine. Sold for: $478.00. |
| 28246 | Two Against the World (Warner Brothers, 1936). Half Sheet (22" X 28"). In a story as compelling today as when it was first released, this picture is about a program director at a radio station who, along with his dedicated secretary, opposes the station's policy of heartless sensationalism, especially after the airing of such a story leads to the death by suicide of a woman and her husband. An early picture for star Humphrey Bogart, this came hot on the heels of his starmaking turn in The Petrified Forest (1936). The half sheet offered here shows pinholes in the corners, edge wear, smudging, minor tears and chips in the borders, and one tear in the upper left that extends from the border through Beverly Roberts's face. There is some creasing within the poster, and a small corner chip in the top left. It features a great image of Bogart, an actor at the very beginning of a superstar career. Rolled, Good/Very Good. Sold for: $1,015.75. |
| 28247 | Black Legion (Warner Brothers, 1937). Lobby Card (11" X 14"). When Frank Taylor (Humphrey Bogart) loses his factory job, he joins the Black Legion, a group dedicated to intimidating and terrorizing foreigners and "outsiders." Things quickly get out of hand, however, leading to eventual tragedy for Frank and his family. Oscar nominated for Best Original Story, this is a compelling drama that allows Bogart to demonstrate his considerable range as an actor. This lobby card shows pinholes in the borders and corners, as well as light edge wear, but is otherwise clean and attractive, ready to take its place in any serious Bogart collection. Very Fine-. Sold for: $358.50. |
| 28248 | Crime School (Warner Brothers, 1938). Window Card (14" X 22"). Humphrey Bogart is the good guy in this classic Warners gangster drama for which the studio became so famous. Co-starring were the "Dead End Kids" who had made such a splash in their debut film Dead End the year before. This card has corner rounding and a stained snipe in the upper imprint area. The imprint area appears to have been painted very lightly to cover a previous name, and the snipe was then applied. Fine/Very Fine. Sold for: $657.25. |
| 28249 | Crime School (Warner Brothers, 1938). French Grande (47" X 63"). No Bogie collector will want to pass up this spectacular French grande with a terrific, virtually life-sized image of Humphrey Bogart, painted by the great Dori. Bogie plays a corrections officer who wants to clean up the local reform school, and ultimately gains the trust of his charges via straight talk and fair play. He also falls for the pretty sister (Gale Page) of one of the tough guys. The Dead End Kids co-star. This terrific poster had minor fold separations with some chips out, and tiny chips in the top border, which has been addressed with professional restoration. Very Fine on Linen.Sold for: $657.25. |
| 28250 | The Amazing Dr. Clitterhouse (Warner Brothers, 1938). Midget Window Card (8" X 14"). An interesting and very different take on the gangster movie genre: in this classic, Dr. T. S. Clitterhouse, a psychiatrist studying the criminal mind, finds that the best way to understand his subjects is to become a criminal mastermind himself! Unfortunately, he soon runs afoul of real crook "Rocks" Valentine (Humphrey Bogart), and finds out more about the life of a felon than he intended. This beautiful, linen finish midget window card had a couple of small chips in the edges and several small tears along the bottom portion, but professional restoration has expertly addressed these issues, resulting in a Near Mint appearance. As with much of the Warner Brothers gangster paper from this era, material from this movie is extremely difficult to come by, so don't let this gem pass you by! From the Collection of Denver Sherry. Very Fine-. Sold for: $776.75. |
| 28251 | You Can't Get Away With Murder (Warner Brothers, 1939). Title Lobby Card (11" X 14"). In pictures like The Petrified Forest, Bullets or Ballots, San Quentin, Dead End, and Angels with Dirty Faces, Humphrey Bogart proved he could be as tough as any mug, and twice as compelling. Although this film is one of his lesser-known efforts, it's every bit as good as any of his high-profile pictures. The striking title card offered here shows several pinholes in the field that have been repaired with museum tape on the reverse, and a small crease in the bottom right corner. These minor flaws do little to detract from the card's eminent displayability, however, making it a piece that no Bogart fan will want to pass up. Fine/Very Fine.Sold for: $657.25. |
| 28252 | King of the Underworld (Warner Brothers, 1939). Lobby Card (11" X 14"). When husband and wife Drs. Niles and Carol Nelson (John Eldredge and Kay Francis) save a badly wounded gangster, mob boss Joe Gurney (Humphrey Bogart) first exploits the doctors, then kills the husband. Before long, however, Carol has an opportunity to take her revenge. A remake of the movie Dr. Socrates (1935), this was a strong role for Bogart. The exquisite linen finish lobby card has pinholes in the corners and in the top border, but is otherwise bright, clean, and unmarked. Very Fine/Near Mint.Sold for: $717.00. |
| 28253 | They Drive by Night (Warner Brothers, 1940). Half Sheet (22" X 28") Style A. Two brothers struggle as wildcat truck drivers; one comes to harm, the other is accused of his friend's murder. Humphrey Bogart took second billing to George Raft in this classic melodrama, while Ann Sheridan and Ida Lupino star in the female leads. Offered here is a gorgeous half sheet, with art similar to the title card design. The red title block has had some airbrushing, and the poster had several small tears in the borders, some of which extend slightly into the image. Additionally, all of the corners have had a small amount of paper added. After superb professional restoration, the poster appears Near Mint and displays very nicely. Fine+.Sold for: $597.50. |
| 28254 | Brother Orchid (Warner Brothers, 1940). One Sheet (27" X 41"). Here is a poster for a unique pairing of two of gangsterdom's perennial favorites, Edward G. Robinson and Humphrey Bogart. It would be the fifth time they would appear together, but the first time that neither of them would die during the film! That's because this was a dramatic but light-hearted tale with some very comedic undertones. Note how successful the poster is at getting these ideas across. All of the four photo insets are dramatic and full of "things that hoodlums do," but the comedic caricature of Robinson, with his top hat and pinned-on orchid, in his tireless search for "class" go to the very heart of the film and its upbeat ending. Professional restoration has addressed a small stain above the "T" in "Brother," small crossfold separations, small edge chips, and a small corner chip in the bottom left. Very Fine- on Linen. Sold for: $388.38. |
| 28255 | Humphrey Bogart Portrait Still (Warner Brothers, 1930s). Still (8" X 10"). Vintage black and white, double weight, glossy still. An early photo of a classic star, this wonderful portrait features Bogart in his most iconic image; wearing a fedora and trenchcoat. The still is printed on a linen finish stock, has minor gloss chipping in the borders, creasing in the top left and light surface wear, as well as several address stamps and handwriting in pencil on the reverse, but remains an incredible image of one of the twentieth century's greatest actors. Very Fine.Sold for: $567.63. |
| 28256 | Humphrey Bogart Publicity Still (Warner Brothers, 1930s). Still (8" X 10"). Vintage black and white, double weight, glossy still. From Humphrey Bogart's early years at Warner Brothers prior to his rise to stardom in the 1940s. This beautiful still has a surface scratch from the right border to just below Bogart's chin. The still is backed with fine cheesecloth and has a pencil notation on the verso. Very Fine.Sold for: $448.13. |
| 28257 | The Maltese Falcon (Warner Brothers, 1931). Three Sheet (41" X 81"). This was the third film version of Dashiell Hammett's detective novel, and without doubt, the best. This classic film noir was directed by John Huston, a long-established screenwriter who was making his directorial debut. Humphrey Bogart would achieve true stardom portraying Sam Spade, a hard-boiled San Francisco private eye, who at times uses unscrupulous methods as a means to an end, but also adheres to his own personal code of honor. This moody three sheet had fold wear and crossfold separations with small chips out, extra folds, a tear in the right border, and the borders have had some amount of paper replaced, all of which has been addressed by outstanding professional restoration. The poster presents beautifully, with a great image of Bogie. Very Good on Linen.Sold for: $9,560.00. |
| 28258 | The Maltese Falcon (Warner Brothers, R-1962). Post-War Release French Grande (47" X 63"). An incredibly striking image of Humphrey Bogart as private detective Sam Spade dominates this wonderful French poster. Released just after the end of World War II, this was the first time French audiences could enjoy this seminal film noir classic. Posters for this film are some of the most sought after in the entire hobby, and this striking French grande, designed by Bonneaud, is exceptionally scarce. There is fold wear with crossfold separations, light wrinkling on the borders, and a faint stamp on the bottom left. Note: This poster was mis-described as being first post war release. It is the 1962 re-release for the North African region. Very Fine on Linen.Sold for: $14,340.00. |
| 28259 | All Through the Night (Warner Brothers, 1942). One Sheet (27" X 41"). Humphrey Bogart plays a gambler on the trail of a killer who offed his favorite baker. Nightclub singer Leda Hamilton (Kaaren Verne) is seen fleeing the scene, but when more dead bodies start piling up, she mysteriously vanishes. Turns out that behind the mystery is a gang of Nazi operatives planning to blow up a battleship in New York harbor. An odd comedy/propaganda film that is highly entertaining, this colorful one sheet features a great image of Bogie with gun drawn, and some exciting images from the feature. The poster had minor tears in the bottom border, slight fold separations, and small chips in the bottom horizontal fold. There was slight paper loss in the bottom right horizontal fold, and creasing in the bottom left corner, all of which has been addressed with excellent professional restoration. Fine+ on Linen. Sold for: $3,107.00. |
| 28260 | All Through the Night (Warner Brothers, 1942). Insert (14" X 36"). Humphrey Bogart gets to exercise his flair for comedy in this classic wartime picture as "Gloves" Donahue, a big-time gambler who stumbles onto a Nazi spy ring when his daily order of cheesecake is disrupted. Aided by his mob, including veteran character actors and comedians William Demarest, Frank McHugh, Phil Silvers, and Jackie Gleason, Bogart takes on the Fifth Column finks led by Conrad Veidt and Peter Lorre, and strikes a blow for freedom and democracy. Offered here is a beautiful insert, featuring a wonderful image of Bogie. It has light edge wear, minor edge tears, paper tape on the reverse reinforcing the fold lines, and corner creases, but remains a great piece for all fans of this legendary actor. Folded, Very Fine. Not Sold. |
| 28261 | All Through the Night (Warner Brothers, 1942). Window Card (14" X 22"). Long before there was Guys and Dolls, Runyonesque Broadway gamblers were immortalized in one of Bogart's few comedies, All Through the Night. There are three great images of Bogart on this window card, including a dust-off of a Nazi wielding a Luger with Bogart wearing his namesake "Gloves," and a colorful central image of him with a gat pointed right at the poster viewer! This is one of the more desirable posters on the title, as several of the other sizes used photo artwork actually from High Sierra. The poster has been paper-backed with excellent professional restoration to address a bend in the bottom right corner and to replace the white imprint area at the top. Fine+ on Paper. Sold for: $507.88. |
| 28262 | Thank Your Lucky Stars (Warner Brothers, 1943). Midget Window Card (8" X 14"). If you were anybody on the Warner Brothers lot in 1943, chances are you were in this feel-good, morale-boosting, wartime picture. The cast list reads like a "Who's Who" of Hollywood royalty, including Humphrey Bogart, Errol Flynn, Olivia DeHavilland, Bette Davis, Eddie Cantor, John Garfield, Joan Leslie, Ida Lupino, Ann Sheridan, Dinah Shore, Hattie McDaniel, Alexis Smith, Dennis Morgan, Alan Hale, and more. If that's not enough to recommend this terrific picture, how about this: it received a Best Song Oscar nomination for "They're Either Too Young or Too Old," as sung by Bette Davis herself. The midget window card offered here pictures many of these classic stars, making it a perfect addition to any collection. In superb condition, the only flaw of note is the evidence of some pencil writing that has been erased in the upper right. Other than that, this beautiful card is as clean as they come. From the Collection of Denver Sherry. Near Mint.Sold for: $1,314.50. |
| 28263 | Conflict (Warner Brothers, 1945). Three Sheet (41" X 81"). Humphrey Bogart stars as a man who sets his wife up for a fatal accident on a lonely mountain road (he's in love with her younger sister, see) but later begins receiving clues that she may still be alive. Sydney Greenstreet is terrific as the cop who suspects Bogie's guilt. A huge portrait of Mr. B dominates this great-looking three sheet, along with Greenstreet and Alexis Smith and her meticulously crafted eyelashes. The poster had pinholes, minor fold separations, and crossfold separations with small chips out, all of which has been addressed with professional restoration. The poster presents beautifully with great color. Very Fine on Linen.Sold for: $537.75. |
| 28264 | The Treasure of the Sierra Madre (Warner Brothers, 1948). Autographed Lobby Card (11" X 14"). One of star Humphrey Bogart's greatest and most memorable films, this is the story of a group of men who go out into the Mexican wilderness prospecting for gold, and find paranoia, hardship, and death instead. Co-starring Walter Huston and Tim Holt, the film won a well-deserved three Oscars, including Best Supporting Actor (Walter Huston), Best Director (John Huston), and Best Screenplay (John Huston). This outstanding card pictures all three lead actors; it has a single pinhole in the top border, bumps, creases, and light staining in all the borders, edge wear, and surface scratches in the image area. As an added bonus, it is signed by John Huston in the upper left. A perennially favorite film, this card is a must for any Bogie fan! Fine.Sold for: $1,434.00. |
| 28265 | The Oklahoma Kid (Warner Brothers, 1939). Window Card (14" X 22"). Proving himself to be one of the most versatile actors in the history of Hollywood, gangster/song-and-danceman James Cagney stars in this Warner Brothers Western as Jim Kincaid, a tough-as-nails cowboy who rides into Tulsa to exact revenge on Whip McCord (Humphrey Bogart), who had his father framed and lynched. Cagney even gets to sing in this out-of-the-ordinary picture! The attractive window card offered here shows slight dust shadowing at the edges, very slight edge wear, scuffing below the snipe in the imprint area, and rounded corners. These are minor considerations, however, as the central image area is clean and untouched, with bright color and a vivid image. Don't miss this opportunity to add this incredible piece to your collection! Fine/Very Fine. Sold for: $388.38. |
| 28266 | Blonde Crazy (Warner Brothers, 1931). Lobby Card (11" X 14"). In this classic pre-Code film, made shortly after James Cagney's breakout picture, The Public Enemy, small-time grifter Bert Harris (Cagney), ends up doing a stretch in stir over... you guessed it... blonde bombshell Anne Roberts (Joan Blondell) when he tries to expand his horizons to include hold-ups and robberies. This wonderful card, which features both stars, has some light edge wear, a small tear with an attached crease in the top border, and minor corner bends in the bottom right and top left. These minor considerations aside, this is classic Cagney all the way, a beautiful card from an extremely prolific period in this great actor's career. Very Fine. Sold for: $717.00. |
| 28267 | Taxi (Warner Brothers, 1932). Lobby Card (11" X 14"). An important film in the rise to superstardom of James Cagney, this picture finds the tough guy actor playing Matt Nolan, an independent cab driver who leads a fight against a taxi monopoly that uses rough tactics to take business away from the little guys. This picture is important in that it marks the first time that Cagney dances on screen, in the dance competition scene, and is the source of the oft-misquoted line, "You dirty rat!" (the actual line from the film is, "Come out and take it, you dirty, yellow-bellied rat, or I'll give it to you through the door!") It was also the last time Cagney allowed live ammo to be used in one of his pictures - as it was here and in The Public Enemy (1931) - as in this film he nearly got hit. This great lobby card, with its wonderful image of Cagney, has light smudging in the top border, two tears in the top border repaired with tape on the reverse, and tiny corner bumps, but is otherwise clean, fresh, and attractive. Very Fine-. Not Sold. |
| 28268 | Picture Snatcher (Warner Brothers, 1933). Title Lobby Card (11" X 14"). James Cagney stars as an ex-con who decides to go straight when he gets out of prison. His street smarts prove to be a big help in his new career as a tabloid photographer. Early Cagney title cards have always been very desirable, and they are certainly not getting any easier to find, especially in this condition. This beauty is in excellent shape other than a very small chip repaired in the lower left corner. The chip has been replaced with a corner from another card. Fine/Very Fine. Sold for: $597.50. |
| 28269 | Picture Snatcher (Warner Brothers, 1933). Lobby Card (11" X 14"). James Cagney is an ex-con who has a hard time convincing his sweetheart's (Patricia Ellis) father (Robert Emmett O'Connor) that his job as a tabloid photographer is any more respectable than his old job as a con man. When he thrills his editor (Ralph Bellamy) by sneaking a photo of an execution, for which his future father-in-law is in charge of security, the job of proving his suitability as son-in-law gets even harder. This gorgeous, hard-to-find Cagney card is bright, colorful, and clean. It has been beautifully restored to correct a narrow top edge trim; otherwise, it would grade as Mint, because it shows no other signs of wear or use. Very Fine-. Sold for: $298.75. |
| 28270 | James Cagney in Blonde Crazy Publicity Still (Warner Brothers, 1931). Still (8" X 10"). Vintage black and white, single weight, glossy still. This movie, an early role for star James Cagney as a cocky con man with a heart of gold, was released in Great Britain as Larceny Lane. An exquisite still, this piece has bends and creases in all the corners, very light edge wear, and some light surface wear, but is otherwise clean and fresh. Very Fine+. Sold for: $567.63. |
| 28271 | Hard To Handle (Warner Brothers, 1933). Lobby Card (11" X 14"). A plum role for star James Cagney: in this Warner Brothers classic he plays "Lefty" Merrill, a small-time con man who makes a living pulling penny-ante swindles. He soon meets an even bigger con than himself, and is stuck when his partner absconds with the prize money for a phony dance contest. When the winner's mother (Ruth Donnelly) tries to get Merrill to wed her daughter (Mary Brian) in lieu of the prize, he realizes he's in over his head. The exquisite lobby card offered here, with its iconic portrait of Cagney, is pristine, virtually as clean and fresh as the day it was printed. If you're looking for that perfect piece of Cagney paper, this is the one for you! Mint.Sold for: $2,629.00. |
| 28272 | Jimmy the Gent (Warner Brothers, 1934). Midget Window Card (8" X 14"). Jimmy Corrigan (James Cagney) is a dishonest heir tracer, but he's forced to clean up his act for the woman he loves when he sets out to expose an even more crooked, so-called "respectable," competing firm. Cagney is perfect in this tough-guy-with-a-heart-of-gold role. The midget window card offered here, with a wonderful caricature of Cagney, shows single pinholes in the top and bottom center, but is otherwise unmarked, making this a perfect, and extremely clean, addition to any Cagney collection. Near Mint-.Sold for: $1,314.50. |
| 28273 | Jimmy the Gent (Warner Brothers, 1934). Lobby Card (11" X 14"). James Cagney was hot in 1934, having appeared in a succession of great films since his breakout role as Tom Powers in 1931's The Public Enemy. In this fast-paced picture, Cagney stars opposite Bette Davis as a less-than-scrupulous heir tracer who tries to go straight to win back the love of a former girlfriend (Davis). Directed by Michael Curtiz, this is Cagney at the peak of his creative powers. The lobby card offered here shows pinholes in the borders, a tear in the top center border that has been reinforced with tape on the reverse, light edge wear, a crease in the bottom left corner, and slight corner bumps, but none of these slight defects impinge on the wonderful image of the film's red-headed star. This is a great card for the vintage Cagney collector. Fine/Very Fine.-Sold for: $448.13. |
| 28274 | He Was Her Man (Warner Brothers, 1934). One Sheet (27" X 41"). An early James Cagney film in a great unrestored grade. Cagney's tough guy falls for ex-prostitute Joan Blondell as she's trying to get to a small fishing village to marry a man she's never met. Both stars are featured in portraits on the poster which has only mild crossfold separations and very minor edge wear. Here's an opportunity to get a very early poster of one of our finest actors. Fine/Very Fine. Sold for: $3,346.00. |
| 28275 | The Irish in Us (First National, 1935). Title Lobby Card (11" X 14"). A charming comedy starring James Cagney, Pat O'Brien, and Frank McHugh as the O'Hara brothers. Cagney and O'Brien are in love with the same girl (Olivia de Havilland), and it takes a boxing match to work everything out. Cagney and O'Brien were one of the great teams of the Golden Age of Hollywood, bringing their "A" game to this fun picture. The four stars are pictured on the lovely title card, which shows pinholes in the corners and a light smudge in the top center. Otherwise unmarked, this is a great piece for any fan of classic Hollywood. Very Fine/Near Mint.Sold for: $597.50. |
| 28276 | The Irish in Us (First National, 1935). Lobby Card (11" X 14"). Arguably the greatest actor of the twentieth century, James Cagney was Warner Brothers' premier tough guy during the early 1930s. In this fast-paced film, Cagney plays Danny O'Hara, a fight promoter who falls for a pretty girl (Olivia DeHavilland). Unfortunately, Danny's brother, Pat (Pat O'Brien), has his sights set on the same girl, which causes friction between the brothers. Adding to the fun are Warner's regulars Allen Jenkins and Frank McHugh. The lobby card offered here, which pictures Cagney and O'Brien, as well as Mary Gordon as Mother O'Hara, shows pinholes in the top corners and the bottom center, as well as blunted corners and inpainting in Cagney's jacket. Still, it is a beautiful example of a wonderful piece from one of Cagney's most prolific periods. Very Fine.Sold for: $167.30. |
| 28277 | The Roaring Twenties (Warner Brothers, 1939). Pressbook (11" X 17") (Multiple Pages). With Humphrey Bogart and James Cagney in a Warner Brothers gangster film, and direction by the great Raoul Walsh, how can you go wrong? Ex-GI Eddie Bartlett (Cagney) tries to live a straight life, but is drawn into the more profitable bootlegging world. He is caught between pals gangster George Hally (Bogart) and corrupt lawyer gone good Lloyd Hart (Jeffrey Lynn). Pretty Jean Sherman (Priscilla Lane) is in love with Lynn but needs Bartlett's help. It all makes for fast talking, fast paced action. This fantastic pressbook has many images and articles throughout, including ad supplements and a herald. The only issues are edge wear, light creases and tears on the front cover, and wear on the back. This book is great fun for Cagney and Bogart fans. Very Fine-.Sold for: $448.13. |
| 28278 | Torrid Zone (Warner Brothers, 1940). One Sheet (27" X 41"). In this tropical drama, Pat O'Brien is tough plantation boss Steve Case who will stop at nothing to keep his top man, Nick Butler (James Cagney) from quitting. As Cagney once described it, this was, "The Front Page among the bananas." Offered here is a lovely one sheet that shows a pinhole in the upper left image area, edge wear, several tears in the left borders, and light soiling in the bottom border. The poster presents very nicely, and will make a fine addition to any collection. Fine/Very Fine. Not Sold. |
| 28279 | City for Conquest (Warner Brothers, 1940). Insert (14" X 36"). In this exciting drama, James Cagney plays the type of character he does best, a tough kid with a heart of gold. Danny Kenny (Cagney) becomes a boxer to finance his brother's music education, losing virtually everything in the process, but eventually ending up with those things that are truly important. This beautiful linen-stock insert has edge wear in the left border, staining and tearing in the bottom border, fold wear with cracking, minor paper loss in the top right corner, and a small ding in the top left corner. The poster has been beautifully restored. It now displays wonderfully. It is a remarkable piece from a high point in Cagney's career. Note: This poster was described without mention that it is now mounted on Japanese archival paper. Fine on Paper. Sold for: $3,585.00. |
| 28280 | The Oklahoma Kid (Warner Brothers, 1939). Insert (14" X 36"). James Cagney galloped into Hollywood legend when he appeared as the Oklahoma Kid in this classic western. With both he and Humphrey Bogart spouting Brooklyn accents on the plains, the film became an instant hit with fans everywhere. This insert, on linen finish paper, has been paper backed to flatten the fold lines. There has been some minor color touch to the folds, with a bit more in Cagney's credit and the borders have been airbrushed. If you're a Cagney fan, it just doesn't get much better than this classic image. Fine/Very Fine on Paper.Sold for: $1,792.50. |
| 28281 | Virginia City (Warner Brothers, 1940). One Sheet (27" X 41"). During the waning days of the Civil War, a shipment with $50,000 worth of gold is heading for the South. Confederate soldier Vance Irby (Randolph Scott) wants to make sure it gets there, Union officer Kerry Bradford (Errol Flynn), recently escaped from a Confederate POW camp, wants to stop it, and Mexican bandito John Murrell (Humphrey Bogart) wants it for himself. That's the central conflict in this exciting picture, promoted as a follow-up to Flynn's highly popular previous Western, Dodge City (1939). This attractive one sheet shows pinholes in the corners and in the image area, and a light scuff on Miriam Hopkins's chin, but is otherwise clean and fresh - a great piece for any collector of vintage classics. Very Fine+ on Linen. Sold for: $1,553.50. |
| 28282 | 13 Rue Madeleine (20th Century Fox, 1947). One Sheet (27" X 41"). In this taut, Post War drama, James Cagney plays Bob Sharkey, an officer with the O. S. S., tasked with discovering a spy in the midst of his organization. When one of his men is killed, the stakes are suddenly raised. This film is made additionally compelling by the use of authentic O. S. S. film footage. This poster has pinholes in the corners, minor fold separations, creasing and wrinkling in the borders and corners, and slight paper loss on the reverse. Additionally, the poster was folded after mounting on paper. Nevertheless, it is a striking image from a great picture. Fine on Paper. Sold for: $388.38. |
| 28283 | Dirty Harry (Warner Brothers, 1971). Three Sheet (41" X 81"). Clint Eastwood plays the original rogue cop and Andrew Robinson is the evil Scorpio killer in this truly classic thriller directed by Don Siegel. Eastwood took the part after several bigger "names" turned it down (Sinatra, John Wayne, Paul Newman), and it became his signature role. This fantastic three sheet features an iconic image of Harry about to blow somebody away. The sheet had pinholes, fold wear with minor tears, a chip out of the top right corner and a small chip in the bottom right border, all of which has been addressed with excellent professional restoration. Very Fine- on Linen.Sold for: $1,912.00. |
| 28284 | Dirty Harry (Warner Brothers, 1971). Insert (14" X 36"). The first installment in the Dirty Harry franchise was loosely based on the as-yet-unsolved "Zodiac" killer case that plagued California through the late 60s and early 70s. Clint Eastwood made the steely-eyed Harry Callahan into a pop culture icon and the film has become a cop classic. This pop art-inspired insert features Clint the Squint and his great big 44 Magnum. The condition includes very minor edge wear, and some slight wrinkling in the image, which hardly detracts from the power of this potent piece. Do you feel lucky? Then bid! Very Fine. Sold for: $358.50. |
| 28285 | Bonnie and Clyde (Warner Brothers/Seven Arts, 1967). Door Panel Set of 4 (20" X 40"). Loosely based on the real-life exploits of 1930s bandits Clyde Barrow and Bonnie Parker, this is an important and influential film, one of the first pictures in the "anti-hero" genre that would become so popular in later years. Clyde (Warren Beatty) is a small-time bank robber when he meets Bonnie (Faye Dunaway) during a heist. The two soon set off on a spree of robbery and murder, a spree that eventually comes to a violent conclusion. Offered here is a set of four door panels for this landmark film, one of which shows a light corner bend. Door panels are some of the most rare of movie posters as so few sets were ordered by the theater owners. This is an extraordinary set. Very Fine/Near Mint. Sold for: $1,792.50. |
| 28286 | The Great Escape (United Artists, 1963). One Sheet (27" X 41"). How do you make a sure-fire hit movie? Take an exciting, action-packed story - a group of Allied POWs planning a mass escape from a German internment camp during World War II - and pack it full of some of the greatest action stars of the day, such as Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasance, James Coburn, and David McCallum. The result? This classic picture, one of the greatest war films of all time, based on a true event. This exquisite poster shows some light spotting in the right border and in the bottom left border, pinpoint crossfold separation, and wrinkles in the right border. Other than these small defects, this poster is in great shape, just waiting to escape from this auction to your collection. Very Fine+.Sold for: $717.00. |
| 28287 | The Cincinnati Kid (MGM, 1965). French Petite (22.5" X 30"). Local stud poker star The Cincinnati Kid (Steve McQueen), is tired of the small time. It's time to move up to the big leagues, and that means going head to head with The Man, legendary card sharp Lancey Howard. The Kid rejects the help of gangster Slade (Rip Torn), out to settle an old score with The Man, preferring to win fair and square. But does the Kid have what it takes to beat a seasoned pro? Offered here is a wonderful French Petite with art by Gilbert Allard. It has edge wear with small tears, and pinpoint crossfold separations, but is a wonderful image of McQueen at the top of his game and sure to be a standout in any collection. Very Fine-.Sold for: $836.50. |
| 28288 | Bullitt (Warner Brothers, 1968). One Sheet (27" X 41"). When tough San Francisco cop Frank Bullitt (Steve McQueen) fails to prevent the assassination of an important Mafia witness, he sets out to take revenge on the mob boss who ordered the hit. Considered by many to be one of McQueen's greatest roles, the legendary action star was at the top of his game in this nail-biting picture. This highly desirable, unused one sheet is about as clean as they come. You'll be hard-pressed to find a nicer copy. Mint. Sold for: $717.00. |
| 28289 | Bullitt (Warner Brothers, 1968). Subway Window Card (21" X 22"). Many consider Steve McQueen's turn as maverick, taciturn San Francisco cop Detective Bullitt his signature role. If you've never seen the renowned chase sequence through San Francisco down Taylor Street between McQueen's Ford Mustang and the killer's black Dodge Charger, you'll simply have no idea why the film received a much-deserved Oscar for Best Film Editing. This is a seldom seen "subway" or "over-sized" window card, produced in small quantities as they would not have been used outside a few major cities. The bottom corners have been slightly trimmed, there is a small chip in the top right border, a small corner bend in the top left, and light edge wear and smudges. This unique size displays quite well, and its distinctive colors would make it standout in any environment. Fine+. Sold for: $1,195.00. |
| 28290 | The Left Handed Gun (Warner Brothers, 1958). Italian 2 - Folio (39" X 55"). Luigi Martinati, one of the great artists of Italian movie posters, provides this wonderful image of Paul Newman in the role of Billy the Kid from Arthur Penn's seminal psychological Western. The poster has been linen-backed with some restoration to the title, "Furia Selvaggia," which had a snipe removed from it. Very Fine- on Linen. Sold for: $478.00. |
| 28291 | Cat on a Hot Tin Roof (MGM, 1958). One Sheet (27" X 41"). Tennessee Williams was unhappy that the more salacious elements of his play were eliminated for this screen version, but pretty much everybody else loves it. An incendiary performance by Elizabeth Taylor forever eradicated any thoughts the public may have had of her as a "child" star, and Paul Newman is excellent as Brick. Lovely Liz is front and center on this gorgeous one sheet, resplendent in her clingy slip and smoldering eyes. This unrestored poster is in superb condition, with a tiny chip out of the top right corner, a small tear at the top of the center vertical fold, very minor edge wear, and a minor corner bump in the lower right being the only issues. This poster rarely turns up in high grades, so snag this sexy sheet while you still have the chance. Very Fine+. Sold for: $896.25. |
| 28292 | The Hustler (20th Century Fox, 1961). Six Sheet (81" X 81"). In 1997, the Library of Congress selected The Hustler for preservation in the United States National Film Registry as "culturally, historically, or aesthetically significant." Sidney Carroll and Robert Rossen's screenplay was selected by the Writers Guild of America in 2006 as the 96th best motion picture screenplay of all time. This great film starring Paul Newman, George C. Scott, Jackie Gleason, and Piper Laurie was credited with sparking a resurgence in the popularity of pool in the United States, which had been on the decline for decades. This rare large format poster has only minimal wear and is unused. Very Fine+. Sold for: $836.50. |
| 28293 | The Hustler (20th Century Fox, 1961). One Sheet (27" X 41"). In one of his greatest roles, Paul Newman plays "Fast" Eddie Felson, a pool shark with an enormous ego whose blind arrogance eventually proves his downfall. Newman receives outstanding support in this film from Jackie Gleason as "Minnesota Fats," Piper Laurie, as Sarah, Eddie's dissolute sometimes-girlfriend, and George C. Scott as Bert Gordon, the Obi-Wan to Newman's Luke. This highly desirable one sheet has pinholes in the corners, light edge wear in the bottom right, faint ghosting, small edge tears at the fold lines, and crossfold separations, but remains an attractive poster that will look perfect hanging over your pool table. Very Fine. Sold for: $298.75. |
| 28294 | Cool Hand Luke (Warner Brothers, 1967). Six Sheet (81" X 81"). In this hard-hitting prison drama, Paul Newman plays Luke Jackson, sentenced to work on a chain gang when he's convicted of a minor crime. A hard man, Jackson refuses to conform to the prison rules, and soon becomes an object of veneration to the other inmates. At the same time, the bosses work to break his spirit, a task which is more difficult than they ever could have imagined. One of Newman's most memorable roles, he was nominated for a Best Actor Oscar for this picture. The dramatic six sheet offered here shows crossfold separation, light edge wear, and some wrinkling at the fold lines, but this remains a striking piece from a striking movie. Very Fine.Sold for: $1,314.50. |
| 28295 | Cool Hand Luke (Warner Brothers, 1967). French Grande (47" X 63"). Paul Newman created one of the screen's greatest characters in Cool Hand Luke. It is interesting that we like him so much, because as one of the screen's greatest "anti-heroes," he's a good guy who became a bad guy primarily because he doesn't like us. This terrific French grande with art by a cornerstone artist of cinema posters, Jean Mascii, captures completely the hot, dusty feeling of the film. Complete with a great image of "the man with no eyes" watching over Luke, this remains one of the best pieces on the title. There has been minimal restoration to correct only minor pinholes. Very Fine+ on Linen. Sold for: $507.88. |
| 28296 | East of Eden (Warner Brothers, 1955). One Sheet (27" X 41"). The legendary James Dean was given his first breakout starring role in this adaptation of John Steinbeck's East of Eden. Dean's portrayal of Cal Trask was riveting and justifiably earned the young actor an Oscar nomination for Best Actor. Elia Kazan directed the picture, earning him an Oscar nomination as well. This one sheet has minimal edge wear, and minor staining at the top and bottom. The poster comes with a small paper snipe which is not attached that announces the film was direct by Elia Kazan, director of the Academy Award winning film, On the Waterfront. Very Fine-. Sold for: $286.80. |
| 28297 | Rebel Without a Cause (Warner Brothers, 1955). Half Sheet (22" X 28"). Nicholas Ray's movie about teen alienation spoke to an entire generation upon its release and has since continued to captivate audiences. The star of this film was a little known Indiana farm boy whose death behind the wheel of a sports car several months before this film premiered, would make him a legend of the screen with a body of work that would only encompass three films: James Dean. This half sheet is one of the best posters on the film for its multiple images of the teen icon. The poster had pinholes in the corners, borders, and several in the image, and pinpoint crossfold separations. Fine+ on Paper.Sold for: $776.75. |
| 28298 | Rebel Without a Cause (Warner Brothers, 1955). Poster (40" X 60") Style Z. The quintessential movie about teenage rebellion, this was an iconic role for James Dean, released just a month after his death. Dean himself is the centerpiece of this good-looking 40" x 60" poster, wearing his trademark red jacket and tight jeans. The poster had pinholes, some small tears from borders into image, and a piece was missing from the bottom right corner, all of which has been addressed with excellent professional restoration. There is some cracking to the restoration paint. The poster still has excellent color and a nice appearance. Very Good/Fine on Linen.Sold for: $1,195.00. |
| 28299 | Giant (Warner Brothers, 1956). One Sheet (27" X 41"). The last picture in the filmography of superstar James Dean, the young actor lost his life in a tragic auto accident shortly after filming on this movie wrapped. Also starring Elizabeth Taylor and Rock Hudson, this is a powerful picture about the life of a Texas cattle rancher (Hudson) and his family, and his rivalry with cowboy-turned-oil baron Jett Rink (Dean). This highly desirable one sheet is virtually flawless, save for a single crease in the bottom right. Don't miss this opportunity to add this gem to your collection. Very Fine+.Sold for: $388.38. |
| 28300 | Giant (Warner Brothers, 1956). Insert (14" X 36"). This sprawling epic set among the Texas oil fields is chiefly remembered today as the last film of iconic actor James Dean. In fact, filming had just wrapped when Dean was killed in a tragic auto accident, on his way to a race. As Jett Rink, Dean is a ranch hand who strikes it rich when a well on his small plot of land comes in big, much to the chagrin of old-money couple Bick and Leslie Benedict (Rock Hudson and Elizabeth Taylor). An epic tale, the film was nominated for ten Oscars, and won for Best Director (George Stevens). This classic insert has small tears in the top border, a crease in the top right, and corner bumps, but is otherwise extremely clean and attractive. Folded, Very Fine.Sold for: $179.25. |
| 28301 | James Dean and Ursula Andress Publicity Still by Darlene Hammond (1955). Still (8" X 10"). Vintage black and white, double weight, glossy still. This image of James Dean and then-girlfriend Ursula Andress was snapped during a party at the legendary Hollywood hot spot Ciro's on September 1, 1955, the first day of the last month of Dean's life. There is a bit of creasing in the corners and a small tear in the left border. There is a photographer's credit stamp on the verso as well as black marker stating date and where photo was taken. Very Fine-. Sold for: $119.50. |
| 28302 | James Dean in "Giant" Rehearsal Still by Sanford Roth (Warner Brothers, 1956). Still (9.25" X 13.5"). Vintage black and white, double weight, matte finish still photograph. Large rehearsal photo of Dean and Elizabeth Taylor from the set of Giant. The photo is stamped on the verso with Roth credit and grease pencil number. There is a typed caption on verso as well. Photo has wear to the corners and some bending at the top edge. Fine+.Sold for: $119.50. |
| 28303 | Elizabeth Taylor in Giant Wardrobe Test Still (Warner Brothers, 1956). Still (8" X 10"). Vintage black and white, single weight, glossy still. This wardrobe test shot from George Steven's sweeping oil boom epic is interesting in that it features Elizabeth Taylor in a hat far different from the one that she wears for riding in the film. There are three holes punched in the left border and there is writing in pencil on the verso. Creases are visible in the bottom border and left corner and "wrong hat" has been written in the image, perhaps by the costume department. Fine.Sold for: $119.50. |
| 28304 | Giant (Warner Brothers, R-1972). Japanese STB (20" X 57"). Edna Ferber's epic drama of the larger-than-life Benedict family is brought to the screen by legendary director George Stevens. The grand saga of greed, racism and social upheaval won an Academy Award for Best Director and was nominated for nine others. Stars Rock Hudson, Elizabeth Taylor are riveting to watch, but not more so than the iconic James Dean, in his this his last film. This beautiful reissue STB has only a corner crease in the bottom left. A real beauty, this is a rare find for all fans of this classic. Rolled, Very Fine+.Sold for: $167.30. |
| 28305 | Viva Zapata! (20th Century Fox, 1952). One Sheet (27" X 41"). The life of Mexican revolutionary and freedom fighter Emiliano Zapata (Marlon Brando) is dramatized in this exciting picture. In the early 1900s, Zapata, supported by strongman Pancho Villa (Alan Reed), opposed the tyrannical policies of President Porfirio Diaz (Fay Roope), eventually becoming leader of Mexico himself. A powerful film, it garnered a Best Actor Oscar nomination for Brando, and a Best Supporting Actor win for Anthony Quinn, who played Eufemio Zapata. This dramatic one sheet shows edge wear, tears in the bottom right border and in the top left corner, fold wear at the top vertical fold, and a corner bend in the bottom left, but overall the poster is clean, fresh, and attractive; a stunning piece that should be proudly displayed. Very Fine-. Sold for: $448.13. |
| 28306 | The Wild One (Columbia, 1953). One Sheet (27" X 41"). This legendary biker film caused a sensation across the nation! Society was gripped by fears over roving gangs of motorcycle hooligans all because of Marlon Brando's masterful performance of as Johnny, leader of the Black Rebel Motorcycle Club. The powerful image of Brando that dominates this poster rings out the film's defiant tone. There were staple marks and pinholes within the poster image, along with small chips in the borders and folds. Tearing had also occurred at the borders and fold lines. But thanks to an excellent professional restoration, this wild one sheet has been tamed. Very Good on Linen. Sold for: $1,314.50. |
| 28307 | Guys and Dolls (MGM, 1955). Three Sheet (41" X 81"). Based on the stories of Damon Runyon, this classic musical is about a bet between hustler Nathan Detroit (Frank Sinatra) and smooth gambler Sky Masterson (Marlon Brando) as to whether or not Sky can take uptight Salvation Army Sergeant Sarah Brown (Jean Simmons) to Havanah on a date. Meanwhile, Nathan has his own issues to deal with in the person of his sometimes-girlfriend, Miss Adelaide (Vivian Blaine). Blessed with some of the greatest music ever written for the Broadway stage, this is a winner all the way around. The lovely three sheet offered here, which pictures all four main characters, has pinholes in the corners and pinpoint crossfold separation, but is otherwise pristine, a great example of this classic sheet. Very Fine+.Sold for: $286.80. |
| 28308 | Higher and Higher (RKO, 1943). Half Sheet (22" X 28") Style A. In 1943, Frank Sinatra was making teenagers in the theaters swoon and scream like nothing seen before, becoming the first teen idol in American music history. To capitalize on his new fame, RKO quickly signed him to a contract and rushed him into this, his first "starring" role in a film. It would be a small part, but the poster brazenly shouts "The Sinatra Show" in the top border. Indeed, Sinatra would perform five out the eight songs in the film. Basically playing himself, he would garner an Oscar nomination for the song "I Couldn't Sleep a Wink Last Night." This is a great unrestored and uncommon poster, with a very cool color portrait of Sinatra. Showing only minor edge wear, slight border smudges, small tears in the top and right border, and small creases in the top and bottom right corners, the future "Chairman of the Board" is ready for display. Rolled, Fine/Very Fine. Sold for: $358.50. |
| 28309 | The Man With the Golden Arm (United Artists, 1955). One Sheet (27" X 41"). Otto Preminger's stirring look into the world of heroin addiction stars Frank Sinatra as an ex-con who battles his demons while trying to walk the straight and narrow. This performance would earn Sinatra a Best Actor Oscar nomination. While "Old Blue Eyes" may have carried the film, it's the Saul Bass artwork that's the star of this gorgeous one sheet. If not for the pinholes in the corners, this dazzling example would grade much higher. Very Fine+. Sold for: $1,553.50. |
| 28310 | Ocean's 11 (Warner Brothers, 1960). Insert (14" X 36"). Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and the rest of the Rat Pack plan on knocking off five Las Vegas casinos in one night. Here is the ever-elusive insert to this hot title in a grade you really don't want to miss! Similar to the three sheet in design, but much more easily framed for display, this piece pictures "the Pack" as they stroll down "the Strip." Only a slight bend in the upper right corner, and a small dent in the bottom left corner, but this beauty has terrific, fresh color. Rolled, Very Fine+. Sold for: $2,868.00. |
| 28311 | Thunder Road (United Artists, 1958). Three Sheet (41" X 81"). Robert Mitchum wrote and stars in this film about moonshiners. His son, James Mitchum, appears as his much younger brother in a role originally offered to Elvis Presley. The poster has minor wear and separation at the crossfolds but is unused. Great large format poster for this cult classic. Fine. Sold for: $262.90. |
| 28312 | Hot Rod Girl (American International, 1956). One Sheet (27" X 41"). Youth on the loose! Lori Nelson is the titular HRG in this sordid tale of drag racing, death, and stealing your best buddy's girl. Chuck Connors and Frank Gorshin round out the cast. Director Leslie H. Martinson later helmed PT 109, but spent most of his career in television. This hip one sheet has plenty of sex appeal and fast cars, and no real flaws that we could detect. A glorious copy of this pretty, pretty poster. Very Fine+ on Linen.Sold for: $567.63. |
| 28313 | Baby Doll (Warner Brothers, 1956). Half Sheet (22" X 28"). Based on Tennessee William's controversial play 27 Wagons Full of Cotton, this hard-hitting tale is about the virginal Baby Doll Meighan (Carroll Baker), a childlike woman who refuses to sleep with her boorish husband Archie (Karl Malden) until she's 20. Forced out of business by rival Silva Vacarro (Eli Wallach, in his feature film debut), Archie burns down his rival's cotton gin. When Vacarro tries to claim Baby Doll as compensation, the movie rolls inexorably to an explosive confrontation. Condemned as "immoral" by the Legion of Decency, that group actually succeeded in pulling the Elia Kazan-directed film from its original release. This gorgeous half sheet had stapleholes in the corners, a pinhole in the bottom center border, fold separations, a crease in the upper right, and a small hole in the top image area, but professional restoration has rendered these slight flaws virtually invisible. Very Fine- on Paper.Sold for: $239.00. |
| 28314 | Reform School Girl (American International, 1957). One Sheet (27" X 41"). One of the finest examples of the time-honored "chicks in chains" genre, this seminal movie was also blessed with a stunning one sheet, a fine example of which is offered here. Extremely attractive, it shows some rippling, and some light water staining in the right and left borders, but is otherwise clean and presentable, with a high degree of eye-appeal. Any collector will be proud to add this beauty to his or her collection! Very Fine-. Sold for: $262.90. |
| 28315 | Putney Swope (Cinema V, 1969). One Sheet (27" X 41"). Robert Downey Sr. directs this satire on race and advertising starring Arnold Johnson, Stanley Gottlieb, Allen Garfield, and Spunky-Funk Johnson. The iconoclastic image was shocking in its day. This rare one sheet has a couple of small stains in the image area, minor pinholes, light fold wear, and a light extra vertical fold. Very Fine. Sold for: $179.25. |
| 28316 | Faster, Pussycat! Kill! Kill! (Eve Productions, 1965). German A1 (23" X 33"). Russ Meyer's notorious thriller about three go-go dancers who take a ride into the desert, commit a couple of murders, and lay siege to a crippled guy, remains a favorite of exploitation fans everywhere. The film is wild and wooly, but Meyer's filmmaking skills are not to be underestimated. This eye-popping unrestored German A1 features the three psycho-babes -- Tura Satana, Haji, and Lori Williams -- striking a pose against a vivid red-and-blue background. The poster has pinholes in the top corners, light edge wear along the bottom edge, crossfold separations and light fold wear with slight chipping. The poster has gorgeous color and a very sharp appearance. Very Fine-.Not Sold. |
| 28317 | Faster, Pussycat! Kill! Kill! (Eve Productions, 1965). One Sheet (27" X 41"). Fast cars and dangerous women rule the day in this camp classic. Tura Satana, Haji, and Lori Williams star in this tale of three violent strippers who wreak havoc on unsuspecting strangers in the blistering desert. Russ Meyer's over-the-top crime thriller is so ingrained in the lexicon of American pop culture, that it was parodied in a Janet Jackson music video! There are pinholes in the borders, corners, and within the image area, along with a bit of smudging, but this remains a very presentable piece from one of the most beloved cult films of all time. Very Fine-. Sold for: $1,912.00. |
| 28318 | Woodstock (Warner Brothers, 1970). German A2 (16" X 23"). The Woodstock Music and Art Fair was an event held at Max Yasgur's 600 acre dairy farm in the rural town of Bethel, New York from August 15 to August 18, 1969. The festival exemplified the counter-culture of the late 1960s-early 1970s. Thirty-two of the best-known musicians of the day appeared during the sometimes rainy weekend. Warner Brothers, amazingly enough, agreed to pay $100,000 for a film of the event and it went on to win the Best Documentary Feature film from the Academy that year. Offered in this lot is the lovely German poster for the film with wonderful art by Richard Amsel, evocative of that hippy trippy era. Folded, Very Fine. Sold for: $388.38. |
| 28319 | Rock Around the Clock (Columbia, 1956). British Quad (30" X 40"). Shot in just a matter of weeks, Rock Around the Clock was hurried into production in an effort to take advantage of the hit single by Bill Haley and His Comets. Although the film was considered a teen "B-movie" by most, it caused riots in the U.S. and Great Britain and was banned in several other countries. The film was so controversial that even Queen Elizabeth II requested a special screening. This British poster had pinholes in the image and borders, wear and tear along the edges, and separations at the fold lines. There were minor chips in the borders and the bottom left corner had missing paper. But thanks to a professional restoration, this great item from the dawn of Rock and Roll is in very presentable condition. British quads are much more rare than their American counterparts and this is one we have never seen. Very Good on Linen. Sold for: $388.38. |
| 28320 | The Girl Can't Help It (20th Century Fox, 1956). One Sheet (27" X 41"). A down-and-out gangster hires an alcoholic press agent to make his blonde bombshell girlfriend into a recording star in 6 weeks. But what is he going to do when he finds out that she has no talent? And what is going to happen when the two fall in love? There are only three things you need to know about this movie: Jayne Mansfield, Jayne Mansfield, and Jayne Mansfield. Oh, and Little Richard, Fats Domino, and the Platters lend some musical zing. This funky one sheet wisely centers directly on Mansfield and her considerable assets. Unrestored and in gorgeous condition, this has some crossfold separations, staple holes in the lower right horizontal fold, light creasing in the right border, and minor edge wear. Go ahead and bid -- you know you can't help it. Near Mint-. Sold for: $507.88. |
| 28321 | The Girl Can't Help It (20th Century Fox, 1956). Lobby Card Set of 8 (11" X 14"). The girl, of course, is the comely and curvaceous Jayne Mansfield as an attractive blonde whose boyfriend puts her on the track to show business stardom. Of course, the fact that she has no talent, ability, or desire for a life on the stage is a slight impediment. The real value of this picture, however, is the staggering number of 1950s pop artists that appear, including Ray Anthony, Fats Domino, The Platters, Little Richard, Gene Vincent, Eddie Fontaine, and Eddie Cochran. Offered here is an extremely attractive lobby set for this fun picture. The title card shows foxing in the borders, a small crease in the top right, light edgewear, and minor corner bumps, while the scene cards display light edge wear and slight corner bumps. You do not want to miss this set with its great card of Gene Vincent and the Bluecaps! Very Fine-. Sold for: $776.75. |
| 28322 | A Hard Day's Night (United Artists, 1964). Japanese B2 (20" X 29"). Innovative young director Richard Lester developed a whole new film style with this "day in the life" of the Beatles, which also includes many of their famous songs. This rare Japanese poster features completely unique artwork from other posters for the film. It is very clean, with only pinholes in the corners with small bits of paper tape on the back to cover them. If you're a Beatles fan - and who isn't? - you won't want to miss the chance to acquire this colorful beauty. Rolled, Very Fine+.Sold for: $334.60. |
| 28323 | A Hard Day's Night (United Artists, 1964). One Sheet (27" X 41"). Although this film was put together on a severe budget ($500,000) and a strict deadline (six and a half weeks), as United Artists wanted to pump out a movie featuring John Lennon, Paul McCartney, George Harrison, and Ringo Starr - collectively known as the Beatles - before their moment in the sun was over, director Richard Lester managed to produce a truly fun and entertaining film. Tracing a "typical day in the life" of the Fab Four, the film follows the group on their way to "The Big Show," plagued by problems and misadventures along the way. As with most movies of this type, the plot serves merely as an excuse to showcase a number of popular Beatles songs, including "Tell Me Why," Can't Buy Me Love," and, of course, "Hard Day's Night." This classic one sheet has pinholes in the field, and pinpoint crossfold separations, but remains an attractive and highly desirable poster for any fan of the Lads from Liverpool. Very Fine+. Sold for: $717.00. |
| 28324 | A Hard Day's Night (United Artists, 1964). Lobby Card (11" X 14"). This card features the greatest rock band of the twentieth century in their iconic stage pose! This is the Beatles card to have. There is minor foxing in the borders and very minor dings at the corners. This is easily the best card in the lobby card set and is a must have for any Beatles collector. Very Fine-.Sold for: $776.75. |
| 28325 | A Hard Day's Night (United Artists, 1964). Lobby Cards (3) (11" X 14"). Offered here are three great cards from this classic Beatles film, including the #3 close-up card with all four pictured. You couldn't ask for better condition on these wonderful cards. Near Mint.Sold for: $657.25. |
| 28326 | A Hard Day's Night (United Artists, 1964). Lobby Cards (4) (11" X 14"). The Fab Four, The Lads from Liverpool...whatever you call them, there's no denying the fact that the Beatles - John Lennon, Paul McCartney, George Harrison, and Ringo Starr - were, and are, one of the most successful and influential musical groups of the twentieth century. At the height of their popularity, in order to cash in on their fame, it was decided to star the group in a movie. The result was a madcap film directed by Richard Lester, ostensibly presenting a "typical" day in the life of the young musicians. Offered here are four beautiful lobby cards from this landmark film, presenting wonderful images of all four Beatles. Virtually unimprovable, these are clean, fresh, attractive cards that will make a valued addition to any collection. Near Mint/Mint.Sold for: $657.25. |
| 28327 | A Hard Day's Night (United Artists, 1964). Half Sheet (22" X 28"). John, Paul, George, and Ringo conquer the film world with their first feature, a raucous song-filled comedy that was later ripped-off wholesale by the Monkees. The story features "a day in the life" of the Fab Four, but note that the word "Beatles" is never used in the movie, one of director Dick Lester's nicer touches. This classic half sheet has light edge wear, a light crease in the top right corner, and corner bumps. Still, it has great color and a sharp appearance. You'll love this one, yeah yeah yeah. Folded, Very Fine+. Sold for: $4,481.25. |
| 28328 | Help! (United Artists, 1965). British Quad (30" X 40"). The Beatles (John Lennon, Paul McCartney, George Harrison, and Ringo Starr) spoof the popular James Bond franchise in this comic misadventure, the second of their feature films, directed by Richard Lester. A sacred ring, unwittingly possessed by Ringo, makes the Fab Four's drummer a target for the members of an exotic religious cult who will do whatever they have to do to retrieve their holy jewelry. The result is a globe-spanning chase that provides an excuse for the Beatles to sing some of their greatest hits, including "Ticket to Ride," and, of course, "Help!" Offered here is a stunning British quad for this popular title. It had pinholes in the corners, a small bend in the bottom right corner, and pinpoint crossfold separations, but professional restoration has made these slight flaws virtually unnoticeable, resulting in a very attractive and displayable poster. These country-of-origin posters are getting much harder to find! Very Fine on Linen. Sold for: $2,390.00. |
| 28329 | Help! (United Artists, 1965). One Sheet (27" X 41"). After the enormous success of The Beatles' first feature film, A Hard Day's Night, a sequel was inevitable. So it was that the Lads from Liverpool - John Lennon, Paul McCartney, George Harrison, and Ringo Starr - once again teamed up with director Richard Lester to produce this screwball comedy about a sacred ruby ring that somehow ends up in Ringo's possession, and the complications that ensue. Like the Beatles' other films, this one was primarily a showcase for their music. The classic one sheet offered here is in superb condition, with pinpoint crossfold separation and some edge wear as the only defects of note. If this one doesn't tempt you, you really do need Help! Very Fine.Sold for: $388.38. |
| 28330 | Help! (United Artists, 1965). Door Panel Set of 4 (20" X 60"). Talk about the rarest of the rare! These door panels are some of the most incredibly rare of Beatles promotional items. Door panels, which were displayed in the press book, were rarely ordered by the theater owners as so few theaters really had a place to display them, and even if they did, they were somewhat expensive to purchase. A full set cost, at that time, a whopping $7.50 whereas a one sheet cost 15¢! Of the sets of these that were ordered in the film's initial showing, many of them were broken up and given away to the fans at the end of its run, one at a time. Single panels do infrequently appear! Offered here is the first set of complete panels that we have ever seen for this, the second of the Fab Four's feature films. This is their only film, by the way, in which a set of door panels was produced! This lovely rolled set has pinholes in the corners and some small tears in several of the corners. There was, at one time, some double face tape applied to the verso of all of the panels, but there is no bleed from the tape, only minor paper abrasion on the reverse. These panels are made of a heavier stock just like a 40" X 60" of that period. If you don't get this set now, you will be forever asking for "HELP!" to find them again! Rolled, Fine+. Sold for: $19,120.00. |
| 28331 | Help! (United Artists, 1965). Lobby Cards (2) (11" X 14") and Stills (2) (8" X 10"). There's plenty of fun with the Fab Four in their second feature film, Help!, directed again by Richard Lester, who helmed their previous hit A Hard Day's Night. Offered here is a lot of two lobby cards (the #6 and #8 cards) and two stills. All four of the lads appear in three of these four items, with one of the stills being a nice portrait of John Lennon. The various items have corner creases, and light surface wrinkling. The #6 lobby card has some light soiling in the bottom left. Overall, they are in very nice shape, and would be a fine addition to any Beatles collection. Very Fine. Sold for: $418.25. |
| 28332 | Help! (United Artists, 1965). Japanese B2 (20" X 29"). This Japanese B2 poster offers a great alternative design for the Beatles' second film. The Fab Four wanted their followup film to A Hard Day's Night to be in color and shot in exotic locales - and they got their wish. This Richard Lester directed film set the standards, with its innovative camera techniques, for the soon to be born music video. The poster has great images of Paul, George, Ringo and John and is in near perfect condition. Some light creasing. Rolled, Very Fine/Near Mint.Sold for: $448.13. |
| 28333 | Magical Mystery Tour (New Line, 1967). College Poster (23" X 29"). Originally filmed as a TV special for the BBC, this was the Beatles' follow-up to their first movie, Help! The paper-thin plot, in which John Lennon, Paul McCartney, George Harrison, and Ringo Starr, along with a bunch of friends and acquaintances, board a special bus and take, literally, a magical mystery tour around the English countryside, was an excuse to showcase some of the band's greatest songs, including "Fool on the Hill," "I am the Walrus," "Blue Jay Way," and the title number. Surprisingly, the film was a bomb both times it was shown on British television, and was consequently never broadcast in the U.S. It did become quite a success, however, on the American midnight movie and college circuit, from whence this great poster hails. With imagery taken from the classic album cover, this poster has pinholes in the corners, light edge wear, a small tear at the top vertical fold line, creasing in the right edge, and corner creases, but remains a highly attractive and desirable piece, a rare find for the avid Beatles fan. It you are a Beatles fan or a completist of their posters, you better act now, as these do not show up often! Very Fine-. Sold for: $358.50. |
| 28334 | Yellow Submarine (United Artists, 1968). One Sheet (27" X 41"). In order to complete their movie contract, the Beatles agreed to this animated feature that starred their songs but not their voices. The end result is a memorable bit of surreal psychedelia with Blue Meanies, Salvador Dali, Peter Max, and "Lucy in the Sky With Diamonds." This classic one sheet is nearly pristine, with a slight bit of wrinkling at the vertical fold line being the only thing keeping it from perfection. Near Mint-.Sold for: $956.00. |
| 28335 | Yellow Submarine (United Artists, 1968). Lobby Card Set of 8 (11" X 14"). Released at the height of the psychedelic pop culture period of the 1960s, the movie Yellow Submarine was a box-office hit, drawing in crowds both for its lush, wildly creative images, and its soundtrack of Beatles songs. The lobby set from this film has always been an elusive creature and is rarely found complete, or in the amazingly good condition we are offering here. If you are a completist on Beatles posters, you will have to have this set. Very Fine/Near Mint. Sold for: $2,270.50. |
| 28336 | Yellow Submarine (United Artists, 1968). Japanese B2 (20.25" X 28.5"). A psychedelic adventure, this animated classic features John Lennon, Paul McCartney, George Harrison, and Ringo Starr - the Beatles - as they travel through Pepperland in their yellow submarine, attempting to rescue the unfortunate citizens of that colorful realm from the hostile activities of the Blue Meanies. As with all the Beatles' films, this was really just an excuse to showcase some of their classic songs, including "Nowhere Man," "Lucy in the Sky with Diamonds," "When I'm Sixty-Four," "All You Need is Love," and, of course, the title song. This wonderful B2 perfectly captures the spirit of the film in all its pop-art glory. It shows very light edge wear, but is otherwise in superb condition. Folded, Very Fine.Sold for: $478.00. |
| 28337 | Let It Be (United Artists, 1970). One Sheet (27" X 41"). From the freezing cold Twickenham Studios to the roof of Apple Corps., the Fab Four do their best to make great music amid the turmoil of their disintegrating relationship. Documentarian Michael Lindsay-Hogg was on hand with a film crew to capture these raw moments, and turn them into a movie. This powerful one sheet has the advantage of simplicity, just a quartet of photos against a black background, the same artwork used for the LP cover. This beautiful example had only a small tear in the top right border and a slight scuff in the lower left, which have been addressed with professional restoration. It doesn't get much more "fab" than this. Very Fine+ on Linen.Sold for: $448.13. |
| 28338 | Love Me Tender (20th Century Fox, 1956). Half Sheet (22" X 28"). The King's film debut, it's also the only movie where Elvis was not top billed. He plays the comparatively minor part of Clint Reno, brother of Richard Egan's character, in this Civil War-era drama. This terrific half sheet has great images of the King, as well as pretty co-star Debra Paget. In outstanding condition, the only minor issues are some very light edge wear, minor smudging near the center, and some very minor discoloration in the left border. Catch Elvis in his prime on this pretty poster! Rolled, Very Fine/Near Mint.Sold for: $627.38. |
| 28339 | Jailhouse Rock (MGM, 1957). One Sheet (27" X 41"). Arguably Elvis Presley's finest film, this is classic young Elvis at his best. From a fun story to a great score, featuring some of Presley's best songs, this picture is a winner from beginning to end. Better still, this classic one sheet features one of the best portraits of Elvis ever put to paper. The example offered here has undergone professional restoration to replace a missing top border corner. This is a marvelous piece featuring a legendary musical icon. Fine+ on Linen.Sold for: $2,390.00. |
| 28340 | Elvis Presley in King Creole Publicity Stills (Paramount, 1958). Keybook Stills (3) (8" X 11"). Vintage black and white, double weight, glossy keybook stills. The King -- and several of the film's lovely ladies -- are featured on this trio of keybook stills from one of Presley's more dramatic films. The cards all have edge wear, minor corner bumps, and light surface wear, and one card has a tear at one of the punch holes and light staining in the border. Fine/Very Fine. Sold for: $179.25. |
| 28341 | King Creole (Paramount, 1958). One Sheet (27" X 41"). Considered by many to be Elvis's finest film, it certainly had the best pedigree when it came to directors (Michael Curtiz, of Casablanca fame). It was also the King's last black-and-white movie, and was the film he needed an extension from the U.S. Army to complete. Elvis plays Danny Fisher, an aspiring singer who runs afoul of a local crime boss. Future Addams Family star Carolyn Jones was the love interest. This terrific one sheet has a great image of Elvis against a bright orange background, and is virtually pristine. The fold lines have been touched up, but there are no obvious flaws. Very Fine+ on Linen. Sold for: $478.00. |
| 28342 | Blue Hawaii (Paramount, 1961). Half Sheet (22" X 28"). Elvis Presley swings Hawaiian style in this classic musical, which features some of the King's best songs. Chad (Presley) is the heir to a massive pineapple fortune, but, rather than take over the family business, he'd rather work as a tour guide in his girlfriend's travel agency, despite the best efforts of his mother (Angela Lansbury) to turn him into a respectable businessman. This beautiful half sheet has pinholes in the corners and borders, a small scuff at the top center, and a torn pinhole in the bottom left. None of these minor flaws detract from the awesome appeal of this tropical beauty, one of Elvis's best. Very Fine-. Sold for: $215.10. |
| 28343 | Viva Las Vegas (MGM, 1964). Three Sheet (41" X 81"). Lucky Jackson has almost everything he needs to win the Las Vegas Grand Prix. Everything, that is, except a motor for his race car. To raise some cash, he takes a job as a singing casino waiter, giving him the opportunity to romance Ann-Margaret and sing a few songs along the way. This was Presley's most successful film in its original release, and remains a popular favorite to this day. This great three sheet has enlarged pinholes in the corners of the bottom panels, but is otherwise in spectacular condition, great for any Elvis fan. Very Fine/Near Mint.Sold for: $836.50. |
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Session 2 |
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| 28344 | The Life of Buffalo Bill (Pawnee Bill Film Co., 1912). One Sheet (28" X 42"). One of the most colorful figures of the Old West, William F. "Buffalo Bill" Cody was also a consummate showman. His traveling show, Buffalo Bill's Wild West and Congress of Rough Riders of the World, included as many as 1,200 performers, featuring such notable figures as Sitting Bull and Annie Oakley. Later, with the advent of new technology, Cody branched into film, starring as himself in a number of self-promoting pictures dating back as far as 1894. Offered here is a beautiful stone litho poster from one of Cody's three-reelers, featuring a wonderful, idealized image of the legendary frontiersman among a group of Native Americans. It had pinholes and small tears in the image area, some tearing and slight chipping in the borders, and a small piece out of the lower left border that extends several inches into the image area. Expertly applied professional restoration has addressed all of these concerns admirably, returning a high degree of eye-appeal and displayability to this classic beauty, now almost a century old. Combining both the best features of Western imagery and American history, this is a rare piece that you won't want to pass by. Another style one sheet to this film sold for over $3,000 in our last auction. Very Good on Linen. Sold for: $1,434.00. |
| 28345 | The Sagebrusher (W. W. Hodkinson Corporation, 1920). One Sheet (26.5" X 40.5"). Emerson Hough, column writer for the Saturday Evening Post and later, author of The Covered Wagon, wrote this screen adaptation of his novel, The Sagebrusher. This beautiful stone litho one sheet for the now lost Western melodrama had minor fold separations along with small chips and tears in the borders. This is a wonderful early poster image of stars Roy Stewart and Marguerite De La Motte. Fine/Very Fine on Linen. Sold for: $310.70. |
| 28346 | Tangled Trails (William Steiner, 1921). One Sheet (27" X 41"). By 1921, Neil Hart had emerged from the shadow of his cousin William S. Hart to become a Western star in his own right. In 1921, he produced and starred in this film about a Canadian Mounted Police officer trailing a criminal from the great Northern woods to New York City. This gorgeous stone litho one sheet had pinholes in the corners, fold and crossfold separations, and minor chips in the left border. But following a professional restoration, it displays beautifully. Very Fine on Linen. Sold for: $1,075.50. |
| 28347 | The Covered Wagon (Paramount, 1923). One Sheet (27" X 41") Style A. Director James Cruze presented audiences with one of the first great epic Westerns produced during the silent era. Before it arrived in 1923, the series Western reigned supreme, with stars such as Broncho Billy and Tom Mix attracting huge followings. However when The Covered Wagon arrived, Hollywood studios began to consider the Western more seriously. The saga chronicles the largest wagon train ever to cross the valley of the Platte River. The film reportedly had a cast of 3,000 which included 1,000 Indians brought from reservations by a young Colonel Tim McCoy. This lovely poster shows star, Lois Wilson, on the rearing horse as Alan Hale and Ernest Torrence argue below. There were pinholes in the corners and a crease and tear on the right corner of this lovely poster. There was minor fold wear with very slight crossfold separation. The poster has been mounted on linen and professionally restored. A great poster with eye-popping color for a very historical film. Very Fine on Linen. Sold for: $1,553.50. |
| 28348 | 40 Horse Hawkins (Universal, 1924). One Sheet (27" X 41"). In this pleasant Western comedy, small-town handyman Luke Hawkins (Hoot Gibson) falls madly in love with visiting actress Mary Darling (Anne Cornwall), and follows her back to New York when the troupe leaves his little town of Lariat. Luke manages to win a part in Mary's newest play, and that's when the fun really begins. One of Hollywood's top Western stars, Gibson was commanding up to $16,000 per picture at the time this film was released, and was an accomplished cowboy in real life, unlike many of his Tinseltown contemporaries. Second only to Tom Mix in terms of box office popularity, Gibson was one of the few silent stars to make the successful transition to talkies. Offered here is a marvelous stone litho one sheet, showing Gibson in his prime. It has pinholes in the corners, pinpoint crossfold separations, and light edge wear. Additionally, theater information has been printed along the bottom border. For any Western or silent film fan, this is a beautiful example of early poster art. Very Fine. Sold for: $657.25. |
| 28349 | Clearing the Range (Allied Pictures, 1931). One Sheet (27" X 41"). Poverty Row studio Allied Pictures produced eight Westerns starring Hoot Gibson, including this one which was his first. Hoot disguises himself as a masked Mexican crime fighter who seeks revenge against the evil-doers who killed his brother (Edward Hearn). Gibson's then-wife Sally Eilers was cast as the female lead, a move that would shoot her to stardom. Aside from tears and chips at the edges and fold lines, this poster was in good shape. Now, after a professional restoration, it displays very well. Fine/Very Fine on Linen.Sold for: $1,195.00. |
| 28350 | The Buckaroo Kid (Universal, 1926). One Sheet (27" X 41"). This classic Hoot Gibson silent Western was definitely played for laughs, as were most of Gibson's films. In the early days of his career, acting was merely a sideline for Gibson, who made a good living competing in rodeos. After serving in the Army during World War I, Gibson returned to Hollywood to find that the demand for cowboy pictures was so great that he was now being offered substantial leading man roles. He remained a leading actor through the 1940s, second only to Tom Mix as a Western box office draw. Offered here is a lovely stone litho poster that had a small hole in the top right corner, a hole with a tear in the left border, and punch holes in the bottom center border. After professional restoration, these small flaws have been made virtually invisible, returning this beautiful poster to a like-new appearance. Fine/Very Fine on Linen.Sold for: $1,792.50. |
| 28351 | The Gun Fighter (Triangle, 1917). Lobby Cards (3) (11" X 14"). One of the biggest stars of the silent era, William S. Hart sought to bring a sense of realism to his Western films that set him apart from such showmen as Tom Mix and Hoot Gibson. Classically trained on the stage, Hart began his movie career in earnest in 1914, and was soon one of Hollywood's top stars. Hart retired to his Newhall, CA ranch after making Tumbleweeds in 1925 and enduring a vicious paternity suit. He remains a keystone figure in the history of Western movies. Offered here are three lobby cards from The Gun Fighter, a relatively early film in Hart's career. The cards show some staining in the bottom border, light dust shadowing, and a certain degree of edge wear, but are all very attractive and highly desirable. Very Fine.Sold for: $179.25. |
| 28352 | Tumbleweeds (United Artists, 1925). Half Sheet (22" X 28"). William S. Hart was one of the top cowboy stars of the silent era, whose tough, taciturn character sought to present the Old West as it really was, as opposed to flashier stars like Tom Mix, who gave the cowboy character a more polished veneer. With a film career that began with the role of Messala in Ben Hur (1907), Hart made more than 70 pictures between that and Tumbleweeds, his last film, in 1925, represented here by a stunning half sheet that features a glorious portrait of Hart astride his faithful steed. This wonderful piece has smudging in the borders, tape residue in the top right, a tear in the bottom border repaired with cellophane tape, chips in the corners, a small hole in the bottom left, and a crease in the left side that extends into the image area. You'd be hard-pressed to find a better image of this great Western star, one of the screen's first, and best, cowboys. Rolled, Fine-. Sold for: $1,553.50. |
| 28353 | The Big Diamond Robbery (FBO, 1929). Title Lobby Card (11" X 14"). Tom Mix stars in this late silent Western from poverty row company, FBO. While the company may have scrimped on production costs, they certainly didn't cut corners on its publicity material. Offered here is the title card for this great Western. It has border toning and light border stains, but the colors are bright and vibrant and the card displays very well. Very Fine+. Sold for: $448.13. |
| 28354 | Texas Bad Man (Universal, 1932). Lobby Card (11" X 14"). One of the biggest stars of the early cinema, Tom Mix is a cowboy legend. In this classic Universal film, as undercover lawman Tom Logan, Mix is tasked with infiltrating a gang of outlaws and discovering the identity of their mysterious leader. Among Mix enthusiasts, the handful of films the cowboy star appeared in for Universal in 1932 and 1933 are among his best ever, and paper from these nine titles is considered highly desirable and collectible due to both the high quality of the films and the beautiful design of the posters. This card is no exception. We find no flaws to report, hence the high grade. If only the best is good enough for you, you'll certainly want to bid on this pristine treasure. Mint.Sold for: $1,434.00. |
| 28355 | The Rider of Death Valley (Universal, 1932). Lobby Card (11" X 14"). One of Tom Mix's highly praised Universal films, this one finds Mix protecting a young girl's interests in a gold mine from a band of desperadoes. Collectors covet the paper from the handful of features Mix starred in for Universal in 1932 and 1933 for their outstanding design, and this card, with its heroic portrait of the star, is no exception. It has several pinholes in the image area, a smudge in the bottom left and the left border, and a small corner bend in the top right, but is otherwise extremely clean and attractive. If you're looking for that perfect piece of Mix memorabilia to add to your collection, this is it! Fine/Very Fine.Sold for: $388.38. |
| 28356 | The Rustlers' Roundup (Universal, 1933). Title Lobby Card (11" X 14"). As the title card from the last of nearly three hundred feature films Western great Tom Mix made, this Universal beauty is an important one for all collectors. Although injured during the filming of this picture, Mix later went on to do one last serial, The Miracle Rider, for Mascot Pictures. Here Mix stars as ranch hand Tom Lawson, who comes to the rescue of the Brand family, played by Diane Sinclair and Noah Beery Jr., who are being harassed by horse rustlers. The wonderful Walter Brennan has a small role here as well. This card has corner bends with a chip in the lower left corner, a stain in the bottom left border, a dust shadow in the right border, and corner pinholes. There are a few spots of surface paper loss. This sensational title card features, in stunning colors, all the fast-paced horse and rodeo action that fans expect from a Tom Mix classic. Fine+. Sold for: $358.50. |
| 28357 | The Fourth Horseman (Universal, 1932). Title Lobby Card (11" X 14"). Of all the movies that cowboy superstar Tom Mix made during the course of his long and impressive career, the posters that are most hotly desired by collectors are the handful that were created for the brief series of pictures produced by Universal between 1932 and 1933. The paper issued for these fan-favorite films was, without exception, dramatic, colorful, and eye-catching, providing a fitting climax to Mix's film career (only one film followed Mix's Universal period, the Mascot serial, The Miracle Rider. After that, he spent the remainder of his performing days appearing in circus shows). Offered here is an exquisite title card for one of these Universal pictures, featuring a wonderful portrait of the star. In superb condition, only slight corner bumps in the top left and top right, and a slight crease in the top left corner keep this card from grading even higher. Paper from this title is scarce, so don't miss your chance to add this great lobby card to your collection. Very Fine+. Sold for: $657.25. |
| 28358 | Terror Trail (Universal, 1933). Title Lobby Card (11" X 14"). Before there were car thieves, there were horse thieves, the scourge of the Old West. In this exciting picture, Tom Munroe (Tom Mix) sets out to bust up a ring of horse thieves when they steal his trusty steed, Tony Jr. The only problem is that the local sheriff is in cahoots with the outlaw band! The beautiful title card offered here, from the handful of films Mix made for Universal, has small bends in three corners, and creasing and staining in the bottom border, but is otherwise extremely clean and attractive. Paper from this series of films, made towards the end of Mix's movie career, is exceptionally popular and desirable; don't miss this opportunity to add this rare beauty to your collection. Very Fine.Sold for: $418.25. |
| 28359 | Good Men and True (FBO, 1922). Title Card and Lobby Cards (2) (11" X 14"). It's a no-holds-barred battle for the office of sheriff between the evil S. S. Thorpe (Noah Beery) and the noble J. Wesley Pringle (Harry Carey), in this entertaining silent Western. Carey, a prominent B-movie star during the silent era, got his start on the screen as part of D. W. Griffith's Biograph company, where one of his earliest roles was in The Musketeers of Pig Alley, a film widely hailed today as the very first gangster picture. Later, when he moved to Universal, he was responsible for providing some of the first directorial opportunities to a young John Ford. Offered here are three lovely lobby cards, including the great title card. All of the cards have a small bend in the top left corner, while the title card and one of the scene cards have small pieces of tape in the left and right borders. Aside from these small flaws, the cards are in superb condition, ready to take their rightful place of honor in your collection. Very Fine-. Not Sold. |
| 28361 | Texas Buddies (WorldWide Pictures, 1932). One Sheet (27" X 41"). Part Western, part aviation drama, this exciting film features cowboy star Bob Steele as World War I flying ace Ted "Gat" Garner and George "Gabby" Hayes as his pal, Si Halter. When Gat and Si find the remains of downed flyer Cyrus Hellner in the desert, they find themselves tracking down Hellner's murderer and protecting his niece from the bad guys. Of course, Steele gets the girl, in this case the lovely Nancy Drexel, in the end. This dramatic stone litho poster has undergone professional restoration to correct pinholes in the corners, crossfold separations and fold wear, chips in the borders, and a small hole and paper loss in the lower left. The restoration is superb, rendering these flaws virtually invisible, and making this a poster you will be proud to display. Fine on Linen.Sold for: $478.00. |
| 28362 | Boots of Destiny (Grand National, 1937). One Sheet (27" X 41"). Ken Maynard stars as cowboy Ken Crawford, who gets himself involved in a range feud between the Mexican Vascos and the Yankee Wilsons, with some cattle rustling thrown in for good measure. The script was originally intended for Hoot Gibson, and Maynard broke his foot prior to production, forcing him to wear a specially-made boot. This dramatic one sheet features a great portrait of the grimacing Maynard against a stark black backdrop. The poster had light edge wear, some tearing in the bottom border, crossfold separations, and a chip out of the bottom right corner. This is one of Ken Maynard's best looking one sheets and certainly an outstanding poster image! Fine+ on Linen. Sold for: $836.50. |
| 28363 | Cornered (Columbia, 1932). One Sheet (27" X 41"). From the Wild West shows to the silver screen, Tim McCoy ruled the plains with a blazing six-shooter. In this film, the B Western star found himself defying the law as he lets go of an honest man accused of murder in order to track down the real killer. The one sheets from McCoy's years at Columbia are known for featuring great portraits of the star, and this one is simply one of the best. The poster has one pinhole in each of the upper corners, a tiny chip out of the lower horizontal fold on the left side, and minor wear showing at the other fold lines. Two of the center points have been reinforced on the reverse with cellophane tape. Fabulous Western Image! Very Fine+. Sold for: $2,151.00. |
| 28364 | Tim McCoy Stock (Columbia, 1932). Midget Window Card (8" X 14"). A popular star of early Westerns, Tim McCoy's skills as a cowboy were authentic, gained as a hand on a Wyoming ranch. During his time in Wyoming, he also gained extensive knowledge of the local Indian tribes, and served as a territorial Indian agent in the region after World War I. In 1922, Jesse Lasky contacted McCoy, and asked him to supply Indian extras for his upcoming movie, The Covered Wagon. Discovering that he enjoyed life in Hollywood, McCoy was soon appearing in pictures, and quickly rocketed to the heights of stardom. The midget window card offered here is from the high point of McCoy's career, and features a striking portrait of the handsome star. The top, left, and right borders have all been expertly replaced, and there has been some inpainting in the image area, but the restoration has been performed quite well, and is only noticeable under close examination. This will be an important addition to any Western collection. From the Collection of Denver Sherry. Very Good/Fine.Sold for: $358.50. |
| 28365 | Man of Action (Columbia, 1932). Insert (14" X 36"). Probably the best insert poster image ever done of Tim McCoy is featured on this great poster for Man of Action. McCoy plays a Texas Ranger investigating the death of "The Falcon," a notorious bank robber. It turns out there is a deeper mystery involved, with blackmail, bank fraud, and a corrupt sheriff all part of it. This poster has fold wear, a chip in the top left corner, small creases on the bottom left corner and bottom border, and a small tear in the right border. Folded, Fine/Very Fine. Not Sold. |
