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View PDF version of the printed catalog. |
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Session 1 |
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Movie Posters |
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| 64001 | Gabriel Over the White House (MGM, 1933). Midget Window Card (8" X 14"). With a plot as relevant today as it was in the 1930s, this film tells the story of a political puppet elected to the office of President (Walter Huston) who, after a near-death experience, changes his ways and institutes sweeping reforms to benefit the American people. Extremely controversial in its day, the film was championed by William Randolph Hearst, who saw it as an attack on then-President Herbert Hoover. However, Louis B. Mayer, the head of MGM and a die-hard Republican, managed to delay the release of the film until Hoover left office. Offered here is a wonderful, Art Deco-style window card from this scarce title. It has a bottom right corner crease, slight edge wear, and a small tear at the bottom, but these condition issues are extremely minor, and do little to detract from the enormous eye-appeal of this highly desirable card. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $657.25. |
| 64002 | The Thief of Bagdad (United Artists, 1940). Half Sheet (22" X 28"). An awe-inspiring film, this Technicolor classic stars John Justin as Prince Ahmad, Conrad Veidt as the scheming Jaffar, and Sabu as the wily thief who saves the day. Offered here is a beautiful half sheet, with art by noted Hungarian artist Willy Pogany. The poster had fold wear, light edge wear, pinholes in the corners, and small tears in the top left, and in the right and left borders. These minor issues have been addressed with professional restoration, resulting in a truly magical poster. Fine on Paper.Sold for: $507.88. |
| 64003 | The 7th Voyage of Sinbad (Columbia, 1958). Italian Poster (39" X 27.5"). A thrilling production, this is the legendary story of Sinbad brought to life by the stop-motion magic of master animator Ray Harryhausen. Who can forget the awesome battle against the one-eyed Cyclops, or the chilling menace of the magical snake woman? Offered here is a rare Italian folio with stunning artwork of Sinbad (Kerwin Matthews), Princess Parisa (Kathyrn Grant), and the bestial Cyclops. The poster shows fold wear with crossfold separation, and light tanning at the edges, but is otherwise clean and attractive. Very Fine. Sold for: $191.20. |
| 64004 | The Brain That Wouldn't Die (American International, 1962). Half Sheet (22" X 28"). When considering the great "brain" films of the 1950s and 60s, at the top of virtually every list is this inarguable classic, the tale of a brilliant scientist (Jason Evers), so grieved by the tragic death of his fiancee (Virginia Leith), that he keeps her head alive in a roasting pan in his laboratory, right next to the deformed mutant he keeps locked in the spare room. If this sounds like a recipe for disaster, you couldn't be more right! This lovely, unrestored half sheet, which perfectly captures the heady plight of the poor Jan Compton (Leith) - lovingly referred to in fan circles as "Jan in the Pan" - shows some edge and fold wear, slight wrinkling, light surface soiling, and writing in ballpoint pen on the verso. Fine/Very Fine.Sold for: $262.90. |
| 64005 | The Blob (Paramount, 1958). One Sheet (27" X 41"). "Beware the Blob!" Good advice, especially for star Steve McQueen, in this sci-fi classic. When McQueen was signed for this picture, he was offered either a $2,500 flat fee or 10% of the profits. With no faith in the picture, he took the flat fee. The movie went on to gross more than $4 million against a cost of less than $240,000, and has become one of the premiere sci-fi films of the era. The gorgeous one sheet offered here had pinholes in the corners, with an enlarged pinhole in the upper right, fold wear, and a chip in the left border, as well as the upper tagline having some touchup work performed as well, but professional restoration has addressed these issues handily. Very Fine on Linen.Sold for: $1,015.75. |
| 64006 | The Man from Planet X (United Artists, 1951). Insert (14" X 36"). Outside of The Black Cat, the directorial skills of Edgar G. Ulmer have gone largely ignored over time. However, with this effort about an alien who lands on Earth and needs time to repair his ship before he moves on, Ulmer helped usher in the science fiction genre that swept the 1950s. Posters for this title have always been tough to find. This scarce insert has a few tiny pinholes in the border and the upper blue background and a couple of faint smudges in the white border areas. Very Fine+. Sold for: $3,107.00. |
| 64007 | The Man from Planet X (United Artists, 1951). One Sheet (27" X 41"). Directed by Edgar G. Ulmer, who, in 1934, helmed the exceptionally atmospheric Boris Karloff/Bela Lugosi chiller, The Black Cat, The Man from Planet X is an unusually thoughtful 1950s sci-fi film, in which a "strange visitor" comes to Earth when his planet passes near ours. Initially benevolent, the alien is corrupted by evil human forces, leading to tragedy for all involved. One of the better genre films of the period, the movie was also blessed with outstanding poster art, showing the alien of the title menacing a helpless Earth woman. This particular copy had pinholes in the corners, some crossfold separation, and slight edge wear, although all of these minor defects have been addressed with professional restoration. There are several areas, however, where the poster seems to be lifting from the linen upon which it is mounted. Nonetheless, this is a very attractive and desirable poster which will be a welcome addition to any science fiction collection. Fine/Very Fine on Linen.Sold for: $10,157.50. |
| 64008 | The Thing from Another World (RKO, 1951). One Sheet (27" X 41"). One of the most significant sci-fi films of the Atomic Age, this picture, based on a short story by John W. Campbell, tells the story of a scientific research expedition at the Arctic circle who find an alien spaceship buried deep in the ice. They also find the pilot, who isn't quite as dead as he first appears! Directed by Howard Hawks, many credit this film with inaugurating the "killer alien comes to Earth" genre that became so popular in the 1950s. The poster, while extremely simple in its design, is exceptionally effective in promoting the sense of dread and unease felt throughout the film. This particular copy had some fold wear and crossfold separation, with an extra fold along the right edge and paint touch-ups. Additionally, the borders have been repaired to address several small missing pieces. All of these issues have been taken care of with professional restoration, resulting in a piece with rich colors and a great degree of eye-appeal that any sci-fi aficionado will be proud to own. Fine on Linen.Sold for: $956.00. |
| 64009 | The Thing from Another World (RKO, 1951). Insert (14" X 36"). Heralded as the tallest leading man in Hollywood, James Arness was perfect casting for the ominous "Thing" in this masterful science fiction thriller. Prior to restoration, this sheet had wear along the edges and fold lines, and small chips and pinholes at the corners and borders. Now, this poster presents very well and is ready for display. Get this very rare and desirable format while you can! Fine/Very Fine on Paper. Sold for: $3,883.75. |
| 64010 | It Came From Outer Space (Universal, 1953). One Sheet (27" X 41"). Made during the brief, but exciting, 3-D craze of the 1950s, this film was a fine addition to that era's sci-fi canon. Based on Ray Bradbury's short story, "The Meteor," this moody and beautiful film was the first for director Jack Arnold, who would later helm such genre classics as This Island Earth, Tarantula, and Creature from the Black Lagoon. This one sheet would grade much higher, but the area near the top that bears the line "3-Dimension" has been touched up, as, apparently, a snipe has been placed over that title and was subsequently removed. Aside from this flaw, the poster is in excellent condition. Fine on Linen.Sold for: $956.00. |
| 64011 | It Came From Outer Space (Universal, 1953). Window Card (14" X 22"). This collaboration between science fiction giant Ray Bradbury and director Jack Arnold remains one of the most intelligent and revered SF films of the last century. After a spaceship crashes near a sleepy desert village, the townsfolk begin to act strangely and a local astronomer (Richard Carlson) and his fiancee (babe-a-licious Barbara Rush) investigate. This otherworldly window card for the 3-D version of the film is one of the cleanest we've seen. Some vertical scuffing, the tiniest bit of edge wear, and a gentle rolling of the paper are the only problems, and these are only apparent on close observation. A sublime sheet for this fan-favorite thriller. Very Fine/Near Mint.Sold for: $478.00. |
| 64012 | This Island Earth (Universal International, 1955). One Sheet (27" X 41"). One of the greatest sci-fi films of the 1950s, This Island Earth is easily on a par with such genre classics as Forbidden Planet, The Day the Earth Stood Still, and War of the Worlds. Its intelligent script, advanced special effects, fine acting, and memorable monster - the Metaluna Mutant - all combine to make this a first-rate effort. The poster offered here had pinholes, crossfold separation, as well as a couple of small pieces missing from the bottom border. Additionally, small pieces were missing from the corners and have been replaced. Professional restoration has addressed all of these issues, giving this poster a high level of desirability. No sci-fi poster collection can be considered complete without this genre classic. Fine/Very Fine on Linen.Sold for: $1,015.75. |
| 64013 | This Island Earth (Universal International, 1955). Half Sheet (22" X 28") Style A. During the 1950s, it would have been easy for This Island Earth to get lost in the sea of titles produced for the sci-fi genre. But thanks to an intelligent script layered with subtle warnings against the Red Menace, this classic made an impact, and is still fondly remembered today. This unrestored poster with artwork by Reynold Brown has had a snipe removed from the title leaving a small amount of residue. There is also a bit of wear at the edges, crossfold separations, pinholes in the corners, and small tears in the top and bottom borders. Fine+. Sold for: $776.75. |
| 64014 | Invasion of the Body Snatchers (Allied Artists, 1956). Half Sheet (22" X 28") Style B. One of the most chilling Cold War-era sci-fi flicks ever produced, this is the story of an extra-terrestrial invasion, accomplished by replacing humans with alien pod people. Playing on America's fears of Communist infiltration, as seen in such classic scare films as Red Nightmare (hosted by Jack Webb), and Invasion USA (not the Chuck Norris version), although this movie is somewhat subtler, and far more artfully produced, than either of the others. Kevin McCarthy stars as Dr. Miles J. Bennell, the only man who seems to realize the full horror of what's going on. This lovely half sheet, the rare and far more desirable "Spotlight Dance" style, shows light fold wear with minor crossfold separation, pinholes in the corners and borders, a tiny chip in the bottom right corner. The poster appears to have been cleaned. If you're looking for the piece on this classic chiller, this is it! This poster was described as being Very Fine when it does have a 4 inch piece out of the top border and a stain which extends into the yellow box which says "Something is happening.." Fine-.Sold for: $8,365.00. |
| 64015 | Invasion of the Body Snatchers (Allied Artists, 1956). Lobby Card (11" X 14"). The 1950s were a time of great prosperity and even greater paranoia, when we, as a nation, saw UFOs in every cloud, and Communists behind every bush. Out of this time of great national fear came some exceptional films, films that took the very real fears that Americans felt regarding Communist infiltration, and bent them around science fiction themes, in which invading aliens stood in for invading Russians. One of the best, and most disturbing, of these Cold War-era films was Invasion of the Body Snatchers, in which innocent townspeople are slowly but surely replaced by soulless dopppelgangers hatched from bizarre alien pods. Starring Kevin McCarthy, this film artfully tapped into America's deepest fears, resulting in a movie that is as potent as it was when it was first screened. Mint.Sold for: $298.75. |
| 64016 | Invasion of the Body Snatchers (Allied Artists, 1956). Lobby Card (11" X 14"). Stars Kevin McCarthy and Dan Wynter run for their lives in this dramatic lobby card from one of the 1950s' most outstanding sci-fi films. This terrific piece is in pristine condition, as fresh and vibrant as the day it was printed. Don't pass this one up! Mint.Sold for: $478.00. |
| 64017 | Invasion of the Body Snatchers (Allied Artists, 1956). Lobby Card (11" X 14"). Stars Kevin McCarthy and Dana Wynter are featured on this gripping portrait card, tensely awaiting the horror to come, as their friends and loved ones are all turned into alien pod people! In beautiful condition, this lovely card looks as if it just rolled off the printing press yesterday! Mint.Sold for: $418.25. |
| 64018 | Invasion of the Body Snatchers (Allied Artists, 1956). Lobby Card (11" X 14"). Dana Wynter, King Donovan, Carolyn Jones, and Kevin McCarthy are ready for the worst in this tense and exciting lobby card from one of the 1950s' finest sci-fi films. In absolutely mint condition, you couldn't ask for a better example of this desirable card. Mint.Sold for: $478.00. |
| 64019 | Invasion of the Body Snatchers (Allied Artists, 1956). Lobby Cards (2) (11" X 14"). Imagine everyone you know was being replaced with soulless alien duplicates. that's the situation that faces Dr. Miles J. Bennell (Kevin McCarthy) in this creepy Cold War classic, directed by Walter Wanger. The two lobby cards offered here are absolutely pristine, with rich, vibrant colors, sharp corners, and an unimprovable overall appearance. Mint.Sold for: $717.00. |
| 64020 | Invasion of the Body Snatchers (Allied Artists, 1956). Lobby Cards (2) (11" X 14"). The two lobby cards offered here are unimprovable in terms of condition, and will make a fine addition to any classic sci-fi collection. Mint.Sold for: $1,195.00. |
| 64021 | Invasion of the Body Snatchers (Allied Artists, 1956). Half Sheet (22" X 28") Style A. A classic film that still induces chills even half a century after its initial release, this Cold War classic effectively played into this nation's fears regarding Communist infiltration, thinly replacing Russian spies with alien pod people. The fear of not knowing who one's neighbors truly are, and not knowing who could be trusted, is palpable throughout this finely crafted movie that stars Kevin McCarthy. This beautiful half sheet shows some edge wear at the borders and some very light fold wear, but is otherwise in exceptional condition. This rare beauty is worthy of a place in the finest collection. Very Fine.Sold for: $1,553.50. |
| 64022 | It Conquered the World (American International, 1956). Half Sheet (22" X 28"). When an alien intelligence contacts Dr. Tom Anderson (Lee Van Cleef) and offers him riches and power to sell out the human race, Anderson agrees, but is soon opposed by Dr. Paul Nelson (Peter Graves), who convinces Anderson that he's wrong to betray his fellow humans, leading to a showdown with the mighty creature, in the heart of Bronson Canyon. The creature, affectionately dubbed "Beulah" by its designer, Paul Blaisdell, is one of the most bizarre and recognizable space monsters in all of cinema history, with its leering grin, pointy head, and threatening claws. This arresting, unrestored half sheet, showing both the creature and a scantily-clad Beverly Garland, has pinholes in the corners and in the title area, edge wear, and a certain amount of surface soiling, but displays very nicely, making for a great piece from a very desirable title. The half sheet is generally considered the best piece on this title. Rolled, Fine/Very Fine.Sold for: $717.00. |
| 64023 | Not of this Earth (Allied Artists, 1957). One Sheet (27" X 41"). Fear of a nuclear holocaust at the hands of the Red Menace provides the subtle undertones for this Cold War-era thriller. An alien (Paul Birch) comes to Earth to harvest blood in an effort to save his dying planet. The only problem is that the source of that blood is the people of Southern California! Prior to restoration, this poster had pinholes in the borders, and light fold wear. Now, it features a beautiful appearance and is ready to display. Very Fine on Linen. Sold for: $1,434.00. |
| 64024 | Invasion of the Saucer-men (American International, 1957). One Sheet (27" X 41"). Of all the alien invaders brought to life on the screen during the 1950s, the bug-eyed, cabbage-headed creatures in this flick, the creation of make-up man Paul Blaisdell - who also brought The She-Creature to life - were some of the best. Among the cast was a pre-Riddler Frank Gorshin, and Gloria Castillo, who would later star in the memorable prison film, Reform School Girls. The poster itself, boasting artwork by Albert Kallis, is one of the most desirable of the entire 1950s sci-fi genre. This particular one sheet had very minor fold wear and crossfold separation, as well as a slight tear at the girl's thigh. These small flaws have been addressed by professional restoration, resulting in a very attractive and displayable poster. Very Fine+ on Linen.Sold for: $6,572.50. |
| 64025 | I Married a Monster From Outer Space (Paramount, 1958). One Sheet (27" X 41"). One of the creepier "invaders from outer space" films of the 1950s, this time the aliens aren't just invading our planet, they're invading our beds! Bill and Madge Farrell (Tom Tryon and Gloria Talbott) are newlyweds, but Madge notices Bill acting strangely almost from the beginning of their marriage. Her suspicions are further aroused when she notices other men in town acting the same way. She soon finds out that Bill and the others have been taken over by aliens who have escaped the destruction of their planet to mate with Earth women! The classic one sheet offered here, with its dramatic portrait of Talbott as a young bride, had fold wear with crossfold separation, extra creasing near the top fold, and evidence of staining at the fold lines. Professional restoration has addressed these issues, making this a perfect addition to any 1950s sci-fi collection. Very Fine- on Linen.Sold for: $298.75. |
| 64026 | It! The Terror From Beyond Space (United Artists, 1958). One Sheet (27" X 41"). A malevolent alien stows away on the return flight of a rescue ship bound from Mars, spreading horror and devastation once it reaches Earth. Despite this film's obvious low budget, it's a highly entertaining romp that has long been a favorite of sci-fi fans, and features serial star Ray "Crash" Corrigan in the monster suit. This poster had pinholes in the corners, light fold wear, slight crossfold separation, and a very small chip in the top border. Professional restoration has rendered these slight flaws all but unnoticeable, resulting in a very attractive poster with great eye-appeal. Very Fine on Linen.Sold for: $310.70. |
| 64027 | Terror from the Year 5000 (American International, 1958). One Sheet (27" X 41"). Another variation on the "devastated planet needs repopulation" theme, this time the devastated planet is Earth in the 51st century! "The Terror" is a mutated future-woman - played by Broadway actress Salome Jens - who arrives in the film's present through the use of a time machine, and attempts to kidnap a strapping young scientist to help bring "uncontaminated" children into earth's bleak future. This striking poster features outstanding art by Albert Kallis, and had pinholes in the corners, fold wear, and some minor crossfold separation. These minor flaws have been repaired with professional restoration, and are now virtually invisible. Very Fine+ on Linen.Sold for: $1,195.00. |
| 64028 | The Killer Shrews (McLendon Radio Pictures, 1959). Half Sheet (22" X 28"). Produced by the same company that brought you The Giant Gila Monster, this was the story of a group of people trapped on an island along with a scientist working to shrink people to stave off global overcrowding. He's also created a number of giant, man-eating shrews, for which coon dogs were reportedly used as stand-ins. While opinions differ as to the quality of the movie itself, there's no doubt that the poster, with its giant tail, blood spatter, and empty woman's shoe, depicts a truly effective and provocative image. The half sheet offered here exhibits some light fold wear, slight edge wear, and some scuffing in the lettering at the top of the image area, but is otherwise exceptionally clean, making for an extremely desirable piece. Very Fine. Sold for: $388.38. |
| 64029 | The Day of the Triffids (Allied Artists, 1960). One Sheet (27" X 41"). Based on John Wyndham's novel, this thriller begins with almost the entire population of earth watching a meteor shower so bright that it blinds them, leaving them helpless against hordes of alien carnivorous plants known as "Triffidus Celestus." Joseph Smith art highlights this poster. There is a slight abrasion in the upper left corner that keeps this poster from grading higher. Very Fine/Near Mint.Sold for: $507.88. |
| 64030 | The Angry Red Planet (American International, 1960). One Sheet (27" X 41"). America was still somewhat ambivalent about space travel in the 1950s, as seen in this classic sci-fi picture. When a Mars probe, thought lost, suddenly returns to Earth, the message the survivors bring back is clear: Mars is not meant for humans; stay away... or else. Enhanced by better-than-average special effects and a cool monster - the bat/rat/spider/crab creature seen on the poster - this movie has long been a favorite with genre fans. Consequently, the poster, with its striking imagery, is also in demand. This particular copy is in exceptional condition, with only some light fold wear, addressed with professional restoration. This is a wonderful poster that any science fiction collector will be proud to own. Very Fine+ on Linen.Sold for: $388.38. |
| 64031 | Red Planet Mars (United Artists, 1952). One Sheet (27" X 41"). Filmed at the height of the Cold War, this movie's theme of Good vs. Evil (as manifested in the conflict between the "Good" U.S.A. and the "Evil" Soviet Union) provides the centerpiece of this intelligently-written 1950s picture. When American scientists receive what they believe are radio signals from Mars, the news instantly transforms society. The Soviets try to use this upheaval to their advantage, but when further communications suggest that the Martians are ruled directly by God himself, absolute chaos ensues. Offered here is the rare "newspaper style" one sheet, which displays some minor edge wear, pinholes at the top corners, and some crossfold separation. Nevertheless, this is a very attractive and desirable poster for any collector of 1950s sci-fi. Very Fine-. Not Sold. |
| 64032 | Invaders From Mars (20th Century Fox, 1953). Half Sheet (22" X 28"). In this creepy Cold War classic, goggle-eyed aliens from beyond come to Earth and start mind-controlling our citizens! Part of the genre of sci-fi films that successfully blended the nation's paranoia regarding Communist infiltration with an emerging fascination with UFOS and extraterrestrial life, this is a true classic. Artfully directed by William Cameron Menzies, the movie still strikes a chord in these days of terror threat warnings and Homeland Security. This beautiful half sheet had some fold wear and crossfold separation, as well as some paper loss in the lower right that has been airbrushed. All of these considerations have been addressed with professional restoration, with a very pleasing result. This is a rare format for this classic film! Fine/Very Fine on Linen.Sold for: $1,135.25. |
| 64033 | Invaders From Mars (20th Century Fox, 1953). One Sheet (27" X 41"). Expertly playing off America's fears of an imminent Communist invasion, this is still, more than four decades after its original release, a chilling picture, one that continues to have the power to curdle the blood of every viewer's inner child. This one sheet had pinholes in the borders and light fold wear, and slight crossfold separation. All of these concerns have been addressed with professional restoration, resulting in a very desirable poster with outstanding eye-appeal. This is the 1953 dated release one sheet and not the 1955. Fine/Very Fine on Linen.Sold for: $1,434.00. |
| 64034 | The War of the Worlds (Paramount, 1953). Window Card (14" X 22"). George Pal stages the Martian invasion of Earth with memorable special effects and plenty of action. Gene Barry and Ann Robinson are menaced by a giant Martian hand in the iconic image from the film. This original window card is in near pristine condition, with light edge toning on the bottom border. Near Mint-.Sold for: $1,015.75. |
| 64035 | The War of the Worlds (Paramount, 1953). Autographed Lobby Card (11" X 14"). This always-popular film, starring Gene Barry and Ann Robinson, is recognized as one of the finest sci-fi pictures of the 1950s. The lobby card offered here is one of the better cards in the set, showing both Barry and Robinson, along with the Martian spy eye. The card displays a single pinhole at the top, as well as some surface dirt evident in the borders. As a bonus, Ann Robinson has signed the card boldly in the bottom left. Very Fine+.Sold for: $239.00. |
| 64036 | The War of the Worlds (Paramount, 1953). One Sheet (27" X 41"). Based on the novel by Herbert George Wells, this landmark picture won a well-deserved Oscar for Special Effects that are as dazzling today as they were more than half a century ago. The unrestored one sheet offered here is the very definition of the word, "classic," an image indelibly burned into the minds of sci-fi fanatics everywhere. This particular example is extremely clean, showing only pinholes in the corners, and fold wear with some crossfold separation. Make this one a part of your collection today! Very Fine.Sold for: $6,572.50. |
| 64037 | The War of the Worlds (Paramount, 1953). Belgian (13.75" X 18"). Offered here is a Belgian poster for the classic George Pal science fiction film with terrific artwork that captures the mayhem and mass destruction of the Martian invasion. The poster looks Very Fine or better, with pinholes in the corners, a minor tape pull on the reverse, and pinpoint crossfold separations, but we must grade down because the borders have been trimmed. Still, a fantastic image - superior to most of the American paper on this title - from one of the best films of its genre of all time. Fine on Linen.Sold for: $657.25. |
| 64038 | Robinson Crusoe on Mars (Paramount, 1964). One Sheet (27" X 41"). When author Daniel Defoe published Robinson Crusoe in 1719, he could little have known the impact his creation would have, even hundreds of years later. One of the direct descendants of this literary giant was Commander Christopher "Kit" Draper, the central character in Robinson Crusoe on Mars, a science fiction-themed retelling of Defoe's classic. The poster offered here had some fold wear and some slight crossfold separation, which has been addressed with professional restoration. A perfect poster for fans of classic literature or science fiction, this attractive piece will certainly enhance any collection. Very Fine+ on Linen.Sold for: $776.75. |
| 64039 | When Worlds Collide (Paramount, 1951). Lobby Card Set of 8 (11" X 14"). George Pal's science fiction epic concerning an asteroid on a collision course with Earth not only featured great special effects, but also took an interesting look at the paranoia that would ensue when the populace faced death. Card #1 has had the lower left corner torn off and card #3 has some staining in the lower border, otherwise the cards are very nice with just a couple of pinholes in each corner. Very Good/Fine.Sold for: $448.13. |
| 64040 | First Spaceship on Venus (Crown International, 1962). One Sheet (27" X 41"). Based on the novel by Stanislaw Lem, this movie, originally titled Der Schweigende Stern (The Silent Star), was a superior German/Polish co-production that suffered greatly when it was edited for its American release. Nevertheless, the poster produced for that release is a stunner, and this particular copy is about as clean as they come. If you've been looking for a dead mint example of this gorgeous poster, look no farther. Posters don't get much better than this. Mint.Sold for: $262.90. |
| 64041 | First Spaceship on Venus (Crown International, 1962). Six Sheet (81" X 81"). This grandiose six sheet poster is equally striking, with its otherworldly vista and awe-inspiring spaceship. Although this poster has virtually no flaws (a slight bit of fold wear is all we could detect) and presents as VF or better, we must grade it down because of an early linen-backing, which marries two separate sheets of linen joined at the center line, with some minor paper loss at the join. This is barely noticeable, though, and the poster is as eye-popping as any science fiction sheet we've seen. Fine on Linen. Sold for: $298.75. |
| 64042 | Things to Come (United Artists, 1936). Pre-War Australian Daybill (15" X 39.5"). Based on the landmark novel by H. G. Wells, this story is about the devastating effects of a World War, and the way in which it transforms society in the years, decades, and centuries that follow. After war ravages the planet, and plague decimates most of the remaining population, a group of forward thinking scientists, Wings Over the World, steps in to rebuild, eventually placing mankind on a path that will lead to the very stars themselves. With a screenplay written by Wells himself, and starring such outstanding actors as Sir Cedric Hardwicke, Raymond Massey, and Ralph Richardson, the movie is a triumph on virtually every level. Paper from this exceptional production is quite scarce and highly desirable - a one sheet sold in a recent Heritage auction for $32,862 - appealing to true science fiction fans worldwide. The rarely-seen Australian Daybill offered here, with its striking graphics, had light fold wear, and some edge chipping, including a large chip out of the bottom right border. Additionally, all of the borders have been repaired. The professional restoration applied to this piece is extremely well done, making it a piece that will be the envy of serious collectors everywhere. Fine on Linen. Sold for: $8,365.00. |
| 64043 | The Time Machine (MGM, 1960). Half Sheet (22" X 28") Style B. Based on the celebrated novel by H. G. Wells, this is a thrilling tale about a man who creates a machine that allows him to travel in time. Eventually traveling far into Earth's future, he finds a gentle race of beings, the Eloi, terrorized by the vicious Morlocks. Produced and directed by George Pal, this is one of the most grandly realized science fiction films of any era, a true classic from a master filmmaker. This striking half sheet, with art by Reynold Brown, shows some faint edge wear, but no other defects of note, making it a true prize for any fan of classic film or classic literature. Very Fine/Near Mint. Sold for: $657.25. |
| 64044 | The Time Machine (MGM, 1960). One Sheet (27" X 41"). H. G. Wells's novel was brought to the big screen by MGM in 1960 with Rod Taylor starring as a scientist whose latest invention offers a glimpse into a bleak future for mankind. Prior to restoration, there were pinholes in the image and borders along with folds in the margins. Minor paper loss on the reverse and tears in the image were also repaired, and the credits and title have retouch work leaving a gorgeous poster for a science fiction classic that is ready for display. Fine+ on Linen.Sold for: $1,195.00. |
| 64045 | Fahrenheit 451 (Universal, 1967). One Sheet (27" X 41"). Director Francois Truffaut adapted Ray Bradbury's novel into one of the most thought-provoking science fiction thrillers of the 1960s. Oskar Werner, as one of the "firemen," falls in love with the literature and books he was hired to destroy. This English poster, destined for use in overseas markets, is far superior to the U.S. domestic one sheets. Near Mint/Mint.Sold for: $567.63. |
| 64046 | Planet of the Apes (20th Century Fox, 1968). French Grande (47" X 63"). The discerning collector knows that this French grande - with powerful artwork by French maestro Jean Mascii - is the paper to acquire on this title, being superior to the American sheets in pretty much every regard. Condition issues are very minor, and include light fold wear and pinpoint crossfold separations, light surface scuffing, and pinholes in the corners, all of which has been rendered practically invisible by professional restoration. Take a trip to the Statue of Liberty with Charlton Heston and add this simian spectacular to your collection. Very Fine- on Linen. Sold for: $776.75. |
| 64047 | 2001: A Space Odyssey (MGM, 1968). Midget Window Card (8" X 14"). One of the most important science fiction movies ever filmed, Stanley Kubrick's cosmic opus set a new standard for both storylines and special effects in this previously maligned genre. Offered here is a rare midget window card, boasting artwork identical to that used on the highly desirable lenticular 3-D display and the Style B one sheet. The card is the rare "Cinerama" style, used only for the opening at "Cinerama" theaters. Creases in top corners and the bottom right are the only flaws that downgrade this otherwise beautiful piece. These creases are relatively unobtrusive, however, and do little to detract from the enormous eye-appeal of this wonderful piece of movie history. Fine/Very Fine.Sold for: $179.25. |
| 64048 | 2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style A. Based on the landmark novel by Arthur C. Clarke, this engaging tale of human evolution was stunningly brought to life by director Stanley Kubrick in this groundbreaking film. Kubrick received a Best Director Oscar nomination for this picture, and took home a well-deserved gold statue for Best Effects, Special Visual Effects. The impact of this classic film is still being felt today, as it significantly raised the bar for every sci-fi film to follow. Offered here is the beautiful Style A one sheet, featuring the space station that figures so prominently in the film. Prior to restoration, it had pinholes, both in the image area and in the borders, fold wear with minor separations, and paper loss at the bottom fold. There are paint touch-ups in the image area and title. For any sci-fi fan, this is the "Cinerama" style one sheet which is far more rare than the same sheet that was for the general release. Fine+ on Linen.Sold for: $896.25. |
| 64049 | 2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style B. No one would ever view classical music in quite the same way again after seeing the revolutionary 2001: A Space Odyssey. Stanley Kubrick's treatise on the continuing evolution of mankind used orchestral pieces like "The Blue Danube" and "Also Sprach Zarathustra" to stunning effect. On offer here is the spectacular B style poster featuring a lunar vista and many astronauts. Minor fold wear with some crossfold separation and some touch-up to the title area are the only condition issues to this gorgeous poster, which has been professionally restored. Very Fine on Linen.Sold for: $896.25. |
| 64050 | 2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41") Style C. Offered here is the extremely rare C style, with an intriguing view of the interior of the space station and its zero-G environment. A few pinholes in the corners and the image, light fold wear, and crossfold separations, as well as a small amount of touch-up to the title area are the only condition issues, all minimized by professional restoration. A true "monolith" among 2001 collectibles, this one is not to be missed! Very Fine on Linen.Sold for: $5,676.25. |
| 64051 | A Clockwork Orange (Warner Brothers, 1971). Lobby Card Set of 13 (11" X 14"). Being the ultra-rare X-rated lobby card set, produced in the U.K. but used in America, this is one of the scarcest pieces associated with this title. Kubrick's brutal adaptation of Anthony Burgess's violent novel shocked audiences in 1971, and retains all of its power today. This lobby set has a very light crease on the bottom right edge of the #1 card, and the slightest of corner bumps on the others, but is generally in pristine, who-could-ask-for-better condition. Near Mint.Sold for: $1,792.50. |
| 64052 | Blade Runner (Warner Brothers, 1982). One Sheet (27" X 41"). Set in the uncomfortably near future, this neo-noir epic is the story of Rick Deckard (Harrison Ford), a "blade runner," assigned to hunt down and terminate four "replicants"- life-like androids who have gone rogue, chillingly played by Rutger Hauer, Darryl Hannah, Joanna Cassidy, and Brion James. Loosely based on Philip K. Dick's short story, "Do Androids Dream of Electric Sheep," the film was initially a disappointment at the box office, but is hailed today as a landmark film, renowned for its impeccable performances, gritty atmosphere, and compelling storyline. This unrestored one sheet displays some slight edge wear, but is otherwise clean and attractive; a desirable poster from a perennially classic film. The gorgeous art is by John Alvin. Rolled, Near Mint.Sold for: $1,015.75. |
| 64053 | Monster from the Ocean Floor (Lippert, 1954). Insert (14" X 36"). The very first film - of nearly 400 - produced by the legendary Roger Corman, this cold-blooded classic features a giant, one-eyed amoeba that rises from the ocean to spread havoc and terror throughout the Yucatan region of Mexico. The insert for this movie is superb, with a gooey, slime-drenched creature threatening a terrified blonde in a bathing suit. This particular copy shows some foxing in the lower left, pinholes at the top center, a crease in the bottom right, a small chip in the top right border, and one in the lower border. These are all minor flaws, however, which do nothing to detract from the overwhelming appeal of this 1950s monster masterpiece. Very Fine-. Sold for: $1,792.50. |
| 64054 | The Mole People (Universal International, 1956). One Sheet (27" X 41"). One of the greatest sci-fi posters of the 1950s, featuring "terrifying monsters from a lost age," this is one that every genre aficionado covets for their own collection! When stars John Agar, Cynthia Patrick, and Hugh Beaumont discover a hidden underground race, led by High Priest Elinu (Alan Napier, better known as Alfred the butler on TV's Batman), they also run afoul of the mutant mole people kept as slaves. The one sheet offered here had pinholes in the corners, fold wear with minor crossfold separation, and two extra vertical folds, along with several small tears in the upper image area, and a tear in the top left corner. Professional restoration has rendered these minor flaws virtually unnoticeable, making this a true prize for any collector of classic sci-fi. Very Fine- on Linen. Sold for: $1,434.00. |
| 64055 | The Fly (20th Century Fox, 1958). British Quad (30" X 40"). One of the most memorable sci-fi films of the 1950s, this terrifying film teamed horror icon Vincent Price with David "Al" Hedison, soon to find even greater fame as Commander Lee Crane in Irwin Allen's television classic Voyage to the Bottom of the Sea. Herein, Hedison plays an impatient scientist, whose experiments in matter transference come to a horrible end. No one who has seen this classic film can forget the plaintive "Help me!" heard at the end, as dramatically illustrated in this terrific quad. An enormously popular film, the American paper for this film is somewhat lackluster, making this the piece to have for any fan of this undeniable classic. The poster had fold wear, pinholes in the corners, and a small tear in the left edge. Additionally, all the borders were folded back at some point, resulting in extra fold lines at all the edges. These are minor considerations, however, and do nothing to detract from the glorious beauty of this incredible piece. This copy is the very rare style which replaces the "For Adults Only" tag with " 100 pounds to the first person..." Very Fine- on Linen.Sold for: $3,883.75. |
| 64056 | Reptilicus (American International, 1961). One Sheet (27" X 41"). Reptilicus was shot in Denmark and then re-edited and dubbed into English for U.S. audiences. The fabulous Reynold Brown art features the monster munching on a truck while tearing the Golden Gate bridge to shreds. Near Mint-. Sold for: $657.25. |
| 64057 | The Day the Earth Stood Still (20th Century Fox, 1951). Insert (14" X 36"). An alien (Michael Rennie) and his robot arrive with a warning for the people of Earth: stop your violent ways or face destruction at the hands of alien peace-keepers. Cold War era sci-fi paper is hot, and few titles are hotter than this one. This professionally restored insert had pinholes in the borders, and small tears along the edges. Fine/Very Fine on Paper.Sold for: $4,541.00. |
| 64058 | The Day the Earth Stood Still (20th Century Fox, 1951). One Sheet (27" X 41"). One of the finest science fiction films of the 1950s, or any era, this memorable movie postulates the first contact between Earth and an extraterrestrial intelligence. Klaatu (Michael Rennie), an ambassador from an alien civilization, comes to Earth to warn the human race to give up their war-like ways or suffer the consequences. A moving and intelligent work, it's no wonder the film is so highly regarded. No wonder, too, that this one sheet is one of the most desirable in the entire field of science fiction poster collecting. This particular copy minor fold wear with crossfold separation, enlarged pinholes in the corners, and a dime-sized piece out of the top center. Professional restoration has addressed all of these issues, resulting in a poster that displays very nicely. Very Fine- on Linen.Sold for: $14,340.00. |
| 64059 | Target Earth (Allied Artists, 1954). One Sheet (27" X 41"). The premise of this classic 1950s sci-fi film is simple: giant killer robots from Venus invade Chicago, wreaking death and destruction in their wake. Although the script called for an entire robot army, the budget only allowed for one robot costume to be made, which is why no more than a single member of the "invading force" ever appears in a scene. This marvelous poster, with its eye-popping graphics, had pinholes in the corners, light fold wear with slight crossfold separation, and minor touchup within the title. Professional restoration has addressed these issues, resulting in an extremely desirable piece. Very Fine on Linen. Sold for: $1,195.00. |
| 64060 | Tobor the Great (Republic, 1954). One Sheet (27" X 41"). One of the great movie robots, Tobor was originally designed as an astronaut who could be controlled via ESP. Before he can take that "one giant step," however, he falls into enemy hands and becomes a terrifying weapon of destruction. This is, without a doubt, one of the top "robot posters" in the hobby, and one that has become very desirable due to its exceptional graphics. The example offered here showed very light fold wear and some chipping at the edges, as well as a piece missing from the top border. All of these slight flaws have been addressed with professional restoration, however, resulting in a very clean, attractive, and eminently displayable piece. If you love robots, then this poster is a "must have!" Very Fine on Linen.Sold for: $1,195.00. |
| 64061 | Forbidden Planet (MGM, 1956). Half Sheet (22" X 28") Style B. Intelligently written, impeccably cast - including a young Leslie Nielsen as Commander John J. Adams - with a substantial budget and exceptional production values, this is a film that has more than stood the test of time. When a rescue mission lands on Altair IV, searching for clues to the fate of the missing Bellerophon expedition, they find the last survivors - played by Walter Pidgeon and Anne Francis - and a nigh-indestructible monster that threatens to obliterate the entire planet. In the half-century since its initial release, this has become one of the most admired and respected films of its genre, and the paper associated with it is some of the most collectible of its kind. Offered here is a stunning half sheet, with a striking image of Robby the Robot, who made his debut in this picture. It shows pinholes in the corners, and a small piece of tape at the top border. By the way, this style half sheet is referred to as the "full-robot" style and much preferred, as the Style A half only pictures Robby from the waist up. This poster is folded but the colors are outstanding as the well as the condition. Very Fine-.Sold for: $3,585.00. |
| 64062 | Forbidden Planet (MGM, 1956). Animation Art (12.5" X 30"). One of the greatest monsters in science fiction film history is, undoubtedly, the terrifying Id Monster from Forbidden Planet. A perfect example of the "less is more" school of filmmaking, the Id Monster is only seen briefly in the film, an invisible creature only revealed against the crackling discharge from an electrical fence and the explosive force of blaster fire. It is the stuff of nightmares brought to life in startling Eastmancolor on the big screen. Originally intended as a simple "B" picture, Forbidden Planet quickly grew into something much more, with a budget that ballooned to nearly $2 million in the process (part of that money was spent on creating the most expensive film prop ever made to that time, the classic Robby the Robot). One of the most exciting sequences in the film is the attack of the Id Monster, a rampaging beast that exists only to kill. Bringing the creature to life was the task assigned to animator Josh Meador and his team, on loan from Disney Studios. Previously, Meador had worked on such classics as Snow White and the Seven Dwarfs, Pinocchio, Dumbo, and Bambi. In conceiving the Monster from the Id, Meador came up with a different animation technique, one that bypassed the traditional method of animating on clear sheets of celluloid. In order to create a more textured creature, Meador had each frame drawn in graphite on animator's paper, then each frame was shot using high contrast film. Meador then extracted a negative image of each frame, which was composited over the positive image. The result was a unique creation that, once seen, is not soon forgotten. Offered here is one of the key frames used in the filming of the movie, a wonderful image of the Id Monster pressing against the electrical fence in all his bestial, slavering glory. The piece, with an image area of approximately 11" X 9", has two vertical folds and several tape stains, but is, in all other respects, unmarred. An unknown hand has written "The IDD [sic] from 'Forbidden Planet'" directly below the monster, and below that, the art is signed by Bob Trochim, a Disney Studios animator. This historical artifact is a rare find from a classic film, one that any Forbidden Planet fan will be proud to own. Very Fine.Sold for: $1,792.50. |
| 64063 | Forbidden Planet (MGM, 1956). Animation Art (12.5" X 30"). One of the most impressive and influential science fiction movies ever filmed, Forbidden Planet is, by any measure, a landmark picture. With an outstanding cast, an intelligent script - based, in part, on William Shakespeare's The Tempest - and exceptional special effects, the movie can be enjoyed on a variety of levels, and has remained a favorite for more than half a century. One of the most memorable sequences in the movie is the attack of the Id Monster, a sequence brought to life by Disney animator Joshua Meador and his team. In an innovative departure from traditional cell animation, Meador decided to render all the individual frames in graphite on animator's paper, then shot those drawings with high contrast film, and finally composited a negative image over the positive image to provide an eerie, glowing effect to the invisible creature made visible by the discharge of the electrical fence and the crew's blaster fire. Offered here is one of these hand-drawn animation frames, showing the Id Monster destroying a hapless crewman, with a portion of the electrical fence visible as well. At the bottom of the image, the piece is signed by Bob Trochim, a Disney animator who signed on with the company in 1955, and who would become a protege of Walt Disney himself. There is some chipping and tearing to the border of the piece, and the bottom right corner is missing. Additionally, there is a piece missing from the left border. None of these defects affect the 11" X 13" image area, however, which is as clean as the day it was shot. This is an important part of science fiction film history, one that may never again be made available to the collecting public. Fine.Sold for: $1,792.50. |
| 64064 | Forbidden Planet (MGM, 1956). Animation Art (12.5" X 30"). When one discusses the greatest science fiction films of all time, high atop any list will undoubtedly be Forbidden Planet. This dramatic story pits a small group of humans against a dangerous, invisible beast - the Monster from the Id - which not only threatens their survival, but that of the planet Altair IV itself. To bring the creature to life, the producers enlisted the aid of leading Disney animator Josh Meador and his team, who developed an ingenious process to make the invisible visible. The creature is only seen when it comes in contact with an electric fence, or when it is hit with blaster fire, so instead of relying on traditional cell animation, in which pencil drawings are transferred to clear acetate sheets, then inked and painted, Meador decided to shoot the pencil drawings themselves using a high contrast film, then composite a negative image on top of the positive image, resulting in a bizarre, flickering effect that had never before been seen. Anyone who has experienced the movie remembers this dramatic sequence, and now a mere handful of these fabulously rare and desirable pencil drawings are being offered to collectors. Material from this landmark film is exceptionally scarce, and avidly competed for on the rare occasions it comes to auction. This spectacular piece, showing the ID Monster in all his slavering glory, is rendered in graphite on animation paper that has been folded to the limits of the image. It shows minor creasing, and slight edge wear, and there is a label that has been affixed to the top. These minor flaws notwithstanding, this is a momentous opportunity for fans of this important film, one that may never be repeated. Fine. Sold for: $1,792.50. |
| 64065 | Forbidden Planet (MGM, 1956). Signed Animation Art (12.5" X 30"). Based on William Shakespeare's The Tempest, this is one of the top classic science fiction films of all time. The popularity and success of this film is due in large part to its elaborate props and groundbreaking special effects. Producer Dore Schary's incredible budget of $1.9 million allowed for the creation of Robby the Robot and the collaboration of Disney animators Josh Meador and Bob Trochim in bringing to life the Monster from the Id. Initially invisible, this monster called for unique effects. Rather than use traditional animation techniques, artists drew the monster on animation paper in graphite. Each frame was then shot in both positive and negative, with high contrast film. The result is only seen when the monster hits the electrical fence or is struck by the crew's blaster fire. It is an eerie and seamless effect. To see the Monster from the Id as a detailed graphite drawing is a rare treat. The image size is 9" X 10 ". The paper has chips, small tears along the edges, corner folds, and a few wrinkles. The drawing is not affected, and is signed by animation artist Bob Trochim. Fine. Sold for: $2,031.50. |
| 64066 | Forbidden Planet (MGM, 1956). Animation Art (12.5" X 30"). The monster from the Id - the representative repressed fury of the extinct super race of the Krell, was animated by the Disney studio in one of the most, if not the most, impressive special effects sequences in a 50s science fiction film. Forbidden Planet set the bar high for all other films of its genre with all its top-notch effects and great story, but the Id sequence really stands out as a brilliant piece of work. It was animated by Joshua Meador and his team who used the innovative technique of shooting directly from the original graphite drawings. Offered here is one of these hand-drawn animation frames, showing the Id Monster destroying one of the Earth ship's crewmen. The piece has been signed by Bob Trochim. There are pieces missing from the top left corner and left border, some chipping on the top and bottom borders, and a right corner bend. None of these defects affect the 11" X 13" image area. Here is a once-in-a-lifetime chance to own a unique piece of science fiction and animation history. Fine.Sold for: $1,792.50. |
| 64067 | Forbidden Planet (MGM, 1956). Animation Art (12.5" X 30"). Ask a film fan for a list of the truly intelligent, well-made science fiction films of the 1950s, and you'll most likely get a fairly short list. Topping that list, however, will probably be MGM's classic, Forbidden Planet. Based, at least in part, on William Shakespeare's 1610 play, The Tempest, Forbidden Planet tells the story of a rescue mission sent to the planet Altair IV to find any trace of the missing Bellerophon expedition. What they find is Dr. Edward Morbius and his now-grown daughter Altaira, along with a terrifying invisible monster that seems set on destroying the rescue crew just as it did the Bellerophon party. To bring the invisible Monster from the Id to life, MGM made a deal with Disney studios to borrow one of their chief animators, Joshua Meador, and a crew of artists, marking the very first occasion that Disney had loaned their talent to another studio. Meador and his team developed a radical new method of animation to create the Id Monster, seen only against the discharge from an electrical fence and the crew's blaster fire. Rather than rely on traditional cell animation, in which each frame is painted on a clear acetate sheet, Meador had each frame drawn in graphite on animator's paper. Then, each of these frames was shot using high contrast film, from which a negative image was extracted and composited over the positive image. The result was a weird, roiling creature, the perfect representation of all man's basest desires. Offered here is one of the original animation drawings used in the filming of the movie, a stunning portrait of the Id Monster. The paper itself shows some tears and creasing along the edges, and the bottom right corner has been torn away, but none of these defects impinges on the 11" X 8" image area. Additionally, the piece has been signed by animator Bob Trochim directly below the creature. This is an important artifact from a major film, one that will certainly enhance any advanced science fiction collection. Very Fine.Sold for: $1,792.50. |
| 64068 | Forbidden Planet (MGM, 1956). Title Lobby Card (11" X 14"). Noted for its outstanding special effects, its groundbreaking electronic soundtrack, and its top-notch cast, the film is also notable as the vehicle that introduced Robby the Robot, arguably the most famous automaton ever to appear on the silver screen. Robby is prominently featured on this very desirable title card, which displays several small areas of touch-up, as well as pinholes, all of which have been repaired on the reverse with tape. The corners have also been reinforced on the back in the same manner. It should be noted, however, that these defects are apparent only upon close examination, making this a very attractive piece for any sci-fi fan. Fine-.Sold for: $1,015.75. |
| 64069 | The Invisible Boy (MGM, 1957). One Sheet (27" X 41"). One of the most collectible sci-fi images of all time is that of the giant robot. Few movie posters better embodied this artistic genre than this poster for the 1957 classic starring Richard Eyer and the iconic Robby the Robot. This stunning one sheet had minor fold wear with light separations, but has been restored leaving a nice appearance. While the linen backing has been trimmed to the edge of the poster, all of the poster is intact. Very Fine+ on Linen.Sold for: $657.25. |
| 64070 | Star Wars (20th Century Fox, 1978). British Quad (30" X 40") Style C. While most fans are familiar with the original poster designed by Tom Jung, Fox commissioned other artists to create posters for the international market. With Star Wars storming across the world, if not the galaxy, Fox wanted the newly famous faces of the actors to market the film, so artist Chantrell designed a poster with the characters in mid-action, with starships buzzing around them. This is the scarce Academy Awards version produced after the March 1978 awards ceremony. This British quad was folded vertically with only a light horizontal crease. Very Fine/Near Mint.Sold for: $507.88. |
| 64071 | Star Wars (20th Century Fox, 1977). Three Sheet (41" X 76.5"). This is an International three sheet for the original release of director George Lucas's classic space epic. Mark Hamill and Carrie Fisher never looked better than when drawn by top artist Tom Jung. There is a mild bleed-through from an NSS stamp on the back, and a light printing blemish in the top left border. With only an original soft tri-fold and minimal airbrush, this professionally linen-backed poster is ready to decorate that entertainment room wall. Very Fine+ on Linen.Sold for: $776.75. |
| 64073 | Star Wars (20th Century Fox, 1977). Polish One Sheet (29" X 40.5"). This evocative Polish one sheet centers directly on mechanical fussbudget C3PO set against a paint-splatter starfield. A lovely example of this pop-art gem, this had some light horizontal creasing, pinholes in the corners, and some light fold wear. No Star Wars collection is complete without this pretty poster from Poland! Very Fine+ on Linen. Sold for: $478.00. |
| 64074 | Star Wars (20th Century Fox, 1990). Russian One Sheet (22" X 33.5"). Offered here is the unusual one sheet for the Russian release of this film (more than a decade after its release in America) with a bizarre illustration that features a puma-esque character that is apparently supposed to represent a helmet-less Darth Vader, with light sabers on his head. This full-bleed poster has some tiny edge tears, but is otherwise in near-pristine condition. One of the toughest sheets for Star Wars collectors, don't miss this rare opportunity! Very Fine+ on Linen. Sold for: $657.25. |
| 64075 | The Empire Strikes Back (20th Century Fox, 1980). Insert (14" X 36"). Few films in cinema history were as eagerly awaited as this one, the first sequel to George Lucas's epic Star Wars. Widely considered the best of all the films in the series, this is the movie that introduced Bobba Fett, Lando Calrissian (Billy Dee Williams), Cloud City, and the shocking relationship between Luke Skywalker (Mark Hamill) and Darth Vader (David Prowse) to the Star Wars universe. This stunning insert, based on the Gone with the Wind one sheet, is exceptionally desirable, and in wonderful condition, with only a slight corner crease in the upper left keeping it from an even higher grade. Rolled, Near Mint/Mint. Sold for: $388.38. |
| 64076 | The Beast From 20,000 Fathoms (Warner Brothers, 1953). One Sheet (27" X 41"). Based on a short story by Ray Bradbury, and boasting special effects by stop-motion animation legend Ray Harryhausen, this film was a massive hit in post-war Japan, and actually served as partial inspiration for the original Godzilla movie. The combination of a great story and outstanding special effects have made this movie a favorite of sci-fi fans worldwide. This classic one sheet displays pinholes in the corners, as well as four small holes in the left border. Additionally, it has been signed by Harryhausen at the bottom, below his printed credit. If you're a fan of giant monster movies, this poster is a "must-have!" Very Fine.Sold for: $2,390.00. |
| 64077 | It Came From Beneath the Sea (Columbia, 1955). Lobby Card Set of 8 (11" X 14"). Humanity fights back when a giant, mutated octopus surfaces in San Francisco Bay and threatens to destroy mankind, starting with the Golden Gate Bridge! Offered here is a complete set of lobby cards for this popular picture. One of the cards shows a small amount of surface paper loss at the bottom, while another shows a bit more extensive paper loss at the top and in the credits area. Another card shows a slight rust stain from a paperclip in the upper right. Most of the cards, several of which show nice shots of the monster, display rounded corners and slight edge wear, but are generally clean and attractive. Don't miss out on your chance to add this desirable set to your collection. Very Fine-.Sold for: $776.75. |
| 64078 | It Came From Beneath the Sea (Columbia, 1955). One Sheet (27" X 41"). Ray Harryhausen's special effects highlight this popular favorite giant monster film, as a six-tentacled octopus (budget restrictions forced Harryhausen to cut back on the number of limbs) runs amok, terrorizing humanity. The devastating effects of the tentacles of terror are shown to great advantage on this evocative one sheet, which displays light fold wear and crossfold separation. The poster is slightly lifting apart from the linen at several points along the edges. None of these minor issues detract from the outstanding eye-appeal of this key 1950s sci-fi classic. Fine+ on Linen.Sold for: $567.63. |
| 64079 | Earth vs. the Flying Saucers (Columbia, 1956). One Sheet (27" X 41"). While the film itself is largely an amalgam of stock footage (from such notable films as The War of the Worlds, Rocketship X-M, and The Day the Earth Stood Still), as well as footage of an airshow crash, the launch of Viking rockets, and German V-2s crashing to earth, it is memorable for such classic scenes of alien destruction as the collapse of the Washington monument, the saucer crash into Union Station, and the obliteration of the Capitol building, all rendered with frame-by-frame precision by Harryhausen. Once you see the film, with its painstaking special effects and its high production values, it's easy to understand why it has had such lasting appeal. This poster had pinholes in the corners, crossfold separation, minor tears in the image area, and an extra vertical fold on both edges. A distributor's stamp on the back, shows a slight bleed-through. All of these issues have been addressed with professional restoration, making this a poster that displays very nicely, with a high degree of eye-appeal. Very Fine- on Linen.Sold for: $1,792.50. |
| 64080 | 20 Million Miles to Earth (Columbia, 1957). Half Sheet (22" X 28") Style A. A classic from the mind of legendary animator Ray Harryhausen, this movie tells the tale of a "strange visitor from another planet," the Ymir, that comes to Earth aboard a returning Venus probe and quickly grows to enormous size. The misunderstood monster soon threatens to destroy the city of Rome, Italy (Rome was chosen as the scene of destruction as Harryhausen had always wanted to visit the fabled city, but couldn't afford to travel there on his own)! One of Harryhausen's most popular and fondly-remembered creatures, the Ymir evokes as much sympathy as he does terror in audiences, a tribute to the genius of Harryhausen. This incredible half sheet shows some slight edge wear, but no other flaws of note, making it a wonderful opportunity for the dedicated sci-fi collector! Rolled, Very Fine/Near Mint.Sold for: $358.50. |
| 64081 | Them! (Warner Brothers, 1954). Three Sheet (41" X 81"). Of all the giant monster movies of the 1950s, few are as fondly remembered and well regarded as Them, the story of ants grown to gigantic size through the miracle of atomic radiation. Warner Brothers' top-grossing film of 1954, it received an Oscar nomination for Best Special Effects (it lost to 20,000 Leagues Under the Sea). This spectacular three sheet shows the expected pinholes in the corners and the borders, as well as minor fold wear and crossfold separation with slight paper loss and some chipping in the top border. All of these defects have been addressed by professional restoration, resulting in a poster that combines high desirability with exceptional eye-appeal. Very Fine- on Linen.Sold for: $1,673.00. |
| 64082 | Godzilla (Trans World, 1956). Half Sheet (22" X 28") Style B. Considered by many to be the greatest giant monster film of all time, the original Godzilla film (named Gojira in its native Japan), was a cautionary nuclear fable, told by director Ishiro Honda, about the danger of unleashing forces that could not be controlled. In this initial outing, a giant monster that breathes radioactive fire is unleashed upon Japan following the detonation of the hydrogen bomb. The many sequels that followed have made this, hands down, the most successful - and longest running - franchise in movie history. Greatly altered for American audiences, with new scenes featuring Raymond Burr inserted, the movie was a smash in this country, and a subtitled version of the American cut was equally successful upon its release in Japan. This gorgeous half sheet, featuring the King of the Monsters in all his glory, shows pinholes in the corners, as well as one small pinhole in the center of the image, and some very faint edge wear, but is otherwise clean and pristine. From the Joe Janowicz Collection. Rolled, Very Fine/Near Mint.Sold for: $1,792.50. |
| 64083 | The Deadly Mantis (Universal International, 1957). One Sheet (27" X 41"). When an Arctic iceberg is opened, it releases a horrific monster that eats people and wantonly destroys national monuments. One of the great "Big Bug" movies of the 1950s, this film also boasted some of the best looking posters. This one, with gorgeous art by Ken Sawyer, shows the expected pinholes in the corners, including an enlarged pinhole with some paper loss in the bottom right, a few unobtrusive staple holes in the image area, minor staining in the top and bottom borders, and some slight crossfold separation. In spite of these minor flaws, this striking poster, with absolutely perfect color, shows very nicely, and will make a strong display piece. Very Fine.Sold for: $776.75. |
| 64084 | Beginning of the End (Republic, 1957). One Sheet (27" X 41"). From Bert I. Gordon, the King of the Big Bug Movies of the 1950s, came this entry into the genre with giant grasshoppers attacking Chicago. The military discovers that the only way to stop them is to drop an atomic bomb on the city. Since radioactivity made the grasshoppers huge to begin with, wouldn't this make them... even bigger? This poster had several pieces of tape in the borders and some minor separations that have all been corrected with expert restoration, resulting in a very attractive poster. Refusing to bid on this sci-fi stunner just wouldn't be cricket. Very Fine- on Linen.Sold for: $507.88. |
| 64085 | Beginning of the End (Republic, 1957). Lobby Cards (2) (11" X 14"). Of the seven scene cards in the original lobby set, only two have images of the giant people-hungry, fanged, grasshopper monsters. Both those cards are in this lot. Producer/Director Bert I. Gordon produced his own special effects with his wife, Flora, and looking at these cards, it's fun to look back and see just how effective a team they were with simple rear-projection and little else. There are pinholes, mild edge wear, and small tears in the lower right corner of both. Fine/Very Fine. Sold for: $227.05. |
| 64086 | Tarantula (Universal International, 1955). Half Sheet (22" X 28") Style B. A laboratory experiment goes horribly awry, unleashing a fearsome monster upon the Arizona countryside. Film buffs know to look for a very young (uncredited) Clint Eastwood as the leader of the jet squadron that battles the creature in the exciting climax. A terrific 1950s giant monster film, this movie also boasted some of the finest poster art of the era, by Reynold Brown, crawling with giant, irradiated, eight-legged freaks. This gorgeous half sheet had some light fold wear with minor crossfold separation, but professional restoration has rendered these minor flaws virtually undetectable. A must-have for any serious sci-fi collector! Very Fine+ on Paper. Sold for: $1,792.50. |
| 64087 | Tarantula (Universal International, 1955). One Sheet (27" X 41"). In the 1950s, nobody made better science fiction films than the great Jack Arnold, whose impressive resume boasts such titles as The Creature from the Black Lagoon, It Came from Outer Space, and the giant-bug favorite Tarantula. Nuclear energy was causing all kinds of problems in the '50s, and mutating a simple spider into a countryside-crawling menace was just one of them. This spectacular one sheet shows the arachnid menace bearing down on romantic leads John Agar and Mara Corday. There were small holes in the top right corner, fold wear with crossfold separations, a 3" tear at the lower right, and a small piece of paper missing in the spider's eye, all of which has been addressed with professional restoration. Fine/Very Fine on Linen. Sold for: $1,553.50. |
| 64088 | The Spider (American International, 1958). One Sheet (27" X 41"). Director Bert I. Gordon was obviously a guy with big ideas. After the success of The Amazing Colossal Man and War of the Colossal Beast, Gordon went on to make this film, also known as Earth vs. The Spider, and then continued with such "big" pictures as Village of the Giants (with giant people), The Food of the Gods (giant wasps, chickens, rats, worms, etc.), and Empire of the Ants (giant ants)! In this film, a giant spider terrorizes a small town until it is dosed with DDT. Presumed dead and taken to the local high school gym for storage, the eight-legged terror is revived by loud rock and roll music, and it resumes its rampage of destruction! Boasting exceptional graphics, this classic one sheet is in wonderful condition, with only a V-shaped tear in the spider's body, repaired with professional restoration, keeping it from an even higher grade. Very Fine on Linen.Sold for: $507.88. |
| 64089 | The Incredible Shrinking Man (Universal International, 1957). Three Sheet (41" X 81"). An exceptionally thoughtful film, this sci-fi masterpiece, with a well-written screenplay by noted sci-fi author Richard Matheson, not only provides all the pulse-pounding excitement any movie fan could want, but also confronts significant philosophical issues such as man's place in the universe. The result is a film that works on a number of levels simultaneously, the mark of a true classic. From the title character's initial exposure to radioactivity, to his battle with a housecat, to his epic struggle against a now-giant spider, this is top-rate stuff. The three sheet, with art by Reynold Brown, offered here, showing Scott Carey (Grant Williams) held at bay by his former pet, is in exceptional condition, its only flaw being some minor crossfold separation, rendered virtually invisible by professional restoration. Many consider this format the very best from the film. Very Fine+ on Linen.Sold for: $1,135.25. |
| 64090 | The Amazing Colossal Man (American International, 1957). Insert (14" X 36"). Poster great Albert Kallis (Astounding She Monster, Invasion of the Saucer Men) pitches another winner with his perennially sought after poster art of the colossal man being shot to death at Boulder Dam. In time-honored 1950s sci-fi fashion, nothing makes you mutate or go crazy faster than getting a little too close to a small nuclear explosion. An exceptional unrestored grade for this popular title. There are only very light horizontal folds, and mild small creases in the right center and lower fields. Very Fine+. Sold for: $717.00. |
| 64091 | The Amazing Colossal Man (American International, 1957). One Sheet (27" X 41"). One of the biggest sci-fi films of the 1950s, this is the story of Glenn Manning (Glenn Langan), a luckless GI caught in the middle of a plutonium bomb blast. Rather than suffering instant obliteration - or even the horrors of radiation poisoning - Manning grows to enormous size and vents his rage on nearby Las Vegas. This attractive one sheet had pinholes with tears in the borders, very light fold wear, and a Dutch censor stamp in the upper right corner. All of these issues have been addressed with professional restoration, and the poster has been mounted on linen. It boasts one of the greatest images from 50s sci-fi, with wonderful art by Albert Kallis. Very Fine- on Linen. Sold for: $1,015.75. |
| 64092 | Attack of the 50 Foot Woman (Allied Artists, 1958). One Sheet (27" X 41"). One of the most desirable and sought after posters in the entire 1950s sci-fi genre, this classic, with its iconic art by Reynold Brown, is included on Premiere Magazine's list of "25 Best Movie Posters Ever." It is on virtually every poster collector's "must have" list. There's nothing quite like a giant woman who could give Godzilla a run for his money! This exquisite one sheet had a 3" tear in the bottom border and a tiny chip in the lower left corner, but these slight flaws have been rendered virtually invisible by professional restoration. This is your big chance to add this colossal classic to your collection! Very Fine+ on Linen.Sold for: $15,535.00. |
| 64093 | Attack of the Crab Monsters (Allied Artists, 1957). Insert (14" X 36"). From the incredible mind of cult film director Roger Corman comes this bizarre tale of a group of people stranded on a sinking island ruled by giant, intelligent, brain-eating crabs. The terror mounts as the humans are slowly picked off, one at a time. Corman's films may have been made on a shoestring budget, but they were always enormously entertaining, and this sci-fi classic is no exception. The glorious poster offered here shows tiny edge tears, a light crease in the image near the girl's legs, and faint smudging, but is otherwise clean and attractive. No collection of 1950s sci-fi is complete without this creepy classic! Very Fine/Near Mint.Sold for: $1,195.00. |
| 64094 | The Lost World (First National, 1925). Program (9" X 12", Multiple Pages). Willis O'Brien's innovative stop-motion animation brought this adaptation of Sir Arthur Conan Doyle's adventure to life. Programs from these silent features are hard to find in nice condition. There is a bit of smudging on the interior pages. One of the pages has a section torn out of a corner. In addition, the front cover has two pieces missing from the top that have been replaced and there are two vertical creases. Very Good/Fine.Sold for: $717.00. |
| 64095 | One Million Years B.C. (20th Century Fox, 1966). French Grande (47" X 63"). One of the most iconic - and certainly one of the sexiest - movie poster images from the 1960s, here stands the defiant Raquel Welch looming large on the landscape of prehistoric earth, clad in that famous animal skin bikini. The film itself also boasted fine stop-motion effects from Ray Harryhausen, but let's face it, Raquel is the real draw here. And she's extra-big on this stunning French Grande which uses different artwork but the same basic image as the American sheet. In luscious condition, this poster has fold wear and pinpoint crossfold separations, and that's pretty much it. Gorgeous colors and razor-sharp image clarity do Raquel proud. Very Fine+ on Linen.Sold for: $776.75. |
| 64096 | Dr. No (United Artists, 1962). British Quad (30" X 40"). When Ian Fleming wrote his first James Bond novel, Casino Royale, in 1953, he could little have predicted that his suave spy would quickly become one of the most exciting fictional characters ever brought to the silver screen. The initial Bond film, Dr. No, was exciting, glamorous, and fast-paced, and set the style for every Bond film to come over the ensuing decades. Sean Connery stars as 007, British secret service agent with a license to kill, with Joseph Wiseman as Dr. Julius No, the first evil mastermind to cross paths with Bond, and Ursula Andress as Honey Rider, who set the bar for every beautiful Bond girl to follow. This rare country-of-origin quad, before restoration, had pinholes in the corners, some edge wear and fold wear, and a stain on the back that bled through slightly to the front. Restoration has rendered the poster near mint in appearance. This is an attractive and very desirable piece, a rare and collectible find from this important film. Very Fine on Paper. Sold for: $9,560.00. |
| 64097 | Dr. No (United Artists, 1962). One Sheet (27" X 41"). This landmark film introduced many of the traditional elements of the Bond films, including the lovely and luscious Bond girls, brought to sizzling life in this entry by Ursula Andress, Zena Marshall, and Eunice Grayson. It also rocketed Connery to the heights of stardom and set him for all time as the first, and many say best, Bond. Its impact on every film in the series to follow cannot be overstated. This highly desirable one sheet, with its striking image of Bond surrounded by a bevy of scantily-clad beauties, is virtually unblemished, and only our strict grading policies keep us from awarding it an even higher grade. Very Fine+ on Linen. Sold for: $1,075.50. |
| 64098 | Dr. No (United Artists, 1962). Half Sheet (22" X 28"). This impeccable half sheet shows only the slightest edge wear, the only defect keeping it from an even higher grade. The half sheets and inserts have always been known to be more scarce than the one sheets, so if you were looking for a nice copy of this great format for the horizontal layout of this art by David Chasman, here it is! Rolled, Near Mint.Sold for: $1,015.75. |
| 64099 | Dr. No (United Artists, 1962). Lobby Card Set of 8 (11" X 14"). Sean Connery and Ursula Andress lit up the screen in 1962 when Dr. No was launched on the public. Although Ian Fleming had been writing the Bond novels for several years, the public was unaware that what they were witnessing was the beginning of the greatest on-screen series of movies ever made. If you've been waiting to score some great Dr. No paper, wait no more. This lobby set is as nice as the day it was printed. Near Mint/Mint. Sold for: $4,182.50. |
| 64100 | Dr. No (United Artists, 1962). French Grande (47" X 63"). The first -- and many say the best -- of the James Bond action adventure films made a superstar out of Sean Connery, and launched an unstoppable franchise that is still going strong today. This smashing French Grande features Boris Grisson artwork unlike anything on the American paper, with a suave portrait of Connery dominating. In stunning condition, there was some light fold wear and crossfold separation, which have been minimized with professional restoration. Very Fine on Linen. Sold for: $1,792.50. |
| 64101 | From Russia with Love (United Artists, 1964). One Sheet (27" X 41") Style A. It may be true that the Bond franchise was still finding its way at the time this, the second movie in the series, was released, but be that as it may, there's no denying that this is an exceptional, action-packed film. In this unforgettable movie, James Bond (Sean Connery) is pitted against the agents of SPECTRE, as he battles to retrieve an important Russian decoding device. Full of the globe-trotting adventure, the fast-paced action, and the beautiful girls for which the Bond films were already famous, star Connery considers this to be the very best picture in the series. This highly desirable one sheet shows fold wear and pinpoint crossfold separation, but professional restoration has addressed these issues admirably. Take your license to bid and win this beauty. Very Fine+ on Linen.Sold for: $418.25. |
| 64102 | From Russia with Love (United Artists, 1964). One Sheet (27" X 41") Style B. This rare and desirable one sheet shows Bond with an assortment of beautiful women, and is in excellent condition, with little to no evidence that it has ever been used. If you're looking to add this title to your collection, or wanting to upgrade, don't overlook this exquisite gem! Very Fine+ on Linen. Sold for: $507.88. |
| 64103 | From Russia with Love (United Artists, 1964). British Quad (30" X 40"). The poster offered here is a very rare country-of-origin quad, boasting graphics that are far superior to much of the American paper. It had light fold wear and some crossfold separation and a small chip in the bottom corner. There is some slight inpainting in the title and in the black area of Bond's body. Professional restoration has addressed these issues, resulting in a very attractive poster that will be the envy of Bond collectors everywhere. Dramatic artwork by Renato Fratini and Eric Pulford graces this quad. Very Fine- on Linen.Sold for: $5,676.25. |
| 64104 | From Russia with Love (United Artists, 1964). Lobby Card Set of 8 (11" X 14"). Sean Connery returned to the screen for his reprisal of the role that brought him international acclaim and fame. As James Bond, an agent working for the British Empire, he must stop the agents of SPECTRE from stealing a Russian decoding device known as the Lektor. Seven of the eight cards have a set of staple marks within the image at the sides of the cards. Very Fine-. Sold for: $507.88. |
| 64105 | From Russia with Love (United Artists, 1964). Three Sheet (41" X 81"). Based on the bestselling novel by author Ian Fleming - a novel named to President John F. Kennedy's personal list of Top Ten Favorite Books - this is James Bond, Agent 007 (Sean Connery), at his Cold War best as he races to outwit both the Soviet Union and SPECTRE, and retrieve a valuable decoding device. Hard-edged and exciting, beautiful Daniela Bianchi is the Bond girl in this, the second film in the series, and Lotte Lenya and Robert Shaw appear as two of the vilest villains ever to oppose Britain's greatest superspy. This very desirable three sheet shows some light extra creasing and some slight discoloration at the fold lines, but is otherwise in impeccable condition, ready to become part of any fine Bond collection. Very Fine+. Sold for: $478.00. |
| 64106 | Goldfinger (United Artists, 1964). 24 Sheet (104" X 232"). Largely considered one of, if not the, greatest James Bond films ever made, this movie has it all: action, thrills, beautiful girls - including Honor Blackman as the infamous Pussy Galore - vile villains, impressive gadgets...everything you could ask for in a classic Bond film, and more! Intended to be lighter in tone and less political than the previous two entries in the series, this movie succeeded admirably in balancing humor and action. The result was the biggest box office success thus far, and a movie that served as a template for all other Bond pictures to follow. Offered here is the rare, and highly desirable, 24 sheet for this fan-favorite movie. It shows the expected fold wear with crossfold separations, and a slight amount of edgewear, none of which detract from the overwhelming appeal of this exceptional piece. Only for the "biggest" fans of James Bond, Agent 007, this massive - and magnificent - poster will make you the envy of all other Bond collectors, giving you a license to brag! Very Fine. Sold for: $1,792.50. |
| 64107 | Goldfinger (United Artists, 1964). British Quad (30" X 40"). While the Bond franchise started with Dr. No, and continued with the hugely entertaining From Russia with Love, it didn't really hit its stride until the third movie in the series, the incomparable Goldfinger. With this film, all the Bond tropes were firmly established, such as the outlandish and colorful gadgets, the larger-than-life supervillains, and the impressive cars (this one featured the legendary Aston-Martin), added to the already-present traditions, including the lush locales, the suave leading man, and, of course, the ineffably beautiful Bond girls. In many ways, this movie set the standard for all Bond films to follow, and many fans still consider this the very high point of the series. Offered here is a very rare country-of-origin British quad. There are no discernible flaws to mention on this highly desirable poster, which will no doubt be worth its weight in gold to the dedicated Bond collector. Very Fine+ on Linen.Sold for: $5,377.50. |
| 64108 | Goldfinger (United Artists, 1964). Half Sheet (22" X 28"). James Bond is Back in Action! Sean Connery and Honor Blackman reflected on Shirley Eaton's golden body makes for a classic iconic image from this most famous of the Bond films. This is a very clean half sheet which only had minor fold wear that now looks perfect with expert restoration. Very Fine+ on Paper.Sold for: $1,912.00. |
| 64109 | Goldfinger (United Artists, 1964). Poster (40" X 60"). Certainly one of the best posters on the title, this 40" X 60" has proven elusive to even the most diligent collector. There are large images of some key scenes from the film with the trademark photo inset of Bond in his natty bow-tie with requisite Walther in hand. Only minor pinholes, small edge wear with slight border wrinkling, and a small tear in the bottom center border. Rolled, Very Fine-. Not Sold. |
| 64110 | Goldfinger (United Artists, 1964). Three Sheet (41" X 81"). James Bond gets Pussy Galore in this third outing for 007, which helped set the style for all future Bond films. This eye-popping three sheet is similar in style to the insert, with multiple images from the film, including the iconic gilded dead girl. Light fold wear with pinpoint crossfold separations and some staining in the left border of the lower panel are about the only condition issues to be noted on this Bond beauty. Very Fine on Linen.Sold for: $1,553.50. |
| 64111 | Goldfinger (United Artists, 1964). French Grande (46" X 62"). Although the budget of Goldfinger was more than the first two Bond films put together, the first blockbuster in the series was the fastest-grossing film in history at that point. With such innovations as an opening-credit hit theme song, and the famous Aston Martin DB5 gadget car, the film set the standard against which the entire series would be judged. This French grande has light edge wear and a couple of tiny crossfold separations. The exciting artwork is by French artist Jean Mascii. Very Fine/Near Mint. Sold for: $896.25. |
| 64112 | Goldfinger (United Artists, 1964). Lobby Card Set of 8 (11" X 14"). James Bond, Secret Agent 007, with his license to kill, also had a license to destroy box office records. Sean Connery stars in what many fans consider the best film in the entire series as Bond takes on a diabolical plot to destroy the entire U.S. gold supply. This set, complete with the lobby sleeve it was originally issued in, is so incredibly clean it will leave you both shaken and stirred. Near Mint/Mint. Sold for: $3,107.00. |
| 64113 | Thunderball (United Artists, 1965). British Quad (30" X 40"). When SPECTRE agent Emilio Largo (Adolfo Celi) steals two nuclear warheads, it's up to British Secret Service operative James Bond (Sean Connery), Agent 007, to get them back. By the time this film was released, the Bond franchise was well established. This entry upped the ante in almost every respect, with action taking place on land, in the sea, and in the air (remember the famous jetpack?). Connery counts this as his favorite Bond performance, and one can easily see why. This attractive British Quad, with a wetsuit-clad Bond surrounded by a group of bikini-clad admirers, is a rare and extremely desirable piece. It has slight fold wear with minor touch-ups at the fold lines and a small chip right above Bond's head. Nonetheless, professional restoration has rendered this an extremely attractive piece, one that deserves a place of honor in any advanced Bond collection. Very Fine- on Linen. Sold for: $4,182.50. |
| 64114 | Thunderball (United Artists, 1965). British Mini Lobby Card Set of 8 (8" X 10"). This country of origin Front of House set features Sean Connery in the role he made famous, James Bond, secret agent 007. Thunderball was the fourth film in the most popular movie series of all time, and in this caper, Bond must discover the location of two nuclear bombs before the agents of SPECTRE can detonate them. Some of the stills have some light creasing and one has a tiny chip off of the lower left corner. Very Fine-. Sold for: $334.60. |
| 64115 | Thunderball (United Artists, 1965). One Sheet (27" X 41"). For the devoted James Bond collector, what poster could be more iconic than this: a tuxedoed Bond escaping danger with the aid of a handy jetpack, a daring Bond battling evil-doers underwater, and a dashing Bond surrounded by beautiful women? By the time this, the fourth Bond epic, was filmed, the franchise had found its footing, and all the requisite elements - the gadgets, the girls, and the grand scale action - were in place, making Thunderball one of the best films of the Sean Connery years. Appropriately, this poster is about as good as it gets: a beautiful, mint example that even the most discriminating collector will treasure. Don't miss out on the action when this beauty comes up for auction. Mint.Sold for: $1,553.50. |
| 64116 | Thunderball (United Artists, 1965). Lobby Card Set of 8 (11" X 14"). Once again, James Bond takes on the forces of SPECTRE as the evil empire steals nuclear bombs and holds the world hostage. This film capitalized on the emerging sport of scuba diving, and set the action in the Bahamas. Card #1 has staple marks in the corners and a tear in the right border, card #2 has some light smudges on the borders and card #5 has a small crease in the left corner, otherwise these cards are amazingly clean. Very Fine. Sold for: $1,314.50. |
| 64117 | You Only Live Twice (United Artists, 1967). British Quad (30" X 40") Gyrocopter Style. The fifth in the Bond series has evocative Japanese location work, and the first reveal of arch-villain Blofeld, played with relish by Donald Pleasence. Sean Connery was at the top of his form, and the screenplay was written by the eccentric author Roald Dahl, best known for writing Charlie and the Chocolate Factory. This British Quad uses the same artwork as the American B Style one sheet, a great image of Bond hovering over Blofeld's volcano hideout in Little Nellie. Prior to restoration, this gorgeous poster had fold wear and light wrinkling. Now, it looks great and is ready to display. Very Fine- on Linen. Sold for: $1,314.50. |
| 64118 | You Only Live Twice (United Artists, 1967). British Quad (30" X 40") Missile Silo Style. James Bond (Sean Connery) travels to Japan in this, the fifth entry in the popular spy film franchise. In this one, Bond teams up with a Japanese ninja outfit against SPECTRE chief Ernst Stavro Blofeld (seen for the first time in this movie) to stop the outbreak of World War III. Based on the last Bond novel published during author Ian Fleming's lifetime, the budget for this picture was a then-astronomical $9.5 million, $1 million of which was spent constructing Blofeld's volcano headquarters. For Bond collectors, the rare country of origin British Quads represent some of the most elusive paper from these popular films, as they were typically printed in far smaller quantities than their American counterparts. The piece had just the slightest evidence of fold wear, but this has been rendered virtually invisible with professional restoration. The imagery on this poster is eye-catching; don't let this beauty slip away! Very Fine+ on Linen. Sold for: $1,075.50. |
| 64119 | You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Advance. After battling Dr. No, Rosa Klebb, Auric Goldfinger, and Emilio Largo in previous films, this time James Bond, Agent 007 (Sean Connery) goes head-to-head with his true nemesis, SPECTRE chief Ernst Stavro Blofeld (Donald Pleasance) in this gripping thriller largely set in Japan. The teaser poster offered here brilliantly recaps the first four movies, while promising more Connery/Bond excitement to come. Folded as issued, the poster displays very slight edge wear, but is otherwise unblemished, making it a fabulous addition to any Bond collection. Very Fine/Near Mint. Sold for: $418.25. |
| 64120 | You Only Live Twice (United Artists, 1967). Lobby Card Set of 8 (11" X 14"). Someone has been hijacking the U.S. and Russian spacecraft, and World War III is about to breakout, when secret agent James Bond is tapped for the rescue. This was the last film Connery intended to make as Bond before retiring from the character. Card #4 has a staple mark in each of the upper corners and cards #3 and #6 each have a printing error where the left edge is "soft." However, after looking at several other sets, apparently, this printing error exists on all #3 and #6 cards. Very Fine/ Near Mint. Sold for: $836.50. |
| 64121 | You Only Live Twice (United Artists, 1967). Subway (41" X 54"). James Bond (Sean Connery) visits the Land of the Rising Sun in this thrill-packed entry in the popular franchise, as Britain's ace superspy must thwart the plans of his nemesis, Ernst Stavro Blofeld, who plots to plunge the world into nuclear war. A terrific film, Connery intended it to be his last outing as Bond, but he would return once more to the role in Diamonds Are Forever. Akiko Wakabayashi and Mie Hama, well known to Toho fans for her appearance in Frankenstein Conquers the World, are the Bond girls in this memorable outing. Offered here is the rare and dramatic subway poster, which shows scenes from the previous Bond films, Dr. No, From Russia With Love, Goldfinger, and Thunderball. This beautiful, unrestored copy has just the slightest wear at the edges, but is otherwise pristine, and ready to serve as a welcome addition to any Bond collection. Very Fine+.Sold for: $448.13. |
| 64122 | Diamonds are Forever (United Artists, 1971). British Quad (30" X 40"). After taking a one movie break (George Lazenby starred as James Bond in the series' previous film, On Her Majesty's Secret Service), Sean Connery returned to the role he created for one last romp. In this exciting thriller, 007 assumes the role of a diamond smuggler in order to break up an international racket, but soon comes face to face with his old nemesis, Ernst Stavro Blofeld! With Lana Wood and Jill St. John as the sexy Bond girls, and even an exciting moon buggy chase across the desert, this movie has it all! The rare country-of-origin British Quad offered here is virtually unimprovable. There is a light vertical crease in the center, but it is so faint as to be all but unnoticeable. Quads were printed in much smaller quantities than their American one sheet counterparts, making them some of the scarcest paper associated with this popular series of films. Chances to acquire these desirable beauties are few and far between, so get into the Bond market now! Very Fine+ on Linen. Sold for: $657.25. |
| 64123 | Diamonds are Forever (United Artists, 1971). Insert (14" X 36"). The great American artist Robert McGinnis, with over 1,000 paperback covers to his credit, set the standard for James Bond posters. Here's one of his best. Sean Connery in his last "official" portrayal of Bond is drawn with the absolute correct mix of savoir-faire and cool detachment. This film had something for everyone... it's not everyday you get a combination of gay hitmen and a folk singer prominently featured in an international spy film! There are soft folds, edge wear, and small creases and wrinkles, but as your accountant says, buy Bonds. Fine/Very Fine. Sold for: $167.30. |
| 64124 | Diamonds are Forever (United Artists, 1971). Three Sheet (41" X 81"). Sean Connery's last outing as James Bond (at least until the unofficial Never Say Never Again) finds him tracking a plot to steal diamonds for a high-powered laser gun. Loosely based on Ian Fleming's fourth Bond novel, this substitutes a returning Blofeld (Charles Gray) for the book's original villains, and is heavy on the eye-candy, with buxom beauties Jill St. John and Lana Wood adding decoration. This stunning three sheet is virtually pristine with no apparent flaws, and only our official policy of grading linen-backed posters no higher than VF+ prevents us from listing it at NM or better. You'd be hard-pressed to find a better Bond than this! Very Fine+ on Linen.Sold for: $1,195.00. |
| 64125 | Diamonds are Forever (United Artists, 1971). Six Sheet (81" X 81"). After George Lazenby's "one and done" turn as 007, Sean Connery returned to the role that he was born to play. James Bond finds himself on the trail of stolen uncut diamonds that may be connected to his arch nemesis, Ernst Blofeld. Prior to a nice professional restoration, this poster had a few chips at the fold lines, light wrinkling, and smudging in the borders. A stamp on the reverse is faintly visible in the bottom border but the poster still displays very well. Very Fine- on Linen.Sold for: $478.00. |
| 64126 | Never Say Never Again (Warner Brothers, 1983). British Quad (30" X 40"). The only "unofficial" film in the James Bond canon, made outside the established MGM series as a result of a legal battle between author Ian Fleming and executive producer Kevin McClory, this is the movie that returned star Sean Connery to the role he created in 1962 after an absence of more than a decade. A remake of the earlier Thunderball. The rare British Quad offered here is in immaculate condition, showing no fold lines, pinholes, or other defects. It is an exquisite specimen for the serious Bond collector. Very Fine+ on Linen. Sold for: $1,075.50. |
| 64127 | Casino Royale (Columbia, 1967). Italian 4 - Folio (54" X 76.5"). A fast-paced spy spoof in which David Niven plays the original James Bond who comes out of retirement to battle the evil SMERSH, and comes up with a brilliant plan to name all the other agents James Bond as well. Peter Sellers stars as Evelyn Tremble, the main faux-Bond, and the fun cast also includes Ursula Andress, Orson Welles, and Woody Allen. This gorgeous Italian 4 - folio has a split image, full-body shots of Sellers and Andress, with terrific artwork. In excellent condition, this poster had pinholes (some enlarged), fold wear with light crossfold separations, and a chip out of the top right corner, all of which has been addressed with professional restoration. Fabulous Olivetti artwork graces this Italian poster. Very Fine- on Linen.Sold for: $896.25. |
| 64128 | Casino Royale (Columbia, 1967). Japanese B2 (20" X 29"). By 1967, the James Bond film franchise was ripe for spoofing, so an all-star cast was assembled to play the British superspy for laughs. This almost surreal film features such extraordinary talents as Woody Allen, David Niven, Peter Sellers, Ursula Andress, Orson Welles, Deborah Kerr, William Holden, Charles Boyer, and John Huston, in a delightful comedy that successfully punctured the very serious adventure films starring Sean Connery. Offered here is a very attractive Japanese poster for this film, spotlighting the tattooed lady that was the centerpiece of the film's promotional campaign. It has several small holes in the image area, fold wear, and edge wear, but is still clean and attractive; a rare and desirable piece for any Bond collector. Fine-. Sold for: $507.88. |
| 64129 | On Her Majesty's Secret Service (United Artists, 1969). Insert (14" X 36"). This landmark Bond film marked a turning point for the hugely popular series in many ways. First, and most obvious, is the fact that it was the first film to feature someone other than Sean Connery as Ian Fleming's legendary superspy, Agent 007. This time around, producers chose Australian male model George Lazenby for the part. They also greatly dialed back the use of outrageous gadgets, forcing this Bond to rely far more on his wits than on Q's devices. Finally, it was decided with this movie to give Bond more depth of character, as this film is the first to see him actually fall in love, with predictably tragic results. Of course, many of the Bond trappings remain, including the exotic locales and the beautiful girls, with the stunning Diana Rigg (from TV's The Avengers) admirably essaying the role of luscious Bond girl Tracy Di Vicenzo. This lovely insert, which features an exciting shot of Lazenby and Rigg, has pinholes in the corners and borders, a single vertical fold line at the bottom, light edge wear, and magic marker where someone has crossed out a legal notice. These minor considerations aside, this is a very attractive piece from one of the best films in the series. Very Fine-. Sold for: $179.25. |
| 64130 | On Her Majesty's Secret Service (United Artists, 1969). Italian 2 - Folio (39" X 55"). After You Only Live Twice, Sean Connery, the actor who originated the role of British superspy James Bond, Agent 007, announced that he was retiring from the series, prompting the producers to find another actor to fill Connery's considerable shoes. They settled on George Lazenby, an Australian-born male model, to continue the franchise. To mark the transition to a new Bond, it was decided to dial back the reliance on gadgets, going for a more realistic portrayal. The result is a superb and exciting film, which pits Bond against his nemesis Ernst Stavro Blofeld one last time, with tragic results. This exceptional film also featured the lovely Diana Rigg - Mrs. Peel on TV's The Avengers - as the Bond girl du jour. This beautiful Italian 2-folio shows some fold wear with minor crossfold separation, but professional restoration has addressed these minor flaws. A rare piece, this will be a welcome addition to any Bond collection. Very Fine+ on Linen. Sold for: $191.20. |
| 64131 | Live and Let Die (United Artists, 1973). Glastron Promotional Poster (12.5" X 18"). One of the most exciting parts of Roger Moore's first film as James Bond was an 8-minute chase scene that takes place in Glastron speedboats. This promotional poster from Glastron touts the world record boat jump that was the climax of the sequence. It has corner creases and wrinkling, and a bit of surface dirt in the borders. An unusual piece for this film that was a turning point in the series. Rolled, Very Fine. Sold for: $179.25. |
| 64132 | Live and Let Die (United Artists, 1973). Lobby Card Set of 8 (11" X 14"). Roger Moore makes his debut as Ian Fleming's master spy, James Bond, in this tale, set in the Louisiana bayous, that finds Bond battling a voodoo wielding heroin kingpin. Other than a tiny tear in the edge of the left border of lobby #1 and a water spot on lobby #7, this set is in mint condition. Near Mint.Sold for: $418.25. |
| 64133 | The Spy Who Loved Me (United Artists, 1977). Seiko British Quad (30" X 40"). One of the finest of the Roger Moore-era James Bond films, this time 007 teams up with Russian Agent "Triple X," the beautiful Major Anya Amasova (Barbara Bach) to thwart the plans of Karl Stromberg (Curt Jurgens), intent on starting a nuclear war to remake the world in his own twisted image. The most expensive Bond film to date, with a budget of $13 million, this was also the first Bond movie to utilize an entirely original storyline, taking only the title of author Ian Fleming's novel, as Fleming himself felt this particular book was unsuitable for a cinematic adaptation. This rare British quad, which prominently features the Seiko digital watch tie-in, shows only the very faintest fold wear, rendered all but invisible by professional restoration. Even the most serious Bond collector is likely missing this beauty, so don't pass up the chance to bid on this rare treasure. Very Fine+ on Linen. Sold for: $239.00. |
| 64134 | Moonraker (United Artists, 1979). British Quad (30" X 40"). Although Ian Fleming's novel, the third in the original Bond series, was a Cold War thriller about a plot to destroy London with a high-powered V2 missile, the producers of the Bond franchise, inspired by the phenomenal success of Star Wars, took the opportunity to inject more science fiction into this entry in the film series, the plot now revolving around the theft of a space shuttle and the threat of global genocide. The result was a budget that eclipsed those of all six previous Bond films... combined! Featuring the suave and dashing Roger Moore as Agent 007, this attractive country of origin British Quad is in exceptional condition, with no observable flaws to report. If this scarce piece doesn't send you over the moon, we don't know what will! Very Fine+ on Linen.Sold for: $239.00. |
| 64135 | For Your Eyes Only (United Artists, 1981). British Quad (30" X 40"). In this, the first James Bond movie based on an Ian Fleming short story, Agent 007 (Roger Moore) is tasked with recovering a sensitive communication device before it falls into enemy hands. This film marks the last appearance in the official Bond series of 007's nemesis, Ernst Stavros Blofeld (he's the man in the wheelchair that Bond dispatches in the pre-credits sequence), as the rights to that character had been won by Kevin McClory, executive producer of Never Say Never Again, in a court battle. This scarce and desirable British quad is in spectacular condition, a treasure that any Bond fan would be proud to own. Very Fine+ on Linen.Sold for: $334.60. |
| 64136 | Octopussy (MGM/UA, 1983). British Quad (30" X 40"). How does a stolen Faberge egg and a murdered British agent connect to death, destruction, and potential nuclear Armageddon? That's what James Bond (Roger Moore) has to figure out in this exciting entry in the popular action franchise. Featuring the lovely Maud Adams as Octopussy (who had previously appeared, as a different Bond girl, in The Man with the Golden Gun), this was Moore's next-to-last outing as author Ian Fleming's superspy. This rare country of origin poster, featuring wonderful images of Moore and Adams, is in impeccable condition, with virtually no sign that it was ever used. Don't wait to nab this one for your collection! Very Fine+ on Linen. Sold for: $448.13. |
| 64137 | A View to a Kill (United Artists, 1985). British Quad (30" X 40"). Roger Moore's last outing as James Bond, Agent 007, sees Ian Fleming's legendary superspy oppose the evil Max Zorin (Christopher Walken), who plans to destroy Silicon Valley, in a story that shares many key plot elements with the earlier Bond thriller, Goldfinger. The beautiful British Quad offered here is nearly unimprovable, and is a must for any serious Bond collection. Very Fine+ on Linen. Sold for: $448.13. |
| 64138 | Charlie Chan at Monte Carlo (20th Century Fox, 1937). Title Lobby Card (11" X 14"). Warner Oland made his final appearance as the Chinese sleuth in this picture set in Monte Carlo. Shortly after the film's completion, the actor died, and the series was given to Sidney Toler. This card has a light chip off of the lower left corner and a chip out of the upper border. There are many tiny foxing spots throughout the image area and the card also has a pinhole in each corner. Very Good/Fine.Sold for: $567.63. |
| 64139 | Charlie Chan on Broadway (20th Century Fox, 1937). One Sheet (27" X 41"). Following a successful run in serial novels, Earl Derr Biggers's Chinese detective, Charlie Chan, was a sure bet for the Hollywood treatment. Fox would launch one of the most successful series of movies in the history of the cinema with Warner Oland as the detective and Keye Luke as his number one son. In On Broadway Chan is called in to solve the murder of a nightclub singer who was going to expose a group of criminals at work. Stunning artwork and dazzling color make this poster pop! Prior to restoration, there were creases in the image and borders, fold wear, pinholes in the field, and a few small edge tears. Fine/Very Fine on Linen.Sold for: $3,585.00. |
| 64140 | Charlie Chan at the Olympics (20th Century Fox, 1937). Six Sheet (81" X 81"). Warner Oland appeared as oriental detective Charlie Chan in sixteen films, making the character one of the biggest box office draws of the 1930s. Big Charlie Chan paper is a tough find, especially featuring Oland. This film is set at the Berlin Olympics of 1936 and features a great image of the stadium along with two images of Chan. This poster had pinholes in the borders and several tears and chips in the field including a 7" tear in Oland's forehead and a 4" tear and chipping in his name. Following restoration, the poster developed a light crease in the right side of the field but the sheet still displays very well. Fine- on Linen. Sold for: $6,572.50. |
| 64141 | Charlie Chan in Reno (20th Century Fox, 1939). Insert (14" X 36"). This was only Sidney Toler's second appearance as the great detective Charlie Chan. It has a better-than-average plot about a woman seeking divorce in Reno who is accused of murder. This nifty insert has a fantastic, razor-sharp image of Toler, as well as secondary leads Ricardo Cortez and Phyllis Brooks. The insert has been mounted on paper to address pinholes, a tear in the bottom left corner, fold separations, a corner crease in the lower right, a dime-sized chip in the "o" in "Reno," and a chip out of the lower left corner. Professional restoration makes this piece look like new, however, and it would be a great addition to any Chan collection. Fine+ on Paper.Sold for: $896.25. |
| 64142 | Charlie Chan in City in Darkness (20th Century Fox, 1939). Lobby Card Set of 8 (11" X 14"). Charlie Chan takes on the case of a murdered munitions manufacturer in Paris. As an interesting note, one of the scene cards features Lon Chaney Jr. and Leo G. Carroll, both of whom were minor players in the cast. These cards have approximately one pinhole per corner. This lot comes complete with the original paper sleeve. Very Fine+.Sold for: $1,434.00. |
| 64143 | Charlie Chan at the Wax Museum (20th Century Fox, 1940). Lobby Card Set of 8 (11" X 14"). Charlie Chan is lured into a wax museum where murder is afoot and the oriental sleuth has his hands full trying to find the killer. This is one of the best films in the Sidney Toler series, and this set of cards captures some of the film's finer moments with Sen Yung as Jimmy Chan. The scene cards have approximately four pinholes per card, and the title card has a small half inch tear in the right border. Very Fine+.Sold for: $1,792.50. |
| 64144 | Castle in the Desert (20th Century Fox, 1942). One Sheet (27" X 41"). It's murder in the Mojave, as a reclusive historian and his wife invite guests to their remote castle/mansion, only to have one of them drop dead. Luckily, Charlie Chan (Sidney Toler) is in attendance, and investigates the murder, along with Number Two Son. This terrific one sheet is in the classic mystery mode, though a gun-totin' Chan is a bit out of character! Pinholes in the borders, fold wear with crossfold separations, all minimized by professional restoration. Fine/Very Fine on Linen.Sold for: $956.00. |
| 64145 | Castle in the Desert (20th Century Fox, 1942). Title Card and Lobby Card (11" X 14"). For this final entry in the Charlie Chan series at 20th Century Fox, Sidney Toler, as Chan, finds himself investigating a murder in a castle situated in the middle of the Mojave Desert. The real-life "Scotty's Castle" set in Death Valley was the inspiration for this mystery. The title card has diagonal corner creases in the upper right and a slight stain in the lower left vignette scene. There are also a few tiny abrasions between Toler's eyes in the center portrait. The scene card has a slight crease to the upper right corner. Very Fine-. Sold for: $507.88. |
| 64146 | Charlie Chan in the Secret Service (Monogram, 1944). One Sheet (27" X 41"). After 11 years at 20th Century Fox, the Charlie Chan series moved across town to Monogram where Sidney Toler would continue serving up fine quotable oriental wisdom; "...Detective without curiosity is like glass eye at keyhole. No good...." Also memorable in this film was the introduction of one of the best aspects of Monogram's Chans, Mantan Moreland's very funny, pop-eyed chauffeur character, "Birmingham Brown." The poster is linen backed with a tear in the top center border, fold separations in the fold lines, and small chips in the border edges. All of these mentioned issues have been beautifully remedied with expert restoration. A brightly colored poster with Toler essaying a good action scene below. Fine- on Linen. Sold for: $657.25. |
| 64147 | Black Magic (Monogram, 1944). Title Lobby Card (11" X 14"). After making a number of Charlie Chan films at 20th Century Fox, the series moved over to low-budget impresarios Monogram Pictures. While there, Sidney Toler reprised his role as Earl Derr Biggers' oriental sleuth who, in this outing, had to re-enact a murder that occurred during a séance. This title card shows a bit of wear to the lower right corner, three pinholes, and a hole in Chan's hat brim. Very Fine.Sold for: $131.45. |
