2007 November Signature Vintage Movie Poster Auction
| Sale Number: | 667 |
| Location: | |
| Auction Date: | November 13th at 1 PM CT through November 14th |
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Session 1
Movie Posters
Star Wars (20th Century Fox, 1977). Half Sheet (22" X 28"). The adventures of Luke Skywalker, Han Solo, and Princess Leia took the world by storm in 1977, and to a generation of moviegoers, they have become modern mythology. George Lucas' jaunty space opera still thrills, as does this magnificent, virtually flawless half sheet for the film. Only the tiniest bit of overall wear is detectable on this slick sheet for the greatest space movie ever made, and we defy you to find a better copy at public auction. Miss out on this one, and you'll have to go to a galaxy far, far away to find another. Rolled, Near Mint+.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Style A. Without a doubt, one of the most influential movies of the latter half of the twentieth century was George Lucas's "Star Wars." Blending influences as diverse as Joseph Campbell, Akira Kurosawa, and Flash Gordon, Lucas constructed a modern-day mythology whose impact is still being felt, thirty years after its initial release. The poster offered here is an authentic Style A one sheet, which displays the light fold wear normally found in a poster of this vintage, and some very minor chipping at the crossfolds. The dynamic Tom Jung artwork makes this one of the most iconic posters in science fiction history. This item has been changed from the original poster listed as there was a problem with that item brought to our attention. This sheet is folded and original. Very Fine.
Star Wars (20th Century Fox, 1977). One Sheet (27" X 41") Style C. We defy anyone to not hear John Williams' legendary theme music in their heads while gazing at this splendid "Star Wars" one sheet, the lesser-seen C style for this title. George Lucas' spiffy space opera inspired a thousand imitators and hundreds of aspiring filmmakers, making it one of the most influential films in history. This luscious one sheet has razor-sharp color and a pristine appearance. It has only been tri-folded, and minor fold wear and light overall handling wear are the only issues at hand. Simply stunning, this is a must for the "Star Wars" fanatic. Near Mint-.
Star Wars Radio Series (20th Century Fox, 1981). NPR Promotional Poster (17" x 29"). In the wake of the huge success of Star Wars, a 13-episode serialized radio version of the film was created, expanding on the story with many extra scenes, and utilizing the film's distinctive sound effects and musical score. Mark Hamill and Anthony Daniels recreated their respective roles as like Skywalker and C3PO. It was scripted by Brian Daley (from Lucas' novelization) and directed by John Madden (Shakespeare in Love). This splendid poster was used to advertise the story's run on National Public Radio, to whom Lucas sold the rights for one dollar. The poster is in outstanding condition with a crease in the top left corner and some edge wear. Wonderful artwork by Celia Strain. Rolled, Very Fine-.
Star Wars (20th Century Fox, 1982). Mini Standee (25" X 31"). Here's one for the Star Wars completist. Originally produced in 1982 for the first VHS/Beta release of "Star Wars" and provided to video stores, this small-scale standee for George Lucas's sci-fi masterpiece features the same art as the Style A one sheet. There are two rivets at the top so that it could either be hung or used on sales counters. Only the slightest flaws are apparent on this exceptional piece, including wear along the edges and a few dings and minor scuffing in the image area. May the Force be with you when you bid on this beauty! Very Fine.
The Empire Strikes Back (20th Century Fox, 1980). International Six Sheet (41" X 81"). The second installment of George Lucas' epic space opera, "Star Wars," was possibly the most anticipated film of its age, at least by its legions of fanatical followers. None of them would be disappointed with this spectacular International six sheet that features the iconic visage of the malevolent Darth Vader. This poster is virtually pristine, with minor fold wear being the only issue. The Force is definitely with this poster, and can be with you too, for the right bid. Near Mint.
E.T. The Extra-Terrestrial (Universal, 1982). One Sheet (27" X 40.5"). Steven Spielberg's classic science fiction film became one of the highest grossing films in history upon its release. There were officially two style one sheets released for the film, an advance and the standard release one sheet. This poster was purportedly printed by Spielberg to be distributed to his cast and crew, but this is an unsubstantiated rumor. Whatever the poster's origin, it is one of the most attractive and collectible from the title. It has never been known how many were printed but they are most definitely the style in most short supply for the film. This rolled one sheet is in near pristine condition. The director of the film later used this very image as the logo for his production company. Rolled, Near Mint/Mint.
Fahrenheit 451 (Universal, 1967). French Grande (47" X 63"). This incredibly dramatic poster, showing stars Julie Christie and Oskar Werner, is widely considered to be the very best piece of promotional paper ever produced for this classic film, far superior to the rather pedestrian American one sheet. Based on the book by renowned author Ray Bradbury, the story regards a society in which the government maintains control by outlawing literature and holding public book burnings (the title refers to the temperature at which paper ignites). This gorgeous poster has some pinholes in the corners and a little edge wear, as well as some light fold wear, an extra crease from a misfold and a small tear at the center of the image. These minor flaws do little to detract from this wonderful poster, which will certainly be a key piece in the collection of any sci-fi or Bradbury fan. Very Fine.
Fantastic Voyage (20th Century Fox, 1966). Advance Mini Poster (14" X 22.25"). After Raquel Welch made a sensation in "One Million Years B.C.," Fox decided to release this advance mini-poster of their major new star, and she never looked lovelier. This "pin-up" is extremely rare and very sought after by collectors. The poster has been flattened, with some color touch-ups in the fold line. Very Fine.
Fantastic Voyage (20th Century Fox, 1966). Japanese STB (20" X 58"). With only 24 hours to surgically remove a blood clot before their patient dies, a group of scientists shrink to the size of microbes and are implanted in the man's body so they can operate from inside. Fresh from her major hit "One Million Years, B.C.", Raquel Welch made this film a "must-see" for audiences of the day. With only faint fold lines and minimal edge wear, this poster is a gorgeous example and far superior to American paper. Near Mint-.
Barbarella (Paramount, 1968). 24 Sheet (104" X 232"). In the early 1960s, every little girl wanted to be Barbie, but by 1968, the psychedelic era was in full swing, and little girls grew up wanting to be "Barbarella." Jane Fonda helped capture the swingin' sixties with this surreal science fiction masterpiece from Roger Vadim. As Barbarella, she led a mission to find the lost scientist Duran Duran. It was really just an excuse to have a sexual romp through the galaxy and "tune in, turn on and drop out" in the process. This 24 sheet is completely out of control as Barbarella takes on the Great Tyrant amid the Matmos. It is the ultimate pin-up. This poster has minor fold separations and tiny tears along the edges. Very Fine/Near Mint.
Barbarella (Paramount, 1968). Color Still Set of 12 (8" X 10"). Jane Fonda, starring as Roger Vadim's Queen of the Galaxy, Barbarella appears in 11 of the 12 stills from this complete color still set. And it doesn't matter how many films or award winning roles Fonda has appeared in, she will forever be associated with Barbarella as her signature roll in the cinema. And speaking of signatures, the portrait still from this set has been signed in bold sharpie by the screen goddess. Near Mint+.
2001: A Space Odyssey (MGM, 1968). One Sheet (27" X 41"). When MGM decided to revamp the advertising campaign for this blockbuster film in 1969 they chose the tagline "The Ultimate Trip." The "eye" poster, as this poster is most often referred to, was conceived for the 1969, 70mm relaunch in New York while the film was still playing around the country in its original 1968 standard 35mm format. This poster was primarily used for wilding (i.e.posting on building sites, etc.). It was therefore printed in a smaller quantity than the "star child" poster, the campaign's principal image, which was retained for subsequent releases for the next decade. Some of the "eye" posters were displayed at the Ziegfeld Theatre, but as a secondary image, and never for newspaper ads, etc. It is therefore the rarest of all the U.S. one sheets for "2001: A Space Odyssey." The original printing of the "eye" and "star child" posters have no NSS or other information in the bottom border, as they were created in rush time, not knowing if the campaign would take. After the successful New York opening, the campaign was adapted in other U.S. cities. This beautiful poster is rolled and in near mint/mint condition. We sold another copy of this very rare poster for $13,800 in July 2005. Rolled, Near Mint/Mint.
2001: A Space Odyssey (MGM, 1968). Three Sheet (41" X 81"). Stanley Kubrick's grandiose space movie was based on a short story by Arthur C. Clarke, and has come to be regarded as one of the finest science fiction films ever made. The art on this highly collectible poster is by Robert McCall, a stunning vista of space travel. This superb three sheet has fold wear with very minor paper loss, a 4" fold separation at the top center, some tearing in the white space just above the artwork, crossfold separations, color scuffs just above and below the "2001," all of which has been rendered virtually invisible with professional restoration. Set your sights on outer space with this stellar poster! Very Fine- on Linen.
Things to Come (United Artists, 1936). One Sheet (27" X 41"). This 1936 science fiction film was produced by Alexander Korda and directed by William Cameron Menzies, with the screenplay written by H.G. Wells as a loose adaptation of his own 1933 novel, "The Shape of Things to Come," and his 1931 non-fiction work, "The Work, Wealth and Happiness of Mankind." Predictions of the world's future, from the prescient visions of World War II to the wildly imaginative ideas of life in 2035, fill this great and epic British production. Raymond Massey, Ralph Richardson and Cedric Hardwicke star in this look one hundred years ahead, with events ranging from global war to devastating plague to ultra-modern reconstruction. The posters for this very early science fiction epic have always been very scarce, and this beautiful, unrestored copy is magnificent. The 1930s deco-designed vision of the future this glorious poster offers makes it a must for the most advanced science fiction collector. The poster has pinholes in the corners, with an additional soft vertical fold which is present on either side of the center vertical fold. There are additional pinholes around the border and a small amount of fold wear with a bit more at each crossfold. Colors on this poster are as brilliant as the day it was printed. Very Fine.
Things to Come (United Artists, 1936). Title Lobby Card (11" X 14"). H.G. Wells' meditation on the future of the human race was one of the most spectacular films of its day, directed by William Cameron Menzies, with Raymond Massey and Cedric Hardwicke in the leads. Offered here is an incredibly rare title lobby card for this classic film, which seasoned collectors will know does not come up for sale very often. The spectacular artwork is very much in the Alex Raymond style; although we cannot confirm if Raymond is the actual artist, it was around this time that he created the "Captain Blood" poster. The card is in very solid condition, with minor paper scuffs, mostly in the logo area, but also in the margins. There are pinholes in the top corners only, and light corner bumps. "A Mighty Challenge to the World of Today" would be finding another copy of this super-scarce lobby card, so don't miss this opportunity. Very Fine-.
Things to Come (United Artists, 1936). Lobby Card (11" X 14"). This beautiful card from the H.G. Wells classic shows star Raymond Massey in one of the futuristic sets designed for the film by producer Alexander Korda's brother Vincent. The card has had several small blemishes on the back where surface paper was removed and repaired. The professional restoration work is seamless. Very Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14"). Offered in this lot is a beautiful card from this classic science fiction film picturing Everytown in the year 2035, when technology has taken over the existence of all its inhabitants. This beautiful card had small pinholes in the corners, as well as a minor paper lift on the back side, all of which were professionally restored. The card now appears near mint. Fine/Very Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14").
This beautiful card from the science fiction classic depicts the decimated population of earth viewing the arrival of John Cabal (Raymond Massey) in an aeroplane. The pilot brings word of the society known as "Wings Over the World." The card has been cleaned and has had pinholes and a spot on the back repaired where surface paper was removed. The card now appears near mint. Fine/Very Fine.
This beautiful card from the science fiction classic depicts the decimated population of earth viewing the arrival of John Cabal (Raymond Massey) in an aeroplane. The pilot brings word of the society known as "Wings Over the World." The card has been cleaned and has had pinholes and a spot on the back repaired where surface paper was removed. The card now appears near mint. Fine/Very Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14"). Alexander Korda's epic is one of the most important science fiction films of all time. H.G. Wells' "Things to Come" opens prior to World War II and takes the viewer on a one hundred-year time trip to 2036 A.D. when a man and a woman are rocketed to the moon. This fine card, which showcases the amazing production design, has had repair to pinholes in the corners and a small paper lift on the back side of the card. The restoration work was done exceedingly well. The card now appears near mint. Fine/Very Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14"). Predictions of the world's future, including World War II and a look at life in 2035, fill this William Cameron Menzies production written by H.G. Wells. Raymond Massey, Ralph Richardson and Cedric Hardwicke star in this look one hundred years ahead, from a global war to a devastating plague to ultra-modern reconstruction. This rare and lovely card has had repair work on the lower left corner where a small chip had occurred. There was an additional repair to the upper left corner and some slight touch-up done to some imperfections within the image. The almost imperceptible restoration work was done beautifully. Fine/Very Fine.
Things to Come (United Artists, 1936). Lobby Card (11" X 14"). The card offered here features Raymond Massey, who plays a dual role as both a scientist intent on saving a war-ravaged world and his great-grandfather who was instrumental in the original devastation of its population. The card has had a pinhole repaired in the upper border as well as repairs to the slight corner wear. Very Fine-.
Just Imagine (Fox, 1930). Title Lobby Card and Lobby Cards (2). (11" X 14"). Set in the far-flung year of 1980, "Just Imagine" tells the story of a man revived in that year and shown the wonders of the future, including babies that come from vending machines, dirigible airliners, videophones, numbers instead of names, and a rocket trip to Mars. Considered by many to be the very first science fiction film of the sound era - and certainly the very first science fiction musical - this picture starred El Brendel, a former vaudevillian and popular comedian who used a hokey Swedish accent in his many movie roles. Making this movie extra special is the fact that it featured the first examples of the electrical wizardry of Kenneth Strickfaden, who would go on to achieve fame through his galvanic accomplishments in 1931's "Frankenstein." Also, one can see cityscapes and rocketships from this production in Universal's "Flash Gordon" and "Buck Rogers" serials. This lot includes a Title Card and two scene cards. The Title Card shows some tanning at the borders and a very small, light stain on the "A" of "Imagine. There's also a small spot of touchup on the lower right portion of the title card. Both scene cards have been trimmed at the right border, both now measuring 13.75". One scene card has a 1" chip out of the bottom left corner, and there's a small smudge on the right border of the same card. Both scene cards feature the lovely Maureen O'Hara, and the whole lot is a wonderful opportunity to acquire some very attractive paper from a significant film in the history of science fiction. Title Card: Very Fine-; Scene Cards: Fine+.
The Time Machine (MGM, 1960). Poster (40" X 60") Style Y. Rod Taylor and Yvette Mimieux star in what many consider to be the best adaptation of H.G. Wells' classic science fiction story. This poster features spectacular Reynold Brown art with the Morlocks attacking the docile humans from the surface. With art similar to the one sheet, this rolled poster has pinholes in the corners and several small tears in the upper and lower border. There is minor wear to the edges which is normal for a large poster of this age. Rolled, Fine/Very Fine.
The Time Machine (MGM, 1960). Lobby Card Set of 8 (11" X 14"). George Pal's colorful version of the classic H.G. Wells novel features Rod Taylor as a time traveling scientist who journeys to a distant future where mankind has devolved into the brutal Morlocks and the fragile Eloi. Yvette Mimieux plays Weena, the object of Taylor's affections. As with most Pal films, the special effects are top-notch. This exemplary lobby set has minor foxing and a light smudge on the title card, while the others have tack holes and minor corner bumps. The title card depicts one of the great images of the 50s. Unless you've got a time machine of your own, don't miss the opportunity to acquire this timeless lobby set. Very Fine+.
The Time Machine (MGM, 1960). One Sheet (27" X 41"). H.G. Wells' terrifying vision of tomorrow was brought to life in this 1960 screen adaptation of his classic novel. Rod Taylor stars as a scientist whose mystical invention bends the rules of time and space, leading him to a future world where man has become prey. With only chips in the top left and bottom right corners and tearing in the lower left border, this stunning poster is in nice condition with minor restoration. Very Fine- on Linen.
The Time Machine (MGM, 1960). French Grande (47" X 63"). George Pal's adaptation of H.G. Wells' classic novel is an epic tour de force, one of the finest adaptations of a Wells story ever filmed. The movie won an Oscar for Special Effects, and is widely considered to be one of the top sci-fi films of the 1960s. This colorful and eye-catching French Grande, which features art by Soubie based on Reynold Brown's original designs, shows small edge tears and some fold wear with minor fold separation. Otherwise, it is in exceptional condition, and presents very nicely. Fine/Very Fine.
When Worlds Collide (Paramount, 1951). One Sheet (27" X 41"). Published in 1932, Philip Wylie and Edwin Balmer's novel, "When Worlds Collide," was immediately purchased by Paramount as a possible project for director Cecil B. DeMille. But when none of Paramount's writers could come up with a credible script, the project was put on the shelf until producer George Pal unearthed it in 1950. This classic sci-fi tale poses the question of what might happen if a foreign planet were to enter our solar system and crash into Earth. Professionally linen-backed to address only minor chips in the fold separations, this poster displays excellent color and registration. Fine/Very Fine on Linen.
World Without End (Allied Artists, 1956). Lobby Card Set of 8 (11" X 14"). This film was so much like "The Time Machine" that lawyers got involved. In this case, the Eloi-like humans live underground and the "Mutates" are out in the open. Falling into this post-apocalyptic world are four astronauts who have broken the speed of light in their 1990-era spaceship. This lobby set has corner bumps, soiling and stains, and light edge wear. One of the cards has foxing, one has a corner chip, and three have pieces of paper tape on the back. Fine/Very Fine.
Alphaville (Athos Films, 1965). French Grande (47" X 63"). French New Wave (La nouvelle vague) director Jean Luc Godard's 1965 fascinating blend of science fiction and American film noir remains interesting enough today to continue to be studied in most important film schools. Godard pioneered many techniques now taken for granted such as random oddly-angled camera shots, multiple jump cuts, editing that disregarded traditional film-making concepts such as the 180-degree perspective plane, and disjointed narratives. This scarce country of origin French Grande has art by master Jean Mascii with a brilliant use of a muted grey palette to echo the film's heart. Minimal restoration for only minor folds. Very Fine+ on Linen.
Metropolis (UFA, 1927). British Herald (6.5" X 16"). One of the most important films of the silent era was Fritz Lang's landmark "Metropolis." Based on a book by Thea von Harbou (who was married to Lang at the time. They divorced in 1933 when von Harbou joined the Nazi party and Lang, ideologically opposed to the National Socialists, emigrated to America) and adapted for the screen by von Harbou and Lang, the production took two years to film. An Art Deco extravaganza, the film, the most expensive ever undertaken at the time, almost bankrupted Universum Film (UFA), the company that produced it. Paper from this important film is both incredibly scarce and incredibly sought after. The rare pieces that do surface typically command strong prices at auction. This British herald, promoting an English-language showing of the film at The Picturedrome, features beautiful artwork and a brief synopsis of the film. Complete with promotional artwork and photos from the production, this is an important piece of film history. This 6.5" x 16" (folded to 6.5" x 8") duotone piece suffers from some fairly severe creasing, and the notation "1927" (the year of the film's release) has been written in ink on the cover under Lang's name. In spite of its flaws, however, this is an exceptional piece from an exceptional film, and deserves serious consideration by anyone interested in the history of cinema. Fine-.
Target Earth (Allied Artists, 1954). One Sheet (27" X 41"). Four people wake up to find themselves in deserted Chicago. When an invading army of killer robots from Venus start to stalk them, they have to overcome their differences and work together to survive. The producers only made one robot, so they had to limit the appearances of their villains -- an "army" of robots, indeed! Like all Robot posters from the 1950s, this poster is in high demand by collectors of science fiction. This one sheet has a pinhole in each corner and a set of staple marks in each upper corner. There are also some slight separations and extra creasing evident at each fold crosspoint. Fine/Very Fine.
Tobor the Great (Republic, 1954). One Sheet (27" X 41"). If you've been waiting to upgrade or acquire a top grade example of one of the "Big Three" of "robot carrying a woman" posters ("Forbidden Planet" and "The Day the Earth Stood Still" are the other two, but you knew that.) here's your chance. Showing only pinholes with a minor chip and crease in the bottom right corner, minor edge wear, and soft folds with only tiny fold separation in the bottom center point. Fantastic fresh color. Near Mint.
The Day the Earth Stood Still (20th Century Fox, 1951). One Sheet (27" X 41"). Perennially found on everyone's "Best Sci-Fi/Horror Films Ever" lists. The poster for this film remains one of the "Big Three" of science-fiction/horror one sheets of the 1950s. This stunning poster from Robert Wise's intelligent classic is perhaps the most desirable, commanding record prices whenever it appears at auction. This example had minor pinholes, very slight fold separations, and a faint scratch in the robot head. Brilliant color and expertly linen-backed. Very Fine+ on Linen.
The Day the Earth Stood Still (20th Century Fox, 1951). Danish One Sheet (24" x 32 7/8"). An atypical 1950s sci-fi epic, this thoughtful and compelling movie painted us as monsters, not the strange visitor from another planet. Tapping into Cold War feelings of paranoia and xenophobia, this film is one of them finest examples of the genre, and one that packs just as much of a punch today as it did when it was first released. This dynamic Danish poster, similar yet more garish than its American counterpart, is extremely attractive and desirable, with only some fold wear and some roll wrinkling, both of which have been addressed with professional restoration, keeping this poster from achieving an even higher grade. Very Fine+.
The Day the Earth Stood Still (20th Century Fox, 1951). Pressbook (Multiple Pages). Based on the Harry Bates story "Farewell to the Master " (in which Gort, rather than Klaatu, was the commander of the expedition), "The Day the Earth Stood Still" is considered to be one of the finest science fiction films ever produced. Offered here is a stunning pressbook for the film in rare condition. Although the pressbook was folded and has some spine wear, there are no cuts anywhere in the book and it even includes the original herald, which are often missing from pressbooks of this era. Exceptionally clean, there are slight corner bumps and a light crease in the lower right corner. Klaatu barada nikto! Very Fine+.
The Day the Earth Stood Still (20th Century Fox, 1951). Three Sheet (41" X 81"). Robert Wise ushered the science-fiction genre into the mainstream cinema with this thoughtful thriller about an alien who visits Earth with a special message for mankind. Although his message was peaceful, this poster would have audiences thinking otherwise. This poster is truly striking and has had only minor airbrush work done to the center vertical fold line and to the right side of the "ray" from Gort. The work is "first rate" and can only be seen upon very close inspection making this one of the best copies of this iconic poster we've ever seen. There's just something special about a giant poster with one of the greatest robots to ever appear on screen that makes this three sheet very sought after among sci-fi collectors. Very Fine on Linen.
The Day the Earth Stood Still (20th Century Fox, 1951). Title Lobby Card (11" X 14"). Robert Wise's classic science fiction epic is still the standard to which all other sci-fi films are compared. In a story ahead of its time, the film explores the issue of what man would do if suddenly confronted by an alien race far superior to our own. Michael Rennie stars as the alien Klaatu who comes to earth with a message. He's accompanied by one of the greatest robots in cinema's history, Gort! This beautiful title card features both Rennie and Gort having just stepped out of their space ship, blasting away at the screaming hordes below them. Cards for the truly classic titles rarely come cleaner than this example. There is only a small tear in the center of the bottom border, minor edge wear and corner bumps in the left side, and faint surface scratches in the upper left field. Excellent color and registration. Very Fine+.
Forbidden Planet (MGM, 1956). One Sheet (27" X 41"). The story is based on Shakespeare's "The Tempest," and is one of the classiest science fiction films of the 1950s. With the release of this MGM film came one of the prettiest and most collectible one sheet posters in the hobby! Though unattributable to any one artist, the poster embodies what is most attractive of the mid-century, futuristic design theme. It had some slight fold wear and pinholes in the corners. The poster has been expertly restored and now appears near mint. Very Fine on Linen.
Forbidden Planet (MGM, 1956). Insert (14" X 36"). Robby the Robot comes to the rescue of Anne Francis on this classic insert from one of the greatest films of the science fiction genre. The wonderful thing about this insert is the incredibly intense and deep colors that saturate the image. This example is particularly nice with only very small fold separations in the top fold, a small piece of tape on the back, and a tear in the bottom border extending slightly into the credits. Very Fine-.
The Thing from Another World (RKO, 1951). One Sheet (27" X 41"). This perennial favorite poster is becoming increasingly difficult to obtain in a high grade such as this one. Producer/Director Howard Hawks' strong and suspenseful film is not your routine science fiction picture. Hawks brought his directorial talents to this film, and in the process, elevated the quality of the entire genre. To this day, this version of John W. Campbell Jr.'s sci-fi thriller remains unsurpassed for intense suspense. There has been professional restoration for pinholes in the borders and field, crossfold separations, a small crease in the left corner, and touch-up to minor dings. Excellent color. Very Fine- on Linen.
The Man from Planet X (United Artists, 1951). One Sheet (27" X 41"). The early 1950s, with the nation gripped in the panic of the Red Scare, was the perfect time for belligerent aliens to visit Earth -- "War of the Worlds," "The Thing From Another World" and "Invaders From Mars" being prime examples. Besides Klaatu, one of the few E.T.s who came in peace was "The Man from Planet X," and even his mission was subverted by an evil scientist. This classic one sheet had pinholes, and light fold wear with small cross fold separations, but linen mounting and professional restoration has addressed these minor flaws. This is a fabulous example of some out-of-this-world 1950s sci-fi imagery. Very Fine+ on Linen.
The Man from Planet X (United Artists, 1951). Insert (14" X 36"). England's early contribution to the science fiction genre came in the form of an alien from outer space who lands in the moors of Scotland. Director Edgar G. Ulmer (who gave us "The Black Cat") directed this low budget thriller which has gained a large cult following for its murky and atmospheric sets. This is a terrific example of this very desirable insert, with bright colors and great graphics, and only the slightest flaws, including soft folds with minimal fold wear and a very small edge foldline separation. Near Mint-.
Earth vs. the Flying Saucers (Columbia, 1956). Half Sheet (22" X 28") Style A. Hugh Marlowe and Joan Taylor may play the leads, but the real star of this show is Ray Harryhausen, the special effects genius that made monsters move through the process of stop-motion animation. This was the second of the three low budget black-and-white science fiction thrillers Harryhausen did for Columbia in the '50s, and no one who saw it as a child will ever forget it. This bombastic half sheet has a nightmarish image of the saucers bathing our cities in their destructive rays. In superb condition, it has some small edge tears that have been covered by airbrushing the borders, and the sheet has also been paper backed. A memorable poster from one of the great alien invasion films of all time! Very Fine- on Paper.
Earth vs. the Flying Saucers (Columbia, 1956). Three Sheet (41" X 81"). Suggested by the non-fiction book, "Flying Saucers from Outer Space," by retired US Marine Corps Major Donald E. Keyhoe, this is one of the seminal saucer films of the 1950s, lifted from the realm of the merely mundane by the incredible stop-motion special effects work of Ray Harryhausen. Although the movie itself used quite a bit of stock footage from previous films such as "The War of the Worlds," "Rocketship X-M," and "The Day the Earth Stood Still," as well as footage of an air show crash, the launch of Viking rockets and crashes of German V-2s, the film is unforgettable due to the painstakingly created scenes of flying saucer-caused devastation, including a saucer crashing into Union Station, the destruction of the Capitol building, and the collapse of the Washington Monument. Few films of the period boasted production values as high as this, which explains its longlasting appeal. Offered here is a gorgeous three sheet to this highly desirable title, which uses artwork very similar to that found on the one sheet. It displays pinholes in the corners, minor edge chipping and minor tears at the corners, as well as pinhole separations at the crossfolds, although professional restoration and linenbacking has rendered these slight flaws all but invisible. Paper on this title has always been avidly sought after, making this a marvelous opportunity for anyone interested in 1950s sci-fi. Very Fine on Linen.
It Came From Outer Space (Universal, 1953). Half Sheet (22" X 28") Style B. This sci-fi classic was the first film in the genre directed by Jack Arnold, who later went on to direct "This Island Earth," "Tarantula" and two of the "Creature from the Black Lagoon" pictures. Two designs for the aliens were submitted by the Universal make-up department -- the one not used in this movie was later resurrected as the Metaluna Mutant in "This Island Earth." The B style half sheet offered here has edge wear and tears with corner and edge chips, and a crease across the bottom in the credits, and has been mounted on paper and professionally restored. The stunning artwork makes this a real gem. Fine on Paper.
It Came From Outer Space (Universal, 1953). Half Sheet (22" X 28") Style A. One of the best science fiction movies of the 1950s originally featured a stereophonic soundtrack and was filmed in three dimensions to compete with the burgeoning television market. This Style A half sheet emphasizes the 3-D aspect of the film unlike any of the other styles. There are edge chips and some paper loss on the borders, pinholes, fold wear, and a large "U-shaped" tear on the right side. Expert restoration has corrected these problems, giving the poster an excellent appearance. Fine- on Paper.
It Came From Outer Space (Universal, 1953). One Sheet (27" X 41") 3-D Style. Despite the lurid, sensationalistic title, this film, taken from a Ray Bradbury story, stands today as one of the most sophisticated sci-fi movies of the 1950s. When a meteor crashes, scientist Richard Carlson discovers it is really an alien spaceship. Proving that, however, is another matter, and soon he finds that the people of his small Arizona town are beginning to act oddly... like they had been taken over! This one sheet has very light fold wear with small crossfold separations, and a couple of tape scuffs. It has been mounted on linen and professionally restored, minimizing its few flaws. Wonderful artwork that emphasizes the 3-D process makes this a striking poster. Very Fine+ on Linen.
I Married a Monster From Outer Space (Paramount, 1958). Six Sheet (81" X 81"). In the vein of such classics as "Invasion of the Body Snatchers" and "Invaders from Mars," this eerie film played into America's fears of Communist infiltration during the Cold War, when your next door neighbor...or even your husband...might be one of "THEM!" Pretty young bride Marge Farrell (Gloria Talbott) comes to the conclusion that something is amiss with her new husband Bill (Tom Tryon) when he moves listlessly around the house and refuses to imbibe alcohol. Little does she know he's been replaced by an alien intent on procreation! This eye-catching six sheet, with a beautiful image of Talbott in full bride regalia, has pinholes in the corners, some edge tearing, and fold wear with crossfold separation on all the pieces. This would be a good candidate for professional restoration, and will display very nicely. Fine/Very Fine.
I Married a Monster From Outer Space (Paramount, 1958). Lobby Card Set of 8 (11" X 14"). Complete lobby card sets for this drive-in classic rarely show up, especially in this condition. Card #3 has a 1" tear in the top border while card #5 has staining and paper loss in the borders along with minor smudging in the credits. All eight cards have a few fine pinholes in the corners and images, minor corner bumps and creases and light edge wear. Very Fine-.
Queen of Outer Space (Allied Artists, 1958). Half Sheet (22" X 28") Style B. Three lucky red-blooded American astronauts land on the planet Venus. They discover that it's inhabited by good looking women in very short skirts and Zsa Zsa Gabor. This style B half sheet has scuffing in the image and wear along the fold lines. There is creasing in the borders along with edge tears and corner bumps. A chip in the bottom border and paper loss at the cross fold have been neatly repaired as have the other flaws leaving a nice appearance. Fine- on Paper.
The Angry Red Planet (American International, 1960). Lobby Card Set of 8 (11" X 14"). Ib Melchior directed only two feature films, this and "The Time Travelers," and both are suitably wonky affairs. Among the outrageous elements are the space suits with no glass in the helmets (!) and the infamous rat-bat-spider creature that must be seen to be believed. This tremendous lobby card set has many great visuals from the film, and is in excellent condition. Condition issues include tack holes, and corner bumps on all, with foxing on a couple of the cards, and the #2 card has a small field tear in the lower left corner. You'll be very angry with yourself if you let this spacey set get away! Very Fine-.
Invaders From Mars (20th Century Fox, 1953). One Sheet (27" X 41"). A sci-fi invasion told through the eyes of a young boy who is dreaming... or is he? Jimmy Hunt has to convince scientists Helena Carter and Arthur Franz that his parents have been taken over by aliens, a task made doubly difficult by the fact that he is a child in an adult world. This was 1953... a time when Communist infiltration was on every American's mind, making this not only a classic sci-fi epic, but a gripping examination of the social paranoia that plagued American in the 1950s. Only mild fold separations mar this incredible sheet, which displays great color. Very Fine+ on Linen.
Invaders From Mars (20th Century Fox, 1953). Window Card (14" X 22"). Literal bug-eyed monsters try to invade Earth, but in the end it's all a young boy's dream. A classic sci-fi adventure, the movie has memorable production design and direction by William Cameron Menzies, as well as the beautiful Helena Carter in her final film appearance. This far-out window card has stunning color and a very fresh appearance, but must be graded down because the blank area at the top was trimmed off at some point. It has since been restored and the entire card paper-backed. Other minor problems include a 2" tear in the lower right margin, and a hard horizontal crease which has also been smoothed out with restoration. A great-looking card from this all-time favorite. Fine+.
Godzilla (Toho, 1956). One Sheet (27" X 41"). One of the biggest "mon-stars" in film history tramples the landscape in this classic one sheet. Originally conceived as an allegory for the nuclear nightmare Japan had suffered at the end of World War II, the film's message was totally lost when it was re-cut for American audiences. Nevertheless, this version, which includes a pre-"Perry Mason" Raymond Burr, became a big hit in Japan when it was released there. This poster, which has been professionally restored, shows the typical fold wear as well as some extra creasing, a small tear in the left border, and pin/staple holes in all the corners. There is also an enlarged pinhole in the top left, and the bottom left corner, which was missing, has been replaced. None of these flaws detract from the great visual appeal of this classic, which presents very nicely. Fine/Very Fine on Linen.
Godzilla (Toho, 1954). German A1 (24" X 33"). Although Godzilla only destroyed Tokyo in his initial outing, his roar was heard around the world, with releases in Germany, Poland, Argentina, Belgium, Mexico, Spain and Sweden, to name just a few. Destined to become one of the most successful franchises in movie history, this first film was a dark nuclear fable, with the monster cast as a stand-in for the atomic bomb, and his rampage an analogy for the destruction wrought on Hiroshima and Nagasaki by "Fat Man" and "Little Boy." This gorgeous German poster features artwork different from that seen anywhere else, with Godzilla chomping on a train and spreading terror with every step of his large, scaly feet. The poster shows a few pinholes and some light edge wear, as well as some minor staining in the upper border. Light fold wear is evident, as are some minor tape scuffs, but all in all, this is a beautiful poster that will grace any collection. Very Fine on Linen.