| 28366 | Square Shooter (Columbia, 1935). Three Sheet (41" X 81"). Tim Baxter (Tim McCoy) has been framed for a murder he didn't commit and, after serving his time in prison, returns to his home town, not only to confront the real killers, but to regain a ranch, willed to him by his uncle, that was wrongfully taken from him. McCoy was a truly remarkable character. Not only was he one of the leading cowboy stars of the 1930s and 1940s, but he was also a sharpshooter, famous for his fast draw. Additionally, he was an expert on Indian folklore, and was one of the very few white men who could converse in the nearly-lost art of Indian sign language. His later years were spent as a gentleman rancher and an occasional guest at Wild West shows. This glorious three sheet boasts a spectacular image of this legendary star. It had pinholes in the corners, a small hole in the image area to the right of McCoy's head, a small instance of paper loss in the bottom border, a tiny hole in the top right corner, as well as one in the "M" of "McCoy," and one between the "H" and "O" in "Shooter." Professional restoration has expertly addressed these minor issues, rendering them visible only upon close examination, and returning a Near Mint appearance to this classic beauty. Fine/Very Fine on Linen.Sold for: $956.00. |
| 28367 | Hop-a-long Cassidy (Paramount, 1935). Lobby Card (11" X 14"). William Boyd appeared in silent films for a few years in the 1920s, achieving some success as a romantic leading man, but by the early 1930s and the coming of sound, his career was on a downslide. When actor William "Stage" Boyd was arrested on gambling and alcohol charges, the papers ran the other Boyd's picture by mistake, further harming his career. With few other options, Boyd accepted a role in a Western, as a cowboy with a limp named Hop-a-long Cassidy, originally created by author Clarence E. Mulford. And thus a legend was born. Presented here is a wonderful lobby card from the first "Hoppy" film, a franchise that would span 66 pictures and thirteen years on the silver screen before transitioning to the new medium of television. Also pictured on this card is Jimmy Ellison, who played Hoppy's erstwhile sidekick Johnny Nelson. This was truly the beginning of a pop culture dynasty, as Hoppy would go on to become one of the most popular Western characters of the twentieth century. This exquisite card shows a stain in the bottom left corner, overall toning, light smudging in the top border, a small hole in the left border, a minor area of surface paper loss in the bottom border, and small creases in all four corners. Fine/Very Fine.Not Sold. |
| 28368 | The Phantom of the West (Mascot, 1931). One Sheet (27" X 41") Chapter 3 -- "The Horror in the Dark." Tom Tyler takes top billing in this entertaining ten-chapter serial, one of the earliest "all talking" chapterplays released by Mascot Pictures. Tyler tracks a man falsely accused of murdering his father, and crosses the path of a mysterious masked figure known as the Phantom. The serial was low-budget, but you wouldn't know it to look at this beautiful stone litho poster, which features Tyler and lovely leading lady Dorothy Gulliver in the thrall of the Phantom. Each of the posters done for this serial had different artwork and this is one of the most attractive of them all. It had missing corner paper, chipping in the borders, and several tears in the image area, all of which has been addressed with professional restoration. Fine- on Linen. Sold for: $776.75. |
| 28369 | The Phantom Rider (Universal, 1936). Title Lobby Card (11" X 14") Chapter 14 -- "The Last Chance." A band of outlaws are trying to seize poor Mary Grayson's (Marla Shelton) land, until the heroic Buck Grant (Buck Jones) steps in to help, in this exciting 15-chapter Universal serial. Offered here is a great title card for this classic chapterplay. It shows pinholes in the corners, the top center, and the image area, as well as small bends in the top corners, but is still a great looking card. Very Fine. Sold for: $239.00. |
| 28370 | Shadow Ranch (Columbia, R-1934). Insert (14" X 36"). This super B-Western insert with three images of star Buck Jones is from his second "talkie" in 1930. It was an excellent film with an above average script and solid direction. It was so good that Ken Maynard remade it less than a year later as Sunset Trail. Columbia brought it back in 1934 with this same advertising campaign, and it made money all over again. The poster has been linen-backed, presumably just to stabilize the poster as there has been no restoration performed. There are small creases in the top right corner, small tears in the top and bottom right border, pinholes, and light foxing in the bottom left. Fine/Very Fine on Linen. Sold for: $448.13. |
| 28371 | Desert Vengeance (Columbia, 1931). Title Lobby Card (11" X 14"). Cowboy star Buck Jones plays an outlaw leader who gets hoodwinked by a brother and sister team of con artists in this exciting action film. One of the top B-Western stars, Jones had a long career on the screen, stretching back to the early silent days. He died in a fire at the Coconut Grove nightclub in 1942, while appearing at a bond rally. This beautiful title card, showing a squint-eyed, square-jawed Jones, is in superb shape, with only pinholes in the corners, light edge wear, and a vertical crease in the right side keeping it from an even higher grade. This is one of Jones' best title cards! Very Fine-. Not Sold. |
| 28372 | Sundown Rider (Columbia, 1932). Insert (14" X 36") Style D. Buck Jones is Camp O'Neil, an honest cowboy wrongly accused of murder. He escapes, and, under a new identity, gets a job as a ranch foreman. His troubles aren't over, though, as soon the real murderer arrives, intent on turning O'Neil in and claiming the reward. Offered here is a great insert for this classic Western, featuring a striking, full-length portrait of Jones, one of the top cowboy stars of the 1930s. It has staples holes in the top center border, smudging in the image area, rounded corners, small tears in the borders and corners, fold wear, and a bend and a tear in the top left corner. These small flaws do nothing to diminish the incredible appeal of this classic beauty, which presents magnificently. Folded, Fine/Very Fine.Sold for: $776.75. |
| 28373 | The California Trail (Columbia, 1933). One Sheet (27" X 41"). Here is a beautiful, early Buck Jones Western poster for a movie co-starring Helen Mack. Jones plays a south of the border Robin Hood as he brings food to starving peons and winds up being accused of murder. Unusual artwork gives this a very appealing look, a different style than most standard "B" Western posters. The poster has slight tears on Jones's eyebrow and nose, a small hole below the title, and a minor chip in the upper left background. It has been mounted on linen and has had very nice, professional restoration. It displays beautifully. Fine+ on Linen. Sold for: $1,673.00. |
| 28374 | Stone of Silver Creek (Universal, 1935). Title Lobby Card (11" X 14"). T. William Stone (Buck Jones) is the proprietor of an honest saloon and casino in a tough town who runs afoul of a group of criminals when he forces them to return money they won unfairly, and later confronts them when they try to get the money back by robbing Stone's safe. A great film, it is represented here by this colorful title card that shows pinholes in the top corners and in the image area, as well as a single pinhole in the bottom border. These slight flaws do nothing to detract from the high degree of displayability and desirability this card possesses. Very Fine.Not Sold. |
| 28375 | Silver Spurs (Universal, 1936). Title Lobby Card (11" X 14"). One of Universal's top stars, Buck Jones plays a rancher who has trouble with cattle rustlers. Ray Taylor, who worked with Jones for years, even back in the silents, directs this popular Western. This colorful title card has tape on the reverse along the top border, at replaced top left and lower right corners, and at a chip in the bottom border. It also has a tear in the top left with cellophane tape on the front, corner bends, stains in the bottom left corner and right border, and a crease on the right side of the image area. This is an action-packed and beautiful card that would be a highlight of any Western poster collection. Very Good. Sold for: $179.25. |
| 28376 | The Boss Rider of Gun Creek (Universal, 1936). One Sheet (27" X 41"). A case of mistaken identity leads to the arrest of good guy rodeo rider Larry Day (Buck Jones), mistaken for murdering outlaw Gary Elliot, who recently killed young Belle Turner. An exciting western that provides a dual role for Jones, with plenty of twists and turns. The film is well-represented by this absolutely gorgeous one sheet, which has great images from the movie and spectacular color. Condition issues are very minor, and include pinholes, a smudge in the bottom border, and light edge wear. A real beauty for Buck Jones fans. Very Fine.Sold for: $1,673.00. |
| 28377 | The Boss Rider of Gun Creek (Universal, 1936). Title Lobby Card (11" X 14"). In a dramatic instance of mistaken identity, honest cowboy Larry Day (Buck Jones) is convicted of a murder committed by his look-alike Gary Elliott (also played by Jones) and must set things right, not only clearing his name but getting to the bottom of a cattle rustling ring as well. The extremely colorful and exciting title card offered here shows pinholes in the borders, some edge wear, a light stain in the left border, and several small tears in the right border. None of these minor flaws affect the main image area, which is spectacular and sure to please even the most discriminating Western collector. Fine/Very Fine. Sold for: $262.90. |
| 28378 | Smoke Tree Range (Universal, 1937). Title Lobby Card (11" X 14"). Cowboy star Buck Jones was a favorite of almost every American boy in the 1930s. At the peak of his popularity in the 1930s, when his Buck Jones Rangers club boasted five million youthful members, at one point he was receiving more fan mail than Clark Gable. He would remain in their memory as the definition of a hero long after his tragic death in the famous Cocoanut Grove fire in Boston in 1942. The card has pinholes in the corners and one in the blue field next to Jones's head at the center of the card. There is slight wear to the corners and a bend in the upper right that extends into the artwork. Fine. Sold for: $179.25. |
| 28379 | Sandflow (Universal, 1937). Title Lobby Card (11" X 14"). Buck Jones produced and starred in this well-done Western, represented here by this spectacular title card, typical of those produced by Universal during this era. Small corner chips, light foxing on the left border, and a small corner bend in top left are the only defects on this beautiful card. Very Fine+. Sold for: $478.00. |
| 28380 | In Old Santa Fe (Mascot, 1934). Insert (14" X 36"). Autographed. Although Ken Maynard received top billing in this Mascot "B" Western, it was radio sensation Gene Autry who was the real star. Autry's radio fame was already solidified when he was tapped to make an appearance in his first movie. The Singing Cowboy was created and the rest was history. Restoration has corrected pinholes, tears, fold separations, and areas of slight paper loss at the corners, most of which is difficult to detect. This piece is signed by Gene Autry and looks great in its restored condition. A real beauty. Very Fine- on Paper. Sold for: $597.50. |
| 28381 | Comin' Round the Mountain (Republic, 1936). One Sheet (27" X 41"). He's a shootin', singin' son of the saddle -- Gene Autry, that is. This was one of his earliest singin' Westerns (less than a year after his credited debut in The Phantom Empire), and many fans cite it as one of his best. Rarely did Republic Studios produce a stone litho one sheet for its star like this one for Gene Autry! There could not be a brighter or more beautiful one sheet as all of the other one sheets, yes all of them, were offset lithography. The poster had pinholes, pinpoint crossfold separations, several border tears, some of which extend into the image, a piece missing in the right border, and a crescent-shaped tear in the top right section, all of which has been addressed with professional restoration. The poster boasts glorious color and sharp image quality. What Gene Autry fan could ask for more? Fine+ on Linen. Sold for: $2,031.50. |
| 28382 | Rootin' Tootin' Rhythm (Republic, 1937). One Sheet (27" X 41"). Saturday matinee star Gene Autry rides again with his faithful sidekick Smiley Burnette in this action-filled Western romp. This rare one sheet features one of the better images of the Singing Cowboy and is highly sought after by his fans. There were pinholes with tears in the top left portion of the sheet along with tears at the right center horizontal fold. Crossfold separations and chips at the center of the image and top right border had also developed. But these flaws have been rendered a thing of the past thanks to beautiful professional restoration. Fine/Very Fine on Linen. Sold for: $507.88. |
| 28383 | Under Western Stars (Republic, 1938). Half Sheet (22" X 28"). Half sheets for top B Westerns are always difficult to find, but highly sought after. They usually have different graphics than the artwork one sheets, often using actual photographs. Here's a great example of such an "ask for" poster, with Roy Rogers atop a rearing Trigger in Roy's first starring role, and one of the best "sidekicks" in film history, Smiley Burnette, in one of his best full-color close-up portraits. Burnette originated the fun persona of "Frog" back in 1935 with Gene Autry, and appeared in close to 100 films with Autry and Rogers in that character. Superb restoration has eliminated the flaws normally seen in a 1930s poster used extensively due to the popularity of the film. There were pinholes, chips and edge wear in the borders, and a tear in the top left border. If you only want one great Roy Rogers poster, this one should absolutely make your short list. Fine on Paper. Not Sold. |
| 28384 | South of Santa Fe (Sono Art-World Wide Pictures, 1932). One Sheet (27" X 41"). Tom tries top help Bea by pursuing the outlaws that killed her father and stole his half of a valuable treasure map in this Exciting Bob Steele Western. Steele made a series of films for Poverty Row studio Sono Art-Worldwide before moving to Monogram in 1933. Primarily remembered as a heroic western star, Steele also won fame for such decidedly non-heroic roles as Curly in Of Mice and Men (1939) and Lash Canino in The Big Sleep (1946). This beautiful stone litho one sheet had pinholes in the image area, crossfold and fold separations, and edge chipping, but professional restoration has addressed all of these issues, and returned this poster to its original, like-new appearance. Fine/Very Fine on Linen.Sold for: $358.50. |
| 28385 | Billy the Kid (MGM, 1930). Lobby Card (11" X 14"). An early "all talking" version of the gunfighting legend, this one features Billy (John Mack Brown) being hunted down by Pat Garrett (Wallace Beery) after Billy kills a land baron who murdered his boss. Offered here is certainly one of the best cards in this highly desirable lobby set, with a great image of Brown and Beery. In very nice condition for its vintage, this card has pinholes in the corners and borders, a tape stain in the left border, slight overall tanning, the top left corner is chipped and reattached with tape, the top right corner is chipped, and there are light corner creases in the bottom. Overall, the card looks great with terrific color. Fine/Very Fine. Not Sold. |
| 28386 | Massacre (First National, 1934). Midget Window Card (8" X 14"). Notable as one of the first films to seriously address the mistreatment of the United State's Native American population, this picture was inspired by the real-life efforts of John Collier, commissioner for the Bureau of Indian Affairs under Franklin Roosevelt. Collier sought to reform the injustices in the system, although the importance of Dickinson (Henry O'Neill) his film counterpart, is greatly overshadowed by the performance of Richard Barthelmess as Joe Thunderhorse, a college-educated Sioux who battles Washington for the rights of his people after assuming the tribal chieftainship upon the death of his father. A hard-hitting and compelling picture, it is represented here by a stark and dramatic midget window card with a wonderful image of Barthelmess. The card shows single pinholes in the top and bottom center, and a small rust stain at the very top, but is otherwise extremely clean and attractive, ready to take its place of honor in any collection. Very Fine+.Sold for: $1,553.50. |
| 28387 | The Terror of Tiny Town (Columbia, 1937). Title Lobby Card (11" X 14"). By 1937, it was getting harder and harder to put a new spin on the tried-and-true Western genre. After all, stars like Tom Mix, William S. Hart, Ken Maynard, Gene Autry, and John Wayne had been entertaining audiences for years with their tales of life on the plains. But this movie was different in that it featured an all-midget cast, riding Shetland ponies and walking under swinging saloon doors, many of whom would go on to appear as Munchkins in The Wizard of Oz (1939). Offered here is a marvelous title card for this cult favorite. It has staple holes in the top and bottom left, a small tear in the bottom border, and creases in three corners, but is otherwise clean and attractive. Don't get caught short, bid big on this beauty! Fine/Very Fine.Sold for: $334.60. |
| 28388 | The Return of Frank James (20th Century Fox, 1940). Half Sheet (22" X 28"). Henry Fonda plays Frank James, who has been laying low until he hears of the death of his brother Jesse and goes looking for the Ford brothers, while concealing his identity. Along the way, he is contacted by a reporter (Gene Tierney) who wants the whole story. Return was the first Western directed by Fritz Lang, and has a healthy disregard for historical accuracy in pursuit of an entertaining story. Fonda is superb (he had already played Frank once before, in 1939's Jesse James), and Lang brings his unconventional European sensibilities to bear on the story. This terrific half sheet has a great image of Fonda with his guns drawn, and excellent portraits of the cast. Condition includes edge wear with border tears, a longer tear on the lower left side extending into the image, smudging in the borders, corner bumps and creases, and some creasing within the poster. The poster still retains excellent color, and the quality of the artwork still shines through. Rolled, Fine+. Not Sold. |
| 28389 | Wild Horse Mesa (Paramount, 1932). One Sheet (27" X 41"). This classic Western, based on a story by Zane Grey, is about a stand-up lawman (Randolph Scott) who restores order in a chaotic frontier town, and also stops a greedy rancher from capturing horses in barbed wire traps. This picture was part of a series of Zane Grey Westerns in which Scott starred for Paramount, a series that made the actor a major star. The striking and dramatic stone litho poster offered here, which pictures Scott with frequent co-star Sally Blane, had pinholes, crossfold separations with minimal paper loss, the top and bottom right corners torn and reattached, a crease in the bottom left, and a small hole by the center horizontal fold line. After undergoing professional restoration, this poster appears as Near Mint. Fine+ on Linen.Sold for: $537.75. |
| 28390 | The Thundering Herd (Paramount, 1933). Midget Window Card (8" X 14"). A remake of the 1925 film based on Zane Grey's famous novel, this picture featured Randolph Scott in the role originally essayed by Jack Holt. The story revolves around Scott's efforts to stop buffalo-hide thief Noah Beery, while at the same time rescuing his girlfriend from Beery's slimy clutches and defending against an impending Indian attack! The exciting nature of the film is perfectly captured in this wonderful midget window card, which shows only a pinhole in the top center and a light dust shadow in the left border. For Western collectors, it doesn't get much better than this! Very Fine+.Sold for: $507.88. |
| 28391 | The Texans (Paramount, 1938). Midget Window Card (8" X 14"). After the Civil War, Randolph Scott, Joan Bennett, and May Robson are among the Texans who must decide between keeping the fires of the Confederacy alive or following the ideals of a new, undivided Union. As the stars drive a cattle herd to Abilene, opinions and emotions run high. This midget window card has corner creases and bumps, small stains, and a corner chip. There is a theater snipe and two pinholes in the imprint area; still, this is a dramatic shot of the three stars. From the Collection of Denver Sherry. Fine/Very Fine.Not Sold. |
| 28392 | Western Union (20th Century Fox, 1941). Midget Window Card (8" X 14"). A glorious Technicolor extravaganza from celebrated director Fritz Lang, this exciting film, loosely based on a novel by Zane Grey, tells the story of two brothers: Vance Shaw (Randolph Scott), a reformed criminal who goes to work for Western Union, helping to lay the cable between Omaha and Salt Lake City, and Jack Slade (Barton MacLane), an outlaw who tries to sabotage their efforts. Offered here is a wonderful midget window card, which shows some minor silverfish damage in the borders, a small crease in the bottom right, and a very light dust shadow in the top border. Other than these minor concerns, the card presents very nicely and will make a valued addition to any collection. Very Fine-.Sold for: $179.25. |
| 28393 | Colt .45 (Warner Brothers, 1950). One Sheet (27" X 41"). Gun salesman Randolph Scott, whose sample case of Colt .45s is stolen by an outlaw played by Zachary Scott, is accused of being a member of the outlaw gang when they start using the Colts in their hold-ups. Scott is then obliged to track down the crooks. This colorful one sheet has always been more scarce due to its popularity among gun collectors. The poster has pinholes in the corners as well as a few small punctures in the image. Otherwise this copy is in excellent condition. Very Fine-. Sold for: $179.25. |
| 28394 | The Bad Man (MGM, 1941). One Sheet (27" X 41") Style D. Wallace Beery is the "bad man" of the title, with Ronald Reagan playing the son of ranch owner Lionel Barrymore. Laraine Day portrays Reagan's love interest. Prior to restoration, there were minor crossfold separations, a small chip out of the upper horizontal fold, and light edge wear. Great caricature of Beery with beauty shot of the future 40th President of the United States with his co-star, Day! Very Fine on Linen. Not Sold. |
| 28395 | The Return of the Durango Kid (Columbia, 1945). One Sheet (27" X 41"). After playing assorted sheriff and ranger roles, cowboy star Charles Starrett gained notoriety for his role as the "Durango Kid." The first film in which he played his famous alter-ego character was called The Durango Kid and was released in 1940, but for some reason, Columbia did not see fit to continue with the series at that time. The character was revived in 1944 and lasted through 1952. Though a money-making and hugely popular series at the time, most of the Durango Kid posters were done in duo-tone and were relatively unattractive. This is one of the few that was done in full-color, stone lithography and is actively sought by the fans of the series. There is pencil writing on the back of the poster as well as a very light additional vertical fold. The poster has pinholes in the corner areas as well as small punctures in several fold lines. Very Fine-. Sold for: $334.60. |
| 28396 | Shane (Paramount, 1953). One Sheet (27" X 41"). One of the finest Westerns ever filmed, this is the story of a gunfighter who has seen too much and just wants to settle down to a quiet life. Nothing is ever that simple, however, and the heroic and goodhearted Shane (Alan Ladd) is drawn into one more battle, this time to defend a family of simple homesteaders against the evil land baron Rufus Ryker (Emile Meyer) and his hired gun Jack Wilson (Jack Palance, in one of the finest performances of his career). The finale, in which little Joey Starrett (Brandon DeWilde) cries, "Shane, come back!" is one of Western cinema's classic moments. This wonderful, and highly desirable, one sheet had pinholes in the top right corner and some fold separation in the top horizontal fold line, but these small concerns have been admirably addressed with professional restoration, resulting in a poster which looks virtually as good as the day it was printed. Very Fine on Linen.Sold for: $1,673.00. |
| 28397 | Shane (Paramount, 1953). Half Sheet (22" X 28") Style B. Directed by George Stevens, who also helmed Swingtime, Penny Serenade, and Giant, this perennially favorite Western is a true genre classic, a thoughtful and intelligent dramatization of the epic battle between good and evil, set amidst the beauty of the American West. Alan Ladd stars as Shane, ably supported by Jean Arthur - in her last film role, Van Heflin, and Jack Palance as the deliciously evil Jack Wilson. The Style B half sheet offered here shows minor edge tears at the horizontal fold lines, pinholes in the corners and the borders, and a small stain at the top near Alan Ladd's name. None of these small concerns detract from the overwhelming appeal of this poster, which pictures all of the main cast members. Folded, Fine/Very Fine. Sold for: $776.75. |
| 28398 | Shane (Paramount, 1953). Insert (14" X 36"). One of the all-time great Westerns, and an interesting experiment in that the film unfolds largely in "real time," Shane is a favorite of many for its well-drawn characters and beautiful Western landscapes. This terrific insert has a very interesting layout that leads the eye from the top to the bottom, with evocative portraits of the cast. The poster had pinholes and a tear in the upper right quadrant extending from the border into the image; it has been restored, including airbrushing in most of the backgrounds, and has been paper backed. Fine/Very Fine on Paper. Sold for: $776.75. |
| 28399 | The Lone Ranger (Warner Brothers, 1956). Half Sheet (22" X 28"). Released between the fourth and fifth seasons of the Lone Ranger television series, this big-screen adventure for the Masked Rider of the Plains (Clayton Moore) and his faithful companion Tonto (Jay Silverheels) involves an unscrupulous rancher (Lyle Bettger) trying to mine for silver on Indian land. The widescreen aspect of the feature film format is highly touted on this wonderful half sheet poster, which features an iconic image of the Ranger, Tonto, and Our Hero's stalwart steed Silver. This terrific unrestored poster has some very minor edge wear, a minor crease in the top left corner, and some very light foxing and staining, but these are only noticeable upon close examination. Folded, Very Fine. Sold for: $418.25. |
| 28400 | The Outlaw (RKO, R-1950). Australian Daybill (13" X 30"). The film that began the long process that eventually broke the back of the Hays Office censorship was filmed in 1941, but because of conflicts with the Production Code, was not widely released until five years later. Jane Russell made her screen debut after Howard Hughes discovered her working as a receptionist at his dentist's office. This Australian daybill has very light edge and fold wear with corner bumps and printing smudges. The beautiful stone litho artwork of Russell, based on the Zoe Mozert artwork used in its initial release, gives an idea of what all the fuss was about back then. The poster has the most minor silverfish nibbling along the very top of the poster. Folded, Very Fine. Sold for: $1,015.75. |
| 28401 | Jane Russell in "The Outlaw" Portrait Still by George Hurrell (United Artists, 1946). Autographed Still (24" X 20"). Beautiful oversized, double weight, matte finish still autographed by photographer, George Hurrell. A controversial film, The Outlaw was completed in 1943 but not released until 1946 due to producer/director/financier Howard Hughes's battles with the Hays Office over star Jane Russell's revealing wardrobe. In the end, the film was released in an edited form. While some of the deleted footage has been restored for recent home video releases, much is considered lost forever. In this stunning portrait of Russell by legendary photographer George Hurrell, one can easily see what all the fuss was about. Russell was never lovelier than in this incredible portrait. This particular piece, printed from an original negative under the artist's direct supervision, comes from Hurrell's very limited Portfolio II, released circa 1980, and is hand signed and numbered (187/190) by him. It shows some light smudging in the borders, light creasing in the borders and corners, and a tiny crease at the top of the image. These are all extremely minor flaws, none of which take anything away from this exceptionally rare and desirable piece. Very Fine-.Sold for: $358.50. |
| 28402 | Gary Cooper in "The Texan" Publicity Still by Otto Dyar (Paramount, 1930). Still (8" X 10"). Vintage black and white, single weight, glossy still. In this action-packed picture, Gary Cooper plays the Llano Kid, a dashing bandit who kills a gambler in self defense and then runs from the price on his head. This dramatic still shows some mild toning, as well as bends in both bottom corners. Additionally, it has handwriting in pencil and several stamps on the back, including stamps from the studio and the photographer as well as Culver Service, and a Culver sticker. It remains a great piece from an early point in this fine actor's career. Very Fine-.Not Sold. |
| 28403 | Gary Cooper and June Collyer in "A Man from Wyoming" Publicity Still (Paramount, 1930). Still (8" X 10"). Vintage black and white, double weight, glossy still. A lovely still of the romantic leads from this WWI drama. In nice condition, this has a small tear in the top border, dents and light surface scuffing in the image area, and minor corner and border creases. Very Fine.Not Sold. |
| 28404 | Gary Cooper Publicity Still (Paramount, 1930s). Still (8" X 10"). Vintage black and white, double weight, glossy still. With over a hundred films to his credit, Gary Cooper was voted the 18th Greatest Movie Star of all time by Entertainment Weekly. This outstanding portrait still has some light edge wear on the right side, pinpoint paper loss near the bottom of the field, and bumps in the bottom corners. Very Fine-. Sold for: $119.50. |
| 28405 | The Winning of Barbara Worth (United Artists, 1926). Lobby Card (11" X 14"). This epic silent film features one of the first major roles of future superstar Gary Cooper, as an engineer working on a dam project in Colorado. A shady developer who buys shoddy materials complicates the project, as does Lee's rivalry with fellow engineer Willard Holmes (Ronald Coleman) over the affections of the lovely Barbara Worth (Vilma Banky). Coleman seems to have the upper hand in this classic card, which shows pinholes in the top corners, a slight dust shadow in the left border, a chip in the top left, and minor corner bumps. The central image area is untouched, however, making this a highly attractive, and highly desirable, card. Very Fine-.Sold for: $149.38. |
| 28406 | The Spoilers (Paramount, 1930). Lobby Card (11" X 14"). Based on author Rex Beach's novel about life in the unforgiving Yukon, this thrill-packed talkie features Gary Cooper as Glennister, a rugged gold prospector and mine owner, and William "Stage" Boyd as McNamara, a corrupt Alaskan politician who conspires to cheat him out of his stake. This dramatic card, which shows Cooper and Boyd locked in a titanic struggle to the death, shows some light corner wear and some faint edge wear, but otherwise is clean and attractive, a perfect addition to any collection. Very Fine/Near Mint.Sold for: $179.25. |
| 28407 | Fighting Caravans (Paramount, 1931). Lobby Card (11" X 14"). An early talking Western, this movie, adapted from a novel by Zane Grey, stars Gary Cooper as hard-bitten trailman Clint Belmet who joins a wagon train heading to California to avoid a warrant for his arrest, and the lovely Lily Damita as Felice, the woman that Belmet first convinces to pose as his wife, but ends up genuinely falling in love with, as he slowly changes from outlaw to hero. Along the way, there's all the action and excitement you'd expect from a big budget Western. This card, picturing both Cooper and Damita, has a stamp in the upper right, light edge wear, some chipping in the top border, small creases in the top right and top left corners, and a small chip in the right border, but these are all minor issues, none of which impact the astounding eye-appeal of this vintage beauty. A great card from a classic Western. Fine-. Sold for: $143.40. |
| 28408 | Fighting Caravans (Paramount, 1931). One Sheet (26" X 39.75") Style B. Gary Cooper and Lily Damita star in this lavishly produced Western for Paramount. Fresh from his starring role in Morocco with Marlene Dietrich, Cooper plays Clint Belmet, a frontiersman facing a jail term. To avoid imprisonment, Cooper talks Damita into pretending to be his wife. They join a wagon train heading to California, and on the way, he falls in love with Damita. Highly sought after by collectors, and extremely rare, this gorgeous stone litho, style B one sheet was produced as a full bleed poster, with no white borders, so it hasn't been trimmed in any way. There is light edge wear, all made invisible with expert restoration. Very Fine+ on Paper. Sold for: $11,950.00. |
| 28409 | The Plainsman (Paramount, 1936). French Petite (23.5" X 31.5"). This star-studded production, expansively directed by Cecil B. DeMille, includes some of the greatest Western icons in history, including Wild Bill Hickok (Gary Cooper), Buffalo Bill Cody (James Ellison), Calamity Jane (Jean Arthur), and General George Armstrong Custer (John Miljan), as Wild Bill tries to quell an Indian uprising. Although this version takes huge liberties with historical fact, there's no denying the fact that it's an exciting and entertaining picture. The gorgeous poster offered here has pinholes in the corners, small stains in the lower portion, light edge wear, overall toning, light fold wear, and small edge tears. It has been mounted on linen, but no additional restorative work has been performed. Though the film deals primarily with Wild Bill and Calamity Jane, the French called it "The Adventure of Buffalo Bill!" The image of Cooper and Arthur is superb, deserving of an honored place in your collection. Very Fine- on Linen. Sold for: $358.50. |
| 28410 | The Westerner (United Artists, 1940). Insert (14" X 36"). Directed by William Wyler, and shot by the legendary cinematographer Gregg Toland (Citizen Kane), this was ostensibly a vehicle for Gary Cooper, but the real show-stealer is Walter Brennan, who won a well-deserved Oscar for his role as Judge Roy Bean. This terrific poster has pin and staple holes in the borders and several in the image, a dust shadow in the left border, minor fold wear and extra horizontal folds, and a chip in the top right border. Great images of Cooper and the film's two leading ladies make for an eye-catching poster. Fine+.Sold for: $262.90. |
| 28411 | High Noon (United Artists, 1952). One Sheet (27" X 41"). The credentials for this film's "classic" designation are solid. In 1989, High Noon was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." Also, the film is #27 on the American Film Institute's 2007 List of Great films, and that's up from #33 in the 1998 list! If that doesn't sway you, then you probably haven't seen the film, represented here in a terrific close-up art portrait poster of the star Gary Cooper, who won a deserved Best Actor Oscar for the role. That's Katy Jurado pictured in the bottom of the poster with Lloyd Bridges. Jurado was the first Mexican actress to win the Golden Globe for Best Supporting Actress for her role of Helen Ramirez. This very desirable one sheet only had fold wear with pinpoint crossfold separations, pinholes in the corners, and small border chips in the top border, but professional restoration has addressed these issues completely, resulting in a bright colorful poster that belongs in any serious film collection. Fine/Very Fine on Linen. Sold for: $1,673.00. |
| 28412 | West of the Pecos (RKO, 1935). One Sheet (27" X 41"). RKO Radio's first official 1935 release was the Zane Grey adaptation West of the Pecos. Richard Dix stars as Pecos Smith, a strong, silent Westerner suspected of cattle rustling. MGM loaned out Martha Sleeper, and Film Daily announced in August of 1934 that John Ford was going to direct. Phil Rosen was tapped instead. Nobody made one sheets like these gorgeous, early RKOs. The poster has light edge wear, a light dust shadow on the bottom border, crossfold separation, and a Dutch censor stamp. Very Fine-. Sold for: $657.25. |
| 28413 | The Arizonian (RKO, 1935). Midget Window Card (8" X 14"). Richard Dix made a fine western in 1935 that earned RKO a lot of money and resurrected his flagging career. That's Margot Grahame, England's answer to Jean Harlow, featured on the poster, fresh from a great performance opposite Victor McLaglen in The Informer. This colorful "midget" card has a theatre imprint in the imprint area with a notation of "Giftnight: Gift Forty Dollars" ! There are mild corner creases and a small tear in the top left border. Very Fine+.Sold for: $310.70. |
| 28414 | A Fistful of Dollars (United Artists, 1967). One Sheet (27" X 41"). Not the earliest "spaghetti" Western (they'd been making them in Italy for years), but the first one to receive worldwide recognition, this was also the first installment to Sergio Leone's Man With No Name trilogy. After an intensive period of casting, the director's sixth choice, Clint Eastwood, finally accepted the role and the rest, as they say, is history. This iconic one sheet features Clint in his trademark poncho, rendered in vibrant, expressive artwork. A terrific unrestored copy, this has edge wear in the right border, minor edge tears, a larger tear at the left center fold, minor crossfold separations, and bends at three corners. The poster has a very fresh appearance and terrific color. Very Fine-. Sold for: $776.75. |
| 28415 | For a Few Dollars More (United Artists, 1967). One Sheet (27" X 41"). The sequel to A Fistful of Dollars, this action-packed film sees the Man with No Name (Clint Eastwood) teamed up with rival bounty hunter Col. Douglas Mortimer (Lee van Cleef), to track down notorious bandito Indio (Gian Maria Volonte). A classic of the "spaghetti Western" genre, this film helped to solidify Eastwood's tough guy persona, and served as the second in the "Man with No Name" trilogy. This striking and attractive poster had a tear at the right edge, which has been expertly addressed with professional restoration. Very Fine- on Linen. Not Sold. |
| 28416 | For a Few Dollars More (United Artists, 1967). French Grande (47" X 63"). The second film in the Sergio Leone/Clint Eastwood, Man with No Name trilogy, it is the most violent of the three. Lee Van Cleef and Klaus Kinski lend sterling support to Eastwood, and Ennio Morricone once again provides the memorable score. This superb poster features the fantastic artwork of Jean Mascii, a dynamic image of Eastwood, with Van Cleef in the background, drawing a bead. This unrestored French grande is in spectacular condition, with some crossfold separations and light edge wear being the only issues. This is simply one of the best posters on this title. Very Fine+. Sold for: $298.75. |
| 28417 | The Good, the Bad and the Ugly (United Artists, 1968). Lobby Card Set of 8 (11" X 14"). In one of the all time classic Westerns, Clint Eastwood, the Good, forms an unhappy alliance with Lee Van Cleef, the Bad, and Eli Wallach, the Ugly, in a search for a dead man's treasure of gold. This is the third film in Sergio Leone's spectacular spaghetti Western trilogy. Leone took a chance on TV star Eastwood and starred him first in A Fistful of Dollars, then For a Few Dollars More, and made film history. Two cards in this set have pinholes in the top corners, one card has a light stain in the top corner, and five cards have light staining in the borders. This excellent set of cards have a bright overall appearance. Very Fine-. Sold for: $717.00. |
| 28418 | The Good, the Bad and the Ugly (United Artists, 1968). Poster (40" X 60"). While this is the third movie in The Man With No Name trilogy, it is in fact a prequel to A Fistful of Dollars. No matter what the order, this Sergio Leone directed masterpiece is the crown jewel of the series. Clint Eastwood, Lee Van Cleef, and Eli Wallach are boldly featured on this fantastic large format poster. There were pinholes in the borders, a tape lift in the image, and a tear that stretched from the bottom border to the "C" in Van Cleef. All of these flaws have been well addressed through professional restoration, leaving a very presentable poster. Very Fine- on Linen. Sold for: $478.00. |
| 28419 | The Good, The Bad and the Ugly (United Artists, 1968). Japanese B2 (20" X 29"). This third and final installment of the Sergio Leone/Clint Eastwood "Spaghetti Western" trilogy was actually the prequel of the previous two films. This colorful Japanese B2 is one of the best posters available on the title as it depicts one of the better moments in screen history, the classic final gun battle. The graphic artist has cleverly set in a "setting sun" as a backdrop. There is a faint theatre stamp on the lower left, pinholes, small cross fold separations and tears, and a slight paper residue from a snipe removed in the bottom border that could easily be removed. Folded, Very Fine-.Sold for: $388.38. |
| 28420 | Once Upon A Time in the West (Paramount, 1969). Lobby Card Set of 8 (11" X 14"). The second classic spaghetti Western trilogy by famed director Sergio Leone, this picture represented a serious change of pace for star Henry Fonda. Typically cast as a hero, in this movie Fonda plays a ruthless, sadistic killer who obliterates Brett McBain (Frank Wolff), owner of some important land desired by a ruthless railroad magnate (Gabnele Ferzetti), and his family. When McBain's new bride Jill (Claudia Cardinale) arrives and discovers the massacre, she enlists the aid of two mysterious men (Jason Robards and Charles Bronson) to protect her interests. The cards in the exquisite lobby set offered here all show very minor corner bumps. In addition, card #3 has some foxing in the bottom border, #5 has a crimp in the left border, and #7 has a light smudge in the top border. These are minor considerations, which in no way detract from the overwhelming appeal of this very desirable and sought-after set. Very Fine+.Not Sold. |
| 28421 | Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). Japanese STB (20" X 57"). The Western that made a huge star of Robert Redford and solidified Paul Newman's place in film history could easily have been completely different. Among the actors considered for the roles of Butch and Sundance were Dustin Hoffman, Steve McQueen, Warren Beatty, Jack Lemmon and Marlon Brando. This Japanese STB has small edge tears on the overlap between the two panels, and a paper scuff on the back of the top edge. There is a small corner crease on the lower left and minor pinholes. With three great shots of Newman and Redford, this poster is one of the best for this title. Rolled, Very Fine+.Sold for: $418.25. |
| 28422 | Broken Arrow (20th Century Fox, 1950). One Sheet (27" X 41"). James Stewart stars in one of his best 1950s Westerns as Indian scout Tom Jeffords. He is sent to prevent a war with the Apaches led by Cochise (Jeff Chandler), and winds up falling in love with and marrying an Indian girl (Debra Paget). Prior to restoration, there were pinholes in the body of the poster, a piece missing with a tear on the top center border, and a small hole by the "R" in the title lettering. Fine on Linen. Sold for: $358.50. |
| 28423 | Broken Arrow (20th Century Fox, 1950). Half Sheet (22" X 28"). James Stewart had one of his best Western roles in this ground-breaking film about the conflict between the Apache Indians and the U.S. cavalry. Jeff Chandler co-stars as Cochise and Debra Paget is Stewart's love interest. The poster has light edge wear, some smudging on the bottom left border, and a tear extending slightly into the body of the art on the left border. There is tape on the front covering the tear. Folded, Very Fine-. Sold for: $179.25. |
| 28424 | Winchester '73 (Universal International, 1950). One Sheet (27" X 41"). This was the first collaboration between director Anthony Mann and actor James Stewart, a team that would create a series of superior Westerns that added a new, psychological dimension to the genre. Mann's film gives us one of Stewart's greatest performances, his manic intensity evoking both terror and pathos. The supporting cast is great, with both Tony Curtis and Rock Hudson appearing in small roles. The posters from this title have always been the most difficult to find from the Mann/Stewart films. The gun collectors must have had a dramatic impact on the dwindling stock from this title over the years. Offered here is a very scarce one sheet in wonderful, unrestored condition with just the most minor fold wear. Very Fine+. Sold for: $1,912.00. |
| 28425 | The Man From Laramie (Columbia, 1955). Italian 4-Folio (55" X 78"). In this gripping Western, James Stewart plays Will Lockhart, a man driven to track down the arms dealer that sold rifles to the Indians, rifles that were used to murder his brother. Along the way, he runs afoul of town patriarch Alec Waggoman (Donald Crisp) and his psychotic son, Dave (Alex Nicol). The beautiful Italian 4-folio offered here, featuring incredible art by the renowned Anselmo Ballester, had light toning on the fold lines, a small edge tear in the bottom right, and fold and crossfold separations with small chips, but professional restoration has rendered these slight flaws virtually invisible other than the tan folds. This is a great piece for any Western fan. Fine/Very Fine on Linen.Sold for: $2,151.00. |
| 28426 | King-Size Canary (MGM, 1947). One Sheet (27" X 41"). All the Tex Avery trademark gags are here, coming at you so fast that you will probably miss a few because you are laughing so hard. The insane plot involves a starving cat who finds a tiny, sickly canary and a bottle of "Jumbo-Gro." He gives it to the canary and it grows giant-sized and beats up on the cat. So the cat drinks some himself and grows bigger than the canary. And then a bulldog and a mouse get involved. There are minor crossfold separations, pinholes in the corners, and fold wear. This has been expertly restored, giving this piece a beautiful appearance. Fine/Very Fine on Linen. Sold for: $2,151.00. |
| 28427 | Snow White and the Seven Dwarfs (RKO, 1937). Half Sheet (22" X 28") Style A. We knew if we were patient enough, this poster would surface eventually. Our patience has been rewarded. Here is the incredibly elusive Style A half sheet, one of the most desirable posters on the title, with artwork by legendary children's book/animator Gustaf Tenggren. It is Tenggren's work (out of some 570 artists that worked on the film!!) that distinguishes many of the film's finest moments, as seen here in this simply splendid illustration of Snow White fleeing the murderous huntsman. With a 19th Century style that draws directly from one of the most beloved of illustrators, Arthur Rackham, the eerily romanticized trees almost seem to move on the poster. This is an unrestored, rolled poster. Posters of this size from the 1930s without folds are near impossible to find, particularly on a title as popular as this. There are numerous tiny pinholes throughout the borders and field that are barely noticeable unless held to a light table. The top left edge has minor wrinkles, there is a small tear in the center right border, and there is light border soil and bottom border smudges. This poster would display nicely as is, but It would take only minor restoration to bring this beauty to near perfect condition. Rolled, Fine-.Sold for: $4,481.25. |
| 28428 | Snow White and the Seven Dwarfs (RKO, 1937). Insert (14" X 36"). Considered at the time to be "Disney's Folly," this animated feature length film - the first ever produced in the United States - was a considerable gamble for the studio. Although both his brother, Roy, and his wife, Lillian, tried to talk Walt out of undertaking this expensive project, the legendary creator believed in it so much that he actually mortgaged his home to finance it. The film spent three years in production, racking up a cost of more than $1.5 million, and revolutionized animation in the process. The result was a fantastic success, quickly becoming the highest-grossing feature ever at the time (it was supplanted in 1939 by Gone With the Wind). It remains today one of Disney's finest achievements, a perennial favorite for generations of fans. The beautiful insert offered here, featuring glorious art by Gustaf Tenggren, had pinholes in the corners, staining in the borders, small edge tears, a tear in the bottom right corner, small holes in the lower left border and in the image area, chips in the bottom right border and the top left corner, and light fold wear. Professional restoration has expertly addressed these issues, making this a poster that any collector will be proud to own. Fine- on Paper. Not Sold. |
| 28429 | Snow White and the Seven Dwarfs (RKO, 1937). Lobby Card (11" X 14"). The first American full-length animated feature film, this was a dream project for Walt Disney, one that virtually no one other than him believed in, until, of course, it became the highest grossing movie to date. Requiring several years, hundreds of artists, and a budget of nearly $1.5 million (a more-than significant amount in Depression-era dollars), this film still stands today as Disney's masterpiece, a classic film combing a great story, unforgettable music, masterful animation, and wonderful voice work. It has delighted young and old alike for more than seven decades. Offered here is the highly desirable Wicked Witch card from this great movie. It had multiple border tears, missing left and right bottom corners, a chip in the left border, and a hole in the image area as well as a small chip with a bend in the top left. Professional restoration has expertly addressed all of these issues, making this a prize piece for any collection. Fine+.Sold for: $1,015.75. |
| 28430 | Snow White and the Seven Dwarfs (RKO, 1937). British Color Front of House Stills (5) (8" X 10"). Offered here are five very scarce British front of house stills from the original 1937 release of Walt Disney's classic Snow White and the Seven Dwarfs. The artwork is superb, with different scenes than those featured on the American lobby cards. There are pinholes in the borders on two of the cards, and a corner bend and light smudging on another. Very Fine.Sold for: $1,015.75. |
| 28431 | Fantasia (RKO, R-1946). One Sheet (27" X 41"). Fantasia was a landmark film for the still-young Disney Studios in 1940. A revolutionary blend of classical music and hand animation, it was a groundbreaking concept expertly realized. Although the film was a box office disappointment upon its initial release, it gained favor in the 1970s when it was appreciated for its "psychedelic" nature. Since that time, it has come to be regarded as one of Disney's greatest achievements. Offered here is a beautiful and rare one sheet from the 1946 re-release. This poster shows some very light edge wear, slight fold separations, several small tears in the image area, and pinholes in the top corners, but these are all minor considerations. This is a wonderful poster that will occupy an honored place in even the most magnificent collection. Very Fine. Sold for: $657.25. |
| 28432 | Bambi (RKO, R-1948). One Sheet (27" X 41") Style A. The original one sheet, and for that matter most of the posters, from the first release of this Walt Disney classic are seen today as some of the least visually appealing paper that the studio would issue during this hey-day period. This first re-release one sheet, with its wonderfully evocative artwork, is by far the more attractive of the two, and is almost as difficult to find. The copy offered here has pinholes in the top corners, very light edge wear, creasing in the bottom right corner, and pinpoint crossfold separation, but is still extremely fresh and attractive, a glorious sheet for any fan of this classic film. Very Fine+.Sold for: $298.75. |
| 28433 | Aurora Miranda in "The Three Caballeros" Publicity Still (RKO, 1944). Still (9.75" X 13"). Vintage black and white, double weight, glossy still. Walt Disney billed this as "The Miracle of Movies" with its further development of the ability to marry animation and live action with evolved technology. This totally fun double weight publicity still has Donald Duck, Jose Carioca, and Panchito dancing up a storm with Aurora Miranda (Carmen's little sister). There is a small water stain in the lower left border, creasing and a small tear in the upper left border, corner bends in the upper left and lower right, and a faint crease in the center field. Excellent black and white original tone. There is a Disney snipe on the back. Fine/Very Fine. Not Sold. |
| 28434 | The Three Caballeros (RKO, 1944). One Sheet (27" X 41"). Walt Disney's imaginative art experimented with having animation interact with live action actors as early as the "Alice" series of cartoons in the 1920s. He would do this again, very effectively, with this, his Oscar nominated hit of 1944. This is one of Disney's happiest posters with even Donald Duck in a good mood! That's Carmen Miranda's younger sister, Aurora, in the center of the poster. There was some missing paper in the center fold, and tears in the bottom border, and the lower center field, but restoration has minimized these defects. Fine+ on Linen. Sold for: $507.88. |
| 28435 | Peter Pan (RKO, 1953). One Sheet (27" X 41"). Based on the immortal novel by J. M. Barrie, this Walt Disney classic took nearly twenty years to reach the screen, from conception to development to final release. Since that time, it has become one of Disney's most beloved films, enjoyed by young and old alike. This beautiful one sheet had pinholes in the corners, minor edge chips, slight crossfold separation, airbrushing in the corners, and a reattached bottom left corner, but professional restoration has rendered these minor flaws virtually invisible. Fine on Linen. Sold for: $1,553.50. |
| 28436 | Alice in Wonderland (RKO, 1951). Insert (14" X 36"). Over five years in production (and many more in development), Alice was a financial disappointment at the time of release, but has come to be regarded as one of the greatest full-length Disney features. Young Alice follows a giant rabbit down a hole, and ends up in a topsy-turvy world filled with grinning cats, loopy Mad Hatters, and the evil Queen of Hearts. This lovely insert poster features the film's fabled tea party with most of the major characters in attendance. The piece has small edge tears, a small tear in the "D" in Disney, extra horizontal creases, and corner creases. It still presents beautifully, with excellent color. Folded, Fine/Very Fine.Sold for: $717.00. |
| 28437 | Figaro and Cleo (RKO, 1943). One Sheet (27" X 41"). If you've been waiting for a Disney rarity, here's a great one. Disney animators took two of the minor (but adorably cute) characters from the 1940 blockbuster, Pinocchio, and gave them their own spin-off cartoon. Figaro decides to make a meal of Ms. Cleo, and in clever Disney fashion, the housemaid saves the day. This charming poster, with its soft graphics and delicate shadow background, is a real delight. Professional restoration for only small pinholes and slight crossfold separations has rendered this very rare poster ready to hang. Very Fine+ on Linen. Sold for: $2,390.00. |
| 28438 | Football Now and Then (RKO, 1953). One Sheet (27" X 41"). In this Walt Disney cartoon short subject, a grandfather reflects on football of the past (Bygone U.) versus the team of the today (Present State). The artwork is sensational and the colors vibrant in this whimsical animated sports yarn. A must for any football or Disney fan. The poster had enlarged pinholes and crossfold separations, which were addressed with professional restoration. Very Fine on Linen. Sold for: $597.50. |
| 28439 | Wide Open Spaces (RKO, 1947). One Sheet (27" X 41"). This famous curmudgeon duck is at it again in this hilarious Walt Disney short concerning what many Americans of the day were doing, traveling cross-country in their automobiles. This is a particularly clean one sheet without any restoration, which has the most minor crossfold separation, primarily in the lower fold. This is a wonderful image of Donald Duck in a bit of a fender bender! Fine/Very Fine. Sold for: $3,883.75. |
| 28440 | Uncle Donald's Ants (RKO, 1952). One Sheet (27" X 41"). A masterful job of Disney animation art on this poster depicts a very colorful, oversized portrait of Donald watching a little ant hiding under a mushroom. In a very interesting plot twist, the studio portrayed the ants as a foraging tribe of African natives which certainly added a lot more interest to the story. It wasn't too well-kept a secret at the Disney factory that Donald's cartoons were more popular than Mickey's, and if you could only have one Donald poster, this would be an excellent candidate. Professional restoration has rendered small pinholes, a small tear in the right border, and a tape lift in the left border, almost invisible. Very Fine on Linen. Sold for: $2,390.00. |
| 28441 | Working for Peanuts (RKO, 1953). One Sheet (27" X 41"). Recently remastered for showing with Disney's animated feature Meet the Robinsons, this cartoon is notable for being one of the first 3-D short subjects ever made. It stars that ever lovable and always irascible, Donald Duck and his constant nemeses, Chip and Dale. This poster has the most minor crossfold wear with small pieces of cellophane tape supporting the back side of these points. There is minor fold wear and separation. The poster includes the original 6" X 9" snipe that says "The first Donald Duck cartoon in 3-D." Very Fine. Sold for: $3,107.00. |
| 28442 | The Olympic Champ (RKO, 1942). Australian Daybill (13.25" X 30"). Goofy is at his funniest as he demonstrates Olympic events, from track and field to skiing, in this classic Disney short. George Johnson is the voice of Goofy who hangs in there for the pole vault, decathlon, and boxing, and even adds his take on the torch bearing tradition. Long time animation producer, writer, and artist, Jack Kinney directs. The only condition issue with this very bright daybill is a slight corner crease in the lower right, otherwise it is a beautiful image of an always popular character. Folded, Near Mint. Sold for: $507.88. |
| 28443 | Two Gun Goofy (RKO, 1952). One Sheet (27" X 41"). When Pistol Pete blows into town and robs a bank, it's up to Sheriff Goofy to apprehend the varmint! Pete's attempts to bushwhack the lawman are foiled at every turn, more by Goofy's incredible good luck than by his heroism or intelligence. This is Disney at its classic best, represented here in a colorful and attractive one sheet. This poster has pinholes in the corners and borders, some crossfold separation, an extra horizontal crease at the bottom, and some paper tape on the reverse at the crossfolds. It's a choice piece for any collector of fine Disneyana. Fine/Very Fine.Sold for: $1,912.00. |
| 28444 | Gulliver's Travels (Paramount, 1939). Midget Window Card (8" X 14"). Known primarily for their animated shorts featuring such superstars as Popeye, Superman, and Betty Boop, Fleischer Studios also produced one of the most astounding animated features ever released: an adaptation of Jonathan Swift's Gulliver's Travels, the first animated feature released by a studio other than Disney. Filmed using a rotoscoping process, in which animators trace cells over an actor's filmed movements, the picture was to have originally starred Popeye, but those plans were scrapped early in development. The movie has been a favorite for many since its initial release, and remains a triumph of animation. Offered here is a beautiful midget window card for this feature, in virtually unimprovable condition; only some very light corner creasing keeps this gem from an even higher grade. If you've been looking for the perfect piece from this unforgettable classic, look no further! Near Mint+.Sold for: $717.00. |
| 28445 | Dick Whittington's Cat (Celebrity Productions, 1936). One Sheet (27" X 41"). Ub Iwerks was one of the greatest animators ever. Consider this: #1 he co-created Mickey Mouse; #2 he produced over 700 animation drawings each day for Mickey's first feature cartoon; and #3 he worked with Hitchcock on The Birds and did the animation sequences for Mary Poppins. This colorful one sheet is from 1936 when Iwerks was producing in his own company before returning to Disney several years later. The posters for the cartoons he produced during this time have become highly collectible, and this is one of the best. Prior to restoration, this poster had minor fold line chips and tearing, and some small chips on the borders. Fine- on Linen. Sold for: $717.00. |
| 28446 | The Arctic (Bray Studios, 1926). One Sheet (27" X 41"). This joint effort between writer/director/creator Walter Lantz (of Woody Woodpecker, and Chilly Willy Fame) and future Disney animator Clyde Geronimi (Sleeping Beauty, Cinderella) featured Dinky Doodle and Weakheart the Dog. The Dinky Doodle series gained recognition for placing animated characters in live action surroundings, often including Lantz himself. This one sheet has creases in the top right and bottom left corners. There are tape marks and abrasions on the back from a past mounting. There are a few minor chips along the edge, and a tiny tear in the title, and another through Lantz's name. An excellent restoration job. Fine/Very Fine on Linen.Sold for: $1,314.50. |
| 28447 | The Two Mousketeers (MGM, 1951). One Sheet (27" X 41"). This classic Tom and Jerry short won an Oscar for Best Cartoon Short Subject in 1952 and repeated viewings show why. It is clever, hilarious, and just an all-around joy to watch. The entire plot is contained in this excellent animation poster. Jerry and his friend, the French speaking Nibbles, have come to the castle banquet hall to dine, causing Tom, the soldier who has been left to guard the food, much grief! Excellent restoration has attended to pinholes, slight edge tears, small fold separations, and small edge and corner chips in the top border. This is one of the most sought after T&J sheets there is! Fine/Very Fine on Linen. Sold for: $2,629.00. |
| 28448 | Terry-Toons Stock (20th Century Fox, 1939). One Sheet (27" X 41") "Billy Mouse's Akwakade." Offered here is a stock poster promoting a Billy Mouse cartoon from 1939. As attractive as the cartoon art on this poster is, the most impressive image is that of the 1939 New York World's Fair grounds in the inset, featuring the instantly recognizable Trylon and Perisphere. Founded by Paul Terry in 1928, this long-lived cartoon studio is most famous for bringing Mighty Mouse and Heckle and Jeckle to the screen. Although the studio was often regarded as a cheap, low budget outfit, it was highly successful, and actually earned four Academy Award nominations for Best Animated Short Film in 1942, 1944, 1945, and 1958. After Terry retired and sold the studio in 1955, it went through several hands, eventually enjoying a brief renaissance in the 1960s with the addition of talented animator Ralph Bakshi to the staff. The poster had edge wear, crossfold separation, and scratches in the lower left, but professional restoration has expertly addressed these slight flaws, returning the poster to a like-new state. Fine/Very Fine on Linen. Not Sold. |
| 28449 | Terry-Toons Stock (20th Century Fox, 1944). One Sheet (27" X 41"). Founded by Paul Terry in 1928, the Terry-Toons (later TerryToons) Studio had many beloved characters, including Deputy Dawg, Gandy Goose, Dinky Duck, Heckle & Jeckle, and of course, Mighty Mouse. This outstanding stock one sheet features the Mighty One, front and center, in an iconic pose, as well as other TT characters, including Heckle & Jeckle. The poster had a small tear in the upper right quadrant of the image area, and tape lifts on the reverse of the top borders, which has been addressed with professional restoration. A fantastic sheet for Mighty Mouse collectors. Very Fine+ on Linen. Sold for: $448.13. |
| 28450 | Merrie Melodies (Warner Brothers, 1940-41). One Sheet (27" X 41"). Very nice stock one sheet for the 1940-41 releases of Warner Brothers' Technicolor Merrie Melodies cartoons. This one is for The Egg Collector, starring Sniffles the Mouse. Great artwork with the very first appearance of Bugs Bunny on a cartoon poster, plus early versions of Elmer Fudd and Sniffles, make this a very collectible cartoon poster! The poster had tears at the fold lines, a tear in the top left border, and a small chip in the top border, all addressed with professional restoration. Very Fine/Near Mint on Linen. Sold for: $4,780.00. |
| 28451 | Looney Tune Cartoon Stock Poster (Warner Brothers, 1934). One Sheet (27" X 41") "Buddy and Cookie." In poster collecting, there is "scarce," "rare," and "...gosh, I've never seen one of those!" This is one of "those." It is a 1934 poster put up by theaters when they would receive one of the two dozen "Buddy" cartoons made between late 1933 and 1935. It represents an important transitional period in animation history. When Hugh Harman and Rudolph Ising of "Bosko" fame left Warner's in late 1933 due to a contract dispute, Leon Schlesinger formed the now infamous "Termite Terrace" animation studio on Warner's back lot. Buddy was a character in his own class, far gentler than most inhabitants of Toontown, and a guy with a big heart. He and the beautiful Cookie would fill in admirably until the arrival in 1935 of the age of wacky with the development of Porky Pig via Chuck Jones and Bob Clampett. Not to say Buddy didn't have his own great sense of humor; he did. He pre-crossdressed Bugs Bunny (Buddy's Beer Garden, 1933)! This restored poster displays very well. The color is excellent and fresh with some touch-up in the center crossfold. Originally there were pinholes, minor fold separations, and edge wear. This absolute charmer will brighten any wall, from stateroom to nursery. Fine/Very Fine on Linen. Sold for: $2,987.50. |
| 28452 | Bosko in Bagdad (MGM, 1938). One Sheet (27" X 41"). Happy Harmonies is the name of a series of animated cartoons distributed by MGM and produced by Hugh Harman and Rudolf Ising between 1934 and 1938 One sheets seldom surface on these titles, particularly one as racially charged as this title. Produced in Technicolor, these cartoons were very similar to Disney's Silly Symphonies. They occasionally featured Bosko, a character who starred in the first Looney Tunes shorts that the duo produced for Leon Schlesinger. After the first few releases, the design of Bosko changed from an ink blot to a realistic African American boy. In this cartoon, Bosko's imagination runs away with him during a nighttime cookie delivery to his Grandmother's house. He imagines Arab jazz playing frogs who tempt him with watermelon and castor oil to obtain his cookies!The cartoon also contains caricatures of Louis Armstrong, Fats Waller, and Stepin Fetchit. There are small vertical fold paper chips, a small hole above "Metro", small crossfold separations, pinholes, and a tiny tear below the duck. Terrific restoration has addressed these minor flaws and the poster displays as new. Very Fine- on Linen.Sold for: $1,135.25. |
| 28453 | Her Fatal Millions (Metro, 1923). Half Sheet (22" X 28"). A classic mistaken identity comedy, this great Viola Dana vehicle finds a young woman (Dana) distraught when she reads that her fiancee (Huntley Gordon), working in New York, has married a society woman. Of course, it's another man with the same name who actually got married, but Viola doesn't find that out until several reels of hilarity have passed. This lovely half sheet has the number "50" stamped in ink in the right border, edge tears in the right and left borders, chips in the top and bottom right, a crease in the bottom left corner, and a corner chip. These peripheral issues do nothing to detract from the overwhelming appeal of this classic beauty. Fine/Very Fine. Sold for: $179.25. |
| 28454 | The Cure (Mutual Productions, 1917). Window Card (14" X 22"). When discussing the great cinematic comedians, few names are as revered as that of Charles Chaplin. Born in England and originally a music hall performer with the Fred Karno Company, Chaplin toured America in 1912 and 1913. During the latter part of this tour, he was seen by Mack Sennett, who hired the young comedian to appear in his one-reelers for the Keystone Film Company. In 1916, Chaplin signed with Essanay Studios, where he developed a stock company of reliable players, and, in 1917 joined the Mutual Film Corporation to produce 12 two-reel comedies, over which he had virtually total creative control. This period would come to be seen as one of the best in Chaplin's career, as virtually all these films are considered classics, and Chaplin himself would remember it as one of the happiest times in his life. Shortly after completing his contract at Mutual, Chaplin moved to First National, where he began producing feature films, and, in 1919, he co-founded United Artists along with fellow actors Douglas Fairbanks, Mary Pickford, and D. W. Griffith. His fame, which was considerable at this time, continued to skyrocket throughout the 1920s. The window card offered here is from The Cure, one of Chaplin's Mutual comedies. In this picture, Chaplin stars as a wealthy drunk, who checks into a spa to dry out. Of course, chaos - and hilarity - ensues, as Chaplin proceeds to turn the place on its head. The rarity of paper from these Mutual shorts cannot be overstated. To put it simply, original release paper from these films just doesn't show up. This beautiful stone litho window card is the only known copy of its type, and, to the best of our knowledge, one of the only pieces extant from the original release of this important film. While a few pieces exist from later re-releases, we're only aware of one other original piece from this film, and, in fact, we've only seen four other original pieces from any of the Mutual comedies in the past seven years of Heritage auctions, and none from The Cure. This is potentially a once-in-a-lifetime opportunity for the serious Chaplin fan, as this incredible piece will most likely disappear into a private collection after this auction, not to reappear for many, many years. This window card has had all the borders replaced: 1.25" on the left, 1.75" at the bottom, including the portion that reads "Mutual Chaplin Specials," 1.75" on the right, and 2.75" at the top. The professional restoration performed on this card is flawless, giving the piece a like-new appearance that must be seen in person to be truly appreciated. If you're looking for a classic rarity to provide hours of viewing pleasure as well as unequalled bragging rights, this is the one you want to bid on! Fine on Paper. Sold for: $1,792.50. |
| 28455 | A Dog's Life (First National, 1918). Title Lobby Card (11" X 14"). After honing his motion picture skills at such studios as Keystone, Essanay, and Mutual, Charlie Chaplin signed a contract with First National Pictures that gave him unprecedented creative control over the future films he was to produce. As his contract only called for eight two-reelers, Chaplin now had the freedom to slow the frenetic pace he had previously worked under, and focus on quality, rather than quantity. The result was a group of films that many consider to be his very best work. This picture, A Dog's Life, was the first film produced during Chaplin's First National period, his first three-reeler, and, according to the card itself, his first million dollar film. It's a classic example of Chaplin as the Little Tramp, a down-and-out, but lovable, hobo who almost always gets the girl in the end. This exquisite title card, bearing a marvelous image of Chaplin, shows light edge wear at the top, some light soiling overall, and a crease in the top right corner, but is otherwise extremely clean and attractive. For any Chaplin fan, this is a must! Very Fine. Sold for: $657.25. |
| 28456 | A Dog's Life (First National, 1918). Lobby Card (11" X 14"). It would take a heart of stone to remain unmoved by this heart-tugging scene: Charlie Chaplin's down-and-out Little Tramp, with his faithful dog Scraps at his side. Chaplin's first film for First National, this marked the beginning of an unusually productive and satisfying point in the silent comedian's career, and is largely considered among his finest works. The exceptional card offered here is virtually flawless; only a very small chip in the bottom left corner and a very light smudge in the top border keep it from utter perfection. Classic Chaplin pieces don't get much better than this! Near Mint-.Sold for: $776.75. |
| 28457 | A Dog's Life (First National, 1918). Lobby Card (11" X 14"). Charlie Chaplin stars as his signature character in his first film for First National Pictures. It's tough times for the Little Tramp and his canine companion on the mean streets of the city. Fortunately, our unlikely hero finds love and happiness in the arms of dance hall girl Edna Purviance. If not for very light edge wear and minor corner bumps, this card would grade in the mint range. This would make a fabulous addition to any Chaplin collection. Very Fine+. Sold for: $310.70. |
| 28458 | Sunnyside (First National, R-1920s). One Sheet (27.25" X 41"). After leaving Mutual Studios in 1919, Charlie Chaplin signed a lucrative deal with First National. In exchange for producing eight two-reelers, which First National would finance and distribute, Chaplin was given virtually unlimited creative control, a situation he had long sought. The result was a series of pictures - many of them feature length - which stand today as some of the finest silent comedies ever brought to the screen. This picture was the third produced under Chaplin's new arrangement in which the comic stars as a lovestruck farmhand pining for the lovely Edna Purviance, a frequent collaborator in Chaplin's best films. Both Charlie and Edna are shown on this gorgeous stone litho one sheet. It had pinholes in the borders and corners, a long tear in the bottom center, a piece missing from the right border, crossfold separations, and tape lifts and light chipping in the borders. The central image area is in superb condition, and professional restoration has resulted in a highly attractive and displayable piece of movie history that you will be proud to own. Fine+ on Linen.Sold for: $3,107.00. |
| 28459 | The Idle Class (First National, 1921). Lobby Card (11" X 14"). This was Charlie Chaplin's eighth film under his million dollar contract with First National, and is a return to the two reel form, and to the comedic lightness of the Mutual Studio style. Chaplin plays dual roles: a vacationing Tramp, and a high society, inebriate husband. The society husband's wife is played by Edna Purviance, who co-starred with Chaplin in many of his finest films. This lovely card pictures Chaplin, as the Little Tramp, and Purviance, who believes the tramp is her husband. The card has been restored as it had some rounding to three of the corners and minor wear to the borders. The restoration work done is first rate and the card appears mint. Fine+. Sold for: $358.50. |
| 28460 | The Great Dictator (United Artists, 1940). Half Sheet (22" X 28"). Charlie Chaplin's first all-talking feature film, this was a courageous indictment of Hitler's Third Reich, filmed and released well before America entered World War II, and became Chaplin's biggest box office hit. The story, in which a Jewish barber is mistaken for Adenoid Hynkel, dictator of Tomania, is pure Chaplin, but it's his impassioned speech at the end, espousing the ideals of peace and tolerance, that makes this film a timeless classic. As one of Chaplin's greatest pictures, it's not surprising that paper for this title is extremely popular with collectors, and extremely scarce. Offered here is a gorgeous half sheet. It shows some edge wear, light soiling in the bottom border, tears in the left and right borders repaired with tape on the reverse, corner bumps and creases, a larger crease in the top right, and small tears in the top and bottom border. None of these minor flaws detract from the overwhelming eye-appeal and desirability of this classic poster, which will make a perfect addition to any collection. Rolled, Very Fine-.Sold for: $1,434.00. |
| 28461 | Charlie Chaplin in "The Great Dictator" Publicity Still (United Artists, 1940). Still (8" X 10"). Vintage black and white, single weight, glossy still. Chaplin's biting satire on Nazism was released just a year before Pearl Harbor. This iconic image of Charlie as Adenoid Hynkel (Dictator of Tomania) has a minor crease in the top right corner and minor surface wear. Very Fine+. Sold for: $203.15. |
| 28462 | The Round Up (Paramount, 1920). Title Lobby Card (11" X 14"). Fatty Arbuckle plays sheriff Slim Hoover in this sendup of the Western films of the era. Wallace Beery plays the bad guy and Buster Keaton is one of the Indian extras. There are stains on the top and bottom borders, two small tears and a small nick on the top border, rounded corners and a small amount of surface paper loss on the bottom left corner. This was Arbuckle's very first feature length film and paper for it is exceedingly scarce, making this title card a very desirable piece. Fine/Very Fine.Sold for: $478.00. |
| 28463 | Circus Days (First National, 1923). One Sheet (27" X 41"). One of the highest paid stars of the 1920s, Jackie Coogan would have his millions stolen by his mother and stepfather. Later, he labored to create the Coogan Law, which helped protect money earned by minors. This unique find shows an extremely rare one sheet used to produce the "insert" film poster style. This one sheet is essentially composed of two inserts, illustrating Coogan's two main roles in the film. The first depicts him as a snack vendor in a very boyish flop hat and long pants, after running off to join the circus. The second depicts him as a girl in a horseback rider costume, to fill in for a friend with a twisted ankle! Though printed as a single one sheet, these were, in essence, two insert-sized posters. This was done from time to time in the silent era, and it could be used in several ways: cut apart and used as individual inserts in front of the theater in glass cases, taped on the entrance as "door panels," or simply used as a whole, in a one sheet frame. This lovely, pastel-hued, stone lithography poster has been linen-backed. Great restoration has eliminated small pinholes, mild crossfold separations, and a small tear in the left border. Very Fine on Linen. Sold for: $657.25. |
| 28464 | An Old Spanish Custom (J.H. Hoffberg Co., 1935). Lobby Card (11" X 14"). 1935 was a tumultuous transitional year for comic genius Buster Keaton. He would make this film in England as The Invader, embark on long drinking binges, and finally enter a mental hospital. There are flashes of his old brilliance in this tale of a wealthy yachtsman sailing to Spain and falling in love with a Spanish maiden who is using him to spit her old lover. That's the lovely Lupita Tovar as the love interest, who appeared in the Spanish language versions of Universal's The Cat Creeps and Dracula. Materials on this Keaton film are seldom if ever seen and avidly sought by all Keaton completists. There is a small ink mark on Tovar's neck, very mild corner bumps, and slight overall toning. Very Fine-.Not Sold. |
| 28465 | Shanghaied Lovers (Pathé, 1924). Three Sheet (41" X 81"). This unique find is a rare three sheet of a two-reel Harry Langdon short, in which were the beginnings of his soon to be universally recognized trademark innocent man child character. Mack Sennett was astute enough to let Langdon develop this character, though it wasn't in the normal mode of the Keystone Studios slapstick films. Here's Langdon in what would perpetually become helpless and dangerous situations where he would desperately try to save himself, or heroines, as in this instance, pretty Alice Day. This fanciful stone lithograph has Harry trapped beneath the heavy anchor while the evil ship captain accosts Ms. Day. There are minor fold separations, a small tear in the right border, light creases in the credits, and a small paper loss in the top vertical fold. Ready to hang fore or aft. Very Fine- on Linen.Sold for: $1,015.75. |
| 28466 | Picking Peaches (Pathé, 1924). Lobby Cards (2) (11" X 14"). One of the most popular of the silent era comedians, Harry Langdon was a major vaudeville star before transitioning to movies, where he initially worked with Mack Sennett and later a young Frank Capra. His endearing "man-child" character proved a success with movie audiences, eventually helped along by Capra's sure hand behind the camera. Many film critics believe that Langdon's biggest mistake was firing Capra and taking over the directorial reins himself, a move that would ultimately doom his career as he never seemed to have the innate understanding of film that Capra displayed. Langdon's legacy is still felt, however, as many comics of the rough-and-tumble school, including the Three Stooges, were heavily influenced by his work. Offered here are two exquisite lobby cards from Langdon's very first film, one, in exceptional condition, displaying the bathing beauties for which Mack Sennett was famous. These wonderful cards are a marvelous tribute to an important film pioneer, and will certainly enhance any collection. Very Fine. Sold for: $239.00. |
| 28467 | The Luck O' the Foolish (Pathé, 1924). Three Sheet (41" X 81"). One of the biggest stars of Mack Sennett's Keystone Studios, Harry Langdon's fame as a baby-faced silent comedian rivaled contemporaries Charlie Chaplin, Buster Keaton, and Harold Lloyd, and later worked as a writer for Laurel and Hardy. Offered here is a lovely stone litho three sheet from one of Langdon's classic comedies. It had pinholes, fold wear, small chips in the borders, and a crease in the top left corner, but professional restoration has addressed all of these slight flaws, giving this poster a stunning like-new appearance. Very Fine on Linen.Sold for: $896.25. |
| 28468 | Bumping into Broadway (Pathé, 1919). Lobby Card (11" X 14"). With his trademark straw hat and glasses, Harold Lloyd was one of the most popular comedians of the silent era. In fact, it was this classic two-reeler, in which Lloyd gallantly comes to the aid of a struggling young actress (Bebe Daniels) by paying her rent, leaving himself penniless in the process, that introduced Lloyd's classic "glasses" character and began his rise to superstardom. This lovely lobby card, picturing both Lloyd and Daniels, shows pinholes in the top right and bottom left, a small chip in the top left corner, and a small stain in the top left, none of which detract from the high degree of desirability that this card possesses. Very Fine. Not Sold. |
| 28469 | From Hand to Mouth (Pathé, 1919). Title Lobby Card (11" X 14"). When Mildred Davis signed on to play The Waif in this classic Harold Lloyd two-reeler, she could little imagine how life-changing this picture would be. Not only would she go on to appear in subsequent Lloyd films, but she and the superstar comedian would wed in 1923! As in most of his pictures, Lloyd plays a poor but honest young man, this time trying to protect a wealthy young lady from the connivances of a dastardly lawyer, played with evil aplomb by the talented Snub Pollard. The title card offered here is extremely clean for a piece approaching the century mark. It shows a single pinhole in the top center, a slight crease in the bottom left, and some very light foxing in the right border, but these are minor concerns that in no way detract from the high level of beauty and desirability displayed by this classic piece. The oval inset pictures Snub Pollard about to be clobbered by the man in the middle. Very Fine+.Sold for: $310.70. |
| 28470 | I Do (Pathé, 1921). Title Lobby Card (11" X 14"). In this classic Harold Lloyd comedy, Lloyd and Mildred Davis play a young couple - they would marry in real life a few years later - whose lives are turned upside down when her brother drops his kids off to spend a weekend with their aunt and uncle. Of course, chaos ensues as the little ankle-biters run rampant, leading up to the climactic denouement, when, having barely survived the onslaught, Mildred announces that she's expecting! This wonderful title card, picturing the future Mr. and Mrs. Lloyd, has pinholes in the corners, and a very small amount of foxing in the bottom right, but is otherwise extremely clean, fresh, and attractive. Very Fine+. Sold for: $717.00. |
| 28471 | Hot Water (Pathé, 1924). Title Card and Lobby Card (11" X 14"). This classic comedy, starring silent genius Harold Lloyd, is a hilarious look at married life, and all the travails and pitfalls that come with it. By the time this film, Lloyd's seventh feature, was made, the bespectacled star had his own production company and was in complete control of his destiny. His fame during the 1920s rivaled Chaplin's, and his "glasses" character was every bit as popular as Chaplin's Little Tramp. Offered here are two superb cards from this outstanding feature. The title card is about as clean as can be, with only a small smudge in the right border. The scene card shows some very small corner creasing, but is otherwise unmarred. These are fabulous pieces, perfect additions to any collection. Near Mint-.Sold for: $776.75. |
| 28472 | Hot Water (Pathé, 1924). Lobby Cards (2) (11" X 14"). An episodic comedy about the life of a married man, Harold Lloyd is hysterical as the new husband who never seems to get an even break. These lobby cards showcase a brilliant comedian at the peak of his creative powers. They both display light edge wear and minor corner bumps, and the train car has a small smudge in the top border. In superb condition, these cards are ready to be the stars of your collection. Very Fine+.Sold for: $597.50. |
| 28473 | Hot Water (Pathé, 1924). Lobby Cards (2) (11" X 14"). Most of Harold Lloyd's films concerned the hapless Everyman striving against all odds to win the girl, but in Hot Water, he's already got the girl -- it's his in-laws that are the problem! A wild string of sight gags as Lloyd tries to deal with the horrific family of his sweet, pretty wife, culminating in the supposed death of his ma-in-law. This lot includes two terrific lobby cards, one from the famed turkey sequence (small stain in upper left corner, very minor corner bump), and one of the ghostly mamma (light edge wear, minor corner bump), both of which have very fresh color and present beautifully. Very Fine+. Sold for: $567.63. |
| 28474 | Hot Water (Pathé, 1924). Lobby Cards (2) (11" X 14"). Silent comedian Harold Lloyd proves that married life is an adventure, and a hilarious one at that, in this classic farce, made at the peak of Lloyd's popularity and considered by many to be one of his best. Offered here are two lobby cards from this great film. They both display minor corner bumps, but are otherwise clean and attractive, ready to take an honored place in your collection. Very Fine/Near Mint.Sold for: $418.25. |
| 28475 | For Heaven's Sake (Paramount, 1926). Lobby Card (11" X 14"). One of Harold Lloyd's funniest films was this rich man/poor girl love story co-starring the eminently adorable Jobyna Ralston. This very rare lobby card comes by its grade due to issues such as pinholes in the top margin, two holes (in Harold's name, and in the right margin), tape residue in the bottom border, some creasing in the lower left corner, a small surface paper chip in the lower right corner, and minor smudging in the borders. Still, the image area is relatively unmolested, and it features a terrific image of Lloyd and a toddler. Fine-. Not Sold. |
| 28476 | The Kid Brother (Paramount, 1927). Jumbo Lobby Cards (3) (14" X 17"). Considered by many to be Harold Lloyd's finest overall performance, this delightful comedy is a re-make of Hal Roach's The White Sheep and was directed in part by Lloyd himself. Interestingly, this was the final Lloyd comedy for co-star Jobyna Ralston who had been Lloyd's leading lady through five films. The same year she would star in Wings with Richard Arlen. These three cards are in remarkable condition with tiny worm holes in all three and minor corner dings. The green card featuring Lloyd also has a small scrape at his head but none of these small imperfections distract from the displayable nature of the cards. Very Fine. Not Sold. |
| 28477 | The Kid Brother (Paramount, 1927). Lobby Cards (2) (11" X 14"). Considered by many to be silent superstar Harold Lloyd's finest film - and the actor's personal favorite - this is the story of a nebbishy son from a prominent family who labors to not only win the respect of his family, but the hand of a beautiful woman (Jobyna Ralston) as well. Of course, his efforts meet with hilarious results, making this movie a true comedic treat from beginning to end. Offered here are two very attractive lobby cards from this landmark film. The card showing Lloyd at the circus has a small tear in the left border, a single pinhole in the center of the image, and some light foxing in the left border. The card with Lloyd by the fence shows a single pinhole in the center and some very light staining in the image area and at the top border. These minor issues do little to detract from the overwhelming eye-appeal of these rare cards that will make a perfect addition to your collection. Very Fine-.Sold for: $507.88. |