| 64148 | The Chinese Cat (Monogram, 1944). One Sheet (27" X 41"). When Charlie Chan investigates the murder of a chess expert, he is drawn into The Case of the Chinese Cat! Based on Earl Derr Biggers's popular Honolulu detective, this was Monogram's second Chan film, largely considered one of the best in the series by Chan aficionados. This poster, which features exceptional images of Sidney Toler as Chan and Mantan Moreland as taxi driver Birmingham Brown, has pinholes in the corners, a small tear in the lower right, and two dime-sized holes in the lower portion. These slight flaws have been rendered all but undetectable by professional restoration, resulting in a very clean and attractive poster. Fine/Very Fine on Linen.Sold for: $1,553.50. |
| 64149 | Dangerous Money (Monogram, 1946). One Sheet (27" X 41"). Sidney Toler was well-established as Earl Der Bigger's famous Chinese-American detective, Charlie Chan, when he made this film in 1946. He would make just three more Chan films before his death, with the mantle passing to Roland Winters in 1947. This entry takes place largely aboard a ship bound for Pago Pago, as Chan investigates the murder of a Federal agent. The lovely one sheet offered here shows pinholes in the top corners, fold wear with crossfold separations, and a chip in the bottom left border. These small flaws have been expertly addressed by professional restoration, resulting in a dramatic and attractive poster that any Chan fan will covet. Fine/Very Fine on Linen.Sold for: $836.50. |
| 64150 | The Trap (Monogram, 1946). Insert (14" X 36"). Sidney Toler's final appearance as Charlie Chan takes the great detective to Malibu, where an actress fears for her life after her co-stars have been brutally murdered. Monogram's production values were somewhat skimpier than those of 20th Century Fox, but Toler's performance remains endearing. Chan's stoic visage dominates this atmospheric insert. The poster has pinholes, extra horizontal fold lines, a tear at bottom right, and overall surface wear. Fine-. Sold for: $567.63. |
| 64151 | Shadows Over Chinatown (Monogram, 1946). One Sheet (27" X 41"). One of the last films in which star Sidney Toler would appear as author Earl Der Biggers' Charlie Chan, this one is set in San Francisco's Chinatown, as Chan uncovers a vicious insurance scam while searching for a missing girl, aided and abetted by his erstwhile companion and chauffeur, Birmingham Brown (Mantan Moreland). This wonderful one sheet had fold wear and a 3" tear in the top left, all of which have been rendered virtually invisible with professional restoration. If you're looking for a great Chan piece for your collection, this is it! Very Fine- on Linen. Sold for: $717.00. |
| 64152 | Docks of New Orleans (Monogram, 1948). One Sheet (27" X 41"). Star Roland Winters makes his second appearance as Earl Der Biggers' popular Chinese American detective, Charlie Chan, in this entertaining outing, which finds Chan tracking down a stolen chemical shipment, aided by his ever present chauffeur, Birmingham Brown (Mantan Moreland). The dramatic one sheet had pinholes and fold wear . Professional restoration has addressed these issues, making them virtually unnoticeable. Very Fine on Linen. Sold for: $388.38. |
| 64153 | The Golden Eye (Monogram, 1948). One Sheet (27" X 41"). Roland Winters' fourth outing as the Chinese detective has Chan investigating nefarious doings at a gold mine in Arizona, while Number Two Son (Victor Sen Yung) lives out the Western lifestyle. This colorful one sheet features a great image of Winters as Chan, not to mention the gorgeous kisser of leading lady Wanda McKay. There was fold wear and crossfold separations, a tear in the logo, pinholes at the corners (some enlarged), and edge wear. Professional restoration has the piece looking almost as good as new. Fine/Very Fine on Linen. Sold for: $239.00. |
| 64154 | The Fatal Warning (Mascot, 1929). One Sheet (27" X 41") Episode 4 -- "The Pit of Peril." When her banker father disappears along with a hundred thousand dollars, Helene Costello hires detective Ralph Graves to help her find him and clear his name. Boris Karloff, two years before Frankenstein would make him a star, plays one of the suspects. This one sheet had chips in the corners and lower border. The poster has been professionally restored, giving it a very clean appearance. Gorgeous stone litho artwork of the two stars. Fine/Very Fine on Linen. Sold for: $1,553.50. |
| 64155 | Terror by Night (Universal, 1946). One Sheet (27" X 41"). Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) must recover a stolen diamond aboard a train speeding from London to Edinburgh. The next-to-last entry in the classic Universal Sherlock Holmes series, this is a must for any fan of Sir Arthur Conan Doyle's famed detective. The attractive one sheet offered here shows pinholes in the corners, and some surface scuffing, but professional restoration has restored an almost-new appearance to this classic beauty. Very Fine- on Linen. Sold for: $1,195.00. |
| 64156 | The Lone Wolf Returns (Columbia, 1935). Pre-War Belgian (24.5" X 33.5"). Melvyn Douglas played "the Lone Wolf" in 1935, turning in what is considered the truest portrayal to what creator Louis Joseph Vance had in mind for the character. This stylish and colorful pre-war Belgian poster delineates the suave, ingenious jewel thief. The ever beautiful Gail Patrick co-stars. There are pinholes, small crossfold separations, mild edge wear, and very minor dot stains in the imprint area. There is a soft extra vertical fold, and tears in the right and left center fold line and the top left border. Fine.Sold for: $119.50. |
| 64157 | The Shadow Strikes (Grand National, 1937). Half Sheet (22" X 28") Style A. Introduced as the host of a radio mystery series, the enigmatic Shadow soon became the focus of one of the most popular pulp adventure magazines ever, with stories written by the prolific Walter Gibson beginning in 1931. This black-clad avenger of the night first came to the silver screen in 1937 in The Shadow Strikes, starring Rod LaRocque (there was an earlier series of short films around 1931, released under the series title The Shadow Detective Stories, but in these, the Shadow acted strictly as a host rather than as an active character). Paper produced for this title is exceptionally striking, and very hard to come across. The half sheet offered here is particularly rare, boasting an intensely dramatic image of LaRocque as the man who knew what evil lurked in the hearts of men. This poster, which was never folded, has had restoration work done to the borders. The image area is largely untouched, save for a thumb-sized chip in the upper yellow background area. Professional restoration and paper backing has resulted in a piece that displays beautifully and will make a proud addition to any collection. Fine on Paper.Sold for: $5,078.75. |
| 64158 | Dick Tracy vs. Cueball (RKO, 1946). One Sheet (27" X 41"). Do you think today's TV cops are something? They're nothing compared to Dick Tracy, the toughest lawman ever to carry a badge. Created by cartoonist Chester Gould in the pages of the Chicago Tribune on October 4, 1931, Tracy was an instant sensation who soon grew into other media, including radio, comic books, and, of course, film. Starring Morgan Conway as Tracy, Anne Jeffreys as Tess Trueheart, and Dick Wessel as the villainous Cueball, this is widely considered to be one of the better entries in the Dick Tracy series. This dramatic, unrestored one sheet shows pinholes in the corners, edge wear, and fold wear with crossfold separation, but these minor flaws do little to detract from the overall appeal of this highly desirable poster. Very Fine. Sold for: $358.50. |
| 64159 | The Benson Murder Case (Paramount, 1930). William Powell Publicity Still by Eugene Robert Richee (8" X 10"). Vintage black and white, single weight, glossy still. William Powell's third turn as S. S. Van Dine's detective Philo Vance was in this classy Paramount murder mystery. The photo is in excellent condition with Richee credit stamp on the verso. The catalog description was made in error as there are no defects of wrinkling, etc. on the photo presented here. Very Fine+. Sold for: $119.50. |
| 64160 | The Greene Murder Case (Paramount, 1929). Title Lobby Card (11" X 14"). Released six months after The Canary Murder Case, this was the second installment in the Philo Vance mysteries, which were quickly becoming a money maker for Paramount. William Powell once more played the role of Vance as he would through 1933 when he began the Thin Man series in 1934. This entry revolves around Vance investigating a series of murders involving the family of a wealthy Greene estate in the upper East Side of New York. The posters for this sound film are rarely seen and this card is a beautiful treat. The card has wear and foxing to the upper border and the upper right corner has been bent. The upper left corner shows some stress but the image has little damage. There are small tears in several areas of the border around the card. Fine-. Sold for: $1,792.50. |
| 64161 | The Greene Murder Case (Paramount, 1929). Lobby Cards (2) (11" X 14"). This is a very early sound film for Paramount featuring the suave detective Philo Vance from the best selling novels by S. S. Van Dine. William Powell was a supporting player with Paramount since the early 1920s. The role of Vance was one of his biggest breaks in the business and lead to starring roles for the remainder of his career. There are two cards in this lot. Both have pinholes in the center of the card which have been touched up with a minor amount of color to make them less distracting. The card without Powell has a small tear in the left border. Fine-. Sold for: $1,195.00. |
| 64162 | The Greene Murder Case (Paramount, 1929). Lobby Cards (2) (11" X 14"). Playing the part of Philo Vance, adapted from S. S. Van Dine's fictional detective, was a huge boost to the career of William Powell. He was able to move from villainous heels to debonair man-about-town roles. He would leave Paramount after his last Vance role in The Kennel Murder Case and sign with MGM where he would stay for many years starring in his famous films opposite Myrna Loy. There are two cards in this lot. The card featuring the ladies, which includes a very young Jean Arthur, far right, has several pinholes in the center, around the older woman. They are not too distracting. The card which features Powell and Pallette has several pinholes in the black next to Powell. These appear to have been touched up and are not distracting. Fine-. Sold for: $1,434.00. |
| 64163 | After the Thin Man (MGM, 1936). Midget Window Card (8" X 14"). Second in the famed Thin Man detective series, this sequel reunited William Powell and Myrna Loy as the husband-and-wife team of Nick and Nora Charles. They return home to San Francisco following their New York adventure and run smack into another murder. A very young James Stewart co-stars in an early role. The top imprint area of this card has been professionally replaced. There is light creasing on the bottom border. From the collection of Denver Sherry. Fine+.Sold for: $776.75. |
| 64164 | After the Thin Man (MGM, 1936). Window Card (14" X 22"). William Powell is Nick Charles and Myrna Loy is Nora Charles, the husband-and-wife detective team joined by their faithful dog Asta. Returning home after their first film adventure, they are soon involved in another murder case. The film also features a young James Stewart and Penny Singleton (when she was known as Dorothy McNulty). The poster had several tack holes toward the bottom and a red pencil mark on Loy's neck, which have been expertly restored. Fine/Very Fine on Cardstock. Sold for: $956.00. |
| 64165 | Shadow of the Thin Man (MGM, 1941). One Sheet (27" X 41") Style D. Nick and Nora Charles (William Powell and Myrna Loy) just can't seem to catch a break. Even a relaxing day at the race track turns into a murder investigation when a jockey, recently accused of throwing a race, is found shot to death. Based on characters created by famed hard-boiled novelist Dashiell Hammett, this was the fourth entry in this popular series. This lovely stone litho one sheet, with its beautiful portraits of both Powell and Loy, as well as Asta the dog and Dickie Hall, had fold wear, crossfold separation, tearing in the upper right corner, and a 5" vertical crease that breaks color just to the left of center. Professional restoration has largely addressed these issues, making this a perfect choice for Nick and Nora fans everywhere. Fine on Linen. Not Sold. |
| 64166 | Manhattan Melodrama (MGM, 1934). Insert (14" X 36"). Childhood friends Edward "Blackie" Gallagher (Clark Gable) and James W. Wade (William Powell) end up on different sides of the law as adults, the former as a notorious racketeer, the latter as the straight-arrow D.A. They both, however, fall for the same girl, and when Blackie commits murder to protect his longtime friend, Wade must examine his conscience to determine the right road to follow. The strong performances in this gripping film are highlighted by the first screen pairing of Powell and Myrna Loy, who would go on to make the popular Thin Man series of pictures together. This insert shows minor edge wear, pinholes at the top and bottom, and a scuff mark in the bottom right. The poster has been expertly paper backed and now looks like new! Fine+ on Paper. Sold for: $5,676.25. |
| 64167 | Tarzan and the Golden Lion (FBO, 1927). Title Lobby Card (11" X 14"). This terrific Tarzan tale stars James Pierce who was chosen to play the Lord of the Apes by Edgar Rice Burroughs himself. After the film, Pierce would go on to marry Burrough's daughter. Poster material of any kind for this elusive title is virtually impossible to find making this spectacular title card highly collectible. The only thing keeping this card from being a solid mint is a tiny half-inch tear in the left border. Near Mint-.Sold for: $13,145.00. |
| 64168 | Tarzan the Ape Man (MGM, 1932). Insert (14" X 36"). When MGM was preparing the ad campaign for this entry into the Tarzan series, no one knew what Johnny Weissmuller looked like. As a result, none of the U.S. posters feature an accurate depiction of the star that would make the role legendary. This insert from the first film in the series has had the borders and fold lines airbrushed. There was a tear along the upper fold line that went from the left border into the middle of the arm's shadow. There were two additional tears in the left border that went into the background. The poster displays significant signs of fading. Pieces from this first appearance of the Weissmuller-Tarzan are very rare. Very Good on Linen. Sold for: $7,170.00. |
| 64169 | Tarzan and His Mate (MGM, 1934). Title Lobby Card (11" X 14"). The film most Tarzan enthusiasts consider the best in the Johnny Weissmuller/Maureen O'Sullivan MGM series was also the one that was never reissued after its initial 1934 release. That was because it pushed the envelope to the limit with sexual innuendo and violence, and even, for a time, included a nude swimming sequence with O'Sullivan's stunt double. This was one of the last straws for the then-forming Hays Production Code office, leading to the heavy censorship that followed for many years to come. Offered here is the extremely rare title card for the film's only release (all the other MGM Tarzan movies were reissued several times). "Back Again" refers to this being the sequel to Tarzan the Ape Man (1932). This wonderful title card has been cleaned and restoration has been done to correct pinholes in the borders, two staple holes in the upper center background, a top and a bottom corner chip on the right side, and an erased pencil mark across Weissmuller's face. A must-have for any serious Tarzan or title card collector. Fine/Very Fine. Sold for: $3,585.00. |
| 64170 | Tarzan and the Amazons (RKO, 1945). One Sheet (27" X 41"). Johnny Weissmuller returns as the Lord of the Apes, but this time, he's joined by Brenda Joyce in her first appearance as Jane. Many of the RKO Tarzan posters were very attractive and in many ways put the late 1930s MGM Tarzan posters to shame. Before restoration this poster had pinholes in the image and borders and fold wear. There was also a 3" tear in the lower left corner and minor wear and tear along the edges. Now, the poster looks like the king of the jungle and is ready for display. Fine/Very Fine on Linen.Sold for: $1,314.50. |
| 64171 | Tarzan and His Mate (MGM, 1934). Johnny Weissmuller Still by George Hurrell (8" X 10"). Vintage black and white, single weight still. The quintessential Tarzan captured by the quintessential celebrity portrait photographer. This image of Johnny Weissmuller was shot by George Hurrell for the release of Tarzan and His Mate in 1934. There are pinholes and small stains in the borders, bumps at the corners, and light wrinkling. There is also a crease in the left side of the image. The reverse has a bit of writing in pen and a small piece of brown tape. Fine/Very Fine.Sold for: $239.00. |
| 64172 | Tarzan's Secret Treasure (MGM, 1941). Still (8" X 10"). Vintage black and white, double weight still. Shot by the great Clarence Bull, this is one of the greatest stills we have ever seen of the most famous of Tarzans and his family. Johnny Weissmuller, Maureen O'Sullivan, and Johnny Sheffield at the height of the series' success. The photo has a stamp on the verso with the Bull credit, as well as a typed blurb about the film. Very Fine.Sold for: $119.50. |
| 64173 | Tarzan's New York Adventure (MGM, 1942). Key Book Still by Clarence Bull (8" X 10"). Vintage black and white, double weight, matte finish still. Great shot of Johnny Sheffield, Maureen O'Sullivan and Johnny Weissmuller as Tarzan, with Cheeta, from their last film together at MGM - Tarzan's New York Adventure. Photo credit on verso for Clarence Bull, as well as type-written notation and stamp that says "Key Set Print." The notation states that the film's title is Tarzan Against the World. Near Mint+.Sold for: $119.50. |
| 64174 | Tarzan Finds a Son (MGM, 1939). Johnny Weissmuller and Maureen O'Sullivan Still (8" X 10"). Vintage black and white, double weight, satin finish still. This image of Johnny Weissmuller and Maureen O'Sullivan was commissioned by MGM for Tarzan in Exile. The films was retitled Tarzan Finds a Son for its 1939 release. The image is very clean with only the faintest of wrinkling. There are bumps at the corners and light edge wear. A typed studio description can be seen on the reverse as well as paper transfers, adhesive residue, and writing in pencil. Very Fine.Sold for: $119.50. |
| 64175 | Captain Midnight (Columbia, 1942). Three Sheet (41" X 81"). Based on the popular radio, and later Fawcett Comics, hero, this high-flying war-time serial featured Dave O'Brien in the title role, appearing opposite his then-wife, Dorothy Short. Fans of cult cinema will recognize O'Brien as the degenerate Ralph Riley in the classic anti-drug film, Reefer Madness. In this exciting chapterplay, Captain Midnight battles Ivan Shark, a criminal mastermind who attacks the U.S. with a fleet of bombers. The incredible three sheet offered here, with its stunning portrait of the title character had pinholes at all four corners, and some minor paper loss in the bottom panel. All of these flaws have been corrected with professional restoration, resulting in a very attractive poster that will be an important addition to any serial collection. Fine/Very Fine on Linen.Sold for: $3,585.00. |
| 64176 | The Green Hornet Strikes Again (Universal, 1941). One Sheet (27" X 41") Chapter 9 -- "The Tragic Crash." Created by Fran Striker, who also brought the Lone Ranger to life, the Green Hornet was first heard over Detroit's WXYZ radio station on January 31, 1936, and became an instant sensation. By day Britt Reid, crusading publisher of the Daily Sentinel and great-nephew of the Lone Ranger himself; by night the Green Hornet and his aide Kato fought gangsters and racketeers, all the while pursued by the police who mistakenly thought the Hornet to be as great a menace as the criminals he battled. The Hornet first appeared on movie screens in 1940, with this follow-up produced quickly thereafter. Starring Warren Hull as the Verdant Avenger and Keye Luke as his black-clad assistant, this serial is a fast-paced gem, as the Hornet and Kato battle racket after racket, leading up to a climactic encounter with archcrook Crogan (Pierre Watkins). The dramatic poster offered here, featuring a wonderful image of the Hornet, is typical of the Universal serial one sheets, which featured different art for each and every chapter (unlike, say, Republic sheets, which featured standard art with different photo insets for each). This poster had light fold wear with crossfold separations, and work to the bottom border. Professional restoration has returned a fresh and appealing look to this poster, making it a perfect and welcome addition to any serial collection. Very Fine- on Linen. Sold for: $1,015.75. |
| 64177 | Lost Planet Airmen (Republic, 1951). One Sheet (27" X 41"). The feature version of Republic's 1949 chapterplay, King of the Rocket Men, this exciting science fiction epic stars serial stalwart Tristram Coffin as Professor Jeff King, inventor of a rocket-powered flight suit, and Mae Clarke (Elizabeth in Universal's 1931 classic Frankenstein) as intrepid reporter Glenda Thomas. The original serial was so successful, it spawned several unofficial sequels featuring Rocketman, a character who was the direct inspiration for graphic artist Dave Stevens's later Rocketeer. As distribution for this feature version was limited, paper from this release is quite scarce. This particular copy had light fold wear with slight crossfold separation, and minor staining in the bottom left, but professional restoration has minimized these flaws, making this a poster that any avid serial fan will surely covet. Very Fine+ on Linen.Sold for: $1,135.25. |
| 64178 | The Lost Express (Mutual, 1917). 24 Sheet (104" X 232"). Now here is an item that you may never see again as assuredly almost none have survived! This is a billboard size poster for a serial from the year 1917! Helen Holmes, one of the reigning queens of the silent chapterplay, stars in this 15 chapter film. Holmes plays a stalwart telegraph operator who solves the mystery of a train that seemingly vanishes without a trace. The engine carries a new and valuable formula for granulated gasoline! The film was directed by Holmes's husband, J. P. McGowan, seen prominently on the poster, and it was produced by the star's own production company, Signal Film. The poster is in amazingly good and unused condition. There is wear to the two upper left panels which feature Holmes's portrait. There is minor wear and fold separation within several of the other panels. The poster would benefit greatly from restoration by linen backing. Fine-.Sold for: $2,390.00. |
| 64179 | The Mysterious Airman (Weiss Brothers Artclass Pictures, 1928). Three Sheet (41" X 81") Chapter 5 -- "The Air Pirate." This gorgeous poster was produced for a ten-chapter serial of which little is known other than it was a spy drama involving the newly invented airplane. It was written by Arthur B. Reeve, who wrote The Exploits of Elaine and the three serials Houdini starred in. Its star was Walter Miller, who starred in many Westerns and programmers until his untimely death on the set of the Republic/Autry Western Gaucho Serenade. The poster has some crossfold wear as most any unrestored poster from this period would. It has a few small tears within the border. The colors and image on this stone litho poster are outstanding. Fine/Very Fine.Sold for: $3,107.00. |
| 64180 | Do or Die (Universal, 1921). One Sheet (27" X 41") Episode 2 -- "The Hornet's Nest." This early Universal serial stars Eddie Polo, one of the best stunt men of the silent era. Known as the "Hercules of the Screen," the former circus acrobat joined Universal in 1914 where he doubled the serial team of Francis Ford and Grace Cunard before becoming a serial star himself. Polo was the only male star at the time to threaten the supremacy of the renowned silent serial queens such as Pearl White. This beautiful stone litho one sheet has fold wear with some splits, crossfold separations and light edge wear. Very Fine-. Sold for: $478.00. |
| 64181 | The Grim Game (Paramount, 1919). Lobby Card (11" X 14"). Arguably the twentieth century's first media superstar, Harry Houdini was a leading magician, aviation pioneer, and filmmaker in his day. Always the canny showman, Houdini quickly grasped the potential of the new medium of film, and enthusiastically set out to become a silent movie star. One of his first efforts, for Famous Players/Lasky (the parent company of nascent Paramount Pictures), was The Grim Game, an exciting picture in which Harvey Hanford (Houdini) is framed for murder and falsely imprisoned. Of course, Hanford's attempts to clear his name gave Houdini plenty of opportunities to display the escape artist talents that had made him a worldwide sensation. This lovely card shows the expected pinholes, as well as marks from oversized tacks in the rounded corners, and some very minor staining in the border areas. Very Fine-.Sold for: $1,135.25. |
| 64182 | The Master Mystery (Octagon, 1920). Lobby Card (11" X 14"). Far from being a "mere" magician, Harry Houdini was a pioneer in several fields. In 1910, he became the first person to make a controlled, powered airplane flight over Australia, and in 1919, seeing the potential of the new medium of film, he made his first motion picture, a 15-chapter serial titled, The Master Mystery. Houdini played Quentin Locke, an agent of the American Justice Department, tasked with investigating a criminal cartel that threatens the nation with a deadly gas, "The Madagascar Madness." Complicating things is the cartel's robot servant, called "The Automaton," which has the distinction of being the first robot ever seen on film. As with all Houdini material, pieces like this are highly prized not only by film collectors, but by magic enthusiasts as well. This attractive card, bearing a wonderful portrait of the legendary magician, shows small pinholes in the corners, and some slight chipping at the top corners. Fine/Very Fine. Sold for: $1,135.25. |
| 64183 | The Masked Menace (Pathé, 1927). Lobby Card Set of Four (11" X 14") Chapter 10 -- "The Menace Unmasked." Based on a short story by pulp writer Clarence Buddington Kendall, this serial is comprised of 10 action-packed chapters. Larry Kent stars as our hero who comes to the aid of an elderly mill owner (Laura Alberta) and her attractive young ward (Jean Arthur) when they are terrorized by a masked villain. There is foxing and soiling in the borders as well as enlarged pinholes, edge wear, and corner bumps. This is a very early role for the star who would later grace such films as Mr. Smith Goes to Washington and Shane. Fine-. Sold for: $262.90. |
| 64184 | The Tiger's Shadow (Pathé, 1928). One Sheet (27" X 41") Chapter Five -- "The Gas Chamber." Little is known about this intriguing silent serial. It was directed by Spencer Gordon Bennett, one of the most prolific serial directors in the history of the genre, who had previously helmed the 10-chapter Hawk of the Hills, and would go on to make such serial classics as The Secret Code, G-Men vs. the Black Dragon, Superman, Batman and Robin, and The Masked Marvel, to name just a few. The Tiger's Shadow was apparently an example of an early breed of serial that featured women in the leading roles - Gladys McConnell, in this instance - a concept Bennett would revive in 1944 with The Tiger Woman, starring Linda Stirling, and would go on to exploit with great success in such memorable later chapterplays as Zorro's Black Whip, Daughter of Don Q, and The Black Widow. This spectacular one sheet had fold wear, pinholes in the borders and corners, and minor surface paper loss in the "S" in "Shadow." Expert restoration has addressed these issues, making this a true gem for any serial collector. Fine/Very Fine on Linen. Sold for: $1,015.75. |
| 64185 | The Phantom Empire (Mascot, 1935). One Sheet (27" X 41"). When cowboy mega-star Ken Maynard decided he was tired of filming serials, Mascot studio head Nat Levine unceremoniously dumped him in favor of a new and untried former bit-player, a singing cowboy named Gene Autry. The result was Hollywood history. Autry stars in this, one of the most influential sci-fi films ever made. In 12 exciting chapters, Gene and his pals, young Frankie Darro and Betsy King Ross, do battle with the forces of the underground city of Murania, all the while trying to stave off a group of evil businessmen who want to grab Autry's Radio Ranch for their own nefarious ends. Through it all, Autry manages to include at least one song in every thrilling episode. Offered here is a rare, duotone-style one sheet for this important science fiction Western. It had pinholes in the corners, a chip in the right border, and small holes in the left and right borders. These small defects have been addressed with professional restoration. Posters from this title rarely surface. Fine/Very Fine on Linen. Sold for: $1,227.27. |
| 64186 | The Lone Ranger (Republic, 1938). One Sheet (28" X 42"). This beautiful (and scarce) poster was produced for personal appearances by Lee Powell for the Wallace Brothers Circus. Powell appeared in character as the Lone Ranger to promote his starring role in the Republic serial of the same name. The poster was folded once. There was a tear in the blue background area on the left side, edge wear, and two other small tears on the borders. All of this has been beautifully and expertly restored, rendering these defects virtually unnoticeable. This sheet resembles the much sought Chapter 1 poster for the serial, The Lone Ranger, (Republic, 1938), and is just as scarce! Fine+ on Linen.Sold for: $836.50. |
| 64187 | The Lone Ranger Rides Again (Republic, 1939). One Sheet (27" X 41") Chapter 8 -- "Fatal Treasure." The sound of gunfire echoing off canyon walls and hooves galloping down dusty trails thrilled kids every Saturday morning as the Lone Ranger with his trusty sidekick, Tonto took on the forces of evil in the Old West. This exciting poster from Chapter 8, features the Lone Ranger (Robert Livingston on hiatus from the Three Mesquiteers) arresting another desperado trying to stop the homesteaders from moving in. This scarce one sheet has pinholes and some small chips around the edges. There are a few scratches and slight tears. Fine+.Sold for: $1,195.00. |
| 64188 | Perils of Nyoka (Republic, 1942). One Sheet (27" X 41") Chapter 15 -- "Satan's Fury." Kay Aldridge, the "Serial Queen" herself, gets more than she can handle from Vultra, the Queen of the Desert in this exciting poster from the final chapter of this Republic classic. During the early days of World War II, with many of the boys off fighting in the war, Republic returned to the "roots" of the serial by featuring a woman as their lead, following in the footsteps of Pearl White in the 1920s. This poster shows minimal wear along the borders and very slight separation at the ends of the fold lines. Very Fine+. Sold for: $179.25. |
| 64189 | The Return of Chandu (Principal Distributing, 1934). One Sheet (27" X 41") Episode 12 -- "The Knife Descends.". Bela Lugosi stars as the famous magician, Chandu, who leaps to the rescue when a consultation with his crystal ball reveals that Egyptian princess Nadji is about to be sacrificed by the cat-worshipping Ubasti cult. This 12-chapter Principal Pictures serial was based on the "Chandu" radio program. Interestingly, Lugosi also starred in the 1932 adaptation of Chandu, not as the magician, but as a villain. The one sheet has an extra fold, tears in the borders, some minor crossfold tears, and chipping at the centerpoint. This poster is still quite nice and depicts Lugosi during the height of his career. Fine+. Sold for: $836.50. |
| 64190 | The Fighting Pilot (Ajax, 1935). One Sheet (27" X 41"). Dick Talmadge, "Daredevil of the Screen," battles a gang of thieves to protect the inventor of a new airplane in this thrill-a-minute stunt show. Born in Switzerland, Talmadge first came to America as part of a troupe of acrobats touring with the Barnum & Bailey Circus. He originally entered pictures as a stunt double for Douglas Fairbanks Sr., but soon graduated to star status himself. This exciting unrestored stone litho one sheet shows fold wear with some crossfold separation, a tear at the top that has been repaired with cellophane tape, and light smudging. This is a beautiful stone litho poster. Fine/Very Fine. Sold for: $567.63. |
| 64191 | Superman and the Mole Men (Lippert, 1951). Three Sheet (41" X 81"). Following Columbia's extremely popular serials featuring the Man of Steel, it was decided to release this feature version of Superman's adventures, this time starring George Reeves in the role of the Last Son of Krypton. It also served as a pilot for the proposed television series, which was picked up when the theatrical film proved a popular success. The TV show, which ran from 1951 to 1957, made a major star of Reeves and led to him being permanently identified with the role. As Superman poster collectors know, this is, by far, one of the hardest posters featuring the character to find. This particular copy had fold wear and crossfold separation, as well as some slight edge chipping, but professional restoration has addressed these issues admirably, making this a poster any Superman collector will be proud to own. Very Fine on Linen.Sold for: $4,182.50. |
| 64192 | The Lone Defender (Mascot, 1930). One Sheet (27" X 41") Episode One -- "The Mystery of the Desert." Rescued from the battlefields of France during World War I, Rin Tin Tin, or "Rinty" as he was affectionately called, made his first film in 1923 and was Hollywood's biggest star by the time this serial was released. He is often credited with single-handedly saving Warner Brothers from bankruptcy. Offered here is an exquisite one sheet for the first chapter of Rinty's first serial, showing the canine hero in characteristic action. The glorious, unrestored stone litho poster shows pinholes in the corners, small pieces of cellophane tape at each of the top corners, and cellophane tape on the reverse reinforcing the crossfolds. These are minor considerations, however, and do little to detract from the enormous appeal of this exciting and colorful piece. Fine+.Sold for: $1,195.00. |
| 64193 | Lassie Come Home (MGM, 1943). One Sheet (27" X 41"). The archetypal "got to make it home" movie, and who remembers that Lassie was originally a Brit? Her epic journey "home" is from Scotland to Yorkshire, although the film was actually shot in California. This wonderfully colorful one sheet emphasizes the film's literary origins, and provides a nice portrait of the uber-collie and the young Roddy McDowall. The poster had most of the left border and about one inch of the image are missing and have been replaced via professional restoration. A beautiful sheet for this quintessential family film. Very Good/Fine on Linen. Not Sold. |
| 64194 | Lassie Come Home (MGM, 1943). Midget Window Card (8" X 14"). The very first Lassie movie also stars, in addition to the most famous collie in the world, Roddy McDowall, Donald Crisp, and Elsa Lanchester, in this heart-warming tail-tale of a dog trying to get back to his family. There is discoloration on the top imprint area with paper tape on the back, a top left corner chip, and light edge wear. From the collection of Denver Sherry. Fine/Very Fine.Not Sold. |
| 64195 | Hell's Hinges (Kay-Bee, 1916). French Grande (47" X 63"). William S. Hart was one of the screen's earliest cowboys, and certainly one of its most authentic. Hart had spent his formative years in the American West, and he used those memories to make his westerns as true to life as possible. This film was made within two years of Hart's arrival in Hollywood and at the time of its release he was well on his way to stardom. The following year he would sign with Paramount and would there become a household name. This lovely pre-WWI French poster is very rare as so few have survived. The poster had pinholes, minor fold wear, and crossfold separations, which have all been beautifully restored. This is an early and striking poster for a classic Western star. Very Fine on Linen.Not Sold. |
| 64196 | Wild Bill Hickok (Paramount, 1923). Lobby Card (11" X 14"). William S. Hart, one of the true pioneers of the Western genre, made this biopic of the legendary Wild Bill Hickok. By 1923, Hart's style of stoic acting had gone out of fashion; this would be one of his last films. Ultimately, Hart was remembered as one of the screen's greatest cowboys who lived the life he portrayed onscreen by learning it from his real-life pals like Wyatt Earp. This card has some slight wear to the corners and the left border with a crease in the upper right corner. Very Fine -.Sold for: $310.70. |
| 64197 | West is West (Universal, 1920). Title Lobby Card and Lobby Card (11" X 14"). Harry Carey was one of the first and brightest stars of the Western film genre. By the time this feature was made in 1920, he had already appeared in some 125 films. He formed a working relationship with John Ford by convincing Universal head, Carl Laemmle, to hire the youngster as a director. Beginning in 1917 until they had a falling-out in 1920, they worked together almost exclusively. Carey would continue making movies until his death in 1947. This fabulous title card and scene card are from Carey's starring days with Universal. Interestingly, to show how big of a star Carey was, the director is listed as being "under the supervision of Harry Carey." The title card has one pinhole in the upper center border. The scene card has one pinhole in the upper center image just at the bottom of the green border. Both cards are exceptionally clean with the most minor corner wear. Very Fine.Sold for: $179.25. |
| 64198 | Sunset Pass (Paramount, 1929). Lobby Card Set of 8 (11" X 14"). Based on a popular story by famed Western novelist Zane Grey, this is the story of Jack Rock (Jack Holt), a dedicated lawman who goes undercover to infiltrate a cattle rustling ring. The lobby card set offered here shows tack holes in the corners, edge wear, and light foxing. Additionally, all the cards show some degree of horizontal creasing through the middle, as well as small amounts of border chipping and rounded corners. One of the scene cards shows a 3.5" chip in the left border, and the title card has a pencil mark in the upper left corner. In spite of these flaws, this is a very desirable set from a classic early Western. Fine.Sold for: $239.00. |
| 64199 | The Great K & A Train Robbery (Fox, 1926). Window Card (14" X 22"). Tom Mix, the screen's first King of the Cowboys, journeyed to Colorado and Glenwood Springs to make this action-packed thrill-a-minute Western in which he attempts to stop a band of train-robbers. This window card features the iconic cowboy astride a locomotive with six-shooters still a-smokin'. The top imprint area and the borders have been airbrushed and the lower corners were replaced, but these imperfections don't distract from the clean interior of the card. Fine-.Sold for: $448.13. |
| 64200 | Redskin (Paramount, 1929). One Sheet (27" X 41") Style A. Richard Dix stars as Wing Foot, a Pueblo Indian taken from his land as a child, and forced to speak English and learn the ways of the white man. Attending college, he becomes a star athlete and excels in all his studies, while enduring the racism of his classmates. He graduates from medical school and returns to the reservation, where he is shunned by his people for being "too white." A searing indictment of the government's efforts to "civilize" the Native American population, Redskin was filmed as an epic Western follow-up to the 1926 film The Vanishing American, the title character of which was also played by Dix, who actually was part American Indian. Redskin was partially filmed in two-strip Technicolor and in its initial run was shown in Magnascope, an early widescreen process. There were pinholes in the corners, light fold wear, and minor chips on the top and bottom right corners. The poster has been professionally restored, giving it a beautiful appearance. The colors are strikingly deep and rich, and the art faithfully depicts Dix's "man of two worlds" dilemma. Fine+ on Linen.Sold for: $3,346.00. |
| 64201 | The Vanishing American (Paramount, 1925). Window Card (14" X 22"). Richard Dix gave one of his best performances in this silent Western. He plays a Navajo Indian who encounters racial bigotry upon his return to the reservation after fighting in World War I. His people are being taken advantage of by a corrupt Bureau of Indian Affairs agent (Noah Beery) and many of them are feeling it is time to fight back against the abuse. Dix must decide whether or not to join them. Gorgeous stone litho graphics highlight this wonderful poster. The top left corner is missing, and there is edge wear, light foxing on the top and bottom borders, and a small stain on the bottom right corner. Fine/Very Fine.Sold for: $262.90. |
| 64202 | Texas Guinan (Frohman Amusement, 1919). One Sheet (25" X 40"). "Hello sucker!" was her trademark greeting, but she's also credited with inventing the phrase "Give the little girl a great big hand" and the term "Big Butter and Egg Man" which George S. Kaufman used as the title of one of his plays. Texas Guinan was the epitome of the outspoken, hell-raising party girl of prohibition. Before running the most famous speak-easy in the country, she was a vaudeville performer and later starred in her own series of two-reel Westerns. This gorgeous stock poster, the only one we have ever seen turn up, as far as we can determine is from the brief period in 1919 in which her short films were distributed under the Frohman name. This stone litho portrait on this outstanding poster printed by Ritchey Litho, has to be the best ever made for this larger-than-life personality. The unrestored poster is a full-bleed with some minor fold and edge wear. There are two small, spots where paper has come off of the surface. Fine+. Sold for: $5,975.00. |
| 64203 | Powdersmoke Range (RKO, 1935). Lobby Card Set of 8 (11" X 14"). At long last, the elusive lobby set for one of the greatest B Westerns ever made has turned up! This was (as the title card states) the Barnum and Bailey of Westerns! The Show of Shows! Almost every B Western star working in Hollywood was cast in this legendary epic - the very first full casting of the Three Mesquiteers. Tucson Smith (Harry Carey), Stony Brooke (Hoot Gibson), and Lullaby Joslin (Guinn "Big Boy" Williams) hit the screen with six shooters a-blazin' alongside Bob Steele, Tom Tyler, William Farnum, Wally Wales, Art Mix, Buffalo Bill Jr., Buddy Roosevelt, and a cast of other Wild West buckaroos! The cards have pinholes in the corners and one of the scene cards has some light surface scratches. Very Fine. Sold for: $717.00. |
| 64204 | The Nevada Buckaroo (Tiffany, 1931). One Sheet (27" X 41"). Tiffany Productions, a neat little B-Movie unit, produced over 70 features from 1929-1932. Twenty of these were Westerns with Bob Steele starring in eight of them. They were better than average productions with fast-paced action and solid performances. Steele was one of the few Western actors that ventured outside "oaters." Check out his fine performance as the sadistic "Curley" in Of Mice and Men, a four-time Oscar nominee in 1939. Tiffany employed the best artists they could afford for their advertising, and this super one sheet proves it. Superb portraits of Bob Steele and lovely Dorothy Dix (big sister of Tex Harding who appeared as Charles Starrett's sidekick in many films). Western one sheets of this quality are becoming more and more difficult to find. Linen backing and good airbrush technique has addressed pinholes, and a chip in the top, and in the lower right border. Fine+ on Linen.Sold for: $1,015.75. |
| 64205 | Romance Rides the Range (Spectrum, 1936). One Sheet (27" X 41"). Fred Scott was a baritone with the San Francisco Opera company when he made this, the first of thirteen singing Westerns to star the "silver-voiced baritone," very much in the mold of Nelson Eddy's light opera pictures. Scott made a handful of films over the next few years, but eventually left Hollywood to pursue a career in real estate. This dynamic poster, with its striking portrait of Scott, had fold wear, small edge tears, a 6" tear on the right edge by the circular image of Scott and his stallion, White King. All this has been professionally restored, making it a very desirable piece for any Western collector. Very Fine on Linen.Sold for: $478.00. |
| 64206 | The Magnificent Seven (United Artists, 1960). Insert (14" X 36"). An American remake of Akira Kurosawa's samurai classic, The Seven Samurai, this all-star picture tells the story of a group of gunfighters gathered to protect a small Mexican town from the depredations of a horde of bandits. From the incredible cast - including Yul Brynner, Steve McQueen, Eli Wallach, Charles Bronson, Robert Vaughan, and James Coburn - to its memorable soundtrack, composed by Elmer Bernstein, this movie has "classic" written all over it, from beginning to end. The off-screen rivalry between McQueen and Brynner has become the stuff of legend. This attractive insert, with its exciting action scene, has pinholes in the corners and in the yellow background, a stain in the lower right, and a corner bend in the upper right. Paper from this classic film is very desirable, and this poster is no exception. Very Fine-.Sold for: $262.90. |
| 64207 | The Devil's Tower (Rayart Pictures, 1928). Lobby Card Set of 8 (11" X 14"). One of the lesser-known silent cowboys, Buddy Roosevelt's legacy is perhaps best summed up by the breaks he inadvertently gave to others. In 1928, he was offered, and accepted, the role of the Cisco Kid in In Old Arizona. Unfortunately, he broke his leg shortly before filming was to begin, and the part went to Warner Baxter, who won an Academy Award for his performance. A few years later, he was offered a part in a series of low budget "B" Westerns being filmed for Monogram. Roosevelt accepted the deal, but his wife went behind his back and demanded more money. Angered, the producer rescinded his offer, and gave the part to a young actor named John Wayne, setting the actor on the road to eventual fame and fortune. Nevertheless, Roosevelt had a career that spanned nearly four decades, often appearing in uncredited roles. Offered here is an attractive set of cards from one of Roosevelt's silent pictures. The title card shows dust shadowing along the right edge, as well as pinholes in the corners. The scene cards all have pinholes in the corners, and some slight surface smudging, but apparently have been very lightly used. For any fan of silents or Westerns, this set will be a welcome addition to your collection. Very Fine. Sold for: $1,015.75. |
| 64208 | Massacre (First National, 1934). Half Sheet (22" X 28"). This was one of the first major Hollywood films to seriously address America's ongoing mistreatment of its Native American population. Richard Barthelmess stars as Joe Thunder Horse, an "assimilated" college-educated Sioux Indian. Upon the death of his father, the tribal chief, Joe returns to the reservation of his youth, only to discover that his people are dying of various diseases and are being systematically cheated of their possessions and basic rights by crooked Indian agents. He heads to Washington in hopes of righting these wrongs, only to experience racial prejudice and hatred all along the way. The poster has fold wear and a center crossfold separation with paper loss, and two corner chips. There are two pieces of paper missing on the bottom border, neither affecting the artwork. A striking image of Barthelmess in his war bonnet. Very Good/Fine on Paper.Sold for: $657.25. |
| 64209 | The Texan (Principal Attractions, 1932). One Sheet (27" X 41"). Jay Wilsey, a Missouri-born cowpoke, was yet another young horseman given a catchy name make-over by Poverty Row Producer, Lester F. Scott Jr. Wilsey became "Buffalo Bill Jr," and would entertain rural America for years in hard-ridin', exciting, action-packed Westerns. This dramatic one sheet depicts Wilsey in a "buckboard-leap," a move only attempted by accomplished stuntmen, which he was. In fact, it was Wilsey, not the "star," performing those daring agile feats in many of Charles Starrett's movies. Before restoration there were pinholes in the corners and image, small edge tears with chips, and minor paper loss at the crossfolds. Posters with "Texas" derivative titles continue to be avidly sought, and this is a great one. Very Good/Fine on Linen.Sold for: $507.88. |
| 64210 | Trouble Busters (Majestic, 1933). Six Sheet (81" X 81"). Jack Hoxie headlines this convoluted but highly entertaining Western, and even gets his name above the title, at least on the poster. Hoxie and his partners are known as "Trouble Busters," men who look for adventure and help out people in need. They discover that a ranch owned by a crotchety old man and his daughter has large oil deposits. They also discover that a local gang has found out about it and plans to take the land from the pair. Hoxie looms large on this beautiful stone litho poster, shown grappling with another cowpoke in well-rendered artwork. There was fold wear and crossfold separations, minor edge tears, and a scuff on the top right. The poster has been professionally restored and looks fantastic! Very Fine- on Linen.Sold for: $1,015.75. |
| 64211 | Via Pony Express (Majestic, 1933). Three Sheet (41" X 81"). Lovers of vintage cowgirl graphics will enjoy this beauty! Jack Hoxie, from the Oklahoma Indian territory, had fine cowboy skills and was a successful rodeo star. Prior to restoration, this poster had pinholes, edge wear with chips and a tear in the image. there were also stains in the borders and upper image and fold wear with crossfold separations. Now, all that is left is a gorgeous poster that is ready to display. Fine- on Linen.Not Sold. |
| 64212 | The Crimson Trail (Universal, 1935). One Sheet (27" X 41"). In a story involving neighboring ranches and low-down cattle thieves, cowboy star Buck Jones shines in this Universal Western. Considered by many to be one of the greatest of the B-movie Western stars, Jones's skills with riding and shooting were real, gained during his childhood living on a ranch in Oklahoma, and later stints in a variety of Wild West shows. After World War I, Jones relocated to Hollywood, where he found work in movies featuring such Western icons as Tom Mix and Franklyn Farnum, and soon became one of the top motion picture stars of the era. In 1942, on a wartime bond-selling tour, Jones was in Boston at the Coconut Grove nightclub when a terrible fire broke out. The actor was badly burned in the blaze, and died several days later, one of hundreds who lost their lives in the conflagration. He is fondly remembered today as a fine actor and a true gentleman. The poster offered here, with its impressive portrait of Jones, had pinholes in the corners, fold wear with crossfold separation, chipping at the borders and a small amount in the image area, and a piece out of the bottom center, with inpainting on several of the letters to repair the damage. Professional restoration has addressed these issues, providing a poster that any Western fan would be proud to own, as it is one of Jones's best from the period. Very Good+ on Linen.Sold for: $896.25. |
| 64213 | Jesse James (20th Century Fox, 1939). British Half Sheet (22" X 28"). Tyrone Power plays the legendary outlaw, with Henry Fonda as his brother Frank, in this superb Technicolor Western that is a little light on historical accuracy but big on excitement. Randolph Scott, Brian Donlevy, Henry Hull, and John Carradine round out the terrific cast. This colorful half sheet has a great image of Power and leading lady Nancy Kelly, along with an exciting moment from the train robbery. There was a chip at the bottom left corner, and a censor stamp in the image. The border has been airbrushed, and part of the 20th Century Fox logo repainted as part of a professional restoration that left this sheet looking like a million bucks! Fine+ on Linen.Sold for: $1,195.00. |
| 64214 | Jesse James (20th Century Fox, 1939). Color-Glos Lobby Card Set of 8 (11" X 14"). Tyrone Power and Henry Fonda tackled the roles of Jesse and Frank James in this action-packed tale of the outlaws' exploits. This version of the film, like its 1927 predecessor, depicted the outlaws in a sympathetic light. Power was one of the greatest leading men of the era and made a romantic Jesse for the women. Offered here is the extremely rare complete set of eight color-glos lobby cards for the film. Most of these lobbies have several sets of staple marks per corner and some light staining in the left and upper borders. Fine+.Not Sold. |
| 64215 | Jesse James (Paramount, 1927). One Sheet (27" X 41") Style B. Fred Thomson, as the legendary outlaw Jesse James, found himself in a bit of controversy when this film was released at the box office. The film depicted the outlaw in a sympathetic light and there were still many people in 1927 who remembered the outlaw's exploits and didn't like the way James was being portrayed. This outstanding one sheet exhibits that sympathetic outlook as James comforts his mother. The poster had a few tears in the borders that went into the background, and there were a few chips in the borders as well. A large piece was out of the upper border, and there was a smaller chip in the lower right border. All of this has been corrected through expert restoration. Fine/Very Fine on Linen. Sold for: $836.50. |
| 64216 | Jesse James (Paramount, 1927). One Sheet (27" X 41") Style A. Western star Fred Thomson was at the peak of his career when he was signed by Paramount to star in this big-budget biopic about the life of outlaw Jesse James. To give the film its edge and authenticity, Paramount also brought in James's son, Jesse E. James as a technical advisor. This poster is one of the classic images of the 1920s, depicting the iconic Jesse James, done in a 1920s art-deco motif. The poster has had minor restoration to the borders and the fold lines which had tears and some slight chipping. Fine on Linen.Sold for: $3,883.75. |
| 64217 | Shadow Ranch (Columbia, 1930). Title Lobby Card (11" X 14"). Buck Jones stars as a cowboy who comes to the rescue of a female rancher (Marguerite de la Motte). This great deco art title card has pinholes in the corners, and one light smudge on the top border. Very Fine.Sold for: $717.00. |
| 64218 | Sudden Bill Dorn (Universal, 1937). Half Sheet (22" X 28"). It's action and excitement aplenty when a prospector strikes gold in this thrill-packed Western starring popular cowboy star Buck Jones. One of the biggest Western stars of the era, Jones's riding and shooting skills were very real, honed on the ranch where he grew up near Red Rock, Oklahoma. This colorful half sheet had fold wear with some crossfold separations, and light edge wear, but professional restoration has addressed these minor issues handsomely. This is one of the very best Jones half sheets we have ever seen! Very Fine on Paper.Sold for: $507.88. |
| 64219 | Cheyenne (First National, 1929). Title Card and Lobby Cards (6) (11" X 14"). One of the biggest cowboy stars of the silent era, Ken Maynard could always be counted on for an exciting picture. In this one, Maynard plays Cal Roberts, a young rodeo cowboy who helps his girlfriend's father avoid bankruptcy. The lobby cards offered here are quite attractive and presentable. They show some minor foxing in the borders, edge wear, very small silverfish nibbles, slight corner bumps, and slight smudging. All in all, this is an exceptional offering for the serious Western collector. Fine/Very Fine. Sold for: $717.00. |
| 64220 | Dynamite Ranch (K-B-S, 1932). One Sheet (27" X 41"). Any discussion of great early cinema cowboys would have to include Ken Maynard, one of the biggest stars ever to mount a horse. Dynamite Ranch was produced during the short time that Ken spent with K-B-S Film Co., a low-budget outfit created specifically to cash in on Maynard's box office draw. Although the films he made for K-B-S were somewhat successful, the outfit went belly-up after about a year. Maynard, fortunately, bounced back and signed with Universal for a time, eventually ending up at Mascot Studios, a Poverty Row outfit headed by Nat Levine. Maynard's film career came to an end in 1944, forcing him to turn to circus performances as a way of making ends meet. He passed away in 1973. This attractive stone litho one sheet had fold wear with crossfold separation and a small chip on the left side, all of which has been addressed with professional restoration. Western fans will surely covet this classic beauty. Very Fine on Linen. Sold for: $537.75. |
| 64221 | Heir to Trouble (Columbia, 1935). One Sheet (27" X 41"). One of the biggest Western stars of the silent and early talkie era, Ken Maynard could always be counted on to draw crowds at the box office. This picture, in which he plays Ken Armstrong, a cowboy who inherits both a gold mine and a baby when a close friend dies, was made for Columbia shortly after Maynard left Mascot Studios. It was directed by Spencer Gordon Bennett, widely remembered today as one of the top directors of serials. This lovely stone litho one sheet, with a particularly nice portrait of Maynard, had fold wear with crossfold separations, and chipping in all the borders, but professional restoration has rendered these slight flaws virtually unnoticeable. Fine/Very Fine on Linen. Sold for: $776.75. |
| 64222 | Strawberry Roan (Universal, 1933). One Sheet (27" X 41"). Cowboy star Ken Maynard, along with his famous horse Tarzan, has to deal with a wild stallion and a crooked foreman in this fast-paced and exciting Western, one of his very best for Universal. Maynard, an accomplished trick rider, was the first singing cowboy of the movies. This film, produced by Maynard's own production company under the auspices of Universal, was one of the last he'd make under that arrangement before Universal's increased focus on horror films in the early 1930s caused them to dump the Western genre almost entirely for a short time, which led to Maynard's return to Poverty Row. The remainder of Maynard's career had its ups and downs, but this picture is from the height of his popularity, when he was the reigning successor to such Western icons as William S. Hart and Tom Mix. A beautiful poster by any standard, it had some fold wear and crossfold separation, as well as minor edge chipping in the borders and a small chip in the top left. All of these issues have been addressed with professional restoration, however, resulting in a poster that is bright, attractive, and very desirable. Very Fine on Linen.Sold for: $657.25. |
| 64223 | The Traitor (Puritan, 1936). One Sheet (27" X 41"). This was Tim McCoy's final film for Puritan Pictures. Here, McCoy plays a Texas Ranger who goes undercover in order to flush out a gang of heroin smugglers. There is light fold line wear and small border imperfections, nicks, minor tears, and pinholes. This poster displays bold and vibrant colors, and features a nice action shot of McCoy riding his trusty steed. Fine+.Sold for: $956.00. |
| 64224 | Tumbling Tumbleweeds (Republic, 1935). One Sheet (27" X 41"). Following a 1934 cameo in Ken Maynard's In Old Santa Fe, singing cowboy sensation Gene Autry was given his first starring role in this feature. This impressive one sheet is one of only two copies that we know of, and depicts the star in a perfect likeness. The poster had a slight trim around the border area. There is also some minor color touch to the folds and center points with a bit more work done to some minor holes in Autry's hat. Overall, these imperfections do not hurt this classic and extremely rare poster. Fine+ on Linen.Sold for: $4,780.00. |
| 64225 | Home on the Prairie (Republic, 1939). One Sheet (27" X 41"). Gene Autry stars as a Texas Ranger who's trying to halt an anthrax epidemic by tracking down the villains who are knowingly transporting diseased cattle across the U.S.-Mexico border. This one sheet is considered one of Gene Autry's best as it features the singing cowboy in a classic pose atop his trusted horse, Champion! The poster had pinholes in the borders, light fold wear, and tape scuffs on the left border and some of the folds. It has been expertly restored to give it an excellent appearance. Fine/Very Fine on Linen.Sold for: $1,434.00. |
| 64226 | Red River Valley (Republic, 1936). One Sheet (27" X 41"). Gene Autry, with the aid of his pal Smiley Burnette, sets out to save an irrigation project in this dam fine movie. Made by Republic, a studio renowned for their fast-paced and exciting productions, this picture was directed by B. Reeves "Breezy" Eason, who also helmed the serial that made Autry a star, The Phantom Empire. This exciting and dramatic poster had pinholes in the corners, fold wear, and chipping in the borders. Additionally, the upper left corner has some missing paper. All of these issues have been addressed by professional restoration. Very Fine- on Linen.Sold for: $776.75. |
| 64227 | Under Western Stars (Republic, 1938). Lobby Card Set of 8 (11" X 14"). If you're a Roy Rogers fan - and who isn't? - this is a key title for your collection, as this was Roy's first starring vehicle and the feature film that shot him to the heights of Hollywood fame (ironically, Rogers was paid the even-then paltry sum of $75 per week for this picture). Previously, Rogers had appeared in a handful of movies as a singer/guitar player, but this was his first opportunity to shine on his own. As everyone knows, it was also the birth of a true Western legend. Rogers made almost 100 pictures between this film and his death in 1998, and is, to this day, a beloved star, adored by millions worldwide. Offered here is a wonderful set of lobby cards, featuring Roy Rogers and his erstwhile co-star, Lester "Smiley" Burnette. The title card shows a tape stain in the upper left, pinholes in the upper right, and a small corner bend in the lower left. The other cards in the set are quite attractive, with a few pinholes in each, and some creasing in the bottom border of one card. Overall, this is a very attractive and desirable set from an exceptionally significant film. Fine/Very Fine.Sold for: $1,314.50. |
| 64228 | Young Bill Hickok (Republic, 1940). One Sheet (27" X 41"). One of the most dynamic on-screen duos of all time, Roy Rogers and Gabby Hayes, star in this Western that loosely chronicles the early career of Wild Bill Hickok. The image of Rogers on this duotone sheet is classic Republic art. There were tears at the fold lines as well as fold separations. Now professionally restored, these flaws are a thing of the past. Fine+ on Linen.Not Sold. |
| 64229 | Billy the Kid Returns (Republic, 1938). One Sheet (27" X 41"). Roy Rogers finds trouble as a young cowpoke who bears a striking resemblance to notorious outlaw Billy the Kid in this very early Republic Western. Roy Rogers was still at the beginning of his career when this picture was made, with only a relative handful of films under his belt by 1938. Nevertheless, the qualities that made him a star are on full display here. The poster, which bears a wonderful image of a young Rogers, along with his sidekick, the jocular Lester "Smiley" Burnette, presents a wonderful opportunity for Rogers fans, as paper from his early, pre-1944 films is scarce and highly desirable. This particular sheet had a few small pinholes in the corners, slight chipping in the borders, some fold wear, and a tear in the U and R of "Return." After professional restoration and linen-backing, these slight flaws are virtually unnoticeable, resulting in a very attractive poster. Fine/Very Fine on Linen.Sold for: $418.25. |
| 64230 | In Old Caliente (Republic, 1939). Half Sheet (22" X 28") Style B. In this classic Western, stars Roy Rogers and Gabby Hayes travel to California, and end up getting blamed for the actions of an outlaw gang along the way. This solid Republic programmer would be the last screen appearance of actress Lynne Roberts (billed in this picture as Mary Hart). The attractive half sheet offered here has undergone professional restoration to address pinholes in the corners, wear in the right border, a tear in the top right corner, and small chips out of borders. The restoration has been extremely well done, making this a poster that will be a terrific addition to any collection. Fine/Very Fine on Paper. Not Sold. |
| 64231 | Rough Riders Round-up (Republic, 1939). One Sheet (27" X 41"). Veterans of the Spanish-American War, Roy Rogers and his fellow Rough Riders sign up to function as Border Patrol Agents, protecting the unwary from bandits who roam the plains, bandits like Arizona Jack Moray (William Pawley). This film was a semi-follow-up to Rogers's enormously successful Frontier Pony Express, another period picture. Ably supported by a veteran cast, including Mary Hart, Raymond Hatton, Eddie Acuff, and Dorothy Sebastian, this picture abounds in thrills and excitement from beginning to end. The exquisite one sheet offered here had fold wear with some crossfold separations, a chip in the right border, all of which have been rendered virtually invisible via professional restoration. Fine/Very Fine on Linen.Sold for: $358.50. |
| 64232 | In Old Cheyenne (Republic, 1941). Insert (14" X 36"). In this enjoyable Roy Rogers/Gabby Hayes programmer, Roy plays Steve Blane, a New York City reporter sent to Cheyenne to do a story on the famous outlaw Arapaho Brown, only Brown isn't the real villain in town. This colorful insert features Rogers in four separate images, as well as pretty Joan Woodbury. The insert has been professionally restored and mounted on paper. There were chips out of the top right border, a tear in the lower left border, and separations in all three folds. All has been addressed with excellent restoration. The images of Rogers are all exceptionally crisp with razor-sharp clarity and like-new color. Very Good+ on Paper. Sold for: $119.50. |
| 64233 | In Old Cheyenne (Republic, 1941). One Sheet (27" X 41"). Roy Rogers was at the height of his popularity when this film, which cast Rogers as a crusading reporter and sidekick Gabby Hayes as a man unjustly accused of banditry, was released. This poster, which had small pinholes in the corners, slight fold wear, some minor border chipping, and a small amount of paper loss at the lower crossfold, has been professionally restored and mounted on linen, giving it a like-new appearance. Very Fine- on Linen. Sold for: $388.38. |
| 64234 | Jesse James at Bay (Republic, 1941). Half Sheet (22" X 28") Style B. Playing Jesse James as a Robin Hood-like hero, rather than the outlaw he was in real-life, Roy Rogers takes the side of heroic settlers and homesteaders in their battle against evil, money-grubbing railroad tycoons. Supported by George "Gabby" Hayes and Gale Storm, this is Roy at his classic best. This exciting half sheet had some fold wear, chipping and tearing at the top and bottom borders, and a corner chip in the upper left, but professional restoration has expertly addressed all of these issues. Fine+ on Paper.Sold for: $448.13. |
| 64235 | The Magnificent Stranger (Unidas, 1966). Italian 4 - Folio (55" X 78"). Rowdy Yates is accused of murder and must alert the Army to a bandit assault. This Italian release is actually a compilation of two episodes of Clint Eastwood's Rawhide TV series. This pretty poster is all Eastwood with magnifico artwork. There were minor edge tears, fold wear with crossfold separation, and a chunk out at the top left fold. Professional restoration has rendered these nearly invisible, and the poster presents beautifully. Fine+ on Linen.Sold for: $478.00. |
| 64236 | A Fistful of Dollars (United Artists, 1967). Three Sheet (41" X 81"). The first in Sergio Leone's "Spaghetti Western" trilogy, this picture introduced Clint Eastwood to the world as "The Man With No Name." Ennio Morricone's elegant score set the tone for the film, making this Western adaptation of Akira Kurosawa's Yojimbo an instant classic. Posters for these films are highly collectible and this three sheet is a scarce format on the title. The poster offered here has staple marks and minor wear at the center points, but is otherwise quite clean. Fine+. Sold for: $836.50. |
| 64237 | For a Few Dollars More (United Artists, 1967). One Sheet (27" X 41"). Sergio Leone's bloody follow-up to A Fistful of Dollars once again stars Clint Eastwood as a bounty hunter on the trail of a ruthless, escaped killer played brilliantly by Gian Maria Volontè. Prior to professional restoration, this one sheet was in great shape with pinholes in the borders and minor fold wear. Very Fine on Linen. Sold for: $418.25. |
| 64238 | The Good, the Bad, and the Ugly (United Artists, 1968). Japanese B2 (20" X 29"). The end to an epic trilogy, Sergio Leone's masterpiece found Clint Eastwood, Eli Wallach, and Lee Van Cleef all trying to locate a cache of gold against the backdrop of the Civil War. This evocative, unrestored Japanese B2 has atmospheric artwork and a great mug shot of Eastwood. Light edge wear, light wrinkling and creasing, and pinpoint foxing are the only condition issues. Very Fine. Sold for: $310.70. |
| 64239 | Once Upon A Time in the West (Paramount, 1969). Italian 4 - Folio (55" X 78"). Nothing subverted the Western genre quite like casting Henry Fonda as a cold-blooded killer. That was the most startling innovation in Sergio Leone's epic Western, co-written by Dario Argento. The sterling supporting cast includes Charles Bronson, Jason Robards, and the luscious Claudia Cardinale. Before restoration, there were pinholes in the corners, a 2" tear at the top center which is also coming loose from the linen slightly, staining at the edges, fold wear with crossfold separations, and tearing at the fold lines. A superb sheet for this superb film. Fine+ on Linen.Sold for: $358.50. |
| 64240 | Dirty Harry (Warner Brothers, 1971). Italian 2 - Folio (39" X 55"). Loosely based on the crimes of the Zodiac killer, Dirty Harry was originally conceived as a vehicle for Frank Sinatra, but became one of Clint Eastwood's signature roles. This outstanding Italian poster features an in-your-face image of Eastwood with spectacular artwork. There were pinholes (some enlarged), fold wear with minor crossfold separations, and some chipping in the borders, all of which have been addressed with professional restoration. Fine/Very Fine on Linen. Sold for: $418.25. |
| 64241 | The Wild Bunch (Warner Brothers, 1969). Three Sheet (41" X 81"). This picture remains a legend in the history of the western as William Holden, Edmund O'Brien, Robert Ryan, Warren Oates, Ernest Borgnine, and Ben Johnson used everything from Gatling guns to six-shooters and shotguns to decimate an army in a small Mexican village in an editing style that's still studied in film schools. This uncommon three sheet has pinholes, small tears in the right center border, and wrinkles in the lower right corner. There is a soft fold along the right border with wrinkling and small creases. Very Fine-. Sold for: $597.50. |
| 64242 | Blood on the Moon (RKO, 1948). One Sheet (27" X 41"). Jim Garry (Robert Mitchum) wanders into the middle of a range war between his friend Tate Riling (Robert Preston) and John Lufton and his daughter Amy (Tom Tully and Barbara Bel Geddes). At first Garry aligns himself with Riling, but soon comes to realize how evil he really is. Aside from tiny fold separations at the edges and crossfolds, and faint wrinkling, this poster is in stellar condition! Very Fine+. Sold for: $1,075.50. |
| 64243 | Pursued (Warner Brothers, 1947). Italian Locandina (13" X 27"). In this film noir Western, an amnesiac (Robert Mitchum) is hunted by a posse, but he doesn't know why. Teresa Wright, Judith Anderson, and Dean Jagger co-star. This Italian poster has fold separations, pinholes in the borders, and wear and tear along the edges. There is also a small amount of paper loss above Wright's name. However, these few flaws are overpowered by the dazzling Nano artwork. Very Fine-. Not Sold. |
| 64244 | To the Last Man (Paramount, 1933). Lobby Cards (6) (11" X 14"). Based on a story by Zane Grey, this movie is a Western version of Shakespeare's Romeo and Juliet, concerning a bitter feud between the Haydens and the Colbys, a feud that is complicated when Lynn Hayden and Ellen Colby announce their plans to marry. The movie boasts an impressive cast, including early appearances by up-and-coming Western stars Randolph Scott, Buster Crabbe, Barton Maclane, and Jack LaRue, as well as extremely early, and uncredited, appearances by John Carradine and Shirley Temple. The lobby cards offered here are generally clean and attractive. A few show small pinholes in the corners, and one has a missing lower left corner. Oddly, two cards have been very neatly painted over in certain areas, to censor pointed guns, and it is this defect alone that keeps the cards from grading much higher. Nevertheless, these are bright and attractive lobby cards from an important Western film that will certainly enhance any cowboy collection. Fine/Very Fine.Sold for: $239.00. |
| 64245 | From Broadway to Cheyenne (Monogram, 1932). One Sheet (27" X 41"). Rex Bell plays a cowboy detective up against a gang of big city thugs trying to set up a protection racket out west. This dramatic stone litho, image makes this one a winner! There were pinholes in the corners, small chips in the crossfold separations and a 16" tear in the top left corner down through Bell's shoulder. All faults have been expertly restored, with airbrushing to the logo and borders, leaving the poster with a stunning appearance. Very Good+ on Linen. Sold for: $2,390.00. |
| 64246 | Sagebrush Trail (Monogram, 1933). One Sheet (27" X 41"). Posters for John Wayne's Lone Star Westerns, with their superior Tooker stone litho art, are in constant demand. Monogram's Lone Star unit delivered this, the second in the series, a few years before they were bought out and became Republic Pictures. Wayne was not yet a household name in 1933, so when Variety Magazine reviewed the film they never mentioned him by name! The poster presents a truly iconic image of the Duke protecting the damsel (Nancy Shubert) from the leering outlaw (Lane Chandler). This beautiful poster has been linen backed and has had fold line touch-up and minor nail hole repair. Before being restored there was also some slight edge wear, and chips in the top corners and in the center point folds. One of the best images of Wayne from the 1930s, this poster now displays as near mint. Fine on Linen. Sold for: $4,780.00. |
| 64247 | The New Frontier (Republic, 1935). One Sheet (27" X 41"). When Monogram Studios merged with Lone Star Productions and several other producers to form Republic Studios in 1935, John Wayne was one of the stars used to launch the new franchise. This Western was Wayne's second with Republic, a studio with which he would remain until the early 1950s. Republic produced some of the most attractive lobby cards and posters in the 1930s, and this beautiful example shows what makes them so collectible. It is one of the best Wayne images available on any poster, with a stunning portrait of a smiling Wayne taking up a full two-thirds of the image area. There were small chips in the top border, and mild fold separations at the fold lines. All has been expertly restored. Very Fine on Linen. Sold for: $5,676.25. |
| 64248 | The New Frontier (Republic, 1935). Lobby Card (11" X 14"). Set in Oklahoma in 1889, during the great land rush, John Wayne plays John Dawson, the son of Milt Dawson (Sam Flint), a courageous homesteader gunned down by evil gambler and self-appointed town ruler Ace Holmes (Warner Richmond). The young Dawson, with the help of a band of friendly outlaws, seeks to make the town safe for honest settlers and gain revenge on his father's killer. This wonderful lobby card features a great image of a young Wayne, and is extremely clean and attractive. There is a pinhole in the upper center, some faint wrinkling along the right edge, and a very light crease just to the left of the vertical center. These are minor flaws, only apparent under close examination, making this a very appealing and highly desirable card. Very Fine+. Sold for: $239.00. |
| 64249 | The Lonely Trail (Republic, 1936). Insert (14" X 36"). Here's one of the best of the 1930s Republic stock posters for John Wayne. It was used only twice, for this film and for King of the Pecos, the same year. Very different from Wayne's big grin on the one sheet, this terrific insert features a steely-eyed Wayne with an "all business" attitude and a six gun in each hand. Very fresh color and an "ask for" grade make this one a true "keeper." Only soft folds, minor edge wear, and a small corner bump in the lower left corner. Very Fine-.Sold for: $1,075.50. |
| 64250 | The Lawless Nineties (Republic, 1936). Lobby Card (11" X 14"). John Wayne, as a Federal Agent, confronts a group of men out to prevent Wyoming from joining the United States. This card is from Wayne's B Western days, only a few years before he would become a major Hollywood star. It shows a bit of chipping along the upper right edge and a small tear in the right border, reinforced with tape on the back. Fine/Very Fine.Sold for: $191.20. |
| 64251 | Stagecoach (United Artists, R-1950s). Japanese B1 (40" X 28.5"). One of the most important movies ever made, Stagecoach isn't so much a Western as it is a gripping character study about a group of strangers thrown together for a trip across the plains. Not only was this the movie that made John Wayne a major star, this was also the first film that director John Ford shot in Monument Valley, a location to which he would return for many subsequent pictures. Paper from this landmark film is always in high demand among collectors, and this gorgeous Japanese poster, probably from its first Japanese release after the war, is a true rarity. It shows fold wear with pinpoint crossfold separation, light soiling at the fold lines, and clear tape at the top edge. These minor flaws do nothing to detract from the overwhelming appeal of this piece, especially as it features a rugged portrait of star John Wayne. Very Fine-.Sold for: $507.88. |
| 64252 | Red River (United Artists, 1948). One Sheet (27" X 41"). Cast against type, John Wayne stars as a ruthless cattle baron out to drive a herd of longhorns from Texas to Missouri. The role would prove a tremendous success for The Duke, whom many critics had considered a one dimensional actor prior to this performance. It's interesting to note that this film should have been the screen debut for Montgomery Clift. Although filmed in 1946, it was shelved for two years making Clift's Oscar nominated turn in The Search his first released motion picture. This one sheet had light wrinkling and fold wear with separations prior to an excellent professional restoration. Very Fine- on Linen. Sold for: $597.50. |
| 64253 | Red River (United Artists, 1948). Title Card and Lobby Cards (4) (11" X 14"). Epic Western directed by Howard Hawks starring John Wayne, Montgomery Clift, Walter Brennan, and Joanne Dru. This collection of excellent lobby cards has pinholes, minor corner creases, edge wear, and small edge tears. The #2 card was torn vertically and subsequently repaired; the #7 card has a hard crease running vertically through the card, with a 2" split at the bottom; the #8 card has border chips and a hard crease running vertically through the card, with splits at the top and bottom. All the cards have undergone professional restoration, and present beautifully. Very Good.Sold for: $657.25. |
| 64254 | Rio Bravo (Warner Brothers, 1959). One Sheet (27" X 41"). When the conversation turns to unforgettable Westerns, one of the titles that's always mentioned is Rio Bravo. All the iconic elements are there - the small town sheriff, the drunken gunfighter, the young gunslinger looking to make his name, and the mysterious beauty - along with an incredible cast that includes John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, and Walter Brennan, making this an unforgettable example of a film that is the very definition of the word "classic." This poster has some light fold wear and minor fold separation, but is otherwise unblemished and beautiful. Expert restoration has made this poster appear flawless, so don't let this one ride off into the sunset. Very Fine+ on Linen. Sold for: $1,075.50. |
| 64255 | The Quiet Man (Republic, 1952). One Sheet (27" X 41"). After accidentally killing a man in the ring, boxer Sean Thornton (John Wayne) returns to Ireland, the land of his birth, to begin life anew. He soon falls in love with the beautiful Mary Kate Danaher (Maureen O'Hara), but her brother Will (Victor McLaglen) has other ideas. Directed by the legendary John Ford (who garnered a Best Director Oscar for his efforts), this beautiful film proves that the Wayne/Ford team were capable of making more than just Westerns. The original release poster offered here is extremely rare, and prized by Wayne collectors worldwide. This particular copy had fold wear with pinpoint crossfold separations, tape residue on the reverse at the top left, and pinholes in the corners, but professional restoration has addressed these issues admirably, resulting in a clean and attractive poster that will certainly enhance any collection. Very Fine on Linen.Sold for: $627.38. |
| 64256 | Chisum (Warner Brothers, 1970). Japanese STB (20" X 58"). John Wayne plays cattle baron John Chisum, who teams up with Billy the Kid and Pat Garrett to fight the Lincoln County land war. Andrew McLaglen directed this Western from the Duke's twilight years. This unrestored Japanese STB has an iconic image of the Duke, and only minor condition problems, including pinholes, some very light horizontal bending, light edge wear, and a slight edge chip. Rolled, Very Fine. Sold for: $119.50. |
| 64257 | Sunrise (Fox, 1927). Window Card (14" X 22"). There are fine examples of how brilliant silent film directors and actors could completely delineate an entire plotline and keep it understandable, compelling, and satisfying. But perhaps there is no better film to illustrate the height that "wordless cinema" could aspire to, than F.W. Murnau's landmark film, Sunrise. Winning three Oscars is only the beginning of understanding how important is this film's place in history. Consider that when the average theatrical run of a film was three days, that Sunrise would not only command a princely sum of $2.00 a ticket, but run for over 28 weeks at the Times Square Theater in New York City. Because of its incredible popularity the original advertising paper on this film was used extensively traveling through the several rungs of distributorship until the ragged remnants were finally discarded. This is the first poster we have offered on the title and the only copy of this unique window card that we have seen. Top restoration with backing has corrected a small edge tear in the bottom border, a 2" tear in the upper right border, and a 3" tear in the left border. The poster has a chip off of the top right corner image which went through the head of the violin player. The restoration work there was superb. This card was not printed, oddly enough, in the fashion of most window cards as there is no true imprint area. Our belief is that the theater imprint was to go into the geometric design on the upper left of the card. Fine+ on Cardstock.Sold for: $19,120.00. |
| 64258 | The Devil's Pass Key (Universal, 1920). Lobby Card (11" X 14"). Between directing Blind Husbands (1919) and Foolish Wives (1922), Erich von Stroheim helmed this gripping drama, about a married woman (Una Trevelyn) whose life is turned upside down due to her attraction to a handsome Army officer (Clyde Fillmore). The resulting humiliation and social stigma threatens to ruin her. This lovely card shows small corner bumps, a tiny stain in the top right border, and a crease in the lower left corner, but is otherwise unmarred. An attractive and desirable piece from a very rare title to find posters from, it displays quite nicely. Very Fine. Sold for: $149.38. |
| 64259 | The Devil's Pass Key (Universal, 1920). Lobby Card (11" X 14"). The second film directed by Erich von Stroheim, this intense drama involves the wife of an American playwright, living in Paris, who becomes involved with a dashing military officer, and her attempts to extricate herself from the intricate web of gossip, innuendo, and humiliation into which she finds herself cast. The film also features Mae Busch, familiar to film buffs for her roles in some of Stan Laurel and Oliver Hardy's finest films. This attractive lobby card shows several small staple holes in the bottom right corner, very slight corner bumps, and some slight printing blemishes in the image area, none of which detract from the overall appeal of this classic piece. Very Fine. Not Sold. |
| 64260 | The Devil's Pass Key (Universal, 1920). Lobby Card (11" X 14"). A Universal Jewel Deluxe Production for 1920, this hard-hitting film, directed by Erich von Strophe, told the story of a married woman (Una Revelry) whose attraction to an American Army Officer leads to grief and regret. The attractive lobby card offered here shows light edge wear, slight creasing at all the corners, and some minor surface soiling, but is overall clean and attractive and ready to be proudly displayed. Very Fine-. Sold for: $149.38. |
| 64261 | The Merry Widow (MGM, 1925). Insert (14" X 36"). Starring the notoriously difficult Mae Murray (apparently the inspiration for Norma Desmond in Sunset Boulevard), this was the first filmed version of the operetta by Franz Lehar. Directed by Erich von Stroheim, it is the story of Prince Danilo (John Gilbert), who falls in love with a common dancing girl (Murray), and the family squabbles that ensue. Sharp-eyed movie buffs may spot future superstars Joan Crawford and Clark Gable as extras in this film. The insert offered here exhibits several pinholes in the image area, light edge wear, a small tear at the top, creases in three of the four corners, and surface soiling. It remains, however, an attractive and desirable piece from this important silent film. Fine-. Not Sold. |
| 64262 | The Wedding March (Paramount, 1928). Window Card (14" X 22"). In this charming variation on the Romeo and Juliet theme, director and star Erich von Stroheim appears as the indulgent Prince Nicki, whose parents advise him either to shoot himself or marry money if he wishes to continue his lavish lifestyle. Unfortunately, he falls in love with Mitzi (Fay Wray), a poor peasant girl, leading to all sorts of complications. This lovely window card, with its striking portrait of von Stroheim shows surface dirt, minor staining in the image area, and minor corner bumps. It is a very attractive and desirable piece that will make some lucky collector very proud. Fine/Very Fine.Sold for: $388.38. |
| 64263 | The Brass Bottle (First National, 1923). Title Card and Lobby Cards (5) (11" X 14"). A modern updating of the legend of Aladdin and his magic lamp, this charming fable, directed by Maurice Tourneur, is set in contemporary times and tells the story of Horace Ventimore (Harry Myers), a down-on-his-luck American architect who buys a large brass bottle to impress his fiancee's father, Professor Hamilton (Tully Marshall). The ploy fails, and Hamilton throws both Ventimore and the bottle out of his house. In a fit of pique, Ventimore smashes the bottle, releasing an ancient genii, who offers to grant Ventimore's every wish. Of course, hilarity ensues, and things get out of hand, but all ends well, with Ventimore and Marjorie (Charlotte Merriam) living happily ever after. Offered here is a beautiful collection of lobby cards from this charming film, featuring exquisite artwork. The cards are very attractive and clean, displaying only some slight tanning, and a small chip in the top border of one card. This will be a wonderful addition to any collection. Very Fine. Sold for: $896.25. |
| 64264 | Sunset Boulevard (Paramount, 1950). German A1 (23" X 33"). Director Billy Wilder created one of the greatest commentaries on how the movie business eats people up with this dark and ironic look at Hollywood. Gloria Swanson stars as an aging actress, Norma Desmond, who lusts for one last shot at stardom and one last 'fling' with a desperate screenwriter. This wonderful German poster used the same ad campaign used for the U.S. one sheet and has become one of the most popular movie posters from the 1950s. The poster has approximately two sets of staple marks per corner and some slight bumps to the corners as well. These minor flaws do not detract from the overall appeal of this great poster from a very moving film. Very Fine.Sold for: $836.50. |
| 64265 | Spies (MGM, 1928). Lobby Card (11" X 14"). Fritz Lang, one of Germany's most celebrated directors, whose works included Metropolis, M, and Dr. Mabuse's Testament before fleeing the Nazi regime to come to America to work, directed this film, right after Metropolis. Considered by many to be one of Lang's great German masterpieces, Spies is the forerunner of every espionage thriller. It is thought by many that Ian Fleming must have been familiar with this film as so many elements were later used in his classic James Bond stories, such as the handsome hero called Agent 326, and a sinister villain in a wheelchair whose accomplice is a beautiful woman who falls in love with the hero. There are exciting action sequences, and chases involving a crashing train and motorcycles. This is the ultimate pre-James Bond, Bond film. Offered here is one of the extremely rare original lobby cards. There are pinholes in the borders, small corner bends, one tiny corner chip in the bottom left corner, and tanning on the borders. Fine/Very Fine.Sold for: $1,195.00. |
| 64266 | M (Paramount, R-1964). Polish (11.25" X 33"). Peter Lorre had toiled in the German movie-machine for a couple of years until landing the role of the child-murderer in Fritz Lang's M. The role was both horrifying and mesmerizing as Lorre's pleas for help fall on the deaf ears of the criminals who capture him and hold him accountable for his actions. This Polish poster is from a 1964 reissue, and depicts Lorre as the infamous child molester and murderer, Hans Beckert. Rolled, Near Mint-.Sold for: $507.88. |
| 64267 | You Only Live Once (United Artists, 1937). One Sheet (27" X 41"). This is the stirring and tragic story of Eddie Taylor (Henry Fonda), a small-time crook whose girlfriend Joan (Sylvia Sidney), secretary to the D.A. (Barton MacLane), convinces her boss to grant Eddie an early parole. Eddie does his best to go straight, but fate conspires against him, and he and Joan end up running from the law. Directed by the incomparable Fritz Lang, one of the "fathers" of film noir, the picture was initially too violent for the Production Code authority, who insisted on some significant cuts, particularly in the bank robbery scene, before they'd approve the film. This lovely stone litho one sheet has pinholes in the corners and borders, some light toning overall, and some slight fold separation, but these minor flaws do little to mar its overwhelming attractiveness and desirability. Very Fine+.Sold for: $1,434.00. |
| 64268 | The Big Heat (Columbia, 1953). One Sheet (27" X 41"). When a bomb meant for honest cop Dave Bannion (Glenn Ford) kills his wife (Jocelyn Brando, older sister of Marlon) instead, Bannion sets out to take revenge on mobster Mike Lagana (Alexander Scourby), the man responsible for the blast, in this taut and gripping crime drama directed by Fritz Lang. This intense film also benefits from supporting players Lee Marvin and Gloria Grahame. The one sheet offered here shows the expected pinholes in the corners, fold wear and minor crossfold separation, but is otherwise quite attractive. This will make a fine addition to any film noir collection. Very Fine.Sold for: $310.70. |
| 64269 | Double Indemnity (Paramount, 1944). Lobby Card (11" X 14"). Billy Wilder's riveting film noir found Fred MacMurray as an insurance agent who falls in love with a married woman (Barbara Stanwyck). Their torrid affair leads them into committing murder and collecting on the husband's insurance policy. Edward G. Robinson is the tenacious investigator who won't stop until he finds out who the murderer's are. This incredible lobby card featuring the three principles has some light creasing in each corner and some very minor surface scratches. Very Fine-. Sold for: $388.38. |
| 64270 | Sunset Boulevard (Paramount, 1950). Lobby Card (11" X 14"). A withering tale of madness and obsession, this is one of the very best films about Hollywood ever to come out of Hollywood. Aging silent star Norma Desmond (Gloria Swanson), a virtual recluse in her crumbling mansion, keeps desperate young screenwriter Joe Gillis (William Holden) as a virtual housepet as he works on the script that will provide her triumphant "return" to the silver screen. Looking on in contempt is Desmond's former director and husband, now chauffeur, the unflappable Max Von Mayerling (Erich von Stroheim). Both scathing and disturbing, this is a true Hollywood classic. Offered here is a very desirable portrait card featuring both Swanson and Holden. It exhibits some edge soiling, and some slight corner bumps, as well as a stamp on the back that slightly bleeds through to the front. Very Fine.Sold for: $657.25. |
| 64271 | 3 Bad Men (Fox, 1926). Title Card and Lobby Card (11" X 14"). Although this film is considered the original version of John Ford's Three Godfathers made in 1948 with John Wayne, this film was actually based on completely different source material. Ford had originally intended the three bad men to be George O'Brien, Tom Mix, and Buck Jones, but since the script called for all three men to die, none of the major stars would take the roles since it would look bad for their image. This fantastic title card is pure Ford.... the three men astride their horses in silhouette against a sunset. This motif would be repeated on another John Ford film campaign, The Searchers. The title card has pinholes in the border and the scene card has a paper clip stain in the upper border. Fine/Very Fine. Sold for: $1,434.00. |
| 64272 | 3 Bad Men (Fox, 1926). Lobby Cards (2) (11" X 14"). Olive Borden is protected by the Three Bad Men of the film's title in this classic scene from John Ford's Western. They appoint themselves her "surrogate fathers" when they find her abandoned after her real father was killed. In the other scene, George O'Brien portrays Borden's love interest. Both cards have several pinholes in the borders and the portrait scene has a slight crack in the lower border. Very Fine. Sold for: $478.00. |
| 64273 | 3 Bad Men (Fox, 1926). Lobby Cards (2) (11" X 14"). This lot contains two lobby cards from one of John Ford's earliest Westerns. One scene features the three bad men of the film's title (Tom Santschi, Frank Campeau, and J. Farrell MacDonald) with an inset featuring Olive Borden. The other scene features Borden. Both cards have pinholes in the borders. Very Fine+. Sold for: $1,673.00. |
| 64274 | The Informer (Aywon Film Corporation, R-1920s). Lobby Card Set of 8 (11" X 14"). Legendary director David Wark Griffith was the son of Confederate Army colonel and Civil War hero Jacob "Roaring Jake" Griffith. As a boy, young David heard countless tales of heroism and bravery from his larger-than-life father, stories that no doubt had a hand in shaping many of his most memorable movies. Although The Birth of a Nation is undoubtedly the best known of Griffith's films set during this time, it was by no means his only Civil War-era picture. Offered here is a set of lobby cards for an early Griffith picture set during this contentious time, one of the many shorts that he made for the Biograph company during a time when he, and several other influential directors, were creating a new language of film technique. The picture is notable not only for the starring role it afforded Mary Pickford, but also for appearances by such silent stars as Harry Carey, Lillian and Dorothy Gish, and Lionel Barrymore. The cards offered here are from a later re-release, no doubt reissued to capitalize on Pickford's growing popularity. The title card shows pinholes in the corners a long crease in the top left, a small tear in the left border, a vertical crease in the lower portion of the left border. The scene cards display pinholes in the corners and small border tears on several cards. These minor considerations do little to detract from the overwhelming appeal of these cards, all of which feature "America's Sweetheart." Very Fine. Sold for: $239.00. |
| 64275 | Stagecoach (United Artists, R-1960s). Italian 2 - Folio (39" X 55"). John Wayne stars in John Ford's epic Western about a simple stagecoach ride suddenly beset by Geronimo and his hordes. This classic film was re-released in Italy in 1950, when it was promoted with this stunning sheet featuring artwork by the legendary Anselmo Ballester. The artwork was reused in the early 1960s with the addition of the Wayne photo. This gorgeous poster has a little bit of surface dirt and wrinkling. There is wear along the edges and folds with minor separations at the fold lines. This is a truly memorable sheet for this timeless classic. This poster was misdescribed in the catalog. Fine+.Sold for: $2,390.00. |
| 64276 | The Grapes of Wrath (20th Century Fox, 1940). One Sheet (27" X 41"). John Ford's sensitive but spirited direction for an adaptation of John Steinbeck's Pulitzer Prize-winning novel was a solid hit with depression-era audiences, many of whom had recently made the trek from the Midwest wastelands to the "promised land" of California. Nominated for seven Oscars, Ford would win for Best Director, but it would be Best Actress in a Supporting Role winner Jane Darwell whose closing speech of the film brought audiences to their feet cheering: "Can't wipe us out. Can't lick us. We'll go on forever. 'Cause we're the people." There is restoration for pinholes, a tear in the photo, and minor paper loss along the fold lines. Here's a rare opportunity to acquire the outstanding one sheet for this historic film. Fine on Linen. Sold for: $10,755.00. |
| 64277 | Tobacco Road (20th Century Fox, 1941). Insert (14" X 36"). When the bank makes a move to take over his land for more profitable farming, shiftless Jeeter Lester and his hillbilly family won't stand for it. Based on the best seller by Erskine Caldwell, this stars Charlie Grapewin, Marjorie Rambeau, and a young and stunning Gene Tierney in only her third film. This sultry insert emphasizes the steamy romance with outstanding artwork and a bold logo. There are pinholes in the corners, some small edge tears, fold wear, and a minor crease in the lower left corner. Very Fine.Sold for: $1,015.75. |
| 64278 | My Darling Clementine (20th Century Fox, 1946). One Sheet (27" X 41"). A seminal film in a classic American genre, this landmark John Ford Western, starring Henry Fonda as Wyatt Earp, Victor Mature as Doc Holliday, and Walter Brennan as Old Man Clanton, tells the story of the legendary gunfight at the OK Corral. As a younger man, Ford met the real Wyatt Earp, and claimed that the way he presented the gunfight was almost entirely based on Earp's own telling of the tale. An exceptional film, Westerns don't get much better than this. The artwork for this attractive one sheet was done by Sergio Gargiulo, and is signed. The poster shows only the most minor flaws, including fold wear with crossfold separation, as well as pinholes in the corners. Professional restoration has addressed all of these issues, resulting in a poster that is dynamic, attractive, and ready to be proudly displayed as part of your collection. Very Fine on Linen. Sold for: $3,107.00. |
| 64279 | The Searchers (Warner Brothers, 1956). Half Sheet (22" X 28"). When Ethan Edwards (John Wayne) returns home after fighting in the Indian Wars, he finds that his family has been massacred and his niece (Natalie Wood) kidnapped by the Comanches. Swearing vengeance, he sets out on a quest to find her and avenge his family, a journey that consumes many miles and many years. Directed by John Ford, this was one of John Wayne's personal favorites. In fact, he enjoyed this role so much, he named one of his sons Ethan in homage. This gorgeous half sheet had fold wear with an extra crease in the left border, a chip in the top center, and a small chip by the "V" in "Vistavision." Professional restoration has addressed all these issues, resulting in a poster that looks like new. Fine+ on Paper.Sold for: $956.00. |
| 64280 | The Air Circus (Fox, 1928). Title Card and Lobby Cards (6) (11" X 14"). An early partial "talkie," this was one of director Howard Hawks's earliest aviation films. Speed Doolittle (Arthur Lake) and Buddy Blake (David Rollins), two young flight school cadets, compete to impress pretty Sue Manning (Sue Carol). Little do they know that Sue is an accomplished aviatrix who can fly rings around both of them! Offered here is a near-complete set of lobby cards for this exciting film. The title card shows pinholes in the image area, a small tear in the bottom border, and some silverfish chews in the borders. The lobby cards display pinholes in the image area. One of the scene cards has a pencil mark on Sue Carol's lips. This is an excellent collection of cards from an exciting film. Fine-. Not Sold. |
| 64281 | Tiger Shark (First National, 1932). Title Lobby Card (11" X 14"). In this early Howard Hawks picture - it was filmed shortly after Scarface - Edward G. Robinson plays a tough Portuguese fisherman who fails to notice the budding romance between his wife and his best friend. This leads to tragedy for the trio... and dinner for a group of sharks. This colorful and exciting lobby card, from an early point in Robinson's career, is virtually unblemished, save for a few pinholes in the corners. These very minor flaws do little to detract from the extreme visual appeal of this exciting title card, one that any Robinson fan would be proud to own. Very Fine+.Sold for: $657.25. |
| 64282 | Viva Villa! (MGM, 1934). Midget Window Card (8" X 14"). A fictionalized account of the life of Mexican revolutionary Pancho Villa (played by Wallace Beery), this film was the center of much controversy, including a well-publicized account of co-star Lee Tracy's reportedly obscene behavior during filming, seen as an insult to Mexico and the Mexican people. The incident led to his firing, as well as the ousting of director Howard Hawks, who was replaced with Jack Conway, the director of record for this picture. In spite of the delays and production problems, the film received several Academy Award nominations, including Best Picture, Best Sound Recording, and Best Writing, Adaptation. This highly desirable midget window card shows some edge wear and pinholes at the top, but is otherwise extremely clean and attractive. From the Collection of Denver Sherry. Very Fine.Sold for: $149.38. |
| 64283 | Red River (United Artists, 1948). Belgian (14.5" X 22"). Superior art makes the Belgian poster for this classic John Wayne/Howard Hawks Western a must-have. Wayne proved to the world that he really could act with this dark and gripping drama. The poster has the original tax stamps on the right, and light edge wear on the top imprint area. There are light corner bends on the bottom. Very Fine+. Not Sold. |
| 64284 | Red River (United Artists, R-1960s). French Grande (47" X 63"). Initially released in 1948, Red River is considered by many to be one of the top ten Westerns ever made. Howard Hawks directs his first in the genre with a starring cast including John Wayne, Montgomery Clift, and Joanne Dru. This lovely French poster is from a reissue of the film, but presents a wonderful graphic of Wayne and Clift done by the artist Allard. The poster has some fold wear and several small tears on the edges. Fine+.Sold for: $956.00. |
| 64285 | The Thing from Another World (RKO, 1951). Three Sheet (41" X 81"). Based on John W. Campbell's novella Who Goes There? this atmospheric film adaptation, directed by Christian Nyby (with the guiding influence of Howard Hawks) and starring James Arness as the alien plant-man, has long been a favorite among science fiction buffs. Offered here is the impressive three sheet poster, composed primarily of a stylized logo (highly unusual for the era) against a mossy green background. The poster had pinholes, fold wear and crossfold separations, a 4" tear under the word "Another," and some creasing and edge tears along the bottom. The piece has been professionally restored, rendering these all but invisible. An outstanding sheet for this science fiction classic. Fine+ on Linen. Sold for: $1,912.00. |
| 64286 | Rio Bravo (Warner Brothers, 1959). Insert (14" X 36"). Every element you need to make a great Western film is in this Howard Hawks directed classic. You'd think posters would be plentiful for a late 50s John Wayne film, but it isn't so. Paper on this title has always been thin, and getting thinner all the time. The main image of the poster is done in an interesting aerial perspective style, with a nice photo inset of teen heartthrob Ricky Nelson and singer/actor Dean Martin. There are pinholes, slight edge wear with tiny tears and corner bumps, small border stains, and light wrinkling in the center field. Very Fine-.Sold for: $334.60. |
| 64287 | Rio Bravo (Warner Brothers, R-1964). French Grande (47" X 63"). A classic Western, this landmark picture finds John Wayne as Sheriff John T. Chance, charged with holding Joe Burdette (Claude Akins), scum-of-the-Earth brother of wealthy land owner Nathan Burdette (John Russell), on a murder charge. When Nathan plans a jailbreak, using his money and influence to isolate the town and the Sheriff (Wayne) rounds up an unlikely posse for support, including lame stumblebum Stumpy (Walter Brennan), drunken former deputy Dude (Dean Martin), and rookie gunslinger Colorado Ryan (Ricky Nelson). Throw an attractive dance hall girl (Angie Dickinson) into the mix, and you've got the making of an action-packed epic, directed by the legendary Howard Hawks! This stunning unrestored French grande, sporting eye-catching artwork by Jean Mascii, shows fold wear with crossfold separation, edge wear, and several small edge tears, but is otherwise clean and attractive, and ready to be proudly displayed. This has to be perhaps the best poster from this classic title. Very Fine.Sold for: $1,015.75. |
| 64288 | Shadow of a Doubt (Universal, 1943). Lobby Card (11" X 14"). Based, at least in part, on the true-life "Merry Widow Murders," this gripping film noir thriller, in which a young woman (Teresa Wright) discovers that her favorite uncle (Joseph Cotten) is a notorious serial killer, was director Alfred Hitchcock's favorite film. It also marked the screen debut of actor Hume Cronyn. Offered here is what is considered by many to be the most desirable scene card from the set, picturing both Wright and Cotten. It is virtually immaculate, with no flaws to speak of, looking as bright and crisp as the day it was printed. This will be an important part of any Hitchcock collection, beyond a shadow of a doubt. Near Mint+.Sold for: $836.50. |
| 64289 | Notorious (RKO, 1946). Half Sheet (22" X 28") Style A. A gripping espionage melodrama directed by the legendary Alfred Hitchcock, the movie gained Academy Award nominations for Best Supporting Actor (Claude Rains), and Best Writing, Original Screenplay (Ben Hecht). The great Cary Grant and Ingrid Bergman star. Offered here is a marvelous half sheet for this important picture. It had fold wear with minor separations, pinholes in the borders, small edge tears, and an extra crease in the right border. Professional restoration has addressed these issues nicely, resulting in a stunning piece that will make any Hitchcock fan proud! Fine/Very Fine on Paper.Sold for: $2,629.00. |
| 64290 | Notorious (RKO, 1946). One Sheet (27" X 41"). Alfred Hitchcock's wonderful pastiche of espionage and betrayal stars Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern, and Madame Konstantin. One of Hitchcock's most chilling films, it earned two Academy Award nominations, including Best Supporting Actor for Claude Rains and Best Writing for Ben Hecht. Because it dealt with uranium and the making of an atomic bomb - Hitchcock and Hecht actually consulted with Nobel Prize winner Dr. Robert Millikan on the specifics of the bomb's construction - Hitch claimed that he was under FBI surveillance for several months. This one sheet has slight fading and tape scuffs on the vertical fold and corners. The white portion of the poster was airbrushed when it was mounted on linen and professionally restored. It now displays nicely, and will make a wonderful addition to any collection. Very Good- on Linen. Sold for: $3,883.75. |
| 64291 | Notorious (RKO, 1946). Title Lobby Card (11" X 14"). Alfred Hitchcock created one of his finest films with this tale of espionage set during World War II. It was a theme that would repeat itself throughout the legendary director's career, but with Notorious, the director was in top form. Cary Grant and Ingrid Bergman star as former lovers who are now on opposite sides in the war effort, and it's up to Grant to bring Bergman in line. This title card has some minor wear to the edges in the form of pinholes and tiny tears. Fine/Very Fine. Sold for: $2,629.00. |
| 64292 | Strangers on a Train (Warner Brothers, 1951). One Sheet (27" X 41"). Alfred Hitchcock directs this thriller about an encounter between a tennis star (Farley Granger) and a man (Robert Walker) on a train that leads to murder. This one sheet has minor wear along the edges and at the bottom where there is slight chipping and tearing. A crease is visible in the upper center portion of the image and a stamp on the reverse is faintly visible in the top border. There is a small piece of acid-free tape on the reverse, at a cross fold separation, to add stability. Very Fine+.Sold for: $1,075.50. |
| 64293 | Dial M for Murder (Warner Brothers, 1954). One Sheet (27" X 41"). Based on the popular mystery play by Frederick Knott, this was Grace Kelly's first role in an Alfred Hitchcock film. The film was shot in 3-D, capitalizing on the craze that was sweeping the nation. Prior to professional restoration, this poster had minor fold separations, pinholes in the corners and borders, and small tears in the upper quarter of the image and in the credits. Now, the poster displays very well. Fine/Very Fine on Linen. Sold for: $2,390.00. |
| 64294 | Rear Window (Paramount, 1954). One Sheet (27" X 41"). Alfred Hitchcock films are creepy enough. But add the fact that this spine tingler was based on the real-life 1924 case of British murderer Patrick Mahon and you have a timeless thriller. James Stewart and Grace Kelly star. Prior to professional restoration the poster had fold separations, and an extra horizontal crease. The borders have been replaced as well as about 1/2" of the right side of the image. The restoration work done was well performed and the poster displays very well and will make a welcome addition to any collection. Good/Very Good on Linen. Sold for: $3,883.75. |
| 64295 | Rear Window (Paramount, 1954). Lobby Card (11" X 14"). The chemistry between James Stewart and Grace Kelly has never been more evident than on this stunning lobby card. This is easily one of the best portrait cards ever created for any Alfred Hitchcock film. There is minor smudging in the borders, pinholes in the image and margins, and light edge and corner wear. There's also a light scuff at Stewart's neck. Very Fine-. Sold for: $657.25. |
| 64296 | To Catch a Thief (Paramount, 1955). One Sheet (27" X 41"). Cary Grant is all charm in Alfred Hitchcock's thriller about a retired jewel thief out to prove that he is not responsible for a recent string of burglaries in the French Riviera. Grace Kelly co-stars as the woman out to steal his heart. This gorgeous one sheet has tiny crossfold separations and several pinholes. Otherwise this a stunning, unrestored example. Very Fine+.Sold for: $2,629.00. |