Gigantis the Fire Monster (Toho, 1955). Japanese B2 (20" X 29") Style A. The second film in the Godzilla series, and the last to be filmed in black-and-white, alternately known as "Godzilla Raids Again." Godzilla is discovered on a remote island battling another monster called Angilas, but an explosion caused by crooks soon lures the Big G to Osaka, and mayhem ensues. Offered here is a beautiful copy of the original Japanese B2 sheet, with an absolutely stunning image of Godzilla using his radiation-breath. The poster has some slight wrinkling and horizontal folds. A truly terrific poster from this underrated installment in everybody's favorite Japanese monster series. Very Fine+.
Godzilla vs. Gigan (Toho, 1977). Polish One Sheet (26.8" X 37.2"). One of the flashiest entries in Toho's Godzilla franchise, this film finds a group of insectoid aliens plotting to conquer humanity - from their headquarters deep within a Godzilla theme park! In spite of all its plot shortcomings, this is a highly enjoyable film, boasting a new monster - Gigan - that would go on to become a top fan favorite. This is the first release of the film in Poland, 1977, with great art by top Polish artist, Romuald Socha. There is only minimal edge wear in the upper right, and minor pinholes. Very Fine+ on Linen.
Godzilla vs. the Sea Monster (Toho, 1966). Japanese STB (20" X 58"). Originally written as a vehicle for King Kong(!), this fun daikaiju pits the great Godzilla against a giant lobster/crawdaddy/shrimp creature called Ebirah, while Mothra puts in an appearance as well. This stunning Japanese STB has virtually no flaws, and just the slightest of soft fold creasing, with an unforgettable image that features all three monsters, and the film's complement of pretty girls as well. For country-of-release paper on this title, it doesn't get much better than this. Rolled, Near Mint.
Godzilla's Revenge (Toho, 1969). Japanese B2 (20" X 29"). Overloaded with stock footage and aimed more directly at children than previous outings, "Godzilla's Revenge" nevertheless features a decent contingent of monster-stomping action, well-directed by the great Ishiro Honda. This spectacular poster features most of the monsters, engaged in a battle royale that never quite happens in the actual film. Some horizontal creasing is about the only thing keeping this poster from sheer perfection, and it's still pretty darn spectacular. Very Fine+.
Pulps
The Terror of Godzilla (Toho, 1975). Japanese B2 (20" X 29"). The final Godzilla film in the original series, this entry into the franchise was also the last Godzilla movie directed by Ishiro Honda, the creative force behind the original movie, "Gojira," released in 1954. Mechagodzilla is reconstructed and paired with Titanosaurus in an effort to defeat Godzilla once and for all. This was also be the last time that Godzilla would be portrayed as a hero. This country of origin poster has minimal smudging along the edges and the faintest of wrinkling in the image. This is a great piece for any diehard dai kaiju fan. Near Mint.
Movie Posters
Destroy All Monsters (Toho, 1969). Japanese B2 (20" X 28.5"). As King of the Monsters, Godzilla had battled plenty of kaiju in his 15-year career, but this movie really pulled out all the stops! The movie takes place in the far-future year of 1999, when alien invaders take control of all the earth's monsters in order to subjugate humanity. Part of the fun of this classic monster epic, titled "Kaiju soshingeki" ("The Monster Invasion") in Japan, was the opportunity to see such fan-favorite beasts as Angilas, Mothra, Varan, Kumonga, Baragon, Gorosaurus, Minya and Manda attacking cities other than Tokyo, including New York! The Earth's chances go from bad to worse when three-headed space Dragon King Ghidorah shows up! This movie was a landmark of sorts, as it was the last time all of Godzilla's "Fathers" - producer Tomoyuki Tanaka, director Ishiro Honda, composer Akira Ifukube, and special effects artist Eiji Tsuburaya - would all work together on a Godzilla film. The rare and desirable country of origin poster offered here, which has been folded, shows all the monsters from the film, and is in excellent condition, with only a few small tears at the top and bottom edges keeping this from an even higher grade. Very Fine.
Monster Zero (Toho, 1965). Japanese STB (20" X 58"). Nick Adams stars as Astronaut Glenn (hmm, wonder where they came up with that name?) in this epic monster mash featuring Godzilla, Rodan, and King Ghidrah in only his second appearance. Aliens want to "borrow" G & R to fight Ghidrah, who has been terrorizing their moon, but it's really just a fiendish plot so they can use the monsters to overthrow the Earth. This spiffy country-of-origin STB features spectacular shots of all the monsters, plus outer space shots that look far superior to the special effects in the actual movie! Faint roll bending is about the only condition problem with this virtually pristine poster, a must-have for any Godzilla collection. Very Fine/Near Mint.
Gamera vs. Guiron (Daiei, 1969). Japanese STB (20" X 58"). The Gamera series was mostly aimed at young children, and this installment is no exception. Three young kids blithely board a spaceship that whisks them away to another planet that mirrors Earth's orbit. Finally, Gamera rescues the kiddos by doing gymnastics on some parallel bars while fighting Guiron, a monster with a huge knife for a nose. Shakespeare this ain't, but you gotta love a giant flying turtle saving the earth from wanton destruction. This wicked-cool country-of-origin STB poster features both monsters about to engage each other in full-on battle, as well as the two alien cuties with the weird helmets. Who could ask for anything more? Horizontal folds are the only condition issues on this glorious poster. Very Fine+ on Linen.
Gamera vs. Jiger (Daiei, 1970). Japanese B2 (20" X 29"). An ancient statue is uprooted to become an exhibit at The World's Fair, releasing Jiger, the Demon Beast, from his prison cave. Gamera must stop Jiger's rampage before all of Japan is destroyed. This original release poster has a thin strip of paper stuck to the reverse bottom border, pinholes in the corners and borders, and light wrinkling. There is also a small tear in the bottom left corner and wear along the edges. Folded, Very Fine-
Gamera vs. Deep Sea Monster (Daiei, 1971). Japanese Speed (10" X 29"). Everybody's favorite giant flying turtle saves the day again in this seventh entry into the Gamera series. A super-intelligent giant space squid called Zigra lands in the ocean off the coast of Japan and announces his intentions to take over the planet. Of course, Gamera arrives just in time to turn Zigra into giant space calamari. There are small chips along the edges, pinholes in the borders, and creases at the corners. Minor wrinkling is visible in the field, but it does not distract from the poster's thrilling imagery. Fine.
Gappa, The Triphibian Monsters (Nikkatsu, 1967). Japanese B2 (20" X 29"). The inhabitants of a small island in the South Pacific worship a giant Godzilla knock-off and co-exist peacefully with the deity until a group of outsiders arrive from Tokyo and take the monster's baby. As the old saying goes, "If momma ain't happy, nobody's happy." The baby's parents soon go on a rampage in an effort to save their child. Unlike many Japanese giant monster movies, this one failed to spin off into a franchise making this paper exceedingly hard to find. There is wear along the edges including small tears. Wrinkling is present in the borders and image, and there is fold wear with separations and creasing in the image. Folded, Fine.
Throne of Blood (Toho, 1957). Japanese B2 (20" X 29"). Akira Kurosawa wrote, produced, edited and directed this adaptation of William Shakespeare's "Macbeth." In it, a Japanese military commander becomes lost in the woods after a major victory. He comes across a mysterious woman who predicts he will one day become emperor. Kurosawa cast his favorite actor, Toshiro Mifune, in the lead role, here on the poster in a beautifully rendered pose. Kurosawa is truly one of the masters of the cinema, investing more style and intelligence into his productions than most directors could ever dream of. Original Japanese posters for his films are almost unheard of in this grade due to being shown so consistently in the theaters. Rolled, Near Mint/Mint.
Rashomon (Daiei, 1952). Japanese B2 (20" X 29"). One of the most significant films in the history of Japanese cinema, this was director Akira Kurosawa's tale of the vicious murder of a samurai by a roving bandit, told largely in flashback by the samurai's wife, a woodcutter who witnessed the event, the bandit, and, by way of a medium, the victim himself. All four tell different stories, leading to a compelling exploration of the meaning of truth. The film has had such an impact that our legal system actually recognizes "The Rashomon Effect" in relation to eyewitness testimony. This extremely rare poster, created after the film won the 1951 Academy Award for Best Foreign Language Film, was made in Japan for foreign export, hence the English language writing. Original release posters from this hugely important film are exceptionally scarce and avidly desired by collectors worldwide. A thorough examination of this dramatic piece, with striking images of stars Toshiro Mifune and Machiko Kyo, reveals an absolutely pristine copy of this very desirable poster. Rolled, Mint.
Gate of Hell (Daiei, 1953). Japanese B2 (20" X 29"). The very first Japanese film to gain artistic and critical recognition abroad - It won the 1954 Palme d'or Grand Prize award at the Cannes Film Festival, a 1955 Honorary Academy Award for "Best Foreign Language Film," and the 1954 New York Film Critics Circle Award for "Best Foreign Language Film" - this movie, originally titled "Jigokumon," concerns a samurai in 12th-century Japan who is granted his fondest desire for loyal service to his master. Unfortunately, his desire is for the wife of another samurai. Based on a well-known play, this movie is a dazzling example of 1950s Japanese color photography, and stands today as a true international classic. The country of origin poster offered here is virtually perfect, save for two enlarged pinholes at the top, which have resulted in a small amount of paper loss. If it were not for that single flaw, this poster would have graded a solid Mint. Rolled, Very Fine.
The Princess Sen (Daiei, 1954). Japanese B2 (20" X 29"). Based on an actual event from Japan's storied past, "The Princess Sen," known in Japan as "Senhime," tells the story of a young girl, Sen, who is married to a powerful politician. When her husband dies, Sen falls into a deep depression. She is visited by a Ronin (Kenji Sugahara), a follower of Sen's husband who, convinced that the girl caused the death of her husband, has sworn to kill her, but, in the best silver screen tradition, falls in love with her instead, an act that seals both their fates. Historical costume epics like this were some of the most popular in Japan, and remain popular with audiences worldwide. This glorious country of origin poster boasts beautiful images of the two stars, and is virtually immaculate, with only a small bend in the lower right corner keeping it from an even higher grade. Rolled, Near Mint.
The Taira Clan (Daiei, 1955). Japanese B2 (20" X 29"). A sumptuous costume epic set in 12th century Japan against a rich, yet turbulent, social and political background, this is one of director Kenji Mizoguchi's masterpieces. Released in Japan as "Shin Heike Monogatari," this would prove to be Mizoguchi's next-to-last film, and one on which he obviously lavished the most care and attention, as evidenced in the lush color, the elaborate sets, and the exceptional costumes. One of only two films made in color by Mizoguchi, this is a classic of Japanese cinema. This fabulous country of origin poster is flawless: a graphic delight in perfect condition. They don't get much better than this. Rolled, Mint.
Yokihi (Daiei, 1955). Japanese B2 (20" X 29"). Set in 8th century Japan, this is director Kenji Mizoguchi's tragic drama of a Chinese emperor who falls in love with a peasant girl, and the complications that arise as she becomes empress. One of the greatest auteurs in the history of Japanese cinema, alongside Akira Kurosawa and Yasujiro Ozu, Misoguchi left an incredible legacy of cinematic masterpieces behind him when he died from leukemia at the age of 58 in 1956. Sadly, this was one of Mizoguchi's last films, and one of only two that he shot in color. This exceptional poster, wonderfully illustrating this classic period drama, is as perfect as the day it was printed, with no visible flaws at all. Any devotee of Japanese cinema would be proud to own this beauty. Rolled, Mint.
Jinsei no onimatsu (Shochiku Kinema Kenkyu-jo, 1935). Pre-War Japanese (14.5" x 20.75"). We know very little about this film, save that it was released as a sound film in 1935 (Japan still released silents until well into the late 1930s, although director Heinosuke Gosho was an early pioneer of sound in that country, releasing the first Japanese talking film in 1931). Nevertheless, this is a dramatic poster, far different than the photomontage paper that would be the rule in Japan following the war. The poster offered here displays some very light edge wear, a small tear at the top, and a bend with a dust shadow at the lower right. These are minor considerations, however, especially considering the incredible rarity of pre-war Japanese movie paper. Rolled, Very Fine+.
Duel at Ichijoji Temple (Toho, 1955). Japanese B2 (21.5" X 30"). One of the most important and influential samurai epics in the history of Japanese cinema, this was Part Two of director Hiroshi Inagaki's "Samurai" trilogy, telling the historical tale of legendary swordsman and "The Book of Five Rings" author Miyamoto Musashi. Starring Toshiro Mifune in one of his very finest roles, and based on the epic novel by Eiji Yoshikawa, this film focuses on Musashi learning the ways of the warrior. The beautiful horizontal B2 offered here, which shows exciting scenes from the movie, may have been produced as a subway poster. Whatever its origins, it is clear that it is a rare country of origin poster for an extremely important title. Rolled, and in impressive condition, only some light foxing keeps it from an even higher grade. Rolled, Very Fine+.
Duel at Ichijoji Temple (Toho, 1955). Japanese B2 (20" X 28.5"). This is the second of three films in director Hiroshi Inagaki's "Samurai" series, which tells the story of legendary Japanese swordsman Miyamoto Musashi. An actual historic figure, Musashi, who was born in the sixteenth century, was a renowned warrior and the author of "The Book of Five Rings," a treatise on strategy, tactics and philosophy that is studied to this day. Toshiro Mifune plays Musashi, who, in this film, is still learning the ways of the samurai. This trilogy, based on an epic novel by Eiji Yoshikawa, occupies an important place in the history of Japanese cinema, one of the most acclaimed and important movies in the entire history of samurai epics. This very rare country of origin poster, with its exceptional image of star Mifune, is in remarkable condition, with only some slight edge wear, and some pinholes in the corners in the edges, at the top and bottom center, and in the center of the image, keeping it from an even higher grade. Rolled, Very Fine.
Mizumo no hana (Shochiku Kinema Kenkyu-jo, 1923). Pre-War Japanese (14.25" x 21"). If pre-war Japanese movie paper is rare, Japanese silent paper is doubly so. Many of the films made during the silent period, and their accompanying posters and promotional paper, were lost to the effects of the devastating 1923 earthquake and the Allied bombings of World War II, as well as the natural ravages of time. This exquisite poster, for a film about which we know next to nothing, is ineffably beautiful, having the look of ukiyo-e, the traditional Japanese woodblock prints that are now so highly prized by fine art collectors. Printed on a very thin paper stock reminiscent of rice paper, this poster is in exceptional condition, with only some very slight edge wear, minor discoloration in the red lettering that appears to be a defect in the ink used, and a small tear in the woman's robe to keep it from a higher grade. Rolled, Near Mint.
A Story from Chikamatsu (Daiei, 1954). Japanese B2 (20" X 29"). Known in Japan as "Chikamatsu Monogatari," this is director Kenji Mizoguchi's story of love and betrayal in feudal Japan, based on a well-known puppet play by Monzaemon Chikamatsu. Made near the end of Mizoguchi's life and career, this is a hauntingly beautiful tale, worthy of being classed with the director's other cinematic masterpieces. This beautiful poster, stylistically simple and yet wonderfully evocative, is virtually as fresh and pristine as the day it was printed, with only some very slight edge wear keeping it from the lofty realm of absolute Mint. Rolled, Near Mint+.
White Shadows in the South Seas (MGM, 1928). Japanese Poster (11.5" X 23.75"). Documentary filmmaker Robert Flaherty, famed for "Nanook of the North," began shooting this docudrama that looked at the corruption of native civilization by white traders and explorers. However, when Flaherty took too long for the studio bosses, he was replaced with assistant W.S. "One-Take Woody" Van Dyke. This very rare, full-bleed 1928 original Japanese poster has edge tears and small chips, tape scuffs, and creases. The poster has been mounted on linen and professionally restored. The posters from this period in Japan's history are virtually nonexistent. World war, earthquakes, and serious paper shortages have made film posters of the pre-war period exceedingly hard to find! Very Fine on Linen.
The Cossacks (MGM, 1928). Japanese Poster (11.75" X 23.25"). John Gilbert is Lukashka, a Cossack who doesn't want to join the men of his village in their fighting ways. Pressured and humiliated, he eventually breaks down and defends the honor of his girlfriend Renee Adoree. Amazingly and through insurmountable odds, this poster has survived the devastation of Japan through earthquakes, world war and serious commodity shortages. This very rare Japanese poster has tape scuffs, and small edge tears. This full-bleed poster has been mounted on linen and professionally restored. Beautiful stone litho artwork of Gilbert, with bold bright colors. Very Fine+ on Linen.
8½ (Embassy, 1963). French Petite (23.5" X 31.5"). Marcello Mastroianni plays film director Guido Anselmi in Federico Fellini's autobiographical masterpiece. Creatively blocked before starting his new film, and beleaguered by sycophants, Anselmi retreats to a dream world and reflects on his past loves. This lovely French petite has a striking two-color design, with photos from the film incorporated with artwork. In splendid condition, this has a pinpoint crossfold separation at the center of the poster, some light discoloration in the fold lines, and a light corner bend. Stunningly gorgeous. Very Fine+.
8½ (Embassy, 1963). Swedish One Sheet (27.5" X 39.5"). As dreams, memories and fantasies crowd in and out of director Guido Anselmi's (Marcello Mastroianni) daily reality, he works to try and overcome his lack of inspiration for his new film. One of Federico Fellini's best and most personal films -- he wrote himself a note to put under the viewfinder, "Remember, this is a comedy." This Swedish one sheet has pinholes, light fold wear with tears, and two vertical folds. The poster has been mounted on linen and professionally restored. Very nice images of the four stars. Very Fine+ on Linen.
The Bicycle Thief (Ente Nazionale Industrie Cinematografiche (ENIC), 1948). Italian Photobusta Set of 12 (19" X 13.5"). A landmark of Italian neo-realist cinema, this film, directed by Vittorio de Sica, tells the story of a man who sets out on a journey with his son to find his stolen bicycle and learns valuable lessons along the way. In a larger sense, the film explored a variety of social problems that beset Italy in the wake of World War II. The verisimilitude of the film is heightened by the director's decision to use ordinary people, not actors, in all the roles, making the story that much more realistic. Offered here is a very rare set of original Photobustas, complete with the front panel of the original envelope. The cards are very nearly immaculate, displaying only slight corner bumps in the upper and lower left corners. Otherwise, this is as nice a set of these rare country of origin posters as you're likely to see. Very Fine/Near Mint.
The Bicycle Thief (Ente Nazionale Industrie Cinematografiche (ENIC), 1948). Italian 2 - Folio (39" X 55"). Considered by many to be one of the greatest films ever made, Vittorio De Sica's neorealist heartbreaker tells the story of a man's struggle to provide for his family and set an example for his son in depressed World War II Italy. This spectacular country of origin Italian 2-folio features art by the legendary Ercole Brini. Brini would become forever linked with Audrey Hepburn by creating timeless Italian release posters for "Sabina," "Funny Face" and "Breakfast at Tiffany's." But "The Bicycle Thief" is the poster that would elevate him to iconic status. This particular example of the 2-folio had only a few pinholes in the border and light scuffs in the title, some fold wear and a 3" tear in the lower left border. Posters from the Italian post-war period are rarely ever found in such beautiful shape, due to the conditions in the country at that time, making this a truly exceptional find. The few minor defects it had have since been corrected and the poster mounted on linen, giving it a near perfect appearance. Very Fine+ on Linen.
La Dolce Vita (Cineriz, 1960). French Grande (47" X 63"). It's no surprise that Swedish bombshell Anita Ekberg dominates this spectacular French Grande for Fellini's Oscar-winning drama, "La Dolce Vita." Eckberg, at her most sensual, plays a Hollywood starlet in Rome, and features in an enticing dance sequence that has surely inspired more than one viewer fantasy. The poster has eye-popping color, and only a few condition issues, which include one pinpoint crossfold separation, some very light fold wear, and very light wrinkling. Lush and lusty, this is a must-have for the Fellini fan on your Christmas list. Very Fine+.
Blow-Up (MGM, 1967). Italian 4 - Folio (55" X 78"). Italian director Michelangelo Antonioni directs a young Vanessa Redgrave and David Hemmings, in this well-known sixties murder/mystery thriller about a wealthy fashion photographer in "mod" London who believes he has accidentally photographed a murder. This gorgeous "Swinging Sixties" image with artwork by Ercole Brini is probably the best poster produced for this film. The poster has been mounted on linen with only minor touch-up to some of the fold lines and crossfolds. Very Fine+ on Linen.
The Bride Wore Black (MGM, 1968). Italian 2 - Folio (39" X 55"). Jeanne Moreau is superb in this evocative Francois Truffaut film about a widowed bride who takes revenge on five men who killed her husband. Very much in the Hitchcock mode, "Bride" is nevertheless something more than a mere homage, with Truffaut crafting an intense and involving story. This superb Italian 2-folio features a striking image of Moreau in her black bridal gown. The poster is in excellent condition, with some tiny crossfold separations, some overall wrinkling (especially in the top third), minor corner creases, and some extra folds at the top fold line being the only issues. A beautiful poster with stunning artwork from this Truffaut classic. Very Fine-.
Piccadilly (Worldwide Pictures, 1929). German Poster (37.5" x 56"). Promoted from washing dishes in the kitchen to dancing on stage, Shosho (Anna May Wong) is the target of men's desires and women's jealousies, a position that leads to tragic results in this sumptuous film. Aside from being a glamorous vehicle for Wong, "Piccadilly" is also significant as the first feature film role for future superstar Charles Laughton, who appears as a boisterous nightclub patron. The beautiful poster offered her is an original release sheet from Germany. It displays edge wear with some tearing, fold wear, a censor stamp in the bottom white area, tape stains on the borders, a 2" tear in the bottom center and three 1" tears in the top border. Additionally, there is a 23.5" x 4.5" black-and-gold snipe near the bottom that reads "Anna May Wong As Shosho." The snipe shows some glue residue at the edges, but is otherwise in good shape. Although this poster does have some issues, it is a very beautiful, very desirable, and, no doubt, very rare piece that will make some lucky collector very happy. Very Good.
Jules and Jim (Les Films du Carrosse, 1961). French Petite (23.5" X 31.5"). Considered by many to be the finest film by director Francois Truffaut, this is a story about two men who love one woman, and her love for both of them. Often seen as a film in favor of the free-love lifestyle emerging in the early Sixties, it actually speaks very strongly against such a movement, as Catherine's (Jeanne Moreau) inability to chose between her two lovers Jules (Oskar Werner) and Jim (Henri Serre) leads to tragic consequences for all involved. This rare country of origin Petite, which features brilliant artwork by Christian Broutin, shows some light fold wear and pinpoint crossfold separation at the center. These are minor problems, however, and do little to detract from the overwhelming eye appeal of this glorious poster. Very Fine+.
Los Olvidados (Ultramar Films, S.A., 1950). Japanese B2 (20" X 29"). Luis Buñuel's gritty crime classic examines the lives of juvenile delinquents struggling for survival on the streets of Mexico City. This Japanese poster captures the violence and passion of the film and has minor edge wear and wrinkling. There are creases and bumps at the corners along with tiny edge tears and minor fold wear. Folded, Very Fine-.
Maciste in Hell (Cines-Pittaluga, 1927). Danish Poster (23" X 35"). First Danish Release. The character of Maciste goes back to the earliest days of Italian film when Bartolomeo Pagano first played him in "Cabiria" (1914). Over the next 13 years, more than 25 Maciste films were made, each with the same formula -- strong man Maciste uses his strength and purity to overcome the evil threatening his love interest. This Danish poster has light edge wear and tears with a corner chip, fold wear with separations, wrinkling, and creases. The poster has been mounted on linen with an older restoration. The poster is beginning to separate from the linen on one of the fold lines. Magnificent artwork of Pagano by Danish artist Wenzel, with bold, bright colors. Fine/Very Fine on Linen.
The Seventh Seal (Svensk Filmindustri, 1957). Japanese B2 (20" X 29"). This existential Swedish film directed by Ingmar Bergman is best known for a scene which features the knight playing chess with the personification of Death (Bengt Ekerot), his life resting on the outcome of the game. This stirring Japanese poster beautifully displays the acrobat player Jof (Nils Poppe) and his young wife Mia (Bibi Andersson) together with their infant son Mikael, within the black of the cloak of Death. This poster is rolled and in exquisite condition with only a few tiny edge tears and the faintest of wrinkling. Rolled, Near Mint-.
Persona (Lopert Pictures, 1967). Japanese B2 (20" X 29"). Ingmar Bergman's ground breaking film starring Bibi Andersson and Liv Ullmann was voted by critics as one of the top 100 films ever made. This beautiful Japanese poster features one of the most desirable images from this title and has only minimal edge wrinkling and wear and light bending in the field. Rolled, Very Fine+.
Ossessione (Industrie Cinematografiche Italiane, R-1950s). Italian 2 - Folio (39" X 55"). If not for director Luchino Visconti's back-up print, this thriller would have been lost forever at the hands of Mussolini's fascist regime. This reissue country of origin 2-folio has wear along the folds including a bit of paper loss. Tape has been applied to the fold separations on the reverse and to a small tear in the top border. There is slight tanning common to Italian stock paper and small tears have formed along the edges. But the image of Clara Calamai passionately clinging to Massimo Girotti's leg is very clean and intact. Very Fine.
Dersu Uzala (Nihon Herald Eiga, 1975). Japanese B2 (20" X 29"). Directed by Akira Kurosawa, this heartbreaking film tells the story of a friendship between an Asiatic hunter and a Russian officer. When the hunter follows his new friend from the wilds of Siberia to the city, he finds that civilization is no place for his rustic ways. This near perfect Japanese poster features an excellent image of Kurosawa and a haunting shot of the two men walking across the frozen landscape. Rolled, Near Mint/Mint.
Kanal (P.P. Film, 1957). Japanese B2 (20" X 29"). Set during the Warsaw uprising in the latter days of World War II, this dramatic Polish film tells the story of a handful of resistance fighters forced to flee through the city's sewers (the "kanal" of the title) in hopes of escape. This evocative Japanese B2 offers a different image from the other version offered in this auction. It has a thin strip of paper stuck to the reverse of the bottom border, minor fold wear and a few small edge tears. Pinholes and bumps are present in the corners and there is minimal wrinkling and staining in the image. Very Fine-.
Kanal (P.P. Film, 1957). Japanese B2 (20" X 29"). Set in the last days of Warsaw's uprising against the Nazis in 1944, this harrowing film depicts a battle-weary platoon forced to retreat from the German offensive through the city's sewers (or kanals). This superb Japanese B2 has some tape on the reverse at the bottom edge, small edge tears, pinholes, and a chip missing from the top right fold. But the drama and impact of the events depicted is completely intact, making for a powerful statement about the futility of war. Fine/Very Fine.
Fair People (Ondra-Lamac-Film GmbH, 1930). Swedish One Sheet (27" X 41"). Anny Ondra, the star of this lost film (original title: "Die vom Rummelplatz"), had an extensive career in Europe during the 1920s and 30s. Particularly noted for her many comedic roles, she is best known to contemporary audiences as Kate Cregeen in "The Manxman" (1929) and Alice White in "Blackmail" (1929), both directed by Alfred Hitchcock. During her career, Ondra made nearly 100 films, many of them with director Carl Lamac, to whom she was married for a time. She divorced Lamac in the early 1930s, and married boxer Max Schmeling in 1933, with whom she remained until her death in 1987. This film, about a young girl who returns home from school to her circus family and finds love with a local theatrical agent, was one of the first made under the banner of Ondra and Lamac's own production company, and was extensively marketed in Germany, Czechoslovakia, France and Austria. Interestingly, this colorful one sheet features Mickey Mouse quite prominently, just two years after his introduction in 1928's "Steamboat Willie," in what must be a very early, and very unlicensed, appearance. This exceptional poster, an absolute must for Disney collectors, is perfectly flawless and unfolded. Only the fact that it has been mounted on linen keeps it from an even higher grade. Very Fine/Near Mint on Linen.
The Lost Squadron (RKO, 1932). French Four Panel (90.5" X 121.5"). Beautiful art deco renderings of plunging planes amid perfect clouds as Richard Dix and Erich von Stroheim look on, make this one of the most impressive French posters we've seen. The images of cameras on the poster also capture the Hollywood motif as the film centers on the lives of former World War I pilots who can only find work as stuntmen for the movies. This large-sized French poster has very light color touch to the fold lines and shows a few pinholes in the background. And although a French four panel would typically measure 94" X 126", once it has been linen-backed, the "overlap" of sections drops the measure to 90.5" X 121.5". Very Fine on Linen.
Asphalt (UFA, 1929). Japanese Poster (11.75" X 23.75"). One of the last German silent films starred Betty Amann as an overtly sexual vamp who seduces naive cop Gustav Frohlich when he tries to take her in for a jewel heist. Amann was an American born in Germany who started her career in Hollywood, but later drifted back to Europe to star in a number of films for UFA. This Japanese poster has edge wear and tears with chips. The poster has been mounted on linen and professionally restored. Amazingly and through insurmountable odds, this poster has survived the devastation of Japan through earthquakes, world war and serious commodity shortages. Very Fine- on Linen.
Edison Poster (ca. 1900). One Sheet (21" X 28"). This is a rare find indeed. This extremely early movie poster is not dated, but several suppositions can be made to place it into an historical context. Thomas Edison, whose name is mentioned on this poster, began distributing short films in 1890. These earliest films typically focused on scenes of everyday life, such as blacksmiths at work, workers leaving a factory, and a watermelon eating contest. As time went on, Edison expanded his scope, and included a Sioux ghost dance, the Leonard-Cushing fight, and Fatima's famous Cochee-Cochee dance, to name just a few. During these early days, the novelty of pictures that moved were enough to pack in the paying customers. By 1910, however, Edison, and other distributors, were promoting specific stories, such as the first film version of "Frankenstein." It's also worth noting the odd size of this poster. In December 1908, Edison, along with several other studios, formed the Motion Picture Patents Company, also known as the Edison Trust, in order to control the licensing of films and film equipment, effectively putting the squeeze on the smaller, independent studios and virtually controlling the market. Another effect the Trust had was the standardization of poster sizes, including the one sheet, the three sheet, the six sheet, and the 24 sheet. The off-size of this poster, and the fact that it promotes general "Motion Picture Subjects" instead of named features, along with the fairly simple silk-screen type process used to create this image, leads us to believe it was produced during the first decade of the twentieth century. The poster, with its buxom sirens beckoning to passersby, has never been folded, and displays some very slight edge wear, along with a small chip and a slight tear in the top middle border. These minor issues have all been addressed during the restoration process, resulting in a beautiful, and very intriguing, piece of film history. Very Fine+ on Linen.
Alice Brady Stock (Select, 1918). One Sheet (27" X 41"). Alice Brady was an excellent actress, appearing in 33 Broadway shows from 1911-1933, including the first production of Eugene O'Neill's "Mourning Becomes Electra." With Select Pictures from 1918-1919, she would appear in many romantic leads as evidenced by this stone lithograph beauty of a poster done by the venerable Morgan Litho Corp. Brady won a Best Supporting Actress Oscar in 1937 for "In Old Chicago," but was unable to accept the award personally. A man walked up, accepted for her, and neither he nor the Oscar have been seen since! Later in her career, Brady endeared herself to her audience with her prolific portrayals of addlebrained society matrons and world-weary matriarchs ("My Man Godfrey," "Three Smart Girls." etc). There are small chips in the upper horizontal fold line, a small chip in the bottom fold, and a chip in the lower left field. There is edge wear to the top center border, mild wrinkles in the edges, and a small tear in the hat. Very Fine- on Linen.
The Knife (Select, 1918). One Sheet (27" X 41"). Adapted from a stage play by Eugene Walter, "The Knife" was a silent feature about a naive Southern belle (Alice Brady) who comes to New York City in search of her destiny, only to be seduced by a ruffian who plies her with drugs. Enter Doctor Robert Manning (Frank Morgan) who suggests the cad's evil ways can be cured with experimental brain surgery! Brady was the daughter of famed theatrical producer William Brady and was an important screen star of the silent era who won an Academy Award for her supporting role in "In Old Chicago" (1939). This beautiful one sheet has a fine profile of the lovely Alice Brady. There are crossfold separations and minor paper loss at the corners of the borders. Professional restoration has rendered these problems unnoticeable. Colors are still eye-popping, and this gorgeous portrait beauty makes this a must-have. Fine on Linen.
Million Dollar Beauty (Eugene V. Brewster, 1921). One Sheet (27" X 41"). What a unique find! Although the film is lost, and nothing known of it, the story behind this rare poster is true Hollywood lore. Corliss Palmer won the 1920 Motion Picture Magazine "Fame and Fortune" Contest without a bit of theatrical experience, exactly as Clara Bow would do a year later. Palmer was romanced by the owner of the magazine, Eugene V. Brewster, who produced and directed this film, and who gave her the full star build-up in his magazine, even promoting cosmetic lines and "health" articles by her. The result was an impressive, if brief, shot at movie stardom that reached its apex in 1926 when she appeared with Charlie Chase and Oliver Hardy in perhaps Chase's finest short, "Bromo and Juliet." Surprisingly, her career was fairly short, seemingly curtailed by the coming of sound. She made her last of only a handful of films in 1931 (after a two year hiatus), and died in the Camarillo, CA hospital for the mentally insane in 1952. This luminous image presents a glorious portrait of a tragic star, a truly beautiful silent stone litho one sheet of a 19 year old 'Hollywood Hopeful.' Very Fine/Near Mint on Linen.
Beauty's Worth (Paramount, 1922). One Sheet (27" X 41"). A stunningly beautiful portrait of star Marion Davies highlights this very attractive stone litho one sheet. One of the leading actresses of the 1920s and '30s, Davies was at the peak of her career in 1922. She was the lover of William Randolph Hearst, who produced virtually all of her pictures. In fact, Cosmopolitan Productions was formed solely to promote Davies. Hearst's involvement in her career took its toll, however, as his controlling manner and his narrow view of her talents, insisting that she appear in "distinguished" parts, rather than the comedic roles that were her strength, eventually led to the dissolution of Cosmopolitan, after which Davies retreated to San Simeon, Hearst's "castle," and retired from film. She stayed with Hearst until his death in 1951, and died herself in 1961. This film came at the peak of her career, and caught the beautiful actress in all her glory, as reflected in this gorgeous one sheet. In exceptional condition, the few flaws, including pinholes in the upper left, a small tear in the upper right, light fold wear and slight fold separation at the bottom edge, have been corrected by professional restoration, making this a poster that any vintage film aficionado would be proud to own. Very Fine+ on Linen.