| 28478 | Our Gang Publicity Still by Bud Stax Graves (Hal Roach Studios, Early 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. Also known as The Little Rascals, this collection of comedic kids was the brainchild of director Hal Roach. Created in 1922, the franchise went through various incarnations (as the kids got older) during the next several decades, until the series came to an end in 1944. Despite its eventual cancellation, the classic shorts can still be seen in reruns all around the world. The still offered here pictures Dickie, Stymie, Spanky, Pete the Pup, Echo, Tommy, and Baby Dynamite. In superb condition, with a studio snipe and a photographer's stamp on the reverse, this is about as good as it gets. Near Mint.Sold for: $286.80. |
| 28479 | Our Gang Publicity Still by Bud Stax Graves (Hal Roach Studios, early 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. Hal Roach's Our Gang members are adorable in this early Valentine photograph. Featured here are Echo, Dickie, Stymie, Tommy, Spanky, Dynamite, and Cotton. Roach's series began in 1922, but this photo was taken a decade later, when some of the best loved characters were starting to be cast, and here are still quite young. This very delightful piece is in beautiful condition with a credit snipe, a Stax stamp, and writing in pen on the reverse. Near Mint. Sold for: $286.80. |
| 28480 | Big Business (Pathé, 1924). Lobby Card (11" X 14"). The "Our Gang" kids (Joe Cobb, Farina, Mary Kornman, Sunshine Sammy, et al.) decide to open up a barber shop, and one of their first customers is a "Little Lord Fauntleroy" type, played by Mickey Daniels. This cute card has only corner bumps in two corners and very light edge smudging. Very Fine+. Sold for: $567.63. |
| 28481 | Derby Day (Hal Roach, 1923). Three Sheet (41" X 81"). One of the great Our Gang classic shorts, where the gang enters a horse race, where inevitably, the race degenerates into a comic free-for-all and a climactic chase, but not before little Farina crosses the finish line on his trusty tricycle. Three sheets for shorts have always been in short supply, and especially so for the more popular series or stars. This delightful comic artwork is displayed in a beautifully restored stone lithograph which pictures from left to right, Johnny Downs, Mary Kornman, and Mickey Daniels. There was little to correct, with only mild crossfold separations and a small tear in the right center border. Very Fine+ on Linen.Sold for: $2,629.00. |
| 28482 | Sunday Calm (Pathé, 1923). Lobby Card (11" X 14"). An early "Our Gang" comedy, this short stars such notable child stars as Joe Cobb, Mickey Daniels, Allen "Farina" Hoskins, and "Sunshine Sammy" Morrison, as the gang goes on a picnic and has to deal with frogs, bugs, mice, and more. This exquisite scene card, featuring a great shot of the kids, shows pinholes in the top right, a small punch hole to the right of center, and a small crease in the bottom left corner. A very desirable card with all of the kids, from a series that has entertained generations; this is a great piece that you won't want to miss. Very Fine.Sold for: $448.13. |
| 28483 | Roping Her Romeo (Paramount, 1917). Title Lobby Card and Lobby Card (11" X 14"). Polly Moran and Ben Turpin are the romantic comic leads in this Mack Sennett comedy short, with Slim Summerville playing Black Pete, the villain. All three are shown in the wonderful scene card offered here. Also included is a prime example of an early title card when they were actually title cards - and nothing more. These cards are very clean - the title card has toning on the borders and the scene card has only a bottom right corner bend. Very Fine-.Sold for: $191.20. |
| 28484 | Running Wild (Paramount, 1927). Insert (14" X 36"). As brow-beaten husband and father Elmer Finch, W. C. Fields turns to hypnosis in order to obtain relief from his troubles, with decidedly unexpected results. This beautiful insert, which shows Finch's transformation from a milquetoast to a man of action, had stains throughout, tears and chips in the top border, some paper loss on the reverse, and punch holes in the body of the poster. Professional restoration has expertly addressed all of these flaws, rendering them virtually invisible. From an early point in Fields's career, this poster is a real prize. Very Good on Paper. Sold for: $657.25. |
| 28485 | The Potters (Paramount, 1927). Lobby Card (11" X 14"). An early, and unfortunately now lost, film in the career of vaudeville sensation William Claude Dukenfield - better known to comedy aficionados as W. C. Fields - this picture finds the acerbic comedian in the role of Pa Potter, a hopeful investor who sinks the family's life savings into oil stocks; stocks that turn out to be worthless. Only the miraculous discovery of new oil in the old wells saves the family from ruin. This lovely lobby card shows Fields and co-star Mary Alden, and has a small chip and light staining in the right border, smudging, and a small piece out of the upper left corner, but is otherwise very attractive and desirable. Very Fine-. Sold for: $334.60. |
| 28486 | The Potters (Paramount, 1927). Title Lobby Card (11" X 14"). This is a bright and rare image from a W. C. Fields lost film. Fields, the great comedic personality, plays Pa Potter, who strikes it rich while gambling the family's fortunes on oil wells. At this time, Fields was on his way to becoming a major star, and he co-stars here with Ivy Harris and Mary Alden. This title card has pinholes in the upper and lower right side, very light edge wear in the top left, and two small chips out of the top and left edges. Otherwise, this is a very impressive and early find. Very Fine+. Sold for: $657.25. |
| 28487 | If I Had a Million (Paramount, 1932). Six Sheet (81" X 81"). What if someone, just out of the blue, suddenly gave you a million dollars? That's exactly what happens in this all-star movie, as dying tycoon John Glidden (Richard Bennett) decides that his relatives are worthless and instead divides his fortune among eight individuals chosen at random from the city phone book. Among the recipients are a known forger (George Raft) who can't convince anyone that the check is real and ends up burning it, a clerk (Charles Laughton) who can finally tell his boss what he really thinks of him, a hooker (Wynne Gibson) who can finally afford to sleep alone, a motoring couple (W. C. Fields and Alison Skipworth) who take revenge on the "road hogs" that wrecked their car, a trio of Marines (Gary Cooper, Roscoe Karns, and Jack Oakie) who don't' believe the check is real and sign it over to the owner of a lunch counter, and a salesman in a china store (Charles Ruggles) who takes the opportunity to smash everything in sight. The only truly deserving recipient is elderly May Robson, who uses her money to improve conditions in the nursing home to which she is confined. This charming and delightful film is represented here by a highly desirable stone litho six sheet. It has pinholes, crossfold separations and light fold wear, and a bend in the top right corner. Aside from these minor flaws, the poster is in fabulous condition. Very Fine+.Sold for: $2,390.00. |
| 28488 | Tillie and Gus (Paramount, 1933). Lobby Card (11" X 14"). A classic film starring W. C. Fields and Alison Skipworth, largely considered one of his greatest female foils, appear as Augustus Q. and Tillie Winterbottom, a couple of con artists who inherit a run-down riverboat, and end up in a race against a shyster lawyer, who also covets the seemingly worthless craft. Also featuring Baby LeRoy, this is Fields at his comedic best. The card offered here, picturing both Fields and Skipworth, has had first class restoration work done on the top border to replace a slight trim and fill in two small pinholes, rendering the card near perfect. The beautiful image is as bright as the day it was printed. Fine.Sold for: $448.13. |
| 28489 | Tillie and Gus (Paramount, 1933). Midget Window Card (8" X 14"). When Augustus Q. and Tillie Winterbottom (W. C. Fields and Alison Skipworth) hear of a relative's passing, they rush to his small hometown in anticipation of a sizeable inheritance. What they receive, however, is a dilapidated riverboat. The local unscrupulous lawyer (Clarence Wilson) takes an inordinate interest in the craft, and tries to cheat the Winterbottom's niece out of the family business at the same time, leading to a climactic riverboat race with a large cash award as the prize. Offered here is an exquisite midget window card, featuring Fields, Skipworth, and the adorable Baby LeRoy. It has pinholes in the top corners and a light dust shadow in the right border, but is otherwise clean and unmarked. A perfect addition to any Fields collection. Very Fine/Near Mint.Sold for: $507.88. |
| 28490 | Six of a Kind (Paramount, 1934). Lobby Card (11" X 14"). A classic comedy that features some of Hollywood's greatest stars. Start with Charlie Ruggles, Mary Boland, George Burns, and Gracie Allen shoehorned into a car, along with Gracie's less-than-friendly Great Dane, for a cross-country trip, then add a dash of W. C. Fields as a reward-seeking local sheriff, and Alison Skipworth as a crazy hotel manager, and you've got a recipe for hilarity that can't be beat! This card features both George Burns and W. C. Fields, and is virtually pristine, with no real flaws to mention. It's hard to imagine a nicer copy of this classic card, one of the rare team-ups between two of Hollywood's comedic giants. Near Mint.Sold for: $597.50. |
| 28491 | Mississippi (Paramount, 1935). Jumbo Lobby Card (14" X 17"). Loosely based on the Booth Tarkington play Magnolia, this musical comedy stars Bing Crosby as Tom Grayson, a young man who sensibly refuses a duel and is ostracized by his girlfriend's family as a coward. Taking a job as a singer on a riverboat, captained by the inimitable Commodore Jackson (W. C. Fields), Grayson is soon involved in a brawl that results in the death of the other man. Consequently, Jackson bills Grayson as "The Singing Killer." But will that get the young man back in everyone's good graces? This lovely jumbo lobby card, sporting a classic image of Fields, has pinholes, a faint stain in the top right, a scuff in the lower right, and corner bumps. It's a wonderful piece, certain to enhance any collection. Fine/Very Fine.Not Sold. |
| 28492 | David Copperfield (MGM, 1935). Title Lobby Card (11" X 14"). Talk about an all-star cast! This George Cukor-directed adaptation of the venerable Dickens novel features Lionel Barrymore, Maureen O'Sullivan, Lewis Stone, W.C. Fields, Basil Rathbone, Elsa Lanchester, and more! Poor Dave Copperfield can't seem to catch a break -- his father dies, his mother remarries a sadistic creep, and then when even mamma passes on, his stepfather sends him to the workhouse to toil his life away. But once he escapes to Aunt Betsy's house, things start to improve. A beloved film version of the Dickens classic, this made a star of W.C. Fields, and retained the important themes of the original book. Offered here is the excellent title lobby card, with great portraits of some of the stars, and very nice color. Pinholes in the top corners and some very minor edge wear are the only condition issues, and these are exceedingly minor. Very Fine+.Sold for: $262.90. |
| 28493 | David Copperfield (MGM, 1935) and Running Wild (Paramount, 1927). Lobby Cards (2) (11" X 14"). Charles Dickens's immortal classic was brought to life on the silver screen in 1935, with Freddie Bartholomew as David and former juggler/vaudevillian W. C. Fields as Mister Micawber. The rest of the star-studded cast included such luminaries as Edna May Oliver, Basil Rathbone, Una O'Connor, Lionel Barrymore, Elsa Lanchester, Roland Young, and Maureen O'Sullivan. Today, however, the film is noted as the vehicle that shot Fields to the height of instant stardom, and made him a celebrity of the first class. Ironically, the role of Micawber was originally intended for Charles Laughton, but he was not able to provide the performance that director George Cukor was looking for, and was asked to leave after a mere two days in front of the camera. Fields stepped in, and film history was made. The lobby card offered here, which pictures both Fields and Bartholomew, shows pinholes in the corners and in the image, very small tears in the top center and the bottom left, small creases in all the corners, slight surface scuffing, and a piece of tape on the reverse used to patch one of the pinholes. Also included in this lot is a wonderful lobby card from the 1927 Fields feature, Running Wild. This card has slight surface scuffing, small creases in all the corners, and a small hole in the image area. For fans of Fields, one of the greatest comedians ever to grace the silver screen, this is a lot not to be missed! Fine/Very Fine. Sold for: $776.75. |
| 28494 | College Holiday (Paramount, 1936). One Sheet (27" X 41"). Jack Benny, George Burns, and Gracie Allen star in this oddball comedy in which hijinks are afoot at a summer resort for college kids. This sheet features fabulous artwork of three of America's favorite comedy stars as well as the great Martha Raye and Mary Boland. Prior to professional restoration, this poster had minor chips in the borders and several in the image, as well as fold separations with minor paper loss. Now, it is in great shape and ready to display. Very Good on Linen. Sold for: $418.25. |
| 28495 | Man About Town (Paramount, 1939). One Sheet (27" X 41"). This beautiful poster prominently features up-and-coming star Betty Grable in a gorgeous pin-up shot, even though she is listed way down on the credits. The one musical number she has in the film is its absolute highlight. Jack Benny and Dorothy Lamour are the actual top-billed stars, but you wouldn't know it by looking at this poster. The one sheet offered here has pinholes in the top corners, patched with tape on the reverse, small edge tears, pinpoint crossfold separations and minor fold separations, a dime-sized hole in the bottom left corner, and a long vertical crease in the left side. Other than these minor flaws, this is a lovely poster, which presents very nicely. Fine/Very Fine.Sold for: $298.75. |
| 28496 | Ali Baba Goes to Town (20th Century Fox, 1937). Midget Window Card (8" X 14"). A scathing comedy that ably satirizes American politics and society, Hollywood, and FDR's New Deal, this is the story of a young autograph hound (Eddie Cantor) who is knocked unconscious while visiting a film set, and dreams that he is Ali Baba himself. He then proceeds to reinvent old Baghdad as a parody of current America, with hilarious results. The midget window card offered here features a great caricature of Cantor, and shows a small tear in the right border, a tiny crease in the bottom left corner, and a larger crease in the top imprint area. These are minor considerations, however, and do not detract from the overwhelming appeal of this classic card. From the Collection of Denver Sherry. Fine/Very Fine. Not Sold. |
| 28497 | Girl Without a Room (Paramount, 1933). Midget Window Card (8" X 14"). A charming musical comedy starring Charles Farrell as an aspiring painter who wins a scholarship to Paris, where both his life and his art are literally turned upside down. This exceptionally attractive midget window card is offered in pristine condition, a perfect example of an extremely desirable piece. Mint.Sold for: $239.00. |
| 28498 | Horse Play (Universal, 1933). Title Lobby Card (11" X 14"). When two country bumpkins discover a fortune in radium on their ranch, the nouveau riche rubes travel to England to see one of their girlfriends, turning the country upside down in the process. Star George "Slim" Summerville began his movie career as one of Mack Sennett's Keystone Kops, soon proving popular enough to star in his own series of short films. This gorgeous title card, with excellent caricatures of stars Summerville and Andy Devine, is virtually perfect in every way, as clean and sharp as the day it was printed. Don't miss this rare beauty! Near Mint/Mint.Sold for: $334.60. |
| 28499 | Du Barry was a Lady (MGM, 1943). One Sheet (27" X 41") Style D. Cole Porter's racy musical was cleaned up and sanitized by MGM, who cast stars Red Skelton, Lucille Ball, and Gene Kelly in the lead roles. Skelton plays Louis Blore, a men's room attendant in a New York nightclub who longs for beautiful showgirl May Daly (Ball) who is, in turn, in love with penniless dancer Alec Howe (Gene Kelly). When Blore loses consciousness, he dreams that he is King Louis XV, and May is the glamorous Madame Du Barry in a lush, period, Technicolor extravaganza. By the way, this was not only the film debut of actor Zero Mostel, but also the first time Lucy appeared with flaming red hair, the color that would eventually become her trademark. This gorgeous one sheet displays edge wear, light stains in the right and top borders, and crossfold separations, but displays magnificently, with a graceful and elegant image. Very Fine. Sold for: $1,015.75. |
| 28500 | The Ghost Breakers (Paramount, 1940). Window Card (14" X 22"). One of Bob Hope's best films, with solid support from the talented and popular Paulette Goddard. It's an old-dark-house thriller with creaky floorboards, pesky zombies, bloody murder, and plenty of laughs. This superb window card is an ectoplasmic delight, as Bob and Paulette encounter a spooky specter. Minor condition issues include a small scratch on the lower left, bends at all four corners, and light foxing throughout. But none of that will matter once you get a look at this greenish ghoul and Goddard's exposed thigh. Very Fine-. Sold for: $896.25. |
| 28501 | Bedtime for Bonzo (Universal International, 1951). One Sheet (27" X 41"). When Ronald Reagan was running for President, talk show host Johnny Carson had no end of fun brining up this chimpanzee-comedy from Reagan's Hollywood years (it helped that the film was directed by Carson's producer, Freddie DeCordova). It's actually a very cute film, and the future president proved himself reasonably adept at comedy. This amusing one sheet is chock-full o' monkeyshines, with good images of Ronnie and his pretty co-star Diana Lynn. The poster had pinholes, crossfold separations and fold separations with paper loss, fold wear, and chips out of the right border, all of which has been addressed with excellent professional restoration. Fine/Very Fine on Linen. Sold for: $334.60. |
| 28502 | Laurel and Hardy Publicity Still (Hal Roach/MGM, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. Laurel and Hardy were easily one of the biggest comedy acts of the 20th century. This fun photo of the duo has a minor sepia tone and a studio credit on the reverse. Very Fine+.Sold for: $334.60. |
| 28503 | Should Married Men Go Home? (MGM, 1928). Lobby Card (10.75" X 14"). Even as simple an activity as golfing devolves into hysterics when Stan Laurel an Oliver Hardy enter the picture. Turned out from their homes for the day, the pair hit the golf course and flirt with a few cuties, before ending up in a mud fight with other golfers. Inspired by Hardy's real-life love of golf, this was the first film released under the duo's own series, as opposed to the "All-Star" banner under which previous films had been released. This exceptional lobby card, showing Laurel and Hardy out on the links as 8' 9" actor John Aasen lines up his shot, has creasing in the bottom corners, light foxing in the bottom border, and tears in the top and right borders repaired with tape on the reverse. Additionally, the top border has been trimmed by a quarter of an inch. It is a great card from an early point in the career of one of history's leading comedy teams. Fine-. Sold for: $1,075.50. |
| 28504 | Sons of the Desert (MGM, 1933). Midget Window Card (8" X 14"). Stan Laurel and Oliver Hardy cook up an elaborate scheme to get away from their wives for a few days in order to attend a lodge convention: apparently, Ollie is very ill, and his doctor (actually a veterinarian) prescribes a sea cruise, with Stan along as his caretaker. Everything goes well, until Stan and Ollie return home and learn that the ship they were supposed to be on has sunk and, worse yet, that they were prominently featured in newsreel footage about the convention, footage that their wives have seen. One of Laurel and Hardy's all-time best films, this is also the source of the oft-quoted line, "Well, here's another nice mess you've gotten me into." Offered here is an extremely rare and desirable midget window card for this classic comedy. It shows writing in the imprint area and a light crease in the top left, but is otherwise unmarked. Paper from this title rarely surfaces, making this an important occasion for collectors of this legendary team. Very Fine/Near Mint.Sold for: $13,145.00. |
| 28505 | The Big Noise (20th Century Fox, 1944). One Sheet (27" X 41"). Wackiness ensues when two janitors -- Stan Laurel and Oliver Hardy, of course -- pose as detectives and must guard an inventor delivering a new bomb. These stupor-sleuths must "outwit" enemy agents, who are after the bomb, a pursuit that takes them from the inventor's home to Washington, D.C. The film's reputation has grown in recent years, as fans point out that the film incorporates several of their classic routines from earlier two-reelers and is considered one of the team's better films made at Fox. This crisp copy of the one sheet has some torn pinholes in all four corners, but those are the only defect with this great stone litho one sheet. Very Fine-. Sold for: $418.25. |
| 28506 | Nothing But Trouble (MGM, 1944). Half Sheet (22" X 28") Style B. Laurel and Hardy star as a couple of bumblers posing as butler and chef (respectively) who wreck a fancy dinner party and, in the process, accidentally foil a plot by enemy agents to poison a young exiled king. This colorful half sheet has great artwork and photo scenes from the film. Minor condition issues include small stains in the bottom border, edge tears at the horizontal fold lines, light creasing in the top border, and a small tear/crease in the bottom border. Nothing but fun with Stan and Ollie. Folded, Very Fine-.Sold for: $310.70. |
| 28507 | The Four Marx Brothers in "Monkey Business" Publicity Still (Paramount, 1931). Still (8" X 10"). Vintage black and white, single weight, glossy still. Groucho, Harpo, Chico, and Zeppo all pretend to be Maurice Chevalier in this classic scene from Monkey Business. The photo has minor corner bumps, light surface wear, plus a stain and some writing and stamps on the reverse. Very Fine+.Sold for: $286.80. |
| 28508 | The Marx Brothers in "A Day at the Races" Publicity Stills (MGM, 1937). Stills (20) (8" X 10"). Vintage black and white, single weight, glossy stills. A Day at the Races was the Marx Brothers' follow-up to their incomparable A Night at the Opera. Offered in this lot are 20 fabulous stills from this hilarious film. Many are by top MGM photographer Ted Allen, and all but two of the stills feature the brothers. The photos display various degrees of handling. Several have pinholes in the corners and there is some edge and corner wear. Fine+. Sold for: $1,075.50. |
| 28509 | Animal Crackers (Paramount, 1930). Lobby Card (11" X 14"). Based on their hit Broadway show, this, the second feature film in the career of the incomparable Marx Brothers, is also one of their most memorable. From Groucho's stirring rendition of "Hooray for Captain Spaulding" - the piece that was to become his theme song - to his immortal line about elephants in pajamas, to the flawless performance of Margaret Dumont as straightwoman Mrs. Rittenhouse, and the outrageous antics of Chico as erstwhile musician Signor Emmanuel Ravelli and man-child Harpo as "The Professor" (of what, we're never told), this is classic Marx comedy from beginning to end, and one of their all-time best films. Offered here is an exquisite lobby card spotlighting Harpo and Chico, with wonderful caricatures of all four brothers in the border. In superb condition, this card is as fresh and clean as the day it was printed, and will make any devoted Marxist very happy. Near Mint. Sold for: $5,676.25. |
| 28510 | Monkey Business (Paramount, 1931). Lobby Card (11" X 14"). Here it is! The best card in the set for this famed Marx Brothers title. Known as the "barrel card," this rare beauty shows all four brothers (Harpo, Zeppo, Chico, and Groucho) and is much sought after by collectors. In one of their best Paramount comedies, the Marxes are stowaways onboard an ocean liner and get involved in a series of madcap adventures before docking in New York City. There are two small holes in the left side of the card, a small top left corner bend, and an edge crease on the right side. Fine/Very Fine.Sold for: $10,157.50. |
| 28511 | Monkey Business (Paramount, 1931). Lobby Card (11" X 14"). Prior to this entry, all the Marx Brothers' previous films had been adapted from stage plays. This was the first of their films written directly for the screen, and is also their first true Hollywood film. The action begins aboard ship, where Groucho, Harpo, Chico, and Zeppo are stowing away in the hold. Trying to evade the ship's crew, they have misadventures aplenty, until they land in New York, where the fun really begins. One of the Brothers' best efforts, this is classic comedy at its finest. In the scene pictured on this exceptional lobby card, Harpo bedevils the ship's first mate, played with slow-burn intensity by the great Tom Kennedy. The card has pinholes in the corners, a crease in the top right, tears in the top and bottom border that have been repaired with tape on the reverse, and light overall soiling. Additionally, a small piece of the top right corner has been reattached with tape on the reverse. The central image area, however, remains virtually untouched, making this a perfect specimen for any advanced collection. Fine. Sold for: $1,195.00. |
| 28512 | Horse Feathers (Paramount, 1932). Lobby Card (11" X 14"). In this classic scene, Groucho Marx belts out a chorus of "I Always Get My Man" as Professor Quincy Adams Wagstaff, newly appointed president of Huxley College. The college is failing, and Wagstaff hopes that a winning football season will turn things around. To that end, he sets out to hire a couple of ringers, but ends up with ice man Baravelli (Chico Marx) and local dog catcher Pinky (Harpo Marx) instead. The final football game, chock full of the expected Marxist shenanigans, is one of the funniest in gridiron history. This exquisite lobby card shows a chip in the top left corner, light edge wear, and small creases in the corners, but it remains a fantastically attractive and desirable card from one of the Marx's funniest movies. Very Fine-. Sold for: $3,883.75. |
| 28513 | Horse Feathers (Paramount, 1932). Lobby Card (11" X 14"). With the Great Depression raging on across America, the Marx Brothers were at the height of their popularity as they made this, one of their best-known, and most popular, films. Groucho, as Huxley University president Quincy Adams Wagstaff, tries to save the school from bankruptcy by hiring a couple of ringers for the football team, but he ends up with Baravelli, the ice man and local bootlegger (Chico Marx), and Pinky, the dog catcher (Harpo Marx) instead, while son Frank (Zeppo Marx) romances the college widow. The wonderful lobby card offered here has pinholes in the corners, tears in the top and left borders that extend into the image area, and small tears in all the borders. Additionally, the card has been mounted on linen, but no further restorative work has been performed. It is, however, a real gem, which will no doubt be a prized part of any collection. Fine+ on Linen. Sold for: $2,629.00. |
| 28514 | Duck Soup (Paramount, 1933). Lobby Card (11" X 14"). Considered by many to be the greatest film by one of the greatest comedy teams ever assembled, this hilarious romp places the Marx Brothers - Groucho, Harpo, Chico, and Zeppo - in the great nation of Fredonia, a bankrupt country that has been borrowing heavily from wealthy Mrs. Teasdale (Margaret Dumont), who insists the current president be replaced with Rufus T. Firefly (Groucho). Both Firefly and Sylvanian ambassador Trentino (Louis Calhern) are in love with Mrs. Teasdale, so Firefly resolves the issue as any good head of state would - by declaring war on Sylvania! Harpo and Chico further complicate matters as Sylvanian spies, and Zeppo comes along for the ride. Without a doubt, this is the best card in this set, with all four brothers in a stirringly patriotic pose. Is it the greatest Marx Brothers card of all time? We'll leave that judgement to you, although there are several other fine contenders for that honor in this very auction. This Marxist beauty has pinholes in the corners, and corner bends in the top and bottom left. Additionally, the bottom border has been very slightly trimmed in the bottom right. Nevertheless, it is an exquisite card featuring a legendary band of brothers that will surely be the centerpiece of any collection. Fine/Very Fine.Sold for: $10,755.00. |
| 28515 | A Night at the Opera (MGM, 1935). Lobby Card (11" X 14"). The immortal "stateroom scene" is pictured in this classic card, as Groucho's shipboard cabin becomes a swirling hive of activity, with no end in sight. This was the first film that the Marx Brothers - now Groucho, Harpo, and Chico without Zeppo - made for MGM and wunderkind producer Irving Thalberg after leaving Paramount. It stands today as one of their best, most fully-realized comedies, a classic in every sense of the word. This exquisite scene card shows some water staining in the bottom right, a small stain in the bottom border, and a small nick in the top border, but is otherwise quite clean and attractive. Any fan of the Brothers Marx would be thrilled to own this incomparable beauty. Fine-.Sold for: $5,975.00. |
| 28516 | Room Service (RKO, 1938). Half Sheet (22" X 28"). This adaptation of a Broadway play was the only time that the Marx Brothers filmed a script that was not expressly written for them. Offered here is a colorful half sheet that features wonderful shots and caricature artwork of all three Marx Brothers. The poster has had a good deal of the border trimmed and replaced, and there were chips, fold wear with crossfold separations, and stains, before professional restoration and paper-mounting, which has returned a very clean appearance to this classic, and very collectible, piece. Good+ on Paper.Sold for: $4,481.25. |
| 28517 | At The Circus (MGM, 1939). Script, 86 pages (8.5" x 11"). This early script for the Marx Brothers laff-riot At the Circus has many interesting variations from the finished product. Marked "Temporary Incomplete," and dated 1/12/39, it is titled A Day at the Circus, and some of the character names are different. Groucho's character is here named J. Rupert Wrangling (which became J. Cheever Loophole in the finished film), while Chico's character is Ulysses Wrangling (Antonio Pirelli in the film). Harpo remains Punchy, however. This script is a fascinating peek into the workings of classic Hollywood, and a fine souvenir from the greatest comedy team of all time. The front cover has a light dust shadow and some overall toning, while the back cover had minor edge tears and overall edge wear. Very Fine.Sold for: $388.38. |
| 28518 | At the Circus (MGM, 1939). Lobby Card (11" X 14"). A follow-up to the successful A Night at the Opera (1935) and A Day at the Races (1937), this time the setting is a circus, one about to be sold out from under owner Jeff Wilson (Kenny Baker), who rallies hired hand Antonio (Chico Marx), hanger on Punchy (Harpo Marx), and lawyer J. Cheever Loophole (Groucho Marx) to help save the day. One of the most memorable moments in the film is Groucho's rendition of the song, "Lydia the Tattooed Lady." Offered here, some would say, is the best scene card in the set, a great portrait of all three brothers. In superb condition, only small corner bends in the bottom left and bottom right, and a small crease in the top left keep this card from attaining an even higher grade. Very Fine+. Sold for: $3,883.75. |
| 28519 | At the Circus (MGM, 1939). Lobby Card (11" X 14"). Although many contend that all the Marx Brothers' best movies were circuses, this one is actually set in one, as Groucho, as lawyer J. Cheever Loophole, along with brothers Chico, as Antonio, and Harpo, as Punchy, try to save their friend Jeff's (Kenny Baker) circus from being sold out from under him. A fine example of the Brothers at their best, the highlight of this film is Groucho's rendition of the classic, "Lydia the Tattooed Lady." This classic scene card, which features Groucho and straight woman Margaret Dumont, widely considered "the fifth Marx Brother," has creasing in the top right corner, a small tear in the right border, light staining in the bottom right corner that has been partially touched up with paint, creases in the bottom left, several small tears in the left border, a few very small areas of surface paper loss in the left and top border that have been touched up with paint, and some small stains in the top portion of the image area. In spite of these very minor flaws, this remains a great card spotlighting one of history's greatest comedic teams. Fine/Very Fine. Not Sold. |
| 28520 | A Night in Casablanca (United Artists, 1946). Insert (14" X 36"). After a five year absence from the screen, the Marx Brothers - Groucho, Harpo, and Chico - returned with this independently-financed production, originally intended as a full-blown spoof of the Humphrey Bogart classic, Casablanca. The end product, however, was a bit broader based, lampooning wartime melodramas more generally. Groucho plays Ronald Kornblow, newly appointed manager of the Casablanca Hotel, a position that has resulted in the murder of several previous managers by ex-Nazis searching the hotel for hidden treasure. Corbacchio (Chico) and Rusty (Harpo) join the fun as Kornblow's self-appointed body guards. Offered here is a wonderful insert for this comedy classic. It has pinholes in the top corners and border, light surface smudging, and tape in the top left corner and on the reverse reinforcing the fold lines. Aside from these small flaws, this is a very attractive and desirable piece from a truly memorable film. Folded, Very Fine-. Sold for: $567.63. |
| 28521 | Hips, Hips, Hooray (RKO, 1934). Three Sheet (41" X 81"). This gorgeous stone litho three sheet is as pre-Code sexy as you can get, with plenty of barely dressed chorus girls surrounding stars Bert Wheeler, Robert Woolsey, and Thelma Todd. Wheeler and Woolsey are flavored lipstick salesmen who go to work for "Maiden America" cosmetics firm owner Todd and get into plenty of risque situations. Considered to be one of W & W's best comedic efforts, this wonderful piece will make a fine addition to any collection of classic movie posters. This beautiful three sheet came in three sections and had very minor wear prior to restoration. Very Fine+ on Linen.Sold for: $3,346.00. |
| 28522 | Cockeyed Cavaliers (RKO, 1934). Insert (14" X 36"). Outstanding artwork of the comedy team of Bert Wheeler and Robert Woolsey dominates this fantastic RKO poster. Wheeler and Woolsey play a pair of wandering vagabonds in old England who steal the identity of two royal physicians. Thelma Todd, Noah Beery, and Dorothy Lee co-star in what is considered one of the team's best efforts. Prior to the expert restoration, there were pinholes in the corners, a chip in the top left corner, and extra horizontal creases. The restoration has left this beautiful insert looking near mint. Very Fine- on Paper. Sold for: $478.00. |
| 28523 | It Ain't Hay (Universal, 1943). One Sheet (27" X 41"). Wilbur Hoolihan (Lou Costello) accidentally kills a little girl's horse by feeding it candy, so he and Grover Mockridge (Bud Abbott) set out to find her a new one. In true Abbott & Costello fashion, the animal they find turns out to be a valuable racehorse, leading to all sorts of hilarious complications. By the time this film was made, the popular comedy team were at the height of their fame, making millions with each picture. They would retain this level of stardom well into the next decade. This one sheet has undergone professional restoration to correct fold wear, small tears at all the fold lines, fold separation with minor paper loss, and missing corner paper in the top left, bottom left, and top right. The work has been expertly done, making this a fine piece for any collection. Fine on Linen. Sold for: $358.50. |
| 28524 | The Naughty Nineties (Universal, 1945). One Sheet (27" X 41"). Set in the 1890s, this great Abbott and Costello vehicle is about vaudeville comedians Dexter Broadhurst (Abbott) and Sebastian Dinwiddle (Costello) who try to save a Mississippi riverboat from becoming a floating gambling casino. A classic A&C comedy in its own right, this film has achieved comedy immortality as the source of the well-known baseball routine, "Who's on First." This wonderful poster had pinholes in the corners, a tear in the top border, a tape scuff in the bottom right corner, and chips in the left border and the top right center. Professional restoration has rendered these minor flaws virtually invisible, making it a key piece for any classic comedy collection. Very Fine on Linen. Not Sold. |
| 28525 | Abbott and Costello Meet the Invisible Man (Universal International, 1951). Title Lobby Card (11" X 14"). Boxer Tommy Nelson (Arthur Franz) is accused of a murder he didn't commit, and uses the serum created by the original Invisible Man (in the 1933 Universal classic) to clear his name, assisted by bumbling private detectives Bud Alexander (Bud Abbott) and Lou Francis (Lou Costello). Originally intended as a straight thriller, it was recast as an A&C vehicle due to the overwhelming popularity of the comedy team. This title card has corner bumps, edge wear, and smudging in the borders, but is in all other respects bright and clean, a very attractive and displayable piece. Very Fine.Sold for: $334.60. |
| 28526 | Abbott and Costello Meet the Mummy (Universal International, 1955). Half Sheet (22" X 28") Style B. Bud Abbott & Lou Costello find themselves pursued by a group of Egyptian cultists when Lou accidentally swallows a sacred medallion in this, the team's last film for Universal Studios. This superb half sheet shows light edge wear, tape stains at the top and bottom center, tape stains at the top and bottom center, and small tears at the right and left fold lines. Aside from these slight flaws, this is a lovely poster, with a high degree of eye-appeal and displayability. Folded, Very Fine-. Sold for: $448.13. |
| 28527 | Ted Healy and His Stooges in "Beer and Pretzels" Publicity Still (MGM, 1933). Stills (2) (8" X 10"). Vintage black and white, single weight, glossy stills. Although Ted Healy may be virtually forgotten as an actor and a comedian, he will always have a solid place in the history of the cinema as the man who first brought together the comedy trio that would soon gain international fame as The Three Stooges. Originally part of Healy's stage act, Moe Howard, Larry Fine, and Jerome "Curly" Howard soon proved popular enough to headline their own show, and eventually made the transition to Hollywood (brother Shemp Howard, the original third Stooge before Curly, had preceded them to the West Coast several years earlier), where, now reunited with Healy, they made a series of shorts for MGM, beginning with Soup to Nuts in 1933. By 1934, the Stooges split with Healy for the final time and were on their own again, now signed to Columbia, where they made their greatest short films and quickly shot to stardom. They remained top stars for decades, instantly recognizable to their legion of fans around the world. Offered here are a pair of stills from Beer and Pretzels, the fifth short made by Healy and the boys, offering a rare and extremely early glimpse at this classic comedy team. Healy is the gentleman in the bowler hat and overcoat; Moe, Larry, and Curly need no identification. One still has a minor corner bend in the upper left, and both have writing in pen and pencil on the back. One has the title of the short, and identification of the actors, typed at the bottom. Both are in remarkable condition, considering their age, and will make a valuable addition to any Stooge collection. Very Fine. Sold for: $310.70. |
| 28528 | The Three Stooges in "Calling All Curs" (Columbia, 1939). One Sheet (27" X 41"). A classic Three Stooges short, this time Moe, Larry, and Curly are veterinarians running a pet hospital who are entrusted with a priceless poodle that becomes the target of a group of nefarious dognappers. The second short directed by Stooge mainstay Jules White, this is one of the trio's best. Any example of Stooge paper is scarce, this sheet exceptionally so. It has undergone professional restoration to correct pinholes in the corners, large areas of crossfold separation with some paper loss, chipping in the title area, chips in the left and right borders, and a crease in the top left corner. Additionally, much of the red background area has been airbrushed. The result is a very attractive, and highly collectible, sheet that displays beautifully. Stooge collectors know how difficult it is to find paper for the classic shorts; take advantage of this rare opportunity to add this gem to your collection! Very Good on Linen.Sold for: $6,572.50. |
| 28529 | The Three Stooges in "I Can Hardly Wait" (Columbia, 1943). One Sheet (27" X 41"). Curly breaks his tooth on a hambone, and the Three Stooges have to go to the dentist -- but somehow Moe's tooth gets pulled instead, and much hilarity ensues, though, for some reason, it all turns out to be a dream. One of the best of the Stooges shorts, with some great physical gags. "Sexy" is not usually an adjective we use when describing a Stooges poster, but this one definitely qualifies, with shapely Adele Mara (playing the Dental Secretary) showing off her gorgeous gams and tight uniform. The poster is in very nice condition except for some crossfold separations, and a large chip in the lower right border, which has been addressed with excellent professional restoration. Do you want this poster? Soitenly! Fine+ on Linen.Sold for: $5,676.25. |
| 28530 | The Three Stooges in "Rhythm and Weep" (Columbia, 1946). One Sheet (27" X 41"). One of the last Three Stooges shorts to feature the genius of Curly Howard, this hilarious short starts with the boys - Moe, Larry, and Curly - attempting to end it all by jumping off a tall building. They're rescued, along with a trio of beautiful dancers, by an eccentric millionaire (Jack Norton) who promises to star them in his new production. Unfortunately, the Stooges' luck runs true to form when their backer proves to be a lunatic escaped from a mental institution. This great one sheet, mounted on linen, features the Stooges in drag. It had pinholes in the corners, a stain above the last "s" in "Stooges," fold separations with a slight amount of missing paper, and a few small holes in the image area, but professional restoration has been expertly applied, returning this poster to a like-new state. Fine/Very Fine on Linen. Not Sold. |
| 28531 | The Three Stooges in "Flagpole Jitters" (Columbia, 1956). One Sheet (27" X 41"). A classic comedy starring Moe Howard, Larry Fine, and Shemp Howard, the Three Stooges. In this madcap comedy, a remake of the earlier Stooge vehicle, Hokus Pokus (1949), the Stooges, trying to raise money for a friend's much-needed operation, end up sitting on top of a flagpole while hypnotized. When they come out of their trance, they crash through a window, right into the middle of a robbery! This rare sheet, showing all three of the boys, has crossfold separation, light edge wear in the top left, and a small piece out of the left border, but is overall very attractive and desirable. Original release Stooge paper is very rare, so don't miss your chance at this beauty. Very Fine-. Sold for: $507.88. |
| 28532 | The Three Stooges in "Creeps" (Columbia, 1956). One Sheet (27" X 41"). Creeps is one of the last Stooges films released that featured Shemp, after his untimely death almost a year earlier, and is essentially a remake of the 1949 short The Ghost Talks, utilizing some of that film's footage. The Three Stooges are moving men sent to pick up some items from a spooky mansion, including a suit of armor still being haunted by the ghost of Sir Tom, who has no intention of being moved. This nifty one sheet has great images of the Stooges and a circle of skulls to boot. In exceptional condition, this has small edge tears in the top and bottom borders, crossfold separations, light corner creases, and some light transfer ghosting, none of which detracts from the sight of our three favorite dopes facing off with a headless skeleton. Very Fine/Near Mint. Sold for: $597.50. |
| 28533 | Gasoloons (RKO, 1936). One Sheet (27" X 41"). In this classic short, star Edgar Kennedy and a carful of friends and relations pull up to a gas station and, noticing it's for sale, buy it, convinced they'll make a fortune. Predictably, however, their efforts result in more laughs than profits. Kennedy was a great character actor, with a résumé that included more than 400 films between 1911 and 1949, including appearances in such classics as Tillie's Punctured Romance (1914), Duck Soup (1933), A Star is Born (1937), The Sin of Harold Diddlebock (1947), as well as a number of films starring Roscoe "Fatty" Arbuckle, and Laurel and Hardy. Offered here is a great one sheet featuring this well-known star. Professional restoration has addressed such minor issues as pinholes, a tear in the center of the image area, and crossfold and fold separations with minor paper loss, resulting in a poster with a clean, like-new appearance. Fine+ on Linen.Sold for: $346.55. |
| 28534 | Mickey's Disguise (RKO, 1933). One Sheet (27" X 41"). Before he made it big as Andy Hardy, superstar performer Mickey Rooney appeared in a number of shorts between 1927 and 1936 as Mickey McGuire, a character based on a popular comic strip by Fontaine Fox, the creator of Toonerville Folks. This beautiful stone litho poster is from one of the later films in that series. It had pinholes in the corners, and paint touch-ups on the fold lines. Additionally, there has been touch-up work in the title on the word "Disguise," and the borders had trimming. Professional restoration has done a superb job of addressing all these issues, giving the poster a lovely Near Mint appearance and making it a piece that any fan of classic comedy will be proud to own. Very Good+ on Linen. Not Sold. |
| 28535 | The Devil Is a Sissy (MGM, 1936). Title Card and Lobby Cards (6) (11" X 14"). Claude Pierce (Freddie Bartholomew) tries to fit in with the schoolkids in the new lower Manhattan school he is sent to during his parents divorce. These tough kids, including Jackie Cooper and Mickey Rooney, learn to appreciate Claude's boxing abilities and need his help in raising money for a gravestone for one pal's father who is about to be executed. The wonderful Gene Lockhart also has a role in this amusing classic with a heart. The title card has a surface abrasion in the top border. There are pinholes on six cards, one card has soiling and a minor corner chip, and one card has a light stain in the border. This is a marvelous set featuring the top child stars of the 30s. Very Fine-. Not Sold. |
| 28536 | Sullivan's Travels (Paramount, 1941). One Sheet (27" X 41") Style A. Considered by many to be writer-director Preston Sturges's finest film, this was the story of a director's desire to quit making fluff pictures and go out and see the "real" world so that he can make a serious film. The slapstick and pathos that mark this adventure of director Joel McCrea and beautiful Veronica Lake are as wonderful today as the day the film was made. Other than the one sheet for This Gun For Hire, there isn't a Veronica Lake one sheet that is more collectible. Add to that the fact that this Style A for Sullivan's is the rarer of the two, and you come up with a peek-a-boo blonde you must have for your collection. Prior to restoration, there were pinholes in the corners and borders, crossfold separations with some paper loss, a tear in the bottom left corner, chips in the corners and borders, and a chip in the "S" in "SULLIVAN'S". Fine/Very Fine on Linen.Sold for: $6,572.50. |
| 28537 | Sullivan's Travels (Paramount, 1941). Lobby Card (11" X 14"). Here's a classic close-up of Veronica Lake and Joel McCrea from this wonderful comedy drama written and directed by Preston Sturges. There are corner bumps and a light smudge on the left border. Very Fine.Sold for: $836.50. |
| 28538 | The Palm Beach Story (Paramount, 1942). One Sheet (27" X 41"). Claudette Colbert and Joel McCrea star in this charming romantic comedy directed by Preston Sturges. McCrea plays an inventor strapped for cash, and Colbert is his wife, who comes up with a scheme to help: she'll divorce her husband and marry a rich man instead, using his fortune to finance her husband's career! The film also features an outstanding performance by 1920s heart-throb Rudy Vallee as eccentric millionaire John D. Hackensacker III. This lovely one sheet shows light edge wear and some crossfold separation, but these are only minor flaws which in no way detract from the overwhelming charm and desirability of this classic poster. Very Fine. Sold for: $1,912.00. |
| 28539 | Alice in Wonderland (Paramount, 1933). Jumbo Lobby Card (14" X 17"). Talk about a star-studded production! This glorious adaptation of Lewis Carroll's classic tale features Charlotte Henry as Alice, W. C. Fields as Humpty Dumpty, Gary Cooper as the White Knight, Cary Grant as the Mock Turtle, Edna May Oliver as the red Queen, Mae Marsh as the Sheep, Edward Everett Horton as the Mad Hatter, Alison Skipworth as the Duchess, Sterling Holloway as the Frog, and Louise Fazenda as the White Queen. This beautiful jumbo lobby card, which depicts Alice and the White Rabbit (Skeets Gallagher), shows light edge wear, a small tear in the top center, and corner creases, but none of these slight flaws detract overmuch from the exceptional attractiveness of this rare piece. Very Fine. Sold for: $896.25. |
| 28540 | Man in the Mirror (Grand National, 1936). One Sheet (27" X 41"). When mild mannered Jeremy Dilke (Edward Everett Horton) confronts his better, more assertive self as a reflection in his mirror, he becomes a real go-getter, utterly turning his life around, and even winning the love of the beautiful Helen (Genevieve Tobin). This lovely one sheet has pinholes in the borders and in the top corners, as well as a corner crease in the top left, but those are the only flaws present in this vintage beauty. Bid now, or you'll never be able to look at yourself in the mirror again! Very Fine.Sold for: $1,075.50. |
| 28541 | The Man Who Could Work Miracles (United Artists, 1936). Insert (14" X 36"). Based on the novel by H. G. Wells, this is the story of George McWhirter Fotheringay (Roland Young), a humble shop clerk who is suddenly granted the power to make his every wish come true. Vowing to use his new-found powers for good, and intending to create a Utopian society, Fotheringay soon finds that he must be careful what he wishes for. This colorful insert has edge wear, fold wear with tears at the edges, small amounts of paper loss at the edges of the middle vertical fold, rounded corners, and a small crease in the top right. It is, however, an extremely charming piece which will certainly enhance any collection. Folded, Fine+.Sold for: $298.75. |
| 28542 | Stairway to Heaven (Universal International, 1946). Insert (14" X 36"). Love against all odds is the theme of this lyrical wartime fantasy from directors Michael Powell and Emeric Pressburger. David Niven is an RAF pilot shot down in the war, who fails to make his appointment in the afterlife, and instead falls in love with Kim Hunter. A beautifully shot movie, with the memorable image of an escalator going right up into the firmament. This evocative insert poster features dramatic artwork of the star-crossed lovers. Light edge and fold wear, paper tape on the reverse at the bottom fold line, and a small tear patched with tape on the reverse, are the only condition issues, and these scarcely detract from the elegance and beauty of this terrific poster. Very Fine-. Sold for: $1,792.50. |
| 28543 | Stairway to Heaven (Universal International, 1946). Australian Daybill (13.25" X 30"). Originally known as A Matter of Life and Death (the British title), this wartime romantic fantasy features David Niven and Kim Hunter as star-crossed lovers who defy even the firmament for a chance to stay together. This elegant stone litho Australian daybill features bold portraits of the stars, and is in superior condition, with some light wrinkling at the top fold, and a minor dust shadow in the right border being the only real issues. A heavenly image for this classic film. Folded, Very Fine.Sold for: $567.63. |
| 28544 | Deluge (RKO, 1933). Midget Window Card (8" X 14"). An early apocalyptic epic, this film tells the story of life after a series of natural disasters, including massive tidal waves, destroying both coasts of the United States, plunging the country into a state of anarchy and chaos. Noted for its exceptional miniature work by special effects technician Ned Mann, the film also incorporated footage from an actual California earthquake. The dramatic midget window card offered here shows pinholes in the top corners, light foxing, and some slight water staining in the bottom left, but is otherwise clean, attractive, and very desirable. Very Fine. Sold for: $478.00. |
| 28545 | The Thing from Another World (RKO, 1951). One Sheet (27" X 41"). James Arness plays the title role in this classic science fiction thriller, based on the novella Who Goes There by John W. Campbell, Jr. One of the most distinctive science fiction posters ever, this eschews the more traditional artwork in favor of a bold alien-esque logo, with stark contrast between the red letters and the green background. Condition issues include some light scratches in the field near the bottom border, edge wear, pinpoint crossfold separations and light fold wear, an extra crease at the top fold and the top right border, and some light soiling in the bottom border. This unrestored poster still has fantastic color and remains quite striking. Very Fine-.Sold for: $1,075.50. |
| 28546 | Invaders From Mars (20th Century Fox, 1953). Six Sheet (81" X 81"). One of the first science fiction scripts written in the 1950s, this chilling picture is told from the point of view of a young boy (Jimmy Hunt) who watches in terror as the grown-ups in his town are taken over by alien invaders. One of the greatest sci-fi titles of the era is well represented by this very clean, folded six sheet. It shows some minor separations at crease points, but the color is fabulously fresh and vibrant, highlighting the classic "Invaders" image! Very Fine+. Sold for: $2,629.00. |
| 28547 | Invaders from Mars (20th Century Fox, 1953). Half Sheet (22" X 28"). One of the creepiest science fiction movies ever made, this film, told from the point of view of young David MacLean (Jimmy Hunt) as he watches his parents, and all the grownups in town fall under the control of invading space aliens, was actually seen at the time as a metaphor for the fear of Communist infiltration into the United States. Although filmed on a very restricted budget, director William Cameron Menzies relies on tight storytelling and considerable atmosphere to make this an exceptionally memorable film. The half sheet offered here had a piece missing from the right border, but professional restoration has addressed this issue admirably, giving this poster an attractive Near Mint appearance. Fine/Very Fine on Linen. Sold for: $836.50. |
| 28548 | Invaders From Mars (20th Century Fox, R-1955). One Sheet (27" X 41"). Literal bug-eyed monsters try to invade Earth, but in the end, it's all a young boy's dream. Or is it...? A classic science fiction film, the movie has memorable production design and direction by William Cameron Menzies, as well as the beautiful Helena Carter in her final film appearance. This unrestored one sheet is an eye-catching collage of images from the film, including those magnificent knock-kneed aliens in green velour. Minor condition issues include pinpoint crossfold separations, light edge wear, a tear in the top right border, light creasing in the corners, and small tears in the image area at the fold lines. This is a lovely, flat folded copy of the 1955 re-release one sheet! Very Fine+. Sold for: $717.00. |
| 28549 | It Came from Outer Space (Universal International, 1953). Window Card (14" X 22"). Based on a story by Ray Bradbury, this is one of the best examples of what science fiction films of the 1950s could be. With a fine cast - including Richard Carlson and Barbara Rush - and an intelligent script, the film was originally released in 3-D, during the short-lived craze for that effect. This window card shows pinholes in the corners, edge tears, chipping in a couple of the corners, and several horizontal creases through the image area. In spite of these minor flaws, the piece displays very nicely, and will make a wonderful part of any science fiction collection. Fine.Sold for: $478.00. |
| 28550 | It Came From Outer Space (Universal International, 1953). One Sheet (27" X 41"). This collaboration between science fiction giant Ray Bradbury and director Jack Arnold remains one of the most intelligent and revered science fiction films of the last century. After a spaceship crashes near a sleepy desert village, the townsfolk begin to act strangely and a local astronomer (Richard Carlson) and his fiancee (Barbara Rush) investigate. This otherworldly one sheet features the classic "giant eye" imagery associated with the film. Condition includes pinholes in the corners, fold wear and minor fold separations, a top left corner chip, and a hole in the upper left border, all of which have been addressed with professional restoration. A sublime sheet for this fan-favorite thriller. Very Fine- on Linen. Sold for: $1,015.75. |
| 28551 | The War of the Worlds (Paramount, 1953). One Sheet (27" X 41"). Based on the classic novel by H. G. Wells, this is the story of an invasion of Earth by hostile Martians, an invasion against which all human technology is useless. Although Paramount secured the rights to Wells's novel in 1924, and had originally secured Cecil B. DeMille and later Alfred Hitchcock to direct, it took until the 1950s for production to begin. Two days into filming, Paramount discovered that their film rights only covered a silent version, but the Wells estate kindly granted permission for the project to proceed. The result was a landmark science fiction film, made memorable by its incredible special effects (which garnered a well-deserved Oscar), for which $1.4 million of the film's $2 million budget was spent. It remains a classic of the genre, one of the best sci-fi films of any era. This beautiful one sheet shows a small tear in the bottom border, two tears in the right border at the horizontal fold lines, one of which extends into the image area, and pinpoint crossfold separation. None of these small flaws take away from the wonderful attractiveness and shockingly bright colors on this classic poster, making it a perfect addition to any collection. Very Fine+. Sold for: $10,157.50. |
| 28552 | Killers From Space (RKO, 1954). Lobby Card Set of 8 (11" X 14"). A fun set of cards from this low budget science fiction thriller. Peter Graves stars as an atomic scientist whose mind is taken over by space aliens. These cards have light staple holes in the left and right borders, some edge creasing, and light smudging. The #1 card has a corner chip that has been replaced. Fine-. Sold for: $334.60. |
| 28553 | This Island Earth (Universal International, 1955). British Quad (30" X 40"). One of the finest sci-fi films of the 1950s, this is the story of an advanced civilization that secretly comes to Earth to recruit top human scientists to aid in their war against a neighboring planet. Aside from the spectacular special effects, one of the highlights of this fan-favorite film is the appearance of the Metaluna Mutant, a worthy addition to the pantheon of great Universal monsters. This striking British Quad has pinholes in the image area, edge wear, a tape stain in the lower left, light ghosting in the right border, minor crossfold separations, a chip in the bottom left corner, and creases in the bottom right and top left. With art that is entirely different than any of the American versions of this poster, this will be a great addition to any collection. Fine/Very Fine.Sold for: $1,075.50. |
| 28554 | This Island Earth (Universal International, 1955). One Sheet (27" X 41"). Set your Interociter's for full power, and rocket to the planet Metaluna for this classic sci-fi thriller. Famously "2 1/2 Years in the Making!" (as if the ad campaign would let us forget),This Island Earth features some indelible imagery, not the least of which is that big-brained mutant with the lobster claws and an eye for the ladies. This stunning, apocalyptic poster packs a lot of power. The poster had pinholes in the corners, minor crossfold separations, and some border chipping, all of which have been addressed with professional restoration. No science fiction collection is complete without this iconic poster! Fine+ on Linen.Sold for: $1,434.00. |
| 28555 | This Island Earth (Universal International, 1955). Insert (14" X 36"). A classic by any definition, this exceptional film, about peaceful aliens who come to Earth to obtain help in their war against a neighboring planet, is one of the most intelligent and well-realized sci-fi films of the 1950s, and introduced the bizarre-looking Metaluna Mutant to the pantheon of great Universal monsters. This beautiful insert has pinholes in the corners and several in the image area, touch-ups at the top fold line and in the top and bottom borders, a small tear in the top center repaired with paper tape on the reverse, as well as paper tape on the reverse at the fold lines and at the bottom edge. One of the top titles in the science fiction field, paper from this picture is always popular with collectors, and we expect this insert will be at the center of some spirited bidding. Fine.Sold for: $896.25. |
| 28556 | Invasion of the Body Snatchers (Allied Artists, 1956). One Sheet (27" X 41"). At a time when America was seeing Communists under every bed and Martians behind every fencepost, films in the "invasion from within" genre were incredibly popular. Although some movies actually postulated a Russian takeover of the U.S. (Red Nightmare with Jack Webb was one such), most went for a slightly subtler approach. One of the high water marks in this genre is Invasion of the Body Snatchers, in which residents of a small town are mysteriously replaced by alien replicas grown from giant seed pods. A tense and profoundly unsettling movie, it is as effective today as it was in 1956. This classic one sheet, featuring stars Kevin McCarthy and Dana Wynter, shows edge wear, tiny tears in several of the horizontal fold lines, a split in the bottom vertical fold that extends into McCarthy's name, and a small crease in the lower right border. Aside from these very minor considerations, this is a great poster from a great movie - a true Cold War classic. Very Fine-. Sold for: $1,553.50. |
| 28557 | Plan 9 from Outer Space (DCA, 1956). One Sheet (27" X 41"). One of the classic films from legendary "bad" director Edward D. Wood Jr., this sci-fi epic is a testament to the ability of sheer willpower to triumph in the face of an utter lack of talent. Wood desperately wanted to make movies and tell stories; unfortunately, he didn't have the budget, ability, or connections to make that happen. Nevertheless, he managed to put together an impressive filmography of pictures that are still being enjoyed to this day, while many of his more "talented" contemporaries have faded into true obscurity. Say what you will about Wood, his pictures are always entertaining, even if it's not in the way he intended. Offered here is perhaps the pinnacle of Ed Wood collectibles, a glorious one sheet for his best-known, and most fondly-remembered, production starring Bela Lugosi, Vampira, Tor Johnson, Lyle Talbot, and Dudley Manlove. It has pinpoint crossfold separation, light edge wear in the right border, and a corner bend in the top right, but is otherwise clean and attractive, a rare and desirable find that should induce some spirited bidding. Very Fine+. Sold for: $5,078.75. |
| 28558 | Invasion of the Saucer-men (American International, 1957). Half Sheet (22" X 28"). When teenagers Johnny Carter and Joan Hayden (Steven Terrell and Gloria Castillo) run over an alien with their car, they find it impossible to convince the local authorities - who assume the kids are playing an elaborate practical joke - of the impending invasion until it's almost too late. Thankfully, the teens rally all their friends to save the world by shining their car headlights on the little green light-sensitive invaders! This wonderful half sheet, with a marvelous image of the cabbage-headed monsters, has a pinhole in the top center, light edge wear, and a thin dust shadow and some small chipping in the bottom border. One of the most popular and desirable posters in the 1950s sci-fi genre, this will occupy an honored place in any collection. Folded, Very Fine/Near Mint.Sold for: $3,585.00. |
| 28559 | Invasion of the Saucer-men (American International, 1957). One Sheet (27" X 41"). In all the history of science-fiction films, few alien invaders are as memorable as the "cabbage heads" from this picture, complete with oversized craniums and big, bulgy eyes, designed by Paul Blaisdell. When these terrifying creatures land in the woods and kill an old drunk (a fabulous performance by the great Frank Gorshin), a pair of teenagers (Steve Terrell and Gloria Castillo) try to warn the locals. Of course, no one believes them until it's too late. The one sheet for this movie is one of the most desirable in the entire 1950s horror genre, and the example offered here is a real beauty. It shows pinholes in the corners and borders, but is otherwise exceptionally clean and attractive. If you've been looking for a great copy of this classic poster, here's your chance! Very Fine.Sold for: $5,975.00. |
| 28560 | I Married a Monster from Outer Space (Paramount, 1958). Half Sheet (22" X 28"). Despite the lurid title, a thought-provoking science fiction allegory, and a thinly-veiled metaphor for the Communist witch-hunt. Gloria Talbot stars as a bride who comes to realize that her new husband (Tom Tryon) isn't quite the man she married. The alien monsters are very imaginatively designed, as is the poster art for this title. This striking half sheet design has Talbot in her wedding dress being menaced by the space creature against a blood-red background. This unrestored poster has some minor condition issues, including pinholes in the corners, pinpoint scratches in the image area, a small tear in the bottom border, corner creases, and a light extra vertical fold. The poster retains fantastic color, and a very fresh appearance. Folded, Very Fine-. Sold for: $358.50. |
| 28561 | Queen of Outer Space (Allied Artists, 1958). Three Sheet (41" X 81"). Landing on Venus as part of a manned mission, Captain Neal Patterson (Eric Fleming) and his crew discover that the planet is inhabited solely by beautiful women, led by the tyrannical, man-hating Queen Yllana (Laurie Mitchell). Fearing that the men are spies, Yllana decides to execute them and destroy the Earth. It's only with the help of a group of friendly Venusians, led by Talleah (Zsa Zsa Gabor), that the astronauts are able to escape and save their home planet. This glorious three sheet, featuring an incredibly glamorous Zsa Zsa, had edge wear, a tear in the left side, as well as several tears in the image area, and fold separations with minor paper loss but professional restoration has addressed all these slight flaws, making this a fabulous poster from one of the classic sci-fi films of the 1950s. Fine- on Linen. Sold for: $1,314.50. |
| 28562 | The Astounding She Monster (American International, 1958). Half Sheet (22" X 28"). A pair of crooks (Kenne Duncan and Jeanne Tatum) take over the country house of a geologist (Robert Clarke) and his trusty dog. They have kidnapped an heiress (Marilyn Harvey) and plan to hold her until the ransom is collected. Soon they hear an explosion in the woods, which turns out to be a spaceship containing a sexy blonde alien with a skintight metallic suit, high heels, and heavy lipstick (Shirley Kilpatrick). This is Kilpatrick's only known film role, and she has no dialogue, but fills out that glittery spacesuit quite nicely, and kills with just a touch. One of the most striking science fiction posters of the 1950s, dominated by the sexy space monster, and an eye-catching design. The poster has pinholes in the corners, borders, and field, and some surface scuffing, but still presents beautifully, with like-new color. Rolled, Very Fine.Sold for: $956.00. |
| 28563 | The Blob (Paramount, 1958). One Sheet (27" X 41"). When Steve McQueen signed the contract to star in this picture, he was offered either $2,500 flat or 10% of the profits. Apparently having little faith in the film, he took the $2,500 up front; the movie, which reportedly cost only $120,000 to make, ended up grossing over $4 million. Not surprisingly, the one sheet from this fondly-remembered film is highly desirable. This particular example shows light edge wear at the top right, pinholes in the borders, corners, and in the image area, and creasing in the bottom left and bottom right, none of which detract from the overwhelming eye-appeal of this classic. Beware the Blob... but don't miss the poster! Very Fine-. Sold for: $836.50. |
| 28564 | The Blob (Paramount, 1958). Lobby Card Set of 8 (11" X 14"). One of the most popular science fiction films of the 1950s, this is the story of a strange, gelatinous alien invader who comes to Earth in a meteorite and grows to gigantic size, devouring everything in sight. An early picture for Steve McQueen, he was offered either a flat fee of $2,500 for appearing in the film, or 10% of the profits. Apparently, McQueen had no faith in the picture, as he took the flat fee. The movie went on to gross more than $4 million. Offered here is a great lobby card set from this perennially popular film. Most of the cards have paper tape on the reverse, the #4 card has creasing in the bottom border and pinholes in the top border, the #5 card shows a corner bend in the top right and smudging in the right border, and the #7 card has a bottom left corner bend, but aside from these extremely minor flaws, this is a very attractive, and very desirable set from a popular and enduring film. Very Fine-.Sold for: $717.00. |
| 28565 | The Day of the Triffids (Allied Artists, 1960). Six Sheet (81" X 81"). A meteor shower in Earth's atmosphere produces a brilliant light, blinding most of the world's population. The same meteors also bear alien spores that grow into a horrendous plant species, Triffidus Celestus, that walks, moves, and eats people - people now rendered virtually helpless due to their blindness. Those few that retain their sight, including Bill Masen (Howard Keel), battle the alien plants in a last-ditch effort to preserve humanity. This beautiful six sheet, which has never been used, is in impeccable condition. It is a beautiful piece from this classic film, sure to enhance any sci-fi collection. Near Mint. Sold for: $776.75. |
| 28566 | Alien (20th Century Fox, 1979). Polish One Sheet (26" x 37.5"). Ridley Scott's masterpiece of a monster movie inspired a decade of imitators, but none equaled its power to terrify. It also made a star of Sigourney Weaver, and featured terrific supporting turns by John Hurt, Harry Dean Stanton, and Tom Skerritt. This Polish one sheet is one of the oddest associated with this film, a memorable image of a google-eyed creature rendered in neon red. A disturbing image to say the least! The poster is in spectacular condition, with light edge wear and one tiny edge tear being the only issues. Folded, Near Mint-.Sold for: $418.25. |
| 28567 | Alien (20th Century Fox, 1979). One Sheet (27" X 41") Advance. Returning from a deep-space mining mission, the crew of the USCSS Nostromo is revived from hypersleep and sent to investigate a beacon emanating from a desolate planet. There they find an alien organism so aggressive and indestructible that it nearly wipes them out. A big-budget roller coaster ride of grisly horror, Alien was a huge box office hit, and is one of the seminal genre films of the '70s. Offered here is the little-seen advance poster, which lacks the later paper's distinctive imagery, instead using a more traditional science fiction approach, a very eye-catching design incorporating the film's single-word title. Needless to say, these advance posters are far more difficult to obtain than the regular one sheet. Light edge wear along the top edge is the only condition problem. Rolled, Near Mint.Sold for: $1,673.00. |
| 28568 | The Beast from 20,000 Fathoms (Warner Brothers, 1953). Insert (14" X 36"). Long before the advent of CGI, special effects wizard Ray Harryhausen could show an audience of moviegoers what the Earth might have looked like when dinosaurs were alive through the magic of his stop-motion animation techniques. Nowhere were these talents better displayed than in this film, Harryhausen's first solo effort, in which a rhedosaurus, newly awakened from a lengthy sleep in the Arctic Circle by the power of nuclear testing, goes on a rampage in modern-day New York City. A popular hit upon its release in Japan, this film was to serve as part of producer Tomoyuki Tanaka's inspiration for his legendary film, Godzilla. This highly desirable insert, with a stunning image of the title creature, had several small edge tears, but these minor issues have been admirably addressed by professional restoration, resulting in a poster with a Near Mint appearance. Very Fine- on Paper. Sold for: $896.25. |
| 28569 | It Came From Beneath the Sea (Columbia, 1955). Three Sheet (41" X 81"). Grotesquely altered by radiation from a hydrogen bomb, a giant octopus (with only six tentacles) sets out to destroy San Francisco. Charles H. Schneer produced the film while special effects wizard Ray Harryhausen used his pioneering stop motion animation technique to lend credibility to the creature's terror. The pair would team up for several more successful projects including Earth vs. the Flying Saucers, The Golden Voyage of Sinbad and Clash of the Titans. There were pinholes in the margins and image along with a few minor tears along the edges. The folds showed signs of wear with small chips at the crossfolds. But now the sheet looks great thanks to a professional restoration. Fine/Very Fine on Linen.Sold for: $1,135.25. |
| 28570 | Earth vs. the Flying Saucers (Columbia, 1956). One Sheet (27" X 41"). One of the true classics of the sci-fi genre, this special effects spectacular - with stunning stop motion effects crafted by the legendary Ray Harryhausen - tells the story of Earth's near demise at the hands of alien invaders. Ultimately, of course, Earth survives, but not until after a concerted effort by the saucers, resulting in some thrilling scenes of the destruction of national landmarks, all brought to the screen by Harryhausen's unique brand of wizardry. As one of the most popular sci-fi films of the 1950s, it's not surprising that paper from the title is in such high demand. Offered here is a glorious one sheet, which appears never to have been used. Unbacked and unrestored, it's about as clean as they come, the perfect choice for the collector who demands absolute perfection. Near Mint.Sold for: $1,434.00. |
| 28571 | Earth vs. the Flying Saucers (Columbia, 1956). Title Lobby Card (11" X 14"). A chilling tale of flying saucers and alien invaders, this film was elevated from the ranks of the typical 1950s sci-fi film by the outstanding special effects work of stop-motion animation genius Ray Harryhausen. To add verisimilitude to the picture, actual footage of Viking rocket and German V-2 launches were incorporated into the picture. The scenes of alien destruction, including the saucer crashing into the Capital building, are some of the most striking in the history of sci-fi cinema. This exceptional title card, with great images of the saucers and the hulking, armor-clad aliens who rain destruction down upon our helpless planet, shows some edge wear and some foxing in the borders, but is very clean, attractive, and desirable overall. No science fiction collection is complete without this important title card! Very Fine-. Sold for: $448.13. |
| 28572 | Earth vs. the Flying Saucers (Columbia, 1956). Lobby Cards (3) (11" X 14"). The title says it all in this beloved sci-fi B-thriller, with special effects by the legendary Ray Harryhausen. This collection of three lobby cards features a great shot of the main cast, and a terrific scene of one of the flying saucers menacing an airplane. There is a small ding in the top left corner of all three cards, and two of the cards have some minor brown stains in the top center area, but all are in very nice condition overall. Very Fine+.Sold for: $776.75. |
| 28573 | Earth vs. the Flying Saucers (Columbia, 1956). Lobby Cards (4) (11" X 14"). The aliens themselves are the focus of three of the four terrific cards from this set. EvFS is a fan favorite, due mainly to the eye-popping visual effects provided by the great Ray Harryhausen. All four cards have light corner bumps, and three have foxing/discoloration along the edges. There is also a small piece of tape and accompanying stain on one card. Overall, these cards look "out of this world" and need to make planetfall in your portfolio. Very Fine-.Sold for: $567.63. |
| 28574 | Earth vs. the Flying Saucers (Columbia, 1956). Insert (14" X 36"). Washington D.C. catches the full force of alien invasion in this entertaining potboiler from the SF boom of the 1950s. The special effects are by the great Ray Harryhausen, and the aliens themselves are creepily effective. This insert has extra horizontal creases, corner bumps, and some cloth tape on the reverse, but still boasts superb color and a very fresh appearance. Folded, Very Fine-.Sold for: $776.75. |
| 28575 | 20 Million Miles to Earth (Columbia, 1957). Three Sheet (41" X 81"). An American space probe returns from Venus carrying a strange passenger, an embryonic creature known as the Ymir. The monster begins to grow, soon reaching enormous size, and eventually goes on a rampage amidst the glorious structures of Rome in a stop motion extravaganza choreographed by legendary special effects artist Ray Harryhausen. This stunning, flat folded, three sheet has minor edge wear, pinpoint crossfold separations, and mild fold wear, but is apparently unused. Very Fine+. Not Sold. |
| 28576 | Godzilla (Toho, 1954). Japanese B2 (20" X 28.5"). Inspired by several very real events - the atomic bombing of Japan at Hiroshima and Nagasaki at the end of World War II, the hydrogen bomb explosion at the Bikini Atoll in March, 1954, and the subsequent irradiation of the fishing boat Daigo Fukuryu Maru - Gojira made his silver screen debut in this eponymously-titled film on November 3, 1954. A modern-day metaphor for the horrors of the nuclear nightmare that had been unleashed upon the world, the film struck a responsive chord in the Japanese public, the only nation ever to suffer through an atomic attack. Gojira, or Godzilla as he was rechristened when he made his Western film debut, was an instant hit, and has since starred in the most successful film franchise in movie history. Offered here is the very rare country-of-origin Japanese B2 poster, the holy grail for any dedicated Godzilla collector. The photomontage not only features the King of the Monsters, but also his human co-stars Akira Takarada, Momoko Kochi, Akihiko Hirata, and Takashi Shimura. In superb condition, it had a misfold on the left side, and a small tear in the bottom center, but professional restoration has rendered these minor flaws all but invisible, resulting in a truly stunning, and highly desirable, piece of movie history. These posters are rarely offered at auction - we've only had one other in seven years - so don't miss your chance to add this glorious treasure to your collection. Very Fine on Linen.Sold for: $11,950.00. |
| 28577 | Godzilla (Trans World, 1956). Half Sheet (22" X 28") Style A. This sought after style A half sheet is from one of the most popular monster series in film history. Much has been made of this "edited" edition of the film, deleting much of director Ishiro Honda's original vision of an allegory for the horrific destruction Japan suffered with the explosion of the atomic bomb. Stateside actor Raymond Burr's footage replaced the scenes taken out that had "little reference" for the American audience, and the film enjoyed great success in both countries. No 50s Sci-Fi collection dare consider itself complete without representation on this title, and what better example than an uncommonly high grade half sheet? There are only light folds. The poster's original, unretouched color is dynamic! Folded, Very Fine+. Sold for: $1,553.50. |
| 28578 | Them! (Warner Brothers, 1954). One Sheet (27" X 41"). When a little girl staggers out of the desert, only able to scream the word, "Them!," the stage is set for disaster of unimaginable proportions, as an army of giant ants, mutated by the effects of atomic radiation, go on a rampage of terror and destruction. One of the best of the giant monster movies of the 1950s, this was Warner Brothers' top-grossing film of 1954. Offered here is the classic one sheet for this unforgettable film. It had pinholes in the corners, a small tear at the bottom of the image area, light fold separations, and several small holes in the borders, but professional restoration has expertly addressed all of these minor concerns, giving this poster a like-new appearance. Very Fine- on Linen. Sold for: $2,031.50. |
| 28579 | Them! (Warner Brothers, 1954). Insert (14" X 36"). A horror-horde of crawl-and-crush giants clawing up from the earth's mile-deep catacombs! One of the quintessential 1950s spawned-from-radiation giant-bug monster movies! Atomic testing in New Mexico causes the ant population to grow to gigantic proportions, and begin to overrun mankind. The GiAnts are front and center on this terrifying insert card, with stunning artwork featuring the ants destroying a major city and catching hot babes in their pincers. The poster has pinholes, light edge wear, and some wrinkling in the right border, but is generally in superb condition, and has not lost an ounce of its fierce appeal. Rolled, Very Fine. Sold for: $1,135.25. |
| 28580 | Them! (Warner Brothers, 1954). Three Sheet (41" X 81"). When atomic radiation turns common garden ants into giant mutated monsters, they do more than ruin a picnic in this 1950s sci-fi classic! Originally intended to be a 3-D picture and in color, the film's budget was drastically reduced just before shooting started, with the result that it was released in 2-D black and white. Nevertheless, it was Warner Brothers' top grossing film for 1954, and retains a strong popularity to this day. This spectacular three sheet is in exceptional condition, with a light stamp in the lower right being the only defect of note. Very Fine+ on Linen. Sold for: $1,195.00. |
| 28581 | Them! (Warner Brothers, 1954). Lobby Card Set of 8 (11" X 14"). Of all the giant creature flicks filmed during the 1950s, few would argue that Them! is one of the best. A chilling chronicle of an invasion of giant ants, horrendously mutated as a result of errant nuclear testing, the film was nominated for a Best Special Effects Oscar, and was Warner Brothers' highest grossing film of 1954. Offered here is a complete set of lobby cards from this highly-regarded film. Most have pinholes in the corners as well as some degree of edge wear. There is a chip in the top left of card #8, some light foxing in the top left of card #5, and a small chip in the top right of card #4. Card #2 shows a small chip in the right border, and card #1 has two small tears in the right border. Aside from these extremely minor flaws, this is an exquisite set from this landmark sci-fi classic. Very Fine-.Sold for: $537.75. |
| 28582 | Tarantula (Universal International, 1955). Poster (40" X 60"). A memorable entry in the giant monster genre so popular in the 1950s, this exciting film stars Leo G. Carroll as a scientist doing research in gigantism. When one of his experimental spiders escapes and grows to enormous size, the entire surrounding population is threatened. Sharp-eyed viewers will recognize a very young Clint Eastwood in the climax as the jet squadron leader who attacks the giant spider. Offered here is a wonderful poster for this fan-favorite film, brilliantly presented in dazzling day-glo colors. The poster had pinholes in the corners and in the image area, punch holes in the top corners, a minor corner chip in the bottom right, and small tears in the top and bottom borders. Professional restoration has expertly addressed all these issues, resulting in a poster that will be the pride of any collection. Rolled, Very Fine- on Linen.Not Sold. |
| 28583 | The Spider (American International, 1958). Lobby Card Set of 8 (11" X 14"). Popularly known as Earth vs. the Spider, Bert I. Gordon's entry into the giant-insect-spawned-by-nuclear-radiation sub-genre is wonky fun, though slightly less ambitious than the title might indicate (it's more like One Small Town vs. the Spider). This terrific lobby card set has several images of the invading arachnid, and is in fantastic condition. All cards have minor corner bumps, the #1 card has some minor staining in the title area, the #2 card has one very small edge tear, and the #6 card has a very small area of surface paper loss. These cards look frankly spectacular, one of the best-looking sets on this title we've seen. Very Fine. Sold for: $418.25. |
| 28584 | The Deadly Mantis (Universal International, 1957). One Sheet (27" X 41"). Coming smack in the middle of the big-bug craze, The Deadly Mantis makes a monster out of one of nature's oddest-looking insects. The Mantis duels with jet fighters and eventually scales the Washington Monument, all courtesy of director Nathan Juran (20 Million Miles to Earth). Craig Stevens leads a cast of veteran B-actors. This wicked-cool poster features gorgeous Ken Sawyer artwork, which could be said to slightly exaggerate the monster's size and ferocity. A very nice unrestored copy, this has pinholes in the corners and the field, some staining in the bottom border, creasing at the bottom left horizontal fold, pinpoint crossfold separations, and a small chip out of the right border. Very Fine-.Sold for: $478.00. |
| 28585 | The Deadly Mantis (Universal International, 1957). Half Sheet (22" X 28"). Craig Stevens and William Hopper star in this drive-in favorite about a prehistoric 200 foot-long praying mantis freed from its icy tomb. Now, mankind is threatened by the wrath of the giant insect and the military must act quickly before the creature destroys the world. This poster has pinholes in the corners and image, light wear along the edges, and wrinkling at the fold lines. Nevertheless, it is still a very displayable piece from the great sci-fi era of the 1950s. Folded, Very Fine-. Sold for: $262.90. |
| 28586 | The Deadly Mantis (Universal International, 1957). Three Sheet (41" X 81"). In one of the most fun 1950s monster films, a prehistoric praying mantis is brought to life after having been frozen in a polar iceberg. As the larger than life creature makes it way to Washington, the U.S. military led by Colonel Parkman (Craig Stevens), tries to exterminate the pest. Aiding the Colonel are William Hopper, known to audiences as Perry Mason's famed detective, Paul Drake and Alix Talton. There is a lot of wonderful stock military footage used in this classic. The fantastic artwork on this colorful poster is by Ken Sawyer. This restored three sheet had pinholes in the corners, crossfold separations, edge tears and chips, and small paper losses in the top folds. There was a stamp in the center of the left side that has been airbrushed out. This would make a marvelous addition to any movie monster collection. Very Fine- on Linen.Sold for: $597.50. |
| 28587 | Beginning of the End (Republic, 1957). One Sheet (27" X 41"). Science runs amuck... again... in this 1950s sci-fi favorite. This time, its grasshoppers that have been affected by radiation, causing them to grow to massive proportions and terrorize the Midwest. Peter Graves and Peggie Castle star. Prior to professional restoration, this poster had wear and separations at the fold lines. Now, all that remains is a beautiful poster that is ready to join your collection. Very Fine- on Linen. Sold for: $567.63. |