| 64297 | To Catch a Thief (Paramount, 1955). Half Sheet (22" X 28") Style A. John Robie (Cary Grant) is a reformed jewel thief, content to spend the remainder of his days relaxing on the French Riviera. But when a copycat cat burglar starts a crime spree, suspicion naturally falls on Robie, who is determined to ferret out the real crook, and becomes involved with rich-but-bored socialite Frances Stevens (Grace Kelly) along the way. Directed by the master of suspense, Alfred Hitchcock, this was the film that lured Grant out of his announced retirement. Offered here is a very attractive and desirable half sheet for this exquisite film. It had a tear below the word "screenplay" in the lower left, a tear in the bottom border, and creasing in both the upper and lower right corners. Professional restoration has addressed these issues nicely, and as a result, these minor flaws have been rendered virtually invisible. Folded, Fine/Very Fine on Linen. Sold for: $1,553.50. |
| 64298 | To Catch a Thief (Paramount, 1955). Half Sheet (22" X 28") Style B. John Robie (Cary Grant) is a retired - and reformed - cat burglar living in style on the French Riviera. His idyllic life is interrupted, however, when a series of daring jewel robberies cast the cold light of suspicion directly on him. In order to restore his good name - as well as his cushy lifestyle - Robie sets out to find the real thief. Offered here is the very rare Style B half sheet with its stunning view of the Riviera skyline and the dramatic profiles of Grant and Kelly. It has staple holes in the top border, light fold and edge wear, as well as pinholes in the corners. These are minor flaws, however, none of which detract from the overwhelming visual appeal of this classic beauty. Folded, Very Fine. Sold for: $1,314.50. |
| 64299 | The Man Who Knew Too Much (Paramount, 1956). German A1 (23" X 33"). Alfred Hitchcock filmed the original version of this film in 1934, starring Leslie Banks, Edna Best, and Peter Lorre. Two decades later, he revisited the project, this time featuring James Stewart and Doris Day. The story, about an innocent family caught up in an assassination plot while vacationing in Morocco, is classic Hitchcock, and both stars turn in brilliant performances. This is also the film that gave the world Doris Day's biggest musical hit, "Que Será, Será." This lovely German poster, with art by Rolf Goetze, displays some minor edge wear and two minor tape stains at the top, but is otherwise unblemished. This will be a fine addition to any Hitchcock collection. Very Fine/Near Mint. Sold for: $597.50. |
| 64300 | The Wrong Man (Warner Brothers, 1957). Lobby Card (11" X 14"). For Hitchcock collectors, it just doesn't get any better than this. Although the world-famous director does appear on many reissue posters for his films, this is the only original lobby card we know of where the director appears in the background. The card has a very slight "ding" in the middle of the left border keeping it from grading higher. Near Mint-.Sold for: $597.50. |
| 64301 | The Wrong Man (Warner Brothers, 1957). Japanese B2 (20" X 29"). Henry Fonda and Vera Miles star in this Hitchcock courtroom drama about a case of mistaken identity. Fonda goes to the local insurance office to borrow money for his wife's health and is mistaken for a hold-up man that robbed the place a year earlier. More studious than Hitchcock's thrillers, this features excellent performances from Fonda and Miles. This unrestored Japanese B2 is in very nice condition, with some minor edge wear and tiny tears, and a 2" crescent-shaped tear in the top right being the only condition issues. Rolled, Very Fine-.Sold for: $448.13. |
| 64302 | Vertigo (Paramount, 1958). One Sheet (27" X 41"). James Stewart plays a private investigator with a crippling fear of heights, hired to investigate the strange doings of a friend's wife, the beautiful Madeline (Kim Novak). Although the film received lukewarm, at best, reviews from American critics upon its initial release, it is now rightfully considered one of director Alfred Hitchcock's masterpieces, and has been named to multiple "Best Movies of All Time" lists, while the poster, with its striking Saul Bass artwork, has been listed as #3 on Premier Magazine's list of "25 Best Movie Posters Ever." The copy offered here had pinholes in the borders, several small tears in the borders, and a couple of tiny chips in the center of the image. All of these issues have been addressed with professional restoration, resulting in a poster that will make any Hitchcock fan dizzy with delight. Fine/Very Fine on Linen.Not Sold. |
| 64304 | North by Northwest (MGM, 1959). One Sheet (27" X 41"). In one of director Alfred Hitchcock's most enjoyable films, Cary Grant, a New York ad man mistakenly identified as a government agent by a group of foreign spies, flees for his life across the country, ending up on the top of Mount Rushmore in one of the most thrilling denouements ever filmed. Ranked #5 on the American Film Institute's "Greatest Films of All Time" list, it is a true spellbinder from beginning to end. The unrestored one sheet offered here shows just minor flaws, including pinholes in the borders, edge wear, crossfold separation, and some wrinkling and creasing in the bottom left, but these are minor considerations, which do little to detract from the overall appeal of this highly desirable piece. Fine/Very Fine. Sold for: $717.00. |
| 64305 | The Birds (Universal, 1963). Canadian Advance One Sheet (27" X 41"). One of director Alfred Hitchcock's best-known, and most terrifying, films, The Birds was based on a short story by acclaimed writer Daphne du Maurier. Although the film cost about $2.5 million to make, it grossed over $11 million on its initial release. This poster is the rarely-seen Canadian Advance one sheet. In excellent condition, it is marred only by some fold wear and slight crossfold separation, all of which has been addressed by professional restoration. Although we have sold quite a bit of paper on this title in the past, this is the first time we have offered this hard-to-find style, which speaks to its rarity. Very Fine on Linen.Sold for: $836.50. |
| 64306 | The Birds (Universal, 1963). One Sheet (27" X 41"). Only a master of suspense like Alfred Hitchcock could take something so sweet and charming, like the birds we see outside our window every single day, and turn them into something absolutely terrifying. Loosely based on the short story of the same name by Daphne du Maurier, the movie is more frightening for the lack of any explanation regarding the birds' attack. Widely regarded as one of Hitchcock's best films, The Birds boasts an exceptional cast (including Tippi Hedren, Rod Taylor, and Jessica Tandy), haunting audio effects (electronically enhanced bird noises are used in place of a traditional soundtrack), and top-notch direction. The result is a modern classic. The poster offered here had some minor fold wear, rendered virtually unnoticeable by professional restoration, making this a "must have" for any Hitchcock aficionado. Very Fine on Linen.Sold for: $896.25. |
| 64307 | The Birds (Universal, 1963). Insert (14" X 36"). You'll never look at our "feathered friends" in quite the same way after seeing this terrifying movie by the master of suspense, Alfred Hitchcock. Of this ever popular thriller, starring Tippi Hedren in her film debut, Hitch himself said, "It could be the most terrifying motion picture I have ever made," and we surely wouldn't disagree with him! This dramatic insert shows some slight creasing in the bottom right corner, but is otherwise extremely clean and attractive, a very desirable piece for any Hitchcock collector. Very Fine/Near Mint.Sold for: $1,075.50. |
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| 64308 | Lady for a Day (Columbia, 1933). Window Card (14" X 22"). May Robson is delightful as Apple Annie, a fruit peddler with something to hide. For years, she has kept her daughter, Louise (Jean Parker), living in the lap of luxury. Louise has never known that her mother is a simple street vendor. This original window card has some soiling and light tearing around the edges, but the display of the cast on star backgrounds is a format seldom seen. In the top left corner, there is an image of Frank Capra that is larger than any of the stars. Fine.Sold for: $448.13. |
| 64309 | For the Love of Mike (First National, 1927). Title Lobby Card and Lobby Card (11" X 14"). A young Claudette Colbert was noticed in a Broadway role of an unsuccessful play by talent agent Leland Heyward, who suggested her for a role with Frank Capra in this silent film, now believed to be lost. The film was a box office flop but would be a stepping stone to one of Colbert's and Capra's greatest films, It Happened One Night, the winner of five Academy Awards seven years later. The title card has soiling to the borders and some staining in the lower left corner. The scene card has similar soiling and staining, primarily within the borders. This was Capra's third directorial effort. Fine. Sold for: $537.75. |
| 64310 | Mr. Deeds Goes to Town (Columbia, 1936). One Sheet (27" X 41") Style B. One of Frank Capra's most beloved films, Mr. Deeds Goes to Town tells the touching story of Longfellow Deeds (Gary Cooper), a simple man from Vermont who suddenly comes into a pile of money, and the complications that follow. A lavish production, it remains a popular film with fans and collectors alike. Paper from this title has always been exceptionally scarce and incredibly desirable, with fans of Cooper and Capra avidly competing for the few pieces that are occasionally offered. This is the rare Style B one sheet, featuring beautiful portraits of Cooper and Jean Arthur. It had some light fold wear and crossfold separation, a bit of chipping in the upper border, and a very small hole in the image area above Arthur. All of these issues have been addressed with professional restoration, which has given this poster a clean and attractive appearance. Fine/Very Fine on Linen.Sold for: $7,767.50. |
| 64311 | Meet John Doe (Warner Brothers, 1941). One Sheet (27" X 41"). Frank Capra had a talent for making films with powerful messages, and this one is no exception. Made just before America entered World War II, the anti-fascism message, and the strong support for the value of the common man, is unmistakable. Gary Cooper and Barbara Stanwyck, the stars of the picture, are beautifully represented on this classic one sheet. The corners and borders have been repaired and airbrushed, as has a hole in the area of Stanwyck's hair. There is also some edge wear, some light fold wear and crossfold separation, and several small tears in the image area. All of these issues have also been made virtually invisible by professional restoration, resulting in a poster that will enhance any collection. Very Good/Fine on Linen.Sold for: $597.50. |
| 64312 | Meet John Doe (Warner Brothers, 1941). Midget Window Card (8" X 14"). One would be hard-pressed to think of a movie with a more impressive pedigree than this one: Frank Capra directing stars Gary Cooper and Barbara Stanwyck, as well as co-stars Edward Arnold and Walter Brennan. The result is an epic drama in which reporter Ann Mitchell (Stanwyck) devises a fake letter about a man, "John Doe," who promises to commit suicide as a protest against the evils of the world. When the letter becomes a phenomenon, the paper hires a man (Cooper) to become Doe, thus giving rise to a very real social revolution as the "John Doe Philosophy" catches on. This film, with its blend of humor, drama, and astute social criticism, is a fine example of Capra at his very best. The linen-finish midget window card offered here shows some light edge wear and some erased writing at the top right, as well as a tiny corner crease in the bottom left and some very slight surface paper loss at the top right. Nevertheless, this is a very attractive and desirable piece that will certainly enhance any collection. From the Collection of Denver Sherry. Very Fine+. Sold for: $1,673.00. |
| 64313 | Mr. Smith Goes To Washington (Columbia, 1939). Midget Window Card (8" X 14"). In a legendary career that included some of the most beloved roles in screen history, one of James Stewart's finest portrayal was that of Jefferson Smith, a naive and idealistic man appointed to fill a vacant Senate seat. Nominated for an incredible 10 Academy Awards (it won for Best Writing, Original Story), the film, directed by Frank Capra, although bitterly denounced by real-life politicians at the time of its release, remains a landmark in the history of motion pictures. This midget window card displays several pinholes in the image area and a 1" tear at the bottom (repaired with tape on the verso), but displays beautifully. From the Collection of Denver Sherry. Very Fine. Sold for: $3,585.00. |
| 64314 | It's a Wonderful Life (RKO, 1946). Lobby Card (11" X 14"). James Stewart, infatuated with his new love (Donna Reed) promises to lasso the moon for her in this romantic moment from Frank Capra's most beloved film. This card (#8) has a tiny tear on the left border and a slight ding in the upper border keeping it from grading higher. Near Mint-. Sold for: $1,434.00. |
| 64315 | Bend Of The River (Universal International, 1952). One Sheet (27" X 41"). A great Technicolor Western with a terrific cast including James Stewart, Julie Adams, Arthur Kennedy, Rock Hudson and Lori Nelson. Stewart plays a man with a shady past leading a wagon train of settlers out west. This unrestored poster has pinholes in the top corners, fold wear and pinpoint crossfold separations, very small edge tears in the top border, dust shadow and slight discoloration, and a slight misfold. This is one of the more difficult Stewart/Mann one sheets to find in nice condition. Very Fine-.Sold for: $657.25. |
| 64316 | The Naked Spur (MGM, 1953). One Sheet (27" X 41"). Director Anthony Mann got a magnificently gritty performance out of James Stewart in this top-notch Western, filmed on location in gorgeous Technicolor in the Colorado Rockiest. Stewart plays a bounty hunter after killer Robert Ryan, who is accompanied by his girlfriend, Janet Leigh. Millard Mitchell, the studio head in Singin' in the Rain, takes on a totally different persona in this film, playing Stewart's grizzled old prospector sidekick, Jesse. This great poster had pinholes in the left corner, small tears in the credits, fold wear with pinpoint crossfold separation, a chip on the top border, and a crease on the top left corner. All has been expertly restored. The strong graphics perfectly reflect the violence and savagery of this film. Very Fine- on Linen. Sold for: $567.63. |
| 64317 | The Man From Laramie (Columbia, 1955). British Quad (30" X 40"). Director Anthony Mann and actor James Stewart team up for the final time to produce this complex, absorbing Western, with Stewart as a loner who goes up against a cattle baron with a stranglehold on an isolated village in Apache territory. This British quad has an excellent image of Stewart, with expressive art by Wiggins, and an evocative color scheme. It is in excellent condition, with some overall wrinkling, edge wear in the top and bottom borders, and some minor edge tears along the bottom being the main condition issues. Very Fine-.Sold for: $717.00. |
| 64318 | The Man from Laramie (Columbia, 1955). One Sheet (27" X 41"). A brilliant psychological Western with parallels to Shakespeare's King Lear, this is the story of Will Lockhart (James Stewart), a man obsessed with finding the outlaw who sold automatic rifles to the Apaches that killed his brother. A triumph for Stewart, this gritty and realistic Western was directed by Anthony Mann, who would go on to make such classics as Cimarron and El Cid. The striking one sheet offered here had minor fold and edge wear, some crossfold separation, and pinholes in the corners, all of which have been addressed with professional restoration, resulting in a very attractive poster that presents very nicely. Very Fine- on Linen. Sold for: $310.70. |
| 64319 | The Man from Laramie (Columbia, 1955). Insert (14" X 36"). Based on a story by Thomas T. Flynn that first appeared in The Saturday Evening Post, this taut Western concerns Will Lockhart (James Stewart), a man obsessed with tracking down the outlaw that sold guns to the Apaches, guns that were used to kill his brother. Anthony Mann, the director of this gripping psychological drama, brings a very film noir feel to this Western (not surprising, as he also directed such noir classics as Side Street and Reign of Terror), providing a very different tempo to this wonderful film. The lovely insert offered here, with its woodcut-like illustration of Stewart, shows some small corner bumps and some slight surface scuffing, but is otherwise unmarred. This will make a fine addition to any collection. Very Fine+. Sold for: $179.25. |
| 64320 | Citizen Kane (RKO, R-1960s). Italian 2 - Folio (39" X 55"). Orson Welles proves himself the ultimate over-achiever by making the greatest film in history on his very first attempt. The legendary Charles Foster Kane is personified through a collage of letters on this unusual Italian poster, certainly a change of pace from the American paper on this title. Condition issues include fold wear with crossfold separations, a censor stamp, tanning at the fold lines, edge wear and corner creases. This unrestored poster presents beautifully. This poster was misdescribed in our catalog as being from 1948. It is actually a 1960s re-release. Fine/Very Fine. Not Sold. |
| 64321 | Citizen Kane (RKO, R-1960s). Italian 4 - Folio (55" X 78"). Orson Welles created a cinematic masterpiece in 1941 with his production of this incredible tour de force in filmmaking. Innovations in cinematography, lighting, design, acting, directing, and more abound throughout the film. Despite the attempted suppression of its release by William Randolph Hearst, and its initial low box office return, Citizen Kane has gone on to be called the "greatest American film ever made." This Italian poster has magnificent art of Welles as Charles Foster Kane at a political rally. The poster has tanning on the fold lines, but otherwise, is in very nice condition. This poster was misdescribed in our catalog as being from 1948. It is actually a 1960s re-release. Very Fine on Linen. Sold for: $687.13. |
| 64322 | The Stranger (RKO, 1946). One Sheet (27" X 41"). A taut and gripping example of film noir, this exceptional picture boasts a superb cast, including Edward G. Robinson as Mr. Wilson, a government agent assigned to track down Nazi war criminals, and Orson Welles as Professor Charles Rankin/Franz Kindler, a former Nazi officer whose actions during the war left a bloody trail behind him. Tense and exciting, this was the very first post-WWII film to show actual footage of the Nazi deathcamps. The one sheet offered here is the very desirable color version (a duotone version was also issued), and shows the expected pinholes in the corners and some slight crossfold separation. Other than that, it is extremely clean, and will be a welcome addition to any collection. Very Fine+.Sold for: $1,075.50. |
| 64323 | The Lady From Shanghai (Columbia, 1947). Italian 4 - Folio (55" X 78"). Anselmo Ballester created a masterpiece when he painted the artwork used on this striking poster. Rita Hayworth, as Mrs. Bannister, becomes one of the screen's ultimate femme fatales' as she seduces Michael O'Hara (Orson Welles), an Irish sailor, into a bizarre and convoluted murder plot. Welles directed this film as well as casting his wife, screen beauty Hayworth, in the lead role. Hayworth was known for her auburn hair, but for this role, Welles had her dye her hair blonde. To this day, the film is still considered one of the greatest film noirs ever made. The poster has had the borders airbrushed, there has been some color touch to the fold lines, and there is a tear in the upper center portion of the background. Ballester did the artwork for many of Hayworth's posters, and with this example, he outdid his usual brilliance, capturing her blonde tresses to perfection. This poster is extremely scarce and highly desirable. Very Fine- on Linen.Sold for: $41,825.00. |
| 64324 | The Lady From Shanghai (Columbia, 1947). One Sheet (27" X 41"). A pleasant cruise to San Francisco kicks off an elaborate web of lies, deception, seduction, intrigue, and murder, in this chilling film noir thriller starring real-life couple Rita Hayworth and Orson Welles. The film's exciting climax in the hall of mirrors is unforgettable. Hayworth and Welles were married at the time this film was made, but their marriage was disintegrating, leading many to speculate that Welles made this film as an attempt to salvage the relationship. If that was his intention, he failed, as the couple divorced shortly after the picture was released. In an interesting bit of Hollywood trivia, it should be noted that the yacht upon which much of the action takes place was the Zaca, a craft belonging to Errol Flynn, who captained the vessel in between takes. This stunning one sheet, with its sizzling portrait of a blonde Hayworth, had pinholes in the corners, fold wear with crossfold separation, all of which have been addressed with professional restoration. Posters from this title are highly sought after and seldom appear on the market, so don't miss your chance to bid on this classic rarity! Very Fine- on Linen.Sold for: $11,950.00. |
| 64325 | Macbeth (Republic, 1948). One Sheet (27" X 41"). This Orson Welles adaptation of the famous William Shakespeare play is certainly the most moody and atmospheric version ever put on film. Shot in just 23 days per studio head Herbert Yates's demands, this version delivers some wonderful performances by Welles in the title role and Jeanette Nolan as Lady Macbeth. There was minor edge chipping in the borders, and fold wear with crossfold separation. This lovely poster has been professionally restored, rendering these minor defects undetectable. Very Fine on Linen. Sold for: $310.70. |
| 64326 | The Third Man (Selznick, R-1950s). British One Sheet (27" X 40"). Carol Reed directs Orson Welles and Joseph Cotton in what many consider to be one of the greatest films ever produced. This striking country of origin poster has some minor condition issues including pinholes in the corners and field, tiny edge tears, crossfold separations with some paper loss, and creasing in the corners. The sheet has been professionally restored, including touch-ups. A distinctive poster for this very modern film, sure to be the pride of any collection. Very Fine- on Linen. Sold for: $478.00. |
| 64327 | The Third Man (Selznick, 1949). One Sheet (27" X 41"). A keystone film noir picture, this movie, set in post-war Vienna, tells the story of novelist Holly Martins as he attempts to unravel the mystery surrounding the murder of his friend, Harry Lime (Orson Welles). Although the production of this film was fraught with challenges, including difficult behavior on Welles's part and outrageous demands by producer David O. Selznick, the picture was a box office sensation, and has become one of the most important films of the period. This lovely one sheet displays pinholes in the corners, very light fold wear, pinpoint crossfold separation, and a small tear in the right border. These minor flaws do nothing to detract from the exceptional appeal of this desirable poster. This is a key piece for any collector of film noir or Orson Welles memorabilia. Very Fine+.Sold for: $1,553.50. |
| 64328 | Touch Of Evil (Universal International, 1958). Poster (40" X 60"). The culmination of the film noir era, this is often considered one of director/screenwriter/star Orson Welles's finest movies. A harrowing story about corruption and politics south of the border, it stars Welles as local police chief Hank Quinlan, and Charlton Heston as Mexican politico Mike Vargas, who is on his honeymoon with his new bride, Susan (Janet Leigh). When Heston investigates a bomb explosion, these three lives intersect in a way that no one could have foreseen. The amazing opening tracking shot is a classic in cinematic history. This dramatic poster shows pinholes in the corners and borders, a tear in the bottom right corner, and some wrinkling in the image area. Professional restoration has rendered these minor flaws all but invisible, giving this poster a fresh and attractive appearance. It presents very nicely and will be a welcome addition to any collection. Very Fine on Linen. Sold for: $2,390.00. |
| 64329 | Lawrence of Arabia (Columbia, 1962). One Sheet (27" X 41") Style B. Based on the life of controversial figure Thomas Edward Lawrence, this film is, without a doubt, director David Lean's masterpiece. Epic and exhilarating, the story follows Lawrence (Peter O'Toole) through his career as a British officer, his transfer to Arabia, and his involvement in the Arab revolt against the Turks. A literate and sweeping production, the film garnered a staggering 10 Academy Award nominations and seven wins, including Best Director and Best Picture. It is one of the landmarks of cinema by any standard, and remains a yardstick against which all other epics are measured. The one sheet offered here shows fold wear and crossfold separation with some degree of paper loss at the edges. Additionally, some light foxing was evident. The poster has benefited from professional restoration, and is now a clean and attractive example of a true classic. Very Fine on Linen.Not Sold. |
| 64330 | Lawrence of Arabia (Columbia, 1962). French Petite (23.5" X 31.5"). David Lean's desert epic made a star of Peter O'Toole, and yielded seven Academy Awards, including Best Actor, Best Director, and Best Picture. This stunning French Petite captures the essence of the film brilliantly, with Lawrence leading the Arabs through the blistering desert heat. Very minor fold wear and some discoloration on the paper backing are the only condition issues of note, and these are scarcely noticeable; the poster has a very fresh appearance and terrific color. Very Fine+ on Paper.Sold for: $286.80. |
| 64331 | Apocalypse Now (United Artists, 1979). Japanese Poster (41" X 58"). Director Francis Ford Coppola put his own personal fortune at stake in order to bankroll this Vietnam epic, a retelling of Joseph Conrad's Heart of Darkness starring Martin Sheen and Marlon Brando. This Japanese poster has emerged as one of the most in-demand sheets on this title, with its stark image of helicopters and surfers. Virtually pristine, this poster has only the slightest overall wear, and no obvious flaws. Rolled, Near Mint.Sold for: $1,195.00. |
| 64332 | Duel (Universal, 1972). Japanese STB (20" X 58"). Steven Spielberg made a name for himself with this taut TV movie about a weary driver (Dennis Weaver) being pursued by a relentless semi-truck, the driver of which is never seen. Based on a story by Richard Matheson, Spielberg transforms the simple story into a nail-biter of the first order. This nifty Japanese STB features a great image of the killer truck. Condition issues include pinholes, light edge wear, minor stains in the image, and creasing in the top right corner. The two panels have been glued together. A terrific early Spielberg sheet. Fine/Very Fine. Sold for: $358.50. |
| 64333 | Close Encounters of the Third Kind (Columbia, 1977). International Six Sheet (81" X 81"). In the summer of '77, Star Wars provided visceral entertainment, but CE3K was a more thought-provoking journey into the world of science fiction. This stunning six sheet poster presents the iconic "We are not alone" imagery of something rising above the desert plains. This poster has virtually no flaws, and only our policy of grading linen-backed posters no higher than VF+ prevents us from grading this NM/MT. Very Fine+ on Linen.Sold for: $286.80. |
| 64334 | E. T. The Extra-Terrestrial (Universal, 1982). One Sheet (27" X 41") Advance. After directing such blockbuster hits as Jaws, Close Encounters of the Third Kind, and Raiders of the Lost Ark, Steven Spielberg released what many consider his masterpiece, the beautiful and heartfelt E. T. The Extra-Terrestrial. A tender story about friendship and sacrifice, the film won four Oscars, including Best Music (John Williams), received five additional nominations, including Best Picture and Best Director, and was, at the time of its release, the highest grossing movie of all time. Now you have a chance to bid on the poster that started it all, the striking, and rare, advance one sheet. This particular copy shows some edge wear, a small chip out of the bottom right corner, and some faint wrinkling, but has an overall very attractive and desirable appearance. Rolled, Very Fine. Sold for: $3,107.00. |
| 64335 | The Sea Beast (Warner Brothers, 1926). Lobby Cards (2) (11" X 14"). Warner Brothers cast their heaviest hitter, John Barrymore, in this cinematic telling of Moby Dick. Though based loosely on Herman Melville's classic story, the script was re-tooled to add a bit of romance that worked both on and off the screen. The 10-reel silent was the film on which Barrymore wooed his future wife, Dolores Costello, whom he would marry soon after the picture wrapped. These two cards have pinholes and bumps at the corners, and wear along the edges. One card has a 2" tear in the top border while the other has a 1/4" tear and staining in the left border. Both cards are hand tinted. Fine.Sold for: $657.25. |
| 64336 | Don Juan (Warner Brothers, 1926). Program (Multiple Pages). This program from one of John Barrymore's greatest roles is in remarkable condition and full of excellent information about the film. Water damage to the front and back covers has caused color bleed to the first and last interior pages. There is also minor scuffing on the spine and back cover. Very Fine-. Sold for: $119.50. |
| 64337 | The Mad Genius (Warner Brothers, 1931). Insert (14" X 36"). Michael Curtiz directed this heavy drama which stars John Barrymore. Boris Karloff, hot on the heels of his triumph in Frankenstein, appears in a small role as an abusive father. The luscious, Deco-inspired insert, which features Barrymore's "Great Profile," has been trimmed. The piece is mounted on paper, and the restorationist has done a flawless job of restoring the borders. Very few pieces from this early film ever turn up. The scarcity of the insert and the beautifully restored condition make this a true find. Very Good on Paper.Sold for: $896.25. |
| 64338 | Svengali (Warner Brothers, 1931). Spanish One Sheet (27.5" X 39.5"). This extremely scarce Spanish language one sheet cleverly delineates the true nature of this great film. It features a delightful image of the sinister John Barrymore wielding his hypnotic musical baton. The brilliant art director Anton Grot used extreme forced perspective and bizarre sets to great effect as shown here with Barrymore pushing apart a building. This is one of "the great profile's" most interesting performances and he played it to the hilt. This film became so well known that the word "Svengali" became incorporated into the English language, meaning "someone who, with evil intent, tries to persuade another to do what is desired." There were only minor pinholes, slight edge wear, mild fold separations, and small tears in the center and left middle field. Very Fine- on Linen. Not Sold. |
| 64339 | Rasputin and the Empress (MGM, 1932). Pre-War Belgian (24.5" X 35"). This historical drama about Rasputin and his hypnotic influence over the Russian Tsarina Alexandra is more of interest today for the events surrounding the film. This was the only film that John, Ethel, and Lionel Barrymore appeared in together. When it was released, two of the real people portrayed in the film sued MGM for libel and invasion of privacy. They won and the film was cut to assuage them. This beautiful pre-war Belgian poster had border chips, tape marks, and tears. These defects were professionally restored and the poster is mounted on linen. The theater imprint area has been attached to the top and there is a tax stamp applied to that imprint area. This was the usual case for this type of Belgian poster. Gorgeous stone litho artwork of the three Barrymore's is featured on the poster. Lionel is especially dramatic as Rasputin. Fine+ on Linen.Not Sold. |
| 64340 | They Drive by Night (Warner Brothers, 1940). Insert (14" X 36"). Humphrey Bogart and George Raft play two truckers who form their own business and try to find a way to survive in a rough and competitive market. The film was a major production for Warners and gave Bogart a rare shot at serious acting outside of the gangster genre. This insert has several small crimps throughout, some with light color touch to them. There are also some minor tears in the borders that have some light chipping typical of linen-finish inserts. There is a two inch tear in the lower background that doesn't detract from the overall impact of this nice insert. Rolled, Fine/Very Fine. Sold for: $2,151.00. |
| 64341 | They Drive by Night (Warner Brothers, 1940). Title Lobby Card (11" X 14"). Humphrey Bogart was still a minor star when this movie was released, but his next film, High Sierra, and The Maltese Falcon, which would follow shortly thereafter, would change all that, catapulting him to the dizzy heights of super-stardom. This attractive title card shows pinholes in the corners, and slight corner bumps and creases, all of which has been addressed by professional restoration. Additionally, the top 1/2" of the border has been replaced, and the title has had a title change removed and the original title restored. The result is a very attractive and displayable card that will be a fine addition to any Bogart collection. Very Good+ on Paper.Sold for: $388.38. |
| 64342 | The African Queen (United Artists, 1952). Window Card (14" X 22"). Humphrey Bogart won the only Oscar of his career for this finely-wrought film about a grizzled boat captain and the prim lady he takes on as a passenger in the early days of the Great War. Katharine Hepburn never looked more like a Harlequin Romance heroine than she does on this beautiful window card, which uses the same artwork as the one sheet. Condition issues include a crease on the left edge near the logo, overall tanning, a stain in the bottom border, and slightly rounded corners, none of which adversely affect the image, which still pops with vibrant color. Fine+. Sold for: $334.60. |
| 64343 | The Treasure of the Sierra Madre (Warner Brothers, 1948). One Sheet (27" X 41"). John Huston's epic saga of treasure and man's greed made this one of the American Film Institute's 100 greatest American films ever made. Humphrey Bogart stars as Fred Dobbs, a perennial loser who dreams of having fortune and fame and pays the ultimate price in his quest. The role would bring Bogart critical acclaim, but the Oscars that year went to John Huston for Best Direction and Screenplay and Huston's father Walter for Best Supporting Actor. There are approximately two pinholes per corner, some very slight smudges in the white background, and a small tear in Tim Holt's forehead. Very Fine.Sold for: $5,078.75. |
| 64344 | The Treasure of the Sierra Madre (Warner Brothers, R-1960s). French Petite (23.5" X 31.5"). An Oscar nomination was Humphrey Bogart's reward for his portrayal of a prospector who succumbs to the ravages of greed. Although this poster is from a later re-release of the film, it is still considered one of the best Bogart images ever put to paper, with artwork by Ferracci. This example's registration is slightly off, but the colors are very strong. It had a tiny crossfold separation and faint fold wear, but has been nicely restored. Very Fine+ on Linen.Sold for: $334.60. |
| 64345 | Humphrey Bogart Still by George Hurrell (Warner Brothers, circa 1940). (8" X 10"). Vintage black and white, double weight still. Bogart was fast becoming one of Warner Brothers' top actors at the time of this portrait. George Hurrell beautifully captures the fascinating charm that would turn Bogart into a legend. This classic photo, with the Hurrell blind stamp, has only minor corner creases. Very Fine/Near Mint. Sold for: $507.88. |
| 64346 | Humphrey Bogart Publicity Still by Longworth (Warner Brothers, 1945). (8" X 10"). Vintage black and white, single weight, glossy still. This fabulous studio issue portrait by Longworth is stamped by Warner Brothers on the reverse. Bogart was sealing his fate as one of the top movie stars of all time with the release of The Big Sleep coming in the following year. A striking photograph with only a few light creases and corner bumps. Very Fine+. Sold for: $203.15. |
| 64347 | The Winning of Barbara Worth (United Artists, 1926). Lobby Card Set of 8 (11" X 14"). Ronald Colman and Gary Cooper vie for the love of Vilma Banky in this legendary Western from Henry King. Although Cooper had appeared in bit parts in several films prior to this picture, this was the film that launched him to fame. He appears on three cards in this set, and these cards are rarely offered for sale. All of the cards show some very minor wear along the edges. Two have a tiny paint spot on the right edge, and one of the Cooper cards has a half inch tear in the left border. Very Fine/Near Mint.Sold for: $3,585.00. |
| 64348 | Beau Sabreur (Paramount, 1928). Gary Cooper Publicity Still by Gene Robert Richee (8" X 10"). Vintage black and white, single weight, glossy still. An early image of Cooper from the late silent era. The still shows minor corner bumps, as well as glue residue on the back where it has been adhered to a scrapbook. It is studio stamped on the reverse. Very Fine. Sold for: $507.88. |
| 64349 | Half a Bride (Paramount, 1928). Gary Cooper Publicity Stills (2) (8" X 10"). Vintage black and white, single weight, glossy stills. Intense portraits of Cooper are featured on these dramatic stills. Both are in excellent condition, save for some adhesive residue on the back where they were glued to scrapbook pages. Very Fine+. Sold for: $119.50. |
| 64350 | Lilac Time (First National, 1928). Gary Cooper Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. A splendid portrait of a young Gary Cooper as Captain Philip Blythe. The still shows some surface creasing, as well as several tears in the bottom border that have been repaired with tape on the reverse. The reverse also bears some paper residue where the still was pasted into a scrapbook, along with a studio snipe. Fine/Very Fine.Sold for: $119.50. |
| 64351 | High Noon (United Artists, 1952). One Sheet (27" X 41"). When talk turns to classic Westerns, a few titles are bound to come up. Stagecoach. My Darling Clementine. The Magnificent Seven. And high on that list will certainly be this landmark drama, High Noon. Gary Cooper plays Will Kane, a soon-to-be- retired Marshall whose past comes back to haunt him... at high noon. One by one, his friends and supporters desert him, until he's left to face his fate alone. A powerful picture, it was intended as an allegory for the failure of Hollywood to stand up against the House Un-American Activities Committee in the 1950s. Viewed in allegorical or actual terms, however, there's no doubt that this is an unforgettable picture, the very definition of the word "classic." Nominated for seven Academy Awards, it won four, including a well-deserved Best Actor Oscar for Gary Cooper. The very desirable one sheet offered here had fold wear with pinpoint crossfold separations, pinholes in the corners, and some slight border chipping, but professional restoration has addressed these issues admirably, resulting in a poster that presents very nicely, and will make an excellent addition to your collection. Very Fine- on Linen.Sold for: $1,792.50. |
| 64352 | The Virginian (Paramount, 1929). One Sheet (27" X 41") Style A, Sound Version. A fabulous early Western showcasing the considerable talents of a young Gary Cooper, this was the picture that instantly elevated Cooper from strong leading man to full-fledged superstar. Cooper was initially nervous about this, his first talking picture, but his fears were groundless, as audiences responded as favorably to his resonant voice as they had to his rugged good looks. Offered here is a very rare and desirable stone litho one sheet for this landmark film. It had pinholes in the corners and in the image area, fold wear with crossfold separations and some border and fold line chipping. Expertly done professional restoration has given this poster a fresh and clean appearance, as well as a high degree of eye-appeal, making it a true treasure, sure to enhance even the finest collection. Very Good/Fine on Linen. Sold for: $8,365.00. |
| 64353 | The Virginian (Paramount, 1929). Gary Cooper and Mary Brian Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. A touching yet dramatic portrait of Gary Cooper as The Virginian and Mary Brian as Molly Stark Wood. The still shows some surface smudging and a small bump in the bottom right corner, as well as glue residue on the reverse where it was adhered to a scrapbook page. Very Fine. Sold for: $388.38. |
| 64354 | Only the Brave (Paramount, 1930). Gary Cooper Publicity Still by Gene Robert Richee (8" X 10"). Vintage black and white, single weight, glossy still. A dramatic portrait of star Gary Cooper from this gripping drama. The still has some minor surface creasing and slight corner bumps. It is studio stamped on the reverse. Very Fine+.Sold for: $507.88. |
| 64355 | The Texan (Paramount, 1930). Gary Cooper Still by Bredell (7.5" X 9.5"). Vintage black and white, single weight, glossy still. This still features a great shot of Gary Cooper as Enrique, aka Quico, the Llano Kid, in this early talkie. The photo has been trimmed to the edges of the image, and is stamped on the reverse. Very Fine+.Not Sold. |
| 64356 | Fighting Caravans (Paramount, 1931). Gary Cooper Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. A fine portrait of Cooper astride a horse in this early talkie. Adhesive residue on the reverse shows where the still had been glued to an album page. Fine+. Not Sold. |
| 64357 | The General Died at Dawn (Paramount, 1936). Midget Window Card (8" X 14"). Gary Cooper and Madeleine Carroll star in this classic adventure story set in 1930s China. Cooper is a mercenary gun runner trying to help the Chinese peasants fight a vicious war lord (Akim Tamiroff). The top imprint area of this poster has been expertly replaced. Otherwise, the condition was near perfect. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $597.50. |
| 64358 | The Plainsman (Paramount, 1936). Window Card (14" X 22"). This window card features a great portrait shot of Gary Cooper as Wild Bill Hickok and Jean Arthur as Calamity Jane for this classic Western. Director Cecil B. DeMille played fast and loose with the facts surrounding the lives of these two very famous characters of the Old West, but his version certainly delivered plenty of exciting entertainment. Very Fine+. Sold for: $448.13. |
| 64359 | The Plainsman (Paramount, 1936). Gary Cooper Publicity Stills (4) (8" X 10"). Vintage black and white, publicity stills, one single weight glossy and three double weight glossy. The single weight still shows pinholes in the top corners, corner bumps, a small tear in the top right, and small creases in both bottom corners. The double weight still at the poker table shows a vertical crease that runs the length of the left side, and all three show studio approval stamps, as well as some tape residue, on the reverse. Very Fine-.Sold for: $119.50. |
| 64360 | Bluebeard's Eighth Wife (Paramount, 1938). Gary Cooper and Claudette Colbert Publicity Stills (2) (8" X 10"). Vintage black and white, double weight, glossy stills. Both stills, which feature elegant images of Cooper and Colbert, show minor surface wear, and minor border creases. The reverse of each still bears a studio approval stamp. Very Fine-. Not Sold. |
| 64361 | Beau Geste (Paramount, 1939). Insert (14" X 36"). A true film classic, this picture stars Gary Cooper as Michael "Beau" Geste, who, in order to protect a beloved aunt, confesses to a robbery he did not commit, and joins the French Foreign Legion in disgrace. There, he is reunited with his brothers, John (Ray Milland) and Digby (Robert Preston), and eventually redeems his honor at the hour of his death. The rare insert offered here had fold wear with some extra creasing and crossfold separation, as well as some pinholes in the corners, but remains a beautiful and highly desirable piece, one that any classic film buff will be proud to own. Very Fine- on Paper.Sold for: $537.75. |
| 64362 | Meet John Doe (Warner Brothers, 1941). Gary Cooper and Barbara Stanwyck Publicity Stills (2) (8" X 10"). Vintage black and white stills, one single weight glossy, one double weight glossy. Both feature the lead actors in dramatic images. The double weight still shows creasing in the bottom right corner, the single weight still has some very slight surface wear. Very Fine.Sold for: $507.88. |
| 64363 | For Whom the Bell Tolls (Paramount, 1943). Gary Cooper Publicity Still (8" X 10"). Vintage black and white, double weight, glossy still. A wonderful portrait of Gary Cooper in this, one of his most memorable roles. The still shows some light wear at the top, and some minor corner bumps. It bears a very light studio approval stamp on the reverse. Very Fine. Sold for: $143.40. |
| 64364 | The Story of Dr. Wassell (Paramount, 1944). One Sheet (27" X 41") Style A. Cecil B. DeMille directs this gritty true story of an American doctor who risked his life to aid soldiers too injured to be moved during the pending invasion of Java by the advancing Japanese fleet. Star Gary Cooper is front-and-center on this beautifully-rendered poster. We have never seen this style one sheet from the film and believe it to be quite rare. The usual fold wear and minor crossfold separations are the only real issues on this unrestored sheet, a great addition to any collection. Very Fine.Sold for: $567.63. |
| 64365 | The Fountainhead (Warner Brothers, 1949). Insert (14" X 36"). Ayn Rand's landmark objectivist novel about an architect (played by Gary Cooper in the movie adaptation) who refuses to compromise his principals boasts a screenplay by the author herself, who also, apparently, was not big on compromise. Rand wrote a lengthy speech for Cooper at the end of the picture, and insisted it be filmed just as written. The director, King Vidor, decided to tighten it up a bit, and when Rand heard that her speech was being edited, she contacted the studio head immediately and insisted the scene be filmed verbatim. She won, and the result, at six minutes, is one of the longest monologues ever to appear in a feature film. This marvelous insert, which pictures Cooper and co-star Patricia Neal, had fold wear, minor edge tears, a bottom right corner that has been reattached, and slight chipping in the borders. Professional restoration has expertly addressed these issues, resulting in a poster that looks as fresh and clean as the day it was printed. Fine/Very Fine on Paper. Sold for: $1,314.50. |
| 64366 | Goodbye, Mr. Chips (MGM, 1939). Midget Window Card (8" X 14"). A tender and sentimental film in which an aged professor recalls his life, his career, and the students whose lives he touched and who touched his life in return. This was a career-defining role for star Robert Donat: he won a Best Actor Oscar for his performance, beating out Clark Gable, who was nominated for Rhett Butler in Gone with the Wind. Making this movie even more memorable is the screen debut of the luminous Greer Garson. This midget window card shows some evidence of use, including a small tear in the left border (repaired with tape on the verso), and some minimal edge wear, as well as pinholes in the corners. These minor concerns do little to detract from the great eye-appeal of this classic beauty. From the Collection of Denver Sherry. Very Fine-.Sold for: $179.25. |
| 64367 | Another Dawn (Warner Brothers, 1937). Half Sheet (22" X 28") Style B. In the 1930s, whenever a movie theater marquee was shown in a Warner Brother Movie scene, it would always feature the fictional title, Another Dawn. As this film was in production, and the producers were casting about for a title, they decided to actually use the phrase that had served them so well for so many years. This movie, starring an up-and-coming Errol Flynn (he had already scored a solid hit in Captain Blood several years earlier, but Adventures of Robin Hood was still in his future), and top-billed Kay Francis. This lovely half sheet, picturing both stars, had chipping and tearing at the edges, a 5.5" tear in the bottom right, tiny pinholes in the image area, and a chip out of each of the left and bottom borders. All of these issues have been addressed with professional restoration, making this a perfect choice for the dedicated Flynn collector. Very Good on Paper.Sold for: $1,434.00. |
| 64368 | The Sea Hawk (Warner Brothers, Early 1950s). First Japanese B2 Post-War Release (20" X 29"). One of Errol Flynn's greatest roles was that of Captain Geoffrey Thorpe, pirate and privateer in the service of Queen Elizabeth of England (Flora Robson). The Sea Hawk, although bearing scant resemblance to the Rafael Sabatini novel upon which it is nominally based, is a great film, one of Flynn's best, and well deserves its reputation as the premiere pirate movie of all time. This dramatic early post-war Japanese poster shows pinholes, several tears in the image area which have been repaired with clear tape on the reverse, and a small tear at the bottom right. Very Good.Sold for: $567.63. |
| 64369 | The Sea Hawk (Warner Brothers, 1940). Lobby Card (11" X 14"). Errol Flynn stars as the rogueish Geoffrey Thorpe, a privateer working for the Queen of England to stop the Spanish interests on the high seas. Flynn was paired once again with his amiable sidekick Alan Hale, and the film was directed by Michael Curtiz in what many feel is the best "swashbuckler" ever made. This lobby card has been cleaned, and pinholes have been reinforced on the back with archival tape. There has been some touch-up painting in the borders. Very Good/Fine.Sold for: $388.38. |
| 64370 | The Sea Hawk (Warner Brothers, R-1950s). Belgian (14.5" X 18.5"). A signature role for Errol Flynn, this exciting swashbuckler was directed by the great Michael Curtiz, and features the breathtaking Brenda Marshall as the love interest. This colorful unrestored Belgian poster balances the action and romance, with an iconic image of Flynn wielding his saber. There are some tape stains in the borders, the remnants of a tax stamp in the upper left corner, and the top imprint area has been trimmed. Ride the high seas with this outstanding sheet! Rolled, Fine.Not Sold. |
| 64371 | They Died with Their Boots On (Warner Brothers, 1941). Insert (14" X 36"). Errol Flynn and Olivia DeHavilland star in this Western tale of General Custer's failed land treaty with Chief Crazy Horse (Anthony Quinn) and the Sioux Nation. Prior to professional restoration, this poster had light fold and edge wear with creases and pinholes at the corners. There were two tears in the image: a tear above De Havilland's head and a tear through the warrior on horseback. Thanks to top-notch repair work, this poster will display very well. Fine on Paper. Sold for: $956.00. |
| 64372 | They Died With Their Boots On (Warner Brothers, 1941). Midget Window Card (8" X 14"). Errol Flynn gave one of his finest acting performances ever as he took on the portrayal of General George Custer and his demise at the Battle of Little Big Horn. Flynn was reunited with his most popular leading lady (Olivia DeHavilland) and his greatest director (Michael Curtiz) for this heroic version of the tale. This midget card has had the borders airbrushed and there was a 1" inch tear on the side of the card by DeHavilland's head. From the Collection of Denver Sherry. Fine+.Sold for: $418.25. |
| 64373 | Cry Wolf (Warner Brothers, 1947). Insert (14" X 36"). Actress Barbara Stanwyck is featured in four scenes from this eerie mystery film, made with co-star Errol Flynn in the late 1940s. That's fine young actress Geraldine Brooks in her film debut at the bottom of the poster in a pretty close-up with Stanwyck. This piece displays light horizontal creases in the center field, light fold wear, small border tears, and minor corner bumps, but this lovely insert presents very nicely in spite of these slight flaws. Very Fine.Sold for: $119.50. |
| 64374 | Errol Flynn Publicity Still by George Hurrell (MGM, Late 1940s). (11" X 14"). One of the most dashing and daring leading men in Hollywood history, Errol Flynn is still considered a man's man of the silver screen. This image of Flynn was shot by George Hurrell in the late 1940s for MGM. There is wear along the edges and creasing and bumps at the corners. On the reverse, there is a sicker in the bottom left corner, and a Hurrell credit stamp in the top right corner. Very Fine. Sold for: $358.50. |
| 64375 | Hell Divers (MGM, 1932). Pre-War Belgian (23" X 33"). Although Clark Gable had been appearing on screen since the silent days, this was the movie that truly made him a star. Cast opposite Wallace Beery, this is the story of two rival Naval officers, training as dive bombers, who resolve their differences when they crash on a deserted atoll and must cooperate to survive. A solid picture, it's a perfect vehicle for the talents of both Gable and Beery. This attractive and dramatic Belgian poster had pinholes in the image area, border chipping in the upper left and upper right, and an ink spot from a tax endorsement stamp. Even with these considerations, this is a very desirable piece, perfect for any lover of classic film. Fine+ on Japanese Rice Paper. Not Sold. |
| 64376 | Manhattan Melodrama (MGM, 1934). Midget Window Card (8" X 14"). While childhood friends Edward J. "Blackie" Gallagher (Clark Gable) and James Wade (William Powell) follow different paths as adults, and, indeed, end up on opposite sides of the law, they both fall for the same girl, gorgeous Eleanor Parker (Myrna Loy). When Blackie commits murder, his fate rests in the hands of D.A. Wade, who has to weigh his personal feelings for his friend against his duty to the state. This lovely midget window card has had the top imprint area replaced, and displays rounding to the bottom corners. Otherwise, this is a clean and attractive card from a classic film. From the Collection of Denver Sherry. Fine+. Sold for: $478.00. |
| 64377 | San Francisco (MGM, 1936). Midget Window Card (8" X 14"). One of MGM's biggest hits, this spectacular film stars Clark Gable as Blackie, a rougish politico and owner of the local gambling house, and Jeanette MacDonald as Mary, a young singer who falls under his sway. Blackie won't admit his feelings about Mary, even to himself, until he fears she's died in the Great San Francisco Earthquake, the climax of this wonderful picture. Also starring Spencer Tracy as Father Mullin, Blackie's best friend, this exciting film garnered several 1937 Academy Award nominations, for Best Actor (Tracy), Best Assistant Director, Best Director, Best Picture, and Best Writing, Original Story, and took home the golden statue for Best Sound, Recording. The lovely midget window card offered here has had the top imprint area professionally replaced, and displays some slight staining at the bottom, but these flaws are only apparent under close examination. If you're a fan of Golden Age Hollywood at its finest, this is the piece for you! Fine.Sold for: $310.70. |
| 64378 | Parnell (MGM, 1937). One Sheet (27" X 41"). Clark Gable plays Irish politician Charles Stewart Parnell, "The Uncrowned King of Ireland" and one of the most important political figures in nineteenth century Great Britain, in this biopic that follows the struggle for Irish independence from England. The linen-backed one sheet offered here, which features a glorious portrait of Gable and co-star Myrna Loy, had some crease separation, very fine pinholes, and a few tiny chips around the edges, all of which have been addressed with expert restoration, resulting in an exceptionally attractive poster that presents beautifully. Very Fine on Linen. Sold for: $717.00. |
| 64379 | Idiot's Delight (MGM, 1939). Title Lobby Card (11" X 14"). Delightful image of Clark Gable (totally out of character as a song-and-dance man) and Norma Shearer for this comedy farce set at the eve of World War II. It was originally written by Robert E. Sherwood as a Broadway play for the team of Alfred Lund and Lynn Fontaine. There is a very faint crease on the left side. Near Mint-.Sold for: $776.75. |
| 64380 | Gone with the Wind (MGM, 1939). Three Sheet (41" X 81"). This adaptation of Margaret Mitchell's classic novel of the old south made Hollywood history by capturing eight Oscars including Best Picture, Director (Victor Fleming), Screenplay, Actress (Vivien Leigh), and Supporting Actress (Hattie McDaniel). This three sheet is from the regular release of the picture when producer David O. Selznick heralded the film as a "Limited Engagement." After the film's roadshow run had come to an end (February 1940), the film was released wide and the public feared that the film's running time (at just over three hours) would be shortened. It has had minimal touch-up work done, primarily to the borders and the fold lines where there were some very minor tears and very tiny chipping. The image of Clark Gable has a tiny scratch at the corner of his mouth. Other than these minor issues, this poster is fantastic. Very Fine- on Linen. Sold for: $7,767.50. |
| 64381 | Gambling Ship (Paramount, 1933). Midget Window Card (8" X 14"). In a twist on the usual Cary Grant role, in this melodrama, he plays a racketeer trying to change his life around, and along the way, he falls for a woman who is equally deceptive about her sordid past. With the public's imagination firmly fixed on the gangsters making headlines around the country, it was natural for the studios to produce films to further the public fascination. This Grant film was one of the actor's few forays into the gangster genre. This very scarce midget card has a slight diagonal crease just starting to show by Cary Grant's credit, otherwise it is in very clean condition. From the collection of Denver Sherry. Very Fine/Near Mint. Sold for: $1,912.00. |
| 64382 | Topper (Film Classics, R-1944). Lobby Card Set of 8 (11" X 14"). When George and Marion Kerby (Cary Grant and Constance Bennett) die, they find their existence as ghosts offers them the opportunity to do a good deed and shake up the life of their stuffy friend, Cosmo Topper (Roland Young), in order to redeem themselves from the limbo in which they now reside. This lovely set of cards, from the 1944 reissue of this popular film, shows surface soiling in the borders of the title card, and several scene cards display corner bumps and smudging. Overall, this is a very attractive and desirable set from a perennially popular film, with many wonderful scenes of Grant and Bennett. Very Fine-.Sold for: $657.25. |
| 64383 | Once Upon a Honeymoon (RKO, 1942). One Sheet (27" X 41"). In this World War II comedy / drama directed by Leo McCarey, Cary Grant plays a radio reporter who follows Ginger Rogers across Europe with her new husband Walter Slezak, who turns out to be an undercover Nazi. Grant falls in love with Rogers while uncovering the Nazi's plot to overthrow the United States. This one sheet captures the two Hollywood stars' wonderful portraits. The poster has several enlarged pinholes per corner, and some fold separations that have been reinforced with tape on the back. There are also some minor edge tears, small creases on the fold lines, and light spots and stains. Very Fine-. Sold for: $388.38. |
| 64384 | Cary Grant Publicity Still by Ernest A. Bachrach (RKO, 1950s). (8" X 10"). Vintage black and white, single weight, glossy still. A marvelous portrait of this popular actor. This photo shows some slight creasing in the image, minor corner bumps, and a very small area of surface paper loss in the top right corner. There is a very light stamp on the reverse identifying the photographer. Very Fine+. Sold for: $131.45. |
| 64385 | Cary Grant Publicity Still by Scotty Welborne (Warner Brothers, 1946). (7.5" X 9.5"). Vintage black and white, single weight, glossy still by Warner Brothers' famous staff photographer Scotty Welborne. This gorgeous photo of Cary Grant is stamped on the verso with Welborne's photo credit. There is also Grant's name written in fountain pen neatly on the verso as well. Very Fine. Sold for: $478.00. |
| 64386 | Pygmalion (MGM, 1938). One Sheet (27" X 41"). Based on the George Bernard Shaw play that would eventually become much better known as the musical My Fair Lady , this is the story of Professor Henry Higgins (Leslie Howard), who attempts to win a bet by transforming Cockney commoner Eliza Doolittle (Wendy Hiller, personally chosen for the role by Shaw) into a proper Victorian lady. Shaw actually wrote the scenario and dialogue for this adaptation, which won him an Oscar for Best Screenplay in 1938. The striking one sheet offered here, bearing a classic caricature of Shaw by artist Al Hirschfeld, had some light fold wear with crossfold separation before restoration. It is now ready to enhance any collection. Very Fine on Linen. Sold for: $597.50. |
| 64387 | The Buccaneer (Paramount, 1938). Midget Window Card (8" X 14"). Fredric March stars in this based-on-history account of French pirate Jean Lafitte's involvement in the War of 1812. Set in early nineteenth century New Orleans, the movie boasted a huge production budget that included 63 functional cannons, all made by Paramount's props department, that were used in the battle scenes. The exceptional midget window card offered here has had the top imprint area replaced, and shows some rounding at the bottom corners, but is otherwise extremely clean and attractive. A perfect addition to any swashbuckling collection. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $262.90. |
| 64388 | Ben-Hur (MGM, 1925). Eight Sheet (78.5" X 104"). To understand the rarity of this incredible find, consider that in the seven years that Heritage has been offering posters and movie memorabilia, only two lobby sets and various programs and brochures have surfaced on this title. Now add to that, a poster larger than a six sheet was definitely destined for outdoor use, thus ensuring the attrition rate would be severely high. This stone litho eight sheet is truly of museum quality, both in design and condition. Ben-Hur was certainly one of the high points of the silent era, with an epic tale of the conflict between Rome and Christianity. At a cost of $4 million, it was easily the most expensive silent film ever made, directed by Fred Niblo and starring Ramon Novarro, Carmel Myers, May McAvoy, Betty Bronson, and Francis X. Bushman. Professional linen backing with expert minimal airbrush has rendered the poster magnificent and testifies to a state-of-the-art printing triumph for the mid 1920s. There are only small chips in the bottom borders, small chips in the overlap edges, tiny tears in the crossfold separations, and a small chip in the title. Fine/Very Fine on Linen. Sold for: $7,767.50. |
| 64389 | The Flying Fleet (MGM, 1929). One Sheet (27" X 41"). Ramon Novarro, Ralph Graves, and Anita Page star in this high flying aviation adventure. As opposed to other posters for this film, this sheet features dazzling full color artwork. This unrestored example has minor wear and tear along the edges, with pinholes in the borders and separations at the crossfolds. Very Fine-.Sold for: $2,868.00. |
| 64390 | The Flying Fleet (MGM, 1929). Title Lobby Card and Lobby Cards (6) (11" X 14"). Six young Naval Academy graduates led by Ramon Novarro, join the Navy's flight division in search of action and adventure. There is a bit of wear along the edges of these exciting cards, including a small chip in the right border of one. Pinholes are present in the images, and faint staining in a few of the margins. However, the color remains very strong on these great images. Fine/Very Fine. Sold for: $1,673.00. |
| 64391 | To Kill a Mockingbird (Universal, 1963). One Sheet (27" X 41"). Based on the Pulitzer Prize winning book by Harper Lee, with an Oscar-winning screenplay by Horton Foote, and an Oscar-winning performance by Gregory Peck, this may just be the finest adaptation of a novel in film history. The poster has an innovative design signifying the loss of innocence. Prior to restoration, there were pinholes in the corners, fold wear, and a small tear in the "T" of the title. Now, the poster has a gorgeous appearance and is ready to display. Very Fine on Linen. Sold for: $448.13. |
| 64392 | Twelve O'Clock High (20th Century Fox, 1949). Insert (14" X 36"). An intense psychological drama, Gregory Peck plays General Frank Savage, a tough-as-nails commander during World War II who takes over a bomber group suffering from fatigue and low morale. Although initially unpopular, Savage manages to turn his unit around, making them a strong fighting force once more. The movie won acclaim among actual bomber pilots, as they felt that this movie was the only accurate depiction of their struggles during the war. Additionally, it garnered several Academy Awards, including a Best Supporting Actor Oscar for Dean Jagger, as well as nominations for Best Actor (Peck) and Best Picture. Several military colleges still use this film in Leadership Training Courses as an example of an effective leadership style. This striking insert, with its dramatic image of Gregory Peck, shows fold wear and a corner crease in the bottom left, but has an overall very attractive and presentable appearance. Very Fine. Sold for: $310.70. |
| 64393 | Twelve O'Clock High (20th Century Fox, 1949). Six Sheet (81" X 81"). Gregory Peck gives one of his finest performances as General Frank Savage, sent to turn a battle-weary bomber squadron into a formidable fighting machine in this, one of the first Hollywood films to deal with the psychological effect of war on soldiers. Peck's god-like visage and a collage of images from the film make for an impressive poster, especially at the six sheet size. There was fold wear and crossfold separations, some chipping at the corners, and paper loss in the fold lines, all of which has been addressed with professional restoration. A great poster for a great film. Fine/Very Fine on Linen. Not Sold. |
| 64394 | The Guns of Navarone (Columbia, 1961). French Grande (47" X 63"). This classic war film about a suicide mission to destroy a set of massive Nazi guns on an island in the Agean sea features a stellar cast including Gregory Peck, David Niven, Anthony Quinn, and Richard Harris. As for this French grande -- well, there's a reason that Jean Mascii is among the most respected and beloved artists to ever paint a poster. This stunning, action-packed vista is superior in every way to the American paper on this title. Before restoration, the poster had fold wear, crossfold separations, some light staining in the white area, and some very small color chips. A classic poster for a classic film. Fine/Very Fine on Linen.Sold for: $836.50. |
| 64395 | Brother Rat (Warner Brothers, R-1940s). One Sheet (27" X 41"). An early film in the career of actor-turned-President Ronald Reagan, this is the story of three buddies (Reagan, Wayne Morris, and Eddie Albert) at the Virginia Military Institute, and the misadventures they encounter during their final year. A light, fun picture, this was also Eddie Albert's film debut. The unrestored poster offered here, sporting wonderful portraits of Reagan and co-star Jane Wyman, who would become Mrs. Reagan just a few short years later, has staple holes in the corners, as well as a small tear in the bottom right and a tear at the bottom which has been repaired with archival tape on the verso. This poster was misdescribed in the catalog as original release. This is a re-issue one sheet from the early 1940s, after Reagan and Wyman were married. Very Fine.Not Sold. |
| 64396 | International Squadron (Warner Brothers, 1941). One Sheet (27" X 41"). Ronald Reagan stars as an American pilot who joins the RAF in this remake of Ceiling Zero that co-stars Olympe Bradna, James Stephenson, and William Lundigan. A stirring shot of Reagan fills the poster, along with smaller images of Reagan and Bradna. This one sheet had fold wear with small crossfold separations, pinholes, and tape scuffs on the back. It has been professionally restored and mounted on linen, leaving it with a very clean appearance. Very Fine on Linen.Sold for: $597.50. |
| 64397 | Kings Row (Warner Brothers, 1942). Midget Window Card (8" X 14"). Set in turn-of-the-century America, this stirring drama follows the lives of a handful of friends, as they grow up and face the secrets and hypocrisy buried just beneath the surface of their small, Midwestern home town. Boasting an all-star cast, including Ann Sheridan, Robert Cummings, Ronald Reagan, Betty Field, Charles Coburn, Claude Rains, Judith Anderson, and Maria Ouspenskaya, the movie was nominated for three Academy Awards: including Best Cinematography, Best Director (Sam Wood), and Best Picture (it lost to Mrs. Miniver). It remains a classic favorite to this day. This exquisite midget window card displays sharp corners and strong colors, looking as crisp and clean as the day it was printed. It will make a valued addition to any collection. From the Collection of Denver Sherry. Near Mint.Sold for: $956.00. |
| 64398 | Nine Lives are Not Enough (Warner Brothers, 1941). One Sheet (27" X 41"). Ronald Reagan showed great acting chops in this Warner Brothers programmer about a hotshot reporter always looking for the big scoop. There has been excellent restoration on border pinholes, small tears in the top right corner, small chips in the bottom left, staple holes in the upper center fold line, and a small diagonal crease in the top left corner. Very Fine- on Linen. Sold for: $239.00. |
| 64399 | Secret Service of the Air (Warner Brothers, 1938). Lobby Cards (2) (11" X 14"). Ronald Reagan joins the Secret Service to track down a smuggling ring using airplanes to fly illegal aliens into the United States from Mexico. He goes undercover to infiltrate the gang and find the murderer of another Secret Service agent. This lot includes a great portrait card of Reagan and Ila Rhodes and another card showing the murder of the agent. Beautifully printed on the famed Warners linen-coated stock paper. The cards have pinholes in the corners, light creasing on the borders, and edge wear and several small tears on the non-Reagan card. Fine/Very Fine.Sold for: $203.15. |
| 64400 | Ronald Reagan Color Transparency (Warner Brothers, 1940s). (8" X 10"). Vintage color transparency and contact print. A wonderful color transparency of this popular actor who became America's 40th President. In excellent condition with no flaws to mention. Included with this lot is a contact print made from this transparency. Very Fine+.Sold for: $388.38. |
| 64401 | Ocean's 11 (Warner Brothers, 1960). Half Sheet (22" X 28"). One of the quintessential Rat Pack films, this blockbuster brought together the considerable talents of Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop, as well as Angie Dickinson and Cesar Romero, for a heist film to end all heist films, set amidst the glitter and the glory of Las Vegas. As the leads were all close friends, much of the dialogue between major characters was ad-libbed, which accounts for the freshness and spontaneity apparent in the film. This highly desirable half sheet is extremely clean, showing just some light fold wear and the expected pinholes in the corners. This is a great piece from a great movie. Very Fine+ on Paper.Sold for: $717.00. |
| 64402 | Ocean's 11 (Warner Brothers, 1960). Lobby Card Set of 8 (11" X 14"). Before there was Clooney and Pitt, there was Frank Sinatra, as Danny Ocean, leading the Rat Pack on a criminal caper to knock over Las Vegas. The film went on to attain cult status, especially in light of the recent revival in popularity of the Rat Pack. The cards have approximately two pinholes per corner, and card #1, with Sammy Davis Jr., has some tape stains in the borders. Very Fine+. Sold for: $1,434.00. |
| 64403 | Ocean's 11 (Warner Brothers, 1960). Six Sheet (81" X 81"). The Rat Pack was the epitome of cool in the 1960s, and their most famous collaboration was this fast-paced heist flick from the dawn of the decade, in which a gang of ex-military buddies get together to rob the top five Vegas casinos in one night. This swingin' six sheet features the same basic imagery as the one sheet, but is far scarcer and difficult to acquire. The condition is exceptional, with pinholes, fold wear, and some light scuffing being the only detriments. Make the scene with Frank, Dean, Sammy, and the rest of the pack! Very Fine+ on Linen. Sold for: $2,270.50. |
| 64404 | From Here to Eternity (Columbia, 1953). Half Sheet (22" X 28"). Based on the bestselling novel by James Jones, this tale of life and love in the U.S. Army is set in the days leading up to the bombing of Pearl Harbor. The kiss on the beach between Burt Lancaster and Deborah Kerr has become one of the indelible movie images of the twentieth century (it's said that the scene was often shown in theaters in a shortened version, as projectionists would clip out frames to keep as souvenirs). Nominated for an incredible thirteen Oscars, it won eight, including Best Supporting Actor (Frank Sinatra), Best Supporting Actress (Donna Reed), Best Director (Fred Zinnemann), and Best Picture. This colorful half sheet, featuring portraits of all the major stars, had fold wear with crossfold separation, and a tear that extends from the bottom border to the "i" in "Eternity." Professional restoration has addressed these issues, resulting in a very attractive poster you will be proud to own. Fine on Paper. Sold for: $239.00. |
| 64405 | Harvey (Universal International, 1950). Banner (92.5" X 24"). Elwood P. Dodd (James Stewart) believes he has befriended a mischievous spirit called a "pooka" which takes the form of a man-sized rabbit named Harvey that only Dodd can see. This light-hearted comedy comes with a slice of social commentary, and Stewart's performance is among his best. This banner features a cartoony rendering of Harvey, and a photograph of Stewart. Some light edge wear, a 1" tear in the left border, and some associated creasing with color breaks are the only real condition issues to this terrific piece. Rolled, Fine/Very Fine. Sold for: $388.38. |
| 64406 | Harvey (Universal International, 1950). French Grande (47" X 63"). Of all the roles essayed by James Stewart, few are as fondly remembered as that of Elwood P. Dowd, the charming eccentric who goes through life accompanied by a pooka - a six foot tall, invisible rabbit named Harvey. Offered here is the seldom-seen French Grande, an exceptionally attractive poster featuring delightful images of Stewart and his supporting cast members, by artist Roger Cartier. There were small pinholes in the corners, as well as some fold wear and light crossfold separation, but these minor issues have all been repaired by expert restoration. Very Fine on Linen.Sold for: $1,434.00. |
| 64407 | Come Live with Me (MGM, 1941). One Sheet (27" X 41") Style C. Immigrant Hedy Lamarr marries writer James Stewart in order to stay close to her married boyfriend, Ian Hunter. Stewart, on the other hand, has other ideas about how things should turn out. This one sheet had fold wear, with chips on the borders and folds. The poster has been professionally restored, giving it a very nice appearance. Very Fine+ on Linen.Sold for: $776.75. |
| 64408 | Lloyds of London (20th Century Fox, 1936). Midget Window Card (8" X 14"). Very loosely based on historical events, this movie stars young Freddie Bartholomew, one of the finest child stars of the era, who captivated audiences in such classic films as David Copperfield (1935) and Little Lord Fauntleroy (1936). Here, he plays young Jonathan Blake, who, as a grown man (played by Tyrone Power in one of his earliest roles), takes part in the Battle of Trafalgar beside Lord Horatio Nelson and later earns a place in London's prestigious insurance firm. This exceptional card, which shows both Bartholomew and Power, is in marvelous condition, with only a slight crease in the upper right corner keeping it from an even higher grade. The artwork is superb, and makes this a piece you will be proud to own. From the Collection of Denver Sherry. Very Fine/Near Mint. Sold for: $388.38. |
| 64409 | Nightmare Alley (20th Century Fox, 1947). Three Sheet (41" X 81"). Tyrone Power gives one of his greatest performances in this hard-edged film noir about a small-time carnie who longs for a better life, but can't quite seem to improve his station. Joan Blondell, Colleen Gray, and Helen Walker co-star as the women in Power's life, and all four are showcased on this eye-catching three sheet that's as classic a noir image as you could ask for. The piece is in excellent condition, with fold wear and crossfold separations. Fine/Very Fine on Linen.Sold for: $2,031.50. |
| 64410 | Nightmare Alley (20th Century Fox, 1947). One Sheet (27" X 41"). Tyrone Power accepted this role in an attempt to show the public he was more than just a pretty face, and in this he succeeds admirably. With this chilling role, he displayed a range that few guessed he had. This stunning one sheet had pinholes in the corners, and a small tear by the arm of the girl in the blue gown. After professional restoration, these minor flaws are virtually unnoticeable, resulting in a powerful and dramatic piece you will be proud to own. Very Fine on Linen. Sold for: $2,390.00. |
| 64411 | Suez (20th Century Fox, 1938). Midget Window Card (8" X 14"). A pseudo-historical drama, this film tells the story of Ferdinand de Lesseps, the French developer of the Suez Canal, ably portrayed by the dashing Tyrone Power. With little actual basis in fact, the film is still an excellent vehicle for Power, who stars opposite his then-wife, Annabella. This dramatic midget window card displays slight corner bumps, and painted engagement information in the imprint area, but is otherwise clean and extremely attractive, with bright colors and great imagery. From the Collection of Denver Sherry. Very Fine+.Sold for: $388.38. |
| 64412 | The Eagle (United Artists, 1925). One Sheet (27" X 41"). One of the biggest stars of the 1920s, or, indeed, of any era, Rudolph Valentino was a phenomenon. Exotic and alluring, and blessed with a charisma that virtually smoldered on screen, he captivated audiences from the first, and went on to success after success, forging a career and a reputation that few have equaled since. In The Eagle, Valentino - he was one of the first stars to go by one name only - plays Lt. Vladimir Dubrovsky, a Russian Cossack who becomes The Black Eagle, a masked freedom fighter in the time of Catherine the Great. Sharp-eyed movie buffs can also catch a young Gary Cooper as one of the Black Eagle's masked followers. This exquisite stone litho one sheet, with its fabulous portrait of Valentino, had misfolding on both sides. The white borders, which were trimmed, have been restored. In our July 2007 Signature Auction, a copy of this poster graded VF/NM sold for $38,837, so if you were one of the underbidders at that time, here's another chance to add this classic beauty to your collection. Very Good/Fine on Linen. Not Sold. |
| 64413 | The Son of the Sheik (United Artists, 1926). Title Lobby Card (11" X 14"). Although Rudolph Valentino came to the attention of the movie-going public in 1921 with a career-making role in The Four Horsemen of the Apocalypse, it was his portrayal of Sheik Ahmed Ben Hassan in The Sheik (1921) that made him a world-wide icon. Although the movie was criticized on virtually every level, it was an overwhelming success at the box office, so much so that a sequel was released several years later. The Son of the Sheik, however, is everything The Sheik was not. Exciting, adventurous, thrilling, and wildly romantic, this movie presents a bold, confident Valentino at the peak of his creative powers. Tragically, this would be the last picture in which Rudolph Valentino, one of the most incandescent stars in Hollywood, would appear. On August 23, 1926, at the age of 34, Valentino died from a perforated ulcer. His funeral attended by thousands, was the stuff of Hollywood legend. This stunning title card, with a superb portrait of Valentino, shows some very light foxing, but is otherwise pristine; a perfect addition to any serious collection. Very Fine/Near Mint.Sold for: $657.25. |
| 64414 | The Son of the Sheik (United Artists, 1926). Lobby Card (11" X 14"). One of the biggest stars in the history of motion pictures, Rudolph Valentino was admired by men and adored by women worldwide. This beautiful lobby card, which shows Valentino and co-star Vilma Banky in a passionate embrace, has a slight crease in the upper right corner and light surface soiling, but is otherwise in superb condition. Prime material featuring this legendary star, like the piece offered here, is in short supply, so get your bids in now! Very Fine+.Sold for: $1,135.25. |
| 64415 | The Son of the Sheik (United Artists, 1926). Lobby Card (11" X 14"). This extremely attractive and desirable lobby card, showing Valentino and co-star Vilma Banky, is amazingly clean, with no defects of any type to note. If you're looking for the perfect Valentino piece for your collection, look no further, as this card appeals to the Sheik in all of us! Near Mint+.Sold for: $1,434.00. |
| 64416 | A Streetcar Named Desire (Warner Brothers, 1951). Six Sheet (81" X 81"). A brooding Marlon Brando dominates this evocative unrestored six sheet for Elia Kazan's sensual adaptation of the Tennessee Williams play. Ironically, Brando was the only one of the four leads not to win an Oscar, but it made him a star nonetheless. The poster has a Canadian censor stamp and moderate wrinkling throughout, as well as fold wear and crossfold separations with some slight paper loss. In the bottom right panel, there is a very large tear that almost detaches the bottom right corner and there is overall edge wear. A terrific image not seen on any of the other American paper, this is a great poster for a great American drama. Very Good/Fine. Sold for: $1,792.50. |
| 64417 | On the Waterfront (Columbia, 1954). French Door Panel (23" X 92"). This Oscar-winning 1954 film about mob violence and corruption among longshoremen has become a standard of its kind. It tells the story of Terry Malloy (Marlon Brando), a washed-up ex-prizefighter in his mid-twenties working on the docks for the local gang boss, Johnny Friendly (Lee J. Cobb). This fantastic unrestored French door panel distills the appeal of the film down to it's most essential element: Brando. Virtually life-sized, this image of the great actor simply oozes cool. There is fold wear, crossfold separations, some tanning at the fold lines, edge wear, and slight staining at the edges. This poster was misdescribed in the catalog as Italian when it is in fact French. Very Fine.Sold for: $478.00. |
| 64418 | Guys and Dolls (MGM, 1955). One Sheet (27" X 41"). Based on a play by Damon Runyan, this musical was given the big Technicolor MGM treatment and found Frank Sinatra crooning alongside Marlon Brando. Brando was an interesting choice as he had already established a dramatic career in such films as A Streetcar Named Desire and On the Waterfront, for which he won the Oscar. This one sheet is in spectacular condition with just a tiny nick in the lower left corner. Near Mint-.Sold for: $478.00. |
| 64419 | East of Eden (Warner Brothers, R-1957). Japanese B2 (20" X 29"). Elia Kazan's enthralling adaptation of John Steinbeck's novel featured James Dean in his first starring role. This Japanese poster features a passionate image of Dean and co-star Julie Harris that is second to none. This exceptional sheet is very clean with only the faintest bit of edge wear from storage, minimal foxing, and a tiny stain in the top right corner. Very Fine+.Not Sold. |
| 64420 | Rebel Without a Cause (Warner Brothers, 1955). Three Sheet (41" X 81"). The film that defined the life and career of James Dean, this is also one of the most influential pictures ever made. Originally intended as a vehicle for Marlon Brando, Dean won the part after the enormous box office success of East of Eden. Tragically, Dean lost his life in an automobile accident just one month prior to the opening of this movie. It stands today as a testament to the young actor's charm, skill, and charisma in front of the camera. This beautiful three sheet had fold wear with crossfold separation, and some creasing in the image area. Additionally, the two top corners had missing paper. All of these issues have been addressed with professional restoration, resulting in a clean, attractive, and extremely displayable poster. Fine on Linen.Sold for: $1,314.50. |
| 64421 | Rebel Without a Cause (Warner Brothers, 1955). Half Sheet (22" X 28"). This dramatic half sheet, featuring striking images of Dean, had fold wear, edge wear, and crossfold separation, all of which have been addressed with professional restoration. Additionally, the words "becomes the biggest star of the year," have been sniped out, as Dean died in a car crash shortly before this film was released. This beautiful poster is a wonderful tribute to a great actor. Very Fine on Paper. Sold for: $1,135.25. |
| 64422 | Rebel Without a Cause (Warner Brothers, 1955). One Sheet (27" X 41"). In a career-defining role, James Dean plays Jim Stark, a disaffected teenager who drifts in and out of trouble, leading to ultimate tragedy. As one of the most important and influential films of the era - Dean personified the concept of "live fast, die young, leave a good looking corpse" that became almost a rallying cry for young people in the 1950s - paper from Rebel is extremely collectible and highly sought after. This one sheet had enlarged tack holes in the corners, fold wear with crossfold separation, and an extra vertical fold line in the center. An expert job of professional restoration has addressed all these issues, making this poster a Dean collector's dream. Fine+ on Linen.Sold for: $2,031.50. |
| 64423 | James Dean and Ursula Andress Publicity Still by Darlene Hammond (1955). (8" X 10"). Vintage black and white, single weight, glossy still. A happy moment in a troubled relationship is captured as Dean and Andress have a laugh. Dean asked Andress to ride with him to San Francisco on the day of his death, but changed his mind when he found out that she had fallen for John Derek. This still has light wrinkling and corner creases, and an emulsion scuff above Dean's head. Fine/Very Fine. Sold for: $597.50. |
| 64424 | The Magnificent Seven (United Artists, 1960). One Sheet (27" X 41"). The story of a band of gunfighters who come together to protect a small Mexican town about to be overrun by bandits, this classic Western was based on Akira Kurosawa's masterwork, The Seven Samurai. With an outstanding cast, including Yul Brynner, Eli Wallach, Steve McQueen, Robert Vaughn, Charles Bronson, and James Coburn, this, like Kurosawa's film, is very much a character-driven piece, which sets it far above most other Westerns of the time. This magnificent one sheet with dramatic portraits of the seven gunfighters, had some fold wear and crossfold separation, as well as a dime-sized chip out of the left edge. All of these issues have been addressed with professional restoration, resulting in a striking and dynamic poster you will be proud to own. Very Fine on Linen.Sold for: $418.25. |
| 64425 | The Great Escape (United Artists, 1963). Lobby Card Set of 8 (11" X 14"). A classic war film, this movie tells the story of a group of POWs who plot an escape from a German prisoner of war camp during World War II. Based on actual events, the three hour epic boasts an outstanding cast, including Steve McQueen, Donald Pleasance, Richard Attenborough, Charles Bronson, and James Garner, as well as an outstanding score by Elmer Bernstein. This exceptional lobby set is brilliantly clean, with only a slight corner crease in the upper right on each card keeping the set from an even higher grade. For fans of this unforgettable movie, it doesn't get much better than this! Near Mint+.Sold for: $1,434.00. |
| 64426 | Bullitt (Warner Brothers, 1968). Poster (40" X 60"). Steve McQueen stars as Frank Bullitt, a grizzled San Francisco cop assigned to protect a mob witness, and a force to be reckoned with when things go horribly wrong. Rightly lauded for its remarkable car chase sequence, Bullitt is also a searing portrait of corruption, and a cogent mirror of its era. This superb poster features McQueen front and center. The poster has edge wear, pinholes, large 21" vertical tear running through the figure of Bullitt (with color touch-ups and backed with archival tape) and a 3" tear in the left border. Still, a nifty poster for this fan-favorite film. Rolled, Very Good.Not Sold. |
| 64427 | Le Mans (National General, 1971). One Sheet (27" X 41"). "Steve McQueen takes you for a drive in the country. The country is France. The drive is at 200 mph!" So reads the tagline for this exciting racing film, in which McQueen plays Michael Delaney, an American race car driver attempting to win the grueling Le Mans endurance race. This one sheet features a terrific portrait of McQueen, and had only the slightest fold wear and pinpoint crossfold separation. Professional restoration has rendered both of these issues virtually invisible, resulting in an exceptionally clean and attractive poster. Very Fine+ on Linen. Sold for: $507.88. |
| 64428 | Le Mans (National General, 1971). Promotional Poster (17" X 22"). Steve McQueen's reputation as a risk-taker only added to his legend. That legend grew in 1971 with Le Mans as McQueen insisted on actually piloting one of the movie's Porsche 917s in real race action. Only our policy of not grading linen-backed pieces higher than Very Fine+ keeps this poster from being classified as Mint. Very Fine+ on Linen. Sold for: $143.40. |
| 64429 | The Hustler (20th Century Fox, 1961). Insert (14" X 36"). Starring Paul Newman as "Fast Eddie" Felson and Jackie Gleason as Minnesota Fats, this is the ultimate pool movie. "Fast Eddie" is an up-and-coming billiards player who challenges a legendary champion to a game, but risks losing everything in the process. Newman and Gleason were both accomplished pool players, and performed all but one of the on-screen shots themselves. The one exception: the critical masse shot - in which the cue ball knocks two object balls into the same pocket - was performed by real-life pool champ Willie Mosconi. This exquisite insert shows some light smudging in the bottom right and upper left, a small top right corner bend, several light vertical crease lines, and some writing in ballpoint pen in the upper left, but is otherwise clean. For anyone who has ever spent time behind a cue stick, this insert is for you! Very Fine+. Sold for: $286.80. |
| 64430 | The Hustler (20th Century Fox, R-1964). Lobby Card Set of 8 (11" X 14"). One of Paul Newman's lasting gifts to the cinema was his portrayal of Fast Eddie Felson in Robert Rossen's The Hustler. The original lobbies have always been a bit of a disappointment to collectors, since only one lobby card highlights the game of pool. This reissue set from 1964, however, features three lobby cards with Newman shooting pool alongside Jackie Gleason as Minnesota Fats. Mint.Sold for: $1,673.00. |
| 64431 | The Hustler (20th Century Fox, R-1964). One Sheet (27" X 41"). This reissue poster shows a heavy pop-art influence and eye-catching design. The poster is in very nice shape and had pinholes, and fold wear with crossfold separations, all of which has been minimized with excellent professional restoration. Very Fine on Linen. Sold for: $836.50. |
| 64432 | Cool Hand Luke (Warner Brothers, 1967). Banner (29" X 75"). Paul Newman stars in one of the best films of the 1960s as Cool Hand Luke, a man sent to work a prison chain gang for vandalizing parking meters. The overly cruel and harsh conditions of his imprisonment made an impression on the public, and this remains one of Newman's most memorable performances. This rare banner, which is offered in two pieces, as originally distributed, has a two inch tear in the top edge above Strother Martin. There are also signs that the poster was taped up by the corners at one time. Fine.Not Sold. |
| 64433 | Cool Hand Luke (Warner Brothers, 1967). One Sheet (27" X 41"). This film remains as intensely powerful as it was four decades ago, a brave portrayal of a brave man. The one sheet offered here shows some minor crossfold separation, but is otherwise beautiful, a very attractive piece from one of Newman's finest films. Near Mint-.Sold for: $1,075.50. |
| 64434 | Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). Color Still Set (8) (8" X 10"). Paul Newman and Robert Redford were cast together for the first time in this romanticized version of real life bank-robbers Butch Cassidy and the Sundance Kid. The film was a major hit for the pair, and this complete still set features some of the film's best moments. The stills show some slight wear to the corners. Very Fine/Near Mint.Sold for: $215.10. |
| 64435 | Butch Cassidy and the Sundance Kid (20th Century Fox, 1983). Polish One Sheet (26.5" X 38"). Paul Newman and Robert Redford are Butch and Sundance (respectively) in George Roy Hill's witty, wild, and wooly Western, winner of four Academy Awards. Offered here is the evocative Polish one sheet, a stunning image by artist Waldemar Swierzy, in which the handsome faces of the two co-stars are obscured by a Jackson Pollack-esque splatter of blood. Condition issues include edge wear and light wrinkles, a small tear in the left border, tiny corner bumps, and a crimp in the top border, all of which barely detracts from the beauty of this unrestored sheet. Rolled, Very Fine.Sold for: $262.90. |
| 64436 | Maidstone (Supreme Mix Productions, 1970). One Sheet (27" X 41"). An experimental cinema verite film by noted author Norman Mailer (best known for his breakthrough novel, The Naked and the Dead, as well as his biography of Marilyn Monroe), this intriguing picture is about Norman T. Kingsley (Mailer), a brilliant filmmaker, who decides to run for President. This rare one sheet shows edge wear, several hard creases in the image area, pinholes in the corners, and some light surface scuffing. It is a very rare piece from an important independent production. Rolled, Very Fine-.Not Sold. |
| 64437 | Easy Rider (Columbia, 1969). Czechoslovakian Poster (32" X 22.5"). A counter-culture classic that features Peter Fonda and Dennis Hopper in search of a better life in a "road" movie to end all road movies. This striking Czech poster features some imagery we don't quite remember from the film itself, but there's Fonda, front and center, in his iconic leather jacket. This rolled, unrestored poster is virtually pristine, with just the slightest bit of edge wear. This is a heck of a poster, so like, bid already, man. Rolled, Near Mint. Sold for: $179.25. |
| 64438 | Easy Rider (Columbia, 1969). Color Still Set of 8 (8" X 10"). Dennis Hopper and Peter Fonda hit the road with Jack Nicholson to find America in this quintessential counter-culture independent film from the "tune-in, turn on, and drop out" generation. This original complete set of color stills is in stunning condition. Mint.Sold for: $776.75. |
| 64439 | Brand X (CBM Films, 1970). One Sheet (33" X 47"). All we can find on this 87 minute satirical spoof of television commercials is that it premiered at the Elgin Cinema in New York in 1970. The film stars Taylor Meade, a frequent Andy Warhol film subject of the sixties, and Sally Kellerman. Perhaps the most desirable thing about this little seen independent film is the rare poster with art by Gilbert Shelton, creator of The Fabulous Furry Freak Brothers, Fat Freddy's Cat, Wonder Wart-Hog, Not Quite Dead, and the cover art to The Grateful Dead's 1978 album Shakedown Street. This poster has a supporting piece of paper behind both corners, and the middle of the upper and lower borders. Rolled, Fine+. Sold for: $239.00. |
| 64440 | Jailhouse Rock (MGM, 1957). Half Sheet (22" X 28") Style A. Of all the films in which Elvis "The King" Presley appeared, perhaps none enjoys such longlasting popularity as Jailhouse Rock. With a strong storyline - Elvis plays Vince Everett, a man who embarks on a career in music following a short stint in jail, quickly becoming an overnight sensation - and memorable songs - aside from the title tune, Elvis also sings "Young and Beautiful," and "Treat Me Nice" - many consider this Presley's finest film, climaxing with the immortal prison song-and-dance number. The half sheet offered here had fold wear with crossfold separations, and a small missing top left corner piece. Professional restoration has addressed all of these issues, resulting in a clean, attractive, and highly desirable piece. Fine/Very Fine on Paper. Sold for: $1,015.75. |
| 64441 | Jailhouse Rock (MGM, 1957). Insert (14" X 36"). This insert has a small chip in the lower left corner, tape stains, and edge tears in the borders. A tear has formed in the left border, there is minor scuffing and wrinkling in the image, and tape is present on the reverse. While the poster is folded, there is little fold wear. Fine+. Sold for: $896.25. |
| 64442 | Jailhouse Rock (MGM, 1957). Six Sheet (81" X 81"). Long considered one of Elvis Presley's best films, this top '50s rock and roll musical shown presents Presley as a young rebel imprisoned for accidentally killing a man. There are two reasons why posters of this size on the title have become extremely difficult to obtain. First, six sheets were commonly pasted to outdoor walls; one week later the next showing's poster was pasted over the top of it. Secondly, this film was incredibly popular and the paper was used extensively until it was so tattered it was thrown away. So, it is very satisfying to offer such a nice copy. The top edge has the slightest scuff on the right side, there is minor wear on the center fold, and there are several small crossfold separations. The borders are primarily pristine, and the colors remain fresh and bright. Very Fine.Sold for: $3,883.75. |
| 64443 | Loving You (Paramount, 1957). Three Sheet (41" X 81"). Lizabeth Scott tries to recruit a delivery boy into her ex-husband's musical group, and eventually he becomes a star. Elvis Presley's second film, and the first to be filmed in color, this features such classic tunes as "Teddy Bear," "Got a Lot of Livin' to Do," and the title song. This impressive three sheet shows the King with guitar in hand, against an eye-catching orange backdrop. Before restoration, there were light pinholes, fold wear and minor crossfold separations. Very Fine- on Linen.Sold for: $657.25. |
| 64444 | Loving You (Paramount, 1957). Poster (40" X 60") Style Y. The King's second film is a rags-to-riches story with Lizabeth Scott as a press agent who recognizes the talent of a young delivery boy and recruits him into her ex-husband's rock and roll combo. It doesn't get much better than a guitar-totin' Elvis in his prime, and that's the image that takes center stage on this colorful, never-folded (and very rare) 40" X 60". The poster is in great shape, with pinholes, overall wrinkling, and light edge tears in the bottom left, all addressed with professional restoration. Very Fine on Linen.Sold for: $2,151.00. |
| 64445 | King Creole (Paramount, 1958). One Sheet (27" X 41"). Considered by many to be Elvis's finest film, it certainly had the best pedigree when it came to directors: Michael Curtiz of Casablanca fame. It was also the King's last black and white movie, and he needed an extension to complete it before being inducted into the U.S. Army. Elvis plays Danny Fisher, an aspiring singer who runs afoul of a local crime boss. Future Addams Family star Carolyn Jones (Morticia) as the love interest. This poster had only light fold wear with some separation on the bottom vertical fold; beautifully restored on linen. Very Fine on Linen.Sold for: $507.88. |
| 64446 | Viva Las Vegas (MGM, 1964). French Grande (47" X 63"). Viva Las Vegas was one of Elvis Presley's most popular vehicles, and remains so today. Elvis plays a Las Vegas Grand Prix race car driver, who meets his match when he falls for singing and swinging Ann-Margret. Little wonder the French titled the film L'Amour en Quatrieme Vitesse ("Love in Fourth Gear").With its charming artwork by top French artist Roger Soubie, this large format French poster is in fantastic condition and offers a beautiful, vivid illustration of the two stars. Very Fine+ on Linen. Sold for: $239.00. |
| 64447 | Jailhouse Rock (MGM, 1957). Three Sheet (41" X 81"). Any collection of rock and roll that doesn't have a poster from this title simply isn't complete. Elvis made one of his best films at the height of his musical career prior to his stint in the Army. The posters for these films (Jailhouse Rock in particular) are more sought after than any of his others. This copy is in amazing condition with vividly bright colors and a lobby card-sized photo inset at the bottom with a smoldering Presley in a classic clinch with pretty co-star Judy Tyler. Uncommonly great condition for an oversized poster, it had only very minor fold separations. Professional linen backing and minimal airbrush have been rendered to insure that this exceptional find is ready to display. Very Fine+ on Linen.Sold for: $2,629.00. |
| 64449 | Help! (United Artists, 1965). Poster (40" X 60"). The Beatles' second feature boasts a zanier storyline and full color, as the boys are chased by a band of goofy cultists (including Leo McKern and Eleanor Bron) who are out to nab one of Ringo's rings. Classic songs include "Ticket to Ride," "You're Gonna Lose that Girl," and the infectious title track. This fantastic unrestored 40" X 60" features similar artwork to the one sheet and is in excellent condition, with some surface soiling and light edge wear being the only real issues. Rolled, Very Fine. Sold for: $597.50. |
| 64450 | Help! (United Artists, 1967). Polish One Sheet (23" X 33"). Eryk Lipinski began designing Polish film posters in the 1940s and his always intriguing images for films such as Casablanca, The Nights of Cabiria, The Paradine Case, Peter Pan, Cleopatra, Planet of the Apes, and many others, have been coveted by poster collectors world-wide. Here is his take on the Beatles' second film, released in Poland in 1967. Lipinski has spun the Fab Four in a symbolic connected circle, with Harlequin stylized make-up. Only faint edge wear. Rolled, Near Mint+. Sold for: $478.00. |
| 64451 | Yellow Submarine (United Artists, 1968). Argentinean Poster (29" X 43"). With its Peter Max-inspired designs and memorable soundtrack, this film has become one of the iconic movies of the 1960s. The Argentinean one sheet offered here is very similar in appearance to the classic American one sheet, and had some fold wear with slight crossfold separation, erased writing in the left border, and fold-over lines at the top and bottom borders. There was a numeric stamp at the bottom, too. Professional restoration has addressed most of these issues, resulting in a poster that no true Beatles fan will want to be without. Fine/Very Fine on Linen. Not Sold. |
| 64452 | Let It Be (United Artists, 1970). Lobby Card Set of 8 (11" X 14"). Possibly the most significant and influential popular music group of the twentieth century, the Beatles are entertainment icons. For many, the Beatles - John Lennon, Paul McCartney, George Harrison, and Ringo Starr - were the 1960s. Not only did they set the musical style of an era, but they were political, spiritual, and fashion trendsetters as well. In 1969, the Beatles came together to record their new album, entitled Let It Be. The resulting movie remains a fascinating time capsule, not only showcasing the band's creative talent, but documenting the end of an era. Instead of the live concert as envisioned, the film ends with an impromptu session on the roof of the recording studio, the last time all four band members would ever play together. Offered here is a very scarce complete set of lobby cards from this important film, in nigh-pristine condition. Several of the cards show some very minor corner bumps or very slight corner creasing, the only defects keeping these cards from an even higher grade. Near Mint+.Sold for: $1,434.00. |
| 64453 | Don't Look Back (Leacock-Pennebaker, 1967). One Sheet (27" X 41"). Filmmaker D. A. Pennebaker's documentary chronicles Bob Dylan's three week 1965 tour of England during his controversial shift from his trademark acoustic persona to a grittier electric guitar sound. This is the rare original release poster. It has minor edge tears and slight chipping along with minimal fold separations. Very Fine.Sold for: $776.75. |
| 64454 | Gimme Shelter (20th Century Fox, 1970). One Sheet (27" X 41"). The horrific events at the Altamont Speedway were all captured on cameras by brothers Albert and David Maysles. This footage would illuminate the beginning of the end of the "peace/love" era in America, a mere four months after Woodstock. Many consider this film second only to Woodstock in underlining the disparate mix of art and reality in the music of the 1960s. While it chronicles one of the darkest days in the history of rock and roll, it also captures the Rolling Stones, the longest lived rock band in history, at their prime, and makes this high grade poster, done in almost a "black-light" style, a "must" for any true rock collector. There are only light folds, a very minor bottom fold separation, and a very mild bottom left corner crease. Very Fine+. Sold for: $388.38. |
| 64455 | Gimme Shelter (20th Century Fox, 1970). One Sheet (27" X 41") Photo Montage Style. Offered here is the very rare "photo montage" style poster for this Rolling Stones concert film. An exceptional copy, we note just some very minor fold wear at the crossfolds - none of which break paper - and the slightest edge wear. These very minor flaws notwithstanding, this is a very attractive and desirable poster that any Stones fan will be proud to own. Near Mint/Mint.Sold for: $1,493.75. |
| 64456 | Sympathy for the Devil (New Line, 1970). Premiere Poster (34.5" X 46.75"). Sometimes the story of how a film was made is the film that should have been made. This was never truer than when Jean-Luc Godard set off to London in the late 1960s to make a film about abortion, changed that idea, and remained in England with the lure of getting to work with the Beatles. They passed on the idea, and Godard would end up with the Rolling Stones, on record as "big fans" of his work. The poster we present here is for the American premiere in April 1970, of the producer Iain Quarrier's cut of the film, an edited version, tacking on a completed version of the title song, completely altering Godard's vision of the film. This led to Godard physically attacking Quarrier at the London premiere in a blind rage. Now that's entertainment. It appears that very few of these graphically charged, over-sized posters were printed. The poster features a marvelous blend of Muybridge photos inset in the top credits and a photo inset of the Stones inside a giant skull wearing recording studio-style headphones. Surely this is a scarce major promotional item for the longest lived major rock and roll band in musical history. There are only very small tears in the borders, a minor crease in the top left corner, and a horizontal print blemish in the upper field. Rolled, Very Fine-.Sold for: $2,987.50. |
| 64457 | Reform School Girl (American International, 1957). One Sheet (27" X 41"). One of the greatest "chicks in chains" films ever made, this movie, which is notable as the film debut of Sally Kellerman, is an unflinching look at life behind bars in a women's reformatory, and tells the sad story of Donna Price (Gloria Castillo), a young woman framed by her boyfriend, Vince (Edd Byrnes, in a pre-77 Sunset Strip role), for a crime she didn't commit. The classic one sheet offered here is as clean as you're likely to find, with staple holes in the corners and pinpoint crossfold separation, but no other defects of note. If you've been looking for that perfect "Women in Prison" poster to add to your collection - and who hasn't? - this is it! Very Fine/Near Mint. Sold for: $448.13. |
| 64458 | Blonde Sinner (Allied Artists, 1956). Diana Dors Publicity Still (8" X 10"). Of the so-called "Blonde Bombshells" of the 1950s, Diana Dors was unique in that she was considered a very strong actress. The fact that she looked the way that she did certainly helped her career, too. This still from her first movie is a stunner and is in fantastic shape. There is faint wrinkling as well as minor corner bumps. The reverse is clean save for a studio description snipe. Very Fine. Sold for: $239.00. |
| 64459 | The Long Haul (Columbia, 1957). Japanese B2 (20" X 29"). Victor Mature plays an honest G.I. who is hired as a trucker after WWII. His obsession with smuggler's moll Diana Dors leaves him open to blackmail and forces him to run illegal goods for her boyfriend. This poster, for the Japanese release, is a dramatic improvement over the American posters. It is remarkably clean with only faint wrinkling and corner creases. Rolled, Near Mint/Mint. Sold for: $262.90. |
| 64460 | Dragstrip Girl (American International, 1957). Half Sheet (22" X 28"). A movie about fast cars, fast women, and the bad boys they love, by the studio that made some of the greatest drive-in classics, American International. The director, Edward L. Cahn, also helmed such immortal classics as The She Creature, Girls in Prison, Voodoo Woman, Invasion of the Saucer Men, It! The Terror from Beyond Space, and Riot in Juvenile Prison. This half sheet shows some edge wear, a small stain in the top right, and a corner bend in the bottom left. It is a striking poster that perfectly captures the essence of the 50s JD films. If you fondly remember the bygone days of the drive-in, this poster is for you! Fine+.Sold for: $239.00. |
| 64461 | Dragstrip Riot (American International, 1958). One Sheet (27" X 41"). A classic biker flick, this movie was part of the juvenile delinquent genre that gained popularity in the wake of such memorable pictures as The Wild One, Rebel Without a Cause, and The Blackboard Jungle. This picture starred Yvonne Lime, who also appeared in High School Hellcats and Speed Crazy, as well as veteran actress Fay Wray, in her last feature film appearance. The dynamic one sheet offered here, a true American International classic, has pinholes in the corners, light edge wear, and some very light foxing, none of which detract from the overwhelming desirability of this exciting piece. Very Fine+.Sold for: $717.00. |
| 64462 | Hot Rod Gang (American International, 1958). One Sheet (27" X 41"). John Ashley is on the run from the law (for stealing hub caps no less!) and so he becomes a rock and roll star (way to be inconspicuous!) with the help of veterans Gene Vincent and the Blue Caps. This great poster has all the iconic '50s imagery you could hope for: a buxom babe gyrating to the music, a cool-cat musical combo, and a pair of cherry street rods vying for supremacy. The poster is in great shape. It had pinholes in the corners, fold wear, and minor pieces of paper missing from the bottom right and top left corners. Professional restoration has rendered these issues virtually invisible, leaving these glorious colors to speak for themselves. Very Fine- on Linen. Sold for: $836.50. |
| 64463 | The Acid Eaters (FPS Ventures, 1968). One Sheet (27" X 41"). Exploitation icon David Friedman, producer of such cult classics as "Two Thousand Maniacs," "Ilsa She-Wolf of the SS," and "Blood Feast," also produced this time-capsuled drug film with an amazing psychedelic one sheet to match. Friedman, no stranger to pretty girls, even insisted on handling the cinematography under the name of "Milo Gore." A typical over-the-top Friedman production, his poster brazenly ballyhoos this as "The first Underground Hollywood Movie!" Certainly atypical of even "adult" film titles, this poster breezily displays nudity in both artwork and photograph form. This would dictate that the poster could only be used in certain venues, as nudity was not allowed on posters displayed in shopping mall theatres, for example, leading Friedman to coin the term "Mall-soleum," referring to multiplex cinemas. A very scarce example of the "free love" era, in a great grade, with wonderfully bright "day-glo" coloring. Very Fine-.Sold for: $1,314.50. |