The Firing Line (Paramount, 1919). One Sheet (27" X 41"). Irene Castle and her husband Vernon Castle were the best known ballroom dancers of the early 20th century. The Castles' initial fame began in Paris, where they introduced American dances, such as the Turkey Trot and the Grizzly Bear. When the Castles returned to the U.S., their success was repeated on a far wider scale. As the couple's celebrity increased in the mid-1910s, Irene Castle became a major fashion trendsetter, initiating the vogue for bobbed hair and shorter skirts. Her chic wardrobe was supplied almost exclusively by the couturier "Lucile", (Lucy, Lady Duff-Gordon) but Irene also designed some of her clothes herself. After husband Vernon's death as a pilot during WWI, Irene starred solo in about a dozen silent films between 1917 and 1924 and appeared in several stage productions before retiring from show business. This very scarce stone litho one sheet features her in a wonderful art deco rendering featuring her famous "bobbed" hair. There are minor pinholes, minimal fold separations, small tears in the lower middle foldline, and a couple of small chips in the right bottom field. Beautiful color. Very Fine on Linen.
For the Soul of Rafael (Equity Pictures Corporation, 1920). One Sheet (27" X 41"). Marta Estevan (Clara Kimball Young), born and raised in a convent, has agreed to marry her guardian's son, Rafael. What she doesn't realize is that Rafael is a wild man, partying all the time. She also finds herself falling in love with an American who she took care of after he was wounded in an Indian attack. This one sheet from the silent era has fold separation with small paper loss and one larger edge chip. There are also a few small tears. All the flaws have been professionally restored and the poster has a nice clean appearance with beautiful stone lithograph artwork. Very Fine on Linen.
Someone to Love (Paramount, 1928). One Sheet (27" X 41") Style A. Charles "Buddy" Rogers and Mary Brian are the leads in this silent romance. This beautiful early Paramount full-bleed stone litho poster features a sensual portrait of the couple against a dark background, accentuating the vibrant color palette. There are chips out at the folds and other minor paper loss, along with crossfold separation, creasing from misfolding, pinholes at the corners, and an extra crease in the top center. A terrific poster for an extremely rare film. Fine.
The Mysterious Lady (MGM, 1928). One Sheet (27" X 41") Rotogravure Style. Greta Garbo was MGM's star of the first magnitude at the time Fred Niblo directed her in this romance with Conrad Nagel. The poster offered here is the subtle and evocative Rotogravure style which MGM did for many of their bigger productions. It has pinholes, fold wear with separations, and both sides have had about a half inch of the edge replaced. It has been mounted on linen and professionally restored. These posters are extremely rare as less were produced than the full color style, and were quite striking in their use of the sepia-toned photographic images. Fine on Linen.
Rent Free (Paramount, 1922). One Sheet (27" X 41"). Starving artist Wallace Reid (who is living on a rooftop!) helps a couple of waifs, Lila Lee and Gertrude Short, to take over the mansion of Lee's evil stepmother. Reid was a famous matinee idol who was featured in such classics as "Birth of a Nation," "Intolerance" and later his own starring vehicles. He died tragically at age 31 of a morphine addiction after being injured in a train wreck while making a film. This one sheet had enlarged pinholes, a hole in the area above Reid's head and one large hole in his right hand and small tears in the image area. The poster has been professionally mounted on linen and beautifully restored, so that it has a brand new appearance. A wonderful portrait of Reid, done in beautiful stone litho. Very Good/Fine on Linen.
The Off-Shore Pirate (Metro, 1921). One Sheet (27" X 41"). Looking at this splendid and quite rare silent one sheet you can almost hear the beautiful Viola Dana essaying the witty flapper Ardita's best line of the film...."All life is just a progression toward, and then a recession from, one phrase -- I love you." It was penned by a young F. Scott Fitzgerald in a story for The Saturday Evening Post in 1920 and who receives a credit on this poster. Here is everything you can expect from a top J.H. Tooker stone lithograph. A beautiful image of the starlet who was once romantically linked to the young star Buster Keaton. There was a mild extra horizontal fold in the middle foldline, mild fold wear, and a small tear in the lower left border. Minimal touch up has left the poster looking near mint. Very Fine+ on Linen.
My Friend the Devil (Fox, 1922). One Sheet (27" X 41"). Based on the novel "Doctor Rameau" by Georges Ohnet, this drama portrays a man (Ben Grauer) who sees his mother killed by lightning and becomes an atheist and proceeds to ruin the lives of everyone he loves including his wife and daughter. His wife dies tragically after having an affair with an artist and the protagonist is finally led back to a belief in God by the spirit of his dead wife. This spectacular stone litho one sheet has undergone professional restoration and linen backing to address some edge wear with corner and edge chips, and fold wear with tears and separations. It now presents extremely well, and we anticipate you'll have a Devil of a time finding another copy. Fine on Linen.
Big Timber (Paramount, 1917). One Sheet (27" X 41"). New York socialite Kathlyn Williams journeys to the tall timberland with her brother when he buys property there. Lumberjack Wallace Reid helps the pair get settled in their new life, and falls for Williams. When a rival lumber tycoon attempts to take their land, a climactic forest fire ensues. This poster has some minor fading, fold wear, torn corners, pinholes and wrinkling. Though the credit reads directed by William H. Taylor, the film was in fact directed by William Desmond Taylor, who was murdered in a notorious case in 1922. Charming stone litho art. Fine-.
Nurse Marjorie (Realart, 1920). One Sheet (27" X 41"). A stunning stone lithograph from 1920 film starring Mary Miles Minter, who was being groomed to be 'the next Mary Pickford." This gorgeous stone litho poster is from a film directed by William Taylor Desmond and the film is one of the very few surviving of Ms. Minter's entire filmography. In contrast to her delicate ingénue screen image, Mary was rather strong and intelligent, well read, and could even pilot an airplane, but she had to live under the domination of her stage mother, Charlotte Shelby, a frustrated actress who lived her own life's ambitions through Mary and her sister Margaret, and who managed Mary's career and personal life with an iron fist. While making films with director William Desmond Taylor at Realart Studios, Mary developed what was by all accounts a schoolgirl crush on the older director. When the director was found murdered in his home in 1922 (a crime that was never officially solved), Mary and her mother Charlotte initially came under suspicion as suspects, although they were both eventually cleared by the L.A. Police Department. However the publicity over the presence of a love note written by Mary to Taylor, and a supposed nightgown in his home embroidered with her name, doomed her career in the public's regard and affections. Much of the right border has chips including the upper right corner, a chip in the upper center border, and very minor chips in the crossfold around the facial area. Very Fine- on Linen.
The Ragged Heiress (Fox, 1922). One Sheet (27" X 41"). If art deco is "an elegant style of cool sophistication in architecture and applied arts", this beautifully drawn silent one sheet qualifies handily. Shirley Mason played a "Peg'o'my heart" character often in her films, and this was one of her best. She's a little rich girl abused for her fortune, stolen away by her nanny who truly loves her, only to return years later as a maid for the original abusers. It all ends well with her finally receiving her fortune, reflected here in this stunning poster. Professionally restored to address only pinholes, fold separations in the crosspoint folds, a small chip in the top left corner, and a 2" tear at the bottom of the portraiture, not affecting the art. Lovely muted pastel stone lithography by the Miner Company. Very Fine on Linen.
Sham (Paramount, 1921). One Sheet (27" X 41"). Style B. Ethel Clayton was a popular actress in the early days of cinema with nearly 200 films to her credit by the time of her last screen appearance, an uncredited role in 1947's "Perils of Pauline." She worked fairly steadily until the early 1940s, when her career began to slow down. In "Sham," Clayton plays a society woman who wants to marry the man she loves, but instead must consider marrying a wealthy man, as her father has died and she is left without money. This beautiful stone litho poster shows the normal fold wear with crossfold separation and chips at the centerfold, small tears at the upper fold, and a small hole at the top fold line. Additionally, there is a small hole at the top left and a small chip at the right border. Professional restoration has addressed these flaws, resulting in a very attractive poster. Fine/Very Fine on Linen.
Fury (First National, 1923). One Sheet (27" X 41"). Henry King directs this Richard Barthelmess vehicle about a guy named Boy who lives under the thumb of his demanding and bitter father. On his death bed, the father expresses a dying wish for his son to seek out the man who stole his wife, Boy's mother, and exact revenge. This evocative one sheet features a romantic portrait of Barthelmess, framed against a scene of the sea. There are minor holes in the borders, crossfold separations, and some very small holes in the field. A terrific poster from this silent film, and a great image of this Oscar-nominated matinee idol. The film was directed by the great Henry King, who would go on to make many silent and sound classics, working up to the early 1960s. Fine+ on Linen.
Oh, Doctor! (Universal, 1925). Window Card (14" X 22"). Reginald Denny stars as a hypochondriac who is soon to inherit a lot of money but thinks he will die before he can spend it. Mary Astor (in a very early role) plays a nurse who falls in love with him. This was later remade as "Whoopee" with Eddie Cantor. Great stone litho image of Denny on a motorcycle. Scuffing on bottom right and left borders, small corner bumps, small hole in bottom right and small tear on top border. Very Fine.
On Your Toes (Universal, 1927). One Sheet (27" X 41"). Reginald Denny is torn between his father's boxing profession and his grandmother's wish for him go into the ballet. When he follows his Dad into the ring, he has to persuade the other pugs to pose as dancers to fool his Granny. This one sheet has pinholes with minor corner and edge chips, smudges, and fold wear with separations. The poster has been mounted on linen and professionally restored. Beautiful stone litho artwork of the stars. Fine/Very Fine on Linen.
Love's Harvest (Fox, 1920). One Sheet (27" X 41"). Little Leonie Flugrath (Viola Dana's sister) changed her name to Shirley Mason and began making films at the tender age of 11. Learning her craft sometimes at the clip of 13 films a year, by 1920 she would get fewer, but better assignments. This is one of her best films. The story tells of a girl who upon her stepfather's death, her custody is willed to the stepfather's wealthy young nephew, Jim. When Jim, accompanied by his fiancée, visits his ward, Jane becomes so upset at their intrusion that she runs away to the city with her dog, Buddie. She is seen here in a beautiful and rare Minor stone litho training "Buddie the Dog." Professional restoration has addressed small border chips, a vertical tear in the top center field, and slight fold separations at the crosspoints. Excellent original color. Fine/Very Fineon Linen.
Wildfire (Theatrical Poster, c. 1906-1908). One Sheet (28" X 41"). This is an extremely rare theatrical poster for one of Lillian Russell's greatest stage hits. It would be filmed in 1915 by William A. Brady's World Pictures. Russell, one of the true celebrated beauties of the American stage, was almost as famous for her off-stage theatrics, with legendary affairs with 'Diamond' Jim Brady (40 years!) and Sandow the Strongman, to name only two. When Alexander Graham Bell introduced long distance telephone service on May 8th, 1890, her voice was the first carried over the line. Sports collectors will recognize the title. It became the nickname of the Chicago Cubs first MVP, slugging right fielder Frank Schulte, after he saw her in this play in Mississippi and was so impressed with it that he named on of his trotting horses "Wildfire." The sports writers picked the story up and called him "Wildfire" Schulte from that time on. The poster only has slight edge wear, a small chip in the lower left border, and a small punch mark in the forehead and the lower left. Beautiful stone litho with original color. Rolled, Very Fine+.
Wine (Universal, 1924). One Sheet (27" X 41"). Before Clara Bow's popularity soared in 1927 when she starred in her signature film, "It," becoming for all time the "It Girl," she appeared here in an early starring role. The poster for this prohibition melodrama features some fabulous jazz-age images, including party revellers looking down in glee at a bevy of chorus girls, dressed only in wooden barrels and undies. A great piece of prohibition fun, this poster is unusual and a definite rarity. There are only mild fold separations and a small chip in the centerpoint. Great color and excellent registration. Very Fine on Linen.
Wife Tamers (Pathe', 1926). Three Sheet (41" X 81"). Lionel Barrymore had an impressive filmography of over 100 movies under his belt by the time he made this comedy in 1926. The impressive character actor had a long career, stretching from the earliest days of motion pictures in 1908 until 1952, just two years before his death. This attractive one sheet, with its fun Jazz era graphics, shows minor fold wear and slight cross fold separation, along with some minor chipping at the folds. These issues have been addressed with professional restoration and linenbacking, resulting in a poster with a very clean appearance. Very Fine- on Linen.
The Pride of the Clan (Artcraft, 1917). Three Sheet (41" X 81"). One of the brightest stars of the silent age, Mary Pickford was, truly, "America's Sweetheart." Her marriage to Douglas Fairbanks in 1916 was the stuff of legend, and cemented her position as the "Queen of Hollywood." By 1917, when "Pride of the Clan" was made, Pickford was one of the nation's biggest stars, although many of her best roles were still ahead of her. The image presented on this glorious three sheet depicts a young woman who had the world at her feet, and whose star would only grow brighter in the years to come. In "Pride of the Clan," directed by frequent collaborator Maurice Tourneur, Mary plays Marget MacTavish, who assumes the role of clan leader when her father dies at sea. The film is lavish and lush, alternately amusing and heartwarming, and can be seen today as a precursor to such films as "Braveheart" and "Rob Roy." This gorgeous stone litho three sheet, the only one of its kind known to exist, displays some pinholes at the upper left, a slight tape lift and small holes at the lower right, and a small hole at the left border, as well as a small bit of paper loss in the "R" in "Pickford." A fairly sizable piece has been lost from the upper right solid color area, but this has been so expertly repaired as to be virtually unnoticeable. It should be noted that the image of Pickford is immaculate, making this a true prize for any collector of classic cinema. Fine/Very Fine on Linen.
Mary Pickford Portrait (Famous Players Film Corp, 1910s). Litho on Paper. (10.5" x 13.75"). At the height of her popularity, Mary Pickford was the reigning Queen of Hollywood and America's Sweetheart. A charming and delicate character on screen, she was a shrewd and determined businesswoman behind the cameras, the first woman in the film industry to actively take control of her burgeoning career. She's still remembered and revered today as one of the greatest actresses of the Silent Age. Although this charming portrait is undated, it's clear that it comes from the 1913-1919 period during which Mary was signed to Adolph Zukor's Famous Player's Film Co., a studio that would eventually evolve into today's Paramount. Mary quit Zukor in 1919 to found United Artists, along with fellow superstars Charlie Chaplin, Douglas Fairbanks, and D.W. Griffith. This litho is in excellent condition, with just some very minor overall wear keeping it from an even higher grade. Mint.
Way Down East (United Artists, 1920). Lobby Card (11" X 14"). Lillian Gish is winsome in this finely wrought melodrama from director D.W. Griffith, a huge hit in the silent era. This exceptional lobby card, featuring Gish and most of the supporting cast, has had some professional restoration, including chips from the corners replaced, and tack and pinholes repaired. There is some very minor edge wear. A lovely lobby from this highly-regarded silent film. Fine.
The Moonstone (World Film Corp., 1915). Window Card (14" X 22"). This striking and dramatic window card may, in fact, be the only one of its kind. Promoting the very first screen version of Wilkie Collins' classic novel of the same name, this early silent tells the story of the theft of a fabulous gem, the Moonstone of the title, and the efforts of Scotland Yard Inspector Charles Irwin to recover it. This piece has clearly been restored, as there is evidence of creasing and wrinkling throughout, as well as paint touchup, but the result is a beautiful copy of what may well be a unique piece of movie history. Fine+ on Cardstock.
The Last Command (Paramount, 1928). Window Card (14" X 22"). Emil Jannings won an Oscar for his performance in this magnificent silent film about a deposed Russian Czar hired by a former adversary (who is now a film director) to star in a movie about the Czar's own downfall. This beautiful stone-litho window card has a bold image of Jannings and an almost art-deco background. Condition includes some dirt along the top and bottom edges, slight blunting at the corners, and a streak of dirt in the top right corner. Vivid colors and a striking image make this card a treasure of the silent screen. Very Fine+.
On with the Dance (Paramount, 1920). Window Card (14" X 22"). Part tangled love story, part murder melodrama, this movie starred dancing sensation Mae Murray of "Ziegfeld Follies" fame. Murray would go on to star in hits such as "Peacock Alley" and with John Gilbert in the smash hit "The Merry Widow." This colorful piece has a bend and a tear in the top right corner, a small tear in the bottom right, and bumps to the corners. Some airbrushing can be seen on the right border and the bottom left corner. In spite of its flaws, this piece is an extremely attractive and rare early window card. Fine+ on Linen.
Smouldering Fires (Universal, 1925). Window Card (14" X 22"). Pauline Frederick and Laura La Plante were outstanding as two sisters in love with the same man in this top-notch silent drama. Malcolm McGregor played the object of their mutual affection. The lover's triangle is beautifully portrayed on this great stone litho window card. There is minor foxing on the edges of the bottom and right borders, light scuffing on the left side, and a small tear on the right border. Very Fine+.
Revenge (United Artists, 1928). Pre-War Belgian (24" X 33.5"). Another variation on "Taming of the Shrew," this stars the beautiful Mexican actress Dolores Del Rio as a feisty Hungarian woman kidnapped by a manly Hussar officer (Leroy Mason) who wants her for his wife. No surprise, the alluring Del Rio is the focus of this gorgeous stone litho poster. There are fold splits and wear, pencil marks in the upper left corner and a tax stamp. The film was most likely released in Belgium in the year 1932 as evidenced by the imprint area. Fine+.
Mary of the Movies (Columbia, 1923). Title Lobby Card (11" X 14") and Lobby Cards (4) (11" X 14"). Harry Cohn was a song-plugger from New York arriving in LA in 1920 to seek fame and fortune. Harry along with his brother, Jack, and Joe Brandt started a company, CBC Film Sales, located in the famous "Poverty Row" district. "Mary of the Movies" was one of the first films Cohn would executive produce, a move that would eventually lead to the formation of Columbia Studios. The girl on the title card is Marion Mack, the beautiful but brainless heroine of Buster Keaton's classic "The General." These stunning cards are right out of the wrapper, with only a hint of border smudge and corner bump. The actual film strip logo on the sides of the scene cards is surely one of the first uses of this technique. This is a really unique find for any fan of silent films. Near Mint.
The Monkey Talks (Fox, 1927). Lobby Card (11" X 14"). This was one of the silent era's most unusual dramas. A diminutive acrobat (Jacques Lerner) poses as a talking monkey and becomes the sensation of Paris. Then both he and his supposed trainer (Don Alvarado) fall in love with Olive Borden, a tightrope walker (pictured on this lobby card). Directed by Raoul Walsh. Very light smudging on the borders and one staple hole on the left corner are the only defects on this beautiful hand-tinted card. Great circus graphics make up the border art. Incidentally, the amazing monkey makeup was by famed makeup man Jack Pierce, whose personal photo collection is featured in this auction. This card is from an important film from the silent era. Very Fine.
Camille (First National, 1926). Jumbo Lobby Card (14" X 17"). Of all the silent adaptations of Alexander Dumas' famous novel, this was by far the most popular. Starring Norma Talmadge at the peak of her popularity - sadly, the coming of sound and her inability to adapt to the new medium would spell the end of her career just a few years later - this is the story of a Parisian courtesan who finds love with a wealthy aristocrat. Sadly, their stations in life keep them apart until, like so many heroines of the day, she succumbs to "consumption" and dies. Currently lost, this was one of Talmadge's last films, represented here in an exquisite jumbo lobby card. There are two binder holes in the left edge, and very tiny corner bumps in three corners, none of which truly detract from this sumptuous image of Talmadge at her very best. Very Fine-.
Buffalo Bill and San Juan Hill (Theatrical Poster, 1902). One Sheet (28" x 42"). There's very little known about this gorgeous stone litho one sheet. We can deduce that it was used to promote William "Buffalo Bill" Cody's stage show, and that the story of Buffalo Bill and San Juan Hill - there is, of course, no evidence that Cody was anywhere near San Juan in 1898, but why let a little thing like facts get in the way of a legend? - was one of the plays produced by the "Buffalo Bill Combination" (the name was later changed to "Buffalo Bill's Wild West and Congress of Rough Riders of the World"), a troupe that toured the US, regaling audiences with stories of the great frontiersman, from about 1893 to 1903. By 1902, the story of the 1898 Battle of San Juan Hill, the bloodiest and most famous battle of the Spanish-American War which included Theodore Roosevelt's glorious charge up Kettle Hill, was the stuff of legends. In the wake of the battle, Roosevelt would parlay his fame and renown into a successful run for Vice-President in 1900 under William McKinley, becoming the youngest president in US history upon McKinley's assassination in 1901. Meanwhile, Cody would keep the memory of Roosevelt's historic charge, and that of the Rough Riders who accompanied him, alive in shows such as this. Although a certain number of posters promoting "Buffalo Bill's Wild West" seem to have survived, one sheet-sized posters touting his stage shows are far rarer. This poster presents a glorious image - is that Roosevelt carrying the flag up the hill? - and is in remarkable condition. The borders have been the subject of a fair amount of repair work, and the typical fold wear and crossfold separations are evident. Additionally, the words "Printed in the United States of America" have been lightly rubber stamped near the bottom of the image. These are minor considerations, however, for what is clearly an incredibly rare and exceptionally desirable poster. Fine/Very Fine on Linen.
Adventures of Buffalo Bill (Essanay, 1917). One Sheet (27" X 41"). George Spoor and film's first Cowboy star, 'Bronco Billy' Anderson produced over 1400 films during their ten year run as one of the top film production companies in the world. They used many of the great early stars, Chaplin, Turpin, etc. Though prolific, Essanay posters remain incredibly elusive for the collector. This lot contains one of the finest and rarest we've seen. It's a wonderful portrait of the real Buffalo Bill Cody, here promoting a documentary about his life. Excellent restoration work to repair trimmed borders, a vertical tear in the lower left bottom field, and fold separations with small chips on the fold lines. Great stone lithography pastel gradations and bright color. Fine+ on Linen.
The Covered Wagon (Paramount, 1923). One Sheet (27" X 41") Style C. One of the first truly spectacular Western epics ever committed to film, "The Covered Wagon" tells the story of a hearty band of pioneers crossing the open plains, and the challenges and dangers they face along the way. This film starred J. William Kerrigan in one of the last films of his career, as well as erstwhile character actor Alan Hale, better known as Errol Flynn's sidekick. There were three style one sheets produced for this very famous film and this is the best of all the three styles. The poster offered here appears to never have been folded, showing evidence of some very small tears and pinholes in the field, and edge tears. The bottom left corner has been reattached, and a small bit of the right corner has been replaced. Additionally, a piece is missing from the right border, extending into the yellow image area by about an inch. An excellent job of professional restoration has minimized all these issues, resulting in a very attractive poster that will display quite nicely. Fine+ on Linen.
The Passing of Wolf MacLean (Usla, 1924). One Sheet (27" X 41"). Jack Meehan stars as the stranger who is accused of murder during a bar fight. He is almost strung up before his innocence is established by a twist at the end. This one sheet has corner creases, light edge wear with small tears and wrinkling, and one pinhole in the title. There is a single light horizontal fold in the middle of the poster. The beauty of stone litho artwork and the subtle color gradations are obvious in this gorgeous poster. Very Fine+.
Pioneer Trails (Vitagraph, 1929). Lobby Card Set of 8 (11" X 14"). Plains (Cullen Landis) is the orphaned survivor of an Indian massacre, raised by kindly folk into a fine young man. When Plains rescues a group of travelers from a runaway coach, he falls hard for pretty Rose (Alice Calhoun), but her fiancee frames Plains for murder. This outstanding lobby card set has a very interesting design, incorporating Native American iconography with the usual photographic elements. The condition on this set is stellar, with some minor discoloration on the title card and very slight blunting on a few corners being the only issues. Near Mint-.
On the Border (Warner Brothers, 1930). One Sheet (27" X 41"). In September 1918. U.S. Air Corps Corporal Lee Duncan discovered a half-starved dog and her five puppies in a blasted dug-out on the battlefields of France. Duncan took two of the puppies back to the USA, but unfortunately, only one survived the journey. Duncan named the dog Rin Tin Tin, a sobriquet that would soon be known far and wide. The "Wonder Dog," as he was often called, reportedly saved Warner Brothers from bankruptcy. At the peak of his popularity, Warners maintained 18 trained stand-ins to reduce any stress on their dog star, while providing Rinty with a private chef who prepared daily lunches of tenderloin steak (consumed as live classical music was played to help ease the dog's digestion). This gorgeous poster is the best Rin Tin Tin one sheet we have ever seen. The story of the film deals with a couple of border patrolmen who uncover a smuggling ring near the Mexican border in which illegal Chinese immigrants are brought into the country. The ranch they use in the operation is run by an innocent and unknowing older man and his dog. Of course, the dog turns out to be the hero. This sheet had some paper loss throughout the vertical fold. There was some chipping in the upper title area as well as in Rinty's face and into the lower title area. The restoration was done flawlessly and the poster now appears near mint. Fine- on Linen.
In Old Arizona (Fox, 1929). Japanese Poster (11.75" X 23.75"). The first Western with sound and the first film to use recorded sound on location was this tale of O. Henry's Cisco Kid starring Warner Baxter. Director Raoul Walsh had planned to direct and co-star (in Edmund Lowe's part), but had to give up both roles in the film when a jackrabbit jumped through the windshield of his car, putting out one of his eyes. This Japanese poster has pinholes, small edge tears, tape scuffs, and creases. The poster has been mounted on linen and professionally restored. The film posters from Japan's pre-WWII history are as scarce as they can be! War, earthquakes, and paper shortages, not to mention the small print run of these posters, make them virtually nonexistent. Very Fine on Linen.
The Cisco Kid (Fox, 1931). Lobby Card (11" X 14"). Warner Baxter won the second Best Actor Oscar playing the Cisco Kid in 1928's "In Old Arizona." Here, Baxter plays the Kid for the second time. He would go on to play the part a final time in 1939's "The Return of the Cisco Kid." This gorgeous lobby card has only the slightest of edge wear. Vibrant color enhances the beautiful shot of Baxter and Conchita Montenegro. Near Mint.
Cimarron (RKO, 1931). Lobby Card (11" X 14"). The first Western to win the Best Picture Oscar (and for almost sixty years, the only one) was this tale of the Oklahoma land rush starring Richard Dix and Irene Dunne. Released during the worst of the Depression, the film was perhaps the only Best Picture winner to lose money on its first release. This lobby card has slight corner bumps and a small border stain. Beautiful color on the nice shot of the two stars. Near Mint-.
Massacre (First National, 1934). One Sheet (27" X 41"). This was one of the first major Hollywood films to seriously address America's ongoing mistreatment of its Native American population. Richard Barthelmess stars as Joe Thunder Horse, an "assimilated" college-educated Sioux Indian. Upon the death of his father, who was the tribal chief, Joe returns to the reservation of his youth, only to discover that his people are dying of various diseases and are being systematically cheated of their possessions and basic rights by crooked Indian agents. He heads to Washington in hopes of righting these wrongs, only to experience racial prejudice and hatred all along the way. This poster features vividly colorful stone litho graphics. There are pinholes along the borders, a crossfold separation on the bottom fold, and light fold wear. The linen backing has been trimmed to the poster's borders. Very Fine+ on Linen.
West of the Pecos (RKO, 1935). Insert (14" X 36"). Richard Dix is Pecos Smith, a rough and tumble cowboy who has to defend himself against charges of cattle rustling. Between fighting off hostile Indians and fistfighting his archrival Fred Kohler, Dix finds time to romance Martha Sleeper on their travels to the West. This insert has smudges and stains on the border that extend into the image, very light fold wear, and a dust shadow on the upper border. There are two Dutch censor stamps on the background. Exciting artwork of Dix. Fine+.
The Texans (Paramount, 1938). Mini Window Card (8" X 14"). After the Civil War, Randolph Scott, Joan Bennett and May Robson are among the Texans who must decide between keeping the fires of the Confederacy alive or following the ideals of a new, undivided Union. As the stars drive a cattle herd to Abilene, opinions and emotions run high. This midget window card has corner creases and bumps, small stains, and a corner chip. There is a theater snipe and two pinholes in the imprint area. A dramatic shot of the three stars. From the Collection of Denver Sherry. Fine/Very Fine.
Carson City (Warner Brothers, 1952). Italian 2 - Folio (39" X 55"). "Nevada Express" was the Italian release title for this Randolph Scott Western, in which Scott plays a railroad engineer intent on building a train line and opposing the local criminal element. This was a later movie in Scott's filmography, and certainly one of his better efforts. The exciting poster offered here shows a train robbery in progress, and displays evidence of only the slightest flaws, including some fold wear and light crossfold separation, as well as a tiny hole in the left border. Professional restoration and linenbacking has resulted in a poster with a truly pristine appearance. Beautiful Luigi Martinati artwork graces this fabulous poster. Very Fine+ on Linen.
Union Pacific (Paramount, 1939). One Sheet (27" X 41"). The building of the Transcontinental railroad is the backdrop of this epic Western directed by Cecil B. DeMille. Joel McCrea stars as a troubleshooter dealing with corruption and violence as the railroad pushes toward California, with Barbara Stanwyck as the love interest, a pretty postal mistress with a questionable Irish accent. Brian Donlevy is the villain, while Robert Preston and Anthony Quinn show up in early roles as well. This colorful poster has a great image of the train plus nice portraits of the cast. This lovely poster has a small missing top left corner, minor edge tears, slight paper loss in the folds, and the usual pinholes. These problems have been addressed with excellent professional restoration, and the poster presents beautifully with vibrant colors. Fine+ on Linen.
Wagon Master (RKO, 1950). One Sheet (27" X 41"). With terrific character actors under the direction of the great John Ford, "Wagon Master" proved a popular enough story to inspire the long-running TV show "Wagon Train" seven years later. The poster has pinholes and minor fold separations. There are small chips out of the borders, and a small piece in the upper right corner border area has been replaced. The pinholes and chips have been retouched in an older restoration, as well as small areas of the title letters. Mounted on linen and trimmed to the poster's edges, the artwork is replete with great Western action scenes. Fine+ on Linen.
Law and Order (Universal International, 1953). Lobby Card Set of 8 (11" X 14"). Haunted by a woman's scarlet lips! Hated by the brother who called him coward! Hunted by the man with the iron fist! Need we say more? This B-Western favorite features future Commander in Chief Ronald Reagan as gunslinger Frame Johnson and blonde bombshell Dorothy Malone in a rare brunette role. This rowdy lobby set features the President on six of the eight cards, and plenty of sagebrush action. The #8 card has a hard crease on the right side, and other cards have light border creasing and some very minor stains, but overall this is a very sharp set with no pinholes and great color. Very Fine-.
The Lone Ranger (Warner Brothers, 1956). One Sheet (27" X 41"). Adapted from the television series of the same name, this was the first of two films starring Clayton Moore as the Masked Rider of the Plains and Jay Silverheels as his faithful Indian sidekick, Tonto. In this one, a land baron is fomenting an Indian war, and our heroes have to find out why so they can stop him. This dramatic one sheet has one tiny edge tear, and very light fold wear. The poster has been mounted on linen and professionally restored, making it one of the cleanest copies of this title we've ever seen, with its bold, bright colors. Very Fine+ on Linen.
Davy Crockett, King of the Wild Frontier (Buena Vista, 1955). Six Sheet (73.25" X 74.25"). If you grew up during the 1950s or 60s, you certainly knew the legend of Davy Crockett, "The King of the Wild Frontier," as brought to glorious life by the inimitable Fess Parker. With his coonskin cap and his buckskin coat, Davy was an icon of action and adventure, the hero of boys all around the world. This movie was a compilation of several TV episodes, and ignited the coonskin cap craze that swept the nation shortly after its release. The beautiful six sheet offered here has pinholes in the borders and corners, minor edge wear, a tear in the credits, fold wear with some paper loss, and some smudging in the white field. All of these issues have been addressed with professional restoration, resulting in a very clean and attractive poster. Fine/Very Fine on Linen.
Belle Starr (20th Century Fox, 1941). One Sheet (27" X 41"). After the Civil War, Southern "Belle" (Gene Tierney) moves to Missouri to continue her fight against the Yankees. She meets and marries Rebel guerilla Randolph Scott, and aids in his battles. This one sheet has enlarged pinholes, edge wear and tears with chips, and fold wear with tears and chips. There are stains, and a few holes and tears in the image area. The poster has been mounted on linen and professionally restored, giving it a very clean appearance. Beautiful artwork of the two stars. Very Good on Linen.
The Outlaw (RKO, R-1950). Australian Daybill (13" X 30"). The film that began the long process that eventually broke the back of the Hays Office censorship was filmed in 1941, but because of conflicts with the Production Code was not widely released until five years later. Jane Russell made her screen debut after Howard Hughes discovered her working as a receptionist at his dentist's office. This Australian daybill has very light edge and fold wear with corner bumps and printing smudges. The beautiful stone litho artwork of Russell gives an idea of what all the fuss was about back then. Near Mint.
The Outlaw (United Artists, 1950s). Post-War Japanese B2 (20" X 29"). We don't remember Jane Russell showing this much of the goods in Howard Hughes' 1943 western, but we're perfectly happy to give the poster the once-over all the same! No doubt, Russell's steaming sexuality was certainly the most memorable element of this routine oater, one of only two films directed by the eccentric millionaire. This extra-sexy Japanese B2 from the 1950s (first release there after the war) is in superb condition, the main problem being a line of discoloration/water damage along the left edge and a very soft rolling crease. But these are scarcely noticeable with Russell's assets on display. A must-have for fans of this title, or just fans of great-looking women. Rolled, Very Fine.
Broken Arrow (20th Century Fox, 1950). One Sheet (27" X 41"). James Stewart stars in this unconventional Western that portrays Native Americans in a sympathetic light. This poster had minor paper loss at the folds. There was a tear in the top right corner of the image, and a tear in the left border. These defects have been addressed through professional restoration leaving a beautiful poster that is ready to display. Fine- on Linen.
Shane (Paramount, 1953). One Sheet (27" X 41"). George Stevens crafted this iconic Western like no other, with Alan Ladd, the mysterious Shane, fighting reluctantly for the rights of the common man. Jack Palance shines as the snarling gunfighter who takes on Shane. This true Western classic closes with one of the best ending lines in cinema history, the now-legendary "Come back, Shane... Mother wants you...," echoing endlessly in the mountains into which Shane disappears. There is only minor fold wear with minor separations, and a small tear in the centerfold. Great color and top notch linen-backing ensure this scarce one sheet will be enjoyed by future generations. Fine/Very Fine on Linen.