| 28588 | The Incredible Shrinking Man (Universal International, 1957). Three Sheet (41" X 81"). One of the most thoughtful, intelligent, and compelling science fiction movies of the 1950s, this is the story of Scott Carey (Grant Williams), a man inadvertently exposed to radiation, who finds himself growing smaller and smaller, with no end in sight! As Scott continues to shrink, formerly benign things, like his pet cat, suddenly become large and menacing. Superb special effects, including Carey's life-or-death battle with a spider, enhance this existential film - adapted by screenwriter Richard Matheson from his own novel - which questions the very nature of human existence. This thrilling three sheet is considered by most to be the best poster from the title with Reynold Brown artwork depicting Carey's battle with his cat. The poster had pinholes in the corners and border, but these issues have been addressed with professional restoration, giving the poster a like-new appearance. Very Fine on Linen. Sold for: $1,075.50. |
| 28589 | The Incredible Shrinking Man (Universal International, 1957). One Sheet (27" X 41"). Based on a novel by noted science fiction author Richard Matheson, this is one of the more thoughtful sci-fi movies of the 1950s. When Scott Carey (Grant Williams) is exposed to a strange cloud, he begins to shrink, growing smaller and smaller with each passing day. Soon, house cats and even spiders become giant, implacable enemies, leading Carey on a journey of survival and discovery. A perennially favorite film, this one sheet, with its striking Reynold Brown image of Carey being menaced by his pet cat, has always been a favorite of genre collectors. This particular example has light edge wear in the top border, an extra crease at the middle fold line, and some crinkling in the lower right. None of these minor flaws are particularly distracting, making this a perfect addition to any collection. Very Fine.Sold for: $956.00. |
| 28590 | The Amazing Colossal Man (American International, 1957). Insert (14" X 36"). When will people ever learn? Radiation always causes unsuspecting victims to grow to enormous proportions and terrorize the general population. Such is the case in this 1950s science fiction favorite about a soldier (Glen Langan) who survives an atomic blast but with terrible consequences. The artwork by Albert Kallis is second to none and one of the most iconic poster images of the 1950s. This folded insert has a light dust shadow in the borders and minor edge wear, but is otherwise very presentable. Very Fine+. Sold for: $717.00. |
| 28591 | War of the Colossal Beast (American International, 1958). Half Sheet (22" X 28"). The sequel to producer Bert I. Gordon's monumental classic, The Amazing Colossal Man, this movie recounts the further adventures of the former Glenn Manning (Dean Parkin), a hapless GI caught in the midst of a plutonium bomb explosion, who grows to gigantic size and goes on a rampage. This time out, Manning surfaces in Mexico, where he is captured and brought back to America. Of course, he quickly escapes and runs amuck, leading to a stunning climax. Offered here is a gorgeous half sheet, picturing the disfigured giant in all his glory. It has light staining in the top border, small tears in the left border, a chip in the bottom center, light warping in the top left, and a small chip in the horizontal fold line. Nonetheless, this is a great piece from a classic 1950s sci-fi film, so don't just bid... but bid big! Very Fine-. Sold for: $448.13. |
| 28592 | Attack of the 50 Foot Woman (Allied Artists, 1958). One Sheet (27" X 41"). One of the most desirable and sought after posters in the entire 1950s sci-fi genre, this classic, with its iconic art by Reynold Brown, is included on Premiere Magazine's list of "25 Best Movie Posters Ever." It is on virtually every poster collector's "must have" list, and with good reason! This particular one sheet shows pinholes in the corners, light edge wear, pinpoint crossfold separations, tape in the top right corner reinforcing a torn pinhole, and minor staining in the borders. These are minor considerations however, which hardly detract from the incredible eye-appeal of this classic image. Very Fine. Sold for: $13,145.00. |
| 28593 | Not of this Earth (Allied Artists, 1957). Half Sheet (22" X 28"). Directed by Roger Corman, this impressive picture stands as one of the best sci-fi films of the 1950s, concerning an alien agent that comes to Earth to acquire blood to save his dying race, a plan that will eventually lead to the complete enslavement of humanity. Blessed with fabulous poster art, this is one of the cornerstone films of the genre. The classic half sheet offered here has pinholes and two punch holes in the top border, edge tears, wrinkling, and a corner bend in the top left. Never folded, this will make a fine addition to any collection. Rolled, Fine+. Sold for: $1,195.00. |
| 28594 | Attack of the Crab Monsters (Allied Artists, 1957). One Sheet (27" X 41"). You'll never look at the all-you-can-eat crab special in quite the same way again after seeing this Roger Corman classic about a group of people - including Gilligan's Island star Russell Johnson - stranded on a sinking island, menaced by giant, atomically-mutated crabs. This eye-catching one sheet has edge wear in the left border, a tear in the bottom vertical fold, light crossfold separation, and a small area of paper loss in the right middle horizontal fold. Corman is the unquestioned King of the B Movies, and this is one of his early classics. Fine/Very Fine. Sold for: $2,031.50. |
| 28595 | Attack of the Crab Monsters (Allied Artists, 1957). Half Sheet (22" X 28"). Roger Corman's endearing monster movie about a bunch of people trapped on a desert island with a mutated giant crab creature who talks in a booming voice. Richard Garland, Pamela Duncan, Gilligan's Russell Johnson, and Mel Welles are among the humans trying to avoid being eaten. This terrific half sheet has iconic imagery, what with the monster clutching a barely-clad damsel and all, and a spooky shot of the titular creatures. In excellent condition, the poster has light edge wear, light foxing in the left border, a small tear in the bottom border, a crease in the top left border, and a small hole in the right claw, near the girl's head. This poster has always been a favorite with science-fiction fans, as it pictures the entire crab! Folded, Very Fine. Sold for: $956.00. |
| 28596 | The Wasp Woman (Film Group, 1959). Half Sheet (22" X 28"). It absolutely amazes young filmmakers when they complain of not having enough money to complete their "epic," and we tell them that director Roger Corman put this camp classic in the can in less than eight days and with only a little over 50 grand! One of the true all-time greats in the "good news - bad news" genre. We can inject these wasp enzymes into you to make you young and beautiful, but then you turn into a giant wasp and eat everyone around you! This high grade gem has only light edge wear and faint smudges in the borders. Don't get stung by missing out on this classic beauty! Folded, Very Fine+. Sold for: $3,107.00. |
| 28597 | The Wasp Woman (Film Group, 1959). One Sheet (27" X 41"). When cosmetics queen Janice Starlin (Susan Cabot) begins experimenting with royal wasp jelly to make a youth restorative product, she gets more than she bargains for in this classic from B-movie mogul, director Roger Corman. Offered here is the classic, and extremely evocative, one sheet. This particular example has a small tear in the bottom center, edge wear, and overall wrinkling, but is a wonderful specimen for any collector of 1950s sci-fi. Very Fine-.Sold for: $3,585.00. |
| 28598 | Things to Come (United Artists, 1936). Lobby Card (11" X 14"). A thrilling adaptation of H. G. Wells's prophetic novel, this is the story of a future Earth, after decades of unceasing war have ravaged civilization, which has been reduced to a state of medieval feudalism, in which tyrannical bosses run their small villages with an iron hand. Everything changes, however, when Wings Over the World, a group of scientists banded together for the common good, appear, and crush the rule of the petty bosses, ushering in a new Golden Age and allowing mankind to finally reach for the stars. An important film in the development of the science fiction genre, paper from this title is scarce and extremely sought after. Offered here is a great scene card, picturing Raymond Massey as John Cabal, a member of Wings Over the World, making his first appearance in the shattered city of Everytown. The card has pinholes, two tears in the bottom border, foxing in the borders, a water stain extending from the top left border about halfway down the side of the card, overall light soiling, creases in the corners and the top border, and scuffing on Massey's chest and legs. You don't need to be able to see into the future to know that this card is going to inspire some spirited bidding. Very Good/Fine.Sold for: $567.63. |
| 28599 | Things to Come (United Artists, 1936). Lobby Card (11" X 14"). Famed as an art director and production designer, William Cameron Menzies also directed a handful of films, including this fine adaptation of the work of H. G. Wells. Wells himself penned the screenplay for this film, a cautionary tale about the breakdown and re-emergence of civilization. This outstanding lobby card showcases the film's fine costume work and set design, and is in very nice condition. There are pinholes in the corners, borders, and field, corner bumps, and some staining in the right border. A wonderful image from this classic film of speculative fiction. Fine/Very Fine. Sold for: $717.00. |
| 28600 | Rocketship X-M (Lippert, 1950). Half Sheet (22" X 28"). Intending to travel to the moon, a series of malfunctions sends the crew of this mission, including Lloyd Bridges, to Mars instead, where they find the remains of an advanced civilization, now reduced to barbarism by the horrors of nuclear war. An enormously popular film in its day, and possibly the first to postulate the effects of an atomic conflagration on a warlike civilization, it remains a favorite of sci-fi fans everywhere. This beautiful half sheet shows pinholes in the corners and borders, a censor stamp in the bottom right, an extra vertical fold in the right border, small tears in the borders at the fold lines, pinpoint crossfold separation, and edge wear. Nevertheless, it remains an impressive and highly desirable poster for any sci-fi fan. Folded, Fine+. Sold for: $239.00. |
| 28601 | When Worlds Collide (Paramount, 1951). Window Card (14" X 22"). George's Pal's unforgettable end-of-the-world film features Oscar-winning special effects that thrilled a generation of kids of all ages. Rogue planets Bellus and Zyra have entered our solar system and are on a collision course with Earth, so mankind begins construction on a giant "ark" spaceship to save mankind from destruction. This apocalyptic window card features the destruction of New York City, engulfed in a tidal wave. The sheet has pinholes, corner bumps, smudging in the borders and imprint area, none of which diminishes the raw power of this stunning window card. Fine/Very Fine. Sold for: $657.25. |
| 28602 | When Worlds Collide (Paramount, 1951). One Sheet (27" X 41"). Based on the novel by Edwin Balmer and Philip Wylie, this classic sci-fi picture tells the story of a rogue planet entering Earth's orbit, and the panicked race to build an ark and escape our doomed world. Although rights to the novel were purchased in 1932, as a project for director Cecil B. DeMille, a suitable treatment was never developed, and the project languished until 1950, when producer George Pal, looking for a follow-up to his successful Destination Moon, picked it up. The film won a well-deserved Oscar for Special Effects. This classic one sheet, with its apocalyptic vision of destruction, had pinholes in the corners, borders, and several in the image area, a tear in the bottom border, small tears in the left border, and very minor chips in the fold lines, but professional restoration has expertly addressed these minor flaws, returning this poster to a Near Mint appearance. Fine/Very Fine on Linen.Sold for: $1,434.00. |
| 28603 | The Time Machine (MGM, 1960). One Sheet (27" X 41"). Working from the science fiction classic by H. G. Wells, director George Pal produced a fabulous film, complete with a compelling storyline, exceptional special effects (for which it won an Oscar), and, best of all, a stunning poster with art by Reynold Brown. Highly collectible, this particular copy shows some edge wear, minor corner bends, and a small tear in the bottom center. These are minor flaws, however, apparent only upon close examination, none of which detract from its overwhelming appeal. Very Fine.Sold for: $1,135.25. |
| 28604 | The Time Machine (MGM, 1960). Half Sheet (22" X 28") Style A. Based on H. G. Wells's nightmarish novel of the future, this is the story of a scientist (Rod Taylor) who invents a machine that allows him to move freely through time. Traveling countless centuries forward, he finds a human civilization existing in an almost childlike state, menaced by the monstrous Morlocks. The film's outstanding special effects won a well-deserved Oscar. This great Style A half sheet, featuring spectacular Reynold Brown artwork, shows dust shadowing in the borders, several small tears in the left and right bottom borders, and a small crease in the bottom right. It is a great piece from a classic film, and will make a wonderful addition to any collection. Folded, Very Fine.Sold for: $507.88. |
| 28605 | The Time Machine (MGM, 1960). Half Sheet (22" X 28") Style B. For many fans, the name George Pal is synonymous with Hollywood science fiction. Pal's colorful, wildly imaginative interpretations of the works of H. G. Wells have become classics in their own right, and have probably inspired almost as many people as the original novels themselves. The Time Machine stars Rod Taylor as H. George Wells, who travels to the distant future to discover a world where humanity has divided into two distinct castes, the gentle Eloi and the brutal Morlocks. Offered here is the scarcer style B half sheet, a stunning illustration that shows the literal above/below ground division between the two races. The poster has pinholes in the borders and field, light edge wear, and some minor staining, none of which detracts from the spectacular color, and eye-popping imagery. This one is an all-time classic. Very Fine. Sold for: $776.75. |
| 28606 | The Time Machine (MGM, 1960). Polish One Sheet (22.75" X 32.5"). A scientist (Rod Taylor) builds a machine that allows him to travel through time in this spectacular adaptation of H. G. Wells's classic novel. As he moves farther and farther into Earths future, he learns that the human race, devastated after a nuclear war, has split into two distinct sub-groups: the gentle and childlike Eloi who live above ground, and the monstrous, cannibalistic Morlocks, who dwell below. The film, produced by George Pal, won an Oscar for Best Special Effects, and remains a classic of the science fiction genre. As any collector of foreign posters knows, Polish posters tend to be graphically striking, highly imaginative, and exceptionally unique. This great piece is no exception. It has pinholes in the corners and in the image area, tears in the left and right borders, and a chip in the bottom left border, but is otherwise in marvelous condition, perfect for anyone who craves the best in outstanding poster imagery. Folded, Fine/Very Fine.Sold for: $358.50. |
| 28607 | Fantastic Voyage (20th Century Fox, 1966). British Quad (30.5" X 39.75"). A special effects extravaganza, this is the story of a medical crew (which includes the lovely Raquel Welch) shrunk to microscopic size and injected into the bloodstream of a near-death diplomat. Their mission: destroy the blood clot that threatens his life. The movie won a pair of well-deserved Oscars: one for Best Art Direction and the other for Best Special Visual Effects. Offered here is the superb British Quad for this film, superior in every way to the more often seen American paper. It had two small chips, one in the upper left and one in the upper right, but after linen backing and professional restoration, these slight defects are barely noticeable. If you're looking for truly outstanding paper on this perennially-favorite film, this is for you! Very Fine on Linen. Sold for: $1,015.75. |
| 28608 | Fantastic Voyage (20th Century Fox, 1966). Japanese B2 (20" X 29"). A thrilling sci-fi picture, this is the story of a group of scientists shrunk to micro-miniature size and injected into the bloodstream of a critically ill man in order to destroy the blood clot that threatens his life. American paper on this film was disappointingly lackluster; this Japanese B2 is far more appealing and exciting. It shows some minor creasing, but is otherwise clean and unmarked. If you're a fan of this classic film, this poster is an absolute must! Rolled, Very Fine+.Not Sold. |
| 28609 | 2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41"). So you think you have seen this one sheet before and it seems pretty common? Think again. This one sheet was distributed at the same time as the "Psychedelic Eye" one sheet, which we have sold for $13,800 in a past auction. When MGM decided to revamp the advertising campaign for this blockbuster film in 1969, they chose the tagline "The Ultimate Trip." The "Eye" and the "Star Child" posters were conceived for the 1969, 70mm relaunch in New York, while the film was still playing around the country in its original 1968 standard 35mm format. This poster was primarily used for wilding (i.e. posting on building sites, etc.). The "Star Child" was retained for subsequent releases for the next decade and thus the image is the more common of the two. The original printing of the "Eye" and "Star Child" posters have no NSS or other information in the bottom border, as they were created in rush time, not knowing if the campaign would take. This is the first time we have seen a copy of this scarce first printing of the 1969 "Star Child" poster. It is rolled with just the most minor edge wear. Very Fine+. Sold for: $3,107.00. |
| 28610 | 2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style A. An impressive film on every level, this Stanley Kubrick classic helped redefine science fiction for a new era. Gone were the cheesy effects and the nonsensical stories, replaced with thoughtful scripts and elaborate models. The result is a classic that is every bit as compelling today as it was upon its first release, a stunning epic about man's journey of evolution. The Style A one sheet offered here, showing the Pan Am clipper, has some light fold wear, but otherwise appears absolutely unused. Don't let this one get past you! Very Fine/Near Mint. Sold for: $1,015.75. |
| 28611 | 2001: A Space Odyssey (MGM, 1968). Autographed One Sheet (27" X 41") Style B. No one would ever view classical music in quite the same way again after seeing the revolutionary 2001: A Space Odyssey. Stanley Kubrick's treatise on the continuing evolution of mankind used orchestral pieces like "The Blue Danube" and "Also Sprach Zarathustra" to stunning effect. On offer here is the spectacular B-style poster featuring a lunar vista and a handful of hard-working astronauts, courtesy of artist Bob McCall. This stunning poster is autographed by Keir Dullea and Gary Lockwood. Also a photo of the two actors signing the pieces will be provided. The poster has some light smudging in the top border, but is otherwise in wonderful condition. Very Fine on Linen. Sold for: $956.00. |
| 28612 | 2001: A Space Odyssey (MGM, 1968). British Color Still Set of 8 (8" X 10"). Here's something you don't see everyday - a complete set of eight color stills for the British release of Stanley Kubrick's 2001: A Space Odyssey. The photos are all in near perfect, unused condition and come with the original glassine sleeve. Near Mint/Mint.Sold for: $358.50. |
| 28613 | 2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style C. The film received a wide spectrum of positive and negative reviews upon release. Today it is widely recognized among critics as one of the greatest films ever made. Of the three original one sheets issued for the very first release of the film, the Style C (Centrifuge) is by far the rarest. This one sheet was not issued in two versions (70mm and Cinerama) as the other two styles were. It was strictly issued in a Cinerama style, so unless a theatre was equipped to show Cinerama, this poster would not have been ordered. At first glance this poster appears to be photographic, but upon closer inspection, it is artwork, executed by Robert T. McCall as his printed signature appears at the lower left in the image. McCall is one of the foremost illustrators of space related images; he was commissioned by NASA to document the space program. Prior to restoration, this poster had minor pinholes in the corners, a small chip out of the border left and right at the center horizontal fold. There was a small chip from the lower border at the vertical foldline. The poster now appears near mint. Fine+ on Linen.Sold for: $3,585.00. |
| 28614 | Planet of the Apes (20th Century Fox, 1968). Door Panels Set of 4 (20" X 60"). One of the greatest science fiction classics of all time, Planet of the Apes features a topsy-turvy world where simians rule and man is a mute beast. Directed by Franklin J. Schaffner (Patton, The Boys from Brazil), from a script by Rod Serling and Michael Wilson, the film is noted for its Oscar-winning ape make-up, and one of the great "gotcha" endings in film history. Offered here are the rarely-seen and highly desirable door panels, four in all, which feature Taylor (Charlton Heston), Zira (Kim Hunter), Dr. Zaius (Maurice Evans), and a gorilla soldier. Condition is spectacular, with light edge wear, and some very faint smudging in some of the fold lines being the only issue. No Apes collection is complete without these amazing panels! Very Fine+. Sold for: $7,170.00. |
| 28615 | The Devil Commands (Columbia, 1941). Lobby Card Set of 8 (11" X 14"). In a classic "mad doctor" role, Boris Karloff, as Julian Blair, becomes obsessed with his experiments in contacting the dead following the sudden and tragic death of his wife (Shirley Warde), experiments that involve grave robbing and other nasty things. Offered here is a great set of lobby cards from this classic chiller. All the cards have pinholes in the corners; the title card has some surface paper loss in the borders, an erased pencil mark, and the number "8" written in ink in the top left. The scene cards show a tear and a tape stain in the right border on two cards, a corner chip on one card, and smudging on several cards, but the set overall is extremely attractive, with Karloff pictured on every card. Fine/Very Fine.Sold for: $657.25. |
| 28616 | The Beast with 1,000,000 Eyes! (American Releasing Corp., 1955). One Sheet (27" X 41"). An alien spacecraft lands in the desert and begins to adversely affect the animal life in the area, sending usually placid creatures into attack-mode. Soon, it set its sites on the human population as well. The alien puppet only had two eyes (the rest of the "eyes" were those of the creatures it controlled), and was a memorable design by creature-maker Paul Blaisdell. Even better is this vivid, eye-catching one sheet, which depicts the scaly monster in all its gaudy glory, menacing a scantily-clad gal, as was required by poster law. This poster had pinpoint crossfold separations and fold wear, some minor paper loss just below the logo area, pinholes in the corners, and extra folds at the center, all of which has been addressed with professional restoration. Very Fine- on Linen. Not Sold. |
| 28617 | The She-Creature (American International, 1956). Half Sheet (22" X 28"). It CAN and DID happen! Based on authentic FACTS you've been reading about! One of the few American International posters where the monsters depicted in the artwork were a pretty close representation of what actually appeared in the film, this pretty sheet also has Marla English front and center, and we have no complaints about that. This wonky reincarnation fantasy is notable for the sinister-looking monster costume created by Paul Blaisdell, who is actually inside the suit as well. This nice unrestored poster has pin- and punch holes in the top border, some heavy creasing in the top left border, tape over one of the punch holes, and a vertical slice in the "S" in the logo area. This is frankly one of our favorite 50s monster posters; you won't need to be hypnotized to want to add it to your collection. Rolled, Fine/Very Fine. Sold for: $597.50. |
| 28618 | Rodan! The Flying Monster (Toho/DCA, 1957). One Sheet (27" X 41"). The super-sonic hell-creature no weapon could destroy! Thundering out of unknown skies comes the flying dai kaiju Rodan, the first of the giant Japanese monster movies to be shot in living color. This outstanding unrestored one sheet has a great image of Rodan smacking down aircraft and generally wreaking havoc. Minor condition issues include edge wear along the bottom border, pinholes near the top center fold, corner bends in the top and bottom left corners, and some very small holes along the first horizontal fold line. The image itself is exceptionally crisp. Very Fine+. Sold for: $239.00. |
| 28619 | The Fly (20th Century Fox, 1958). Insert (14" X 36"). Scientist Andre Delambre (David Hedison) is about to make a breakthrough in his experiments with teleportation when tragedy strikes: using himself as a guinea pig, he is accidentally merged with a common housefly, turning him into a monster with a fly's head and arms. Once seen, the film's startling climax, as the fly, now with Andre's head and arms is caught in a web, and screams, "Help me!" while the spider approaches, cannot be forgotten. This beautiful insert has a tear in the image area below the fly's foot and several tears in the bottom border which have been repaired with tape on the reverse, as well as a tiny chip in the bottom left corner, but is otherwise in superb condition, ready to take a place of honor in any collection. Rolled, Very Fine-. Sold for: $896.25. |
| 28620 | The Brain that Wouldn't Die (American International, 1962). Half Sheet (22" X 28"). Dr. Bill Cortner (Jason Evers) wants to get ahead in life, but not this way! When his fiancée, Jan, is decapitated in a car accident, he keeps her head alive artificially in a baking pan and sets out to find a new body. Now known as "Jan in the Pan," the poor girl develops telepathic powers and, as things come to a head, plots with an unseen creature, one of Cortner's earlier, failed experiments, to gain revenge on the now-mad doctor who refuses to let her head off into the oblivion of death. An audacious film, it is represented here by a great half sheet, showing Jan in all her heady glory. It has light stains in the top and left borders, a slight dust shadow in the bottom right, and corner bends in the top corners, but still stands head and shoulders above many other posters in this genre, in spite of these very minor flaws. You'll want to head off the competition by bidding early and often on this one! Folded, Fine/Very Fine. Sold for: $388.38. |
| 28621 | X-The Man With the X-Ray Eyes (American International, 1963). One Sheet (27" X 41"). Ray Milland plays scientist Dr. James Xavier, a man intent on discovering the secrets of X-ray vision. Using himself as a guinea pig, Xavier goes too far, seeing things that man was never meant to see, and driving himself to the brink of madness. The final scene is absolutely unforgettable (far be it from us to spoil the ending. Watch it and find out). This dramatic one sheet has a smudge in the bottom right corner, and a small tear in the right border, but is otherwise completely unmarked; an unused beauty that will enhance any collection. Near Mint-. Sold for: $310.70. |
| 28622 | The Day the Earth Stood Still (20th Century Fox, 1951). British Quad (30" X 40"). Based on Harry Bates' short story "Farewell to the Master" (in which Gort was the controlling force), this science fiction allegory attracted A-list director Robert Wise because of its anti-military stance. For the kids, however, it was all about Gort, laser beams, flying saucers, and "Klaatu barada nikto." This rare and fabulous British Quad is unlike any other paper on this title, and features an impressive image of the giant robot. Condition includes minor crossfold separations, three small corner pieces were missing, and fold wear, all of which has been addressed with excellent professional restoration. Join the space race and add this SF classic to your collection. Fine/Very Fine on Linen. Sold for: $8,962.50. |
| 28623 | The Day the Earth Stood Still (20th Century Fox, 1951). Insert (14" X 36"). In a dramatic departure from convention, Earth's first contact with an alien visitor begins peacefully, as Klatuu (Michael Rennie) brings a message of hope and fellowship from beyond the stars. A nervous soldier shoots him, which sends his giant robot servant Gort (Lock Martin) on a rampage, until a severely injured Klatuu orders him to stop. After leaving the hospital, Klatuu journeys among humanity, trying to judge whether or not the human race is fit to survive. A thought-provoking film, paper from this sci-fi classic is highly sought after, indeed it's one of the most desirable titles in the genre. This dramatic insert had pinholes in the upper and lower image area, staining in the right border, two small tears in the left border, but professional restoration has expertly addressed all of these issues, returning this poster to a glorious like-new appearance. Very Fine- on Paper. Sold for: $3,107.00. |
| 28624 | The Day the Earth Stood Still (20th Century Fox, 1951). Window Card (14" X 22"). Michael Rennie stars as Klaatu, an alien with an important message for all of mankind, in Robert Wise's thought-provoking science fiction thriller that many fans still feel is the best science fiction film ever made. The film also features one of the greatest robots of the cinema, Gort, and this compelling window card depicts the robot and his deadly laser vision as he takes on the entire U.S. military. The posters for this title are among the most collectible in the genre and this window card features the classic art used in the campaign. The card had some staining within the title and the upper tag line and some scuffing in the woman's hair. The poster was washed, cleaned, retouched, and rebacked. The upper imprint area has been airbrushed. Fine+ on Cardstock. Sold for: $1,912.00. |
| 28625 | E.T. The Extra-Terrestrial (Universal, 1982). One Sheet (27" X 41"). Steven Spielberg's poignant science-fantasy about an alien scientist stranded on Earth, and the boy (Henry Thomas) who grows to love him. Spielberg cannily shot the movie from a child's viewpoint so that, for most of the film, no adult other than the mother (Dee Wallace) is ever shown above the waist. This gorgeous one sheet is the fabled "bicycle" style. This poster was purportedly printed by Spielberg to be distributed to his cast and crew, but this is an unsubstantiated rumor. Whatever the poster's origin, it is one of the most attractive and collectible from the title. It has never been known how many were printed but they are most definitely the style in shortest supply for the film. The poster is virtually flawless. Rolled, Near Mint/Mint.Sold for: $1,434.00. |
| 28626 | Science Fiction Pressbook Lot (Various, 1950s). Pressbooks (5) (Multiple Pages). You'll be headed for the stars with this terrific set lot of pressbooks from some of the most fondly-remembered science fiction films of the 1950s. Included are: Rocketship X-M (Lippert, 1950; 12" X 18"; tape on spine, pages detached), This Island Earth (Universal International, 1955; 12" X 18"; tape on spine, heavy edge wear), The Time Machine (MGM, 1960; 12.25" X 17"; outstanding condition), The Invisible Boy (MGM, 1957; 12.25" X 17"), and Destination Moon (Pathe, 1950; 13.5" X 20.5"; some tape on spine). Aside from the condition issues listed above, the pressbooks have average wear and tear, and many have minor stains, creases, and tears, but are generally in very good, uncut condition. Fine/Very Fine.Not Sold. |
| 28627 | Science Fiction Pressbook Lot (Various, 1950s). Pressbooks (7) (Multiple Pages). Offered here is a very cool lot of pressbooks from some of the most fondly-remembered science fiction films of the 1950s. Included are: Target Earth (Allied Artists, 1954; 12" X 17.5"), It Came From Outer Space(Universal International, 1953; 12" X 18"), Earth Vs. the Flying Saucers (Columbia, 1956; 11.75" X 16"), The Flying Saucer (Film Classics, 1950; 11" X 16"), War of the Worlds (Paramount, 1953; 12.25" X 15"), When World's Collide (Paramount, 1951; 12.25" X 15"), and The Day the Earth Stood Still (20th Century Fox, 1951; 14" X 18", has tape on the spine, water damage, and damage/paper loss on the right side of most pages). These pressbooks have average wear and tear, and many have minor stains, creases, and tears, but are generally in very good, uncut condition. Fine/Very Fine. Sold for: $507.88. |
| 28628 | Science Fiction Pressbook Lot (Various, 1950s & 60s). Pressbooks (8)( Multiple Pages). A great collection of pressbooks from some of the most fondly-remembered science fiction films of the 1950s and 60s. Included are: Devil Girl From Mars (Spartan, 1955; 11" X 14"), The Incredible Shrinking Man (Universal International, 1957, 12" X 18"), Invaders from Mars (20th Century Fox, 1953; 11" X 15", color comic strip included), Invasion of the Body Snatchers (Allied Artists, 1956; 12" X 18"), The Thing (RKO, 1951; 12" X 18"), Monolith Monsters (Universal International, 1957; 12" X 18"), and Day of the Triffids (Allied Artists, 1962; 12" X 18"). The pressbooks have average wear and tear, and many have minor stains, creases, and tears, but are generally in very good, uncut condition. Fine/Very Fine. Sold for: $418.25. |
| 28629 | Science Fiction Pressbook Lot (Various, 1950s). Pressbooks (9) (Multiple Pages). Some of the greatest giant monster/science fiction titles of the 1950s are represented in this outstanding collection of pressbooks. Included are: 20 Million Miles to Earth(12" x 16"), The Monster that Challenged the World/The Vampire Double Feature (11" x 17"), It Came From Beneath the Sea (12" x 16"), The Fly (13" x 16.5", light wear on cover), Tarantula! (original release, 12" x 18"), Tarantula! (re-issue, 12" x 18", light overall toning), The Mole People (original release, 12" x 18"), The Mole People (re-release, 12" x 18", punch holes in the border), and Them! (11" x 17"). The pressbooks all have light overall wear, but are generally in great, uncut shape. Very Fine-.Sold for: $418.25. |
| 28630 | Glen or Glenda (I Led Two Lives) (Screen Classics Inc., 1953). One Sheet (27" X 41"). Inspired by the real-life case of Christine Jorgensen, who underwent the first highly-publicized sex-change operation in 1952, this semi-autobiographical film, about a young man named Glen who likes to wear women's clothing, was obviously a deeply personal one for director and star Edward D. Wood Jr., himself a notorious transvestite. At its core, this is an impassioned plea for tolerance and acceptance, a courageous stance to take in the 1950s. Although Wood is often reviled for his lack of talent as a filmmaker, this is a decidedly entertaining film, highlighted by a bizarre, over-the-top performance by the great Bela Lugosi. Offered here is the very rare one sheet for this cult favorite. It has one pinhole in the bottom right, edge wear, a dust shadow in the top left border, a tear in the left edge at the bottom horizontal fold, and crossfold separations. These minor flaws aside, this is a very attractive and desirable poster, one that is rarely offered to the collecting public. Very Fine.Sold for: $2,031.50. |
| 28631 | Temptation (Micheaux Film Corporation, 1935). Lobby Card (11" X 14"). An important figure in the early days of the movies, Oscar Micheaux was the first black director to produce a feature length film (The Homesteader in 1919), and the first black director to release a feature-length sound film (The Exile, 1931). A leading independent cinema pioneer, he specialized in films with all-black casts, and labored to combat racism and promote high values and high achievements to black audiences through his movies. His film, Within Our Gates (1920) was made as a specific response to D. W. Griffith's The Birth of a Nation (1915), a movie that was seen as largely racist due to its positive depiction of the Ku Klux Klan. Micheaux produced more than 40 films between 1919 and 1948 in a variety of genres, and is seen today as a vital force in the development of motion pictures. Offered here is a lovely lobby card from Temptation, a film about a young model (Ethel Moses) who tries to go straight after getting involved with a notorious gangster (Andrew Bishop). The card has pinholes in the corners, chips in the tops corners, a bend in the bottom right, and minor staining in the top and right borders, and in the image area. It is, however, a very attractive card from a very important filmmaker. Fine/Very Fine. Sold for: $388.38. |
| 28632 | Murder in Harlem (Micheaux Film Corporation, 1935). Title Lobby Card (11" X 14"). Based on the infamous Leo Frank case of 1915 (Frank was an American Jew living in Georgia, convicted of raping and murdering a young girl, although subsequent evidence cast doubt on his guilt. After his sentence was commuted to life, he was kidnapped from prison and lynched), this film, directed by Oscar Micheaux, tells the story of Henry Glory (Clarence Brooks), a night watchmen who finds a dead girl in a chemical warehouse and is himself accused of the crime. The striking title card offered here shows light surface scratches, edge wear in the left border, light creasing in the left side and in the top right, and a small dent in the right center. It remains, however, a beautiful piece from an important director, one of the leading figures in early black cinema. Very Fine-.Sold for: $956.00. |
| 28633 | The Bronze Buckaroo (Sack Amusement Enterprises, 1939). One Sheet (27" X 41"). Blessed with a velvet voice, Herb Jeffries was an original member of The Great Duke Ellington Orchestra with whom he made several hit records. But Jeffries was not content to be just another jazz singer, and in the 1930s, he set his sights on movies. White audiences had embraced singing cowboys such as Gene Autry and Roy Rogers, but black movie goers were hungry for a hero in a white hat that they could call their own. With the look of a champion and a solid singing background, Jeffries (who was often credited as Herbert Jeffrey) was a perfect fit and a legend was born. Posters from all black films are highly sought after and none more so than these gorgeous Western sheets. This magnificent, unrestored example has light wear along the edges, minor staining and tanning in the borders, and small separations at the crossfolds. Very Fine. Sold for: $2,629.00. |
| 28634 | Lying Lips (Micheaux Film Corporation, 1939). Lobby Card (11" X 14"). One of the last pictures helmed by famed director Oscar Micheaux, this all-black-cast film is about a singer (Edna Mae Harris) framed for murder, and the efforts of her boyfriend (Carman Newsome) to track down the real killer. The beautiful lobby card offered here shows edge wear in the bottom border, minor staining in the right border, small bumps and creases in the top corners, and light smudging, but remains a very attractive and desirable card that will be an important addition to any collection. Very Fine.Sold for: $956.00. |
| 28635 | One Big Mistake (Supreme, 1940). One Sheet (27" X 41"). Here is an incredible find, original paper for a short subject Black artist featurette from 1940. This fun poster depicts legendary comedian "Pigmeat" Markham. George Kirby once said of him, "..he walked in the back door so that we young comics could walk in the front." Indeed, Markham performed in everything from Race records, vaudeville, film, Vegas nightclubs, and finally television's Laugh-In. The Lillian Randolph mentioned on the poster was the voice for "Mammy Two-Shoes" in all the Tom and Jerry cartoons! Professional restoration has addressed small pinholes, slight edge wear, a small right border tear, and small cross fold separations with small chips. Some chips in the lower right corner have been restored and with quality work, the poster displays bright and fresh. Original featurette paper for vintage black films is seldom seen. Don't miss this one! This film was later re-edited and re-released as Pigmeat's Laugh Hepcats. Fine/Very Fine on Linen. Not Sold. |
| 28636 | Open the Door Richard (All-American, 1945). One Sheet (28.5" X 41"). Here is one of the most elusive Black cinema featurette one sheets on record. It not only is a totally unique film poster in its own right, but it speaks a volume about Black entertainment history. The trail begins with an early vaudeville routine by Pigmeat Markham, which became a staple stage skit at the Apollo Theater by Dusty Fletcher, and culminates in 1947 with the release of no fewer than five Billboard Top Ten releases by different artists after legendary saxophonist Jack McVea wrote the music in 1946. Indeed, the title proved so popular that it became Count Basie's only #1 record. It even spawned a Yiddish version by Molly Picon! This rare poster is for a 12 minute short of just the skit itself, released in 1945 before the song versions, and stars Dusty Fletcher along with Stepin Fetchit as "Richard." The restoration is excellent and the original poster had only a small corner chip in the top right, a paper lift below the T, edge wear in the bottom border, and some mild stains in the right center border. Very Fine- on Linen. Not Sold. |
| 28637 | I Ain't Gonna Open That Door (Unknown, 1949). Midget Window Card (8" X 14"). Born Lincoln Theodore Monroe Andrew Perry, Stepin Fetchit was one of the most successful, and controversial, black performers of the twentieth century. With his slow-witted, lazy character - the polar opposite of the actor's true nature - Perry reached the heights of superstardom in the 1930s, becoming a millionaire in the process. Although his movie appearances remain controversial to this day, there's no denying that Perry was a landmark figure in Hollywood, whose pioneering career helped to pave the way for black performers of later generations. Vintage paper featuring this legendary artist is extremely rare and, consequently, quite collectible today. This midget window card from one of the actor's best known musical shorts as it was the sequel to his very well known Open the Door, Richard short, shows pinholes in the corners and borders, tanning at the top 1.5", and light corner creasing, but is otherwise extremely clean and attractive. Don't miss this opportunity to add this unique piece to your collection. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $239.00. |
| 28638 | Dorothy Dandridge Advertising Poster (Jackson Brewing, 1950s). Poster (21" X 28"). Although her earliest film appearances were bit parts in A Day at the Races and an Our Gang short, Dorothy Dandridge was destined for greater things. With a sultry voice and a beauty that transcended race, her breakout performance in Otto Preminger's musical Carmen Jones won her a Best Actress Oscar nomination. This 1950s advertising poster for Jax Beer features Dandridge as she was best known prior to Carmen Jones, as a stunning and glamorous songstress. This hardboard poster has undergone restoration to address cracks and tears. As such, there is painting in the image and a few minor chips have formed in the borders. But this very rare poster still serves as a reminder of the unmistakable allure of one of Hollywood's all-time great beauties. Very Good. Sold for: $776.75. |
| 28639 | Dorothy Dandridge Portrait Still (1950s). Still (8" X 10"). Vintage black and white, single weight, glossy still. A talented singer and actress, Dorothy Dandridge was the first black performer to appear on the cover of Life magazine. Best known for her performance as the title character in Carmen Jones (1954), she was the first black actress to receive a Best Actress Academy Award nomination. This lovely still has wrinkling in the image area and small creases in the top left and bottom right, but is otherwise in superb condition. Very Fine. Not Sold. |
| 28640 | First National Exhibitor's Book (First National, 1927-28). Exhibitor's Book (9.75" X 12.5"). First National was founded in 1917 as an association of independent theater owners who, reacting to the overwhelming market dominance and control exerted by Paramount, banded together first to exhibit and distribute films, and later to actually produce them. They made the first million-dollar deals in the history of motion pictures with Mary Pickford and Charles Chaplin, and quickly became a force with which to be reckoned. By 1924, they were actively producing films, and by 1926 they built their own studios in Burbank. Warner Brothers purchased a majority interest in the studio in 1928, but it wasn't until First National formally dissolved in 1936 that the two were formally combined. From 1941 until 1958, most WB films bore the Warner Bros.-First National logo. Offered here is a marvelous exhibitors book from the 1927-28 season -- when First National was at the height of its power -- spotlighting some of their biggest stars. Within the pages of this classic can be found such important names as Norma Talmadge, Ken Maynard, Colleen Moore, Richard Barthlemess, Harry Langdon, Mary Astor, and Anna Q. Nilsson in wonderful, full-color advertisements for upcoming films. The book is in superb condition, with only the slightest surface scuffing and light overall wear keeping it from an even higher grade. Near Mint. Sold for: $537.75. |
| 28641 | Fox Film Corporation Exhibitor's Book (Fox, 1926). Exhibitor's book (9.5" X 15.5"). Founded in 1915 by William Fox, the studios that bore his name were originally a joining of two separate businesses: the Greater New York Film Rental distribution company, and the Fox Office Attractions production company. An early adopter of sound technology, Fox acquired the rights to several sound-on-film processes, resulting in the Fox Movietone series, which ran until 1963. By 1926, he built Movietone City, a studio near Beverly Hills, and in 1929 was in the midst of a deal to acquire the holdings of Loews/MGM, but a car accident and the calamitous stock market crash took their toll, and Fox was wiped out. The studio struggled on for a time, but by 1935, what was left of Fox merged with Twentieth Century Pictures to become Twentieth Century Fox. During its hey-day, Fox released such classic films as Cleopatra (1917), Sunrise (1927), Just Imagine (1930), Rebecca of Sunnybrook Farm (1932), and Hoopla (1933). Offered here is an exquisite exhibitor's book from 1926, a period during which Fox and his studio were on top of the world. Within these hard-bound pages, you'll find full-page images of such top performers and directors as John Ford, Frank Borzage, Raoul Walsh, F. W. Murnau, Howard Hawks, Madge Bellamy, Tom Mix, Janet Gaynor, Buck Jones, and more, as well as spectacular spreads devoted to such pictures as Three Bad Men, What Price Glory, and The Great K and A Train Robbery, to name just a few. The book shows wear on the covers, small stains on some of the interior pages, light wear on some of the interior photos, and rounded corners, but remains an exciting treasure from a powerhouse studio. Fine/Very Fine.Sold for: $334.60. |
| 28642 | Paramount Exhibitor's Book (Paramount, 1934-35). Exhibitor's Book (Multiple Pages, 9.25 X 12.25"). Paramount in the 1930s was a magical place. With such luminous stars as Marlene Dietrich, Mae West, Claudette Colbert, Gary Cooper, Bing Crosby, W. C. Fields, George Raft, Sylvia Sidney, Carole Lombard, and Charles Laughton, Paramount was truly a dream factory. This exquisite vintage exhibitor's book spotlights all these great stars and many more, as it promotes such time-honored pictures as The Scarlet Empress, Cleopatra, Lives of a Bengal Lancer, She Loves Me Not, Mississippi, and Ruggles of Red Gap, as well as a tantalizing selection of pictures planned but never filmed, such as the Mae West vehicle, The Queen of Sheba, which would have featured the blonde bombshell in a Biblical epic. This exquisite and colorful book is spiral bound, and shows edge wear and minor creasing to the covers, as well as corner bumps, but is in superb condition, making it a fine piece for any film history collection. Very Fine. Sold for: $298.75. |
| 28643 | Pathe' Exhibitor's Book (Pathé, 1926-27). Exhibitor's Book (30 Pages, 11" X 14") They were the distributors of the comedies of the Hal Roach and Mack Sennett Studios. Pathe' distributed the product of the independent studio and this lovely exhibitor book pictures so many such as the Our Gang series, the Harold Lloyd short comedies, the Charley Chase and Ben Turpin shorts. Full-color and beautifully illustrated, this book is in very nice condition with just general wear of the cover. Fine+.Sold for: $262.90. |
| 28644 | RKO Exhibitor Book 1931-32 (RKO, 1931). Exhibitor's Book (11" X 14"). This is, without a doubt, one of the most attractive exhibitor's books we've ever come across, featuring full-page, full-color paintings by such artists as Frederic C. Madan, Armando Seguso, Russell Patterson, and Frank Bensing, promoting upcoming films for the years 1931 and 1932, including Bird of Paradise and The Dove, both with Dolores del Rio, Marcheta, featuring Richard Dix and Irene Dunne, The Woman Between, with Lily Damita, Symphony of Six Million, Miracle City, Glamour, Every Girl, Exposed, Love Affair, The Slander Girl, three new comedies by the team of Bert Wheeler and Robert Woolsey, and more. Of course, some of these films would never be made, and some would undergo changes of title or cast, but the book itself is a beautiful artifact from a truly glamorous time in Hollywood history. Also featured are full page portraits of such lovely stars as Hope Williams, Ina Claire, Irene Dunne, Lily Damita, and more. One look at these marvelous vintage illustrations, and you'll find yourself spellbound by their classic beauty. The book itself has survived the intervening decades nicely, with only some slight edge wear, light spine wear, and a bit of wear on the first page, to show its age. This exquisite book will certainly be the centerpiece of any vintage Hollywood collection. Very Fine+. Sold for: $836.50. |
| 28645 | Radio Pictures Exhibitor Book (RKO, 1930-31). Exhibitor Book (14" x 11"). Radio Pictures (later RKO Radio), produced gorgeous artwork for the advertising of their films. There are 40 pages of outstanding illustrations by artists such as Fredric Madan, Ralph Iligan, Karl Godwin and Armand Seguso. The films promoted with multiple page spreads include Cimarron (Best Picture winner), Check and Double Check w/ Amos 'n' Andy, Half Shot at Sunrise w/ Wheeler & Woolsey, Babes in Toyland, and Dixiana. This book has edge wear and surface wear on the cover, and dings in the top and bottom right corners that runs through the entire book. The interior pages are in nice shape with average wear, and still boast fantastic color on this outstanding artwork. Fine/Very Fine.Sold for: $388.38. |
| 28646 | Universal Campaign Book (Universal, 1932-33). Exhibitor's Book (Multiple pages, 10" X 13.25"). By the early 1930s, Universal was one of the biggest studios in Hollywood. After scoring hit after hit in the silent era, they triumphed in the early sound years with their legendary horror line-up, including Dracula (1931) with Bela Lugosi and Frankenstein (1931) with Boris Karloff. The beautiful exhibitor's book offered here captures the spirit of Universal at this exciting time, featuring adds for such legendary films as The Invisible Man (noted in here as starring Karloff, billed as "the master of the impossible in make-up" in an obvious attempt to make him the successor to the recently-departed Lon Chaney Sr.), The Old Dark House, Nana, Laughing Boy, and Once in a Lifetime, as well as a number of films that were announced but never made (one of the most intriguing is a double page ad for a Karloff movie called Cagliostro, about a man who had lived for thousands of years. Taking notice of the then-current craze for all things Egyptian, the screenplay was reworked to become The Mummy). Best of all, the book sports illustrations by some of the studio's greatest artists including Karoly Grosz, Kulz, A. M. Froelich, Mulford, Wynne W. Davies, and more. The book shows some slight fading on the cover, some light staining to the top edges of some of the pages, small edge tears and chips to a few pages, and a detached centerfold. In spite of these minor flaws, this is a terrifically attractive book that any collector will be proud to own. Fine. Not Sold. |
| 28647 | Universal Weekly (Universal, 1925). Exhibitor's Book (8" X 10.75"). At the height of the silent era, Universal was one of the jewels in the Hollywood crown. With some of the biggest stars and the biggest productions, audiences always counted on big things from Universal, and they were rarely disappointed. Offered here is the May 16, 1925 issue of Universal Weekly, spotlighting some of the studio's upcoming productions. The Phantom of the Opera receives a two-page spread, as does a review ad for The Hunchback of Notre Dame, released in 1923 and here being promoted for re-release. Many of Universal's top stars are featured, such as Hoot Gibson in Spook Ranch, Laura LaPlante in The Plot Thickens, House Peters in The Titans, Norman Kerry and Patsy Ruth Miller in Lorraine of the Lions, Reginald Denny in Where Was I?, and Mary Philbin in Stella Maris. An exquisite book, it shows some light edge wear and some minor corner creasing, but is otherwise quite clean and attractive, especially considering its age. Very Fine+.Sold for: $262.90. |
| 28648 | Warner Brothers Exhibitor Book (Warner Brothers, 1926-27). Exhibitor's Book (13.5" X 22"). The third-oldest studio in Hollywood history, Warner Brothers was founded in 1918 by Harry, Albert, Sam, and Jack Warner, Polish immigrants who got their start in the business by showing movies in the mining towns of Pennsylvania and Ohio. Originally a small but ambitious studio, their first major success was with animal star Rin-Tin-Tin. Quickly moving up through the 1920s, they would become a powerhouse, one of the largest studios in Hollywood, a distinction they hold to this day. Offered here is an exhibitor's book from the 1926-27 season. It's panoramic pages feature beautiful, full-page illustrations promoting films with some of their biggest stars, including Irene Rich, Monte Blue, Dolores Costello, Patsy Ruth Miller, and, of course, Rin-Tin-Tin. It has tape on the spine, wrinkling on the cover, a replaced back cover, and a piece missing from the last page that has been repaired with tape. Still and all, it is a wonderful piece of movie history that will be a valued part of any collection. Fine+.Sold for: $239.00. |
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Session 3 |
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| 28649 | Casino Royale (Columbia, 1967). Lobby Card Set of 8 (11" X 14"). For almost twenty years this was the only James Bond film produced, that was not done by the Broccoli/Saltzman team. David Niven played an aging Bond in this highly stylized sixties spoof of the Connery films. The complete lobby set from this film has been known to somewhat elusive over the years. Here is the set in a very clean condition with only the most minor corner wear. Very Fine+.Sold for: $179.25. |
| 28650 | Casino Royale (Columbia, 1967). Japanese STB (20" X 58"). David Niven steps into the role of 007 for this comedic take on Ian Fleming's masterful novel. Woody Allen, Peter Sellers and Ursula Andress (who also makes a legendary appearance in Dr. No) co-star. This gorgeous Japanese poster has been well cared for. The top panel is near perfect condition an the bottom panel only has a small crease in the bottom border and a few tiny tears at the edges. Wonderful images of the cast adorn this colorful poster that is ready for immediate display. Near Mint-.Sold for: $657.25. |
| 28651 | Dr. No (United Artists, 1962). One Sheet (27" X 41"). It takes a great film to launch a legendary franchise; a great film like this one! The first movie in the long-running and popular James Bond series, this exceptional action picture introduced Sean Connery as author Ian Fleming's dashing superspy 007, a quick-witted special agent with a license to kill. In this initial outing, Bond matches wits with Dr. Julius No (Joseph Wiseman) of Crab Key, Jamaica, a mad scientist bent on world domination. Bond movie material is always in high demand, from poster collectors and film buffs alike, with the early Connery sheets proving some of the most desirable. The particular copy offered here, unbacked and unrestored, is very lightly used and in superb condition, with only single pinholes in the corners and some very light foxing in the bottom right keeping it from an even higher grade. If you're just starting, or adding to, a Bond collection, you can't go wrong with this stunner! Very Fine+. Sold for: $1,075.50. |
| 28652 | From Russia with Love (United Artists, 1964). Three Sheet (41" X 81") Style B. The second film in the long-running James Bond franchise, this fast-paced, action-packed picture pits Agent 007 (Sean Connery) against a pair of diabolical SPECTRE agents, the venomous Rosa Klebb (Lotte Lenya) and the brutal Donald "Red" Grant (Robert Shaw), as Bond races to retrieve a top secret Soviet decoding device. Bolstered by the success of Dr. No, this film had an increased budget, which meant more action, more special effects, more beautiful women...in short, more of what makes a Bond film a Bond film! One of the best films in the entire series, offered here is the rare and desirable Style B three sheet, which shows some edge wear and pinpoint crossfold separation. Aside from these minor flaws, the poster appears unused. Very Fine. Sold for: $567.63. |
| 28653 | From Russia with Love (United Artists, 1964). Six Sheet (81" X 81"). Ian Fleming's novel, From Russia with Love, was chosen as the basis for the second film in the James Bond series when President John F. Kennedy listed it among his ten favorite books of all time. In fact, it's reported that this was the last movie the late President ever saw, in a private showing in the White House on November 20, 1963. The film, of course, is one of the best Bond movies ever made, with non-stop action throughout, and a tough-as-nails Agent 007 (Sean Connery) opposing the villainous forces of SPECTRE, all the while finding time to make love to the beautiful Tatiana Romanova (Daniela Bianchi). What more could any Bond fan ask for? This rare and desirable six sheet has never been used, and remains as fresh and clean as the day it was printed. If you're looking for the perfect piece to enhance your Bond collection, look no further. Near Mint. Sold for: $1,314.50. |
| 28654 | From Russia with Love (United Artists, 1964). Japanese B2 (20" X 28.5"). This was the second film featuring Ian Fleming's superspy James Bond (Sean Connery), upping the ante significantly from the previous film, Dr. No. The rare Japanese B2 offered here has some very slight wrinkling along the left border, but is otherwise as fresh as the day it was printed. No Bond collection is complete without this classic beauty! Rolled, Near Mint.Sold for: $286.80. |
| 28655 | Goldfinger (United Artists, 1964). One Sheet (27" X 41"). Powerful tycoon Auric Goldfinger (Gert Fröbe) has initiated "Operation Grand Slam," a cataclysmic scheme to raid Fort Knox and obliterate the world economy. James Bond (Sean Connery, of course), international super-spy and man of mystery, is called in to defeat him. Honor Blackman is memorable as Bond babe Pussy Galore, and Shirley Eaton is the gilded girl. This classic one sheet had pinholes, light edge wear, crossfold separations, extra horizontal creasing, and a chip in the bottom left border, all of which has been addressed with expert professional restoration. No Bond collection is complete without the Gold. Very Fine on Linen. Sold for: $956.00. |
| 28656 | Goldfinger (United Artists, 1964). Japanese B2 (20" X 29"). This spectacular Japanese B2 poster definitely plays up the sex appeal of this third outing for Sean Connery's super-agent 007: Bond, James Bond. A huge portrait of Connery, gun at the ready, dominates, and a bikini-clad Shirley Eaton catches the eye as well. The poster the slightest bit of fold wear, but is otherwise flawless. A must for Bond-o-philes. Very Fine+ on Linen.Sold for: $358.50. |
| 28657 | Goldfinger (United Artists, 1964). Japanese Speed (10" X 14.5"). Sean Connery returns for his third outing as Ian Fleming's superspy James Bond, code name 007. This nifty Japanese speed features a better-than-average look at the gilded Shirley Eaton, while the reverse has a great portrait of Connery and exciting scenes from the movie. The sheet is in great condition, with a vertical fold and creases in the corner. If you are looking form something different from your favorite Bond thriller, this is it! Very Fine.Sold for: $239.00. |
| 28658 | Goldfinger (United Artists, 1964). Lobby Card Set of 8 (11" X 14"). Considered by many to be the very best film in the James Bond franchise, this time 007 (Sean Connery) goes up against Auric Goldfinger, a man obsessed with gold, who plans to rob the treasury at Fort Knox, with the assistance of the lovely Pussy Galore (Honor Blackman) and her flying circus, and his silent but deadly manservant Oddjob (Harold Sakata). With this, the third film in the popular franchise, the Bond series really hit its stride, and virtually every entry since has taken a cue from this modern classic. The lobby set offered here is in remarkable condition. The #1 card shows some foxing in the borders and some very minor surface paper loss at the bottom, but the remainder of the cards are extremely clean. As far as Bond paper is concerned, this set is solid gold! Very Fine+.Sold for: $1,195.00. |
| 28659 | Goldfinger (United Artists, 1964). Insert (14" X 36"). After successes with Dr. No and From Russia With Love, the producers of the James Bond franchise pulled out all the stops in this incredible picture, which many still consider to be the best in the series. Here, 007 (Sean Connery) opposes Auric Goldfinger (Gert Fröbe), a madman obsessed with gold who plans to knock over Fort Knox! Honor Blackman plays Pussy Galore, one of the most memorable Bond girls, and Harold Sakata, as the bowler-throwing Oddjob, provides a formidable opponent for the British Special Agent with a licence to kill. This excellent insert has a small edge tear in the bottom border, slight corner bumps, and corner creases in the bottom right, but is otherwise in excellent condition. Rolled, Very Fine-. Sold for: $896.25. |
| 28660 | Goldfinger (United Artists, 1964). Three Sheet (41" X 81"). It's up to James Bond (Sean Connery) to save Fort Knox and the U.S. economy from the evil Dr. Goldfinger (Gert Fröbe) and his assistant Pussy Galore (Honor Blackman) in this trend-setting, special effects, Oscar-winner. This big, bold poster features some of the movie's best scenes. It has some crossfold separation, light wrinkling, light edge soiling, and pinholes at the edges. A sought-after Sean Connery poster in vibrant color. Very Fine.Sold for: $1,195.00. |
| 28661 | Goldfinger (United Artists, 1964). French Grande (47" X 63"). Sean Connery reprised his role as Ian Fleming's master spy James Bond in this, the third installment in the Bond series. This film also introduced the most famous "Bond Girl" of the series, the stunning Honor Blackman as Pussy Galore. This is the French Grande poster which offers striking Jean Mascii artwork. This lovely unrestored example has some minor tears at the fold lines and minor crossfold separation with slight paper loss, but still presents beautifully with great color. This has to be one of the best posters produced for one of the best Bond films! Very Fine. Sold for: $837.70. |
| 28662 | Thunderball (United Artists, 1965). Advance British Quad or Quad Crown Poster Style A (30" X 40"). This extremely rare, and highly sought, country of origin British Quad is one we have not offered before, and which will surely be the highlight of all Bond fans' attentions. Ian Fleming's agent 007 is at his most spectacular, with Sean Connery in his fourth, and some say best, outing as Bond. The non stop action takes place in the air, on the land, and in the sea. Bond is up against mastermind Emilio Largo (Adolfo Celi), and his diabolical SPECTRE agents, who have hijacked nuclear weapons. This is the very rare Advance Quad of which only a handful of copies still exist or left uncut and is the only poster from this film to use the artwork featured on the lower right side by Robert McGinnis and Frank McCarthy. The poster was advertised in the British pressbook as the Quad Crown Poster as it was meant to be cut into Double crown posters by the theater owner as there were no Double Crown's sold to theater in the promotions. Instead the pressbook gives instructions to the theater manager to 'CUT' the teaser poster into pieces to make a variety of Double Crowns and shows 6 different Double Crown posters that can be made from cutting the teaser poster. The poster has edge wear at the top and surface paper scuffs from tape removal at the top edge. This extraordinary quad is the ultimate in Bond artwork and one we are very excited to present. Folded, Very Fine.Sold for: $16,730.00. |
| 28663 | Thunderball (United Artists, 1965). British Color Front of House Still Set of 8 (8" X 10"). Great set of rare country of origin British front of house color stills for this classic Sean Connery/James Bond adventure. Featuring very different images from the U.S. lobby set, this highly desirable British set is a must for any serious Bond collector. There is only light creasing on several of the stills that prevents the set from being graded mint. Very Fine+.Sold for: $657.25. |
| 28664 | Thunderball (United Artists, 1965). Japanese B2 (20" X 29"). Befitting 007's growing popularity, the budget for Thunderball was more than the previous three Bond films combined, and provided a rousing gadget-filled adventure. Sean Connery continues his run as the suave superspy. This outstanding Japanese B2 has great images from the film, and plenty of sex appeal. It is in superb condition, with a small crease in the top left corner and wrinkling in the bottom right border being the only issues. Very Fine+.Sold for: $448.13. |
| 28665 | Thunderball (United Artists, 1965). One Sheet (27" X 41"). By the time Thunderball was released in 1965, the James Bond film franchise had really hit its stride. Complete with all the gadgets, guns, and girls for which the series had become known, this action-packed film stars Sean Connery as British Special Agent 007, who tries to prevent Emilio Largo (Adolfo Celi), nefarious agent of SPECTRE, from engulfing the world in a nuclear holocaust. The one sheet offered here, which is, by the way, the preferred version with the back of the jetpack extending above the green border, had some crossfold separation, but this is barely noticeable after expertly applied professional restoration. This is a gem piece that is sure to add luster to any Bond collection. Very Fine+ on Linen.Sold for: $2,031.50. |
| 28666 | You Only Live Twice (United Artists, 1967). Subway (41" X 54") Advance. In this thrill-packed entry in the James Bond series, Agent 007 (Sean Connery) travels to Japan to stop the outbreak of World War III, following the disappearance of several manned space missions. As he investigates the mystery, Bond comes face-to-face with his arch-nemesis, Ernst Stavro Blofeld. After this film, Connery announced that he was leaving the franchise, which he did for one picture, before returning for one final fling as Ian Fleming's iconic secret agent in Diamonds Are Forever (1971). The stunning subway advance poster offered here is in superb condition, likely never used, with only some light fold wear and pinpoint crossfold separation keeping it from an even higher grade. This is a poster that no true Bond fan will want to be without! Very Fine+.Sold for: $717.00. |
| 28667 | You Only Live Twice (United Artists, 1967). Teaser One Sheet (27" X 41") Style A. It's off to the Land of the Rising Sun for British superspy James Bond (Sean Connery) in this popular film. SPECTRE, the worldwide terrorist network, is hijacking spacecraft, and it's up to 007 to stop them before their actions provoke World War III. Offered here is the gorgeous teaser poster for this exciting film, which offers a graphic recap of the four pictures that had gone before: Dr. No (1962), From Russia with Love (1963), Goldfinger (1964), and Thunderball (1965). It has crossfold separations, and edge tears at the fold lines in the right border. The poster remains, however, very attractive and desirable, one that any Bond fan will certainly display proudly. Very Fine-. Sold for: $478.00. |
| 28668 | You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Style B. Superspy James Bond (Sean Connery) goes to the Land of the Rising Sun to combat the evil forces of SPECTRE in this, one of the most action-packed and gadget-laden entries in the popular franchise. The Style B one sheet offered here, the "gyrocopter style," is one of the most desirable of the entire series, and is a must-have for any 007 collector. This exquisite copy is about as clean as they come, a beautiful copy you will be proud to own. Near Mint.Sold for: $956.00. |
| 28669 | You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Style C. 007, James Bond (Sean Connery) has only a few days to save the world from all out war as the Soviet Union and the United States hold each other accountable for a missing space craft. Her Majesty's Secret Service has other ideas about the missing ships as the investigation leads James Bond to the Sea of Japan. Aside from light wear along the edges, this poster is a remarkable example. Very Fine+.Sold for: $776.75. |
| 28670 | You Only Live Twice (United Artists, 1967). British Color Still Set of (8) (8" X 10"). For his fifth outing, 007 (Sean Connery) traveled to Japan to stop his arch-enemy, Ernst Stavro Blofeld (Donald Pleasance), from instigating World War III from his base inside an active volcano. This is a gorgeous country-of-origin color still set in near perfect condition with the original wrapper. Near Mint/Mint.Sold for: $657.25. |
| 28671 | You Only Live Twice (United Artists, 1967). British Color Front of House Still Set of 8 (8" X 10"). Rare set of country of origin British front of house color stills from this classic James Bond/Sean Connery adventure. Featuring many different shots then are seen on the U.S. lobby set, this highly desirable set is a must for any serious Bond collector. Very Fine/Near Mint.Sold for: $717.00. |
| 28672 | On Her Majesty's Secret Service (United Artists, 1970). Japanese B2 (20" X 28.5"). One of the better entries in the Bond canon, the film stars George Lazenby in his only turn as Ian Fleming's famous secret agent 007. Sticking closer to the book than any of the other films resulted in the deepest emotional resonance of the entire series. This Japanese B2 only has light horizontal bending. Beautiful artwork of the three stars. Rolled, Near Mint.Sold for: $191.20. |
| 28673 | Diamonds Are Forever (United Artists, 1971). Japanese B2 (20" X 28.5"). After taking a one-picture break, Sean Connery returned to the role of James Bond for his last canonic appearance as Ian Fleming's British superspy, Agent 007. In this exciting and action-packed picture, Bond confronts his old nemesis, Ernst Stavro Blofeld (Charles Gray) who, this time, is involved in a world-wide diamond smuggling operation. Offered here is a beautiful Japanese B2, boasting a fabulous image of Connery. It has pinholes in the corners, and a horizontal bend in the center, but is otherwise unmarked and pristine. No Bond collection is complete with this extraordinary gem. Very Fine/Near Mint.Sold for: $191.20. |
| 28674 | The Habit of Happiness (Triangle, 1916). Lobby Card (11" X 14"). Before he became the silent screen's leading swashbuckler, Douglas Fairbanks made his name in light romantic comedies like this one, in which he tries to spread the doctrine of laughter, convinced that it will cure any ailment. During a sequence set in Skid Row, director Allan Dwan brought in real homeless people who, at the outset, did not laugh at the jokes Fairbanks told. Trying to get a rise out of his audience, he began telling extremely off-color stories, which achieved the desired response, but outraged lip readers in the audience when the film was released. Offered here is a wonderful lobby card from this early classic, which represents Fairbanks's fifth outing in front of the cameras. It has some edge wear in the bottom border, a small corner chip in the top right, small creases in the bottom right and top left corners, a smudge in the right border, and a small dent in the top border. These minor flaws do nothing to detract from the overall desirability of this classic card. Very Fine. Sold for: $388.38. |
| 28675 | The Nut (United Artists, 1921). Lobby Cards (3) (11" X 14"). Douglas Fairbanks Sr. was making the transition from modern romantic stories to adventures when The Nut was made; The Mark of Zorro was the picture before this one, and The Three Musketeers would come after. He plays an eccentric inventor in love with his neighbor, Marguerite De La Motte, who is seen on several of the cards featured here. One of the cards pictures Fairbanks with impersonators from a garden party. In the film, Fairbanks' good friend Charlie Chaplin, in a cameo, appears as as Chaplin impersonator! Two of the cards have pinholes in the corners. These cards are in very nice, clean condition. Very Fine+. Sold for: $478.00. |
| 28676 | Don Q, Son of Zorro (United Artists, 1925). Lobby Card (11" X 14"). When star Douglas Fairbanks discovered author Johnston McCulley's Zorro, the masked protector of the people of Spanish Colonial California, it changed his career. Prior to his leading role in The Mark of Zorro (1920), Fairbanks had made his name as a leading man in a series of light, romantic comedies. Now, he was able to reinvent himself as a swashbuckler,. a move that would ensure superstar status for the popular actor. Five years later, Fairbanks returned to the screen as Zorro's son, the dashing Don Cesar, in this action-packed film that scored a major hit for the energetic actor. Offered here is a fabulous scene card from this classic film, showing Fairbanks at his athletic best. It has pinholes in the corners, but is otherwise in superb condition, a great piece that will enhance any collection. Very Fine+.Sold for: $179.25. |
| 28677 | The Gaucho (United Artists, 1927). Title Lobby Card (11" X 14"). At the height of his fame, Douglas Fairbanks wrote, produced, and starred in this unusual adventure film. Fairbanks is the Gaucho, an outlaw who plunders the tributes left at the shrine of Miracle City, until he undergoes a religious conversion himself. Mary Pickford makes an unbilled cameo as the Madonna, and Lupe Velez makes her first major film appearance as a lusty mountain girl. This great-looking title lobby card features Fairbanks in repose with symbolically positioned whip. The card had a hole in the upper left field, tears on all borders, some of which extend into the field, and a crease in the top right corner, all of which have been addressed with professional restoration. A fantastic card featuring the top star of the silent era. Fine+.Sold for: $507.88. |
| 28678 | The Gaucho (United Artists, 1927). Lobby Cards (2) (11" X 14"). Douglas Fairbanks began his film career in a series of light romantic comedies, but it was when he discovered his talent for swashbuckling adventure, in such films as The Mark of Zorro, Robin Hood, and The Black Pirate, that he achieved true superstardom. This film is cut from that same adventurous cloth, featuring Fairbanks as the leader of a band of outlaws who eventually sees the light and turns against the leaders of a corrupt government. This is Fairbanks at the height of his fame, made additionally noteworthy by the first screen appearance of the lovely Lupe Velez. Both lobby cards offered here present wonderful images of Fairbanks. The card featuring him and Velez alone has pinholes in the image area, slight edge wear at the top border, a crease in the top right, and light corner bumps, while the card showing the pair with a group of gauchos shows staple holes in the corners, light smudging, and very minor corner bumps. Both are superb examples of a legendary artist at the top of his game. Fine/Very Fine. Sold for: $334.60. |
| 28679 | The Gaucho (United Artists, 1927). Lobby Cards (2) (11" X 14"). The iconic figure that set the standards for all the action heroes who came after him, Douglas Fairbanks was a larger than life character, and one of the Kings of Hollywood in the 1920s. By the time he made this film in 1927, his career was at its peak; he was the adored idol of millions. This movie only helped to cement that position. As a ruthless outlaw who sees the light and leads the countryside in a revolt against the corrupt government, Fairbanks is in fine form here, effortlessly swashbuckling his way across the screen. The cards offered here are in exquisite condition. Both show staple holes in the corners and light smudging, but are overall extremely clean and attractive, the perfect choice for any Fairbanks aficionado. Very Fine-. Sold for: $507.88. |
| 28680 | The Gaucho (United Artists, 1927). Lobby Cards (2) (11" X 14"). Douglas Fairbanks is the Gaucho, a leader of a band of outlaws. When a prosperous village is overrun by a villainous general (Gustav von Seyffertitz), Fairbanks uses his wits and cunning to rescue the town and win the heart of lovely Lupe Velez. These two scene cards have bumps at the corners and staple holes in the borders and fields. Very Fine-. Sold for: $358.50. |
| 28681 | Mary Pickford Portrait Still (1920s). Still (8" X 10"). Vintage sepia-toned, double weight, matte still. One of the most popular, and powerful stars of the 1920s, Mary Pickford was also an astute businesswoman, one of the first female artists to prove as important behind the camera as in front of it. Known as "America's Sweetheart," she was married to Douglas Fairbanks, making them one of the most high-powered couples in Hollywood. This beautiful still, most likely from a very early point in Pickford's career, has light edge wear, writing in pencil on the reverse, an embossed Campbell Studios stamp in the bottom left, and minor corner bumps, but these slight flaws do nothing to detract from the overall beauty of this wonderful piece. Very Fine+. Sold for: $358.50. |
| 28682 | Taming of the Shrew (United Artists, 1929). Half Sheet (22" X 28"). This early "talkie" marked the second time Mary Pickford would speak in a "talking" film and really the first for Douglas Fairbanks. They appeared together in this film for the first time (if Pickford's small uncredited role in "The Gaucho" is not counted). The Shakespeare story was well suited to their talents and made money for the company with an audience anxious to see their favorite couple together. Each of the stars would make only three more films before retiring from the screen. The two stars are highlighted (both in and out of costume) on this attractive half sheet. The poster has some soiling in the top border, small tears in the bottom right and top border, a chip in the top right corner, very minor surface paper loss, and creases in the corner. The sheet retains fabulous color and presents beautifully. Rolled, Fine/Very Fine. Sold for: $2,509.50. |
| 28683 | Reaching for the Moon (United Artists, 1930). Half Sheet (22" X 28"). Wealthy financier Larry Day (Douglas Fairbanks) is a whiz with money, but a dope when it comes to women. Taking instruction in romance from his valet (Edward Everett Horton), Day goes on a cruise and woos the lovely Vivian Benton (Bebe Daniels), but things take a turn for the worse when the stock market crash wipes him out, and almost costs him his happiness. One of Fairbanks's last films, it also features Bing Crosby, as one of the Whiteman Rhythm Boys, singing "Lower Than Lowdown." Offered here is a wonderful, Art Deco-style half sheet, featuring a terrific caricature of Fairbanks. It has a stain in the right border, tears and small chips in the bottom border, a small chip in the bottom left corner, and creasing in the top border. Although the poster has been linen-backed to stabilize it, no restoration has been performed. It is a beautiful piece in any case, a great addition to any collection. Rolled, Fine+ on Linen. Not Sold. |
| 28684 | Reaching for the Moon (United Artists, 1930). Lobby Card (11" X 14"). Although little-known today, this is an important film for several reasons. First, it's one of Douglas Fairbanks's few sound films, and second, it features the solo debut of a young Bing Crosby, who sings a chorus of Irving Berlin's "When the Folks High Up Do a Mean Low Down." And thus a singing sensation was born. This card, with its superb image of Fairbanks and the lovely Bebe Daniels, is in remarkable condition. It has a small crease in the bottom right corner and very tiny corner bumps, but these slight flaws are apparent only upon very close examination. The card is a beauty; reach for your wallet and buy it. Near Mint-. Sold for: $286.80. |
| 28685 | Mr. Robinson Crusoe (United Artists, 1932). Title Lobby Card (11" X 14"). In this, superstar Douglas Fairbanks's next-to-last film, the swashbuckling hero plays Steve Drexel, a wealthy man who accepts a bet that he can survive on a desert island for a year without any of the conveniences of civilization. Of course, being Fairbanks, he's soon living in a treetop penthouse, with the company of Saturday (Maria Alba), a beautiful girl from a neighboring island, and all of the comforts of home. This lovely title card has pinholes in the borders and corners, edge wear, creases in all the corners, and light staining across the entire card. It remains a marvelous piece, with a wonderful image of a major star. Fine-.Not Sold. |
| 28686 | The Narrow Corner (Warner Brothers, 1933). Midget Window Card (8" X 14"). A wonderful showcase for star Douglas Fairbanks Jr., this time out he plays a fugitive, on the run from a manslaughter charge. As he tries to escape his destiny, he discovers that Fate is a cruel master indeed, and that every action has its consequences. Based on a story by Somerset Maugham, the source material would be revisited a few years later and remade as Isle of Fury with Humphrey Bogart. The beautiful midget window card offered here, which shows both Fairbanks and the lovely Patricia Ellis, shows some chipping in the left edge as its only defect of note. Save for that, it would grade much higher. Very Fine-.Sold for: $448.13. |
| 28687 | The Life of Jimmy Dolan (Warner Brothers, 1933). Midget Window Card (8" X 14"). Douglas Fairbanks Jr. plays Jimmy Dolan, a prizefighter who mistakenly thinks he has killed a man and goes on the run from the law. He befriends Loretta Young who runs a health farm for invalid children. Despite the risks, Fairbanks decides to enter a fight contest in order to raise money for the farm, and runs into one of the amateur fighters, played by a young John Wayne. Guy Kibbee plays the persistent lawman after Fairbanks, and Mickey Rooney makes an appearance as one of the invalid kids. This film was remade in 1939 with John Garfield as They Made Me a Criminal. Other than some light edge wear on the right border, this card is flawless. Near Mint-.Sold for: $567.63. |
| 28688 | The Four Horsemen of the Apocalypse (Metro, 1921). Lobby Card (11" X 14"). One of, if not the, highest grossing silent film of all time, this spectacular production, based on the novel by Vicente Blasco Ibanez, not only launched the American tango craze of the 1920s, it also made an instant superstar of a young Italian-born actor named Rudolph Valentino. A compelling story about the horror and pointlessness of war, this is, without a doubt, one of the most significant films of the Jazz Age. The lobby card offered here shows some minor chipping and a name stamp in the upper border, a light dust shadow along the bottom, and some minor corner bumps, but is otherwise in superb condition. For any fans of Valentino or the silent era, this card is a must, as it pictures the up and coming star in the lower left of the card! Very Fine-. Sold for: $298.75. |
| 28689 | The Son of the Sheik (United Artists, 1926). Lobby Card (11" X 14"). Rudolph Valentino is taken prisoner and held for ransom in this key moment from his last film. Like other silver screen idols who died too young, Valentino was the first of that elite group who would become even more famous after their death than in their lifetime. This card has a tear in the right side, some creasing to the left corner, and minor wear to the edges, but remains a wonderful piece picturing one of the most incandescent stars of the silent era. Fine.Not Sold. |
| 28690 | The Son of the Sheik (United Artists, 1926). Lobby Card (11" X 14"). Rudolph Valentino and Vilma Banky appear together in this romantic scene from one of the true classics of the silent screen. This would prove to be Valentino's final role, playing both the sheik and the sheik's son Ahmed, as the actor would die at the age of 31, right before the film's release. The lobbies from this title are highly collectible; this example has some minor staining and smudging in the border. There is also a repaired tear in the lower border that goes into the background of the scene. Nevertheless, this is an iconic image from an important silent film, one that will undoubtedly be a welcome addition to any collection. Fine+. Sold for: $478.00. |
| 28691 | The Son of the Sheik (United Artists, R-1930s). French Petite (23.5" X 31.5"). Rudolph Valentino's final feature before his untimely death (at age 31), this was a sequel to one of his most successful films, reuniting him with alluring co-star Vilma Banky. This nicely-preserved, unrestored French Petite re-issue has minor edge wear, crossfold separation and vertical fold separations. The poster has a remarkably fresh appearance and retains great color. If you're looking for paper on The Great Lover, look no further. Fine/Very Fine. Sold for: $239.00. |
| 28692 | Variety (Paramount, 1925). Title Lobby Card and Lobby Cards (5) (11" X 14"). These are the rare lobby cards for the U.S. release of the famous German film Varieté. Emil Jannings stars as Boss Huller, a former acrobat who was crippled in an accident. In this American version, he is married to Lya De Putti, but in the German version, he is married to Maly Delschaft, but in love with De Putti. Such was censorship in the 1920s, as the German version of this film is nearly twice as long as the U.S. version. The title card has a top right corner bend and there is light edge wear on two other cards. A very clean grouping of cards. Very Fine/Near Mint. Sold for: $1,135.25. |
| 28693 | Beloved Rogue (United Artists, 1927). Half Sheet (22" X 28"). John Barrymore, "The Great Profile," stars as the legendary 15th century French warrior poet Francois Villon in this rousing silent drama. A scoundrel and a rogue, Villon ends up saving France from a Burgundian invasion, by rousing all the lower classes to oppose the enemy. This splendid half sheet, which prominently features Barrymore's great profile, has a pinhole in the top center, light overall soiling, a tear in the bottom border, chips in the top left and bottom right corners, and corner bumps, but displays very well, making it a great addition to any collection. Rolled, Fine/Very Fine.Not Sold. |
| 28694 | Beau Brummel (Warner Brothers, 1924). Lobby Cards (5) (11" X 14"). Legendary John Barrymore stars in this top silent, which was one of the most prestigious films of the day. Beau Brummel, the consummate dandy in London at the turn of the 18th century, was a friend, for a time, of the Prince of Wales. Mary Astor is stunning as Brummel's love (Lady Alvanley) who tries to save the fashion icon from himself. These rare and beautiful cards had pinholes in the corners, and a few corners have been replaced. Four cards had some trimming, all of which have been expertly restored. These cards with their lovely color and unique silhouette artwork are truly a marvelous find. Very Good/Fine.Not Sold. |
| 28695 | Tempest (United Artists, 1928). Lobby Card (11" X 14"). Set during the dark days of the Russian Revolution, John Barrymore plays Sgt. Ivan Markov, a member of the Czar's military, who is thrown in jail and stripped of his rank for daring to love the aristocratic Princess Tamara (Camilla Horn). Once the Revolution begins, however, Markov is freed, the fate of the aristocracy now resting in his hands. William Cameron Menzies won a Best Art Direction Oscar for his work on this impressive film, which proved to be a fine showcase for the talents of star John Barrymore. The dramatic card offered here, featuring a great profile shot of Barrymore, shows two tiny tears in the top border, a light scuff in the top left, and a small crease in the bottom right, but is in all other ways clean, fresh, and attractive. Very Fine+.Sold for: $119.50. |