| 64464 | Faster, Pussycat! Kill! Kill! (Eve Productions, 1965). One Sheet (27" X 41"). Legendary sexploitation director Russ Meyer was a man of unique tastes. Those tastes were never more abundantly displayed than in this 1965 cult classic. This original poster is a one-of-a-kind item in that artistic liberties have been taken by the expert addition of color to the normally bland black and white image. There was fold wear and small cross fold separations. Fine on Linen. Sold for: $2,031.50. |
| 64465 | Faster, Pussycat! Kill! Kill! (Eve Productions, R-1985). French Grande (47" X 63"). Russ Meyer's notorious thriller about three go-go dancers who take to the desert, commit some murders, and try to rob a crippled guy, remains a favorite of exploitation fans everywhere. This eye-popping unrestored French grande features a stylized image of buxom Tura Satana, and has been signed by the three stars of the film (Satana, Haji, and Lori Williams) at a 2003 convention appearance. the poster has fold wear and crossfold separations, some smudging on the folds, and light edge wear. Very Fine-. Sold for: $657.25. |
| 64466 | Hitler's Children (RKO, 1943). Lobby Card Set of 8 (11" X 14"). Bonita Granville (of Nancy Drew fame) found herself cast in this lurid war-time propaganda film as a young girl, kidnapped from a boarding school and forced into living in Nazi culture. America was right in the middle of World War II and this film was made as an expose of the Nazi Youth movement. The title card and scene cards depict goose-stepping "sieg-heiling" youths and features scenes of Granville in bondage... certainly not something Nancy Drew would approve of. The cards show very minimal wear to the edges. Very Fine. Sold for: $1,075.50. |
| 64467 | The Rocky Horror Picture Show (20th Century Fox, R-1985). One Sheet (27" X 41") Birthday Cake Style. This is a 1985 poster for the tenth anniversary of one of the greatest cult films of all time. This low-budget freak show/cultural institution has been filling midnight showings for over thirty years now! This was done as a spoof of the Star Wars birthday cake poster. This poster has always been in short supply as so few of them were originally printed. Just faint wrinkling, minor edge wear with a 2" tear in the right border, and some minor corner bumps. Rolled, Very Fine.Sold for: $119.50. |
| 64468 | Art or Pornography? (New Line Cinema, 1970). Poster (17" X 19.5"). Early in the company's history, New Line Cinema released a series of films under the umbrella title, Art or Pornography? According to the eye-catching and provocative poster offered here, this was, "a series of new, highly-acclaimed and controversial films which have been praised for their insight - and damned for their directness." This poster never received a wide release and remains a very scarce poster. The poster offered here displays some edge war and pinholes in the corners, but is, in all other respects, extremely clean and attractive. Rolled, Very Fine. Sold for: $227.05. |
| 64469 | Teaserama (Beautiful Productions Inc., 1955). One Sheet (27" X 41"). Between the death of vaudeville and the birth of today's strip joints, there was burlesque, a short-lived form of entertainment in which "exotic dancers" performed sensuous routines, and stand-up comics would entertain the crowds in between acts. Although burlesque as a form of entertainment may no longer exist, it was captured for posterity in this intriguing documentary. Featuring such legendary performers as Bettie Page and Tempest Storm, and directed by Irving Klaw, this is a tantalizing look at a more innocent, but no less titillating, era. Aside from some light edge wear, the rolled, unrestored one sheet offered here looks virtually brand new. It features images of some of the most incandescent legends of burlesque, including several lovely portraits of the compelling Ms. Page. You'll likely never find a better specimen of this highly desirable poster. Rolled, Near Mint. Sold for: $657.25. |
| 64470 | Striptease Girl (Sonney Amusement Enterprises, 1952). One Sheet (27" X 41"). Back in the days when Burlesque was still a thriving entertainment medium, performers like Tempest Storm, Bettie Page, and Sherry Britton were famous, not only for their exceptional beauty, but for their sensuous dance routines as well. Unfortunately, the days of Burlesque are now long past, but documentaries like this, a filmed record of an actual Burlesque performance, still exist to give us a taste of what this spirited successor to vaudeville must have been like. This particular film features the voluptuous Tempest Storm, whose breasts, at one time, were insured by Lloyds of London for $1 million, and who was romantically linked to such notable figures as John F. Kennedy, Sammy Davis Jr., and Elvis Presley, among others. The poster offered here is a real beauty, with only some slight crossfold separation keeping it from an even higher grade. Don't miss your chance to bid on this rare beauty! Very Fine+.Sold for: $776.75. |
| 64471 | Willy Wonka & the Chocolate Factory (Paramount, 1971). Three Sheet (41" X 81"). Gene Wilder is the titular Wonka, proprietor of everybody's non-pollutionary, anti-institutionary, pro-confectionery factory of fun! This candy-colored film has delighted children of all ages for over thirty-five years, and this splendid and atypical three sheet captures all the imagination and fun of the wonderful world of Wonka. In near-pristine condition, this poster had light fold wear and some very light transfer stains prior to restoration. A magnificent sheet for this family favorite. Very Fine+ on Linen. Sold for: $358.50. |
| 64472 | The Graduate (Embassy, 1967). Japanese B2 (20" X 29"). Nominated for a total of seven Academy Awards, this was one of the most influential and important movies of the 1960s. This wonderful Japanese poster is one of the best sheets produced for this milestone motion picture, and features several key images from the film including Dustin Hoffman's Alfa Romeo Spider, a car made so famous by the movie that the model was later called "The Graduate." Rolled, Mint.Sold for: $227.05. |
| 64473 | Animal House (Universal, 1978). One Sheet (27" X 41") Tri-Folded Advance. The grandfather of modern-day gross-out films, Animal House was the first film produced under the National Lampoon banner. It was shot at the University of Oregon after a number of other colleges had turned down the filmmakers. This scarce advance one sheet has light fold wear. The image on the poster is all that is left--the house itself was torn down in 1986 to make way for a building of doctor's offices. Very Fine/Near Mint. Sold for: $1,314.50. |
| 64474 | The Italian Job (Paramount, 1969). One Sheet (27" X 41"). Michael Caine stars in one of the classic caper films of the 1960s as Charlie Croker, a con just out of prison and determined to relieve the Italians of their gold supply. The film has become a cult favorite and helped solidify Caine as one of England's premiere stars. This one sheet, with its ultra-hip graphics, has become one of the most sought after posters of the 1960s. Near Mint+.Sold for: $896.25. |
| 64475 | Zulu (Paramount, 1964). French Petite (23.5" X 31.5"). The ultimate story of impossible odds, this based-on-a-true-story film details the bloody conflict between an isolated British field hospital at Isandlhwana and the 4000 Zulu warriors that attacked it in 1879. Michael Caine and Stanley Baker head up the superb cast. This brilliant French petite has a 2" split at the bottom center fold, a split at the top center fold repaired with tape, and some slight staining in the borders. However, these do not detract from the incredibly bold, colorful, and dramatic image of the unwinnable battle being fought. Folded, Fine/Very Fine. Sold for: $119.50. |
| 64476 | Babe Comes Home (First National, 1927). Lobby Card (11" X 14"). Of all the sluggers that have ever taken up a bat in pursuit of the Great American Pastime, none has proven more legendary than the Great Bambino, the Sultan of Swat... the immortal George Herman "Babe" Ruth. Not just a ball player, Ruth was a media sensation, a hard-playing, hard-living hero to his millions of fans worldwide. Capitalizing on his considerable fame, Ruth first appeared on the screen in 1920's Headin' Home, the story of the great athlete's life. During the ensuing decade, baseball's popularity skyrocketed, due, in large part, to Ruth's presence. In 1927, at the peak of his athletic career and now with the New York Yankees, he made Babe Comes Home, a film now presumed lost, produced using the Vocafilm sound-on-film process that was primarily used for shorts. This stunning lobby shows baseball's greatest player rounding the bases. This important and historical card displays a very tiny stain in the right border. Very Fine+.Sold for: $10,755.00. |
| 64477 | Babe Comes Home (First National, 1927). One Sheet (27" X 41") Style A. Sports related posters have enjoyed popular demand for many years, and none more so than those that actually feature real sports legends. This incredible one sheet depicts the greatest legend to ever play the game of baseball, the Sultan of Swat, George Herman Ruth, affectionately known as The Babe. During his career, Ruth was the best slugger the game had ever seen, and his fame led producers to feature him in several films. Some of those films, such as this one and another called Headin' Home from 1920, cast him as the lead, while other films found him in cameos as in Harold Lloyd's Speedy in 1928 and The Pride of the Yankees in 1942. He also did the Babe Ruth Baseball Series for Universal Pictures in 1932. This very rare one sheet was made the year that Ruth set his home-run record. The producers knew they had a winner in this star, and of course, featured him prominently on the poster in uniform. The public just couldn't get enough of this baseball superstar! Of all sports movie posters, none are more sought after or desirable than those which depict the Yankee slugger. This poster is one of only two known copies and is assuredly the best to feature the famous slugger. Due to the fragile nature of vintage posters, this example has been mounted on linen with the strictest archival materials used today. Prior to restoration the poster had small chips and minor tears in the borders. There has been some minor color touch to the fold lines with a bit more on the right side of the upper horizontal fold. None of the restoration on this poster has been performed in significant areas. This fabulous stone litho one sheet would be the cornerstone of any movie poster or sports collection. Very Fine- on Linen.Sold for: $77,675.00. |
| 64478 | Manhattan Merry-Go-Round (Republic, 1937). One Sheet (27" X 41"). Phil Regan, Ann Dvorak, Gene Autry, Louis Prima, and Cab Calloway (and his Cotton Club Orchestra), star in this Republic musical comedy about gangsters who take over a record studio. Joe DiMaggio is grabbed by the bad guys and forced to sing "Have You Ever Been Lonely" in his first film role. The unrestored one sheet offered here exhibits silverfish holes in the background, crossfold separations, pencil marks near the border, toning, and foxing. DiMaggio's image appears on the poster, a definite plus for any Yankees baseball fan. Fine-. Sold for: $597.50. |
| 64479 | The Main Event (Pathé, 1927). One Sheet (27" X 41"). Vera Reynolds stars as the love interest in this boxing film with King Kong's Robert Armstrong as the current heavy-weight champion. This incredibly beautiful stone litho one sheet is in fantastic condition with the most minimal airbrushing along the edges at the fold lines. Very Fine/Near Mint on Linen. Sold for: $956.00. |
| 64480 | Snow White and the Seven Dwarfs (RKO, 1937). Silk Banner (37" X 48"). Disney was on the verge of bankruptcy when it made its first foray into feature length animation. The film was a huge success, saving the company and laying the foundation of an animation empire. This is a very rare silk banner purchased from the press book and displayed in a theater lobby. These are some of the scarcest original items from a film's premiere. Very Fine-.Sold for: $567.63. |
| 64481 | Snow White and the Seven Dwarfs (RKO, 1937). One Sheet (27" X 41") Style B. Walt Disney invested $1,500,000 and three years of hard work, along with the combined talents of 570 artists, into the production of this animation classic. The film was a huge success, earning 8.5 million depression-era dollars. Considered to be one of Disney's top works, this film remains a favorite among fans everywhere. This Style B one sheet, featuring the beautiful Gustaf Tenggren artwork, has long been the most desirable poster on the title as it displays all of the major characters from the film. This particular example has had some airbrushing to the border areas as there were some very minor chips in the upper border and pinholes in the corners. In addition, there were some slight tears on the folds, all of which has been corrected by professional restoration. Very Fine on Linen. Sold for: $11,352.50. |
| 64482 | Snow White and the Seven Dwarfs (RKO, 1937). Lobby Card (11" X 14"). In one of the screen's most heart-breaking moments, the seven dwarfs gather around their fallen love, Snow White. And it wasn't just the dwarfs, but the audience cried as well, as Walt Disney proved that an animated motion picture could be just as moving as a live-action film. This impressive scene card from the very first feature-length animated film has a half inch tear in the upper border and another in the right border. There is also a tack hole in the background above Doc's head. Very Fine.Sold for: $657.25. |
| 64483 | Snow White and the Seven Dwarfs (RKO, R-1943). Title Lobby Card and Scene Cards (6) (11" X 14"). Originally considered "Walt's Folly," as no one - including Walt's wife - believed a feature length cartoon could make money, Snow White and the Seven Dwarfs ended up being the highest grossing film to date, supplanted only by the epic Gone with the Wind. Today, the film is seen as an immortal classic, believed by young and old alike to be as fresh and charming today as it was seven decades ago. Offered here is a near-complete set of cards for the 1943 re-release of this classic picture, including the title card and six scene cards. They all display pinholes in the corners and the borders. Additionally, the title card shows a small tear in the right border, as does one of the scene cards, which also has a small tear in the title area. Overall, this is a very attractive and desirable collection of cards from a classic film. Fine+.Sold for: $1,673.00. |
| 64484 | Snow White and the Seven Dwarfs (RKO, R-1951). One Sheet (27" X 41"). This lovely poster from Walt Disney's first animated feature is from the film's second reissue. With each new generation of children going to the movies, Disney would frequently reissue their most popular features. This beauty displays nicely despite several tack holes around the edges and some fold separation at the edges and center points. Very Fine-.Sold for: $298.75. |
| 64485 | Fantasia (RKO, 1940). Lobby Card Set of 8 (11" X 14"). Mickey Mouse starred in an eight-minute short developed from Paul Dukas's musical masterpiece, The Sorcerer's Apprentice. Internationally renowned conductor Leopold Stokowski orchestrated the piece. Walt Disney and Stokowski both liked the finished product so well they decided to expand the production from a short subject into a full two-hour feature. This scarce full lobby set had a very slightly trimmed top border. All the cards have been cleaned and the top border, along with pinholes and minor corner tears, have been professionally restored. The resulting set looks terrific with no obvious signs of the expert restoration. Fine+. Sold for: $2,390.00. |
| 64486 | Pinocchio (RKO, 1940). Half Sheet (22" X 28") Style A. Based on the classic fairy tale by Carlo Collodi about a little wooden boy who longs to be fully human, this animated triumph is one of Disney Studios' greatest achievements. A film that has thrilled young and old alike for more than six decades, it was initially a box office disappointment, but has since been accorded the status and respect it so richly deserves. This beautiful half sheet shows some edge wear, pinholes at the bottom center and top left, and two minor tears on the left edge. Professional restoration has addressed all of these flaws, with a result that is sure to please even the most demanding Disney fan. Fine on Paper. Sold for: $2,868.00. |
| 64487 | Pinocchio (Walt Disney Productions, R-1962). Polish One Sheet (23" X 33"). This is a poster for a 1962 release of Walt Disney's epic 1940 animation film, Pinocchio, in Poland. The very stylized artwork is by artist Kazimierz Mann. Vintage Polish posters for important American titles have always been difficult to obtain and continue to dwindle in supply. Only very minor edge wear with a tiny tear in the top right border, and a soft middle fold with a separation tear in the right center line. Very Fine-.Sold for: $448.13. |
| 64488 | Pinocchio (RKO, 1940). Set of Color Stills (11) (8" X 10"). This lot is truly wonderful. Walt Disney and RKO went all out in producing lots of different poster material for their first film in Multiplane Technicolor, including a set of twelve color stills. This lot contains eleven of those great stills, featuring artwork that is completely different from the regular lobby card set. Five of the cards have pinholes in the corners, and many of them have a very fine horizontal crease line in the middle of the scene. Overall, these color stills are quite nice and rarely turn up. Also included with the cards is the original sleeve that they were issued in. Very Fine. Not Sold. |
| 64489 | Pinocchio (RKO, R-1954). One Sheet (27" X 41"). This mid-fifties reissue one sheet is one of the more delightful posters for Disney's follow up feature film presentation to Snow White. It features great images of seven of the main characters! This would be Disney's first film in multiplane Technicolor and he fought for a quality production, even halting the work halfway through and starting over. Professional linen backing has minimized minor edge wear, pinholes, and crossfold separations. If you've been waiting for a true quality animation image from a Disney classic, this is it. Fine+ on Linen. Sold for: $717.00. |
| 64490 | Dumbo (RKO, 1941). Three Sheet (41" X 81"). A fantastic image of Dumbo highlights this gorgeous three sheet, considered by many to be the most attractive of all the paper for the original release of this classic. Walt Disney's fourth animated feature was designed to be simple and inexpensive, following the commercial failure (hard to believe now) of Fantasia and Pinocchio. It turned out to be one of his best money-makers and still stands up today as one of the finest things Disney ever produced. This poster only had light fold wear with crossfold separations; it has been beautifully restored. Very Fine+ on Linen. Sold for: $7,767.50. |
| 64491 | Bambi (RKO, 1942). Argentinean Poster (29" X 43"). Disney produced this classic animated feature during the second World War and the film, to this day, continues to be a favorite among audiences of all ages. While many of the U.S. posters for this title are somewhat lackluster in appearance, this wonderful Argentinean poster features excellent artwork of Bambi, Thumper, and their forest friends. Prior to restoration, this poster was in very good shape with minor fold wear and pinpoint fold separations. These few flaws are a thing of the past; this sheet displays very well. Very Fine+ on Linen. Sold for: $836.50. |
| 64492 | Alice in Wonderland (RKO, 1951). Insert (14" X 36"). A triumph of Disney animation, this classic film, based on the immortal works of Lewis Carroll, was in development for more than ten years before entering actual production, which required another five years of effort! Disney's patience was eventually rewarded, as the film, although it initially failed at the box office, has since come to be seen as one of the studio's finest efforts. This colorful insert, picturing virtually all of the major characters, shows fold wear, a small stain in the right border, a small tear in the left border, and light creasing at the bottom, but is a very attractive and collectible piece. Very Fine-.Sold for: $448.13. |
| 64493 | Peter Pan (RKO, 1953). Three Sheet (41" X 81"). The last Disney film distributed by RKO, and also the last one to feature all of the "Nine Old Men" as directing animators, this beloved fantasy is based on the play by J. M. Barrie, and is perhaps the best-known version of the Peter Pan story. This splendid three sheet features a large image of the Boy Who Never Grew Up. The poster had pinholes, fold wear and crossfold separations, a piece missing in the center crossfold, and a chip in the overlap near Peter's shoe. Professional restoration has rendered these minor issues all but invisible. Fine/Very Fine on Linen.Sold for: $1,015.75. |
| 64494 | Peter Pan (RKO, 1953). Six Sheet (81" X 81"). Based on the novel by J.M. Barrie, this is one of Disney's most beloved films, a splendid adaptation of a timeless classic about a boy who never grows up. Offered here is the rare six sheet for this incredible movie, which shows fold wear with crossfold separations, edge wear, several tears in the image area, wrinkling, and some minor chipping at the fold lines. This unrestored beauty will make an excellent addition to any Disney collection. Fine/Very Fine.Sold for: $1,015.75. |
| 64495 | Lady and the Tramp (Buena Vista, 1955). Half Sheet (22" X 28"). One of Walt Disney Studios most beloved films, this is the story of two very different dogs, one a high-class, pure-breed cocker spaniel, and the other a streetwise mutt, and their Romeo and Juliet style puppy-love. The first Disney animated feature to be filmed in Cinemascope, this was also the first full-length cartoon to be based entirely on an original idea, rather than on an existing classic. Offered here is a lovely half sheet from this delightful film. It shows some cracking and scuffing in the image area, as well as some light smudging and wrinkling, a small tear in the bottom border, small corner bumps, and faint edge wear. Rolled, Very Fine. Sold for: $203.15. |
| 64496 | Lady and the Tramp (Buena Vista, 1955). Six Sheet (81" X 81"). This romantic tale of a sheltered uptown Cocker Spaniel and a streetwise downtown Mutt was Disney's first film in widescreen, and one of their most beloved. This dazzling six sheet poster has the same colorful artwork as the one sheet, a great image of the canine couple. This poster had fold wear and crossfold separations, and minor wrinkling overall. The poster has been professionally restored, including some minor paint touch-ups. Make some wall space for this Disney favorite, cook up some spaghetti, and live a dog's life. Very Fine on Linen. Sold for: $956.00. |
| 64497 | Sleeping Beauty (Buena Vista, 1959). Half Sheet (22" X 28"). Disney Studios spared no expense to bring this wonderful fairy tale to life. The last animated feature in which each and every cell was individually hand-inked, it was also the first feature to be shot in 70mm, using the Super Technirama process. The movie was in active production from 1951 through the end of 1958, setting a new record for the longest production schedule of any Disney animated film to that time (The Black Cauldron has since tied that record). It's easy to see all the care and attention to detail in the final product, just one reason why this film is still considered a classic almost half a century later. The half sheet offered here is in nigh-impeccable condition. The only flaw of note is a slight bleed-through of the NSS stamp from the reverse. Other than that, this is an unrestored beauty that will certainly enhance any collection. Rolled, Near Mint.Sold for: $448.13. |
| 64498 | Sleeping Beauty (Buena Vista, 1959). Insert (14" X 36"). Disney's stylized telling of this classic Grimm's fairy tale was a hit around the world. Designer Eyvind Earle's art was used throughout this Disney animated classic to give the film its distinct character. The poster has some very minor crimps along the left edge. Near Mint-.Sold for: $334.60. |
| 64499 | The Sword in the Stone (Buena Vista, 1963). Polish One Sheet (23" X 33"). Beautiful original Polish release poster for the popular Disney film The Sword in the Stone. A very interesting conceptual idea for the film done in the childlike visage style of top Polish artist Hanna Bodnar. Only a soft middle horizontal fold, small chips in the top right and left border, and minor edge wear with tiny tears. Very Fine-.Sold for: $179.25. |
| 64500 | Donald's Better Self (RKO, 1938). Standee Title Placard (14" X 28"). Disney issued a stock Mickey Mouse Standee to the theaters in the '30s and each week would ship a placard for the individual cartoon being shown at the theater that week to be placed in Mickey's hands. The attrition rate of all these items was incredibly high due to the cartoons not being "reissued" until much later, mostly in compilations, if at all. These individual placards almost never surface, these are the only copies we have seen. Donald Duck appears eight times on this amazing Title Card/Placard from one of his best Walt Disney cartoons. This example has nail holes, creases, tears, and other signs of use. All of that being said, this is a wonderful piece and a "must" for true collectors of Disneyana. This is an excellent chance to acquire a truly unique item from the golden age of animation. Very Good+. Not Sold. |
| 64501 | Hawaiian Holiday (RKO, 1937). Standee Title Placard (13.75" X 28"). When RKO issued a "stock" Standee for all of the Walt Disney Mickey Mouse cartoons, they printed individual "title cards" that were supposed to be attached to the top of the Standee. The thumb imprint at the bottom of the center image was supposed to match up with Mickey's hand on the Standee as if Mickey were holding up the placard. This incredibly rare example is one of those few surviving placards. Better still, it has one of the most wonderful of all Disney images, Walt's two top stars... surfing! There are a couple of nail holes, paper clip stains in the left border, a tear in the top right border, and a small print blemish in the right center border. There is a small chip in the lower right corner, and a tear in the upper right border. Here's a chance to own one of the scarcest 1930s animation posters. Very Good/Fine. Sold for: $1,792.50. |
| 64502 | Pluto's Quin-puplets (RKO, 1937). Standee Title Placard (13.75" X 28"). When RKO issued a "stock" Standee for all of the Walt Disney Mickey Mouse cartoons, they printed individual "placard title cards" that were supposed to be attached to the top of the Standee. The thumb imprint at the bottom of the center image was supposed to match up with Mickey's hand on the Standee, as if Mickey were holding up the placard. This item has had inpainting done to the yellow background, the title area, and some of the cartoon panels to repair cracks, tears, and nail holes. There has been a slight 1/8" trim to the top and bottom borders only. The poster has been rebacked as well. An incredible find, this is the only example of this format we have seen on the title. Very Good+ on Cardstock. Sold for: $657.25. |
| 64503 | The Old Mill (RKO, 1937). Standee Title Placard (13.75" X 28"). The Disney Studio was at the forefront of the art of animation in the late 1930s, and with this short, they introduced the latest technical marvel, the multiplane camera. The invention allowed the camera to look through a series of animation planes instead of just one. Note the layers on this poster, from a reed-filled pond in the foreground, to the old mill in the deep background, to clouds passing in the sky, etc. This very same device was used the same year in the production of the first full-length animated film, Snow White. This unique placard poster hung in a stock Mickey Mouse Standee, and has been rebacked on cardstock to repair nail holes in the corners, tears, creases, and minor chipping. If you've waited for a quality Silly Symphonies piece, here's your poster. Very Good+ on Cardstock. Sold for: $657.25. |
| 64504 | The Lone Chipmunks (RKO, 1954). One Sheet (27" X 41"). Chip and Dale, those irrepressible chipmunks, find themselves in the Old West in this Long Ranger spoof, battling the villainous Pegleg Pete. Originally created to bedevil Donald Duck, Chip and Dale soon became popular enough to star in their own series of highly popular cartoons. The poster offered here, featuring all three main characters, shows some slight edge wear, two extra vertical creases, as well as creases at the bottom corners. Additionally, there are several small tears in the image areas and a small tear in the top right. In spite of these minor flaws, this is a very attractive and desirable poster, one that any Disney fan would be proud to own. Very Fine-. Sold for: $1,015.75. |
| 64505 | Donald's Penguin (RKO, 1939). One Sheet (27" X 41"). When Admiral Bird sends Donald Duck a penguin from the South Pole, Donald is thrilled, until it looks like the cute little waterfowl has eaten Donald's pet goldfish. Of such premises are classic comedies made, and this is certainly a classic, in the inimitable Disney style. This beautiful one sheet is equally classic, showing Donald and his new-found friend. The poster had some slight edge wear, and a few small chips in the borders, all of which have been repaired with professional restoration. This vintage Disney cartoon poster is a very rare commodity making this an exceedingly desirable piece. Very Fine- on Linen. Sold for: $10,157.50. |
| 64506 | Truant Officer Donald (RKO, 1941). One Sheet (27" X 41"). This Oscar-nominated short finds Donald Duck enlisted as a Truant Officer, trying to track down Huey, Dewey, and Louie, who are down at the swimmin' hole when they should be in school. Co-written by the legendary Duck artist Carl Barks, this is an all-time classic. This terrific one sheet showcases Donald in all his defiant glory. There were pinholes in the borders, and a tear in the title field, all of which is rendered invisible by professional restoration. Don't play hooky on this magnificent poster. Fine/Very Fine on Linen.Sold for: $6,871.25. |
| 64507 | The New Neighbor (RKO, 1953). One Sheet (27" X 41"). Poor Donald Duck. Soon after moving into his new home, he finds that his neighbor, the scurrilous Pete, is an absolute nightmare, with a dog that is even worse! The escalation of hostility between the two homeowners eventually captures the attention of the media... and the world! This glorious one sheet had light fold wear with some crossfold separation and cracking at the fold lines. Professional restoration has addressed these issues wonderfully, resulting in a poster that will be the pride of any Disney collection. Fine+ on Linen. Sold for: $1,493.75. |
| 64508 | Rugged Bear (RKO, 1953). One Sheet (27" X 41"). Poor Humphrey. On the first day of hunting season, all the other bears in the forest hide in a cave, but not him. The best Humphrey can do is impersonate a bearskin rug in a hunter's cabin belonging to Donald Duck. Humphrey escapes the hunters, but his fate - including a tumble through a washing machine - may be even worse! This classic cartoon, nominated for an Academy Award, is represented here by a wonderful one sheet. It shows some fold wear, and several staple holes in the title and image areas, but is otherwise extremely clean and attractive. If you don't bid on this classic Disney beauty, you won't be able to "bear" the regret. Very Fine+.Sold for: $1,195.00. |
| 64509 | Chips Ahoy (RKO, 1956). One Sheet (27" X 41"). It's Donald Duck versus Chip and Dale in this cartoon classic, as the two irrepressible chipmunks steal one of Donald's model boats in order to get to an island laden with acorns. Needless to say, Donald is less than amused with the highjacking of his boat, and hilarity ensues. This colorful one sheet had a 10" tear in the title area, and a small chip in Donald's left eye that slightly extends into his beak. These issues have largely been addressed with professional restoration, resulting in a poster that will certainly prove irresistible to any Disney fan. Fine on Linen.Not Sold. |
| 64510 | The Pointer (RKO, 1939). One Sheet (27" X 41"). This famous Walt Disney/Mickey Mouse animated short has Mickey and Pluto going quail hunting. Pluto is an attentive student, trying to learn the finer points of pointing! One mishap follows another until Mickey realizes that he is being hunted by a bear. This great short was nominated for an Academy Award in 1940. The fabulous poster offered here has two additional vertical folds on either side of the center one. There are pinholes in each corner and several small holes within the image. There are minor crossfold separations and a small 3" tear from the bottom border up through the copyright information and into the green field in the middle vertical fold. The pre-1940 Mickey posters are getting very difficult to find now and this is assuredly one of the better ones. This poster would make a great addition to any animation or Disney collection. Fine/Very Fine. Sold for: $11,950.00. |
| 64511 | Mr. Mouse Takes a Trip (RKO, 1941). One Sheet (27" X 41"). A classic Mickey Mouse cartoon, this one is about Mickey trying to smuggle Pluto aboard a train, while his nemesis Pete, this time a surly conductor, does his best to ruin Mr. Mouse's plans. As in many of these early shorts, Walt Disney himself provided the voice of Mickey. The colorful and highly desirable one sheet offered here had minor fold wear with slight chipping at the fold lines. Additionally, there were small pieces out of all the border corners. Expertly done professional restoration has addressed all of these issues, making this a poster any travel enthusiast, or Disney collector, will surely covet. Fine+ on Linen. Sold for: $16,730.00. |
| 64512 | The Ugly Duckling (RKO, 1939). One Sheet (27" X 41"). Winner of the Academy Award for Best Animation, this was the last of Disney's Silly Symphonies shorts. It was a color remake of a 1931 black and white Silly Symphony adaptation of the Hans Christian Anderson tale. There was fold wear with minor paper loss, slight edge chipping and tears on the borders. All this has been beautifully restored, giving it an excellent appearance. Fine+ on Linen. Sold for: $4,780.00. |
| 64513 | Aladdin and the Wonderful Lamp (Celebrity Productions, 1934). One Sheet (27" X 41"). By the time director Ub Iwerks helmed this classic cartoon, he already had a substantial filmography behind him, stretching back to the very first Mickey Mouse short, Plane Crazy, produced in 1928. Iwerks stayed with Disney until 1930, when he broke off to form his own production company, which released cartoons featuring such characters as Flip the Frog and Willy Whopper. This particular poster, with its charming graphics and strong color, had fold wear with light crossfold separations, and tearing in the center of the image. Fine on Linen.Sold for: $2,390.00. |
| 64514 | Meet King Joe (MGM, 1951). One Sheet (27" X 41"). An amusing Technicolor propaganda cartoon which tries to explain why the Capitalist system in America is the best in the world. King Joe is a buffoonish Everyman worker who is told by an unseen narrator how and why the system works. The art deco-inspired poster shows Joe atop his techno-throne, as he is seen at the end of the cartoon. There was fold wear and crossfold separations, and edge chipping down the left border. Professional restoration has rendered these problems nearly invisible, leaving the viewer free to enjoy the feast of colors. Fine/Very Fine on Linen.Not Sold. |
| 64515 | Li'l Abner Cartoon Poster (Columbia, 1944). One Sheet (27" X 41") "Sadie Hawkin's Day." Based on a popular storyline in Al Capp's famous Li'l Abner comic strip, this cartoon tells the story of Sadie Hawkin's Day, in which all the single women of Dogpatch chase after all the single men. If they can catch one and drag him back to the starting line, he's forced to marry her! Only five films were produced for this short-lived cartoon series, as Al Capp reportedly did not care for them at all. This hard to find one sheet had fold wear, crossfold separation, pinholes in the image area, and small tears in the bottom left and in the right border, all of which have been addressed with professional restoration. It's a great piece for any fan of this classic comic strip. Very Fine- on Linen.Sold for: $298.75. |
| 64516 | Mr. Magoo Stock Poster (Columbia, 1950). One Sheet (27" X 41"). Jim Backus lent his voice to a series of animated shorts featuring the outrageously nearsighted Quincy Magoo, a diminutive troublemaker who would never admit he needed glasses. This stock sheet is very rare as it is from the character's first appearance in theaters and also as it is in full-color, differing from almost all of the Magoo posters released thereafter, which were duotone! There were pinholes in the image, fold wear and crossfold separations. We've never seen another copy of this poster. Very Fine- on Linen. Sold for: $507.88. |
| 64517 | Mr. Magoo Stock Poster (Columbia, 1958). One Sheet (27" X 41"). That irascible curmudgeon, the exceptionally far-sighted Mr. Quincy Magoo, first appeared on movie screens nationwide in 1949. Voiced by the inimitable Jim Backus (better known, perhaps, as Thurston Howell III on Gilligan's Island), Magoo was the creation of writer Millard Kaufman and animation director John Hubley, who introduced the character in the UPA short, The Ragtime Bear (it's reported that Columbia had little faith in the short, but decided to release it because it featured a bear). Since then, Magoo has become a pop culture icon, garnering several Academy Award nominations for his cartoons, and starring in everything from TV cartoons to a live-action feature starring Leslie Nielsen! The unrestored stock one sheet offered here has light crossfold separation, and minor fold wear, as well as a tear at the top vertical fold and a tear at the left edge near the top. Even taking these slight flaws into consideration, this is a very attractive and desirable poster, one that will enhance any collection. Fine+. Sold for: $203.15. |
| 64518 | Casper Stock (Paramount, 1950). One Sheet (27" X 41"). After Max and Dave Fleischer were forced out of Paramount, the only noteworthy character the studio developed was Casper the Friendly Ghost. Other than Boo Moon, a 3-D short from 1953, this is the only color one sheet, and the only stock sheet, to feature the character by himself! This is a very nice copy of a scarce animation poster. The poster had enlarged pinholes in the image, a tear at the left center fold, fold wear and crossfold separations. All of these have been addressed with excellent professional restoration. Fine+ on Linen. Sold for: $1,912.00. |
| 64519 | Popeye Stock Poster (Paramount, 1930s). French Petite (23.5" X 31.5"). The creation of cartoonist Elzie Chrisler Segar, Popeye was introduced as almost a throw-away character in the Thimble Theater adventures of Castor Oyl and Ham Gravy on January 17, 1929. Before long, Popeye the Sailor proved so popular that he largely moved the other characters out of their own strip! He appeared in a classic series of cartoons produced by the legendary Fleischer Studios, and has been a worldwide sensation ever since. Offered here is an attractive French petite for the release of the Fleischer cartoons in that country. Although it is undated, there are several clues that point to its origin in the 1930s: 1) When Popeye was originally transported to France, sometime in the mid-1930s, he was known as "Mathurin," as seen on this poster. All research shows that he regained his original name by the end of the decade. 2) Fleischer Studios began releasing Popeye cartoons in 1933 and continued until they were bought out by Paramount - previously Fleischer's distributor - in 1941, at which time the name was changed to Famous Studios. Although both the Fleischer name and Paramount logo appear on this poster, there is no mention of Famous Studios. 3) The legal credit in the bottom right reads, "By arrangement with King Syndicate and Segar." Segar passed away in 1938. For these reasons, we date this colorful French petite to the decade of the 1930s, making it very desirable indeed. There were pinholes in the borders, and fold wear with crossfold separation, but professional restoration, including airbrushing in the borders, has rendered these minor issues virtually invisible. For fans of the spinach-eating sailor, this is a must have! Fine/Very Fine on Linen. Sold for: $478.00. |
| 64520 | Goggle Fishing Bear (MGM, 1949). One Sheet (27" X 41"). Barney Bear dons a diving mask and swim fins to help with his fishing, but a too-helpful seal, as well as unfortunate encounters with a lobster and a shark, means he ends up with more than he bargained for. This poster has pinholes in the image, and an extra crease by the top vertical fold. Barney, created in 1939 by director Rudolf Isling, was partially based on the actor Wallace Beery, and received an Academy Award Nomination in 1941 for the short, The Rookie Bear. The short which this poster promotes, directed by the team of Preston Blair and Michael Lah, is considered one of Barney's very best. Very Fine-.Sold for: $836.50. |
| 64521 | The Uninvited Pest (MGM, 1943). One Sheet (27" X 41"). It's all-out war between Barney Bear and an annoying squirrel determined to deprive Barney of his hibernatory nap in this hysterical MGM short. The charming one sheet offered here displays pinholes in the corners and borders, and small edge tears at the top and bottom vertical folds. None of these minor concerns detract from the overwhelming appeal of this colorful classic. Very Fine-.Not Sold. |
| 64522 | Kitty Foiled (MGM, 1948). One Sheet (27" X 41"). Tom's tireless chase of Jerry is close to a victorious end when a canary intervenes, saving Jerry from certain doom. The two team-up to make life miserable for the fearsome feline. Ginger Rogers won an Oscar for her role in the drama Kitty Foyle in 1941, a title parodied with this cartoon. This poster had minor chips at the folds and borders. Following professional restoration, this sheet appears near mint and displays beautifully. A charming addition to any collection. Fine/Very Fine on Linen. Sold for: $1,912.00. |
| 64523 | Jerry's Cousin (MGM, 1950). One Sheet (27" X 41"). This Oscar-nominated short, starring Tom and Jerry, the famous cat and mouse duo created by William Hannah and Joseph Barbera, features Jerry's cousin, Muscles, whom Jerry calls in to help against his nemesis, Tom. For a little guy, Muscles packs a big punch, much to Tom's dismay! By the time this short - one of the most violent in the entire series - was released, Tom and Jerry were at the height of their popularity, having debuted ten years earlier. This classic one sheet, picturing Tom, Jerry, and Muscles, is extremely attractive and unrestored, showing just some minor crossfold separation and light edge wear. It will make a fine addition to any animation collection. Very Fine+.Sold for: $896.25. |
| 64524 | Casanova Cat (MGM, 1951). One Sheet (27" X 41"). Animation giants William Hanna and Joseph Barbera, aided and abetted by Rudolph Ising, did a cartoon short about a cat chasing a mouse wherein the tables get turned, in February of 1940. The point was to compete with the raucous Warner Brothers cartoons, as most MGM cartoons of that time were either musically oriented or Barney Bear shorts. With the talents of Hanna-Barbera, this simple premise was gold from the get-go, and they soon had an Oscar nomination to boast about. They would make Tom and Jerry cartoons for the next 15 years. This is a favorite, with Tom dragging Jerry as a "gift" to a pretty female cat he's romancing, but in true cartoon style, Jerry gets the girl! There were pinholes in the borders as well as a couple in the image and a 4" tear in the bottom left corner. All of these minor flaws have been corrected with linen backing and excellent restoration. Fine/Very Fine on Linen. Sold for: $776.75. |
| 64525 | Dog Trouble (MGM, R-1951). One Sheet (27" X 41"). Almost as popular as Tom and Jerry themselves was their canine co-star, Spike the bulldog. It's the usual mayhem in this early short: Spike goes after Tom and Jerry, so Tom and Jerry go after Spike. This highly desirable poster features exquisite artwork of all three characters, and is a beautiful example of the early work of legendary animators William Hanna and Joseph Barbera. It had fold wear, pinholes in the corners, and a two inch tear in the left border, as well as a chip on the top left corner and the top border. All of these issues have been rendered virtually invisible by professional restoration, giving the poster a near perfect appearance. Fine/Very Fine on Linen.Sold for: $836.50. |
| 64526 | Cruise Cat (MGM, 1952). One Sheet (27" X 41"). One of the most successful comedy teams in film history, Tom and Jerry were created by famed animators William Hanna and Joseph Barbera in 1940 for the short Puss Gets the Boot. The short was a hit, receiving an Academy Award Nomination for Best Short Subject: Cartoons in 1941, and Hanna and Barbera were tasked with creating more adventures of the cat and mouse duo. The rest, as they say, is history. In this hysterical short, Tom is the official cat on a cruise ship, threatened with expulsion if the captain finds even one mouse. Of course that mouse is Jerry. This colorful and attractive poster, with great images of the two stars, shows staple holes in the image, a stain on the edge of the top border, and light bleed-through from an NSS stamp on the back. Nevertheless, it is a very desirable poster for any animation collector, from a high point in Tom and Jerry's history. Very Fine.Sold for: $657.25. |
| 64527 | Cock-a-Doodle Dog (MGM, 1951). One Sheet (27" X 41"). Spike the Dog headlines this MGM short, directed by the legendary Tex Avery, in which the poor pooch, just trying to get a little shut-eye, is constantly interrupted by a rooster, who just wants to crow. The basic premise gives director Avery plenty of chances to cut loose with the outrageous visual gags he loved so much. This colorful one sheet is in exceptional condition, having only some crossfold separation in the top part of the poster, which has been expertly addressed with professional restoration. It displays very nicely, and is ready to lend an ambience of charm to any doghouse. Very Fine+ on Linen. Sold for: $1,434.00. |
| 64528 | MGM Stock Poster (MGM, 1955). One Sheet (27" X 41"). From 1937 until 1957, the cartoon studio at MGM produced some of the most influential and groundbreaking animated shorts ever seen on the silver screen. Staffed with exceptional talent, including Fred Quimby, William Hanna, Joseph Barbera, Fritz Freleng, Hugh Harman, Rudolf Ising, Preston Blair, and Tex Avery, the studio created such well-known characters as Tom and Jerry, Droopy Dog, Barney Bear, and Screwy Squirrel. No substantial discussion of the evolution of American animated films is complete without the inclusion of this important studio, represented here by a charming stock one sheet. This poster had pinholes, and some fold wear, but is otherwise extremely clean and attractive, a very desirable piece for anyone who loves these iconic characters. Very Fine+ on Linen. Sold for: $537.75. |
| 64529 | Lumber Jack-Rabbit (Warner Brothers, 1954). One Sheet (27" X 41"). The only cartoon Warner Brothers produced using the 3-D process that was all the rage for a few years in the 1950s - this particular cartoon was intended for release with House of Wax, another 3-D classic - this Chuck Jones-directed laugh-fest finds our hero, Bugs Bunny, pilfering giant carrots from the garden of legendary lumberman Paul Bunyan. The colorful one sheet offered here had light fold wear with some slight paper loss at the fold lines. After professional restoration, this poster boasts a like-new appearance, certain to please any fan of the "wascally wabbitt." Fine/Very Fine on Linen.Sold for: $1,792.50. |
| 64530 | Merrie Melodies (Warner Brothers, 1941-1942). Stock One Sheet (27" X 41"). Unlike most other cartoon studios of the day, Warner Brothers almost never issued individual one sheets for their shorts, opting instead for colorful stock sheets like this to which a snipe could be attached. Making this particular poster extra desirable is the early looks of both Bugs Bunny and Elmer Fudd, as well as the appearance of Sniffles the Mouse, created by legendary animator Chuck Jones in 1939. The one sheet offered here had a small chip in the left border, a 2" tear in the bottom center, pinholes in the upper right, and a small hole in the top center. After professional restoration, these slight flaws are virtually invisible, rendering this a very clean and attractive example of a rare and sought-after poster animation poster. Very Fine- on Linen. Sold for: $836.50. |
| 64531 | Warner Brothers Cartoon Stock (Warner Brothers, 1952). One Sheet (27" X 41"). One of the greatest cartoon creations of all time, that "wascally wabbitt," Bugs Bunny, is featured on this colorful and desirable stock sheet, along with such Warner Brothers favorites as Elmer Fudd, Porky Pig, Daffy Duck, Tweety Bird, and Sniffles the Mouse. The 1950s were an incredibly prolific time for the Warner Brothers' cartoon studios, with many of their best and most fondly-remembered shorts being released during this time. It was common for the studio to release stock posters for their cartoons, and this style is widely considered one of the best and most desirable today. The one sheet offered here displays bright colors, and is extremely attractive. It shows some minor crossfold separation, as well as creasing at the bottom corners, several small staple holes in the image area, and a small tear in the bottom left corner. These are minor flaws, however, and do little to diminish the overwhelming appeal of this classic image. Very Fine-.Sold for: $896.25. |
| 64532 | Warner Brothers Cartoon Stock (Warner Brothers, R-1959). One Sheet (27" X 41"). If you like Warner Brothers cartoons (and who doesn't?), this colorful poster is just what you need. It's a late-fifties poster, presented when some theaters were still showing animation shorts with feature films. There are nine delightful images, all the major Warner Brothers stars that we've come to know and love over the years are here. The poster has minimal restoration for minor pinholes and minimal crossfold separation. Very Fine+ on Linen. Sold for: $1,075.50. |
| 64533 | Flaming Crisis (Monarch, 1924). One Sheet (27" X 41"). A lost all-black silent Western from small-scale producer Lawrence Goldman, Flaming Crisis features Calvin Nicholson as a crusading newspaperman falsely convicted of murdering prominent labor leader Henry Dixon. After escaping from prison, he falls in love with a cowgirl (Dorothy Dunbar) who is also coveted by a notorious outlaw known only as the Night Terror (Talford White). This is a rare and beautiful stone litho one sheet. The poster has pinholes in the field, fold wear and crossfold separations, foxing and discoloration on the reverse of the linen, and edge and field tears. Very Good/Fine on Linen. Sold for: $1,314.50. |
| 64534 | Topsy and Eva (United Artists, 1927). Lobby Card Set of 8 (11" X 14"). Inspired by Harriet Beecher Stowe's important novel, Uncle Tom's Cabin, this movie was based on a stage play by Catherine Chisolm Cushing that starred the Duncan Sisters, Rosetta and Vivian, a popular vaudeville act. Vivian plays the saintly Little Eva, the glamorous little girl who purchases poor Topsy, played by Rosetta in blackface, for a nickel at a slave auction when no one else will buy her. From then on, the two are fast friends. Noble Johnson, best known as the native chieftain in King Kong, appears in this picture as Uncle Tom. The title card of this set has a chip in the upper right corner, and several pinholes in the image area. The scene cards show pinholes in the corners and borders, light edge wear, and slight smudging. Very Fine.Sold for: $388.38. |
| 64535 | Gone Harlem (Sack Amusement Enterprises, 1939). One Sheet (27" X 41"). In the late thirties and throughout the forties, Al Sack, a Dallas-based film distributor, provided "ethnic films"for many theaters in the Southwest through his company, Sack Amusement Enterprises. Offered here is a rare "separate cinema" poster distributed by Sack, for an ethnic film starring Harlem favorite, Ethel Moses. Moses was often billed as "the Black Jean Harlow," and this prime, elusive poster features her as an aspiring model. Moses appeared in four Oscar Micheaux films and danced for Cab Calloway in Hi-De-Ho. Posters for "All-Negro" casts, due to their limited distribution, remain aggressively sought after. Before restoration, there were very mild crossfold separations, a minor chip in the bottom center border, and a small chip in the top center border. Very Fine+ on Linen. Sold for: $1,553.50. |
| 64536 | Mystery in Swing (International Road Shows, 1940). One Sheet (27" X 41"). Monte Hawley and Marguerite Whitten star in this all-black cast, musical mystery. It chronicles the search for a killer who poisoned a talented trumpet player, Prince Ellis (Robert Webb). The poster has been lightly folded and has minor crossfold separations. Great jazz band and mystery graphics on this hard-to-find sheet. Very Fine+.Sold for: $1,912.00. |
| 64537 | Cabin in the Sky (MGM, 1943). One Sheet (27" X 41") Style C. A landmark film by any standard, this was one of the first films produced by a major studio to feature an all-black cast, a cast that included some of the biggest, most talented names in Hollywood, including Ethel Waters, Eddie "Rochester" Anderson, Lena Horne, Louis Armstrong, Mantan Moreland, and Butterfly McQueen. The first feature film to be directed by Vincente Minnelli, it tells the story of Little Joe (Anderson), an inveterate gambler who is shot during an illicit outing to a casino. His wife, Petunia (Waters), prays for his soul, which leads to a major battle between the forces of Good and Evil. A lavish production, filled with outstanding musical performances, this film is as entertaining today as it was the day it was filmed. The spectacular poster offered here, featuring art by the one-and-only Al Hirschfeld, is one of the most sought after posters of the war years. It has some fold wear, crossfold separation, edge wear, and pinholes in the corners, as well as some slight staining in the white areas, an extra horizontal fold at the bottom, and a crease in the bottom right corner. There is some tape on the top reverse, reinforcing some small edge tears. Despite these minor flaws, this is a very attractive and desirable poster for any fan of vintage film or classic jazz. Fine/Very Fine.Sold for: $13,145.00. |
| 64538 | Ebony Parade (Astor Pictures, 1947). Half Sheet (22" X 28"). We are proud to present one of the most elusive Black Cinema posters. This seldom seen half sheet features portraits of many of the top Black musical performers of the forties: Cab Calloway, Dorothy Dandridge (billed on the poster as 'Daindridge'), the Mills Brothers, Mantan Moreland, and a rare poster appearance by Francine Everett, often billed as "The Most Beautiful Woman in Harlem." Director William Forest Crouch, who gave us the classics Reet, Petite, and Gone and Juke Joint also includes in his terrific cast Pat Flowers, one of the best ever Jazz/Stride piano players, and a historic performance by Vanita Smythe singing "They Raided the Joint." The poster has benefited from excellent paper-backed restoration to address only small chips in the upper right corner, edge wear, and pinholes. Fine on Paper. Sold for: $717.00. |
| 64539 | Hi-De-Ho (All-American, 1947). One Sheet (27" X 41"). One of the only film posters to feature Harlem great Cab Calloway. This excellent grade one sheet is from a 1947 film put together by director Josh Binney. The caricature of the female dancer is done in a fun stylized manner, with long legs for tapping and an abbreviated costume of red-white-and blue. This film had limited distribution, which would account for the true scarcity of any paper on this title. Linen backing and minimal airbrush has corrected small chips in the top and bottom borders, pinholes, small tears where the pins were removed, and a small punch hole in the "Y." Very Fine on Linen. Sold for: $5,975.00. |
| 64540 | Song of Freedom (Song of Freedom, Inc., 1936). One Sheet (27" X 41"). One of Paul Robeson's best films has him playing a dockworker in London, obsessed with returning to his African roots. Discovered for his singing talents, he achieves stardom only to give it up to make a pilgrimage to Africa to assume leadership of his ancestral tribe. Originally a British release, this colorful U.S. poster has a few extra folds, and some wrinkling. Very Fine-.Sold for: $2,868.00. |
| 64541 | The Tunnel (Supreme, 1940). One Sheet (27" X 41"). The Tunnel was the American release title for this early Ealing film, originally entitled The Proud Valley in Great Britain. To the best of our knowledge, the American release of The Tunnel was contemporary with the British release of The Proud Valley, dating this poster, certainly from the first American release, to 1940. The film tells the story of a young man, David Goliath (Paul Robeson), gifted with a fine singing voice, who becomes a hero to the Welsh coalminers with whom he works, ultimately sacrificing his life to save those of his friends and co-workers during a mine disaster. Most of Robeson's films were made in the U.K., and of all his movies, he considered this one his favorites, as he felt it showed working class people in a positive light. Although he traveled throughout the world, Robeson was particularly beloved by the people of Wales, where this film was made. This rare and desirable poster shows crossfold separation and edge tears, as well as a small area of dust-shadowing at the bottom and a tear in the "n" of "Robeson." Even with these slight flaws, this is still an attractive and very scarce poster for a wonderful film. Fine+.Sold for: $1,553.50. |
| 64542 | Alf's Button (First National, 1922). One Sheet (27" X 41"). In this classic fantasy, a button on a World War I soldier's tunic turns out to have been forged from the metal from Aladdin's Lamp, giving him the legendary three wishes. Leslie Henson stars as the soldier and James Carew is the genie. This film, originally released in England in 1921, received its American release through First National in 1922. The poster has crossfold separations, and pinholes at the center of the top border. This beautiful and scarce stone litho one sheet is featured in Ronald Borst's book, Graven Images. Very Fine-. Sold for: $507.88. |
| 64543 | The Magician (MGM, 1926). Title Lobby Card (11" X 14"). In this early horror film, Paul Wegener as the Magician unearths an ancient document that tells him how to create life. The story, by Somerset Maugham, was based very loosely on the life of black-arts master Aleister Crowley. This incredible card has three pinholes in each of the upper corners and two more in the middle of the lower border. There is also a very slight crease to the upper right corner. Very Fine+.Sold for: $8,365.00. |
| 64544 | The Magician (MGM, 1926). Lobby Cards (2) (11" X 14"). This lot consists of two lobby cards from one of the silent era's most underrated horror/fantasies, The Magician. The Monte Carlo scene card is near mint while the scene card with Alice Terry and Ivan Petrovich has seven very fine pinholes. Very Fine/Near Mint.Sold for: $2,031.50. |
| 64545 | The Magician (MGM, 1926). Lobby Card (11" X 14"). In this pivotal moment from Rex Ingram's early horror film, Paul Wegener as the diabolical Magician Haddo, hypnotizes the virginal Alice Terry prior to his extracting her blood for his evil experiments. This scene has six pinholes in the borders and a very light crease in the upper right corner. Very Fine+.Sold for: $2,390.00. |
| 64546 | The Magician (MGM, 1926). Lobby Card (11" X 14"). Director Rex Ingram created a surreal sequence in his horror-fantasy when, while under the evil Magician's hypnotic spell, Alice Terry believes she journeys into hell. This scene card is just shy of perfect with a slight ding in the lower left corner. This is one of the rarest horror titles of the 1920s. Near Mint.Sold for: $8,962.50. |
| 64547 | The Magician (MGM, 1926). Lobby Card (11" X 14"). In order to complete his diabolical experiments in the satanic arts, the Magician (Paul Wegener) must hypnotize a young girl (Alice Terry) before he can extract her blood. Rex Ingram, known primarily as the director who brought Rudolph Valentino to fame, also created one of the screen's greatest horror/fantasies with this motion picture. The lobby card has nine pinholes in the borders and a very slight crease in the upper left corner. Very Fine+.Sold for: $2,390.00. |
| 64548 | The Magician (MGM, 1926). Lobby Card (11" X 14"). Paul Wegener, who rose to fame in the title role of 1920's The Golem, became one of the screen's earliest horror icons as he also portrayed a diabolical Magician in this film based loosely on the real-life sorcerer, Aleister Crowley. This card, which features Wegener, Alice Terry, and a demonic statue of Satan, has eleven very fine pinholes in the borders that don't detract from its overall beauty. Very Fine+.Sold for: $6,572.50. |
| 64549 | Shadows (Preferred Pictures, 1922). Lobby Card (11" X 14"). Before Lon Chaney attained cinema immortality with his incredible portrayals of Quasimodo in The Hunchback of Notre Dame (1923) and Erik in The Phantom of the Opera (1925), he was known as one of the most accomplished character actors in Hollywood. One of his strongest performances from that time was as the elderly Asian man Yen Sin in Shadows, a compelling drama about love, faith, and racial intolerance. Chaney effortlessly transforms himself in this ahead-of-its-time drama, convincingly playing the humble yet wise newcomer to a community that initially reviles him. As he did so expertly, Chaney allows us to see all of Yen Sins emotions and feelings through his expert command of body language and facial expression, making this one of the greatest accomplishments of his career. Chaney rarely succumbed to the temptation to overact, as did many of his stage-trained contemporaries, and this picture is a particularly wonderful example of Chaney's command of subtle movements and gestures. The exceptionally rare lobby card offered here pictures Chaney as Yen Sin, and displays pinholes in the corners, slight ink staining in the bottom and right borders, creasing in the corners, slight surface dirt, and a small tear in the left edge. Paper featuring Chaney in character make-up is extremely rare and exceptionally desirable, especially from such a landmark film as this one. Don't let this amazing opportunity pass you by! Fine/Very Fine.Not Sold. |
| 64550 | The Hunchback of Notre Dame (Universal, 1923). Program (9" X 12"), Multiple Pages). This original program from the Lon Chaney masterpiece is full of information and images related to the production. There are rust stains from the staples on the interior pages, a bit of soiling on the covers, and wear at the edges. Fine/Very Fine. Sold for: $143.40. |
| 64551 | The Hunchback of Notre Dame (Universal, 1923). Lobby Card (11" X 14"). Patsy Ruth Miller and Ernest Torrence appear in this extremely rare card from Victor Hugo's classic horror story. Torrence, as the King of the underworld Clopin, tries to protect his ward from the lecherous advances of the Archdeacon's evil brother. This scene has one pinhole in the upper border and two in the lower border. It also has some very minor wear to the corners and slight smudging in the borders. Very Fine+.Sold for: $179.25. |
| 64552 | The Hunchback of Notre Dame (Universal, 1923). Lobby Card (11" X 14"). While Lon Chaney doesn't appear on this card, this is one of the film's pivotal moments when Phoebus, tries to seduce the gypsy girl, Esmerelda (Patsy Ruth Miller). This card has two pinholes in each of the upper and lower borders and a very light bend in each of the lower right and upper left corners. Cards from this early horror classic seldom turn up, you must have bats in your belfry if you don't big on this one. Very Fine+. Sold for: $227.05. |
| 64553 | The Hunchback of Notre Dame (Universal, 1923). Lobby Card (11" X 14"). Lon Chaney, as the hunchback Quasimodo, is crowned the King of Fools for the annual festival in Paris. Although he is extremely small, he does appear in this scene, right in the middle of the card, the focus of the crowd's attention. This card has one pinhole and some light creasing to the corners. Very Fine+.Sold for: $310.70. |
| 64554 | Tell it to the Marines (MGM, 1926). Title Lobby Card and Lobby Card (11" X 14"). This lot features an extremely rare title card for one of Lon Chaney's only roles where he appears without his usual elaborate make-up. As a battle-hardened Marine sergeant, he recruits and trains a group of young men for the Corp. The scene card in this lot features Carmel Myers as an island native who lures the recruits into compromising situations. Both of these cards show very minor wear in the form of tiny creases at the corners. Very Fine/Near Mint.Sold for: $2,390.00. |
| 64555 | Tell it to the Marines (MGM, 1926). Lobby Cards (2) (11" X 14"). Here are two lobby cards from Lon Chaney's story about a tough-as-nails Marine Corp. Sergeant and the boys he trains into soldiers. The two cards in this lot both feature Carmel Myers, who would go on to make numerous pictures for Carl Laemmle at Universal. William Haines, as the young recruit, would become one of the most popular stars of the late silent period. Both of these cards have a tack hole in each corner. The Myers and Haines scene has a tiny chip off of the upper left corner. Very Fine-.Sold for: $2,270.50. |
| 64556 | Tell it to the Marines (MGM, 1926). Lobby Cards (2) (11" X 14"). This lot consists of two scene cards from this Lon Chaney film. In one, Chaney flirts with his nurse (Eleanor Boardman), and in the other scene, he and his young recruits take on a dangerous gang of Chinese bandits, led by Warner Oland. The Chaney scene has one tack hole in each corner and a "pull" in the lower right corner. The other scene has a slight crease in the lower left corner. Very Fine.Sold for: $1,673.00. |
| 64557 | London After Midnight (MGM, 1927). Pre-War Belgian (24.5" X 33.5"). One of the most famous presumed-lost films in cinema history, this picture was a triumph for star Lon Chaney. Riding high on the success of previous thrillers, including The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925), Chaney appeared in this notable collaboration with director Tod Browning as Professor Edward C. Burke, a detective investigating a case involving murder, hypnotism, and vampires! The surviving photos give us an intriguing look at Chaney's vampire disguise, and lead one to wonder exactly what his Dracula make-up would have looked like, if his early and tragic death had not curtailed plans for the gifted actor to appear in the role that eventually made a star out of Bela Lugosi. A reconstruction of this important film, based on still photographs and the surviving shooting script, was recently released, giving silent movie buffs a tantalizing taste of what this classic Chaney thriller must have been like. Paper from this lost treasure rarely surfaces, and is avidly fought over on the rare occasions that a piece is brought to market. This dramatic stone litho Belgian poster, with the Loew-Metro-Goldwyn logo in the upper right, had fold wear with slight crossfold separation and pinholes with minor staining in the corners and borders. Professional restoration has addressed all these minor flaws, resulting in a very attractive and desirable piece. Don't wait to bid on this one... your chance to own an original poster from this cinematic treasure may not come again for quite some time! Very Fine on Linen. Sold for: $35,850.00. |
| 64558 | London After Midnight (MGM, 1927). Lobby Card (11" X 14"). This long-missing melodrama - later remade as Mark of the Vampire - stars the great Lon Chaney Sr. in a dual role as Professor Edward Burke, and as a sinister-looking vampire who later turns out to be a fake. This splendid lobby card features Chaney in his Burke persona, and had pinholes in the corners. The card has been professionally restored, and has a bright, fresh appearance. Fine/Very Fine.Sold for: $3,883.75. |
| 64559 | London After Midnight (MGM, 1927). Lobby Card (11" X 14"). Young lovers Conrad Nagel and Marceline Day are featured on this excellent lobby card. The lobby had pinholes in the corners and borders, creases at the corners, a small chip out of the bottom left corner, and a 4" scrape near Nagel's head. The card has been professionally restored, rendering these problems virtually invisible. Fine+.Sold for: $1,553.50. |
| 64560 | London After Midnight (MGM, 1927). Lobby Card (11" X 14"). Perhaps the most famous "lost" film of all time, this atmospheric melodrama features Lon Chaney Sr. in one of his most memorable make-up jobs as a (fake) vampire. This lobby card has a great, dramatic image of Chaney, with pinholes in the corners and image being the only condition issue. The card has been professionally restored and looks as good as new. Very Fine-.Sold for: $4,182.50. |
| 64561 | London After Midnight (MGM, 1927). Lobby Card (11" X 14"). Of all the films with the great Lon Chaney, perhaps none are so intriguing as London After Midnight, a tantalizing lost film in which Chaney plays a detective who impersonates a vampire in order to solve a murder case. By the time Chaney and director Tod Browning collaborated on this atmospheric effort, they had already made several very successful pictures together. Film historians live in hope that a print of this long-lost classic will someday surface. Until then, we can content ourselves with beautiful lobby cards like this one, which prominently pictures Chaney as Inspector Burke. The card had pinholes in the corners and borders, as well as a couple in the image area, but professional restoration has addressed these issues nicely, making this a card that any film fan will display proudly. Fine/Very Fine.Sold for: $2,629.00. |
| 64562 | London After Midnight (MGM, 1927). Lobby Card (11" X 14"). This was an undoubted tour-de-force for star Lon Chaney, who plays Inspector Edward C. Burke, a detective who disguises himself as a vampire to flush out a murderer. Directed by Tod Browning, who had collaborated with Chaney on such silent classics as Outside the Law, The Unholy Three, and The Unknown, this film was remade in 1935 as Mark of the Vampire, with Lionel Barrymore as the detective and Bela Lugosi as the vampire. Offered here is a beautiful lobby card, featuring Chaney, which had pinholes in the corners and a couple in the image area, as well as some edge wear. The card has had professional restoration, resulting in a beautiful card from a classic film. Fine/Very Fine.Sold for: $3,585.00. |
| 64563 | Laugh, Clown, Laugh (MGM, 1928). Lobby Card (11" X 14"). By the time Lon Chaney made Laugh, Clown, Laugh in 1928, he was already a star of the first magnitude, with such timeless classics as The Hunchback of Notre Dame and The Phantom of the Opera already behind him. As opposed to the monsters and the freaks, however, this was the type of role for which Chaney was primarily known: that of the hopeless romantic caught in a tragic dilemma of unrequited love. Here he plays Tito Beppi, a circus clown who cannot help but weep, who befriends a Count afflicted with uncontrollable laughter. The two become fast friends until it becomes apparent that they are both in love with Simonetta, a fellow performer in the circus. Chaney was a master of his craft by the time of this film, a fact that is more than evident in every glance and every gesture. The beautiful lobby card offered here is as perfect as Chaney's performance, with only the slightest toning at the edges betraying the fact that it was not printed yesterday. Other than that, the card is flawless, and will make a treasured addition to even the finest collection. Mint.Sold for: $2,390.00. |
| 64564 | Laugh, Clown, Laugh (MGM, 1928). Window Card (14" X 22"). Of all the roles that Lon Chaney played during his outstanding career, this was, by all accounts, his favorite. Based on the story of Pagliacci, "the sad clown," it is the tale of Tito, a clown who rescues a young girl abandoned in the woods. As she grows up, he falls in love with her, but she, of course, is in love with someone else, leading to Tito's breakdown and eventual tragic sacrifice. A wonderful role for Chaney, it gave him an opportunity to showcase some of his comedic skills, honed during his days on the stage, as well as his exceptional dramatic abilities. This film is also notable as the first major role for future star Loretta Young, who was only 14 years old when shooting began. Offered here is a marvelous window card, which pictures Chaney in full clown make-up. It has multiple tack holes at the top and bottom, some of which have been slightly torn, a stain in the top left, some foxing, and light warping overall. It is signed by Loretta Young in the lower right. This is a very rare and desirable piece that will be the highlight of virtually any poster collection. Fine/Very Fine.Sold for: $1,553.50. |
| 64565 | The Unholy Three (MGM, 1930). Lobby Card (11" X 14"). Lon Chaney, the "Man of a Thousand Faces," starred in this remake of a silent crime drama he had appeared in only five years earlier. The difference is that this was the only "talkie" Chaney ever made, and the star proved his capabilities as an actor as he used multiple voices to go with his multiple make-ups. This spectacular portrait card features Chaney along with Harry Earles and Ivan Linow as the gang of former sideshow performers who have turned to burglary. Near Mint-.Sold for: $7,170.00. |
| 64566 | The Cat and the Canary (Universal, 1927). Lobby Card (11" X 14"). Famed German director Paul Leni created this masterpiece of suspense by bringing all of his skill with light and shadow to the fore. Laura La Plante, one of Universal's leading ladies, stars in this murder mystery that helped define the "old dark house" genre. This rare card has four pinholes, some slight wear to the corners, and some very tiny stains in the right border. Very Fine.Sold for: $3,585.00. |
| 64567 | The Cat Creeps (Universal, 1946). One Sheet (27" X 41"). Set in a spooky mansion on an isolated island, this murder mystery has an interesting twist. The black cat of the film's title is possessed by the soul of a murdered woman who is trying to reveal her killer. A terrific film in the tradition of The Cat and the Canary and The Old Dark House . This example of the one sheet has one pinhole per corner and some slight separation at the center points. Very Fine+.Sold for: $334.60. |
| 64568 | Dante's Inferno (Fox, 1924 & 1935). Heralds (2) (6" X 9"). This lot consists of two heralds: one for each film version of Dante Alighieri's epic novel, both adapted for the screen by Fox Films. The 1924 herald is in Very Fine condition, and the 1935 herald has a chip off of the upper corner on the spine and is in Very Good condition. Fine+. Not Sold. |
| 64569 | The Seventh Victim (RKO, 1943). One Sheet (27" X 41"). Kim Stanley stars as a naive young woman who goes to New York in search of her missing sister (alluring Jean Brooks) only to discover that she has fallen in with a Satanic cult in Greenwich Village. This brooding thriller was produced by Val Lewton and directed by Mark Robson, his feature debut. This one sheet had pinholes in the field, fold wear and crossfold separations with some paper loss, a tear at the left center fold, and minor tape pulls on the reverse. This has all been rendered almost invisible by an expert and beautiful restoration. This is one of the rarest of the Lewton one sheets! Fine/Very Fine on Linen.Sold for: $1,912.00. |
| 64570 | Death Takes a Holiday (Paramount, 1934). Window Card (14" X 22"). In this classic fantasy film, Fredric March portrays Death. He decides to assume earthly form in order to discover why humanity has such fear of him. While visiting Earth, no one dies, but things become more complicated when he falls in love with beautiful Evelyn Veneble. Fredric March, fresh off of winning the Best Actor Oscar for his portrayal of Dr. Jekyll, tackled the role of Death in one of the best fantasy films of the era. There was a two inch tear on the right border that was corrected with top-notch restoration. Some work has been done on the bottom part of the poster as well, and the top imprint area and the borders have been airbrushed. Fine/Very Fine on Paper.Sold for: $5,676.25. |
| 64571 | King Kong (RKO, 1933). Jumbo Window Card (22" X 28"). One of the greatest giant monster movies of all time, the original King Kong was a tragic love story, set both in the wilds of a remote island jungle, and in the concrete canyons of Depression-Era Manhattan. Savagely ripped from his home, Kong, who was a king in his world, became a mere curiosity in ours, with disastrous results. With a well-written screenplay, a top-notch cast - including Robert Armstrong and Fay Wray - and the impeccable special effects of stop-motion genius Willis O'Brien, this classic film is as fresh and dynamic today as it was the day it was released. Offered here is a rare and very desirable piece: a locally-produced jumbo window card, silkscreened in striking red and black. Although the piece is undated, we have associated it with the original release of the picture, as April 30 fell on Sunday, as referenced on the poster, in 1933. The poster had one inch of the right side of the card replaced. Also some slight creasing, several small tears by the "K" in "King," a small hole near the "K" in "Kong," and a tear at the top by the second "t" in "State." All of these issues have been addressed by professional restoration, with the result that this rare and intriguing piece is ready for a place of honor in the finest collection. Fine+ on Cardstock. Sold for: $1,434.00. |
| 64572 | King Kong (RKO, 1933). Jigsaw Puzzle (150 Pieces). Offered as a premium give away, this jigsaw puzzle was distributed in support of the original release of RKO's classic giant ape picture. The heart-stopping battle between Kong and the T-Rex, with Fay Wray as the prize, is brought to glorious life here, just waiting for you to assemble. All of the pieces are present making this a rare find. This is an exceptional collectible you're certain to go "ape" over! Included in this lot is the original mailing bag. Very Fine+. Sold for: $1,434.00. |
| 64573 | Freaks (MGM, 1932). Stills (3) (8" X 10"). Vintage black and white single weight stills. MGM pulled this film from distribution almost immediately as the cast and subject matter were consider far too taboo for the time. Tod Browning's horror classic is a tragic character study. While the film's main plot revolves around a midget (Harry Earles) and his love for a cold-hearted, statuesque trapeze artist (Olga Baclanova), the real story can be found in the daily struggles of the real-life circus sideshow performers that appear in the film. These three original black and white stills have minor corner creases, and one of the photos has pinholes in the corners and a half inch tear in the top border. Very Fine-.Sold for: $1,673.00. |
| 64574 | Dead of Night (Universal, 1946). One Sheet (27" X 41"). A gripping and suspenseful film, this chilling horror anthology is about a group of strangers gathered at a remote country estate, each compelled to share a scary incident from their past. This innovative format allowed several different directors to work on the film, while still retaining the appearance of a unified whole. Since that time, numerous imitators have been inspired by this landmark movie's episodic structure. The dramatic one sheet offered here had light fold wear with minor crossfold separations and some slight chipping at the fold lines. Professional restoration has addressed these issues, resulting in a very attractive example of this highly desirable, and hard-to-find, poster. Very Fine- on Linen. Sold for: $1,314.50. |
| 64575 | Dr. Cyclops (Paramount, 1940). One Sheet (27" X 41"). When four explorers in Peru discover the insane experiments being conducted by mad scientist Dr. Thorkel, they threaten to stop him. He retaliates by shrinking them all to one-fifth their normal size, forcing the group to fight to survive. A professional restoration, which included airbrushing to the folds and field, has been carried out. Prior to repairs, this poster fold separations with small chips and tears. Fine+ on Linen. Sold for: $1,075.50. |
| 64576 | Dr. Jekyll and Mr. Hyde (Paramount, 1931). Herald. Although this was not the first filmed production of Robert Louis Stevenson's famed novel, it has proven to be one of the most enduring and popular. Starring Fredric March as the tormented scientist who unleashes his dark side upon the world, the film also features Stevenson's nephew in a small and uncredited role. The herald offered here is in remarkable condition, with some light foxing, a horizontal fold, and a tiny chip in the right border being the only flaws of note. The piece includes some fabulous images from the film, including a striking montage on the cover. Very Fine+.Sold for: $131.45. |
| 64577 | Dr. Jekyll and Mr. Hyde (Paramount, 1931). Lobby Card (11" X 14"). Fredric March won the Oscar for Best Actor in 1932 for his dual portrayal of Dr. Jekyll and Mr. Hyde in this, the definitive version of the film. Lobbies from this film, as well as any poster material, are extremely hard to come by. This example is in very nice condition with only a small crease in the lower right corner and a chip off of the lower left corner keeping it from grading higher. Very Fine-.Sold for: $5,975.00. |
| 64578 | Creature from the Black Lagoon (Universal International, 1954). Spanish One Sheet (27.5" X 39"). This is the scarce one sheet from Spain with evocative art for the last great Universal sci-fi/horror classic. The green gill-man is the last Devonian Age survivor of his species - a humanoid man-fish. Bud Westmore (Tarantula, Mole People, It Came from Outer Space, etc.) contributed astonishingly realistic make-up for one of Hollywood's most original - and most memorable - "beauty and the beast" films. This incredible poster, with a wonderful image of the Gill Man, shows soft folds, a staple hole in the lower left field, pinholes, slight edge wear with small chips in the lower left border, and a 4" printer's crease in the upper left border, as well as 2" tears in the left and right center fold line. These slight flaws do little to detract from the enormous appeal of this exquisite poster. Fine+. Sold for: $836.50. |
| 64579 | Dr. Jekyll and Mr. Hyde (MGM, 1941). Three Sheet (41" X 81"). This was the third film version of Robert Louis Stevenson's classic novel. Starring Spencer Tracy, Ingrid Bergman, and Lana Turner, this version deviated from the 1931 Fredric March classic by relying on Tracy to bring out Hyde's psychological and emotional torment, rather than on sheer physical horror. This three sheet was missing a portion of the top border. It also had edge chips, tears, and fold wear with separations. It has been professionally restored, leaving it with a very nice appearance. Very Good- on Linen. Sold for: $478.00. |
| 64580 | Cat People (RKO, R-1952). One Sheet (27" X 41"). The first of three legendary collaborations between producer Val Lewton and director Jacques Tourneur, this creepy, atmospheric classic is the story of Irena Dubrovna (Simone Simon), a mysterious and exotic beauty, who meets and marries Oliver Reed (Kent Smith). Unfortunately, Irena is the victim of a curse which turns her into a killing beast whenever emotionally aroused. Filmed on a very restrictive budget, this film re-uses sets from Orson Welles's production, The Magnificent Ambersons, and is renowned for its low-key lighting and innovative use of shadows. The moody one sheet offered here had pinholes in the corners, fold wear with crossfold separation, and minor border chipping. Additionally, all four corners had missing paper in the border only. An expert job of professional restoration has addressed these issues, and has brought a sense of vibrancy and freshness to this poster that will make it a welcome addition to any collection. Fine- on Linen. Sold for: $2,031.50. |
| 64581 | The Curse of the Cat People (RKO, 1944). Lobby Card Set of 8 (11" X 14"). Producer Val Lewton's film The Cat People was such an amazing success that RKO requested a sequel. Although this film was atmospheric and explored the imagination of a child trapped in her own fantasies, the film actually bears little resemblance in any way to a sequel of its predecessor. This set of cards has very slight smudging and signs of "handling," but is otherwise in extremely nice condition. Very Fine/Near Mint.Sold for: $2,151.00. |
| 64582 | The Curse of the Cat People (RKO, 1944). One Sheet (27" X 41"). This in-name-only sequel to Cat People (1942) follows an imaginative but lonely child named Amy (Ann Carter) who conjures an imaginary friend in the form of her father's deceased first wife (Simone Simon). The original director was replaced, and Robert Wise stepped in to complete filming, his first directorial credit. This haunting one sheet has beautiful artwork which is both ethereal and menacing. The poster is in outstanding condition, with fold wear and some minor crossfold separations expertly addressed by professional restoration. Very Fine+ on Linen. Sold for: $2,151.00. |
| 64583 | Dracula (Universal, 1931). Lobby Card (11" X 14"). When Lon Chaney suddenly died prior to the start of filming Dracula, Carl Laemmle had to find a replacement for the famous star. Many actors were considered, but the part finally went to Bela Lugosi, a Hungarian actor who had been portraying Bram Stoker's undead count on the stage. Lugosi made the role his own and he is still considered the screen's greatest King of the Undead! This card is the best scene in the set and features Lugosi seducing the innocent Helen Chandler by feeding upon her blood. This card is extremely rare and actually surfaces less frequently than the title card. Other than a fine pinhole in the middle of the right border and a slight crack in the upper border, it is in amazingly clean condition. Very Fine/Near Mint. Sold for: $44,812.50. |
| 64584 | Bedlam (RKO, 1946). Three Sheet (41" X 81"). The Bethlem Royal Hospital of London was once known as Bedlam and is the world's oldest psychiatric hospital (founded in 1403). In making this picture, producer Val Lewton tried to be as historically accurate as possible concerning the conditions in this historic asylum, resulting in one of his best films. This three sheet boasts eerie artwork of a gaunt, leering Boris Karloff in one of his most compelling performances. That's lovely Anna Lee in the top left of the poster. Restoration has been done to correct edge wear with small tears and chips, a tear in the bottom left corner, minor tears in the horizontal fold lines, and small creases and wrinkling in the field and borders. Very Good+ on Linen. Sold for: $2,031.50. |
| 64585 | Curse of the Demon (Columbia, 1957). One Sheet (27" X 41"). Originally titled Night of the Demon, this British film directed by the great Jacques Tourneur was shorn of more than ten minutes and retitled Curse of the Demon for U.S. audiences. Famously, it also had brief cutaways to a mechanical demon head inserted into various points (against the director's wishes) which featured heavily in the advertising campaign. Either way, it's still one of the most atmospheric horror films of the era. This colorful one sheet had pinholes in all four corners, minor chipping, slight fold wear, a tear in the photo insert, and a horizontal tear that runs almost the entire length of the poster. All this has been expertly restored and the poster placed on linen. It's a great image of the Demon, and a splendid sheet for this minor classic. Fine+ on Linen.Sold for: $537.75. |
| 64586 | Invisible Ghost (Monogram, 1941). Six Sheet (81" X 81"). Bela Lugosi plays a mild-mannered doctor driven to murder by visions of his dead wife. Atmospheric direction by Joseph H. Lewis (who would go on to helm many fine film noirs) and finely-tuned comic relief from Clarence Muse have made this a favorite of many a B-movie fanatic. This stunning six sheet has a mesmerizing image of Lugosi in full-on hypno-mode. There was fold wear and crossfold separations with minor missing paper, a chunk missing above the "u" in "Lugosi," a large tear in the woman's dress, and pinholes in the corners. Superb professional restoration has brought this poster back to looking like new. Fine+ on Linen. Sold for: $1,075.50. |
| 64587 | Return of the Vampire (Columbia, 1943). Six Sheet (81" X 81"). An underrated Lugosi film nicely directed by the incredibly prolific Lew Landers, which features Bela as a Dracula-esque vampire named Armand Tesla (one of only three times he played an actual bloodsucker), who skulks around a foggy mansion with a werewolf for an assistant! Atmospheric, with an excellent score, this nifty little flick is one of the best entries in Lugosi's later filmography. Equally impressive is this eye-popping six sheet which features Bela bathed in glorious green, the were-assistant, distressed damsel Nina Foch (who certainly isn't hard on the eyes), and one of the boldest logos we've ever seen. There were pinholes in the image area, some tiny edge chips, some slight paper loss in the logo area, fold wear and crossfold separations, all of which has been addressed with professional restoration. Very Fine- on Linen.Sold for: $9,560.00. |
| 64588 | Captive Wild Woman (Universal, 1943). One Sheet (27" X 41"). John Carradine takes up the mad scientist role in this Universal classic when he decides to transplant human glands into a wild gorilla (played by serial star Ray "Crash" Corrigan). The result? The gorilla transforms into the beautiful Acquanetta (who makes her film debut here), but eventually reverts to her more savage self. A terrific film; the poster is a classic. This particular example had very light fold wear, with a certain amount of chipping in the border and a piece missing from the "E" in "Captive." There was also a piece missing from the right border, which extended about 3.5" into the image area. All of these flaws have been addressed with professional restoration, rendering them all but invisible. The poster now displays very nicely. Fine+ on Linen.Sold for: $3,883.75. |
| 64589 | The Frozen Ghost (Universal, 1944). One Sheet (27" X 41"). The fourth film in Universal's "Inner Sanctum" series, The Frozen Ghost features Lon Chaney Jr. as a stage hypnotist who thinks he has the power to kill with his mind. The lovely Evelyn Ankers plays his assistant. This one sheet features a strong color scheme and great images of Chaney and leggy Elena Verdugo, and is in very nice condition. Fold wear with pinpoint crossfold separation, and a tear in the upper left corner were the only issues of note, all of which have been addressed with fine professional restoration. Very Fine- on Linen. Sold for: $286.80. |
| 64590 | House of Horrors (Universal, 1946). One Sheet (27" X 41"). Martin Kosleck plays an unsuccessful sculptor who saves a madman named "the Creeper" (Rondo Hatton) from drowning. Seeing an opportunity, he tricks the psycho into murdering his critics, a plan that most artists can sympathize with. This fantastic unrestored one sheet has an unnerving image of the Creeper claiming another victim. In superb condition, some minor corner creasing, fold wear and crossfold separations, and light edge wear are the only issues. Spooky stuff, and a great, colorful image from this minor classic. Very Fine+. Sold for: $1,075.50. |
| 64591 | Man Made Monster (Universal, 1941). Midget Window Card (8" X 14"). What's the worst thing you can do to a murdering psychopath fueled by high-level doses of electricity? Sentence him to death in the electric chair! That's just what happens in this Universal programmer, starring horror superstars Lon Chaney Jr. and Lionel Atwill. Originally intended as another Karloff/Lugosi vehicle, Man Made Monster can, perhaps, be seen instead as a try-out vehicle for Chaney Jr., who would, later the same year, headline one of Universal's greatest monster films, The Wolf Man. As with all Universal Horror titles from this period, paper is extremely scarce, making this an excellent opportunity to acquire an exceptional piece from this highly desirable period. The top imprint area of this colorful and exciting card has been professionally replaced, and there is a slight crease in the bottom right corner, but otherwise the card is very clean and attractive. From the Collection of Denver Sherry. Fine/Very Fine. Sold for: $2,629.00. |
| 64592 | House on Haunted Hill (Allied Artists, 1959). Three Sheet (41" X 81"). Although known mostly for the outrageous gimmicks he used to promote his films, William Castle was actually a pretty good director, as House on Haunted Hill demonstrates. Vincent Price and Carol Omhart star as a campy couple hosting a haunted house party, and few of their guests will live to see the dawn. This sublime poster features the skeleton motif that would prove the film's biggest scare (as well as the object of the Emerg-O gimmick), plus a sinister image of Price as well. Condition issues are virtually nonexistent and include fold wear and minor crossfold separations, and a minor scuff in Price's face. Very Fine on Linen.Sold for: $1,314.50. |
| 64593 | Creature From the Black Lagoon (Universal International, 1954). Poster (40" X 60"). Although Universal had abandoned their horror franchise several years earlier, they went back to the well in 1954 with the advent of the science fiction boom. The result was one of the most popular films of the era, which introduced the Gill-Man, one of the silver screen's great monsters. Brought to life by Ricou Browning in the swimming scenes and Ben Chapman on land, the Creature was so popular that the film spawned two blockbuster sequels. This dynamic poster had wrinkling and edge wear, as well as a vertical tear in the center, that extends from the bottom of the poster into the title area. Professional restoration has expertly addressed these issues, resulting in a beautiful piece that any sci-fi fan will be proud to own. Fine/Very Fine on Linen.Sold for: $4,780.00. |
| 64594 | Creature From the Black Lagoon (Universal International, 1954). Window Card (14" X 22"). Inspired by such disparate elements as a Brazilian legend, seventeenth-century woodcuts, and even the Oscar statuette, the filmmakers created an enduring character in the pantheon of horror films, with a remake scheduled to be produced in 2008. This window card had creases and fold wear, and some paper loss on the reverse. The flaws have been nicely restored, giving the poster a clean appearance. Very Fine+ on Paper.Sold for: $1,135.25. |
| 64595 | Creature From the Black Lagoon (Universal International, 1954). Insert (14" X 36"). Director Jack Arnold's tale of terror and passion still ranks as one of the all-time legendary sci-fi horror films ever created. This immaculate never-folded insert honors all that is great about this cinematic classic. At one point, this stellar example had minor pinholes in the borders and a few tiny edge tears but has always been rolled leaving no fold lines! The few faults there were have been expertly repaired leaving a wonderful display. Rolled, Very Fine+ on Paper.Sold for: $9,560.00. |
| 64596 | Revenge of the Creature (Universal International, 1955). One Sheet (27" X 41"). Universal reinvigorated their horror franchise in 1954 with the landmark Creature from the Black Lagoon. The film proved so popular with Atom Age audiences that this sequel was quickly produced, in which the Gill-Man is captured and transported to an aquarium in Florida. Of course, things go badly, and the amphibian man-monster escapes, spreading terror and panic among the helpless surface-dwellers. Filmed in 3-D like its predecessor, this was another triumph for Universal, and was reportedly the highest-grossing picture in the series. Look for a young Clint Eastwood as a lab assistant in his first, uncredited, screen appearance. This exciting poster had fold wear with crossfold separations, pinholes in the corners, a small chip in the top center, a few small chips in the title area, and a scuffmark on the Creature's face, but professional restoration has rendered these minor flaws virtually invisible, making this a poster that any 1950s sci-fi fan will be proud to own and display. Very Fine- on Linen.Sold for: $3,585.00. |
| 64597 | Revenge of the Creature (Universal International, 1955). Argentinean Poster (29" X 43"). This great poster features different art than its American counterpart, and is a very colorful variation. It has fold wear, some pinholes, small border tears, and an additional fold near the bottom border. This is an outstanding rendering of Universal's horror star from the 1950s! Very Good+.Sold for: $1,434.00. |
| 64598 | The Creature Walks Among Us (Universal International, 1956). Poster (40" X 60"). In this, the third entry in Universal's Creature from the Black Lagoon series, the Gill-Man is captured and subjected to an experimental operation that transforms him into an air breather. Once again, the Creature wreaks havoc on land, eventually returning to the sea one final time. Offered here is a striking poster for this fan-favorite film, featuring a dynamic image of the transformed Gill-Man. It had staple holes in the borders, a tiny chip in the top left border, and some overall wrinkling. Professional restoration has expertly addressed these issues, resulting in a rare poster that will certainly be the pride of any science fiction collection. Very Fine on Linen.Sold for: $2,390.00. |
| 64599 | Dracula's Daughter (Universal, 1936). Insert (14" X 36"). After the enormous success of 1931's Dracula, the movie that made an instant star out of leading man Bela Lugosi, Universal Studios naturally wanted to produce a sequel, much as they did for the equally-successful Frankenstein. With James Whale, director of both Frankenstein and Bride of Frankenstein, riding high as the top director at Universal, he was initially assigned the task of bringing a Dracula sequel to life. However, the treatment he submitted was, according to all accounts, so elaborate and outrageous that he was soon taken off the project. The film as it was ultimately made focuses on Countess Marya Zaleska (Gloria Holden), a young woman with a familiar taste for blood and a noble lineage, whose father was a Transylvanian count. Moody and atmospheric, the movie is a worthy addition to the Universal Horror pantheon. The insert offered here had fold wear and a large horizontal tear at the top of the insert, from the left border through about three quarters of the poster's width. At the top, a large piece was missing, and the words "SHE'LL GET" were painted in. The restoration, which includes a certain amount of airbrushing, is absolutely first-rate, making these flaws virtually unnoticeable. Paper from this title, as from all Universal Horror films, is extremely scarce and desirable, so don't let this one pass you by! Very Good on Paper.Sold for: $7,170.00. |
| 64600 | Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). This scene from the first sequel to Dracula depicts both Gloria Holden as Countess Marya Zaleska and Otto Kruger as the doctor determined to bring her reign of terror to an end. Cards for this Universal horror thriller have always been considered some of the most atmospheric in the series. This example has several condition issues including a chip off of the upper left corner, pinholes in the other corners, a tear in the background on Kruger's shoulder, and a piece of tape in the center upper border. Very Good+.Sold for: $717.00. |
| 64601 | Dracula's Daughter (Realart, R-1949). Half Sheet (22" X 28"). This classic chiller concerns the Countess Marya Zaleska (Gloria Holden), a woman with an unfortunate taste for blood. This eerie half sheet, part of the 1949 reissue campaign, had edge tears in the bottom border, a crease near Holden's face, a chip in the upper left, and a missing top left corner. Professional restoration has expertly addressed these issues, making this a poster you will be proud to display. Fine on Paper. Sold for: $537.75. |
| 64602 | House of Dracula (Realart, R-1950). Banner (24" X 84"). This Universal Horror film was a sequel to House of Frankenstein, and was designed to be the final entry in the studio's long running B-horror cycle. Count Dracula (John Carradine) and Lawrence Talbot (Lon Chaney Jr.), aka the Wolfman, want to be cured of their "monsterisms." Psychiatrist Dr. Edelman (Onslow Stevens) tries to help, while simultaneously attempting to bring the Frankenstein monster (Glenn Strange) back to life. There are light surface wrinkles and creases, small border tears, and a National Screen Service stamp on the lower left corner. This Realart 1950s re-release banner is in high grade which is unusual for this type of advertising material as most were destroyed by weather or age. It has a great photo inset that shows Chaney, Stevens, and Strange (as the monster). Rolled, Very Fine. Sold for: $478.00. |
| 64603 | House of Dracula (Universal, 1945). Pressbook (11.5" X 14"). As the horror craze that Universal successfully exploited for 15 years began to wind down during the Second World War, the studio pulled out all the stops and made two monster mash-ups, featuring all of their favorite fiends. The first of these all-star fright-fests was House of Frankenstein, released in 1944, followed by this creepy classic featuring Dracula (John Carradine), the Wolfman (Lon Chaney Jr.), the Hunchback (Jane Adams), Frankenstein's Monster (Glenn Strange), and the Mad Doctor (Onslow Stevens). Offered here is a very rare pressbook for this fan-favorite film. It is intact on its principal pages, however, there are four cut-outs in the ad mat pages. The poster page is fantastic as it shows Lon Chaney Jr., John Carradine, Lionel Atwill, and Glenn Strange as the monsters that frightened generations. Very Good. Sold for: $227.05. |
| 64604 | Frankenstein (Universal, R-1947). Title Lobby Card (11" X 14"). One of the most iconic films ever made, Universal's 1931 production of Frankenstein made a star of actor Boris Karloff and cemented the Golden Age of Horror, initiated earlier that year with Bela Lugosi's performance in Dracula. Paper from this landmark film is incredibly scarce, bringing record prices when it does appear at auction. Many collectors see the re-release paper, such as the title card offered here, as an attractive alternative to the original paper, as it represents a chance to own something from an important film at a reasonable price. This card has a Canadian censor stamp on Mae Clarke's legs, as well as a slight dust shadow, a small tear, and some minor tape residue in the top border. Additionally, the upper left corner within the border was chipped off and has been replaced. In spite of these flaws, this is a very attractive card with a stunning image of Karloff as the Monster. Fine/Very Fine.Sold for: $3,585.00. |
| 64605 | Frankenstein - Boris Karloff Personality Portrait (Universal, 1932). Still (10.75" X 13.75"). Vintage black and white, double weight still. Following the release of Frankenstein in 1931, moviegoers everywhere became fascinated with Boris Karloff, but few had seen the actor sans make-up. This image of Karloff, taken by Jack Freulich in 1932, was the first opportunity that many fans had to see the man behind the mask. On the reverse there is writing in pencil, a stamp crediting Freulich, and a snipe which states "Boris Karloff, Universal player who is now congealing the blood of theatergoers as the terrible monster in 'Frankenstein.'" There is a stamp with date April 11, 1932. The image area has surface scratching and smudging while there are small tears along the edges. Fine.Not Sold. |
| 64606 | The Bride of Frankenstein (Universal, 1935). Lobby Card (11" X 14"). Arguably the greatest chiller to come out of the Golden Age of Universal Horror, The Bride of Frankenstein was an absolute tour de force. With an incredible cast - including Boris Karloff, Colin Clive, Elsa Lanchester, Valerie Hobson, and the incomparable Ernest Thesiger as the over-the-top Dr. Pretorius - a groundbreaking score by Franz Waxman, and deft direction by James Whale, it's no wonder this film is revered as one of the finest productions of its time. Paper from any of the Universal Horror films is exceptionally desirable and avidly fought over on the rare occasions it's offered to the collecting public (a one sheet for this film sold for $334,600 in Heritage's November 2007 auction). This stunning lobby card shows the Monster's mate first brought to life, in an eerie scene which has Pretorius (Thesiger) and Dr. Frankenstein (Clive) looking on. This card exhibits pinholes in the borders and corners, light paint stains at the bottom, a small chip and some light staining in the upper left corner, slight smudging in the right border, and some light scuffing, particularly in the title area. These are minor flaws, wonderfully offset by the rich, vibrant color this card displays, with virtually no sign of fading. If you've been looking for that perfect Universal Horror piece to add to your collection, look no further! This is the piece for you! Fine+.Not Sold. |
| 64607 | Boris Karloff Personality Portrait (Universal, 1935). Still (10.75" X 14"). Vintage black and white, double weight, glossy still. Away from the lights and cameras, Boris Karloff was known as a deep thinker who loved to read. This shot, captured in 1935 by New York photographer Ben Pinchot, captures Karloff more pensive side: the man behind "The Monster." There is an ink stamp crediting Pinchot and some writing in pencil on the reverse, as well as a date stamp and a stamp saying "Screenbook" on the verso. The image displays very well in spite of a small crease in the top right corner and very faint scuffing in the field. Very Fine-.Sold for: $418.25. |
| 64608 | The Bride of Frankenstein - Boris Karloff Personality Portrait (Universal, 1935). Still (10.75" X 13.75"). Vintage black and white, double weight, glossy still. Following the death of Lon Chaney, the banner of Hollywood's Master of the Macabre was picked up by Boris Karloff. This personality portrait, taken by Jack Freulich in 1935, was used to promote The Bride of Frankenstein and has studio stamps and description snipes on the verso. In fact, the snipe says "Universal will feature him soon in 'The Return of Frankenstein.'" There is scuffing in the top left corner of the image as well as a few faint creases. Very Fine-.Sold for: $418.25. |
| 64609 | The Bride of Frankenstein - Boris Karloff Personality Portrait (Universal, 1935). Still (10.75" X 13.75"). Vintage black and white, double weight, glossy photo. Shot by photographer Jack Freullich in 1935, this personality portrait of Boris Karloff was used as part of the publicity campaign for The Return of Frankenstein, later renamed to The Bride of Frankenstein. Studio stamps and a description snipe adorn the verso of this beautiful portrait, and there is a minor crease in the top left corner. Very Fine+.Not Sold. |
| 64610 | The Bride of Frankenstein (Universal, 1935). Herald (9.75" X 14"). James Whale and Boris Karloff reunited for this incredible sequel that most film fans feel is better than the original. This herald has four pages and depicts several images of both the Monster and Elsa Lanchester as the Bride. Very Good.Sold for: $388.38. |
| 64611 | Son of Frankenstein (Universal, 1939). Title Lobby Card (11" X 14"). Boris Karloff returns as the Frankenstein monster for the very last time in this classic Universal horror film. Basil Rathbone portrays the son of the famed doctor and Bela Lugosi is Ygor, the demented hunchback. Featured in this lot is the extremely desirable and hard-to-find title lobby card for the film. There is creasing on the bottom border with a corner bend on the left, pinholes in the top two corners, one crease in the top border, and some light soiling on the white borders. Very Fine-.Sold for: $28,680.00. |
| 64612 | Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Boris Karloff as Frankenstein's Monster, pleads for help with the son of his creator, Baron von Frankenstein, portrayed by Basil Rathbone. Rathbone's appearance in the film brought an air of respectability to the series. This was only the last of three appearances Karloff made as Frankenstein's Monster and thus the posters from these titles sell for a premium. We sold the rare half sheet from this film in our last auction for a record $89,625. This card is in wonderful condition with only the slightest bit of wear showing to the corners. Near Mint-.Sold for: $17,925.00. |
| 64613 | Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). This scene, with Basil Rathbone as Doctor Frankenstein confronting both Ygor (Bela Lugosi) and the Monster (Boris Karloff) has always been considered one of the best cards in the set for its depiction of all three stars. The card shows the most minimal wear to the corners but is otherwise in clean condition. Near Mint-.Sold for: $11,352.50. |
| 64614 | Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). In this impressive scene, the Monster (Boris Karloff) lies upon the table awaiting the electrical bolt of life that will restore his health. The diabolical servant Ygor (Bela Lugosi) looks on as Baron Frankenstein (Basil Rathbone) attempts to further his father's experiments. This is one of the best films in the Frankenstein series and boasted the best cast. This card has creasing in all of the corners with a large diagonal crease in the upper border that goes slightly into the background of the scene. Fine.Sold for: $11,950.00. |
| 64615 | Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Typical of Universal lobby card sets, this set includes a montage card offered here. The scene being used as the "inset" is in sepia tone with both Boris Karloff and Bela Lugosi. Basil Rathbone and Donnie Dunagan appear in the scene above. All of the cards from this set to feature Karloff as the Monster are considered the premium cards from this beautiful set. This card shows minor wear to the corners and is in excellent condition. Very Fine/Near Mint.Sold for: $3,883.75. |
| 64616 | Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Bela Lugosi, as the insidious Ygor, prepares to knock out Baron von Frankenstein (Basil Rathbone) in this moment from one of the best films in the Universal Horror series. The cards from the Universal horror films are some of the most desirable in the hobby and few are in as nice of condition as this great card. This card shows a bit of wear to the corners with a bit of creasing in the lower right. Very Fine+.Sold for: $7,767.50. |
| 64617 | Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Basil Rathbone as Baron von Frankenstein hosts a dinner with Inspector Krogh (Lionel Atwill) in this ominous scene from the third installment in Universal's Frankenstein series. The card shows some minor wear to the corners with a bit more to the lower right corner. Very Fine+.Sold for: $3,107.00. |
| 64618 | Ghost of Frankenstein (Universal, 1942). Pressbook (11.5" X 14"). The fourth silver screen outing for Mary Shelley's legendary creature was this film, in which Ygor (Bela Lugosi), tries to help his friend the Monster (Lon Chaney Jr.), who has been sorely depleted of the energy he needs to live. Seeking to restore him, Ygor contacts the son of the Monster's creator, Dr. Ludwig Frankenstein (Cedric Hardwicke), who becomes obsessed with returning the Creature to full power. In the end, Frankenstein ends up transplanting Ygor's brain into the Monster's body, with terrifying results. Offered here is a rare pressbook for this always-popular film. It is complete, with no cuts, but the cover and interior pages have split at the spine, which has been reinforced with clear tape. The images of the posters on the back cover are worth the price all by themselves! Fine/Very Fine. Sold for: $388.38. |