Shane (Paramount, 1953). Half Sheet (22" X 28") Style A. The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic. This lot offers the Style A half sheet with great artwork depicting the famous 'stump pulling' scene with Alan Ladd and Van Heflin working together, with Jean Arthur, the dutiful wife who is reluctantly drawn to Ladd, looking on. There has been excellent restoration for only minor fold separations and a small chip in the crossfold centerpoint. There are pinholes in the corners and field, and slight edge wear with tiny tears and chips in the borders. Terrific color. Very Fine+ on Paper.
Shane (Paramount, 1953). Half Sheet (22" X 28") Style B. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. This is the scarcer Style B half sheet with great portrait artwork of all five of the stars of the film. Restoration has been done for foldline separations with small chips, a tear in the top left border, pinholes, and minor edge wear with soiling. Fine+ on Paper.
The Magnificent Seven (United Artists, 1960). Half Sheet (22" X 28") Style B. A Western remake of Akira Kurosawa's landmark classic, "The Seven Samurai," this magnificent film tells the story of seven gunslingers who unite to protect a small town from desperados. The star-studded cast, including Yul Brenner, Eli Wallach, Steve McQueen (who so desperately wanted to be in this film that he staged an auto accident to get time off from his TV series, "Wanted: Dead or Alive"), Charles Bronson, Robert Vaughn, and James Coburn, was one of the best assembled for any film, before or since, making this movie a true classic in every sense of the word. The Style B half sheet offered here shows some fold wear with separation, a few small stains in the right border, and a bit of foxing. Other than these slight issues, it is in very nice condition and presents quite well. Very Fine-.
The Magnificent Seven (United Artists, 1960). Japanese B2 (20" X 29"). John Sturges directs Yul Brynner, Steve McQueen and Eli Wallach in this superb Western adaptation of Akira Kurosawa's 1954 classic, "The Seven Samurai." This colorful and dramatic Japanese poster has been folded and there is a bit of wrinkling in the borders but the colors and image remain very strong lending this poster a high degree of eye appeal. Very Fine+.
The Magnificent Seven (United Artists, 1960). One Sheet (27" X 41"). A legendary tough guy cast includes Yul Brynner, Eli Wallach, Charles Bronson, and Steve McQueen in a sagebrush adaptation of Akira Kurosawa's legendary classic, "The Seven Samurai." Brynner would later reprise this role (sort of) in the science fiction film "Westworld." A very clean example of this great sheet, with minor border tears, pinholes with tears, staple holes in the field, pinpoint crossfold separations, and a smudge in the lower right border. A very attractive poster for one of the great Westerns of all time! Very Fine.
A Fistful of Dollars (United Artists, 1967). Japanese B2 (20" X 29"). Clint Eastwood was the fifth choice for the Man With No Name, the role that made him famous. Eastwood got his chance after Henry Fonda, James Coburn, Charles Bronson and even sword-and-sandals star Richard Harrison didn't work out. This rolled Japanese B2 has a couple of very light horizontal bends. The hanging tree pictured on the poster was spotted by director Sergio Leone and transplanted to the filming site. This is a very scarce Japanese poster for this classic film. Rolled, Very Fine/Near Mint.
A Fistful of Dollars (United Artists, 1967). Lobby Card Set of 8 (11" X 14"). Eastwood. Leone. Morricone. The holy trinity of Spaghetti Westerns join forces for the first time to produce the debut "Man With No Name" film, and change the face of Westerns forever. For Clint Eastwood, the film was a lark, a free trip to Italy, and its international success took him completely by surprise. This superb lobby card set features Eastwood on five cards, but all are action-packed and evocative of the film. A bend in the top left corner, some light edge wear, and one card with light foxing are the only issues; overall these boast great color and a sharp appearance. The sets from this film has been known to show up as a second printing or knock-off. This set is the original first printing and came from a reliable source. Very Fine+.
A Fistful of Dollars (United Artists, 1967). Three Sheet (41" X 81"). The first in Sergio Leone's "Spaghetti Western" trilogy would introduce Clint Eastwood to the world as "The Man With No Name." Ennio Morricone's elegant score would set the tone for the film and make this Western adaptation of Akira Kurosawa's "Yojimbo" an instant classic. Posters for these films are highly collectible, and this three sheet is a scarce format on the title. Excellent minimal restoration for pinholes and minor fold separations. Very Fine+ on Linen.
For a Few Dollars More (United Artists, 1967). One Sheet (27" X 41"). The second film in the Sergio Leone/Clint Eastwood "Man with No Name" trilogy is the most violent of the three. Lee Van Cleef and Klaus Kinski lend sterling support to Eastwood, and Ennio Morricone once again provides the memorable score. This superb poster features an iconic image of Eastwood, plus plenty of sex and violence. A gorgeous copy of this tough-to-find poster, this has some pinholes in the field, light corner creases, one tiny edge tear, and some light staining in the borders. A spaghetti Western classic! Very Fine.
Hang 'Em High (United Artists, 1968). Three Sheet (41" X 81"). They don't come much tougher than Clint Eastwood. In this solid Western, Clint plays a man who is wrongly convicted - and hanged - for a crime he didn't commit. He survives the lynching, however, vowing to track down the men that did him wrong and bring them to justice. Boasting a stellar cast, including Alan Hale Jr., Pat Hingle, Ed Begley Sr., Dennis Hopper, and Bruce Dern, this is an action-packed movie from beginning to end, showcasing the talents of a young and already powerful Eastwood. This three sheet has multiple pinholes in the corners, and a pinhole with a tear in the right border. There's some light staining in evidence, as well as some fold wear and minor crossfold separation. The bottom border has been folded down, resulting in some tearing, and there's a small tear in the center of the image. In spite of these small flaws, this is a very attractive and very desirable poster. Fine/Very Fine.
Paint Your Wagon (Paramount, 1969). Posters (6) (24" X 36"). This lot consists of all six posters created by Pop Art legend Peter Max for the Clint Eastwood musical. Max was one of the most influential designers of the 1960's with his work leading the psychedelic movement. They are a time capsule for the era, depict the style that make his art both iconic and symbolic of the era. These posters, which bear little resemblance to the Western they were promoting, were released in conjunction with the film and were available to theatres on a special order from the studio, however, they are extremely scarce and almost never surface as a complete set. Most exhibit minor toning and tiny tears on the edges and minor crimps within the images. Very Fine.
The Outlaw Josey Wales (Warner Brothers, 1976). Half Sheet (22" X 28"). Clint Eastwood delivers a masterful performance a peaceful farmer whose life is shattered by post-Civil War Union troops. His quest for revenge leaves a trail of blood and destruction across Missouri. Eastwood also directs this film which is based on the real life of Bill Wilson, a Missouri folk hero of the Civil War. This posters has wrinkling in the top and bottom borders. There is a slight vertical crease through the left side of the image running through the horse but the artwork remains very clean. The artwork on this half sheet is considered the best artwork for the domestic release of this film! Rolled, Very Fine.
Once Upon A Time in the West (Paramount, 1969). One Sheet (27" X 41"). Sergio Leone's masterpiece, one of the greatest Westerns ever filmed, is a pean to the American West, with a stellar cast that includes Henry Fonda (reportedly, his favorite role), Jason Robards, Charles Bronson, Jack Elam, Keenan Wynn, and Woody Strode. This beautiful poster is in excellent condition, with crossfold separations, some minor edge wear, and a small punch-hole in the top center. A stunning image from Leone's epic masterwork, and one of the best copies of this poster we've yet offered. Very Fine+.
Butch Cassidy and the Sundance Kid (20th Century Fox, 1969). Japanese B2 (20" X 29"). George Roy Hill's Western classic stars Paul Newman and Robert Redford as the two outlaw leaders of the "Hole in the Wall Gang." This was one of the best pictures of the 1960s, and has remained a fan favorite since its initial release. Here's what many consider the best graphically designed poster on the title, the original Japanese B2. It features large, beautifully colored headshots of the three stars. Rolled, Very Fine+.
The Wild Bunch (Warner Brothers, 1969). Lobby Card Set of 8 (11" X 14"). Legend has it that when asked what his next project was, director Sam Peckinpah quipped, "We're gonna go shoot up Mexico, and tear the floor outta hell..." And that's exactly what he did. The picture remains a legend in the history of the Western as William Holden, Edmund O'Brien, Robert Ryan, Warren Oates, Ernest Borgnine, and Ben Johnson used everything from Gatling guns, dynamite, six-shooters and shotguns to decimate an army in a small Mexican village. To many, the brilliant editing of the balletic final deaths of the "Bunch" has never been topped. This lot offers a much sought complete lobby set with only minor corner bumps and tiny creases, minor surface abrasions, and creasing and border stains in card #6. Fine/Very Fine.
The Treasure of the Sierra Madre (Warner Brothers, R-1950s). German A1 (23" X 33"). "Badges? We ain't got no badges! I don't have to show you any stinking badges!" John Huston's legendary adventure film won three Oscars, and features Humphrey Bogart and Tim Holt in search of Mexican gold. Huston's father Walter steals the show, and won an Academy Award for his memorable performance. This splendid German A1 poster has gritty, unusual artwork by Rolf Goetze, the artist of the original "Metropolis" German poster. In beautiful condition, this has one tiny edge nick in the lower left and minor edge crimps at the bottom. A Bogie fan can't do much better than this! Near Mint.
The Treasure of the Sierra Madre (Warner Brothers, R-1952). French Grande (47" X 63"). Humphrey Bogart received an Oscar nomination for his role as Fred C. Dobbs, the prospector who succumbs to the ravages of greed, in this classic Western. Although this poster is from the 1952 re-issue of the film, it is still considered one of the best Bogart graphics ever created, with artwork by Ferracci. This French Grande has crossfold separations, a 7" fold separation at the top left, and light fold wear. A spectacular image, sure to please any Bogie fanatic. Fine/Very Fine.
The Oklahoma Kid (Warner Brothers, 1939). French Grande (47" X 63"). James Cagney and Humphrey Bogart put aside their city attire for ten gallon hats and chaps in this, a very atypical movie for either actor. Taking their tough guy personas to the open plains resulted in an excellent movie, as Cagney sets out to gain revenge on the villainous Bogart, the man who framed and murdered his father. This original release French poster features a stunning full-length portrait of Cagney facing down a posse of low-down owl hoots, and shows evidence of only minor flaws, including small pinholes at the borders and corners, fold wear with light crossfold separation and some chipping at the fold line. Professional restoration has addressed these concerns, resulting in a very attractive and desirable poster. Very Fine on Linen.
Virginia City (Warner Brothers, c. 1946). First Post-War Belgian (11.5" X 16.5"). Easily a project with one of the best back-stories in film history; Flynn hated Curtiz... Curtiz hated Flynn... and Bogart didn't like either Flynn or Randolph Scott!! But in true Hollywood tradition, not even a miscast Miriam Hopkins and Bogart with a bad Mexican accent would keep this from being one of Warner Brothers' most successful films of the year. Originally cast as the protagonist, a sympathetic Southern officer, Flynn became quite frustrated as he was forced to change to Northern officer antagonist almost as the film was being shot! This gorgeous poster with a great art image of Flynn and Hopkins was translated to "The Heroic Caravan," since "Virginia City" would have little meaning for a European audience. The poster has been trimmed in the imprint area not affecting the poster art. There is a snipe residue easily floated off, and some mild border smudge. Great color. Fine.
Virginia City (Warner Brothers, 1940). Insert (14" X 36"). Michael Curtiz directed this epic Civil War story with an all-star cast that includes Errol Flynn, Miriam Hopkins, Randolph Scott, and Humphrey Bogart as a Mexican bandit! This colorful insert was printed on linen paper, and has been paper-backed as well. The poster has the top right corner missing, a tear at the top center fold, and a tear along the lower right side, and two tears in the bottom border. The poster shows signs of slight mis-registration. See some stars with this outstanding poster! Fine on Paper.
Virginia City (Warner Brothers, 1940). Lobby Card (11" X 14"). This is the only scene card from the set to depict Humphrey Bogart as a Mexican bandit trying to capture a gold shipment destined for the South during the Civil War. It was unlikely casting as Bogart had to pull off a Mexican accent with Brooklyn undertones. This card is very scarce and highly sought after by Bogart fans. The card has some very minor wear to the corners. Very Fine+.
Virginia City (Warner Brothers, 1940). Title Lobby Card (11" X 14"). Director Michael Curtiz brought his usual flair for dramatic action to this Western set during the American Civil War. Errol Flynn starred as a Union officer trying to stop a gold shipment to the South. Randolph Scott portrayed the Confederate agent trying to get the gold to its destination, and Humphrey Bogart appeared as a Mexican Bandito trying to capture the gold for himself. This card has one pinhole in each of the upper corners and some slight stress lines and wear to the corners. Very Fine.
Virginia City (Warner Brothers, 1940). Lobby Cards (2) (11" X 14"). This lot consists of two lobby cards from this great Western. The card featuring Errol Flynn, Randolph Scott and Miriam Hopkins shows very minor wear to the corners, primarily a crease in the upper left. The card with Hopkins has a tear in the upper border and some creasing in the upper right corner. Very Fine-.
Virginia City (Warner Brothers, 1940). Lobby Cards (2) (11" X 14"). This lot consists of two lobby cards, each features all three of the film's leads: Errol Flynn, Randolph Scott and Miriam Hopkins. The scene with everyone at the bar has a one inch tear in the upper border and a half inch tear in the lower border. The card where Randolph Scott lies wounded has a chip in the upper right corner and some light wear to the other corners. Very Fine.
Virginia City (Warner Brothers, 1940). Lobby Cards (2) (11" X 14"). Here are two lobby cards from one of Errol Flynn's best Westerns. The portrait card with Flynn and Miriam Hopkins shows minimal wear to the corners and a hard stress line in the upper left corner. The scene with Confederate spy Hopkins on the bar has a tear in the upper border and some minor wear in the corners. Fine.
Dodge City (Warner Brothers, 1938). Half Sheet (22" X 28") Style B. This was Errol Flynn's first of eight great Westerns and one of the first to be filmed in Technicolor. This incredibly rare Style B half sheet, printed on linen paper, features great portraits of the stellar cast Warner's assembled. Ann Sheridan in one of the best posters of her career, appears full-length and has the entire right side to herself, while no fewer than seven (including Flynn) share space in the left margin. Flynn's Prussian Blue shirt hints at just how well Warners used the new color process. Professional paperbacking and restoration has rendered the poster ready to display. There were pinholes, slight edge wear with small border tears, small chips in the upper right and top center borders, small centerpoint separation, a corner chip in the lower left, and mild creases in the top and bottom borders. Very Fine on Paper.
They Died With Their Boots On (Warner Brothers, 1946). First Post-War Release French Petite (23.5" X 31.5"). Errol Flynn and Olivia de Havilland star in this dramatization about the life and death of General George Armstrong Custer. Warner Brothers took great liberties with the facts while making this production, but no one seemed to notice, as the film was a huge success at the box office. This fantastic French petite poster has four great images of Flynn inset in a wonderfully drawn symbolistic artwork of an Indian and his horse. There are small tears in the upper corners, pinholes, minor fold separations, and small dot chips in the lower left fold line. Very Fine- on Linen.
Dawn Patrol (Warner Brothers, 1938). Insert (14" X 36"). Errol Flynn, David Niven and Basil Rathbone star in this remake of Howard Hawks homage to the British pilots who suffered heavy losses during World War I. Needless to say, this insert is particularly scarce and displays beautifully with very minor color touch to the fold lines, a slight crease in the lower right corner and some minor flaking on the edges, typical of linen finish inserts. The one sheet to this title does come up for sale but this is the first insert we have ever sold! Very Fine on Paper.
Another Dawn (Warner Brothers, 1937). Half Sheet (22" X 28"). Errol Flynn gets the girl again in this torrid love story involving two very proper and gallant British Army officers and the woman they both love. The title of the movie was something of an inside joke at Warner Brothers: whenever a movie poster or marquee was shown in a WB movie, it always bore the fictional title, "Another Dawn." When the studio actually decided to use that tile for this film, they had to find another phony moniker to use in future movies. This beautiful and evocative half sheet features lovely portraits of stars Flynn and Kay Francis. Never folded, it shows small tears and chipping all around the border, a tiny hole in the "N" in "Dawn," a small stain on Francis's neck, and another small stain on Flynn's ear. None of these issues are readily apparent, however, having been repaired with professional restoration and paperbacking. Very Good/Fine on Paper.
Edge of Darkness (Warner Brothers, 1943). Mini Window Card (8" X 14"). Errol Flynn stars alongside the "Ooomph Girl" herself, Ann Sheridan, in this war-time drama about freedom fighters in occupied Norway. Most of the Warner Brothers posters in this era are printed in duo-tone, but this midget card provides exceptional color and is certainly one of the best posters printed on this film. This card has a staple mark in the upper left corner and a slight tanning in the imprint area where another card was sitting on it at one time. From the Collection of Denver Sherry. Very Fine+.
Footsteps in the Dark (Warner Brothers, 1941). One Sheet (27" X 41"). Errol Flynn portrays a wealthy investment counselor who secretly doubles as a detective to gain firsthand knowledge so that he can write mystery novels. Brenda Marshall plays his wife, who starts to suspect Flynn of having an affair, because he's always out late pursuing leads. The film was based, in small part, on the same theme as MGM's popular "Thin Man" series. There is a tear in Flynn's shoulder, a hole in Brenda Marshall's neck, and pinholes in the corners. Tape stains and double folds are present at the fold lines. Professional restoration has left the poster with a clean, displayable image. Fine- on Linen.
Don't Bet on Blondes (Warner Brothers, 1935). Mini Window Card (8" X 14"). Gambler Warren William sets up a scam when he insures that Claire Dodd won't get married and cut off the allowance of her father, Guy Kibbee. What places this film in cinema history is that this is the very first time that up-and-coming hopeful Errol Flynn had a speaking part at Warner Brothers. This midget window card has a corner crease, and a few smudges. Wonderful artwork of William and Dodd, with bold, bright color. From the Collection of Denver Sherry. Very Fine+.
Green Light (Warner Brothers, 1937). Mini Window Card (8" X 14"). After two swashbucklers, Errol Flynn wanted a role with more substance -- something like Dr. Newell Paige, a surgeon who takes the professional fall for older doctor Henry O'Neill's fatal mistake. Flynn gains redemption by testing a spotted fever vaccine on himself, an act that reunites him with his fiancee, Anita Louise. This midget window card has a corner chip, light staining, and a theater stamp in the imprint area. There is edge wear and tears with chips and holes on the upper border, where the card was placed in a scrapbook. Gorgeous artwork of the three stars. From the Collection of Denver Sherry. Fine-.
The Prince and the Pauper (Warner Brothers, 1937). Mini Window Card (8" X 14"). Errol Flynn has top billing, but the stars in the title roles are the Mauch twins, Billy and Bobby. Adapted from a Mark Twain story, the film shows the misadventures of two identical young boys, one the heir to the throne and the other a poor beggar, as they switch places. This midget window card has light edge wear with rounded corners, smudges and scuffs, and paper residue on the back of the lower corners. Delightful artwork of the three stars. From the Collection of Denver Sherry. Very Fine.
The Adventures of Robin Hood (Warner Brothers, 1938). One Sheet (27" X 41").
For fans of classic, swashbuckling adventure, it doesn't get much better than this! When Warner Brothers decided to remake the story of Robin Hood (the previous version, starring Douglas Fairbanks, had been released in 1922), they pulled out all the stops, making it one of the biggest pictures of 1938. Presented in the full glory of Technicolor were such major stars as Olivia de Havilland, Basil Rathbone, Claude Rains, and, of course, Errol Flynn as the dashing outlaw Robin Hood. The result was an outstanding film, still fully capable of thrilling young and old alike. Its deft blend of humor, romance, adventure, suspense, and drama easily elevates this to the level of a timeless classic, one that can be enjoyed time and time again. From Robin Hood's first encounter with Prince John, complete with a deer slung over his shoulders, to the final battle with the castle guards and the revelation of King Richard, this movie is the stuff of legends. Flynn's portrayal of Robin Hood has never been equaled, much less exceeded, although many have tried in the decades since its original release. Posters from this classic film are highly desirable, perhaps none more so than the classic one sheet, with its dynamic image of Robin ready to loose his ever-present arrow. Bold and striking, few images from this era can compare to this one for sheer drama. This poster was originally folded, as most posters of this era were, and there are some pinholes in the corners, but professional linen backing has all but made these flaws invisible. There is some evidence of water damage at the bottom of the poster, which resulted in some wrinkling when the poster was mounted, but this, also, is a minor flaw. The colors are bright and powerful, giving it a strong presence, and making it, without a doubt, a showpiece that will enhance any collection. Fine+ on Linen.
For fans of classic, swashbuckling adventure, it doesn't get much better than this! When Warner Brothers decided to remake the story of Robin Hood (the previous version, starring Douglas Fairbanks, had been released in 1922), they pulled out all the stops, making it one of the biggest pictures of 1938. Presented in the full glory of Technicolor were such major stars as Olivia de Havilland, Basil Rathbone, Claude Rains, and, of course, Errol Flynn as the dashing outlaw Robin Hood. The result was an outstanding film, still fully capable of thrilling young and old alike. Its deft blend of humor, romance, adventure, suspense, and drama easily elevates this to the level of a timeless classic, one that can be enjoyed time and time again. From Robin Hood's first encounter with Prince John, complete with a deer slung over his shoulders, to the final battle with the castle guards and the revelation of King Richard, this movie is the stuff of legends. Flynn's portrayal of Robin Hood has never been equaled, much less exceeded, although many have tried in the decades since its original release. Posters from this classic film are highly desirable, perhaps none more so than the classic one sheet, with its dynamic image of Robin ready to loose his ever-present arrow. Bold and striking, few images from this era can compare to this one for sheer drama. This poster was originally folded, as most posters of this era were, and there are some pinholes in the corners, but professional linen backing has all but made these flaws invisible. There is some evidence of water damage at the bottom of the poster, which resulted in some wrinkling when the poster was mounted, but this, also, is a minor flaw. The colors are bright and powerful, giving it a strong presence, and making it, without a doubt, a showpiece that will enhance any collection. Fine+ on Linen.
The Black Pirate (United Artists, 1926). Lobby Card (11" X 14"). Douglas Fairbanks stars in the title role as a young lad who becomes a pirate to take revenge on the brigands who killed his father. In the process he gains treasure and the love of Billie Dove. One of the first films to use two-color Technicolor. This lobby card has corner bumps, a couple of smudges on the upper border, and a small stain on the lower border. A beautiful shot of the two stars. Very Fine+.
The Iron Mask (United Artists, 1929). Japanese Poster (11.75" X 23.75"). Douglas Fairbanks stars in his last silent film as D'Artagnan, a follow-up to his success with "The Three Musketeers." Fairbanks and his fellow Musketeers must rescue the rightful King of France, who is being held prisoner by his twin brother. This striking Japanese poster has edge tears, scuffs, and a few small holes in the image area. The poster has been mounted on linen and professionally restored. The film posters from Japan's pre-WWII history are as scarce as they can be! War, earthquakes, and paper shortages, not to mention the small print run of these posters, make them virtually nonexistent. Very Fine on Linen.
Treasure Island (Paramount-Artcraft, 1920). Lobby Card Set of 8 (11" X 14"). "Treasure Island" was one of the most successful films in the career of Maurice Tourneur, coming in as one of the top box office films of 1920. Unfortunately, no prints of the film are known to exist today. Luckily, we do have this: the only complete lobby set known to exist on the title. The set features an incredibly rare title card, and two scene cards featuring Lon Chaney. They're in a grade we never dreamed we'd see. Chaney actually plays two roles: Pew, a blind pirate, and George Merry, another pirate on board the ship. The three cards that feature Chaney all show him as Merry. Yes, That's him on the title card! That's 19-year-old Shirley Mason playing Jim Hawkins! There are only minute corner bumps, and small, easily removable border stains on four cards. Crisp registration. Very Fine/Near Mint.
Captains Courageous (MGM, 1937). Mini Window Card (8" X 14"). Spencer Tracy won the first of two Oscars in a row for this adaptation of the Rudyard Kipling story. Spoiled rich kid Freddie Bartholomew learns discipline and hard work from fishermen Tracy and Lionel Barrymore after he is rescued at sea. This midget window card has a few pinholes, light edge wear with corner creases and a chip, a stain in the lower right corner, and a theater stamp in the imprint area. Wonderful artwork of the three stars. Posters from this film have always been scarce. From the Collection of Denver Sherry. Very Fine-.
Dr. Syn (Gaumont British, 1937). One Sheet (27" X 41") Style A. George Arliss stars as the former pirate turned vigilante. He poses as a preacher during the day, but fights evil by night as the Scarecrow. This is the first of many versions of this classic tale, based on the novel by Russell Thorndike. This terrific stone litho poster has wonderful graphics. There is a misfold crease, museum tape repair on reverse, tack holes with rust stains in the body, some water staining and light wrinkling. Beware the Scarecrow! Fine-.
Four Men and a Prayer (20th Century Fox, 1938). Lobby Card Set of 8 (11" X 14"). A British Indian Army colonel (C. Aubrey Smith) is accused of giving orders that result in a massacre of the troops under his command. He returns to London where his four sons (George Sanders, Richard Greene, David Niven and William Henry) rally around to clear his name after he tells them he's being framed; then he is murdered. Wonderful uncommon full lobby card set with 2 absolutely beautiful portrait cards of a luminous Loretta Young. The title card has minor corner bumps, slight edge wear with small scuffs, and paper tape on the back. The set shows only one card with a slight border smudge, and two cards with very minor border dings. Very fresh original color. Very Fine+.
Jungle Book (United Artists, 1942). One Sheet (27" X 41"). This first screen adaptation of Kipling's well-loved stories was created to exploit the commercial popularity of its boy star, Sabu, first seen in director Zoltán Korda's earlier "Elephant Boy" (1937). Sabu plays the lead, Mowgli, in what was, due to a war in Europe, shot entirely on a Hollywood stage. Unlike the Disney versions, only the snakes talked in Korda's version, sounding suspiciously like Lionel Barrymore! This wonderfully colorful poster shows an extra fold line in the bottom credits, small tape residue in the top right field, pin holes in the corners and field, fold separations, small tears in the right center foldline, and small corner creases, as well as a chip in the top center border. The bright colors are as fresh as the day they were printed. Fine+.
Jungle Book (United Artists, 1942). Title Lobby Card and Lobby Cards (3) (11" X 14"). Bickering brothers Alexander and Zoltan Korda put their differences aside long enough to create this magical adventure film starring Sabu. These original release lobby cards have minor edge and corner wear, light smudging in the borders and pinholes in the margins. The color images remain very strong. Fine/Very Fine.
Lost Horizon (Columbia, 1937). Lobby Card (11" X 14"). Frank Capra's spiritual adaptation of James Hilton's novel featured Ronald Colman as a British diplomat caught up in the winds of war and Jane Wyatt as the woman he falls in love with after he is kidnapped to the mystical Himalayan country of Shangri-La. The film took two years to create and accounted for more than half of Columbia's budget for that time. This lobby card, which features a lovely portrait of Colman and Wyatt, has rounded corners and bumps, a small dent in the lower right, a chip in the lacquer on the right edge, and one small edge tear. Very Fine-.
Gunga Din (RKO, 1939). Mini Window Card (8" X 14"). Sabu was the original choice to play the title role in this rollicking adventure tale, but Sam Jaffe ended up with the part. The 47-year-old Jaffe got into character for filming by telling himself, "Think Sabu, think Sabu." This midget window card has rounded corners, a couple of tiny edge wrinkles, and a couple of very light smudges. Wonderfully fun images of stars Cary Grant, Victor McLaglen and Douglas Fairbanks, Jr. From the Collection of Denver Sherry. Near Mint.
Raiders of the Lost Ark (Paramount, 1981). One Sheet (27" X 41"). More than a quarter century later, "Raiders" is still one of the greatest action movies ever created, with Steven Spielberg and Harrison Ford at the top of their game. This is a nice clean copy of the original one sheet. Light fold wear, minor crossfold separation, and light wrinkling are the only condition issues. The one sheets do not come much cleaner than this with wonderful artwork by Richard Amsel. Very Fine+.
The Last Days of Pompeii (RKO, 1935). Swedish One Sheet (27" X 41"). The final days of the doomed city of Pompeii are brought to glorious life in this lavish production. Although the movie takes some liberties with historical fact, it is, nonetheless, an epic spectacle and a fine vehicle for legendary star Basil Rathbone as Pontius Pilate. Although the film was initially a box office failure, and had to be paired on a double bill with "King Kong" to make back its investment, it has survived as a true classic, highlighted by the eruption of Mount Vesuvius, a gripping special effects extravaganza. This Swedish one sheet is an art deco masterpiece, perfectly capturing the climactic eruption. It displays the expected corner pinholes, as well as some light fold wear and small cross fold separation. A small tear at the bottom corner and a small edge tear are the only other problems, but all of these minor issues have been repaired with professional restoration. This is a wonderful piece that will please the most discriminating poster or art collector. Very Fine+ on Linen.
She (Lee-Bradford, 1925). One Sheet (27" X 41"). The second filmed version of H. Rider Haggard's novel of an expedition searching for the Pillar of Fire, a source of eternal life, finds an undiscovered city ruled over by She Who Must Be Obeyed (Betty Blythe). She takes one look at Carlyle Blackwell and decides that he is her reincarnated lover. This one sheet has pinholes with a tear, corner and edge chips, and fold wear. The poster has been mounted on linen and professionally restored. Gorgeous stone litho artwork of the two stars. Very Fine on Linen.
She (RKO, 1935). Insert (14" X 36"). "She Who Must Be Obeyed!" captures the explorer (Randolph Scott) and mistakes him for her lost love. This fantasy, based on the 1886 novel by H. Rider Haggard, takes place in the mythical empire of Kor where the "flame of life" (which brings eternal life) is said to be located. The book was remade several times, but this remains the definitive version and was filmed by the creators of "King Kong." This insert is in spectacular condition with one pinhole in each corner, three more in the side borders, and the corners showing very minimal wear. Instead of the typical three fold lines found on most inserts, this example has only two. There is a Dutch censor stamp in the middle of the film's title. Very Fine+.
She (RKO, 1935). Jumbo Lobby Card (14" X 17"). This cinematic fantasy found Randolph Scott as the leader of an expedition searching for a radioactive element hidden in Arctic Manchuria that is supposed to bestow eternal life. Two years later, Frank Capra would use James Hilton's novel, "Lost Horizon," as the basis for his film that utilized a similar concept: that of a far-away civilization where people can live forever. This spectacular jumbo lobby card shows the magnificent set Meriam C. Cooper had built for this classic fantasy film. The card, printed on linen finish paper, has light edge wear, and small bends in the top and bottom corners on the left side. Very Fine+.
Hercules (Warner Brothers, 1959). One Sheet (27" X 41"). Give me Steve Reeves over the governor of California any day! Former Mr. America/Mr. World/Mr. Universe Steve Reeves headed for Italy when there was no work to be found in Hollywood, and starred in this, the prototype of all peplum films. Directed by Pietro Francisci and co-starring the heart-stopping Sylva Koscina, this led to a raft of sequels. This stunning one sheet is surely one of the best copies in existence, with some minor wrinkling to the left of the center fold and some very light overall handling wear being the only things keeping it from a grade of dead Mint. The color is absolutely stunning, and the iconic image of Herc wrecking havoc simply can't be beat. Near Mint.
Liane, Jungle Goddess (DCA, 1956). Japanese B2 (20" X 29") Style B. A white German girl (Marion Michael) is revered as a goddess in the African jungle, until she is discovered and returned to Hamburg by an expedition headed by Hardy Kruger. Originally released in 1956, the film showed up in America in 1959, and gained instant notoriety due to the multiple topless shots of the young star. Consequently, it played primarily in "adult" and art theaters at the time, and has gained a certain mystique and a loyal following among cult movie buffs in more recent years. This provocative Japanese release poster, with an outstanding image of Michael, is from the same time as the European release. It has two soft folds, and pinholes in the corners and side borders. Paper from this title is relatively scarce, making this a great opportunity for jungle fans. Very Fine+.
Under Two Flags (20th Century Fox, 1936). One Sheet (27" X 41") Style B. Noble Ronald Colman, who has taken the blame for his brother's crime, has joined the Foreign Legion to escape his past. What he finds in the desert is a love quadrangle. Club singer Claudette Colbert loves Colman, but he only has eyes for Englishwoman Rosalind Russell. Victor McLaglen rounds out the situation as the jealous commandant. This one sheet has edge wear and tears with chips and tape scuffs. The poster has been mounted on linen and professionally restored. Gorgeous stone litho artwork of the three stars. Fine/Very Fine on Linen.
The Scarlet Claw (Universal, 1944). Three Sheet (41" X 81"). In this wartime thriller, Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) travel to Canada to investigate a series of mysterious murders. Although the film isn't based on any of Sir Arthur Conan Doyle's stories, many consider it to be the best of all the Universal Holmes films. This lovely three sheet, with its eerie and evocative artwork, has some fold wear and crossfold separation with some chipping at the fold lines and edge chipping at the top border. These issues have been addressed with professional restoration, giving the poster a very attractive appearance. Fine on Linen.
Modern Age (1980-Present)
Hollywood Vintage Stills - Rathbone and Bruce in Sherlock Holmes (Circa 1939-46). Stills (5) (8" X 10"). From 1939 to 1946, Basil Rathbone and Nigel Bruce starred in 14 suspense thrillers as Sir Arthur Conan Doyle's master detective, Sherlock Holmes, and his sidekick, Dr. Watson. Several of the stills are from the earlier 20th Century Fox features, and a couple are from the later Universal entries in the series. All grade in very nice condition with minor corner wear. Very Fine.
Movie Posters
Dick Tracy (RKO, 1945). One Sheet (27" X 41").
This film was the first of four RKO Radio B-pictures based on Chester Gould's classic comic strip. Here, the square-jawed detective takes on a vicious criminal named Splitface who has escaped from jail and is out to murder all 12 of the jurors who found him guilty. This one sheet has pinholes, fold wear with tears and separations, a cut that extends into the image area, and a wrinkle on the right border. The poster has been mounted on linen, and the professional restoration has rendered these slight flaws virtually invisible. Posters for any of the Dick Tracy films and serials are highly collectible. Very Fine on Linen.
This film was the first of four RKO Radio B-pictures based on Chester Gould's classic comic strip. Here, the square-jawed detective takes on a vicious criminal named Splitface who has escaped from jail and is out to murder all 12 of the jurors who found him guilty. This one sheet has pinholes, fold wear with tears and separations, a cut that extends into the image area, and a wrinkle on the right border. The poster has been mounted on linen, and the professional restoration has rendered these slight flaws virtually invisible. Posters for any of the Dick Tracy films and serials are highly collectible. Very Fine on Linen.