| 28696 | Tempest (United Artists, 1928). Lobby Card (11" X 14"). In the final days of Czarist Russia, a peasant (John Barrymore) is raised to the rank of Lieutenant. The other officers, aristocrats all, resent him, and conspire to make his life difficult. He falls in love with a princess (Camilla Horn), who spurns him. Caught in her room, he is stripped of his rank and thrown into prison. This sublime lobby card features the great Barrymore (almost) in profile, and is in terrific condition, with a tiny tear in the bottom border and small dings in the bottom corners being the only problems. We are offering several cards from this lobby set in the auction; don't miss out. Very Fine+.Sold for: $239.00. |
| 28697 | Tempest (United Artists, 1928). Lobby Card (11" X 14"). A military love story set against the backdrop of the Russian Revolution in 1914, this was a superb role for John Barrymore, playing Ivan Markov, a peasant soldier who becomes an officer in the Russian Army, the first of his station to achieve such a rank in years. This superb lobby card features "the Profile," as well as the supremely lovely Camilla Horn. Very minor condition issues include staple holes in the borders, and minor bumps in the top left and bottom right corners. We have several lobbies from this set offered in this auction. Very Fine.Sold for: $388.38. |
| 28698 | Tempest (United Artists, 1928). Lobby Card (11" X 14"). Camilla Horn is about to whip a bare-chested John Barrymore in this great scene card from one of Barrymore's best silent films. Fantastic art deco design! There are staple holes in the borders, staining and a crease on the top border, and corner creases. Very Fine-.Sold for: $119.50. |
| 28699 | Tempest (United Artists, 1928). Lobby Cards (2) (11" X 14"). John Barrymore is a Russian military officer who climbs the ranks through hard work and discipline. But when he is caught in the company of the Czar's daughter, he is stripped of his rank and thrown into prison only to become embroiled in the Russian Revolution. These lobby cards have pinholes in the margins and small creases in the corners. The group scene card has a noticeable crease in the bottom right border. But the two cards maintain a very clean appearance overall. Fine/Very Fine. Not Sold. |
| 28700 | Show of Shows (Warner Brothers, 1929). Half Sheet (22" X 28"). From one of the more important films in the transition from the silent era to sound, this exceptionally rare half sheet has eight terrific photo inserts of essentially a filmed vaudeville presentation with virtually the entire Warner Brothers lot involved. It was Warners' entry in the "all star, all talking, all singing, and all dancing" sweepstakes of 1929. That's John Barrymore in the lower left performing Richard III's soliloquy. Above him is a very young Myrna Loy in the "Chinese Fantasy" number, and see if you can spot Harriet Lake in the "Bicycle Built for Two" sequence in the middle right border (she changed her name a short while later to Ann Sothern). Others featured are Frank Fay, Viola Dana, Betty Compson, Jacqueline Logan, and a host of others. This scarce piece of film history has only light edge wear, mild dust shadows in the top left and bottom right borders, faint smudges, and a minor top center border stain. Folded, Very Fine.Sold for: $896.25. |
| 28701 | Night Flight (MGM, 1933). Lobby Card (11" X 14"). Boasting an impressive all-star cast, including John Barrymore, Helen Hayes, Clark Gable, Lionel Barrymore, Robert Montgomery, and Myrna Loy, this stirring drama is about an air delivery service that flies a treacherous route across South America. Company boss Riviere (John Barrymore) is fanatically concerned about keeping his delivery schedule, and pushes his pilots to take enormous risks to get the mail there on time. Even the death of his top flyer, Jules (Gable), fails to dissuade him from his monomaniacal devotion to the grueling schedule. The lobby card offered here, which pictures Barrymore and Helen Hayes, is in superb condition, with only a crease in the top right corner and a very small crease in the bottom left keeping it from an even higher grade. Near Mint. Sold for: $298.75. |
| 28702 | Long Lost Father (RKO, 1934). Midget Window Card (8" X 14"). A sophisticated comedy starring John "The Great Profile" Barrymore, this is the story of a father unexpectedly reunited with the daughter he abandoned years earlier (Helen Chandler). The relationship is icy, until Dad rescues the daughter from a false accusation of theft. This picture was quite a change of pace for director Ernest B. Schoedsack who, just the year before, had helmed King Kong. The midget window card offered here, famously displaying the profile for which Barrymore was known, shows some light water staining in the bottom left, but is in otherwise superb condition. Very Fine+.Sold for: $358.50. |
| 28703 | 20th Century (Columbia, 1934). Lobby Card (11" X 14"). Based loosely on producer David Merrick's life, this dazzling showcase for the talents of John Barrymore and Carole Lombard is the story of a Broadway producer who has lost his Midas touch as well as his starlet protege, Carole Lombard. This card features a fabulous image of John Barrymore, gun in hand with a crazed look that only Barrymore could pull off. Aside from creases, bumps, and pinholes in the corners, this card is very clean. Very Fine.Sold for: $388.38. |
| 28704 | The Last Command (Paramount, 1928). Lobby Cards (2) (11" X 14"). In a story that ranges from the fires of the Russian revolution to the glorious decadence of silent-era Hollywood, this stirring film, directed by Josef von Sternberg, is about Russian Grand Duke Sergius Alexander (Emil Jannings) who, after fleeing the nightmare his homeland had become, is reduced to playing bit parts in Hollywood films. When he discovers that the director he is working under is a former revolutionary, the film reaches its emotionally charged climax. Offered here are two beautiful lobby cards, mounted on linen that has been trimmed to the edges of the cards, both of which have had the right borders professionally replaced. Lobby cards from this classic film rarely surface and these display very nicely. Fine-.Sold for: $310.70. |
| 28705 | Man of the World (Paramount, 1931). Lobby Card (11" X 14"). Real life couple William Powell and Carole Lombard are shown on this lobby card for their first on-screen appearance together. The bottom left corner has been replaced, and there is light creasing in the corners. Very Fine-. Sold for: $239.00. |
| 28706 | Double Harness (RKO, 1933). Midget Window Card (8" X 14"). The erudite William Powell co-stars with pretty Ann Harding in this drama about a woman who tricks a playboy into marriage, and then tries to make him legitimately fall in love with her. The stars are beautifully depicted on this midget window card. The card is in wonderful condition, with a small nick out of the right border and some minor surface paper loss in the left border being the only issues. Very Fine-. Sold for: $776.75. |
| 28707 | Star of Midnight (RKO, 1935). Lobby Card (11" X 14"). In a role similar to the one he played in the popular Thin Man series of films, William Powell appears here as Clay Dalzell, a prominent lawyer who also does a little sleuthing on the side. He's been asked to find a pal's girlfriend (Ginger Rogers), who disappeared without a trace a year earlier. A seemingly simple request, the chase is soon complicated by murder and mistaken identity. The charming lobby card offered here spotlights both stars, and shows pinholes in the corners, a small chip in the top left, slight creasing in the bottom right, and a corner bump in the bottom left. Aside from these slight flaws, the card is in superb condition, an elegant reminder of an elegant film. Very Fine.Sold for: $448.13. |
| 28708 | Upper World (Warner Brothers, 1934). Midget Window Card (8" X 14"). A dramatic tale of jealousy, betrayal, infidelity, and blackmail, this compelling drama about a man whose innocent friendship with a chorus girl threatens to ruin his life boasts a first rate cast, including Warren William, Mary Astor, Ginger Rogers, Andy Devine, Dickie Moore, J. Carrol Naish, and Sidney Toler, as well as hard-biting, snappy dialogue from the pen of screenwriter Ben Hecht. The film is represented here by a superb midget window card depicting William with gun pointed towards us holding the lovely Ginger Rogers. The shows pinholes in the upper portion. Very Fine/Near Mint.Sold for: $1,015.75. |
| 28709 | All of Me (Paramount, 1934). Midget Window Card (8" X 14"). A different take on the gangster film genre that was so popular during the 1930s, this compelling picture tells the story of schoolteacher Don Ellis (Fredric March) who wants to quit his day job and move out West with one of his students, the wealthy Lydia Darrow (Miriam Hopkins), to tackle a big dam project. As they discuss their plans in a nightclub, they meet a mobster (George Raft) and his girlfriend (Helen Mack), whose acquaintance turns the young couple's life upside down, culminating in a hail of bullets and bloodshed. This lovely midget window card pictures all four of the principles, and is virtually unmarred, with only a pinhole in the top center and a small smudge in the upper right keeping it from an even higher grade. A classic film with a classic cast, this is one you won't want to pass up! Very Fine+.Sold for: $776.75. |
| 28710 | On the Level (Fox, 1930). Lobby Card (11" X 14"). When rough and tough ironworkers Biff Williams and Danny Madden (Victor McLaglen and William Harrigan) leave the safety of New Orleans for the steel skyscrapers of Manhattan, they have no idea how much their lives will change in this classic, early talking melodrama. All three stars, McLaglen, Harrigan, and Lilyan Tashman, are pictured on this lovely lobby card, which shows pinholes in the corners, corner bumps, and some light soiling in the bottom right border. It remains an attractive and colorful piece that will be a wonderful addition to any collection. Very Fine. Sold for: $119.50. |
| 28711 | No More Women (Paramount, 1934). Midget Window Card (8" X 14"). A pair of salty deep sea divers (Edmund Lowe and Victor McLaglen) compete not only for the love of a woman (Sally Blane), but for a fortune in gold at the bottom of the ocean floor in this fun pre-Code film. Great portrait shots of Lowe and McLaglen adorn this lovely window card. it has a small crease in the bottom left, and some light waviness at the very top, but is overall a very fine and attractive piece. From the Collection of Denver Sherry. Very Fine+. Sold for: $179.25. |
| 28712 | The Wrecker (Columbia, 1933). Midget Window Card (8" X 14"). About to end his marriage to his faithless wife Mary (Genevieve Tobin), demolition engineer Chuck Regan (Jack Holt) is forced to do the right thing and save both her and her boyfriend (Sidney Blackmer), formerly Chuck's supposed best friend, when the adulterous pair are trapped beneath a collapsed schoolhouse. Fortunately for everyone, a well-timed earthquake provides a stunning climax to this exciting drama. This exquisite midget window card is as beautiful and pristine as the day it was printed, and will make a valued addition to any collection. Near Mint.Sold for: $310.70. |
| 28713 | Dangerous Waters (Universal, 1936). One Sheet (27" X 41"). In this Jack Holt melodrama, the captain of a decrepit boat (Holt) must get his ship to port, but finds that racketeers are trying to prevent him from making it by sneaking their thugs on board. The henchman are told to sink the barge and the collect upon a substantial insurance policy. Meanwhile, Holt's wife (Grace Bradley) is trying to get it on with the second mate (Robert Armstrong), and all kinds of complications ensue. This spectacular one sheet poster is a colorful montage of images depicting excitement and intrigue. The poster had pinholes, small edge tears, and crossfold separations all of which has been addressed with outstanding professional restoration. The sheet retains phenomenal color and great imagery. Very Fine- on Linen.Sold for: $239.00. |
| 28714 | The Last Gentleman (United Artists, 1934). One Sheet (27" X 41"). George Arliss plays Cabot Barr, a New England millionaire on his deathbed. Before he dies, he decides he's going to put his presumptive heirs through their paces, climaxing in a unique "living will," a film shown after his death in which he tells each of his relatives exactly what they're getting - or not - and why. The eye-catching stone litho poster presented here had pinholes in the image area, a tear in the top right corner, crossfold separations, and a hole in the top left corner. Professional restoration has rendered these small flaws virtually invisible, making this a poster that displays wonderfully. Fine+ on Linen.Sold for: $567.63. |
| 28715 | The Legion of the Condemned (Paramount, 1928). Lobby Card (11" X 14"). Director William Wellman drew upon his own real-life experience as a member of the heroic Lafayette Escadrille to craft this exciting story about four young men who sign up as flyers during World War I. Filmed as a follow-up to Wings which was released the previous year and won the very first Best Picture Oscar, the movie features Gary Cooper as Gale Price, a daring pilot in love with Fay Wray's Christine Charteris, an agent of the French Secret Service who risks everything for the cause of freedom. Offered here is a dramatic lobby card picturing the two stars, both at relatively early points in their respective careers. The card has a small chip in the top left, some light edge wear, some minor staining at the edges, a scratch running from below the "N" in "CONDEMNED" to just above Cooper's shoulder, and light scuffing overall. Additionally, there are several old newspaper clippings adhered to the reverse. In spite of these minor flaws, this is a very attractive card that any classic film buff will be proud to own. Fine-.Sold for: $179.25. |
| 28716 | The Legion of the Condemned (Paramount, 1928). Lobby Card (11" X 14"). Director William A. Wellman drew on his own experience as an aviator with the Lafayette Flying Corps during World War I to make this, the now-lost follow-up to Wings, about a group of flyers who specialize in extremely dangerous missions. One of them, Gale Price (Gary Cooper) is distraught when he learns that his former girlfriend (Fay Wray) is a German spy, but when he is ordered to transport her behind enemy lines, he learns that she is actually an agent of the French Secret Service, although her capture and scheduled execution may put a damper on their reunion. Both Cooper and Wray are pictured on this attractive card, which shows pinholes in three corners and in the borders, light smudging in the borders, a corner bend in the bottom left, and a corner crease in the top left. It is a rare look at a film that is now sadly lost to the ages. Fine/Very Fine. Not Sold. |
| 28717 | Morocco (Paramount, 1930). Lobby Card (11" X 14"). Hot off her success in The Blue Angel, Marlene Dietrich emigrated to America, with director Josef von Sternberg in tow, to make this classic film with co-star Gary Cooper. Dietrich plays a singer in a Moroccan nightclub who falls hopelessly in love with Cooper, a soldier in the French Foreign Legion. This exceptional lobby card, which pictures both Cooper and Dietrich, has light corner creases and a small crease in the left border. These slight flaws do nothing to decrease the overwhelming desirability of this classic beauty. Very Fine.Sold for: $2,987.50. |
| 28718 | Gary Cooper in "A Farewell to Arms" Publicity Still (Paramount, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy photo. Offered here is a rare publicity photo of a young Gary Cooper relaxing on the set of this popular film. It shows light creasing in the borders, and small bumps in the bottom corners, as well as typed information on the reverse in both English and Spanish. It's a wonderful image of a classic actor at the beginning of a legendary career. Very Fine. Not Sold. |
| 28719 | Gary Cooper and Helen Hayes in "A Farewell to Arms" Publicity Still (Paramount, 1932). Still (8" X 10"). Vintage black and white, double weight, glossy still. Gary Cooper was the favorite leading man of author Ernest Hemingway, upon whose novel this classic film is based. This impressive still shows light edge wear in the left edge, and light surface scuffing, but is otherwise in superb condition. Very Fine+. Sold for: $119.50. |
| 28720 | A Farewell to Arms (Paramount, 1932). Swedish One Sheet (27.5" X 39.5"). Gary Cooper and Helen Hayes star in the first version of Ernest Hemingway's semi-autobiographical novel set during World War I. This Swedish one sheet has edge wear and tears with wrinkling and a corner and edge chip, and a light dust shadow on the upper right corner. The beautiful artwork of the two stars is by Swedish artist Eric Rohman. Very Fine-. Not Sold. |
| 28721 | Design for Living (Paramount, 1933). Lobby Card (11" X 14"). When Fredric March and Gary Cooper, a pair of Americans living in Paris, both fall in love with Miriam Hopkins, the trio decide to move in together, on a purely platonic basis. Of course, things heat up, and Hopkins marries Edward Everett Horton, which only causes more problems until the threesome renegotiate their relationship. The menage-a-trois aspect of the film resulted in a ban from the Legion of Decency in 1933! This wonderful scene card, featuring Hopkins, Cooper, and March, is a rare find, as paper from this title is extremely elusive. Only a light crease in the top left and a crease in the bottom right keep this beauty from an even higher grade. Near Mint-.Sold for: $1,434.00. |
| 28722 | Design for Living (Paramount, 1933). Lobby Card (11" X 14"). A daring film for the time, this is the story of three friends living in Paris, Tom Chambers (Fredric March), George Curtis (Gary Cooper), and Gilda Farrell (Miriam Hopkins), who decide to share an apartment... on a strictly platonic basis, of course. The film was heavily censored upon its original release, and, after the advent of the Hays Code in 1934, was banned altogether! Both March and Cooper, who wind up as rivals for their roommate's affections, are pictured on this highly desirable card, which shows corner bends in the bottom right and top left, and a light scuff mark in the top center. Aside from these minor flaws, the card is very clean, and displays very nicely. Very Fine-. Sold for: $358.50. |
| 28723 | One Sunday Afternoon (Paramount, 1933). Lobby Card (11" X 14"). A compelling slice-of-life movie based on a hit Broadway play, this is the story of a small-town dentist (Gary Cooper) who pines for an old flame (Fay Wray), now married to an old friend (Neil Hamilton). He plots revenge until she re-enters his life a changed woman, and he realizes he made the right choices all along. The movie was remade as Strawberry Blonde with James Cagney in 1941, and later restaged as a musical with Dennis Morgan in 1948. This exquisite lobby card, picturing both Cooper and Wray, is virtually pristine, with only a tiny corner crease in the bottom right keeping it from an even higher grade. Near Mint-. Sold for: $191.20. |
| 28724 | The Adventures of Marco Polo (United Artists, 1938). Norman Rockwell One Sheet (27" X 41"). Marco Polo (Gary Cooper) journeys to Peking where he befriends Emperor Kublai Khan and falls for his lovely daughter (Sigrid Gurie). This wonderful one sheet features unsigned artwork by the great Norman Rockwell! Having been folded in the past, this sheet had some crease separations. There is also some minor chipping and very tiny tearing along the borders. A hole in Cooper's elbow has been repaired along with the other imperfections via an excellent restoration. This is a clean one sheet from a rare Cooper title. Fine/Very Fine on Linen. Sold for: $358.50. |
| 28725 | Bluebeard's Eighth Wife (Paramount, 1938). Lobby Card (11" X 14"). Eccentric millionaire Michael Brandon (Gary Cooper) loves being married, loves it so much he's walked down the aisle seven times and is now looking for Number Eight! Enter the lovely Nicole de Loiselle (Claudette Colbert), a young woman who wants nothing to do with Brandon until her father (Edward Everett Horton) convinces her that marriage to a millionaire might be good for the family. She finally relents and marries Michael, but retraining him as a husband might be more than she bargained for. This beautiful lobby card, which pictures both Cooper and Colbert, has a small bend in the bottom border, and creasing in the top left and in the left border. Aside from these slight flaws, this great card is in superb condition. Very Fine.Sold for: $286.80. |
| 28726 | Beau Geste (Paramount, 1939). Lobby Card (11" X 14"). A tale of adventure, family loyalty, and courage, this movie marked the second time that this classic novel had been brought to the screen. Gary Cooper stars as the titular hero, who, along with his brothers, joins the French Foreign Legion after confessing to a crime he did not commit in order to protect a family member's reputation. Cooper is aided by an outstanding supporting cast, including Ray Milland, Robert Preston, Brian Donlevy, Susan Hayward, J. Carrol Naish, Albert Decker, and Broderick Crawford, as well as solid direction from William Wellman. Offered here is a wonderful lobby card with a stunning portrait of Cooper in full Foreign Legion gear. It shows pinholes in the corners and borders, a crease in the left border, and some light smudging, but these are minor considerations, none of which detract from the overwhelming eye-appeal of this classic beauty. Very Fine. Sold for: $262.90. |
| 28727 | For Whom the Bell Tolls (Paramount, 1943). Lobby Card (11" X 14"). Based on Ernest Hemingway's 1940 novel, this lavish adaptation was Ingrid Bergman's first Technicolor film, and her first after the wildly successful Casablanca. Gary Cooper stars as soldier of fortune Robert Jordan, fighting a civil war in Spain. Nominated for nine Oscars (it won only one), this has become a much-respected classic. This outstanding lobby is a Gary Cooper portrait card, with bold, attractive artwork by Armando Seguso. Its condition includes a tear in the top border that extends slightly into the artwork, corner creases, and pinholes in the corners. A fantastic card for Cooper fans, or devotees of this rousing adventure. Very Fine-. Not Sold. |
| 28728 | Cloak and Dagger (Warner Brothers, 1946). Midget Window Card (8" X 14"). In this early atomic era thriller, Gary Cooper plays an atomic scientist working with the Allies to rescue a fellow scientist held captive by the Nazis. At stake is the very future of the world, as Cooper is convinced the Axis powers are on the verge of developing their own atom bomb. Directed by Fritz Lang, this was originally intended as a warning to America regarding the dangers of living in an atomic age. The dramatic window card offered here is in superb condition, with only light corner creases and evidence of some erased pencil writing in the top right keeping this piece from an even higher grade. From the Collection of Denver Sherry. Very Fine+. Sold for: $657.25. |
| 28729 | The Miracle of Manhattan (Selznick, 1921). One Sheet (27" X 41"). Beauty Elaine Hammersteins's lineage is solid New York. She was the daughter of Broadway producer Arthur Hammerstein, the granddaughter of Oscar Hammerstein, and first cousin to the great Oscar Hammerstein II of Broadway musical fame. From 1915 to 1926 she made 44 films and appeared in numerous Broadway shows and light operas. This great stone lithograph from 1921 features her in the character of Evelyn Whitney convalescing in her Manhattan mansion during a lengthy illness. She is deciding whether to rush to a courtroom and give evidence that will free her love interest, who saved her from an attack by his ex-lover. This vintage stunner has a unique rendering of the Manhattan skyline with the heroine in dressing gown on her chaise lounge. Professional restoration had only minor flaws to address, and the poster displays as new. There were small very chips in the fold separations and top center border, tiny pinholes in the top border, and a small tear in the upper border. Very Fine- on Linen.Sold for: $4,780.00. |
| 28730 | Manhattan Melodrama (MGM, 1934). Lobby Card (11" X 14"). Theater-goers escaped Depression woes by flocking to wildly popular gangster films, and even real-life mobster John Dillinger couldn't stay away. Unfortunately for him, this classic film would be his last; he died in a hail of bullets as he exited the theater after seeing this film, gunned down by G-men who had been tipped off to his presence. Although Warner Brothers is most associated with gangster movies, MGM couldn't avoid the blossoming, dark genre. However, they maintained their characteristically pleasant and colorful style, which didn't translate grit the way Warner's could. The combination of Loy, Powell, and Gable kept this film afloat and continues to make the paper desirable. Corner pinholes, bends, plus a slight border tear are the only slight defects keeping this beautiful card from an even higher grade. Fine. Sold for: $507.88. |
| 28731 | San Francisco (MGM, 1936). One Sheet (27" X 41") Style C. One of MGM's biggest hits, this star-studded film featured Clark Gable as Blackie Norton, Barbary Coast political boss and nightclub owner, who hires Mary Blake (Jeanette MacDonald), a shy young dancer, for his cabaret. Jack Hurley (Jack Holt), Blackie's political rival, also has his eyes on Mary, and offers her a chance to sing with the San Francisco Opera. Also in the mix is Father Mullin (Spencer Tracy), Blackie's best friend, who wants to rescue Mary from the den of iniquity in which she finds herself. Fortunately, the Great San Francisco Earthquake settles everything in a special effects extravaganza that has to be seen to be believed. This beautiful stone litho poster, mounted on paper that has been trimmed to the edges of the poster, with art by Ted "Vincentini" Ireland, had pinholes in the corners, but after professional restoration, you would be hard-pressed to notice these minor flaws. This is a beautiful poster from a classic film, a perfect addition to any collection. Very Fine on Paper. Sold for: $1,195.00. |
| 28732 | Love On the Run (MGM, 1936). Window Card (14" X 22"). Franchot Tone and Clark Gable are rival reporters sent to cover the marriage of a socialite (Joan Crawford) in this comedy loosely based on It Happened One Night. This window card had tack holes in the borders and corners, and a small piece replaced near the right center of the image along with several smaller holes. There was also a crease in the top imprint area. Thanks to a great professional restoration, the poster presents quite well. Fine/Very Fine on Cardstock. Sold for: $239.00. |
| 28733 | Madame Butterfly (Paramount, 1932). Lobby Card (11" X 14"). Based on the immortal opera by Giacomo Puccini, this is the story of Lt. B. F. Pinkerton (Cary Grant), a freewheeling American sailor on leave in Japan who meets and "marries" Cho-Cho San (Sylvia Sidney), a beautiful Japanese maiden who patiently waits for her "husband's" return. Grant had only a handful of film roles to his credit at the time he starred in this film, and performs admirably, displaying ample evidence of the superstar he was destined to become. The lovely card offered here, picturing both Grant and Sidney, shows a pinhole in the top center and light foxing along the left border, but is otherwise clean and unmarked, a perfect choice for any fan of Grant or Grand Opera. Very Fine+.Sold for: $717.00. |
| 28734 | Madame Butterfly (Paramount, 1932). One Sheet (27" X 41") Style A. Based on the tragic opera by Giacomo Puccini, this is the story of an American Naval officer, Lt. B. F. Pinkerton (Cary Grant) who impulsively marries the beautiful Cho-Cho San (Sylvia Sidney) while on shore leave, thinking that he'll have his fling and sail away, which he does. Several years later, Pinkerton returns to Japan with his new wife (Sheila Terry) in tow to find Cho-Cho San waiting for him with their infant son. The lovely stone litho one sheet offered here had pinholes in the corners, and crossfold separations, but professional restoration has rendered these small flaws virtually unnoticeable. In addition, there is a very light bend in the bottom left that occurred after the poster was mounted on linen. It is a beautiful piece, one that displays superbly. Very Fine+ on Linen. Sold for: $5,078.75. |
| 28735 | The Eagle and the Hawk (Paramount, 1933). Lobby Card (11" X 14"). Adversaries Cary Grant and Fredric March confront one another in a great scene from this classic World War I aviation film. There is one pinhole each in the center of the left and right borders, and light corner wear. Very Fine. Sold for: $179.25. |
| 28736 | Ladies Should Listen (Paramount, 1934). Lobby Card (11" X 14"). An early film in the career of star Cary Grant, this light romantic comedy concerns a Parisian businessman (Grant) on holiday in South America, where he hopes to seal an important deal. Unfortunately, two conmen set their sights on him, and it's only through the efforts of a helpful, and nosy, switchboard operator who falls in love with Grant that everything works out all right in the end. Offered here is a beautiful lobby card for this charming movie; its only flaw is some light foxing overall. Otherwise, this card is about as clean as they come, a perfect specimen for any Grant collector. Very Fine+.Sold for: $657.25. |
| 28737 | Wings in the Dark (Paramount, 1935). Window Card (14" X 22"). A melodrama of the air, this fast-paced, thrilling picture stars Cary Grant as pilot Ken Gordon and Myrna Loy - on loan from MGM - as aviatrix Sheila Mason, Ken's wife. Their relationship takes a turn for the worst when Ken is blinded in an accident, but, in the end, he risks everything to come to Sheila's aid. One of only three screen pairings of Loy and Grant, this is one of their finest efforts. Offered here is a very attractive and desirable window card, with great color. The top imprint area has been retouched and there are four pinholes in the image as well as faint vertical stains, and light toning, but these are minor considerations that do little to detract from the overwhelming appeal of this great piece. Fine/Very Fine. Sold for: $215.10. |
| 28738 | Cary Grant Portrait Still (Paramount, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. One of the most exciting stars ever to brighten the Hollywood firmament, Cary Grant came to Hollywood in 1931. He had early success in such pictures as Blonde Venue (1932), She Done Him Wrong (1933), and I'm No Angel (1933), quickly becoming a top star opposite such iconic figures a Katharine Hepburn, James Stewart, Rosalind Russell, and Ginger Rogers. He remained a top star for several decades, before retiring in the mid-1960s. This rare portrait is obviously from a very early point in Grant's career, possibly dating from his earliest days with Paramount. It shows some creasing in the top border, small corner bends, and several pinpoint dents in Grant's body, as well as a studio stamp, writing in pencil, and typewritten information in both English and Spanish on the reverse. It is a remarkable image of a young man on the verge of fame and fortune. Very Fine. Not Sold. |
| 28739 | Cary Grant Publicity Still (Paramount, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. Offered here is an early portrait of Cary Grant, one of Hollywood's leading male actors. By 1934, he was already a star, having appeared in such popular hits as Madame Butterfly (1932) and Alice in Wonderland (1933). His best work was still ahead of him, however, such as his roles in some of Alfred Hitchcock's most memorable films. This classic still has some light smudging in the left border, a scuff in the bottom border, and rounded corners, but is otherwise extremely clean and attractive. Very Fine. Not Sold. |
| 28740 | Cary Grant and Jean Harlow in "Suzy" Publicity Still (MGM, 1936). Still (8" X 10"). Vintage black and white, single weight, glossy still. Set against the backdrop of World War II, this heart-tugging melodrama stars Jean Harlow as a London showgirl who goes into hiding after the supposed death of her husband (Franchot Tone), and Cary Grant as the dashing flyer with whom she falls in love. There is fountain pen writing on the back and a typewritten statement explaining for use in a Spanish speaking publication. This is a lovely piece featuring two of the era's biggest stars. Very Fine.Not Sold. |
| 28741 | Cary Grant in "When You're in Love" Publicity Still by A. L. Schafer (Columbia, 1937). Still (8" X 10"). Vintage black and white, double weight, glossy still. On the verso are several stamps one of which is a credit to the photographer, Schafer. Very Fine.Not Sold. |
| 28742 | Topper (MGM, 1937). Window Card (14" X 22"). When high-living couple George and Marion Kerby (Cary Grant and Constance Bennett) are killed in a car crash, they realize that they are kept on earth as ghosts until they perform one good deed. To this end, they undertake the rehabilitation of stuffy bank president Cosmo Topper (Roland Young), who they feel desperately needs to lighten up and have some fun, in spite of his stuffy wife (Billie Burke) and uptight butler (Alan Mowbray). One of the greatest screwball comedies of the 1930s, the film spawned two sequels and even a TV series. This classic window card, with great images of Grant and Bennett, has a tear in the bottom center and a small tear in Bennett's cheek, a smaller hole in Grant's forehead, and a missing top left corner within the imprint area, but professional restoration has addressed all these issues, making it look as good as new. Fine+ on Cardstock. Sold for: $3,107.00. |
| 28743 | The Toast of New York (RKO, 1937). Three Sheet (41" X 81"). This historical drama was based on very real incidents when three con-artists (portrayed by Edward Arnold, Cary Grant and Jack Oakie) smuggle cotton out of the South during the Civil War and become millionaires by selling it to the North. Frances Farmer provides the love interest in a love-triangle with the three business partners. This poster has had color retouch to all of the fold lines with a bit more work to the center-points. The poster also had some long tears in the bottom and extending into Farmer's dress. A more beautiful three sheet from RKO's most illustrious period, we doubt exists. Very Fine- on Linen.Sold for: $836.50. |
| 28744 | Gunga Din (RKO, 1939). Insert (14" X 36"). One of Rudyard Kipling's most famous poems, Gunga Din is the story of a heroic waterboy in 19th century India who is killed saving the life of a British officer during a Thuggee raid. Particularly well known is the last line, "You're a better man than I am, Gunga Din." Based on Kipling's landmark verse, but expanding the plot considerably, the classic film starred Cary Grant, Victor McLaglen, Douglas Fairbanks Jr, and, in the title role, Sam Jaffee. This exquisite insert had pinholes in the corners, a tear in the top border, missing paper in the top left corner, a chip in the right border, and bends in the bottom corners. Additionally, the borders have been airbrushed and the fold lines have been retouched. Expertly applied professional restoration has corrected all these flaws, returning the poster to a glorious, like-new appearance. Fine/Very Fine on Paper. Sold for: $1,434.00. |
| 28745 | Only Angels Have Wings (Columbia, 1939). Midget Window Card (8" X 14"). Although Jean Arthur is credited as the female lead in this exciting picture about a small mail delivery service in South America that flies a dangerous route, Rita Hayworth is the real star, delivering a powerful performance that put her on the map as a actress to be reckoned with. With Cary Grant, Thomas Mitchell, and Richard Barthelmess as the male leads, this is a fabulous picture with a compelling story and a great cast. The beautiful midget window card offered here has some partially erased pencil marks in the bottom right, and a crease in the top left, but is still a great piece, featuring some of the era's leading stars. Very Fine+.Sold for: $1,912.00. |
| 28746 | His Girl Friday (Columbia, 1940). One Sheet (27" X 41") Style A. Based on the hit play The Front Page by Ben Hecht, this was the perfect vehicle for Cary Grant's comedic skills, and was one of the first films in which director Howard Hawks employed overlapping dialogue to make the scenes seem more realistic. This lovely one sheet features a terrific portrait of Grant, and a rather voluptuous Rosalind Russell vamping for all she's worth. The poster had pinholes in the corners and borders, a tear running from the left border into the title area, pinpoint crossfold separations, edge and corner chipping in the bottom border, and minor edge tears, all of which has been addressed with professional restoration. This poster, pictured in the Allen/Rebello book, Reel Art, is one of Grant's most desired posters and is certainly hard to find! Fine/Very Fine on Linen. Sold for: $6,572.50. |
| 28747 | His Girl Friday (Columbia, 1940). One Sheet (27" X 41") Style B. At first, newspaper editor Walter Burns' (Cary Grant) task seems simple: keep his ex-wife, star reporter Hildy Johnson (Rosalind Russell), from marrying poor sap Bruce Baldwin (Ralph Bellamy) and retiring to a life of domestic bliss. Everything gets more complicated, however, when convicted anarchist Earl Williams (John Qualen), due to be executed, escapes, right into the waiting arms of Walter and Hildy, who hide him out in order to get an exclusive story! One of the top comedies of the 1940s, the film was based on the play The Front Page, by Ben Hecht. The wonderful one sheet offered here had pinholes, crossfold separations, and minor chips in the right and left borders and the bottom left, but professional restoration has addressed all of these issues, making it a headline piece for any collection. Very Fine- on Linen. Sold for: $3,883.75. |
| 28748 | His Girl Friday (Columbia, 1940). Lobby Card (11" X 14"). No matter how you define "classic," this movie is it. A fast-paced, funny, and perfectly cast picture about a newspaper editor (Cary Grant), who tries to prevent his star reporter, and ex-wife (Rosalind Russell), from remarrying while, at the same time, investigating the escape of a wanted murderer. Marked by sharp dialogue, crisp writing, and the sure hand of director Howard Hawks at the helm, this movie has been named to numerous "Best Movie" lists, an honor it richly deserves. Paper from this movie is highly desirable and is rarely offered to the collecting public. This lovely card, featuring both Russell and Grant, shows some light staining in the bottom right, but is otherwise unmarked, making it a perfect addition to any collection. Don't let this one pass you by; you never know when another one might turn up! Near Mint-.Sold for: $1,195.00. |
| 28749 | Penny Serenade (Columbia, 1941). One Sheet (27" X 41"). As Julie Adams (Irene Dunne) prepares to leave her husband Roger (Cary Grant), she listens to a stack of old recordings, each one of which sparks a memory of their time together, causing her to reflect on her decision. A decidedly sentimental and nostalgic film, Dunne often cited this as one of her favorites. The one sheet offered here has pinholes, a small tear in Dunne's face, slight fold separations, including the bottom right horizontal fold line, and a small chip in the lower left corner. A wonderful piece from an always enjoyable film, this will be a great addition to any collection. Fine.Sold for: $896.25. |
| 28750 | Mr. Lucky (RKO, 1943). One Sheet (27" X 41"). One of Cary Grant's most financially successful 1940s vehicles, Mr. Lucky finds Grant atypically cast as a shifty, out-for-number-one gambler. Having dodged the draft by adopting the identity of a dead man, Grant sets his sights on purchasing a fancy gambling ship. To raise the necessary funds, he pretends to be working hand in glove with the American War Relief society. Once he meets Laraine Day, however, Grant is seized by an uncontrollable bout of honesty. It takes him awhile, but he finally does the right thing. This great one sheet has a bite out of the left border as well as a razor cut in the vertical right border which has been backed with paper tape. Don't miss this rare Cary Grant sheet for a classic film. Fine. Sold for: $896.25. |
| 28751 | Mr. Lucky (RKO, 1943). Half Sheet (22" X 28") Style B. Cary Grant plays Joe Adams, a gambler who takes on the identity of a dead gangster in order to avoid the draft. Adams plans to use a war relief charity to get his gambling operation up and running, until he falls in love with Laraine Day and has a change of heart. Grant and Day dominate this elegant half-sheet poster. Minor fold wear, a border chip repaired with tape, a small tear in the top border, and overall light creasing are the only condition issues, and they hardly detract from this terrific image of two of Hollywood's better-looking stars. You'll feel like the lucky one when you snag this pretty poster. Fine/Very Fine. Sold for: $537.75. |
| 28752 | Destination Tokyo (Warner Brothers, 1943). One Sheet (27" X 41"). Cary Grant stars as a submarine commander, with John Garfield as one of his crew, in this World War II action film. They execute a daring secret mission into Tokyo harbor in preparation for an air raid on the city. Prior to restoration, this poster had pinholes in the corners and border, and some crossfold separation. Very Fine on Linen. Sold for: $298.75. |
| 28753 | Arsenic and Old Lace (Warner Brothers, 1944). Insert (14" X 36"). Frank Capra was tapped to direct the U.S. War Department's Why We Fight series during World War II, but had time to squeeze out this delightful comedy starring Cary Grant as drama critic Mortimer Brewster, a man who discovers that his two saintly old aunts, Martha and Abby, have a nasty habit of killing lonely old men and, with the help of their bugle-blowing nephew Teddy (who thinks he is Teddy Roosevelt), burying them in the cellar. Grant's other nephew Jonathan, also a killer, has one of the best "creepy alcoholic side kicks," Dr. Einstein (Peter Lorre), and what ensues with this fine menagerie of characters is one of the screwiest of all screwball comedy classics. With Capra finishing the film in 1941, the film would not enter the American theaters for three years, having to wait in the can until the Broadway show closed its run. There are small tape stains in the bottom right, a crease in the bottom center, and some slight edge wear on the bottom border. There is a tear in the lower bottom border repaired with tape on the front, and slight smudges in the top right field. One of debonair Grant's most comical posters. Fine+. Not Sold. |
| 28754 | The Bishop's Wife (RKO, 1948). One Sheet (27" X 41"). Nominated for six Academy Awards, this Cary Grant romantic comedy remains a yuletide favorite sixty years after its premier. Originally, Cary Grant was hired to play the Bishop in the film and David Niven, the angel. Studio boss Samuel Goldwyn discarded that version shot by director William Seiter and started fresh with director Henry Koster. This one sheet is seldom seen today and is the first copy we have ever sold. The poster has pinholes in the corners and a bit of paper abrasion on the lower part of Loretta Young's skirt. Very Fine-. Sold for: $2,031.50. |
| 28755 | Mr. Blandings Builds His Dream House (RKO, 1948). Six Sheet (81" X 81"). There's nothing Jim and Muriel Blandings (Cary Grant and Myrna Loy) want more than to move out of their cramped New York City apartment and into a nice big house in the country, in this, one of the greatest comedies of the 1940s. Unfortunately, the house they buy is a disaster, quickly becoming a money pit that threatens to engulf everything in sight. The beautiful six sheet offered here has edge wear, crossfold and fold separations, and wrinkling, but none of these minor flaws detract for the high degree of attractiveness this piece possesses. Fine/Very Fine.Sold for: $836.50. |
| 28756 | An Affair to Remember (20th Century Fox, 1957). Three Sheet (41" X 81"). Nickie Ferrante (Cary Grant) and Terry McKay (Deborah Kerr), both engaged to be married to other people, meet and fall in love while on an ocean cruise. They make a pact that, if they still love each other in six month's time, they'll meet atop the Empire State Building. A scene-for-scene remake of director Leo McCarey's earlier film, Love Affair (1939), this version greatly benefits from the star power of Grant and Kerr. The film was later referenced in the popular 1993 movie, Sleepless in Seattle. This great three sheet has crossfold separations, pinholes in the corners, a tear in the right side, and wrinkling in the lower left corner, but is, overall, in great condition, a wonderful poster from a classic film. Fine/Very Fine.Sold for: $567.63. |
| 28757 | No Marriage Ties (RKO, 1933). Midget Window Card (8" X 14"). Alcoholic reporter Bruce Foster (Richard Dix) is on the road to ruin when he partners with advertising man "Perk" Perkins (Alan Dinehart) to form a successful advertising agency. Foster makes the business a success, but his personal life suffers, and the death of his wife pushes him dangerously close to the edge of ruin once again. This dramatic and evocative midget window card is in exceptional condition, with only some light edge wear keeping it out of the realm of the truly pristine. For collecting or display purposes, this card's a winner! Near Mint-. Sold for: $1,135.25. |
| 28758 | Behind the Front (Paramount, 1926). Title Lobby Card (11" X 14"). Wallace Beery and Raymond Hatton make World War I hysterical as two young men who unwittingly enlist in the army after falling for a pretty girl. Like Laurel and Hardy in Pack Up Your Troubles, a similar film released several years later, the boys manage to come out as heroes, despite their bumbling incompetence. Offered here is a wonderful title card that shows pinholes in the image area, creasing in the right border, and a dust shadow in the left border. Despite these minor flaws, this is an extremely colorful and desirable title card that will enhance any silent film collection. Very Fine-. Sold for: $149.38. |
| 28759 | Judge Priest (Fox, 1934). Insert (14" X 36"). For anyone who thinks that all films from the 30s are "dated," just revisit this sentimental charmer, directed by John Ford, starring Will Rogers as a folksy judge with a much clearer understanding of populist politics, even for today, than most political "experts." The poster features a terrific head shot of Rogers bursting through a 1934 calendar promising "Enough laughs for every day of the year." Paper-backing and professional restoration has left this poster almost as new. There were chips in the top left corner, a tear under the title, fold wear with separations, and mild paper pulls. Fine on Paper. Not Sold. |
| 28760 | The County Chairman (Fox, 1935) and Handy Andy (Fox, 1934). Midget Window Cards (2) (8" X 14"). One of the most beloved humorists of the twentieth century, Will Rogers was a star of vaudeville, silent, and sound films. Philosopher, social critic, and confidant of Presidents, Rogers delivered a simple Everyman philosophy that audiences, particularly during the Great Depression, found appealing and reassuring. At the height of his fame, on August 15, 1935, Rogers was killed in a plane crash over the Arctic during a flight around the world with famed aviator Wiley Post, resulting in a massive outpouring of grief worldwide. Offered here are two superb midget window cards featuring this renowned entertainer. The card for The County Chairman shows pinholes in the top, under the imprint, and in the bottom, below the credits. The card for Handy Andy has staple holes at the top, and evidence of water staining in the top right. Both, however, present fabulous images of Rogers and will be welcome additions to the collection of any of his latter-day fans. From the Collection of Denver Sherry. Fine-. Not Sold. |
| 28761 | The Power and the Glory (Fox, 1933). Title Lobby Card and Lobby Cards (6) (11" X 14"). Spencer Tracy stars as Tom Garner, a railroad tycoon who has just killed himself, and his life is told in flashbacks by his best friend Henry (Ralph Morgan). At the end of his life, Garner regrets the mistakes he made on the way to the top, and the loss of his first wife played by Colleen Moore. This is Preston Sturges' first screenwriting credit. The title card has foxing in the borders. One card has a corner bump in the top right, and another has minor foxing in the top border and smudging in the bottom border. A third card has light foxing and a light dust shadow in the right border. Overall this is a striking group of cards from this powerful film. Very Fine. Sold for: $1,015.75. |
| 28762 | Man's Castle (Columbia, 1933). Midget Window Card (8" X 14"). A hard-hitting, pre-Code, Depression-era story, this splendid film features Spencer Tracy as Joe, a down-and-out hobo who meets the lovely Trina (Loretta Young) and invites her to share his shantytown shack. However, when wanderer Joe meets sassy showgirl Fay LaRue (Glenda Farrell), he's ready to move on down the road with her, until he learns that Trina is pregnant with his child. Wanting to do the right thing, Joe robs a toy store to provide money for Trina and the baby, but of course, things don't work out quite as planned. This attractive midget window card, featuring portraits of Tracy and Young, shows light edge chipping and a small corner crease in the bottom left, and a crease in the top left. Otherwise, however, the card is as clean as can be, ready to take a place of honor in any fine collection. Very Fine+.Sold for: $956.00. |
| 28763 | Bottoms Up (Fox, 1934). One Sheet (27" X 41") Style A. A relatively early film in the career of superstar Spencer Tracy, this was his only appearance in a musical comedy. Tracy plays slick promoter "Smoothie" King, a con man always working the angles. He helps a pair of phonies (Pat Patterson and Herbert Mundin) pass themselves off as British nobility, getting them prestigious jobs in a movie studio, with hilarious results. The lovely Pat Patterson is prominently featured on this glorious stone litho one sheet. She was happily married to actor Charles Boyer for 44 years and, after her death from cancer, he committed suicide two days later! The poster had pinholes in the corners, and some crossfold separations, but professional restoration has rendered these slight defects virtually invisible. This is a poster you'll be proud to own and display. Very Fine+ on Linen. Sold for: $239.00. |
| 28764 | Captains Courageous (MGM, 1937). Half Sheet (22" X 28"). This film, based on Rudyard Kipling's classic novel, stars Spencer Tracy, who won an Academy Award for his performance as a salty Portuguese fisherman teaching a spoiled child (Freddie Bartholomew) life's values, including the benefits of a hard day's work. The posters for this title have always been elusive. This poster was folded and has a chip out of the left side of the horizontal fold into the green field. There was minor border wear and pinholes in the corners. Professional restoration has addressed all of these minor issues, giving it a fresh and attractive appearance. Fine on Paper. Sold for: $507.88. |
| 28765 | They Gave Him a Gun (MGM, 1937). One Sheet (27" X 41"). A tawdry tale of shifting loyalties and purple passion, starring Gladys George as a woman who loves a soldier (Spencer Tracy) but ends up marrying a brute (Franchot Tone) who she later discovers is actually a gangster. She turns him in and turns back to Tracy, but Tone flies the coop and comes looking for revenge. This stunning one sheet has terrific portraits of the three leads, and is in frankly astounding condition given its age. Some minor pinholes and crossfold separations are the only issues, and these have been addressed with professional restoration. Very Fine on Linen.Not Sold. |
| 28766 | Big City (MGM, 1937). Midget Window Card (8" X 14"). Luise Rainer and Spencer Tracy are featured on this rare "midget card" in a well acted, well written 1930s MGM melodrama about cabbie warfare in Manhattan. Extremely colorful and in an exceptionally high grade, this is a "must have" for any Rainer or Tracy fan. There is a theatre imprint in the imprint area with a historical notation of "Giftnite: Gift Thirty Dollars"! Very Fine/Near Mint.Sold for: $418.25. |
| 28767 | Stanley and Livingstone (20th Century Fox, 1939). Midget Window Card (8" X 14"). An exciting, albeit not entirely accurate, retelling of the heroic journey undertaken by American reporter Henry M. Stanley (Spencer Tracy), assigned by his editor to find missing Scottish missionary David Livingstone (Sir Cedric Hardwicke) deep in the jungles of Africa. This colorful midget window card has a tear in the top right at the snipe, a corner crease in the bottom left, and a small tear in the bottom right, but is otherwise extremely clean and attractive. From the Collection of Denver Sherry. Very Fine-.Not Sold. |
| 28768 | Northwest Passage (MGM, 1940). Midget Window Card (8" X 14"). Based on the popular novel by Kenneth Roberts, this is the story of Langdon Towne (Robert Young) and "Hunk" Marriner (Walter Brennan) who, after a series of misadventures, leave the security of their New England home to join a squad of Indian hunters under the command of Major Robert Rogers (Spencer Tracy) during the years of the French and Indian War. The movie is subtitled, Book 1 - Rogers' Rangers, as it was originally intended to be the first part of a series, but significant production challenges led producers to abandon this concept. Filmed in glorious Technicolor, the picture received an Oscar nomination for Best Cinematography. Offered here is a wonderful midget window card, featuring a great portrait of Tracy. It shows a chip in the top left corner, slight edge wear, and blunted corners, but these minor concerns do little to affect the beauty and desirability of this exquisite piece. Very Fine-.Sold for: $143.40. |
| 28769 | I Take This Woman (MGM, 1940). One Sheet (27" X 41") Style C. After an affair with a married man goes wrong, beautiful Georgi (Hedy Lamarr) decides to end it all. Fortunately, she's stopped by dedicated Dr. Karl Decker (Spencer Tracy), who quickly falls in love with her. The two marry soon after, and Decker gives up his clinic work to support his wife's lavish tastes by becoming a society doctor. Unfortunately, all this goes unappreciated by Georgi, who attempts to rekindle a relationship with the man that initially spurned her. This beautiful poster, with art by the renowned Vincentini (aka Ted Ireland), has been mounted on linen which has been trimmed to the edge of the borders of the poster. It had light fold wear, a small tear in the top background area, and a chip in the left border, but professional restoration has done an admirable job of rendering these minor flaws virtually invisible. Don't miss this classic beauty. Very Fine on Linen.Sold for: $191.20. |
| 28770 | Father of the Bride (MGM, 1950). Insert (14" X 36"). Spencer Tracy stars as Stanley T. Banks, a doting father preparing for the wedding of his daughter (Elizabeth Taylor) and dealing with all the attendant headaches of getting ready for the fateful day. The film was released a mere two days after the real-life - and well-publicized - wedding of Taylor to Conrad Hilton Jr., which may well have contributed to the film's success. This colorful insert has light edge wear, a tear in the right border that extends into the image area, several extra horizontal folds, and minor corner bumps and creases. It's a wonderful piece from a truly beloved film. Folded, Fine+.Sold for: $286.80. |
| 28771 | Another Dawn (Warner Brothers, 1937). Half Sheet (22" X 28"). This stirring melodrama stars Errol Flynn as Captain Denny Roark, an officer in the British Army who falls in love with Julia (Kay Francis), the wife of his commanding officer, Colonel Wister (Ian Hunter). Wister is aware of the situation, and, rather than make a scene, he volunteers for a suicide mission so that the two lovers can be together. The dramatic half sheet offered here had pinholes in the body of the poster, some staining in Francis's face, a vertical tear through the title, edge chips, a small hole in the blue area to the right of Flynn's head, and three missing corners. The professional restoration applied to this sheet has been excellently done, making it look as fresh and clean as the day it was printed. Very Good on Paper. Sold for: $418.25. |
| 28772 | The Perfect Specimen (Warner Brothers, 1937). Midget Window Card (8" X 14"). A delightful comedy starring Errol Flynn as sheltered rich boy Gerald Beresford Wicks, and Joan Blondell as feisty Mona Carter. When Mona practically kidnaps Gerald from the secretive confines of the family manse, she takes him on a whirlwind tour of Pennsylvania, showing him how the "other half" lives. A delightful film with an impeccable cast, the picture is represented here with a wonderful linen paper, midget window card, showing both Flynn and Blondell. Professional restoration has replaced the top imprint area and the bottom left corner, as well as repaired a small tear in the right border, resulting in a clean and attractive card you will be proud to own. From the Collection of Denver Sherry. Fine+. Sold for: $239.00. |
| 28773 | Dodge City (Warner Brothers, 1938). Lobby Card (11" X 14"). A terrific slam-bang Western that gave Errol Flynn one of his best early roles, with lovely Olivia DeHavilland as the love interest. The card had two small border tears and some light paper loss just to the right of Flynn's head, all of which has been addressed with professional restoration. Very Fine. Sold for: $507.88. |
| 28774 | Dodge City (Warner Brothers, 1938). Lobby Card (11" X 14"). Cattleman Wade Hatton (Errol Flynn) wants nothing more than to sell his herd and return to Texas, but when he sees the brutality and lawlessness of Dodge City, he takes up the sheriff's badge and stands up to boss Jeff Surrett (Bruce Cabot), vowing to make the town safe for decent people. In true heroic Flynn fashion, he also manages to woo the lovely Abbie Irving (Olivia DeHaviland) along the way. One of the finest Westerns ever made, this was a high point in the career of everyone involved. This highly desirable, linen-finish portrait card, featuring Flynn, DeHaviland, and co-star Ann Sheridan, had pinholes in the corners and in the image area, a hole in the top right, edge wear, and a tear in the right border, but professional restoration has expertly addressed all of these issues, providing it with a Near Mint appearance. Both Flynn and Western fans will be competing for this rare beauty! Fine/Very Fine. Sold for: $507.88. |
| 28775 | Dodge City (Warner Brothers, 1938). Lobby Card (11" X 14"). One of the finest Westerns ever filmed, this landmark production reteamed stars Errol Flynn and Olivia DeHaviland, co-star Alan Hale, and director Michael Curtiz, all of whom had been involved in the previous year's Adventures of Robin Hood. The result is a truly epic production which, along with Stagecoach, is often credited with reinventing the Western genre. Offered here is one of the best scene cards from the lobby set, featuring wonderful images of both Flynn and DeHaviland. It had pinholes in the corners, a pinhole in DeHaviland's hair, water staining in the bottom border, and a crease in the bottom left, all of which was addressed with professional restoration. As part of the restoration process, approximately .25" of the top border has been replaced. The result is a beautiful linen-finish card that has a Near Mint appearance, making it a piece that any collector will be proud to own and display. Fine-. Sold for: $507.88. |
| 28776 | Dodge City (Warner Brothers, 1938). Lobby Card (11" X 14"). Errol Flynn in his first Western is an Irishman running prisoners through the titular town when he's approached to be Sheriff. He accepts the position, and tries to clean up Dodge, but comes up against outlaw Jeff Surrett (Bruce Cabot) and his gang. Olivia de Havilland and Ann Sheridan are the eye candy and Michael Curtiz directs this Technicolor extravaganza with a sure hand. Offered here is an impeccable linen-finish lobby card with a great image of Flynn in profile; the card has only one light bend in the top right corner keeping it from being absolutely Mint. It's simply one of the best examples we've seen. Near Mint. Sold for: $1,553.50. |
| 28777 | The Dawn Patrol (Warner Brothers, 1938). Window Card (14" X 22"). Teaming stars Errol Flynn and Basil Rathbone for the third time (they had previously been seen together in Captain Blood and The Adventures of Robin Hood), this is the story of a flying squadron during World War I suffering heavy casualties. Flying ace Courtney (Flynn) blames commanding officer Brand (Rathbone) for the high mortality rate, until Brand is transferred and Courtney is given command. A remake of director Howard Hawks's 1930 version of the same title, this version benefits from the strong performances of both Flynn and Rathbone. This dramatic window card has light edge wear, smudging in the borders, two vertical scratch marks in the imprint area, light soiling in the top right, a small tear in the right border, creases in the bottom right and top left, and corner bumps. It remains a very attractive, and very desirable card featuring one of the screen's premiere action heroes. Fine/Very Fine. Sold for: $717.00. |
| 28778 | They Died With Their Boots On (Warner Brothers, 1941). Three Sheet (41" X 81"). This was the eighth and final film collaboration between Errol Flynn and Olivia de Havilland. Fittingly, their final scene filmed together was Custer's final parting from his wife. This restored three sheet had a number of pinholes in the image and margins. The fold lines had separated and and chips had formed at the fold lines and crossfolds. The edges were worn with a bit of chipping as well. Now, these flaws are barely noticeable leaving a poster that will display well. Very Good on Linen.Sold for: $1,075.50. |
| 28779 | They Died With Their Boots On (Warner Brothers, 1941). One Sheet (27" X 41"). This fictionalized account of the life and times of General George Armstrong Custer stars Errol Flynn as the ill-fated favorite son of the U.S. Army. Olivia de Havilland stars as his wife, Libbie. While the film took liberties with the historical accuracies of Custer's life, it made for the kind of thrilling spectacle that audiences had grown to expect from Warner Brothers and director Raoul Walsh. Some restoration was carried out to repair minor fold separations and small chips at the fold lines. However, a few minor flaws remain visible including light soiling and smudging in the border along with fine pinholes. The artwork and color are still absolutely gorgeous and make this poster a must-have for any serious collector. Fine/Very Fine on Linen. Sold for: $1,195.00. |
| 28780 | They Died With Their Boots On (Warner Brothers, 1941). Lobby Card (11" X 14"). A highly fictionalized account of the life and career of General George Armstrong Custer (Errol Flynn) and the events leading up to the battle of Little Big Horn, this was the eighth and final screen pairing of Flynn and the lovely Olivia de Havilland. Offered here is a great lobby card featuring these two incandescent stars. It has a pinhole in the top center, a scratch in the bottom image area, light staining and a small crease in the top border, and minor corner bumps, but remains a beautiful card that will enhance any collection. Very Fine.Not Sold. |
| 28781 | Santa Fe Trail (Warner Brothers, 1950s). First Japanese Release B2 (20" X 28.5"). Errol Flynn stars as Jeb Stuart, heroic cavalry officer, who teams up with George Custer (Ronald Reagan) to oppose militant abolitionist John Brown (Raymond Massey) in the days leading up to the Civil War. Of course, both dashing heroes find time to romance the lovely Kit Carson Halliday (Olivia deHaviland) in their spare time. this exciting picture is represented her by this colorful and patriotic Japanese B2, featuring both Flynn and DeHaviland. it shows a chip in the top right corner, extra horizontal creasing in the top half, and wrinkling in the borders. In spite of these minor flaws, this is a wonderful piece that any collector will be proud to own from the first post-war release in Japan. Folded, Fine.Sold for: $1,434.00. |
| 28782 | The Trail of '98 (MGM, 1928). Lobby Cards (4) (11" X 14"). A bold, daring, and often disturbing story of the Alaskan Gold Rush, this hard-hitting film is often compared to Charlie Chaplin's famous film set during the same era. The setting is the only similarity, however, as this movie tells a much darker story of a gold miner (Ralph Forbes) who strikes it rich, and endures terrible hardship on his way home, only to find that his sweetheart (Dolores del Rio) has become a performer in a wretched dance hall, a discovery that leads to a tragic ending. Two of the cards offered here show pinholes in the image area, another has a small chip in the right border. All display very light edge wear, but are clean, attractive, and very desirable overall; a marvelous find for any silent film collector. Very Fine.Sold for: $388.38. |
| 28783 | In Old Chicago (20th Century Fox, 1937). Half Sheet (22" X 28") Style A. Set in the days just prior to the Great Chicago Fire of 1871, this is the story of the O'Leary brothers, the sons of the woman (Alice Brady) whose cow started the conflagration. Dion O'Leary (Tyrone Power) is a disreputable rogue, while brother Jack (Don Ameche) becomes one of the town's leading attorneys and then Mayor. The two grow apart, often on opposite sides of the law, but are both vying for the same beautiful girl, Belle (Alice Faye); a great disaster brings them together in the end. Offered here is a stunning half sheet for this marvelous picture. It had pinholes in the upper and lower left corners, small tears in the right and bottom borders, crossfold separations with chips at the fold lines, and chips at the top center border and the bottom right corner. Linen mounting has largely addressed these issues, making this a poster that any collector will be proud to own. Folded, Fine on Linen. Sold for: $388.38. |
| 28784 | In Old Chicago (20th Century Fox, 1937). Half Sheet (22" X 28") Style B. Jean Harlow was to be loaned out by MGM for the role of Belle Fawcett in this thrilling drama. In exchange, 20th Century Fox would loan Shirley Temple to MGM for The Wizard of Oz. The entire deal fell apart, however, with the death of Harlow. Instead the role of Fawcett went to Alice Faye. Faye is pictured with co-stars Don Ameche and Tyrone Power on this poster. Prior to restoration, this poster had been folded with wear and tear along the fold lines and edges. The bottom right corner was missing and there was a tear at Power's chin. While this rare style B half sheet was restored without the benefit of modern restoration techniques, it is still a displayable piece from this action-packed film. Good/Very Good on Linen. Sold for: $358.50. |
| 28785 | Cafe Metropole (20th Century Fox, 1937). Lobby Card (11" X 14"). In this thrilling drama, Alexis (Tyrone Power) is a young American in debt to nightclub owner Victor Lobard (Adolphe Menjou). As payment, Victor demands that Alexis seduce lovely young heiress Laura Ridgeway (Loretta Young) in hopes of gaining access to her fortune. Both Young and Power are featured on this beautiful lobby card, which has pinholes in the corners and the image area, light edge wear, and a small tear and an enlarged pinhole with a scuff in the top border. It is a beautiful card spotlighting two great performers. Very Fine-.Sold for: $179.25. |
| 28786 | The Mark of Zorro (20th Century Fox, 1940). One Sheet (27" X 41") Style B. A bold caballero who dedicated his life to protecting the common people of California from the depredations of a corrupt government, Zorro is one of the great swashbuckling adventure heroes of all time, ably portrayed in this classic film by the dashing Tyrone Power. Offered here is the rare Style B one sheet for this film, striking in its graphic simplicity. Only a few small tears in the top and bottom border keep this beauty from an even higher grade. Very Fine+.Not Sold. |
| 28787 | The Black Swan (20th Century Fox, 1942). Midget Window Card (8" X 14"). A classic pirate film, starring the roguish and dashing Tyrone Power as the buccaneer Jamie Waring and Maureen O'Hara as Lady Margaret Denby, this rousing actioner is loosely based on a novel by Rafael "Captain Blood" Sabatini. Offered here is a gorgeous midget window card, showing Power at his swashbuckling best. In virtually unimprovable condition, only some very slight blunting to the corners keeps this glorious treasure from an even higher grade. From the Collection of Denver Sherry. Near Mint. Sold for: $1,015.75. |
| 28788 | The Razor's Edge (20th Century Fox, 1946). Title Lobby Card (11" X 14"). Based on the novel by Somerset Maugham, this is the story of a disaffected young man (Tyrone Power) who, upon his return from World War I, moves to Paris as part of the Lost Generation. After serving in the Army during World War II, Power wanted to tackle more substantial roles, of which this was one of the first. The all-star cast includes such Hollywood luminaries as Gene Tierney, Anne Baxter, and Clifton Webb. Offered here is a wonderful title card, spotlighting Power in a marvelous painting by beloved American illustrator, Norman Rockwell. The card has pinholes in the corners, a small chip in the top left corner, corner bumps, a crease in the bottom right, and light smudging on the right side. In spite of these small flaws, this is a very attractive and desirable card, that any collector will be proud to own. Very Fine.Sold for: $334.60. |
| 28789 | The Ice Follies of 1939 (MGM, 1939). Jumbo Window Card (22" X 28"). Yes, it's Joan Crawford and Jimmy Stewart, starring in this frothy comedy about a successful skating team named Mary and Larry. But the team breaks up when Mary gets a Hollywood movie contract -- but Larry doesn't. So, to prove he can still be successful, Larry goes to Canada to stage an ice revue. But will the couple ever get back together? Since the movie is sparkling with stars, girls, gayety, and music, we think we know the answer. This bright, eye-catching jumbo has Crawford showing off a shapely pair of gams, and a very nice portrait of the young couple. The poster has some surface scratching, a hole in the top right corner, corner bumps and creases, some creasing in the top center border, and a tear in the lower right which extends into the image, all of which has been addressed with professional restoration. Very Fine- on Paper.Sold for: $1,673.00. |
| 28790 | Pot O' Gold (United Artists, 1941). Three Sheet (41" X 81"). Jimmy Stewart plays a small-town guy who loves music, but is forced to take a job at his rich uncle's food factory. Moving to town, he befriends the musical McCorkle family, who live next door to the factory and drive his uncle batty with their racket. Naturally, Jimmy falls for the clan's pretty daughter (Paulette Goddard). This frothy musical comedy was directed by the prolific George Marshall, and is well-represented by this beautiful three sheet. The poster had pinholes, small tears and slight paper loss at the fold lines, small border and corner chips, and a few small holes in the image. Professional restoration has brought this poster up to snuff, and it presents very well with great color. Very Good/Fine on Linen.Sold for: $239.00. |
| 28791 | Anatomy of a Murder (Columbia, 1959). One Sheet (27" X 41"). Otto Preminger directs this sordid tale of heartland homicide, with Jimmy Stewart as a small-town lawyer called on to defend a man (Ben Gazarra) arrested for killing a bartender who he claims raped his wife (Lee Remick). This classic Saul Bass artwork has always been a favorite of collectors; Premiere Magazine voted it the best movie poster of all time, and who are we to argue? This is a very fine example, with pinholes in the borders and crossfold separations being the only condition issues, and these have been rendered invisible by professional restoration. Very Fine+ on Linen.Sold for: $2,390.00. |
| 28792 | Goodbye, Mr. Chips (MGM, 1939). Three Sheet (41" X 81"). In this beloved film, based on the novel by James Hilton, an aged headmaster in a private school reflects on his life and his career. Robert Donat stars in the title role, for which he won the Academy Award for Best Actor in 1939, with Greer Garson as his wife, Katherine. This wonderful three sheet, which features glorious stone litho images of Donat and Garson, has pinholes, light edge wear and tears, fold wear with separations, and scuffs and stains. There is a bit of writing in pencil below the "E" in the title. Fine+. Not Sold. |
| 28793 | Dodsworth (United Artists, 1936). Lobby Card (11" X 14"). Walter Huston shines in Sinclair Lewis's emotional story of a middle-aged couple and their search for adventure and excitement, which ultimately leads to the ending of their marriage. Dodsworth's wife, Fran, played by lovely Ruth Chatterton is obsessed with becoming part of the sophisticated crowd of Europe and believes her husband does not measure up. Mary Astor is wonderful as the sympathetic and patient other woman. The stunning cast also includes David Niven and Paul Lukas. This lobby card has pinholes and an indentation in the right border, a scratch and small tear in the left border, and a light scuff above the title. A beautiful shot of three top actors makes this card a prize addition to any collection. Very Fine-. Not Sold. |
| 28794 | Wings of the Morning (20th Century Fox, 1937). Midget Window Card (8" X 14"). A tale of life and love among the race horses, this is the story of a young woman (Annabella) who disguises herself as a boy so she can ride her horse in the big race, and along the way falls in love with a handsome trainer (Henry Fonda). Add in the magnificent voice of renowned Irish tenor John McCormack, and you've got a surefire winner. This glorious midget window card has minor bumps in the top and bottom right corners, as well as writing in the imprint area, but is otherwise clean and unmarked. Very Fine/Near Mint.Sold for: $107.55. |
| 28795 | Venus Makes Trouble (Columbia, 1937). One Sheet (27" X 41"). James Dunn stars as a huckster who manages to make it big in NYC, and Patricia Ellis is the "Venus" who spells trouble for him. This brightly attractive one sheet has great portraits of the two stars, as well as Ms. DeMilo herself. Fold wear and some crossfold separations were the only real issues, and these have been rendered invisible with fine professional restoration. A sophisticated delight. Very Fine- on Linen.Sold for: $179.25. |
| 28796 | Sailor's Lady (20th Century Fox, 1940). Midget Window Card (8" X 14"). A battleship is no place for a baby, as sailor Danny Malone (Jon Hall) finds out when his girlfriend (Nancy Kelly) becomes a foster mother. Joan Davis, Dana Andrews, and Mary Nash head up a fine cast, and Buster Crabbe takes a break from outer space serials to appear as well. This exceptional card has a crease in the top left corner, writing in the imprint area, and corner bumps, but presents beautifully with fantastic color and a very sharp appearance. Very Fine/Near Mint.Sold for: $131.45. |
| 28797 | The Heiress (Paramount, 1949). One Sheet (27" X 41"). The Heiress was nominated for eight Oscars, winning four, including Best Actress for Olivia DeHavilland, Best Art Direction, Best Costume Design, and Best Music Score. Directed by William Wyler, the screenplay by Augustus and Ruth Goetz was adapted from their 1947 play, which was based on the 1880 novel Washington Square by Henry James. Montgomery Clift, playing the lead male actor, was starring for the first time in this, his third screen role. The poster has tears in the upper two corners and the lower right corner where pinholes are present. There is a split in the lower vertical fold which is supported on the verso with brown paper tape and there is some soiling in the lower border area. Fine-. Sold for: $179.25. |
| 28798 | The Great Gatsby (Paramount, 1949). Insert (14" X 36"). This version of the F. Scott Fitzgerald's novel hews much closer to the book than the later Robert Redford film, and many people find Alan Ladd's superb performance to be preferable as well. Betty Field, Macdonald Carey, Ruth Hussey, Howard Da Silva, and Shelley Winters round out the excellent cast. This impressive insert poster features a manly, bare-chested Ladd, and several of the fine ladies of the feature. Minor condition issues include pinholes in the image area, light overall soiling, corner bumps, and edge wear. A great-looking poster. Folded, Fine+.Sold for: $239.00. |
| 28799 | The Great Gatsby (Paramount, 1949). Lobby Card Set of 8 (11" X 14"). This was the second adaptation of F. Scott Fitzgerald's classic novel, and is considered by many to be the best. Alan Ladd stars as social-climbing bootlegger Jay Gatsby, who endeavors to win back the love of an old girlfriend (Betty Field) with tragic results. This lobby card set shows edge wear, foxing, and corner bumps and creases, as well as a small stain at the top of one card. Despite these minor flaws, this is a beautiful set from a fine movie, a classic of both film and literature. Fine/Very Fine. Sold for: $448.13. |
| 28800 | Sweet Smell of Success (United Artists, 1957). Half Sheet (22" X 28") Style B. Burt Lancaster stars as J. J. Hunsecker, a ruthless newspaper columnist who has the entertainment world held hostage by the power of his words. Tony Curtis is fascinating as Sidney Falco, the press agent who would stop at nothing to be part of Hunsecker's inner circle. This wonderful dark story of greed and manipulation was written by Ernest Lehman and Clifford Odets and co-produced by Lancaster. This half sheet had pinholes in the corners and the borders, a small tear at the bottom foldline, and a small tear in the right border. These issues have been addressed by professional restoration and the poster presents beautifully. Very Fine- on Paper. Sold for: $776.75. |
| 28801 | Houdini (Paramount, 1953). Half Sheet (22" X 28") Style B. A highly fictionalized account of the life and career of Harry Houdini, this extremely entertaining biopic, starring Tony Curtis in the title role and Janet Leigh as his wife, Bess, manages to perfectly capture the spirit of the great escapologist, who was a consummate performer, driven to be the very best. Both Curtis and Leigh were carefully trained by professional magicians for their roles in this movie, and consequently sworn to secrecy concerning the tricks that they learned. Offered here is a lovely half sheet, that had edge tears, chips in the top and bottom borders, and bends in the bottom corners. Professional restoration, including airbrushing in the image area, has addressed these minor flaws, returning this poster to a like-new appearance. Very Fine- on Paper.Not Sold. |
| 28802 | To Kill a Mockingbird (Universal, 1963). Half Sheet (22" X 28"). Based on the Pulitzer Prize-winning book by Harper Lee, with an Oscar-winning screenplay by Horton Foote, and an Oscar-winning performance by Gregory Peck, this may just be the finest adaptation of a novel in film history. Minor condition issues include light fold wear, light foxing and a thin dust shadow on the right edge, minor smudging, and edge wear. A terrific poster from this classic film. Folded, Very Fine. Sold for: $657.25. |
| 28803 | To Kill a Mockingbird (Universal, 1963). Lobby Card Set of 8 (11" X 14"). Harper Lee's Depression-era story about prejudice in the Deep South has become a classic of the modern cinema. Gregory Peck won the Academy Awards for Best Actor and Robert Duvall made his film debut as the mysterious Boo Radley. This is a lovely condition, unused, set of lobby cards from the film. Very Fine+.Sold for: $597.50. |
| 28804 | Twelve O'Clock High (20th Century Fox, 1949). One Sheet (27" X 41"). General Savage (Gregory Peck) is faced with raising both the morale and the performance of a war-weary bomber squadron in this tense action picture. Peck received a Best Actor Nomination for his performance, and Dean Jagger, as Major Stovall, took home a Best Supporting Actor Oscar for his. The film is used to this day as a leadership training tool by both the U.S. Navy and by the Air Force. This powerful one sheet has two small tears in the orange area in the top and middle left, and some light ghosting in the bottom section, as well as a small stain in the lower left border. Other than these minor imperfections, the poster is a beauty, and presents very well. Very Fine-.Sold for: $836.50. |
| 28805 | The Great Air Robbery (Universal, 1919). One Sheet (27" X 41"). Ormer Locklear wasn't merely a pilot, he was a daredevil, a man who thought nothing about tempting fate while walking on the wing of a biplane or leaping from one plane to another in mid-air. Even as a child, he practiced "gap jumping," leaping his bicycle over ever-increasing distances, to amuse his friends and neighbors. He enlisted in the Air Service during World War I, and later became a popular barnstormer, giving exhibitions across the country at state fairs and air shows. Inevitably, Hollywood beckoned, and Locklear relocated to the West Coast, where he soon came to the attention of Carl Laemmle, who signed the brave young man to a series of pictures. In 1919, Locklear made his first movie, The Great Air Robbery, in which he played Larry Cassidy, a pilot for the U.S. Air Mail Service, who defends a shipment of $20,000 in gold from the villainous clutches of the evil Chester Van Arland (Ray Ripley). Of course, the film made use of all the stunts that had made Locklear a household name as a barnstormer. The picture was a hit, and Locklear was on his way to a fabulous career on the silver screen. During the filming of his next picture, however, The Skywayman, tragedy struck when signals got crossed during a night shoot. Shooting at night required high-intensity lights, and Locklear instructed the lighting technicians to keep the lights on him as he plunged to earth, seemingly to his death, until he reached about 500 feet, at which point they were to turn the lights off, allowing him to level off and land. During the stunt, he would be effectively blind, making it critically important that the lights be shut off at the proper time. For whatever reason, they weren't, and Locklear crashed to the ground, killed on impact. He was 29 years old. The footage of the crash was used in the final print of the film. Offered here is a beautiful stone litho one sheet from Locklear's first film, sporting a handsome portrait of the daring flyer. The poster displays some crossfold separation, as well as some minor wear on the bottom horizontal fold and some light edge wear, but is otherwise clean; a very attractive poster featuring one of the bravest men ever to appear before a camera. A terrific piece for any film or aviation fan, this is a real prize. Very Fine-.Sold for: $2,270.50. |
| 28806 | The Great Air Robbery (Universal, 1919). One Sheet (27" X 41"). This was the second film to star daredevil airman Ormer Locklear, the fearless stuntpilot who was the first to practice the art of wingwalking. A brilliant aviator and a born showman, Locklear defied the odds time and again, as he did things that others claimed were impossible, things like transferring from one plane to another during flight, flying at night (in the days before instrumentation), or climbing from a speeding car to a plane above by means of a rope ladder. Often imitated but never equaled, Locklear became the toast of the town in silent-era Hollywood, hobnobbing with the great and powerful, and well on his way to becoming a top star. Tragically, during the filming of this picture's climactic stunt, a series of miscommunications resulted in a crash that killed the great pilot at the too-early age of 29. This stunning stone litho one sheet, featuring Locklear's beautiful co-star, Francelia Billington - who had a substantial motion picture career between 1912 and 1930 - is a wonderful piece from a great adventure film. It had a tear in the top border that goes into the image area, minor edge tears with chips, tearing at the vertical fold line in the bottom portion, pinpoint crossfold separations, a small piece missing from the bottom center border, and a small hole in the bottom right, but superb professional restoration has rendered these flaws virtually invisible, making this a rare treasure that you will be proud to own and display. Fine/Very Fine on Linen.Sold for: $1,553.50. |
| 28807 | The Air Patrol (Universal, 1928). Lobby Card Set of 8 (11" X 14"). Al Wilson was one of the early breed of pilots who taught themselves to fly and became a daredevil stunt pilot, starring in his own series of air adventures for Universal. Wilson later performed stunts for the film Hell's Angels (1930). Wilson lost his life in an airplane crash in the 1932 National Air Races in Cleveland. This gorgeous art-deco lobby set is in excellent condition except for the dust shadowing on the title card and a bit more on one other card. The other cards are in near mint condition. These cards are extraordinarily beautiful with the varying lobby art as well as the scenes. Fine/Very Fine.Sold for: $239.00. |
| 28808 | 20,000 Men a Year (20th Century Fox, 1939). Midget Window Card (8" X 14"). Handsome leading men Randolph Scott and Preston Foster star in this dramatic aviation adventure. Pretty Margaret Lindsay, who is remembered best for her role in the Ellery Queen series, plays Randolph Scott's love interest. This very striking card only has writing in the theater imprint, otherwise it is nearly perfect. Very Fine/Near Mint.Sold for: $262.90. |
| 28809 | The Memphis Belle (Paramount, 1944). One Sheet (27" X 41") Style A. Hailed as one of the greatest wartime documentaries ever produced, this exciting picture tells the story of the last mission of the Memphis Belle, a B-17 bomber, during World War II. Directed by William Wellman, who also received cinematographer credit for manning the camera himself during several dangerous flights, this is a stirring portrait of heroism that is as affecting today as it was the day it was released. This exciting one sheet has pinpoint crossfold separation, a vertical misfold, and a small tear in the left border, but is otherwise clean and attractive; a lovely copy of a highly desirable poster. Very Fine.Sold for: $2,270.50. |
| 28810 | Victory Through Air Power (United Artists, 1943). Half Sheet (22" X 28"). An unabashed World War II propaganda film, this memorable movie is based on the book of the same title by Alexander P. deSeversky, who advocated the use of strategic long range bombing to win the war. Walt Disney was so impressed with deSeversky's theories that he personally authorized and funded the creation of this animated feature, primarily to convince the government, as well as the American public, that the idea's presented should be widely adopted. It also marked the beginning of Disney's educational films division, which continues to this day. This attractive and highly desirable half sheet, which combines the dramatic imagery of the one sheet with the desirable imagery of the lobby cards, has pinholes in the corners, edge tears (some repaired with cellophane tape on the front and back), one of which, in the bottom center, extends into the image area, and a punch hole in the top border. It is a powerful, and highly desirable, poster that will enhance any collection. Folded, Fine/Very Fine. Sold for: $478.00. |
| 28811 | Confessions of a Nazi Spy (Warner Brothers, 1939). Midget Window Card (8" X 14"). The first openly anti-Nazi film from Hollywood prior to WWII was this tale of FBI agent Edward G. Robinson and his crusade to bring down a ring of Nazi spies operating in America. An indication of the success and influence of the film was the report that Adolf Hitler had plans to execute the filmmakers when he won the war. This midget window card has one enlarged pinhole on the upper border, a couple of edge tears with paper tape on the back, and light wrinkling. The imprint area has a theater stamp, as well as a number written in pencil. Wonderful artwork of Robinson. From the Collection of Denver Sherry. Fine/Very Fine. Sold for: $310.70. |
| 28812 | The Pied Piper (20th Century Fox, 1942). Midget Window Card (8" X 14"). Based on a novel by author Nevil Shute, this wartime drama tells the tale of the curmudgeonly Howard (Monty Woolley), an Englishman on vacation in France. Caught in the middle of the Nazi invasion, he is persuaded to smuggle an ever-increasing group of children (including a young Roddy McDowall) out of the country, initially against his will. As the trip becomes increasingly perilous, he becomes more attached to his young charges, vowing to see them to safety no matter what the cost. A powerful film, it received three Oscar nominations, for Best Actor (Woolley), Best Cinematography, and Best Picture. This dramatic midget window card shows a small crease in the top right corner, and a larger crease in the bottom right, but is otherwise clean and unmarked. It will be a valued addition to any collection. From the Collection of Denver Sherry. Very Fine. Sold for: $155.35. |
| 28813 | The Purple Heart (20th Century Fox, 1944). One Sheet (27" X 41"). Following their capture during the Doolittle raids, eight airmen are subjected to torture and impossible conditions at the hands of their Japanese captors. The moving artwork on this poster features stars Dana Andrews and Richard Conte, and the rest of the cast in deep, rich color. Along with wear along the edges, there are pinholes in the corners and borders, small tears in the top and bottom, and a small chip in the bottom right corner. However, this sheet will make a nice addition to any WWII movie poster collection. Very Fine-. Sold for: $262.90. |