| 64619 | Frankenstein Meets the Wolf Man (Universal, 1943). One Sheet (27" X 41"). Imagine standing in a theater in 1943 watching the candy counter girl posting a crisp new one sheet, sliding it into an ornate gold frame. The dramatic, mysterious vision of a tall, square-headed monster battling a wolf man wearing human clothing unfolds before your eyes. At the bottom of the poster, a beautiful blond woman's dress begins to fall away as she watches them struggle, revealing her shoulders and long lovely legs. Thanks to a bit of luck and minimal top notch restoration work, you can relive that moment anytime you want, with this much sought after one sheet. Bela Lugosi finally gets to portray the Frankenstein monster role he turned down many years before. There were small chips in the fold separations, minor pinholes, and a small chip in the lower left border. All have been expertly restored and the poster placed on linen. Very Fine on Linen. Sold for: $13,145.00. |
| 64620 | Abbott and Costello Meet Frankenstein (Universal International, 1948). One Sheet (27" X 41"). Teaming up some of Universal's biggest stars, from Bud Abbot and Lou Costello, to Frankenstein's Monster (Glenn Strange), Dracula (Bela Lugosi), and the Wolfman (Lon Chaney Jr.), with the Invisible Man (Vincent Price) thrown in at the end for good measure, this film marked the end of the Golden Age of Horror. It's a fitting send off, with Bud and Lou at their best in this madcap comedy, which became the studio's second-highest grossing film of the year. It also marked a brief resurgence in the career of Bela Lugosi, the last great role he would play before his tragic decline. Posters from all the Abbott and Costello films are highly desirable, but perhaps none moreso than this, one of the most fondly remembered, and highly regarded, of the duo's many classic comedies. This attractive one sheet had fold wear with crossfold separation, and tape scuffs on the reverse, as well as an NSS stamp on the reverse that slightly bled through to the front. The borders have been replaced, but the poster has greatly benefited from professional restoration, giving it a wonderfully clean appearance, ready for proud display in your crypt, mausoleum, or laboratory. Fine+ on Linen.Sold for: $5,377.50. |
| 64621 | Abbott and Costello Meet Frankenstein (Universal International, 1948). Half Sheet (22" X 28") Style B. By 1948, it was apparent that the Universal horror franchise was running out of steam (fantasy monsters just weren't as compelling as the real variety, e.g. the Nazis whom America had defeated just a few years earlier), but the studio sent its iconic creatures out in high style in this extravaganza, largely considered the end of the Golden Age of Horror. All the great creatures of yesteryear are here, including Dracula, the Wolfman, and Frankenstein's Monster, teamed with Bud Abbott and Lou Costello. The result is movie magic, especially the performance of Bela Lugosi as Count Dracula, seen by many as his last great role before sliding into the tragic last phase of his life. Lugosi, as well as Lon Chaney Jr. as Larry Talbot/the Wolfman and Glenn Strange as the Monster, are all in fine form here, scaring the whimwhams out of poor Lou. As part of the Universal Horror series, paper from this picture is extremely desirable. This gorgeous half sheet had pinholes, mostly in the upper portion, an L-shaped tear in the upper left corner, small border tears, fold wear, and small chips in the lower right corner. After professional restoration, these slight flaws have been rendered almost invisible, making this a poster that will no doubt be accorded a place of honor in any collection. Fine/Very Fine on Linen.Sold for: $3,883.75. |
| 64622 | Abbott and Costello Meet Frankenstein (Universal International, 1948). Lobby Card (11" X 14"). This incredible lobby card features Bela Lugosi as Dracula, Glenn Strange as Frankenstein's Monster, and Lenore Aubert as Dr. Sandra Mornay, as well as Abbott and Costello, and Lon Chaney Jr. as the Wolfman in the border. The card shows pin/staple holes, particularly in the borders, corners, and title area, as well as in the top left of the image area, and paper tape reinforcing two edges on the back. Nevertheless, this is an extremely attractive card, featuring two of Universal's greatest monsters. There's little in this hobby today that's more desirable than Universal Horror paper, so don't miss your chance to own this rare beauty! Fine+. Sold for: $1,434.00. |
| 64623 | The Invisible Man (Realart, R-1947). Half Sheet (22" X 28") Style A. In December of 1947, Realart Pictures reissued both The Invisible Man and The Invisible Man Returns, two of Universal's most popular horror classics. This is the scarce Style A half sheet with three great images of Claude Rains in and out of make-up. Four images actually, if you count the invisible ghost image on the left border! Lovely Gloria Stuart at the top of the poster holds several distinctions in film history; she was a founding member of the Screen Actors Guild, and is the oldest actor to be nominated for an Academy Award (Best Supporting Actress for her wonderful turn as the oldest survivor of the Titanic, 1997.) It's still hard to believe, in today's glut of technology, what this film was able to achieve in dramatic special effects with little more than hard work and creativity. Professional paper backing has addressed a small crease in the top border, minor crossfold separations, and a folded left border. Very Fine- on Paper. Sold for: $1,792.50. |
| 64624 | The Invisible Man (Universal, R-1950s). Belgian (14" X 18"). H. G. Wells's short novel is brilliantly adapted to the screen by the legendary James Whale, with Claude Rains (the studio originally wanted Karloff) giving a layered performance while only appearing on-screen for a moment at the end. This superb reissue Belgian poster features outstanding artwork and clean graphics. The poster presents as Very Fine or better, but we must grade it down because it has been trimmed at the top border. Other condition issues include pinholes, pinpoint foxing, and tearing where the top left corner was removed and reattached, all of which has been addressed with professional restoration. Fine+ on Linen. Sold for: $310.70. |
| 64625 | The Invisible Man Returns (Universal, 1940). Insert (14" X 36"). In this sequel to the 1933 Universal science fiction film The Invisible Man, Vincent Price, in the title role, stars as an innocent man condemned for a murder he didn't commit. Sir Cedric Hardwicke plays the villain who has framed Price for the murder. In desperation, Price takes the invisibility serum, knowing it will very likely drive him insane. Material from this film is almost as tough to locate as paper from the original in the series, and this insert is one of the best posters from the campaign. It has been paper-backed to flatten the fold lines, and there has been minor color touch to those fold lines. Very Fine+ on Paper. Sold for: $4,780.00. |
| 64626 | The Invisible Ray (Universal, 1935). Herald. The third pairing of horror icons Boris "Frankenstein" Karloff and Bela "Dracula" Lugosi, The Invisible Ray followed The Black Cat and The Raven, and is a worthy successor to those incredible films. This time out, it's Karloff as the mad scientist, and Lugosi as his professional rival, with both of these titans of terror at the very height of their creative powers. This superb herald, with its wonderful images from the film, is in exceptional condition. A horizontal fold is the only defect noted, making this an important addition to any Universal Horror collection. Very Fine/Near Mint.Sold for: $203.15. |
| 64627 | The Black Cat (Universal, 1934). Lobby Card (11" X 14"). One of the creepiest, most atmospheric films to come out of Universal's Golden Age of Horror was this exceptional film that teamed fright-masters Boris Karloff and Bela Lugosi. The movie dealt with themes of love, war, revenge, Satanism, and even necrophilia, and was directed by Edgar Ulmer who, early in his career, had worked as a set designer on the legendary silent film, Der Golem, along side art director and famous architect Hans Poelzig. In fact, Karloff's character name in this film - Hjalmar Poelzig - is a tribute to Ulmer's former colleague. The film is widely regarded as one of the finest horror pictures ever produced, noted for its memorable Art Deco/Bauhaus sets and the inspired performances of the two stars. Like most Universal horror titles of the 1930s, paper from this movie is extremely scarce. The lobby card offered here has had restoration work done, but the restoration is of the highest quality, resulting in a very attractive piece. The restoration, including paper-backing, has addressed pinholes and tear seals, replacement of the upper right corner, and repainting/repairing of the borders, particularly the bottom right. Nevertheless, this is a beautiful card featuring an incredibly striking image. Very Good on Paper. Sold for: $8,066.25. |
| 64628 | The Raven (Universal, 1935). One Sheet (27" X 41") Style D. One of the first films to pair horror icons Boris Karloff and Bela Lugosi, this classic chiller tells the story of a brilliant, but unstable neurosurgeon (Lugosi) who falls in love with one of his patients, and recruits a wanted criminal (Karloff) to kidnap her for him. While most of the Universal horror films from this period were creepy and atmospheric, this film is genuinely frightening! Both Karloff and Lugosi were at the peak of their powers in 1935, and the result is a brilliant collaboration, one that would rarely be repeated with such incredible results. Prior to restoration the poster had approximately one-quarter of an inch trimmed around the border and two 2" cross-fold tears in Karloff's mouth, some light chipping and smaller cross-fold tears along the horizontal and vertical fold lines with a bit larger chipping along the lower horizontal fold line. There was a larger tear by the candle in the lower right corner and some color touch to the title, lower credits and background towards the bottom of the poster. All of these defects have restored so that the poster now displays beautifully and remember, this is one of only two known copies of a Universal horror classic! Very Good/Fine on Linen.Sold for: $53,775.00. |
| 64629 | Night Monster (Universal, 1942). Midget Window Card (8" X 14"). Boasting a stellar cast, including Bela Lugosi and Lionel Atwill, Night Monster is a worthy addition to the Universal Horror canon. Set in an old dark house, in which a number of doctors are being murdered one by one, the movie drips with atmosphere. The card offered here, with its striking graphics, is in excellent condition, with merely a small crease in the bottom right corner keeping it from an even higher grade. Universal Horror paper is always scarce; don't let this one get away! From the Collection of Denver Sherry. Near Mint. Sold for: $1,673.00. |
| 64630 | The Mummy (Realart, R-1951). Half Sheet (22" X 28"). Although the Mummy as we think of him only appears in one brief scene at the beginning of the film, Jack Pierce's stunning make-up job (which took eight hours to apply) still stands as one of the iconic "monster" images of the century. Only a year after his sensational performance in Frankenstein, Karloff was already a single-named "brand," and a huge draw for any tale of terror. This stunning Realart re-release half sheet features a great collage of images from the film. There was an 8" tear that ran from the top center down into the logo area. Excellent professional restoration has addressed these issues, giving the poster a stunning like-new appearance. Fine+ on Paper.Sold for: $4,780.00. |
| 64631 | The Mummy's Ghost (Realart, R-1951). Lobby Card (11" X 14"). The fourth in Universal's Mummy series, this one finds veteran horror star Lon Chaney Jr. under the ancient Egyptian bandages as Kharis, with John Carradine as Yousef Bey, the current controller of the unstoppable, undead menace. This was Chaney's second appearance of three as Kharis. This exquisite lobby card, picturing both Chaney and Carradine, shows edge wear, small edge tears, slight chipping in the top border, a crease in the left edge, and glue residue on the reverse, but displays very nicely. Universal monster paper is red hot right now, so don't miss your chance to acquire this classic rarity! Fine+.Sold for: $388.38. |
| 64632 | Doctor X (First National, 1932). One Sheet (27" X 41"). Fay Wray, already one of the great leading ladies of the early talkies, became the screen's first "scream queen" in this horror tale involving a serial murderer who is also a cannibal. This was the first of several horror films Wray would make including The Vampire Bat and Mystery of the Wax Museum before moving on to King Kong. Lionel Atwill was up to his usual sinister ways and Lee Tracy provided the comic relief as the investigating reporter. The film is also notable as one of the first two-strip Technicolor films ever made. This particular example of the outstanding stone litho one sheet is one of the best copies we've ever seen, with two pinholes in each corner and some very slight restoration to the middle and lower center points. There is also a diagonal crease in the lower left corner. Very Fine+ on Linen.Sold for: $16,730.00. |
| 64633 | The Vampire Bat (Majestic, 1933). One Sheet (27" X 41"). One of the only examples of this scarce poster we've seen that did not have the ubiquitous Dutch censor stamp that had to be airbrushed. Great deco-esque stone litho one sheet in vibrant oranges and greens for a very underrated "poverty row" production starring the beautiful Fay Wray who, only a few months after the release of this film would make screen history opposite her "tall, dark, leading man," King Kong. Restoration has corrected chips in the top and bottom borders, and small tears in the left and bottom borders. Fine- on Linen. Sold for: $2,390.00. |
| 64634 | The Vampire Bat (Majestic, 1933). Six Sheet (81" X 81"). Those excitable villagers are at it again, hounding poor Dwight Frye to his death just because he has a fondness for vampire bats and may be behind the vampiric murders that have been happening about town. Shows what they know! This eye-popping poster has stunning, colorful stone litho graphics (gotta love that giant bat), including one of the boldest logos we've ever seen, and great portraits of Lionel Atwill and Fay Wray. The poster had edge and fold wear with separations, pinholes in the field, and several large tears in the image. There was a large piece out of the top left corner along with wrinkling and several chips out of the artwork. Professional restoration has been applied, giving the poster a very fresh appearance. Fill a wall with this dramatic poster! Fine- on Linen. Sold for: $3,585.00. |
| 64635 | Werewolf of London (Universal, 1935). Autographed Lobby Card (11" X 14"). Universal's first attempt at a werewolf movie was this atmospheric thriller, starring Henry Hull as the title character, cursed with lycanthropy while on a botanical expedition in Tibet. While the studio's later lycanthropic effort, The Wolf Man (1940), would prove somewhat more successful - and would use the werewolf make-up created by Jack Pierce and initially rejected for this picture - this is, without a doubt, an exceptionally well-made film, one that occupies a well-deserved place of honor in the pantheon of Universal Horror films. The lobby card offered here has been signed across the face by the star, Henry Hull. Extensive border damage and tears in the upper right have all been repaired by professional restoration, resulting in a very clean, attractive, and desirable card. If you miss out on this one, you'll howl with regret! Good/Very Good on Paper.Sold for: $1,912.00. |
| 64636 | Black Moon (Columbia, 1934). Lobby Cards (3) (11" X 14"). An early and extremely atmospheric horror film, this Columbia chiller, set on the island of Haiti, stars Fay Wray, fresh off her triumph in King Kong (1933), and Jack Holt. One of the last films produced before the advent of the infamous Production Code, this picture tells the story of a young wife and mother (Juanita Perez Lane) who dabbles in voodoo. She soon finds herself hopelessly entangled in practicing black arts, and even offers her own child in a sacrifice! Fortunately, stars Wray and Holt put a stop to her evil schemes. These attractive lobby cards display corner bumps, surface wrinkles, and pinholes, but all retain a high degree of eye-appeal that will make them an important part of your collection. Fine+.Not Sold. |
| 64637 | The Lodger (20th Century Fox, 1944). One Sheet (27" X 41"). Based on the novel by Marie Belloc Lowndes, this Jack the Ripper story had been filmed at least twice before (once by Hitchcock), but many film fans consider this version to be the best, with Laird Cregar's creepy performance and the atmospheric direction of John Brahm elevating the film to the status of minor classic. This moody one sheet showcases Cregar's intense gaze and Merle Oberon's shapely gams. The poster had edge and fold wear, pinholes, and crossfold separations, now expertly restored so that the poster presents nicely. A fine sheet from this eerie thriller. Fine- on Linen. Sold for: $239.00. |
| 64638 | The Undead (American International, 1957). Three Sheet (41" X 81"). One of Roger Corman's wonkiest horror programmers, this flick is most memorable for Allison (Attack of the Fifty Foot Woman) Hayes's appearance as a sultry witch in a tight dress. This tasty three sheet uses essentially the same artwork as the one sheet, but it's hard to improve on the spooky sight of a skeletal figure menacing a gorgeous girl trapped in the frame of a coffin -- creepy stuff! Light fold wear and a small tear in the lower right are the only condition issues on this exceptionally gorgeous example. Also, please note that the title logo has not been mis-glued! This off-register lettering was printed that way on purpose to give the poster an unsettled feeling. Also included in this lot is a superb VF- (on Linen) three sheet for Corman's Night of the Blood Beast, a low-budget ancestor of Alien, with fold wear and crossfold separations. Very Fine+ on Linen. Sold for: $1,015.75. |
| 64639 | Kwaidan (Continental, 1965). Polish One Sheet (23" X 33"). Shot entirely on an aircraft hangar soundstage with the skylines and vistas all hand painted, to allow director Masaki Kobayashi complete control of the film's palette, Kwaidan is a stunning display of sensuous color, perfectly suited to the four stories of otherworldly tales of the macabre that make up this classic film. Multi award winning top Polish artist, Wiktor Gorka (Spartacus, Great Escape, 2001, Cabaret) has created a masterpiece of symbolic art. The eerily drawn eyes peering from beneath a skull mask brilliantly evoking the ghosts and spirits of this Best Foreign Language Oscar nominated film. This is a rare, unfolded poster, with only minor edge wear with tiny tears, and small pieces of archival tape on the reverse. Rolled, Very Fine-. Sold for: $717.00. |
| 64640 | The Monster of Piedras Blancas (Film Service Distributing, 1959). One Sheet (27" X 41"). A hungry monster comes out of the briny depths with a taste for human blood, and heads right for a teenager-filled beach in this 1950s sci-fi classic. The creature, reminiscent of the classic Creature from the Black Lagoon, is extremely effective, making this one of the better "killer creature" entries in the genre. This classic one sheet had light fold wear with some crossfold separation, a Canadian censor stamp near the bottom, and some writing on the reverse that slightly bleeds through to the front. Professional restoration has largely addressed these issues, resulting in a poster that displays very nicely. Very Fine on Linen.Sold for: $388.38. |
| 64641 | Night of the Living Dead (Continental, 1968). One Sheet (27" X 41"). One of the most significant and influential independent horror films ever made, this was the very first movie ever directed by horror film icon George Romero. A grisly, hard-edged movie about zombies devouring living humans, this movie caused a sensation when it was first released, and has served to inspire countless filmmakers ever since. The one sheet offered here has likely never been used, as it is in absolutely immaculate condition, with no flaws of any kind to mention. We doubt you'll ever find a nicer copy of this highly desirable poster. Near Mint/Mint.Sold for: $1,673.00. |
| 64642 | The Bride and the Beast (Allied Artists, 1958). One Sheet (27" X 41"). When Laura and Dan get married, he expects her to go ape over him. Unfortunately, it's his monkey that brings out the animal in her, as she was, apparently, "Queen of the Gorillas" in a past life. From there, the movie gets really weird! The script is by the legendary Edward D. Wood Jr., the auteur responsible for such classic 1950s flicks as Glen or Glenda and Plan Nine from Outer Space, so the weirdness isn't all that surprising. This eye-catching poster shows some fold wear with pinpoint crossfold separation, and a stamp on the back that slightly bleeds through to the front on the woman's chest. Professional restoration has greatly minimized these slight flaws, resulting in a poster you will be proud to own and display. Very Fine on Linen.Sold for: $597.50. |
| 64643 | Bride of the Monster (Filmmakers Releasing, 1956). One Sheet (27" X 41"). One of director Ed Wood's greatest productions, this was the next to last movie filmed by Bela Lugosi, who played mad scientist Dr. Eric Vornoff. The making of this movie is well-documented in Tim Burton's Ed Wood, including the theft of the rubber octopus from Republic Studios (it was originally created for the John Wayne vehicle, Wake of the Red Witch). Unfortunately, the motor that operated the tentacles was left behind, which is painfully obvious in the final film. Nevertheless, this is classic Ed Wood, and features two of his greatest stars, Lugosi and former Swedish wrestler Tor Johnson (who was the subject of Lugosi's oft-quoted line, "Don't mind Lobo. He's as harmless as a kitchen"). Paper from the majority of Ed Wood's movies is extremely scarce, and highly sought after by those who appreciate the best in "bad" cinema. This particular example shows the typical pinholes in the corners, a small corner chip in the lower left, light edge wear, and light fold wear with some crossfold separation. Notwithstanding these minor flaws, this is a very attractive and very desirable poster that will be the pride of any collection of 1950s cult cinema. Very Fine-.Sold for: $1,792.50. |
| 64644 | Bride of the Monster (Filmmakers Releasing, 1956). Lobby Card Set of 8 (11" X 14"). Edward D. Wood Jr. is a legendary director, well-known for possessing far more enthusiasm than actual talent for film-making. Nevertheless, his pictures, which are still avidly viewed today by connoisseurs of the bizarre and unusual, are unrelentingly entertaining, with Bride of the Monster being one of the best. Featuring exceptional, over-the-top performances by Bela Lugosi and Tor Johnson, the former "Swedish Angel" of wrestling fame, Bride tells the story of a mad scientist (Lugosi) who plots to turn several captives into supermen via atomic radiation! Paper from Wood's movies is scarce and highly sought after, so this near-perfect set of lobby cards should inspire some spirited bidding. Card #2 shows a small chip in the left border, and Card #4 has a very light smudge in the right border, but the other cards in the set are virtually flawless. Near Mint-.Sold for: $956.00. |
| 64645 | Horror of Dracula (Universal International, 1958). One Sheet (27" X 41"). Horror, as a film genre, had been in a slump for quite some time by 1958. Universal, the previous leader in the field, had put their monsters in mothballs some years before, preferring to concentrate on other areas, such as the emerging field of science fiction. Stepping in to fill the breach in 1957 was Hammer Films, whose first foray into horror, Curse of Frankenstein, was an unqualified success. As a follow-up, they released this picture, directed by Terence Fisher and starring Peter Cushing as Doctor Van Helsing and Christopher Lee as the immortal Count Dracula. Once again, the film was box office gold, firmly establishing the Hammer Horror franchise that would continue unabated for the next several decades. Of all the films released during the Hammer years, many consider this, the film that put both Cushing and Lee on the map, to be the very finest. This striking one sheet had fold wear with pinpoint crossfold separation, pinholes in the corners, a marker line on the back that slightly bleeds through to the front, and a ballpoint pen mark in the left border. These flaws have largely been addressed by professional restoration, resulting in a clean, and very displayable, copy of this highly desirable poster. Very Fine- on Linen. Sold for: $1,075.50. |
| 64646 | The Mummy (Universal International, 1959). Lobby Card Set of 8 (11" X 14"). Hammer Studios found success with their foray into horror with The Curse of Frankenstein - remaking the old Universal-horror films in blazing color for the new generation. They also recreated the horror team, replacing the legendary Boris Karloff and Bela Lugosi with Christopher Lee and Peter Cushing. The result? One of the greatest horror flicks to emerge onto the silver screen. After remaking Frankenstein and Dracula, the studio plunged into the desert of Egypt and recreated The Mummy. This set features some wonderful scenes with Lee as the undead Egyptian. And the condition? It's about as sweet as the day it was printed. Near Mint/Mint. Sold for: $2,868.00. |
| 64647 | Curse of the Werewolf (Universal, 1961). One Sheet (27" X 41"). Hammer Films' answer to Universal Studios' classic, this lycanthropic thriller stars Oliver Reed as Leon Corledo, a young man born with an unfortunate affliction: he becomes a ravenous beast whenever the moon is full. Following in the footsteps of their Gothic retellings of Frankenstein and Dracula, Hammer hit another home run with this film, proving that they were the leading horror studio of the 1950s and '60s. This gorgeous one sheet had minor fold wear with pinpoint crossfold separation and tiny chips, but is otherwise unmarred. Professional restoration has addressed these slight issues, rendering them virtually invisible. Any horror fan would be proud to own this stunning beauty! Very Fine+ on Linen.Sold for: $597.50. |
| 64648 | Dracula Has Risen From the Grave (Warner Brothers, 1969). Color Still Set of 8 (8" X 10"). Christopher Lee, as Bram Stoker's undead Count Dracula, rises yet again to terrify another generation of horror fans. The films that Lee made as Dracula for Hammer Studios are among the best of the genre and are as popular today as when they were made. This complete set of color stills is in near mint condition with a couple of the stills showing some very slight wear to the corners. Near Mint. Sold for: $334.60. |
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| 64649 | The Bellamy Trial (MGM, 1929). One Sheet (27" X 41"). A beautiful stone litho poster for this part-talkie drama starring Leatrice Joy. Shot as a silent, it was redone with some dialogue sequences. Joy is accused of the murder of "two-timing temptress" Mimi Bellamy. George Barraud appears with Joy on this gorgeous poster. There were pinholes with minor damage to the four corners, some edge chipping, and fold wear. All has been expertly restored. Fine/Very Fine on Linen.Sold for: $776.75. |
| 64650 | In Cold Blood (Columbia, 1971). Polish (23" X 33"). This graphically charged original Polish release poster for four-time Oscar nominee In Cold Blood comes closer to the real film than anything else we've seen. Adapted from Truman Capote's landmark book, the film tells the true story of Perry Smith and Dick Hickok (Robert Blake and Scott Wilson), two drifters who rob and kill the entire Clutter family of Kansas. Stirring art by Andrzej Bertrandt. There are pinholes in the top border only, and a soft horizontal center fold. Rolled, Very Fine.Sold for: $191.20. |
| 64651 | Underworld (Paramount, 1927). Title Lobby Card (11" X 14"). Predating such genre classics as Little Caesar and The Public Enemy, this landmark picture is widely considered to be the first modern American gangster film, setting the stage for many significant movies to follow. Directed by Josef von Sternberg, with a script by Ben Hecht - who would script another gangster classic, Scarface, several years later - the movie is about Bull Weed, a brutal crime boss eventually brought low by his own weaknesses. Starring George Bancroft as Weed, Clive Brook as "Rolls Royce," a derelict who becomes Weed's confidante, and Evelyn Brent as "Feathers" McCoy, Weed's girlfriend. When one considers the enormous popularity of gangster pictures in the 1930s, and the considerable influence those films had on the film noir movement of the 1940s, it's impossible to overestimate the importance of this film, as the foundation upon which virtually all the rest was laid. Actors like James Cagney, Edward G. Robinson, Humphrey Bogart, George Raft, and Paul Muni, all of whom, to one degree or another, built their early careers on portrayals of tough guys and criminals, owe a debt to this groundbreaking film. The striking, unrestored title card offered here, picturing top-billed actor Bancroft, is virtually unimprovable. It shows a single pinhole in each corner, and a small crease in the upper right, but is otherwise as fresh and unmarred as the day it was printed. Paper from this film is very rarely offered, especially in such pristine condition, so don't pass up this chance to add this scarce and historically significant title card to your collection. Very Fine/Near Mint.Sold for: $3,585.00. |
| 64652 | Underworld (Paramount, 1927). Lobby Card (11" X 14"). In this important picture, the first modern American gangster film tells the story of crimelord Bull Weed (George Bancroft) and his rise to power. The film won an Oscar in the award's first year for best story by Ben Hecht. This beautiful lobby card, pictures Bancroft and his girlfriend, Evelyn, at the finale of the film. Paper from this important film by Joseph von Sternberg, is rarely offered. Don't pass up a chance to snag this beauty for your very own! Near Mint-. Sold for: $896.25. |
| 64653 | Underworld (Paramount, 1927). Lobby Card (11" X 14"). The first modern gangster film, it paved the way for such immortal classics as The Public Enemy, Little Caesar, Scarface, Angels with Dirty Faces, and so many more. In this dramatic card, stars George Bancroft, Clive Brook, and Evelyn Brent look towards an uncertain future, the ultimate reward of the life they've chosen. This superb card is incredibly clean. It shows a single pinhole in each corner, and a very small crease in the bottom right corner, but is otherwise unmarked. Paper from this important film rarely surfaces, and is passionately fought for when it does. Very Fine/Near Mint. Sold for: $1,792.50. |
| 64654 | Underworld (Paramount, 1927). Lobby Card (11" X 14"). One of the most important films of the Silent Era, this Josef von Sternberg film set the stage for virtually every gangster picture to follow. This lovely lobby card shows all four major characters, including Clive Brook as "Rolls Royce," George Bancroft as crime boss Bull Weed, and Evelyn Brent as "Feathers" McCoy. The gent in the bowler hat at the bottom of the scene is Larry Semon, a popular silent comedian. This beautiful card is nigh-immaculate, with only a single pinhole in each corner, and very slight corner bumps keeping it from an even higher grade. An inarguably important film, paper from this landmark production is extremely rare. Don't let this one pass you by! Very Fine/Near Mint. Sold for: $597.50. |
| 64655 | The Docks of New York (Paramount, 1928). Lobby Card Set of 8 (11" X 14"). Considered by many to be the finest film in the considerable career of director Josef von Sternberg, this is the story of Bill Roberts (George Bancroft), a big-hearted sailor who saves a pretty girl (Betty Compson) from suicide, and finds his life changed as a result. Bancroft was a major Hollywood star by this time, having starred in von Sternberg's influential Underworld just the year before. Offered here is a rare set of lobby cards for this important picture. The title card and six of the scene cards show pinholes in the corners. Overall, these seven cards grade Very Fine. One scene card, however, was pasted to the front cover of a scrapbook and shows extensive bug damage to the surface of the card, glue residue on the reverse, dust shadowing overall, and pencil writing on the left side. Additionally, it has been trimmed at the bottom border to an overall size of 10.5" X 14". Fine. Sold for: $2,390.00. |
| 64656 | The Mighty (Paramount, 1929). Lobby Cards (3) (11" X 14"). George Bancroft stars as an underworld thug who becomes a hero during World War I. Two of the cards have tearing in the right borders. All three cards have wear along the edges, pinholes in the fields, and minor corner bumps, but the color is truly outstanding. Fine/Very Fine. Not Sold. |
| 64657 | Blonde Crazy (Warner Brothers, 1931). Window Card (14" X 22"). Perhaps no other screen star could deliver confidence, wit, and snappy patter faster or better than James Cagney. And in this comedy/drama, he plays a bellhop who graduates to con-man. It's pre-code hijinks with Cagney at his absolute best. This rare window card features Cagney winking his way into the ladies' lives. It has chips off of the upper corners and light creasing in the lower right corner. The lower left corner was torn off at one time, but has been reattached. There is a small tear in Cagney's chin, but none of these minor flaws detract from the visual impact of this gem. Fine. Sold for: $597.50. |
| 64658 | Great Guy (Grand National, 1936). One Sheet (27" X 41"). James Cagney plays a tough guy in this picture, but a tough guy on the right side of the law, as he takes on crooked politicians who scheme to bilk the general public. The one sheet offered here is extremely striking, with excellent portraits of Cagney and Clarke. It exhibits fold wear with some crossfold separation, some staining at the bottom border, and a small tear at the top left. Even with these minor flaws, this is still an extremely attractive and desirable poster from a classic film. Fine+.Sold for: $388.38. |
| 64659 | The Oklahoma Kid (Warner Brothers, 1940s). Post-War Belgian (14" X 22"). James Cagney and Humphrey Bogart shuck their city duds in favor of ten gallon hats and spurs in a very atypical movie for both actors. Taking their tough guy personas to the open plains resulted in an excellent movie, as Cagney sets out to gain revenge on the villainous Bogart, the man who framed and murdered his father. This sleek Belgian poster features Cagney front-and-center (along with lovely Rosemary Lane) with colorful design by artist "Wik." There is minor edge wear with some small edge tears, light fold wear, and a tax stamp in the snipe. A great looking sheet, especially for that Cagney collector on your shopping list. Fine/Very Fine.Not Sold. |
| 64660 | White Heat (Warner Brothers, 1949). One Sheet (27" X 41"). One of James Cagney's finest movies, his portrayal of the vicious and psychotic Cody Jarrett was the logical outgrowth of his character Tom Powers in The Public Enemy, one of the films that ushered in the gangster movie genre in 1931. Where Powers was a happy-go-lucky kid who skated the fringes of the law, Jarrett was a true monster who reveled in murder and degradation. While Powers's end was relatively quiet - he's killed offscreen and dumped on his mother's doorstep - Jarrett literally goes out with a bang, atop a chemical storage facility, yelling "Top of the world, Ma!" These two films - The Public Enemy and White Heat - can therefore be seen as bookending the gangster movie genre, from the lighthearted days of Prohibition, when gangsters were seen as Robin Hood-type folk heroes, to the post-war era, when they were seen for the thugs and murderers they truly were. White Heat is an important and powerful movie, its feet firmly planted in both the emerging film noir and the tried-and-true gangster genres, and benefits from one of Cagney's most memorable performances. This dramatic one sheet had very light fold wear, a nickel-sized chip at the top border, and a small chip at the right border. As all of these issues have been repaired by professional restoration, the result is a glorious poster that any film buff would be thrilled to claim as his to own. Very Fine on Linen.Sold for: $836.50. |
| 64661 | James Cagney Publicity Still by Scotty Welbourne (Warner Brothers, 1939). (7.5" X 9.5"). Vintage black and white, single weight, glossy finish publicity still of James Cagney, taken by Scotty Welbourne, staff photographer for Warner Brothers. There are only very minor corner bumps, and very light surface creases. There is a rubber stamp with Welbourne's credit and Cagney's name on the verso. Near Mint-. Sold for: $567.63. |
| 64662 | Dust Be My Destiny (Warner Brothers, 1939). Midget Window Card (8" X 14"). Much like the powerful and influential I Am a Fugitive From a Chaingang, Dust Be My Destiny tells the story of a man convicted of a crime he did not commit, forced to live a life on the run due to circumstances beyond his control. The attractive linen-finish midget window card offered here has a single pinhole at the top center, some smudging in the imprint area, and some slight edge wear, but is otherwise very clean and attractive. From the Collection of Denver Sherry. Very Fine.Sold for: $119.50. |
| 64663 | John Garfield Window Card Lot (Warner Brothers, 1939). Midget Window Card (8" X 14"). A popular actor of the 1930s and 40s, John Garfield (born Jacob Julius Garfinkle) was known for roles in such classic pictures as They Made Me a Criminal (1939), Destination Tokyo (1943), The Postman Always Rings Twice (1946), and Gentlemen's Agreement (1947). Accused of Communist sympathies during the Congressional hearings of the early 1950s, he refused to implicate fellow actors and was eventually blacklisted. Garfield died of a heart attack at the age of 39, and his funeral, attended by countless thousands of fans, is said to have been the largest such affair since the death of Rudolph Valentino. Offered here are two linen-finish midget window cards featuring this great actor, including one from Saturday's Children (1940), which has a crease in the upper right corner, and East of the River (1940). Both cards show some light edge wear. Otherwise, they are very attractive and desirable cards that will make a great addition to any collection. From the Collection of Denver Sherry. Very Fine-.Not Sold. |
| 64664 | Castle on the Hudson (Warner Brothers, 1940). One Sheet (27" X 41"). A remake of the Spencer Tracy/Bette Davis vehicle 20,000 Years in Sing-Sing, Castle on the Hudson stars John Garfield as Tommy Gordon, a mobster confined to prison who encounters trouble when he's granted a pass to visit his injured girlfriend (Ann Sheridan). This poster emphasizes the romantic aspects of the story over the crime element, with profile portraits of the leads. There were pinholes (some enlarged), fold wear and crossfold separations with some paper loss at the center fold, 2" tears in the bottom border and in Sheridan's hair, a chip out of the bottom left corner, and tape scuffs in the top border. After restoration, the poster presents well with an eye-pleasing color scheme and handsome images of the stars. Very Good/Fine on Linen.Not Sold. |
| 64665 | The Postman Always Rings Twice (MGM, 1946). One Sheet (27" X 41"). John Garfield and Lana Turner portray the murderous lovers in the screen adaptation of James M. Cain's classic novel. This film has always been considered one of the classics in the film noir genre - and for good reason. Turner, as the devious femme fatale, seduces Garfield and convinces him the only way they can be together is for him to murder her husband. The poster is a classic as well with its deep black background that the lovers fade into. The poster had very minimal wear with only light fold wear with small crossfold separations. Very Fine on Linen.Sold for: $4,182.50. |
| 64666 | The Crime of the Century (Paramount, 1933). Midget Window Card (8" X 14"). A doctor (Jean Hersholt) hypnotizes a bank official to get him to steal $100,000 from the vault. He changes his mind and confesses to the police, but someone else robs and kills the official, leaving the doctor unconscious. This unusual thriller still leaves people guessing the killer's identity right up to the last minute. The card has light smudging on the lower left and tanning at the top imprint area. From the Collection of Denver Sherry. Very Fine+.Sold for: $262.90. |
| 64667 | I Am a Fugitive From a Chain Gang (Warner Brothers, 1932). Lobby Card (11" X 14"). Paul Muni, as prison con James Allen, endures lashings and torture while on a chain gang. The film was based on the autobiographical novel by Robert Burns that would eventually lead to reforms in the prison system in Georgia. This card has a half inch tear on the right border, and a slight crack in the right edge of the background. Fine+.Sold for: $1,015.75. |
| 64668 | I Am a Fugitive From a Chain Gang (Warner Brothers, 1932). Lobby Card (11" X 14"). Paul Muni had a "breakout" performance when he starred in this classic Depression era story about a man who is wrongly convicted of a robbery, and sentenced to a chain gang. This is one of the few cards from the set to feature Muni on the chain gang. This incredible card has one staple mark in the upper right corner, and one pinhole in each of the other corners. There is also a very slight "ding" to the upper left corner. Very Fine/Near Mint-.Sold for: $1,553.50. |
| 64669 | Scarface (United Artists, 1932). Lobby Card (11" X 14"). Paul Muni blazed a bullet-riddled path across the screen in Howard Hughes's highly acclaimed gangster classic. This card is from the film's first release in 1932 and does not display "The Shame of a Nation" that was later stamped on so many of the original cards under the film's title. The controversy caused by the film upon its release, and the claim that it glorified gangsters, forced the Hays Commission to require the "addendum" to the film's original title. This fine example of an "unstamped" card has pinholes in the corners, and several more in the background at the upper right. The card also shows some very light creasing in the right border. Fine/Very Fine. Sold for: $1,553.50. |
| 64670 | The Glass Key (Paramount, 1935). Lobby Card (11" X 14"). This stunning portrait card features a fantastic image of George Raft and Claire Dodd. Filmed in 1935, this was the first film version of Dashiell Hammett's famous crime novel. Raft takes on the role of Ed Beaumont (the part Alan Ladd plays in the 1942 remake) who is investigating a murder that implicates his boss. There is a dust shadow at the top of the card, and a small bend in the bottom left corner. There is also a small British stamp in the lower part of the border art. It is not distracting at all. Very Fine. Sold for: $2,868.00. |
| 64671 | The Man with Two Faces (First National, 1934). Lobby Card (11" X 14"). Great portrait card of Edward G. Robinson and Mary Astor from this crime drama with comedy overtones. Robinson plays a theater manager and Astor his actress sister. When she comes under the spell of her "Svengali-like" husband (Louis Calhern), Robinson comes up with a clever plan to get Astor out of Calhern's clutches. There are pinholes in the corners of this otherwise extremely fine condition card. Very Fine-.Sold for: $657.25. |
| 64672 | The Great O'Malley (Warner Brothers, 1937). Half Sheet (22" X 28"). Over-achieving police officer Pat O'Brien sends desperate family man Humphrey Bogart to prison for robbery, but grows closer to the convict's family while he's away. This was the second film featuring O'Brien and Bogart, the first being China Clipper. In another three years, Bogart would be the star of all of his films and would go on to make some of the greatest film noirs in the history of the cinema. The poster has been folded, and is beginning to darken and separate from the fragile linen baking. This great half sheet has been cleaned and restored and now displays beautifully. Fine- on Paper. Sold for: $1,314.50. |
| 64673 | Kid Galahad (Warner Brothers, 1937). Half Sheet (22" X 28") Style B. Edward G. Robinson stars as a fight promoter who signs up Wayne Morris to knock out the champion. Bette Davis falls for the kid and Robinson wants revenge in the form of a fight he knows the kid can't win. Humphrey Bogart, in his usual tough-guy persona, plays the mob-connected promoter for the champion. This half sheet had corner chips and wrinkling from being folded and rolled too tightly. There were pieces of tape removed from the back that lifted some paper in the process. The poster has been professionally restored and mounted on linen, leaving it with a nice appearance. Very Good/Fine on Linen. Sold for: $776.75. |
| 64674 | San Quentin (Warner Brothers, 1937). Lobby Card (11" X 14"). Humphrey Bogart, sneering his way to gangster fame, stars in this prison drama alongside Ann Sheridan and Pat O'Brien. The card has two pinholes per corner and one in the center of the bottom border. It also has a chip off of the upper right corner. Even with these defects, the interior of the scene is quite clean. Fine-. Sold for: $179.25. |
| 64675 | Angels With Dirty Faces (Warner Brothers, R-1940s). Argentinean Poster (29" X 43"). The familiar tale of two young boys from the streets, one of whom grows up to be a gangster (James Cagney) and the other a priest (Pat O'Brien). Brisk direction by Michael Curtiz, a superb score by Max Steiner, and terrific support from Humphrey Bogart add up to one of the best crime dramas of the '30s. This splendid Argentinean one sheet has bold portraits of the three stars, and an attractive layout. There were pinholes in the borders, fold wear and crossfold separations, some paint touch-ups in the field, and small edge chips in the lower left corner. Add these dirty-faced angels to your collection. Very Fine on Linen.Sold for: $262.90. |
| 64676 | Invisible Stripes (Warner Brothers, 1940s). Italian Photobustas (11) (13" X 19"). George Raft, William Holden, and Humphrey Bogart headline a great cast in this hard-hitting drama about ex-cons and the paths their lives take after being released from prison. Various cards have pinholes (some enlarged), minor edge wear, slight tanning, and minor tears, and there are tax stamps on two cards. The cards still have great color and razor-sharp clarity, with Bogie appearing on about half the cards. A great set for this excellent film. Fine/Very Fine. Sold for: $657.25. |
| 64677 | Brother Orchid (Warner Brothers, 1940). Lobby Card Set of 8 (11" X 14"). Edward G. Robinson, starring as the "retired" gangster Little John Sarto, decides retirement isn't for him - so when he decides to rejoin the rackets, he faces off against his old pal, Humphrey Bogart. While on the run from his former gang, he hides out in a monastery where he takes up growing orchids. Robinson was a fine actor who would make a "comeback" of sorts by parodying his own image. This lobby card set shows a bit of wear with most cards having a pinhole or two in each corner. Some of the cards have some very minor tears or chipping. It is rare to find an entire set of Bogart cards, unbroken, in this day and age! Fine+.Sold for: $2,629.00. |
| 64678 | High Sierra (Warner Brothers, 1941). Insert (14" X 36"). Released just prior to The Maltese Falcon, the movie that would make Humphrey Bogart a superstar, this was the last time Bogie would receive second billing, in this case just after Ida Lupino. In this taut crime drama, Bogart plays Roy "Mad Dog" Earle, a criminal whose release from prison is arranged so that he can aid in an upcoming robbery. When things go wrong, Earle hides out in the Sierra mountains, but things are complicated when he becomes personally involved with a local farming family. This classic linen-textured insert had edge and fold wear, a small hole above the title, some paper loss on the reverse, a small tear near Lupino's shoulder, and one near Bogart's left hand. Professional restoration has addressed these issues, resulting in an insert that is clean, attractive, and eminently displayable, an exceptional piece from one of Bogart's best films. Of all of the posters produced for this film, the insert sports the best image with Bogart leaning on his shotgun, ready to rob banks as "Mad Dog." This poster is also incredibly rare with only a few copies known to exist. Very Good+ on Paper. Sold for: $3,585.00. |
| 64679 | High Sierra (Warner Brothers, 1941). Lobby Card (11" X 14"). Humphrey Bogart stars as "Mad Dog" Roy Earle, a cold-blooded killer on the run from the law who also has a sympathetic side, in John Huston and Raoul Walsh's classic gangster epic. Bogart was supposed to have the lead billing in the film, however, Jack Warner was trying to advance his leading lady Ida Lupino's career and gave top billing to the actress instead. This is one of the best cards in the set as it features both stars. The card has some cracking on the left edge which was reinforced on the back, and some other very minor wear and light chipping on the borders, typical of linen finish cards. Fine/Very Fine.Sold for: $836.50. |
| 64680 | The Big Shot (Warner Brothers, 1942). Midget Window Card (8" X 14"). By the time Humphrey Bogart made The Big Shot in 1942, he had already perfected his tough guy persona with roles in such classic gangster films as The Petrified Forest, San Quentin, Angels with Dirty Faces, The Roaring Twenties, and High Sierra. This, then, is Bogie at his best, as three-time loser Duke Berne, back in jail after an ill-advised armored car heist. After he busts out, though, he has to choose between staying with his girl (Irene Manning) and stepping forward to prevent a friend from taking the rap for a murder that he committed. This was, arguably, Bogart's most exciting and prolific period as a movie actor: just after The Maltese Falcon, which shot him to the heights of Hollywood fame, and just before Casablanca, which permanently placed his star among the true immortals of the silver screen. This highly desirable midget window card, with multiple images of this luminous star, is in nigh-pristine condition, with little save for some minor toning at the top to mention. For all you Bogart fans out there, this is a piece you won't want to miss. From the Collection of Denver Sherry. Near Mint.Sold for: $1,314.50. |
| 64681 | The Maltese Falcon (Warner Brothers, 1941). One Sheet (27" X 41"). Dashiell Hammett's thrilling murder mystery was finally brought to the screen the way Hammett wrote it, as John Huston wrote and directed the film to perfection. Humphrey Bogart was finally elevated to A list status, and the rest of the cast included Mary Astor, Pete Lorre, and newcomer Sydney Greenstreet as Casper Gutman, the "Fat Man." The film is a true classic and this one sheet, the most sought after of all film noirs, has had minor airbrush to the borders with a bit of color touch to the fold lines and center points. Very Fine+ on Linen.Sold for: $13,145.00. |
| 64682 | The Maltese Falcon (Warner Brothers, 1941). Title Lobby Card (11" X 14"). Few tough guys were as tough as Humphrey Bogart, and few of his onscreen personas could compare with the cool-as-a-cucumber Sam Spade, the creation of hard-boiled novelist Dashiell Hammett. In this film, Spade finds himself caught in the middle of a struggle for a priceless statuette of a bird, the Maltese Falcon of the title. Supported by such outstanding character actors as Mary Astor, Peter Lorre, Elisha Cook Jr., and Sydney Greenstreet - in his film debut, which garnered him a Best Supporting Actor nomination - as well as first-time director John Huston, Bogart gives the performance of a lifetime. A classic against which nearly all other film noir pictures are measured, this is not only one of Bogie's best, it's arguably one of the best movies ever made. The very rare and desirable title card offered here shows pinholes in the corners and slight corner bumps, a small chip in the left border, and a small tear at the top, as well as a certain amount of light surface smudging. Even with these extremely minor flaws, this is a piece that will no doubt be the highlight of any collection. It's "the stuff that dreams are made of." Very Fine-. Sold for: $7,767.50. |
| 64683 | The Maltese Falcon (Warner Brothers, 1941). Lobby Card (11" X 14"). Humphrey Bogart's version of private eye, Sam Spade, was brought to life to perfection in this classic film noir. In this moment from John Huston's directorial debut, Spade comforts the wife of his murdered partner - the woman he's been having an affair with. The card has approximately two pinholes per corner, a few very tiny tears and smudges in the edges, and a pinhole in Gladys George's cheek. There's also a tiny tear in the background above Bogart's head. Don't miss this one, it's Humphrey Bogart in spades! Very Fine-. Sold for: $1,553.50. |
| 64684 | The Maltese Falcon (Warner Brothers, 1941). Lobby Card (11" X 14"). Although Humphrey Bogart was a star in 1941, having come to the moviegoing world's attention with a standout performance in The Petrified Forest, it was this movie that made him a superstar and a true Hollywood immortal. Although Dashiell Hammett's novel had been filmed twice before - once under its familiar title in 1931, and once as Satan Met a Lady in 1936 - it was this version that became definitive, thanks to perfect casting and the sure hand of John Huston in the director's chair. It's one of Bogie's best, and one of the most difficult of his films from which to find paper. This stunning portrait card, picturing Bogart and co-star Mary Astor, has several staple holes in the top center, two of which have torn slightly, a small tear in the bottom center, and light staining on Astor's face. Additionally, there is a six inch crease in the lower left, and a half inch V-shaped tear in the left border. These are minor flaws, however, doing little to detract from the beautiful central image. Fine. Sold for: $2,031.50. |
| 64685 | The Wagons Roll at Night (Warner Brothers, 1940s). First Post-War Belgian (14" X 22"). Humphrey Bogart stars as the owner of a carnival whose main attractions is a killer lion. A local attending a show prevents the lion from claiming another victim and Bogart sees the hero as a new attraction as well. This script was loosely based on Kid Galahad filmed four years earlier. This Belgian poster has a horizontal fold and some small tears along the edges. Very Fine. Not Sold. |
| 64686 | The Wagons Roll at Night (Warner Brothers, 1940s). Post-War Italian 2 - Folio (37.5" X 54"). When a vicious lion escapes his cage in Nick Coster's (Humphrey Bogart) circus, mild-mannered grocery clerk Matt Varney (Eddie Albert) subdues the great beast and saves the day. Coster offers Varney a job, and the new lion-tamer promptly falls in love with Nick's sister, Mary (Joan Leslie), leading to tragedy. This film was a turning point in Bogart's career, as it was the first time he received top billing in a picture. He would never receive lower billing again. The Italian poster offered here, with dramatic artwork by Luigi Martinati, shows fold wear with crossfold separations, a 5" tear in the left border, a block of tax stamps in the upper left, an area of paper loss in the lower right portion of the image area, and minor holes in the image area. Most of these issues have been addressed with professional restoration, making this a very attractive and desirable poster any collector would be proud to own. Very Good/Fine on Linen.Not Sold. |
| 64687 | Casablanca (Warner Brothers, 1940s). Post-War French Petite (23.5" X 31.5"). American expatriate Rick Blaine (Humphrey Bogart) runs the top night spot in Casablanca during the early years of WWII, but he gets more than he bargained for when a European resistance fighter comes to town, with Rick's old flame (Ingrid Bergman) in tow. Ranked as the #3 film of all time in the American Film Institute's 2007 poll, this is certainly a classic, loved by film fans everywhere. This colorful French Petite has excellent portraits of the stars and a great design. There was fold wear with crossfold separations, and pinholes in the border and the image. All of these issues have been addressed by expert professional restoration. Fine/Very Fine on Linen. Sold for: $8,365.00. |
| 64688 | Casablanca (Warner Brothers, 1942). Lobby Card (11" X 14"). Considered by many to be one of the greatest films ever made, this was a landmark picture for all involved. The story of Rick Blaine, an American cafe owner in Casablanca who tries his best to remain apolitical, this movie has more memorable lines than virtually any other film ever made. Offered here is a beautiful lobby card, the highly desirable "Letter of Transit" card, picturing Paul Henried, Ingrid Bergman, Claude Rains, and Humphrey Bogart. It had edge wear and minor border chipping, a vertical crease on the right side, as well as some slight edge tearing, all of which has been addressed by professional restoration. The result is a highly attractive and desirable card you will be proud to own. Fine/Very Fine.Sold for: $3,346.00. |
| 64689 | The Big Sleep (Warner Brothers, 1946). Half Sheet (22" X 28") Style A. Although following the plot of this classic film noir epic can be more than a little challenging, there's no denying the sizzling chemistry between stars, and real-life couple, Humphrey Bogart and Lauren Bacall. The screen practically ignites each time this classic pair is together! In addition, this movie gave Bogart a marvelous opportunity to demonstrate his considerable range as an actor, from tough-guy private eye to suave romantic lead, with a bit of comedy thrown in for good measure. A keystone film noir thriller, this movie should be on every cinemaphile's short-list of favorite films. This highly desirable and unbacked half sheet, with beautiful portrait shots of Bogart and Bacall, shows light fold wear, some edge wear, and corner bumps, as well as slight edge tears and minor imperfections that have been gently repaired. Don't miss this opportunity to add this exciting piece to your collection! Very Fine-.Sold for: $4,481.25. |
| 64690 | The Big Sleep (Warner Brothers, 1946). Lobby Card (11" X 14"). Humphrey Bogart and Lauren Bacall were made for each other. They were also made to star in this movie together as their onscreen chemistry clearly demonstrated. This card features the couple in one of the more tense moments from the film. It is very clean with pinholes in the corners and the top center of the image, and faint smudging in the borders. Very Fine+. Sold for: $418.25. |
| 64691 | The Big Sleep (Warner Brothers, 1946). Lobby Card (11" X 14"). Phillip Marlowe (Humphrey Bogart) gets the drop on a staged robbery in this moment from Howard Hawks's seminal film noir. This card has pinholes in the corners, light edge wear, and minor smudging in the borders. There is also a faint crimp in the top center border, but none of these flaws are a distraction to the image. Very Fine. Sold for: $310.70. |
| 64692 | Dead Reckoning (Columbia, 1947). One Sheet (27" X 41") Style B. Rip Murdock (Humphrey Bogart) finds himself on the run as the chief suspect in a murder investigation, when his friend Johnny Drake (William Prince) turns up dead. Complicating things is femme fatale extraordinaire Lizabeth Scott as Drake's former girlfriend in this exciting film noir thriller. The stunning one sheet offered here had fold wear with crossfold separation and minor chipping in the vertical fold, pinholes in the corners, and a small hole in the bottom right. All of these minor issues have been addressed with professional restoration, resulting in a poster that is sure to attract lots of attention. This is one of the rarest post-war Bogart posters there is. Fine+ on Linen. Sold for: $5,377.50. |
| 64693 | Dead Reckoning (Columbia, 1947). Half Sheet (22" X 28") Style A. A stunning tale of love, death, and betrayal, this film is a wonderful vehicle for stars Humphrey Bogart and Lizabeth Scott. A taut and exciting thriller, this is one of Scott's earliest pictures, for which she received both critical and popular acclaim as the sultry femme fatale of the film. Bogart, on the other hand, was already at the peak of his career, having just made The Big Sleep, and was one of Hollywood's most bankable actors. This exceptional half sheet, with glorious images of both stars, exhibits some light fold and edge wear, slight dust-shadowing in the upper borders, corner bumps, and a corner crease in the lower left. These minor flaws do nothing to detract from the exceptional eye-appeal of this film noir beauty, which any Bogie fan would be proud to own. Very Fine.Sold for: $1,195.00. |
| 64694 | Dead Reckoning (Columbia, 1947). Belgian (15" X 22"). Humphrey Bogart plays Rip Murdock, sent to investigate the disappearance of his old Army buddy. Lizabeth Scott plays the buddy's ex-girlfriend. This elegant, unrestored Belgian poster has different artwork than the American paper. Light edge wear and discolorations appear in the top border. These are the only flaws to this otherwise gorgeous sheet. A Bogie fan could hardly ask for more. Rolled, Very Fine+. Sold for: $896.25. |
| 64695 | Key Largo (Warner Brothers, 1948). Insert (14" X 36"). It's rumored that the entirety of Key Largo was shot on set at Warner Brothers Studios in a scant 78 days, a feat that only underscores the professionalism of the movie's amazing cast. Humphrey Bogart, Edward G. Robinson, Lauren Bacall, Lionel Barrymore, and Claire Trevor are all featured on this exceptional original release insert. This very rare insert is the only copy that we have ever seen that is not black and red! The blue, black and red is a complete anomaly to us! There are a couple of small edge tears, a few fine pinholes in the borders, and tiny corner creases, but these minor flaws in no way detract from the piece. Rolled, Very Fine+. Sold for: $7,170.00. |
| 64696 | Key Largo (Warner Brothers, 1948). Half Sheet (22" X 28") Style A. A classic film that pairs tough guy icons Humphrey Bogart and Edward G. Robinson, this picture also benefited from the sizzling on - and off - screen chemistry between Bogart and the lovely Lauren Bacall. This was the fourth and final film that the legendary couple would make together. Directed By John Huston, who previously helmed the Bogart classics The Maltese Falcon and The Treasure of the Sierra Madre, this is classic film noir. Claire Trevor received a well-deserved Best Supporting Actress Oscar for her role as Gaye Dawn, the broken-down, alcoholic girlfriend of gangster Johnny Rocco (Robinson). This striking half sheet has some cracking and tearing along the borders. There is also a 4.5 inch tear in the upper right margin and some faint toning, as well as some tape on the reverse. Rolled, Fine.Sold for: $478.00. |
| 64697 | Lauren Bacall Publicity Still by E. R. Richee (Warner Brothers, 1940s). Still (7.5" X 9.5"). Vintage black and white, single weight, glossy still. Lauren Bacall is proof that good looks and even better luck can take you places. Having turned to modeling following graduation from the American Academy of Dramatic Arts, Bacall wound up on the cover of "Harper's Bazaar" where she was spotted by the wife of Howard Hawks who insisted that he give the young beauty a screen test. It's fair to say that Bacall impressed, and by the image on this E. R. Richee photograph, it's easy to see why. There are creases at the corners and light wear along the edges. Very Fine.Sold for: $597.50. |
| 64698 | To Have and Have Not (Warner Brothers, 1944). One Sheet (27" X 41"). Slim Hawks, wife of movie director Howard Hawks, was reading the March 1943 edition of Harper's magazine. On the cover, she saw a young model with a totally intriguing look and called her husband imploring him to arrange a screen test for the 19-year-old. The result of that test led Hawks to cast Lauren Bacall as Marie Browning in To Have and Have Not, and after meeting Humphrey Bogart, one of Tinsel Town's most famous couples paired both in life and on the screen. This lovely poster with its subtle colors and effective tagline, "...Bogart...with his kind of woman...", promotes a film that delivers one of the best 'clinch' scenes in film history. This example remains in terrific condition, partly because it did not have to have a snipe removed from the smaller credit section as is so common with this title. There are minor pinholes and cross fold separations. A terrific job of linen-backing with minimal airbrush returns a poster with great appeal. Very Fine+ on Linen. Sold for: $2,031.50. |
| 64699 | To Have and Have Not (Warner Brothers, 1944). Lobby Card (11" X 14"). Based on the story by Ernest Hemingway, this was ingénue Lauren Bacall's screen debut. During shooting, she and star Humphrey Bogart fell in love, and were married shortly thereafter. The incredible chemistry between these two major talents is apparent in every scene they share, and is largely the reason that this movie has enjoyed such long-lasting popularity. This exquisite scene card, which pictures Bogart, Bacall, and co-star Walter Brennan, has pinholes in the corners and borders, slight corner and border chipping, and a small tear in the bottom border. All of these issues have been addressed with professional restoration, resulting in a card that will enhance any collection. Fine+.Sold for: $448.13. |
| 64700 | Knock on Any Door (Columbia, 1949). Italian Photobustas (16). The first film from Humphrey Bogart's independent production company Santana, Knock on Any Door is about a sympathetic lawyer defending a street hood (a very young John Derek) espousing the theory that society is to blame. This collection of Italian photobustas has great images of Bogie, Derek, and luscious leading lady Allene Roberts. Condition issues on the various cards include pinholes in the image area (some enlarged), minor corner creases, slight dust shadowing, edge wear, and edge tears. One card has a half-dollar-sized chip out of the bottom left. A Bogart classic, these would be a fine addition to any collection. Very Fine-. Sold for: $657.25. |
| 64701 | In a Lonely Place (Columbia, 1950). One Sheet (27" X 41"). This taut, noir thriller sees Humphrey Bogart cast as Dixon Steel, a burnt-out Hollywood scriptwriter with a temper, who soon becomes the chief suspect in a murder investigation. A later film in Bogart's career, the sense of desperation and hopelessness apparent in virtually every frame came largely from director Nicholas Ray, who was in the process of divorcing Bogart's co-star in this picture, Gloria Grahame. The one sheet, with its intense portrait of a glaring Bogart, perfectly captures the dark and desolate mood of the picture. The one sheet offered here has had restoration done to the borders and fold lines where chipping and small tears were evident. There was also a horizontal tear in Bogart's forehead above his name. Professional restoration has addressed all these issues, giving the one sheet a virtually mint appearance. Fine on Linen.Sold for: $597.50. |
| 64702 | Deadline, U.S.A. (20th Century Fox, 1952). Belgian (14" X 19.5"). Humphrey Bogart plays a crusading newspaperman who finds out the paper is about to be sold; meanwhile, one of his reporters is attacked while pursuing leads on a vicious racketeer. This unrestored Belgian poster has a terrific image of Bogie with great color. There is light edge and fold wear with an extra fold line in the imprint area. Tanning is visible at the bottom and the top border has been trimmed making the measurements 14" X 19.5". Fine/Very Fine. Not Sold. |
| 64703 | Beat the Devil (United Artists, 1953). Italian Photobustas (5). (13.5" X 19.25") This offbeat satire, scripted by Truman Capote and John Huston, and directed by Huston, stars Humphrey Bogart in a tale of a gang of swindlers who seek to covertly purchase African lands rich in uranium. Bogie was injured in a car crash during the filming, and a young Peter Sellers ultimately dubbed some of his dialogue. These Italian photobustas feature excellent shots of Bogie, Peter Lorre, Jennifer Jones, and especially buxom bombshell Gina Lollobrigida. The cards are in varying conditions, with pinholes, edge wear, small edge tears, tanning, and corner chips on some but not all. There is also a tax stamp on one card. Get your Bogie fix with this great group of 'bustas! Fine/Very Fine. Sold for: $310.70. |
| 64704 | The Harder They Fall (Columbia, 1956). Italian Photobustas Portrait Card and Set of 8 (13.25" x 19"). A corrupt fight promoter (Rod Steiger) convinces jobless sports-writer Eddie Willis (Humphrey Bogart) to promote his new fighter, the hulking but untalented Toro Moreno (Mike Lane), who he hopes to get into the championship through a series of fixed fights. Bogart appears on most of the cards, and condition issues are minor, including tax stamps on three cards, while some (but not all) have pinholes, corner bends, and minor stains and surface wear. The excellent Bogie portrait card is slightly smaller (13" X 18.5") and has several black and white photos on the reverse. Any boxing fan will get a kick out of this gorgeous photobusta set. Very Fine. Sold for: $119.50. |
| 64705 | Across the Pacific (Warner Brothers, 1946). Post-War Belgian (11.5" X 14"). John Huston reunited with several of the principles from The Maltese Falcon, including Humphrey Bogart, Mary Astor, and Sydney Greenstreet, to make this war-time propaganda film in which Bogart takes on an entire gang of Japanese saboteurs. This post-war Belgian poster (printed on the back of another poster) uses the same basic image as the American sheet, but different artwork. The poster has a tax stamp on the right side, edge wear with small tears, extra folds in the center, corner bends, staining at the bottom, and a trimmed top. Very Good/Fine. Not Sold. |
| 64706 | Across the Pacific (Warner Brothers, 1940s). Post-War Belgian (11.5" X 14"). Humphrey Bogart, starring as a dishonorably discharged American GI, secretly infiltrates a group of Japanese spies plotting to blow up the Panama canal. This Belgian poster is far superior graphically to the U.S. posters, and is in very fine condition with only a couple of minor tears in the borders. The tax stamps are still attached. Very Fine+.Not Sold. |
| 64707 | Sahara (Columbia, 1940s). First Post-War French Grande (47" X 63"). Shot during World War II, this film was intended to be a propaganda piece for the U.S. government. Sergeant Joe Gunn (Humphrey Bogart) leads an abandoned tank unit after the fall of Tobruk in North Africa, picking up other foreign nationals along the way. The group works together to defeat a much larger German force that wants the fresh water well that they have. This French grande features slick graphics and an evocative image of Bogart, rendered by artist Jacques Boggeaux. Before restoration, there was fold wear and crossfold separations and a 7" tear at the center of the image. Fine- on Linen. Not Sold. |
| 64708 | Passage to Marseille (Warner Brothers, 1944). Insert (14" X 36"). Humphrey Bogart plays a freedom fighter sentenced to do hard time on Devil's Island. He escapes, and winds up on a French ship where he reunites with several of his co-stars from Casablanca, including Claude Rains, Peter Lorre, and Sydney Greenstreet. This insert is in incredibly nice condition with no apparent flaws. Folded, Near Mint. Sold for: $310.70. |
| 64709 | Passage to Marseille (Warner Brothers, 1944). Midget Window Card (8" X 14"). Humphrey Bogart is at his best in this film, which reunited the star with director Michael Curtiz, and was obviously made as an attempt to capitalize on the great success of Casablanca. This dramatic midget window card shows just the most minor of flaws, including some erased writing in the upper right and some slight corner bumps. Otherwise, it is as clean and attractive as the day it was printed. No Bogart fan should pass this one up. From the Collection of Denver Sherry. Near Mint. Sold for: $657.25. |
| 64710 | Battle Circus (MGM, 1953). Italian Photobustas (11) (13.5" X 19.25"). Originally titled MASH (the studio thought it would be misleading!), this wartime romance features Humphrey Bogart and June Allyson as doctor and nurse falling for each other at the height of the Korean War. These Italian photobustas feature Bogie on almost every card, and are in very nice shape. Pinholes (some in the image area), and light edge wear are about the only issues. A terrific addition to any Bogart collection! Very Fine. Sold for: $119.50. |
| 64711 | The Caine Mutiny (Columbia, 1954). French 2-Panel (63" X 94"). Humphrey Bogart leads an all-star cast in this adaptation of Herman Wouk's novel. As the psychotic Captain Queeg, Bogart displayed a slow deterioration into paranoia, a portrayal that earned him an Oscar nomination. This unrestored French double-panel, one of the best posters on the film, features art by the great Rene Peron with superb images of the stars. The poster has fold wear, some crossfold and fold separations, and edge wear. However, it still presents beautifully, with bold, dramatic colors and perfect clarity. Fine/Very Fine. Sold for: $298.75. |
| 64712 | The Preview Murder Mystery (Paramount, 1936). Midget Window Card (8" X 14"). A gripping and suspenseful film starring Reginald Denny and Frances Drake, this taut thriller tells the story of a murdered actor (Rod Laroque), and the studio PR man (Denny) who finds the killer with the aid of an early form of television. Directed by Robert Florey, this is a worthy successor to his earlier chillers, such as Murders in the Rue Morgue and The Florentine Dagger. The beautiful midget window card offered here, which pictures both Denny and Drake, is quite attractive, despite rounded corners, some slight edge wear at the top, a very small nick in the lower left, and some very slight creasing in the lower right. These extremely minor flaws do little to detract from the overwhelming eye-appeal of this classic beauty. From the Collection of Denver Sherry. Very Fine+. Sold for: $567.63. |
| 64713 | Terror Aboard (Paramount, 1933). Midget Window Card (8" X 14"). Starring Neil Hamilton (best known to an entire generation of Baby Boomers as Commissioner Gordon on TV's Batman), this gruesome pre-Code classic is a grim story about a serial killer on a vicious murder spree aboard a luxury liner. This lovely midget window card shows a small stain in the bottom center, and some tanning at the top, but is otherwise extremely clean and attractive. From the Collection of Denver Sherry. Very Fine. Sold for: $567.63. |
| 64714 | The Big Clock (Paramount, 1948). Three Sheet (41" X 81"). A dazzling cat-and-mouse game between George Stroud (Ray Milland) and Earl Janoth (Charles Laughton), but who is the cat and who is the mouse? This epic film noir thriller, remade in 1987 as No Way Out, bristles with atmosphere, as Stroud races against the clock to clear himself of a murder he didn't commit! The dazzling three sheet offered here had fold wear with crossfold separation, enlarged pinholes in the corners, and minor border chipping. Additionally, the left border of the poster has a slight 1/4" to 1/2" trim. The poster has greatly benefited from professional restoration, resulting in a gorgeous piece that is ready to be displayed. Fine/Very Fine on Linen. Sold for: $1,135.25. |
| 64715 | The Brasher Doubloon (20th Century Fox, 1946). One Sheet (27" X 41"). The centerpiece of this classy B film noir was a stolen rare gold coin, a 1787 Brasher Doubloon. The coin was just as rare in 1947 when the film was made as it is today. This was proven when our Rare Coin division sold the actual Ephraim Brasher coin for $2.9 million a few years ago! A stunner of a poster that's as popular with coin collectors as it is with fans of Philip Marlowe, played this time by George Montgomery. Done in gorgeous gold and green, this Tooker litho features the coin prominently, along with an intriguing cutline spoken by Nancy Guild as an off kilter woman given to hysterics when touched by a man! The superb linen backing has addressed small pinholes, minor tears in the top center field, chips in the bottom right edge and the top right corner, and fold separations. Very Fine- on Linen.Sold for: $1,314.50. |
| 64716 | Cornered (RKO, 1946). One Sheet (27" X 41"). Following WWII, a Canadian pilot returns to France to track down the Nazi responsible for the death of his wife. Edward Dmytryk helms this film noir thriller, while Walter Slezak co-stars. At one point, this poster had wear along the edges and folds with separations. There were pinholes in the corners and several small tears in the image area, and a stamp that bled through into the image. Now, having benefited from professional restoration, this piece is ready for display. Fine+ on Linen.Sold for: $310.70. |
| 64717 | Deadly Is The Female (United Artists, 1949). Lobby Cards (4) (11" X 14"). As most fans of the movie Gun Crazy know, the film was originally titled Deadly is the Female. The studio retitled it just prior to its release, but the posters and lobbies that use the original title were already printed. This wonderful group of cards features scenes not found on the Gun Crazy set. Each card has pinholes in the corners and card #3 has some very slight stains in the white border as well. Fine/Very Fine.Sold for: $478.00. |
| 64718 | Gun Crazy (United Artists, 1950). One Sheet (27" X 41"). One of the most popular classics of the exploitation genre, this film tells the romantic story of a boy and a girl... and the guns that bring them together. Bart (John Dall), a gun-crazy kid, meets Annie (Peggy Cummins), a sharpshooter, at a carnival, and they soon get married. When it becomes apparent that Bart doesn't make enough money to satisfy Annie, she takes him along on a series of ruthless bank robberies, which, of course, leads to a tragic ending for the young couple. The one sheet here offers incredible imagery (it made Premiere Magazine's list of "The Top 25 Movie Posters Ever). It had some fold wear and light crossfold separation, as well as a tiny edge tear and a small chip, both in the right border. All of these minor issues have been addressed with professional restoration, resulting in an extremely clean and desirable poster. You don't have to be gun crazy to love this one... just crazy about great posters! Very Fine on Linen.Sold for: $8,962.50. |
| 64719 | I Love Trouble (Columbia, 1948). One Sheet (27" X 41"). An early film noir thriller about love, deception, betrayal, scandal, and murder, this hardboiled detective film, based on the book The Double Take by Roy Higgins, stars Franchot Tone as a detective, and Janet Blair as the woman he's hired to investigate. The classic unrestored one sheet offered here has pinholes in the corners, pinpoint crossfold separation, staples holes in the top border, and a small piece missing from the bottom left. There are small pieces of tape on the back reinforcing the corners. With its dynamic image of the two stars, this will be a great addition to any film noir collection. Very Fine.Sold for: $956.00. |
| 64720 | Murder, My Sweet (RKO, 1944). One Sheet (27" X 41"). This great 1940s production starred Dick Powell as Phillip Marlowe, the hard-boiled private detective "antihero" made famous by author Raymond Chandler's crime novels. Before this film, Powell was known as a "song and dance man," having starred in many of the early Warner Brothers musicals. His career was in serious decline when director Ed Dmytryk took a chance and cast him in the lead as the famed detective. The studio wasn't so sure the director had made a wise decision. They even renamed the movie from its original title, Farewell My Lovely, because they were afraid the public might think it was another Powell musical. What was produced is considered to be one of the great early landmark movies of the film noir genre. There was light fold line wear with a touch more at the fold line intersections, three pencil-sized holes in the background, and smaller pinholes in the corners. Additionally, there was some writing on the back that slightly bleeds through to the front. The poster has been professionally restored, rendering these defects hard to detect, and displays very well. Very Fine on Linen. Sold for: $7,170.00. |
| 64721 | The Brasher Doubloon (20th Century Fox, 1946). British Half Sheet (22.5" X 28"). When released in Great Britain after the war, it was evidently felt that the original title of the film was not a known term to the British public. Thus the name change to The High Window, the original title of the book. This lovely U.K. poster offers a slightly different take on the U.S. artwork, making for a very attractive poster, and certainly a rarer style for this Philip Marlowe/Raymond Chandler yarn, in which George Montgomery stars with Nancy Guild. The poster was in nice shape before being cleaned and having a small corner replaced in the lower right side. It now displays as near mint. Fine/Very Fine. Sold for: $717.00. |
| 64722 | Quicksand (United Artists, 1950). Six Sheet (81" X 81"). This lot contains a wonderfully graphic six sheet for an overlooked film noir not often shown. Fresh-faced Mickey Rooney is pitted against a group of world-weary characters, including James Cagney's little sister, Jeanne. The poster also features a malevolent Peter Lorre. There are small tears and light edge wear, minor crossfold separations, and small wrinkles and tears in the center panel fold line. Fine/Very Fine.Sold for: $239.00. |
| 64723 | Raw Deal (Eagle Lion, 1948). Argentinean Poster (29" X 43"). Joe Sullivan (Dennis O'Keefe) has been handed a raw deal. He takes the rap for the sleazy Rick Coyle (Raymond Burr) and goes to prison. Rick, who owes Joe fifty grand, sees a way to solve all his problems when he helps Joe break out of prison, knowing the poor sap'll be killed in the attempt. Amazingly, with the help of his girlfriend Pat (Claire Trevor), Joe makes it and sets out to gain revenge on the man who betrayed him in this taut film noir thriller. Along the way, he kidnaps soft-touch social worker Ann Martin (Marsha Hunt), leading to a deadly romantic triangle. This dramatic Argentinean poster had fold wear with crossfold separation and chipping, tape scuffs on the reverse, pinholes in the borders and corners, and dust shadows, as well as the tanning that is common in posters of this type. Professional restoration has largely addressed these issues, making this an attractive and highly desirable piece. Fine on Linen.Sold for: $179.25. |
| 64724 | The Locket (RKO, 1946). Six Sheet (81" X 81"). Laraine Day stars in this unusual film noir as a woman who, as a child, was accused of stealing a locket. As she grows older, she becomes obsessed with the false accusation and is determined to seek revenge on those who wronged her... even if it means murder. Robert Mitchum co-stars in an early role. This scarce six sheet has a fantastic, over-sized image of a radiant Laraine Day. There are pinholes, edge wear with small tears and wrinkles in the bottom right border, light foxing in the lower right corner, and crossfold separations in the center panel. Fine/Very Fine.Sold for: $507.88. |
| 64725 | Roadblock (RKO, 1951). British Quad (30" X 40"). A change-of-pace role for Charles McGraw, who usually played heavies, as an L.A. insurance detective falling in love with a woman (Joan Dixon) he's investigating. This sultry British Quad had pinholes in the corners, and fold wear with minor paper loss at the crossfolds, particularly in the lower third. The poster displays well after restoration. A terrific poster with the kind of iconic imagery that defines this genre. Fine+ on Linen.Sold for: $239.00. |
| 64726 | Pickup (Columbia, 1951). Three Sheet (41" X 81"). Hugo Haas's most famous "bad girl" film stars Beverly Michaels as a flashy blonde who marries an old man (Haas) for his money, but soon takes up with his young, hunky assistant (Allan Nixon) and they plan to bump him off. This pretty three sheet has a massive image of Michaels looking "dangerous," and presents with outstanding color and clarity. There were pin and staple holes, fold wear, and minor crossfold separations, which have all been corrected in restoration. Very Fine- on Linen.Sold for: $567.63. |
| 64727 | Dark Alibi (Monogram, 1946). One Sheet (27" X 41"). Charlie Chan (Sidney Toler) learns that fake fingerprints have wrongly sent people to prison. With the help of Benson Fong and Mantan Moreland, he sets out to solve the mystery of who is behind the criminal deception. The poster has fold wear (some splitting, with tape on the reverse), crossfold separations, and pinholes in the corners. Fine/Very Fine.Sold for: $358.50. |
| 64728 | Ace In The Hole (Paramount, 1951). One Sheet (27" X 41"). "I don't pray. Kneeling bags my nylons." In this Billy Wilder drama, Kirk Douglas stars as an unscrupulous reporter who turns a rescue effort for a trapped miner into a media circus in order to bolster his own reputation. Jan Sterling is the victim's hard-edged wife. A somber noir-style poster, this is in great condition, with pinholes at the corners, fold wear and minor crossfold separations, and a slight stamp bleed-through from the reverse being the only issues, all minimized with professional restoration. A classy sheet for this neglected gem. Very Fine- on Linen.Sold for: $537.75. |
| 64729 | The Blue Dahlia (Paramount, 1946). Half Sheet (22" X 28") Style B. When bomber pilot Johnny Morrison (Alan Ladd) comes home from the war, he expects a hero's welcome. What he finds is an unfaithful wife (Doris Dowling) involved with a sleazy nightclub owner (Howard DaSilva). When the wife turns up dead, Johnny is the main suspect in this tense and suspenseful film noir thriller, which co-stars the luscious Veronica Lake. With story by noted author Raymond Chandler, it's no wonder that this movie has been captivating film fans for more than half a century! The lovely half sheet offered here had fold wear and pinholes in the corners and borders, but professional restoration has rendered these minor flaws virtually invisible, resulting in a wonderful poster that will enhance any collection! Very Fine+ on Paper.Sold for: $2,868.00. |
| 64730 | The Blue Dahlia (Paramount, 1946). Lobby Card (11" X 14"). Based on a story by hard-boiled detective novelist Raymond Chandler, this is one of the keystone pictures of the film noir genre. The lobby card offered here, which pictures Alan Ladd, Veronica Lake, and William Bendix, displays several pinholes in the borders and in the image area, and slightly rounded corners. It's a beautiful portrait card, sure to be the pride of any film noir collection. Very Fine+. Sold for: $286.80. |
| 64731 | The Blue Dahlia (Paramount, 1946). One Sheet (27" X 41"). Alan Ladd stars as a hard-boiled, no-nonsense pilot who comes home to find his wife in the arms of another man. The two have a terrible fight, and later she's found dead. Ladd enlists the aid of sultry Veronica Lake to help him prove his innocence and clear his name. Raymond Chandler wrote the gritty screen play for this noir classic, and was nominated for an Oscar for his efforts. Prior to restoration, the poster had small chips in the crossfolds and title. The borders had been trimmed, leaving a small area of white around the poster. The poster has been mounted on linen and beautifully restored, leaving it with an excellent appearance. Fine+ on Linen. Sold for: $3,346.00. |
| 64732 | I Wanted Wings (Paramount, 1941). William Holden and Veronica Lake Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. Great posed shot of Veronica Lake and William Holden from the Paramount drama. The still has corner wear, pinholes in all of the corners, and a single red date stamp on the verso. There is also hand-written pen notations the verso. Very Good+. Sold for: $388.38. |
| 64733 | Ramrod (United Artists, 1947). Veronica Lake Publicity Still by George Hurrell (7.5" X 9.5"). Vintage black and white, single weight, glossy still. This shot of Veronica Lake was most likely taken by the great George Hurrell for Ramrod. There is a light crease in the top right of the image and minor bumps at the corners. There is also a small stain on Lake's blouse and a bit of edge wear. The verso has writing in pen and pencil and Spanish language stamps and typing. Very Fine-.Sold for: $507.88. |
| 64734 | Veronica Lake Publicity Still (Paramount, 1942). Still (8" X 10"). Vintage black and weight, single weight, glossy still. this is a stunning shot of a beautiful actress in her prime. This still shows pinholes in the corners, edge wear, a small tear in the top border, slight wrinkling, a crease in the lower right, and some glue residue on the reverse. Fine+. Sold for: $478.00. |
| 64735 | This Gun for Hire (Paramount, 1942). Veronica Lake Publicity Still by George Hurrell (8" X 10"). Vintage, black and white, single weight glossy still. This photo of Veronica Lake was taken by George Hurrell for This Gun for Hire. There is creasing in the corners and wrinkling in the image along with a small purple smudge in the top right corner. The reverse has writing in pencil, a partially removed snipe, and carbon copy paper residue. Fine. Sold for: $448.13. |
| 64736 | Veronica Lake Portrait Still by George Hurrell (Paramount, 1941). Still (8" X 10"). Vintage black and white, single weight, glossy still. This photo has a paper snipe on the verso discussing the find of the new blonde sensation. There is also a date stamp of June 9, 1941 as well as a hand-written notation in pen. The surface has minor scratches and crazing. There is also a slight ripple from when snipe was applied. Very Fine-. Sold for: $1,673.00. |
| 64737 | Veronica Lake Publicity Still (United Artists, 1946). Still (8" X 10"). Vintage black and white, single weight, glossy still. This photo was most likely released at the time of United Artists' Ramrod, the only film Lake made with that studio. It is dated and has only a hand-written pen notation on the verso. Very Fine. Sold for: $155.35. |
| 64738 | Veronica Lake Portrait Still (Paramount, 1942). Still (8" X 10"). Vintage black and white single weight glossy still. Sultry portrait shot of Veronica Lake from the Paramount publicity department. Near Mint.Sold for: $956.00. |
| 64739 | Veronica Lake Portrait Still (Paramount, 1944). Still (8" X 10"). Vintage black and white, single weight, glossy still. The star of such classic films as This Gun for Hire, The Glass Key, and I Married a Witch, Veronica Lake is presented here in all her tantalizing glory. This exquisite still shows some light edge wear with small corner bumps, and slight creases in the left border and in the image. These flaws are barely noticeable, and hardly mar the visual impact of this beauty. Very Fine+.Sold for: $1,015.75. |
| 64740 | Brute Force (Universal International, 1947). Half Sheet (22" X 28") Style A. A raw and gritty prison picture, Burt Lancaster stars as Joe Colllins, a tough-as-nails convict with a grudge against cruel and corrupt head guard Captain Munsey (Hume Cronyn) and a daring plan for escape. This was Lancaster's second film, and his first starring role, which instantly shot him to the heights of Hollywood celebrity. A gripping film noir drama, this brutal film is one of the best prison movies ever made. The dynamic half sheet offered here displays fold wear with pinpoint crossfold separation, a small tear at the top foldline, a small stain in the bottom right corner, and a chip on the bottom left corner, but is otherwise clean and attractive. Very Fine-.Sold for: $239.00. |
| 64741 | Force of Evil (MGM, 1948). Half Sheet (22" X 28") Style A. A bravura performance by John Garfield as crooked lawyer Joe Morse highlights this hard-hitting, gritty film noir classic. Morse is part of a plot to modernize the local numbers racket, bringing it all under the control of big-time mobsters, but his brother Leo (Thomas Gomez), a small-timer who wants nothing to do with gangsters, stands in his way. The result is an explosive climax, marked by violence and tragedy. Offered here is a fabulous half sheet, which had fold wear with crossfold separations, small edge tears, a 4" tear and a 2" tear in the bottom border, and pinholes in the corners and borders, some of them enlarged. Professional restoration has rendered this a clean and attractive piece, sure to be a valuable addition to any collection. This style B half sheet's design is considered preferable to all the other formats on this title. Fine+ on Paper. Sold for: $956.00. |
| 64742 | Born to Kill (RKO, 1946). One Sheet (27" X 41"). The dark secrets of damaged people is the theme of this sinister thriller in which money, murder, and lust are the order of the day. Lawrence Tierney and Claire Trevor are the noir-crossed lovers, and Robert Wise directs with a sure hand. This terrific poster has all the classic noir elements, including the hot babe, the cool dude, and the dangling cigarette. Condition issues included fold wear and crossfold separations, pinholes (some enlarged) in the field, a pinhole tear in the bottom right, a chip out of the bottom left corner, and water stains in the bottom border, all of which have been expertly restored. Fine/Very Fine on Linen. Sold for: $1,314.50. |
| 64743 | Out of the Past (RKO, 1947). British Quad (30" X 40"). Here is the ultra rare original British quad poster for Out of the Past, released in England under the film's (and book's) original title Build My Gallows High (a line Robert Mitchum quotes in the film to Jane Greer). Considered by most critics to be one of the top film noirs of the 1940s, this film stars Mitchum as Jeff Bailey, a private eye gone bad after falling under the spell of femme fatale Kathie Moffat (Greer), the girlfriend of his client Whit Sterling (Kirk Douglas). Highly praised for its outstanding cinematography by Nicholas Musuraca (Cat People) and expert direction by Jacques Tourneur, Out of the Past has been selected for preservation by the Library of Congress. This very nice British poster features excellent graphics of Greer and Mitchum. There were pinholes in the borders, fold wear with crossfold separation, and a chip out of the bottom border. Fine/Very Fine on Linen. Sold for: $9,560.00. |
| 64744 | The Night of the Hunter (United Artists, 1955). Three Sheet (41" X 81"). The only film directed by Charles Laughton, this is the story of Harry Powell (Robert Mitchum), a Bluebeard-like serial killer who marries, and murders, wealthy widows, somehow convinced that he is doing God's work. Imprisoned for auto theft, Powell shares a cell with Ben Harper (Peter Graves), who reveals that he has hidden a large sum of money near his home. After Harper's execution and Powell's release, Powell makes tracks to Harper's widow, but things don't go quite as planned. The movie co-starred legendary silent film actress Lillian Gish in a pivotal role. This attractive three sheet shows pinholes in the image area, fold wear with crossfold separations, small tears at the top, and a 3.5" tear at the lower left. These are all minor flaws, however, none of which detract overmuch from the overwhelming appeal of this chilling beauty. Fine/Very Fine.Sold for: $298.75. |
| 64745 | Kiss Me Deadly (United Artists, 1955). Half Sheet (22" X 28") Style B. Tough guy detective Mike Hammer (Ralph Meeker) makes one of the biggest mistakes of his life when he offers a ride to pretty Christina Bailey (Cloris Leachman in her first film role), a panicked girl he finds running along the road one night. This simple act of chivalry leads to a complicated web of deception, torture, and murder, in this adaptation of Mickey Spillane's popular novel. This professionally restored poster had slight fold wear, a small tear, and slight soiling in the bottom border. This half sheet is the most desirable poster from the film with the great tagline, "I don't care what you do to me, Mike-..." Get this one while you can! Very Fine on Paper.Sold for: $836.50. |
| 64746 | The Street with No Name (20th Century Fox, 1948). One Sheet (27" X 41"). Just after launching himself in the movies in a role as one of the most psychotic and sadistic killers ever (Tommy Udo in Kiss of Death), Richard Widmark gave this performance as the leader of a gang in Center City. He's still neurotic but director William Keighley tones his performance down from the earlier film. This stone litho poster has some tack holes and wear to the corners with some very slight separation at the center points. Fine/Very Fine.Sold for: $179.25. |
| 64747 | Pickup on South Street (20th Century Fox, 1953). One Sheet (27" X 41"). Filmed during the early days of the Cold War, this film noir thriller tells the story of a pickpocket (Richard Widmark) who picks the wrong pocket, and inadvertently finds himself on the wrong side of a Communist spy ring. Deeply atmospheric and highly charged, this is a rare Cold War film, in that it never gives in to overblown hysteria, but keeps the suspense very acute and very real. The dynamic one sheet offered here shows light edge wear and two tack holes at the top, but is otherwise unblemished. If you're a film noir fan, you won't want to pass this one up! Very Fine/Near Mint. Sold for: $597.50. |
| 64748 | Scrooge (Paramount, 1935). Midget Window Card (8" X 14"). Although not nearly as well known as the version with Alistair Sim, many consider Sir Seymour Hicks's portrayal of Charles Dickens's iconic miser to be superior to any other. Hicks first portrayed Ebenezer Scrooge in a London stage production in 1901, and then on the screen in 1913, in his first film role. This lovely midget window card is in impeccable condition, with no defects or flaws to note. For anyone who loves this classic Christmas tale, this is a rare opportunity to acquire paper from this extremely elusive version. From the Collection of Denver Sherry. Near Mint. Sold for: $358.50. |
| 64749 | Politics (MGM, 1931). Australian One Sheet (27" X 40"). One of three MGM comedies to team up Marie Dressler and Polly Moran, Politics features Dressler as a matron who decides to clean up city hall by running for mayor in order to depose a corrupt incumbent. This Australian one sheet features fantastic early Hirschfeld artwork and is in terrific condition, with light fold wear, pinholes in the borders, and an extra horizontal crease at the center fold being the only real issues. Cast your vote for this outstanding poster! Very Fine+ on Linen. Sold for: $310.70. |
| 64750 | Take a Chance (Paramount, 1933). Midget Window Card (8" X 14"). Based on a popular Broadway musical, this engaging comedy concerns two likeable pickpockets who grow tired of fleecing the marks in a traveling carnival and head to The Great White Way, where they get mixed up with a bunch of gangsters. This colorful midget window card is virtually flawless, save for some very light tanning. You won't be taking any chances when you bid on this beauty! From the Collection of Denver Sherry. Near Mint.Sold for: $836.50. |
| 64751 | Blondie on a Budget (Columbia, 1940). One Sheet (27" X 41"). This was the fifth film in the long-running Blondie series based on the insanely popular comic strip. In all, Blondie, Dagwood, son Baby Dumpling, daughter Cookie, and Daisy the dog appeared in 28 films as a family. But what Columbia pictures really loved about the franchise was the opportunity to showcase their young contract players. In this case, it was none other than the ravishing Rita Hayworth a full year before her breakout performance in You'll Never Get Rich with Fred Astaire. Prior to minor restoration, this poster had pinholes and small tears in the borders, and writing on the reverse. Fine/Very Fine on Linen.Sold for: $358.50. |
| 64752 | Here Comes Mr. Jordan (Columbia, 1941). Lobby Card Set of 8 (11" X 14"). Robert Montgomery stars in this outstanding comedy that won an Oscar for best screenwriting. In it, Montgomery portrays Joe Pendleton, a boxer whose soul gets carried to heaven fifty years too early, so he has to come back to Earth to live out the rest of his life in another man's body. The film was incredibly popular; so much that it was remade as Heaven Can Wait with Warren Beatty. Claude Rains, as the heavenly judge, Mr. Jordan, co-stars. The cards are all in very clean condition, however, the title card and one scene card show signs of a slight vertical crease in the middle. Very Fine/Near Mint.Sold for: $896.25. |
| 64753 | Blithe Spirit (United Artists, 1945). One Sheet (27" X 41"). Noel Coward's delightful play is brought to the screen by director David Lean, as Rex Harrison is forced to make a choice between his loving wife, Constance Cummings, and the ghost of his former wife, Kay Hammond. This lovely one sheet, featuring a gorgeous portrait of starlet Hammond, had a small chip at the top center, pinholes in the corners, a few small edge tears, a crease in the bottom left corner, and very light fold wear. There is no evidence of a vertical fold line, however. Professional restoration has given this poster a clean and attractive appearance. Very Fine on Linen.Sold for: $657.25. |
| 64754 | The Secret Life of Walter Mitty (RKO, 1947). One Sheet (27" X 41"). One of star Danny Kaye's most beloved films, this is the story of irrepressible dreamer Walter Mitty, who copes with his humdrum existence (as a writer of comic books!) by spinning elaborate daydreams for himself. When a mysterious woman hands Mitty a little black book, he is suddenly faced with the adventurous life he's always dreamed of, like it or not! Based on a short story by James Thurber, the movie was a smash hit upon release, and continues to enjoy strong popularity today. This marvelous one sheet displays pinholes in the top corners, fold wear, and some crossfold separation, but these are minor flaws that in no way detract from the appeal of this colorful classic. Very Fine-.Not Sold. |
| 64755 | The Producers (Euro International, 1967). German Poster (26.5" X 37"). The movie that brought together the Third Reich and musical theater is still as funny today as it was in 1967. Written and directed by Mel Brooks, the film stars Zero Mostel and Gene Wilder as con-men out to make big bucks by creating an even bigger box office flop. Common to several foreign posters of the era, there are punch-hole censor stamps in the image of this poster. There's also a blue line drawn from Wilder's eyes to Lee Meredith's... uhm... assets. Aside from light fold wear, this poster is very clean and has undergone minimal restoration. Very Fine- on Linen. Sold for: $567.63. |
| 64756 | The Producers (MGM, 1967). One Sheet (27" X 41"). Broadway producers Max Bialystock (Zero Mostel) and Leo Bloom (Gene Wilder) think they can make a bundle by intentionally staging a huge flop, but surprise -- their production of Springtime for Hitler (the film's original title) is a gigantic hit! Mel Brooks's first feature is a timeless classic that later inspired a Broadway show of its own, and even a subsequent film version (based on the musical). Offered here is a glitzy one sheet featuring a collage of images, centering mostly on star Zero Mostel. In terrific condition, this has some minor fold wear and minor crossfold separations, but is otherwise pristine. Very Fine+ on Linen.Sold for: $119.50. |
| 64757 | If I Had a Million (Paramount, 1932). Midget Window Card (8" X 14"). Titled with a phrase that must have been on the mind of virtually every man, woman, and child during the Great Depression, this film featured an all-star cast including Gary Cooper, Charles Laughton, George Raft, Jack Oakie, and W. C. Fields. A wonderful character piece, the story involves a dying millionaire who gives his fortune away to eight perfect strangers. The effect of this unexpected gift is the focus of the rest of the film. This beautiful card is in exquisite condition, virtually flawless save for some very minor toning at the top. If you're the lucky winner of this exquisite card, you'll feel like a million bucks! From the Collection of Denver Sherry. Near Mint.Sold for: $836.50. |
| 64758 | International House (Paramount, 1933). Australian Three Sheet (40" X 80"). W. C. Fields, Burns and Allen, Rudy Vallee, Bela Lugosi, Franklin Pangborn, Cab Calloway; what do all these performers have in common? The answer is twofold: first of all, they're all performers fully capable of stealing any movie they're in, and secondly, they're all in this movie. It's a comedy-musical, fast-moving and outlandish, with energetic musical numbers, and a plethora of great comic moments. This beautiful stone litho Australian three sheet has been linen-backed, in part to stabilize a clean tear that ran through the standing woman's chest. There was a small amount of paper loss in the area to the left of the woman's face which has been expertly restored. Otherwise, this poster is in outstanding condition. Posters for this film are almost unheard of and this may be your only chance to score this gorgeous three sheet! Fine/Very Fine on Linen.Sold for: $478.00. |
| 64759 | David Copperfield (MGM, 1935). Midget Window Card (8" X 14"). One of Charles Dickens's greatest books became one of the greatest movies of the 1930s, with an all-star cast including Lionel Barrymore, Maureen O'Sullivan, Freddie Bartholomew, and W. C. Fields as Mister Macawber, in a role that would instantly catapult the comedian/juggler to the heights of superstardom. Charles Laughton was originally cast in the star-making role, but was unable to provide the performance that director George Cukor was after. He was dismissed from the project after a mere two days. This wonderful midget window card, which features exquisite portraits of all the stars, is in superb condition, with just some slight toning, some very minor foxing, a very small crease in the bottom right corner, and handwritten performance information, in pencil, keeping it from an even higher grade. From the Collection of Denver Sherry. Very Fine+.Sold for: $567.63. |
| 64760 | The Bank Dick (Universal, 1940). Lobby Card (11" X 14"). W. C. Fields, as the bank guard Egbert Souse, is stopped by the bank examiner J. Pinkerton Snoopington (Franklin Pangborn) in this moment from one of Field's best comedies. The card has some slight smudging on the left side of the lower border, and a light crease in the upper left edge. Near Mint-.Sold for: $1,015.75. |
| 64761 | Dorothy Lamour Publicity Still by Ned Scott (Columbia, 1948). Still (8" X 10"). Vintage black and white, double weight, glossy portrait. The photo has a snipe on the verso which mentions Dorothy Lamour co-starring with Don Ameche in a film called Let's Fall in Love which was later retitled Slightly French. The photo also has a photo credit stamp for Ned Scott as well as a dated adverting code stamp and a rubber stamp from a previous owner. Very Fine. Sold for: $119.50. |
| 64762 | Road to Zanzibar (Paramount, 1941). Insert (14" X 36"). In the second of the popular "Road" pictures to feature Bob Hope and Bing Crosby, this time the pair are hapless carnival workers in South America who inadvertently start a fire in their sideshow and are forced to flee. Rather than use the money they eventually save to return to the U.S., Chuck (Crosby) buys a "lost" diamond mine, and the fun really begins. Not originally intended as a Hope/Crosby vehicle, or as a sequel to Road to Singapore, it was only after Fred MacMurray and George Burns turned down the lead roles that tying this film to the previous picture, which had done well at the box office, was considered, and movie history was made. This lovely insert, with gorgeous images of Hope, Crosby, and co-star Dorothy Lamour, had pinholes in the corners, edge chipping, slight fold separations, but professional restoration has addressed these issues nicely, resulting in a poster with an enormous degree of eye-appeal. Fine+ on Linen. Sold for: $717.00. |
| 64763 | Road to Utopia (Paramount, 1946). One Sheet (27" X 41"). Once again playing unemployed vaudeville musicians, this time Bob Hope and Bing Crosby head to Alaska to find their fortune. On the way, they discover a map they believe will lead them to a secret gold mine, as well as the hilarious misadventures for which the "Road" pictures were famous. This attractive one sheet, which shows Hope, Crosby, and co-star Dorothy Lamour mushing across the frozen wastes, has pinholes in the corners, fold wear with some slight misfolding and crossfold separation, and some light staining, but is overall a lovely and very presentable copy of this desirable poster. Very Fine-. Sold for: $179.25. |
| 64764 | Road to Rio (Paramount, 1948). One Sheet (27" X 41"). One of the most popular series of musical comedies ever filmed, the "Road" series, starring Bing Crosby and Bob Hope, remains as popular today as ever. Featuring top-notch acting and music, as well as the incredible chemistry between Hope and Crosby, these films, and the posters that promoted them, remain perennially popular. In this entry, Bing and Bob are two unemployed vaudeville performers who stow away on an ocean liner bound for Brazil. Before the voyage is over, they've managed to foil a plot involving a crooked hypnotist, an unwilling bride, and a cache of mysterious papers. The unrestored one sheet offered here, sporting wonderful images of Crosby, Hope, and co-star Dorothy Lamour, shows pinholes in the corners, crossfold separation, fold wear, and slight wrinkling, as well as a dime-sized hole in the tagline at the top. It displays great color, and will make a terrific addition to any collection. Fine. Sold for: $358.50. |
| 64765 | Road to Singapore (Paramount, 1940). Midget Window Card (8" X 14"). This was the very first "Road" picture starring Bing Crosby, Dorothy Lamour, and Bob Hope. It paved the way for a string of successful films with the trio, famed for their classic comedy bits and delightful songs. Crosby and Hope play a couple of American drifters stranded in Singapore and Lamour is a cabaret dancer who they both fall in love with. The card is in near perfect condition but has had the top imprint area restored. From the Collection of Denver Sherry. Fine-.Sold for: $478.00. |
| 64766 | Road to Bali (Paramount, 1952). One Sheet (27" X 41"). By the time Bob Hope and Bing Crosby made Road to Bali, the sixth "Road" movie to star this classic pair, they had developed a rapport and a sense of comedic timing second to none. The two were notorious ad-libbers, always trying to get one up on the other, and to many, this film feels like one long ad-lib, with a freshness and energy seldom seen on the screen. They're joined by the lovely Dorothy Lamour, with uncredited cameos from such familiar faces as Jerry Lewis, Dean Martin, and Jane Russell along the way. This colorful one sheet exhibits pinholes in the corners, as well as the expected edge wear, crossfold separation, and fold wear, along with some minor staining and a small chip in the left border. These small considerations aside, this poster displays very nicely, and will be a welcome addition to any classic comedy collection. Fine/Very Fine. Sold for: $191.20. |
| 64767 | Dog Heaven (MGM, 1927). Title Lobby Card (11" X 14"). In one of the most bizarre "Our Gang" shorts, this film was told from Pete the Pup's point of view as he relates his tale of how he gets drunk on bootleg beer and attempts suicide because his master, Joe Cobb, has been ignoring him in favor of a girl. This title card, with a slight dust shadow on the lower edge, depicts poor Pete as a dog already on his journey to heaven. The card also has some light smudges in the background. Very Fine+. Sold for: $1,434.00. |
| 64768 | Tiny Troubles (MGM, 1939). One Sheet (27" X 41"). How many times has this happened to you: you go to trade in your whiny baby brother and end up with a midget criminal instead! That's just what happens to Alfalfa (Carl Switzer) in this classic Our Gang comedy. This lovely stone litho one sheet shows Our Gang regulars George "Spanky" McFarland, Darla Hood, and Alfalfa. There are pinholes in the corners, a small ink mark in the bottom right, light fold wear with pinpoint crossfold separation, slight creasing at the top corners, and some smudging in the left border. These minor flaws are greatly outweighed by the charming imagery and the overwhelming appeal of this highly desirable classic. Very Fine-. Sold for: $1,434.00. |
| 64769 | Something Simple (MGM, 1934). One Sheet (27" X 41"). This 1934 Hal Roach produced comedy short featured the same slapstick comedy that had become Charley Chase's signature by 1934. This lovely poster has fabulous artwork by the "Line King" himself, Al Hirschfeld. Prior to restoration, this colorful poster had minor tears in the image along with fold wear with separations and slight paper loss. Now, it displays very well on a linen backing that has been trimmed to the edge of the poster. As an added bonus, this lot also includes the 1934 press sheet which served as a press book for these short subjects. Fine on Linen.Sold for: $1,434.00. |