After the Thin Man (MGM, 1936). Title Lobby Card and Lobby Card (11" X 14"). William Powell and Myrna Loy returned as Nick and Nora Charles in this sequel to the highly popular detective comedy "The Thin Man" (1934). This film starts up where the first one left off, on board a train headed to California. The title card features a great silhouette of the pair with their lovable dog, Asta. The scene card features Alan Marshall and Elissa Landi in a tense scene just before Marshall's character turns up as a murder victim. James Stewart also stars in one of his early roles. The title card has had some color touch-up to the top three inches due to some color loss. There were pinholes in the borders and a top right corner crease. An excellent restoration has left all this virtually undetectable. The scene card has pinholes in the borders, a small tear at the top and the bottom border and a light stain on the right border. There are also some faint streaks from the printer rollers on the center of the card. Overall, Very Fine.
After the Thin Man (MGM, 1936). Lobby Cards (2) (11" X 14"). A fantastic portrait shot of Sam Levine, William Powell and Myrna Loy, and a great shot of Powell with a bevy of showgirls, are featured in this lobby card lot. Both cards have pinholes in the corners and in the center of the top and bottom borders, and there is a light smudge and corner bends on the right top and bottom on one card. Beautiful, bright color. Very Fine-.
After the Thin Man (MGM, 1936). Lobby Cards (2) (11" X 14"). The first card is a great close-up of William Powell, Myrna Loy, and Asta. The second card has Joseph Calleia in a confrontation with Powell. There are pinholes in the corners on both cards. One card has a light corner stain and light edge wear, the other has a very small edge tear and a light corner bend on the bottom left. Fresh, vibrant color. Very Fine-.
After the Thin Man (MGM, 1936). Lobby Cards (2) (11" X 14"). In the first card, William Powell holds onto an unconscious Elissa Landi, as Myrna Loy and Sam Levine look on. In the second card, the only scene card in the set to feature a young James Stewart, Myrna Loy is getting the rough house treatment. Both cards have pinholes in the corners and in the top center of the border, and one small corner bend. Beautiful, bright color. Very Fine.
Nancy Drew -- Detective (Warner Brothers, 1938). Title Lobby Card and Lobby Card (11" X 14"). In 1938, Warner Brothers released the first of four Nancy Drew movies-- "Nancy Drew...Detective." This movie, and the inevitable sequels, starred Bonita Granville as Nancy Drew, Frankie Thomas as Ted (instead of Ned, as Nancy's boyfriend was named in the books), and John Litel as Carson Drew, Nancy's father. Originally presented as the second half of a double bill, its popularity sparked the next three movies. Posters and lobby cards for any of these titles are very rare and seldom come up for sale. Offered here is the title card and a scene card to the first installment, representing the first paper we have offered from this film. The title card has slight tanning, but this is fairly common for the Warner Brother's linen stock used for the printing of these cards. There are slightly rounded corners and corner wear, as well as a single pinhole in the upper two corners. Otherwise this card is in excellent condition. The scene card has a large chip from the upper border and minor corner wear. Overall the two cards grade as Very Fine.
Nancy Drew -- Detective (Warner Brothers, 1938). Lobby Card (11" X 14"). Former child actress Bonita Granville portrayed Nancy Drew in four Warner Brothers films directed by William Clemens in the late 1930s: "Nancy Drew: Detective" (loosely based on "The Password to Larkspur Lane"), "Nancy Drew: Reporter," "Nancy Drew: Trouble Shooter," and "Nancy Drew and the Hidden Staircase," the only one to borrow its title from a book in the series, although the plot was altered substantially. Frankie Thomas was cast as the rechristened "Ted" Nickerson, who acted more as a sidekick than Nancy's boyfriend, and Carson Drew played her father, ably supported by Hannah Gruen as Effie Schneider. This great portrait card of the two stars, printed on linen finish stock, is in excellent condition with minor corner wear and two pinholes. The paper from these Nancy Drew titles is exceedingly scarce. Very Fine.
Nancy Drew -- Detective (Warner Brothers, 1938). Lobby Cards (2) (11" X 14"). Offered in this lot are two linen finish cards from the Warner Brothers film starring Bonita Granville as the heroine of the popular mystery series, Nancy Drew. The portrait card, featuring Granville, Frankie Thomas as Ted and Carson Drew as Nancy's father, has some significant insect nibbling to the lower right border, and there is a one and a half inch tear in the left border which has been reinforced from the back with archival tape. The wide shot card of the cast has a chip from the two upper corners and wear to the lower right corner as well as three pinholes. These are the first cards from this title we have ever sold, so it doesn't take a detective to figure out how rare these are! Fine-.
Nancy Drew -- Detective (Warner Brothers, 1938). Lobby Cards (2) (11" X 14"). To coincide with Warner Brother's latest theatrical adaptation of the comedy-mystery stories, 2007's "Nancy Drew," the studio recently issued a two-disc set of all four early Drew movies starring child star Bonita Granville. Offered in this lot are two great cards from the exceedingly rare set of linen finish lobby cards. Both of the cards have corner wear including a few bends, and each has a couple of pinholes. Very Fine.
Charlie Chan at the Olympics (20th Century Fox, 1937). Lobby Card (11" X 14"). One of the better entries in the long-running series, this film stars Warner Oland as the detective Charlie Chan. Assigned by the U.S. Navy to track down spies who have a secret airplane remote control, Chan travels to Berlin on the Hindenburg. (For the film, the Nazi flag on the tail was erased frame by frame. The dirigible had its famous fiery wreck the week that this film was released.) While watching his #1 son compete for the U.S. swim team (with stock footage of the Berlin Olympics added), Chan hunts the spies and solves a kidnapping and murder. Nice closeup card with Warner Oland as Chan. There are tack holes in the corners and center of the top border, with minor scuffing from the rounded tacks, and a tiny corner chip on the bottom right. Very Fine.
Charlie Chan at the Olympics (20th Century Fox, 1937). Lobby Card (11" X 14"). Warner Oland as Chan, along with two Berlin police, confronts sinister spymaster C. Henry Gordon in a climactic moment. There are pinholes in the corners, one in the center of the card and light edge wear on the top border. Very Fine.
Charlie Chan at the Olympics (20th Century Fox, 1937). Lobby Card (11" X 14"). This great card features Warner Oland as Chan, along with three Berlin police and son Keye Luke in another climactic moment from this film. There are pinholes in the corners, light edge wear on the top border and a small bend in the top right corner. Very Fine.
Charlie Chan at the Olympics (20th Century Fox, 1937). Lobby Card (11" X 14"). The finale of all of the Chan films had the oriental detective standing in the drawing room explaining how and why the murders occurred. This looks as if it may be just that scene. Very slight corner wear and a few scuffs in the image area. Otherwise, a beautifully clean scene card. Very Fine+.
Charlie Chan at the Wax Museum (20th Century Fox, 1940). One Sheet (27" X 41"). Mystery and horror abound in a creepy wax museum, housing statues of such infamous murderers as Jack the Ripper and Bluebeard, run by a mad plastic surgeon (Henry Gordon). When a vicious gangster (Marc Lawrence) plots to gain revenge on detective Charlie Chan (Sidney Toler), the wax museum becomes a perfect venue for murder! An early Toler entry into this fine series, this memorable film is represented here by a colorful and attractive one sheet. It shows pinholes in the corners, fold wear and the expected crossfold separation, with a chip in the middle fold and some paper loss at the top cross fold. Additionally, there has been some repair work done to the top right border. After professional restoration, however, these flaws are barely noticeable. Very Fine on Linen.
Charlie Chan's Murder Cruise (20th Century Fox, 1940). Lobby Card Set of 8 (11" X 14"). Sidney Toler was a much more jovial Chan than his predecessor, Warner Oland. Toler's great sense of humor set the tone for the rest of the series..."..Truth..like Football...receive many kicks before reaching goal.." If you've been waiting for something special from the series, here it is, a complete lobby set with Chan in all eight cards! One of the best sets in the series, from the terrific shadowy graphics on the title card to the wonderful scene card with a dead man's hand reaching out to Chan, who's glancing totally nonplussed at the occurrence, while a woman screams loudly into his right ear! There are pinholes, minor corner bumps, slight edge wear and light border soiling, and one card has a small punch in the right center field. There is a small crease in the top center border of the title card. Excellent color saturation typical of pre-1945 Fox paper. Fine+.
Charlie Chan at Treasure Island (20th Century Fox, 1939). Lobby Card (11" X 14"). Great close up card with Victor Sen Yung, Sidney Toler (as Chan), Douglas Fowley and Cesar Romero. There is edge wear on the right border, bends on all the corners with small paper lift on one, and a pinpoint stain on the top border. Very Fine.
Castle in the Desert (20th Century Fox, 1942). One Sheet (27" X 41"). It's murder in the Mojave, as a reclusive historian and his wife invite guests to their remote castle/mansion, only to have one of them drop dead. Luckily, Charlie Chan (Sidney Toler) is in attendance, and investigates the murder, along with #2 son. This terrific one sheet is in the classic mystery mode, though a gun-totin' Chan is a bit out of character! Small edge chips in all borders, minor paper loss at the fold lines, fold wear with crossfold separations, and minor edge wear are the only problems, and these have been masked with excellent professional restoration. It's no mystery why you should bid on this excellent one sheet! Fine/Very Fine on Linen.
Black Magic (Monogram, 1944). One Sheet (27" X 41"). Earl derr Biggers' famous detective, the wise and inscrutable Charlie Chan, faces off against mediums, psychics and spiritualists in this Sidney Toler vehicle, also known as "Meeting at Midnight." An interesting addition to the cast is Chan's daughter, ably portrayed by the aptly-named Frances Chan. This eye-catching one sheet, complete with actor Mantan Moreland being accosted by a skeleton, shows pinholes at the top, as well as fold wear and crossfold separation. There's a small piece missing at the top vertical fold, and a small corner chip at the top right. These are minor flaws; however, all of which have been addressed by professional restoration. Very Fine- on Linen.
Shadows Over Chinatown (Monogram, 1946). One Sheet (27" X 41"). One of the later entries in the Charlie Chan series, this one starring Sidney Toler, "Shadows Over Chinatown" involves a mystery surrounding murders committed in furtherance of an insurance fraud scheme. Toler assumed the role of the Chinese detective after the death of Warner Oland in 1938, who had played Chan since 1931. Toler later purchased the rights to the character, arranging a series of pictures for Monogram beginning in 1944, and would play the detective twice more before his death in 1947. This striking one sheet, dominated by a bold image of Toler, displays some fold wear and crossfold separation, as well as evidence of a misfold in the right border. The expected corner pinholes are present, and a small chip is noted in the top border. Professional restoration has rendered these flaws all but unnoticeable. Very Fine- on Linen.
Mr. Moto in Danger Island (20th Century Fox, 1939). Lobby Card Set of 8 (11" X 14"). Peter Lorre returns as the screen's Japanese sleuth, Mr. Moto, in this tale of diamond smuggling set in the tropics of Puerto Rico. This was the seventh film in the eight picture series that was cut short by the US involvement in World War II. Unlike the "mystery" aspect of the Chan films, the Moto movies were essentially early espionage thrillers; spy films with exotic settings, international intrigue and jujitsu action. This great complete lobby set has Mr.Moto in all eight cards. The title card has dot stains in the left border and field, minor pinholes, paper tape on the back, and minor corner bumps. One card has a 2" border tear in the lower middle border, and small corner creases, and one card has a stain in the left border. Great original color makes this a set you won't want to pass up. Very Fine-.
Mr. Wong, Detective (Monogram, 1938). One Sheet (27" X 41"). The first of six Mr. Wong whodunits, Monogram presented Boris Karloff in an atypical role, as pulp writer Hugh Riley's Oxford-educated Oriental sleuth. Of course, Karloff handled the role exceptionally. Really first-rate restoration has been done to restore chips and paper loss in the lower right side into the caption box area, chips in the top and bottom borders, and chips at the centerpoint fold and in the titling, as well as edge wear with small chips in the lower left corner, fold wear with small chips, and soiling. This stunning one sheet seldom surfaces, making this a prime opportunity for all you Karloff collectors. Good on Linen.
And Then There Were None (20th Century Fox, 1945). Lobby Card Set of 8 (11" X 14"). Imaginative French writer and director Rene Clair's adaptation of the Agatha Christie classic. Fine acting (it's almost a shame when the character actors start dropping like flies) and a great script make this the prototype for many films to come. This lot offers an entire set of lobby cards with colorful cards of Barry Fitzgerald, Walter Huston, Louis Hayward, Dame Judith Anderson, and Sir Aubrey Smith, among others. There is slight edge wear with tiny border tears, light border soiling, mild corner creases, and a mild surface scuff on one card. Excellent color.
Very Fine+.
Very Fine+.
The Secrets of Wu Sin (Chesterfield, 1932). Three Sheet (41" X 81"). This is the first time we have offered the incredibly rare three sheet for this little-seen melodrama about a Chinese labor racket. Grant Withers and Lois Wilson play reporters investigating a sinister smuggling ring. This stone litho three sheet has a lurid image of opium smoking and incredibly vivid colors. There are crossfold separations, a small hole between the two girls, and several other smaller holes, slight edge wear, and minor fold wear. Fine/Very Fine.
The Shadow Strikes (Grand National, 1937). One Sheet (27" X 41"). By 1937, the mysterious Shadow, a midnight avenger who could "cloud men's minds so they could not see him," had already conquered the media of pulps and radio. It was only natural, therefore, that he also bring his unique brand of justice to the silver screen. This was the second appearance of the Shadow in film, given life by actor Rod LaRoque. The first screen appearance was in a a series of shorts produced by Universal in 1931. The character would go on to star in several additional features, as well as an exciting 15-chapter serial. This atmospheric poster shows a few pinholes in the top left corner, the normal fold wear with some extra folding in the bottom right, a small tear in the top right, and a crease in the lower left. Professional restoration has addressed all of these issues, resulting in an extremely attractive poster. Very Fine- on Linen.
Pulp Fiction (Miramax, 1994). One Sheet (27" X 41") Advance. Quentin Tarantino's follow up to "Reservoir Dogs" was a witty, violent, and trashy masterpiece, with a stellar cast that includes John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis, Harvey Keitel, Eric Stoltz, and Tarantino himself. This spiffy Advance one sheet features the same image as the regular one sheet but in a somewhat different configuration, touting its win at Cannes. It is in great shape except for some significant edge wear along the left side. Zed's dead, baby, so he can't bid -- but you can. Rolled, Near Mint-.
Cool Hand Luke (Warner Brothers, 1967). One Sheet (27" X 41"). This iconic poster for the Paul Newman prison drama had minor fold wear with separations and paper loss prior to professional restoration. There were pinholes at the borders and corners along with a small tear at Newman's lips. Light edge and corner wear had developed over time, but the poster now looks as good as new. Very Fine- on Linen.
Cool Hand Luke (Warner Brothers, 1967). Banner (29" X 75"). Paul Newman stars in one of the best films of the 1960s as Cool Hand Luke, a man sent to work a prison chain gang for vandalizing parking meters. The overly cruel and harsh conditions of his imprisonment made an impression on the public, and this remains one of Newman's most memorable performances. This rare banner has a two inch tear in the top edge above Strother Martin. There are also signs that the poster was taped up by the corners at one time. Fine-.
Cool Hand Luke (Warner Brothers, 1967). French Grande (47" X 63"). Paul Newman created one of the screen's greatest characters in "Cool Hand Luke." It is interesting that we like him so much, because as one of the greatest "anti-heroes," he was a good guy who became a bad guy primarily because he didn't like us. This terrific French Grande with art by a cornerstone artist of cinema posters, Jean Mascii, captures completely the hot, dusty feeling of the film. Complete with a great image of "the man with no eyes" watching over Luke, this remains one of the best pieces on the title. There has been minimal restoration to correct only minor pinholes and soft folds. Very Fine+ on Linen.
Dirty Harry (Warner Brothers, 1971). Insert (14" X 36"). This is the film that established Clint Eastwood as a cinema icon, portraying the tough San Francisco cop, Harry Callahan. When the film was released in 1971, it caused quite a sensation for its use of extreme action and violence. An atypical unique poster for the 70s in monochrome color. There are two horizontal print blemishes across the poster, mild surface crimping, and a slight corner bump in the bottom right. Rolled, Fine.
Dirty Harry (Warner Brothers, 1971). Color Still Set of 8 (8" X 10"). Imagine this -- Seattle Police detective Frank Sinatra hunts down a serial killer named Scorpio played by Audie Murphy. With little regard for the murderer's civil rights, he tortures a confession out of him. Before Clint Eastwood pulled out "the most powerful handgun in the world" and asked, "Do you feel lucky?" that cast and city was in the works for "Dirty Harry." This color still set is mint. Exciting shots from the film, including four from the "Well do ya, punk?" scene. Mint.
Get Carter (MGM, 1971). One Sheet (27" X 41") Alternate Version. Suave Michael Caine stars as Jack Carter, a London hit man who heads to Newcastle for his brother's funeral, and begins to suspect he may have been murdered. He sets out to exact revenge, Carter-style. This is the highly desirable alternate version of the poster, with the striking faux-Lichtenstein artwork. Even better, this is a superlative copy with only very light fold wear and some tape residue. Brilliant white paper. Very Fine+.
The Godfather (Paramount, 1972). Color Still Set of 12 (8" X 10"). Marlon Brando, as Don Vito Corleone, headlined an ensemble of actors who would go on to become screen legends in their own right. Al Pacino, James Caan, Robert Duval, John Cazale, Talia Shire and Diane Keaton would all go on to great careers, and all of these stars appear in this incredible set of color stills. Although many of the posters for this picture are fairly common, this complete set of stills is rarely offered. Near Mint/Mint.
Gun Crazy (United Artists, 1949). Pressbook (14 Pages, 11" X 17"). This action-packed film noir thriller stars Peggy Cummins as a gun-toting mama with a knack for trouble. Consumed by greed, she begins a bloody crime spree that drags her well-intentioned husband (John Dall) down with her. This pressbook has corner creases and spine separations. There are water stains on the covers and at the corners of the interior pages. There are also small edge tears and smudges on the covers along with light wrinkling. When was the last time you saw one of these press books and had the opportunity to see what the 24 sheet or six sheet looked like? Very nice presentation with many press articles about the film and its making. Very Fine-.
The Lawless Woman (Chesterfield, 1931). One Sheet (27" X 41"). In this Poverty Row thriller, pretty chorus girl June Page (Vera Reynolds) is accused of murdering her gangster boyfriend, runs afoul of a ruthless crime boss, and soon finds love in the arms of ambitious cub reporter Allan Perry (Carroll Nye). The dramatic stone litho one sheet offered here shows the usual pinholes in the corners, fold wear, with chipping at the bottom fold. Additionally, we note some minor paper loss at the top of the right border, but the restoration has done an excellent job of minimizing these flaws. Very Fine on Linen.
Public Enemy's Wife (Warner Brothers, 1936). One Sheet (27" X 41"). Margaret Lindsay stars as a woman who, like many before her, is imprisoned for a crime she did not commit, mostly because of her no-good jewel-thief husband, played by Cesar Romero. She eventually winds up with government agent Pat O'Brien. A vibrant image of Lindsay and O'Brien dominates this beautifully-designed poster. This poster has slight crossfold separations, a tear at bottom center, a margin tear in the upper left side, pinholes, some minor bit of writing in pencil in Lindsay's forehead. Fine-.
The Unholy Three (MGM, 1925). Window Card (14" X 22"). Lon Chaney stars in the silent version (it was later remade in 1930 as Chaney's only talkie) of this classic tale of deception and crime. He plays a master ventriloquist who teams up with a circus strongman (Victor McLaglen) and a midget (Harry Earles) to commit a series of robberies using their unique talents. There are corner chips on the top left and bottom right and corner bumps on the other two corners, edge wear, a small tear and a light stain on the bottom border. Fine+.
The Devil Is Driving (Paramount, 1932). Mini Window Card (8" X 14"). By 1932, gangster films were all the rage, made popular by such epics as "Public Enemy" and "Little Caesar." Somewhat less well known, but no less thrilling, is this action-packed programmer about a hot car ring, starring Edmund Lowe and Wynn Gibson. Add to the mix a good-looking gangster's moll with a taste for men and an assortment of bizarre characters that would make Todd Browning proud, and you have all the ingredients necessary for a first-rate tough guy flick. This card shows some overall tanning and a slight scuff in the lower left, but otherwise is in exceptional condition. From the Collection of Denver Sherry. Very Fine+.
Hell's Kitchen (Warner Brothers, 1939). One Sheet (27" X 41"). This was just the sixth outing for the Dead End Kids, and this dramatic one sheet features them in fine form, gathered around a young Ronald Reagan. A great poster for one of their best films, with very minor centerpoint fold separation, and faint border smudging. This is the cleanest copy we have ever seen. Very Fine/Near Mint.
Pulps
The Preview Murder Mystery (Paramount, 1936). One Sheet (27" X 41"). Reginald Denny and Frances Drake are the romantic leads, but it's director Robert Florey who is the real star of this show, crafting a very "inside" story about a murder at a movie preview. Florey employed a quick-cut editing style and throws in both horror and comedy sequences to keep the pace lively. The legendary Karl Struss was behind the camera, and even makes a cameo appearance. This gorgeous poster is completely unrestored and beautifully preserved, with some very light fold wear and slight creasing. Stunning white paper and a very crisp image make this one a must! Very Fine+.
Movie Posters
I Am a Fugitive From a Chain Gang (Warner Brothers, 1932). Leader Press One Sheet (27" X 41"). This is a stunning and attractive one sheet for one of the most important and influential films of the 1930s. Although often grouped with gangster pictures such as "Little Caesar" and "The Public Enemy," "Fugitive" actually addressed a specific social ill of the day: the brutal and inhumane chain gangs that flourished throughout America. After this film shone a spotlight on the abuses inherent in that system, it quickly came to an end, demonstrating the power of Hollywood to sway public opinion. Interestingly, some jurisdictions have reintroduced the concept of chaingangs in recent years, to much public criticism. Paper on this title is notoriously scarce, and the poster offered here, produced by Leader Press of Oklahoma City, is the only copy known to exist, to the best of our knowledge. It displays fold wear and some crossfold separation, including a chip at the centerpoint, and some slight inpainting on the title. A small piece has been removed from each of the top corners. However, professional restoration and linenbacking has rendered these flaws next to invisible. The result is a powerful and dramatic poster from a very desirable title. Fine- on Linen.
I Am a Fugitive From a Chain Gang (Warner Brothers, 1932). Lobby Card (11" X 14"). Paul Muni delivers one of his best screen appearances as James Allen, a man with dreams of becoming an architect, who suddenly finds himself falsely convicted of robbery and sentenced to ten years on a chain gang. The novel upon which this film was based was so influential that it led to the abolishment of the chain gang system of punishment in US prisons. This dramatic card depicts one of the gruesome tortures Muni is forced to endure. The card has two pinholes in the center of the background, just under the film's title. This is a rare offering from one of the best, and most important, pictures of the 1930s. Near Mint-.
Scarface (United Artists, 1932). One Sheet (27" X 41"). Legendary Producer Irving Thalberg called it, "one of the strongest pictures" he had ever seen. Producer Howard Hughes united with director Howard Hawks to create one of the most bullet-riddled, violent and impressive gangster films ever made. The genre had been around since the early days of the cinema; with Josef von Sternberg's "Underworld" in 1927 and Warner Brothers' sensational entries "Little Caesar" and "The Public Enemy." In June 1931, Hughes went into production on his pseudo-biopic of Chicago gangster Al Capone, under the working title "Scarface," a nickname that was associated with Capone. Both the director Howard Hawks and screenwriter Ben Hecht would use real-life events in the shaping of the film's script and spend hours interviewing actual gangsters for accuracy. The scene where Paul Muni as Tony Camonte guns down his boss, "Big Louie" Costillo, was based on the actual event where Al Capone gunned down his own boss, "Big Jim" Colosimo. The St. Valentine's Day Massacre was depicted in the film, as were assassination attempts on Camonte, that mirrored real attempts on Al Capone's life. And in a scene where real life mirrored the cinema, Boris Karloff is gunned down in a bowling alley and would become a reality four years later with the murder of "Machine Gun" Jack McGurn on the anniversary of his orchestrating the St. Valentine's Day Massacre. The title "Scarface" caused an immediate sensation and got the attention of Will Hays, the president of the MPPDA, the cinema's self-censorship bureau. Hays wanted the film's title changed and recommended "The Shame of the Nation." United Artists, the film's distributor, didn't want any problems getting the film released and registered this title on December 4, 1931. The film was completed in October 1931, but due to its strong images of violence, sexual innuendo and semi-glorification of gangsters, it had trouble passing the various censors and getting an official release. The film met with strong objection and went through three official versions. Hughes, who had given in to many of the suggested changes, drew the line on the title change. After forcing the issue, by Howard Hughes threatening a lawsuit, a compromise was made and the film was finally and officially released with the title, "Scarface, the Shame of a Nation."
There are two versions of the title appearing on surviving posters and lobby cards. One shows just the title "Scarface" while other examples show the title "Scarface" with "The Shame of a Nation" overprinted on existing paper. Since both versions of the title were used, it is logical to assume that the same was done to the one sheets. Since no other copies of the one sheet from the film's original release are known to exist, it's entirely possible that this copy simply escaped the overprint "The Shame of a Nation" that was done to other posters. Most of the real trouble in getting the film released came from the state of New York. Hughes premiered the film in New Orleans in March 1932, but didn't release the film in New York until June. In between those dates, Hughes showed the film in various places around the country trying to influence critics to hop aboard his bandwagon and get the film released in its original form and not the heavily edited version preferred by the various censors. Since the film was not officially being released by United Artists during those engagements, would the posters being used at the venues state United Artists as the film's distributor? It's an interesting question as this one sheet does not list a distributor. Also, during this time, UA had a deal with the H.C. Miner Litho company to print all of their posters. This poster was printed by the M.R. Litho company of New York. There are also examples of the "Scarface" three sheet (without the subtitle "The Shame of a Nation") and the one and three sheet for "Hell's Angels" printed by the same lithographer, M.R.Litho (Pg. 46, "Film Posters of the 1930s," Tony Nourmand and Graham Marsh, Aurum Press, 2003 and Pgs. 52 and 53, "The Movie Poster Book," Steve Shapiro and David Chierichetti, E.P. Dutton, 1979). Both of these Howard Hughes pictures were released by United Artists with posters printed by H.C. Miner Litho, yet here are examples without a listed distributor and printed by another company, M.R. Litho. They are clearly off of the original plates used on the original UA posters as well. There has been some speculation that these non-United Artists posters date from a later 1930s reissue of the film, as "Scarface" was reissued in 1935, 1937, 1940 and 1947, however, all examples of posters from these re-issues state the distributor as either UA or Astor Pictures. Knowing Howard Hughes' propensity for self-distribution, it is entirely likely that this only known example of a one sheet is from one of Hughes' personal distributions of the film while he was trying to get the film passed by the various censors. Also, as a final note on an attempt to date this particular poster, by 1934 Boris Karloff was being billed on posters as simply "Karloff" and there wouldn't have been any need to bill him as Boris "Frankenstein" Karloff. In 1932, Karloff was still relatively unknown and it would have been logical for Hughes to draw extra publicity to his picture by reminding audiences that it was Boris Karloff who had portrayed Frankenstein's monster. This one sheet has had the borders airbrushed and some minor color touch to the fold lines where there were some small chips and crossfold tears. The yellow background toward the lower portion of the poster and some of the image has had some airbrushing and the poster was professionally cleaned to brighten the image. All in all, this is an amazing example of, what we feel is assuredly, the original poster for one of the greatest gangster films ever made. Fine+ on Linen.
There are two versions of the title appearing on surviving posters and lobby cards. One shows just the title "Scarface" while other examples show the title "Scarface" with "The Shame of a Nation" overprinted on existing paper. Since both versions of the title were used, it is logical to assume that the same was done to the one sheets. Since no other copies of the one sheet from the film's original release are known to exist, it's entirely possible that this copy simply escaped the overprint "The Shame of a Nation" that was done to other posters. Most of the real trouble in getting the film released came from the state of New York. Hughes premiered the film in New Orleans in March 1932, but didn't release the film in New York until June. In between those dates, Hughes showed the film in various places around the country trying to influence critics to hop aboard his bandwagon and get the film released in its original form and not the heavily edited version preferred by the various censors. Since the film was not officially being released by United Artists during those engagements, would the posters being used at the venues state United Artists as the film's distributor? It's an interesting question as this one sheet does not list a distributor. Also, during this time, UA had a deal with the H.C. Miner Litho company to print all of their posters. This poster was printed by the M.R. Litho company of New York. There are also examples of the "Scarface" three sheet (without the subtitle "The Shame of a Nation") and the one and three sheet for "Hell's Angels" printed by the same lithographer, M.R.Litho (Pg. 46, "Film Posters of the 1930s," Tony Nourmand and Graham Marsh, Aurum Press, 2003 and Pgs. 52 and 53, "The Movie Poster Book," Steve Shapiro and David Chierichetti, E.P. Dutton, 1979). Both of these Howard Hughes pictures were released by United Artists with posters printed by H.C. Miner Litho, yet here are examples without a listed distributor and printed by another company, M.R. Litho. They are clearly off of the original plates used on the original UA posters as well. There has been some speculation that these non-United Artists posters date from a later 1930s reissue of the film, as "Scarface" was reissued in 1935, 1937, 1940 and 1947, however, all examples of posters from these re-issues state the distributor as either UA or Astor Pictures. Knowing Howard Hughes' propensity for self-distribution, it is entirely likely that this only known example of a one sheet is from one of Hughes' personal distributions of the film while he was trying to get the film passed by the various censors. Also, as a final note on an attempt to date this particular poster, by 1934 Boris Karloff was being billed on posters as simply "Karloff" and there wouldn't have been any need to bill him as Boris "Frankenstein" Karloff. In 1932, Karloff was still relatively unknown and it would have been logical for Hughes to draw extra publicity to his picture by reminding audiences that it was Boris Karloff who had portrayed Frankenstein's monster. This one sheet has had the borders airbrushed and some minor color touch to the fold lines where there were some small chips and crossfold tears. The yellow background toward the lower portion of the poster and some of the image has had some airbrushing and the poster was professionally cleaned to brighten the image. All in all, this is an amazing example of, what we feel is assuredly, the original poster for one of the greatest gangster films ever made. Fine+ on Linen.
Scarface (Les Films Georges Muller, R-1950). French Grande (47" X 63"). Paul Muni plays the ultimate gangster in this bloody, depression-era film which outgunned other contemporary pictures such as "The Public Enemy" and "Little Caesar." Maverick producer Howard Hughes ran into much trouble in getting this film distributed due to its graphically violent content. The movie is also made notable by an early appearance of Boris Karloff. After the war many of the censorship restrictions had broken down internationally, and this film, which had not been seen in France, was released on the heels of the Astor re-release of 1947-48, as the French were in the market for almost any American film product. The poster had fold wear with some separation before being linen-backed. Very Fine+ on Linen.
Dillinger (Monogram, 1945). One Sheet (27" X 41"). This small budget, action packed bio-pic is best remembered as the first starring role for Lawrence Tierney who plays the title role. Made only ten years after Dillinger's violent end, this film told the bank robber's story through his father's eyes. Tierney would go on to dominate the film noir genre for several years and to create more than a few headlines with his brawling off-screen antics. This one sheet, striking in its explosive graphics of searing reds, bright yellow and deep blacks, has pinholes in the corners, a dime-sized chip at the upper crossfold within the title, and minor chipping on the upper vertical fold. Otherwise, it is extremely clean and attractive. Very Fine- on Linen.
Bonnie and Clyde (Warner Brothers, 1967). Japanese B2 (20" X 29"). One of the most important pictures of the 1960s, Arthur Penn's semi-historical film about gangsters Clyde Barrow and Bonnie Parker is certainly more glamorous than the real story. This wonderful Japanese poster has tack indentions and holes in the borders along with a bit of wear and tanning along the edges. There is minor wrinkling but the poster is very presentable. Rolled, Very Fine.
Pick Up (Paramount, 1933). Mini Window Card (8" X 14"). When Sylvia Sidney is released from a two year stint in the pen, she tries to start a new life. But things don't go as planned when her husband busts out of jail and she's charged with aiding his escape. This gorgeous card is virtually perfect, exhibiting only some light toning at the top. Aside from that, this exceptional beauty is flawless, sporting an exceptional portrait of the woman known for having the "saddest eyes in Hollywood." From the Collection of Denver Sherry. Near Mint-.
Two Seconds (Warner Brothers, 1932). Cloth Banner (34" X 50"). Edward G. Robinson gives a powerful performance in this drama about a man who is about to be executed for a crime he says he didn't commit. As the execution draws near, he relives the events that led to his current situation. This unusual cloth banner is a striking piece, and may very well be the only one left in existence. A great image of Robinson dominates the banner, which is in excellent condition with pinholes at the corners and some very minor stains being the only issues. You probably won't get another chance to snag this rarity, so don't let it slip away. Very Fine+.
The Little Giant (First National, 1933). Lobby Card (11" X 14"). Chicago gangster Bugs Ahearn (Edward G. Robinson) goes West to California to crash high society in this classic spoof of mob movies. He acquires a rental mansion and a high-class girlfriend (Helen Vinson) - but she turns out to be a bigger crook than he ever was. There are tears on the top and bottom borders, pinholes in the corners and side borders, and light smudging on the borders. Great close up card of Eddie G. Fine+.
Doorway to Hell (Warner Brothers, 1930). Lobby Card (11" X 14"). This is what's missing from virtually every James Cagney collection; a top grade scene card from his second film. One of the reasons they are so hard to come by is Cagney was only shown on three of the scene cards (and not on the title card).Truly innovative and Oscar nominated for Best Writing, this film would be the origin of many gangster movie 'cliches' for years to come. For example, there was a young man carrying a Tommy gun in a violin case for the first time - and its "Dracula"'s Renfield, Dwight Frye, in his film debut. Great shot of a young Cagney, being grilled by the "coppers." There are only minor pinholes in the top corners only. Very fresh color and crisp registration. Very Fine/Near Mint.