| 28814 | The Hitler Gang (Paramount, 1944). Insert (14" X 36"). Produced at the height of the Second World War, this is a fairly even-handed portrayal of the rise of Adolf Hitler, from his earliest days following the end of World War I and the signing of the disastrous Treaty of Versailles, through his imprisonment after the Beer Hall Putsch in 1923 - during which time he wrote Mein Kampf - to his leadership of the Nazi Party and his battle against the Allied Forces in the European Theater during World War II. Although this is clearly an American propaganda film, it takes only minor liberties with the truth and, through lookalike casting, presents an engrossing portrait of one the twentieth century's greatest monsters. This insert shows two small holes in the left border, but is otherwise clean and attractive. Folded, Very Fine+.Sold for: $179.25. |
| 28815 | The Dirty Dozen (MGM, 1967). One Sheet (27" X 41"). Train them! Excite them! Arm them! Then turn them loose on the Nazis! One of the best-loved war films of all times boasts a stellar cast that includes Lee Marvin, Ernest Borgnine, Charles Bronson, John Cassavetes, Trini Lopez, Robert Ryan, Telly Savalas, and more. This spectacular one sheet features eye-popping artwork, and this glorious example is unused. If you were waiting for an excellent condition copy of this poster, wait no more! Near Mint/Mint. Sold for: $286.80. |
| 28816 | Hell in the Pacific (Cinerama Releasing, 1968). British Quad (30" X 40"). An American pilot (Lee Marvin) and a marooned Japanese naval officer (Toshiro Mifune) play a game of cat and mouse on a deserted island during World War II. This British quad, with fabulous artwork, only had pinholes in the corners. The poster has been mounted on linen and the pinholes have been restored. Very Fine+ on Linen.Sold for: $179.25. |
| 28817 | Annapolis Farewell (Paramount, 1935). Midget Window Card (8" X 14"). This film had a compelling character study by Sir Guy Standing as Commander Fitzhugh, a veteran of Manila Bay, who becomes distressed that his former ship will be used for target practice. He stoically dons his old uniform and gallantly goes down with the doomed vessel! This is a scarce "midget card" used only in the late 1930s/early 40s by the film industry. Excellent grade and color. The poster has a theatre imprint in the imprint area and a fun notation of "Bank Night Canceled". Very Fine/Near Mint.Sold for: $131.45. |
| 28818 | Sahara (Columbia, 1943). One Sheet (27" X 41") Style A. An American tank unit becomes a microcosm of World War II's Allied forces when Sergeant Joe Gunn (Humphrey Bogart) and his crew pick up British, French, South African, and Sudanese soldiers, along with German and Italian captives, after the fall of Tobruk in North Africa. When they find a much-needed well, they also find an entire German battalion heading their way. Bogart considered this picture one of his very best. Offered here is a great one sheet with a dramatic image of Bogart. It has pinholes, tape stains in the corners, a tear in the lower right border, and minor fold separations, but, overall, is in superb condition. If you're looking for a great image of Bogart, look no further! Very Fine-.Sold for: $1,135.25. |
| 28819 | Tokyo Joe (Columbia, 1949). One Sheet (27" X 41"). Reputed to be the first American film to be shot in post-war Japan, Tokyo Joe is the story of a guy (Humphrey Bogart) trying to resume his life in Japan after the war, only to find that his wife (Florence Marly), who he had presumed dead, has remarried, and the U.S. government is determined to interfere in his affairs. This is a wonderful image of Bogart from an often overlooked film from his career. The poster has pinholes in the corners as well as three pieces of paper tape on the verso to support the center crossfold and two areas of the border. There is no bleeding from this inert tape and the image appears very clean. Very Fine. Sold for: $215.10. |
| 28820 | They Were Expendable (MGM, 1945). Insert (14" X 36"). Based on a true and heroic story, this impassioned wartime drama documents the efforts of Lieutenants John Brickley (Robert Montgomery) and "Rusty" Ryan (John Wayne) to protect the Phillipines from Japanese invasion with their squadron of PT boats, while at the same time trying to convince the Navy brass of their effectiveness. Montgomery had served as a real-life PT boat commander during the war, and actually directed several of the PT sequences, based on his own experience. This patriotic insert has pinholes in the corners, edge wear, smudges, tears in the right border and the top left border that extend into the image area, a small chip in the top left corner, and small corner creases, but is overall a very attractive and desirable piece, one that any collector will be proud to own. Rolled, Fine/Very Fine.Sold for: $262.90. |
| 28821 | Sands of Iwo Jima (Republic, 1950). Insert (14" X 36"). When John Wayne wasn't riding a horse, he was storming the beaches, as he does in this classic war film. As tough Marine sergeant John Stryker, it's Wayne's job to train a bunch of raw recruits during the dark days of World War II, leading to the legendary battle of Iwo Jima. Wayne received his first Oscar nomination for this well-regarded film. The dramatic insert offered here shows small stains in the left and bottom borders, slight edge wear, and small corner bends in the bottom and top left. No John Wayne collection is complete without this classic piece. Rolled, Very Fine.Sold for: $657.25. |
| 28822 | Sands of Iwo Jima Publicity Stills (Republic, 1950). Deluxe Stills (15) (11" X 14"). Vintage black and white, double weight, matte stills. A stunning film, dramatizing the epic Battle of Iwo Jima, this classic war picture was nominated for four Academy Awards, including a Best Actor nod for star John Wayne. Offered here is a fabulous set of 15 deluxe stills. One still has pinholes in the corners, several show small corner bends, and one has some staining in the borders, but overall this is a very clean and attractive set that any Wayne fan will cherish. The catalog misdescribed the lot as 16 stills when there are 15 stills in the lot. Very Fine.Sold for: $388.38. |
| 28823 | Sands of Iwo Jima (Republic, 1950). One Sheet (27" X 41") Style B. The Duke plays John Stryker, a hard-edged Marine sergeant who pushes his green recruits to the limit. But his strict lessons come in handy when he leads the men into the famous battle of Iwo Jima. This terrific one sheet features Wayne in fighting form, as well as the famous image of the flag being raised. Condition includes pinholes (some enlarged), crossfold separations with minor paper loss, small chips and tears in the lower border, and a chip in the lower right horizontal fold line, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.Sold for: $896.25. |
| 28824 | The Longest Day (20th Century Fox, 1962). One Sheet (27" X 41") Advance. Darryl F. Zanuck's classic war film about the Allied invasion of Europe on D-Day featured an all-star cast including Richard Burton, Henry Fonda, Robert Mitchum, and John Wayne. While the film was a huge success, it was nearly scrapped in an effort to free up more money for the grossly over-budget Cleopatra. This rare advance poster has pinholes in the image and borders, a few small faint stains and some light wrinkling in the field. There are small fold separations with minimal paper loss. But the poster remains a very displayable sheet in unrestored condition. Fine/Very Fine. Sold for: $179.25. |
| 28825 | John Wayne Stock (Ideal Film, 1930s). Pre-War Belgian (24.75" X 33.5"). This is a very rare pre-war Belgian stock sheet for the John Wayne in his early B Western days, with interesting artwork that we have not seen on any other sheet. The Duke looks defiant with gun drawn, his best horse by his side. The poster had pinholes with associated minor rips (some slight paper loss), small chips in the image, extra fold line, and small chips out of the borders. The poster has undergone superb professional restoration, and looks as good as new. This is one terrific poster, pilgrim. Very Good on Linen. Not Sold. |
| 28826 | John Wayne in "The Big Stampede" Publicity Still (Vitagraph, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. John Wayne stars in this remake of 1927's Land Beyond the Law. It's interesting to note that the credits in the bottom border of this still give Wayne equal billing with his horse, Duke. There is a small tear in the top border as well as minor corner creases and paper separations. A very early portrait shot of the future mega-star. Very Fine. Sold for: $119.50. |
| 28827 | Riders of Destiny (Monogram, 1933). Title Lobby Card (11" X 14"). Between 1933 and 1935, John Wayne made sixteen "B" oaters for Monogram, starting with this one. Playing Singin' Sandy Saunders, Wayne opens his mouth several times during the course of the film, and a relatively nice voice comes out. For years it was believed that bandleader Smith Ballew dubbed the songs for Wayne, but more recent evidence points to the son of director Robert Bradbury. The idea of trying to make Wayne a singing cowboy ended very quickly after this film. This title card has pinholes in the upper corners and lower field, light edge wear on the upper border, and a couple of smudges. The card features a dramatic shot of Wayne and female lead Cecilia Parker. Very Fine. Sold for: $1,015.75. |
| 28828 | Sagebrush Trail (Monogram, 1933). Title Lobby Card (11" X 14"). John Wayne stars in this early B Western for Lone Star and Monogram and falls into a common theme from the genre: that of a man wrongfully imprisoned for a crime he didn't commit. After escaping from jail, he sets out to track down the real criminal. Needless to say, this title card is extremely rare and has one pinhole in the right border and another in the bushes just behind Wayne's back. There are a few very light smudges in the borders, but these are hardly noticeable, making this a beautiful card that will certainly enhance any collection. Very Fine+. Sold for: $1,314.50. |
| 28829 | The New Frontier (Republic, 1935). One Sheet (27" X 41"). This was John Wayne's second feature for the newly formed Republic Pictures and it was shot in Lone Pine, California. The film was similar to the Westerns Wayne had been making for the last four years under Lone Star and Monogram Studios, but Republic did have the advantage of better production value, better music and much prettier posters. It was during this mid-thirties period that the most beautiful John Wayne posters (as well as many of the best Western posters in general were produced). This is one of his finest, and in wonderful unrestored condition. There is minor fold wear with small border tears and a small chip from the upper left corner. The colors are brilliant to boot; it would be hard to find a better copy of this rare poster. Very Fine-. Sold for: $4,481.25. |
| 28830 | King of the Pecos (Republic, 1936). One Sheet (27" X 41"). John Wayne stars in one of the many Republic Westerns he did before Stagecoach put him on the map as a major star. Wayne plays a lawyer who comes back to his home town to take down the crooked rancher who killed his parents. This one sheet has edge and fold wear with small tears and separations, and pen marks on the upper border. The poster itself is something of an anomaly in the hobby. It uses the original artwork from the film The Lonely Trail, which was released the same year as this picture. King of the Pecos actually had another one sheet with completely different artwork. The image presented here appears to be a stock poster that made use of the artwork Republic had on hand, and used a block letter treatment to sell another film, yet no other title but these two have ever been found using this convention. Regardless, this is an exceptionally pretty original and early John Wayne poster. Get it while you can! Very Fine+. Sold for: $3,346.00. |
| 28831 | King of the Pecos (Republic, 1936). Lobby Card (11" X 14"). Lawyer John Clay (John Wayne) returns to his childhood home to gain revenge on John Stiles (Cy Kendall), an unscrupulous land baron who killed Clay's parents years earlier. When Clay finds the law can only do so much, he resorts to more forceful methods to gain justice. A rollicking actioner from the days prior to Wayne's star turn in the classic Stagecoach (1939), this is an exciting film from Wayne's days with Republic Studios. The colorful lobby card offered here had pinholes in the border and corners, a small tear in the bottom border, and another in the top right. Additionally, the left border has been replaced. Professional restoration has been expertly applied, addressing all these issues and returning a Near Mint appearance to this incredible gem. No Wayne collector will want to be without this one. Fine.Sold for: $155.35. |
| 28832 | Born to the West (Paramount, 1937). Midget Window Card (8" X 14"). This exciting Western is based on a novel by Zane Grey and marked one of star John Wayne's last appearances in "B" Westerns. Shortly after this picture, Wayne would go on to star in Stagecoach for director John Ford, a movie that would not only redefine Wayne's career, but the very genre itself. Wayne was loaned from Republic to Paramount for this picture, in which the rugged charisma that would soon make him a superstar is on full display. The lovely midget window card offered here had a small tear at the top, and another in the bottom left border, as well as a crease in the bottom right, but professional restoration has expertly addressed these issues, returning a fresh and clean appearance to this desirable piece. From the Collection of Denver Sherry. Very Fine-. Sold for: $203.15. |
| 28833 | Stagecoach (United Artists, 1939). Lobby Card (11" X 14"). One of the most important and influential Westerns ever filmed, this classic picture, about a group of strangers making a dangerous journey across the plains on a stagecoach, not only elevated star John Wayne and director John Ford to superstar status, it also redefined the genre, proving that Westerns could be more than just shoot-'em-ups. A thoughtful, character-driven film, this picture stands as a masterwork for all involved. Offered here is an extremely desirable scene card from this classic film, spotlighting the entire cast, including Donald Meek, John Wayne, Andy Devine, Claire Trevor, George Bancroft, Louise Platt, Tim Holt, John Carradine, Berton Churchill, and Thomas Mitchell. It has a very small stain in the bottom right, but is otherwise pristine. You'd have to search long and hard to find another card from this great film in such exceptional condition. Near Mint+.Sold for: $4,182.50. |
| 28834 | Stagecoach (United Artists, R-1948). One Sheet (27" X 41"). One of the most important Westerns ever filmed, Stagecoach almost singlehandedly reinvented the genre, and made an icon out of John Wayne at the same time. Not only was this the first of many successful collaborations between Wayne and director John Ford, it was also the first picture Ford shot in Monument Valley, Utah, a location that would become a staple of his later films. Offered here is a one sheet from the 1948 re-release. It had tape staining on the reverse, crossfold and fold separations with some minor paper loss, edge chipping in the left border, and tape lifts at the fold lines, but professional restoration has expertly addressed all these issues. The result is a beautiful poster that any collector will be proud to own and display. Very Good/Fine on Linen. Sold for: $567.63. |
| 28835 | Dark Command (Republic, 1940). Title Card and Lobby Card (11" X 14"). Set in the dark days just prior to the Civil War, John Wayne plays Bob Seton, a simple yet honest man who becomes Marshall of Lawrence, Kansas. Opposing Seton is William Cantrell (Walter Pidgeon), a school teacher and passionate Confederate based on the real-life William Quantrill, whose bloody raids - including his massacre of Lawrence in 1863 - were some of the most heinous of the entire conflict. With a strong supporting cast, including Claire Trevor, Roy Rogers, Gabby Hayes, and Marjorie Main, this was one of Wayne's strongest films for Republic, and the only Republic film ever to receive Oscar nominations (Best Art Direction and Best Music). Offered in this lot is the title card, which had pinholes in the corners and borders, and a scene card, picturing Trevor, Wayne, and Hayes, which had pinholes in the corners, borders, and image area, and a chip in the bottom right corner. Additionally, the top and right borders of this card have been replaced, while the left and bottom borders have been repaired. Professional restoration has expertly addressed all these issues, resulting in cards that you will be proud to own. Fine/Very Fine. Sold for: $131.45. |
| 28836 | Pittsburgh (Universal, 1942). One Sheet (27" X 41"). John Wayne plays no-good s.o.b. Charles "Pittsburgh" Markham (and is third-billed behind Marlene Dietrich and Randolph Scott) in this drama about a man determined to make his fortune in the steel industry. But, as the old saying goes -- be careful what you wish for. This evocative one sheet features great portraits of the stars and many elements from the plot, including some almost pulp-esque artwork, that is very dynamic and eye-catching. The poster had pinholes, pinpoint crossfold separations, a small chip missing in the bottom right corner, and minor chips in the top right border, all of which has been addressed with professional restoration, which includes some touch-up in the center credits area. A sheet for Wayne fans, with terrific color. Very Fine- on Linen. Sold for: $358.50. |
| 28837 | Tycoon (RKO, 1947). One Sheet (27" X 41") Style A. Tasked with building a railroad between mining operations in the remote South American jungle, Johnny Munroe (John Wayne) has his convictions put to the test when he butts heads with his greedy boss and falls in love with the boss's beautiful daughter. A lavish production, this was RKO's most expensive movie released to that time. The lovely one sheet offered here, with its dramatic portrait of Wayne and co-star Laraine Day, shows crossfold separation with some paper loss, fold chipping, pinholes in the corners and borders, foxing in the bottom border, and small edge tears, but is overall a wonderful example of this highly desirable piece. Fine+.Sold for: $239.00. |
| 28838 | Fort Apache (RKO, 1948). Title Card and Lobby Cards (6) (11" X 14"). A clash of wills between incoming commander Thursday (Henry Fonda) and experienced soldier York (John Wayne) over the handling of the warring Native Americans on post-civil frontier. Meanwhile, Shirley Temple falls in love with John Agar, her real-life husband at the time. This epic John Ford-directed Western is loosely based on Custer's last stand, and became the first installment of Ford's Cavalry trilogy. This almost-complete set features the title card and six scene cards, with great images from the film. All cards have pinholes and corner creases, with some cards having light scuffs and edge wear. Overall, a great-looking batch of lobbies for this classic Western. Very Fine. Sold for: $1,314.50. |
| 28839 | She Wore a Yellow Ribbon (RKO, 1950). Italian 2 - Folio (39" X 55"). One of the best efforts by John Wayne and director John Ford stars "The Duke" as an Army captain nearing a peaceful retirement. His plans are jeopardized when he must lead a mission to evacuate a group of women who are in the path of invading Indians. Hailing from the film's first Italian release in 1950, Giorgio Olivetti art makes this piece an absolute stunner. It has undergone minimal restoration to address small chips in the left border and fold wear with minor separations. Very Fine on Linen. Sold for: $5,078.75. |
| 28840 | Rio Grande (Republic, 1950). Insert (14" X 36"). As far as Westerns go, it's hard to beat the combination of director John Ford and leading man John Wayne, as this rousing action picture proves. Here, Wayne stars as Lt. Col. Kirby Yorke, a Civil War veteran who is unexpectedly reunited with his wife Kathleen (Maureen O'Hara) and his estranged son Jeff (Claude Jarman Jr.), when the latter transfers to his father's post. The climax of the film is a bloody battle with the Apaches. Wayne is appropriately heroic in this dramatic insert. It had pinholes in the corners, a tear in the right border, and extra horizontal folds, but professional restoration has been expertly applied, giving this fine piece a brilliant, like-new appearance. This is a real stunner for any fan of this legendary actor. Fine/Very Fine on Paper. Sold for: $567.63. |
| 28841 | Hondo (Warner Brothers, 1953). One Sheet (27" X 41") 3-D. Director John Farrow and John Wayne teamed up for this very John Ford-esque Western shot in 3-D. Wayne is a cavalry scout who is desperately trying to force stubborn Geraldine Page to leave her land ahead of an impending Indian raid. James Arness and Ward Bond also make appearances. This rare 3-D one sheet is in excellent shape. If not for minor fold separations and pinholes in the borders and corners, this poster would grade much higher. Very Fine on Linen.Sold for: $896.25. |
| 28842 | The Searchers (Warner Brothers, 1956). One Sheet (27" X 41"). In a complex and well-written role, John Wayne plays Ethan Edwards, a Confederate soldier who returns from the war to find his brother and sister-in-law murdered by Indians, and their daughter abducted. Vowing to set things right, Edwards sets off on a mission to find the girl and gain revenge on those who killed his family. Wayne is at his best in this epic directed by frequent collaborator John Ford, in a role that many consider to be one of his finest ever. This highly desirable one sheet had pinholes in the corners, small tears in the credits area, the top center of the image area, and at the edges, staining at the top and bottom vertical fold, and chipping at the fold lines. Professional restoration has expertly addressed all these issues, rendering the former flaws virtually invisible. If you're a fan of Wayne, Ford, or just Westerns in general, you need to add this classic beauty to your collection. Fine+ on Linen. Sold for: $3,883.75. |
| 28843 | The Searchers (Warner Brothers, 1956). Lobby Card Set of 8 (11" X 14"). Ethan Edwards (John Wayne) sets out on a quest to find his niece, whose parents were massacred by Indians years before. Although the quest takes place over many years, the end of his journey is nothing like what Edwards expected. One of the finest films by director John Ford, this is a complex and compelling story about a man forced to confront his beliefs and values, with Wayne's portrayal of Edwards serving to pave the way for the "antihero" character that would become a film staple in the 1970s. Wayne gets fine support by an outstanding cast, including Jeffrey Hunter, Vera Miles, Ward Bond, and Natalie Wood. This lovely lobby card set shows light edge wear and pinholes in the corners and borders of the cards. Card #5 has a small edge stain, and there is a vertical crease to the left of center on card #7. Overall, however, this is a wonderful set from a wonderful film. Fine/Very Fine. Sold for: $2,868.00. |
| 28844 | Rio Bravo (Warner Brothers, 1959). Half Sheet (22" X 28"). This increasingly seldom seen half sheet for a title that has always proved elusive in high grade has not one but three legitimate icons of American entertainment thanks to some excellent casting. The wonderful image of Wayne, Nelson, and Martin has them all brandishing guns in provocative poses. That's a young and lovely Angie Dickinson in the lower center of the poster, only 26 at the time of her love scenes with a 51 year old Wayne! This was an absolute gem of a film and a true find for any serious Western collector. There are pinholes and light smudges in the borders. Folded, Very Fine. Sold for: $388.38. |
| 28845 | The Alamo (United Artists, 1960). One Sheet (27" X 41"). Star John Wayne brought history to life as Davy Crockett in this stirring rendition of the legendary battle of the Alamo, which he also produced and directed. While it may not be 100% historically accurate, there's no denying that this is an exciting, star-studded picture from beginning to end. The attractive one sheet offered here, with dynamic artwork by Reynold Brown, shows pinholes in the borders and corners, a small chip in the upper left, light edge wear, pinpoint crossfold separation, and fold separations at the edges. It is, however, a wonderful poster for any fan of "The Duke." Very Fine.Sold for: $448.13. |
| 28846 | The Man Who Shot Liberty Valance (Paramount, 1962). One Sheet (27" X 41"). A classic collaboration between James Stewart as a city-bred lawyer, and John Wayne as a tough-as-nails gunslinger, who find common ground in opposing Lee Marvin's heinous Liberty Valance, a vicious outlaw who terrorizes the town of Shinbone. Directed by John Ford, this is one of the great classics of the Western genre. The poster offered here, a must for any serious Western collection, is about as clean as they come, as fresh and attractive as the day it was first issued. If you've been looking for a top-notch example of this beauty, this is the one! Mint.Sold for: $717.00. |
| 28847 | The Pride of the Yankees (RKO, 1942). One Sheet (27" X 41"). In one of his most memorable roles, Gary Cooper stars as baseball legend Lou Gehrig, who not only conquered the Great American Pastime, but also heroically battled amyotrophic lateral sclerosis, a deadly nerve disorder better known today as "Lou Gehrig's Disease." This motion picture, a tribute to a great sportsman that was released just over a year after the death of "The Iron Horse," is a favorite of both movie and sports buffs worldwide. The striking one sheet offered here had minor crossfold separations, and a small tear in the bottom left, but professional restoration has addressed these minor issues handsomely, resulting in a very attractive, and very desirable, poster from a classic film. Very Fine- on Linen. Sold for: $1,075.50. |
| 28848 | The Pride of the Yankees (RKO, R-1949). Lobby Card (11" X 14"). This is the well-known story of legendary Yankee's slugger and first baseman Lou Gehrig who, at the peak of his career, developed amyotrophic lateral sclerosis, a neurodegenerative condition now popularly referred to as "Lou Gehrig's Disease." Although Sam Goldwyn reportedly considered the story "box office poison," the picture went on to become an enormous hit, featuring one of star Gary Cooper's most emotional, and memorable, performances. This outstanding card, which pictures Cooper, as Gehrig, with real-life baseball legend Babe Ruth, has pinholes in the corners and image area, writing in pencil in the bottom right, and corner bumps, but is otherwise extremely clean and attractive, a classic card from a classic film. Very Fine-.Sold for: $836.50. |
| 28849 | Safe at Home (Columbia, 1962). Three Sheet (41" X 81"). Following their epic chase for Babe Ruth's single season home run record in 1961, Roger Maris and Mickey Mantle were kings of the baseball world and idols to every boy in New York and across America. Taking full-advantage of their timely fame, the Yankees teammates co-starred in this morality film about honesty and are prominently featured on this immaculate three sheet. A very small crease in the middle right border and pinpoint crossfold separations are the only flaws on this poster that has, more than likely, never been used. Near Mint. Sold for: $597.50. |
| 28850 | The Hustler (20th Century Fox, 1961). Lobby Cards (2) (11" X 14"). Paul Newman stars as "Fast" Eddie Felson, a small-time pool hustler with a lot of talent, but a penchant for self-destruction. He takes on the legendary Minnesota Fats (Jackie Gleason) but loses, and soon hits rock bottom. This taut drama was nominated for ten Oscars (and won two), and gave Newman one of his best roles. Offered here are two lobby cards from the film, both with great images of Newman and Gleason. Minor condition issues include pinholes, light surface scuffing, and some minor paper loss on the reverse of one corner. Very Fine. Sold for: $657.25. |
| 28851 | The Hustler (20th Century Fox, R-1964). One Sheet (27" X 41"). Heralded for its performances and cinematography, The Hustler is still considered one of the great film achievements of the 1960s. Paul Newman is "Fast" Eddie Felson, a small-time pool player out to make a reputation and a fortune by challenging the legendary "Minnesota Fats" (Jackie Gleason). While from the 1964 re-release, this eye-popping one sheet is highly desirable due to its superior color and pool-themed graphics as compared to the rather pedestrian original 1961 paper. Only our policy of not grading posters any higher than Very Fine+, when mounted on linen, keeps this example from being graded much higher. Very Fine+ on Linen. Sold for: $776.75. |
| 28852 | The Hustler (20th Century Fox, R-1964). Lobby Card Set of 8 (11" X 14"). Great set of reissue cards for this Paul Newman classic about "Fast Eddie" Felson, pool shark. Three cards feature Newman playing pool, one with Jackie Gleason as "Minnesota Fats." Piper Laurie and George C. Scott also star. A corner bend on the #1 card is all that prevents this set from being graded mint. Near Mint.Sold for: $1,015.75. |
| 28853 | Ride the Wild Surf (Columbia, 1964). Half Sheet (22" X 28"). A classic surf picture starring Fabian, Tab Hunter, Shelley Fabares, and Barbara Eden as kids looking for one last wild ride in Hawaii before the end of the season. This picture is particularly notable for the incredible cinematography of Joseph Biroc, whose footage of the Hawaiian Islands is unsurpassed. The exceptional half sheet presented here shows light water staining in the right border, and some very minor edge wear, but is otherwise in superb condition. For you surfers, this is the poster to have! Folded, Very Fine+.Sold for: $179.25. |
| 28854 | The Endless Summer (Universal, 1966). Poster (11" X 17"). Offered in this lot is the famous poster designed by John Van Hamersveld for Bruce Brown's legendary documentary about two young surfers (Mike Hynson and Robert August) in search of the perfect wave, and some of the colorful characters they meet along the way. This is the wilding poster with the terrific, expressionistic Van Hamersveld artwork. The poster has a soft diagonal crease in the top section, some wrinkling in the top border, and light toning at the edges, but retains superb color and a very sharp image. Rolled, Very Fine-. Sold for: $1,015.75. |
| 28855 | The Miracle of the Wolves (Exclusivités Jean de Merly, 1924). French (94" X 126"). Heralded as an amazing achievement in film, the film was an epic on a grand scale for the period. Chronicling the struggle for French unity during the reign of King Louis XI, the movie stars Yvonne Seraglio, Charles Dulling and Annie Marco and reaches a climax with a chase across a frozen lake The pursuers are a battalion comprised of the enemies of France: the pursued is the patriotic heroine. The "miracle" comes to pass when the girl manages to negotiate her way through a pack of hungry wolves without suffering a single injury. Highly praised by the intelligentsia in France, the film was treated derisively by American critics. This assessment was grossly unfair: One of the most spectacular French productions of its era, the film was also brilliantly edited, anticipating the breathless cross-cutting of Abel Glance's Napoleon. This gloriously rare and large poster has small separations at the folds but the poster is in good shape otherwise with amazing art. Also included is a re-release program for the film. Folded, Fine/Very Fine.Sold for: $1,792.50. |
| 28856 | Napoleon (MGM, 1927). Title Lobby Card (11" X 14"). Director Abel Gance originally intended his Napoleon biopic to extend over several films. Once the reality of time and budget set in, however, he was left with one extra-length epic focusing on the early life and career of the would-be world conqueror. This exceptionally rare title card shows pinholes in the corners, two pinholes in the image area, light foxing, and light staining in the bottom border. These minor flaws do nothing to detract from the overwhelming eye-appeal, and great historical significance, of this highly desirable piece. Fine/Very Fine. Sold for: $10,157.50. |
| 28857 | Napoleon (MGM, 1927). Lobby Card (11" X 14"). Abel Gance's Napoleon was originally envisioned as a multi-part epic, but the realities of time and budget forced the director to concentrate on the youth and early military career of the controversial leader. Nevertheless, the film is a triumph on a variety of levels. The storytelling is superb, and the camera work, such as the revolutionary Polyvision process, in which multiple images are projected on the screen, is markedly ahead of its time. All in all, this film is one of the inarguable masterpieces of the silent cinema. The striking card offered here had pinholes in the borders and corners, a top right corner chip, and a small hole in the final "n" of "Napoleon." The card had a small bit of the border art cut from it in the caption on the right hand side. The word's "With an eagle's" was removed but was magnificently added through professional restoration from the examination of the same card in another collection. The card now has a beautiful appearance and the restoration is seamless. This is a card that any movie fan would be proud to own. Fine. Sold for: $2,270.50. |
| 28858 | Napoleon (Gaumont-Metro-Goldwyn, 1927). Lobby Card (9.75" X 12.75"). Director Abel Gance was a landmark filmmaker, constantly experimenting with ways to expand the language of film in the early days of the silent cinema, such as pioneering the use of dolly shots and close-ups. His first smash hit was the powerful anti-war drama J'Accuse (1919), the first movie to explicitly document the horrors of war, as it was shot on the battlefields of World War I. It also utilized a groundbreaking editing technique of rapid cutting that influenced other experimental filmmakers, including Sergei Eisenstein. Hailed by such cinema luminaries as D. W. Griffith, the success of J'Accuse allowed Gance to make his masterpiece, Napoleon. Shot in an early widescreen process involving three cameras and a curved screen, it gave the film a unique panoramic look. Several scenes were also shot in color, and a few in 3-D, but these were not incorporated into the final print. Hailed at its premiere at the Paris Opera, the film, which chronicles the life and early career of Napoleon Bonaparte, was only shown in a handful of European cities due to the massive expense and advanced equipment needed to show it as Gance intended. When MGM bought the distribution rights, the decision was made to extensively cut and rearrange the picture, drastically altering it from the director's original vision and leading to its failure here in the States (recently, a long-term effort led by film historian Kevin Brownlow has restored the film to close to its original state). This was to have been the first part of a massive trilogy telling Napoleon's complete story, but the realities of time and budget meant that the final two parts were never made. The film stands today as an incredible and historic achievement, one of the most important movies in cinema history. Offered here is an extremely rare country-of-origin French lobby card for this landmark film. It shows some light foxing in the right border, a small chip in the bottom right, a tiny tear in the bottom border, a small corner bend in the bottom left, and a very light dust shadow in the top edge, but these are extremely minor considerations, none of which detract from the extreme attractiveness, importance, and desirability of this rare piece. Very Fine. Not Sold. |
| 28859 | La Grande Illusion (R.A.C., R-1960). Polish A1 One Sheet (Measure). Almost seventy years after it was made, "La Grande Illusion" remains one of cinema's great achievements. Starring Erich von Stroheim and Jean Gabin, director Jean Renoir focuses on the human relationships that evolve during this "gentlemanly" war and shows the universality of humankind, regardless of nationality, religion, or social class. This wonderful Polish poster designed for the German reissue of the film in 1960 is by the well-known Polish artist Jan Lenica (1928-2001). Rolled, Very Fine/Near Mint.Sold for: $203.15. |
| 28860 | La Grande Illusion (RAC, Post War-1946). French Double Panel (63" X 94"). Widely considered one of the greatest war films ever made, Jean Renoir's La Grande Illusion is at the same time thought provoking and witty. Two French pilots from different social classes (Pierre Fresnay and Jean Gabin) are shot down while on a surveillance mission over Germany during WWI. While held prisoner in a POW camp, they befriend other prisoners while plotting an escape under the watchful eye of the camp's commander (Erich von Stroheim). This impressively large country of origin poster is in remarkable shape. There was a small scratch in the top border along with minor separations and slight tanning at the folds. But now, thanks to an excellent professional restoration and dazzling Herve' Morvan (1917-1980) artwork, this poster is a very displayable joy to behold. Very Fine on Linen.Sold for: $10,157.50. |
| 28861 | Beauty and the Beast (DisCina, 1946). French Petite (23.5" X 31.5"). A glorious interpretation of the classic fairy tale, this film is director Jean Cocteau's masterpiece. Cocteau, known primarily as a poet and a painter before this film, was hailed as one of the most important and influential French directors after its release, and the film itself hailed as one of the finest French films ever made. Offered here is a beautiful French Petite featuring Jean Marais as the Beast and Josette Day as Belle in a tender embrace. The poster had pinholes in the corners and several in the image area, small edge tears, crossfold separations, a small chip at the center fold, and a replaced top right corner. Professional restoration, including airbrushing of the borders, has been expertly performed, returning a Near Mint appearance to this classic beauty. Fine+ on Linen. Sold for: $3,346.00. |
| 28862 | La Beauté du Diable (Les Realisations D'Art Cinematographique, 1950). French Grande (47" X 63"). A retelling of the classic Faust legend, this is a remarkable production by French director Rene Clair in which the aged professor Faust (Gerard Philipe) makes a deal with the devil, in the person of Mephistopheles (Michel Simon): his soul in exchange for all the secrets of nature he's always coveted. Once young however, Faust's high-minded attentions are diverted by his lust for the nubile Gypsy girl Marguerite (Nicole Besnard). Offered here is a spectacular country-of-origin French Grande for this superb production. Featuring art by Bernard Lancy, it has edge wear, a tear in the top right border, edge and fold tears, small areas of paper loss at the fold lines and at crossfold separations, a distributor snipe, a crease through the center of the image, and light wrinkling, but these minor flaws do nothing to detract from the beauty of this rare treasure. Fine+. Sold for: $388.38. |
| 28863 | The Golden Coach (Corona, 1953). French Grande (47" X 63"). This delightful French Grande with Hurel art of a Pirandellian costumed Anna Magnani in a romp about a sexy stage performer in 18th century Peru choosing from among three ardent suitors only hints at the film's fascinating diversity. This is the sort of film that gets studied avidly by film students and film makers alike. First, there's the direction by Jean Renoir in a totally mesmerizing mixing of stage and reality with the two shifting continually depending upon the plot. Then, there's the brilliant technicolor cinematography by Claude Renoir (Jean's nephew), who worked on everything from Grand Illusion to Barbarella and The Spy Who Loved Me ! Great linenbacking has corrected only small pinholes, a short tear in the credits area, and a tear in the right border extending slightly into the image. This colorful gem will enliven any wall. Very Fine- on Linen.Sold for: $956.00. |
| 28864 | Wages of Fear (DCA, 1955). Half Sheet (22" X 28"). An intense and compelling thriller, this is the story of a group of courageous truck drivers hired to transport a load of nitroglycerin across some of the most dangerous, and treacherous, terrain on earth. A powerful film, directed by Henri-Georges Clouzot and starring Yves Montand, Charles Vanel, Folco Lulli, and Peter van Eyck, it won the Grand Prize at Cannes in 1953, and a Best Film BAFTA in 1955. Offered here is the stunning half sheet which would grade Near Mint or better save for the fold lines. A beautiful piece with dramatic imagery, this is a poster not to be missed. Folded, Very Fine+.Sold for: $956.00. |
| 28865 | La Notte (Cinematografica Distribuzione, 1962). Italian 2 - Folio (39" X 55"). A brilliant film about loss and alienation by master director Michelangelo Antonioni, this is the story of a couple, Giovanni and Lidia Pontano (Marcello Mastroianni and Jeanne Moreau) who are driven apart, and then come back together, after the tumultuous events of a single evening. This is the second part of Antonioni's trilogy that includes L'Aventura (1960) and L'Eclisse (1962). The beautiful Italian 2-folio offered here shows edge wear, crossfold separations, a crease in the bottom left corner, slight staining in the borders, and a crease in the top right corner. It is a rare and fabulous poster from a classic film. Very Fine-.Not Sold. |
| 28866 | Belle De Jour (Valoria Films, 1967). French Grande (47" X 63"). Beautiful Severine (Catherine DeNeuve) is a bored French housewife who feeds her fantasies by working as a prostitute in a brothel, unbeknownst to her husband, but only during the day, in order to maintain a facade of marital respectability. A masterpiece from surrealist director Luis Bunuel, the title is a play on the term belle de nuit (lady of the evening), a French term for a prostitute. Offered here is a rare country of origin French Grande, with art by Rene Ferracci. It had pinholes, crossfold separations with minor paper loss, and a chip in the bottom right border, but these flaws are only noticeable under close examination thanks to expert professional restoration. Fine/Very Fine on Linen.Sold for: $310.70. |
| 28867 | La Dolce Vita (Cineriz, 1960). Italian 2 - Folio (39" X 55"). A week in the life of Marcello Rubini (Marcello Mastroianni), a Roman journalist torn between making something serious of his life or drifting along on a stream of casual affairs. He becomes obsessed with a movie star (Anita Ekberg, and who can blame him?), and makes efforts to meet her. Frederico Fellini's Oscar-winning drama has become a classic of French cinema. This grand Ekberg-centric Italian 2 folio had pinholes, light foxing, small edge tears, and a small section of the top right border missing, which has been repaired. The poster has had excellent professional restoration, and looks spectacular. Fine on Linen. Sold for: $1,553.50. |
| 28868 | Kanal (P.P. Film, 1957). Japanese B2 (20" X 28.5"). Set in the dark days of world War II, this compelling story by director Andrzej Wajda tells the story of a group of Polish resistance fighters at the end of the Warsaw Uprising. As it becomes clear that their cause is lost, they are ordered to escape through the city's sewers, but the darkness and the filth through which they are forced to travel are almost as deadly as the Nazis themselves. One of the top films at the 1957 Cannes Film Festival, the picture was a major success in both Europe and America. This dramatic Japanese B2 shows edge wear, wrinkling, masking tape at the bottom border on the reverse, and tanning on the left side, but is otherwise clean and fresh, in spite of these minor flaws. Very Fine-.Not Sold. |
| 28869 | The Seven Samurai (Toho, 1954). Japanese Roadshow B3 (17.25" X 24.25"). Possibly the greatest movie by Japan's greatest director, this is Akira Kurosawa's masterpiece. The story of a group of samurai hired to protect a poor village from the depredations of a group of marauding bandits, the movie stars Takashi Shimura and Toshiro Mifune as two of the heroic swordfighters. Filmed at the same time as Gojira (1954), these two big budget films almost forced Toho into bankruptcy. Fortunately, they were both massive hits, and put the studio on the map internationally. Offered here is a country of origin B3 poster from the film's original Roadshow release. The very rare poster was in the possession of a theater owner in Kansai region, until recently. This poster was issued for the Kansai area, which is Osaka, as often separate posters were issued for differing regions. These posters were often printed with the white portion as part of the poster with which the theater name may be applied. It has pinholes in the top corners, writing in the imprint area, and small, very light stains in the image and in the imprint area. Original issue paper from this classic film is quite hard to come by. Rolled, Fine/Very Fine on Rice Paper.Sold for: $3,883.75. |
| 28870 | Rashomon (RKO, R-1960s). Japanese STB (20" X 58"). When a murder is committed, a number of witnesses are interviewed about the crime, including the dead man's wife, a passerby, the killer, and the spirit of the dead man himself, all of whom relate the events from their own differing perspectives. Masterfully helmed by acclaimed director Akira Kurosawa, this is one of the cornerstone films of Japanese cinema. The reissue Japanese STB offered here features exciting images of stars Toshiro Mifune and Machiko Kyo, and shows pinholes, fold wear, and small edge tears. STBs normally come in two pieces, as does this poster. Folded, Fine+.Sold for: $657.25. |
| 28871 | Street of Shame (Daiei, 1956). Japanese B2 (20" X 29"). In this classic film, released in Japan as Akasen chitai, by director Kenji Mizoguchi, five prostitutes at a Japanese brothel consider their options as the government considers a ban on their chosen profession. This was Mizoguchi's final film - he died of leukemia just months after its release - and it marked a return to the hard-hitting, socially conscious stories he had told in the 1930s, before moving into a long, a successful period of producing period costume dramas. Reportedly, the film was instrumental in the real Japanese government's efforts to outlaw prostitution. This poster has pinholes in the top corners, edgewear with small tears in the right and left borders, a small tear in the center, and a piece of paper attached as a snipe at the bottom. It is, however, a beautiful piece from an important film. Folded, Very Fine.Sold for: $776.75. |
| 28872 | Street of Shame (Daiei, 1956). Japanese B3 (15" X 21"). This striking Japanese classic, whose original title is Akasen Chitai, is a sympathetic tale of five women and their struggles to survive working as prostitutes. As their stories unfold in the streets of Tokyo, we see their options for the future dwindling. Mizoguchi's thirty years of filmmaking is full of powerful stories, portraying the strength of women. This poster has pinholes in the lower corners, slight staining in the borders, a tear in the top left border, and 1/4" of the top edge is folded in the back and glued. This beautiful poster was produced for use in the provinces and thus not as finished as the standard B2. The lower white area was used for imprinting the theater name and dates. Rolled, Fine+.Not Sold. |
| 28873 | Autumn for the Kohayagawa Family (Toho, 1961). Japanese B2 (20" X 28.5"). The next to last film from director Yasujiro Ozu, this is a charming story about a family patriarch (Ganjiro Nakamura) and his efforts to finds husbands for his three daughters, while at the same time trying to find love for himself. This lovely B2 pictures all the main actors, and shows some tanning at the fold lines, foxing in the upper border, foldwear, and pinpoint crossfold separations, but is otherwise clean and vibrant, an attractive poster that will make a valued addition to any collection. Very Fine-.Sold for: $286.80. |
| 28874 | High and Low (Toho, 1963). Japanese B2 (20" X 29"). One of director Akira Kurosawa's most accessible movies for Western audiences, this taut crime drama was based on Ed McBain's popular "87th Precinct" novel, King's Ransom. Kingo Gondo (Toshiro Mifune) has raised a great deal of money for a critical business deal, but when kidnappers demand virtually the entire amount as ransom for his missing son, Gondo is forced to make a difficult decision. When he learns that the kidnappers have mistakenly taken his chauffeur's son instead, his moral dilemma grows to even greater proportions. A great picture in the film noir mold, this is one of the finest collaborations between Kurosawa and Mifune. The striking poster offered here shows a small edge tear in the bottom border, but is clean and attractive in all other regards. Don't miss out on this rare beauty! Folded, Very Fine+.Not Sold. |
| 28875 | Yokihi (Daiei, 1955). Japanese B2 (20" X 29"). Sumptuously filmed in color as vibrant as this lovely poster, Yokihi is the most ancient of famed auteur director Kenji Mizoguchi's costume dramas, with central themes of passion, sorrow, and the conflict between love and power remaining timeless even today. Set in 8th century Japan, this is the tragic drama of a Chinese emperor who falls in love with a peasant girl, and the court intrigues that arise as she becomes empress. Along with Kurosawa and Yasujiro Ozu, Misoguchi left an incredible legacy of cinematic masterpieces behind. Sadly, this was one of Mizoguchi's last films, and one of only two, out of some 75, that he shot in full color. Country of origin posters are always so difficult from the far East, and this original B2 is a visual treat. There are only small corner chips in the top border, minor edge wear with tiny tears, and very soft folds. Fine+.Sold for: $896.25. |
| 28876 | Ugetsu Monogatari (Daiei, R-1955). Japanese Speed (10" X 24.25"). A chilling tale of the supernatural, in which a potter is undone by his overarching greed after being bewitched by a beautiful ghost, this is one of director Kenji Mizoguchi's masterpieces, and is widely considered one of the keystone films in the history of Japanese cinema. A great success upon its release, it won several awards, including a Silver Lion at the Venice Film Festival. The Japanese speed poster offered here appears to be an early re-release, as it pictures several of the awards won by the picture, and includes the date 1955 at the top. The poster shows faint edge wear, slight soiling at the foldlines and the borders, and a small tear in the upper left border. These minor considerations are only visible under close examination, making this a very attractive piece. For any collector of Japanese paper, this classic poster is a must. Folded, Very Fine-.Not Sold. |
| 28877 | The Gate of Hell (Daiei, 1953). Japanese B2 (20" X 28.5"). The very first Japanese film to gain artistic and critical recognition abroad - it won the 1954 Palme d'or Grand Prize award at the Cannes Film Festival, a 1955 Honorary Academy Award for "Best Foreign Language Film," and the 1954 New York Film Critics Circle Award for "Best Foreign Language Film." Originally titled, Jigokumon. When courageous samurai Moritoh (Kazuo Hasegawa) is promised anything his heart desires as a reward for bravely defending his lord, he asks for the hand of Lady Kesa (Machiko Kyo) in marriage. Unfortunately, she is already married to Wataru (Isao Yamagata), another samurai, putting the lord in a difficult position. The original issue B2 offered here has pinholes and enlarged pinholes around the poster, and a chip in the top left, but is otherwise in excellent condition. This is a very rare, original release, country-of-origin B2! Folded, Fine+.Sold for: $1,912.00. |
| 28878 | Yojimbo (Toho, 1961). Polish One Sheet (23" X 32"). Great poster art can sometimes be defined as to how successfully an artist expresses the central idea of a two hour film in a single image. Here is one that succeeds. It's Polish award winner Eryk Lipinski's simple, but expressive drawing of the gangster son Unosuke's rare revolver versus the old school Samurai sword of Sanjuro, with the Japanese sun motif dominating them both. Lipinski is a story in himself; an artist imprisoned in Auschwitz for cleverly falsifying German documents while fighting the Nazi regime. Don't overlook this gem of a poster in a great grade, for Kurosawa's most entertaining film. There is slight edge wear, small tears in the top and left borders, and a tear in the center of the bottom border. Rolled, Very Fine-.Sold for: $239.00. |
| 28879 | Green for Danger (MGM, 1946). One Sheet (27" X 41"). Alastair Sim plays the contentious Inspector Cockrill in this droll British murder mystery. When a postman dies on the operating table, one of the nurses claims he was murdered, and she knows who did it. Enter Cockrill, who reasons that one of the five doctors and/or nurses in the operating theater must be the culprit. A vividly drawn thriller with whimsical elements, and a knockout performance by Sim. This splendid one sheet has all the classic film noir elements -- the hard-bitten investigator, the looming menace, the hot babe in a seductive pose -- what more could you ask for? In excellent condition, the only minor issues were small edge tears, pinpoint crossfold separations, a small hole in the bottom center, chipping in the left border, and a chip in the top left, all of which have been addressed with excellent professional restoration. The poster presents beautifully and is, of course, very green. Very Fine- on Linen. Sold for: $1,553.50. |
| 28880 | Hue and Cry (General Film Distributors, 1947). British Quad (30" X 40"). Fun British comedy drama about a group of street boys, who, when the police ignore their warnings, set out to foil a gang of crooks who are using detective stories in a boys magazine to transmit information about their crimes. Harry Fowler stars as the leader of the boys and the always entertaining Alastair Sim co-stars. This was the first in a long line of brilliant comedies from Ealing Studios. The poster has fold separations and a small chip above the studio logo at top. Artwork by Edward Bawden. Very Fine- on Linen. Sold for: $1,553.50. |
| 28881 | Brief Encounter (Eagle Lion, 1946). Australian Daybill (13" X 30"). Based on the one-act play by Noel Coward, this time-honored drama stars Celia Johnson and Trevor Howard as already-married people who have a chance encounter at a train station, and then continue to meet every Thursday, even though they know they can never truly be together. This attractive Australian daybill has great color and nice portraits of the stars. In beautiful condition, this has a corner bump in the top right, and one tiny edge tear. Folded, Near Mint.Sold for: $388.38. |
| 28882 | The Winslow Boy (British Lion, 1948). British Quad (29.75" X 39.75"). Based on a play by Terence Rattigan, this is the story of 14-year-old Ronnie Winslow (Neil North), expelled from the Naval College for petty theft. His father (Cedric Hardwicke) is outraged, and hires a barrister (Robert Donat) to fight the expulsion. Once reported by the media, the case soon takes on a life of its own. The country-of-origin British Quad offered here shows fold wear, crossfold separation, pinholes in the corners, tape stains in the borders, and moderate edge wear. It is, however, a very attractive and desirable piece, a rare find from an exceptional film. Fine.Sold for: $310.70. |
| 28883 | Dulcimer Street (Universal, 1948). British One Sheet (27" X 40"). Director Sidney Gilliat's very clever film about a young boisterous mechanic, Richard Attenborough, and the funny/tragic events that he becomes involved with after moving into a staid British neighborhood. This poster has the most wonderful shadows and coloring due to stone lithography. It features Eleanor Summerfield, the ex-girlfriend, in a key scene in the film, just before her death; Attenborough, driving the stolen car; and Alastair Sim as a fake psychic! Top restoration has this poster displaying as first printed. There were crossfold separations, pinholes, and a few chips and holes in the borders and field. Very Good on Linen. Sold for: $358.50. |
| 28884 | Passport to Pimlico (Ealing, 1949). British One Sheet (27" X 40"). A delightful Ealing comedy in which a World War II-era bomb goes off in London, revealing a buried stash of wealth, as well as paperwork noting that the area is actually part of Burgundy, France, and therefore foreign soil. This wicked social satire stars some of Britain's top character actors, including Stanley Holloway, Hermione Baddeley, and Margaret Rutherford. This collage-style country-of-origin one sheet features "big head" versions of the stars, and some very attractive artwork. The poster had a tear in the top border and some staining in the right border, which have been addressed with restoration. It now has a very fresh appearance, and retains good color. No Ealing collection is complete without this gem! Very Fine on Linen. Sold for: $956.00. |
| 28885 | And Then There Were None (20th Century Fox, 1945). British Front of House Stills (7) (8" X 10"). Known in Great Britain under the original Agatha Christie book title Ten Little Niggers, this film was released in the U.S. as And Then There Were None. Directed by famed French director Rene Clair, the film starred Barry Fitzgerald, Louis Hayward, Walter Huston, Roland Young and Judith Anderson. This oft-filmed murder mystery involves a group of people being invited to a remote island retreat by a mysterious stranger, and then being murdered one by one. These rare British front of house stills are in excellent condition, with one still showing pinholes and one with light edge wear. Very Fine.Sold for: $358.50. |
| 28886 | The Rocking Horse Winner (Eagle-Lion, 1950). British Lobby Cards (6) (11" X 14"). A young boy (John Howard Davies) escapes from his mother's neediness by rocking back and forth on his new Christmas present, a hobby horse. As he rocks faster and faster on the demonic horse, he is able to correctly see the winning horses at the local race track. As the mother (Valerie Hobson) makes more and more money on the bets, she encourages the boy to continue rocking on the horse, with tragic results. From a short story by D. H. Lawrence, this was the second of only four films that Davies worked on as an actor, the first being the title role in David Lean's Oliver Twist. He later went on to be a respected editor at the BBC. A couple of the cards have tears and border wear but the other cards are in generally very nice condition. It is difficult to find any original posters on this classic supernatural thriller. Fine/Very Fine. Sold for: $286.80. |
| 28887 | Henry V (United Artists, 1945). Insert (14" X 36"). Laurence Olivier was commissioned by the British government to produce a film that would prove uplifting to the beleaguered U.K. people, who were now in their fifth year of war with Germany. Olivier originally invited William Wyler to direct, but Wyler declined, telling Olivier, "if it's Shakespeare, it must be you." The opulent costume designs of Roger Furse are showcased on this wonderful insert poster, with Olivier looking suitably regal. The poster has some very minor condition issues, including a few minor edge tears, minor corner bumps, and some marker writing in the lower right corner. It has fantastic color and a very fresh appearance. Rolled, Very Fine+. Not Sold. |
| 28888 | Wuthering Heights (United Artists, 1939). Lobby Card (11" X 14"). Based on the classic novel by Emily Bronte, this is the story of star-crossed lovers Heathcliff (Laurence Olivier) and Catherine (Merle Oberon) who find love and lose it on the moors of England. A superb film, it garnered seven Oscar nominations, including Best Picture, Best Director (William Wyler), Best Actor (Olivier), and Best Supporting Actress (Geraldine Fitzgerald), and it won for Best Black & White Cinematography. This beautiful lobby card, showing virtually the entire cast, has staple holes in the corners, a light scratch in the bottom right, and small bends in three corners, but remains a beautiful piece from a truly classic film. Very Fine-. Sold for: $298.75. |
| 28889 | Tales of Hoffmann (Universal, 1951). One Sheet (27" X 41"). Based on the popular opera by Jacques Offenbach, which was in turn based on a collection of stories by Prussian writer E. T. A. Hoffman, this was a follow-up to the enormously successful film, The Red Shoes, and again features the talented Moira Shearer in a brilliant blend of fantasy, adventure, romance, music, and ballet. This beautiful one sheet had pinholes in the corners, crossfold separations, and chips in the bottom right corner and the left border, but professional restoration has been expertly applied, making this a lovely sheet that will enhance any collection. Fine/Very Fine on Linen.Not Sold. |
| 28890 | The Lavender Hill Mob (Ealing, 1951). British Double Crown (20" X 30"). One of Ealing Studio's best-loved comedies is this heist film starring Alec Guinness and Stanley Holloway as two mild-mannered working class men who concoct a scheme to steal a million pounds of gold bullion. This British double crown had pinholes, very light fold wear, and light edge wear, including a tear in the bottom border. It has been mounted on linen and some touch-up work has been done. A delightful shot of the two stars, as well as fun artwork by Ronald Searle, highlights this very rare country-of-origin, full bleed poster. Very Fine on Linen.Sold for: $3,107.00. |
| 28891 | The Titfield Thunderbolt (Rank, 1953). British One Sheet (27" X 40"). George Relph and Stanley Holloway star in this comedy about a small English village that's about to loose its railway service. This was the very first comedy shot in color for Ealing Studios. With only the slightest edge wear and crossfold separations, this is a stunningly clean example with very rich color. Very Fine+.Sold for: $657.25. |
| 28892 | An Inspector Calls (London Film, 1954). British One Sheet (27" X 40"). When a young girl commits suicide, Inspector Poole hopes the Birling family can help him determine why, but the reason turns out to be far more complicated than he ever could have expected. Based on a novel by J. B. Priestley, this thought-provoking thriller was directed by Guy Hamilton, who would go on to helm such James Bond classics as Goldfinger (1964), Diamonds are Forever (1971), Live and Let Die (1973), and The Man with the Golden Gun (1974). This dramatic one sheet has pinholes in the corners, an enlarged pinhole in the bottom left, light edge wear, a very faint censor stamp in the upper left, small edge tears at the fold lines, crossfold and fold separations with paper loss, and a small chip in the top center, but is otherwise bright, attractive, and colorful. Fine/Very Fine. Not Sold. |
| 28893 | The Ladykillers (Ealing, 1955). British Crown (17" X 22"). In this classic Ealing comedy, a group of criminals (Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers, and Danny Green) rent a room from a naive old woman (Katie Johnson), pretending to be musicians while they plan a big bank job. This movie is widely considered to be one of the best of the legendary Ealing comedies, and one of the funniest films ever released. The beautiful country-of-origin British crown presented here, with art by Reginald Mount, has staple holes in the center of the image, and bends in the top and bottom left corner, but these minor flaws are only discernible under close examination, and do nothing to detract from the overwhelming appeal of this classic beauty. Very Fine-. Sold for: $1,673.00. |
| 28894 | Monty Python and the Holy Grail (EMI Film Distributors Ltd., 1975). British Quad (30" X 40"). The first original feature film by British comedy sensation Monty Python - in reality Graham Chapman, John Cleese, Michael Palin, Eric Idle, Terry Jones, and Terry Gilliam - this movie is a landmark in modern comedy. A spoof of the legend of King Arthur, funding was provided from profits earned by Pink Floyd's Dark Side of the Moon album. The band members were huge fans of the Python's TV show, and would stop in the middle of recording sessions just to watch. The rare country-of-origin British Quad offered here, featuring classic art by Gilliam, shows light edge wear, tape stains in the top and bottom borders, and two light extra horizontal folds. These are minor concerns, however, that do not detract at all from the overwhelming appeal of this highly desirable piece. Very Fine-.Sold for: $717.00. |
| 28895 | Turtle Diary (CBS, 1985). British One Sheet (27" X 40"). Ben Kingsley and Glenda Jackson star in this romantic drama about two people who find love and perspective while visiting the turtle tank at a local aquarium. Playwright Harold Pinter adapted the Russell Hoban novel for the screen and makes a cameo in the film. The most important thing about this poster is that it is one of only two film posters designed by one of the most important artists of the twentieth century, Andy Warhol. This scarce country-of-origin poster had fold wear with minor separations and minor paper loss, but these flaws have been corrected through professional restoration. Fine/Very Fine on Linen. Sold for: $179.25. |
| 28896 | Peeping Tom (Anglo Amalgamated, 1960). British Quad (30" X 40"). This is a truly chilling film about a deranged young man, Mark Lewis (Carl Boehm), who murders women and films their death throes, playing them later to study their reactions to imminent doom. A controversial film, it ruined the career of filmmaker Michael Powell, who was labeled "sick" and "twisted" by the British media. Later generations of cinema fans, however, have come to regard this movie as a masterpiece of modern psychological horror, and a cogent meditation on the subjects of violence and voyeurism. Offered here is the rare country of origin British Quad issued to promote this compelling picture. It has a small amount of adhesive residue in the top right, some wrinkling in the borders and in the image area, and some light creasing and a dust shadow in the upper left. These are minor concerns, however, apparent only under close examination, making this a perfect choice for any collector of cult horror. Very Fine-.Sold for: $717.00. |
| 28897 | Peeping Tom (Anglo Amalgamated, 1960). British One Sheet (27" X 40"). When this film first opened in England in 1960, director Michael Powell was vilified by the press, virtually ending his career. It took Martin Scorsese to resurrect this now-heralded cult classic, explaining that it was a major influence on his own work. This is the rare uncensored version of the country-of-origin British one sheet, with the woman's attire being a bit more revealing than in some versions printed. Prior to being backed, this poster was already in prime condition. Very Fine+ on Linen. Sold for: $491.15. |
| 28898 | The Wicker Man (National General, 1973). British One Sheet (27" X 40"). Investigating the disappearance of a young girl, police Sergeant Howie (Edward Woodward) arrives on the Scottish Island of Summerisle to find a bizarre community that practices ancient rituals, led by the charismatic Lord Summerisle (Christopher Lee). As his search intensifies Howie finds that both his life and his very faith in God are in deadly danger. The ending is a shocker that, once seen, is not soon forgotten. Offered here is a rare country-of-origin British one sheet for this popular film. It shows a tear in the right border, and some extra horizontal creasing, but is, overall, in superb condition. The imagery, of the gigantic ceremonial Wicker Man, is outstanding. Very Fine.Sold for: $1,016.95. |
| 28899 | Night Must Fall (MGM, 1937). Lobby Card (11" X 14"). Robert Montgomery is shocked to see Rosalind Russell and two other ladies going through his luggage, including the case holding the head of murdered Dame May Whitty! This is the only card in the set to feature the "head case." This film was a turning point in Montgomery's career, (the first time he got to play a bad guy) and was a huge success for him. There is a tear in the left border, a small chip in the right border, creasing on the top border and bottom right corner, and a scuff on Russell's forehead. Very Fine-. Not Sold. |
| 28900 | The Lodger (20th Century Fox, 1944). One Sheet (27" X 41"). Laird Cregar is brilliantly creepy as the mysterious young man who rents a room in Whitechapel, London and who may or may not be the infamous Jack the Ripper. A gripping tale of murder and terror, this film's success is due to the wonderful casting which also includes Merle Oberon as the beautiful dancer Kitty, and George Sanders as her love, Inspector John Warwick. This one sheet has very light edge wear at the bottom, minor pinholes in the image, small edge tears repaired with tape on the reverse, and small crossfold separations. A beautiful, clean poster, this one sheet features a stunning, full-length image of Oberon with her co-stars. Folded, Very Fine. Sold for: $203.15. |
| 28901 | The Lodger (20th Century Fox, 1944). Lobby Card Set of 8 (11" X 14"). One of the most mysterious and intriguing murderers in all of history, Jack the Ripper, who spread terror throughout London beginning in 1888, has been the basis of countless books, plays, and films. One of the best of these is this 1944 classic, directed by John Brahm and adapted from the novel by Marie Belloc Lowndes. Featuring a stunningly terrifying performance by star Laird Cregar, this harrowing film is a masterpiece of suspense. The film was so successful that Brahm reteamed with Cregar, screenwriter Barre Lyndon, and co-star George Sanders the following year to make Hangover Square. Paper from this title is always popular, and we're pleased to present a beautiful set of lobby cards from this classic film, complete with the original distribution envelope. Virtually pristine, the only defect of note is a single pinhole in the top center of each card. You're not likely to find a nicer set of lobby cards than this! Near Mint.Sold for: $388.38. |
| 28902 | Alfred Hitchcock in "Rebecca" Publicity Still (United Artists, 1940). Still (8" X 10"). Vintage black and white, single weight, glossy still. As recounted in the studio snipe on the reverse of this great still, director Alfred Hitchcock demonstrates how he breaks down the action on screen in a series of simple sketches. The still, which has a name and address stamp on the reverse in addition to the snipe, shows small tears in the right border and the left corner, light edge wear, a crease in the bottom left, and a small chip in the right border. The image itself is superb, a rare behind-the-scenes glimpse at a legendary creator. Very Fine-.Not Sold. |
| 28903 | Alfred, Alma and Patricia Hitchcock in "Strangers on a Train" Publicity Still (Warner Brothers, 1951). Still (8" X 10"). Vintage black and white, single weight, glossy still. Legendary director Alfred Hitchcock poses with his wife, Alma and daughter, Patricia on the set of Strangers on a Train, the second of Hitch's pictures in which Patricia appeared. The still has some creasing in the bottom right corner, and small ink marks (probably cropping guides) in the bottom border; there is a studio snipe attached to the reverse. Very Fine+. Sold for: $507.88. |
| 28904 | The 39 Steps (Gaumont, 1935). Pressbook (12" X 18") (Multiple Pages). Alfred Hitchcock's masterpiece stars Robert Donat as Richard Hannay, an innocent bystander to the murder of a secret agent. When he is accused of the crime, Hannay is on the run from the police as he tries to find the real killers. The beautiful Madeleine Carroll plays Pamela, who reluctantly is trapped into helping Hannay. The secret to all of the twisting mysteries lies with Mr. Memory and the man with a missing finger. A highly entertaining Hitchcock suspense classic, this is one of his best. A stunning image of Donat and Carroll graces the cover and there are many wonderful articles about the film and stars inside. The pressbook has a theater stamp and pencil writing on the cover, fold separations on a few pages, and cuts on page five. This is truly a unique and beautiful find. Folded, Fine.Sold for: $358.50. |
| 28905 | Secret Agent (Gaumont, 1936). Lobby Card (11" X 14"). Long considered one of director Alfred Hitchcock's great under-appreciated classics, this is the story of a British novelist (John Gielgud) who is recruited by his government to track down and assassinate a foreign agent. The film is based on a story by Somerset Maugham, and is the second in Hitchcock's spy trilogy (the others being The 39 Steps and Sabotage). Paper from this title is virtually non-existent, making this an extremely rare offering indeed. This card has had the upper left corner replaced with a piece spliced in. It also shows a repaired tear in the top right corner, small holes in the right border and the bottom left, and a small tear in Madeline Carroll's arm; but the central image is virtually untouched, making this a very attractive, and highly desirable piece for any serious Hitchcock collector. Very Good-.Sold for: $478.00. |
| 28906 | Secret Agent (Gaumont, 1936). Lobby Card (11" X 14"). Peter Lorre (featured on this card) stars with Madeleine Carroll, John Gielgud, and Robert Young in this Alfred Hitchcock thriller. There are staple holes and creases in the corners, along with splices in the top corners. But the image is in fabulous shape with very strong color. Very Good-. Sold for: $478.00. |
| 28907 | Foreign Correspondent (United Artists, 1940). One Sheet (27" X 41"). Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen. What resulted was very little of Sheehan and a lot of Alfred Hitchcock. This thriller tells the story of an American reporter who becomes involved in espionage in England during the onset of World War II. Joel McCrea, George Sanders, Laraine Day, Herbert Marshall, Albert Bassermann, and Robert Benchley star. Before restoration, there were pinholes in the corners of this poster, with several in the artwork. There was crossfold separations with minor chipping, minor paper loss in the vertical fold below the word "Artists," minor chipping in the border, and a small hole in the blue field next to the "p" in "Correspondent." All of these issues were artfully addressed and the poster displays beautifully! This wonderful poster is rarely offered for sale so act accordingly! Fine+ on Linen. Sold for: $4,182.50. |
| 28908 | Foreign Correspondent (United Artists, 1940). Lobby Card (11" X 14"). Nice close-up of Laraine Day, Joel McCrea, and George Sanders from Alfred Hitchcock's classic suspense thriller. There is very light blunting on the corners, a small chip in top border has been replaced, and there are two small repaired tears in the borders. Very Fine-. Sold for: $388.38. |
| 28909 | Rebecca (United Artists, 1940). Lobby Card (11" X 14"). The Academy Award winner for Best Picture of 1940, this exquisite movie boasts an impeccable cast, including Laurence Olivier, Joan Fontaine, George Sanders, Judith Anderson, Nigel Bruce, and Reginald Denny, in a dark and twisted tale of a man (Olivier) obsessed with the memory of his departed first wife, much to the dismay of his new, and somewhat naive, bride (Fontaine). Directed by Alfred Hitchcock, this was the famed director's first Hollywood movie, and the only one to take the Best Picture honor. This beautiful card shows light edge wear, minor corner creasing, and small tears in the right border and top center, but these are minor concerns, apparent only under close examination, that do not detract from the tremendous appeal of this classic beauty. Very Fine-. Sold for: $597.50. |
| 28910 | Suspicion (RKO, 1941). Title Lobby Card (11" X 14"). A taut thriller starring Cary Grant and Joan Fontaine (who won a Best Actress Oscar for her role), this classic film was helmed by the master of suspense, Alfred Hitchcock. Based on a book by Anthony Berkeley, this is the story of Johnnie (Grant), an irresponsible grifter, who marries the wealthy Lina (Fontaine). She soon comes to suspect that her new husband is plotting to do away with her, a suspicion heightened when Johnnie's business parter (Nigel Bruce) meets a mysterious end. The exquisite title card offered here, featuring both Grant and Fontaine, shows a small tear in the right border, mild corner bumps, and several erasure marks in the yellow background area. These slight flaws notwithstanding, this is a great card, certain to be a centerpiece of any Hitchcock collection. Fine/Very Fine.Sold for: $896.25. |
| 28911 | Saboteur (Universal, 1942). Insert (14" X 36"). Barry Kane (Robert Cummings) is falsely accused of sabotage at the aircraft plant where he works, so he evades arrest and takes it on the lam to NYC to try and find the true culprit. Taut thriller from the master, Alfred Hitchcock, with the cross-country theme he would employ in several films. This explosive insert captures all the film's gripping action. The piece has light edge wear, pinholes in the top corners and a staple hole in the figure of Cummings, and some creasing at the borders and corners, none of which detract from this poster's power. Very Fine.Sold for: $1,075.50. |
| 28912 | Shadow of a Doubt (Universal, 1943). Half Sheet (22" X 28"). Young Charlie (Teresa Wright) shares a special bond with her uncle, after whom she is named. She extends an invitation to visit: however, when Uncle Charlie (Joseph Cotton) arrives, she finds that he is being pursued by two police detectives, who suspect him of being the "Merry Widow Killer." Hitchcock often declared this to be his favorite film, and it's easy to see why: the intriguing plot, and Cotton's memorably charming/sinister performance make this film pretty unforgettable. The two Charlies are highlighted on this unrestored half sheet. Two small edge tears, light edge wear, a crimp in the left border, and soiling in the top left corner are the main condition issues, but these hardly detract from the stellar design and fresh appearance of this terrific sheet. Rolled, Very Fine-. Sold for: $1,553.50. |
| 28913 | Shadow of a Doubt (Universal, 1943). Australian Daybill (13" X 30"). What do you do when your uncle is a notorious serial killer? That's the dilemma faced by young Charlie Newton (Teresa Wright) when her Uncle Charlie (Joseph Cotton) comes to visit. Unbeknownst to his family, Uncle Charlie is the "Merry Widow Murderer," sought by the police. Only young Charlie suspects the truth, and she may not live long enough to tell anyone. A masterpiece by director Alfred Hitchcock, the story was based on the real life killer, Earle Leonard Nelson. This beautiful daybill shows edge wear, two small pieces missing in the left border, paper loss at the top fold, an extra crease at the bottom fold, and creasing in the left border. It is a colorful and dramatic piece, sure to please any fan of mystery and suspense. Fine+.Sold for: $657.25. |
| 28914 | Spellbound (United Artists, 1945). One Sheet (27" X 41"). In this dark thriller from director Alfred Hitchcock, Gregory Peck plays a disturbed amnesiac who may also be a vicious murderer. As the doctor who tries to help him delve into his mysterious past, Ingrid Bergman soon falls in love with Peck, and insists on proving his innocence. This powerful one sheet shows a tear in the bottom border (patched with paper tape on the reverse), tape on the reverse reinforcing the center fold line, a small stain in the lower border, and several small edge tears. These minor flaws are hardly noticeable, and do nothing to detract from the overwhelming beauty of this poster. Very Fine-.Sold for: $11,352.50. |
| 28915 | Notorious (RKO, 1946). One Sheet (27" X 41") Style A. While Alfred Hitchcock's tale of WWII deception and intrigue earned the director much acclaim, it also earned him the attention of the FBI. It's widely rumored that the use of uranium ore as a plot device in the days leading up to the bombing of Nagasaki and Hiroshima put the director on the agency's watch list. The only thing radiating from this poster is the glowing artwork featuring stars Ingrid Bergman and Carey Grant. Prior to restoration, this poster had pinholes in the image and margins as well as crossfold separations with a tiny bit of paper loss. Very Fine+ on Linen.Sold for: $4,780.00. |
| 28916 | Notorious (RKO, 1946). Post-War Belgian (14" X 21.75"). Cary Grant and Ingrid Bergman team up in Hitchcock's brilliant spy thriller. Bergman is Alicia Huberman, a German expatriate whose father possessed war secrets; she is contacted by government agent Devlin (Grant) who wants her to spy on her father's old colleagues. Claude Rains heads up the fine supporting cast. This superb Belgian poster looks as fresh as the day it was printed, and presents very little wear. A superb copy of this rare sheet. Near Mint. Sold for: $507.88. |
| 28917 | Notorious (RKO, 1946). Color-Glos Stills (2) (8" X 10"). One of famed director Alfred Hitchcock's best films, featuring several of our most gifted stars. In true "Hollywood" fashion, the entire project came about because producer David O. Selznick's Duel in the Sun was completely over budget, so he sold the Notorious screenplay, director, stars, and partial rights to RKO to raise cash. These rare color-glos stills show a luminous Ingrid Bergman, along with Oscar nominated Claude Rains, and the ever suave Cary Grant. There is slight corner rounding and very light edge wear. Near Mint-. Sold for: $310.70. |
| 28918 | Strangers on a Train (Warner Brothers, 1951). Insert (14" X 36"). In this suspenseful Alfred Hitchcock classic, both Bruno (Robert Walker) and Guy (Farley Granger) have murders they'd like to commit, but they fear that their obvious motives would give them away. After a chance meeting on a train, the two men agree to exchange murders instead, reasoning that this will keep them safe. To Guy, this is nothing more than a joke, a casual conversation while riding a train, but Bruno takes things much more seriously. The dramatic insert offered here has pinholes in the borders and the lower image area, minor fold wear, paper tape on the reverse reinforcing the fold lines, and small corner creases, but is overall a lovely example of this highly desirable piece. Fine+.Sold for: $1,195.00. |
| 28919 | Strangers on a Train (Warner Brothers, 1951). Lobby Cards (7) (11" X 14"). Alfred Hitchcock created another masterpiece with this taut suspense tale of criss-crossed murder plans that go awry. Guy Haines (Farley Granger), star tennis player, meets Bruno Anthony (Robert Walker), a wealthy psychotic who wants his father murdered in exchange for murdering Guy's wife. When Guy doesn't play along, he becomes the target of Bruno's devious plotting. Hitchcock's daughter, Patricia, does a nice job as Ruth Roman's younger sister. There are pinholes in each card, and a light center horizontal crease on six cards. One card has staining in the borders and one card has small stains in the left border. These are wonderful images from an unforgettable classic. Fine/Very Fine. Sold for: $597.50. |
| 28920 | Strangers on a Train (Warner Brothers, 1951). One Sheet (27" X 41"). Alfred Hitchcock's classic suspense thriller about a tennis pro, Guy Haines (Farley Granger), who happens to meet the son of a wealthy businessman, Bruno Anthony (Robert Walker), aboard a train. Bruno has read all about Guy and his unhappy marriage, and begins to share his own misfortune of being trapped by his hated father. The plot begins to unfold as Bruno proposes the theory of "exchange murders," a scenario that would alleviate both of their problems. There were pinholes in the corners and a chip on the bottom right corner, all of which has been rendered invisible by outstanding restoration. Very Fine+ on Linen.Sold for: $1,045.63. |
| 28921 | I Confess (Warner Brothers, 1953). Insert (14" X 36"). A Catholic priest (Montgomery Clift) is put in an impossible situation when he hears the confession of a murderer: remain silent, as the laws of the church demand, or become the chief suspect in the ensuing murder investigation. Complicating the situation is the woman (Anne Baxter) with whom the priest had a scandalous affair, and who was being blackmailed by the dead man. This is classic Hitchcock, full of all the suspense, drama, and intrigue for which the director was famous. The insert offered here shows pinholes in the corners, light edge wear, a small tear in the bottom left, and some extra horizontal creases, but remains an attractive and very desirable piece, sure to please any fan of the great Hitchcock! Folded, Very Fine.Sold for: $179.25. |
| 28922 | Rear Window (Paramount, 1954). One Sheet (27" X 41"). At the time of its construction, the set for Hitchcock's Rear Window was the largest indoor set ever created at Paramount with running water and electricity to all of the apartments. Prior to restoration, this one sheet had pinholes in the image and borders as well as separations at the fold lines. But thanks to a fabulous professional restoration, voyeurs will be scrambling to spy on this beautiful poster! Very Fine- on Linen.Sold for: $5,078.75. |
| 28923 | Rear Window (Paramount, 1954). Insert (14" X 36"). Alfred Hitchcock's classic of voyeurism and suspense stars James Stewart and Grace Kelly as the sophisticated lovers, and Raymond Burr as the killer. The piece had several pinholes in the image area, small tears in the top and bottom center, small amount of paper missing from the bottom corners, all of which has been addressed with professional restoration. The poster still presents beautifully with great color. Fine/Very Fine on Paper.Sold for: $1,912.00. |
| 28924 | Rear Window (Paramount, 1954). Window Card (14" X 22"). In this masterful Alfred Hitchcock suspense thriller, Jimmy Stewart plays a wheelchair bound photographer who spies on his neighbors from his apartment window, and then becomes convinced that one of them has committed murder. Grace Kelly co-stars as the requisite "Hitchcock Blonde." Hitchcock posters are always in high demand, especially in clean shape. This beautiful window card from the Forest Theatre in Dallas, Texas has lightly rounded corners but is otherwise in fantastic condition. Very Fine/Near Mint. Sold for: $717.00. |
| 28925 | Rear Window (Paramount, 1954). Lobby Card Set of 8 (11" X 14"). Arguably the finest collaboration between star James Stewart and director Alfred Hitchcock, this is the gripping story of a photographer (Stewart) with a broken leg who fills his days by spying on his neighbors across the street. Things spiral out of control, however, when he comes to suspect that one of those neighbors may be guilty of murder! Offered here is a lovely set of lobby cards for this classic film. Most of the cards display pinholes in the corners and light edge wear. Cards #1 and #3 show paper clip rust stains in the top border, and there is a small corner crease on Card #2. These minor issues do little to detract from the overall beauty of these classic cards. Very Fine. Not Sold. |
| 28926 | Dial M for Murder (Warner Brothers, 1954). Window Card (14" X 22"). A classic even amid the master's mostly-classic oeuvre, this stars a luminous Grace Kelly as the object of Ray Milland's scorn, who is set up for a murder she didn't commit. Offered here is a gorgeous window card using the same evocative artwork featured on most of the Dial M paper, an innovative design that gives a hint of the film's terror rather than highlighting the stars, and is one of our very favorite Hitchcock designs. The card is in splendid condition, with a light crease in the bottom right corner, a drip of paint in the WarnerColor box, and light overall tanning being the only issues; the poster still boasts fantastic color. Very Fine. Sold for: $567.63. |
| 28927 | To Catch a Thief (Paramount, 1955). One Sheet (27" X 41"). The timeless beauty of Grace Kelly and the timeless charm of Cary Grant embellish this sophisticated Hitchcock thriller set on the French Riviera. Grant plays a retired burglar who must catch a copycat thief before the crimes are pinned on him, all the while falling in love with the luminous Grace. Wonderfully moody, this dynamic one sheet features good portraits of the leads. The poster had pinholes in the corners and several in the image area, several tears in the borders and a few in the image, and crossfold separations, all of which has been addressed with outstanding professional restoration. The poster now presents beautifully, with luscious color and terrific artwork. Catch this beauty while you still have the chance. Fine/Very Fine on Linen. Sold for: $1,792.50. |
| 28928 | To Catch a Thief (Paramount, 1955). Six Sheet (81" X 81"). In one of the greatest pairings in Hollywood history, Cary Grant and Grace Kelly added as much style and class to Hitchcock's romantic crime thriller as they do to this gorgeous six sheet. There was wrinkling and creasing in the image and borders, as well as tears in the margins that stretch into the field. Separations with paper loss had developed at the folds and crossfolds along with wear and chips at the edges. Having undergone professional restoration, this attractive poster now presents very well. Fine+ on Linen. Sold for: $3,107.00. |
| 28929 | To Catch a Thief (Paramount, 1955). Window Card (14" X 22"). Cary Grant came out of an early retirement (and would act for eleven more years afterward) to make this light, airy Hitchcock adventure with Grace Kelly. Grant is a retired jewel thief who is being set up by a new burglar copying his style. This card has been folded once horizontally in the middle, there is a minor dust shadow on the bottom border, a small crease on the right border, and light scuffing on the dark background area on the bottom of the poster. Folded, Very Fine-. Sold for: $507.88. |