| 64770 | A Dog's Life (First National, 1918). Lobby Card (11" X 14"). From his earliest days with Fred Karno's traveling vaudeville show, there was no doubt that Charlie Chaplin was a star. Whether mugging onstage or cavorting onscreen, Chaplin always displayed the kind of talent and charisma that set him apart from virtually every other comedian of his day. His earliest films, for Mack Sennett, were made in 1914, and it was during this period that he developed his most famous character, the Little Tramp. With his bowler hat and his bamboo cane, the Tramp is still a familiar figure to millions worldwide, almost a century after his introduction. The lobby card offered here, for one of Chaplin's later films, the one in which Charlie and his brother Sydney appeared onscreen together for the very first time, offers three spectacular images of this great character. Save for some very slight toning at the top border, this unrestored cinematic treasure is unblemished, looking virtually as fresh and clean as the day it was printed. For a Chaplin fan, it's hard to imagine a more desirable piece than this. Near Mint+.Sold for: $1,553.50. |
| 64771 | Shoulder Arms (First National, 1918). Lobby Card (11" X 14"). Released just before Armistice Day in 1918 and the end of World War I, this was one of star Charlie Chaplin's most popular films, particularly with doughboys returning from the front lines. Charlie plays a private who dreams of being a glamorous war hero, and who ends up gassing the German troops with limburger cheese, and spying behind enemy lines disguised as a tree. This exquisite lobby card, featuring a wonderful shot of Chaplin, shows the upper left and lower right corners chipped, as well as a small stain in the lower right. Otherwise, this highly desirable card is extremely clean, and will display very nicely. Very Fine.Sold for: $286.80. |
| 64772 | The Gold Rush (United Artists, R-1942). Title Card and lobby Cards (6) (11" X 14"). One of Charlie Chaplin's most memorable features, the Little Tramp trudges off to the Klondike in search of gold in this classic film. The longest and most elaborate of Chaplin's comedies, including some of his most memorable sequences, like the dancing dinner rolls, and the scene in which Chaplin and Big Jim (Mack Swain) share a boot for dinner. When the film was re-released in 1942, Chaplin made a number of changes to the picture, including the addition of a score and narration, and the editing of certain scenes, including a substantial change to the ending. In the original release, the Little Tramp finally gets the girl, and all ends well. Chaplin's audience at the time felt that this was seriously out of character, so in the re-release, Chaplin recut the scene so that the Tramp ends up, as ever, alone. Offered here are lobby cards from the re-release of this classic comedy. The title card shows pinholes in the corners, a missing top left corner, and light smudging, while the scene cards display pinholes in the corners and borders, a scratch at the top left of one card, and a piece missing from the bottom right of another Nonetheless, these are classic cards from a classic comedy that any Chaplin fan will be proud to own and since material from the original release is so scarce, get them while you can. Fine/Very Fine. Sold for: $2,629.00. |
| 64773 | The Great Dictator (United Artists, 1940). One Sheet (27" X 41"). One of Chaplin's last films, this was also his biggest box office success - not surprising as it was released mere weeks before America's entrance into World War II. In this classic comedy, Chaplin plays a Jewish barber who, through a series of circumstances, is mistaken for the power-mad dictator of Tomania, Adenoid Hynkel. Chaplin got the idea for the film when his friend, Alexander Korda, mentioned that Chaplin and Hitler shared similar physical characteristics. A controversial film from the outset, Great Britain initially threatened to ban the film, due to their policy of appeasement regarding Hitler, but as they were at war with Nazi Germany by the time the movie was completed, it was released in that country to an enthusiastic reception. It was, however, banned in all the nations controlled by the Nazis, and remained banned in Spain until the death of Francisco Franco in 1975. It's reported that Hitler himself screened the picture privately not once, but twice, although his reaction to it has never been revealed. An undeniably important and courageous film, and one that garnered five Academy Award nominations, it's also Chaplin at his very best, starring in his first all-sound, all-talking picture. This one sheet had pinholes in the corners, pinpoint crossfold separation, and repairs to the right border. There are paint touch-ups in the image area, and the linen has been trimmed to the exact edges of the poster. Nevertheless, this is a very attractive poster advertising an extremely important film, one that is very rarely offered. Don't miss your chance to add this exquisite piece to your collection! Very Good on Linen.Sold for: $1,792.50. |
| 64774 | Go West (MGM, 1925). Window Card (14" X 22"). Following Horace Greeley's advice to "Go West, young man," Buster Keaton winds up on a cattle ranch and delivers one of his best comedic performances. The love interest is Brown Eyes the cow, who Keaton follows to Los Angeles to liberate (along with a few thousand other cattle) from the stockyards. Any paper from this classic silent comedy is extremely hard to come by, and this piece is in exceptionally nice condition with an attractive design. Very Fine on Cardstock.Sold for: $5,377.50. |
| 64775 | Steamboat Bill, Jr. (United Artists, 1928). Pressbook (9.5" X 12.5", Multiple Pages). This hilarious comedy was the last of Buster Keaton's independent films for United Artists, and is considered one of his silent masterpieces. This also marked the end of the long standing relationship between Keaton and producer Joseph Schenck. The two made nine films in all. This pressbook is full of fascinating material related to the film. The spine is nearly completely separated and there is tape and minor staining on the covers, but the press material is all intact, including the original herald. Fine/Very Fine.Sold for: $5,975.00. |
| 64776 | Dr. Jack ((Pathé, 1922). Lobby Card (11" X 14"). In this five-reel comedy, Harold Lloyd plays Dr. "Jack" Jackson, a country doctor called in to look after a young woman (Mildred Davis, who would become Mrs. Harold Lloyd shortly after filming this picture), whose expensive sanitarium treatment has proven unsuccessful. Using common sense and simple practices, Dr. Jack cures the young woman, much to the dismay of the specialist (Eric Mayne) who has been making a very comfortable living off her family. A charming film, this is Lloyd at his very best. The beautiful lobby card offered here, which pictures Lloyd in his familiar straw boater, shows several pinholes in the borders, slight edge wear, and light foxing, but is otherwise fresh and clean, a superb addition to any silent film collection. Very Fine+. Sold for: $286.80. |
| 64777 | Why Worry? (Pathé, 1923). Title Lobby Card (11" X 14"). Harold Lloyd had agreed to use George Auger (who used the stage name the "Cardiff Giant"), a Ringling Brothers circus giant, in the role of Colosso the Giant, but he died shortly after filming began. After a nationwide publicity campaign to find a replacement, Norwegian John Aasen from Minnesota was cast to play the part. He was discovered as a result of a newspaper article about his shoe size and was used brilliantly in the film by Lloyd as "a living prop." This nicely hand-tinted title card has light smudges in the right field, small pinholes, edge wear, mild corner bumps, and a small crease in the lower right corner. Fine/Very Fine. Sold for: $896.25. |
| 64778 | Why Worry? (Pathé, 1923). Lobby Card (11" X 14"). Here's a classic pose of Harold Lloyd in his trademark costume from one of his best films. He's an American hypochondriac stuck in a Chilean prison curing the toothache of "Colosso," Norwegian giant Johan Aasen. There is a very small corner chip in the top right border, light stains in the left border, and edge wear. Fine/Very Fine.Sold for: $358.50. |
| 64779 | Why Worry? (Pathé, 1923). Lobby Card (11" X 14"). One of the true masters of physical comedy, here's a terrific card showing Harold Lloyd at his best . He braces himself against the giant Norwegian John Aasen's bottom to steady himself whilst putting his shoes back on. Meanwhile, "Colosso," nonchalantly strangles two men at once. There are only minor pinholes, slight edge wear with corner bumps, and a bit of light foxing in the top border. Very Fine. Sold for: $334.60. |
| 64780 | Why Worry (Pathé, 1923). Lobby Cards (2) (11" X 14"). Made shortly after (but within the same year as) Harold Lloyd's most well-known film, Safety Last!, it would be the last film made in Lloyd's partnership with Hal Roach. They parted on good terms, they simply wanted to go in different directions, and Harold Lloyd now had enough money to finance his films himself. Here are two super cards from one of Lloyd's best films with beautiful, tender-eyed Jobyna Ralston, who worked for Lloyd in eight films replacing Mildred Davis, who became Mrs. Harold Lloyd. There are mild corner bumps, small scuffs, and creases in the top center field and lower right corner. One card has minor pinholes and a small print wrinkle in the lower right corner. Excellent fresh hand-tinted cards. Very Fine-.Sold for: $388.38. |
| 64781 | Why Worry? (Pathé, 1923). Lobby Cards (2) (11" X 14"). Two of the top scene cards from a rare set of one of Harold Lloyd's best comedies. That's pretty doe-eyed Jobyna Ralston in the background as Lloyd artfully dodges wine bottles and table scraps. In the other card, Lloyd is handing out fine cigars, trying to escape being imprisoned in a Chilean jail. One card has pinholes, mild edge wear with corner bumps, a small print blemish in the top left border, and a small crease in the top left corner. The "polite" card has only mild edge wear and light foxing in the top and bottom borders. Fine/Very Fine.Sold for: $388.38. |
| 64782 | Safety Last! (Pathé, 1923). Title Lobby Card (11" X 14"). Harold Lloyd was one of the legendary stars of silent comedy and his popularity was as great as that of Charlie Chaplin when he made this classic film. In it, he finds himself a lowly clerk in a department store, trying to find a way to make enough money so that he can marry his hometown sweetheart. In a last ditch effort, he's forced to try a stunt (to scale a skyscraper) to win the prize money. Lloyd was known for doing his own stunts; this film contained many that were truly death-defying. This very scarce title card shows Lloyd as he is about to complete his terrifying climb and fall into the arms of his sweetheart, Mildred Davis. There is a small stain from the hand-tinting in the top border, one pinhole at the center top, and light soiling overall. Fine/Very Fine.Sold for: $2,031.50. |
| 64783 | The Freshman (Pathé, 1925). Lobby Card (11" X 14"). In this timeless story, nerdy college freshman Harold Lamb (Harold Lloyd) tries desperately to be popular, doing all the things he's seen in the movies, but ends up as the butt of a number of practical jokes. He finally gets the chance to prove himself in the big football game at the end. A genre classic, paper from this hysterical feature is extremely rare and desirable. This lobby card, featuring a wonderful image of Lloyd, shows pinholes in the corners and corner bumps, but is otherwise exceptionally clean and attractive, perfect as the centerpiece of any silent comedy collection. Very Fine+.Sold for: $358.50. |
| 64784 | Movie Crazy (Paramount, 1932). Midget Window Card (8" X 14"). A rags-to-riches story involving a man who wants to be a movie star, and the twisted, and hysterical path that gets him there. This was an early talkie for Harold Lloyd, who assumed most of the directorial duties due to the alcoholism of assigned director Clyde Bruckman. Lloyd was more than up to the task, with a career stretching back to 1913 behind him. This lovely midget window card, featuring multiple portraits of Lloyd, is in exceptional condition, with sharp corners, good color, and fabulous imagery. There is the slightest bit of tanning at the top of the card, but this in no way diminishes its exceptional appeal. From the Collection of Denver Sherry. Near Mint. Sold for: $1,314.50. |
| 64785 | The Barker (First National, 1928). Insert (14" X 36"). Based on the play by Kenyon Nicholson, this is the story of a carnival barker (silent film star Milton Sills, in one of his last films) determined that his son Chris (Douglas Fairbanks Jr.) pursue a "real" life in law, rather than follow in his father's footsteps as a carny. An early partial-sound film, it ran into problems with state censor boards due to the scanty costumes displayed on many of the female actors. Betty Compson received an Academy Award nomination for Best Actress in 1930, although she lost to Mary Pickford for Coquette. This colorful and attractive insert shows pinholes in the top, edge and corner tears, tape on the reverse, a tiny chip in the bottom right corner, and slight surface soiling. Additionally, the top right corner has been torn off, and is adhered to the poster with a piece of tape. Rare and highly desirable, this insert should cause some spirited bidding. Rolled, Very Fine-.Sold for: $717.00. |
| 64786 | Pitfalls of a Big City (Pathé, 1923). One Sheet (27" X 41"). Cross-eyed silent film comedian Ben Turpin was a hit with audiences mainly because of his visual ailment and dead-on physical comedic timing. After wowing Charles Chaplin, Turpin signed a deal with Mack Sennett and began making a string of successful comedies with frequent co-stars Mabel Normand and Fatty Arbuckle. But just at the height of his popularity, Turpin retired from film to take care of his dying wife, actress Carrie Turpin. This hilarious stone litho one sheet had chipping in the borders and separations at the folds, but now displays very well thanks to a clean professional restoration. Fine+ on Linen. Sold for: $896.25. |
| 64787 | The Shriek of Araby (Mack Sennett Comedies, 1923). Lobby Cards (5) (11" X 14"). One of the most popular comedians of the silent era, cross-eyed Ben Turpin appeared in this hilarious spoof as an unlikely leading man, lampooning silver screen heart-throb Rudolph Valentino, who had gained international fame with The Shiek. One of Turpin's most important - and most popular - films, the scenes represented on these lobby cards are truly hysterical. The cards offered here display pinholes in the corners, but are otherwise clean and attractive. These cards, a wonderful tribute to a brilliant comedian, will enhance any collection. Very Fine.Sold for: $478.00. |
| 64788 | Cocoanuts (Paramount, 1929). Lobby Card (11" X 14"). This very scarce lobby card for The Marx Brothers' very first film depicts all four brothers (Zeppo, Groucho, Chico, and Harpo) in the border art. Original Cocoanuts cards showing the Marx's are almost unheard of, making this a wonderful find indeed. The beautiful deco art is quite appealing and the colors are as bright as the day they were printed. Before restoration, the bottom right corner was missing, there were chips in the bottom and right border, border damage on the left, and three pinholes in the center. An expert restoration job has rendered all this virtually unnoticeable. Very Good+. Sold for: $10,755.00. |
| 64789 | Cocoanuts (Paramount, 1929). Lobby Card (11" X 14"). What an extraordinary find! Original lobby cards for Cocoanuts, on which the Marx Brothers are actually pictured in the scene, are about as rare as they come. Offered here is a beautiful scene card, with deco design, picturing Groucho, Chico, and Zeppo. Their very first film was promoted as a "Musicomedy," with music by famed composer Irving Berlin. The colors on this 1929 card are incredibly vibrant. Before restoration, there was a tear in the bottom right corner with no paper loss, light edge wear, and several pinholes in the border. The expert restoration now gives it a near mint appearance. Very Fine-. Sold for: $23,900.00. |
| 64790 | Duck Soup (Paramount, 1933). Lobby Card (11" X 14"). Of all the great comedy teams, perhaps none were greater than the Marx Brothers. And of all the films made by Minnie Marx's talented boys, perhaps none was better, more perfectly realized, than the classic Duck Soup. Paper from any of these early films, but particularity this one, is not only incredibly desirable, but also exceptionally scarce, always resulting in spirited bidding on the rare occasions that pieces like this are offered at auction. The wonderful lobby card offered here, with superb images of both Chico and Harpo, shows some small bumps and creases in the corners, but is otherwise extremely clean and attractive. If you've been waiting for a top-notch Marx Brothers piece from one of their greatest films, look no further. This spectacular card will make you the envy of collectors from Freedonia to Sylvania! Very Fine+.Sold for: $5,078.75. |
| 64791 | Duck Soup (Paramount, 1933). Pressbook (11" X 17"). Arguably the very best of the legendary films made by the Marx Brothers, this classic comedy, set in Freedonia, is a scathing satire of society, war, and politics, that is as biting today as it was at the time of its initial release. Offered here is a very rare and desirable pressbook from this landmark film. The cover shows some smudging and some light edge wear, while the interior pages are brittle with chipping at the edges, with several pages detached but present, and no cuts from the book. Also included in this lot is a wonderful herald for the film, measuring 6" X 9.5", and in excellent condition. This is a rare treasure for any fan of the four funniest brothers ever to grace the silver screen. Very Good. Sold for: $1,314.50. |
| 64792 | A Day At The Races (MGM, 1937). Midget Window Card (8" X 14"). By the time the Marx Brothers left Paramount after Duck Soup (1933), they were already major stars, having conquered both Broadway and the silver screen. Their subsequent move to MGM, and their all-too-brief association with wunderkind Irving Thalberg, resulted in two of the funniest pictures of their careers, A Night at the Opera and A Day at the Races. In the latter, Groucho plays Dr. Hugo Z. Hackenbush (his character originally bore the surname Quackenbush, but changed it to avoid possible lawsuits when MGM's legal department became aware of at least a dozen real doctors with that name), a horse doctor illicitly running a sanitarium. From there, things get really strange! Thalberg died soon after shooting began on this picture, and many critics, as well as Groucho himself, thought that the Marx Brothers' films were never again quite as good. Paper from this period in the Marx Brother's career is very scarce and extremely sought after. This card has had the top imprint area professionally replaced and shows some very slight edge wear. Other than that, this attractive piece, with its charming caricatures of the three brothers, is a beauty; a great piece from a classic film. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $2,629.00. |
| 64793 | A Night at the Opera (MGM, 1935). Pre-War Belgian (23.75" X 33.5"). After five classic films at Paramount, the Marx Brothers moved over to MGM, where they were afforded bigger budgets and slicker production values. But the quality of the comedy remains constant, and most fans hail this as one of their masterpieces. Offered here is an extremely rare, pre-war, unfolded Belgian poster of stunning quality, with some light tanning at the edges being the only issue. Fantastic Hirschfeld-esque artwork and eye-popping colors make this a must for any Marx collector. Very Fine+ on Linen.Sold for: $2,868.00. |
| 64794 | Room Service (RKO, 1938). Marx Brothers Still by Gaston Longet (8" X 10"). Vintage black and white, single weight, glossy still. A wonderful shot of Chico, Harpo, and Groucho Marx, with co-star Frank Albertson, in this classic comedy. This photo shows minor edge wear and corner bumps. It bears a studio snipe on the reverse, along with a Culver Service stamp and sticker, and an RKO stamp. Very Fine-.Sold for: $131.45. |
| 64795 | At the Circus (MGM, 1939). One Sheet (27" X 41") Style C. "Oh Lydia, oh Lydia, say have you met Lydia? Lydia, the Tattooed Lady?" Groucho's spirited rendition of this classic tune is the highlight of this Marx Brothers comedy, which co-starred Margaret Dumont and Eve Arden. This scarce C Style features jaunty artwork that might be by Hap Hadley. There were pinholes in the corners, fold wear and crossfold separations, some minor paper loss on the reverse, a chip in the center near the "X", and a small tear at top center, all of which has been addressed with excellent professional restoration. Fine/Very Fine on Linen. Sold for: $8,365.00. |
| 64796 | At The Circus (MGM, 1939). Title Lobby Card (11" X 14"). Groucho, as the shyster lawyer, J. Cheever Loophole, sings his classic tune, "Lydia, the Tattooed Lady" as he and his brothers proceed to dismantle a circus with the usual mayhem. This is a wonderful card drawn to perfection by the classic illustrator Al Hirschfeld. This card had a few pinholes in the borders that have been cleaned and restored leaving a near mint appearance. Very Fine.Sold for: $1,912.00. |
| 64797 | At the Circus (MGM, 1939). Lobby Card (11" X 14"). Offered here is a beautiful lobby card featuring Groucho Marx and Margaret Dumont. It is in remarkable condition, with a few small staple holes in the top corners, and the slightest edge wear, but otherwise it is extremely clean and attractive. This is an exceptional opportunity for Marx Brothers fans, one not to be missed! Very Fine/Near Mint. Sold for: $657.25. |
| 64798 | At the Circus (MGM, 1939). Lobby Card (11" X 14"). In this classic Marx Brothers comedy, Groucho, as ambulance-chasing lawyer J. Cheever Loophole, tries to save a circus for his client Jeff Wilson (Kenny Baker). Like most of the great Marx Brothers comedies, the plot isn't the point, as it's only there to give Groucho, Harpo, and Chico a structure around which to craft their brand of madcap comedy. A highlight of the film is Groucho's classic rendition of "Lydia, the Tattooed Lady." Offered here is a truly beautiful lobby card, which displays no defects of note. No true Marxist will want to pass up this gorgeous specimen. Mint. Sold for: $478.00. |
| 64799 | Go West (MGM, 1940). One Sheet (27" X 41"). Go West was a solid comedy for the Marx Brothers. It had plenty to offer in the way of wild action and gags. This dynamic poster, with caricatures as zany as the boys themselves, is by legendary artist Al Hirschfeld. Groucho performed solo in one of the opening musical numbers, "Go West, Young Man." Harpo and Chico joined him later in the picture as a couple of Wild West con men. There were pinholes, slight edge wear with small chips, a 1.5" tear in the Chico name, and crossfold separations and chips in the title area. Fine/Very on Linen. Sold for: $10,755.00. |
| 64800 | Go West (MGM, 1940). Autographed Lobby Cards (2) (11" X 14"). Dead Man's Gulch is the locale for hilarious Marx Brothers romp, as Groucho and the boys pursue easy money at a ranch on the plains. This lovely lot has two lobby cards from the film. The first, featuring Lulubelle, has some very small stains in the lower right, staple holes, and small tears along the borders, This card has also been signed by Groucho. The "Rescue" card has pinholes in the field, staple holes, and a section of the top left corner was completely detached and repaired with tape. The cards have great color and the Rescue card features all three of the brothers. Fine. Sold for: $597.50. |
| 64801 | The Big Store (MGM, 1941). Australian Photo Lobby Card Set of 8 (11" X 14"). Zany antics and crooked books keep this Marx Brothers comedy a fan favorite as the boys systematically destroy Phelps Department Store. Groucho Marx stars as one of his loopiest characters, detective Wolf J. Flywheel, who tries to discover who is trying to kill Margaret Dumont's nephew. This lot contains the photo lobbies used for the distribution of the film in Australia. The scenes depicted are better than most of those used for the U.S. set. All of the cards display some pinholes in the corners and corner wear. They are in very nice condition and there is even a scene card of Harpo and Chico's famous piano duet! Fine/Very Fine. Sold for: $239.00. |
| 64802 | The Big Store (MGM, 1941). Insert (14" X 36"). No one captured the wonderfully wacky spirit of the Marx Brothers better than famed caricaturist Al Hirschfeld. Here is a scarce rolled insert, one of their most colorful posters, for the last film the Marx Brothers did for MGM. The poster sports a beautiful photo insert of a young Tony Martin and a lovely Virginia Grey. That's Ziegfeld/Broadway star Marion Martin reclining on the bottom. There is slight edge wear, a 1" tear in the dress, and a small crease in the upper left corner. There has been repair work in the upper left and right corners, and a small chip in the right middle border. Rolled, Fine+.Sold for: $2,987.50. |
| 64803 | A Night in Casablanca (United Artists, 1946). Half Sheet (22" X 28") Style A. After making The Big Store for MGM, the Marx Brothers had essentially retired when they were coaxed back onto the screen for this hilarious parody of Casablanca. This great Style A half sheet has the boys sharing a bed, raucously ogling (as only they could) the dancing star of Romanian cabaret in the 1930s, Lisette Verea. Originally folded, the poster has been professionally paper backed. The left and right borders have had minimal paper replacement, but the artwork needed only minimal airbrush. Very Good on Paper.Not Sold. |
| 64804 | A Night in Casablanca (United Artists, 1946). Italian 4 - Folio (55.5" X 76"). The second-best movie with the word "Casablanca" in the title, this Marx Brothers laff-a-thon was financed by the boys themselves who were hoping to take charge of their own careers. Groucho is hired to run a hotel in post-war Casablanca, but ex-Nazis are afoot and shenanigans ensue. This spectacular, unused Italian 4-folio features the colorful artwork of Italian maestro Enrico DeSeta depicting great images of the Marx boys in all their glory. Italian folios of this era tend to be printed on very lower quality paper, which has led to some tanning in the fold lines, and there is the usual fold wear, but otherwise this poster is in exceptional condition. Very Fine+ on Linen. Not Sold. |
| 64805 | A Warm Reception (General Film, 1916). One Sheet (27" X 41"). Long before he met Stan Laurel and embarked on a legendary series of films as half of one of the most popular comedy duos in film history, Oliver "Babe" Hardy made a number of pictures for the Vim Comedy Film Company, out of Jacksonville Florida, between 1915 and 1917. Although many of these films are now lost to the ravages of time, it's clear that this was a particularly important period for Hardy, in which he gained much of the comedic training that would serve him in good stead in later years. In this film, Hardy is in love with the daughter (Florence McLaughlin) of socially conscious Mrs. Price (Kate Price), who insists that her daughter marry nobility. Rather than risk losing the girl when the affluent Count De Appetyte (Joe Cohen) shows up, Babe and a group of friends kidnap Mrs. Price. Babe then dons her clothes (in the scene pictured on this poster), and impersonates her, in an effort to discourage the Count from marrying the daughter! Paper from this early period in Hardy's career is exceptionally scarce, making this Kraft-backed beauty a real prize. Not surprisingly for a poster approaching 100 years old, it displays fold wear with crossfold separation, tears and chips in the edges, as well as the remains of a paper snipe at the bottom. In our opinion, this is an excellent candidate for professional restoration, as it is not only exceptionally attractive, but also historically important. Good/Very Good on Paper. Not Sold. |
| 64806 | Pick and Shovel (Pathé, 1923). One Sheet (27" X 41"). Before teaming up with Oliver Hardy, in a collaboration that would forever change the face of comedy, Stan Laurel toiled in relative obscurity, honing his craft and perfecting his comic persona. Early on in his film career, he worked extensively with Jimmy Finlayson, another Hal Roach regular, as in this fine comedy directed by former Keystone Kop George Jeske. This exceptional stone litho poster, which features Stan and co-star Katherine Grant, shows fold wear with crossfold separations, minor horizontal cracking and minor chipping in the credits/title area. The professional restoration applied to this important and historical poster is absolutely top-notch, returning a fresh and clean appearance to this silent classic. Fine+ on Linen.Sold for: $1,434.00. |
| 64807 | A Mandarin Mixup (Selznick, 1924). Lobby Card (11" X 14"). Stan Laurel stars in one of his early comedy features as a young man who was, accidentally lost as a baby, and grows up in a Chinese family - renamed Sum Sap. Cards from these early Stan Laurel comedies are quite rare and desirable. Near Mint. Sold for: $597.50. |
| 64808 | Pack Up Your Troubles (Film Classics, R-1940s). One Sheet (27" X 41"). Drafted into the army during World War I, those misfits Stan Laurel and Oliver Hardy make a shambles of Training Camp before being shipped to France. When their best pal Eddie (Donald Dillaway) is killed in battle, Stan and Ollie vow to locate the grandparents of Eddie's orphaned little daughter (Jacquie Lyn). Unfortunately, the grandparents are named Smith, and they live in New York City. This exceptionally attractive reissue poster, boasting glorious caricature artwork of the famous pair, was done for one of their funniest feature films. Professionally restored on linen, the poster has had some repair done to chips in the border and slight crossfold paper loss, and there has been some color touch to the folds. The restoration makes it look virtually as good as new, resulting in a poster you will be proud to display. Fine on Linen. Sold for: $298.75. |
| 64809 | The Devil's Brother (MGM, 1933). Spanish Language One Sheet (27" X 41"). Stan Laurel and Oliver Hardy are Stanlio and Ollio, two 18th century bunglers who pose as Fra Diavolo, the singing bandit. When they attempt to rob the real Diavolo, he sets the boys straight quick! The film is noted for Stan's increasingly rapid game of Earsy-Kneesy-Nosey. Printed in the U.S. for use in South America, this Spanish language one sheet had considerable edge and fold wear with tears and chips. Now, after a professional restoration, the poster has a nice appearance with gorgeous stone litho printing, with a beautiful image of Lucile Browne and great Al Hirschfeld artwork. Fine- on Linen. Sold for: $478.00. |
| 64810 | Sons of the Desert (MGM, 1933). Half Sheet (22" X 28"). Widely considered to be the absolute best feature film to star the incomparable duo of Stan Laurel and Oliver Hardy, in this classic, the boys plot to attend the annual "Sons of the Desert" Convention without their wives' knowledge. They concoct an elaborate story about Ollie needing a cruise to Hawaii for his health, but when the boat that they were supposed to be on sinks, they have some fast explaining to do. Paper from this extremely popular film is quite desirable, and is very rarely offered. This half sheet has undergone professional restoration and is now paper-backed. The borders have had some paper replaced, and some light staining still shows in the image area, although much has been expertly airbrushed out. Nevertheless, this half sheet presents very nicely, and will be a true prize for any loyal Laurel and Hardy devotee. Fine- on Paper.Sold for: $20,315.00. |
| 64811 | Block-Heads (MGM, 1938). Three Sheet (41" X 81"). One of Laurel and Hardy's best feature-length comedies starred Stan and Ollie as ex-World War I servicemen adjusting to post-war life. Laurel has remained in the trenches in Europe because no one has told him to go home! Rescued and placed in a Veteran's home, Laurel is found by Hardy, who takes him home to his wife, and hilarious chaos ensues. Offered here is the very rare three sheet with its wonderful graphics of the famed comedy team. The poster had minor fold wear and paper loss in the top left corner running 7" down the left border, a torn top right corner, a 3" tear on the right border, and slight edge wear. All these issues have been expertly restored, leaving the poster with a magnificent appearance. Fine on Linen.Not Sold. |
| 64812 | Nothing But Trouble (MGM, 1944). One Sheet (27" X 41"). Although the film was made late in their careers, Stan Laurel and Oliver Hardy were up to their usual hijinks as they are hired as chefs to prepare the meals for visiting royalty. Of course our heroes save the day when they foil an assassination plot on the boy king. This wonderful one sheet features perfect likenesses of the two stars. There are tiny tears along the edges with a bit more wear to the left edge. The poster also has a piece off of the lower right corner, and there is slight chipping at the center points. Fine-. Sold for: $424.23. |
| 64813 | Bonnie Scotland (MGM, 1935). Stills (8) (8" X 10"). Vintage sepia toned, double weight, glossy stills. Hal Roach cast Stan Laurel and Oliver Hardy in this hilarious spoof of The Lives of a Bengal Lancer. Following this film, Laurel and Hardy never made another short, but continued to work on 60-minute features. While two stills feature co-stars June Lang and William Janney, the other stills all feature wonderful images of Laurel and Hardy. These stills have slight wear and tear along the edges, pinholes in the corners, and minor scuffing in the images and borders. Two of the stills have small stains in the image areas and MGM property stamps on the reverse. Another card has faint writing in pencil on the back. Fine. Sold for: $143.40. |
| 64814 | Laurel and Hardy Publicity Still (Hal Roach/MGM, 1930). Still (8" X 10"). Vintage black and white, single weight, glossy still, of Laurel and Hardy in a Hal Roach short. This fun photo of the boys in fireman hats is slightly brown-toned, and has minor surface creases. Very Fine.Sold for: $119.50. |
| 64815 | One Night in the Tropics (Universal, 1940 & 1950). One Sheet (27" X 41") and Reissue Lobby Card (11" X 14"). What began as a typical Universal programmer, cast with reliable stock players, became one of the most significant films in the history of comedy, as it was the first feature film appearance of legendary funnymen Bud Abbott and Lou Costello, who had previously gained fame on radio. When the film was reissued in 1950, about 20 minutes were cut from the running time to give A&C proportionally more screen time. Offered here is a lovely original release Universal one sheet and a Realart reissue lobby card. The unrestored one sheet shows fold wear with separation, pinholes in the corners, edge wear, paper tape on the reverse, a 3" x 1" piece missing from the bottom left corner. The lobby card, which offers a lovely image of Abbott and Costello, has a tear in the lower right, pinholes in the corners and at the bottom center, light edge wear, creasing, and light scuffing. This is a lot that no fan of classic comedy will want to pass up. Very Good/Fine. Not Sold. |
| 64816 | Ride 'Em Cowboy (Universal, 1936). One Sheet (27" X 41"). Bud Abbott and Lou Costello take their special brand of comedy out West when, after losing their jobs as peanut vendors, they head out to the land of horses and cowboys, and get jobs on a dude ranch. One of the biggest hits of the year in which it was released, this classic comedy features an appearance by such Western stars as Johnny Mack Brown, as well as musical guest Ella Fitzgerald. Offered here is a beautiful one sheet for this classic film, which had pinholes in the borders, fold wear, and chipping at the edges. These minor flaws have been rendered virtually invisible by professional restoration, making this a poster that no A&C fan will want to pass up. Fine+ on Linen. Sold for: $262.90. |
| 64817 | In the Navy (Universal, 1941). Midget Window Card (8" X 14"). By the time they made In the Navy, the comedy team of Bud Abbott & Lou Costello were riding high. Their previous film, Buck Privates, had been a monster hit, and Universal was looking to capitalize on that success by putting out another service-related comedy, also featuring the Andrews Sisters. This time, the boys ended up on the high seas, protecting pal Russ Raymond (Dick Powell), America's leading crooner, from the predations of intrepid reporter Dorothy Roberts (Claire Dodd). This exceptional midget window card, that uses the same art as the highly desirable one sheet, displays several staple holes in the imprint area, and rounded corners, but these are extremely minor flaws that do not at all detract from the overall appeal of this wonderful piece. From the Collection of Denver Sherry. Very Fine+.Sold for: $597.50. |
| 64818 | In the Navy (Universal, 1941). Three Sheet (41" X 81"). The enormous success of Buck Privates set off a wave of "service" films starring Bud Abbott and Lou Costello during the years of the Second World War. Like that previous film, this one co-stars the enormously talented Andrews Sisters. The picture ran into a snag, however, when the U.S. Navy objected to the very expensive ending, in which Lou, posing as an admiral, all but wrecks the entire fleet. They felt it made them look foolish, so the studio lightly rewrote the sequence to make it clear that the whole thing was a dream of Costello's! This highly desirable three sheet shows some evidence of fold wear, and a small scuff in the bottom center, but is otherwise extremely clean and attractive. Don't miss out on this "service"-able beauty! Very Fine- on Linen. Sold for: $1,195.00. |
| 64819 | Buck Privates (Universal, 1941). Midget Window Card (8" X 14"). By 1941, Bud Abbott and Lou Costello were one of the leading comedy teams in the world. This film, with the addition of the Andrews Sisters and the song "Boogie Woogie Bugle Boy," cemented their fame and popularity for generations. One of the team's best movies, Buck Privates is a true classic, featuring some of the team's best material. This colorful and attractive midget window card, with wonderful caricatures of Bud, Lou, Patty, Maxine, and Laverne, has had the top imprint area professionally replaced. Other than that, the card is in wonderful condition, and will make a valued addition to any collection, as any posters from this film is rare. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $956.00. |
| 64820 | Abbott and Costello in Hollywood (MGM, 1945). One Sheet (27" X 41"). "They crash the studios and see stars!" Bud and Lou are barbers turned Hollywood agents in this, the last of the three movies they did for MGM. Lucille Ball puts in a brief appearance, and there are many memorable routines, including shaving a balloon and Lou's insomnia. This poster has terrific Al Hirschfeld artwork artwork with bright colors. The lovely poster had pinholes, minor fold wear with some slight paper loss, a couple of minor edge chips. The top right corner had a missing piece in the border and a 2" tear that ran from the "H" in Hollywood down to the left of the bell. Outstanding professional restoration has rendered these problems virtually invisible, and the poster looks exceptionally fresh. Fine/Very Fine on Linen.Sold for: $896.25. |
| 64821 | Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (Universal International, 1953). One Sheet (27" X 41"). As Bud Abbott and Lou Costello's film career progressed, they met more and more interesting characters, including Captain Kidd, the Keystone Cops, the Mummy, Frankenstein, the Invisible Man, and, in this classic entry, Dr. Jekyll and Mr. Hyde. When the comedic duo, as American police officers, go to London, they run into Dr. Jekyll (Boris Karloff) and his monstrous alter-ego. A fine film from a classic team, the poster offered here will thrill any fan of vintage comedy. It had pinholes in the image, edge wear, a 9" tear in the top left corner, and fold wear with some separation. These issues have all been remedied with professional restoration, resulting in a clean and attractive poster, featuring wonderful images of Abbott, Costello, and Karloff. Very Good on Linen.Sold for: $418.25. |
| 64822 | Abbott and Costello Go to Mars (Universal International, 1953). Title Lobby Card (11" X 14"). When those loveable lamebrains, Bud Abbott and Lou Costello, accidentally launch a rocket ship that's supposed to go to Mars, they end up in New Orleans during Mardi Gras instead! After that, it's off to Venus, a planet totally populated by beautiful women! And that's just the beginning of the hilarious hijinks that ensue in this late entry in the always popular Abbot and Costello series. This colorful and appealing title card shows light overall wear, a few small corner creases, some light edge wear, and an unobtrusive crease through the left side. These are all minor flaws, however, and do little to detract from the overwhelming eye-appeal of this great card. Very Fine-.Sold for: $203.15. |
| 64823 | Swing Parade of 1946 (Monogram, 1946). One Sheet (27" X 41"). Pretty girls, great music, and the Three Stooges... what more could anyone want? Not only does this charming film feature wonderful musical performances by the likes of Connee Boswell, Louis Jordan, Will Osborne, and Mary Treen, but it also serves as a showcase for the comedic genius of the Three Stooges - Moe Howard, Larry Fine, and Jerome Howard, better known to the world as Curly. This was one of Curly's last on-screen appearances, as a stroke on the set of Half-Wits Holiday in 1947 would force his retirement. The lovely one sheet offered here had fold wear with some crossfold separation, and border chipping. In addition, there were several small missing pieces, notably in the the top right corner and border, and the bottom right corner border. Professional restoration has admirably addressed these issues, rendering the flaws virtually invisible save upon close inspection. Fine/Very Fine on Linen.Not Sold. |
| 64824 | Vagabond Loafers (Columbia, 1949). One Sheet (27" X 41"). The Three Stooges, Moe, Shemp, and Larry, take on the job of Day and Nite plumbers in an attempt to rescue a hoity-toity party being thrown by some art collectors. After they totally ruin the party (of course) they save the day by capturing a pair of art thieves making off with a Van Brocklin. The one sheets for the Three Stooges short-subjects are extremely popular; this example features pinholes in the borders, some fold separation reinforced by tape on the reverse, and crossfold tears. Folded, Fine/Very Fine.Not Sold. |
| 64825 | Hot Ice (Columbia, 1955). One Sheet (27" X 41"). This Three Stooges short, in which our heroes play would-be reporters who solve the mystery of the Punjab diamond heist with the help of a mobster's moll and an amorous gorilla, was created by combining sequences from Crime on Their Hands and The Hot Scots (both 1948), with a bit of new transitional material shot just for this film. This desirable one sheet, which has light fold wear with minor crossfold separations, as well as light wrinkling and creases, features great images of Shemp, Larry, and Moe, as well as co-star Christine McIntyre. Stooge posters have always been hard to find, making this an exceptional opportunity for any fan of these classic comedians. Fine/Very Fine.Sold for: $310.70. |
| 64826 | Myrt and Marge (Universal, 1933). Three Stooges Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. Very rare still photo featuring the Three Stooges (Curly, Moe, and Larry) with Ted Healy from a comedy feature based on the popular 1930s radio soap opera, Myrt and Marge. Myrtle Vale (as Myrt) and Donna Damerel (as Marge) reprised their original radio roles in the film. Very light edge wear. Near Mint.Sold for: $119.50. |
| 64827 | Business and Pleasure (Fox, 1931). One Sheet (27" X 41"). On a Mediterranean cruise, Earl Tinker (Will Rogers), a razor blade manufacturer, is the target of a femme fatale (Jetta Goudal, in her final role) in the pay of a business rival, and becomes embroiled in a feud between two Arab tribes. Boris Karloff shows up in a secondary role. This gorgeous stone litho poster has a terrific portrait of Rogers as well as some amusing cartoony artwork, and eye-catching colors. The poster had pinholes in the corners (some enlarged), fold wear and crossfold separations, chips out of the top border and small border tears. Professional restoration has rendered these issues all but invisible, and the poster has a fresh and bright appearance. Fine+ on Linen. Not Sold. |
| 64828 | In Old Kentucky (Fox, 1935). One Sheet (27" X 41") Style A. The very last film with famed comedian Will Rogers, released a scant three months after his death in an airplane crash near Point Barrow, Alaska, this is a story about two feudin' families, said feud to be resolved by a winner-take-all horse race. Star of stage, screen, and radio, and personal friend to presidents, publishers, and potentates, Rogers never lost the common touch, remaining a true "man of the people" even at the dizzying heights of his success. This beloved actor is exquisitely pictured on this beautiful stone litho one sheet, along with co-stars Dorothy Wilson, Charles Sellon (this was also his last picture), and Bill "Bojangles" Robinson. The poster had some fold wear with crossfold separation and some small tears at the folds, pinholes in the corners, and light border chipping in the top left. Additionally, there is evidence of inpainting in the area of Wilson's face to repair some paper loss, and there are several tears near the "d" in "Old." After professional restoration to this highly attractive and desirable poster, these flaws are virtually unnoticeable, making this a perfect choice for any fan of Rogers' homespun charm. Fine+ on Linen. Sold for: $1,912.00. |
| 64829 | In Old Kentucky (Fox, 1935). One Sheet (27" X 41") Style B. This is a simply splendid poster, the coveted B-Style, with a terrific image of the great Will Rogers, as well as an exciting glimpse at the horse race bottom left. There was minor edge chipping, pinholes in the corners, a chip out at the center horizontal fold at the right border, and a piece missing from the top left border. Thanks to professional restoration, this piece looks as good as new, and would be a real winner of an addition to any collection. Fine+ on Linen. Sold for: $896.25. |
| 64830 | Steamboat Round the Bend (Fox, 1935). Midget Window Card (8" X 14"). This was star Will Rogers's next-to-last movie and one of his most popular. Known for his homespun wisdom and his down-to-earth demeanor, Rogers was a popular star of both vaudeville and silent films, but he really came into his own with the onset of sound. The midget window card offered here has had the top imprint area replaced, but is otherwise in excellent condition. It will be a valuable addition to any classic film collection. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $507.88. |
| 64831 | Little Miss Marker (Paramount, 1934). Insert (14" X 36"). Not quite six years old, Shirley Temple was loaned to Paramount for one film, and the result was her instant superstardom. Adolphe Menjou co-stars as Sorrowful Jones, the downtrodden gambler suddenly faced with a curly-haired moppet left as a marker for a gambling debt. Temple says her prayers on this elegant insert, while Menjou watches over her. There is a scuff/smudge in the lower border, pinholes in the corners, a 1" tear on the right side just above the center fold, and fold wear. This is a rare opportunity to acquire paper from Temple's star-making film! Fine/Very Fine. Not Sold. |
| 64832 | Now and Forever (Paramount, 1934). Shirley Temple Publicity Still (8" X 10"). Vintage black and white, double weight, glossy still of a six year old Shirley Temple and Baby LeRoy. This was a publicity photo for the advance advertising of the upcoming release of the film. Only a small tape pull on the center left border, and a faint crease in the top left field. Very Fine/Near Mint.Not Sold. |
| 64833 | Captain January (20th Century Fox, 1936). Poster (40" X 60") Silk Screen Style. One of Shirley Temple's best films, the one in which she almost outhoofs a young Buddy Ebsen! This very rare, rolled, silk screened, 40" X 60", has fine portraits of Temple and crusty co-star, Guy Kibbee. There are enlarged pinholes, edge wear, and 4" tears in the center top and bottom border. There is light paint cracking in the top center image, small chips in the top and bottom left corners, and two small punches in the upper image. A truly unique Temple item. Rolled, Fine-. Not Sold. |
| 64834 | Captain January (20th Century Fox, 1936). Half Sheet (22" X 28") Style A. Little Helen Mason (Shirley Temple) lives with kindly old lighthouse keeper Captain January (Guy Kibbee), who adopted her when her parents drowned, but now the ever-so-mean truant officer (Sara Haden) wants to pack young Helen off to boarding school! What's a delightful little moppet to do? Perform a charming dance, "At the Codfish Ball," with Buddy Ebsen, for one thing. Of course, all ends well in this heart-tugging classic. The wonderful half sheet offered here, with a charming portrait of Temple, shows fold wear and pinholes in the corners and borders, light smudging in the borders, rounded corners, and some edge wear at the top, but this remains a beautiful piece for all fans of this adorable actress. Fine/Very Fine.Sold for: $1,553.50. |
| 64835 | Captain January (20th Century Fox, 1936). Half Sheet (22" X 28") Style B. Looking at this lovely poster, you can almost hear Shirley Temple's sweetly whispered trademark "Oooohhhhh!" This Style B half sheet has one of the best oversize portraits of any Temple poster, with a dramatic photo inset of Temple and Guy Kibbee, one of the finest character actors in Hollywood with a more than 50 year career. Who can forget him as "Stage-door Johnny" in Gold Diggers of 1933? Mid-1930s Temple posters in this grade with bright original coloring are few and far between. Only small pinholes, a faint removable pencil title in the bottom left border, and light fold lines with minor separation in the bottom center keep this wonderful piece from an even higher grade. Very Fine. Sold for: $1,553.50. |
| 64836 | Captain January (20th Century Fox, 1936). Midget Window Card (8" X 14"). Adorable Shirley Temple has an idyllic life with an old lighthouse keeper, played by Guy Kibbee, who took her in after the death of her parents. This midget window card shows several pinholes overall, but is otherwise in very nice shape, with eye-appeal that makes it look nicer than the grade assigned would imply. From the Collection of Denver Sherry. Very Fine-. Sold for: $179.25. |
| 64837 | Dimples (20th Century Fox, 1936). Midget Window Card (8" X 14"). One of the biggest stars of the 1930s was also one of the youngest - the legendary and irrepressible Shirley Temple. In this picture, set in the nineteenth century, the blonde-headed moppet is a street performer while her kindly old grandfather, played to perfection by the inimitable Frank Morgan, works the distracted crowd and picks their pockets. Eventually, the darling child comes to the attention of a society matron, who helps set the young child firmly on the path of righteousness. This lovely card, with superb portraits of both Temple and Morgan, is virtually flawless, ensuring that it will be a glorious addition to any classic film collection. From the Collection of Denver Sherry. Near Mint.Sold for: $191.20. |
| 64838 | Stowaway (20th Century Fox, 1936). Half Sheet (22" X 28") Style B. Shirley Temple sang better than most adults, held her own dancing with tap great "Bojangles" Robinson, had dead-on comic timing, and in this film, spoke correct Mandarin, one of the most difficult dialects on our planet. All of this at eight years of age! Simply put, she was the greatest child star ever. This Style B half sheet features Temple in one of her very best portrayals, "Ching-Ching." When she sang "Goodbye, My Love" it's rumored that even crusty curmudgeon Lionel Barrymore wept. Golden Age posters from the 1930s don't come much cleaner than this top example with great color portraits of all three of the major stars. Only light bottom border edge wear, minor corner bumps, and a small center point fold separation. Very Fine. Sold for: $478.00. |
| 64839 | Stowaway (20th Century Fox, 1936). Midget Window Card (8" X 14"). Shirley Temple is an orphan stranded in Shanghai in this fun adventure/musical. This beautiful midget card had some expert restoration done to replace the missing top image area and to fix pinholes in the corners. From the Collection of Denver Sherry. Fine+.Sold for: $448.13. |
| 64840 | Wee Willie Winkie (20th Century Fox, 1937). Pre-War Belgian (24" X 33"). To truly appreciate the genius of director John Ford, consider that one of the more difficult things to do in Hollywood is create a film that appeals to both adults and children. With this classic, Ford did just that. This delightful pre-war Belgian poster features Shirley Temple in full Regiment regalia. There is a censor stamp, minor crossfold separations, and minor edge wear with minimal corner bumps. Fine/Very Fine. Not Sold. |
| 64841 | Rebecca of Sunnybrook Farm (20th Century Fox, 1938). Insert (14" X 36"). This bright-eyed Shirley Temple vehicle bears little resemblance to the classic novel by Kate Douglas Wiggin, but is a crowd-pleaser all the same. A frantic radio producer needs the perfect Little Miss America for an advertiser's national program, and finds her literally next door. Randolph Scott, Jack Haley, and Gloria Stuart lend their able support. The bottom fold has completely separated, and has been backed with archival tape. There is a tear in the top right corner repaired with brown packing tape, and there is tape in the lower right corner, and a tape stain bottom center. A charming poster with great images of the stars. Very Good+. Not Sold. |
| 64842 | The Little Princess (20th Century Fox, 1939). One Sheet (27" X 41"). This film became a defining moment in Shirley Temple's career. When she was prevented from even auditioning for a big Technicolor musical extravaganza being done over at MGM (The Wizard of Oz), she was given her first meatier, more serious role with Fox. They commissioned this title, a splashy Technicolor musical of their own. This film is very good on its own terms, as Temple is luminous and heartbreaking as Sara Cree-one of her finest performances up until this point in her career. Only minor pinholes, some faint water stains in the borders, and mild crossfold separations. Very Fine-.Sold for: $298.75. |
| 64843 | The Little Princess (20th Century Fox, 1939). Color-Glos Lobby Card Set of 8 (11" X 14"). By the time she was eleven, Shirley Temple had been on enough film sets to learn how the "stars" got what they wanted. She outright (but sweetly) asked to make a film based on her favorite book, Frances Hodgson Burnett's The Little Princess. When the studio was quick to comply, she then said that it sure would be swell if her best friend in the movie were her best friend in real life, Sybil Jason. Jason not only got that part, but starred in Temple's next two films as well. This is a complete set of the special edition Color-Glos lobbies, with Temple in six of the cards. This was Temple's first Technicolor production, and her last successful film as a child actress. There is only light edge wear and a small tear in one card, faint dust shadows on two cards, and small border staining. Very Fine.Sold for: $310.70. |
| 64844 | Shirley Temple Still by George Hurrell (Fox, 1936). (8" X 10"). Vintage black and white, double weight, matte finish publicity still of Shirley Temple, 1936. Taken by George Hurrell, in his first photo shoot with Temple. There are only small ripples in the right and left borders, and very minor corner bumps. There is a credit stamp on the verso and in pencil is annotated "Retouch." There are also notations written in pen on the verso. Very Fine-.Sold for: $388.38. |
| 64845 | Shirley Temple Publicity Still By Otto Dyer (Fox, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. She was idolized the world over by children and their parents as the cutest, wide-eyed wonder of the silver screen. Shirley Temple would into theaters the depression era audiences into the theatre by the drove to see her sing and dance, so they could forget their daily worries. This is an original, beautiful still by the famous Otto Dyer as stamped on the reverse. There is a small crease on the left side in the lower black area, and a small crimp in the left border. Very Fine.Sold for: $143.40. |
| 64846 | 42nd Street (Warner Brothers, 1933). Lobby Card (11" X 14"). In this quintessential musical, Ruby Keeler steps in and saves the show when the lead actress is no longer available. It was one of the greatest films to emerge from the depression era and featured the choreography of Busby Berkeley, with such memorable tunes as the title song, "Shuffle Off to Buffalo" and "You're Getting to Be a Habit With Me." This lobby card has a slight trim along the right side and a tiny edge ding. The trim has been professionally restored and it appears in mint condition. A beautiful portrait card of Ruby Keeler, George Brent, and Bebe Daniels, and one of the best cards from the set. Fine-. Sold for: $1,135.25. |
| 64847 | Sitting Pretty (Paramount, 1933). Midget Window Card (8" X 14"). Jack Oakie and Jack Haley play a pair of would-be songwriters who team up with aspiring dancer Ginger Rogers in this musical comedy. The Oakie and Haley characters were loosely based on Paramount's real-life songwriting team Mack Gordon and Harry Revel, who show up in bit parts. This charming film introduced the hit 30s tune "Did You Ever See a Dream Walking?" Aside from a crease in the center, this is a beautiful Art-Deco card that would make a great addition to any collection. From the Collection of Denver Sherry. Fine/Very Fine.Sold for: $567.63. |
| 64848 | Flirtation Walk (First National, 1934). Midget Window Card (8" X 14"). Love conquers all in this upbeat musical starring Dick Powell as a lowly private stationed in Hawaii, and Ruby Keeler as the General's daughter, the object of his affections. This attractive midget window card, which pictures both Powell and Keeler, is in spectacular condition, with only a very small bend in the bottom right corner keeping it from an even higher grade. From the Collection of Denver Sherry. Near Mint.Sold for: $776.75. |
| 64849 | Happiness Ahead (First National, 1928). Midget Window Card (8" X 14"). A charming comedy about a rich young woman who meets a hard working young window washer with dreams of bettering himself. When she arranges an elaborate deception to keep him from finding out about her wealth, things get complicated. This lovely midget window card, which pictures stars Dick Powell and Josephine Hutchinson, displays light smudging, corner bumps, a bend in the top left corner, and two tiny edge tears, but is otherwise clean and attractive. From the Collection of Denver Sherry. Very Fine/Near Mint. Sold for: $657.25. |
| 64850 | A Bedtime Story (Paramount, 1933). Midget Window Card (8" X 14"). French playboy Rene's life changes dramatically when he finds himself the unsuspecting guardian of an infant boy. A charming musical comedy, this film is notable not only as an outstanding vehicle for star Maurice Chevalier, but also as the debut movie of Baby LeRoy, better known as the comic foil of W.C. Fields in some of that comedian's greatest pictures. This attractive window card shows some slight toning at the top, but is otherwise clean and pristine. Don't let this beauty pass you by. From the Collection of Denver Sherry. Near Mint.Sold for: $1,673.00. |
| 64851 | The Big Pond (Paramount, 1930). Window Card (14" X 22"). Maurice Chevalier followed up his success in The Love Parade with this musical that co-starred Claudette Colbert. Chevalier is a tour guide who falls for Colbert, the daughter of a chewing gum tycoon. His first hit song in America, Living in the Sunlight, Loving in the Moonlight, comes from this musical. This window card has a few repaired holes and stains. The restoration has been wonderfully done, and the great images of Chevalier appear fresh. Fine/Very Fine on Cardstock. Sold for: $1,015.75. |
| 64852 | College Humor (Paramount, 1933). Midget Window Card (8" X 14"). An all-star cast headlines this college/football musical made during the tough days of the Great Depression. Of course, the plot was merely an excuse to showcase the singing talents of Bing Crosby - one of his first films - and the musical and comedic talents of George Burns and Gracie Allen, which it does quite nicely. And there's no denying the instant appeal of this beautiful midget window card! In pristine condition, it is a wonderful piece from a classic film, featuring sharp corners, bright colors, and a cute co-ed named Mary Carlisle! You won't want to drop the ball on this one! From the Collection of Denver Sherry. Near Mint.Sold for: $717.00. |
| 64853 | Too Much Harmony (Paramount, 1933). Midget Window Card (8" X 14"). Bing Crosby's third film for Paramount, this is the story of a man in love with two women, one good and virtuous (Judith Allen), the other a typical "bad girl" (Shirley Grey). Of course, the whole thing is really just an excuse to showcase "Der Bingle" in a succession of musical numbers, which this film does admirably. Offered here is a beautiful midget window card, featuring a portrait shot of Bing, along with a bevy of bathing-suited beauties. This card displays some toning and some slight edge wear, both at the top, and some minor corner creasing. Nevertheless, this is a very attractive card that will make a fine addition to any collection. From the Collection of Denver Sherry. Very Fine-Not Sold. |
| 64854 | Going My Way (Paramount, 1944). One Sheet (27" X 41"). Winner of seven Academy Awards, including Best Actor (Bing Crosby), Best Director (Leo McCarey) Best Supporting Actor (Barry Fitzgerald), and Best Picture, this is the story of young Father O'Malley (Crosby), who brings new life to a formerly moribund old parish. The movie was so popular that it led to a sequel, the equally successful The Bells of St. Mary's, the following year. This classic, unrestored one sheet shows some fold wear and crossfold separation, as well as some slight edge wear, but it is an attractive and desirable poster that presents very nicely, and will make a welcome addition to any collection. Very Fine.Sold for: $507.88. |
| 64855 | Holiday Inn (Paramount, 1942). One Sheet (27" X 41"). This film will always be remembered as the one in which the immortal song "White Christmas" was introduced and sung by its star, Bing Crosby. But it also happens to be one of the most entertaining and delightful musicals ever to come out of Hollywood. Fred Astaire and Crosby bring all their many talents to this wonderful film, abetted by the charming Marjorie Reynolds and Virginia Dale. Other songs (all composed by Irving Berlin) include "Be Careful, It's My Heart," "Easter Parade," and "Abraham." Offered here is the extremely hard-to-find one sheet for this classic film. The poster had fold wear with crossfold separations, pinholes in all four corners, and edge chipping. All has been expertly restored, giving the poster a near mint appearance. Fine/Very Fine on Linen. Sold for: $4,182.50. |
| 64856 | White Christmas (Paramount, 1954). One Sheet (27" X 41"). Originally conceived as a project to reunite Bing Crosby with Fred Astaire (who declined, having "retired" by that time), the part eventually went to Danny Kaye, and the result is one of the best-remembered holiday musicals of all time. This unrestored poster has pinholes, fold and edge wear, and crossfold and fold separations. An iconic image from this holiday classic. Fine/Very Fine.Sold for: $1,015.75. |
| 64858 | Top Hat (RKO, 1935). Title Lobby Card (11" X 14"). Considered by most to be their very best musical, Fred Astaire and Ginger Rogers team up again for some high class dancing with top tunes by Irving Berlin. Offered here is the extremely scarce title card from the eight card lobby set, which portrays them performing their wonderful "Cheek to Cheek" dance number. There is creasing on the top border, a small corner chip on the top left, rounding on the other three corners with light surface loss on two of the corners, and a small stain on the left border. Fine/Very Fine.Sold for: $1,912.00. |
| 64859 | Shall We Dance (RKO, 1937). Midget Window Card (8" X 14"). With stars like Fred Astaire and Ginger Rogers, and music by George and Ira Gershwin - including the memorable song, "They Can't Take That Away From Me," which earned the film an Academy Award nomination for Best Song - how could this movie be anything but a classic? The plot is predictably light, but it gives Astaire and Rogers plenty of opportunities to sing and dance, including a classic number on roller-skates! This lovely card, which actually pictures the stars on skates, bears an unobtrusive water stain that is mostly visible in the lower left and the right center, but is clean and attractive otherwise. As far as images of this great couple go, they don't get much better than this! From the Collection of Denver Sherry. Very Fine.Sold for: $2,629.00. |
| 64860 | Shall We Dance (RKO, 1937). Title Lobby Card (11" X 14"). A classic song-and-dance film starring that classic song-and-dance couple, Fred Astaire and Ginger Rogers, made even better by an incredible score by George and Ira Gershwin, featuring such memorable tunes as "They All Laughed," "Let's Call the Whole Thing Off," and "They Can't Take That Away from Me," as well as the title song. Additionally, this movie features the well-known roller-skating dance number that required more than 150 takes to commit to film! This glorious title card, with lovely portraits of Astaire and Rogers, has a slight tear at the right edge, and some slight corner bumping and creasing in the top right. These extremely minor flaws are offset by the strong color and exceptional eye-appeal of this incredibly desirable piece. Very Fine+.Sold for: $3,107.00. |
| 64861 | Shall We Dance (RKO, 1937). Lobby Card (11" X 14"). Offered here is the most popular scene card in this set, which pictures the famous roller-skating dance number between stars Fred Astaire and Ginger Rogers. There are pinholes in the top of this card, as well as some slight silverfish damage in the bottom left, but these are very minor concerns and do little to detract from the extreme appeal and the high degree of desirability of this classic lobby card. Very Fine-.Sold for: $1,135.25. |
| 64862 | Shall We Dance (RKO, 1937). Lobby Cards (2) (11" X 14"). Both of these attractive lobby cards spotlight stars Fred Astaire and Ginger Rogers, one of the twentieth century's greatest dance teams. The card with just the two stars shows some slight staining in the upper left and minor silverfish damage in several of the borders, while the second card shows some silverfish damage, especially in the right border, which also has a small edge tear. Both cards are extremely presentable, however, and perfectly capture the spirit of the film. Very Fine.Sold for: $1,075.50. |
| 64863 | Shall We Dance (RKO, 1937). Lobby Cards (2) (11" X 14"). The seventh pairing of stars Fred Astaire and Ginger Rogers, this was to be their last film together, but the success of this film, and their incredible chemistry, made another film starring this iconic duo inevitable. Offered here are two attractive lobby cards from this beloved film. The card with Astaire displays very minor silverfish damage in the bottom and right borders, a pinhole in the top center, and a light vertical crease in the center, while the ballroom scene shows pinholes in the corners and a very light stain in the upper left. These cards display very nicely however, and will make a nice addition to any collection. Very Fine.Sold for: $388.38. |
| 64864 | Shall We Dance (RKO, 1937). Lobby Cards (2) (11" X 14"). Offered here are two lobby cards from this wonderful song-and-dance film that stars Fred Astaire and Ginger Rogers. The card that pictures the two stars has a grease-pencil mark and a 1" tear in the top, some slight silverfish damage to the borders, pinholes and a corner bend in the top left. The other card, which pictures a bevy of beautiful showgirls, displays some slight wrinkling, a small tear in the bottom border, very minor silverfish damage in the borders, and some minor soiling in the lower left. Nevertheless, both cards are very attractive and present very nicely. Fine/Very Fine.Sold for: $298.75. |
| 64865 | A Damsel In Distress (RKO, 1937). Midget Window Card (8" X 14"). Based on a story by P. G. Wodehouse, this lively song-and-dance film starring Fred Astaire, George Burns, and Gracie Allen, won a well-deserved Academy Award for Best Dance Direction. This was Astaire's first RKO musical without longtime partner Ginger Rogers, and, although this movie is a superb vehicle not only for Astaire but for Burns and Allen as well, it lost money at the box office, prompting the studio to reunite Astaire and Rogers as soon as possible. This lovely window card, with a dashing image of Astaire, displays several pin/tack holes, a small amount of water damage at the top, and a half inch tear in the right border. Additionally, there is a clean cut that starts at the bottom border and extends 7.5 inches into the image. Regardless, this is a great card from a classic film. From the Collection of Denver Sherry. Very Good.Sold for: $262.90. |
| 64866 | You'll Never Get Rich (Columbia, 1941). Insert (14" X 36"). This was the first of the two films Fred Astaire made with his favorite dancing partner - Rita Hayworth. And they did dance wonderfully together in this, and in their next film You Were Never Lovelier. A Cole Porter score livened things up even more. Astaire plays a dancer teamed with Hayworth until he is drafted into the Army. He can't accept military routine and winds up in the guardhouse. Then Hayworth shows up on base as the girlfriend of a captain. This poster, had some fold wear, and has been expertly restored, giving it a like-new appearance. Very Fine- on Paper. Sold for: $2,151.00. |
| 64867 | The Band Wagon (MGM, 1953). One Sheet (27" X 41"). When down-on-his-luck movie star Tony Hunter (Fred Astaire) agrees to star in a Broadway musical, he's not prepared for his leggy co-star (Cyd Charisse) or self-described "genius" director Jeffrey Cordova (Jack Buchanan), both of whom proceed to make his life miserable. This charming musical, directed by Vincent Minelli, very much reflected real life, in that Astaire's career had come to something of a standstill at the time, and he was considering retirement. This lovely one sheet shows fold wear with minor crossfold separation, pinholes in the corners and the center bottom, and an NSS stamp on the back that slightly bleeds through to the front. There's no denying the extreme attractiveness of this piece, however, which will make a nice addition to any collection. Very Fine-.Sold for: $956.00. |
| 64868 | Sun Valley Serenade (20th Century Fox, 1941). One Sheet (27" X 41"). Glenn Miller's orchestra provides the music, luscious Dorothy Dandridge sings "Chattanooga Choo Choo," and feats of ice skating prowess are provided by the Olympic gold medalist Sonja Henie - so what's not to like? This colorful poster gives new life to the word "festive," and captures the film's light-hearted tone perfectly. There was fold wear with crossfold separations and minor chips, and edge wear. This has been beautifully restored and it now appears near mint! Fine+ on Linen.Sold for: $896.25. |
| 64869 | Till the Clouds Roll By (MGM, 1946). Insert (14" X 36"). An all-star cast, including Judy Garland, Lena Horne, Angela Danbury, Dinah Shore, June Allyson, Van Heflin, and Frank Sinatra, highlights this classic MGM musical built around a biopic of composer Jerome Kern (Robert Walker). This wonderful insert, featuring dead-on caricatures by the great Al Hirschfeld, shows light edge wear and very light fold wear, but is otherwise exceptionally clean and attractive. Very Fine+.Sold for: $388.38. |
| 64870 | Singin' in the Rain (MGM, 1952). One Sheet (27" X 41"). It doesn't get much more classic than this! From a first rate cast, including Gene Kelly, Donald O'Connor, and Debbie Reynolds, to a long list of unforgettable songs, such as "You Are My Lucky Star," "Gotta Dance," and the title tune, to its breathtaking dance numbers, it's no surprise that this well-loved picture can be found on virtually every "Best Movie" list ever compiled. Indeed, it received two Academy Award nominations, including Best Supporting Actress for Jean Hagen, and Best Music. This marvelous poster, showing the three leads in their slickers, presents beautifully, with only some slight crossfold separation, a little wrinkling, and light fold wear keeping it from a higher grade. This highly desirable poster will make an important addition to any classic Hollywood collection! Very Fine+.Sold for: $3,585.00. |
| 64871 | Singin' in the Rain (MGM, 1952). Deluxe Title Lobby Card (11" X 14"). An effervescent musical about Hollywood's transition from silent to sound films, this has one of the most recognizable title tunes in cinema history (I bet you're humming it right now), and the athletic dance moves of co-director Gene Kelly. Offered here is the highly coveted "deluxe" title card, one of the toughest items on this title. Condition issues include staple holes in the corners, bends in three corners, and very light surface wear. You'll be singin' and dancin' once you've added this stunner to your stash. Very Fine. Sold for: $597.50. |
| 64872 | Singin' in the Rain (MGM, 1952). Japanese B1 (40" X 29"). Although he was running a 103-degree fever during the filming of the title song and dance number, Gene Kelly turned in the performance of a lifetime in this musical masterpiece. Kelly and Debbie Reynolds beam on this large format Japanese poster. There is a small adhesive spot in the title from a removed sticker, and minor tape stains are present in the corners along with minimal edge wear and wrinkling. But even with these trivial flaws, this poster is an outstanding and very displayable tribute to one of the great movie musicals of all time. Very Fine-.Sold for: $358.50. |
| 64873 | Annabel Takes a Tour (RKO, 1938). Half Sheet (22" X 28") Style B. An early movie in the filmography of star Lucille ball, this was a follow-up to the popular The Affairs of Annabel. With the benefit of hindsight, it is easy to see the irrepressible Ms. Ball honing her creative and comedic talents in these madcap comedies as the kooky Annabel Allison, a popular movie star who goes from one misadventure to another along with her publicity agent Lanny Morgan (Jack Oakie). This lovely half sheet, boasting strong color and fabulous imagery, had some fold wear with crossfold separation, a tear in the upper right, and an erased pencil mark on Lucy's face. Additionally, the left border has been replaced. Professional restoration has addressed all of these issues, but it should be noted that there is some edge wear in the right border that occurred post-restoration. Fine on Paper.Sold for: $836.50. |
| 64874 | Ziegfeld Follies (MGM, 1946). One Sheet (27" X 41") Style C. Say, who's that leggy redhead classing up this glamorous poster for Ziegfeld Follies? Why it's Lucille Ball, future grande dame of television, in this lavish musical/variety film, thought by some to be the greatest production since the birth of motion pictures. Also along for the ride are Fred Astaire, Fanny Brice, Judy Garland, Lena Horne, Gene Kelly, Red Skelton, Esther Williams, and more. In gorgeous condition, this had some fold wear with pinpoint crossfold separations and very small chips all masked by professional restoration. Very Fine- on Linen.Sold for: $1,434.00. |
| 64875 | Ziegfeld Follies (MGM, 1946). Insert (14" X 36"). MGM's all-star Technicolor spectacular featured most of the major stars on the studio's roster. What makes this insert particularly collectible though is the full-length pin-up artwork of a showgirl by George Petty. This insert has two extra horizontal creases, some light wear along the borders, and minor crimping on the fold lines. Fine/Very Fine. Sold for: $507.88. |
| 64876 | Ziegfeld Follies (MGM, 1946). Title Lobby Card (11" X 14"). One of the most popular formats for cinema during World War II was the "all-star" extravaganza; each studio would release films featuring their roster of stars in musical numbers. MGM, "with more stars than there are in the heavens" released this Technicolor wonder with the likes of Fred Astaire, Lucille Ball, Judy Garland, Lena Horne, Gene Kelly, and William Powell, among others. World renowned pin-up artist George Petty created this wonderful title card that, more than half a century later, remains like new. Near Mint+.Sold for: $836.50. |
| 64877 | Too Many Girls (RKO, 1940). Lucille Ball Publicity Still by Ernest Bachrach (7.5" X 9.5"). Vintage black and white, single weight, glossy still. This beautiful image of Lucille Ball was shot by Ernest Bachrach for Too Many Girls. There is tanning in the image and the paper has started to curl. A small stain is visible in the bottom border and there is creasing and minor scuffing in the corners. The reverse has tape in the top left corner, studio snipes and stamps, and writing in pencil. There is also a stain and light paper loss in the bottom border. Fine. Not Sold. |
| 64878 | Lover Come Back (Universal, 1946). Lucille Ball Keybook Still (8" X 10"). Vintage black and white, single weight, glossy keybook still of Lucille Ball. The photo has a paper snipe on the verso with description of Ball wearing a Travis Eaton gown from the film Lover Come Back and dated May 21, 1946. The photo has a crease in the lower right which cracks the surface emulsion. There is a fountain pen scratch out of a number in the lower left and another number put in. The photo has the standard three hole punches at the top edge for insertion into the keybook. Fine-.Not Sold. |
| 64879 | Alice Faye Publicity Still by Otto Dyar (20th Century Fox, c.1935). Still (8" X 10"). Vintage black and white, single weight, glossy still. A lovely portrait of a lovely actress. This still has a small area of adhesive residue in the lower right corner. The reverse bears a credit stamp and a studio snipe. Very Fine+. Not Sold. |
| 64880 | Lillian Russell (20th Century Fox, 1940). One Sheet (27" X 41") Style A. One of the most famous actresses of the late nineteenth and early twentieth centuries, Lillian Russell was a popular and controversial figure. Appearing in everything from vaudeville revues to Gilbert & Sullivan operettas, Russell was married several times and was, later on, the "companion" of American businessman and philanthropist "Diamond Jim" Brady. Outspoken and extremely charismatic, Russell was the subject of this elaborate biopic starring Alice Faye, which, if it's not entirely accurate, is nonetheless highly entertaining. This glorious one sheet, with an entrancing image of Faye as the ultimate diva, shows fold wear with crossfold separations, pinholes in the corners, a small chip in the right border, as well as some slight staining in all the borders. These minor flaws do nothing to detract from the overwhelming appeal of this classic piece. Very Fine-.Sold for: $597.50. |
| 64881 | Little Old New York (20th Century Fox, 1940). One Sheet (27" X 41") Style A. Based on the highly successful Broadway play of the same name, this is the story of "Fulton's Folly," Robert Fulton's efforts to invent the steam-driven paddleboat and change the face of technology forever. Starring Alice Faye as saloon-keeper Pat O'Day, Fred MacMurray as her boyfriend Charles Brownne, and Richard Greene as Fulton, this exceptionally enjoyable biopic is represented here in a lovely stone litho one sheet. The poster had slight crossfold separation and fold wear, as well as a small chip in the bottom left corner. It has been professionally restored and mounted on linen, with the linen trimmed to the borders of the poster. This extremely attractive and desirable piece will certainly be a welcome addition to any collection. Very Fine on Linen. Sold for: $956.00. |
| 64882 | George White's Scandals (Fox, 1934). Midget Window Card (8" X 14"). The film debut of the lovely Alice Faye, this was, primarily, a collection of sketches, revues, songs, and dances by some of the day's leading performers, held together by the thinnest of plots. Broadway impresario George White had been producing popular shows like this on the Great White Way for more than two decades by the time he ventured to Hollywood, where he made this film, as well as a follow-up in 1935 and another version in 1945. The attractive midget window card offered here has had the top imprint area professionally replaced, and shows a crease in the lower right corner, but is otherwise unblemished. This will make a wonderful addition to any collection of classic Hollywood. From the Collection of Denver Sherry. Fine.Sold for: $956.00. |
| 64883 | The Wizard of Oz (MGM, R-1949). One Sheet (27" X 41"). One of the most beloved films ever made, this classic musical, featuring stars Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, and Frank Morgan, is familiar to anyone who has ever seen a movie. One of the costliest films ever made at the time of its release, it is a perfect Technicolor masterpiece, with dazzling sets and costumes, impeccable casting, as well as truly timeless and wonderful songs. Although the word "classic" can be overused, that is certainly not the case with this magnificent film, a favorite of adults and children worldwide for decades. The one sheet offered here, from the film's first rerelease, had fold wear and crossfold separation, pinholes in the corners and borders, and inpainting in the title area, as well as small pieces out of the corners, the top and bottom center, and the right border. After professional restoration, these flaws have been rendered virtually invisible, resulting in a lovely piece for anyone who loves this eternal classic. You'll be over the rainbow for this one. Very Good- on Linen. Sold for: $448.13. |
| 64884 | The Wizard of Oz (MGM, R-1949). Title Lobby Card (11" X 14"). Judy Garland headlines this classic fantasy as Dorothy in the land of Oz. Included on the title card are Jack Haley, Bert Lahr, Ray Bolger, and Frank Morgan. This spectacular title card from the film's first rerelease has the tiniest nick in the upper right corner keeping it from grading slightly higher. If you're looking for a Wizard title card, you may never see one as nice as this again. Near Mint/Mint. Sold for: $7,170.00. |
| 64885 | The Wizard of Oz (MGM, R-1949). Lobby Card (11" X 14"). Judy Garland and her faithful companions travel on to the Witch's castle, unaware that they're about to be attacked by the Flying Monkeys. Scenes from The Wizard of Oz don't get much better than this, and the condition doesn't get much better either. Near Mint/Mint.Sold for: $2,270.50. |
| 64886 | The Wizard of Oz (MGM, R-1949). Lobby Card (11" X 14"). One of the really nice things about this classic reissue set is that the majority of the cards feature scenes from the film that didn't appear in the original set of cards. In this classic moment, the Cowardly Lion terrorizes Dorothy's other companions. Near Mint/Mint.Sold for: $1,553.50. |
| 64887 | The Wizard of Oz (MGM, R-1949). Lobby Card (11" X 14"). Judy Garland, as Dorothy wipes the tears from the Cowardly Lion's eyes. Ray Bolger as the Scarecrow and Jack Haley as the Tin Man look on. This scene card, which features an identical scene from the original set, has long been considered one of the most desirable cards from the lobby sets. Near Mint/Mint. Sold for: $3,107.00. |
| 64888 | The Wizard of Oz (MGM, R-1949). Lobby Card (11" X 14"). Margaret Hamilton as the Wicked Witch of the West is featured on this classic scene card from one of the most beloved fantasy films of all time. The fact that she doesn't appear on any cards from the original 1939 set makes this card extremely desirable. Near Mint/Mint.Sold for: $7,767.50. |
| 64889 | The Wizard of Oz (MGM, R-1949). Lobby Cards (2) (11" X 14"). This lot consists of two scene cards from Frank Baum's immortal classic. Card #2 features Judy Garland and her companions entering the Emerald City and card #3 shows the Cowardly Lion, Tin Man, and Scarecrow coming to Dorothy's rescue. Card #2 has a slight .5" clean tear in the right border. Near Mint.Sold for: $1,314.50. |
| 64890 | The Wizard of Oz (MGM, R-1949). Lobby Card (11" X 14"). Frank Morgan as the kindly Wizard departs for Kansas, leaving Judy Garland, Ray Bolger, Jack Haley, and Bert Lahr to find their own happiness. This card is the only one in the set to feature all of the film's principles. Near Mint/Mint.Sold for: $2,151.00. |
| 64891 | Andy Hardy Meets Debutante (MGM, 1940). Insert (14" X 36"). Another entry in the always popular Andy Hardy series, this time Andy (Mickey Rooney) goes to New York with his family and meets a socialite (Diana Lewis). He quickly finds out that the high-life is more than he can afford, making him appreciate the simple joys of home, including his cute-as-a-button girlfriend (Judy Garland), even more. The beautiful one sheet offered here shows fold wear with light crossfold separation, edge wear, and small pieces missing from both bottom corners. Although the insert is mounted on linen, it seems very little actual restoration has been done, allowing this piece to retain much of its original, highly attractive, appearance. Fine/Very Fine on Linen. Sold for: $597.50. |
| 64892 | Little Nellie Kelly (MGM, 1940). Half Sheet (22" X 28"). A grand MGM musical starring Judy Garland and George Murphy, and based on a play by the immortal George M. Cohan, this glorious film showcases Garland's considerable talents in such musical numbers as "It's a Great Day for the Irish," and "Singin' in the Rain," more than a decade before Gene Kelley would get his own shot at that immortal standard. This fantastic half sheet has some light toning and soiling, as well as some chipping and cracking along the margins, with a tear in the lower border and another in the lower left corner, but the strong color and fabulous imagery more than make up for these slight flaws. Rolled, Fine/Very Fine. Sold for: $203.15. |
| 64893 | Babes on Broadway (MGM, 1941). Insert (14" X 36"). A classic example of the "hey-kids-let's-put-on-a-show" genre of filmmaking, this pleasant comedy with Mickey Rooney and Judy Garland surrounds the efforts of Tommy Williams (Rooney) to find fame and fortune on Broadway, aided and abetted by his girlfriend, Penny Morris (Garland). That Williams is willing to do virtually anything to achieve his dream is revealed on this colorful insert, which pictures Rooney in drag, impersonating Carmen Miranda, and in blackface as well. The insert shows edge wear, pinholes in the corners, some light scuffing in the lower left, an extra horizontal crease as well as light creasing overall, some border wear, and slight damage to three of the four corners. These are all relatively minor concerns, which do little to detract from the overwhelming appeal of this great poster. Fine.Sold for: $507.88. |
| 64894 | Babes in Arms (MGM, 1939). One Sheet (27" X 41") Style D. "Hey, kids! Let's put on a show!" And with those immortal words (or something like them) Mickey Rooney and Judy Garland saved the day yet again. In this outing, as the children of vaudevillian parents, they decide to put on a show at a boarding school to prove their worth to the school administrators. This poster had some fold separation along the entire lower quarter of the vertical fold, pinholes, a small hole in the lower left border, and other wear. Professional restoration has made this poster appear near mint. Fine/Very Fine on Linen.Not Sold. |
| 64895 | Girl Crazy (MGM, 1943). One Sheet (27" X 41") Style C. Based on the smash-hit Broadway musical, and tailored to the adorable duo of Mickey Rooney and Judy Garland, this colorful treat features the memorable song "I Got Rhythm" as well as the lavish production numbers of co-director Busby Berkeley. This poster, the elusive C style, features wonderful artwork by Al Hirschfeld. There was fold wear and crossfold separations, border chips and tears, a mild double fold line, a small color chip, and a 4" tear in the logo area, all of which has been addressed with professional restoration. Fine+ on Linen. Sold for: $597.50. |
| 64896 | Presenting Lily Mars (MGM, 1943). One Sheet (27" X 41") Style D. From the "small town girl makes good" school of filmmaking, this is the charming story of Lily Mars (Judy Garland) who wants nothing more than to see her name up in lights. She falls in love with Broadway producer John Thornway (Van Heflin), and soon gets her big break. Garland was at the height of her talents and popularity in this picture, and the result is a fantastic film packed with great musical numbers. Offered here is the rare Style D poster, which had some slight damage to the upper right corner, mild fold wear, and slight crossfold separation. This style poster is very rarely offered, so don't miss your chance to add this attractive piece to your collection. Very Fine+ on Linen. Sold for: $657.25. |
| 64897 | Meet Me in St. Louis (MGM, 1944). Australian Daybill (10" X 30"). MGM's "Glorious Love Story with Music" gave us such immortal classics as "Have Yourself a Merry Little Christmas," "The Trolley Song," and "The Boy Next Door." This attractive, original release daybill, featuring lovely images of star Judy Garland, presents beautifully, with only some minor edge creasing to keep it from a higher grade. The slightly smaller size is typical for Australian daybills produced during World War II. Very Fine+. Sold for: $191.20. |
| 64898 | Judy Garland Publicity Still by Virgil Apger (MGM, Late 1940s). (8" X 10"). Vintage black and white, single weight, glossy still. This publicity still of Judy Garland was taken during the era of Till the Clouds Roll By and The Pirate. On the verso is an MGM stamp as well as a typed notation with a photo credit and Judy's name. The photo has a bit of wrinkling and a corner crease. Very Fine. Sold for: $131.45. |
| 64899 | Judy Garland Publicity Still (MGM, 1950s). Autographed (11" X 14"). Vintage black and white, double weight, matte finish still. This stunning still of Judy Garland is from the Summer Stock era of the early '50s. It is signed "To my very good friend Angelo--with deep admiration. Love, Judy." The photo has wrinkling, and a couple of edge tears with cellophane tape on the back. The photo does not come with a COA. Fine+. Sold for: $776.75. |
| 64900 | Ziegfeld Girl (MGM, 1941). Judy Garland Publicity Still by Clarence Sinclair Bull (8" X 10"). Vintage black and white, double weight, satin still. This image of Judy Garland was shot by Clarence Sinclair Bull for Ziegfeld Girl. There are minor bumps at the corners and a couple of light wrinkles in the image. The verso has a studio snipe, a credit stamp for Bull, and notations in both pen and pencil. There is also an Advertising Advisory Council stamp which is dated January 1941. Very Fine-. Sold for: $657.25. |
| 64901 | The Petty Girl (Columbia, R-1955). One Sheet (27" X 41"). Joan Caulfield got the "Petty Girl" treatment with this gorgeous poster with art by pin-up master George Petty. Petty is portrayed in this film by Robert Cummings, while Caulfield co-stars as a prim and proper college professor who winds up posing for him. This 1955 reissue poster features the exact same art as the 1950 original, and the pin-up art makes it highly collectible. There is light fold wear with crossfold separations, pinholes in the corners, and a small repaired hole by the title credits. Very Fine. Sold for: $388.38. |
| 64902 | Moon Over Miami (20th Century Fox, 1941). One Sheet (27" X 41") Style B. With WWII on everyone's mind, America desperately needed entertainment in 1941. This film delivered in spades. We are proud to present the extremely elusive Style B one sheet, featuring a resplendent full length Betty Grable. She was voted "Best Figure" in the year of this film, and fanned the fire of her growing legend with an absolutely magnetic performance, her notoriously spectacular figure sumptuously displayed in a stream of dazzling outfits. Grable would, in just a few years, be the highest paid star in America and would see her legs insured for a million dollars, and have the most reproduced pin-up poster in history stapled to every barracks wall in existence. She once quipped; "There's a reason I'm successful in show business... and I'm standing on both of them." Both styles of the posters for this film have been attributed to Alberto Vargas who did work on the campaign. First rate restoration work on this poster was performed beautifully. There were small chips in the top corners, crossfolds and vertical fold line and minor pinholes. We sold the style A one sheet for this film in our auction last year time for over $31,000! Fine/Very Fine on Linen.Sold for: $35,850.00. |
| 64903 | Moon Over Miami (20th Century Fox, 1941). Insert (14" X 36"). Poor Betty! What's a girl to do when her inheritance proves to be worthless? She packs her bags, moves to Miami with her sisters, and begins trying to land a rich husband - of course! The plot provided for comedy and music and lots of Technicolor glamour, and this insert proves the point. The artwork has been attributed to world renowned pin-up artist Alberto Vargas; it's one of the most beautiful posters of the 1940s. This particular example has a 3" tear in the bottom border that goes in to the lower credits. It has been paper-backed and shows a few slight cracks on the border. Very Fine- on Paper. Sold for: $13,145.00. |
| 64904 | Diamond Horseshoe (20th Century Fox, 1945). One Sheet (27" X 41"). Joe Davis Jr. (Dick Haymes) is a medical student who longs to follow in the footsteps of his father (William Gaxton) as a nightclub singer. Even though Pa wants better for his son, he gives the lad a job in his club, the Diamond Horseshoe, where Junior soon falls for sexy showgirl Bonnie Collins (Betty Grable). Adding to the fun is a great role for legendary comedian Phil Silvers. This extremely attractive, unrestored stone litho one sheet, with its great portrait of a leggy Grable, displays fold wear with crossfold separation, as well as some tape on the back reinforcing the fold lines, but is otherwise clean. For sheer beauty, it's hard to beat this one! Very Fine. Sold for: $717.00. |
| 64905 | All About Eve (20th Century Fox, 1950). One Sheet (27" X 41"). A landmark film by any standard, this impressive picture, about a young woman named Eve (Anne Baxter) who insinuates herself into the lives of a circle of successful Broadway actors and actresses for her own ends, was rewarded with a record-setting 14 Academy Award nominations. It won Oscars in six categories, including Best Picture, Best Supporting Actor (George Sanders), and Best Director (Joseph L. Mankiewicz), and featured one of the most impressive casts in movie history, including Bette Davis, Celeste Holm, Hugh Marlowe, Marilyn Monroe, and Thelma Ritter. It's been named to virtually every list of best movies ever written, and continues to fascinate movie fans around the world. The one sheet offered here had pinholes in the corners, tape stains on the reverse at the fold lines, chipping in the right border, and some paper loss in the top center at the fold lines. Professional restoration has expertly addressed these issues, resulting in a truly glorious poster. Fine+ on Linen. Sold for: $776.75. |
| 64906 | The Asphalt Jungle (MGM, 1950). Insert (14" X 36"). This is simply a "must have" for any film poster collector for many reasons. Certainly it's one of the best film noirs ever to come out of Hollywood. Also, it was no mean feat for a "cops 'n robbers" flick to be nominated for four Oscars! Last but not a bit least, Marilyn Monroe effectively launched her silver screen legend here, parlaying a bit part as Louis Calhern's "niece" into an unbilled but spectacular multiple image flash on most of the film's advertising. The insert is one of our favorites. It features three different pictures of Monroe, including the infamous "lil' black dress." This terrific poster also features one of the best ensemble casts ever put together, with a wonderful atmospheric photo shot from underneath a glass table totally indicative of Harold Rossen's Oscar nominated cinematography. There are soft extra horizontal folds, edge wear with small tears and tape stains, and pinholes only in the top border. There is a vertical tear in Sam Jaffe's hat. Fine+.Sold for: $657.25. |
| 64907 | The Asphalt Jungle (MGM, 1950). Half Sheet (22" X 28") Style B. Classic film nori, directed by John Huston and starring Sterling Hayden, Louis Calhern, Jean Hagen, Sam Jaffe, and, of course, Marilyn Monroe in one of her earliest credited roles. This gorgeous half sheet had light fold wear, several pinholes in the image area, an extra crease along the right edge, and a long horizontal crease at the bottom. Professional restoration has largely addressed these issues, making this the perfect poster to enhance your collection. Fine/Very Fine on Linen.Sold for: $597.50. |
| 64908 | Don't Bother to Knock (20th Century Fox, 1952). One Sheet (27" X 41"). By 1952, Marilyn Monroe was starting to establish her acting abilities and was given a chance to lead this noir thriller. Starring opposite Richard Widmark, Monroe pulls off a tour de force performance as a disturbed and obsessed baby-sitter. The poster is fantastic and is constantly in demand for its seductive depiction of the iconic screen queen. This example has some slight chipping and wear to the upper corners and some slight chipping in the upper center point. This beautiful poster is totally unrestored and with fabulous colors. Fine+.Sold for: $2,151.00. |
| 64909 | Don't Bother to Knock (20th Century Fox, 1952). Standee (32" X 60") . This original lobby standee for Marilyn Monroe's portrayal of a disturbed, spooky woman features the now iconic image of Monroe with her arms sexily posed behind her head in a low-cut sparkly red dress. Standees have always been hard to find on better titles, with far fewer of them being produced than the normal poster sizes. They were, by the nature of their usage, handled/mishandled by theater personnel and the public alike. Luckily, this example has few defects that could not easily be corrected by minimal airbrush work. There is edge wear and corner bumps, mild paint transfer to the bottom field, a small 1/4" tear in the top left corner, and fold scuffs across the surface. It no longer has the easel piece needed for it to stand. Very Good/Fine.Sold for: $388.38. |
| 64910 | Niagara (20th Century Fox, 1953). One Sheet (27" X 41"). A chance meeting between two honeymooning couples at Niagara Falls leads to suspicion, jealousy, and murder in this gripping film. This movie, along with Gentlemen Prefer Blondes, released in the same year, launched starlet Marilyn Monroe to the heights of superstardom, making her the preeminent sex symbol of the era. This gorgeous one sheet, with its glorious images of Marilyn, had light fold wear with some crossfold separation, pinholes in the image area, small edge tears at the fold lines, and chipping in the left border, but professional restoration has addressed these concerns expertly, resulting in a poster with a like-new appearance. Very Fine- on Linen. Sold for: $1,075.50. |
| 64911 | Niagara (20th Century Fox, 1953). Title Lobby Card (11" X 14"). In this thriller, Marilyn Monroe plays a cold-blooded newlywed out to murder her husband. The lovely title card offered here shows Marilyn in all her blonde and beautiful glory, not only in the painted image at the top, but in two of the scenes below. It displays slight corner bumps and a small tear at the top border, as well as a 3.5" crease at the top right. These are minor flaws, however, that do little to detract from the enormous eye-appeal of this classic beauty. Very Fine.Sold for: $717.00. |
| 64912 | Gentlemen Prefer Blondes (20th Century Fox, 1953). Half Sheet (22" X 28"). Most gentlemen prefer Marilyn Monroe, but we've got a soft spot for Jane Russell and her enormous talents as well. This energetic musical (based on the Broadway hit) about two showgirls sailing to Paris on a luxury liner, was directed by the legendary Howard Hawks and features the immortal tune "Diamonds are a Girl's Best Friend." There were some enlarged pinholes and small edge tears, and a small piece out at the lower right, all rendered virtually invisible via excellent professional restoration. This half sheet perfectly captures the timeless beauty of these two Hollywood legends. Fine/Very Fine on Linen. Sold for: $262.90. |
| 64913 | Gentlemen Prefer Blondes (20th Century Fox, 1953). Marilyn Monroe and Jane Russell Publicity Still by Frank Powolny (8" X 10"). Vintage black and white, single weight, glossy still. This stunning photo of "The Two Little Girls from Little Rock" was shot by Frank Powolny, the photographer responsible for the famous pin-up shot of Betty Grable that had a place of honor in every barracks in World War II. This still photo has light edge wear with a couple of small stains, and a bit of wrinkling. Very Fine. Sold for: $388.38. |
| 64914 | How to Marry a Millionaire (20th Century Fox, 1953). Insert (14" X 36"). How does one marry a millionaire? When the young women asking this question are Betty Grable, Marilyn Monroe, and Lauren Bacall, the answer should be obvious! A sumptuous, gorgeous movie, Charles Le Maire Travilla received an Academy Award nomination for his exquisite costume designs. The colorful insert offered here shows a few pinholes, several horizontal fold lines, some staining in the borders, and corner creasing in the upper right, but is, overall, a lovely example of this desirable poster. Fine/Very Fine. Sold for: $478.00. |
| 64915 | River of No Return (20th Century Fox, 1954). Lobby Card Set of 8 (11" X 14"). Otto Preminger's only Western stars Robert Mitchum as a farmer who is just out of prison, and Marilyn Monroe as the dance hall girl who has looked after Mitchum's son, Tommy Rettig. Preminger insisted on the stars doing their own stunts, a decision that resulted in many rescues and close calls during the rafting sequences. This lobby set has edge wear with corner bumps, and a few smudges. The title card has foxing and scuffs. Wonderful shots of the four stars, with Monroe featured on all eight cards. Very Fine-.Sold for: $657.25. |
| 64916 | The Seven Year Itch (20th Century Fox, 1955). Half Sheet (22" X 28"). There are certain images that define a place in time. For the 1950s it was Marilyn Monroe's white dress soaring upwards as she sensuously danced over a subway sidewalk grate. Tom Ewell essays the moment here on a half sheet that should be in everyone's "favorite posters" collection. Due to the nationwide popularity of this film, excellent condition original posters have always been difficult to obtain for this title. Here's your chance! There are only pinholes, slight edge wear in the bottom border, and minor wrinkles. Fine/Very Fine.Not Sold. |
| 64917 | The Seven Year Itch (20th Century Fox, 1955). One Sheet (27" X 41"). When Richard Sherman (Tommy Ewell) packs his wife and son off for a summer vacation, he looks forward to several weeks of simple peace and quiet. He gets more than he bargains for when a sexy neighbor (Marilyn Monroe) moves in and turns his life upside down. A wonderful vehicle for Monroe, this is the movie that features the immortal shot of her standing on a subway grate, her white dress flying up around her. This lovely, unrestored one sheet, named one of Premiere Magazine's "25 Best Movie Posters Ever," and featuring a wonderful image of Marilyn, shows pinholes in the top corners, and pinpoint crossfold separation. Additionally, the NSS stamp on the back slightly bleeds through to the front of the poster. However, these minor flaws do little to detract from the overwhelming eye-appeal of this beauty, a "must have" for any Marilyn Monroe aficionado. Very Fine.Sold for: $2,390.00. |
| 64918 | The Prince and the Showgirl (Warner Brothers, 1957). One Sheet (27" X 41"). Marilyn Monroe stars in this romantic comedy, opposite Laurence Olivier, as a naive showgirl who falls in love with a worldly European prince. Olivier directed this first film from Monroe's production company. The poster is hard to find in clean condition since the black background shows any kind of wear. This copy is exceptionally clean showing only a slight moisture ripple along the edges. Near Mint. Sold for: $896.25. |
| 64919 | The Prince and the Showgirl (Warner Brothers, 1957). Three Sheet (41" X 81"). Starring Marilyn Monroe and Laurence Olivier (who also directed this comic masterpiece), this is the ultimate "ditzy blonde" role for Monroe, who, as showgirl Elsie Marina, finds herself caught up in a political whirlwind, as well as in the arms of Charles, the Prince Regent of Carpathia (Olivier). In spite of the strong performances of the leads, the film was a box office disappointment, and many critics took the opportunity to opine that Monroe was "washed up" in films. Little did they know that she would make a dramatic "comeback" shortly thereafter in Some Like It Hot. This beautiful three sheet had light fold wear, pinholes in the corners, and several small tears in the image area, but all of these issues have been addressed during professional restoration. This beautiful poster, with its stunning image of Marilyn, is perfect for any fan of this immortal goddess. Very Fine on Linen.Sold for: $2,868.00. |
| 64920 | The Prince and the Showgirl (Warner Brothers, 1957). Color Stills (2) (8" X 10"). In any discussion of the great beauties of the silver screen, the name Marilyn Monroe would certainly be near, if not at, the very top. From her classic Playboy calendar photo to her wonderful films, Monroe was a brightly burning star whose flame was snuffed out far too early. In this film, she plays a ditzy showgirl, in London during the 1911 coronation of King George V, who catches the eye of Charles, prince regent of Carpathia (Laurence Olivier). Offered here are two stills from the color still set, each one featuring a fabulous image of this great American beauty. The stills are absolutely flawless, appearing as if they just rolled off the printer. Marilyn fans would have to search far and wide to find color stills more glorious than these. Mint.Sold for: $418.25. |
| 64921 | Some Like It Hot (United Artists, 1959). British Quad (30" X 40"). Billy Wilder's light-footed comedy is considered one of the greatest in history. Two musicians (Tony Curtis and Jack Lemmon) witness a mob hit, and in order to hide from the gangsters, they dress as women and join an all-girl band. Marilyn Monroe is the eye-candy, both in the film and on this colorful British Quad. Condition issues are very minor, and include light fold wear with minor crossfold separations, border tears and some chips out, all of which has been addressed with excellent professional restoration. Very Fine on Linen.Sold for: $1,015.75. |
| 64922 | Some Like It Hot (United Artists, 1959). One Sheet (27" X 41"). Tales of this film's troubled production history are legendary (and mostly center on Marilyn Monroe) but no one can argue that the finished film is anything but a work of comedic genius, and certainly the cross-dressing classic of all time. This luminous one sheet features Jack Lemmon and Tony Curtis in drag, bosom companions to the comely Monroe. The poster is in great condition, with fold wear and crossfold separations, some edge wear and border chips being the main issues. The poster has been professionally restored, and looks as good as new. Fine/Very Fine on Linen.Sold for: $1,792.50. |
| 64923 | The Misfits (United Artists, 1961). Three Sheet (41" X 81"). The final film for both Marilyn Monroe and Clark Gable (who suffered a heart attack just one day after filming concluded), this is the story of a sexy divorcee who takes up with two men, both of whom fall for her. This striking poster has large images of the stars and is in terrific condition with pinholes, edge wear, fold wear and crossfold separations, and some minor stains and scuffs being the only issues, all of which have been addressed with professional restoration. Very Fine on Linen.Sold for: $388.38. |
| 64924 | The Asphalt Jungle (MGM, 1950). Marilyn Monroe Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. This stunning portrait is from one of Monroe's earliest films. She had only a small role in this John Huston classic, but it was enough to get her noticed and was the beginning of her immense popularity. Only very minor corner bumps are noted on this beautiful still. Very Fine+. Sold for: $1,015.75. |
| 64925 | The Seven Year Itch (20th Century Fox, 1955). Marilyn Monroe Publicity Still by Frank Powolny (8" X 10"). Vintage black and white, single weight, glossy still. Playful image of Monroe from one of the best comedies ever made. Frank Powolny photographed Monroe many times including the very last known stills before her death. There is a small tear and crease at the bottom border, backed by tape. Very Fine.Sold for: $179.25. |
| 64926 | Gentlemen Prefer Blondes (Paramount, 1928). Title Card and Lobby Cards (3) (11" X 14"). Lorelei Lee (Ruth Taylor) is on the make for a rich husband in 1920s Paris. Tagging along is her best friend Dorothy Shaw (Alice White). Mack Swain (of Charlie Chaplin fame) plays the old millionaire Lee sets her sights on. Taylor was a former Mack Sennett bathing beauty who later, in real life, married a rich stockbroker and retired from films. The remake of this film, of course, starred Marilyn Monroe as Lorelei and Jane Russell as Dorothy. Sadly, all prints of this original 1928 version are presumed lost. There is silverfish damage on the borders of three of the four cards offered here. In addition, there are pinholes in the borders and in the center of each card. There is a small corner chip in the bottom right on the title card, and all of the cards have light edge tanning. In addition to the caricature title card art, all three scene cards feature Taylor, and one shows her with Swain. Fine+. Sold for: $1,075.50. |
| 64927 | Woman-Proof (Paramount, 1923). One Sheet (27" X 41") Style A. A family fortune is at stake when a set of siblings must all find spouses or lose their inheritance in this little-seen silent comedy starring Thomas Meighan and Lila Lee. The poster has a very eye-catching design with a stark white background and gaudily-dressed flappers. There is slight chipping and edge damage all down the left border, as well as tears at the top and bottom, some of them extending into the image. However, there is no paper loss in the image, the poster was never folded, and the image is still crisp and sharply defined. Fine/Very Fine on Linen.Sold for: $776.75. |
| 64928 | The Girl in the Glass Cage (First National, 1929). Lobby Cards (4) (11" X 14"). Sweet little Gladys Cosgrove (Loretta Young in her second talking picture) is a ticket-taker in a small-town movie theater. She has a crush on the ritzy Terry Pomfret (Carroll Nye) but is in turn pursued by local gangster "Doc" Striker (Matthew Betz), leading to a violent confrontation between the two men. Of the four lobby cards offered here, three feature the luminously beautiful Ms. Young. All the cards show some degree of edge wear (the only card that does not picture Young suffers from bug chews in the top left), one card has a pinhole in the top center, one has a corner chip in the bottom left, and all display rounded corners. Overall, they are extremely presentable, a fine tribute to a classic beauty. Fine+. Sold for: $298.75. |
| 64929 | Honky Tonk (Warner Brothers, 1929). Title Lobby Card and Lobby Cards (4) (11" X 14"). A nightclub chanteuse (Sophie Tucker) gives up everything to have her daughter educated abroad. When her grown-up, highly cultured daughter returns from Europe, she is appalled to learn the truth about her mother -- that she has a low class job entertaining boozy old men. This lost Sophie Tucker vehicle featured such songs as "I'm Doin' What I'm Doin' for Love," and "Last of the Red-Hot Mammas." This collection of lobby cards includes the title card and four scene cards. The title card has foxing and light edge wear, plus a chip missing from the top right edge with associated creasing. The other four cards have bug damage, edge wear, and light creasing. Fine-. Sold for: $3,346.00. |