Each Dawn I Die (Warner Brothers, 1939). Window Card (14" X 22"). The only time James Cagney and George Raft starred together was in this hard-boiled prison drama. Cagney is a journalist who is railroaded on a murder charge and sent to do hard time in Warden George Bancroft's prison. While there, he meets gangster Raft, who eventually agrees to help him get out. This window card has enlarged pinholes with tears, scuffs and staining. There is theater information painted in the imprint area. Cagney and Raft shine on this poster. Fine.
The Mayor of Hell (Warner Brothers, 1933). One Sheet (27" X 41"). Two years after his star-making role in "The Public Enemy," James Cagney was headlining a string of hits for Warner Brothers. His tough guy image had caught the depression era audience by surprise, and in him they found a hero who could handle his own with the best of 'em. In this drama, gangster "Patsy" Gargan (Cagney) uses his political connections to get appointed to oversee a reform school. His initial toughness soon turns to compassion when nurse Madge Evans shows him the inhuman conditions that exist there. This is one of the classics of the Warner Brother's gangster genre, and we're unaware of this poster ever having been offered before! This fabulous "newspaper" style one sheet has minor border chipping, and light fold wear with small separations. The poster has been mounted on linen and professionally restored, resulting in a vibrant poster that displays as near mint. Very Fine- on Linen.
Angels With Dirty Faces (Warner Brothers, 1938). French Grande (47" X 63"). One of the cornerstone films of the gangster genre, this movie had everything going for it: a top-notch cast, including James Cagney, Humphrey Bogart, Pat O'Brien and the Dead End Kids, a compelling storyline about two childhood friends whose paths diverge dramatically, and an electrifying ending that film aficionados still discuss to this day. The result was three Academy Award nominations, and a film that is every bit as watchable today as it was when it was released. Original release paper on this title is extremely scarce, and avidly sought after by collectors, and this pre-war French Grande is no exception. It displays only the most minor flaws, including pinholes in the corners, fold wear and some slight crossfold separation, but professional restoration has addressed these minor concerns. This is an excellent opportunity to acquire a key piece from a classic film. Very Fine+ on Linen.
Angels With Dirty Faces (Warner Brothers, 1938). Argentinean Poster (28.5" X 43"). James Cagney walks his last mile on his way to the electric chair in this pivotal moment from what is undoubtedly one of the greatest gangster films ever made. This poster has restoration to some chipping along the center vertical fold line with a bit more work done to the upper centerpoint in Cagney's forehead. The lower right corner had been replaced as well. Fine- on Linen.
The Amazing Dr. Clitterhouse (Warner Brothers, 1938). Other Company Three Sheet (41" X 81"). Humphrey Bogart and Edward G. Robinson, two of screenland's greatest gangsters, starred in five pictures together. In this outstanding drama, Robinson is a doctor wanting to study the workings of the criminal mind, so he hooks up with a gang of thieves run by Bogart. This is a very attractive "Other Company" three sheet. The poster has some chipping in the upper border and a slight bit around the edges. There is some paint work where the two panels meet within Claire Trevor's neck and Robinson's chest. The poster displays well. Fine on Linen.
The Amazing Dr. Clitterhouse (Warner Brothers, 1938). Title Lobby Card (11" X 14"). This title card (printed on linen paper) for one of Edward G. Robinson's best dramatic efforts features a great artist's rendition of Robinson as Dr. Clitterhouse, test tubes in hand. There are stabilizing pieces of cardstock paper on the reverse along with stamps and writing in pencil. Minor edge wear and tiny tears and pinholes have formed in the borders along with a soft crease in the top left corner. But the image is intact and clean but for a small stain to the left of Robinson's lower hand. Fine.
Black Legion (Warner Brothers, 1937). Half Sheet (22" X 28"). Humphrey Bogart stars as a factory worker who joins a Ku Klux Klan-style organization when he is passed over for a promotion. His life begins to spiral when he gets more deeply involved in the groups nefarious activities. This half sheet has edge wear and tears with chips, fold wear with separations, creases and stains, and a few staple holes. The poster has been mounted on paper and professionally restored. Chilling images. Very Good- on Paper.
Brother Orchid (Warner Brothers, 1940). Window Card (14" X 18"). "Little John" Sarto (Edward G. Robinson) is a top mob boss who decides to quit the life and try to find culture in Europe. But once overseas he loses his fortunes to swindlers, and returns to the U.S., looking to reclaim his position and his moll (Ann Sothern), but finds that his former right-hand-man Jack Buck (Humphrey Bogart) has taken his place as top dog. An unusual hybrid film with elements of crime, film noir, and comedy, this is one of only five films that Robinson and Bogey did together. This outstanding window card has a delightful cartoonish image of EGR against a backdrop of photographs. This card has some minor condition issues which include a heavy crease in the lower left corner repaired and airbrushed, some minor scuffing with slight surface paper loss. Fine+.
Brother Orchid (Warner Brothers, R-1950s). British Quad (30" X 40"). A gangster picture with a difference, as Edward G. Robinson plays John Sarto who, during a gang war with rival mob boss Jack Burns (Humphrey Bogart), takes refuge in a local monastery. Of course, the kindness of the monks eventually wins Sarto over, and he aids the police in bringing Burns to justice, eventually joining the monastery for real. Bogart and Robinson made five crime films together, and this is the only one in which neither is killed. This attractive quad, with its colorful images of the two stars, has some heavy wear and a tape stain on the right border, pinholes in the corners and corner bends, some fold tears at the edges and an extra fold at the bottom center. None of these flaws really affect the main image area, however, making this a very attractive and desirable poster. Fine/Very Fine.
Crime School (Warner Brothers, c.1945). Belgian (10.5" X 15.5"). A fascinating piece of history, both for film and World War II collectors. During the war years, the Germans used any local source materials they could find. They raided theaters and printing offices, taking actual film posters and printing German maps on the unprinted backs! This is a fine example of such a poster, with a map of the German Rhein region of Baden-Wurttenberg on the back of the Bogart classic, "Crime School," with a wonderful stone litho drawing of the cast. The poster has been trimmed in the theatre imprint area, not affecting the artwork itself. A soft middle crease and minor edge wear is all that detracts from the bright, fresh color. Fine+.
Crime School (Warner Brothers, 1938). Window Card (14" X 22"). Ripped from the machinegun-tattered headlines of Prohibition Era America, the gangster film blazed across theater screens worldwide, thrilling audiences with brutality, bullets and violence. One of the best of the bunch was this fine film which teamed up-and-coming star Humphrey Bogart with the always popular Dead End Kids. This window card has the usual pinholes in the corners and light edge wear. There's a small bend in the lower left corner, a small touch of paint repair by Bogart's face, and a small tear that's been repaired on the right edge. The most extensive work has been done to the top title area, which has been bleached to remove the writing, and the bottom of the card, which has had much of the lettering replaced. The card presents beautifully, and will certainly highlight any crime collection. Fine+ on Cardstock.
Dead End (United Artists, 1937). Lobby Cards (2) (11" X 14"). One of these two scarce original issue cards features a great close-up of Joel McCrea, Allan Jenkins and Humphrey Bogart. The other features The Dead End Kids, Sylvia Sidney and Joel McCrea. There are pinholes in the images and borders, corner creases and chips, and staining in the borders and fields. The Bogart card has a bit of sun fading. Very Good/Fine.
Dead End (United Artists, Post War 1946). Italian Locandina (13" X 27"). Starring Sylvia Sidney, Joel McCrea and Humphrey Bogart, this is considered to be one of the best pictures made during the 1930s. This lot offers the first showing after the war in Italy in 1948. Bogey received 3rd billing in the original release, but after 'Casablanca' and several other hits, he receives top billing and a large artistic drawing above his co-stars. There are chips in the lower and bottom right border, the top border, and the middle left border. There is a soft middle fold, and a small tear in the top left border, and minor pinholes. Fine/Very Fine on Linen.
High Sierra (Warner Brothers, 1940s). Spanish One Sheet (27.25" X 39.25"). Humphrey Bogart had been a "supporting player" for almost ten years on the Warner's lot when Raoul Walsh cast him as the sympathetic lead in "High Sierra." The film was a smash and remains one of the classics of the gangster genre. This stirring poster has small holes in the borders, wear and tear along the edges and pinholes in the borders. Wear at the fold lines has led to separations at the center points and small tears at the fold lines. Fine/Very Fine.
Kid Galahad (Warner Brothers, 1937). Belgian (14.5" X 19"). When bellhop Wayne Morris knocks out promoter Humphrey Bogart's best fighter after the champ insults Bette Davis, boxing manager Edward G. Robinson discovers a new contender. The only thing that can bring down his new pugilist is the complication of love. This gorgeous Belgian poster has been trimmed by two inches on the imprint area, and there are pinholes, creases, and one light horizontal fold. The poster has been mounted on linen, but no restoration has been done. Great artwork of the three male leads makes this a knockout for fans everywhere. Fine+ on Linen.
Kid Galahad (Warner Brothers, 1937). Mini Window Card (8" X 14"). Boxing manager Edward G. Robinson thinks he's found a good prospect when bellhop Wayne Morris knocks out promoter Humphrey Bogart's best fighter. However, romantic complications with Bette Davis and Jane Bryan make Robinson change his mind. This dynamic midget window card, rendered in a striking Art Deco style, has light edge wear with tiny chips, corner and edge creases, and very fine pinholes in the upper corners. Fabulous artwork of the two stars makes this a rare prize indeed. From the Collection of Denver Sherry. Very Fine+.
King of the Underworld (Warner Brothers, 1939). Insert (14" X 36"). Convincing sadistic crime boss Humphrey Bogart, a gangster with a Napoleon complex, and his men that they all suffer from bad eye infections, a good doctor bent on revenge (Kay Francis) proceeds to blind the mobsters with adrenaline eye drops and then calls the police. This gripping image has Bogey shielding his blurring vision while blazing away at the cops with his pistol. This is an original Warner Brothers poster on the 'linen' paper used at that time. There are pinholes, edge wear in the top border with tiny tears, bottom border soiling, fold wear with slight crackling, a mild crease in the top field, and bottom field scuffing. Many collectors consider this insert the best poster from this film and one of the best Bogart posters, period! Fine/Very Fine.
You Can't Get Away With Murder (Warner Brothers, 1939). Swedish One Sheet (27.5" X 39"). Humphrey Bogart has killed a man with a gun he stole from the fiancee of accomplice Billy Halop's sister. Now they're all three in prison, and Bogart wants Halop to keep quiet about the murder. This Swedish one sheet has pinholes, edge wear with minor chips and fold wear. The poster has been mounted on linen. Fabulous artwork of Bogie. Fine- on Linen.
The Big Shot (Warner Brothers, 1942). Half Sheet (22" X 28") Style A. Filmed between "The Maltese Falcon" and "Casablanca," Bogart is three-time loser Duke Berne, who plans an armored car robbery just after he gets out of prison, even though getting caught would mean life in the big house. This would be the last time Bogey would play a gangster. This great half sheet is deceptively simple in its very effective graphics. Bogart's character spends the latter part of the film realizing he is no good for Lorna (Irene Manning), and spends the rest of the film atoning for his sins. That attitude is totally reflected in the look on his face. Luckily this terrific image does not have the normally seen foldline right through Bogart's eyes, as the poster is original and unfolded. There is minor soiling, a 2" tear in the right border and a 3" tear in the top left border, both repaired with archival tape on the back. There are slight surface scuffs in the B of Bogart and the G of Big. This half sheet and the title card, which are identical in design, are the best posters on this title! Very Fine+.
The Big Shot (Warner Brothers, 1942). One Sheet (27" X 41"). Humphrey Bogart's last time playing a gangster was this film noir that was made between "The Maltese Falcon" and "Casablanca." Fold separations with minor paper loss, pinholes, small corner creases, small stains in the lower left field and bottom border, and tiny burn hole in the lower left corner. Fine/Very Fine.
The Enforcer (Warner Brothers, 1951). Italian Locandina (13" X 27"). Humphrey Bogart stars as a crusading District Attorney out to expose the Mob's practice of taking contract hits or murders for hire. This spectacular Italian Locandina by poster great Luigi Martinati is considered to be the best poster on the film. Bogart is seen rescuing Patricia Joiner, a girl whom the mob fingers as a witness. There are soft folds with tiny separation in the lower left, tanning, minor edge wear and a small tear in the right border. Very Fine.
The Enforcer (Warner Brothers, 1951). Spanish One Sheet (26.75" X 38.75"). It's hard to make a bow tie look tough but if one man could do it, it was Humphrey Bogart. This Jano rendering of Bogie is one of the better images used for this 1951 Film Noir classic. There is light scuffing in the field, fold wear with cross fold separations and tears at the fold lines. Several pinholes are present in the borders along with a bit of wear and tear. Fine/Very Fine.
The Wagons Roll at Night (Warner Brothers, 1941). Half Sheets (2) (22" X 28") Styles A and B. Humphrey Bogart received top billing for the first time in this picture, set in a circus, but based on the story of "Kid Galahad," a boxing drama made just four years earlier. From this point on, Bogart always received top billing. The Style A sheet has a strip torn from the left edge. It also has pinholes, a small bottom edge chip, light soiling, and corner creases. It has been folded, and has short tears at the fold edges. Interestingly, a snipe has been placed over the cast list. The snipe elevates Sylvia Sidney from fourth billing, as originally printed, to second billing. The rarer Style B sheet has pinholes and small edge tears and chips. Several of the tears have cellophane tape repair on the reverse. There is light staining in the left border and a narrow cellophane tape remnant near the center of the image. The poster has been folded once vertically, and has a number of scattered creases, wrinkles, and scratches. A splice has been used to replace the lower left corner. Sydney's name appears in fourth billing here. Both posters feature great facial images of the cast. Very Good.
Session 2
Don't Knock The Rock (Columbia, 1957). Six Sheet (81" X 81"). An early rock and roll film, this one features singer Alan Dale as Arnie Haines returning home as a musical hero. The adults don't dig his sound, though, and try to ban rock and roll from the hallowed halls of Mellonville. Of course, there are swingin' tunes a-plenty, from the likes of Bill Haley and the Comets, Little Richard, and The Treniers. The music and the dancing are the highlights of this film, and the frenetic fun is perfectly captured on this colorful six sheet, which prominently features rock and roll legend Haley. Aside from one or two small tears at the edges of the individual pieces, now made virtually invisible by professional restoration, this gorgeous sheet is about as clean as they come. Very Fine+ on Linen.
The Great Rock 'n' Roll Swindle (Virgin Films, 1980). British Quad (30" X 40"). Originally to be a Russ Meyer film with a script by Roger Ebert, this mockumentary tells the story of punk rock band The Sex Pistols through the eyes of their iconoclastic manager, Malcolm McLaren. This British quad has a few pinholes, edge wear with small tears and corner creases, light fold wear, and wrinkling with creases. Fabulous artwork by M. Hirsch. Very Fine-.
A Hard Day's Night (United Artists, 1964). Three Sheet (41" X 81"). This madcap look inside the insanity that was Beatlemania helped to catapult the Fab Four from superstardom into a category all their own. George Harrison, John Lennon, Paul McCartney, and Ringo Starr come across as very human young men caught up in a whirlwind they could never hope to control. This gorgeous poster shows only the most minor signs of wear from storage, and is in unused condition. Mint.
A Hard Day's Night (United Artists, 1964). Japanese B2 (20" X 29"). Innovative young director Richard Lester developed a whole new film style with this "day in the life" of the Beatles, which also includes many of their famous songs. This Japanese poster features completely unique artwork and is very clean. There are a few small edge tears, faint wrinkling and smudging in the borders and very soft fold lines. If you're a Beatles fan - and who isn't? - you won't want to miss the chance to acquire this colorful beauty. Very Fine/Near Mint.
A Hard Day's Night (United Artists, 1964). Lobby Card Set of 8 (11" X 14"). Richard Lester directs with a deft hand, letting the Beatles' personalities shine through, and crafting some lighthearted antics that would be ripped off wholesale by the Monkees a few years later. Timeless songs include "I Should Have Known Better," "And I Love Her," "She Loves You," and the title track. This hard-to-find lobby card set features the boys at their finest. The #1 card has some foxing in the borders and a dust shadow on the left; the #2 card has an impact crease on the left side; the others have, variously, staple holes, light foxing, and minor corner bumps. Money can't buy you love, but it can buy you this incredibly rare lobby card set. Fine/Very Fine.
Help! (United Artists, 1965). One Sheet (27" X 41"). Ringo's ring is the McGuffin in this second outing for the Beatles, again directed by Richard Lester, but in full color this time. British stalwarts Leo McKern and Eleanor Bron try to track the boys down, but John, Paul, George, and Ringo win every time! This Beatle-rific poster has sharp graphics and great color. Pinpoint crossfold separations, creasing in both bottom corners, minor wrinkling and some very minor smudges are the only issues here, and they're barely noticeable. You'll love this, yeah, yeah, yeah... Very Fine.
Help! (United Artists, 1965). Six Sheet (81" X 81"). By 1965, The Beatles were the most famous band in the world. Their faces could be seen on everything from bubble-gum to beach towels. United Artists, after the huge success of "A Hard Day's Night," were quick to respond with this second feature for the boys. Minor edge tears and a tiny chip in the bottom left corner are the only flaws on this very clean poster. Near Mint on Linen.
Yellow Submarine (United Artists, 1968). One Sheet (27" X 41"). When the producers approached the Beatles about this film, the group, who hated the TV cartoon show of them, agreed to do the project only as an easy way of completing their movie contract with UA. The film has become a modern animated classic with its Peter Max inspired design, set to the music of the Beatles. This poster had pinholes in the corners and several spots around the top and bottom border, as well as a larger spot in the upper left white background where paper was lifted from the backside of the poster with tape. It is not detectable by viewing from the front side. There is minor color touch-up to the fold lines and a small bit of white color touch-up below George Harrison's name underneath the tagline. Fine+ on Linen.
Let It Be (United Artists, 1970). Japanese B2 (20" X 29"). The Beatles get together in the studio one final time and produce a legendary documentary film of the process. Large headshots of John Lennon, Paul McCartney, Ringo Starr and George Harrison make this a "must have" for any fans of the Fab Four. In flawless condition. Rolled, Mint.
Let It Be (United Artists, 1970). One Sheet (27" X 41"). Filmed on location at Apple and Twickenham Film Studios, this chronicle of the Beatles' latter days was originally intended as a television documentary, but ultimately was released theatrically, largely for financial reasons. Despite the frayed nerves, some classic music came from these sessions, including "The Long and Winding Road," "Across the Universe," and the title track. This outstanding one sheet (which mirrors the simple design of the album cover) is in spectacular condition, with a pinhole in one corner and light fold wear being the only issues. A fab poster for this little-seen film. Near Mint-.
Love Me Tender (20th Century Fox, 1956). One Sheet (27" X 41"). Atypical of most of his films, the King's first feature was a Civil War tale originally titled "The Brothers Reno," with a title switch coming after Elvis had been cast as younger brother Clint. The uber-gorgeous Debra Paget is the love interest, and Presley sings a number of songs, including the classic title tune. This fantastic one sheet has an iconic image of Elvis and his guitar, and is in outstanding condition, with some crossfold separations, a minor fold split on the right side, and a minor chip out at the fold line. A King among Elvis posters! Very Fine on Linen.
King Creole (Paramount, 1958). French Grande (47" X 63"). A great pre-Army Elvis film, this picture tells the story of Danny Fisher, a high school drop-out who has a chance to make it big as a singer if he can steer clear of the many pitfalls placed in his way in the form of girls, gangsters and guns. One of "the King's" most popular films, "King Creole" was directed by Michael Curtiz, who also helmed such classic pictures as "Casablanca," "The Adventures of Robin Hood," and "Angels with Dirty Faces." This exceptional poster, with glorious art by Boris Grinsson, shows some very small pinholes in the borders, some slight fold wear with separation, and some chipping at the edges, but professional restoration has addressed these minor issues, resulting in a very clean and attractive piece. Very Fine- on Linen.
King Creole (Paramount, 1958). Three Sheet (41" X 81"). If you're a fan of the King - and who isn't? - this poster is for you! In this early Elvis film (he only had three other movies to his credit before this one), Presley plays a high school dropout who gets a job as a singer in a saloon. Trouble follows, however, in the form of gangsters and girls, as well as a fistfight between Elvis and Walter Matthau. Along with "Jailhouse Rock," many consider this to be one of Presley's finest films. The striking three sheet offered here, which features the same artwork as used on the one sheet, perfectly captures the spirit of the young Elvis: brash, confident, and infinitely talented. The separate pieces of this poster have been put together, and it shows enlarged pinholes in the corners, light edgewear, a small smudge at the bottom center, some staple holes in the field, and some creasing at the bottom right. Additionally, there is a corner bend in the bottom right and some crossfold separation, as well as a 2" tear in the right border and a small area of paper loss at the right edge, just inside the border. These flaws do little to diminish the overall appeal of this poster, which remains a highly desirable piece. Fine+.
Jailhouse Rock (MGM, 1957). One Sheet (27" X 41"). Elvis rocks the house -- the jailhouse that is, in this high-energy melodrama. Besides the legendary title tune, songs include "(You're So Square) Baby I Don't Care," and "Treat Me Nice." This classic one sheet features one of the best portraits of Elvis on any poster, with simple, effective graphics and great color. The poster has had some professional restoration to correct fold wear, crossfold separations, and minor paper loss in one fold line. Don't miss the King at his youthful best! Very Fine+ on Linen.
Jailhouse Rock (MGM, 1957). French Grande (47" X 63"). Considered one of Elvis's greatest films, and the one most people think of when they think of "The King," this is the story of a young man who goes from prison inmate to singing superstar, learning important lessons about honor and friendship along the way. The perfect blending of story and music makes this one of Presley's most enduring films. This gorgeous poster, featuring exceptional artwork by Roger Soubie, ranked by many as one of the finest French poster artists, displays some fold wear and crossfold separation, as well as foldline chipping, all of which has been addressed by professional restoration. There is some overall tanning, and the upper left area of the poster has had a good bit of restoration. Overall, this is a very nice poster, with a very clean appearance. Fine- on Linen.
Jailhouse Rock (MGM, 1957). Insert (14" X 36"). Elvis Presley, that iconic and mythic symbol of rock and roll, made one of his best films with this entry into the American cinema and conscience. The films Elvis made prior to his stint in the Army captured the King in his youth, at the height of his musical career. The posters for these films, "Jailhouse Rock" in particular, are more sought after than any of his others. This inset has a small chip in the lower left corner, tape stains and edge tears in the borders. A tear has formed in the left border and there is minor scuffing and wrinkling in the image. Tape is present on the reverse and while the poster is folded, there is little fold wear. Fine+.
Jailhouse Rock (MGM, 1957). Title Lobby Card and Lobby Cards (6) (11" X 14"). A signature film for Elvis Presley, and one of his most-recognized songs. The King plays a guy imprisoned for manslaughter who meets up with a country singer in the pen who introduces him to the music business. This almost-complete set of lobby cards is missing only the #4 card, and includes both the title card, and the famous "Jailhouse Rock" dance number scene. The title card has some staining in the left border, light foxing, and some scuffing in the guitar area. The other cards have pinholes, minor edge wear and corner bumps, and the #2 card has a 1/2" tear in the bottom border. Overall, these cards totally rock. Fine/Very Fine.
Loving You (Paramount, 1957). Half Sheet (22" X 28") Style A. Elvis Presley gets his very first screen kiss (from Jana Lund) in this, his second feature film, and his first in color. Presley plays a delivery boy who gets discovered and launched into a singing career, while Dolores Hart is a singer who falls for his boyish charms. Lizabeth Scott and Wendell Corey head up the excellent supporting cast. The King strums his guitar on this wicked-cool half sheet, while the supporting cast sings along. There is a tiny crossfold separation, minor fold wear, and some light horizontal creases that run across the top half of the poster. Rock out with the King and this raucous poster. Very Fine.
G.I. Blues (Paramount, 1960). Lobby Card Set of 8 (11" X 14"). Elvis Presley's first film after he returned from his stint in the Army proved that he still had drawing power. Showings were sold out, and there was even a riot in Mexico. The King plays a G.I. who wants to own a nightclub when he gets out of the service, but has to scramble to make the money for his dream. This lobby set has a few pinholes, smudges and stains, and a few scuffs. One card has a tape stain in the upper right corner. Nice shots of Presley and co-star Juliet Prowse. Very Fine+.
Girls! Girls! Girls! (Paramount, 1962). One Sheet (27" X 41"). Elvis Presley plays a charter boat captain trying to buy the boat his father once owned from a wealthy guy, while falling in love with his daughter. The songs include the classic "Return to Sender," and Stella Stevens is at her most alluring as one of the girls! A stunning example of this fun poster, with bright white paper and razor-sharp colors. Staple holes in the corners and along the left border, and some minor creasing in the corners and the center fold are about the only issues here. Get your bid in now for the swingin'-est Elvis of them all! Very Fine.
Girls! Girls! Girls! (Paramount, 1962). Japanese B2 (20.5" X 28.5"). One of Elvis Presley's most popular films, "Girls! Girls! Girls!" was a huge moneymaker. The poster has a large profile of the King in his captain's hat, plus a smaller image of Elvis surrounded by eight lovely ladies, including his two main love interests, Stella Stevens and Laurel Goodwin. There are pinholes, with slight removal tears in the upper corners. The poster has been folded, and the upper vertical fold line has a very narrow color chip. There is also a very soft horizontal crease across the lower quarter of the poster. A super treat for Elvis fans. Very Fine.
Blue Hawaii (Paramount, 1961). One Sheet (27" X 41"). Just two years after Hawaii became a state, Elvis Presley went there to make the first of several films set on the islands. Among the "14 Terrific Songs!" are such favorites as "Rock-a-Hula Baby," "Island of Love," and the classic "Can't Help Falling in Love With You." This poster has super-bright colors. Minor edge wear and foxing, some wrinkling in the lower right border, and overall handling wear are the only issues here, making this a tip-top example for any Elvis fan. Near Mint-.
Blue Hawaii (Paramount, 1961). Three Sheet (41" X 81"). This was one of Elvis Presley's most successful post-Army films with musical numbers including "Can't Help Falling In Love" and "Blue Hawaii." This beautifully restored three sheet had minor tears along the edges, fold wear with separations and paper loss. Now, it is in stunning condition with glorious colors and ready to display. Fine+ on Linen.
Blue Hawaii (Paramount, 1961). Lobby Card Set of 8 (11" X 14"). An exotic location with exotic women provides the beautiful backdrop for one of Elvis Presley's most enjoyable films. Joan Blackman, Nancy Walters, Jenny Maxwell, and Pamela Austin are among the babes on hand, and Angela Lansbury plays Elvis' mom, even though she was barely ten years older than him. This hubba-hubba lobby card set has plenty of girls in bathing suits, and the King is on every card. A bump in the top right corner runs throughout the entire set, and various cards have minor corner creases and light foxing, with a small border tear on the #5 card. Viva Hawaii! Very Fine.
Viva Las Vegas (MGM, 1964). Half Sheet (22" X 28"). The King of Rock and Roll, and buxom Ann-Margret in form-fitting tights -- who could ask for anything more? This was Elvis Presley's most successful theatrical film, and many fans believe it to be his best as well. Vivacious Ann-Margret heats up the screen and the songs and dance numbers are top-notch. This kickin' half sheet has light edge wear at the top, creasing across the bottom edge and light fold wear. Very Fine.
Viva Las Vegas (MGM, 1964). Japanese B2 (20" X 29"). Elvis' biggest box office success features him as down-on-his-luck Grand Prix race car driver Lucky Jackson. Lucky hopes to get lucky in Vegas and raise money for a new engine for his race car. Along the way, he sings, dances and romances his way into the heart of the always vivacious Ann-Margret. This Japanese poster has wrinkling and creasing in the borders, and image and faint edge wear, but is otherwise very clean. Rolled, Very Fine+.
Viva Las Vegas (MGM, 1964). Lobby Card Set of 8 (11" X 14"). As the truest of American Icons, Elvis Presley and Ann-Margret deliver the most potent girl/boy combo ever to heat up the silver screen. This lobby set shows the great key moments in the film with both Presley and Ann-Margret in seven out of the eight cards. Card #2 has a tiny smudge in the top right corner. There is minor creasing and a bit of foxing in the borders of this set, as well as small corner bumps and light edge wear, but this remains an excellent lot for one of The King's greatest films. Very Fine-.
Viva Las Vegas (MGM, 1964). Three Sheet (41" X 81"). It's not hard to see why this is one of The King's most popular films: a young Elvis in his prime, a young and incredibly gorgeous Ann-Margret in hers, and a soundtrack jam-packed with great songs, including the title tune that would become one of Elvis' signature pieces. Put them all together, and they spell box office gold! Lucky Jackson (Presley) arrives in town with everything he needs to win the Las Vegas Grand Prix... except a working motor for his car. While raising money to fix that problem, he also finds time to win the heart of beautiful Rusty Martin (Ann-Margret) and sing a few songs. For Elvis fans, it doesn't get much better than this. The three sheet offered here has pinholes in the corners and wrinkling in the folds, as well as a small scuff hole and a few tears in the top. Otherwise, this is an extremely attractive poster that any Presley fan would be proud to own. Very Fine-.
Giant (Warner Brothers, 1956). One Sheet (27" X 41"). A sprawling, epic saga of life in Texas, this was the final film for James Dean, released almost a year after his death, bringing him his second posthumous Oscar nomination. Rock Hudson and Elizabeth Taylor are the ostensible leads, but it's Dean that everyone remembers. This outstanding unrestored one sheet is one of the brightest copies we've seen, with pinpoint crossfold separations, very minor fold wear, and pinholes in the corners. An extremely clean copy of this terrific poster. Very Fine/Near Mint.
Giant (Warner Brothers, 1956). Australian Daybill (13" X 30"). John Wayne, William Holden, Forrest Tucker and Sterling Hayden were among the choices to play Bick Benedict in George Stevens' epic production of "Giant." The role of Leslie was offered to Grace Kelly and Audrey Hepburn, and Stevens wanted Alan Ladd for Jett Rink. In the end, Rock Hudson, Elizabeth Taylor and James Dean gave performances that were among the best in their careers. This Australian daybill has edge wear and tears with wrinkling, extra horizontal folds, and dust shadows. Beautiful stone litho artwork of the three stars. Fine/Very Fine.
Giant (Warner Brothers, 1956). Standee (20" x 70"). Without a doubt, this has to be one of the rarest of all posters made for this classic George Stevens picture. James Dean as the wildcatter, Jett Rink, appears on this original standee. This was Dean's last film before his life was tragically cut short; he was posthumously nominated for Best Actor by the Academy. This is a portion of the original, full-size standee, as there were full-size die-cut images of Rock Hudson and Elizabeth Taylor created as well. There is some slight wear to the edges, a few scuffs within the image and a bit of chipping in the color around the base, but otherwise, this standee is in incredible condition and sports a "James Dean" printed signature. This may be your only chance to acquire this incredible poster of one of the screen's true icons. Very Fine-.
East of Eden (Warner Brothers, 1955). Lobby Card Set of 8 (11" X 14"). Based on John Steinbeck's lusty novel, "East of Eden" was a breakthrough role for James Dean. The #1 card has tack holes and tape along two edges, obscuring some of the printing. The #6 card has some staining and minor crimping, while the #7 card has creases in both top corners. The others have average wear and pinholes. Fine-.
The James Dean Story (Warner Brothers, 1957). Half Sheet (22" X 28"). An early project in the career of director Robert Altman, this comprehensive look at the life of James Dean was released just two years after his untimely death. Before it was decided to make a documentary, Elvis Presley tried his best to convince Altman to cast him as Dean. This rolled half sheet has a few pinholes on the right side, light edge wear with wrinkling, a corner chip, and a few smudges. Several wonderful images of Dean make this a perfect choice for any of his many fans. Rolled, Fine/Very Fine.
Rebel Without a Cause (Warner Brothers, 1955). Poster (40" X 60") Style Z. Offered in this lot is the ultra-rare large format poster from the definitive James Dean film. This poster has had restoration for several areas of missing paper on the left and right sides of the poster which were primarily into the white borders and in some areas slightly into the image. The central image area is intact and displays beautifully. A truly iconic image recognized the world over as the ultimate symbol of "teenage rebellion." Very Good- on Paper.
Rebel Without a Cause (Warner Brothers, 1955). Half Sheet (22" X 28"). Originally slated to be filmed in black and white, the switch to color led director Nicholas Ray and costume designer Moss Mabry to put James Dean in a bright red jacket, and an iconic Hollywood image was born. Dean didn't live to see the release of this film, but his performance -- along with his untimely demise -- cemented his role as a Tinseltown icon. This nifty half sheet has minimal fold wear, pinholes in all the corners, a small fold tear at the right side, and a puncture hole to the right of Dean's figure. Fine.
Rebel Without a Cause (Warner Brothers, 1955). Lobby Card Set of 8 (11" X 14"). This hard-hitting youth drama was a signature role for James Dean, but also features a top-notch supporting cast in Natalie Wood, Sal Mineo, Jim Backus, and Dennis Hopper as "Goon." Dean is featured on every card in the set. The set has overall tanning, with pin and staple holes on most cards, as well as blunting at the corners. Card #5 has tape stains and card #8 has a light vertical crease that does not break the ink. Fine-.
Rebel Without a Cause (Warner Brothers, 1955). One Sheet (27" X 41"). The landmark teen film that solidified James Dean's image with the public follows the story of rebellious middle-class teens, disenfranchised with their parents, and given to a life of juvenile delinquency. This beautiful one sheet is the quintessential Dean poster and the one to have. This copy is in fabulous condition with fold touch-up only. Very Fine+ on Linen.
Rebel Without a Cause (Warner Brothers, R-1957). One Sheet (27" X 41"). James Dean cemented his status as a Hollywood legend with this frankly unforgettable performance. The supporting cast was top-notch as well, and Natalie Wood has rarely looked lovelier. This outstanding 1957 reissue poster is very similar to the original one sheet, with different text and top left picture, but retaining the iconic main image of Dean at his cocky best. A beautiful copy with a light crease in the top left corner, a small tear in the right border, and minor edge wear. You've got plenty of cause to cast a bid on this beauty, so don't miss it. Very Fine+.
On the Waterfront (Columbia, 1954). One Sheet (27" X 41"). The Best Picture Oscar winner of 1954 was this hard-hitting expose of corruption and murder in the dockworker's union in New York. The film was the screen debut of Eva Marie Saint (who won an Best Supporting Actress Oscar) and such character actors as Martin Balsam, Fred Gwynne, Michael V. Gazzo and Pat Hingle. This one sheet had enlarged pinholes, tape scuffs, and fold wear with separations. There was a stain on Brando's cheek, and bleed through from an NSS stamp on the back. The poster has been mounted on linen and professionally restored, giving it a very clean appearance. Dynamic images of Brando and his co-stars. Fine+ on Linen.