| 28930 | The Man Who Knew Too Much (Paramount, 1956). One Sheet (27" X 41"). Having directed the original The Man Who Knew Too Much in 1934, Alfred Hitchcock knew that the movie could be improved upon. Utilizing the talents of Doris Day and James Stewart and better filming technology, he created this legendary 1956 effort that many Hitchcock fans agree is far superior. This poster has pinpoint crossfold separations and a small tear in the center of the top border. The right border has small holes and some minor creasing. Very Fine-.Sold for: $227.05. |
| 28931 | The Man Who Knew Too Much (Paramount, 1956). Insert (14" X 36"). A remake of director Alfred Hitchcock's 1934 version, this is the story of two American tourists (James Stewart and Doris Day) who witness a murder and become entangled in a web of assassination and intrigue that quickly spirals out of their control. Offered here is a beautiful insert for this popular title. It has slight smudging and dot stains in the bottom border, extra horizontal folds, a corner crease in the upper left, and some creasing in the left edge. Other than these minor flaws, this is a very attractive piece from one of Hitchcock's greatest films. Folded, Very Fine-.Sold for: $310.70. |
| 28932 | The Man Who Knew Too Much (Paramount, 1956). Lobby Card Set of 8 (11" X 14"). A simple vacation in Morocco turns into a nightmare of intrigue and assassination in this riveting story by the master of suspense, Alfred Hitchcock. Starring James Stewart as a man who, by chance, learns a deadly secret from a dying man, and Doris Day as his wife, this movie is considered one of Hitchcock's best. The lobby set offered here shows light edge wear, minor staining, including a light water stain on card #4, and small pinholes in several cards. Additionally, the #1 card shows staining at the bottom and left borders, where tape has been removed. Overall, however, this is a very attractive set that will certainly compliment any Hitchcock collection. Fine+.Sold for: $507.88. |
| 28933 | The Wrong Man (Warner Brothers, 1957). Lobby Cards (6) (11" X 14"). When Manny Balestrero (Henry Fonda) innocently arrives at an insurance office, he's mistaken for a robber and arrested. The situation goes from bad to worse, leading to his wife's nervous breakdown and the film's compelling climax. Based on a true story, and filmed in some of the locations where the actual events occurred, this is one of director Alfred Hitchcock's masterpieces, and the prologue marks the only time Hitch actually spoke in one of his films. In lovely condition, these cards show minor corner bumps and some very light wrinkling. The #3 card has a pinhole in the bottom center of the image, and the #8 card has a pinhole in the top center. As a bonus, the #6 card actually pictures Hitchcock in the background, behind Henry Fonda. For fans of this acclaimed director, this is a must have! Very Fine+.Sold for: $1,015.75. |
| 28934 | The Wrong Man (Warner Brothers, 1957). Insert (14" X 36"). Based on a true story: when Manny Balestrero (Henry Fonda) goes to an insurance office to take out a simple loan for his wife Rose's (Vera Miles) dental work, he is mistaken for a man who robbed the place just the day before, and arrested. As the circumstantial evidence stacks up against him, and Rose begins to crumble under the strain, Balestrero faces a court system that threatens to destroy the rest of his life through sheer indifference to the truth. This striking insert is in marvelous condition, with only light edge wear and some minor corner bumps keeping it from an even higher grade. Very Fine. Sold for: $119.50. |
| 28935 | Vertigo (Paramount, 1958). One Sheet (27" X 41"). One of director Alfred Hitchcock's most impressive films, this taut thriller concerns John "Scottie" Ferguson (James Stewart), a private investigator with a fear of heights who gets in over his head when he investigates the strange actions of an old friend's wife (Kim Novak). The poster, with art by noted designer Saul Bass, is one of the most striking ever created. This particular copy shows pinholes in the image area, a razor cut through the center, and a small stain in the bottom right corner. Professional restoration has rendered most of these flaws invisible, resulting in a very attractive, and eminently displayable, poster. Very Fine- on Linen. Sold for: $4,182.50. |
| 28936 | Vertigo (Paramount, R-1961). International One Sheet (27" X 41") International Version. It was on Vertigo that Alfred Hitchcock invented the famous "counter-zoom" technique that gave the thrilling impression of Jimmy Stewart's fear of heights, a camera trick that has become part of the grammar of the cinema, including being famously used by Steven Spielberg in Jaws. The classic "Vertigo" design by Saul Bass - Kim Novak being thrown from the tower, James Stewart having a psychological breakdown, and, best of all, Alfred Hitchcock's portrait are featured on this early reissue poster. The poster is in excellent condition, with crossfold separations, several small tears in the image area, and minor edge wear prior to linen-backing. A great poster for one of Hitch's greatest films -- what more could you ask for? Very Fine on Linen.Sold for: $2,151.00. |
| 28937 | Vertigo (Paramount, 1958). Window Card (14" X 22"). Many have speculated that it was the loss of Grace Kelly (who left the movie business after marrying the Prince of Monaco) and Hitch's search for a suitable replacement that led to this offbeat thriller featuring James Stewart as a retired police detective who becomes obsessed with the woman (Kim Novac) he's being paid to follow. Saul Bass's striking artwork highlights this wonderful window card that is in near-pristine condition, with very light creases in the bottom corners being the only problem. This one is a real stunner. Very Fine/Near Mint.Sold for: $1,314.50. |
| 28938 | North by Northwest (MGM, 1959). Half Sheet (22" X 28") Style A. Madison Avenue ad exec Roger Thornhill's (Cary Grant) life is turned upside down when a group of spies mistake him for CIA agent George Kaplan. Thornhill must now run for his life and, hopefully, find the real Agent Kaplan before it's too late. Aiding him is the lovely Eva Marie Saint as Eve Kendall, leading to the famous chase across a cornfield as Thornhill is pursued by a crop dusting plane. Many consider this film to be one of director Alfred Hitchcock's best. This half sheet had pinholes in the corners and in the image area, edge wear, staining in the bottom border, small tears in the borders, and creasing in the image area, but professional restoration has rendered these minor flaws virtually invisible, resulting in a highly desirable poster with a like-new appearance. Fine+ on Paper. Sold for: $537.75. |
| 28939 | Psycho (Paramount, 1960). One Sheet (27" X 41"). Before Psycho, Anthony Perkins had mostly appeared on television, and in secondary film roles, but Alfred Hitchcock's killer-thriller made him a bona fide star. He would return to the Psycho franchise many years later in the 1980s and 90s, even directing the third installment himself. But it all began here, in the lonely Bates motel, with a wayward woman on the run (Janet Leigh), giving Norman Bates bad thoughts that his mother did not approve of. This classic one sheet features Leigh in her skivvies, to the delight of just about everyone. The poster had pinholes in the field, chips and tears in the corners, and crossfold separations, all of which has been addressed with excellent professional restoration. You'd have to be psycho not to bid on this one. Very Fine-. Sold for: $1,553.50. |
| 28940 | Psycho (Paramount, 1960). Half Sheet (22" X 28") Style A. Based on a story by Robert Bloch, this movie was director Alfred Hitchcock's masterpiece. Artfully constructed, and boasting an incredible cast, once seen, the movie is not soon forgotten. From the immortal shower sequence to the unforgettable performances by Janet Leigh and Anthony Perkins, to the tense score by Bernard Hermann, this is a movie with "classic" written all over it. Presented here is the highly desirable Style A half sheet, with Janet Leigh in the white bra that Hitch chose to make her more "angelic" looking. The poster had pinholes in the corners, and a tear in the bottom left, but these slight defects have been rendered virtually invisible by professional restoration. Also, we note that all the white background areas have been airbrushed, giving this poster a clean and like-new appearance. Very Fine- on Paper. Sold for: $627.38. |
| 28941 | Psycho (Paramount, 1960). Spanish One Sheet (27.5" X 39"). A true collision of talents combine to make one of the finest suspense films ever produced. Based on a novel by horror-meister Robert Bloch, with a teleplay by Outer Limits writer/producer Joseph Stefano, Psycho was directed by the legendary Alfred Hitchcock, who used the crew from his Alfred Hitchcock Presents TV series to keep production costs down. This evocative Spanish one sheet is one of our favorite posters for this title, with a terrific layout, making good use of photographic elements, including a shot of Hitch himself. The poster had pinholes in the corners, tears at the fold lines, and minor fold separations, all of which has been addressed with excellent professional restoration. Very Fine on Linen. Sold for: $507.88. |
| 28942 | The Birds (Universal, 1963). One Sheet (27" X 41"). One of the greatest films in the career of famed director Alfred Hitchcock, this chilling picture is a masterpiece of tension and terror. This was the film debut of star Tippi Hedren, who plays a wealthy socialite whose pleasure trip to California's Bodega Bay turns into a nightmare when the local birds start behaving violently and aggressively for no apparent reason. This poster has only a light crease in the bottom left keeping it from an even higher grade. Get this one while you can! Very Fine+. Sold for: $1,136.45. |
| 28943 | The Birds (Universal, 1963). Lobby Card Set of 8 (11" X 14"). Loosely based on the Daphne Du Maurier story, The Birds is one of Hitchcock's most famous films. Rod Taylor and Tippi Hedren play contentious lovers who find the bird population of a small village on the Pacific coast has turned lethal. This nifty lobby card set features plenty of exciting scenes from the film. The cards are in nice shape. All have light edge wear and minor corner bumps, the #4 card has pinholes in the corners, #5 has some smudging at the top, and #8 has pinholes at the top and bottom center. Very Fine. Sold for: $836.50. |
| 28944 | Midnight Club (Paramount, 1933). Two Sheet (41" X 54"). London criminal mastermind Colin Grant (Clive Brook) has got everybody in The Midnight Club seeing double. Grant has been providing exact doubles to criminals who want to commit crimes and get away with them - the perfect alibi. Without a clue to go on as to how the racket works, Scotland Yard commissioner Sir Guy Standing calls in American sleuth Nick Mason (George Raft) to get to the bottom of it all. Offered here is an extremely rare two sheet poster, printed only for distribution in the New York area and used for outdoor advertising. As far as we know, this is the only surviving example of this rare poster size for this film, it having been saved by the original artist and passed down to his family. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. Although fairly unknown today, he designed the posters for such films as The Barefoot Contessa with Ava Gardner and Gilda with Rita Hayworth. The poster has had some border restoration and other touchup work on the folds. Fine/Very Fine on Linen.Sold for: $4,780.00. |
| 28945 | Design for Living (Paramount, 1933). Two Sheet (41" X 54"). Ernst Lubitsch directed one of the cleverest pre-Production Code comedies of the early 1930s with this delightful film. Fredric March, Gary Cooper and Miriam Hopkins star as three people involved in a ménage à trois that starts out platonically and then gets more complicated. The innuendos and double entendres fly fast and furious as it all progresses. Offered here is an extremely rare two sheet poster, printed only for distribution in the New York area and used for outdoor advertising. As far as we know, this is the only surviving example of this rare poster size for this film, it having been saved by the original artist and passed down to his family. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. Although fairly unknown today, he designed the posters for such films as The Barefoot Contessa with Ava Gardner and Gilda with Rita Hayworth. The poster has had some border restoration and other touchup work on the folds. Fine/Very Fine on Linen.Sold for: $4,780.00. |
| 28946 | Hoopla (Fox, 1933). Two Sheet (41" X 54"). Clara Bow, the saucy "It" girl of the silent screen, made her film farewell in this musical drama. The story takes place during the Chicago World's Fair of 1933. Bow plays Lou, a hootchy-kootchy dancer who is catapulted into stardom by fast-talking barker Nifty (Preston Foster). Hoping to escape her tawdry existence, Lou makes a play for handsome young naif Chris (Richard Cromwell), but by film's end she has bowed to the inevitable and returns to the sort of work she knows best. After this film, Bow retired to private life as the wife of cowboy star Rex Bell. Offered here is an extremely rare two sheet poster, printed only for distribution in the New York area and used for outdoor advertising. As far as we know, this is the only surviving example of this rare poster size for this film, it having been saved by the original artist and passed down to his family. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. Although fairly unknown today, he designed the posters for such films as The Barefoot Contessa with Ava Gardner and Gilda with Rita Hayworth. The poster has had some border restoration and other touchup work on the folds. Fine/Very Fine on Linen.Sold for: $5,975.00. |
| 28947 | Flying Down to Rio (RKO, 1933). Two Sheet (41" X 54"). Fred Astaire and Ginger Rogers danced together for the very first time in this delightful early RKO musical. Originally, the film was just another vehicle for the lovely and talented Delores del Rio but Rogers and Astaire stole the show with their dance number, "The Carioca." Catapulted by glowing reviews, the pair would go on to star in nine films of their own. Offered here is an extremely rare two sheet poster, printed only for distribution in the New York area and used for outdoor advertising. As far as we know, this is the only surviving example of this rare poster size for this film, it having been saved by the original artist and passed down to his family. The artwork was done by Harold Seroy, who started at the art department of Warner Brothers in 1930, but went on to work for all the major studios until retiring in 1960. Although fairly unknown today, he designed the posters for such films as The Barefoot Contessa with Ava Gardner and Gilda with Rita Hayworth. The poster has had some border restoration and other touchup work on the folds. Fine/Very Fine on Linen. Sold for: $26,290.00. |
| 28948 | Flying Down to Rio (RKO, 1933). Midget Window Card (8" X 14"). Scantily clad chorus girls fill this incredibly scarce and desirable midget window card. The first film to pair the legendary dance team of Fred Astaire and Ginger Rogers actually starred Dolores Del Rio and Gene Raymond as the romantic leads, but when Astaire and Rogers danced The Carioca, screen magic happened, and everyone knew who the real stars were. The only defect on this wonderful card is a single pinhole in the top display area. Very Fine/Near Mint. Sold for: $26,290.00. |
| 28949 | Carefree (RKO, 1938). Lobby Card (11" X 14"). A singing, dancing spectacular featuring the unbeatable team of Fred Astaire and Ginger Rogers, this classic musical also boasts an outstanding score by the legendary Irving Berlin. When Amanda Cooper (Rogers) has trouble making a decision regarding a marriage proposal, her hopeful fiancée (Ralph Bellamy) sends her to a psychiatrist (Astaire), who also falls in love with the beautiful Amanda. Of course, dancing ensues. The lovely lobby card offered here, an RKO Movie Quiz card, shows Fred and Ginger in all their glory, ready to dance the night away. It has corner creases in the top left and bottom right, a small stain in the upper right, and a very small edge tear in the upper left. These minor considerations are only apparent upon close examination, and do nothing to detract from the high degree of beauty and desirability this card possesses. Very Fine+. Sold for: $478.00. |
| 28950 | The Story of Vernon and Irene Castle (RKO, 1939). One Sheet (27" x 41") Style A. In their last RKO film, Fred Astaire and Ginger Rogers star in this classic biopic about legendary ballroom dancers Vernon and Irene Castle, whose career was brought to a sudden close by Vernon's death during World War I. This film also marked the last time Astaire and Rogers would work together until The Barkely's of Broadway, ten years later. This attractive one sheet, with multiple images of Fred and Ginger, had crossfold separation, fold wear, and a long tear in the left side at the bottom, but professional restoration has expertly addressed all these issues, making this a true prize that displays quite well. Fine/Very Fine on Linen.Sold for: $1,195.00. |
| 28951 | Ziegfeld Follies (MGM, 1945). One Sheet (27" X 41") Style D. Florenz Ziegfeld was a master showman known for extravagant stage productions and beautiful showgirls. Fred Astaire, Judy Garland, Lena Horne, Fanny Brice, Lucille Ball, Gene Kelly, Red Skelton, Esther Williams, and William Powell make up the all-star cast for this MGM musical comedy. But the real star was George Petty, the master pin-up artist who provided a half-dozen leggy showgirls for this pretty one sheet. The poster had pinholes in the corners, crossfold separations, and tape lifts in the borders, with a corresponding long L-shaped tear, all of which have been addressed with professional restoration. Fine+ on Linen.Sold for: $2,031.50. |
| 28952 | Rafter Romance (RKO, 1933). Midget Window Card (8" X 14"). A charming romantic comedy about Jack Bacon (Norman Foster), an aspiring artist/watchman who works all night, and Mary Carroll (Ginger Rogers), a refrigerator saleswoman who works all day. To save rent, they let the same apartment on a shift basis without ever meeting each other. Mary grows to dislike Jack, but when she meets him outside of the apartment, the fun really begins. This beautiful midget window card has a dust shadow in the upper right, and a very slight smudge in the bottom left, but is otherwise clean and unmarked, a real beauty for the collector of the unusual and obscure. Very Fine+. Sold for: $239.00. |
| 28953 | In Person (RKO, 1935). Title Lobby Card (11" X 14"). Ginger Rogers gets top billing is this fun romantic comedy written by Samuel Hopkins Adams, author of It Happened One Night. George Brent plays her romantic lead as Rogers' character, actress Carol Corliss, tries to hide out from her fans. Rogers sings and dances her way through the film, which was released right after the classic Top Hat. This stunning title lobby card has pinholes, smudges in the borders, a small tear in the right border, and a minor tear in the left border. This luminous image of Rogers is one of the most beautiful ever captured of her. Fine/Very Fine. Sold for: $657.25. |
| 28954 | Kitty Foyle (RKO, 1940). One Sheet (27" X 41"). Ginger Rogers won an Oscar for this "natural history of a woman" film based on the book by Christopher Morley and directed by Sam Wood. Magazine publishing, unexpected pregnancy, social inequality, and marriage and divorce are just some of the elements woven into this strong storyline. The poster highlights Rogers at her most luminous, as well as the writerly motif. The poster had pinholes in the borders, chips along the left border, small tears in the borders, and minor chips out of the top and bottom left corners, all of which has been addressed with professional restoration. Fine/Very Fine on Linen. Sold for: $310.70. |
| 28955 | Love Finds Andy Hardy (MGM, 1938). One Sheet (27" X 41") Style C. Mickey Rooney has girl trouble in this, his fifth appearance as Andy Hardy. He juggles love interests Judy Garland, Ann Rutherford, and Lana Turner, who earns the title "sweater girl" with her memorable appearance. This fun one sheet has fold separations and pinholes in the top corners which have been taped on the reverse. A stamp on the reverse bleeds through faintly in the upper right. This rare find features a delightful image of Rooney and Garland. Very Fine.Sold for: $776.75. |
| 28956 | Love Finds Andy Hardy (MGM, 1938). One Sheet (27" X 41") Style D. Mickey Rooney stars again as one of his most memorable and beloved characters, Andy Hardy, a part he played in fifteen films. America watched Rooney grow up through this very successful series. This is also the second pairing of the great team of Rooney and Judy Garland, who, soon after this entertaining romp, would make such musical classics as Babes in Arms and Strike up the Band together. The lovely Lana Turner was just starting to get noticed in Hollywood and her small role in this picture certainly helped. This one sheet has pinholes and smudging in the image, light edge wear, small tears at folds, and crossfold separations. There is a light stamp bleed-through in the upper right. This wonderful image of these top stars would be an asset to any vintage poster collection. Very Fine-. Sold for: $567.63. |
| 28957 | Love Finds Andy Hardy (MGM, 1938). Title Card and Lobby Cards (6) (11" X 14"). The inimitable Andy Hardy (Mickey Rooney) has girl trouble in this, the third film in the popular franchise. When Andy's girlfriend Polly (Ann Rutherford) goes out of town for the holidays, he agrees to escort his best friend's girl, Cynthia (Lana Turner) to the big dance. As if that wasn't bad enough, newcomer Betsy Booth (Judy Garland) soon falls head-over-heels for the titular star as well. Of course, the sagacious Judge Hardy (Lewis Stone) is there to make sure everything works out in the end. This exceptional lobby card set, which includes the original distribution envelope, is almost perfect, save for a single pinhole in the top center of most of the cards. If you're looking for prime material from this always popular series, look no further! Near Mint.Sold for: $1,314.50. |
| 28958 | Love Finds Andy Hardy (MGM, 1938). Midget Window Card (8" X 14"). The third (or fourth, depending on if you count A Family Affair) entry into the Andy Hardy series, this finds young Andrew (Mickey Rooney, of course) juggling three different women (Ann Rutherford, Lana Turner, and Judy Garland, the lucky dog), and that means nothing but trouble. All four are pictured on this terrific midget window card, which is in stellar condition. A crease in the top left corner, small stain at top right, and writing and light smudging in the imprint area are the only minor issues. A great-looking card for this fan favorite film series. Very Fine+.Sold for: $1,314.50. |
| 28959 | Life Begins for Andy Hardy (MGM, 1941). Midget Window Card (8" X 14"). Autographed. The tenth entry in MGM's enormously popular franchise, this film finds young Andy Hardy (Mickey Rooney), newly graduated from high school, trying to find his place in the world by moving to New York City. A short-lived job in a stockbroker's office proves to Andy that he's not cut out for big city life, and he returns to his father, the sagacious Judge Hardy (Lewis Stone), and his girlfriend, the lovely Betsy Booth (Judy Garland). The midget window card offered here is inscribed and signed by Ann Rutherford, who played Polly Benedict, Betsy's rival for Andy's affections. The card itself shows only some light edge wear, otherwise it is in superb condition. From the collection of Denver Sherry. Very Fine.Sold for: $657.25. |
| 28960 | The Wizard of Oz (MGM, 1939). Stills (10) (8" X 10"). Vintage black and white, single weight, glossy stills. This fantasy classic is well-represented with a beautiful collection of ten original stills with great images from the movie. The stills are in superb condition, some have very, very light corner bends, light surface wear, and a tiny stain in one border. It is very rare to find original release material from this classic fantasy film, so get them while you can! Near Mint. Sold for: $2,151.00. |
| 28961 | Judy Garland and Toto in "The Wizard of Oz" Contact Proof by Clarence Sinclair Bull (MGM, 1939). Still (8" X 10"). Vintage black and white, single weight, glossy still. Few films are as beloved as The Wizard of Oz, the film that made a superstar of Judy Garland. Although Shirley Temple was an early choice to play Dorothy, it's now hard to imagine anyone but Garland in that iconic role. This rare and desirable still shows some light warping, a small scuff in the right border, and a paper clip indentation in the top left corner, as well as photographer's and studio stamps, and writing in red grease pencil, on the reverse. It is a gorgeous portrait of a very talented actress in her prime. Very Fine.Sold for: $717.00. |
| 28962 | Presenting Lily Mars (MGM, 1943). One Sheet (27" X 41") Style C. Nineteen-year-old Judy Garland starred in Presenting Lily Mars, a cozy homespun tale of an ambitious young singer's rise from small-town anonymity to fame on Broadway. This colorful one sheet has minor water staining in the lower border, pinholes in the corners, and a small chip out of the upper right corner. There is slight bleed-through of a stamp from the back onto the front in the upper right. There is a large paper snipe placed over the credits which was done to place Tommy Dorsey's name in the credits where it was originally forgotten! The snipe is hard to see, although it has caused a very slight wrinkle in the paper. This is a lovely poster with great imagery. Fine+. Sold for: $286.80. |
| 28963 | Meet Me in St. Louis (MGM, 1944). Window Card (14" X 22"). In this totally charming Technicolor musical, life seems perfect for lovely Esther Smith (Judy Garland). She's young, she's from a well-to-do family living in St. Louis in the days of the 1904 World's Fair, and she's in love with the handsome boy next door (Tom Drake). Everything is turned upside down, however, when her father announces he's moving the whole family to New York! This beautiful window card, featuring several great images of Garland, has edge wear, smudges in the lower left border, a hard horizontal crease in the center, a crease across the bottom, and corner bumps, but is still extremely attractive and displayable. Fine/Very Fine. Sold for: $896.25. |
| 28964 | Pardon My Pups (Fox, 1934). Lobby Card (11" X 14"). The third film in the Frolics of Youth series, this represents an early point in the career of silver screen superstar Shirley Temple. Her first screen appearances were in two series of shorts for Educational Pictures. This is from the second series, in which Temple played a bratty younger sister. True fame and fortune, in such pictures as Little Miss Marker (1934), The Littlest Rebel (1935), and Rebecca of Sunnybrook Farm (1938), was still ahead of her. In this exquisite card, Temple is seen with Frank Coghlan Jr., better known as Billy Batson in the Republic serial, Adventures of Captain Marvel (1941). The card had pinholes in the corners and in the right border, which has been airbrushed. Expert professional restoration has returned this card to a gorgeous Near Mint appearance. Fine+.Sold for: $286.80. |
| 28965 | Now and Forever (Paramount, 1934). Half Sheet (22" X 28") Style B. Although she was only six years old at the time, Shirley Temple was already a major star, able to hold her own with the likes of Gary Cooper and Carole Lombard in this heart-rending melodrama of a man (Cooper) who just can't seem to get his life together, and takes up a life of crime to support his wife (Lombard) and daughter (Temple), with whom he's just been reunited. Of course, things end ever so badly for that nice Mister Cooper. Offered here is a beautiful paper-backed half sheet, with great images of all the stars. It had pinholes in the corners and borders, and crossfold separations. Additionally, there was, at one time, a sign painted on the back of the sheet. Expert professional restoration has returned this classic beauty to like-new. Fine on Paper. Sold for: $776.75. |
| 28966 | Curly Top (Fox, 1935). One Sheet (27" X 41"). At the tender age of seven, Shirley Temple was already an experienced actor, with thirty film appearances under her petite belt by the time she made this charming film in 1935. This story, about a precocious young girl in an orphanage who is adopted by a wealthy man, was tailor-made to her talents, and is the first Temple vehicle made specifically with a younger audience in mind. This beautiful stone litho one sheet, which pictures Temple admonishing leading man John Boles, had pinholes in the corners, and a chip in the top border, but professional restoration has rendered these slight flaws virtually invisible. This is a wonderful piece from a relatively early point in the career of a legendary actress. Very Fine- on Paper. Sold for: $4,182.50. |
| 28967 | Shirley Temple in Curly Top Publicity Still (Fox, 1935). Still (8" X 10"). Vintage black and white, single weight, glossy still. America's darling, Shirley Temple, lights up this very clean still from her 1935 Fox classic. There is a studio description typed on the reverse, and light wrinkling and creasing in the borders that in no way distract from the adorable image. Very Fine. Sold for: $179.25. |
| 28968 | Dimples (20th Century Fox, 1936). Jumbo Lobby Card (14" X 17"). Some of the best examples of 1930s film advertising were jumbo lobby cards. These were usually 14" X 17" and often had a matte finish. This beautiful example is of our beloved Shirley Temple in a scene from the end of one of her trademark rags to riches films, Dimples. A classic scene in itself, the film script has Shirley performing in New York City's very first minstrel show! There is only light edge wear, and some slight corner creases. Very Fine. Not Sold. |
| 28969 | Little Miss Broadway (20th Century Fox, 1938). Midget Window Card (8" X 14"). Adorable moppet Shirley Temple is... well, adorable, in this classic musical, in which she and her uncle, Pop Shea (Edward Ellis) "put on a show" to save a beloved theatrical boarding house. Along with Shirley, the impressive cast includes such star performers as Jimmy Durante, El Brendel, and Edna Mae Oliver. This attractive midget window card had minor chips in the bottom left and bottom right corners, a tear in the right border, and a small stain in the bottom right. Additionally, the top imprint area has been entirely replaced. Professional restoration has expertly addressed all these issues, resulting in a piece that any collector will be proud to own. From the Collection of Denver Sherry. Very Good- on Paper. Sold for: $179.25. |
| 28970 | The Firefly (MGM, 1937). Three Sheet (41" X 81"). It's spy vs. spy in this romantic drama set against the backdrop of the Napoleonic Wars. Jeanette MacDonald is a spy for Spain who uses her "talents" to seduce French officers in hopes that they will spill the beans about France's intentions towards her country. But France has a spy of their own in Allan Jones. The two soon fall for each other but discover that, sometimes, all is quite unfair in love and war. This stunning three sheet has undergone professional restoration to address a missing top right portion of the image, pinholes in the corners, holes in the borders, and fold separations. This is a beautiful stone litho poster that is very presentable. Very Good on Linen. Sold for: $418.25. |
| 28971 | The Girl of the Golden West (MGM, 1938). Midget Window Card (8" X 14"). Singing saloon owner, Jeanette MacDonald, falls for Nelson Eddy, who is disguised as Lieutenant Johnson and sings and dances for his sweetheart. His real identity as the bandit who held up her stagecoach is later revealed by Sheriff Rance (Walter Pidgeon). MacDonald and Eddy, who filmed eight movies together, are wonderful in this light musical western. This midget window card has only light corner bumps. The stars shine on this colorful and impressive card. Very Fine/Near Mint.Sold for: $286.80. |
| 28972 | The Merry Widow (MGM, 1934). Jumbo Window Card (22" X 28"). When a small country's wealthiest citizen (Jeanette MacDonald) leaves to wed in Paris, she takes with her the nation's main source of tax revenue. It's up to Count Danilo (Maurice Chevalier) to stop her and bring her and her money back home. This very hard-to-find jumbo window card had staining and minor holes plus some chips and tears at the borders along with a horizontal crease near the bottom of the image. There is a bit of touch-up and the card has been re-backed as part of the first-rate professional restoration. Do not miss your chance to bid on this rare and lovely Lubitsch poster. Fine+ on Cardstock. Not Sold. |
| 28973 | Cairo (MGM, 1942). One Sheet (27" X 41"). Written by real-life intelligence agent Ladislas Fodor, this film is both a spoof of espionage thrillers and a good-natured refutation of Jeanette MacDonald's screen image (it was her last film on her MGM contract). MacDonald is wise-cracking movie star Marcia Warren, who, while "between pictures" in London, hires fellow American Homer Smith (Robert Young) as her butler. What Marcia doesn't know is that Smith is an American newspaperman, who strongly suspects that our heroine is a Nazi spy (the real enemy agent is played by Mona Barrie). This colorful poster has minor water staining on the lower left corner as well as a very small amount in the credits. Notice that stage sensation Ethel Waters is given prominent billing, as her popularity due to her Broadway success with Cabin in the Sky, was at its greatest at this time. Very Fine. Sold for: $262.90. |
| 28974 | Gold Diggers of 1933 (Warner Brothers, 1933). Door Panel (27" X 64") Style C. When Warner Brothers did their all-out promotion for this extremely popular film in 1933, they produced a series of six door panels as part of their poster promotion. None of these panels had ever surfaced before - until now. Heritage is proud to offer two of the six door panels in this auction. Four of the panels featured showgirls in extremely skimpy costumes, and the other two panels featured Joan Blondell and Ginger Rogers. This lot features an unnamed chorine displaying all her shapely curves. She was one of 200 featured in this extravagant Busby Berkeley musical. Here is a great opportunity to own a unique and very rare item from this famed production. Before restoration there was edge chipping on the top border, a long tear through the girl's face to the top of her bodice, and a tear on the bottom extending to the title credits. All of this has been beautifully and professionally restored, giving the poster an excellent appearance. This poster has never been folded. Fine on Linen.Sold for: $9,560.00. |
| 28975 | Gold Diggers of 1933 (Warner Brothers, 1933). Door Panel (27" X 64") Style F. Offered here is the second of two door panels from a set of six produced by Warner Brothers in 1933 for their extravagant musical with numbers directed by Busby Berkeley. None of these panels had ever surfaced before - until now. Four of the panels featured showgirls in extremely skimpy costumes, and the other two panels featured Joan Blondell and Ginger Rogers. This lot features one of the 200 chorus girls appearing in the film - and she just happens to be nude holding a piece of cloth barely covering her shapely form. Rarely does the opportunity come up to own such a unique piece of musical cinema history. Before restoration, there was a hole to the left side of the girl's head, paper loss on the top and left borders, edge tears, and a missing top left corner. All of this has been beautifully restored, giving the poster an excellent appearance. This poster has never been folded. Fine- on Linen.Sold for: $11,352.50. |
| 28976 | Gold Diggers of 1933 (Warner Brothers, 1933). Pressbook (Multiple Pages, 11.5" X 17"). Based on Avery Hopwood's hit Broadway play, this film is loaded with talent including Dick Powell, Ginger Rogers, Joan Blondell, Ruby Keeler, and Guy Kibee. Add to that the first-rate dance numbers highlighting the fabulous Busby Berkeley choreography, and this movie was bound to be a classic! This original pressbook features tons of information about the film and its marketing campaign including several images of posters, banners, standees and more. There's even an image of the very pre-Code "silhouette girl" teaser display! The spine has separated and developed tears, and there are chips on the back cover along with wrinkling and creasing on the front cover. But the interior pages are in tact making this a very desirable piece from one of the most notable of the Depression-era musicals. Very Good/Fine. Sold for: $1,015.75. |
| 28977 | Dames (Warner Brothers, 1934). Window Card (14" X 22"). An effervescent Busby Berkeley musical with more music than plot (that's the way we like it), featuring Ruby Keeler and Dick Powell as love interests. Songs include "Try to See It My Way" and the immortal "I Only Have Eyes for You." This window card features two sets of shapely gams and terrific portraits of the cast. There is light water damage in the top left corner, foxing and faint staining in the borders, corner bumps, wrinkling in the top right border, and glue residue (and a few odd bits of paper) on the reverse. A beautiful card in every way. Very Fine-. Sold for: $836.50. |
| 28978 | Flirtation Walk (First National, 1934). Midget Window Card (8" X 14"). First National borrowed America's sweethearts Ruby Keeler and Dick Powell from Warner Brothers to star in their fifth musical together. Powell, an army private, falls in love with his general's daughter, Keeler, who is engaged to another. Musical numbers in this delightful hit include "Mr. and Mrs. is the Name" and "No Horse, No Wife, No Mustache." Oscar winner Frank Borzage, who later would film such classics as Desire and Strange Cargo, directs. This card has writing in the theater imprint area. This delightful card with the stars about to kiss, is a highlight for all musical lovers. Very Fine/Near Mint.Sold for: $388.38. |
| 28979 | Broadway Gondolier (Warner Brothers, 1935). Insert (14" X 36"). When singing taxi driver Dick Purcell (William Powell) blows an audition at a radio station, he heads to Italy for vocal coaching, where he is quickly discovered, and hired, by the very people who turned him down in the first place! Carole Lombard co-stars as the radio station secretary who helps the hopeful singer with his deception. This attractive insert has pinholes in the top corners and in the image area, with one enlarged pinhole in the lower left, small edge tears, chipping in the left border, and small bends in the bottom corners. These minor flaws do nothing to detract from the enormous eye-appeal of this vintage beauty, which not only features great images of all the stars, but of the four Mills Brothers as well. Rolled, Very Fine-. Sold for: $358.50. |
| 28980 | The Broadway Hoofer (Columbia, 1929). Half Sheet (22" X 28"). Star Marie Saxon, pictured here in scandalous attire, was a real-life Broadway hoofer when this picture was made. Her Hollywood career was short, including only this film and Under Suspicion (1930), after which she packed up her dancing shoes for good, apparently leaving show business all together. This gorgeous half sheet has very light edge wear, a small stain and a small tear in the top left, minor surface scuffing, a tiny chip in the top right, and minor corner bumps. Aside from these very minor flaws, this is a very attractive Art Deco-style poster showing Ms. Saxon in her costume for "Hawaiian Love Song," well worthy of a prominent place in your collection. Very Fine.Not Sold. |
| 28981 | The Vagabond Lover (RKO, 1929). Lobby Cards (2) (11" X 14"). The original "crooner," Rudy Vallee, was also one of the first true pop sensations of the 20th century. His suave, intimate performing style, made possible by the development of electric amplification technology, paved the way for such later stars as Bing Crosby, Frank Sinatra, and Perry Como. Vallee was a sensation in live performances, recordings, and radio before appearing in his first film, 1929's The Vagabond Lover. In this fun picture, Vallee plays Rudy Bronson, leader of a college band, who inadvertently impersonates a well-known musician in order to impress a pretty young girl. The plot is undoubtedly thin, but it gives Vallee and his band, the Connecticut Yankees, plenty of opportunity to perform such popular tunes as "I'm Just a Vagabond Lover," "If You Were the Only Girl in the World and I was the Only Boy," and "I'm Nobody's Sweetheart Now," in this early sound film. Offered here are two lovely scene cards. The card showing Vallee and pretty Sally Blane (the sister of Loretta Young) had minor edge wear and a corner bend in the bottom right, while the card showing Vallee, Blane, and the others had several tears on the left side. All of these minor issues have been addressed with professional restoration, making these exquisite cards that you'll be proud to own. Fine/Very Fine.Sold for: $507.88. |
| 28982 | Sweetie (Paramount, 1929). Lobby Card (11" X 14"). This early movie musical serves as a showcase for several of Paramount's song and dance stars, including Nancy Carroll and Helen Kane. It is the story of a big Broadway star (Carroll) who winds up owning a small college, the same school at which her boyfriend is a big football star. Along the way, audiences are treated to plenty of singing, dancing, and fun. This wonderful card features Helen Kane and Jack Oakie. Kane was the model for one of Paramount Studios' greatest animated creations, Betty Boop and was known for her "boop-boop-a-doop" trademark and her signature song, "I Wanna Be Loved By You". The card shows pinholes in the corners, a crease in the bottom left, very small scuff marks in the credit area, and a crease, as well as a dust shadow with some foxing, in the right border. Nevertheless, this is a wonderful card, that perfectly captures the ambience of the Jazz Age. It will make a wonderful addition to any collection. Fine-.Sold for: $179.25. |
| 28983 | The Dance of Life (Paramount, 1929). One Sheet (27" X 41") Style B. By 1929, the Jazz Age was still in full swing and flappers ruled the party life of Hollywood. This classic art deco graphic captures the zeitgeist of the era before the crash of Wall Street would bring it all to an end. Though a starring vehicle for Nancy Carroll, this film was the first film appearance of musician and composer, Oscar Levant. Prior to restoration, the poster had some minor chips in the upper, lower and right borders. There was also just a bit of paper loss at two points on the cewnter horizontal foldline. One was in the "S" of "Skelly" and one in the "nd" of "and." None of this detracts from this outstanding example of the Jazz Age. Fine/Very Fine on Linen.Sold for: $2,868.00. |
| 28984 | Nancy Carroll Publicity Still by Gene Robert Richee (Paramount, 1930). Still (8" X 10"). Vintage black and white, single weight, glossy still. Carroll is shown holding reels of cut film to be burned to reclaim the silver for reuse. This was taken by Paramount staff photographer Gene R. Richee. There are corner bumps and creases in the upper left and lower right corners, and light wrinkling. The photo has Richee's credit stamp, a studio snipe, and writing in pencil on the verso. Fine/Very Fine.Sold for: $119.50. |
| 28985 | King of Jazz (Universal, 1930). Window Cards (2) (14" X 22") Styles A & B. This is a great musical revue spotlighting the talents of bandleader Paul Whiteman. It also features an animation sequence by Walter "Woody Woodpecker" Lantz, notable as the first animation ever produced in Technicolor, as well as an early appearance by future superstar Bing Crosby. Offered here are both style window cards for this memorable film. The full-color "A" style has undergone professional restoration and has been rebacked with card stock to address several holes in the left and right borders and in the image area, and surface paper loss in the imprint area. The "B" style is unrestored and shows a few holes in the borders, a chip in the bottom left and top right corners, a tear in the upper left corner and in the center, surface paper loss in the left border, and a small hole in the credits area. In spite of the small flaws, these are both extremely attractive and desirable pieces from a classic musical feature. Fine.Sold for: $836.50. |
| 28986 | Be Mine Tonight (Universal, 1932). Midget Window Card (8" X 14"). Filmed simultaneously in English and German versions, this movie stars Polish opera singer Jan Kiepura as Enrico Ferraro, a singer who attempts to get away from his rabid fans by relocating to a small, remote village. He soon finds that the excess of peace and quiet is more than he can stand, but a budding romance with Mathilde (Magda Schneider) puts a new shine on everything. The movie was directed by Anatole Litvak, who also helmed The Amazing Dr. Clitterhouse (1938), Confessions of a Nazi Spy (1939), and Sorry, Wrong Number (1948). This charming Art Deco-style midget window card shows some water staining along the lower left border, but is otherwise clean and attractive; a perfect addition to any collection. Very Fine-. Sold for: $1,912.00. |
| 28987 | Hallelujah, I'm a Bum (United Artists, 1933). Insert (14" X 36"). A New York tramp named Bumper (Al Jolson) rescues the girlfriend (Madge Evans) of the Mayor after her suicide attempt, but the girl has amnesia and eventually falls in love with him. This charming comedy from director Lewis Milestone features songs and "rhythmic dialogue" by Rodgers and Hart. Jolson is front-and-center on this bright insert poster, which has some minor condition issues including pinholes, light corner creases, "58" written in marker in the bottom border, and a small tear and crease in the lower left corner. A fantastic piece for Jolson fans, and a great-looking poster all around. Rolled, Very Fine. Sold for: $2,151.00. |
| 28988 | Al Jolson in "The Jazz Singer" Publicity Stills (Warner Brothers, 1927). Stills (2) (8" X 10"). Vintage black and white, single weight, glossy stills. A landmark film, this was the first motion picture released with synchronized sound and tells the story of Jakie Rabinowitz (Al Jolson), the son of a cantor who defies his father and becomes a singer in a cabaret. The still with Jolson in blackface has a clipped bottom right corner and staple holes in the top center, but both of these historic stills are in wonderful condition. Fine/Very Fine. Sold for: $567.63. |
| 28989 | Al Jolson in "The Jazz Singer" Publicity Stills (Warner Brothers, 1927). Stills (3) (8" X 10"). Vintage black and white, single weight, glossy stills. "You ain't heard nothin' yet!" The first big film of the sound era electrified audiences when Al Jolson broke into "Toot, Toot, Tootsie." The stills have creases on the corners and on one border. One of the stills has writing in pencil on the reverse. Very Fine+. Sold for: $776.75. |
| 28990 | Too Much Harmony (Paramount, 1933). One Sheet (27" X 41"). As New York stage star Eddie Bronson, Bing Crosby winds up in a one-horse town, but manages to discover some local talent, including vaudeville comedians Benny Day (Jack Oakie) and Johnny Dixon (Skeets Gallagher), and actress Ruth Brown (Judith Allen). Ruth becomes a big hit on Broadway despite the best efforts of current diva Lucille Watson (Lilyan Tashman). This glorious one sheet had pinholes in the corners, and a hole in the top border, but professional restoration has expertly addressed these minor flaws, rendering them virtually invisible. Very Fine on Linen.Sold for: $418.25. |
| 28991 | White Christmas (Paramount, 1954). One Sheet (27" X 41"). In 1953, Fred Astaire decided to "retire" from films leaving a hole in the cast of White Christmas. The part was then re-written for Donald O'Connor, but he also bailed on the project. Finally, in a move that saved the project, Danny Kaye was selected as a zero-hour replacement. Kaye and co-star Bing Crosby are featured on this festive one sheet with Rosemary Clooney and Vera-Ellen, from a Christmas favorite for the last 55 years! There were minor fold separations with slight paper loss and pinholes in the corners and borders. But following a fantastic professional restoration, what remains is a delightful poster that is ready for display. Fine+ on Linen.Sold for: $1,075.50. |
| 28992 | White Christmas (Paramount, 1954). Half Sheet (22" X 28"). Bing Crosby and Danny Kaye play army buddies who find success as a song-and-dance team. They fall for a pair of beautiful sisters (Rosemary Clooney and Vera-Ellen) and follow them to a Vermont lodge, where they discover their old army general is the owner. Irving Berlin contributes the memorable score (though the title tune had previously been introduced in Holiday Inn more than a decade earlier). Offered here is a wonderful half sheet poster showcasing the four stars and a plethora of dancing girls. The poster, which has been paper-backed, had several border tears, some of which extended into the image area, small chips out of the top right and top left corners, and a very small tear in Crosby's collar, all of which has been addressed with professional restoration. A terrific poster for this beloved holiday film. Rolled, Fine/Very Fine. Sold for: $776.75. |
| 28993 | High Society (MGM, 1956). One Sheet (27" X 41"). Frank Sinatra, Bing Crosby, and Grace Kelly (in her final film role) star in this rollicking musical remake of The Philadelphia Story. A Cole Porter score and sensational performances including the great Louis Armstrong, add to the good times! Prior to professional restoration, this poster had minor chips at the folds and several in the borders. The top right corner had paper missing and there were extra horizontal folds. After professional restoration, this poster displays beautifully. Fine/Very Fine on Linen. Sold for: $956.00. |
| 28994 | High Society (MGM, 1956). Insert (14" X 36"). They're all together for the first time: Bing Crosby, Grace Kelly, and Frank Sinatra, and just in the nick of time -- this was Kelly's final film before retiring forever to become the first lady of Monaco. The score by Cole Porter is first-rate, and includes the lovely "True Love," which gave Grace her first (and only) platinum record. This bright, attractive insert has great images of the three main stars plus the legendary Louis Armstrong. The poster is in great condition, with some creasing in the right border and extra creases at the center fold, and one pinhole in Sinatra's jacket, being the only issues. The insert has terrific color and a razor-sharp appearance. Folded, Very Fine. Sold for: $388.38. |
| 28995 | Little Old New York (20th Century Fox, 1940). Midget Window Card (8" X 14"). "Fulton's Folly" is the subject of this lavish film starring Richard Greene as Scottish inventor Robert Fulton, who arrives in New York in 1807 with the intention of building a steamboat that will make travel between the burroughs easier and more economical. Alice Faye plays a young tavern keeper who offers Fulton shelter and financial assistance, much to the chagrin of her beau (Fred MacMurray). This terrific midget window card has writing in the imprint area, a stain along the lower left edge, and corner bumps; there is also some rippling due to a pressbook clipping from Mr. Deeds Goes to Town glued to the reverse. Very Fine+.Sold for: $286.80. |
| 28996 | Diamond Horseshoe (20th Century Fox, 1945). One Sheet (27" X 41"). Medical student Joe Davis Jr. (Dick Haymes) tells his father that he wants to quit school and get into show business. Joe Sr. (William Gaxton) disapproves, but gives his son a job as a stage manager at his nightclub, the Diamond Horseshoe. Joe Jr. soon becomes smitten with headliner Bonnie Collins (Betty Grable), but she has no interest in him. The convoluted plot is really just a framework for numerous musical numbers, showcasing Grable and her famous gams. Said gams are also front and center on this pretty one sheet. Condition includes pinholes, small tears, crossfold separations and fold wear with slight paper loss, and the top corners clipped, all of which has been addressed with professional restoration. Gorgeous stone litho one sheet for this wonderful Fox musical. Fine on Linen. Sold for: $262.90. |
| 28997 | On the Town (MGM, 1949). One Sheet (27" X 41"). Gabey, Chip, and Ozzie (Gene Kelly, Frank Sinatra, and Jules Munshin) are three sailors in New York City on a 24-hour shore leave pass, during which time, they each find love, romance, and adventure with Betty Garrett, Ann Miller, and Vera-Ellen. Based on the hit Broadway show, with a classic score by Leonard Bernstein, this was the first feature musical to be shot on location. Offered here is a beautiful one sheet that shows pinholes in the corners and the image area, paper tape at the fold lines on the reverse, a small chip in the top right corner, and an extra crease at the vertical fold line, but these are minor flaws that do little to detract from the overall attractiveness and desirability of this exquisite piece. Fine+.Sold for: $298.75. |
| 28998 | Frank Sinatra Publicity Still by George Hurrell (MGM, 1942). Still (8" X 10"). Vintage black and white, single weight, glossy still photograph. This is a very rare item indeed. This may be the only sitting the young singer and actor had with the master photographer, George Hurrell, and it has never been published that we are aware of! It is type-written on verso with Sinatra's name and the studio as well as Hurrell's credit, rubber stamp. Very Fine.Sold for: $119.50. |
| 28999 | Singin' in the Rain (MGM, 1952). Title Lobby Card and Scene Card (11" X 14"). Set in Hollywood during the transition from silent to sound films, this wonderful musical, starring Gene Kelly, Donald O'Connor, and Debbie Reynolds, is one of the most beloved movies of all time. From its wonderful dance routines to its great dialogue to its incredible roster of memorable songs - including "You Are My Lucky Star," "Make 'Em Laugh," and, of course, the title song - this wonderful film hits all the right notes. Included in this lot are the title card, which had a tear in the right edge, minor edge wear, and pinholes in the corners, and the best scene card in the set - as it features all three stars - that had a small tear at the top border. Both cards have benefited from professional restoration, giving them a high degree of eye-appeal and desirability. Fine/Very Fine. Sold for: $776.75. |
| 29000 | Singin' in the Rain (MGM, 1952). Window Card (14" X 22"). This infectiously entertaining film is considered one of the greatest musicals ever made, and rightly so. Gene Kelly sings and dances (and co-directs), with able support from Donald O'Connor and a fresh-faced Debbie Reynolds. If this one doesn't make you smile, you're officially a fuddy-duddy. This great window card is in superb condition, with some light foxing and corner creasing being the only minor issues. What a glorious feeling you'll get from owning this pretty poster. Very Fine+. Sold for: $985.88. |
| 29001 | Singin' in the Rain (MGM, 1952). Half Sheet (22" X 28") Style B. One of the great Hollywood musicals, with the unbeatable team of Gene Kelly, Donald O'Connor, and fresh-faced Debbie Reynolds in the lead. Co-directed by Kelly and shot in lush Technicolor, it has many great songs, including the immortal title number. This wonderful half sheet captures all the effervescence of the singin' and dancin'. The poster had a pinhole in the top border, small edge tears and a tear in the top border, and very slight blunting at the corners, all of which has been addressed with professional restoration, including airbrushing of the top and left borders. These are extremely minor issues with a razor-sharp looking poster with great color and a cavalcade of imagery. Perhaps the best poster from this classic musical! Very Fine.Sold for: $1,553.50. |
| 29002 | Cabaret (Allied Artists, 1972). Polish A1 Poster (23" X 33"). One of the most collectible and erotic of all Polish posters! This is perhaps award winning artist Wiktor Gorka's best known work. Gorka has given us a stunning image of the Master of Ceremonies (Joel Grey) singing from the spinning legs of star attraction Sally Bowles (Liza Minnelli) fashioned in the form of a Swastika. What an amazing combination of all the story elements in a single dramatic image for this 8-time Oscar winning film. A casual search of the web will reveal most dealers have this title on their "waiting list." Wait no more. Here is one of the cleanest examples we've seen, with only a very soft horizontal fold and bright original color. Professional linen-backing has rendered it like new. Very Fine+ on Linen. Sold for: $1,792.50. |
| 29003 | Holiday in Mexico (MGM, 1946). Three Sheet (41" X 81"). One of the best examples we've seen of Krapalik artwork. His highly individual caricature style highlighted many an MGM "Lions Roar" campaign book. An absolutely delightful poster mirroring the breezy, innocuous fun style of the film itself. The fine linenbacking restoration has addressed only small chips in the top right, slight paper loss at the fold separations, and chips in the field. Fine- on Linen.Sold for: $776.75. |
| 29004 | Melody Cruise (RKO, 1932). Midget Window Card (8" X 14"). It must be tough being a rich, attractive bachelor on a cruise ship full of beautiful women. That's the set-up for this charming musical comedy starring bandleader Phil Harris as the lucky guy, and Helen Mack as the one woman who is unimpressed by his looks, his fame, and his money, thus making her irresistible to him. Offered here is a charming midget window card for this classic film. It has a single pinhole at the top, edge wear, a small stain in the bottom left corner, and small corner creases. It's a lovely card that will be a welcome addition to any collection. Very Fine.Sold for: $358.50. |
| 29005 | Our Daily Bread (United Artists, 1934). Lobby Card (11" X 14"). Filmed as a follow-up to director King Vidor's earlier picture, The Crowd (1928), this movie, set during the depths of the Great Depression, is about John and Mary (Tom Keene and Karen Morley), hit hard by tough economic times. Fleeing the city, they take over an abandoned farm, and soon open it up to other disenfranchised folks, turning the farm into a communal cooperative venture, which becomes a new Utopia. Roundly denounced upon its release as a "pinko" film, it was also rejected by communist reviewers as "Capitalist propaganda!" Whatever the case, this is a classic film from a talented director, represented here by a great lobby card. It has pinholes in the bottom corners, a replaced top right corner, corner bends in the top left and bottom right, and scuffing on the left side. The card has been mounted on linen, but no further restorative work has been done. It's a wonderful card, however, that any collector will be proud to own. Fine/Very Fine on Linen. Not Sold. |
| 29006 | The Loves of Edgar Allan Poe (20th Century Fox, 1942). One Sheet (27" X 41"). One of the most important American writers ever to set pen to paper, Edgar Allan Poe was a deeply disturbed and conflicted individual who found solace in the grim and atmospheric stories he told. This fascinating character is brought to the screen by actor John Shepperd in this entertaining biopic, ably supported by Virginia Gilmore as Poe's childhood sweetheart, and Linda Darnell as the woman he eventually marries. Offered here is a beautiful and colorful stone litho one sheet. It shows pinholes in the corners, slight crossfold separation, fold chipping, small tears and creases in the borders, and tape in the top corners and on the reverse. These are minor considerations, none of which detract from the overwhelming eye-appeal of this wonderful piece. Very Fine-.Sold for: $298.75. |
| 29007 | Dangerous Crossroads (Columbia, 1933). Midget Window Card (8" X 14"). "A thrilling drama of the roaring rails," this exciting picture stars Jackie Searle, a popular child actor of the 1930s known on the Paramount lot as "the kid everyone wants to spank," and Chic Sale, a former stage comedian whose book of monologues, titled The Specialist, was an international sensation. The dramatic midget window card offered here shows a light stain in the bottom left, very slight chipping in the bottom right, a small crease in the top right corner, and a small stain in the Columbia logo, also in the bottom right. These minor concerns do nothing to affect the overwhelming eye-appeal of this classic piece, making it a perfect addition to any collection. Very Fine+. Sold for: $597.50. |
| 29008 | Where is My Wandering Boy Tonight? (Equity, 1922). Half Sheet (22" X 28"). A silent melodrama based on a popular song, this film is about a small town boy (Cullen Landis) who goes to the big city, leaving his mother (Virginia True Boardman) and sweetheart (Patsy Ruth Miller, better known as Esmeralda in 1923's The Hunchback of Notre Dame) behind. While in the evil town, he falls victim to the perils of big city life, eventually turning to theft when he can't support the extravagant tastes of his new squeeze, showgirl Veronica Tyler (Kathleen Key). He winds up in the slammer, but gains a pardon when he rescues the warden from certain death. This attractive, and daring, Jazz Age half sheet, showing a wild party in progress, has pinholes in the corners, light edge wear, minor staining and a small tear in the bottom border, and a small crease in the bottom right. However, these minor flaws in no way detract from the incredible appeal of this vintage treasure. Rolled, Very Fine+. Not Sold. |
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Session 4 |
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| 29009 | The Winter Playground of America (Unknown, 1910s). One Sheet (28" X 42"). Offered here is a beautiful example of a poster for a very early travel documentary about Florida. This is a stock poster with the title added in later. The gorgeous stone litho graphics make this a particularly desirable item. This wonderful poster was printed by Hennegan & Co., located in Cincinnati, Ohio. The company was founded in 1886 and is still going strong today. The poster has minor fold chipping and wrinkling, and pinpoint crossfold separations. Very Fine-.Sold for: $537.75. |
| 29010 | The Last Laugh (Reliance Pictures, 1911). One Sheet (27" X 41"). This dramatic short subject from 1911, the story of "a bride lost and found" is represented by one of the prettiest pieces of poster art we've encountered in a good little while. A beautiful stone litho image depicting a bride torn between the groom and another suitor. The poster had small tears in the border, crossfold separations, and pinholes in the corners, all of which has been addressed by professional restoration. This one is truly a thing of beauty. Very Fine-.Sold for: $478.00. |
| 29011 | Traffic in Souls (Universal, 1913). One Sheet (28.25" X 42"). Although this film is little known today, it occupies an important place in motion picture history. A compelling drama about Mary Barton (Jane Gail), a woman who, with the help of her police officer boyfriend Burke (Matt Moore), goes undercover in the white slavery ring headed by respectable businessman William Trubus (William Welsh) that has kidnapped her sister, Lorna (Ethel Grandin). Universal's first feature-length release - at six reels - it cost $57,000 to produce (far less than the $200,000 claimed in studio press material), and returned more than $450,000 - thanks in large part to its lurid subject matter - making Universal a force with which to be reckoned. After the success of this picture, studio head Carl Laemmle decided to relocate his operation to the West Coast, and a movie dynasty was born. Also, although many movies had adapted plays or books in the past, this film, the first American production to tackle the concept of sex, was the very first movie to be turned into a novel. The incredible stone litho one sheet offered here has some light creasing in the bottom right, edge and fold wear, minor crossfold separation, a chip in the bottom left corner, and light staining in the left border. It remains a lovely, and very important piece, that presents beautifully and will make a valuable addition to any collection. Very Fine-. Not Sold. |
| 29012 | The Great White Trail (Wharton Inc., 1917). One Sheet (27" X 41"). Only the superb artists of the golden age of film posters could have so effectively delineated the plot line of this early sound film. The woman on this wonderful stone lithograph poster is beauty Doris Kenyon, who, in a few short years, would appear with Rudolph Valentino in Monsieur Beaucaire. She is huddled in her bed clutching her swaddled baby in fright. It's the pivotal emotional moment in the film when she is confronted by her husband (Paul Gordon, the specter on the poster) in a fit of jealous rage. He casts the wife and baby into the snow, and the poster cleverly shows us her descent into amnesia. The top-notch professional linen-backing had little to address other than minor pinholes, some slight edge wear, and crossfold separations. Another excellent example of why the Morgan Lithography Company is so beloved by film poster collectors everywhere. Very Fine+ on Linen. Sold for: $448.13. |
| 29013 | Unclaimed Goods (Paramount, 1918). Three Sheet (41" X 81"). Vivian Martin stars as a sheriff's daughter who, unable to afford train fare to the mining town where her uncle lives, has herself shipped C.O.D. as "freight" via Wells Fargo Express. Upon her arrival, the girl discovers that her uncle is likewise unable to pay the shipping costs, and she is forced to remain in the WF office as "unclaimed goods." Co-written by Johnston McCulley -- the creator of Zorro -- here penning his very first screenplay. Adorable Vivian is the centerpiece of this beautiful stone litho three sheet, stepping off the train with her bag in hand. The poster had tears in the bottom border, paper loss at the folds, a hole in the logo area, and several smaller pieces missing in the field, all of which has been addressed with professional restoration. Fine+ on Linen.Sold for: $298.75. |
| 29014 | The Little Shepherd of Kingdom Come (Goldwyn, 1920). One Sheet (27" X 41"). Young Jack Pickford, younger brother of the famous star Mary Pickford,stars in this the first film version of the serialized novel from Scribner's Magazine. The film is the story of the Old South prior to and during the Civil War. Pickford was the perfect example of what damage nepotism can do to someone unwilling to accept responsibility. He was a ne'er-do-well playboy and carouser, who aroused more public interest because of his scandalous off-camera life than in the light romantic films he appeared in. He picked up alcohol, drug and gambling addictions to accompany his partying lifestyle. He would die at the age of 36, after three failed marriages, from what was assuredly the effect of chronic alcoholism. This one sheet would most certainly have to be one of the best ever produced for this tragic star. Considered one his better films, it was during this period that his sister applied all of her resources to assure that he was given what was necessary to make him a star. The poster had wear to the border and slight paper loss and wear to the folds and crossfolds. Fine on Linen.Sold for: $1,912.00. |
| 29015 | The Adorable Savage (Universal, 1920). One Sheet (27" X 41"). Edith Roberts, star of the silent screen, plays Murama, a native of the Fiji Islands. She returns home after attending school in America to take care of the rubber plantation owned by her father. She finds out to her dismay that she is actually half-native and this being 1920, she decides to "go native" and marry island ruler Ratu Ma, played by Noble Johnson. Johnson was an Afro-American who played in many of the studio's top tier films throughout the 1920s, 30s and 40s. This gorgeous stone litho portrait of Ms. Roberts is just outstanding. Prior to restoration, the poster had pinholes in the borders, crossfold separation with small chips in the folds, and a tear in the titles with small holes. On a final note, Ms. Roberts died tragically, at the age of thirty five, in childbirth. Fine/Very Fine on Linen.Sold for: $1,314.50. |
| 29016 | Playing With Fire (Universal, 1921). One Sheet (27" X 41"). One of our favorite Hollywood stories is that of waif-like beauty Gladys Walton catching the eye of Al Capone on the set of "The Untameable" in 1922, beginning a ten year affair until his incarceration in 1932 for tax evasion. This ethereally painted portrait of Ms. Walton in a 1921 silent film, with its ironic title, speaks to exactly what entranced Capone so strongly. Its subtle pastels, the wan look, and the vintage dressing room accoutrements are seen here in an exceptional stone lithograph from the Morgan Company. There were minor cross fold separations with small paper loss in the center point, light edge wear in the top border, and a small chip in the top center, all rendered near invisible with top restoration. If you've been waiting for something "classy" for that boudoir wall, this image and title will serve well. Very Fine- on Linen.Sold for: $1,434.00. |
| 29017 | Molly O (Associated First National Pictures, 1921). One Sheet (27" X 40.5") Style B. If anyone could be credited with being the first to bring screen comedy to the world, it would be Mabel Normand! She was Mack Sennett's first star after setting up his own company following his break with Biograph Studios. This gorgeous stone litho poster is from the first film that Mabel Normand made upon her return to the Sennett Studios after an unsuccessful stint toiling for Samuel Goldwyn. A charming Cinderella story about a common girl who falls in love with a rich, handsome doctor, the film's release was delayed as one member of the cast, Lowell Sherman, a villain in this picture, had been in the news recently as one of the attendees at Fatty Arbuckle's infamous party the night Virginia Rappe died, and Sennett thought it prudent to allow the scandal to subside before premiering the movie. Consequently, Sherman's name has been totally excised from the screen credits. This lovely poster had pinholes in the corners, a V-shaped piece missing from the right side, and small chips in the bottom left border, but professional restoration has addressed all of these issues, returning the poster to a beautiful Near Mint appearance. This great image of Normand is one of few that survive from her illustrious but short career. Very Fine- on Linen.Sold for: $5,975.00. |
| 29018 | Ever Since Eve (William Fox, 1921). One Sheet (27" X 41"). The Flugrath family in Brooklyn gave us not one but three fine actresses from the silent era: Viola Dana, Edna, and Leonie, who changed her name to Shirley Mason. Here is a sumptuous rainbow-hued, stone lithograph one sheet of a whimsical comedy that Shirley made in 1921 just after her triumph with Lon Chaney in Treasure Island. Here she plays a French War Orphan adopted by an artist (the leading man on the one sheet, Herbert Heyes). An absolutely delightful rendering of Ms. Mason in WWI finery. The poster had only slight fold separations and small chips in the top right and bottom borders to address; with magnificent work and professional linen-backing, it now displays stunningly. Very Fine on Linen. Sold for: $239.00. |
| 29019 | The Infamous Miss Revell (Metro, 1921). One Sheet (27" X 41"). We love Alice Lake for her work in Mack Sennett and "Fatty" Arbuckle films, but she was also a fine dramatic actress. This striking stone lithograph from the Tooker plant in New York, is from one of her best silents wherein she plays twin sisters in a love/mystery. That's leading man Cullen Landis with her on the poster, a veteran of over 100 films, including Warner's first talkie, Lights of New York. Top-notch professional restoration and linen-backing has repaired a small hole in Landis's face, two chips in the right border, and crossfold separations. A romantic gem of a poster with a vintage radiant "Hollywood Clinch" image. Fine+ on Linen. Sold for: $358.50. |
| 29020 | Saturday Night (Paramount, 1922). Half Sheet (22" X 28"). Well-to-do society kids Iris Van Suydam (Leatrice Joy) and Dick Prentiss (Conrad Nagel) are engaged to be married, but when Iris falls in love with the family chauffeur (Tom McGuire) and Dick becomes enamored of the daughter of the family washerwoman (Edith Roberts), all bets are off, as everyone involved learns how the other half lives. Eventually, all four determine that they're better off with members of their own class in this fun Jazz Age film. The rare rolled half sheet offered here has pinholes in the corners, light edge wear, small tears in the bottom border, and pinpoint dirt stains in the right border. Despite these minor flaws, the poster is exceptionally appealing, a glamorous look at 1920s high society. Rolled, Very Fine.Sold for: $657.25. |
| 29021 | The Kentucky Derby (Universal, 1922). Lobby Card Set of 8 (11" X 14"). Set against the backdrop of high-stakes horse-racing, this film, star Reginald Denny's first feature, is the story of a young man (Denny) who incurs the wrath of his wealthy father when he marries the stableman's daughter. He returns home after several years away just in time to ride the family horse to victory in a big race and repair his relationship with his family. Universal released this as a "Jewel," one of their top tier prestige films. Offered here is a rare lobby set for this dramatic film. All the cards show pinholes in the corners, and light edge wear, while one card has a small crease in the bottom right corner. Additionally, many of the cards have terrific horse-racing content, making this a great set for anyone who loves both movies and the ponies. Very Fine.Sold for: $537.75. |
| 29022 | Rich Men's Wives (Al Lichtman Corporation, 1922). Half Sheet (22" X 28"). When John Masters (House Peters) believes his wife Gay (Claire Windsor) is having an affair, he throws her out of the house and tells their child (Richard Hedrick) that she is dead! Things come to a head during a wild party, when Gay returns to confront her haughty husband. Offered here is a half sheet for this classic silent film. It has edge wear in the top and bottom borders with minor edge tears, and creases in the corners. The lovely Art Nouveau design half sheet is still an attractive piece, picturing some of the top stars of the silent era. Rolled, Fine+. Sold for: $179.25. |
| 29023 | The Hero (Al Lichtman Corporation, 1923). Three Sheet (41" X 81") Style B. This lovely three sheet stone lithograph is about a man who returns with false tales of being a war hero. He seduces many women, including his brother's wife, and steals from the church. He enters a burning school to rescue children, and finally does become a hero. That's Gaston Glass in the lead role, who would become a fine second unit director years later, working on some of 20th Century Fox's best 40s musicals, many with Carmen Miranda. The top restoration has left the poster as new, and had only slight fold wear, a small hole with tiny tears in the left border to correct. Absolutely beautiful color. Very Fine on Linen.Sold for: $358.50. |
| 29024 | Money, Money, Money (Associated First National Pictures, 1923). One Sheet (27.5" X 41"). A Jazz Age comedy, this film stars Katherine MacDonald as Priscilla Hobbs, a young social climber embarrassed by her working-class father. However, when her family inherits a large sum of money, and Priscilla can now live in the style to which she'd like to become accustomed, she learns that money cannot buy happiness. This exquisite one sheet, featuring a gorgeous stone litho portrait of McDonald, is virtually flawless, with only very minor touch-ups to the fold lines keeping it from an even higher grade. Very Fine on Linen.Sold for: $5,078.75. |
| 29025 | Java Head (Paramount, 1923). Title Lobby Card (11" X 14"). American Jeremy Ammidon (Frederick Strong) saves himself from execution by marrying the lovely Chinese princess Taou Yuen (Leatrice Joy), but, upon returning home, finds that he still truly loves his hometown sweetie, Nettie Vollar (Jacqueline Logan). Taou Yuen understands, and makes the ultimate sacrifice for her husband's happiness. This beautiful and evocative title card has pinholes in the corners, light smudging in the top border, a crimp with a small tear in the left border, a light crease in the top border, and light corner creases. It remains an extremely appealing piece, an attractive relic from the silent era. Very Fine. Sold for: $179.25. |
| 29026 | The Road to Yesterday (Producers Distributing Corp., 1925). One Sheet (27" X 41"). By 1925, William "Hopalong Cassidy" Boyd had become one of Cecil B. DeMille's favorite actors having first worked as an extra for DeMille in 1919. The pair teamed up again for this odd romantic drama about two unhappy couples who, through an odd twist of fate, discover their past entanglements in their previous lives. This poster had tears and chips in the borders, fold and crossfold separations with minor paper loss, and small holes in the image. It has undergone a professional restoration sometime ago which included airbrushing, but could be improved with newer techniques. This is a wonderful example of the dramatic poster art of the silent era. Very Good/Fine on Linen. Sold for: $597.50. |
| 29027 | The Wall St. Whiz (FBO, 1925). Title Lobby Card and Lobby Cards (5) (11" X 14"). Richard Talmadge plays a stock broker in this change of pace film for him. He still gets in a lot of his forte - action and stunt work, while romancing co-star Marceline Day. A fun group of cards, including a shot of Talmadge doing a back flip off a motorcycle. The cards have pinholes in the corners, a bottom right corner bend in four of the cards, and paper clip rust stains on the top border of one card. Very Fine-.Not Sold. |
| 29028 | The Model from Montmartre(Paramount, 1926). Three Sheet (41" X 81"). This was the penultimate film of silent screen actress Nita Naldi, who had earlier starred opposite John Barrymore in Dr. Jekyll and Mr. Hyde (1920), and with Rudolph Valentino in Blood and Sand (1922). Renowned for her beauty and her talent, but her voice did not lend itself well to the new medium of sound, and she retired from pictures in 1927, although she still had an active career on stage and in television. The glorious three sheet offered here had fold wear with slight paper loss, and small edge chips in the top right. Also please note that the entire bottom 10" X 41" panel was missing and has been replaced. After an outstanding job of professional restoration, this is a beautiful poster that displays very nicely, one that any serious collector will surely covet. Very Good- on Linen.Sold for: $1,015.75. |
| 29029 | Obey the Law (Columbia, 1926). One Sheet (27" X 41") Style B. Bert Lytell plays a society thief who inadvertently causes problems for his best friend, who has tried to keep his criminal past from daughter, Edna Murphy. After several misunderstandings, and Lytell's confession to the police, all is well and Edna is able to marry her wealthy fiance. Lytell is remembered as the first actor to appear as Lone Wolf, as well as Boston Blackie. Hedda Hopper also stars in this silent. This beautiful stone litho one sheet has fold wear, pinholes, and crossfold separations, but otherwise has a very clean and bright appearance. Very Fine on Linen. Sold for: $298.75. |
| 29030 | Serenade (Paramount, 1927). Lobby Card (11" X 14"). Adolphe Menjou, who stars in this picture as a philandering husband opposite the lovely Kathryn Carver as the suspicious wife who decides to teach him a lesson, was the very definition of the words "suave" and "debonair" in the early part of the twentieth century. Originally groomed as a romantic lead, he eventually settled into supporting roles in such films as The Front Page (1931), A Star is Born (1937), Stage Door (1937), and Roxie Hart (1942). The lobby card offered here shows pinholes in the borders and corners, a small tear in the right border, and minor corner bumps, but is otherwise clean and fresh an attractive piece from the silent era. Very Fine. Not Sold. |
| 29031 | The Bravest Way (Famous Players Corp., 1918). One Sheet (27" X 41"). One of the few Asian actors to find success in early Hollywood, Sessue Hayakawa was at one point one of the highest paid actors in Tinsletown with celebrity on par with Douglas Fairbanks and Charles Chaplin. But sadly, growing anti-Japanese sentiments took their toll on his career until he was given a fresh chance with a role in Humphrey Bogart's Tokyo Joe, 1949. Later, he would receive an Oscar nomination for his performance as Col. Saito in The Bridge on the River Kwai, 1957. This stone litho one sheet has separations at the folds, staining in the image and border, and a chip in the bottom left corner. This is an historic poster from one of Hollywood's earliest stars! Very Good on Linen. Sold for: $896.25. |
| 29032 | The Fast Freight (Rayart Pictures, 1926). Title Card and Lobby Cards (4) (11" X 14"). Helen Holmes was the Queen of the Railroad Serials during the silent era. She originally entered motion pictures through her friend, Mabel Norman, who was appearing in Keystone shorts at the time. Later, at Kalem and then for other studios, Holmes discovered a talent for action films, most often performing her own dangerous stunts in such serials as The Hazards of Helen (1914), Lass of the Lumberlands (1916), The Lost Express (1917), and The Fatal Fortune (1919). After retiring from pictures in 1926, she and her husband took up ranching in Sonora, and in 1945, she became a Hollywood animal trainer. Holmes's legacy is one of action and adventure, as important to the development of the serial genre as her contemporary, Pearl White. Presented here are several cards from one of Holmes's last films, an exciting action picture that put her back in the steel-driving world of the railroads. All the cards have pinholes in the corners and borders. The title card has a bend in the bottom left, a small tear in the top border, soiling in the right border, a bottom right corner bend, and a smudge below the motorcycle wheel, while the card with the blue table has a small crease in the bottom left. If you're a fan of fast-paced action films and daring performers, this lot's for you! Fine+. Sold for: $239.00. |
| 29033 | Hero of the Big Snows (Warner Brothers, 1926). One Sheet (27" X 41"). When Lee Duncan found a shell-shocked puppy in the trenches of a World War I battlefield and brought the poor pooch home, he could little have known that the dog would become one of the greatest movie stars of the silent era, the legendary Rin-Tin-Tin. Rinty, as he was affectionately known, is credited with saving Warner Brothers from bankruptcy in the studio's early days, and would star in nearly thirty films between 1922 and 1931, as well as in three different radio shows. After the original dog's death in 1932 - reportedly in the arms of starlet Jean Harlow - his offspring, Rin-Tin-Tin Jr., took over and appeared in films for a number of years thereafter. Offered here is a spectacular stone litho one sheet featuring this pawed performer. It has a tear in the right center horizontal fold, crossfold separations, and a top left corner bend, but remains a marvelous piece that deserves an honored place in your collection. Very Fine-.Sold for: $836.50. |
| 29034 | A Dog of the Regiment (Warner Brothers, 1927). Title Lobby Card and Lobby Cards (6) (11" X 14"). This silent drama presents as a fictional biography of the courageous canine, Rin Tin Tin. The "Wonder Dog," as he was often called, reportedly saved Warner Brothers from bankruptcy. At the peak of his popularity, Warners maintained 18 trained stand-ins to reduce any stress on their dog star, while providing Rinty with a private chef who prepared daily lunches of tenderloin steak (consumed as live classical music was played to help ease the dog's digestion). This is a fabulous title card and six scene cards from this set. All of the cards have pinholes in the corners and minor soiling. Very Fine.Sold for: $657.25. |
| 29035 | Frozen River (Warner Brothers, 1929). One Sheet (27" X 41"). Canine star, Rin Tin Tin makes his first all-talking or barking film with this drama, set in the frozen wilderness where our hero saves the heroine and her child (Little Davey Lee) from a gang of thieves and cut-throats. This is a gorgeous stone litho one sheet in superb condition. There is just a minor chip in the left border but is otherwise near perfect. Very Fine+.Sold for: $657.25. |
| 29036 | The Yellow Stain (Fox, 1922). Lobby Card Set of 8 (11" X 14"). John Gilbert, who has just moved into town to set up his law practice, gives the local political boss a beating for kicking his dog, inviting trouble in a big way. He decides to stay and fight, and eventually wins the townspeople to his side. A nice set of cards for this early Gilbert silent, with Gilbert pictured on all of the cards. There is light smudging, a few edge tears, creasing in one card, a slight trim on the top border on another card, and a corner chip on another. Fine/Very Fine.Not Sold. |
| 29037 | Desert Nights (MGM, 1929). Lobby Cards (6) (11" X 14"). All is not as it seems when Lord Stonehill (Ernest Torrence) and his daughter Diana (Mary Nolan) visit an African diamond mine run by Hugh Roland (John Gilbert, in his last silent picture). The Stonehills are actually crooks who steal a tray of precious gems and kidnap Hugh, escaping into the desert. Unfortunately, neither of the crooks know how to survive in the desert, and must rely on their captive to see them to safety. Offered here are six lobby cards from this film. They all display light edge wear and corner bumps and creases, with several of the cards showing light staining/soiling in the borders. One card has a piece missing from the top right corner that extends into the image area, while another has a tear in the left border. All the cards are extremely colorful and attractive, with great images of all the stars. Fine+. Sold for: $239.00. |
| 29038 | Nursing a Viper (Biograph Studios, 1909). One Sheet (28" X 42"). In the early days of motion pictures, legendary director David Wark Griffith worked to create a new cinematic language. Through the shorts he made during his time with Biograph Studios, Griffith developed and refined such techniques as cross-cutting, camera movement, close-ups, and more, techniques taken for granted now, but revolutionary and ambitious in their day. He was also one of the first to produce and direct a feature film in the U.S., Judith of Bethulia (1914). As an artist and a craftsman, Griffith's place in film history cannot be overstated. To say that the one-reel film represented here, Nursing a Viper, was an early effort in Griffith's career would be true, but at the same time misleading. Although it's true that Griffith had only taken up the directorial reins in 1908, the year before this film was released, it's also true that by the time Griffith made this picture, set in the days of the French Revolution, he had almost 200 short films to his credit. Although Griffith's best, and arguably most important, work, such as Birth of a Nation (1915) and Intolerance (1916) was still ahead of him, it must be said that these early years were incredibly productive, fruitful, and important in developing the skills and techniques that Griffith, and virtually all other filmmakers, would use in the future. Of other historical importance about this short film is that it featured a young Florence Lawrence, the woman credited with being the first known "movie star" and Marion Leonard, one of Griffith's favorite female leads during his Biograph years. Paper from these early Biograph shorts is extremely rare, not surprising as it is nearly a century old. This particular stone litho one sheet is an incredible find. It has edge wear, a small tear in the left border, tearing at the fold lines, and corner creases, but professional restoration has largely addressed these flaws, making this a rare and historic treasure that is sure to be the pride of any collection. Fine+ on Linen. Not Sold. |
| 29039 | Battle of the Sexes (United Artists, 1928). Title Card and Lobby Cards (3) (11" X 14"). A gold-digger (Phyllis Haver) and her boyfriend (Don Alvarado) conspire to con a stuffy real estate mogul (Jean Hersholt), with grave consequences and much hilarity in this film directed by the great D.W. Griffith. This outstanding lot features the title card, and three other lobby cards, all featuring Haver, with Hersholt on three of them. Virtually pristine, these have very, very minor corner bumps in the lower right corner only, and one card has pinholes in the corners. Amazingly for the vintage, these look almost like new. Near Mint-. Sold for: $1,015.75. |
| 29040 | Gypsy Blood (First National, 1921). Title Card and Lobby Card (11" X 14"). A silent version of Prosper Merimee's Carmen directed by Ernst Lubitsch, this exquisite production was filmed in Germany in 1918, but not released in the U.S. until 1921. Starring Pola Negri as the cigarette girl pursued by the dashing Don Jose (Harry Liedtke), whom she throws over for the matador Escamillo (Leopold von Ledebur), with tragic results. A relatively early film in Negri's career, paper from this picture is exceedingly rare. Offered here are two sanguine-tinted cards: the title card has some edge wear, light creases, and rounded corners, while the scene card shows a very small amount of surface paper loss in the upper right, a tiny blemish in the top center, and rounded corners. In spite of these very minor flaws, these are very attractive and desirable cards that should provoke some spirited bidding. Very Fine.Not Sold. |