| 64930 | The Idle Rich (MGM, 1929). Lobby Card Set of 8 (11" X 14"). In a twist on the typical "haves vs. the have-nots" plot line, Conrad Nagel, as a wealthy business man, moves in with his wife's "lower class" family just to prove he is humble, and he falls into all sorts of comedic situations. These sorts of stories were the rage just prior to "Black Tuesday" and The Wall Street crash when the "Idle Rich" would become a thing of the past. MGM really hyped the advent of sound in movies by heralding this film as an "All-Talking Picture." All of the cards have between two and three pinholes in the center and several show very minor silverfish nibbling along the edges. The portrait card has a slight scratch on Nagel's eye and another scene has a hole in Nagel's suit coat. Fine. Sold for: $776.75. |
| 64931 | Not Quite Decent (Fox, 1929). Title Card and Lobby Card (11" X 14"). June Collyer and Louise Dresser star in this heartwarming drama about an aging nightclub singer who takes a rising star under her wing. Later, the two discover that they are actually mother and daughter, separated by fate years earlier. With breathtaking color, these two cards have minor wear and tear along the edges, a bit of staining and foxing in the borders, and bumps at the corners. Very Fine-. Sold for: $1,015.75. |
| 64932 | The Sin Sister (Fox, 1929). Title Card and Lobby Cards (6) (11" X 14"). Nancy Carroll is a Vaudeville dancer who finds herself stranded in the Great White North along with a family, a grouchy fur trader, and a zany Eskimo for company. These cards all have staining and a bit of paper loss in the borders and images, as well as pinholes in the corners, but their color remains very strong. Fine+. Sold for: $478.00. |
| 64933 | Free to Love (Al Lichtman Corporation, 1925). Title Lobby Card and Lobby Card (11" X 14"). Featured in this lot are two gorgeous, very uncommon cards from the lobby set of a mid-career Clara Bow film. All you really need to know about Bow is contained in this famous quote by her: "...I used to whiz down Sunset Boulevard in my open Kissel, with several red Chow dogs to match my hair. Today, they're sensible and end up with better health. But we had more fun...." Note the clever use of lighting in the title card as the young cinematographers learned to "paint with light." These cards have mild silverfish nibbles in the borders, small corner creases, light smudging, and minor border wear. Very Fine-. Sold for: $836.50. |
| 64934 | Free to Love (Al Lichtman Corporation, 1925). Lobby Card (11" X 14"). America's sweetheart, Clara Bow, stars as a girl wrongly sent to reform school for a crime that she didn't commit. Upon her release, she tries to start a new life with a young minister (played by Donald Keith), but gangsters have other plans for her. This card features a great shot of Bow and Keith and is in superb condition. The only flaws are very faint foxing in the bottom borders and minimal edge and corner wear. Very Fine/Near Mint.Sold for: $836.50. |
| 64935 | Free to Love (Al Lichtman Corporation, 1925). Lobby Cards (2) (11" X 14"). That's Donald Keith playing the Reverend James Crawford alongside a luminous Clara Bow in these two much sought lobby cards. Lucky Keith made four films in 1925 with Bow and probably helped her answer her ever-growing fan mail that would top out at 45,000 letters per month after It was released. There are mild corner bumps, very small silverfish nibbles, light edge wear, and a 6" diagonal crease in the lower right corner of one card. Very Fine. Sold for: $657.25. |
| 64936 | Free to Love (Al Lichtman Corporation, 1925). Lobby Cards (2) (11" X 14"). These two cards from this melodrama both feature Clara Bow. One card pictures her opposite co-star Winter Hall who plays the kindly old judge who takes her under his wing after her release from a reformatory. The other card finds our troubled heroine surrounded by lawmen looking to railroad her. Both cards have a bit of scuffing in the borders and minor edge wear, but very clean images. Very Fine.Sold for: $717.00. |
| 64937 | Red Hair (Paramount, 1928). Lobby Card (11" X 14"). One of the most important stars of the silent era, Clara Bow's background was almost unbelievably tragic. Born in Brooklyn to an alcoholic father and a mother who suffered from psychotic fits, Bow's early life was marked by abuse, neglect, and poverty. Even at the height of her fame, she was still shunned by most of the Hollywood elite, who, in typically hypocritical fashion, saw her as an embarrassment to the film community. This beautiful lobby card is from one of her last silent pictures, based on a novel by Elinor Glyn, who also wrote the book that became the basis for It. The card is a lovely piece, with only the slightest imperfection, notably some very slight corner creasing in the upper left and lower right. These minute defects are only visible under the closest scrutiny, making this one of the most attractive Bow cards one is ever likely to find. Near Mint.Sold for: $1,553.50. |
| 64938 | The Wild Party (Paramount, 1929). One Sheet (27" X 41") Style B - Sound Version. Clara Bow, the perennial life of the party, starred in this aptly named picture as the flamboyant college student who falls for one of her professors (Fredric March). This was Bow's first "talkie," released in April 1929, just a scant six months before Black Tuesday, the day when the real "wild party" would come to a crashing end. This one sheet presents a stunning stone litho portrait of Bow and March; it has had some minor color touch to the borders and fold lines to repair some very minor chipping. There was a small piece out of the upper right corner that has been replaced. Fine/Very Fine on Linen.Sold for: $9,560.00. |
| 64939 | Dangerous Curves (Paramount, 1929). Lobby Card (11" X 14"). A touching romantic triangle set amidst the glitter and the glory of the circus, as young bareback rider Pat Delaney (Clara Bow) pines for trapeze artist Larry Lee (Richard Arlen), but he only has eyes for his partner, the vampish Zara Flynn (Kay Francis). It's life and love under the big top in this early Bow talkie, a pleasant film that showcases Clara's acting talents. This lovely lobby card, which features Arlen and a very red-headed Bow, shows pinholes in the image area, staining along the left edge, and a crack in the left border that has been touched up. Professional restoration has expertly addressed all of these issues, resulting in a beautiful, and very desirable, card. Fine+.Sold for: $1,135.25. |
| 64940 | Dangerous Curves (Paramount, 1929). Lobby Card (11" X 14"). Offered here is a beautiful lobby card from one of Clara Bow's later films, a partial talkie set in the circus. This card, which pictures Bow along with co-stars Richard Arlen and Kay Francis, shows some slight foxing in the top border, a small chip in the bottom left, creasing in several of the corners, a light stain in the upper right border, and a small tear in the lower left border. The color on this card is outstanding and it presents very nicely. Very Fine+.Sold for: $1,195.00. |
| 64941 | Dangerous Curves (Paramount, 1929). Lobby Card (11" X 14"). The adorable image of Clara Bow in her circus costume on this card makes it well worth bidding on. This card has staining and paper loss in the borders, and there is a bit of edge and corner wear as well. Creases have formed in the top and left portions of the field, but the color remains very strong. Fine.Sold for: $179.25. |
| 64942 | Dangerous Curves (Paramount, 1929). Lobby Card (11" X 14"). Another fella falls victim to the sweet charms of Clara Bow. This card, from the gripping circus drama Dangerous Curves has a 1.5" tear in the center of the top border, pinholes in the image, and staining in the borders and title. Fine-.Sold for: $179.25. |
| 64943 | Dangerous Curves (Paramount, 1929). Lobby Card (11" X 14"). This early Clara Bow talkie featured the starlet as a trapeze artist-in-training who falls for her alcoholic mentor, Richard Arlen. On this card, a concerned Bow looks on as Arlen confronts circus heavy Anders Randolf. This card has a 1.5" tear in the center of the top border, pinholes in the image, and staining and wrinkling in the borders. Fine.Sold for: $896.25. |
| 64944 | True to the Navy (Paramount, 1930). Jumbo Lobby Card (14" X 17"). True to the Navy captured everything that made America fall in love with Clara Bow. Her beauty, humor, and whimsical charm gleam on this jumbo linen finish lobby card which is hands-down one of the best cards in the set. There is a chip in the top right corner along with a pinhole in the bottom right corner. Very Fine-. Sold for: $1,673.00. |
| 64945 | True to the Navy (Paramount, 1930). Jumbo Lobby Card (14" X 17"). Clara Bow and Fredric March pose at the helm of a ship in this scene from one of Bow's better pictures. March portrayed a "gob" who would eventually fall for Clara's charms even though his plan was to love her and leave her. Who could resist Bow? Aside from pinholes, a small corner chip, and one small tear this lobby card is in great condition. Very Fine+. Sold for: $179.25. |
| 64946 | True to the Navy (Paramount, 1930). Jumbo Lobby Card (14" X 17"). A fine actress and a stunning beauty, Clara Bow was the personification of the decadent Jazz Age. The jumbo lobby card offered here perfectly showcases Bow's flaming red hair and her large, expressive eyes. It shows small bumps in each corner, a 1" tear in the top center, a .5" tear in the bottom center, and a 4" crease in the upper left, but these are minor considerations, none of which take away from the overwhelming appeal of this classic beauty. Fine/Very Fine.Not Sold. |
| 64947 | Call Her Savage (Fox, 1932). Oil Painting on Board (14.5" X 21"). Offered here is the very rare original painting of Clara Bow by Alex Luders used for the one sheet poster for 1932's Call Her Savage. A beautiful example of this artist's work, who also did the poster art for many other Fox films of the early 1930s. There is some wear across the artist's signature, some edge and corner wear, and a light scuff across the side of Bow's face. Here is an excellent opportunity to own a wonderful example of original poster art from the 1930s, very little of which survives. Very Fine.Sold for: $2,390.00. |
| 64948 | Call Her Savage (Fox, 1932). Swedish One Sheet (27.5" X 39.5"). Clara Bow plays a brawling and boozing Texas gal who doesn't know her father was a Native American Indian. When she finds out at the end of the picture, it supposedly explains her wild behavior. This gorgeous stone litho poster was based on the U.S. one sheet art by Alex Luders. The original art for that poster is also being offered in this auction. This never folded poster had edge wear, a chip out of the left top border, and tears on the top and bottom border. All has been expertly restored. Fine+ on Linen. Sold for: $507.88. |
| 64949 | Clara Bow Publicity Still by Gene Robert Richee (Paramount, Late 1920s). Still (8" X 10"). Vintage black and white, double weight, satin still. The "It" girl, Clara Bow, looks dazzling in this Paramount publicity still shot by Gene Robert Richee. There is wrinkling in the image from exposure to moisture, along with a few light stains in the top border and field. Faint edge and corner wear is also visible, and there is writing in pencil and a Paramount Studios credit stamp on the reverse. Fine/Very Fine. Sold for: $717.00. |
| 64950 | Clara Bow Publicity Still by Eugene Richee (Paramount, 1920s). (7.5" X 9.5"). Vintage black and white, double weight, glossy still. Taken during the height of her "It Girl" flapper days, this beautiful portrait proves that Bow really did have "It." This still only has the slightest of edge wear and corner bumps. Near Mint/Mint. Not Sold. |
| 64951 | The American Venus (Paramount, 1926). Lobby Card (11" X 14"). Much has been written about the iconic Louise Brooks and the importance of her personal stamp on the 1920s in New York and Hollywood. This seldom seen lobby card is from her second film, in 1926, in which she played Miss Bayport in an Atlantic City beauty contest. Though this was a 'bit part,' Brooks was actually cheered aloud by audiences when she walked onto the screen in this costume, and was singled out by newspaper and magazine critics. This film was so popular, it toured the U.S. for two years. Little wonder she was able to inspire a long-running cartoon strip, Dixie Dugan, a Broadway show, Show Girl, and the Paparazzi to become the fourth most written about female star in Hollywood by 1927. There has been minimal professional airbrush for minor pinholes, light foxing, and a stain in the top left and right fields. Fine/Very Fine.Sold for: $3,585.00. |
| 64952 | A Social Celebrity (Paramount, 1926). Lobby Card (11" X 14"). Louise Brooks was the most famous of the Jazz Age flappers. Consider that by 1927 she was the fourth most written about female star following only Clara Bow, Joan Crawford, and Colleen Moore. This very rare lobby card is from her third film, now sadly lost. Prior to Hollywood she was a stage sensation with the Ziegfeld follies and ran with the wealthy, the artistic, and the socially glamorous figures of the 1920s. Her trademark Dutch bob hairdo would be immortalized in Pandora's Box in 1929. Here is a chance to obtain a sought after item from her early career. The card has slight wear to the corners and pinholes. All have been cleaned and minor touch-ups applied with professional restoration. Fine/Very Fine. Sold for: $3,107.00. |
| 64953 | Now We're in the Air (Paramount, 1927). Lobby Card (11" X 14"). A film now presumed to be lost, this was one of the last pictures made by Louise Brooks before she left America to star in several landmark German films for director Georg Wilhelm Pabst, including Pandora's Box and Diary of a Lost Girl. Brooks is pictured, along with stars Wallace Beery and Raymond Hatton, on this exquisite lobby card, in all her 1920s glory. The card shows some surface dirt, some minor surface paper loss in the bottom border, and a small corner crease in the top left. Because Brooks's career was so short - she only made a total of 27 films, both here and abroad, between 1925 and 1938 - paper featuring this intriguing figure is exceptionally desirable. Don't miss your chance to acquire this extremely attractive piece. Very Fine+.Sold for: $3,107.00. |
| 64954 | God's Gift to Women (Warner Brothers, 1931). Louise Brooks Publicity Still (8" X 10"). Vintage black and white single weight glossy still. A marvelous portrait of this iconic actress in a wonderful Art Deco setting. The still shows minor surface wear, as well as a very small chip in the top right corner. The name of the actress and the date are handwritten in pencil on the reverse. Very Fine.Sold for: $657.25. |
| 64955 | Louise Brooks Publicity Still by Richee (Paramount, 1928). Still (8" X 10"). Vintage black and white, single weight, glossy, publicity still for Louise Brooks. This was taken by Paramount staff photographer Eugene R. Richee. The photo has Richee's credit stamp on the verso. There are only very minor corner bumps. Near Mint-.Sold for: $2,031.50. |
| 64956 | The Man and the Moment (First National, 1929). Title Lobby Card and Scene Cards (5) (11" X 14"). Based on a novel by Elinor Glyn, a popular and controversial novelist whose bestselling book, It, became the basis for the movie that made Clara Bow a superstar, this is the story of two young wealthy people (Billie Dove and Rod La Rocque) who get married in haste and come to regret their ill-considered actions. The title card offered here shows light foxing in the borders, pinholes in the center of the image, and small silverfish chews. The scene cards display light foxing, light silverfish chews, and pinholes in the center of the image. Overall, this is a very attractive collection of cards that will please any early film aficionado. Fine.Sold for: $239.00. |
| 64957 | The Stolen Bride (First National, 1927). Three Sheet (41" X 81"). The first American film of European producer/director Alexander Korda, Billie Dove stars in the titular role as a Hungarian countess who, during World War I, falls in love with an American-educated soldier (Lloyd Hughes) in the Hapsburg Army. Dove, who gained popularity as a Ziegfeld girl, starred in this movie at the height of her career in the late 1920s, and was certainly considered Florenz Ziegfeld's most beautiful girl. As a star of stage and screen, she was hailed the "American Beauty." This striking full-length poster is amazing in its detail and stone litho beauty. The unrestored poster has only the most minor fold wear. Very Fine.Sold for: $3,107.00. |
| 64958 | The Rough Riders (Paramount, 1927). Title Lobby Card and Scene Cards (6) (11" X 14"). Loosely based on the life and exploits of Teddy Roosevelt, particularly his stirring charge up San Juan Hill, this epic picture was directed by Victor Fleming (best known as the director of The Wizard of Oz), and starred Noah Beery, Mary Astor (who is pictured on the title card), and Frank Hopper as Roosevelt. Hopper was not an actor, but a literary agent who was cast after a widespread talent search, primarily because of his physical resemblance to TR. These colorful and exciting cards show some soiling in the borders, mild corner bumps, and pinholes in the corners of several cards, but are generally clean and attractive. For the fan of film or history, this is the lot to bid on! Very Fine.Sold for: $262.90. |
| 64959 | The Campus Flirt (Paramount, 1926). Title Lobby Card (11" X 14"). A classic Jazz Age college comedy, this is a wonderful vehicle for star Bebe Daniels, who first came to audiences' attention as one of Harold Lloyd's most important leading ladies. One of the relatively few silent stars who made a successful transition to sound films, Daniels appeared in such well-received films as Rio Rita, The Maltese Falcon (the first adaptation of the popular book), and 42nd Street. This movie also marks the film debut of former vaudeville performer El Brendel. Offered here is a lovely title card, with charming artwork by William J. Hanneman, showing pinholes in the corners and borders, surface smudging, and corner bumps. Also included with this lot is a lovely scene card from Wild Wild Susan, also starring Daniels. This card exhibits pinholes in the borders and corners, small tears in the top and bottom borders, a small bend in the bottom border, slight creasing in the bottom corners, and dust shadowing along the edges. These are very attractive and desirable cards that clearly evoke the fun and frenzy of the 1920s. Fine+. Sold for: $155.35. |
| 64960 | Chu Chin Chow (Metro Goldwyn, 1923). Title Lobby Card (11" X 14"). Betty Blythe stars in this damsel-in-distress tale set in the Arabian desert, taking its inspiration from Rudolph Valentino's The Shiek. Blythe would go on to make a career of fantasy epics like She and The Queen of Sheba and would become known for her revealing and extravagant costumes. This card is absolutely gorgeous and features Blythe in one of her amazing art-deco hats. Near Mint-.Sold for: $3,585.00. |
| 64961 | Footlights and Fools (First National, 1929). Insert (14" X 36"). Colleen Moore plays a naive performer who goes to Paris to learn how to be a sophisticated entertainer. This early sound film (which is sadly now lost) also featured Fredric March as one of her suitors. This poster has had minor touch-up to correct some edge wear and pinholes in the borders. A gorgeous image of Moore in her elaborate stage costume. Very Fine+. Sold for: $537.75. |
| 64962 | The Garden of Eden (United Artists, 1927). Lobby Card Set of 8 (11" X 14"). Directed by Lewis Milestone, who would, several years hence, helm the acclaimed anti-war film All Quiet on the Western Front, this glittering melodrama sports art direction by the legendary William Cameron Menzies, who would gain fame as the director of such classics as Things to Come, The Thief of Bagdad, and Invaders from Mars. The title card offered here shows a chip in the bottom right corner, pinholes in the image area, and a crease in the bottom left corner. The scene cards are extremely clean, showing only some very light smudging on several. These are exceptionally attractive cards, perfect for any collection. Very Fine+. Sold for: $1,195.00. |
| 64963 | Three Hours (First National, 1927). One Sheet (27" X 41") Style A. Corinne Griffith was a star of the first magnitude during the silent era. This film was the last of eleven films she would produce herself; she would retire with the advent of talkies and leave the screen for thirty years. She had invested wisely and had amassed a fortune in real estate holdings. She was an accomplished author writing over a dozen books. At the time of her death in 1979, she was one of the wealthiest women in the world, leaving an estate worth $150 million. This beautiful stone litho one sheet is absolutely stunning and, other than some slight fold wear, it is in superb condition. Very Fine+.Sold for: $1,015.75. |
| 64964 | Lilly Turner (Warner Brothers, 1933). Midget Window Card (8" X 14"). A heart-tugging tale of love, loss, and betrayal, this wrenching Pre-Code drama tells the story of a young carnival worker (Ruth Chatterton) whose husband abandons here upon learning that she is pregnant. On the rebound, she make a disastrous decision in marrying an alcoholic carny barker in order to avoid the stigma of giving birth to an illegitimate child! From then on, things get even worse. The story, based on a popular play, was considered so sordid that the Hays refused to issue a certificate to the film when it was re-released in 1936. This sexy midget window card displays pinholes in the bottom corners, and the top imprint area has been professionally replaced. Pre-Code material like this is highly desirable and quite scarce, so don't let this beauty pass you by! Very Fine. Sold for: $567.63. |
| 64965 | Tomorrow and Tomorrow (Paramount, 1932). One Sheet (27" X 41"). The wonderful subtleties of this uncommon poster for one of Ruth Chatterton's better pre-Code films might very well be lost if you don't know the plotline. Chatterton wants a child badly and her boring husband, Robert Ames, neglects her. She has a tryst with a visiting brain surgeon, Paul Lukas, and becomes pregnant by him. She has the child but tells Lukas that her husband is the father. Years later, the surgeon saves the child after a horse-riding accident. Chatterton confesses he is really the father, but that she is staying with the husband. There has been expert restoration to this terrific poster for minor fold separations with small chips in the fold lines, and a tiny bleed-through from writing on the back upper left border. Very Fine- on Linen.Sold for: $298.75. |
| 64966 | Renegades (Fox, 1930). Window Card (14" X 22"). Not only is there sloe-eyed Myrna Loy in a low-back red dress, but with this great deco poster featuring her and Warner Baxter, you'll be ready to answer important trivia questions like: "In what movie does Bela Lugosi play an evil godless villain amidst the sand dunes?" to really impress your friends. There is foxing and smudges on the bottom and left borders as well as in the credits. Fine+. Not Sold. |
| 64967 | Resurrection (United Artists, 1927). Title Lobby Card and Scene Card (6) (11" X 14"). Based on the massive novel by Count Leo Tolstoy, this is the story of Katyusha (Dolores del Rio), a Russian peasant, who is first seduced, then abandoned, by Prince Dimitry Ivanitch Nekhludov (Rod LaRocque). Years later, the prince serves on a jury trying the same girl for a crime he realizes was committed as a result of his actions. The novel had been filmed several times before, and would come before the camera several times after this production as well, but only this version boasts Count Ilya Tolstoy, Leo's third son, as both a technical advisor and an actor (he plays The Old Philosopher in this version). Three of the cards offered here, including the title card, have been slightly trimmed in the bottom border, and all the cards show light smudging and corner bumps, but all are extremely attractive and desirable. Fine-.Sold for: $310.70. |
| 64968 | Fair Lady (Bennett Pictures, 1922). One Sheet (27" X 41"). This gorgeous stone litho one sheet, with its deep, rich color, features the beautiful Betty Blythe (of She fame). Based on the novel The Net, it featured Blythe as an Italian countess who travels to America to find Thurston Hall, the head of a criminal syndicate and the assassin of her fiance. The poster had edge tears, fold wear with crossfold separations, pinholes in the corners, and a small tear in the upper background. All has been expertly restored, giving this poster a near-perfect appearance. Very Fine on Linen. Sold for: $597.50. |
| 64969 | Subway Sadie (First National, 1926). Lobby Cards (2) (11" X 14"). A Cinderella story about a young girl named Sadie (Dorothy Mackaill) who falls in love with a lowly subway guard (Jack Mulhall), only to find out later that he's a millionaire's son, whose father owns the subway line! The film also features former Keystone Kop Charles Murray in a funny running gag as the subway motorman. These attractive and colorful lobby cards simply scream "Jazz Age," particularly the card that features the flapper fashion show. That card shows pinholes in the top border, a small tear in the lower right, and a light crease in the top right corner. The other card displays very minor creasing in the two bottom corners. Both cards are extremely appealing, and present very nicely. Very Fine+.Sold for: $239.00. |
| 64970 | Subway Sadie (First National, 1926). Title Card and Lobby Cards (5) (11" X 14"). Dorothy Mackaill was a star of the Ziegfeld Follies in New York at the age of 16. She starred in a number of famous silent films but her transition to talkies was not well received. She retired from the screen by the mid 1930s. This wonderful title card and scenes are fabulous examples of advertising from an age gone by. They are in wonderful condition with a couple of pinholes in a few of the cards and some minor soiling on a few. Very Fine.Sold for: $179.25. |
| 64971 | Marion Davies Publicity Still by Clarence Bull (MGM, 1930s). Still (10" X 13"). Vintage black and white, double weight, glossy still. Widely remembered as William Randolph Hearst's long-term mistress, Marion Davies was a delightful comedienne in her own right who was perhaps more hindered than helped by this relationship. The still offered here has corner and edge creases, and a few light scuffs. Very Fine+.Sold for: $478.00. |
| 64972 | Marion Davies Publicity Still by Clarence Bull (MGM,1930s). Still (10.25" X 13"). Vintage black and white, double weight, glossy still of Marion Davies by the legendary Clarence Sinclair Bull. Bull's signature is embossed in the lower right corner, and light condition issues include corner creases, some smudging in the left border, and light surface wear. A very beautiful portrait of one of the screen's most interesting comedians. Very Fine-.Sold for: $657.25. |
| 64973 | Marceline Day Publicity Stills by Clarence Bull (MGM, 1920s). Stills (3) (11" X 14"). Vintage black and white double weight stills. A versatile actress, Marceline Day made successful appearances with everyone from great tragedians John Barrymore and Lon Chaney to comic clowns Buster Keaton and Harry Langdon. Two stills were taken by Clarence Sinclair Bull and are credited so on the verso and the other by Ruth Harriet Louise. These stills are directly from the estate of Day who passed away in 2000. All three items are very clean with faint corner bumps, as well as credit stamps and studio snipes on the reverse. Near Mint. Sold for: $179.25. |
| 64974 | Shameful Behavior (Preferred Pictures, 1926). Title Lobby Card and Scene Cards (6) (11" X 14"). When Daphne Carroll (Edith Roberts) returns home from a posh Parisian finishing school, it becomes apparent that she's not the simple, gawky kid she was when she left! Her new outlook and radical attitude scandalizes her boyfriend Curtis Lee (Harland Tucker), a conservative politician, who begins to distance himself from her in order to preserve his public persona. A madcap comedy from beginning to end, this outrageous period piece is represented here by a near-complete set of lobby cards. The title card, with its charming Jazz Age artwork, shows pinholes in the corners, light edge wear, and dustshadowing, while the scene cards show pinholes in the corners, and very light edge wear. One of the cards has a small chip in the top border. In spite of these small flaws, this is a very attractive collection of cards that displays very nicely. Very Fine-.Sold for: $262.90. |
| 64975 | Thou Shalt Not (Fox, 1919). Lobby Card (11" X 14"). An artist's model and showgirl - she was the model for Charles Dana Gibson's iconic "Gibson Girl" - Evelyn Nesbit was the toast of New York at the age of 16. Luminously beautiful, she attracted the attention of wealthy and powerful men, including actor John Barrymore, noted architect Stanford White, and railroad and coal heir Harry K. Thaw. Nesbit married Thaw in 1905, who, in the following year, killed White in a jealous rage, described in the media as "The Crime of the Century." The resulting trials - the first resulted in a hung jury - were a cause célèbre, filled with dirty details, sexual innuendo, and sleazy rumors, especially when Nesbit testified in the second court proceeding. She was able to parlay her notoriety into a brief film career between 1916 and 1922, but slid into virtual obscurity soon thereafter, the victim of addictions to both morphine and alcohol. Nesbit was portrayed by Joan Collins in The Girl in the Red Velvet Swing, and by Elizabeth Montgomery in Ragtime, demonstrating the movie-going public's continued fascination with this tragic figure. This exceptional lobby card, from a late point in Nesbit's film career, shows a chip in the top left corner and bottom right corner, pinholes in the left and right borders, and two pinholes in the image area to the left of Nesbit's head, but is still extremely presentable. Due to the brevity of Nesbit's movie career, paper featuring this notorious actress is very hard to come by. Don't pass up this rare beauty. Very Fine.Sold for: $191.20. |
| 64976 | Woman Trap (Paramount, 1929). One Sheet (27" X 41") Style A. Hal Skelly, Evelyn Brent, and Chester Morris star in this early "talkie" about a cop's rise through the ranks despite the criminal activities of his brother. There were chips in the borders, separations at the folds, and pinholes in the corners. Now, thanks to an expert restoration, all that remains is a beautiful stone litho poster that is ready to display. Fine/Very Fine on Linen. Sold for: $478.00. |
| 64977 | The Scarlet Letter (MGM, 1926). Window Card (14" X 22"). Elegant adaptation of the Nathaniel Hawthorne novel, with Lillian Gish demure and beautiful as the wayward Hester Prynne, bearer of the title emblem. This superb stone litho window card has a lovely image of Gish, and what might be a purely symbolic arm pointing out her indiscretion. There are small stains in the imprint area, foxing in the borders, small tears with tape repair in the upper border, a chip missing from the bottom right corner, bumps in the top and bottom left corners, and a diagonal crease on the left side of the card. The "A" is for Absolutely must-have, so get your bid in now! Fine+.Sold for: $836.50. |
| 64978 | The Enemy (MGM, 1927). Title Card and Lobby Card (11" X 14"). Based on an extremely anti-war play by Channing Pollock, this film found Lillian Gish forced into prostitution to provide money for her child. This was one of Gish's (The First Lady of the Screen) final roles before the close of the silent era. Fred Niblo was one of the silent screen's finest directors but, like Gish, his career would wane with the advent of sound. Each card has one set of staple marks within the image, at the center left and center right. Very Fine+. Sold for: $1,015.75. |
| 64979 | The Sisters (Monopol, R-1920s). Title Card and (6) Lobby Cards (11" X 14"). This film was originally produced as a short for the Vitagraph company in New York City, starring the Gish sisters, two of their most famous stars. It was released by Mutual in 1914, then later reissued after the fame of Lillian and Dorothy Gish had grown. These lovely and early hand-tinted cards were made from frame blow-ups from the film, not from actual still photos the way most lobbies were produced. The cards have minor soiling and wear to the corners. Very Fine-.Sold for: $310.70. |
| 64980 | Tiptoes (Paramount, 1927). Title Lobby Card and Scene Cards (2) (11" X 14"). Based on the successful musical by George Gershwin, this wonderful film concerns box office sensations Dorothy Gish and Will Rogers as two members of a three-man vaudeville troupe - Nelson Keyes, a popular British music-hall performer, rounded out the trio - who are forced to find an alternative way to stay alive when their act bombs in Liverpool. Offered here are the title card and two scene cards from this star-studded spectacular. The title card shows two pinholes in the top, a small tear in the left border, and light edge wear. For completeness sake, we note that the red plate on this card is significantly off-register, although this is a printer's error and not a defect in the card itself. The scene card with Dorothy in a ball gown also shows several pinholes in the top, slight edge wear, some creasing in the top border, and light smudging in the bottom right, while the card that shows two suits of armor has a very light crease in the upper right, very light edge wear, and a single pinhole at the extreme upper edge of the orange background. All in all, these are splendid cards showcasing some of the biggest stars of the era, well worth a place in the finest collection. Very Fine+.Sold for: $597.50. |
| 64981 | French Heels (Hodkinson Pictures, 1922). One Sheet (27" X 41"). Irene Castle and her husband Vernon Castle were the best known ballroom dancers of the early 20th century. The Castles' initial fame began in Paris, where they introduced American dances, such as the Turkey Trot and the Grizzly Bear. When the Castles returned to the U.S., their success was repeated on a far wider scale. As the couple's celebrity increased in the mid-1910s, Irene Castle became a major fashion trendsetter, initiating the vogue for bobbed hair and shorter skirts. Her chic wardrobe was supplied almost exclusively by the couturier "Lucile", (Lucy, Lady Duff-Gordon) but Irene also designed some of her clothes herself. After husband Vernon's death as a pilot during WWI, Irene starred solo in about a dozen silent films between 1917 and 1924 and appeared in several stage productions before retiring from show business. There were minor tears in the top border, and a missing top left corner in the border only. All has been beautifully restored, making this gorgeous and highly desirable stone litho one sheet near perfect in appearance. Very Fine- on Linen. Sold for: $836.50. |
| 64982 | Excitement (Universal, 1924). One Sheet (27" X 41"). Blond and beautiful Laura La Plante plays a suburban housewife who craves excitement in her life. She gets all she wants when she's kidnapped by an Egyptian potentate pictured in several poses here in this very colorful stone litho from the mid 1920s. The poster shows her crammed into a mummy case, and rescued at the last possible moment by her "dull" husband Hiram, who reveals that her abduction was a hoax, staged to cure her of her desire for thrills. This delightful poster has something for every collector: a vintage motorcycle careening around a mountain cliff, a rumble seat roadster roaring away in a cloud of dust, a biplane, a runaway horse scene, and even a round-robin boxing match! Restoration was done to correct minor edge wear with very small chips in the left border, pinholes, and slight wear in the crosspoint and fold lines. Don't overlook this beauty. Very Fine on Linen. Sold for: $1,912.00. |
| 64983 | The Teaser (Universal, 1925). Title Lobby Card (11" X 14"). Laura La Plante, one of Universal's leading ladies, starred in this light-hearted comedy about a girl who is adopted by her aunt and sent to finishing school to improve her manners. La Plante would make a career of starring in social comedies and this fabulous silent era card pictures here four times in a seductive pose. This great snapshot of another era is sure to be a favorite in any lobby card collection. Near Mint.Sold for: $956.00. |
| 64984 | Home James (Universal, 1928). Title Card and Lobby Cards (5) (11" X 14"). One of Universal's biggest stars during the 1920s, Laura La Plante was one of the relatively few silent actresses (or actors, for that matter) who made a successful transition to sound films. By the mid 1930s, however, she retired, and made only sporadic appearances in movies and on TV thereafter. Offered here is a wonderful set of lobby cards, all of which feature this classic actress. The title card shows pinholes in the corners, and creasing in the image area and at the corners. The scene cards show tackholes in the corners. One of the cards shows some glue residue at the left side on La Plante's face, while another is missing the top right corner. These are all fairly minor defects, none of which detract overmuch from the overwhelming appeal of these classic cards. Fine-. Sold for: $388.38. |
| 64985 | The Love Trap (Universal, 1929). Title Card and Lobby Cards (6) (11" X 14"). A desperate showgirl (Laura LaPlante), down on her luck, out of a job, and evicted from her apartment, falls in love with a kind cab driver (Neil Hamilton), whose family disapproves. The lobby cards offered here, including the lovely title card, present very nicely. The title card shows some staining in the bottom right, and a small degree of edge wear. The scene cards display very light edge wear, and one card has a small chip in the top right, but all of the cards exhibit strong color and are quite attractive. This is a great lot for the fan of early cinema. Very Fine. Sold for: $1,434.00. |
| 64986 | Dance Magic (First National, 1927). One Sheet (27" X 41"). Though the film is not particularly well-known, it does star a young Ben Lyon before he would later star in Howard Hughes's epic Hell's Angels (1930). This is an absolutely gorgeous stone litho one sheet printed by Morgan Litho. It has some fold wear and separation in the upper horizontal fold and a minor amount in the lower fold, and some slight wrinkling in the image, but it presents very nicely, with a high degree of eye appeal. Very Good/Fine.Sold for: $776.75. |
| 64987 | Sunset Boulevard (Paramount, 1949). Gloria Swanson Keybook Stills (2) (8" X 11"). Vintage black and white, double weight glossy finish publicity stills of Gloria Swanson for Sunset Boulevard. These are keybook stills with the normal punch holes. These rare behind-the-scene stills have only a mild lower right corner crease on one still. Very Fine+.Sold for: $119.50. |
| 64988 | Colleen Moore Publicity Still by Russell Ball (First National, 1927). Still (11" X 14"). By 1927, Colleen Moore was the biggest box office draw in America. Having appeared in several Westerns with Tom Mix, her big break came in Flaming Youth. A perfect combination of beauty and brains, Moore took full advantage of her success by using her earnings to make a killing in the stock market. Shot in 1927, by photographer Russell Ball, at the height of Moore's success, this gorgeous publicity still is in wonderful condition. It has only minimal edge and corner wear along with credit and date stamps on the reverse. Very Fine+. Sold for: $286.80. |
| 64989 | The Dance of Life (Paramount, 1929). Jumbo Lobby Card (14" X 17"). Absolutely gorgeous double shot of Nancy Carroll for this early talkie/musical partially filmed in Technicolor. Carroll plays a dancer in love with a swell-headed vaudeville comic (Hal Skelly) who team up to hit the big time. This beautiful linen finish card has very minor corner bumps. Very Fine/Near Mint.Sold for: $776.75. |
| 64990 | The Devil's Holiday (Paramount, 1930). Jumbo Lobby Card (14" X 17"). Nancy Carroll earned an Oscar nomination for her portrayal of a poor girl who marries into a rich family. This card has a bit of creasing at the corners and a single crease at the left side of the image, as well as pinholes at the top and bottom of the field. Very Fine-. Not Sold. |
| 64991 | Sweetie (Paramount, 1929). Jumbo Lobby Card (14" X 17"). Nancy Carroll is a Broadway star who finds herself the owner of a college football team, with her boyfriend (Jack Oakie) the hero of the team. Helen Kane co-stars. This gorgeous, linen-finish card shows Carroll with Oakie. Light corner bumps. Very Fine/Near Mint.Sold for: $657.25. |
| 64992 | Salome (Fox, 1918). French Grande (47" X 63"). The legendary story of Salome is brought to glorious life in this extravagant, although now sadly lost, film. Theda Bara stars as the woman John the Baptist lost his head over, a sultry and stunning silent screen siren whose kohl-blackened eyes still speak to us nearly a century hence. The original "vamp," a sobriquet she earned after appearing in the landmark 1915 production A Fool There Was, Bara was a sensation, encouraging the mystique that studio publicists built around her. Films like Carmen (1915), Cleopatra (1917), The Rose of Blood (1917), and The Soul of Buddha (1918) only served to enhance her mysterious reputation. By the early 1920s, however, Bara retired from films, rarely appearing before the public again. She lives on, however, as an iconic image of the early cinema. Offered here is a beautiful French grande from Salome, one of Bara's most noted pictures. The poster had fold wear with crossfold separation, chips in the bottom border, a large tear in the bottom right, and several edge tears in the top. Professional restoration has addressed all of these issues, however, and the poster now displays beautifully, ready to take its rightful place as the centerpiece of any fine collection. Fine/Very Fine on Linen.Not Sold. |
| 64993 | Stella Maris (Artcraft, 1918). Title Lobby Card and Scene Cards (2) (11" X 14"). In a stunning change of pace, Mary Pickford, "America's Sweetheart," plays a dual role in this picture: she is both Stella Maris, a lovely young crippled girl, raised in luxury as an heiress, and Unity Blake, a plain maidservant who suffers abuse at the hands of her cruel employer. Offered here are the title card and two scene cards from this gripping movie. The title card shows pinholes in the corners and borders, creasing in the bottom corners, and a small stain in the bottom left. The scene cards have pinholes in the corners and borders. One of the scene cards has a small piece missing from the bottom right corner and a small stain in the bottom border. Overall, these are spectacular cards. Fine+.Sold for: $2,629.00. |
| 64994 | Rosita (United Artists, 1923). Half Sheet (20.5" X 26.5"). A superb picture, made at the height of star Mary Pickford's career, this is a charming and elegant movie, directed by the legendary Ernst Lubitsch, who had come to America in 1922 at Pickford's invitation. Although tarnished with an undeservedly bad reputation for years, recent viewings, as well as further research, show that many of the criticisms often leveled against this film are undeserved: it was well-reviewed at the time of its initial release, it grossed over $940,000 (an impressive sum in 1923), and it's a delightful film, starring a young and vivacious Pickford in a classic role. Early Pickford paper is quite scarce, making this hand-tinted beauty a rare and desirable item. It shows a chip in the left border, two tears, and a slight uneven trim to the bottom right border. These are minor, and easily repairable flaws, none of which detract from the overwhelming appeal of this classic image. Fine.Not Sold. |
| 64995 | Little Annie Rooney (United Artists, 1925). Window Card (14" X 22"). Mary Pickford, who was 32 years old at the time, plays Little Annie Rooney, a tough teenager and leader of a juvenile street gang whose members help her pursue her father's killer. William Haines had an early role as Pickford's boyfriend. There is light edge wear and minor corner bends on the bottom. Gorgeous stone litho art makes this poster a highly desirable piece. Very Fine+. Sold for: $597.50. |
| 64996 | Mary Pickford Personality Still Lot (United Artists, 1919). Still (6.5" X 8.5"). Printed on Double Weight paper, this matte finished print was hand signed in ink by Mary Pickford. The adorable image of Pickford was captured by photographer Rahmn for the Little Annie Rooney (1925) publicity campaign. It has a crease in the bottom left corner, tiny corner bumps, and a stamp on the reverse. Also included in this lot are two 8" X 10" stills featuring Pickford, one with a stamped autograph. This lot does not come with a Certificate of Authenticity. Very Fine-. Sold for: $179.25. |
| 64997 | The Waning Sex (MGM, 1926). Title Lobby Card (11" X 14"). According to playwrights Frederic and Fanny Hatton, the "waning sex" was actually the male, and this hypothesis was carried over to the film version of the Hatton's stage comedy. This mid-20s hand-tinted title lobby card features a stylishly swimsuited Norma Shearer as female lawyer Nina Duane, who has a difficult time battling a quite chauvinist "good old boy" network called "the legal system." There is a horizontal crease along the top border, pinholes in the borders and top field, and light edge wear with small border tears. Shearer would be nominated six times for a Best Actress Oscar, winning in 1930 for The Divorcee. Fine/Very Fine.Sold for: $776.75. |
| 64998 | Upstage (MGM, 1926). Lobby Card (11" X 14"). The glamorous Norma Shearer stars in this romance about a star whose ego clouds her better judgement. This scene is from the film's finale where she learns humility, and her leading man (Oscar Shaw) rekindles their love. The card has pinholes in each corner and some very light smudges in the borders and background. Very Fine-. Sold for: $537.75. |
| 64999 | Rip Tide (MGM, 1934). Norma Shearer Still by George Hurrell (8" X 10"). Vintage black and white, double weight, glossy still. Norma Shearer is torn between Robert Montgomery and Herbert Marshall in this classy soap opera from MGM. This beautiful Hurrell still has slight edge wear and corner bumps, and a small scuff on the bottom border. There is a light indentation where the glue from the snipe on back has dried. Very Fine/Near Mint.Sold for: $334.60. |
| 65000 | Norma Shearer Publicty Still by George Hurrell (MGM, 1932). Still (8" X 10"). Vintage black and white, double weight, matte finish publicity still of Norma Shearer. Taken by photographer, George Hurrell. There are mild corner bumps, and small surface creases in the upper left and center fields. On the verso is Hurrell's credit stamp. Fine+.Sold for: $119.50. |
| 65001 | Her Love Story (Paramount, 1924). Lobby Cards (2) (11" X 14"). Gloria Swanson was near the top of her career when she made Her Love Story. She plays a European princess who falls in love with the captain of the king's (her father) guard, when she is set to wed a neighboring king. Her bridal gown, at $100,000.00, cost more than most features done in those days. Also in this Swanson lot is a card from Wages of Virtue (1924). Both films were directed by Allan Dwan. Both cards are in outstanding shape with minor dings to the lower left corners. Very Fine/Near Mint. Sold for: $507.88. |
| 65002 | Sadie Thompson (United Artists, 1928). Title Lobby Card (11" X 14"). W. Somerset Maugham's short story is brought to the screen for the first time with Gloria Swanson playing the titular role. She is a prostitute arriving in the South Seas to start a new life, but she excites the interest of a detachment of Marines and the animosity of one Alfred Davidson (Lionel Barrymore), a virulent reformer. He attempts to wreck her life, which she is striving to mend, and almost succeeds. Sadie fights back and wins, aided by the wholesome Sergeant O'Hara played by Raoul Walsh, the film's director. This card has a small corner bend in the lower and upper left corners. There are two scratches in the lower center of the card beginning in the director's credit as well as soiling in the left border. There are also two pinholes in the lower center border as well as a rubber stamp on the reverse. Finding anything from this early screen adaptation of this classic story is tough. Fine/Very Fine.Sold for: $657.25. |
| 65003 | Sadie Thompson (United Artists, 1928). Lobby Cards (2) (11" X 14"). Hollywood legend has it that the title role of this film was offered to Mary Pickford before Gloria Swanson, as it was Pickford's United Artists that distributed the film. After consideration, she turned down the role in the belief that it would alienate her fans if she played the role of a prostitute. This film was believed lost until a copy turned up in Pickford's vault after her death. Unfortunately, the film was not kept in the best of conditions, and the last reel of the film had deteriorated beyond salvaging. Both of the cards offered in this lot have suffered minor edge wear and the card with Swanson and Blanche Friderici as Mrs. Davidson has a chip and a 2" tear in the upper border. This and the rubber stamp on the reverse are their only flaws. Very Good/Fine.Sold for: $478.00. |
| 65004 | Sadie Thompson (United Artists, 1928). Lobby Cards (2) (11" X 14"). Offered in this lot are two wonderful cards from the first screen adaptation of W. Somerset Maugham's collection of short stories, Rain. Directed by and starring Raoul Walsh, the film was nominated for Academy Awards for Best Actress in a Leading Role (Gloria Swanson) and Best Cinematography. One of these cards features a beautiful close-up portrait of Walsh and Swanson. The other features a pivotal scene in which Lionel Barrymore, playing the sermonizing Alfred Davidson, proceeds to destroy the phonograph Sadie is entertaining a small group of Marines with. Both of these cards has only one or two pinholes in the lower center credit area. Each has minor lower left corner bending and a rubber stamp on the reverse. Each also has a small hand-written note on the back upper left corner. Each card features extraordinary colors and gorgeous images. Very Fine.Sold for: $657.25. |
| 65005 | Sunset Boulevard (Paramount, 1950). Gloria Swanson Keybook Still (8" X 11"). Vintage black and white, double weight, glossy keybook still. This fabulous Gloria Swanson still has a type-written note on the verso which states that she is wearing an outfit that she wears in the Paramount film, Sunset Boulevard. The still has four punch holes in the upper border for mounting into the keybook. Very Fine-.Sold for: $215.10. |
| 65006 | Music in the Air (Fox, 1934). Gloria Swanson Publicity Still by Otto Dyar (8" X 10"). Vintage black and white, single weight, glossy still. This glamorous image of Gloria Swanson was taken for Music in the Air in 1934 by photographer Otto Dyar. Aside from a small bubble at the bottom of Swanson's gown and the two holes punched at the top, the image area is very clean. There are minor bumps at the corners and a few faint smudges in the borders. On the verso, there is a credit stamp, a typed studio description, and writing in pencil. Very Fine-.Sold for: $155.35. |
| 65007 | Gloria Swanson Publicity Still by A. L. "Whitey" Schafer (Paramount, 1949). (8" X 10"). Vintage black and white, single weight, glossy portrait still. Shot at the time Sunset Boulevard was in production, this still was done by A.L. "Whitey" Schafer, a contemporary of Hurrell's. Schafer was the director of still photography with Paramount at the time the photo was taken. The photo has slight signs of bending in the lower right corner and a couple of small stress signs within the finish. It has Schafer's stamp and a previous owner's stamp on the verso. There is also a tiny tear from the bottom border which is repaired with tape on the verso. Fine/Very Fine. Sold for: $119.50. |
| 65008 | Society Scandal (Paramount, 1924). Pre-War Belgian (24" X 30.5 "). Gloria Swanson was transformed in the early 1920s from a Mack Sennett comedienne into a lively, provocative, even predatory, star by the legendary Cecil B. DeMille. Man maven Swanson collected husbands (seven) and lovers (?) and led a lifestyle that still intrigues fans to this day. This beauty of a poster is an original 1924 pre-war Belgian poster of which few have survived. During the war years, when paper was in short supply, German maps were printed on the backs of posters. But many more were used and discarded, or cut into pieces for smaller sized maps. This one, luckily escaped such use. Restoration has been performed for edge wear with small tears, an extra horizontal fold, paper loss from a tape pull on the reverse in the top left border, and a diagonal crease in the bottom left. This lovely portrait of Swanson at the height of her powers depicts her, appropriately, paired with a preening peacock. Very Good/Fine on Linen.Sold for: $478.00. |
| 65009 | The Woman Disputed (United Artists, 1928). Lobby Cards (7) (11" X 14"). The first of a mere three talkies made by star Norma Talmadge before her retirement, in this film she plays a young European orphan girl who barters her virtue in order to save several friends from execution. All this, after her village is taken over by Russian troops. Six of these beautiful scene cards are in excellent condition, and appear never to have been used. The seventh card has been trimmed and laminated to a blue board, hence the low overall grade. Talmadge was one of the most luminous stars of the silent era, and these cards attest to her dazzling beauty. Fine.Sold for: $191.20. |
| 65010 | Thelma Todd Personality Still by Bud "Stax" Graves (MGM, 1930s). Autographed Still (5" X 7"). Vintage black and white double weight matte finish still. "Miss Massachusetts" of 1925, Thelma Todd was as talented as she was beautiful. Her keen sense of comic timing got her plenty of work throughout the 1920s and 1930s. Sadly, she is remembered more for the shady circumstances surrounding her death in 1935. This signed still features Todd with her dog and was shot by Bud "Stax" Graves for MGM. Todd's autograph is very scarce. There is paper loss, a credit stamp and writing in pencil on the verso but it is otherwise very clean. The photo does not come with COA. Near Mint.Sold for: $262.90. |
| 65011 | The Devil Dancer (United Artists, 1927). Title Card and Lobby Cards (6) (11" X 14"). Gilda Gray, the girl who created the late-'20s dance craze "The Shimmy," plays the provocatively underdressed title character in The Devil Dancer. Gray plays Takia, a white girl brought up in a remote oriental Lamasery. English explorer Clive Brook discovers this obscure stronghold and vows to rescue Gray from the place. This beautiful set of cards features a different shot of Gray dancing on the border art of each card in addition to some alluring shots of her in the scenes themselves. The cards have light tanning on the edges. There is a corner chip and small edge tears on one card. Overall, Very Fine+. Sold for: $1,314.50. |
| 65012 | Anna May Wong (Paramount, 1930s). Publicity Still (8" X 10"). Vintage black and white single weight glossy still. The first Chinese-American movie star, Anna May Wong, appeared in such classic films as The Thief of Bagdad, Piccadilly, A Study in Scarlet, and Limehouse Blues. This evocative Paramount portrait from the 1930s shows some edge wear, with a scuff at the right center border, small corner bumps, an abrasion in the top center, and a crease in the lower left. There is a type-written notation on the verso stating it is from Paramount. It is a stunning image of this beautiful actress. Very Fine-. Sold for: $896.25. |
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Session 4 |
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| 65013 | His Glorious Night (MGM, 1929). Title Lobby Card (11" X 14"). At one time, John Gilbert was one of the top leading men in silent-era Hollywood. Renowned for his dashing good looks and romantic portrayals, he was at the top of the heap after the death of Rudolph Valentino, his chief rival, in 1926. Add to that a torrid affair with superstar Greta Garbo, and Gilbert had all the makings of a legendary career. But, after significant publicity leading up to their marriage, Garbo got cold feet and left Gilbert at the altar, a move that devastated the handsome star both personally and professionally. From then on, his career went downhill, reaching its nadir in this picture, his first sound film. Reportedly, his voice was too high-pitched and reedy to match his dashing image, and audiences laughed at inappropriate times. In fact, this picture was the inspiration for the classic motion picture, Singin' in the Rain. After this movie, Gilbert would make just a handful of additional films before passing away from a heart attack in 1936 at the age of 39. Offered here is a beautiful title card for this turning point film, which shows edge wear, a tear in the top left, a larger tear in the center of the image, and pinholes in the top corners. All of these issues have been expertly addressed with professional restoration, resulting in a card that is extremely attractive and presentable. Very Good+. Sold for: $478.00. |
| 65014 | Susan Lenox (Her Fall and Rise) (MGM, 1931). Greta Garbo Still by Clarence Bull (8" X 10"). Vintage black and white, double weight, satin still. This photo of Greta Garbo was taken by Clarence S. Bull for Susan Lenox (Her Rise and Fall). There are three faint, small creases in the image and tiny bumps at all four corners. On the reverse there is a credit stamp and writing in pencil and pen. Very Fine.Sold for: $203.15. |
| 65015 | Greta Garbo Personality Poster (MGM, late 1930s). German (23.5" X 33"). Born in Sweden in 1905, Greta Garbo truly began her film career with a leading role in Mauritz Stiller's Gosta Berlings Saga in 1924. Soon after, both she and Stiller were offered contracts with MGM, and she emigrated to the U.S. Her first American film was the silent Torrent in 1926, but she truly became a star with her first talkie, the highly acclaimed Anna Christie in 1930, which resulted in her first Oscar nomination. Hit followed hit from that point on, with memorable performances in such high-profile pictures as Mata Hari, Grand Hotel, and Anna Karenina, considered by many to be her greatest role. By the time this poster was produced, Garbo was at the peak of her career. The personality poster offered here, with art by Kurt Glombig (who also provided the artwork for similar posters featuring Joan Crawford and Rita Hayworth at the same time), is in remarkable condition. It shows a light horizontal crease at the bottom through Garbo's name, and some minor edge chipping, but is otherwise as clean and fresh as the day it was printed, having benefited from professional restoration. A wonderful portrait of a luminous star, this is a must for any fan of the great Garbo. Very Fine on Linen. Sold for: $310.70. |
| 65016 | Camille (MGM, 1937). Window Card (14" X 22"). This oft-filmed romantic tragedy was one of Greta Garbo's greatest triumphs. She stars as Marguerite Gauthier, who is born into humble circumstances, but in time becomes Dame aux Camille, one of the most glamorous courtesans in Paris. Marguerite falls in love with Armand (Robert Taylor), who doesn't know how she came by her fortune. Hoping to spare Armand from disgrace, she rejects him. This window card has pinholes in the imprint area, light edge wear with a minor bottom left corner bend, and light rippling. Fine/Very Fine.Sold for: $657.25. |
| 65017 | Rose of the Rancho (Paramount, 1935). Gladys Swarthout Still (8" X 10"). Vintage black and white, single weight, glossy still. A beautiful portrait of Gladys Swarthout from her film debut in Rose of the Rancho. The photograph shows slight edge wear and corner bumps, but is otherwise fresh and clean. This photograph was misdescribed as being Greta Garbo in the catalog. Very Fine+. Not Sold. |
| 65018 | Susan Lenox (Her Fall and Rise) (MGM, 1931). Greta Garbo Publicity Still by Clarence Bull (11" X 14"). Vintage black and white, double weight, glossy still. This shot of Garbo was taken by Clarence Bull in 1931 for Susan Lenox. His name has been embossed in the bottom right corner. On the verso there is a studio snipe crediting the photo to the film Mata Hari and a Bull credit stamp. This is one of the images that Bull selected many years later for the limited edition portfolio of Garbo. This lot was incorrectly described in catalog. Very Fine/Near Mint.Sold for: $1,553.50. |
| 65019 | Painted Veil (MGM, 1934). Greta Garbo Still by Clarence Bull (11" X 14"). Vintage black and white, double weight, silver print with matte finish. This oversized portrait image of Greta Garbo was shot by Clarence Sinclair Bull. His name has been embossed in the bottom right corner of this absolutely stunning photo. On the verso, there is a pencil notation from the Hedda Hopper Estate. Very Fine/Near Mint. Sold for: $1,314.50. |
| 65020 | Susan Lenox (Her Fall and Rise) (MGM, 1931). Greta Garbo Still by Clarence Bull (11" X 14"). Vintage black and white, double weight silver print with matte finish. This image of Greta Garbo was shot by Clarence Sinclair Bull for Susan Lenox (Her Fall and Rise). Bull's name has been embossed in the bottom right corner as well as a stamp on the reverse and a very small tear at the upper right border. Extensive annotations on the reverse signed by Mark Vieira (author of Garbo: a Cinematic Legacy, London, 2005) attribute this print to the collection of Hedda Hopper, the famous Hollywood gossip writer. Very Fine.Sold for: $1,314.50. |
| 65021 | Ninotchka (MGM, 1939). Greta Garbo Publicity Still by Clarence Bull (11" X 14"). Vintage black and white, double weight silver print with satin finish. This image of Great Garbo was shot by the legendary Clarence Sinclair Bull as part of the publicity campaign for Ninotchka in 1939. There is Clarence Bull's blind-stamp in the lower left, and a printed copyright stamp on the reverse. Very Fine/Near Mint.Sold for: $1,195.00. |
| 65022 | Greta Garbo Publicity Still by Clarence Bull (MGM, 1941). (8" X 10"). Vintage black and white, double weight, satin finish still. The portrait has a stamp on the verso crediting Clarence Bull, and a type-written note discussing that the photo was made shortly after Greta Garbo finished work on Two Faced Woman, her last film. The photo also has another Advertising Advisory Council approval stamp, and some hand-written pencil notes. Very Fine-. Sold for: $119.50. |
| 65023 | Greta Garbo Publicity Still by Clarence Bull (MGM, 1931). Still (8" X 10"). Vintage black and white, double weight still. The photo has an embossed stamp in the lower border as well as Bull's stamp on the reverse. It was mounted in a scrapbook at one time, and the four corners show remnants of that paper on the reverse as well as a hand written pencil notation saying that the photo is from the time of her famous film The Rise and Fall of Susan Lennox. It has a 1.5" tear in the right side, and what appears to be a slight raised line through Garbo's hair and into her forehead. This line is not distracting and can only be seen when turned to the light. This is a spectacular original Garbo print and would make a great addition to any photo or Garbo collection. Very Fine-. Sold for: $507.88. |
| 65024 | Greta Garbo Publicity by Clarence Bull (MGM, 1934). (8" X 10"). Vintage double weight, satin finish still. The beautiful portrait of Garbo has a stamp on the verso crediting Bull with the photo, as well as a stamp saying "Greta Garbo, Metro-Goldwyn-Mayer." There are some hand-written pen notes on the verso as well. The still has only the most minor corner wear and a very small surface scratch in the black on Garbo's right. Very Fine. Sold for: $179.25. |
| 65025 | As You Desire Me (MGM, 1932). Greta Garbo Publicity Still by Clarence Bull (8" X 10"). Vintage black and white, double weight, satin still. This photo of Greta Garbo was taken by Clarence S. Bull for As You Desire Me. Bull's name is embossed in the lower right border. There are light creases in the right side of the image and in the lower right corner, as well as tiny bumps at all four corners. On the reverse, there is a credit stamp for Bull and notations in pencil. Very Fine. Sold for: $418.25. |
| 65026 | Mata Hari (MGM, 1931). Greta Garbo Portrait Still by Clarence Bull (8" X 10"). Vintage black and white, double weight, satin finish still. This photo of Greta Garbo was taken by Clarence S. Bull for Mata Hari. Bull's name is embossed in the lower right border. There is the faintest of wrinkling in the image as well as tiny bumps at all four corners. On the verso there is a credit stamp for Bull and notations in pencil. Very Fine+.Sold for: $507.88. |
| 65027 | Dishonored (Paramount, 1931). Jumbo Lobby Card (14" X 17"). Marlene Dietrich's performance in this interesting spy film was both witty and subtle as a widow-turned-prostitute-turned-spy. Here is a very scarce Jumbo Lobby Card with Dietrich regarding two men with that patented stare of insouciance that, to this day, is still attracting new admirers. There are only minor corner bumps, and a small chip in the upper field over the policeman's shoulder. Fine/Very Fine.Sold for: $597.50. |
| 65028 | Dishonored (Paramount, 1931). Marlene Dietrich and Barry Norton Publicity Still (10.25" X 8"). Vintage black and white, single weight, glossy still featuring Dietrich and supporting player Barry Norton from this classic spy drama directed by Josef von Sternberg. The photo is missing both top corners with minor corner bumps and light surface wear. A terrific item for Dietrich collectors everywhere. Fine+. Sold for: $119.50. |
| 65029 | Dishonored (Paramount, 1931). Lobby Card (11" X 14"). Marlene Dietrich stars as a Viennese prostitute who offers her services as a spy during World War I. Dietrich seduces the enemy officers with ease, delivering valuable information, until she falls in love with Russian spy Lt. Kranau (Victor McLaglen), who she permits to escape. This beautiful, original honey-varnished card from Paramount's golden age has McLaglen holding Dietrich in his arms, grinning at his good luck; Gary Cooper was to play Lt. Kranau, but after Morocco, he'd had quite enough of director Sternberg. There is light restoration for pinholes, and airbrush to the top left corner credits. There are mild creases in the bottom of the title, in the left center border, and a horizontal crease in the top field. There is a small tear in the left border and minor scuffs in the right center border. Fine+. Not Sold. |
| 65030 | Blonde Venus (Paramount, 1932). Lobby Cards (2) (11" X 14"). Marlene Dietrich stars as a cabaret singer caught between two men, but the story, which careens from New Orleans to Paris to New York City, is almost irrelevant. Of course, Dietrich shone brightest in director Josef von Sternberg's luminous photography. These cards are from the only set of "blue" lobby cards known to exist from this title. Blue lobby sets were made for some of Paramount's major productions in 1931-1932, and only a few of these cards have shown up over the years. The card showing Dietrich and Herbert Marshall as her husband, Ned Faraday, shows pinholes in the top corners, a small edge tear in the left border, and small corner bumps. The card that pictures Dietrich with Dickie Moore has pinholes and creasing at all the corners, a 1" tear at the bottom border, a small tear in the top border, a large diagonal crease in the bottom left, and a 7" crease near the top border. For fans of this classic film, or of the divine Ms. Dietrich, this represents a rare opportunity to acquire these unique cards! Fine/Very Fine. Sold for: $1,912.00. |
| 65031 | The Scarlet Empress (Paramount, 1934). Jumbo Lobby Card (14" X 17"). Marlene Dietrich stars as a German princess brought to Russia to improve the Imperial bloodline by marrying the child-like Grand Duke Peter (Sam Jaffe, in his first film). Little does Empress Louise Dresser realize that Dietrich has plans to take over, and become Catherine the Great, Empress of all Russia! This jumbo lobby card has minor corner creases and light wrinkling. Gorgeous color on this nice shot of Dietrich and co-star John Lodge. Very Fine+. Sold for: $1,195.00. |
| 65032 | The Scarlet Empress (Paramount, 1934). Lobby Card (11" X 14"). A landmark collaboration between star Marlene Dietrich and director Josef von Sternberg, this lavish and opulent picture tells the story of the rise of Catherine the Great, Empress of all Russia, from her humble beginnings to her rule as one of the greatest monarchs history has ever known. In the early scenes of the film, one can see Dietrich's daughter, Maria, as the seven-year-old Catherine. This glorious lobby card, picturing Dietrich and John Lodge as Count Alexei, shows pinholes in the top corners, but is otherwise unmarred. For fans of the divine Ms. Dietrich, this card is a "must have!" Very Fine/Near Mint.Sold for: $2,151.00. |
| 65033 | The Spoilers (Universal, 1942). Marlene Dietrich Still by Ray Jones (8" X 10"). Vintage black and white, single weight, glossy still. Shot in 1942 for The Spoilers, this image of Marlene Dietrich was photographed by Ray Jones. Aside from light wrinkling, the image is very clean. There are tiny corner bumps and faint creases in the borders. On the reverse, there is a studio snipe and credit stamp along with minor foxing. Very Fine.Sold for: $262.90. |
| 65034 | Marlene Dietrich Publicity Still (Universal, 1943). Still (8" X 10"). Vintage black and white, single weight, glossy still. This is a 1943 Marlene Dietrich publicity photo released by Universal Pictures. There is minor staining in the upper right border, light edge wear and wrinkling, and small corner bumps. Aside from a few small stains and the letters "MP" written in pencil, the verso is very clean. Very Fine-.Sold for: $448.13. |
| 65035 | Marlene Dietrich Publicity Still (Paramount, 1935). Still (8" X 10"). Vintage black and white, single weight, glossy still. This is a studio commissioned publicity still of Marlene Dietrich taken in 1935. There are creases in the borders, a pinhole in the top center border, and minor wear along the edges. The reverse is clean. Fine/Very Fine.Sold for: $167.30. |
| 65036 | Desire (Paramount, 1936). Marlene Dietrich and Gary Cooper Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. Beautiful posed publicity shot from Desire with Marlene Dietrich and Gary Cooper. Photo has two date stamps from 1936, one from the Paramount Theater, on the back. Very Fine+.Not Sold. |
| 65037 | The Flame of New Orleans (Universal, 1941). Midget Window Card (8" X 14"). A sultry, steamy film, this romantic comedy features Marlene Dietrich as a sexy woman of the world engaged to one man, but dallying with another. The brainchild of director Rene Clair and screenwriter Norman Krasna, the film was conceived to lampoon Dietrich's screen image of a dangerous femme fatale, a parody that Dietrich herself embraced wholeheartedly. The midget window card offered here, which features one of the sexiest images of the divine Ms. Dietrich ever set to paper, is in exceptional condition, with only some slight toning/dust shadowing at the top, and some very minor creasing to the upper corners keeping it from a higher grade. If you're a Dietrich fan - and who isn't? - this is the piece to have from this film. From the Collection of Denver Sherry. Very Fine/Near Mint.Sold for: $567.63. |
| 65038 | The Flame of New Orleans (Universal, 1941). One Sheet (27" X 41"). The perfect femme fatale, Marlene Dietrich is luminous in this film as a woman whose sordid past threatens to catch up with her. This gorgeous poster, with art by glamour artist extraordinaire Alberto Vargas, had fold wear with crossfold separation, a large tear in the upper right corner, a chip in the right border, a piece out of the top left, and paper loss in the bottom left. Professional restoration has addressed these issues, rendering them almost invisible. This poster will certainly enflame the passions of many bidders, so get fired up! Very Good on Linen. Sold for: $657.25. |
| 65039 | It Ain't No Sin (Paramount, 1934). Midget Window Card (8" X 14"). Mae West, the Queen of pre-code Hollywood, sings and seduces her way to fame and fortune in the New Orleans Quarter... where else? This impressive midget card also carries the film's working title, It Ain't No Sin instead of it's actual release title, The Belle of the Nineties. By 1934, the Hays commission thought the film's original title was a bit too suggestive and had Paramount retitle the picture. This card has airbrushing to the white areas and some minor cleaning to the interior. From the collection of Denver Sherry. Fine+. Sold for: $896.25. |
| 65040 | The Heat's On (Columbia, 1943). Mae West Still by George Hurrell (8" X 10"). Vintage black and white, single weight, glossy still. It's often said that the films of Mae West single-handedly saved struggling Paramount in the 1930s. But in 1940, West took a three year break from the screen only to return in this 1943 musical for Columbia. This photo, attributed to Hurrell, has creases at the corners, and faint wrinkling. On the reverse, there is a descriptive paper snipe, a few small stains and writing in pencil. Very Fine-.Sold for: $119.50. |
| 65041 | Mae West Keybook Still by E. R. Richee (Paramount, 1930s). Still (8" X 11"). Vintage black and white, double weight, keybook still. Paramount was kept afloat by the work of Mae West in the 1930s. As the company struggled to keep the lights on, they knew that they could count on the films of West to fill theater seats and bring in much needed cash. This E. R. Richee photograph is one of the loveliest and most glamorous shots of West from the period. As a keybook still, there are two holes punched in the top border. There are also bumps and creases at the corners and writing in pencil on the reverse. Very Fine+.Sold for: $167.30. |
| 65042 | She Done Him Wrong (Paramount, 1933). Publicity Still (8" X 10"). Great full length shot of Mae West from her classic comedy She Done Him Wrong. One light smudge and a light scratch on the left border are the only defects on this excellent still. Very Fine+.Sold for: $119.50. |
| 65043 | Below the Deadline (Chesterfield, 1929). One Sheet (27" X 41") Style B. Here is a beautiful stone litho one sheet for a crime melodrama produced as a silent film and later updated with sound effects and music. A young man (Arthur Rankin) is framed on embezzlement charges but freed by a detective (Frank Leigh) who gives him a short time to prove his innocence. Barbara Worth plays Rankin's girlfriend. The poster has light fold wear with pinpoint crossfold separations and one small border tear. Very Fine+. Sold for: $298.75. |
| 65044 | The Racketeer (Pathé, 1929). Lobby Card (11" X 14"). Carole Lombard (called Carol here) is a bankrupt former socialite in love with an alcoholic violinist (Roland Drew). She meets a powerful mobster (Robert Armstrong) who helps her and her lover, but wants to marry her, even though she is still in love with Drew. This very rare Lombard close-up card has pinholes in the corners, some light edge creasing, and a top left corner bend. Very Fine. Sold for: $956.00. |
| 65045 | Love Before Breakfast (Universal, 1936). One Sheet (27" X 41"). Glamorous Carole Lombard's movie career was almost over before it began. In 1926, after making a handful of films, Lombard was involved in a serious car accident, which left her face badly scarred. After extensive plastic surgery, Fox canceled her contract, but she managed to find work with Mack Sennett, turning out 13 two-reelers in 18 months. Full-length features at Pathe and Paramount soon followed, making her one of Hollywood's biggest stars. Unlike many actors and actresses of the time, Lombard made the successful transition from silent to sound films, aided by her sultry, silky voice. She was noted for her down-to-earth personality and feisty nature, perfectly captured in this exceptional one sheet. In this classic comedy, Lombard, as Park Avenue beauty Kay Colby, is courted by both oil company owner Scott Miller (Preston Foster) and her fiance, who is also Miller's employee, Bill Wadsworth (Cesar Romero). Miller tries to interfere with the couple by having Wadsworth transferred to Japan, but love conquers all in the end. A triumph of Art Deco design, this film is known for featuring some of the most incredible photography of Lombard ever captured on film. The gorgeous stone litho one sheet offered here is exceptionally rare, offering one of the best-known images of this beloved star ever released. The poster has pinholes in the corners, faint fold wear, and a few scuffs on the back. Absolutely one of the best Lombard posters ever produced, you will be hard-pressed to find a copy in better condition. Bid now on this ultra-rare beauty! Very Fine/Near Mint. Sold for: $47,800.00. |
| 65046 | Nothing Sacred (United Artists, 1937). One Sheet (27" X 41") "Fight Poster" Style. Ben Hecht, winner of the first Oscar for Best Original Story at the first Academy Awards, would be nominated five more times for Best Writing. Hecht actually wrote more of Gone With the Wind than Sidney Howard! In Nothing Sacred, Hecht would create one of the best "screwball comedies" ever made. This totally fun one sheet for the film was created in the style of a "prize fight" poster, with Carole Lombard squaring off against Fredric March in one of the key scenes. There is minor paper loss on the reverse, an large tear in the lower right border, fold separations with small paper loss, a tear in the top left corner, pinholes, and one of the few posters we have seen on this title, and expert restoration has rendered it ready to display. Very Good+ on Linen.Sold for: $507.88. |
| 65047 | Carole Lombard Publicity Still (Paramount,1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. Beautiful portrait photo of Carole Lombard from the Paramount publicity department. Creases down the side and corners. Very Fine. Sold for: $149.38. |
| 65048 | Carole Lombard Publicity Still (Warner Brothers, 1938). (8" X 10"). Vintage black and white, single weight, glossy still. This still of Carole Lombard was shot in 1938 for Warner Brothers Studios probably around the time of Fools for Scandal. There is wrinkling in the image and smudging in the borders. There is also a bit of edge wear and bumps at the corners. On the reverse, there is paper transfer and adhesive residue. Fine/Very Fine. Sold for: $155.35. |
| 65049 | Lady by Choice (Columbia, 1934). Carole Lombard Publicity Still (8" X 10"). Vintage single weight, glossy still. This incredibly rare, color-tinted still features a gorgeous image of Carole Lombard with a printed signature. Aside from tiny corner bumps and slight curling of the paper, this is a very lovely example of a beautiful photo. Very Fine+.Sold for: $956.00. |
| 65050 | Lady by Choice (Columbia, 1934). Carole Lombard Publicity Still (8" X 10"). Vintage single weight, glossy still. This rare, color-tinted still was shot as part of the publicity campaign for Lady by Choice in 1934 and features a printed signature from the star. Aside from tiny corner bumps, light edge wear, and slight curling of the paper, this is a very nice example of an incredibly hard to find item. Very Fine+.Sold for: $1,015.75. |
| 65051 | To Be or Not to Be (United Artists, 1942). Carole Lombard Publicity Still by Robert Coburn (10" X 13.5"). Vintage black and white, single weight, glossy still. One of the most glamorous women of the era, Carole Lombard will tragically stay forever young and beautiful to film buffs the world over. This publicity still was shot by Robert Coburn for Lombard's last film. It has wear along the edges, bumps and creases at the corners, and a credit stamp on the reverse. Very Fine-. Sold for: $836.50. |
| 65052 | Carole Lombard Publicity Still (Paramount, c. 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. Sexy leg shot of beautiful Carole Lombard circa 1934. A publicity pin-up shot from Paramount Pictures, there is light creasing on the photo. Very Fine. Sold for: $836.50. |
| 65053 | Carole Lombard Publicity Still (Paramount, 1934). Still (8" X 10"). Vintage black and white, single weight, glossy still. Beautiful shot of Carole Lombard from 1934 in an elegant evening dress designed by I. Magnin. Type-written notation on verso noting that she is to star with Gary Cooper in a film whose name was changed to Now and Forever. Light wrinkling. Very Fine+. Sold for: $155.35. |
| 65054 | Rumba (Paramount, 1934). Carole Lombard Keybook Still (8" X 10"). Vintage black and white double weight glossy still. From the promotional campaign for the film Rumba, in which Lombard starred opposite George Raft, this lovely, Art Deco still was designed to show off not only the star, but her shimmering gown as well. This stunning portrait is in exceptional condition, with three hole punches on left edge to mount the photo into the keybook. There is a paper snipe on the verso promoting the Travis Banton gown Lombard is wearing. Fine/Very Fine.Sold for: $179.25. |
| 65055 | Carole Lombard Portrait Still (Paramount, 1937). Still (8" X 10"). Vintage black and white, single weight, glossy still. Gorgeous profile portrait shot of Carole Lombard from 1937. There is creasing across the lower third of photo and light corner bends. Very Fine-. Sold for: $448.13. |
| 65056 | In Name Only (RKO, 1939). Cary Grant and Carole Lombard Still by Ernest Badrach (8" X 10"). Vintage black and white, single weight, glossy still. This film was made at the height of both stars' careers, and showcases the wonderful chemistry they had together. Only light edge wear and bumps affect this stunning photograph. Very Fine+. Sold for: $179.25. |
| 65057 | 20th Century (Columbia, 1934). Lobby Card (11" X 14"). John Barrymore and Carole Lombard star in this effervescent, if sometimes overlooked, screwball comedy directed by the great Howard Hawks. This splendid lobby card showcases Barrymore in his role as the flamboyant theater director Oscar "O. J." Jaffe, and is in near-pristine condition, with some very minor corner bumps and light border creases at the left and bottom being the only issues. Very Fine+.Sold for: $597.50. |
| 65058 | 20th Century (Columbia, 1934). Lobby Card (11" X 14"). This card features a fabulous image of John Barrymore, gun in hand with a crazed look that only Barrymore could pull off. Aside from creases, bumps, and pinholes in the corners, this card is very clean. Very Fine.Not Sold. |
| 65059 | 20th Century (Columbia, 1934). Lobby Card (11" X 14"). The very definition of "screwball comedy," this delightful film stars John Barrymore as Broadway producer Oscar Jaffe and Carole Lombard as Lily Garland, the starlet he creates almost from whole cloth. When Garland becomes a bigger star than even Jaffe can manage, she goes to Hollywood, leaving him flat. Later, the two meet aboard a train, the 20th Century of the title, and the real laughs ensue. Barrymore considered this picture his favorite of all his films, and it's easy to see why. The lovely lobby card offered here, featuring Barrymore, Lombard, and veteran character actor Charles Lane, displays a single pinhole in each of the left and right borders, slight edge wear, small corner bumps, and slight creasing in the corners and borders. These are minor flaws, however, which do little to detract from the overwhelming appeal of this great card. Very Fine.Sold for: $2,390.00. |
| 65060 | 8 Girls in a Boat (Paramount, 1934). Midget Window Card (8" X 14"). This pre-Code film was thought by many at the time to be just an excuse to show a lot of pretty girls in skimpy outfits. It actually had a serious storyline. A remake of a 1932 German film, the story concerns a girl (Dorothy Wilson) getting pregnant by a medical student (Douglass Montgomery). Contemplating suicide, her seven best girl friends agree to adopt the baby. Only light tanning at the top of the card keeps this from being graded higher. Very Fine/Near Mint. Sold for: $388.38. |
| 65061 | The Age for Love (United Artists, 1931). Three Sheet (41" X 81"). Gorgeous stone litho graphics featuring Billie Dove and Charles Starrett highlight this wonderful (and rare) three sheet poster. The gorgeous Miss Dove was Howard Hughes's girlfriend at the time, and he went all out to try to resurrect her flagging career utilizing the talents of scriptwriter Robert E. Sherwood, Ernest Pascal, and director Frank Lloyd. Despite all the effort, and some exquisite posters displaying Billie Dove's great beauty, The Age for Love failed to capture an audience. The poster shows fold wear with crossfold separations, some small edge tears, and a faint stain and corner bend on the top piece of this two piece poster. Very Fine. Sold for: $1,792.50. |
| 65062 | Pagan Lady (Columbia, 1931). Three Sheet (41" X 81"). Based on the play by William DuBois, Pagan Lady is set on a lush tropical island, where the promiscuous past of Dorothy "Dot" Hutton (Evelyn Brent) threatens to catch up with her when she meets the young and innocent Ernest Todd (Conrad Nagel), who falls in love with the worldly woman. A little-known title, there's no denying the incredible beauty of this gorgeous stone litho three sheet. There were small pinholes in the corners, minor fold wear, and slight crossfold separation. The "E" in "Evelyn" has been retouched. These are all very minor flaws, however, and professional restoration has resulted in a very attractive and displayable poster. Very Fine+ on Linen. Sold for: $836.50. |
| 65063 | The Sign of the Cross (Paramount, 1932). Australian Daybill (15" X 35"). Cecil B. DeMille's epic retelling of the early Christian struggles to gain religious freedom became the great director's first big hit after the silent era. The wonderful cast includes: Fredric March as Marcus Superbus, Charles Laughton as Nero, Elissa Landi as the beautiful young Christian woman Mercia, and Claudette Colbert as the alluring Empress Poppaea. Paper from this early DeMille title seldom shows up on the market; so seeing this magnificent Australian daybill in person is a real treat. There were creases and small holes in the image along with minor tears and border chips prior to restoration, but these flaws have been well repaired leaving a nice appearance. Fine/Very Fine on Linen.Sold for: $358.50. |
| 65064 | The Sign of the Cross (Paramount, 1932). Midget Window Card (8" X 14"). The third film in Cecil B. DeMille's biblical trilogy, following The Ten Commandments (1923) and The King of Kings (1927), this story of Nero and the fall of Rome was an epic in every sense of the word. Starring Claudette Colbert as the sinful Poppaea, Charles Laughton as the hedonistic Nero, and Fredric March as Marcus Superbus, the prefect of Rome, this pre-Code picture was filmed with all the spectacle and pageantry DeMille could muster. As a result, some of the more controversial scenes - those that featured explicit sexuality or violence - were cut by the Hays office upon the film's 1944 rerelease. This superb midget window card, featuring a beautiful scene of a Roman coliseum, is in exceptional condition, looking every bit as gorgeous as the day it was first printed. Don't let this one pass you by. From the Collection of Denver Sherry. Near Mint/Mint. Sold for: $1,912.00. |
| 65065 | Tonight is Ours (Paramount, 1933). Midget Window Card (8" X 14"). Based on the play by Noel Coward, this movie tells the story of a glamorous princess (Claudette Colbert) who must weigh her duty to her country against her feelings for a handsome, yet common, Frenchman (Frederic March). A sumptuous film, this lovely midget window card shows pinholes in the bottom left corner. Additionally, the top has been professionally replaced. This is a very attractive and desirable piece for any fan of vintage film. Very Fine.Sold for: $478.00. |
| 65066 | Cleopatra (Paramount, 1934). Lobby Card (11" X 14"). This lush film was created with all the grandeur and opulence that has come to be associated with the king of epics, director Cecil B. DeMille. It starred Claudette Colbert in the title role as the sensuous Queen of Egypt, who uses her seductive wiles to control Roman rulers Julius Caesar (Warren William) and Marc Antony (Henry Wilcoxon). This is a stunning portrait card of the enticing Ms. Colbert adorned in her Cleopatra headdress. This card has several pinholes in the background graphics, and some light scuffs. Fine/Very Fine.Sold for: $567.63. |
| 65067 | The Duke Steps Out (MGM, 1929). One Sheet (27" X 41"). William Haines stars as the son of a millionaire who longs to become a champion prize-fighter. But his plans are derailed when he falls for a co-ed cutie (played by a young Joan Crawford), leading him to enroll in college in an attempt to win her love. While this is considered a lost film, the sound disc recordings that accompanied the movie remain intact as part of the archives at UCLA. Prior to professional restoration, this poster had fold and edge wear, an extra vertical fold, a chip in the top right corner, and a small hole in the right side of the field. Now, the poster presents very well and is ready to display. Very Fine on Linen. Sold for: $1,015.75. |
| 65068 | No More Ladies (MGM, 1935). Title Lobby Card and Lobby Card (11" X 14"). Joan Crawford, Robert Montgomery, and Franchot Tone star in this romantic comedy about the pitfalls of jealousy in marriage. The title card was folded at one point and has light smudging in the field and margins. The lobby card has light horizontal creasing but is otherwise very clean. Fine/Very Fine. Sold for: $717.00. |
| 65069 | The Women (MGM, 1939). Midget Window Card (8" X 14"). A complex melodrama about betrayal, revenge, and divorce, this movie starred some of Hollywood's leading beauties, Norma Shearer, Joan Crawford and Rosalind Russell. In fact, the cast of this expansive film is entirely female, including all of the animals that appear! This lovely card shows some very light edge wear at the top, and slight corner creases in the upper right and lower left. These minor flaws are barely noticeable, making this a wonderful piece that you will be proud to own. From the Collection of Denver Sherry. Very Fine/Near Mint.Sold for: $1,553.50. |
| 65070 | A Woman's Face (MGM, 1941). Midget Window Card (8" X 14"). One of Joan Crawford's finest movies, she stars as a criminal with a hideously disfigured face. Plastic surgery gives her hope for a better future, but ultimately leads to murder. Conrad Veidt and Melvyn Douglas co-star in this George Cukor directed film. A lovely midget window card, with striking portraits of the three main stars, there is a small stain in the lower left, and a small corner chip in the lower right. Additionally, the top imprint area has been professionally replaced. The result is an exceptionally clean; no corrective surgery needed. Very Good/Fine. Sold for: $179.25. |
| 65071 | A Woman's Face (Scandinavian Talking Pictures, 1938). Ingrid Bergman Swedish Publicity Still (9.5" X 12"). Remade with Joan Crawford in 1941, this original 1938 version of A Woman's Face is sadly often overlooked. It's hard to imagine the stunning Ingrid Bergman as a disfigured and bitter burn victim embroiled in blackmail schemes. But she wowed Scandinavian audiences with her performance. This rare Swedish original 1938 still is in excellent condition with pinholes in the corners and a small tear in the bottom right corner. A Swedish studio stamp is on the verso. Very Fine+. Sold for: $119.50. |
| 65072 | Joan Crawford Publicity Still (MGM, 1930s). Still by George Hurrell (10" X 13"). Vintage black and white, double weight, matte finish still. Photographer George Hurrell was one of the main influences on the public image of Crawford; his elegant photos of her are among the best-known images of his career. This superb oversized portrait has a Hurrell credit stamp on the verso. Near Mint. Sold for: $1,553.50. |
| 65073 | Joan Crawford Publicuty Still (MGM, 1930s). George Hurrell Still (8" X 10"). Vintage black and white single weight glossy still. The elegant, iconic images created by photographer George Hurrell brought a new term to Hollywood -- "Glamour Photography." This still has light corner and edge creases, and one tiny tear in the upper border. On the verso is a Hurrell credit stamp. Very Fine.Sold for: $478.00. |
| 65074 | Joan Crawford Publicity Still (MGM, 1930s). Still by George Hurrell (8" X 10"). Vintage black and white, single weight, glossy still. This beautiful shot of Joan Crawford is attributed to George Hurrell and features the trademark look of 'smeared' lips that was created by Max Factor. The has light wrinkling and creases, and one small edge tear on the top border. There are several glue scuffs on the verso. Fine-.Sold for: $179.25. |
| 65075 | The Shining Hour (MGM, 1938). Joan Crawford and Robert Young Still by Frank Tanner (8" X 10"). Vintage black and white, single weight, glossy still. Joan Crawford stars in this drama about a nightclub dancer who marries her way into society. This intense image of Crawford, with co-star Robert Young, was shot by Frank Tanner in 1938 as part of the publicity campaign for the film. The reverse has a typed description from the studio and a credit stamp. On the front there are minor paper imperfections in the borders and tiny bumps at the corners. Very Fine.Sold for: $119.50. |
| 65076 | Chained (MGM, 1934). Joan Crawford Keybook Still (8" X 10"). Vintage black and white, single weight, glossy keybook still. Joan Crawford is torn between wealthy businessman Otto Kruger, who is getting a divorce to marry her, and the love of her life, Clark Gable. This keybook still has the usual two punch holes in the upper border. There are very small corner creases, and a bit of light wrinkling. There is an Advertising Advisory Council stamp on the verso, and the date June 1934. Very Fine+. Sold for: $119.50. |
| 65077 | The Bride Wore Red (MGM, 1937). Joan Crawford Publicity Still by George Hurrell (8" X 10"). Vintage black and white, single weight, glossy still. Joan Crawford is a poor singer in Budapest who gets to live the rich life for two weeks, no thanks to a cruel joke by blueblood George Zucco. This lovely photograph has a couple of corner creases, and two tiny edge tears. There is a Hurrell credit stamp on the verso. Very Fine. Sold for: $119.50. |
| 65078 | Humoresque (Warner Brothers, 1946). Joan Crawford Publicity Still by Bert Six (8" X 10"). Vintage black and white, single weight, glossy still. Joan Crawford stars as a wealthy patron of the arts who takes talented violinist John Garfield under her wing and becomes his lover. This classy photograph has corner creases, and a credit stamp and Crawford's name stamped on the verso. Very Fine. Sold for: $119.50. |
| 65079 | Joan Crawford Publicity Still By George Hurrell (MGM, 1930s). (8" X 10"). Vintage black and white, double weight, matte finish still. As head of MGM's portrait department, George Hurrell had the opportunity to photograph some of the most attractive and influential actors and actresses of the day. Some of his most famous shots were the ones he took of Joan Crawford. This still has a light corner crease and wrinkle, and a very light scuff on the upper border. On the verso is a Hurrell credit stamp. Very Fine-. Sold for: $119.50. |
| 65080 | Joan Crawford Publicity Still by Clarence Bull (MGM, 1940s). (8" X 10"). Vintage black and white, single weight, glossy still. "If you're going to be a star, you have to look like a star, and I never go out unless I look like Joan Crawford the movie star. If you want to see the girl next door, go next door." This publicity still for Crawford also served as a cross-promotion for make-up artist Max Factor's line of cosmetics. The still has a corner crease, and a few light smudges. there is a Bull credit stamp and a paper snipe on the verso. Fine/Very Fine. Sold for: $131.45. |
| 65081 | Joan Crawford Publicity Still by George Hurrell (MGM, 1930s). (8" X 9.75"). Vintage black and white, single weight, glossy still. This was one of the many stills that master photographer George Hurrell took during Crawford's career at MGM. The photo has cracking in the emulsion, a corner crease, and one small pinhole in the lower left. Fine+ on Linen. Not Sold. |
| 65082 | The Women (MGM, 1939). Joan Crawford Publicity Still by Lazlo Willinger (8" X 10"). Vintage black and white, double weight, glossy still. Joan Crawford and Norma Shearer were scheduled to shoot their publicity stills for The Women on the same day. Both of them circled the parking lot in their limos, waiting for the other to arrive first. In order to end the impasse, director George Cukor had to go out and call them both in. This still has minor edge wear and scuffs. The photo has a stamp crediting Willinger and a type-written notation on the verso stating that the photo is from The Women. Very Fine+. Sold for: $119.50. |
| 65083 | Of Human Bondage (RKO, 1934). One Sheet (27" X 41"). A top-notch film with a top-notch cast, this was the movie that rocketed Bette Davis to stardom. Based on the book by W. Somerset Maugham, this is the story of Philip Carey (Leslie Howard), who enrolls in medical school after being told he has little talent as an artist. A disastrous affair with a morally shabby waitress (Davis) follows, but Carey finally finds true love in the person of Sally Altheny (Frances Dee). An important and hugely popular pre-Code film, paper on this title is virtually non-existent. This lovely stone litho one sheet is in exceptional condition, with just some fold wear and minor crossfold separation, as well as a chip in the left edge. These minor flaws have been addressed with professional restoration, resulting in a poster that is not only extremely attractive, but highly desirable. Two other versions of this story were filmed, one in 1946 and one in 1964, but this is by far the finest. Don't miss out on the chance to add this rare beauty to your collection! Very Fine+ on Linen. Not Sold. |
| 65084 | The Letter (Warner Brothers, 1940). Lobby Card (11" X 14"). From the shocking opening scene of the film, the story of what leads Leslie Crosby (Bette Davis) to murder her lover became one of the most celebrated films of Davis's career. William Wyler directed this thriller to perfection, telling the story of how Crosby's letter, in her own hand, could destroy her claim of self defense. This card, which depicts the film's pivotal moment, shows a slight crease in the upper left corner and some very minor wear to all of the corners. Near Mint-. Sold for: $1,792.50. |
| 65085 | Now, Voyager (Warner Brothers, 1942). Midget Window Card (8" X 14"). A dramatic story about a middle-aged spinster who changes her life and finds true love, this was the biggest box office success of star Bette Davis's career. It also resulted in an Academy Award nomination for the temperamental star (Davis complained that Max Steiner's Oscar-winning score overshadowed her performance, for example). This midget window card, which uses the art from the very desirable one sheet, has some very slight creasing at the top, and there is a narrow area at the bottom in which the varnish has been misapplied. This is not a defect in the card, but in the printing process. This is an extremely attractive card that any collector would be proud to own. From the Collection of Denver Sherry. Very Fine+. Sold for: $657.25. |
| 65086 | Dark Victory (Warner Brothers, 1939). Six Sheet (81" X 81"). This has to be one of the prettiest Bette Davis posters ever created, and the example offered here is one of only two known copies of this gorgeous format. An acknowledged classic, Dark Victory is one of the greatest tear-jerkers of all time, made all the better by one of the best performances ever given by the legendary Ms. Davis. The Academy Award shown on the poster refers to Davis's Oscar win four years prior for Dangerous. This luminous poster has been linen backed, with the usual minor touch-ups to fold line wear and tear, as is common with large paper such as this. There was some minor border repair at the upper right corner, and touch-up to several small points, both within the dark background and throughout the poster. A vertical tear through the length of the piece to the left of Davis's face - which appears to be a clean tear - was expertly restored, and the colors are outstanding. This exquisite beauty displays fabulously, and will be an unsurpassed highlight of even the finest collection. Fine/Very Fine on Linen. .Sold for: $8,962.50. |
| 65087 | Bette Davis Publicity Still (Warner Brothers, 1930s). Still (8" X 10"). Vintage black and white, single weight, glossy still. This lovely image of Bette Davis was taken during the 1930s, at Warner Brothers' Studios early on in her seven year contract with the studio. There is a .5" tear in the left border, minor creasing at the corners, and faint wrinkling. The reverse has a studio stamp and writing in pen. Very Fine-. Not Sold. |
| 65088 | Bette Davis Publicity Still (Warner Brothers, 1930s). Still (7.5" X 9.5"). Vintage black and white, single weight, glossy still. This shot of Bette Davis was taken during the 1930s at Warner Brothers Studios. There is faint wrinkling and minor edge and corner wear. The reverse has writing in pen and a faint studio stamp. Very Fine-. Not Sold. |
| 65089 | Bette Davis Publicity Still by George Hurrell (Warner Brothers, 1930s). (7.5" X 9.5"). Vintage black and white, single weight, glossy still. This shot of Bette Davis was taken during the 1930s at Warner Brothers Studios by famed photographer George Hurrell. There is wrinkling in the image and minor edge and corner wear. The reverse has writing in pen and a Hurrell credit stamp. There is also faint tape staining in the top right corner. Fine/Very Fine. Sold for: $239.00. |
| 65090 | Bette Davis Publicity Still by Alexander Kahl (RKO, 1950). Still (7.5" X 9.5"). Vintage black and white, single weight, glossy still. This shot of Bette Davis was taken during the early 1950s at RKO Studios by Alexander Kahl. There is wrinkling and light scuffing in the image and minor edge and corner wear with small creases. The verso has a writing in pencil and an RKO credit stamp for Kahl. Fine/Very Fine.Sold for: $507.88. |
| 65091 | Bette Davis Still by George Hurrell (Warner Brothers, 1940s). (7.5" X 9.5"). A beauty and box office dynamite, Bette Davis was photographed countless times by the best photographers in the business. What makes this George Hurrell still unique is that a photographer whose trademarks are interior shadows and close-ups has pulled his camera back, added light, and attempted the appearance of nature in this shot. There is a small paper loss spot at the bottom covered by a piece of tape. There is also wear along the edges and faint scuffing in the image. On the reverse there are credit stamps. Fine+.Sold for: $657.25. |
| 65092 | Dark Victory (Warner Brothers, 1939). Bette Davis Publicity Still by George Hurrell (7.5" X 9.5"). Bette Davis stars as a socialite whose life is turned upside down when she is diagnosed with a brain tumor. This image of Davis was shot by George Hurrell as part of the publicity campaign for the film, which co-starred Humphrey Bogart and George Brent. There is creasing in the corners, wear along the edges, and a few light pinpoint stains in the field. On the reverse, there is a credit stamp indicating the work is by Hurrell. The grade for this still would have been higher if it had not been trimmed to 7.5" X 9.5". Fine-. Sold for: $657.25. |
| 65093 | Jezebel (Warner Brothers, 1938). Bette Davis Keybook Still by Bert Six (8" X 10"). Vintage black and white, single weight, glossy keybook still. This shot of Bette Davis was taken during the 1930s at Warner Brothers Studios by Bert Six for Jezebel. Three holes have been punched in the left side of the image to be inserted into the keybook. There is faint staining in the bottom border and bumps at the corners, along with light wrinkling and scuffing in the field. The verso has writing in pen, a studio snipe, and a credit stamp for Bert Six. Fine+. Sold for: $119.50. |
| 65094 | Jean Harlow Personality Portrait (MGM, 1936). Half Sheet (27" X 22"). Portrait Poster (22" X 27"). As far back as 1918 most of the major Hollywood studios sent full color or color tinted poster sized head shots of stars they retained under contract. The poster offered in this lot is an incredibly beautiful "Personality Portrait" of the great Jean Harlow. While no concrete dates are available we strongly suspect that this was issued by MGM between 1934 and 1936. There were pinholes in the corners, a small horizontal crease at the top and another crease at the bottom border. Very Fine on Linen.Sold for: $597.50. |
| 65095 | Hell's Angels (United Artists, 1930). Window Card (14" X 22"). Howard Hughes, at the age of 24, took over the directing chores of Hell's Angels. An aviator himself, Hughes's devotion to flying led him to finance, produce, and direct this still sensational World War I epic. Jean Harlow made her breakthrough appearance in the film and this window card, with art by Hap Hadley, captures the leading lady to perfection. The white areas of this beautiful piece have had some airbrush work and there has been some minor color touch-up as well. Fine/Very Fine on Cardstock. Sold for: $5,676.25. |
| 65096 | China Seas (MGM, 1935). Title Lobby Card (11" X 14"). A great film with a wonderful cast, this was Clark Gable at his best, playing a dashing rogue, a role he would perfect a few years later with Rhett Butler in Gone with the Wind. Here he plays Captain Alan Gaskell, a sea captain juggling two women: the refined and gracious Sybil Barclay (Rosalind Russell) and the coarse and earthy Dolly "China Doll" Portland (Jean Harlow). His "dangerous liaisons" threaten to cost him his sanity, his ship, and his very life. Offered here is a beautiful title card, which pictures Gable and Harlow, as well as noted character actor Wallace Beery, who plays Jamesy McArdle, Dolly's accomplice in her jealousy-driven plot against Gaskell. The card shows corner bends, and some paint touch-up in the title area. Additionally, there is some damage to each of the corners and a tear in the bottom border, all of which have been reinforced with tape on the verso. Nevertheless, this is an extremely attractive card, one that you will be proud to own. Fine-.Sold for: $537.75. |
| 65097 | Libeled Lady (MGM, 1936). Insert (14" X 36"). Spencer Tracy, Myrna Loy, and William Powell star in this wonderful screwball comedy about a rabid newspaper editor's plot to avert a libel suit that ends up blowing up in everybody's face. This incredibly rare insert features all four stars in dazzling color. It is unrestored with a few tiny pinholes and tears at the corners, faint tape stains in the borders, and wear along the fold lines. Fine/Very Fine. Sold for: $5,975.00. |
| 65098 | Libeled Lady (MGM, 1936). Lobby Card (11" X 14"). Jean Harlow was brilliant in this acting ensemble comedy from MGM that featured William Powell, Spencer Tracy, and Myrna Loy. This card is certainly one of the best in the set as it features Harlow looking radiant. It has the most minimal wear to the corners and a very tiny clean tear in the middle of the right border, otherwise it simply glows. Near Mint-. Sold for: $896.25. |
| 65099 | Riffraff (MGM, 1936). Lobby Card (11" X 14"). One of the later films starring Jean Harlow - she died from uremic poisoning a mere 18 months after its release - this crime/drama teams Harlow with popular lead Spencer Tracy, who plays a down-on-his-luck fisherman. Harlow, his girlfriend, steals money to help him and lands in jail, but Spence turns his luck around and vows to wait for the woman who sacrificed so much on his behalf. This lovely lobby card, spotlighting a strawberry blonde Harlow, is virtually pristine. Professional restoration has addressed a few minor pinholes in the corners, and the card has been pressed, resulting in a glorious and colorful treasure you'll be proud to own. Very Fine+. Sold for: $448.13. |
| 65100 | Personal Property (MGM, 1937). Midget Window Card (8" X 14"). Based on the play by H. M. Harwood, this was Jean Harlow's last completed film (she would die shortly afterwards, during the filming of Saratoga). This light comedy, in which Harlow plays a widow with an overabundance of bills, and Robert Taylor, the recent parolee who becomes her butler, gives the platinum blonde star plenty of opportunity for wisecracking fun. The superb midget window card offered here shows just the most minor flaws, including some small nicks in the border, a bit of toning at the bottom, and several slight corner bumps, as well as performance information handwritten at the top. These minor concerns do little to affect the overwhelming eye-appeal of this classic beauty. From the Collection of Denver Sherry. Very Fine+. Sold for: $567.63. |
| 65101 | Jean Harlow Still (MGM, 1932). Proof Still by Clarence Bull (8" X 10"). Vintage black and white, double weight, glossy proof still. As head of photography at MGM, Clarence Bull created a process of recording information about the still on the edge of the negative. Thus, this proof still of Jean Harlow shows that it was the 194th exposure by Bull on June 12, 1932 and was charged to the general publicity account, #530. This still has one very slight wrinkle in the lower part of the image, and a slight corner bend. Near Mint/Mint. Sold for: $286.80. |
| 65102 | Dinner at Eight (MGM, 1933). Jean Harlow Publicity Still by George Hurrell (8" X 10"). Vintage black and white, single weight, glossy still. Jean Harlow is caught resting on a slant board between takes of Dinner at Eight by staff photographer George Hurrell. This still has edge wear and tears with corner creases, and a bit of light wrinkling in the image. Fine+. Sold for: $262.90. |
| 65103 | The Girl from Missouri (MGM, 1934). Jean Harlow Publicity Still by George Hurrell (7.5" X 9.5"). Vintage black and white, double weight, glossy still. A beautiful shot of Harlow taken in sharp focus by George Hurrell. This photo has one slight wrinkle near the right edge, and tiny corner bumps. Near Mint/Mint. Sold for: $119.50. |
| 65104 | Riffraff (MGM, 1936). Jean Harlow Publicity Still by George Hurrell (8" X 10"). Vintage black and white, double weight, matte still. A gorgeous shot taken when Harlow was at the height of her fame. This still has one tiny edge tear in the lower right, and a couple of light corner and edge scuffs. Near Mint.Sold for: $448.13. |
| 65105 | Jean Harlow Studio Portrait (MGM, 1930s). Still (11" X 14"). The daughter of a successful dentist, Jean Harlow eloped when she was only 16 years old. While that marriage would only last two years and her short life only another eight, her glamour and sex appeal remain timeless as this black-and-white photo clearly displays. It is in superb condition and will make a fantastic addition to any collection. This still was misdescribed in the catalog as being 8" X 10", it actually measures 11" X 14". Mint. Sold for: $179.25. |
| 65106 | Red Dust (MGM, 1932). Still (8" X 10"). Great original MGM publicity still from Red Dust shows Jean Harlow digging out a bullet from the stoic Clark Gable after Rosalind Russell has shot him. There are three binder holes in the top border, light wrinkling, light corner bends on the bottom and a small pinhole in bottom, border. Fine/Very Fine.Sold for: $215.10. |
| 65107 | Annie Oakley (RKO, 1935). One Sheet (27" X 41"). A highly fictionalized account of the life of famed sharpshooter Annie Oakley, this is an extremely entertaining picture starring Barbara Stanwyck as the legendary cowgirl, with Moroni Olsen as her mentor William F. "Buffalo Bill" Cody, and Preston Foster as Toby Walker, the former star of Buffalo Bill's Wild West Show, whose ego is bruised when Annie outshoots him. The one sheet offered here is exceptionally rare, almost never coming to market. With great images of all the stars, this may be the only chance you'll ever have to acquire a copy of this scarce poster. This copy shows fold wear with minor crossfold separations, some chipping, and slight paper loss in the poster's lower portion. Additionally, all the borders have been replaced. The restoration applied to this highly desirable piece has been extremely well done, resulting in a poster with a fresh and attractive appearance that will certainly provide substantial bragging rights to the lucky winner. Very Good on Linen.Sold for: $9,560.00. |