The Wild One (Columbia, 1953). Australian Daybill (13" X 30"). Marlon Brando was the original "rebel without a cause," two years before James Dean, in this memorable and controversial biker film. This Australian poster features the Aussie take on several of the same images found on the U.S. half sheet. This example has small edge tears, light wrinkling in the borders and image, and minor tanning and pinholes in the margins. If you are a fan of this great film this may be the best poster for you as its stone litho image is far superior, in our opinion, to the original American paper. Folded, Very Fine.
Easy Rider (Columbia, 1969). One Sheet (27" X 41") Style C. Along with "Bonnie and Clyde" and "The Graduate," this was one of the seminal films of the late 60s that led to the changing of the guard in Hollywood. Peter Fonda and Dennis Hopper motorcycle across the country while trying to find the soul of America, only to discover that, "We blew it." This one sheet has light fold wear with small crossfold separations, wrinkling, and a few small stains. Iconic artwork of Fonda. Very Fine-.
Motor Psycho! (Eve Productions, 1965). One Sheet (27" X 41"). Filmed the same year as "Faster, Pussycat! Kill! Kill!" this paean to mindless violence was director Russ Meyer's examination of a crazed motorcycle gang led by a disturbed Vietnam vet (one of the first, since the war was just getting ramped up at that point). This one sheet had fold wear with tears and chips, and a few small stains, but mounting on linen and professional restoration have addressed these issues. A fabulous cycle gang image, taken straight from the headlines, makes a striking and dramatic poster. Fine+ on Linen.
The Acid Eaters (FPS Ventures, 1968). One Sheet (28" X 41.5"). Exploitation icon David Friedman, producer of such cult classics as "Two Thousand Maniacs," "Ilsa She-Wolf of the SS," and "Blood Feast," also produced this time-capsuled drug film with an amazing psychedelic one sheet to match. Friedman, no stranger to pretty girls, even insisted on handling the cinematography under the name of "Milo Gore." A typical over-the-top Friedman production, his poster brazenly ballyhoos this as "The first Underground Hollywood Movie!" Certainly atypical of even "adult" film titles, this poster breezily displays nudity in both artwork and photograph form. This would dictate that the poster could only be used in certain venues, as nudity was not allowed on posters displayed in shopping mall theatres, for example, leading Friedman to coin the term "Mall-soleum," referring to multiplex cinemas. A very scarce example of the "free love" era, in a great grade, with wonderfully bright "day-glo" coloring. Professionally linen-backed, with restoration work on only the soft fold lines, and minor pinholes. Very Fine/Near Mint on Linen.
Beyond the Valley of the Dolls (20th Century Fox, 1970). German A1 (23.5" X 33"). Three innocent girls (Dolly Read, Cynthia Myers and Marcia McBroom) come to Hollywood to find success in the music world, only to be caught up in the craziness of sex, drugs and rock 'n' roll. Director Russ Meyer considered this his most important film. This German poster has light edge and fold wear with wrinkling. The great image perfectly captures the film's mix of flower power and violence. Very Fine-.
Daddy "O"/RoadRacers Combo (American International, 1958). Three Sheet (41" X 81"). Death stalks the open road in these freewheelin', hi-test films that put the pedal to the medal for fun, thrills and murder. Movies like this were a natural outgrowth of the popular "juvenile delinquent" genre of the 1950s, which sought to bring contemporary "cool" to the nation's movie screens via rebellious teens, hot cars and platinum bombshells. This thrill-packed three sheet, promoting a slam-bang double bill, shows some wrinkling at the fold lines and a small hole in the center of the image, but is otherwise quite clean and attractive. Fine/Very Fine.
Thunder Road (United Artists, 1958). One Sheet (27" X 41"). Robert Mitchum -- who also came up with the original story, his only film credit as a writer -- stars as a Korean war vet who comes home to the mountains to take over the family moonshining business, but has to contend with big-city gangsters as well as the cops who are out to nail him. A taut action thriller directed by Arthur Ripley. This is one of the cleanest "Thunder Road" posters we've seen, with only one crossfold separation, minor edge wear, and a small tear at the top center fold. Very Fine+.
Bullitt (Warner Brothers, 1968). International One Sheet (27" X 41"). Steve McQueen is Lt. Frank Bullitt, a San Francisco detective with a penchant for extreme violence, a character that would pave the way for Clint Eastwood's "Dirty Harry" three years later. This hard to find International one sheet has paper loss on the reverse upper right quarter. There is also a bit of soiling along the fold lines on the reverse and minor fold wear. But, thanks to minor restoration, this poster will display very well. Very Fine- on Linen.
Billy Jack (Warner Brothers, 1971). International One Sheet (27" X 41"). Tom Laughlin wrote, produced, directed and stars in this low-budget people pleaser from the early '70s. One sheets from the "Billy Jack" franchise are out there, but the international one sheet offered here, designed by Piero Ermanno Laia, is seldom seen. The poster has a few very minor pinholes, a tiny centerfold separation, and a purple stamp in the lower right border area that warns that you must be 18 years of age to be admitted. Very Fine+.
Enter the Dragon (Warner Brothers, 1973). Hong Kong Poster (21" X 31"). Bruce Lee's best and most popular kung fu action epic features spectacular fighting sequences. Lee is a martial arts expert determined to capture the narcotics dealer whose gang was responsible for the death of his sister. Offered here is the highly desirable country of origin Hong Kong poster that rarely turns up for auction. It has light wrinkling in the borders and minor edge wear. The artwork shows Lee, Jim Kelly and John Saxon. Rolled, Very Fine.
Midnight Cowboy (United Artists, 1969). Autographed Six Sheet (81" X 81") plus Signed Photo. This searing drama about the life of a male prostitute (Jon Voight) and his pallid pal (Dustin Hoffman) scored Oscars for Best Picture, Best Director, and Best Screenplay, and you only have to watch the movie to see why. Offered here are two autographed items: a superb six sheet for the film (light fold wear with some minor chips, mostly on the upper panel) signed by Dustin Hoffman and Jon Voight, and a signed photo of Brenda Vaccaro. Also included are Certificates of Authenticity for the signed items, and paperwork detailing the provenance (the poster was donated by Hoffman to a charity auction run by the Dreamcatchers Foundation). A superb collection of memorabilia from this classic film. Very Fine+.
One Flew Over the Cuckoo's Nest (United Artists, 1975). Lobby Card Set of 8 (11" X 14"). Jack Nicholson won the Oscar for Best Actor for his portrayal of a man confined to a mental institution, and his rebellion against the system. The film was the first since 1934's "It Happened One Night" to sweep the major Oscars. This very clean lobby card set has minor corner bumps and the faintest of wrinkling. Very Fine/Near Mint.
Sweet Sweetback's Baadasssss Song (Cinemation Industries, 1971). One Sheet (27" X 41"). Dedicated to "Brothers and Sisters who have had enough of the Man," this landmark movie was the very first of the "blaxploitation" films of the 1970s, preceding "Shaft" by several months. Entirely financed by actor/writer/director Melvin van Peebles (with the help of a $50,000 loan from Bill Cosby), it succeeded beyond anyone's wildest dreams, in spite of very limited distribution, eventually earning more than $15 million and becoming the top-grossing independent film of 1972. That same limited distribution has resulted in a true scarcity of paper on this title, making this dramatic one sheet a rare opportunity for fans of this explosive genre. This one sheet has light fold wear with an extra crease on the vertical fold, and has been mounted on linen and professionally restored. Very Fine+ on Linen.
Hercules in New York (RAF, 1970). One Sheet (27" X 41"). Before he was the Governator, Arnold Schwarzenegger was... Hercules! This was Arnold's film debut, although all his lines were dubbed in post production to remove his accent, as well as the first film for funnyman John Candy in an uncredited role. Schwarzenegger is billed as "Arnold Strong" for the American release of this sword & sandal classic, which features a thrill-a-minute fight between Arnold and a guy in a bear suit in the middle of Central Park. The only flaw we can detect in this one sheet is a small tear at the bottom center fold line, making this the nicest copy of this exciting sheet you're ever likely to see. Posters for this title are very rare, and hotly desired by Schwarzenegger's legion of fans. Near Mint+.
On Any Sunday (Cinema 5, 1971). Japanese STB (20" X 58"). Steve McQueen appears in this Oscar-nominated documentary about motorcycle racing. This superb Japanese STB features great images of the bikes, and a huge image of McQueen on the lower panel. Condition on this piece is superb, with some very light foxing in the top right corner, and a very soft roll crease evident. Certainly one of the best and most unusual sheets for this film, and highly desirable for the Steve McQueen fan in your life. Rolled, Very Fine/Near Mint.
The Silver Streak (RKO, 1934). Six Sheet (81" X 81"). Fantastic train graphics make this one of the standout examples of the beautiful RKO six sheets from the 1930s. It features a fantastic image of the Burlington Pioneer Zephyr, with the film's stars William Farnum, Sally Blane and Charles Starrett looming overhead. The plot concerned a break-neck race against time with the train helmed by its designer, played by Starrett. The poster has pinholes, Dutch censor stamps, light stains on the folds, fold wear with cross fold separations and edge wear. Two of the folds in the credit area have some discoloration along the fold line. Outstanding color and bright imagery. Very Fine-.
The Lightning Flyer (Columbia, 1931). One Sheet (27.5" X 41"). In classic rags-to-riches tradition, the wayward son of a railroad tycoon saves the day, stopping a runaway train while working at his father's railyard under an assumed name. Pinholes and light edge wear are present in this poster, along with minor fold separations and some small chips on fold lines. Restoration has addressed these issues. This lovely stone litho artwork depicts the impending rescue of the fair damsel from the clutches of the escaped convict who set the train loose. Very Fine- on Linen.
A Night to Remember (Rank, 1959). British Lobby Card Set of 8 (11" X 14"). An extremely rare country-of-origin complete lobby card set for this, the greatest "Titanic" movie of them all. Based on the book by Walter Lord, this film also had the advantage of personal consultation from a number of Titanic survivors. This set shows overall wear, with all cards having pinholes, corner creases, scuffing, and small tears, some of which have been repaired with tape. Very Good.
A Night to Remember (Rank, 1959). One Sheet (27" X 41"). Long before James Cameron developed a sinking feeling, there was "A Night to Remember," based on the book by Walter Lord, and still considered by many to be the best Titanic film ever. Kenneth Moore, Honor Blackman, and Ronald Allen are among the passengers and crew. This unforgettable poster has gorgeous artwork by John Floherty Jr., and still retains its vibrant colors. It has a crumpled lower right corner, pinholes in the margins including a corner tear on top right, minor edge tears, and a 2" tear near the top center fold. Book your passage for this unsinkable poster. Very Fine-.
Titanic (20th Century Fox, 1953). One Sheet (27" X 41"). Barbara Stanwyck and Clifton Webb star in this entry about the sinking of the unsinkable ship. Theirs is a domestic drama that is put into perspective once the Titanic smacks an iceberg. This evocative one sheet features colorful graphics and excellent portraits of the stars. The poster has pinholes (several in the image), crossfold separations, and fold wear. Don't miss the boat on this fantastic poster! Fine/Very Fine on Linen.
Terror Aboard (Paramount, 1933). Window Card (14" X 22"). When an ocean liner is found drifting with everyone aboard murdered, authorities have to figure out what happened. John Halliday, Charlie Ruggles and Shirley Grey star. The poster shows foxing on the borders, a theater snipe attached in the upper imprint area, and some middle creasing. Beautiful graphics on this early Paramount window card. Very Fine.
Non-Stop New York (Gaumont British, 1937). One Sheet (27" X 41"). This terrific Hitchcockian murder mystery features a fascinating poster with a futuristic version of the Pan Am Clipper "Flying Boat" that revolutionized the way the world traveled. This was the last British film director Stevenson and his then-wife Anna Lee made before heading for Hollywood. Paper on this Gaumont production has always been very scarce. There are pinholes, fold separations with small chips in the cross folds, and small tape abrasions. The beautiful colors really stand out on this vintage classic. Very Fine- on Linen.
With Byrd at the South Pole (Paramount, 1930). Window Card (14" X 22"). This documentary recorded Admiral Richard Byrd's 1928 expedition to the South Pole, the second venture he had made to that vast wilderness in just three years. The film was beautifully photographed and won the Academy Award for cinematography in 1930. There are two holes in the center of this unrestored poster and several tack holes. There is a tear with an abrasion on the left border going into the title, a tear in the center of the imprint area, and a dust shadow on the bottom border and foxing in the borders. Very Good+.
Back to Nature (Vision Pictures, 1933). One Sheet (27" X 41"). This film was one of the earliest nudist documentaries and features footage shot in nudist camps all over the world. Among the places showcased are nudist camps in upstate New York, nudist nightclubs in France and a retreat in Germany that is claimed to be the world's largest nudist camp. Released under several tiles such as "This Nude World," "This Naked World" and "The Nudist World." Vision Pictures, Inc. attempted to distribute the film in New York as "Back to Nature" on a states rights level, appealing a decision by the New York State Censor Board to ban the film. Story writer Jan Gay was billed onscreen as the author of the book "On Going Naked." The book, published in 1932 was one of the first published here - or anywhere in English - about nudism. Gay was born Helen Reitman (1902-1960) and she declared her sexuality by changing her name to "Jan Gay," using a newly popular 1930's codeword for homosexual. She had an eclectic career as a journalist, translator, sexuality researcher, writer (children's books and film documentaries), and passionate promoter of nudism. This very rare exploitation one sheet may be the only, if not one of the very few copies to have survived from the very small distribution of this film under this title. This poster is in spectacular condition with the most minor fold wear. This has to be one of the rarest and most titillating images of the Exploitation genre, with all of its gorgeous stone litho splendor! Very Fine+ on Linen.
Matto Grosso (Sol Lesser, 1933). Three Sheet (41" X 81") and Lobby Cards (2) (11" X 14"). This is an incredibly rare travel documentary, shot in Brazil, produced by Sol Lesser, and directed and shot by Floyd D. Crosby, John S. Clarke, Jr. and David Newell. This lot includes two lobby cards (some soiling in the borders, light edge wear and creasing), and the impressive three sheet (crossfold separations, very slight edge wear, and one small fold tear) with great native imagery. Very Fine.
The Mystery of Picasso (Lopert Pictures, 1957). Japanese B2 (20" X 29"). On one side of a special transparent "canvas," Pablo Picasso created fifteen works of art for this documentary look into his inspiration and techniques. On the other side, directors Henri-Georges Clouzot and Claude Renoir were able to film insights into the process that the great artist used. This Japanese B2 has edge wear and tears with paper tape on the back, light fold wear with wrinkling, and small scuffs. It features several great images of the artist and his art. Fine/Very Fine.
The Gold Rush (United Artists, 1925). Window Card (14" X 22"). This film is the quintessential Charlie Chaplin comedy, with a balance of slapstick comedy and pantomime, social satire, and emotional and dramatic moments of tenderness. It was Chaplin's own personal favorite film, that showcases the classic Tramp character as a romantic idealist and lone gold prospector at the turn of the century, with his cane, derby, distinctive walk, tight shabby suit, and mustache. This window card is one of two styles released for the film and is the better of the two in our opinion. The beautiful card has a two inch tear in the right side. It has wear to the corners and some wear around its perimeter. The backside has a hand-written in pencil radio call letter log made about the time the film was released. This treasure from the golden age of silent film displays beautifully. Fine-.
The Circus (United Artists, 1928). Window Card (14" X 22"). Perhaps because of problems during production -- a studio fire, a divorce, a nervous breakdown -- "The Circus" is the only film of his not mentioned in Charles Chaplin's autobiography. However, the Motion Picture Academy considered his last true silent film good enough to award a special Oscar. This window card has pinholes and surface damage, with restoration to Chaplin's teeth, a couple of the clowns and the title, and most of the border has been shot. The poster has been mounted on linen, with the linen trimmed to the edge of the poster. Beautiful color on the fun image of Charlie. Fine+ on Linen.
The Circus (United Artists, 1928). Lobby Card (11" X 14"). Charlie Chaplin's final "pure" silent film finds the Little Tramp under the big top when he accidentally breaks in on the clown act and makes it even funnier. This lobby card has small wrinkles, and a small edge tear with paper tape on the back. A delightfully funny shot of Chaplin. Very Fine+.
Modern Times (United Artists, 1936). Lobby Card (11" X 14"). Though he tried mightily, Charlie Chaplin couldn't stop the tide of technology that manifested itself in the movie industry with the advent of sound. Nine years after "The Jazz Singer," Chaplin released this rant against the dehumanization of the modern world as essentially the last silent film to come out of Hollywood. This lobby card has edge wear and tears with archival tape on back, and holes and chips on the top border that have been repaired. A nice shot of Chaplin. Fine-.
Modern Times (United Artists, 1936). Program (Multiple Pages). By 1936, the release of a new film starring Charlie Chaplin, "The Little Tramp," was certainly a cause for celebration. "Modern Times" got the full treatment from United Artists, as is clearly seen in this beautiful Premiere Night program. From the die-cut cover to the gold tassel that binds the piece to the gold-paper centerfold, this is a first-class production all the way. Much of the interior is given over to advertising from such sponsors as Elizabeth Arden, Merle Norman, DuPont, Max Factor, and Sardi's, as well as portraits of such stars as Chaplin and Paulette Goddard. The real centerpiece of this treasure, is, of course, the program of the festivities planned for Premiere Night, held at Graumann's Chinese Theater on Wednesday evening, February 12, 1936. The night started with Fox Movietone News, followed by MGM's short, "Pirate Party on Catalina Isle," Disney's "Mickey's Orphan Picnic," "The March of Time," which was "subject to weather conditions for air express," and MGM's "Fitzpatrick Traveltalk." The final part of the program was, of course, "Modern Times," Chaplin's brilliant satire on industrial society. Although this was supposed to be Chaplin's first sound film, voices are only heard when they come from mechanical devices such as videophones, phonographs and radios. This important film also marked the last appearance of the Little Tramp; Chaplin only made five more films between 1940 and 1967, none of which featured his most iconic character. The program offered here is in remarkable condition. There is a little rust on the staples, and some minor foxing on some of the interior pages. The front cover, which shows a caricature of Chaplin, exhibits some slight denting and scratching, and the back cover shows some creasing, especially at the corners. Regardless of these slight flaws, this is a wonderful piece that any Chaplin fan will be proud to own. Fine+.
The Pilgrim (First National, 1923). Lobby Card (11" X 14"). "The Pilgrim" was Charlie Chaplin's last 'short' for First National. He's an escaped convict who steals a preacher's clothes on the banks of a river and assumes his identify. In this very scarce lobby card there is a policeman eyeing him suspiciously. That policeman is actually a piece of film history in himself. That's Monta Bell in an uncredited part. Bell (Peter Lawford's stepfather) would go on to edit films for Chaplin and become a fine director, producer, and screenwriter. He produced two Hollywood legends in their first films, Garbo in 'Torrent', and the Marx Brothers in 'Cocoanuts.' There are pinholes, minor border soiling, and light dust shadows. The color stenciling registration is excellent. Fine/Very Fine.
Love (Paramount, 1919). Lobby Card (11" X 14"). This is one of Roscoe "Fatty" Arbuckle's last comedy shorts produced by his own company, Comique, where he had complete control, both writing and directing. It was distributed by Paramount, who, in the same year, would talk Arbuckle into signing with them and appearing in feature length films. That's perky Winifred Westover, Arbuckle's love interest, at his side. A delightful find, with nice photo insets on the sides, with Arbuckle and Westover both holding farm animals. Arbuckle was extremely popular at the time, as evidenced by the small bottom border logo, "As Well Known as the Face of the Man in the Moon." There are pinholes, a small corner chip in the lower left, a small surface tear in the cut-line, and slight edge wear with small creases and tiny tears in the bottom border of this very desirable card. Fine/Very Fine.
Oh Doctor! (Paramount, R-1919). Lobby Card (11" X 14"). In 1917 walking on a New York street with a friend, Fatty Arbuckle was introduced to a young man his friend knew. He invited this fellow over to his Coney Island film studio, and the two began making the first of some sixteen films together. Thus began one of the greatest collaborations in screen comedy history with young Buster Keaton. This is the fourth film in which they collaborate before Keaton would depart on his own. This scene never occurs in the short but the lobby was taken from a staged publicity still, in which Keaton was asked to stand-in as a policeman. Of course, he never appeared as such in the short. Here they are in one of their best collaborations in a very rare card. Keaton would return the favor in later years, supporting Arbuckle after the Virginia Rappe scandal curtailed Arbuckle's career. There are pinholes, diagonal creases in the top left and right corners, minor edge wear with tiny tears, older restoration in the center and lower right field to address a punch and surface paper loss. The lobby described here was misdescribed and appears to be a reissue. Fine-.
Picking Peaches (Pathe', 1924). One Sheet (27" X 41"). Glancing at this one sheet, you might think this was Harry Langdon's first job in show business, as he began with Sennett on this very film. Far from it. Langdon had been on Broadway since 1899 at the age of 14! He began in Vaudeville in 1903, performing a hit skit, "Johnny's New Car," for over 20 years. Hal Roach tried to sign Langdon in 1923, but terms couldn't be met, so he signed with Principal Pictures. They went bankrupt a year later after producing just a few shorts, and after only one month of being out of work, Mack Sennett signed Langdon and produced this, Langdon's first real film. An absolutely historic one sheet for perhaps the fourth best silent comedian, after Chaplin, Keaton, and Lloyd. Professional restoration for fold wear and minor fold separations, and very minor paper missing in the lower right and left corners. Also for tears and minor chipping in the borders. Beautiful stone lithography. Fine+ on Linen.
There He Goes (Pathe', 1925). One Sheet (27" X 41"). Fans of the great comedian Harry Langdon will want to take note of this outstanding "personality" poster for the Mack Sennett comedy short "There He Goes," which features an amusing portrait of the baby-faced comic. The poster is in excellent condition with just some paper loss at the centerfold, minor fold separations, and several very small holes within the white field, all of which have been rendered virtually invisible by professional restoration. A great poster of Langdon in his prime. Fine/Very Fine on Linen.
The Cameraman (MGM, 1928). Swedish One Sheet (27.5" X 38.5"). Of all the classic comedians ever to work in front of a camera, perhaps none has been as revered or as influential as the legendary Buster Keaton. Originally a vaudeville comedian, Keaton first worked in film with Roscoe "Fatty" Arbuckle. Quickly striking out on his own, Keaton made a name for himself in such classic pictures as "The Navigator," "Steamboat Bill Jr.," and "The General." "The Cameraman," represented here in a dynamic Swedish one sheet, is considered by many to be Keaton's last important film. The coming of sound changed the landscape of motion pictures for "The Great Stone Face," and not for the better. The latter part of his life was spent trying to recapture past glories before his death in 1966. This poster, with its strong graphic elements, perfectly captures the spirit of Keaton's best comedies. It has never been folded, and the only apparent flaw is a small tear on the left border, expertly repaired during the backing process. This is an exceptional poster from a great film, and deserves an honored place in your collection. Very Fine+ on Linen.
Modern Age (1980-Present)
Hollywood Vintage Still - Buster Keaton in "The General." (Circa, 1927). Still (8" X 10"). "The General" was a critical and financial flop at the time and reviewers and audiences panned the film, complaining that it did not provide enough laughs. Over the years, public opinion has been completely revised. Not only is it considered Buster Keaton's greatest film, it is widely recognized as one of the true masterpieces of American cinema. This is an original still from the film. It has a thin muslin backing applied to support the fragile edges. Though there is slight chipping on the right side, the still remains in very presentable condition. Fine.
Movie Posters
Should Sailors Marry? (Pathe', 1925). One Sheet (27" X 41"). Clyde Cook is the sailor who is being conned for his pay by his ex-wife and her wrestler boyfriend. Considering that they set him up for an insurance "accident," the answer to the titular question is... No! Two years before he was teamed with Stan Laurel, Oliver Hardy shows up prominently in this short as a doctor. This one sheet has edge wear with tiny corner and edge chips, fold wear with separations, and a few smudges and stains. The poster has been mounted on linen and now presents beautifully. This is a hilarious image for a golden age in film comedy. Fine/Very Fine on Linen.
Along Came Auntie (Pathe', 1926). One Sheet (27" X 41"). Vivien Oakland is caught between her husband Glenn Tryon, and her ex-husband Oliver Hardy, who has answered an ad for a boarder. Complicating matters is Aunt Alvira (Lucy Beaumont), who has an inheritance for Oakland, but who hates divorce! This one sheet has edge wear with chips, light fold wear with small cross fold separations, and light edge staining. The poster has been mounted on linen with some light touch up. Delightful Morgan stone litho artwork of the three stars. Very Fine on Linen.
The Cat's Paw (Fox, 1934). Swedish One Sheet (27.5" X 39.5") This is a wonderful Swedish one sheet for one of Harold Lloyd's best sound films. Large fun portraiture of Lloyd by Swedish top artist, Rohman. Great restoration for only minor edge wear with tiny chips in the bottom corner and borders. Excellent color. Very Fine- on Linen.
Luke's Washful Waiting (Pathe', 1916). One Sheet (27" X 41"). Hal Roach met Harold Lloyd in 1913 at the Edison Company in San Diego, and when he inherited enough money to begin a small production studio (Phun Philms, soon renamed Rolin), he contacted Lloyd to star in the kind of films he really wanted to make: comedies. With a handful of self-produced shorts starring Lloyd, he landed a contract with Pathe, who literally paid Roach by the exposed foot of film! This extremely rare one sheet is from a series Roach directed with Harold Lloyd called the "Lonesome Luke Comedies." An admitted imitation of Chaplin's "Little Tramp" character, the star would abandon this series only a year after this film. This poster displays older restoration with chips, a missing slice in the lower right border, cracking paint, and a replaced bottom border. However, it's still a very attractive poster from the earliest days of the cinema, and nearly 100 years old! Good+ on Linen.
Animal Crackers (Paramount, 1930). Table Standee (11" X 14"). One of Groucho's best known lines "..Once I shot an elephant in my pajamas... what he was doing in my pajamas, I don't know." is from this classic comedy. Two of his best songs also came out of this brilliant farce: "Hooray for Captain Spaulding" and "Hello, I Must Be Going." This lot contains one of the rarest pieces on the title we've ever seen. It's a small table standee which could be used alone in an easel setting, with the theater information imprinted onto the space on the base, or put together with two others to form a 'triangle' standee. To find a completely unused example of this rarity is cause for celebration. There are upper right and lower right mild corner creases, a small chip out of the upper left corner, rounded corners, a mild top border crease, and a slight smudge in the theater imprint area. The registration is slightly off, causing a very slight ghosting. Excellent color. Very Fine-.
A Day At The Races (MGM, 1937). Belgian (14.5" X 21"). Groucho, Chico and Harpo take on the world of horse racing and sanitariums in this outrageous farce from MGM. After their run at Paramount, the Marx Brothers would bring their zany antics to MGM where they would remain the most popular comedians of the era. Light creasing and light edge wear. Rolled, Very Fine+.
A Day At The Races (MGM, 1937). Lobby Card (11" X 14"). There are some smudges, edge soiling, rounded corners, a pinhole in each corner and light silverfish damage on right border on this card, but it is bright and colorful. All three Marx Brothers are in fine form in this classic lobby card -- it would be hard to find a better card or image from this popular film. Very Fine.
A Day At The Races (MGM, 1937). Lobby Card (11" X 14"). This sought-after Marx Brothers card has slightly rounded corners, a few smudges, one pinhole, and one tiny bit of silverfish damage on bottom right corner. A great card featuring Chico, Harpo and Groucho Marx. Very Fine-.
A Day at the Races (MGM, 1937). Lobby Card (11" X 14"). Harpo and Chico Marx appear in this nice close-up from one of the Marx Brothers' zaniest comedies. The cards for all of the Marx Brothers films have dramatically increased in popularity over the last few years. The card has three pinholes in each corner and some very minor staining in the borders. Fine/Very Fine.
A Day at the Races (MGM, 1937). Still (8" X 10"). Considered by many to be the finest comedians of the twentieth century, the Marx Brothers first conquered the Great White Way,and then set their sights on Hollywood. Triumphant at every turn, their zany antics have enchanted several generations of theater goers. Offered here is a classic still from one of their best films, the follow-up to the enormously successful "A Night at the Opera." The still pictures all three brothers from the film, Groucho, Harpo and Chico, and displays only the tiniest flaws, including a single pinhole in each corner, some very slight toning, a light crease at the top, and another light crease near the bottom of the image. This is a truly exceptional piece for any dedicated Marxist. Fine/Very Fine.
Room Service (RKO, 1938). Six Sheet (81" X 81"). The only picture the Marx Brothers made for RKO, this is also the only picture not specifically written for them. In the hands of lesser talents, this might have been a problem, but in the hands of the Marx Brothers, it becomes a classic comedy, this time co-starring future legendary comedienne Lucille Ball. Offered here is a spectacular six sheet, the only one known to exist, with wonderful portraits of all three brothers. It has minor holes in the borders, and there is some larger chipping from the white area in the top left. However, as expert restoration and linenbacking have addressed these issues, the poster now has a Near Mint appearance. Fine/Very Fine on Linen.
The Big Broadcast of 1938 (Paramount, 1938). Lobby Card (11" X 14"). The fourth and final in the "Big Broadcast" series was arguably the best. Where past entries emphasized the musical acts, this film was filled with comedians, including W.C. Fields, Martha Raye, Dorothy Lamour, Ben Blue and Bob Hope in his feature debut. This lobby card has light edge wear with corner bumps, light soiling and stains, and pieces of paper tape on the back. A wonderfully fun shot of Fields in action. Fine/Very Fine.
The Big Broadcast of 1938 (Paramount, 1938). Lobby Card (11" X 14"). Bob Hope's feature film debut was in this musical revue comedy starring W.C. Fields and Martha Raye. Hope first performed his theme song, "Thanks for the Memory," as a duet with Shirley Ross. This lobby card has light edge wear with a tiny corner chip, and light soiling and stains. Pandemonium reigns in this fun shot from the film. Very Fine-.
Fools For Luck (Paramount, 1928). Lobby Card (11" X 14"). Although we now know W.C. Fields as a classic comedian, he was also an accomplished juggler and pool player. After running away from his alcoholic father at the age of 11, Fields was making a living juggling and playing billiards by the time he was 13. His skill at the tables stood him in good stead years later when he co-starred in the silent, and now lost, film "Fools for Luck," opposite veteran funnyman Chester Conklin. The climax of the film, which involves an oil swindler (Fields) trying to con hopeful townspeople out of their money, is a game of pool between Fields and Conklin, in which Fields gets to show off his dexterity with a pool cue in a series of elaborate trick shots. Very shortly after this film, with the coming of sound, Fields would be recognized as one of the medium's greatest comedians. This exquisite lobby card, which features Fields, Conklin, and pretty Sally Blane, is in exceptional condition. The corners are slightly rounded, and there is some light tanning and some very minor surface wear, but none of these slight defects detract from the incredible eye-appeal of this great card. Very Fine+.
Running Wild (Paramount, 1927). Lobby Card (11" X 14"). W.C. Fields, in one of his patented put-upon husband and father roles, finds that hypnosis just might be the trick for his endless misery and lack of respect. This rare and delightful lobby card has very light edge wear. A wonderful hand-tinted shot for one of the dozen silent films that Fields made. Near Mint.
Six of a Kind (Paramount, 1934). Mini Window Card (8" X 14"). For fans of classic comedy, it doesn't get much better than this. W.C. Fields, with his greatest roles still ahead of him, steals the show in this screwball comedy as a bumbling small town sheriff named Honest John Hoxley. His pool-playing scene is the highlight of the movie. Also notable in the cast are the very young George Burns and Gracie Allen, still honing their comedic chops in this Leo McCarey-directed classic. This card is in exceptional condition, with only a bit of tanning and some light surface wear on the left side keeping it from a higher grade. From the Collection of Denver Sherry. Very Fine+.
W.C. Fields Autographed Photo (Paramount, 1933). Still (8" X 10"). One of the most irascible, and funniest, stars of the Golden Age of Hollywood was William Claude Dukenfield, better known today as W.C. Fields. Renowned for his comic timing and his dry wit, a substantial part of Fields' comic persona was built around his being a charming drunk. This creation was so successful that many believed Fields was a lush in real life. Interestingly however, although he was, by all accounts, a heavy drinker, virtually no one who knew him could ever remember him being drunk or out of control due to alcohol. Fields' fondness for drink is referenced here, in this classic inscribed and signed photo. He writes, "Hy (Hy Gardner, pictured here with Fields, a columnist for the New York Herald Tribune and regular on the first version of "To Tell the Truth"), if I was a drinking man, I'd ask you to have one. W.C. Fields." This photo has been kept in pristine condition, exhibiting no visible flaws. Mint.
You Can't Cheat an Honest Man (Universal, 1939). Jumbo Window Card (22" X 28"). The long-running "feud" between W.C. Fields and Charlie McCarthy, heard primarily on radio's "Chase and Sanborn Hour," was the basis for this, one of Fields' funniest films. Fields plays shady circus manager Larson E. Whipsnade, who attempts to break up a romance between his daughter (Constance Moore) and Edgar Bergen. The story by Fields, as "Charles Bogle," is thin enough to allow the legendary comedian plenty of room to ad-lib, making this movie a joy to watch. Paper for Fields' movies, especially his important films such as this, is exceptionally scarce, and rarely turns up at public auction. This spectacular Jumbo Window Card, perfectly capturing the spirit of the feud between Fields and McCarthy, shows some very minor edge wear, as well as some staining in the bottom right, and some slight toning and soiling overall. Nevertheless, this is a very attractive piece, particularly given the true scarcity of anything Fields-related. Very Fine.
Never Give a Sucker an Even Break (Universal, 1941). Three Sheet (41" x 81"). This zany, screwball comedy, the very last picture starring the legendary W.C. Fields, is one of his wildest films. The paper-thin plot, about a man (Fields) trying to pitch a movie to a Hollywood studio, is a perfect vehicle in which to showcase the former juggler and pool shark's unique brand of comedy. Broad and farcical, the story is short on logic, but long on laughs. This great three sheet, with its fabulous cartoon rendering of Fields is a rare find for collectors of classic comedy, as material featuring this classic comedian is quite scarce. This poster shows some paint in the title area, perhaps done to help the two pieces of the poster align properly. There is a 3" tear in the right border, and some light foldwear with minor crossfold separation on the top piece only. These minor flaws have been addressed with professional restoration and linenbacking, rendering them all but unnoticeable. This is a very clean poster, with no pinholes, and an excellent opportunity for the Fields collector. Very Fine+ on Linen.