| 29041 | Gypsy Blood (First National, 1921). Lobby Cards (3) (11" X 14"). Released as Carmen in Germany in 1918, this Pola Negri vehicle was re-titled for its U.S. release three years later. There is light wear along the edges and minor creasing at the corners of all three of these lobby cards. The flirting scene card as a very minor scuff in the image and two small tears in the bottom border. However, all three cards remain very displayable. Very Fine.Not Sold. |
| 29042 | Gypsy Blood (First National, 1921). Lobby Cards (3) (11" X 14"). This early version of Carmen (the film's original title) features the alluring Pola Negri as the gypsy girl, and Harry Liedtke as the Spanish cavalryman over whom she weaves a tragic spell. These splendid lobby cards feature illustrative, sepia-colored illustrations of key moments from the film. The cards have variable flaws, including edge wear, foxing, creases and bumps in the corners, and surface creasing; the "gypsy dance" card has some smudges with a small amount of paper loss just below the logo, and the "liberty" card has a hard crease and small tear at the top center, which has been reinforced with tape on the reverse. A fine collection of cards for this landmark German film. Fine/Very Fine.Not Sold. |
| 29043 | The Secret Hour (Paramount, 1928). Lobby Card (11" X 14"). Based on Sidney Howard's Pulitzer Prize-winning play They Knew What They Wanted - which was also the basis for Frank Loesser's smash Broadway musical, The Most Happy Fella - this is a Cyrano de Bergerac-like story of a man (Jean Hersholt) who falls in love with a beautiful young woman (Pola Negri), but as he doubts his ability to win her, he enlists the aid of a good-looking friend to help him woo the fair maiden. Of course, things don't work out as he intends. Negri was one of the silent screen's most popular "vamps," who made some of her best pictures with famed director Ernst Lubitsch. This highly desirable lobby card shows pinholes in the corners, edge wear, and some smudging and scuffing in the borders, but is otherwise very clean and attractive. Very Fine-. Not Sold. |
| 29044 | The Brat (Metro, 1919). One Sheet (27" X 41"). Alla Nazimova was a pioneer of girl power in the early days of Hollywood. She produced and starred in this touching adaptation of Maude Fulton's stage play about a show girl who becomes the muse for a novelist against the wishes of his snobbish family. A few years later, she would apply her talents to Salome (1923), this time adding a directing credit to her list of accomplishments. There was a tear in the top right quarter of the image along with chips and tears in the borders and folds. A small amount of paper was missing from the center of the image and there was a crease in the bottom left corner. Now, the sheet is a delight to behold thanks to a first-rate restoration. This beautiful stone litho one sheet is a rare and historic piece. Very Good/Fine on Linen. Not Sold. |
| 29045 | Salome (United Artists, 1923). Lobby Card (11" X 14"). The well-known story of Salome is gloriously retold in this film, with the striking Russian star Alla Nazimova in the title role (she also directed, wrote, and produced). Considered a highly scandalous picture at the time, the set designs by Natacha Rambova (second wife of Rudolph Valentino) were based on the drawings of Aubrey Beardsley. A popular legend about the film, which may well be apocryphal, is that all of the cast members, hand-picked by Nazimova herself, were gay, and that all the female courtiers were played by men in drag. The film is a legendary paean to excess, whose box office failure nearly ruined Nazimova, but which is seen as a significant artistic triumph today. Offered here is a glorious, Art Nouveau-style lobby card, which shows Salome (Nazimova) before King Herod (Mitchell Lewis). It has pinholes in the corners, a tiny chip in the top left, two pieces of tape on the reverse at the top corners, a tear in the top border that extends into the image area, repaired with tape on the reverse, a small crease in the right center border, a small tear in the bottom border, and light bends in three corners. In spite of these minor flaws, this is an exquisitely beautiful card, which is sure to be an important part of your collection. Fine/Very Fine. Sold for: $310.70. |
| 29046 | The Eternal Sapho (Fox, 1916). One Sheet (30" X 41.5"). One of the biggest stars of the early silent era, Theda Bara is known to contemporary audiences primarily through stills and publicity photos, as many of her films have sadly been lost to the ravages of time. This movie is no exception. An adaptation of Alphonse Daudet's 1884 novel, Theda Bara, the screen's original "vamp," plays a young woman who believes she is under the spell of the Greek goddess Sapho, and sets out to marry for money and excitement, rather than love. To that end, she leaves her struggling artist boyfriend in order to pursue a wealthy man, a plot which ultimately fails. Despondent, she returns to her former flame, only to find that the grief of their parting caused him to commit suicide, a discovery which drives the young woman insane. The film, which also features an early appearance by Warner Oland (he had fewer than ten screen roles to his credit when he made this picture) - seen with Bara on this beautiful one sheet - was a success, but Bara's greatest roles, including 1917's Cleopatra, were still ahead of her. She remains today one of the best-known, and most intriguing, stars of her generation. The ultra-rare poster offered here had cracks, and scuffs with paper loss in the image area, chips in the borders, and a 2 by 4 inch piece missing in the right side of the poster at the center horizontal fold line. Professional restoration has expertly addressed these issues, rendering them virtually invisible, and has returned the poster to a like-new appearance. The rarity of this piece cannot be overstated. Don't miss this opportunity to add this historical beauty to your collection ! Very Good on Linen.Sold for: $2,987.50. |
| 29047 | Her Greatest Love (Fox, 1917). Half Sheet (22" X 28"). By the time this film was made, Theda Bara was attempting to break out of the femme fatale persona she had so carefully cultivated in such earlier pictures as A Fool There Was (1915), Carmen (1915), and Cleopatra (1917). To that end, she stars in this now-lost picture as Vere Herbert, a sweet young thing who marries a wastrel Prince to save her father's honor. The film was not a success, although that may have had less to do with Bara as with the fact that it was released the same week that America entered World War I. Offered here is a wonderful half sheet featuring Bara in her "good girl" persona (although still presenting the kohl-darkened eyes that had become her trademark), which shows one pinhole in the top right, light edge wear, and a tear and a small corner bend in the bottom right. Never folded, it is a great piece from a sadly lost film. Rolled, Very Fine. Not Sold. |
| 29048 | Heart and Soul (Fox, 1917). Lobby Card Set of 9 (11" X 14"). Star Theda Bara broke type in this film, an adaptation of H. Rider Haggard's novel, Jess. In most of her roles, Bara was the original femme fatale: mysterious, kohl-eyed, and deadly. In an effort to change that image, however, Bara took on this role, in which she plays a sweet young girl who sacrifices everything to ensure her sister's happiness. Unfortunately, audiences at the time were unwilling to accept this severe change in Bara's persona, and this film is often cited as the beginning of the end for Bara's career. The movie is now considered lost, and this superb lobby set, consisting of a title card and eight scene cards, may be all that remains to document this important picture. The title card shows foxing in the borders, edge wear, and light smudging, while the scene cards typically have pinholes, moderate edge wear, minor corner bumps and creases, and small edge tears. One card has a chip in the bottom right corner and foxing in the borders, but overall this is a very attractive set - now almost one hundred years old - which contains many incredible images of one of the cinema's earliest stars. Very Fine-. Sold for: $836.50. |
| 29049 | Salome (Fox, 1918). One Sheet (28" X 41"). The Biblical story of Salome has been told countless times in literature, art, music, poetry, and film throughout the ages. In the widely-known tale, Salome dances before King Herod on the occasion of his birthday. So pleased is the king that he promises the beautiful dancer anything her heart desires. Angered by the pronouncements of John the Baptist, who claims that her mother's marriage to the king is adulterous and unlawful, Salome demands the evangelist's head on a platter, a wish that is soon granted. As an iconic femme fatale, Salome has been interpreted by such noted actresses as Alla Nazimova, Rita Hayworth, Teresa Stratas, and Kate O'Mara, but perhaps none of these fine artists have been as associated with the role as the silver screen's original vamp, the beautiful, mysterious, and enigmatic Theda Bara. Born Theodosia Goodman in Cincinnati, Ohio in 1885, her first break came with her casting in A Fool There Was (1915), in which she created the "vampire" character she would perfect over the next few years (in this sense, a "vampire" is not an undead creature, but a seductive woman who uses her feminine wiles to sap the energy and resources of otherwise strong, virile men). The first entirely "manufactured" star, studio publicists delighted in sending out wild and highly imaginative releases about her, claiming, for example, that she was the child of an artist and an Arabian princess, that she had spent her earliest years in the Sahara, in the shadow of the Sphinx, and that her name, Theda Bara, was an anagram of "Arab Death," accompanied by photos of the actress surrounded by snakes and skulls. She was even encouraged to discuss mystical and occult subjects in interviews, to further solidify her dark and dangerous image. Some of her early roles included Carmen, Juliet, and, in the film that made her a superstar, Cleopatra. Shortly after filming Salome, Bara began to tire of her outre, gothic image, and tried to remake her character after her contract with Fox was terminated in 1919. She undertook a number of "good girl" roles, but she was never as popular as she had been previously. After making just three films in the 1920s, Bara retired from the screen in 1926. She made a few stage appearances in the 1930s, but lived most of the remainder of her life in comfort and seclusion prior to her death in 1955. She remains an icon of the silent era, and a groundbreaking performer who opened the door for countless femme fatales to come. Offered here is a glorious poster from this now sadly lost film, picturing Bara as she will always be remembered - a beautiful, seductive, and exotic woman who could easily bend the will of any man she met. This exquisite treasure shows light fold wear, pinpoint crossfold separation, light edge wear, a scuff in the right side, some staining and light wrinkling at the bottom border, and a small tear in the top border, but is otherwise clean, bright, and attractive, a wonderful and historic piece from a silent classic. Don't pass this one up, as you may never again have an opportunity to add this gem to your collection. Very Fine-. Sold for: $10,157.50. |
| 29050 | Queen of Sheba (Fox, 1921). Half Sheet (22" X 28"). The story of the star-crossed romance between the Biblical King Solomon (Fritz Lieber) and the beautiful Queen of Sheba (Betty Blythe), this lavish production, reportedly a spectacle on the scale of D. W. Griffith's Intolerance, is now presumed lost to the ravages of time, kept alive only by the handful of stills and the rare posters, like this one, that have survived. This lovely half sheet has pinholes in the top, edge wear, smudging, tears in the bottom left and right, wrinkling in the left and right borders, and a horizontal fold line across the center. It is a beautiful piece that will certainly enhance any collection. Fine/Very Fine. Sold for: $239.00. |
| 29051 | Mother O' Mine (Associated Producers, Inc., 1921). Half Sheet (22" X 28"). Robert Sheldon (Lloyd Hughes) is wrongly convicted of the murder of his father (Joseph Kilgour), a man he never knew, in this stirring silent melodrama. Only the unfailing love of his mother (Claire McDowell) saves him from a horrible fate. The dramatic half sheet offered here has pinholes in the borders and corners, overall smudging, a small tear in the top, creases in the bottom right and top left, and a corner bump in the bottom left, but remains a very attractive piece from a wonderful silent film. Very Fine.Not Sold. |
| 29052 | Sinner or Saint (Selznick Distributing Corporation, 1923). Title Lobby Card (11" X 14"). At first intended as Fox Studio's replacement for Theda Bara, Betty Blythe soon came into her own as an exciting and exotic actress, essaying daring roles - often with daring costumes - in such epic motion pictures as The Queen of Sheba (1921) and She (1925). She played primarily supporting roles after the advent of sound, and spent most of the 1940s on the stage. By the time she retired, after appearing in a bit part in My Fair Lady (1964), she had more than 150 films on her resume. This exquisite title card, with a wonderful image of Blythe, has a tear that extends into the image area and a smudge in the right border, creasing in the top border, and a single pinhole in the left border, but is still an extremely attractive and desirable card. Fine/Very Fine. Sold for: $239.00. |
| 29053 | A Woman of Paris (United Artists, 1923). Lobby Cards (2) (11" X 14"). The first of only two films directed by Charlie Chaplin in which he did not take a starring role (he appears only in a brief cameo), A Woman of Paris was also an atypical drama for the famous silent clown. Edna Purviance stars as a young woman en route to meet her artist fiance (Carl Miller) at the train station; when he doesn't show, she assumes he has changed his mind, and goes off to Paris alone. A year later, they meet again, but she is by now the mistress of a rich and powerful man (Adolphe Menjou), and must choose between security and true love. Offered here are two elegant lobby cards from this rich drama. Both had pinholes, and the bedroom card had creasing and chips in the borders, all of which has been addressed with fine professional restoration. Fine+.Sold for: $179.25. |
| 29054 | The Gilded Butterfly (Fox, 1926). Title Lobby Card (11" X 14"). A classic silent melodrama, this is the story of a young girl (Alma Rubens) whose flirtatious and gold-digging ways threaten to ruin her life. Fortunately, true love triumphs in the end. Rubens's own story does not have such a happy ending, however. A significant star of the early days of cinema, by 1925 her career had hit a steep decline due to her out-of-control heroin addiction. With roles few and far between, she was in and out of mental hospitals for the next few years, until succumbing to pneumonia in 1931, just weeks shy of her 34th birthday. Offered here is a beautiful art nouveau-style title card for one of Rubens's later films, a tribute to a once-glorious actress. In virtually unimprovable condition, this is a gem that any collector would be proud to own. Near Mint+. Sold for: $1,314.50. |
| 29055 | The Splendid Crime (Paramount, 1925). Banner (35.5" x 119"). William C. DeMille (big brother of Cecil B.) co-wrote and directed this crime drama starring Bebe Daniels as a petty thief who breaks into the home of a wealthy man (Neil Hamilton). He catches her, but gives her a chance at reform rather than turning her in to the cops. But the tide soon turns and Hamilton makes his own criminal plans. This spectacular banner features a great portrait of the two leads, and very bold graphics. The banner has some edge and fold wear, and overall staining. Fine.Sold for: $1,314.50. |
| 29056 | Cocktail Hour (Columbia, 1933). Midget Window Card (8" X 14"). This wonderful comic melodrama follows the adventures of Cynthia Warren (Bebe Daniels), a talented young woman set on making her own path in life, much to the displeasure of her traditional, and more than a little chauvinistic, husband, Randolph (Randolph Scott), who believes that a woman's place is in the home. When Cynthia defies him and sets out on an ocean cruise, however, everything - including her marriage - is up in the air. The attractive midget window card offered here, picturing Daniels, Scott, and Sidney Blackmer, is about as clean as they come, unmarked in any way, perfect for the poster collector who demands the very best. Near Mint+. Sold for: $191.20. |
| 29057 | Enchantment (Paramount, 1921). Lobby Cards (5) (11" X 14"). Ethel Hoyt (Marion Davies) is the spoiled daughter of wealthy Mr. Hoyt (Tom Lewis). When Daddy decides his daughter needs to be straightened out, he hires an actor to do the job, who encourages Ethel to audition for a play, and then puts her through the wringer, falling in love with her in the process. The cards offered here are exquisite, with several picturing a period production of Shakespeare's The Taming of the Shrew. One card shows a long crease in the right side, while another has a small stain in the top left. This was a film early in Marion Davies' career, which would prosper under the careful eye of her longtime lover, William Randolph Hearst. Fine/Very Fine. Sold for: $239.00. |
| 29058 | The Fair Co-Ed (MGM, 1927). Title Lobby Card (11" X 14"). In this light comedy, Marion Davies stars as a college basketball player who is hopelessly enamored of her coach, played by the ex-football player turned actor, Johnny Mack Brown. Brown would later go on to star in many Westerns. Based on the play by George Ade, this film was a popular hit for MGM. This bright title card has a light dust shadow on three borders and corner pinholes. A lovely image of William Randolph Hearst's longtime romantic partner is featured on this attractive card. Very Fine. Sold for: $298.75. |
| 29059 | Millie (RKO, 1931). Window Card (14" X 22"). Helen Twelvetrees stars in the pre-code drama about a small town girl who marries a New York businessman who is caught cheating on her and how her lives spirals downward after several bad turns with the wrong men. This lovely window card has art by the great Fredric Madan, a well-known illustrator whose work graced the cover of magazines, pulps and calendars. The poster had the most minimal staining and has been expertly restored, now appearing near mint. Very Fine on Cardstock.Sold for: $179.25. |
| 29060 | The Escape (Fox, 1928). Title Lobby Card (11" X 14"). An early gangster picture, this hard-hitting drama tells the story of medical intern Jerry McGee (William Russell) who falls in love with May Joyce (Virginia Valli), the daughter of a bootlegger. When May takes a job in a sleazy club, a distraught Jerry loses his job and turns to bootlegging, sinking lower and lower until he hits rock bottom. Offered here is a very colorful and dramatic title card that shows light foxing in the bottom border and a slight crease in the top right, but is otherwise unmarked; a rare addition to any gangster film collection. Very Fine+. Sold for: $179.25. |
| 29061 | Gloria Swanson Lot (Paramount, 1919-1926). Lobby Cards (3) (11" X 14"). One of the few stars able to make a successful transition from silent to sound films, Gloria Swanson was a true cinematic icon. The highest paid actress of the 1920s, Swanson was a hit in such pictures as Gaza (1923), Sadie Thompson (1928), and Queen Kelly (1929). Her place in Hollywood history was assured, however, with her unforgettable performance as the deranged Norma Desmond in the landmark film, Sunset Boulevard (1950). Offered here are three exquisite lobby cards from an earlier time in Swanson's career, including Don't Change Your Husband (Artcraft, 1919), which has pinholes in the borders, corners, and image area, several small edge tears, and a crease in the top left; Under the Lash (Paramount, 1921), which shows pinholes in the top corners and a hard vertical crease in the center; and Fine Manners (Paramount, 1926), which has very minor corner bumps. Swanson is an important figure in cinematic history, and these early cards are an excellent remembrance of her great career. Very Fine-. Sold for: $239.00. |
| 29062 | Perfect Understanding (United Artists, 1933). One Sheet (27" X 41"). Gloria Swanson (who produced this film) and Laurence Olivier star as a couple that marries with the one condition that they will never disagree. But the arrangement is soon put to the test when another woman catches Olivier's eye. There are fold and crossfold separations with tape on the reverse for support, as well as wear at the edges and minor corner creases, and a tiny chip in the bottom right corner. But the gorgeous stone litho artwork more than makes up for these few flaws. Fine/Very Fine. Sold for: $597.50. |
| 29063 | The Woman Gives (First National, 1920). Small Lobby Card (8" X 10"). One of the most popular stars of the silent era - she was named America's Most Popular Female Star in 1924 by Photoplay Magazine - Norma Talmadge and her sister Constance grew up in poverty. Their mother, Peg - their father abandoned them at an early age - raised the girls and guided their careers, becoming the quintessential stage mother in the process. Norma began her career working with D. W. Griffith, and quickly became a top star, appearing in more than 150 features over the course of two decades. As was the case with so many silent performers, however, the coming of sound was not kind to Norma, who left the screen after starring in 1930's Dubarry, Woman of Passion. Offered here is a beautiful mini lobby card with a lovely image of Talmadge. It shows some minor corner creasing, and some slight smudging in the borders, but is otherwise clean and unmarked, an exciting discovery for fans of early cinema. Very Fine+.Sold for: $119.50. |
| 29064 | The Branded Woman (First National, 1920). Title Card and Lobby Cards (3) (11" X 14"). Norma Talmadge plays Ruth Sawyer, recently engaged to a blue blood, who discovers that her mother has an unsavory past and decides to withhold this information from her intended. But a crooked pal of Ruth's mother materializes with intent to blackmail. Talmadge was a popular silent star who made many such "weepies," but retired from acting once the talkies arrived. Offered here is a lovely lot of four cards from the lobby set, including the title card, all of which feature nice images of Talmadge. All of the cards have light smudging in the borders, with some minor dust shadows on two of the scene cards, and one card has a minor chip in the top left corner. A lovely group of cards for this little-seen silent. Very Fine. Not Sold. |
| 29065 | The Eternal Flame (Associated First National Pictures, 1922). Lobby Card Set of 8 (11" X 14"). Set during the Napoleonic Era in France, this is a lush costume drama, based on a novel by Honore de Balzac, about a distinguished woman (Norma Talmadge) who carries on an unadvised, and ultimately tragic, flirtation with a French officer (Wedgewood Nowell), after leaving her husband (Adolphe Menjou). One of the most important actresses of the early silent era, Norma Talmadge was also a true beauty, as seen in this exquisite set of lobby cards. Each card in the set has an image of Talmadge from the film, and a beautiful drawing of her illustrating a particular emotion, such as "Sorrow," "Trust," and "Resignation." It is hard to imagine a lobby set possessing more sheer beauty than this one. Two of the cards show light staining in the bottom border, and there is a light dust shadow in the border of three of the cards, but the set overall is quite clean and attractive, with a high degree of displayability. Very Fine+.Sold for: $298.75. |
| 29066 | The Dove (United Artists, 1927). Title Card and Lobby Cards (3) (11" X 14"). Beautiful Norma Talmadge, one of the biggest stars of the silent era, is featured here as "the Dove," a singer in a Mexican saloon in love with Johnny Powell (Gilbert Roland), a bold caballero who is kidnapped by the despicable dictator Don Jose (Noah Beery). A lush production, William Cameron Menzies won a well-deserved Academy Award for Art Direction. The title card and three scene cards are offered in this lot: all of them have staple holes in the borders and a couple within the image area, and two cards show very light smudging in the white areas. In spite of these very minor flaws, these are highly desirable cards that any collector will be proud to own. Very Fine-. Sold for: $239.00. |
| 29067 | Du Barry, Woman of Passion (United Artists, R-1930s). Title Card and Lobby Cards (3) (11" X 14"). An elaborate drama set during the days of the French Revolution, this was to be the last film appearance of silent screen actress Norma Talmadge. Although a major star of the silent screen, Talmadge was unable to make the transition to sound films and, after a brief stint on then-husband George Jessel's radio show, she retired from show business entirely. The title card offered here has staple holes in the top corners and a light scuff mark under the credits, while the scene cards have pinholes primarily in the top corners. One card has several rust stains in the top border, while another shows several light scratch marks in the image area. Overall, these are very attractive cards that display very nicely, and feature one of the greatest actresses of the silent age. Note: This lot was misdescribed and the cards are reissue. Fine/Very Fine. Not Sold. |
| 29068 | Liliom (Fox, 1930). Window Card (14" X 22"). This first film version of Ferenc Molnar's poignant fantasy was supposed to have reunited the director Frank Borzage and stars Charles Farrell and Janet Gaynor of Fox's 1927 box office smash Seventh Heaven. But Gaynor was enmeshed in one of her periodic contract disputes with the studio, so she was replaced by Rose Hobart. This film was not a success upon release but was the basis for Rogers and Hammerstein's famous 1945 Broadway musical, Carousel. The posters for this film are exceedingly rare. This one has minor water staining and chipping in the upper imprint area. It has been professionally restored and looks near mint. Very Fine- on Cardstock.Sold for: $239.00. |
| 29069 | This Woman (Warner Brothers, 1924). Lobby Card (11" X 14"). An early appearance by Clara Bow adds to this twisting and turning romantic drama which stars Irene Rich and Ricardo Cortez. This is a particularly unique item in that it features Bow well before her later Paramount Studios success. This lobby card features all three stars and is in remarkable condition. There is a crease in the bottom right corner and pinholes and minor foxing at the top. Very Fine.Sold for: $203.15. |
| 29070 | Clara Bow and Buddy Rogers in "Wings" Publicity Still (Paramount, 1927). Still (8" X 10"). Vintage black and white, single weight, glossy still. Clara Bow -- the "It" girl -- and Buddy Rogers are featured in fine portraits from this war-time classic directed by William A. Wellman. The photo has a small tear in the bottom border, bumps and small creases in the corners, and light overall surface wear. Very Fine. Sold for: $167.30. |
| 29071 | Hula (Paramount, 1927). Jumbo Lobby Card (14" X 17"). One of the biggest stars of the silent era, Clara Bow was the "It" girl, one of the screen's first sex symbols, and one of the preeminent flappers of the Jazz Age. Although her popularity faded with the coming of sound, her impact on popular culture, both then and now, cannot be denied. Offered here is a great jumbo lobby card from one of Bow's later pictures, a classic in which she plays Hula, a free-spirited girl raised on a plantation in Hawaii. She falls in love with Anthony Haldane when she saves him from drowning, without knowing that he is already very married. This card has staple holes in the left and right borders, foxing and smudging in the borders, and light corner bumps, but is otherwise extremely clean and attractive. For Bow fans, this card is "It"! Very Fine. Sold for: $358.50. |
| 29072 | Red Hair (Paramount, 1928). Lobby Card (11" X 14"). The "It" girl, Clara Bow, stars in this wonderful silent vehicle based on a novel by Elinor Glyn, the controversial writer behind It and several other important Bow films. In this picture, Bow plays an opportunistic gold-digger who hopes to land a wealthy husband. Things don't work out quite as planned, and she ends up dunked in a fountain in her underwear when the man she's stringing along with, gets wise to her, as seen on this great lobby card. The card shows pinholes in the left border, several tears in the bottom border, a pinhole in the center of the image, and a small tear in the left border. These are minor issues, however, which do not in any way detract from the high level of desirability this card possesses. Fine+. Not Sold. |
| 29073 | The Saturday Night Kid (Paramount, 1929). Lobby Card (11" X 14"). Clara Bow and Jean Arthur play sisters, both of whom work for a department store, both on the hunt for wealthy single men, and both, unfortunately, landing on the same man (James Hall). Bow loses out to the crafty and ruthless Arthur, until the night of a wild costume party, when mistaken identity reveals every character's true self. Evelyn Brent and Louise Brooks played the leads in the original silent film, 1926's Love 'Em and Leave 'Em, and both films were based on a stage play by George Abbott, itself an adaptation of Townsend Martin's novel. Bow shines in this portrait card, marked only by a few pinholes, a stain on the left edge, and minor tape damage visible only on the back. Although not visible in the tight close-up of this card, Bow reportedly had gained so much weight during filming that she could not wear the pageant dress designed for her. Instead, she convinced the designer to let the then-unknown Jean Harlow wear it. Very Fine+. Sold for: $1,673.00. |
| 29074 | Dangerous Curves (Paramount, 1929). Title Lobby Card (11" X 14"). The "It" girl, and possessor of several "dangerous curves" of her own, Clara Bow stars in this early "talkie" about a circus bareback rider (Bow) competing with a beautiful seductress (Kay Francis) for the love of a tightrope walker (Richard Arlen) with a drinking problem. Despite her devastating personal problems, Bow was a fine actress, as she more than proves in this entertaining film. The colorful title card offered here shows edge wear, staining in all the borders, pinholes in the center of the image, and a missing top right corner. The beautiful image of Bow more than makes up for these slight flaws, making this a great card for any fans of this fine actress. Fine/Very Fine. Sold for: $448.13. |
| 29075 | True to the Navy (Paramount, 1930). Jumbo Lobby Card (14" X 17"). Clara Bow plays up her "It" Girl image for all it's worth in this early talkie, as Ruby Nolan, a drugstore girl who enjoys the company of a number of young sailors, all of whom believe that she is theirs alone. Ruby's heart, however, truly belongs to sailor Gunner McCoy (Fredric March), who comes to the rescue when Ruby has some trouble with a passel of crooked gamblers. One of the unexpected highlights of the film is a rare opportunity to hear Bow sing, as she croons, "There's Only One Somebody for Me." The jumbo lobby card offered here is in fabulous condition, with only some very minor edge wear keeping it from an even higher grade. The portrait of the two stars is superb, making this an ideal piece for any Bow or March fan. Very Fine+.Sold for: $717.00. |
| 29076 | The Divine Lady (First National, 1929). Title Card and Lobby Cards (6) (11" X 14"). Loosely based on the real-life romance between Lord Horatio Nelson and Lady Emma Hamilton, this picture, starring Victor Varconi as Nelson and the lovely Corinne Griffith as Hamilton, is particularly notable for its exciting reproduction of several of Nelson's historic sea battles. Offered here are seven of the eight lobby cards from this elaborate production. The title card has pinholes in the left and right borders, a small missing bottom right corner piece, very minor surface paper loss in several areas, and a small stain in the left border. One of the scene cards has a long tear in the right border, while most show pinholes in the left and right borders and corner bumps. Despite these minor flaws, this is a very attractive set with great images; a perfect addition to any collection. Very Fine-. Sold for: $239.00. |
| 29077 | Social Register (Columbia, 1934). Midget Window Card (8" X 14"). One of the last films to feature the 1920s flapper superstar Colleen Moore, this is the story of a chorus girl (Moore) who falls in love with a wealthy man (Alexander Kirkland), much to the chagrin of his snobbish family. One of the biggest stars of the silent era, Moore was a shrewd money manager, and, after making four pictures during a "comeback" in 1934, she retired to a life of comfortable wealth. This wonderful midget window card is virtually pristine, with only a single pinhole in the top and bottom center keeping it from an even higher grade. Near Mint-.Sold for: $179.25. |
| 29078 | The City Gone Wild (Paramount, 1927). Lobby Card (11" X 14"). An early crime picture, this film features Thomas Meighan as an honest DA, John Phelan, whose position is compromised when he falls in love with a gangster's moll Snuggles Joy (Louise Brooks). As in all of Brooks's films, she steals the show, even in a supporting role, demonstrating her devastating charisma and personal magnetism. This card, which features Brooks as the ultimate flapper goddess, has very light edge wear, light smudging in the top left, and small corner bumps, but these minor flaws are noticeable only under close examination. A beautiful piece featuring a beautiful actress, this is a card you'll be proud to own. Very Fine. Sold for: $478.00. |
| 29079 | The Canary Murder Case (Paramount, 1929). Lobby Card (11" X 14"). Over the years, Louise Brooks has attained a cult status rarely conferred upon movie stars. At the height of her career, and right after making The Canary Murder Case, she walked out on her Paramount contract and began making films in Germany; most notably Die Buchse der Pandora. She was a rebel way ahead of her time and became the subject of rumor and legend- even in Hollywood. This lobby card has long been considered THE lobby card to attain on this legendary actress and has rarely ever been offered for sale. The borders have been replaced and there has been some minor color touch-up to some wrinkles and tiny tears within the image background. Very Good/Fine.Sold for: $2,629.00. |
| 29080 | "Pandora's Box" Publicity Stills (Nero Film, 1929). German Stills (9) (3.5" X 4.5"). Vintage black and white, double weight, satin finish stills. In Greek mythology, Pandora (the first woman) opened a jar, "Pandora's Box," setting loose the evils of mankind: vanity, greed, slander, envy, and pining, leaving only hope inside once she closes it again. These nine stills are from the private collection of Francis Lederer, who portrays Alwa Schon in director G. W. Pabst's eternal classic of German expressionism. What is exciting about this group of photographs, is that collectively, they give an enticing first-hand look at Gunther Krampf's brilliant cinematography, essential to the success of this film. His beginning experimentation with filters and keylights in Murnau's 1922 Nosferatu would produce the riveting atmosphere of Pandora's Box that still holds up in present-day viewing. Louise Brooks is in two of the stills, with several key scenes filling out the lot. There are sequence numbers neatly written in ink in the lower right, small surface abrasions on one, and small creases on two. There are typed and handwritten notations on the backs of all the photos. Some of the blank margins have very light spotting, and the borders are somewhat uneven, having most likely been printed on a larger page and cut apart by hand. Don't miss this chance to own these pieces of film history! Fine. Sold for: $478.00. |
| 29081 | "Pandora's Box" Publicity Still (Nero Film, 1929). Still (8.5" X 11"). Vintage black and white, double weight, glossy still. One of the most influential actresses of the Jazz Age, Louise Brooks was a true trendsetter, in many ways creating the "flapper" style, complete with bobbed hair cut, that has come to epitomize the era. An extremely talented, intelligent, and, indeed, controversial actress, she burned many bridges in Hollywood, and even left the United States to make films in Europe, a period during which many consider she produced her very best work. This compelling film, the first of several collaborations with director G. W. Pabst, is about Lulu, a young girl whose innocent, yet amoral lifestyle brings tragedy to all around her. Lulu meets a brutal end when the last man she befriends turns out to be the mysterious Jack the Ripper. This glorious, and extremely rare, still photo presents Brooks in all her glory, a beautiful sensual woman of her times. It has writing in both pen and pencil on the reverse, as well as a date stamp of November 12, 1929, and the Nero Film logo in the bottom right. Nevertheless, this is an exceptional piece, a rare find for any devotee of silent films. Fine/Very Fine. Sold for: $2,270.50. |
| 29082 | Dishonored (Paramount, 1931). Lobby Card (11" X 14"). Marlene Dietrich stars as a Viennese prostitute who offers her services as a spy during World War I. Dietrich seduces the enemy officers with ease, delivering valuable information, until she falls in love with Russian spy Lt. Kranau (Victor McLaglen), who she permits to escape. This beautiful, original honey-varnished card from Paramount's golden age has McLaglen holding Dietrich in his arms, grinning at his good luck; Gary Cooper was to play Lt. Kranau, but after Morocco, he'd had quite enough of director Sternberg. There is light restoration for pinholes, and airbrush to the top left corner credits. There are mild creases in the bottom of the title, in the left center border, and a horizontal crease in the top field. There is a small tear in the left border and minor scuffs in the right center border. Fine+. Sold for: $507.88. |
| 29083 | Marlene Dietrich Signed Portrait Still (1980s). Still (8" X 10"). Black and white, single weight, glossy restrike still. This dramatic portrait is signed in silver paint pen in the right side. It is an exceptional image of a great actress. Near Mint.Sold for: $59.75. |
| 29084 | Marlene Dietrich Publicity Still (Paramount, 1933). Still (8" X 10"). Vintage black and white, single weight, glossy still. This glamorous shot of Marlene Dietrich was taken at the height of her career with Paramount. There is wear along the edges including a small chip in the top border. Minor creases are visible in the borders along with light wrinkling in the image and bumps at the corners. The reverse is clean except for "Dietrich" being neatly written in pencil in the top border. In spite of these few flaws, this remains a soft, angelic image of the German beauty. Fine/Very Fine.Not Sold. |
| 29085 | Marlene Dietrich Publicity Still (Paramount, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. This photo has wear along the edges with creases in the corners. There is writing in pencil as well as a stamp on the reverse. However, this stoic and dark image of Dietrich is still brimming with glamour and class. Fine/Very Fine.Not Sold. |
| 29086 | Marlene Dietrich and Emil Jannings in "The Blue Angel" Publicity Still (Paramount, 1930). Still (7.25" X 9"). Vintage black and white, double weight, glossy still. Marlene Dietrich became an international star with the release of the first ever German sound film. Emil Jannings, just two years after winning the first Best Actor Oscar, reached the height of his career with a finely nuanced performance in this Josef von Sternberg film. This still has a tear on the top left edge, and chips on the upper and lower right corners that have been replaced by tape. On Jannings beard and glasses there is retouch ink. There is a Culver Pictures stamp on the reverse. Fine-. Sold for: $119.50. |
| 29087 | Marlene Dietrich in "Blonde Venus" Publicity Still (Paramount, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. Marlene Dietrich, at the height of her beauty and fame, is directed once again by Josef von Sternberg as a nightclub singer who must sink to the depths of degradation in order to save the life of her husband. This still has a tear in the lower border, some warping and surface wear. There is a brown paper piece glued to the lower verso. There is typewritten studio information on the reverse. Fine.Sold for: $167.30. |
| 29088 | The Scarlet Empress (Paramount, 1934). Lobby Card (11" X 14"). Madness, adultery and assassination are the backdrop for Marlene Dietrich and Sam Jaffe in the rise of Catherine the Great. Josef von Sternberg's mastery of lighting gives added dimension to these lobby cards. Dietrich's eyes are simply mesmerizing. Prior to restoration, there were a couple of pinholes in the image and creasing in the center of the card. Excellent restoration has corrected this. There is a light crease on the left side of the card. Fine/Very Fine.Not Sold. |
| 29089 | The Song of Songs (Paramount, 1933). Window Card (14" X 22"). A relatively early film in the career of Marlene Dietrich, this is the story of Lily (Dietrich), a naive young woman who becomes a model for the sculptor with whom she falls in love. Becoming more ambitious, she leaves the artist behind to marry a high-living baron, but soon abandons him and slides into the degraded life of a cabaret singer. Her eventual destruction of the nude sculpture based on her is a renunciation of her unhappy past, before ultimately reuniting with the artist. Paper from this title is extremely scarce, rarely offered to the collecting public. This lovely window card, which pictures both Dietrich and the nude statue that is the symbolic centerpiece of the film, had paper added to the top imprint area, color touch on the left side, and several tears. Additionally, approximately one inch was trimmed on the left side, but the professional restoration is impeccable, and has restored a like-new appearance to this classic gem. Don't pass up your chance to bid on this marvelous piece. Very Good+ on Paper. Sold for: $1,195.00. |
| 29090 | Desire (Paramount, 1936). Midget Window Card (8" X 14"). Sultry jewel thief Madeleine de Beaupre (Marlene Dietrich) steals a priceless string of pearls, and uses American engineer Tom Bradley (Gary Cooper) to get them out of the country. Matters are unexpectedly complicated when Madeleine falls for her unwitting accomplice. This glorious midget window card, featuring an exceptional image of Dietrich, has some writing in the top imprint area, but is otherwise pristine. Near Mint-.Sold for: $3,883.75. |
| 29091 | Marlene Dietrich Publicity Still (Paramount, 1930s). German Still (7" X 9.5"). Vintage black and white, double weight, matte finish still. One of the most iconic and compelling actresses of the twentieth century, Marlene Dietrich is credited as being the first German actress to make it big in Hollywood. Following the career-making success of The Blue Angel (1930), Dietrich and director Josef von Sternberg signed contracts with Paramount, who intended to market her as their answer to MGM's Greta Garbo. With von Sternberg, she created an effective femme fatale character that made her a true cinematic legend. Offered here is a gorgeous, silver nitrate print, portrait shot of the great star, most likely from a very early point in her career. It bears the Paramount logo in the bottom right, and the notation "K1280 'Ross' Verlag" in the bottom left. The reverse is unmarked. This is a beautiful image of a classic star, a perfect addition to any collection. Very Fine+. Sold for: $776.75. |
| 29092 | The Joyless Street (Sofar Film, 1925). German Lobby Card (9.5" X 12"). Originally titled Die Freudlose Grasse, this exquisite film by director G. W. Pabst is set in poverty-stricken Vienna shortly after World War I. Filmed in an expressionistic and highly symbolic style, the film is particularly notable today for an appearance by a young Greta Garbo in her last European film before emigrating to America to appear in Torrent (1926). Garbo is pictured on this lovely original German lobby card, in the far left. The card shows the Sofar Film logo in the bottom right and the embossed seal of the Filmprufstelle Berlin Zugelassen in the top right. It has pinholes and slight bends in three corners, but is otherwise extremely clean; an intriguing look at a legendary actress just before her ascent to Hollywood fame and fortune. Very Fine-.Sold for: $836.50. |
| 29093 | Greta Garbo Publicity Still (MGM, 1926). Still (8" X 10"). Vintage black and white, single weight, glossy still. This is a very early MGM publicity still released soon after Greta Garbo's arrival in Hollywood. The "...sad, luminous eyes..", that Bosley Crowther, New York Times film critic from 1940 to 1967, would write of years later had the "look" even at this young age. While not "mint", by any means, we offer this still due to its rarity. The soft focus lovely image remains intact. The top left corner has been torn and reattached with paper tape on the reverse, there are small chips in the border and corners, and small border wrinkles. Good/Very Good.Not Sold. |
| 29094 | A Woman of Affairs (MGM, 1928). Lobby Cards (2) (11" X 14"). A tangled web of romance, passion, and love gone wrong, this film teams the blisteringly hot duo of John Gilbert and Greta Garbo as star-crossed paramours, with Douglas Fairbanks, Jr., in a superb supporting role. The two lobby cards offered here are bright and attractive. The one that includes Garbo has several small rust stains at the top, and small creases in three of the corners. The other card shows a tear in the bottom center and a crease in the bottom left. Other than these slight flaws, both cards are very clean and fresh and display wonderfully. Very Fine-.Sold for: $239.00. |
| 29095 | A Woman of Affairs (MGM, 1928). Lobby Cards (2) (11" X 14"). Based on a highly controversial novel, this movie tells the story of a sexually adventurous young woman (Greta Garbo) who attempts to deal with life's disappointments by sleeping around, with tragic results. Douglas Fairbanks Jr., as Garbo's hopelessly alcoholic brother, also turns in an exceptional performance. The cards offered here show pinholes in the corners and in the image area, as well as slight corner creases and bumps. The card picturing the ethereally beautiful Garbo shows some edge wear and a small scratch in her hair, while the other card has a long crease in the right border and several small edge tears. Both cards are quite attractive, however, capturing Garbo at an early point in her career. For fans of this luminous star, these cards are a rare find indeed. Fine/Very Fine.Sold for: $597.50. |
| 29096 | Wild Orchids (MGM, 1929). Lobby Card (11" X 14"). What should have been a simple business trip to Java turns to tragedy when Lilli and John Sterling (Greta Garbo and Lewis Stone) meet the dashing Prince De Gace (Nils Asther) on board ship. At the Prince's palace, while John attends to business, the Prince attends to Lilli, until John finds out about his wife's infidelity and plots a bloodthirsty revenge. The card offered here features the luminously beautiful Garbo. It has staple holes in the photo area, and a very tiny corner bend in the bottom right, but is otherwise quite clean and attractive, a perfect piece for any fan of this lovely actress. Very Fine.Sold for: $507.88. |
| 29097 | Wild Orchids (MGM, 1929). Lobby Card (11" X 14"). Born in Stockholm, Sweden in 1905, Greta Lovisa Gustaffson started making short films as a teenager in her home country. At the age of 18, she was "discovered" by director Mauritz Stiller, who starred her in Gosta Berling's Saga, and several other films. The result was contracts with MGM for both the young starlet and the director, both of whom emigrated to America in 1926. By 1930, Greta - now Garbo - was one of the top actresses in Hollywood, with a Best Actress Academy Award nomination for her work in Anna Christie, her first talking picture. Very selective about the roles she took on, Garbo's film output was small, but many of her pictures are true classics. Offered here is a beautiful lobby card from an early point in Garbo's career, showing Greta and Nils Asther. Only a small corner bend in the bottom left keeps this card from achieving an even higher grade. Very Fine+.Sold for: $418.25. |
| 29098 | Wild Orchids (MGM, 1929). Lobby Card (11" X 14"). Greta Garbo is the object of everyone's affections in this taut tale of sexual tension, betrayal, and murder. GG plays the wife of a businessman (Lewis Stone) who has been befriended by a Prince (Nils Asther) who covets the highly covetable Garbo. Blinded by the prince's wealth, the husband is oblivious to the prince's advances, until it's too late. This lovely lobby card has handsome images of all three stars, and is in superb condition, with only some slight corner bends and staple holes in the field as distractions. A terrific card from this MGM classic. Very Fine.Sold for: $418.25. |
| 29099 | The Single Standard (MGM, 1929). Insert (14" X 36"). Garbo plays a freespirited socialite who rejects the "double standard" of the day and prefers to live by her own "single standard," engaging in flings with any man she chooses; much scandal ensues. This finely-wrought melodrama was Garbo's penultimate silent film, ably directed by John S. Robertson. A lovely portrait of Garbo dominates this elegant, deco-inspired insert. The poster had pinholes and small chips out of the left border, which have been addressed with professional restoration, which includes paper-backing and airbrushing of the left border. The top and bottom borders appear to be small and there is question as to whether they may have been slightly trimmed but the piece does measure 36 inches long! One of the best Garbo sheets we've offered. Fine/Very Fine on Paper. Sold for: $1,553.50. |
| 29100 | Greta Garbo and Theo Shall in "Anna Christie" Publicity Still (MGM, 1930). Still (10.25" X 13.25"). Vintage black and white, double weight, glossy still. Beautiful silver gelatin print of Greta Garbo from the German version of the classic film Anna Christie. This lovely original print has a paper, type-written snipe pasted on the reverse describing the scene and giving the MGM production number, and a light bend in the bottom right corner. Theo Shall is Garbo's co-star in this version, and is seen in the photo. Very Fine. Sold for: $358.50. |
| 29101 | Queen Christina (MGM, 1933). Title Lobby Card (11" X 14"). The life story of the 17th-century Queen Christina of Sweden, this sumptuous film stars the ineffably lovely Greta Garbo, and is considered by many to be the best picture by this legendary actress. By this point in Garbo's career, she was becoming more and more selective about the films she appeared in, resulting in a string of superior productions like this one. The incredible title card offered here features a luminous portrait of the famed star, a perfect centerpiece for any collection. Only a small corner crease in the bottom right and a very light water stain in the top left keep this highly desirable card from an even higher grade. We have never offered this gorgeous title card before and it is unlikely we will see it again anytime soon! Very Fine+. Sold for: $10,157.50. |
| 29102 | Queen Christina (MGM, 1933). Six Sheet (81" X 81"). Larger posters have always been very difficult to obtain for films from the 1920s and 30s. Many of them from that era were cut out and pasted on board by "front-of-house" artists, glued to an outside wall, or used so repeatedly in traveling from theatre to theatre that they eventually fell apart at the seams. Imagine our joy at unrolling this true rarity, a six sheet stunner with one of the greatest faces in film history several feet high! No one did "reclusive and misunderstood woman" better than Greta Garbo and this wonderful artwork captures the enigmatic actress perfectly. There are only fold separations and slight foldwear which have had great restoration. The poster is ready for display amidst a wave of "oohhs" and "aahhs". Very Fine on Linen.Not Sold. |
| 29103 | Greta Garbo Promotional Poster (MGM, 1932). Half Sheet (22" X 28"). This promotional poster, issued by MGM, was released in the 1932-1933 season as part of a set intended to promote the full roster of stars signed with the studio. Garbo was one of the studios most prestigious stars and this portrait captures the star at the height of her career. There were some very minor tears in the edges and light creasing in the background which have been corrected through restoration. Fine/Very Fine on Paper.Sold for: $1,195.00. |
| 29104 | The Painted Veil (MGM, 1934). Title Lobby Card (11" X 14"). Katrin Fane (Greta Garbo) finds herself trapped in a loveless marriage to Dr. Walter Fane (Herbert Marshall), a dedicated physician who travels to China to help combat a cholera epidemic, a move that interrupts Katrin's affair with Jack Townsend (George Brent). While in China, Katrin's attitude towards her husband changes, just before he is seriously injured in an insurrection. Will their newfound love survive? This beautiful title card shows Garbo at her glamorous best, the sultry siren who captivated the moviegoing world. It has one pinhole in the center of the card, light toning, and light smudging in the top left corner. These slight flaws in no way diminish the inherent attractiveness and enormous eye-appeal of this classic card. Very Fine. Sold for: $1,015.75. |
| 29105 | The Painted Veil (MGM, 1934). Lobby Card (11" X 14"). Greta Garbo and Herbert Marshall make a handsome couple in this tragic love story set in China. Offered here is an outstanding lobby card with a close-up of the stars in a winsome embrace, showcasing Garbo's striking features and Marshall's classical profile. The card is in outstanding condition, with the slightest of wrinkling in the lower right corner, and a pinhole and minor scrape near the center of the image, in Marshall's cheek. The card also has some light overall toning. A romantic image from this fine melodrama, and a fantastic lobby card. Very Fine.Sold for: $418.25. |
| 29106 | The Painted Veil (MGM, 1934). Lobby Card (11" X 14"). Based on the novel by W. Somerset Maugham, The Painted Veil stars Greta Garbo as a woman trapped in a loveless marriage to a researcher (Herbert Marshall), whose devotion to his work drives her into the arms of a British ambassador (George Brent). This finely-evoked drama features Garbo at her most alluring and most exotic, amply demonstrated by this near-pristine lobby card featuring Garbo and Brent. The card is nearly flawless, with a single pinhole at the center of the image, a minor corner crease in the lower right, and light overall tanning. As beautiful as the star herself, this card is a must for any Garbo collector. Very Fine. Sold for: $448.13. |
| 29107 | Anna Karenina (MGM, 1935). Title Lobby Card (11" X 14"). This was the second time that Leo Tolstoy's novel had been brought to the silver screen, with this version usually regarded as the better. The great Greta Garbo reprised her role (she played the same character opposite John Gilbert in the 1927 silent feature, Love) as the sheltered wife of a Czarist official. Against her better judgement, she begins to fall in love with the wealthy Count Vronsky played by Fredric March. This stunning title card has a few issues at the corners including a chip in the top left and a tiny bump in the bottom right. There is also minor staining and smudging in the borders, and faint edge wear. The gorgeous image on this card is one of the best we have seen from a Garbo film, and is exceedingly rare! Very Fine. Sold for: $1,314.50. |
| 29108 | Anna Karenina (MGM, 1935). Lobby Card (11" X 14"). The elusive Greta Garbo is perfectly cast as Tolstoy's tragic heroine Anna Karenina in this lush version of the oft-filmed tale. Married Anna falls for the handsome Count Vronsky (Fredric March) despite her husband's refusal to grant a divorce, and both must contend with the social repercussions. This lovely lobby card shows the opulence of MGM's production team, in particular the costume design. The card is virtually flawless, with a single pinhole in the top border, and a tiny crease in the lower right corner. Near Mint-.Sold for: $597.50. |
| 29109 | Anna Karenina (MGM, 1935). Lobby Card (11" X 14"). In this scene card, Greta Garbo and Fredric March are joined by popular child star Freddie Bartholomew who would later appear in Little Lord Fauntleroy and Captains Courageous. This card has a small pinhole in the top center border and a tiny crease in the right side of the bottom border. Near Mint-. Sold for: $717.00. |
| 29110 | Greta Garbo in "Conquest" Publicity Still (MGM, 1937). Still (10" X 13"). Vintage black and white, double weight, satin finish still. One of Greta Garbo's last films before her voluntary retirement from Hollywood in 1941, this is the story of Polish countess Marie Walewska (Garbo), who becomes the mistress of Emperor Napoleon Bonaparte (Charles Boyer) in an effort to convince him to grant Poland independence. A lavish production, the film lost a fortune for MGM, a fate that might have weighed heavily in Garbo's decision to put an end to her show business career. There is a studio snipe attached on the reverse. This glorious portrait of the luminous star is in superb condition, with only a small crease in the bottom right and a very small corner bend in the bottom left keeping it from an even higher grade. Very Fine+.Sold for: $131.45. |
| 29111 | Greta Garbo in "Ninotchka" Publicity Stills by Clarence Sinclair Bull (MGM, 1930s). Stills (3) (8" X 10") and (1) (10" X 13"). Vintage black and white, glossy stills. Clarence Sinclair Bull took over 4,000 photographs of Greta Garbo during her career at MGM. This 10" X 13" double weight Garbo portrait, lensed by Bull, has a small dent in the top border, a small tear in the right border and a tiny bend in the top right corner. Also included are three immaculate 8" X 10" single weight stills from Ninotchka starring Garbo and Melvyn Douglas. Very Fine/Near Mint. Sold for: $567.63. |
| 29112 | Greta Garbo in "Camille" Publicity Still by Clarence Sinclair Bull (MGM, 1937). Still (8" X 10"). Vintage black and white, single weight, glossy still. Garbo is radiant in this close-up from one of her top films. She plays the title courtesan who must try to give up her love of Armand Duval, a young man with great promise, played by Robert Taylor, even as she falls ill. This lovely still has light surface wear, a faint crease in the lower right of the image, and minor corner creases. There is an MGM/Clarence Bull photo credit on the reverse. Very Fine-. Sold for: $239.00. |
| 29113 | Greta Garbo Publicity Still by Clarence Sinclair Bull (MGM, 1930s). Still (8" X 10"). Vintage black and white, double weight, glossy still. Once again, legendary photographer Clarence Sinclair Bull turned his lens to Greta Garbo for this gorgeous image. Bull's name is embossed in the bottom right corner and there is a credit stamp and writing on the reverse. This is an exceptionally clean still with only the lightest of edge wear, it will make a nice addition to any collection. Very Fine+. Sold for: $478.00. |
| 29114 | Greta Garbo Publicity Still by Clarence Sinclair Bull (MGM, 1930s). Still (7" X 9"). Vintage black and white, double weight, glossy still. This Clarence Sinclair Bull image is a perfect example of why Greta Garbo earned the nickname, "The Face." There are several pinholes in the image area. The reverse has stamps crediting both MGM and Bull, making this a great collector's item. Fine. Sold for: $119.50. |
| 29115 | Greta Garbo in "Mata Hari" Publicity Still by Clarence Sinclair Bull (MGM, 1930s). Still (8" X 10"). Vintage black and white, double weight, glossy still. Greta Garbo posed for the legendary Clarence Bull on numerous occasions including this beautifully costumed session. Bull's name is embossed in the bottom right corner and there is a credit stamp and writing in pencil on the reverse. There is very light surface dirt on the front and a tiny crease in the top right corner. But these minor flaws in no way distract from the overall clean appearance of the still. Very Fine-.Sold for: $448.13. |
| 29116 | Camille (MGM, 1937). Belgian (14" X 21.5"). Said to be Garbo's favorite among her own films, this George Cukor romance teams the great actress with Robert Taylor in the story of a courtesan who falls in love with a young man of promising prospects, but the boy's father begs her not to marry him and ruin his social standing. This lovely Belgian poster has superb artwork of Taylor and Garbo. The poster has minor in both bottom corners, corner creases, a dime-sized area of surface paper loss, and a snipe attached at the top. Belgian posters from this period are just superb! Fine+.Sold for: $310.70. |
| 29117 | Camille (MGM, 1937). One Sheet (27" X 41") Style C. Taken from Alexandre Dumas's story of the Parisian courtesan, this version of Camille is considered one of the best, with the grand lady of cinema, Greta Garbo, in the lead. Prior to 1937, the film had been made seven times, with such stars as Theda Bara, Clara Kimball Young, Norma Talmadge, and Alla Nazimova. At the peak of her career, and with the great George Cukor directing, this Garbo film is the quintessential romantic tragedy from the Golden Age of Hollywood. This poster had its borders trimmed and later professionally replaced. In the bottom border, the copyright information as well as the lettering for "Picture" under the name Metro-Goldwyn Mayer, has also been restored. The poster appears in wonderful shape and displays very well. Very Good on Linen. Sold for: $1,135.25. |
| 29118 | Camille (MGM, R-1950's). French Grande (47" X 63"). George Cukor would direct some of Hollywood's finest actresses, exacting many of their finest performances. This gained him the dubious reputation for being a "woman's director." So strongly was this felt by the men in Hollywood it would lead to Clark Gable having him removed as the director for Gone With the Wind. Cukor would guide legend Garbo into some of her greatest screen moments, this being her triumph. This artwork, by one of France's best, Roger Soubie, captures the film completely. There are only mild fold separations, a small chip in the centerpoint fold, and small chips in the lower left field. The poster has had professional restoration and foldline touchup. Very Fine- on Linen.Sold for: $896.25. |
| 29119 | Ninotchka (MGM, 1939). Pre-War Australian Daybill (15" X 36"). After the Russian Revolution, three delegates travel to Paris to sell the Imperial Jewels in order to raise some cash. When they become too engrossed in the capitalist pleasures of the City of Lights, Moscow sends the stern Comrade Ninotchka (Greta Garbo) to bring back both the jewels and the delegates. The engaging Count Leon (Melvyn Douglas) soon breaks down Ninotchka's resolve, as part of his effort to retrieve the jewels for their former owner, Grand Duchess Swana (Ina Claire). A classic comedy from director Ernst Lubitsch, this is Garbo at her best. This lovely Australian Daybill shows edge wear, light foxing, small pieces of tape on the front and the reverse at the edges, several small holes in the image that are repaired with tape on the reverse, but remains a lovely image of one of the screen's most beautiful and intriguing actresses. Fine-. Not Sold. |
| 29120 | Greta Garbo in "Torrent" Publicity Still (MGM, 1926). Still (8" X 10"). Vintage black and white, single weight, glossy still. This is a wonderful photo of the enigmatic Garbo in a publicity still for her first American film, MGM's Torrent. Even at 20, she radiates the smoldering glance that would soon become her international trademark. There is a full studio printed description of the still on the back. Very Fine. Sold for: $388.38. |
| 29121 | Greta Garbo Publicity Still (MGM, 1933). Still (8" X 10.25"). Vintage sepia toned, single weight, glossy still. Offered here is a beautiful portrait of the incredible star, Greta Garbo. It has a small area of surface paper loss near Garbo's temple, a slight dust shadow in the top border, and slight chipping in the bottom border. It is, without a doubt, an incredible image of an incredible actress. Fine/Very Fine. Sold for: $131.45. |
| 29122 | Greta Garbo in "The Painted Veil" Publicity Still (MGM, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. This is an MGM publicity still for The Painted Veil starring Greta Garbo. She stares straight into the camera with an almost passionate detachment. Only faint foxing in the right border and mild surface swirling. Very Fine. Sold for: $262.90. |
| 29123 | Greta Garbo in "The Painted Veil" Publicity Still (MGM, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. Of all the hundreds of photographs in their archive originally taken for publicity on this film, MGM/UA chose this one for a colorized cover version of the VHS release. The symbolism of Garbo lost in thought behind the shimmering Chinese netting, juxtaposed with the title of the film, creates an effect as timeless as the Garbo mystique itself. Only light edge wear, very faint scratches, and a small crease in the middle right field. Very Fine. Sold for: $119.50. |
| 29124 | Greta Garbo and Lewis Stone in "Mata Hari" Publicity Still (MGM, 1931). Still (8" X 10"). Vintage black and white, single weight, glossy still. Greta Garbo was perfect as the sultry, sexy spy Mata Hari in this stunning Pre-Code film. A rare and wonderful still, it has a tear in the right border repaired with tape on the reverse, creases in three corners, and surface cracking and creasing, as well as a handwritten notation in pencil on the reverse, but remains a highly desirable piece. Fine+.Sold for: $239.00. |
| 29125 | Greta Garbo in "Mata Hari" Publicity Still by Manatt (MGM, 1931). Still (10" X 13"). Vintage black and white, double weight, glossy still. Based on the real-life story of exotic dancer and renowned World War I-era German spy Mata Hari, this was one of Greta Garbo's greatest roles, as she effortlessly brought the legendary femme fatale to life on the silver screen. This wonderful still captures an extremely glamorous Garbo in a stunning costume. It has wrinkling throughout, scuffing in the bottom border, and in the upper right and lower left corners. In spite of these slight flaws, this is an exquisite image of Garbo at her best. Very Good/Fine.Sold for: $179.25. |
| 29126 | Hell's Angels (United Artists, 1930). Lobby Card (11" X 14"). This lobby card features Jean Harlow's beautiful profile, a prized rarity for this film, since an eight-minute, two-strip Technicolor sequence remains the only surviving color footage of her. As is the case in the Oscar-winning film Wings, the starlet sits at the center of a love triangle between two aviator brothers. This card shows some very light edge wear, a small crease in the bottom left, minor corner bumps, and a light crease in the bottom border, but displays very nicely in spite of these minor flaws. Very Fine+. Sold for: $657.25. |
| 29127 | Platinum Blonde (Columbia, 1931). Lobby Card (11" X 14"). Jean Harlow introduces Robert Williams to her parents in this extremely rare lobby card from this early Frank Capra production. Even though Harlow would go on to appear in other films such as Red Headed Woman, the title stuck with her and she would forever be known as the "Platinum Blonde." The card has had repair to the four corners where there were pinholes, and a chip off of the lower right corner was corrected, but the work has been done extremely well, making this a card you will be proud to own. Very Fine-. Sold for: $388.38. |
| 29128 | Red Dust (MGM, 1932). One Sheet (27" X 41") Style D. Clark Gable is a rubber plantation owner in Indochina who has a passionate encounter with Jean Harlow in this steamy pre-Code MGM film. Things become complicated when Gene Raymond arrives with his wife Mary Astor, and she falls for Gable too. This was Gable and Harlow's second film together. This gorgeous stone litho one sheet has become a highly sought after poster, and this is one of only a few known copies to surface. The poster had some missing paper in the upper and middle left section, primarily along the border. The poster has been expertly restored and now looks near mint. There was touch-up to the foldlines as well. Fine- on Linen. Sold for: $11,352.50. |
| 29129 | Clark Gable and Jean Harlow in "Red Dust" Publicity Still (MGM, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. Clark Gable, Jean Harlow, Tully Marshall, and Donald Crisp are featured on this still from the Victor Fleming directed romantic drama. Very Fine. Sold for: $167.30. |
| 29130 | Bombshell (MGM, 1933). Lobby Card (11" X 14"). A perfect showcase for the comedic abilities of its platinum blonde star, this Jean Harlow vehicle was written as a spoof of silent film siren Clara Bow, and includes parodies of Bow's parasitic relatives and untrustworthy private secretary. In order to assure the public that the movie wasn't a war picture, it was retitled Blonde Bombshell for its original release. Offered here is a beautiful lobby card featuring Harlow and co-star Lee Tracy. It shows some light creasing in the right border, a light vertical crease in the center of the card, and evidence of touch-up paint applied to the center orange area, but these minor issues are far outweighed by the elegance of the image. For Harlow fans, this card is a must! Fine/Very Fine.Sold for: $388.38. |
| 29131 | Jean Harlow Publicity Still (MGM, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. A smiling Harlow shines in this sultry reclining pose. As the platinum sex symbol of the 1930s, Harlow had a brief but impressive career in many top hits, before her untimely death at age 26. This lovely still has corner bumps and creases, and a small stain in the upper left corner of the border. There is gloss chipping at the edges, and a library stamp, pencil writing, and residue from a sticker on the reverse. Very Fine-. Sold for: $310.70. |
| 29132 | Jean Harlow Publicity Still (MGM, 1930s). Autographed Still (7.5" X 9.5"). Vintage black and white, double weight, matte still. A fabulous glamour shot of the great Harlow, signed and inscribed in the lower right corner. The photo is not signed by Harlow but by her mother, who signed 98% of the star's mail. It is called a "Mama Jean" signature. The still is in exceptional condition, with some paper remnants on the reverse where it was mounted to an album page. Near Mint. Not Sold. |
| 29133 | Jean Harlow in "Saratoga" Publicity Still (MGM, 1937). Still (8" X 10"). Vintage black and white, single weight glossy still. This lovely portrait of Jean Harlow was, according to the studio snipe attached, released posthumously to celebrate "the star that twinkled and died." (Interestingly, it also notes that Saratoga, Harlow's last film, would not be finished -- it was.) This near-pristine photo has corner bumps, a larger crease in the lower left corner, and light surface wrinkling. Very Fine-. Not Sold. |
| 29134 | Jean Harlow Publicity Still (MGM, 1936). Autographed Still (8" X 10"). Vintage black and white, double weight matte still. This is a fine studio portrait shot of Jean Harlow, taken shortly before her untimely demise. It is possibly by Hurrell, and has been signed and inscribed, as was customary, by her mother, "Mama Jean". Clark Gable summed up Harlow's life better than anyone..."..she didn't want to be famous, she wanted to be happy". This beautiful but somewhat melancholy pose certainly underscores that sentiment effectively. The still has only very mild creases in the top and bottom right border, and a small dimple in the lower left field not affecting the portrait. Very Fine+.Sold for: $119.50. |
| 29135 | Jean Harlow, Dick Powell, and Louella Parsons Publicity Still by Virgil Apger (MGM, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. Hollywood stars gather for what appears to be a radio show. Jean Harlow, Dick Powell, Louella Parsons, and an unidentified fourth actor read over their scripts in this posed publicity shot. There is a crease in the lower right corner with minor color touch-up and tape on the reverse, but this is the only significant condition issue. Very Fine. Not Sold. |
| 29136 | Jean Harlow Publicity Still (MGM, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. Jean Harlow shares some of her beauty secrets in this charming photograph. The still offered here has light edge wear, light surface scuffing, small creases in the top and bottom right, and corner bumps, but is a lovely image of a gorgeous actress. Very Fine. Not Sold. |
| 29137 | Jean Harlow Publicity Still by Ted Allan (MGM, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. In 1936, Ted Allan beat out Russell Ball and Tom Evans to become the exclusive photographer of Jean Harlow. The images that he captured of the original "Blonde Bombshell" are still some of the most sought after by collectors. This example is in fabulous condition with only minor creasing in the borders and corners and a very tiny tear in the left border. The reverse has Harlow's name written in pen and Allan's credit stamp. Very Fine.Sold for: $119.50. |
| 29138 | Jean Harlow and Chester Morris in "Red Headed Woman" Publicity Still (MGM, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. A rare behind-the-scenes look at Jean Harlow, one of the most incandescent stars of the era. This still has light edge wear, and minor corner bumps and creases, as well as handwriting and a Culver Service snipe and stamp on the reverse. It is a great piece featuring a star whose light burned all too briefly. Very Fine. Not Sold. |
| 29139 | Jean Harlow Publicity Still (MGM, 1933). Still (8" X 10"). Vintage black and white, single weight, glossy still. With striking blonde hair and dangerous curves, Jean Harlow became an enduring Hollywood legend before her tragic death at age 26. This fabulous still from MGM has a bit of sepia toning and typing from the studio on the reverse, along with faint corner dings. Very Fine. Sold for: $179.25. |
| 29140 | Jean Harlow in "Dinner at Eight" Publicity Still (MGM, 1933). Still (8" X 10"). Vintage black and white, single weight, glossy still. Jean Harlow poses in a stunning gown by Adrian for this photo taken backstage during production of Dinner at Eight. Aside from a tiny crease in the top left corner and minimal corner bumps, this still is immaculate. Near Mint-. Sold for: $388.38. |
| 29141 | Jean Harlow Publicity Still (MGM, 1935). Still (8" X 10"). Vintage black and white, single weight, glossy still. Blonde bombshell Jean Harlow models the latest in BVD swimwear and plugs her new film, Reckless, at the same time in this lovely image. It shows edge wear, light surface wear, and small corner bumps and creases, but remains a beautiful and highly desirable piece. Very Fine+.Sold for: $286.80. |
| 29142 | Franchot Tone and Jean Harlow in "Suzy" Publicity Still by Ted Allen (MGM, 1936). Still (10" X 13"). Vintage black and white, double weight, satin finish still. When Terry (Franchot Tone) is mistakenly shot as a spy, his wife, Suzy (Jean Harlow), goes into hiding, afraid of being accused of his murder. Assuming Terry to be dead, Suzy falls in love with handsome aviator Andre (Cary Grant), leading to an odd and complicated triangle when Terry turns up very much alive. This exceptional still has a small crease in the top right, as well as a studio snipe, writing in both pen and pencil, and a photographer's stamp on the reverse. This fabulous piece perfectly captures the elegance of Hollywood in the 1930s. Very Fine/Near Mint.Sold for: $537.75. |
| 29143 | Cary Grant, Franchot Tone and Jean Harlow in "Suzy" Publicity Still by Ted Allan (MGM, 1936). Still (10" X 13"). Vintage double weight, satin finish still. Great portrait of Cary Grant, Franchot Tone, and Jean Harlow from Suzy, a romantic drama set during World War I. Grant and Tone are both in love with Harlow, and when Harlow believes Tone to have been killed, she takes up with aviator Grant. There is a light crease on the top left corner and a small corner bend on the bottom right corner. Very Fine. Not Sold. |
| 29144 | Reckless (MGM, 1935). Lobby Card (11" X 14"). Jean Harlow and William Powell star in this delightful screwball comedy. Harlow plays a Broadway actress, dancer, and singer who leads a freewheeling lifestyle. Powell plays a sports promoter who bails her out of jail. This card features a great close-up of the two along with character actress May Robson. There were pinholes in the corners and background, a small stain in the bottom border, a tear on the top border, and a top left corner chip. These have all been expertly restored. Fine+. Sold for: $310.70. |
| 29145 | China Seas (MGM, 1935). Window Card (14" X 22"). Clark Gable was the captain of a freighter and Wallace Beery was the plotting pirate desperate to take control of the ship. But it was Jean Harlow's film, and the actress was at her best as Gable's jealous girlfriend, plotting her way back into his heart. This poster has had minor color touch to the lower corners, as well as some airbrushing to the top blank area. The interior of the card is in wonderful, very clean condition. Very Fine/Near Mint. Sold for: $388.38. |
| 29146 | Reckless (MGM, 1935). Midget Window Card (8" X 14"). Jean Harlow portrays a showgirl, torn between the affections of the two men in her life. Franchot Tone plays the millionaire playboy chasing her; William Powell is her agent who protects her from her own reckless ways. Powell and Harlow became an item during the film and the two were engaged shortly thereafter. This beautiful midget window card has had the top imprint area and all the borders professionally replaced, and shows evidence of paint touch-up in the image area; the restoration was expertly done, and these imperfections are now visible only under the closest scrutiny. For fans of the beautiful Jean Harlow, this card is a must have! From the Collection of Denver Sherry. Fine-. Sold for: $537.75. |
| 29147 | Wife vs. Secretary (MGM, 1936). One Sheet (27" X 41"). A magazine publisher (Clark Gable) is happily married with a beautiful wife (Myrna Loy), but he also has a very sexy secretary (Jean Harlow), and when they take a business trip to Havana, jealousy begins to brew. A frothy comedy expertly managed by the three stars, all of whom are showcased on this good-looking one sheet. There was paper loss along the top and center horizontal folds, which has been addressed with linen backing and professional restoration. The linen has been trimmed to the edge of the poster. Fine/Very Fine on Linen.Not Sold. |
| 29148 | Jean Harlow Publicity Still (MGM, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. One of the most beautiful actresses of the early sound era, Jean Harlow was the original "Blonde Bombshell." In her brief but memorable career, Harlow starred in such important pictures as Hell's Angels (1929), The Public Enemy (1931), and Red Dust (1931) before succumbing to renal failure at the age of 26 in 1937. Offered here is a beautiful publicity still, picturing Harlow in the make-up chair undergoing final scrutiny by MGM's Cecil Holland. There is a studio snipe, a date stamp (14 Jul. 1934), and an identification stamp on the reverse, all in Spanish, as well as some writing in pencil. This is a rare and beautiful piece, showcasing one of Hollywood's most glamorous stars. Very Fine-. Sold for: $119.50. |
| 29149 | Clark Gable and Carole Lombard in "No Man of Her Own" Publicity Still(Paramount, 1932). Still (8" X 10"). Vintage black and white, single weight, glossy still. This movie marked the earliest pairing of classic couple, Clark Gable and Carole Lombard, who would marry in real life several years later. This beautiful still has a small tear in the lower border, a crease in the bottom right, and minor corner bumps, but remains a wonderful piece of Hollywood history. Very Fine.Not Sold. |
| 29150 | Our Modern Maidens (MGM, 1929). Lobby Card (11" X 14"). Douglas Fairbanks, Rod La Rocque, Anita Page, and Joan Crawford star in this romantic drama about four people who fall in and out of love. Interestingly, Fairbanks and Crawford were married in real life at the time of the film's production. This beautiful card features Crawford and La Rocque and is in great shape with only light edge wear and corner bumps and a tiny chip in the top right border. Very Fine. Sold for: $310.70. |
| 29151 | Joan Crawford in "Four Walls" Publicity Still (MGM, 1928). Still (8" X 10"). Vintage black and white, single weight, glossy still. Here's a terrific shot of a young Joan Crawford in 1928, as Frieda, partying it up on a drum set, in the silent gangster film Four Walls. Crawford got high marks for her performance in the film, causing one top critic to note "John (Gilbert) certainly takes that girl in hand, and boy, how she loves to be taken!" This photo of the impish beauty has only a slight bottom right corner crease and light toning. Very Fine-. Not Sold. |
| 29152 | Untamed (MGM, 1929). Jumbo Lobby Card (14" X 17"). Joan Crawford certainly does seem untamed in this frenetic jumbo lobby card. Promoted as Crawford's talking picture debut, she stars as Bingo, freewheeling heiress to an oil fortune who was raised in the tropics. When her guardians take her to New York for "civilizing," they little know the trouble they're in for, as Bingo's unconventional behavior sets the Big Apple on its ear. This exciting card has edge wear with small areas of surface lifting, and water damage in the top right, but it is still extremely attractive and eminently displayable. Fine/Very Fine.Not Sold. |
| 29153 | Possessed (MGM, 1931). Swedish One Sheet (27.5" X 39.5"). Joan Crawford stars with Clark Gable in this melodrama about a divorced woman determined to give up the idea of marriage and become a "woman of the world." There is a tear in the right border and light creasing on the top border. Rolled, Very Fine.Not Sold. |
| 29154 | Dancing Lady (MGM, 1933). Midget Window Card (8" X 14"). Janie (Joan Crawford) is a dancer making a living in a burlesque house, until wealthy Tod Newton (Franchot Tone) discovers her, and sets her up with a part in a Broadway show. Janie falls for Patch Gallagher (Clark Gable), the director, while Tod falls hard for her, leading to the inevitable romantic triangle that all gets sorted out in the end. Not only does this film feature the screen debut of Fred Astaire, it also includes an early appearance by Ted Healy and His Stooges - Moe, Larry, and Curly - later to gain fame as the world-renowned Three Stooges. This gorgeous midget window card has a dust shadow in the top left, but is otherwise quite clean, an extremely attractive card from an important picture. There is a theater stamp in the imprint area as well as a hand-written notation of "Draw for Ten Dollars." Very Fine+Sold for: $1,075.50. |
| 29155 | Dancing Lady (MGM, 1933). French Double Grande (63" X 94"). Clark Gable had come a long way, via Red Dust, since his previous pairing with Joan Crawford in 1931's Dance Fools Dance in which he was 6th-billed! After several hit films and a torrid affair with Crawford, who due to Gable's charisma, had relaxed her normal "no affairs with leading men until after the third film" rule, he now shared equal billing. What more delightful way to collect two of Hollywood's greatest stars than on a high grade, unrestored, magnificent work of poster beauty by one of France's top artists, Jean Rene Poissonnie? The poster features Crawford dancing and in the requisite romantic portrait alongside Mr. Gable. There are only faint corner creases, mild edge wear, a short tear in the bottom right of the right panel, and minor crossfold and fold separations. Folded, Very Fine-. Sold for: $3,107.00. |
| 29156 | Dancing Lady (MGM, 1933). Lobby Card (11" X 14"). A landmark film, this picture not only stars Joan Crawford as Janie Barlow, a dancer who goes from burlesque stripper to Broadway sensation, along with Franchot Tone as Tod Newton, the wealthy young man who discovers her, and Clark Gable as Patch Gallegher, a Broadway impresario who helps her rise to the top, but also features the screen debut of Fred Astaire, an early appearance by singer Nelson Eddy, and also showcases one of the last appearances of Ted Healy and His Three Stooges before Moe Howard, Larry Fine, and Jerome "Curly" Howard went off on their own to comedy superstardom. One musical number features a group of dancing robots that were reused a few years later in the Gene Autry serial, The Phantom Empire (1935). That's a lot of landmarks to pack into one movie! Offered here is a beautiful scene card, picturing Gable and Crawford. It has pinholes in the top corners, corner bumps, and a very small abrasion near Crawford's eye. These minor flaws are only apparent under close examination, giving it the appearance of an even higher grade. Very Fine+. Sold for: $1,195.00. |
| 29157 | Clark Gable and Joan Crawford in 'Dancing Lady' by George Hurrell (MGM, 1933). Still (8" X 10"). Vintage black and white, double weight, matte still. If you could only put one movie still in your collection, it should have a description line that runs something like this... George Hurrell stamped, original MGM studio portrait of Clark Gable and Joan Crawford. That should about cover it. There are only very small corner creases, and light surface wear. Very Fine+.Sold for: $836.50. |
| 29158 | The Women (MGM, 1939). Window Card (14" X 22"). What a cast! Norma Shearer, Joan Crawford, and Rosalind Russell star in this comedy directed by George Cukor. Gossip and infidelity affect the lives of a circle of female friends in New York City. This pretty full bleed window card features all three blue-eyed leading ladies, and is in very nice condition. There is a tear in the "n" in "Women," and several small holes in the image and the imprint areas, all of which has been addressed with professional restoration. Add these Women to your collection. Very Fine- on Cardstock. Sold for: $418.25. |
| 29159 | Joan Crawford Color-Glos Still (MGM, 1930s). Still (11" X 14"). Luminous Joan Crawford is featured in this splendid hand-tinted, color-glos portrait. Some of her films for MGM included Grand Hotel, The Modern Age, and The Last of Mrs. Cheyney. This still has corner bends, edge wear, a small tear in the top border, and a minor corner chip in the lower right. Very Fine. Not Sold. |
| 29160 | A Woman's Face (MGM, 1941). One Sheet (27" X 41"). Joan Crawford is superb in this George Cukor-directed thriller about a woman who bears the scar of a shady past -- literally. A plastic surgeon (Melvyn Douglas) is able to restore her beauty, but hopes of starting a new life are dashed when her past comes back to haunt her. This evocative one sheet features Crawford coyly hiding her disfigurement. The poster had crossfold separations with paper loss, chips in the fold lines, minor holes and tears in the image, and the borders have been replaced. A superb job of restoration has this looking as good as new. Good+ on Linen. Sold for: $334.60. |
| 29161 | Mildred Pierce (Warner Brothers, 1945). French Double Grande (63" X 94"). Star Joan Crawford took home a Best Actress Academy Award for her role in this film noir classic. As a single mother, Mildred (Crawford) does whatever she can to keep her daughters happy and find the affection she so desperately craves. When she marries the morally questionable, but financially well-off, Monte Beragon (Zachary Scott) in order to provide the comforts her oldest daughter demands, things go from bad to worse, culminating in Monte's mysterious murder. Offered here is a stunning French double Grande with art by Rocher Vacher. It had minor fold separations with small chips, and crossfold separations with chipping, but professional restoration has admirably addressed these issues. Fine+ on Linen.Sold for: $717.00. |
| 29162 | Whatever Happened to Baby Jane? (Warner Brothers, 1962). Lobby Card Set of 8 (11" X 14"). The harrowing story of two sisters: Jane (Joan Crawford), a crippled ex-Hollywood starlet, and her demented sister Blanche (Bette Davis), a former child star now living in obscurity. Blanche tortures Jane mercilessly, all the while planning her "comeback," as she slips further and further into insanity. The real-life animosity between the two stars is fully apparent on-screen, making this a disturbing, yet fascinating, film to watch on many levels. This exquisite set of lobby cards, with fantastic images of both Crawford and Davis, is in virtually pristine condition, sure to be a proud addition to any collection. Near Mint.Not Sold. |
| 29163 | Rain (United Artists, R-1938). Title Lobby Card (11" X 14"). Based on a story by Somerset Maugham, this is a superb vehicle for Joan Crawford who stars as Sadie Thompson, a woman of sullied virtue who unexpectedly lands on a remote South Seas island when an epidemic hits the ship on which she's traveling, lo and behold, the island happens to be full of American servicemen. Most of the |