| 65108 | A Message to Garcia (20th Century Fox, 1936). Window Card (14" X 22"). In this highly fictionalized account of a pivotal event in the Spanish-American War, lieutenant John Boles is guided through the treacherous Cuban jungle by Barbara Stanwyck, who plays a Cuban señorita. Wallace Beery, a renegade marine, accompanies the pair as they fight off Spaniards and spies at every turn. There are pinholes in the imprint area and bottom border, a punch hole next to the "K" in "STANWYCK," and a tear and a piece missing in the bottom border. Fine/Very Fine. Not Sold. |
| 65109 | Union Pacific (Paramount, 1939). Midget Window Card (8" X 14"). The building of the Transcontinental railroad is the backdrop of this epic Western directed by Cecil B. DeMille. Joel McCrea stars as a troubleshooter dealing with corruption and violence as the railroad pushes toward California, with Barbara Stanwyck as the love interest, a pretty postal mistress with a questionable Irish accent. Brian Donlevy is the obligatory villain, while Robert Preston and Anthony Quinn appear in early roles as well. This midget window card shows staple holes in the corners, and some creasing at the top. It displays very nicely, as it is unmarred by snipes or writing of any kind. From the Collection of Denver Sherry. Very Fine. Sold for: $155.35. |
| 65110 | Sorry, Wrong Number (Paramount, 1948). Three Sheet (41" X 81"). Barbara Stanwyck gives an Oscar-nominated performance as a bedridden woman who picks up her phone and accidentally overhears two men plotting a murder -- possibly hers. Burt Lancaster plays her husband, and the screenplay is by Lucille Fletcher, who wrote the original radio play on which the film is based. This stunning three sheet poster has a great image of Stanwyck (ironically, standing up) and Lancaster, and is in excellent condition. There was some fold wear and crossfold separations, pinholes in the corners and borders, and some transfer ghosting on the left side. The poster has been professionally restored, and looks gorgeous. A colorful sheet for this classic film noir. Very Fine on Linen.Sold for: $418.25. |
| 65111 | You Belong to Me (Columbia, 1941). Barbara Stanwyck Publicity Still by A.L. "Whitey" Schafer (8" X 10"). Vintage black and white, double weight, glossy still. This lovely portrait still has a paper snipe on the verso which states that the still is from the Columbia production of You Belong to Me. It also has two rubber stamps on the verso, one giving credit to Mr. Schafer for the photo, and the other an Advertising Advisory Council approval. Hand writing in pen is also on the reverse. Very Fine. Not Sold. |
| 65112 | Barbara Stanwyck Still by Scotty Welbourne (Warner Brothers, 1936). Still (7.5" X 9.25"). Vintage black and white, single weight, glossy finish still. The photo has two stamps on the verso. One stamp credits Scotty Welbourne with the photo, the other contains Stanwyck's name and Warner Brothers Pictures. The photo has a couple of surface smudges and a couple of minor impressions that appear to be from someone writing on a piece of paper that was on top of this photo. Fine. Sold for: $119.50. |
| 65113 | My Favorite Wife (RKO, 1940). Irene Dunne Publicity Still by Ernest Bachrach(7.5" X 9"). Vintage black and white, single weight, glossy still. Gorgeous publicity still shot by Ernest Bachrach, most likely for My Favorite Wife. The photo has a vertical crease its entire length on the right side, through Dunne's left shoulder. There is a stamp on the reverse which is dated and credits Bachrach. There is a piece of paper tape on the verso of each corner. Fine-. Not Sold. |
| 65114 | Deanna Durbin Publicity Still by Ray Jones (Universal, 1940s). Color- Tinted, Autographed Still (10.5" X 13.5"). Vintage color-tinted, double weight, satin finish still. This adorable image of Deanna Durbin was captured by the lense of photographer Ray Jones for Universal Pictures in the 1940s. The piece has been color-tinted and has corner creases, wear along the edges and light wrinkling. On the verso there is a Universal credit stamp in the top border and writing in pen. The photo has been signed by Durbin, but there is no certificate of authenticity. Fine/Very Fine.Sold for: $119.50. |
| 65115 | Come and Get It (United Artists, 1936). Frances Farmer Publicity Still by Robert W. Coburn (8" X 9.5"). Vintage black and white, single weight, glossy still. Tragic actress Frances Farmer, in her best-remembered film, Come and Get It. This photo has light wrinkling primarily on the right border, and very light edge wear. Very Fine+. Sold for: $239.00. |
| 65116 | High Society Blues (Fox, 1930). Window Cards (2) (14" X 22"). Janet Gaynor and Charles Farrell were one of the most popular duos of the early sound era, making 11 films together between 1927 and 1934. This comedic reworking of Romeo and Juliet has them as lovebirds kept apart by their families in Scarsdale, NY. These window cards have staining and foxing, and a few edge tears. The ukelele card has a horizontal crease through the center. Nice artwork of the two stars. Fine. Sold for: $179.25. |
| 65117 | Man's Castle (Columbia, 1933). Insert (14" X 36"). Starring Spencer Tracy and Loretta Young, this was one of the last pre-Code Hollywood films to depict premarital sex and pregnancy. It concerns the plight of a laborer (Tracy) living in a shack during the Depression, who befriends a lonely girl (Young) and winds up committing a robbery to support their baby. Beautifully printed on laminated paper stock, this poster had fold wear with some separation, pinholes in the borders, and light edge wear. It has been expertly restored. Very Fine- on Linen. Sold for: $1,314.50. |
| 65118 | Loretta Young Publicity Still (1940s). Autographed Still (8" X 10"). Vintage black and white, single weight, glossy still, inscribed "To Greta/Best regards/Loretta Young." A dazzling portrait of this alluring star, one of the relative handful that made the successful transition from silents to sound. This beautiful, signed photograph shows minor surface wear, corner bumps, and slight edge wear. Very Fine-.Sold for: $119.50. |
| 65119 | The House on 56th Street (Warner Brothers, 1933). Midget Window Card (8" X 14"). Kay Francis and Ricardo Cortez star in this drama about a house with a history of violence, death, and tragedy. The top imprint area has been professionally replaced, and pinholes in the bottom corners have been repaired. From the collection of Denver Sherry. Fine+. Sold for: $448.13. |
| 65120 | The White Angel (Warner Brothers, 1936). Window Card (14" X 22"). Kay Francis is superb as Florence Nightingale in this standard biopic about the lady with the lamp. An absolutely stunning portrait of Ms. Francis dominates this elegant window card, which also features a tense battlefield scene. Condition issues include some light scuffs in the image, small chips in the top left and top right corners, and one in Francis's chin. The card has been professionally restored, including backing with an original card. One of the best images from any Kay Francis poster, this would be an angelic addition to any collection. Fine/Very Fine.Sold for: $537.75. |
| 65121 | Fire Over England (London Film, 1937). One Sheet (27" X 41"). Global tensions between Spain and England are almost at the breaking point, when Queen Elizabeth I sends a spy to infiltrate the court of Spain. Flora Robson and Raymond Massey play the heads of state, but the poster belongs to Vivien Leigh and Laurence Olivier, impassioned lovers both on and off screen. A lovely stone litho portrait of these two photogenic stars, with battling armadas and impaled Spaniards rounding out the imagery. The poster had pinholes, fold wear and crossfold separations, small chips at the folds and in the borders, as well as chips out in the lower left quarter and in Olivier's shoulder. All this has been expertly restored, and the poster placed on linen. If you love Vivien Leigh like we love Vivien Leigh, this is the sheet for you. Fine on Linen.Sold for: $4,780.00. |
| 65122 | Waterloo Bridge (MGM, 1940). Insert (14" X 36"). There is a reason why both Vivien Leigh and Robert Taylor cited this film as their personal favorites. It is very simply an excellent film with top direction, a brilliant cast, and Oscar nominated music and cinematography (Four Time Oscar winner Joseph Ruttenberg). This very uncommon rolled insert has one of the loveliest images of Ms. Leigh we've ever seen. There are no defects present that could not be easily addressed: a tape stain and small tears in the bottom border, pinholes in the top center border only, bottom border edge wear, and minor corner bumps. There are small dot stains in the upper left border, and a tear in the upper right border. Unfolded inserts of this vintage, with color this good, are extremely difficult to find. Rolled, Fine/Very Fine.Sold for: $1,434.00. |
| 65123 | That Hamilton Woman (United Artists, 1941). One Sheet (27" X 41"). To many, Vivien Leigh was the most beautiful woman ever to grace the silver screen, and we're not here to argue. As an actress, Leigh was certainly a match for her real-life lover Laurence Olivier, as this fine soap opera of political machinations proves. Vivien is certainly the main attraction of this elegant one sheet, resplendent in her black dress and hat, her luminous face aglow amidst the dark tones. Condition issues include fold wear and crossfold separations with some chips out, and minor surface wrinkling. The poster has undergone professional restoration, and the title field has been heavily touched up. A showcase poster for fans of the immortal Ms. Leigh, and an opportunity not to be missed. Fine/Very Fine on Linen.Sold for: $1,135.25. |
| 65124 | 21 Days (London Films, 1940). Laurence Olivier and Vivien Leigh Publicity Still (7.5" X 9.5"). Vintage black and white, single weight, glossy still. British publicity still with its original U.K. title The First and the Last shows Laurence Olivier, Vivien Leigh, and Leslie Banks between scenes. There is an original press snipe on the back describing the location shot. The original photo has light wrinkling and light edge wear. From the Personal Collection of Vivien Leigh (with her address stamp). Very Fine-. Sold for: $155.35. |
| 65125 | That Hamilton Woman (United Artists, 1941). Vivien Leigh Still by Lazlo Willinger (8" X 10"). Vintage black and white, single weight, glossy still. This beautiful full-length portrait of Vivien Leigh is attributed to photographer Lazlo Willinger. The still has hand-written pen notations on the verso. Very Fine.Sold for: $310.70. |
| 65126 | Maureen O'Sullivan Still (MGM, 1942). Autographed Still (11" X 14"). Vintage black and white, double weight, satin still. This great photo of Maureen O'Sullivan walking her two Irish setters was snapped as part of the publicity campaign for Tarzan Against the World. The film was re-titled Tarzan's New York Adventure for its release. The photo was inscribed "To Hortense & Jack with every good wish from Maureen O'Sullivan." There is minor edge and corner wear with faint wrinkling in the field. The reverse has a typed studio description, writing in pencil and a stamp in the top border. Very Fine.Sold for: $119.50. |
| 65127 | It All Came True (Warner Brothers, 1940). Ann Sheridan Publicity Still by George Hurrell (8" X 10"). Vintage black and white single weight glossy still. This fetching image of the lovely actress, Anne Sheridan, displays light corner bumps, a small tape stain in the upper right, and several minor surface scratches. Photographed by the legendary George Hurrell, this is the very definition of the word, "sultry." Very Fine.Sold for: $149.38. |
| 65128 | Ann Sheridan Publicity Still by Scotty Welbourne (Warner Brothers, 1930s). Still (7.5" X 9.5"). Ann Sheridan came to Hollywood as a winner, literally. She took first in "The Search for Beauty" and part of the prize package was a screen test and a bit part in a Paramount film. After a few more bit parts at Paramount, she signed with Warner Brothers in 1936 where she would shoot to stardom as one of the most glamorous stars of the era, as this publicity still clearly demonstrates. There are creases and bumps at the corners, a few pinpoint stains in the image, and some faint wrinkling. The edges have been trimmed of their white borders making the measurements 7.5" X 9.5". There is writing in pencil and black marker on the reverse as well as credit and studio stamps. Fine/Very Fine. Sold for: $119.50. |
| 65129 | They Made Me a Criminal (Warner Brothers, 1939). Ann Sheridan Publicity Still by George Hurrell (8" X 10"). Vintage black and white single weight glossy still. George Hurrell lensed this gorgeous image of Ann Sheridan as part of the campaign for this 1939 crime thriller that co-starred John Garfield, Claude Raines and the Dead End Kids. Aside from edge wear and wrinkling in the borders, the image is very clean. There are minor bumps at the corners and the reverse has writing in both pencil and pen along with studio credit stamps. Very Fine-. Not Sold. |
| 65130 | It All Came True (Warner Brothers, 1940). Ann Sheridan Publicity Still by George Hurrell (8" X 10"). Vintage black and white, double weight, matte finish still. Ann Sheridan stars opposite Jeffrey Lynn and Humphrey Bogart in this off-beat crime film. This sultry image of Sheridan is attributed to George Hurrell circa 1940. There is very light edge wear and minor creasing in the left corners. There is also faint surface dirt in the top left and bottom right corners. On the verso there is writing in pencil and a collection stamp. Very Fine-.Sold for: $143.40. |
| 65131 | Ann Sothern Publicity Still by George Hurrell (Warner Brothers, 1940). Still (7.25" X 9"). Vintage black and white, single weight, glossy still of Ann Sothern. A publicity still by legendary glamour photographer, George Hurrell. Very mild surface creases in center field. Near Mint-. Sold for: $167.30. |
| 65132 | Blood and Sand (20th Century Fox, 1941). Midget Window Card (8" X 14"). A remake of the classic silent film of the same name starring Rudolph Valentino and based on the novel by Vincente Blasco Ibanez, this is the story of the rise and fall of a proud young bullfighter, played to perfection by Tyrone Power. In preparing for the role, Power actually attended a bullfight, but was so sickened by the bloody spectacle that he had to leave the arena. Nevertheless, Power went on to make the picture, which became one of his most popular and well-remembered roles. This attractive midget window card displays several small holes in the top and bottom right, as well as a bottom right corner chip. Additionally, the imprint area at the top has been erased. These are minor flaws, however, and do little to detract from the exceptional appeal of this lovely card. From the Collection of Denver Sherry. Very Fine-.Sold for: $239.00. |
| 65133 | Cover Girl (Columbia, 1944). One Sheet (27" X 41") Style B. Gene Kelly, Rita Hayworth, and Phil Silvers star in this musical comedy featuring music by Ira Gershwin. Hayworth, one of the most popular cover girls during WWII, dazzles as she dances her way to fame. Gene Kelly provided the love interest and was quickly establishing himself as the "heir" to Fred Astaire with his dancing abilities. This poster is in beautiful condition with only a few tiny tears on the right border and a small bit of separation at the center points keeping it from grading higher. Very Fine/Near Mint.Sold for: $657.25. |
| 65134 | Tales of Manhattan (20th Century Fox, 1942). One Sheet (27" X 41") Style B. Charles Boyer plays an actor in possession of a "cursed" tail coat in this star-studded extravaganza. Rita Hayworth, Ginger Rogers, Henry Fonda, Charles Laughton, Edward G. Robinson, Ethel Waters, and Cesar Romero are just some of the supporting players taking part in this episodic "tale about tails." Offered here is the coveted B Style, an art deco-influenced stone litho masterpiece. There are minor condition problems, including pinholes in the corners, fold wear with minor crossfold separations, and small edge chips, all of which has been addressed with professional restoration. Very Fine- on Linen.Sold for: $1,314.50. |
| 65135 | Down to Earth (Columbia, 1947). One Sheet (27" X 41") Style A. In a casting move that should surprise no one, Rita Hayworth plays a goddess - in this case Terpsichore, the ancient Greek goddess of Dance - who takes offense when Broadway producer Danny Miller (Larry Parks) launches a show that lampoons her fellow Olympians. Descending to Earth as a mortal, Terpsichore gains a part in the show and convinces Miller to change the tone of his production, inadvertently turning it into a gigantic flop! Can Terpsichore save the day, and win the heart of a mortal man? A somewhat-sequel to Here Comes Mr. Jordan, the film was remade in 1980 as Xanadu. This glorious poster had pinholes in the corners, fold wear with crossfold separation and chipping at the fold lines, tape pulls on the reverse at the fold lines, and pieces missing from all the corners. Professional restoration has done a wonderful job of rendering these issues virtually invisible, resulting in a poster fit for a goddess. Fine/Very Fine on Linen. Sold for: $1,792.50. |
| 65136 | The Loves of Carmen (Columbia, 1948). One Sheet (27" X 41"). Based on the immortal opera by Georges Bizet, this is the story of a wild Gypsy girl, Carmen (Rita Hayworth), whose free-spirited ways bring disaster all around her. A glorious Technicolor vehicle for Hayworth, who is luminous as the hot-blooded Gypsy girl. This fabulous one sheet which displays fabulous art by Bradshaw Crandell, had fold wear with crossfold separation, pinholes in the corners, a small tear in the right border, minor chipping at the fold lines, and a few small tears in the top center. Professional restoration has expertly addressed these issues, resulting in a poster that any fan of classic cinema will be proud to own. Fine/Very Fine on Linen.Sold for: $597.50. |
| 65137 | The Loves of Carmen (Columbia, 1948). Three Sheet (41" X 81"). Who better to play Carmen than a Hollywood Goddess who had the real-life name Margarita Carmen Cansino (Rita Hayworth)? And who better to paint her wild Gypsy dancing than one of the best American illustrators, Bradshaw Crandell. As the cover artist for Cosmopolitan for more than 12 years, Crandell would become world famous for his gorgeous pastel renditions of Bette Davis, Carole Lombard, Veronica Lake, and many others. This three sheet features a full-length Hayworth in a dance pose most likely choreographed by her father, Eduardo Cansino, who worked on the film. Only minor fold separations and light pinholes, with minimal airbrush work in the linen backing. Very Fine+ on Linen.Sold for: $597.50. |
| 65138 | The Loves of Carmen (Columbia, 1948). Japanese B2 (20" X 29"). Adding to her repertoire of legendary seductresses, Rita Hayworth stars as Carmen,the fiery Gypsy dancer who tempts soldier Glenn Ford with her charms and then abandons him, with fatal consequences. This is a beautiful Japanese design for this film. The poster had minor tears and chips within the edges of the poster, and minor fold wear. All has been expertly restored. Very Fine- on Linen.Not Sold. |
| 65139 | Affair in Trinidad (Columbia, 1952). Six Sheet (81" X 81"). Although starlet Rita Hayworth had been retired from motion pictures for several years during her tumultuous marriage to Prince Aly Khan, this was the film that marked her triumphant return. In this chilling thriller, Hayworth plays Chris Emery, a sultry cabaret singer in Trinidad trying to track down her husband's killer, a task made more difficult by the appearance of her well-meaning, but interfering, brother-in-law (Glenn Ford). Offered here is a rare six sheet for this exceptional film, which shows pinholes in the borders, edge wear, fold wear with crossfold separations, several small tears in the image area, and light smudging. A "must" for Hayworth fans! Fine+.Sold for: $776.75. |
| 65140 | Rita Hayworth and Glenn Ford Still by Irving Lippman (Columbia, 1952). Still (8" X 10"). Vintage black and white, glossy still taken about the time of the pair's teaming in Affair in Trinidad. Stamped on the verso with Lippman's credit. Very Fine.Not Sold. |
| 65141 | The Killers (Universal, 1946). Ava Gardner Publicity Still (8" X 10"). Vintage black and white, single weight, glossy still. This sultry image of Ava Gardner was used as part of the publicity campaign for The Killers with Burt Lancaster. The image area is very clean, but there are faint creases at the corners. The reverse has writing in pencil. Very Fine. Sold for: $657.25. |
| 65142 | Rita Hayworth Color Transparency (Columbia, c. 1940s). (8" X 10"). Superb color transparency used to make stills, featuring an absolutely stunning portrait of the effervescent Ms. Hayworth. Small chip in the top left corner, light wear. The still is a modern contact sheet, not vintage, offered here to illustrate the image. Fine.Sold for: $567.63. |
| 65143 | Affair in Trinidad (Columbia, 1952). Rita Hayworth Publicity Still by Robert W. Coburn. (8" X 10"). Vintage black and white, single weight, glossy still. After her unhappy marriage to Prince Aly Khan, Rita Hayworth made her comeback in this thriller with Gilda co-star Glenn Ford. This still has light wrinkling, and several tiny chips on the upper border. Very Fine+. Sold for: $239.00. |
| 65144 | Rita Hayworth Still by Ned Scott (Columbia, 1947). Still (8" X 10"). Vintage black and white, single weight, glossy still. The verso has a paper snipe which explains that Hayworth relaxes at home after an arduous day at the studio where she is working on The Lady from Shanghai. There is also a stamp that credits the photo to Ned Scott as well as hand-written pencil notations on the verso. Very Fine+.Sold for: $119.50. |
| 65145 | The Outlaw (United Artists, R-1949). One Sheet (27" X 41"). One of the most controversial Westerns ever made, this picture was originally filmed in 1938, but was not finished until 1941, and finally premiered in 1943, as producer/director/billionaire industrialist Howard Hughes took an aggressive stance against the restrictive Hays Code, with the result that the film was denied a release certificate. Conservative censors wanted more cuts than Hughes was willing to make, and he preferred to shelve the film, and take the financial loss that he could well afford, rather than compromise his artistic vision. Looked at today, it's hard to see what the censors objected to, save perhaps for Jane Russell's sexy costumes. The film enjoyed several re-releases during the next several years, obviously benefiting at the box office from the air of scandal that surrounded it. When all is said and done, however, The Outlaw is a fine film, a gripping psychological Western that is well worth watching. Offered here is the very attractive 1949 re-release one sheet. This particular copy had pinholes in the corners, fold wear with crossfold separation, corner creasing, and a small chip in the bottom border, all of which have been addressed with professional restoration. Very Fine- on Linen. Sold for: $657.25. |
| 65146 | Lupe Velez Publicity Photo by Bachrach (RKO, 1940). Still (7.5" X 9"). Vintage black and white, single weight, glossy still. Beautiful shot of the star about the time of her appearances in the Mexican Spitfire films. On the verso there is a stamp crediting Ernest Bachrach and dated 1941. Velez would die tragically of suicide three years later. There is a small piece of paper glued on the verso of each corner. Very Fine.Not Sold. |
| 65147 | Heavenly Body (MGM, 1943). Hedy Lamarr, William Powell, and James Craig Still by Clarence Bull (8" X 10"). Hedy Lamarr, William Powell, and James Craig star in this romantic comedy about a house wife who turns to astrology when her astronomer husband begins to ignore her. The film's three stars were posed around a star of their own in this image by Clarence Bull taken in 1943. there is faint edge wear along with tiny corner creases. The reverse has a typed studio description, writing in pen, and a credit stamp. Very Fine. Not Sold. |
| 65148 | Tortilla Flat (MGM, 1942). One Sheet (27" X 41") Style C. Based on the novel by John Steinbeck, this is a showcase for the considerable talents of star Spencer Tracy, who plays Pilon, a good-natured rogue who does the right thing when the chips are down. Ted Ireland, also known as Vincentini, provides the exquisite art for this lovely one sheet. This particular example had pinholes in the corners, fold wear with crossfold separation and tearing at the fold lines, and a small chip in the left border. Expert restoration has greatly benefited this poster, which now bears a like-new appearance. Fine/Very Fine on Linen. Not Sold. |
| 65149 | White Cargo (MGM, 1942). One Sheet (27" X 41") Style D. One of MGM's top moneymakers for 1942, this film, which starred the lovely and enchanting Hedy Lamarr as the seductress Tondalayo, was also extremely controversial, as it dealt with racial issues that were quite sensitive at the time. The poster offered here, which pictures Lamarr in all her glory, displays staple holes in the borders, fold wear, edge wear, and some crossfold separation, as well as a 1.5" edge tear at the top. Nonetheless, this is a very colorful and attractive poster that any fan of Golden Age Hollywood will be proud to own. Very Fine-.Sold for: $358.50. |
| 65150 | Slightly Dangerous (MGM, 1943). One Sheet (27" X 41") Style D. Wesley Ruggles was a fine and prolific director from the twenties through the sixties. Highlights of his career include a Best Film Oscar for Cimarron, a producing credit for a 1965 television project, Incredible World of James Bond, and this wonderful dramatic comedy starring a luminous 22-year-old Lana Turner. Turner was far more talented than the average "sweater girl," and this film proves it. Supported by a gifted group of character actors that includes Mantan Moreland and Robert Blake, among others, Turner excels as she matches the swinging comic pathos of the film note for note. This Hollywood glamour poster is one of her most desirable. Before restoration, there were small chips in the top border, pinholes, edge wear, and a small chip near the bow tie on the left. Excellent restoration has rendered the poster fresh and ready for display. Fine/Very Fine on Linen. Sold for: $657.25. |
| 65151 | A Woman Rebels (RKO, 1936). Window Card (14" X 19"). This is one of the prettiest images of Katharine Hepburn posters we've ever seen - and definitely a different design than featured on most 1930s RKO window cards. Hepburn plays a woman whose mission in life is to defy the hypocritical conventions of Victorian England. She has an illegitimate daughter as a result of a romantic encounter (Van Heflin, in his film debut), does not marry, takes a job, and says whatever she feels like saying. She eventually becomes the editor of a feminist magazine and a leader in the Suffragette Movement. The card has been trimmed by three inches at the blank top imprint area, and there is a small amount of glue residue near the top of the card and a small spot on the credits. The card displays beautifully despite the imperfections and it seems doubtful you will find another one of these soon. Fine+.Sold for: $776.75. |
| 65152 | Holiday (Columbia, 1938). Title Lobby Card (11" X 14"). Based on a play by Philip Barry (as was The Philadelphia Story), this comedy about the social trappings of the privileged class found Katherine Hepburn and Cary Grant as two kindred spirits in love. The film fell into the "screwball" type of comedy that Grant felt at home with. Holiday was so successful that Grant would be reunited with Hepburn in Bringing Up Baby.This title card has some chipping and creasing in the borders, and one small tape stain in the center of the upper border. Very Good/Fine.Not Sold. |
| 65153 | Bringing Up Baby (RKO, 1938). One Sheet (27" X 41"). Considered by many to be one of the best of the screwball comedies, this film, with its frantic pace, absurd antics, and zany pratfalls was director Howard Hawks at his best. This was the second of four films co-starring Katharine Hepburn and Cary Grant, the others being Holiday, The Philadelphia Story, and Sylvia Scarlett. Original posters for this classic comedy have always been hard to come by, since surprisingly, it was not a hit when first released in 1938. This extremely rare poster has had its borders replaced, and there was significant chipping and paper loss, along with multiple very large tears in the field. Professional restoration has addressed all of these issues, giving it a gorgeous, fresh appearance. Good on Linen. Sold for: $9,560.00. |
| 65154 | Keeper of the Flame (MGM, 1942). Midget Window Card (8" X 14"). A journalist (Spencer Tracy) is placed in an uncomfortable position when he learns disturbing facts about the death of a national hero, from the hero's grieving widow (Katharine Hepburn), that he'd rather not know. The hero, Robert Forrest, was loosely based on Charles Lindbergh, whose close association with Germany prior to World War II, and his outspoken support for American isolationism, tarred him as a Nazi sympathizer in the eyes of the public for years to come. This film was the second of nine on-screen pairings of Tracy and Hepburn - the first, Woman of the Year, had been filmed earlier in 1942 - and benefited from the pair's legendary chemistry. A classic in every sense of the word, it's represented here by a near-flawless midget window card, boasting bright colors, sharp corners, and a wonderful portrait of the two stars. This is a wonderful piece, one that will enhance any collection. From the Collection of Denver Sherry. Near Mint.Sold for: $657.25. |
| 65155 | Holiday (Columbia, 1938). Katharine Hepburn Still by A.L. "Whitey" Schafer (8" X 10"). Vintage black and white, double weight, glossy still. Katharine Hepburn co-stars with Cary Grant under the direction of George Cukor in this delightful romantic comedy. This photo, snapped by A.L. "Whitey" Schafer in 1938, has wear along the edges and corners, a faint vertical wrinkle in the image and a few minor scuffs. There are stamps, a description snipe and writing in pencil on the verso. Fine/Very Fine.Sold for: $143.40. |
| 65156 | Break of Hearts (RKO, 1935). Katharine Hepburn Still by Ernest Bachrach (8" X 10"). Vintage black and white, single weight, glossy still. Katharine Hepburn stars as an aspiring composer who falls for an orchestra conductor played by late cast addition Charles Boyer. This clean photograph features a gorgeous image of Hepburn snapped by Ernest Bachrach. There is a tiny tear at the bottom left border along with a very small crease at the bottom right corner. The reverse has writing in pencil. Very Fine+. Sold for: $448.13. |
| 65157 | Without Love (MGM, 1945). Katharine Hepburn and Spencer Tracy Publicity Still by Clarence Sinclair Bull (8" X 10"). Vintage black and white, single weight, glossy still. Beautiful Clarence Bull photo of Katharine Hepburn and Spencer Tracy. On the verso is a stamp crediting Bull, as well as a type-written note attributing the still to the film Without Love. Very Fine. Sold for: $179.25. |
| 65158 | National Velvet (MGM, 1944). Insert (14" X 36"). An adorable image of a twelve-year-old Elizabeth Taylor adorns this poster from her 1944 breakout smash which co-starred Mickey Rooney. Far superior to the one sheet, this unrestored poster has wear at the fold lines, creases at the corners, and pinholes at the borders. Fine/Very Fine. Not Sold. |
| 65159 | Elizabeth Taylor Portrait (Universal, 1942). Still (8" X 10"). Vintage black and white single weight still. Beautiful publicity portrait for nine year old Elizabeth Taylor's film debut - There's One Born Every Minute. There is a Universal studios stamp on the back, along with a brief note about her film debut in pencil. The still has a small emulsion blemish, and several creases in the top right corner. Very Fine.Sold for: $119.50. |
| 65160 | Elizabeth Taylor Publicity Still (MGM, c.1956). (8" X 10"). Vintage black and white, single weight, glossy still. Sexy 1950s pin-up shot of Elizabeth Taylor from the MGM publicity department. Small corner bends on three corners. Near Mint-. Sold for: $119.50. |
| 65161 | National Velvet (MGM, 1944). Elizabeth Taylor Wardrobe Test Still (8" X 10"). Vintage black and white, single weight, glossy still. Eleven-year-old Elizabeth Taylor is shown in a wardrobe test for one of her early breakthrough roles at MGM, National Velvet. The date, Novemeber 8, 1943, is stamped on the edge along with studio information. The date and Taylor's age are misidentified in writing on the back. The still has a set of staple holes in the upper left corner, and a bit of light wrinkling. Very Fine/Near Mint. Sold for: $239.00. |
| 65162 | Father of the Bride (MGM, 1950). Elizabeth Taylor Keybook Still (8" X 10"). Vintage black and white, double weight, glossy, keybook still of Elizabeth Taylor on the set of the 1950 MGM film, Father of the Bride. This photo has the punch holes that were standard for mounting the still into the keybook. There are type-written notations on the verso and a date stamp of March 7, 1950. There is a hand-marked studio still number in the lower right corner, and only very light surface creases. Very Fine. Not Sold. |
| 65163 | Roman Holiday (Paramount, 1953). One Sheet (27" X 41"). Twenty-four-year-old Audrey Hepburn won an Academy Award for her portrayal of Princess Anne, a young woman who longs to escape her political heritage and have some fun before she is paralyzed by "affairs of state." By chance, she happens to meet American journalist Joe Bradley (Gregory Peck), who recognizes her, but pretends that he doesn't in hopes of obtaining an exclusive interview. This was the first American film to be made entirely in Italy, and was a huge hit, making Hepburn an international star. This colorful poster is in very good condition, with pinpoint crossfold separations, some tape lifts on the reverse, a tear with some paper loss at the left center border, and a punch-tear in the word "Peck" being the main issues, all of which has been addressed with professional restoration. Fine/Very Fine on Linen.Sold for: $836.50. |
| 65164 | Roman Holiday (Paramount, 1953). Insert (14" X 36"). William Wyler directed Audrey Hepburn to an Academy Award win in this tale of a princess who falls for an American reporter (Gregory Peck) while trying to escape the pressures of the monarchy. This insert had been folded and there were signs of staining on the reverse and minor tears in the borders. But after professional restoration, this sheet looks smashing, making it a royal addition to any collection. Fine+ on Paper.Sold for: $956.00. |
| 65165 | Sabrina (Paramount, 1954). Half Sheet (22" X 28"). In Audrey Hepburn's first role after winning the Academy Award for Roman Holiday, she plays the daughter of a wealthy family's chauffeur, and she is attracted to both of the family sons. The half sheet from this Billy Wilder classic romantic comedy is unrestored and has nicks and tears along the border areas. There is a 4" tear that runs from the center right edge into the blue background of the image. Though the piece has some minor rumples and small crease lines throughout, the poster still maintains its original charm and beauty, and will make a wonderful addition to any collection. Rolled, Fine.Sold for: $597.50. |
| 65166 | Sabrina (Paramount, 1954). One Sheet (27" X 41"). Audrey Hepburn shines in her most famous role, that of a chauffeur's daughter who longs for a life of luxury. Humphrey Bogart and William Holden are the men vying for her attentions in this bright comedy from director Billy Wilder. This lovely one sheet showcases Hepburn at the height of her appeal. There were pinholes in the corners and in the field, fold wear and crossfold separations, and some surface smudging, all of which has been expertly restored. There are paint touch-ups in the title and in the folds. Reach for the moon and add this beauty to your collection. Fine/Very Fine on Linen. Sold for: $776.75. |
| 65167 | Green Mansions (MGM, 1959). One Sheet (27" X 41"). Green Mansions is a fascinating film on many levels. It was the first major Hollywood film to be shot in Panavision, and Audrey Hepburn's fears that the new process would make her square face even more severe, were happily proven not to be so. Hepburn's romantic co-lead was a young, handsome actor named Anthony Perkins who hoped for many more such roles. His landmark psychotic turn in Psycho the following year would dash that hope and change his life forever. This loveliest of Hepburn images, by Joseph Smith, is done in muted green tones echoing the title. There are small chips in the edge and mild corner creases. There are pinpoint stains in the borders, a horizontal crease through the top fold, and mild fold line separations. Fine on Linen. Sold for: $657.25. |
| 65168 | Funny Face (Paramount, 1957). Three Sheet (41" X 81"). Audrey Hepburn and Fred Astaire shine in this musical set in Paris with songs by George and Ira Gershwin. Such great numbers as "S'Wonderful" and "How Long Has This Been Going On?" are featured. This three sheet poster features different art than that seen on the one sheet, with numerous images of Hepburn performing her "beatnik" number from the film. There is some wrinkling and a few pinholes in the body of the poster. Very Fine-. Sold for: $657.25. |
| 65169 | Breakfast At Tiffany's (Paramount, 1961). One Sheet (27" X 41") Tri-Folded. This classic Blake Edwards comedy, based on a bestselling novel by Truman Capote, features the stunningly beautiful Audrey Hepburn as Holly Golightly, a glamorous, yet flighty, New York socialite and escort whose life is turned upside down when she meets aspiring writer Paul Varjak (George Peppard). The beautiful one sheet, with its striking image of Hepburn, is one of the most popular posters of its era. This particular example has been pressed, and presents an exceptionally crisp and clean appearance. If you've been looking for a clean, unrestored example of this 1960s classic, look no further! Very Fine/Near Mint.Sold for: $5,078.75. |
| 65170 | Breakfast at Tiffany's (Paramount, 1961). Japanese B2 (20" X 29"). We always enjoy unpacking a new consignment of Japanese posters for American films, because we know the Japanese are proficient and consistent about choosing uncommon but effective images, often very different from ours. This beauty does not disappoint, with Hepburn peering elegantly over draped designer sunglasses in her perfect little Givenchy dress and impossible wide-brimmed hat, above the classic "clinch" scene in front of Tiffany's jewelry store. Just the hint of a mild roll that disappears when laid flat. Rolled, Near Mint. Sold for: $478.00. |
| 65171 | Breakfast at Tiffany's (Paramount, R-1969). Japanese Speed (10" X 29"). A dazzling film about an attractive young socialite (Audrey Hepburn) who gets involved with a struggling writer (George Peppard), and the hilarious, and sometimes heartbreaking, misadventures that result. Offered here is a beautiful and desirable Japanese speed poster, featuring a luscious image of Hepburn. It shows just some minor fold wear, but is otherwise fresh and attractive, the perfect piece to highlight any advanced Hepburn collection. This items was mistakenly described as original release when it is from the 1969 re-release. Very Fine+. Sold for: $567.63. |
| 65172 | My Fair Lady (Warner Brothers, 1964). Color Still Set of 12 (8" X 10"). Audrey Hepburn stars in what many consider to be her finest role, that of street urchin Eliza Doolittle who rises to the top of English society with the help of a wager and Professor Henry Higgins. The film would go on to win several major Oscars including Best Picture. This complete set of 12 original color stills is in unused, mint condition and is still in its original sleeve. Mint. Sold for: $776.75. |
| 65173 | How to Steal a Million (20th Century Fox, 1966). Japanese STB (20" X 58"). In order to protect her grandfather, a noted art forger, Nicole (Audrey Hepburn) must steal a bogus statue from a Paris museum before the deception can be detected. To help in her scheme, she enlists the aid of Simon Dermott (Peter O'Toole), a detective posing as a burglar. Dermott ends up falling in love with Nicole, complicating matters. This lovely Japanese poster, with its fabulous images of O'Toole and Hepburn, shows edge wear, pinholes in the corners, and a small tear in the top center of one panel, but is otherwise quite clean. Any fan of classic Hollywood will be proud to own this rare piece. Very Fine. Sold for: $119.50. |
| 65174 | Paris When it Sizzles (Paramount, R-1972). Japanese B2 (20" X 29"). Dissolute scriptwriter Richard Benson (William Holden) has just three days to complete a screenplay he's been avoiding for months, and it's up to his perky secretary Gabrielle Simpson (Audrey Hepburn) to make sure he meets his deadline. This Japanese poster, with its stunning portrait of the always-beautiful Hepburn, shows pinholes in the corners and some very light tack staining at the top, but is otherwise clean and fresh. A very desirable piece for any fans of the ravishing Ms. H or Mr. H. depending on how your tastes run! Very Fine+.Sold for: $334.60. |
| 65175 | The Nun's Story (Warner Brothers, 1959). Audrey Hepburn Publicity Still by Bert Six (8" X 10"). Vintage black and white single weight still. Audrey Hepburn received an Oscar nomination for her portrayal of a headstrong nun who struggles with her order's neutrality during WWII. This photo was taken by Warner Brother lenseman Bert Six as part of the campaign for the film. There is writing in pencil, a studio snipe and a credit stamp in the verso. The front has corner creases and bumps along with light wrinkling. Very Fine+.Sold for: $119.50. |
| 65176 | Audrey Hepburn Publicity Still by Bud Fraker (Paramount, 1954). (8" X 10"). Vintage black and white, single weight, glossy publicity portrait. Gorgeous portrait of Audrey Hepburn by photographer Bud Fraker at the time of her role in Sabrina. There is a pinhole in each corner and Fraker's stamp on the verso. Very Fine. Sold for: $956.00. |
| 65177 | Le Mepris (Cocinor, 1963). French Grande (47" X 63"). French cult-director Jean-Luc Godard made this masterpiece about a writer who is hired to write a screenplay based on the ancient Greek myth, The Odyssey, resulting in the breakdown of his marriage. Brigitte Bardot stars as the discontented wife who feels her husband is compromising his talents in order to sell his work to a greedy U.S. producer, played by Jack Palance. This poster has separation at one of the fold line intersections and one small tear. The colors are bright and vibrant and the poster displays very well. Very Fine+.Sold for: $2,868.00. |
| 65178 | Vie Privée (Pathé, 1962). French Grande (47" X 63"). Bridget Bardot stars in this "life imitates art" drama about a movie star who is constantly hounded by reporters and fans. In a desperate search for a private life, she turns to her mother's ex-lover for help. This country of origin poster features fabulous art by Tealdi. Prior to restoration, there was a bit of wear and tear along the edges and folds, with paper loss. There were chips in the image and borders including small holes in the title. Wrinkling and creasing were present throughout the image as were a few minor scuffs and light surface dirt. Now, the poster displays very well. Fine on Linen.Sold for: $657.25. |
| 65179 | Pillow Talk (Universal, 1959). One Sheet (27" X 41"). Playboy composer Rock Hudson and interior decorator Doris Day are obliged to share a telephone party line. Naturally, their calls overlap at the least opportune times, and just as naturally, this leads to Hudson and Day despising each other without ever having met in person. This was the first teaming of Hudson and Day and they would go on to make two more comedies - but neither would rise to the level of this classic which garnered five Academy Award nominations. This lovely, unrestored one sheet has pinholes in the corners and some lower crossfold separation. Very Fine-.Sold for: $836.50. |
| 65180 | Devil Girl From Mars (Spartan, 1955). British One Sheet (27" X 40"). The tables were turned on an unsuspecting humanity in this clever British production. Typically, alien invaders, along with their robotic henchmen, came to Earth in search of nubile young females to restock their breeding pens. This time out, the invaders are attractive women looking for men to serve their amorous purposes! Offered here is the rare British stone litho one sheet, featuring stunning art by Cobb, which is markedly different from any of the poster styles released in the U.S. There was a pinhole in the lower right corner, and the expected light fold wear and minor crossfold separation, but these slight flaws have been corrected by professional restoration. The result is a poster any sci-fi aficionado will be proud to own. Very Fine+ on Linen.Sold for: $5,975.00. |
| 65181 | Queen of Outer Space (Allied Artists, 1958). One Sheet (27" X 41"). Following in the footsteps of Cat-Women of the Moon and Fire Maidens of Outer Space, this epic tells the story of astronauts on the first manned spaceflight to Venus, as they see that it is completely populated by women wearing short skirts and high-heels. Zsa Zsa Gabor is prominently featured on this popular one sheet which shows minimal wear to the upper center point. Very Fine/Near Mint. Sold for: $1,075.50. |
| 65182 | The Wasp Woman (Film Group, 1959). One Sheet (27" X 41"). Cosmetics queen Janice Starlin (the final film role for Susan Cabot), in searching for a "youth serum," overdoses on wasp enzyme, with predictably disastrous results. Brought to screen by legendary director Roger Corman, this fun romp gives us one of the most attractive and desirable sci-fi posters of the era. This particular copy had slight fold wear with pinpoint crossfold separation, pinholes in the top corners, and an edge chip in the top left. There is also touch-up to the upper tagline. These minor defects have been rendered virtually invisible, thanks to professional restoration, resulting in a gorgeous poster. Very Fine on Linen.Sold for: $3,585.00. |
| 65183 | Barbarella (Paramount, 1968). Three Sheet (41" X 81"). Who takes sex to outer space? Why, Barbarella of course! This wonky sci-fi comedy was a breakout film for Jane Fonda, who performed a memorable zero-G striptease under the opening credits. This spectacular three sheet - featuring the classic artwork of Jane in her red space panties - is one of the cleanest we've offered, with light fold wear and crossfold separations being the only real issues. A superb example of this great sheet. Very Fine on Linen. Sold for: $657.25. |
| 65184 | Barbarella (Paramount, 1968). One Sheet (27" X 41") Style B. A sexy, sci-fi spoof in outer space! Based on the popular comic strip by Jean-Claude Forest, Barbarella, played by the young and beautiful Jane Fonda, was the first sci-fi character from the comics to be adapted into a feature film.This rare and desirable Style B one sheet for this popular film, features groovy psychedelic graphics. It had light fold wear, pinholes in the corners, and a slight imperfection in the upper right corner, all of which have been addressed with professional restoration. These beauties are in short supply and high demand, so don't miss this chance to add this sixties classic to your collection. Very Fine+ on Linen.Sold for: $1,075.50. |
| 65185 | Cat-Women Of the Moon (Astor Pictures, 1954). One Sheet (27" X 41"). A group of astronauts led by Sonny Tufts embark on a mission to the moon only to find that it is inhabited by wild women in black tights and one angry giant spider. This 1950s sci-fi poster has pinholes in the corners, and minor creasing within the image, but still displays very well in great unrestored condition. Very Fine-.Sold for: $1,015.75. |
| 65186 | Cat-Women Of the Moon (Astor Pictures, 1954). Insert (14" X 36"). One of the favorite themes of 1950s science fiction was the all-male expedition that discovers a race of women who have never been exposed to men before. Queen of Outer Space, Fire Maidens from Outer Space and this low-budget film are all examples of the Eisenhower Era male wish fulfillment. With props left over from Project Moonbase and Destination Moon, Sonny Tufts and Victor Jory meet the Cat-Women who populate the moon. The poster has an extra set of fold lines but is otherwise in very nice shape. Very Fine.Sold for: $657.25. |
| 65187 | The She-Creature (American International, 1956). Half Sheet (22" X 28"). "It can and did happen! Based on authentic FACTS you've been reading about!" So trumpeted the tag lines for this bizarre film, featuring one of the very best creatures from the workshop of designer Paul Blaisdell. Built around then-current interests in past life regression and reincarnation - the Bridey Murphy case was very much in the news around the time this movie was released - this thriller is about an unfortunate woman whose regression experience transforms her into a horrific monster. The chilling and evocative half sheet offered here, with its stunning images of both the beast and the scantily-clad beauty (Marla English), has staple holes in the corners, light edge wear at the top, some minor dust shadowing, and creasing in the top and bottom border. None of these minor flaws affect the inherent appeal and desirability of this chilling classic, making it a gem fit for any collection. Very Fine-. Sold for: $657.25. |
| 65188 | The She-Creature (American International, 1956). One Sheet (27" X 41"). Hypno-regression is the theme of this entertaining low-budget shocker that features a memorable monster costume by Paul Blaisdell. Chester Morris plays a hypnotist who sends his patient (ha-cha-cha Marla English) back to her prehistoric origins, loosing a terrifying creature with a scaly exterior and bony claws at every joint. This stunning poster features evocative artwork by Albert Kallis, showing the dual nature of the comely Ms. English. The sheet is in stunning condition, with minor pinholes, fold wear, and pinpoint crossfold separations being the only issues. You won't need hypnosis to see the cool factor of this monsterific sheet! Very Fine on Linen. Sold for: $1,195.00. |
| 65189 | The Man from Planet X (United Artists, 1951). Banner (24" X 82"). The early 1950s, with the nation gripped in the panic of the Red Scare, was the perfect time for belligerent aliens to visit Earth -- War of the Worlds, The Thing from Another World, and Invaders from Mars being prime examples. Besides Klaatu, one of the few E.T.s who came in peace was The Man from Planet X, and even his mission was subverted by an evil scientist. This extremely rare unfolded banner has been linen-backed but hasn't had any restoration performed. There are still some slight smudges and crimps throughout the image. Very Fine on Linen. Sold for: $1,792.50. |
| 65190 | The Thing From Another World (RKO, 1951). Lobby Card Set of 8 (11" X 14"). Offered here is the complete set of eight lobby cards for this 1950s science fiction classic. Some great posed and action shots of cast members Kenneth Tobey, Margaret Sheridan, Robert Cornthwaite, Dewey Martin, and Paul Frees (the great voice actor who isn't even credited in the film). Produced by (and many say directed by) Howard Hawks. There is a faint Australian censor stamp on each card. Some edge wear and light smudging also appears on a couple of the cards. Very Fine-.Sold for: $2,151.00. |
| 65191 | The Beast with 1,000,000 Eyes! (American Releasing Corp., 1955). One Sheet (27" X 41"). Legendary producer Roger Corman brought invading aliens into the desert of California, where they begin plans for world domination, as usual, by controlling the minds of various animals. In one scene, a group of homicidal birds savagely attack, beating Alfred Hitchcock's The Birds by a full five years. This terrific one sheet sports tremendous artwork by the great Albert Kallis. It had staple marks in the corners and there has been quite a bit of retouch along the upper and lower horizontal folds. There is a slight abrasion at the right edge of the lower horizontal fold as well. Fine+ on Linen. Sold for: $1,195.00. |
| 65192 | Invasion of the Body Snatchers (Allied Artists, 1956). Three Sheet (41" X 81"). In the 1950s "dirty rotten commies" (Communists) were seen under every bed and around every corner. So it was no surprise that the film industry would respond with paranoia pictures such as this one. One of the best of that frightening genre, this was a story about alien pods that came to Earth to create soulless duplicates of people worldwide. The resulting bedlam made for a gripping film. Paper from this popular title has always been avidly sought by collectors, and this classic image of Kevin McCarthy and lovely Dana Wynter running for their lives, variations of which were used on other posters for this release, is widely considered one of the best designs of the era. The three sheet offered here shows light edge wear, pinholes in the borders and field, paper tape on the reverse, and fold wear with separation and small paper loss. This is a classic poster from a great movie. Fine+. Sold for: $1,434.00. |
| 65193 | It Conquered the World (American International, 1956). One Sheet (27" X 41"). Okay, maybe It didn't actually conquer the world - it was apparently all It could do to conquer Lee Van Cleef - but this imaginative film from the mind of low-budget auteur Roger Corman has been conquering theater and home video screens for more than half a century now, so It must be doing something right! The title creature, dubbed "Beulah" by creator/designer Paul Blaisdell, is one of the most memorable in the history of 1950s sci-fi films, instantly recognizable to genre aficionados worldwide. This striking one sheet, showing Beulah and a terrified Beverly Garland, had fold wear and pinholes in the corners, tape scuffs in the left and right borders, and a small hole in the bottom left, but, as professional restoration has addressed all these issues, it presents a clean and attractive appearance. Very Fine on Linen.Sold for: $1,135.25. |
| 65194 | Not of this Earth (Allied Artists, 1957). Insert (14" X 36"). Although originally released as part of a double bill with Attack of the Crab Monsters, this Roger Corman directed thriller proved to have staying power all its own spawning two remakes in the 80s and 90s. With only slight edge wear and faint bumps at the corners, this is a great example of 1950s sci-fi poster art. Very Fine/Near Mint. Sold for: $2,270.50. |
| 65195 | Invasion of the Saucer-men (American International, 1957). Banner (24" X 82"). One of the most memorable of the Alien Invasion films of the 1950s, Invasion of the Saucer-men deftly blended the best of several popular genres, including science fiction, juvenile delinquent/hot rod, and comedy. When a visiting alien is run over by a couple of teenagers out for a night of fun, the alien's hand survives and, growing its own eyeball, starts a reign of terror soon aided by other aliens. The movie is notable for an appearance by Frank "The Riddler" Gorshin as Joe, the town drunk, an early casualty of the invasion. Posters from this film are highly desirable due to their outstanding graphics. Offered here is a rare banner, sporting a black-and-white shot of the cabbage-headed alien. It is in exceptional shape; the only condition issues to report are some light edge wear and the expected pinholes in the borders, making this a rare find indeed for the advanced science fiction collector. Rolled, Very Fine+.Sold for: $1,314.50. |
| 65196 | Invasion of the Saucer-men (American International, 1957). Lobby Card (11" X 14"). This moment from one of the best "bad" sci-fi's of the 1950s features two kids at (where else?) a drive-in about to be menaced by an alien from outer space. Besides being a hilarious depiction of teenage culture, the card (#6) also features some of the best art ever created for the 1950s science fiction genre. It has two pinholes and some very slight rust residue from a paper clip in the upper border. Very Fine+. Sold for: $657.25. |
| 65197 | The Day of the Triffids (Allied Artists, 1960). Six Sheet (81" X 81"). What a great idea for a sci-fi film: have a meteorite shower watched by nearly the entire planet, one so bright that everyone who watches is blinded. Of course, along with the meteorites come the spores of a man-eating plant form - Triffidus Celestus. Multiplying quickly, the alien plants, now mobile, go on a feeding frenzy with a blinded humanity as their main course! The dynamic artwork by Joseph Smith (It Came from Outer Space, Mole People, Blood of the Vampire) never looked so good as it does on this stunning six sheet, allowing the triffids an almost life-sized presentation. Only minor creases in the border, mild fold separations, pinholes, and edge wear with tiny tears in the top left panel keep this botanical beauty from an even higher grade. Bid now... while you still can! Fine/Very Fine.Sold for: $537.75. |
| 65198 | The War of the Worlds (Paramount, 1953). Lobby Card Set of 8 (11" X 14"). Based on the novel by H. G. Wells, and adapted from the radio play by Orson Welles that terrified the nation in 1938, this is the story of a Martian invasion of Earth, and the near-obliteration of humanity. Cecil B. DeMille first obtained the rights to Wells's novel in the mid-1920s, and at one point wanted Alfred Hitchcock to direct. Those plans fell through, and DeMille eventually turned all control of the picture over to George Pal, who ended up producing one of the most revered sci-fi films of the era. Boasting great acting and elaborate special effects, this film has remained a favorite with fans worldwide, making the paper associated with it very desirable. This set of cards is in fantastic condition. Cards #4 and #7 are Mint, the rest show just the most minor wear. It's a very attractive set and a key part of any serious sci-fi collection. Very Fine/Near Mint.Sold for: $2,629.00. |
| 65199 | The War of the Worlds (Paramount, 1953). French Petite (23.5" X 31.5"). This is a French petite poster with art by C. Venin for one of the top science fiction film classics of all time. Based on the famous H. G. Wells novel of the same name, it was first optioned by Paramount to be a silent film directed by Cecil B. DeMille. To this day, the sleekly designed warships still look spectacular and the then state-of-the-art special effects hold up well from this classic of science fiction cinema. There are pinholes, slight edge wear, a small tear under the logo, small crossfold separations, and minor chips in the borders and the left crossfold. This rarely seen French poster is the style which depicts the warships as the larger Grande looks similar to the U.S. one sheet. Fine+ on Linen.Not Sold. |
| 65200 | Mothra (Columbia, 1962). Lobby Card Set of 8 (11" X 14"). When the first Godzilla movie was released in 1954, parent Toho Studios realized they had an enormous hit on their hands. A sequel, titled Gigantis, the Fire Monster for its American release, was quickly produced, followed by several additional dai kaiju (giant monster) films, including Rodan (1956) and Varan (1958). One of the most successful of these giant monster thrillers was Mothra, starring a giant caterpillar who transformed into a giant moth and was worshipped as a god by the inhabitants of a remote tropical island. As the Godzilla franchise continued - the fourth film in the series actually pitted Mothra against Godzilla himself - Mothra became a force for good, fighting to protect the world from the monsters that threatened to destroy it. To this day, Mothra continues to be one of the biggest stars in the Toho firmament. Offered here is a complete set of lobby cards for Mothra's debut movie, looking every bit as clean and pristine as the day they rolled off the printer. Snow white borders, sharp corners, and bright colors make this about the nicest set of lobbies one is ever likely to find for this popular film. Mint. Sold for: $717.00. |
| 65201 | Rodan! The Flying Monster (Toho/DCA, 1957). Lobby Card Set of 8 (11" X 14"). After the enormous success of their maiden giant monster effort, Gojira (better known as Godzilla in the West) in 1954, Toho Studios knew they had a hit on their hands, so they quickly began looking for other dai kaiju (Japanese for giant monster) to thrill both Japanese and American audiences. One of the very first to Godzilla up was the giant, bird-like Rodan (the monster's name in the original Japanese version, Radon, was short for Pteranodon). Helmed by Ishiro Honda, whose work on Gojira had made that picture one of the greatest movies ever to come from Toho Studios, Rodan was another gigantic success, and the monster is still popular with fans today, more than a half century after his first appearance. This lobby set is extremely clean and attractive, displaying only some small corner bumps, pinholes on several cards, and a bend in the upper right corner on all the cards. Additionally, the title card shows some light edge wear and a small piece of tape on the back reinforcing a very small tear at the top border. Unlike many other card sets, all the cards in this set feature Rodan, with no "dead" cards to be found. For anyone who has ever thrilled to see a giant monster tear up a busy city, this lobby set is for you! Very Fine+.Sold for: $507.88. |
| 65202 | Frankenstein Conquers the World (Toho, 1965). Japanese B2 (20" X 29"). Riding high on the success of their Godzilla series, Toho Studios cast about for other giant monsters with which to thrill the movie-going public. One idea was to have Godzilla fight the ever-popular Frankenstein Monster, but this idea was abandoned, as it was felt the fight scenes would be too implausible. The character of Frankenstein must have resonated with someone, though, as Toho soon devised a way to bring Mary Shelley's creation into their universe: in the closing days of World War II, the heart of the Frankenstein Monster is brought to Japan. Soon after reaching Hiroshima, that city is virtually obliterated by the atomic bomb, and the heart is thought lost forever. It is, however, found by a young scavenger, who eats it, and, years later, begins to mutate due to the bizarre properties of the heart and the effects of radiation. The boy grows to monstrous size and runs away before he can be destroyed by the authorities, but when the giant monster Baragon appears, the mutated boy is Japan's only hope for salvation. Originally titled Furankenshutain Tai Chitei Kaiju Baragon (Frankenstein versus the Subterannean Monster Baragon), it was retitled Frankenstein Conquers the World for its release in the U.S., a title by which many fans know it today. The film is notable for the lead roles played by Nick Adams, perhaps best known as TV's Johnny Yuma, and Kumi Mizuno, known to kaiju fans for her work in several Godzilla films. Offered here is the original Japanese B2 for this movie, in impeccable condition, with no flaws to mention. Looking as fresh as the day it was printed, this will certainly inspire some spirited bidding. Rolled, Near Mint/Mint. Sold for: $507.88. |
| 65203 | Godzilla vs. Monster Zero (Toho, 1965). Japanese B2 (20" X 29") Style B. An important film in the development of the series, this movie marks the point at which Godzilla ceases to be a world-threatening menace, and starts to become a giant protector of the Earth. It's a development that would continue until the franchise was rebooted in the film released here in the U.S. as Godzilla 1985. This film, in which Godzilla teams up with Rodan to battle King Ghidorah, a monster under the control of hostile aliens, is as exciting as any movie in the series. Leading the human forces are Akira Takarada, who played Ogata in the original Gojira in 1954, and Nick Adams, best known to American audiences as TV's Johnny Yuma. Offered here is the rare Style B Japanese poster for this fan-favorite film. It shows several small areas of damage at the top right and top center, and a 4.5" tear in the upper left that has been repaired with clear tape on the reverse. Otherwise, it is extremely clean and attractive, with wonderful images of all three monsters. Fine/Very Fine.Sold for: $388.38. |
| 65204 | Godzilla vs. the Smog Monster (Toho, 1971). Japanese B2 (20" X 29"). It was 1971, and the world was becoming aware of the growing pollution crisis. The danger that pollution posed to the entire planet was on everyone's mind, so Toho decided to exploit that fear in their latest Godzilla epic, in which the King of the Monsters battles a bizarre being made of garbage and refuse. Named Hedorah in Japan, we came to know him as The Smog Monster here in the U.S. One of the few Godzilla films to carry a strong social message, this is also the only film in the series to make extensive use of animation. It even includes a theme song, known in America as "Save the Earth." Although the movie has its comic moments - such as when Godzilla flies by pointing his atomic breath towards the ground, propelling him backwards - this is actually one of the darker, more surreal films in the series, and well worth seeing. Offered here is an exquisite Japanese poster for the original release of this environmentally-conscious film. It shows some overall wrinkling, and a small hole by Hedorah's left foot. It is a very striking and desirable poster, perfect for any dai kaiju fan! Very Fine+. Sold for: $286.80. |
| 65205 | Planet of the Apes (20th Century Fox, 1968). Polish One Sheet (22.75" X 31.25") This is one of revered book and poster artist Eryk Lipinski's best known works. His chilling symbolic rendering of Lady Liberty literally sinking into the oversized image of a menacing ape underscores the fact that he watched the film before designing the poster as is quite common with the better Polish artists. Lipinski was a top caricaturist from 1928 into the 1990s, founding the Museum of Caricature in Poland in 1978. His posters are always on the want list of those familiar with important images for American films abroad. There are only minor fold lines almost made invisible by expert linen backing and judicious minimal airbrush. Very Fine on Linen.Sold for: $388.38. |
| 65206 | The Time Machine (MGM, 1960). Three Sheet (41" X 81"). George Pal's colorful adaptation of the H. G. Welles novel stars Rod Taylor as the time traveler, and Yvette Mimieux as the future-girl he falls for. This glorious, pulp-style three sheet features an action-packed image of our hero and heroine being menaced by Morlocks. The poster has some condition issues including pinholes in the borders and small tears all along the left border. There was fold wear and crossfold separations, and some stains in the left border. Missing paper included a chunk out of the top right corner, a large piece out at the bottom of the "C", a large chip out of the center crossfold, and several smaller chips. Professional restoration has addressed these issues, and the poster now looks good as new. You will race into the fantastic future with this colorful poster. Fine/Very Fine on Linen.Not Sold. |
| 65207 | The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card #6 (11" X 14"). Michael Rennie, as an alien ambassador, gets a reception he hadn't planned for in this shocking moment from Robert Wise's intelligent and unpredictable science fiction classic. This card has a staple mark in the upper left corner and a pinhole in the center of the background. The card also has a few smudges in the green grass and in the right border. Very Fine+.Sold for: $567.63. |
| 65208 | The Day the Earth Stood Still (20th Century Fox, 1951). Lobby Card #7 (11" X 14"). Michael Rennie stars as Klaatu, an alien ambassador from outer-space in Robert Wise's legendary science fiction picture. Many people feel that this scene card is one of the better from the set as it features Rennie and his robot Gort in close-up. The card has a staple mark in the center of the upper background and some very light crimps in the border area. Very Fine+.Sold for: $1,015.75. |
| 65209 | The Foreign Legion (Universal, 1928). Title Card and Lobby Cards (6) (11" X 14"). Dashing leading man Norman Kerry, best known today as Captain Phoebus in The Hunchback of Notre Dame and Vicomte Raoul de Chagney in The Phantom of the Opera, gets top billing in this exciting action picture. Offered here is a near-complete set of lobby cards. The title card shows multiple pinholes in the corners, smudging, and a light stain in the bottom right. The scene cards show pinholes in the corners and smudging, with one card displaying a very small edge tear. They all retain a high degree of color and vibrancy, making them very attractive and desirable. Very Fine. Sold for: $334.60. |
| 65210 | The Life of Buffalo Bill (Pawnee Bill Film Co., 1912). One Sheet (28.25" X 42"). William F. "Buffalo Bill" Cody was one of America's great showmen at the turn of the century. Capitalizing on his reputation as a Civil War soldier, adventurer, and frontiersman, Cody toured the country with his show, "Buffalo Bill's Wild West," which eventually incorporated more than 1,200 performers, including the likes of Annie Oakley, Sitting Bull and his braves, and more. One of the most important and recognizable celebrities of the early twentieth century, Cody is still revered by many as a great American hero. The poster offered here, promoting his popular Custer show (in which Cody, of course, played the doomed General George Armstrong Custer), has undergone professional restoration to repair several issues. There is a large tear through the horizontal center from the left border. There is another tear that runs to the right of Buffalo Bill in the image of the woods.There are two large bites from the right border, one that slightly extends intro the red border box. After careful restoration, the restoration is almost invisible and this poster presents beautifully, with brilliant colors and exceptional graphics. If you're a student of American history, this is a rare opportunity to add a significant piece of Americana, from this rare and early silent, three reel film, to your collection. Very Good+ on Linen.Sold for: $3,107.00. |
| 65211 | A Connecticut Yankee in King Arthur's Court (Fox, 1921). One Sheet (27" X 41"). This was a big release for Fox in 1921, with lavish production values. Legend has it that Douglas Fairbanks was first approached to play Mark Twain's famous Yankee, but the part wound up being played by Harry Myers. Knocked unconscious, he winds up in medieval England where he amazes the court of King Arthur with his knowledge of modern inventions, and meets the double of his 1921 girlfriend (Pauline Stark). This striking poster shows all the cast surrounding a portrait of author Twain, obviously designed to build up the prestige value of the film. There is some light soiling in the top border, light fold wear with crossfold separations, and several pinholes. Very Fine-. Sold for: $1,015.75. |
| 65212 | How Washington Crossed the Delaware (General Film, 1912). One Sheet (26.5" X 38.5"). An early Edison short, this film, recreating a popular historic story, was directed by Edison mainstay J. Searle Dawley, recognized today as the first motion picture director (before Dawley, films had largely been "directed" by the cameraman. Dawley was the first to approach the process as we understand it today). Joining him in this effort were cast members Mary Fuller - renowned today as the first screen serial heroine - and Charles Ogle, who had both worked with Dawley in 1910 to bring the very first adaptation of Mary Shelley's immortal novel, Frankenstein, to the screen, with Fuller as Elizabeth and Ogle as the Creature. This film, most likely a one-reeler, was probably filmed in Dawley's studio in Long Beach, California, as we know that he relocated to the West Coast sometime in 1910 to provide the Edison Company with a presence there. Dawley was a true film pioneer, every bit as important to the development of early motion pictures as Edison himself, and paper from these early efforts is exceptionally rare. This particular example, obviously produced for a French (or possibly Canadian) release of the film, had fold wear with some crossfold separation, as well as a single pinhole in the image area, to the left of center. Nonetheless, it is an extremely attractive piece, displaying bold, vivid colors, and an important piece of cinema history. Very Fine on Linen. Not Sold. |
| 65213 | Last Days of Pompeii (Independent, 1913). One Sheet (27" X 41"). Based on Bulwer-Lyton's novel, this remake (yes, they were already remaking films in 1913), included fantastic special effects for the era including the eruption of Mount Vesuvius. The Italian-made film is considered one of the first grand-scale epics announcing the arrival of Italy's important contributions to the industry. This gorgeous and early stone litho one sheet features the film's two leading ladies, the blind slave girl and her rival, both participants in a love triangle, unaware of their impending doom from the looming volcano. The poster has some staining along the bottom border and another stain in the background at the left edge of the fountain. This is such a beauty to behold, an incredible addition to any silent film poster collection. Fine. Sold for: $2,151.00. |
| 65214 | How Motion Pictures Are Made (Keystone, 1914). One Sheet (27" X 41"). This beautiful example of a Keystone Picture on stone lithography depicts a company of actors getting ready to make a motion picture. Although not much is known about this short subject documentary, it is quite interesting as a historical look into the early days of making films. There was a large tear at the top going into the "s" in Keystone. There has been minor color touch to the fold lines and to several smaller tears on the edges. Very Fine on Linen.Sold for: $4,780.00. |
| 65215 | Regenerates (Triangle, 1917). One Sheet (27" X 41"). San Francisco-born actress Alma Rubens had a fast climb to the top. A star by the age of 19, the beautiful and talented Rubens appeared in a slew of silent film hits from 1916 through 1925. At the same time, she was becoming a hot commodity on Broadway. Following marriages to actors Franklyn Farnum and Roberto Cortez, Rubens' life began to unravel due to heroin addiction. Though she died young, she left an incredible body of work. This rare poster from her early career had chips and tears in the borders as well as fold wear with separations and paper loss. There was also a crease in the top left quarter of the image. But thanks to professional restoration, this poster is ready to display. Very Good on Linen. Sold for: $478.00. |
| 65216 | Drums of Love (United Artists, 1928). Title Card and Lobby Cards (4) (11" X 14"). Based on the story of Francesca da Rimini, this late silent film features the lovely Mary Philbin (best known for her portrayal of Christine in The Phantom of the Opera) as Princes Emanuella, who agrees, sight unseen, to marry Duke Cathos de Alvia (Lionel Barrymore) in order to preserve the peace between their two countries. Unfortunately, she finds herself more attracted to the Duke's handsome brother, Leonardo (Don Alvarado), especially once she finds that her husband is ugly and misshapen. One of the last films that Griffith would direct, this is a spectacular drama, filled with D. W.'s trademark panache. The handsome title card offered here features a striking portrait of the director. It has staple holes on either side of the image area, some minor edge wear, and a small bump in the bottom left corner. Two of the scene cards show staple holes in the corners and slight edge wear, with a light crease in the bottom right corner of one, and some slight smudging in the border of another. One of the scene cards has been trimmed, laminated, and mounted to a piece of black board, which accounts for the low overall grade. Nevertheless, these are very attractive and desirable cards from the twilight of a great director's career. Fine. Sold for: $717.00. |
| 65217 | Beloved Rogue (United Artists, 1927). Lobby Card (11" X 14"). Starring John "the Great Profile" Barrymore as French poet, prankster, and patriot François Villon, and Conrad Veidt (best known for his roles in The Cabinet of Dr. Caligari and The Man Who Laughs) as King Louis XI, this familiar story tells of the fortunate chance that made Villon king for a day, and how he used that position to protect France from the invading Burgundians. In the scene depicted on this luscious lobby card, however, Villon appears to have other things on his mind rather than patriotism. This colorful card shows light edge wear, small bumps in two corners, a small tear in the lower border, and pinholes in the top and bottom corners, but who can see these minor flaws when presented with an image of the greatest actor of a generation surrounded by a dozen ravishing beauties? Not us! Very Fine. Sold for: $507.88. |
| 65218 | The Big Parade (MGM, 1925). Lobby Cards (2) (11" X 14"). This is one of the greatest silent films ever produced, second only to Birth of a Nation in box office receipts. Directed by King Vidor (who uncredited, co-wrote the script) and stars John Gilbert and Renee Adoree, who all became major players after the film's success. These two lobby cards offer a bit of film poster history. Most cards in the mid-'20s were hand tinted - usually painted by European artists who could only find work in America in this venue. They would make choices on how to color and emphasize certain stars and layouts. Note that one logo border has been colored completely blue, people flesh colored, and with hats and dresses in the lower logo also colored. A different tinter has chosen only to color one dress. There are mild corner bumps, a small crease in the lower right border, and small tears in the bottom and right borders repaired with tape on the back. One card has vertical creases in the left and right borders. Fine/Very Fine. Sold for: $215.10. |
| 65219 | The Haunted Ship (Tiffany, 1927). Title Card and Lobby Cards (6) (11" X 14"). Although the film's title would have you believe this is a horror film, in actuality, this is a drama on the high seas based on a Jack London novel. Ray Hallor and Dorothy Sebastian are the love interests, shanghaied into working on Montague Love's ship. These cards sport a wonderful motif with the scenes inset into a ship's porthole. All of the seven cards in this lot have pinholes and light smudging in the borders. Two scenes have pinhole "pulls" in the corners and another scene has some wrinkling and creasing in it. Fine-. Sold for: $179.25. |
| 65220 | The Sea Hawk (First National, 1924). Title Lobby Card and Scene Cards (2) (11" X 14"). Before Errol Flynn buckled more than his share of swashes as Captain Geoffrey Thorpe, another version of The Sea Hawk had been filmed, this one far more faithful to the original novel by Rafael Sabatini. The movie stars Milton Sills as Oliver Tressilian, an English gentleman who is captured by pirates and enslaved upon a Moorish galleon. He soon escapes and becomes leader of the pirates, eventually establishing a fearsome reputation at sea. A rousing, action-filled epic, this is one of the all-time great pirate movies. The lobby cards offered here are particularly attractive. The title card shows a small stain in the bottom right, and pinholes in the top corners. The scene card showing the galley slaves has a few light smudges and pinholes in the left and right borders, while the card picturing the battle displays some staining and dust shadowing in the lower right and a vertical crease that runs from top to bottom to the right of center. The color on all the cards is extremely strong, and all present very nicely. Very Fine.Sold for: $418.25. |
| 65221 | Show Boat (Universal, 1929). Lobby Cards (4) (11" X 14"). This lot contains four handtinted scene cards from the part silent/part talkie film that combined scenes from the filmed Edna Ferber novel with actual performers from Flo Ziegfeld's New York Stage production. Two cards have small worm holes in the center field. All cards have pinholes, mild edge wear, and minor corner bumps. One card has a 2" tear in the top center border. Fine/Very Fine.Sold for: $388.38. |
| 65222 | Show Boat (Universal, 1929). Title Lobby Card (11" X 14"). Originally shot as a silent, this film was based on the novel and not the Broadway play/musical. After the film was complete, Carl Laemmle added some of the original tunes from the Jerome Kern and Oscar Hammerstein musical that was still running on Broadway. Clever artwork by August M. Froehlich has a cascade of characters streaming out of the Edna Ferber novel and parading to the show boat. This lovely hand-tinted title card has pinholes, edge wear with small tears and mild corner bumps, and a mild crease in the upper left corner. Fine/Very Fine.Sold for: $478.00. |
| 65223 | Blue Skies (Fox, 1929). Title Card and Lobby Cards (4) (11" X 14"). Helen Twelvetrees and Frank Albertson are teenage orphans living in an asylum when a wealthy old man comes to adopt the boy -- but the two pull a switcheroo and he takes the girl home instead. Spoiler alert: it ends with a wedding. The title card has heavy wear with extensive silverfish damage and creases in the corners. The remaining four cards are in very good shape with light corner bumps and minor foxing and edge wear. A lovely set of cards from this little-seen silent. Fine+. Sold for: $179.25. |
| 65224 | The Rescue (United Artists, 1929). One Sheet (27" X 41"). Ronald Colman and Lily Damita star in this romantic saga, set in the south seas, based on a Joseph Conrad novel. Prior to restoration, the poster had several small chips and tears in the borders. There were two small bits of tape behind the upper and lower center points that caused a slight bit of bleed through. The restoration was first rate and the poster appears quite nice. Fine/Very Fine on Linen. Sold for: $35,850.00. |
| 65225 | Two Lovers (United Artists, 1928). Lobby Cards (6) (11" X 14"). Based on the novel Leatherface by Baroness Orczy, best known as the creator of the Scarlet Pimpernel, this star-studded film features Ronald Coleman and Vilma Banky, along with supporting players Noah Beery, Nigel de Brulier, Paul Lukas, and Marcella Day. These exquisite lobby cards are in beautiful condition. Several show staple holes in the borders, one shows a crease in the bottom right, and one shows a small tear in the bottom border, but these are minor flaws that do nothing to detract from the overall appeal of these luscious pieces. Very Fine+.Sold for: $478.00. |
| 65226 | Sins of Roseanne (Paramount, 1920). One Sheet (27" X 41"). As a young girl, Roseanne Ozanne (Ethel Clayton) was raised near a South African diamond mine. When she falls ill, she is nursed back to health by a native nurse (Fontaine La Rue), who also places a voodoo hex on the child: not only does Roseanne have an insatiable desire for diamonds, she also has the ability to hex others. It's not until the old nurse dies that Roseanne is able to break the spell and change her evil ways. The film also stars Jack Holt, who would become one of silent film's leading cowboy stars. This luscious stone litho poster, with a luminous image of Clayton, had fold wear with crossfold separation, edge chipping and tearing, several small tears in the image area, and a 5" tear to the left of Clayton's portrait. It has been restored and this is a beautiful poster that any film buff will be proud to own. Very Good/Fine on Linen.Not Sold. |
| 65227 | Betrayal (Paramount, 1929). Lobby Cards (5) (11" X 14"). When artist Andre Frey (Gary Cooper) discovers that his lover Vroni (Esther Ralston) has been forced to marry wealthy burgomeister Poldi Moser (Emil Jannings), it's almost more than he can bear. Even with the passage of years, Frey's grief is undiminished, leading to tragic consequences for all involved. Directed by Lewis Milestone, this exceptional picture was a perfect vehicle for both up-and-coming American star Cooper and established German film icon Jannings. Offered here are five scene cards from this landmark film. All display pinholes in the center of the image, as well as varying degrees of foxing in the borders and edge wear. One card shows a 3" tear in the bottom and a 1.5" tear in the top. Nevertheless, these are very attractive and desirable cards, with strong color and a great degree of eye-appeal. Very Good. Sold for: $239.00. |
| 65228 | Betrayal (Paramount, 1929). Lobby Card (11" X 14"). A stirring film about love, loss, and the inevitability of fate, this film, directed by Lewis Milestone, stars Gary Cooper and Emil Jannings. The scene card offered here is arguably the best in the set, as it is the only card in the set that shows Cooper. It displays very light edge wear, pinholes in the center of the image, a 1" tear in the upper right, slight creasing to all the corners, a light stain in the top left, pencil marks on Jannings's ear, and very light foxing at the extreme edges. Nevertheless, it displays strong color and a wonderful image, making this the perfect card for any early cinema enthusiast. Fine+. Sold for: $1,015.75. |
| 65229 | Betrayal (Paramount, 1929). Title Lobby Card (11" X 14"). Directed by Lewis Milestone, who would, in later years, helm such important pictures as All Quiet on the Western Front, The Front Page, Of Mice and Men, and the original Ocean's 11, this early partial-talkie co-starred a young Gary Cooper as the artist Andre Frey, whose lover, Vroni (Esther Ralston), is forced to marry wealthy burgomeister Poldi Moser (Emil Jannings). Years pass, but Frey's grief never dims, until tragedy resolves the situation in the end. Offered here is the striking and dramatic title card, featuring an intense portrait of Jannings. It displays edge wear with slight chipping at the bottom border, pinholes near the center of the image, rounded corners, and light surface scuffing. These minor flaws do little to detract from the overall appeal of this dynamic card, which presents very nicely. Fine. Sold for: $310.70. |
| 65230 | Last Command (Paramount, 1928). Window Card (14" X 22"). Emil Jannings won an Oscar for his performance in this magnificent silent film about a deposed Russian Czar hired by a former adversary (who is now a film director) to star in a movie about the Czar's own downfall. This beautiful stone litho window card has a bold image of Jannings on an art-deco-esque background. The poster has some dirt along the top and bottom edges, slight blunting at the corners, and a streak of dirt in the top right corner. Vivid colors and a striking image make this card a treasure of the silent screen. Very Fine+.Sold for: $478.00. |
| 65231 | The Silent Command (Fox, 1923). Title Lobby Card and Scene Cards (3) (11" X 14"). An exciting drama about a plot to blow up the Panama Canal, this film, which stars Edmund Lowe, Betty Jewel, and Martha Mansfield, is important as the first English-language picture for future horror star Bela Lugosi. Offered here are the title card and three scene cards from this movie. The title card shows minor corner bumps, a small tear in the bottom border, and slight edge wear, including a small wrinkle in the bottom border. One of the scene cards has a 7" diagonal tear from the top border to the center of the image, edge wear, staining, and a chip in the top border. The other two cards are in better condition, with minor corner bumps and edge wear, and a small tear and wrinkling in the bottom border of one card. Even with the flaws noted, this is still a very attractive and desirable collection of cards from an important film. Fine-.Sold for: $239.00. |
| 65232 | The Wheel of Life (Paramount, 1929). Lobby Card Set of 8 (11" X 14"). Richard Dix is a British military officer who falls for Esther Ralston, the wife of his commanding officer. Out of a sense of honor, he resigns his commission only to cross paths with his love once again when he rescues her during an uprising in India. This was Dix's second talking picture and proved to be a hit. There are pinholes in the image, as well as wear and tear along the edges, and foxing in the borders. Fine/Very Fine. Sold for: $776.75. |
| 65233 | The Vagabond Lover (RKO, 1929). Title Lobby Card (11" X 14"). Famous bandleader and singer, Rudy Vallee, made his film debut with his Connecticut Yankees in this comedy. It would also be Marie Dressler's entry into "talkies," and her wildly funny performance would put her on the fast track to stardom and an Oscar in only a few years. Great title card with fun deco graphics of all the girls admiring Vallee. There is light foxing in the lower left corner, pinholes, slight edge wear with small wrinkles in the top right corner, and light silverfish nibbles in the borders. There is faint smudging in the lower left corner, and a 1" tear in the lower center bottom border. Fine+. Sold for: $597.50. |
| 65234 | Power (Pathé, 1928). Title Lobby Card and Scene Cards (6) (11" X 14"). A prototypical buddy picture about two construction workers, Husky (William Boyd) and Handsome (Alan Hale), who spend most of the film duking it out, but come to count on each other when the chips are down. This picture is notable for all the future stars it featured, including Boyd, who would find fame years later as Hopalong Cassidy, and Hale, who was one of the most recognizable character actors of the 1930s and 1940s, as well as Joan Bennett and Carole Lombard, each portraying unnamed "dames" in this early appearance for the two future starlets. The title card offered here shows a paperclip rust stain in the top border, several small edge tears, and overall light soiling and smudging. The scene cards display edge wear, surface dirt and soiling, pinholes, edge tears in several cards, an enlarged tack hole in the top border of one card, and a scuff with surface paper loss on one card. Despite the flaws, these are attractive and desirable cards, featuring future stars in early roles. Fine-.Sold for: $388.38. |
| 65235 | The Girl in the Pullman (Pathé, 1927). One Sheet (27" X 41"). Marie Prevost was "the girl" in this comedy farce in the tradition of Up in Mabel's Room and Getting Gertie's Garter. Produced by Cecil B. DeMille, the film co-starred Harrison Ford (the silent version). That's Franklin Pangborn, in an early role, holding up the fainting Prevost. This is an absolutely gorgeous and unrestored stone litho one sheet in remarkably fine condition. There are some small crossfold separations and light edge wear on the left border. The paper is white and the colors are rich and deep. Very Fine-. Sold for: $956.00. |
| 65236 | Man Bait (PDC, 1927). Lobby Card (11" X 14"). Marie Prevost began in film with Mack Sennett but was quickly lured away by more lucrative offers from the likes of Universal Studios. She, like Clara Bow, was billed as the "screen flapper of the Jazz-Age" and made films such as Moonlight Follies (1921) and The Married Flapper (1922) before leaving for Warner Brothers where she starred in several films for the great Ernst Lubitsch. This card is from one of her last silent films and pictures the star with a young Douglas Fairbanks Jr. The card has only a very minor bend in the lower right corner and a slight stain on the border near that bend. Otherwise this card would rate as near mint. Very Fine+.Sold for: $388.38. |
| 65237 | Man Bait (PDC, 1927). Lobby Card (11" X 14"). Marie Prevost got her start in movies as one of Mack Sennett's bathing beauties, and quickly emerged as a fine comedienne of the silent era. Man Bait also starred Douglas Fairbanks Jr., who had only appeared in a few pictures up to this point. This is a lovely portrait card of the voluptuous Prevost and the young Fairbanks (age 18). The card has a pinhole or two in each corner and a minor smudge in the left border extending into the border art. There is a rubber stamp and a name written on the verso. Very Fine.Sold for: $388.38. |
| 65238 | Man Bait (PDC, 1927). Lobby Cards (2) (11" X 14"). Offered in this lot are two beautiful cards from the film about a jazz-age flapper starring Marie Prevost and Douglas Fairbanks Jr. Both cards picture Prevost and one pictures the young Fairbanks as well. One card has only a single pinhole in the left border and the other only a pinhole in the top two corners. Otherwise these cards are near mint. Very Fine+.Sold for: $334.60. |
| 65239 | Speedway (MGM, 1929). Lobby Card Set of 8 (11" X 14"). William Haines stars as a gearhead who's sure that he's the best race car driver in the world. But his showboating ways do very little to impress Anita Page. One card has a small chip in the top right corner while the title card has a small tear in the bottom border. All of the cards have pinholes in the images, wear and wrinkling along the edges, and minor smudging and scuffing. Fine/Very Fine. Sold for: $2,270.50. |
| 65240 | Napoleon (MGM, 1927). Lobby Card (11" X 14"). This epic film, directed by Abel Gance, tells the story of Napoleon Bonaparte's youth and early military career. Originally, Gance intended this to be the first of a six-part epic, but it quickly became apparent that the realities of time and budget would make this impossible. A groundbreaking film in terms of camera technique, editing, and special effects, Napoleon is lauded today as one of the most important and influential films of its era, whose place in cinema history cannot be overestimated. Offered here is an extremely rare lobby card from this significant film, which shows pinholes in the corners, light tanning, and minor foxing at the bottom edge. These slight defects hardly detract from the overwhelming beauty and drama of this exciting card. Fine/Very Fine.Sold for: $3,346.00. |
| 65241 | Napoleon (MGM, 1929). Lobby Card (11" X 14"). Napoleon is an epic silent French film (released in France in 1927) directed by Abel Gance that tells the story of the rise of Napoleon I. Ahead of its time in its use of handheld cameras and editing, many scenes were hand-tinted or toned. Gance had intended the final reel of the film to be screened as a triptych via triple projection, or Polyvision. Planned as the first of six movies about Napoleon Bonaparte, Gance realized after the completion of this film that the costs involved would make this impossible. This exceedingly rare lobby card is from the 1929 first U.S. release of the film by MGM. Note Gance's excellent staging technique with performers in foreground, midground, and background all complimenting the central character. There are light smudges, foxing, and small silverfish nibbles in the borders. The lower left corner has a tiny chip, and there is a small crease in the lower right corner. There is mild edge wear with small tears in the top border. Fine/Very Fine. Sold for: $3,585.00. |
| 65242 | Napoleon (MGM, 1929). Lobby Card (11" X 14"). In 1929, MGM released Abel Gance's now revered classic French film for its first widespread U.S. viewing. This hand-tinted card shows the French actor Albert Dieudonne in his defining role, a role so demanding in its complexity, environment, and length of filming that Dieudonne would come to believe he was the Emperor. He would spend the latter part of his life earning a living by giving lectures on himself (Napoleon). This great card features clever use of hand-tinting, coloring Napoleon in red while all the soldiers are in blue. There are small creases in the lower right and left corners, pinholes, mild edge wear and corner bumps, and small silverfish nibbles in the border. There are small tears in the lower right and left center borders. Fine/Very Fine. Sold for: $4,780.00. |
| 65243 | The Passion of Joan of Arc (Gaumont, 1928). French Poster (96" X 126"). A masterpiece of cinematography by noted director Carl Theodor Dreyer, this landmark film stars Maria Falconetti as the French martyr and Christian saint, Joan of Arc. This film begins with her trial, follows her through her imprisonment and torture, and ends with her death by fire. After editing the film, Dreyer learned that the masterprint had been destroyed. As reshooting was out of the question, he was forced to recut the picture from footage he had initially rejected. Considered lost for many years, a print of this brilliant film was found in 1978 in the estate of an Italian priest who had screened the movie in mental institutions. Offered here is a massive French poster for this incredible film. Featuring striking artwork, it had fold wear with crossfold separations, creasing in the upper left, some overall smudging, small tears and chips in the edges, and several censor stamps. These minor flaws have been addressed by professional restoration, resulting in a magnificent piece. The artwork for this very rare country of origin poster, is by the great Roger Soubie from very early in his career! Very Fine- on Linen.Not Sold. |
| 65244 | The Passion of Joan of Arc (Gaumont, 1928). French Double Grande (63" X 93"). Many consider The Passion of Joan of Arc to be Danish director Carl Theodor Dreyer's finest achievement. With documentary style authenticity, Dreyer recreates Joan of Arc's trial and execution with detailed accuracy, using breathtaking cinematography to convey every emotion. It is because of this rule-breaking cinematography, along with the superb acting, that the film retains its marvelous power today. Dreyer was also able to portray a different side to Joan's "passion," one that was just as erotic as it was spiritual. This poster had pinholes at the borders and minor edge wear. The fold lines had developed fold wear with separations and minor chipping. But thanks to professional restoration, the artwork by Rene Peron is all that the eye will behold. We cannot over-emphasize the rarity of this original country-of-origin poster. Very Fine- on Linen.Not Sold. |
| 65245 | Blow-Up (MGM, 1966). French Grande (47" X 63"). Director Michelangelo Antonioni's first British film, about a hip photographer who believes he has captured a murder on film, received two Oscar nominations, for Best Director and Best Writing. The film is notable for featuring a rare performance by The Yardbirds during the time that both Jimmy Page and Jeff Beck were in the band; Beck would leave the group shortly thereafter. This beautiful French Grande shows fold wear with pinpoint crossfold separation and slight corner creasing, but is otherwise unmarred. It will be a proud addition to any collection. Very Fine. Sold for: $448.13. |
| 65246 | Breathless (UGC DA, 1960). Belgian (14" X 22"). The French "new wave" of film-makers, Jean-Luc Godard and Francois Truffaut, were laying the foundation for what was to come in French cinema when they collaborated on this classic movie. Jean-Paul Belmondo stars as a small-time car thief who "graduates" to the big-time when he murders a police officer. His fascination with an American girl (Jean Seberg) keeps him from going on the lam to hide out in Italy until it's too late. Belmondo's impression of Humphrey Bogart directly led to a renewed popularity of the late actor on college campuses across the U.S. This original horizontal Belgian poster shows a bit of residue where a snipe was lifted off. The tax stamps are still attached and the folds show a bit of use. Very Fine-.Sold for: $179.25. |
| 65247 | Breathless (UGC DA, 1960). Italian Billboard (108" X 144") Jean-Luc Godard's 1960 debut feature, À Bout de Souffle (Breathless), is one of the vanguard films for the French New Wave and was scripted by Francois Truffaut. In the picture, Jean Paul Belmondo portrays Michel, a man who steals a car in Marseilles and drives it to Paris. On his way, Michel is stopped for speeding and shoots a policeman. In Paris, he meets an American girl, Patricia (Jean Seberg), who he seems to like. One third of the movie is shot in Patricia's hotel room, while Michel tries to convince her to sleep with him and to run away with him to Italy. The film was ground-breaking in almost every way imaginable; today it is considered one of the classics of French cinema. This is a large, original Italian billboard-sized poster; we've never seen one before. It has minimal fold wear, and beautiful artwork by Symeoni. The poster is in eight panels. The size was misdescribed in the catalog. The poster actually measures 108" X 144" when put together. Fine/Very Fine. Not Sold. |
| 65248 | Les Diaboliques (Cinedis, 1955). French Petite (23.5" X 31"). French director Henri-Georges Clouzot bought the film rights to the original novel for this film, reportedly beating Alfred Hitchcock's bid by only a few hours. Raymond Gid's evocative artwork for this poster has the mistress and the wife (Simone Signoret and Vera Clouzot) standing over the lover/husband (Paul Meurisse) who has abused them both. This is the original, hard-to-find, country of origin petite poster. It has some slight centerpoint wear and some fold separation in the lower vertical fold. There is some tanning to the poster but is restored and displays beautifully. Note: The poster pictured in the catalog is a misdescribed reprint poster. This is the original release poster. Very Fine- on Linen.Sold for: $1,314.50. |
| 65249 | Mr. Hulot's Holiday (Cady Films, 1953). British Quad (30" X 40"). Following his acclaimed directorial debut on Jour De Fete, Jacques Tati came into his own and reached new levels of popularity with 1953's Les Vacances De Monsieur Hulot. The setting is a stuffy resort community fond of the peace and quiet that Hulot interrupts. It is a fitting tribute to comic genius Tati that, although the film is nearly dialogue-free and driven more by episode than plot, it was still nominated in the U.S. for a Best Screenplay Oscar. This poster is the British Quad for the first release in the U.K. of the film in 1953. There is edge wear and splitting in the fold lines. The fold separations in the lower right have small chips. Fine+.Not Sold. |
| 65250 | Diary of a Country Priest (UGC, 1959). French Grande (47" X 63"). In Ambricourt, a young clergyman (Claude Laydu) arrives to be the local parish priest. The community of the small town does not accept him, and although afflicted with a serious illness, the inexperienced and frail priest tries to help the townsfolk, coming into conflict with the town's wealthiest family. This evocative poster has minimalist artwork by Paul Colin, a haunting image of the young priest against an expressionistic background. This French grande had pinholes in the corners and in the image, small edge tears, fold wear with separations and paper loss and minor wrinkling. However, professional restoration has given this poster a like-new appearance. Fine/Very Fine on Linen. Not Sold. |
| 65251 | The Red Shoes (Eagle Lion, 1948). Japanese B2 (20" X 29"). Based on the classic fairy tale by Hans Christian Anderson, this is the tragic and touching story of Victoria Page (Moira Shearer, in her first film), a young ballerina torn between her love for Julian Craster (Marius Goring), the composer of the Red Shoes ballet, and her love for her art, as embodied in the person of ballet company director Boris Lermontov (Anton Walbrook). When these forces collide, tragedy can be the only result. Offered here is a rare Japanese poster for this important and influential film, featuring a beautiful portrait of Shearer. It shows wrinkling and some small edge tears in the bottom border, as well as a fair amount of staining on the reverse, some of which is visible on the front. Nevertheless, it is a compelling and extremely attractive piece that any fan of the movie would be proud to own. Very Good/Fine.Sold for: $262.90. |
| 65252 | Wages of Fear (DCA, 1955). British Quad (30" X 40"). In this taut, harrowing thriller, four men are paid to transport a dangerous shipment of nitroglycerin over a long, rough South American road, where every bump or jolt could be their last. Starring Yves Montand, this award-winning drama marks this exceptional actor's first dramatic role. The striking British quad offered here had some fold and edge wear, but professional restoration has rendered these slight defects all but invisible. This dramatic poster will please any fan of truly classic cinema. Fine+ on Linen.Sold for: $1,553.50. |
| 65253 | La Dolce Vita (Cineriz, 1960). Polish Insert (11.5" X 33.5"). Anita Ekberg and Marcelo Mostroianni star in Frederico Fellini's examination of a society where no values exist except for the pursuit of decadence and personal pleasure. This Polish insert for the film is immaculate and mounted on linen only to preserve its level of perfection. Very Fine+ on Linen.Sold for: $388.38. |
| 65254 | Ossessione (ICI, 1943). Italian Photobusta Set of 20 (10" X 14.5"). If Mussolini's fascist regime would have had their way, this film would have been lost forever. Deemed inappropriate by the government, the film's negative was burned. But quick-thinking director Luchino Visconti managed to save a print and smuggle it out of Italy. This original release, country of origin photobusta set has never been used and includes the front cover of the original envelope. There is faint wrinkling in the borders and minimal corner wear. Very Fine/Near Mint.Sold for: $478.00. |
| 65255 | Duel at Ichijoji Temple (Toho, 1955). Japanese B0 (40.5" X 58.25"). One of the most important figures in Japanese history, Miyamoto Musashi was a renowned swordsman, tactician, and philosopher, whose masterwork, The Book of Five Rings, is still studied to this day. Not surprisingly, a number of films have been made with Musashi's life and legend as the basis. Perhaps the most famous, and most influential, is Hiroshi Inagaki's "Samurai" trilogy, starring Toshiro Mifune. Offered here is an exquisite, and quite rare, Japanese B0 for this landmark film, the second part of Inagaki's epic presentation. There was some very slight edge wear, some light wrinkling in the image, and some very minor surface scuffing, but these minor flaws are barely visible after mounting on linen. The importance of this film in the history of Japanese cinema cannot be overstated, making this an exceptional opportunity to acquire a very rare and desirable piece. Very Fine+ on Linen. Sold for: $657.25. |
| 65256 | Rashomon (RKO, R-1960s). Japanese B2 (20" X 29"). One of director Akira Kurosawa's greatest films, Rashomon is the story of a brutal murder, and the differing testimonies of the witnesses at the subsequent trial. Starring Kurosawa regular Toshiro Mifune as the bandit, and Takashi Shimura, once called, "the greatest actor in the world," by the New York Times, as the woodcutter, this film is a true masterpiece from start to finish, a landmark achievement in the history of cinema. This reissue poster is in near-flawless condition, with only a very small crease in the lower right keeping it from an even higher grade. Rolled, Near Mint+.Sold for: $448.13. |
| 65257 | Throne of Blood (Toho, 1957). Polish One Sheet (22.5" X 33.5"). Akira Kurosawa's adaptation of William Shakespeare's Macbeth, this film, set in feudal Japan, sees noted Japanese actor Toshiro Mifune as the ambitious Lord Washizu, who will do whatever he, or his scheming wife, deem necessary to get ahead. This striking sheet, reportedly one of the most desirable of all Polish posters, is virtually unimprovable, with only a slight surface abrasion near the title keeping it from an even higher grade. For a superior piece from a superior film, look no farther! Near Mint.Sold for: $448.13. |
| 65258 | Wings Lot (Paramount, 1927). Press Book (Multiple Pages) (11" X 17",) Souvenir Book (Multiple Pages) (9" X 12",) Sheet Music (Multiple Pages) (9" X 12",)Rotogravure (Multiple Pages) (12" X 17.25",) Presentation Book (Multiple Pages) (12" X 7.25"). Director William Wellman (Public Enemy, Star is Born (1937), Beau Geste) was born to direct the first Best Picture Oscar winner, 1927's blockbuster, Wings. At the outbreak of World War I, Wellman joined the French Foreign Legion, flying in the Lafayette Escadrille. After the war, he barnstormed for a while, then landed in Hollywood engaging in some wild stunts and some even wilder parties. He would earn the moniker "Wild Bill" for his habit of literally trading punches with actors (notably Spencer Tracy).This unique lot actually features five items: A pressbook, a souvenir book, an oversize Rotogravure herald, sheet music, and a home-made presentation book with original Rotogravure cut-outs pasted on the covers. The amount of information you can glean from the souvenir book and pressbook is phenomenal. Did you know there were four different one sheets, three 24 sheets, a rare 2 sheet, and specially printed matchbooks? Condition varies; with the very good condition pressbook encased in clear pages but very presentable, the sheet music is near mint, the souvenir book is in very fine+ condition and the Rotogravure herald is in fine+ condition. Don't miss this opportunity to obtain four rare items for a landmark film all at one time. Fine+.Sold for: $956.00. |
| 65259 | All Quiet on the Western Front (Universal, R-1938). One Sheet (27" X 41"). Arguably the finest anti-war film ever made, All Quiet on the Western Front is still cited by critics and audiences as one of the most realistic portrayals of combat ever put on celluloid. Imagine how it must have affected the viewers when it was first released! Starring Lew Ayres as German soldier Paul Bäumer and directed by Lewis Milestone, this film won the Academy Award for Best Picture in 1930. The haunting image of Ayres on the original release poster, and on this 1938 re-release, truly conveys the feel of the film's impact. This poster has fold wear, crossfold separations with paper loss on the bottom crossfold, pinholes in the corners and several in the image, a chip out of the bottom border, and a left corner bend. The original one sheet is almost impossible to find and this one sheet from the 1938 release rarely turns up for sale. Fine/Very Fine on Paper. Sold for: $3,585.00. |
| 65260 | It Happened One Night (Columbia, 1934). Three Sheet (41" X 81") Style B. Two of the screen's leading stars, Clark Gable and Claudette Colbert, were cast in this story about a spoiled heiress, tired of her father's control, who rebels and runs away from both her father and her new husband. Gable stars as a hungry reporter, looking for a great story, who stumbles across the runaway heiress and accompanies her on her "road-trip" back to New York. Along the way, the two have some adventures and fall in love with each other. The film was a huge success for the fledgling Columbia Pictures, and was the first film to sweep the five major Oscars including Best Actor, Actress, Picture, Director, and Screenplay. This absolutely gorgeous stone litho poster has had some of the borders airbrushed and had some color touch to the fold lines, primarily in the blue background. Of all the posters and promotional material issued on this classic title, this only known three sheet may be the best image on the film. Very Fine- on Linen.Sold for: $35,850.00. |
| 65261 | The Great Ziegfeld (MGM, 1936). Title Lobby Card and Scene Card (11" X 14"). A musical biopic tracing the life and times of famed impressario Florenz Ziegfeld Jr.(William Powell), this movie garnered three Academy Awards in 1937, including Best Actress (Luise Rainer), Best Dance Direction, and Best Picture. The production number, "A Pretty Girl is Like a Melody," one of the highlights of the film, showcases 180 performers and cost over $200,000 to shoot. While the film's budget skyrocketed to more than $2 million overall, the picture ended up earning over $40 million. Offered here is a beautiful title card and a lovely scene card. The title card is virtually without flaw, a superb example, with only a few repaired pinholes in the corners to keep it from a grade of Mint. The scene card displays a number of pinholes in the corners, all of which have been repaired. These defects are now only visible under close examination, and do in no way detract from the beauty of these Golden Age gems. Very Fine+.Sold for: $956.00. |
| 65262 | Gone with the Wind (MGM, 1939). Program (9" X 12", Multiple Pages). Several different programs were produced for Gone with the Wind, including this rare example that featured an image of Hattie McDaniel on the back cover. Distributed exclusively in the North, programs used throughout the South omitted the image of McDaniel. The program includes many shots of the main actors, notes on the production of the film, and personal reflections from Clark Gable and Vivien Leigh. It has a couple of stains and smudges on the cover along with faint wrinkling. This version is incredibly scarce and rarely shows up for auction. Very Fine. Sold for: $262.90. |
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