David Copperfield (MGM, 1935). Insert (14" X 36"). Talk about star-studded! Starring W.C. Fields in one of his most memorable roles, Lionel Barrymore, Maureen O'Sullivan, Edna May Oliver and Freddie Bartholomew in his first American film, this wonderful adaptation of Charles Dickens' classic novel is a tour-de-force for everyone involved. Paper on this title has always been fairly difficult to acquire, with most collectors settling for the occasional lobby card or herald that comes to auction. This insert, which pictures all the stars, with particularly nice images of Fields and Bartholomew, is unbacked and unrestored. It shows light tanning and slight rippling overall, with pinholes in the four corners. There are two small tears in the left border, small chips and tears in the lower fold line, and a pinhole in the top center. This is a wonderful piece, perfect for any lover of classic film or fine literature. Fine+.
David Copperfield (MGM,1935). Still (8" X 10"). A lovely original still from the MGM classic film "David Copperfield." It pictures W.C. Fields and Freddie Bartholomew with Clarence Bull's stamp on the verso. A paper snipe describing the still is attached as well. Very Fine.
David Copperfield (MGM, 1935). Swedish One Sheet (27.5" X 39.5"). This beloved Dickens epic became a huge hit for David O. Selznick, owing much to its inspired casting -- especially W.C. Fields as Mr. Micawber. Fields is nicely represented at the left of the poster, with Freddie Bartholomew as the young David Copperfield at right. The poster was tri-folded and has some minor fold separations which have received retouching. The art is by noted Swedish poster artist Gosta Aberg. Very Fine- on Linen.
Great Expectations (Universal, 1934). Three Sheet (41" X 81"). Charles Dickens' classic book is brought to life in the first sound version of many incarnations of this beloved tale that would follow. Pip, played here by Phillips Holmes, grows up under the care of distant Miss Havisham (Florence Reed) and haughty Estella (Jane Wyatt). There is also a mysterious benefactor hanging back in the shadows. This three sheet has light edge wear with small tears, a corner crease, and light fold wear. The poster has been mounted on linen and professionally restored. Beautiful stone litho artwork of all the stars. Very Fine+ on Linen.
The Music Box (MGM, 1932). Stills (2) (8" X 10"). Laurel and Hardy build one of their trademark "fine messes" out of a simple situation -- the boys deliver a piano to a residence that has a very high set of stairs out front. The frustration and mayhem reach a fevered pitch by the end of this Oscar-winning comedy short. These stills have a few corner creases, minor wrinkling, and a few scratches. The portrait still of the duo has staple holes in the corners. Delightful shots of Stan and Ollie, as well as their co-star Lilyan Irene. Fine+.
Sons of the Desert (MGM, R-1940s). Post-War Belgian (14" X 22"). Of all the classic comedies from the legendary team of Stan Laurel and Oliver Hardy, this is considered the very best of the best. When Stan and Ollie want to go to their lodge gathering in Chicago, they concoct an elaborate scheme to pull the wool over their wives' eyes. Their plan backfires, of course, leading to the kind of hilarity and hijinks for which the pair remains famous worldwide. This film is additionally significant in that it gave birth to the line, "Well, here's another nice mess you've gotten me into," one of the most famous and recognizable quotes in movie history. This colorful Belgian poster, sporting wonderful portraits of both Stan and Ollie, shows light edge wear and pinholes in the corners, a small tear in the bottom right, toning on the upper fold lines, and a light censor stamp just to the left of the title. The poster, as was often the case, was printed on the back of a wartime map of Braunau, Austria, which displays some residue of paper tape at the top. This is a fabulous opportunity for any and all fans of this iconic duo. Fine/Very Fine.
Hot Pepper (Fox, 1933). One Sheet (27" X 41"). A colorful and sexy stone litho poster for this pre-Code comedy starring Edmund Lowe and Lupe Velez. There are pinpoint crossfold separations, a misfold crease, a smudge in the upper right margin, and pinholes in the corners. This is a lovely poster featuring Velez at her most alluring. Very Fine+.
Wise Guys Prefer Brunettes (Pathe', 1926). One Sheet (27" X 41"). Helene Chadwick sells sexy gowns at a shop near Pinkham University and Jimmie Finlayson, the Dean, wants her expelled for causing lack of discipline. Helene and student Ted Healy work up a potion that causes the Dean to become a wild ladies man. One of a handful of films that Stan Laurel directed before joining with Oliver Hardy. This one sheet has enlarged pinholes, light fold wear with small separations, bleed-through from a stamp on the back, and an extra horizontal fold. The poster has been mounted on linen and professionally restored. Gorgeous stone litho artwork of the two stars. Very Fine- on Linen.
Busy Buddies (Columbia, 1944). Lobby Card (11" X 14"). Moe and Larry are caught with their cow suits down in this scene from "Busy Buddies." Curly had been trying to win a cow-milking contest, but needed the other boys' help. Now they're all rather stuck. A rare Three Stooges card, even more desirable with Curly pictured. The card has pinholes, edge wear, corner creases, and light water damage on one side. Very Good+.
Hips, Hips, Hooray (RKO, 1934). One Sheet (27" X 41"). This was one of Bert Wheeler and Robert Woolsey's funniest and sexiest comedies from their early pre-Code years at RKO. Wheeler and Woolsey are flavored lipstick salesmen who hook up with lingerie model Dorothy Lee and her boss Thelma Todd - owner of Maiden America Cosmetics. Before the picture ends the comedic duo are involved in a cross-country race and a hilarious musical routine to the tune of "Keep on Doin' What You're Doin'." The poster art for this film features fabulous artwork of the boys along with Lee, Ruth Etting and Todd. There are pinholes in the corners and around the poster, a Dutch museum stamp, light staining on the top, middle and bottom, minor crossfold separation and fold wear. Fine/Very Fine.
Cockeyed Cavaliers (RKO, 1934). Six Sheet (81" X 81"). Here is a fantastic-looking six sheet for one of Wheeler and Woolsey's best early comedies. This stone litho poster features the duo with regular co-star Dorothy Lee. This is another fine example of the incredibly beautiful graphics that RKO studios produced in the 1930s. Bert and Bob portray two bumpkins in Merry Olde England who disguise themselves as the king's physicians to infiltrate high society. Dorothy Lee has disguised herself as a boy to escape an arranged marriage. The poster has fold wear with crossfold separations, Dutch censor stamps, pinholes,and edge tears. The colors are bright and as fresh as they were more than 70 years ago. By the way, that's Noah Beery peering over Bert Wheeler's shoulder on the left. Fine/Very Fine.
Trouble in Paradise (Paramount, 1932). Mini Window Card (8" X 14"). Based on Laszlo Aladar's play, "The Honest Finder," this classic pre-Code romantic comedy, directed by Ernst Lubitsch, concerns a pair of Parisian thieves, Gaston and Lily (Herbert Marshall and Miriam Hopkins) who plot to rob a perfume company executive. When Gaston falls in love with the mark, things get complicated. The card offered here shows some light tanning at the top, as well as a small tear in the bottom center. Other than that, it is in excellent condition. From the Collection of Denver Sherry. Very Fine+.
Buck Privates (Universal, 1941). Lobby Card (11" X 14"). The "onion peeling scene" from this classic service comedy features a great shot of Bud Abbott and Lou Costello about to be beaned with a rolling pin by Shemp Howard (of Three Stooges fame). This was the film that made the comedy team of Abbott and Costello a top box office draw. There is a light bend on the top left with corner bumps on the bottom two corners, a small tear on the right border, a pinhole on the right side near the border and very light border smudges. Very Fine-.
Hold That Ghost (Universal, 1941). Insert (14" X 36"). Bud Abbott and Lou Costello carried their comedy routines to new heights in this frighteningly funny chiller as the boys inherit a gangster's haunted house where bodies keep turning up. This insert has had some minor airbrush work done to the borders and to a bit of the white background around the credits. Paper on this particular A&C picture has always been very difficult to come across. Very Fine- on Paper.
Who Done It? (Universal, 1942). Insert (14" X 36"). When aspiring radio mystery writers Chick Larkin (Bud Abbott) and Mervin Q. Milgrim (Lou Costello) are confronted by a real-life murder mystery, they seize upon it as a chance to gain fame and fortune, leading inevitably to all sorts of comedic hijinks. Abbott and Costello were in their prime in this classic comedy, which is pure A&C, undiluted by the songs and tangential romantic subplots of so many of their films. This insert, also pure Abbott & Costello, shows light horizontal fold lines and a pinhole in the eye of the bottom-most Abbott figure. The edges show some light tanning and a small amount of surface dirt, but otherwise this is an extremely attractive insert from a classic A&C comedy. Paper on this title is extremely hard to find, so don't pass up this opportunity to acquire this rare treasure. Very Fine+ on Paper.
Nothing But the Truth (Paramount, 1941). One Sheet (27" X 41"). Bob Hope and Paulette Goddard appeared in their third comedy together as Hope makes a wager that he can tell nothing but the truth for 24 hours. The trouble he gets into while trying to win the bet makes this one of his best comedies. This poster is quite impressive as well, with its jet black background and Paulette Goddard in a sexy Flamenco outfit. The scarce and stunning one sheet offered here has the most minimal color touch to the fold lines with just a bit more to the middle and lower center points. Very Fine+ on Linen.
Road to Singapore (Paramount, 1940). Lobby Card Set of 8 (11" X 14"). Before Bing Crosby and Bob Hope were teamed for the first of their many "Road" pictures, the roles were offered to Fred MacMurray and Jack Oakie, and then George Burns and Gracie Allen. Although more formally structured than later entries, the plot was still just a setting-off point for the duo's gags and ad-libs. This hard-to-find complete lobby card set has pinholes on the borders, light edge wear with wrinkles, and an Australian censor stamp on each card. Hope and Crosby, along with perennial co-star Dorothy Lamour, are prominent in the scenes from the set. Fine+.
Road to Utopia (Paramount, 1946). Lobby Card Set of 8 (11" X 14"). The fourth of the seven famous "Road" films reunites Bing Crosby, Bob Hope and Dorothy Lamour in the snowy wilds during the Alaskan Gold Rush. Crosby and Hope are entertainers on the run from the law who are mistaken for two rough, tough thugs. This lobby set has pinholes and light edge wear with a couple of small edge tears. Hope and Crosby appear on all eight cards, with Lamour also prominent. Fine/Very Fine.
Blondie Meets the Boss (Columbia, 1939). Pre-War Belgian (24" X 33.5"). The second film in the "Blondie" series has Dagwood (Arthur Lake) going fishing on a long-awaited vacation while Blondie (Penny Singleton) fills in at the office for him. Hilarious hijinks ensue. This pre-war Belgian poster has pinholes, light fold wear, and a few small scuffs. The poster has been mounted on linen with older restoration. A delightful shot of the four stars. Very Fine+ on Linen.
The Importance of Being Earnest (Rank, 1952). British Lobby Card Set of 8 (11" X 14"). Exceptional version of Oscar Wilde's witty classic, with Michael Redgrave and Edith Evans in the leads. This is the rare country of origin British lobby card set. All but one card has pinholes in the corners, while other individual cards have minor stains, light creasing/wrinkling and wear. The Denison/Tutin card has a large tear up the middle (museum tape on back) with crumpling on the left side of the tear. The Importance of bidding on this set cannot be understated. Fine-.
The Horse's Mouth (United Artists, 1959). British Quad (30" X 40"). Before he gained fame as Jedi Obi-Wan Kenobi, Alec Guinness was one of the leading comedic actors in Great Britain. Renowned for his ability to portray a dazzling array of characters -- in "Kind Hearts and Coronets" Guinness actually essays eight different roles -- Guinness was knighted in 1959 for his accomplishments on stage and screen. This particular film actually earned Guinness an Academy Award nomination as a writer; he wrote the screenplay, based on a novel by Joyce Cary, himself. In this movie, Guinness plays Gully Jimson, an irascible artist searching for his ultimate artistic triumph, a quest that bears hilarious results. This striking British Quad shows pinholes at the top corners, some light fold wear, a top right corner bend, and some extra creasing in the top half. Other than that, however, this is a beautiful poster from a very prolific period in the career of a great artist. Very Fine+.
The Ladykillers (Ealing, 1955). British One Sheet (27" X 40"). For those who think that comedy in Great Britain began with Monty Python, think again. Beginning in the 1930s, England's Ealing Studios began to produce films, most notably comedies and documentaries. It was in the 1950s that the studio really hit its stride, however, when they embarked on a new kind of comedy, one that was deeply satirical and which poked fun at the institutions of British society. Best of all, the studio provided a sort of "training ground" for such soon-to-be illustrious actors as Alec Guinness, Peter Sellers, and Stanley Holloway, all of whom would become important actors and comedians in the years to come. "The Ladykillers," largely considered to be one of Ealings best productions, sees Alec Guinness and Peter Sellers heading a fine cast in a story about a gang of thieves who, through a series of misadventures, find that they must kill the little old lady who runs the boarding house in which Professor Marcus (Guinness) lives. Of course, this proves far more difficult than was at first thought, especially for the bumbling crooks. This rare UK one sheet shows pinholes, as well as light dirt and scuffing on the bottom half, a fold split at the center left border, some crossfold separation, and a corner fold in the bottom right. Additionally, there is some evidence of ghosting of printing in the top half from the lower half when folded. These are all fairly minor flaws, however, especially in light of the amazing rarity of this country of origin sheet. Fine+.
The Lavender Hill Mob (Ealing, 1951). British Double Crown (20" X 30"). One of Ealing Studio's best-loved comedies is this heist film starring Alec Guinness and Stanley Holloway as two mild-mannered working class men who concoct a scheme to steal a million pounds of gold bullion. This British double crown has pinholes, very light fold wear, and light edge wear including a 6-inch tear on the bottom border. The poster has been mounted on linen and some touch up has been done. A delightful shot of the two stars, as well as fun artwork by Ronald Searle, highlights this very rare country-of-origin, full bleed poster. Very Fine on Linen.
The Lavender Hill Mob (Ealing, 1951). British Lobby Cards (7) plus British FOH (1) (11" X 14"). Alec Guinness is superb in this classic Ealing comedy as a meek bank clerk who decides to rob his own place of employment. Stanley Holloway lends sterling support, and keep a sharp eye out for a brief appearance by Audrey Hepburn in one of her very first films. This extremely rare country-of-origin lobby card collection is just one card short of a complete set, but as compensation we include an equally rare Front of House card. Both the FOH and one of the lobbies feature Hepburn. There are pinholes in the corners, overall light foxing, and light scuffing on some cards. Fine/Very Fine.
Whiskey Galore (Ealing, 1949). British Double Crown (20" X 30"). A classic Ealing comedy, this film, also known as "Tight Little Island," is based on the true story of the wreck of the S.S. Politician on February 5, 1941. Bound from Liverpool to Jamaica, the ship went down off Eriskay, in the Outer Hebrides Islands, with over 250,000 bottles of whiskey on board. The locals, blessing their good fortune, gathered as many bottles as they could before the arrival of the authorities, and it's said that bottles from the wreck still occasionally wash up on the beach to this day. Using this raw material, writers Compton Mackenzie and Angus McPhail were able to craft what was to become widely hailed as one of the finest comedies from this young studio. This rolled poster shows just a few minor defects, including some creasing on the left side, a small chip at the bottom, and some minor tape lift on the borders. There is some very minor edge wear all around, as well as a small tear in the lower border, none of which detract from the fantastic eye-appeal of this very desirable and attractive poster. Rolled, Fine/Very Fine.
The Long, Long Trailer (MGM, 1954). Three Sheet (41" X 81"). Lucille Ball and Desi Arnez were at the height of their popularity when they made his charming film about a husband, a wife, and a road trip in a very long trailer. Vincente Minnelli directs with a sure hand, while Keenan Wynn and Marjorie Main lend able support in this broad comedy. The poster had several pieces missing, wrinkling, and tears. Professional restoration has rendered these problems all but invisible. The large formats on this title are hard to find. Fine- on Linen.
Auntie Mame (Warner Brothers, 1958). Lobby Card Set of 8 (11" X 14"). Rosalind Russell recreates her stage role as Mame Dennis, the flamboyant aunt of an impressionable young man (Patrick Dennis) whose millionaire father dies suddenly, leaving him in Mame's care. The executor of the estate tries to raise Dennis as a very proper American aristocrat and battles the free-willed Mame for control. This lobby card set captures the whimsy of Auntie Mame and is in exceptional condition. There is a bit of staining and foxing along the edges, primarily on card #1 and all eight cards have minor corner bumps. Very Fine.
The Apartment (United Artists, 1960). One Sheet (27" X 41"). Infidelity has never been so much fun as in Billy Wilder's classic farce, with Jack Lemmon and Shirley MacLaine at their sparkly best. This spiffy poster has a great image of the two stars and plenty of hype. The poster has minor crossfold separations, pinholes in the margins and image and a tear near the top center fold. Fine/Very Fine.
It's a Mad, Mad, Mad, Mad World (United Artists, 1963). One Sheet (27" X 41") Style A. The slapstick classic with the all-star cast gets the Mad Magazine treatment, as Mad mainstay Jack Davis lends his considerable talents to this wacky poster. "The biggest entertainment ever to rock the screen with laughter" -- and certainly one of the longest, at 2 hours and 40 minutes! This great-looking example has minor fold wear and corner bends, a small tear at the bottom center fold, and a small tear at the lower left horizontal crease, which has been repaired with archival tape. You'd be mad, mad, mad to pass up this golden opportunity! Very Fine.
It's a Mad, Mad, Mad, Mad World (United Artists, 1963). One Sheet (27" X 41") Style B. Spencer Tracy, Milton Berle, Buddy Hackett, Sid Caesar, Ethel Merman, Mickey Rooney, Phil Silvers, Terry-Thomas, and Eddie "Rochester" Anderson are just some of the stars dashing cross-country in this legendary overachiever of a screwball comedy. The nifty Saul Bass artwork is very distinctive, and many prefer it to the Jack Davis art on the A style. There are pinpoint crossfold separations, a long crease in the lower right corner, a small tear and accompanying crease at the lower left fold. The bold red color is as sharp as the day it was printed, with little or no fading, making this striking design a treat for the eyes. Very Fine-.
Cat Ballou (Columbia, 1965). Japanese B2 (20" X 29"). This musical spoof of Westerns featured Lee Marvin in dual roles that won him a Best Actor Oscar. Jane Fonda stars as the title character. The U.S. posters for the film were less than spectacular but this Japanese poster puts them to shame. The original release sheet is a different style from the one offered in our July, 2007 auction and features superior imagery of Fonda. There is minor wrinkling and staining in the borders but the poster has never been folded. If this is one of your favorite films, this may be your chance to get the best poster done for the film! Rolled, Very Fine-.
Harold and Maude (Paramount, 1971). British One Sheet (27" X 39.5"). Here's a rare treat for fans of this classic comedy: a British one sheet that is vastly superior to its American counterpart. Where the American one sheet was, to be kind, unimaginative, with nothing more than the title and credits in red, purple and black on a white background, this attractive British sheet offers fun caricature portraits of stars Bud Cort and Ruth Gordon. This rare sheet shows pinholes in the corners, some edgewear at the top, and some light creasing along the left edge. None of this detracts from the great eye appeal of this poster, which will, no doubt, display very nicely. Very Fine-.
Going Highbrow (Warner Brothers, 1935). Mini Window Card (8" X 14"). Guy Kibbee and Zasu Pitts have come into money, and now she wants to be accepted in society. The solution? Hire Judy Canova as a daughter so they can attend the debutante ball. This midget window card has corner creases, and light tanning in the imprint area. Absolutely delightful artwork of Kibbee and Pitts. From the Collection of Denver Sherry. Very Fine.
Goldie Gets Along (RKO, 1933). One Sheet (27" X 41"). A delightful romantic comedy starring the lovely French actress Lili Damita, who was married to Errol Flynn at the time. This lovely poster has a vibrant design and eye-popping colors. There is minor crossfold separation, pinholes, minor edge tears, and light wrinkling at the folds. RKO's 1930s posters have always been considered some of the best to be produced and this is no exception! Very Fine+.
Broadway Melody of 1940 (MGM, 1940). Mini Window Card (8" X 11.5"). This is a delightful image of Fred Astaire and Eleanor Powell on a very rare midget window card depicting perhaps the greatest dance sequence ever filmed...an eye-popping 6 minute 3-section version of Cole Porter's wonderfully innovative "Begin the Beguine." The theatre imprint area at the top has been trimmed, not affecting the art, there are pinholes, minor border tears, and mild corner creases in the lower right and left corners. Very Good/Fine.
On Borrowed Time (MGM, 1939). Lobby Card Set of 8 (11" X 14"). A wonderful fantasy film about a man and his grandson who trap "Death" up an apple tree in their yard, so that no one in the world can die until he's let down! Lionel Barrymore is the definitive curmudgeon and Sir Cedric Hardwicke is Death. Great cards of an all star cast that includes Beulah Bondi, Una Merkel, and Nat Pendleton. An uncommon complete set of colorful MGM cards. All the cards have a center single pinhole, mild edge wear with slight border soiling and small pieces of paper tape on the back. Very Fine+.
Emma (MGM, 1932). One Sheet (27" X 41"). How does a homely, 64-year-old, portly Canadian woman merit a top-of-the-line, facial-closeup-artwork, 30s Tooker lithograph from MGM? To understand that, you must know the history of one of the finest actresses Hollywood has known. Dressler was called by Louis B. Mayer himself " the most adored person ever to set foot in the MGM studio." This was a woman that recorded light opera for Edison in 1909, got Mack Sennett his first job in the theatre, and gave her best heralded vaudeville skit to Sennett so he could produce a vehicle for his newly signed actor, Charlie Chaplin -- a little something called "Tillie's Punctured Romance," in which Dressler also appeared. Winning the Oscar for Best Actress in 1931 for "Min and Bill", Dressler would also be nominated for "Emma." Consider this: in an era of Garbo, Harlow, and Crawford, it was this impish woman in her 60s who won the coveted Exhibitor's Poll for Most Popular Actress for three consecutive years! There are minor pinholes, minimal edge wear with tiny tears, small tape in top center border, and small cross fold separations. Simply gorgeous pastel colors on this very rare poster. Very Fine+.
It's All Yours (Columbia, 1937). One Sheet (27" X 41"). Yes, it's "The Gayest Picture That Ever Launched a Pair of Lovers!" Frances Lederer and Madeleine Carroll are the lovers in question, in this frothy comedy from director Elliot Nugent. Carroll is showing a lot of back in this elegant stone litho poster, which boasts great color. There are pinholes in the corners and some in the background, minor fold wear, and tape on the reverse with minor staining. It's All Yours...but only if you're the high bidder. Fine+.
Private Number (20th Century Fox, 1936). Three Sheet (41" X 81"). Robert Taylor's ex-wife, Barbara Stanwyck, would remark..."..Robert and I used to argue which one of us was better looking...he often won.." This lot contains a seldom seen three sheet from an early MGM film of "The Man with the Perfect Profile." Taylor would stay to have one of the longest contracts in screen history, twenty-four years, with the same studio. The expression of the ever lovely Loretta Young says it all...no one on the screen could fall so hopelessly in love as Ms. Young. Restoration with fold separations and minor chips in the fold lines and crossfolds, a small section of the border on the lower right has been replaced. Very Good/Fine on Linen.
Fast and Loose (MGM, 1939). Mini Window Card (8" X 14"). This was the third and final film in a series based on Harry Kunitz's characters Joel and Garda Sloane, two rare manuscript dealers who are part-time detectives as well. The series was witty and fun and this midget card is an extremely rare item from this light-hearted mystery series. The card shows minor wear to the corners with a tiny chip off the lower right. From the Collection of Denver Sherry. Very Fine.
The Flood (Columbia, 1931). One Sheet (27" X 41"). "A Torrent of Emotions and Thrills" plays out in the form of a love triangle between Eleanor Boardman, Monte Blue and David Newell. The passions of the trio are expressed in the raging flood that serves as a cathartic climax to the film. This one sheet has pinholes, minor edge wear, and fold wear with slight tears. The poster has been mounted on linen and professionally restored. Gorgeous stone litho artwork of the three stars. Fine/Very Fine on Linen.
Grand Hotel (MGM, 1932). Lobby Card (11" X 14"). MGM pulled out all the stops in this star-studded feature. Greta Garbo, John and Lionel Barrymore, Joan Crawford, and Wallace Beery all star in this production that won the Oscar for Best Picture in 1932. This card offers a dynamic close up of Wallace Beery and John Barrymore. It has pinholes in the top corners, a one and a half inch tear in the left side, and crease marks in the upper left and lower left corners. Slight foxing in the upper border. The image itself looks relatively untouched, other than a small scuff under Beery's chin. Fine+.
Grand Hotel (MGM, 1932). Lobby Card (11" X 14"). The major stars of the early 1930s, including Greta Garbo, Joan Crawford, John and Lionel Barrymore, and Wallace Beery all come together in this ensemble tour de force that brought a new concept to the screen: the interacting multi-level story featuring an all-star cast. There are corner creases and pinholes, edge wear with chips and small tears, and a few pinholes in the borders. The card has been professionally restored and offers a terrific display. Very Fine-.
Arrowsmith (United Artists, 1931). One Sheet (27" X 41"). Ronald Colman stars as the title character in this John Ford directed adaptation of the Sinclair Lewis novel. Coleman is a talented scientist who gives up a research career to get married (to Helen Hayes) and become a town doctor. Eventually he succumbs to his true calling and heads to Africa to help cure the Black Plague. The film earned an Oscar nomination for Best Picture as well as for Art Direction, Cinematography and Writing (Adaptation). This gorgeous stone litho had pinholes in the corners and a small chip out of the upper left corner in the border. The professional restoration makes the poster appear as near mint. Very Fine on Linen.
All of Me (Paramount, 1934). Mini Window Card (8" X 14"). Reteaming Fredric March and Miriam Hopkins after their triumphant performances in "Dr. Jekyll and Mr. Hyde," this movie tells the story of an engineering professor (March) who longs to make a change in his life. His wealthy society girlfriend (Hopkins) can't understand his desire to leave the glitz and glamour of the city, and it's only after a near tragedy strikes that she decides love, not money, is the most important thing of all. One of Paramount's last Pre-Code films, this movie also featured George Raft, perfectly cast in a tough guy, gangster role. The card offered here is nearly perfect, with only some light tanning at the top and a small corner bend in the upper right detracting from it in any way. From the Collection of Denver Sherry. Near Mint-.
Way Down East (20th Century Fox, 1935). One Sheet (27" X 41"). Beautiful Rochelle Hudson found time to romance young Henry Fonda in his second film, inbetween appearing as Shirley Temple's older sister in "Curly Top," and stopping off at the animation studio to voice the popular Honey character in the "Bosko" series. This splendid Fox one sheet, done in a quite unusual violet twilight color palette, seldom surfaces, particularly in this grade. There are only minor pinholes, small crossfold separations, and faint wrinkling in the borders. Very Fine+.
Young Mr. Lincoln (20th Century Fox, 1939). Mini Window Card (8" X 11.25"). This film of the early years of Abraham Lincoln, with Henry Fonda as the great man, was dramatically brought to life by director John Ford. Initially, Fonda refused to play Lincoln, fearing he couldn't do justice to the role, and that his career would be hurt. In their first meeting, Ford cussed him out royally, insisting that he wasn't playing Lincoln at all, but ..." a young 'jackanape' country lawyer facing his first murder trial...." The theater imprint area, with the bottom of a snipe still attached, has been trimmed, not affecting the image. There are pinholes, small dot stains in the border, a small corner crease, and minor silverfish nibbles in the border. Very Good/Fine.
Strawberry Blonde (Warner Brothers, 1941). Title Lobby Card and Scene Card (11" X 14"). Perhaps best known for his tough guy and gangster roles, James Cagney got a chance to show off his flair for romantic comedies in this fun picture. As dentist/ex-con Biff Grimes, Cagney plays the tough guy stuff for laughs, perfectly complemented by the exquisite and delicate beauty of Olivia DeHavilland. Offered here are the two best cards from the lobby set, the title card and the card featuring co-star Rita Hayworth. The title card shows a bottom left corner bend, a small tear in the bottom border, a pinhole in the upper right, and corner bumps. The lovely scene card displays a top right corner bend, corner bumps, and pinholes in three corners. These are beautiful cards featuring some of Hollywood's greatest stars. Fine/Very Fine.
The Eagle (United Artists, 1925). Lobby Card (11" X 14"). One of Rudolph Valentino's last films, this is a swashbuckling adventure that casts him as the Zorro-esque Black Eagle, an outlaw devoted to avenging his father, whose lands have been appropriated by the evil count Kyrilla in the court of Catherine the Great. This splendid lobby card features Valentino as well as leading lady Vilma Banky. The card appears near mint, but has possibly been trimmed slightly across the top, though one never knows with these early lobbies as they were not all cut uniformly. There are small creases in the top right and bottom left corners, and a smudge just below Valentino's elbow. Fine/Very Fine.
Way for a Sailor (MGM, 1930). One Sheet (27" X 41"). This was John Gilbert's second sound film for MGM, serving out his contract. Never the same after being left at the altar by Greta Garbo, Gilbert appears gamely in this fun film about merchant sailors. He appears on this very rare photogravure style one sheet with one of the rowdiest 'take-no-prisoners' comediennes of all time, Polly Moran, playing a dockside floozie. The poster has been professionally linen-backed for pinholes, and a mild extra vertical crease in the upper right field. There are minor chips along the vertical fold line. Excellent registration. Fine- on Linen.
The Love Parade (Paramount, 1929). Swedish One Sheet (26.5" X 39"). In her screen debut, Jeanette MacDonald is the Queen of Sylvania, a monarch who needs to marry soon. When she recalls roguish diplomat Maurice Chevalier, he thinks he is in trouble. Little does he know -- she wants to marry him! This Swedish one sheet has fold wear with minor tears and chips and tape scuffs. The poster has been mounted on linen and professionally restored, which wonderfully shows off the delightful stone litho artwork of the two stars. Very Fine- on Linen.
The Way to Love (Paramount, 1933). Mini Window Card (8" X 14"). The incomparable Maurice Chevalier sings his way through this romantic musical about a carnival knife thrower's assistant who falls in love with a Parisian tour guide. Ann Dvorak was given the role of Madeline only after Sylvia Sidney walked off the picture and Carole Lombard refused the part. This card is extremely attractive, perfectly capturing all of Chevalier's suave charm. The light toning at the top is the only real flaw (it should be noted that the small line in the blue field at the bottom is a printing defect and not a tear). A beautiful card from a wonderful production. From the Collection of Denver Sherry. Very Fine/Near Mint.
Come and Get It (United Artists, 1936). Pre-War Belgian (24" X 33.5"). Lumber tycoon Edward Arnold falls in love with singer Frances Farmer, but lets her go to marry into wealth. Years later, both Arnold and his son Joel McCrea fall for her daughter (also played by Farmer). This Belgian poster has slight edge wear and tears, fold wear with extra horizontal creases. The upper imprint area has been trimmed, but a snipe has been added in its place. The poster has been mounted on linen. Very nice shots of the three stars. Fine+ on Linen.
The Scoundrel (Paramount, 1935). Mini Window Card (8" X 14"). Noel Coward's first film role was as an acerbic book publisher in this supernatural tale of redemption. After ruining lives right and left, Coward dies in a plane crash with a curse on his head. His only chance to remove the curse and go on to Heaven is to find one person who will mourn him. This midget window card has corner chips, corner and edge creases, and a theater stamp in the imprint area. Nice caricature artwork of Coward. From the Collection of Denver Sherry. Fine/Very Fine.
Her Husband Lies (Paramount, 1937). Mini Window Card (8" X 14"). Ricardo Cortez and Tom Brown are brothers who are envious of each other's place in life. Cortez teaches his brother how to be a gambler, but he does too good a job -- all the big players think Brown is cheating. This midget window card has corner creases, smudges and stains, and a couple of pencil marks. Fabulous shots of the four stars. From the Collection of Denver Sherry. Very Fine-.
The Good Earth (MGM, 1937). Midget Window Card (8" X 11.5"). Luise Rainer won the second of her back-to-back Best Actress Oscars for this terrific film, while cinematographer Karl Freund took home an Oscar for his beautiful photography work. This scarce midget window card has an excellent portrait image of the two stars. Marking the end of an era for MGM, this film was the last project for producer genius Irving Thalberg. The theatre imprint area at the top has been trimmed, not affecting the image, there are pinholes, grease pencil date writing in the imprint area, a mild crease in the lower left field, and a minor border tear. Fine-.
Judge Hardy and Son (MGM, 1939). One Sheet (27" X 41") Style D. Mickey Rooney made fifteen "Andy Hardy" films in the ten year period between 1937-1947. In this one, Andy finds that his usual thoughts of girls, cars and money take a back seat to concerns about his mother when she catches pneumonia. This great stone litho one sheet, featuring fun caricature artwork of Rooney, had enlarged pinholes and fold wear with separations, but these slight flaws have been addressed with professional restoration, making it a very attractive piece for any collection. Very Fine on Linen.
Boys Town (MGM, 1938). Title Lobby Card and Lobby Cards (5) (11" X 14"). This inspiring story, based on the real Boys Town created by Father Flannagan, found Spencer Tracy in the lead role as he tries to turn troubled youths into men. MGM cast the young Mickey Rooney in the part of one the toughest and most troubled in the school, Whitey. Spencer Tracy went on to win his second Oscar for Best Actor and gave the award to the real Flannagan. Paper on this title doesn't turn up often. The title card has pinholes, a chip in the upper border and a crack that runs five inches through the title. The other five lobby cards have pinholes and minimal wear. Fine/Very Fine.
Kings Row (Warner Brothers, 1942). One Sheet (27" X 41"). Ronald Reagan gave his finest performance in this classic film, nominated for three Oscars, a tale of two friends who start life with very different expectations, only to find their roles reversed as adults. This poster shows some light soiling at the folds, edge stains, some small edge tears, and crossfold separations mended with tape on the back. There is one small edge chip in the upper left. A wonderful display poster for Ronald Reagan fans or movie buffs. Very Fine.
Goodbye, Mr. Chips (MGM, 1939). One Sheet (27" X 41") Style D. To realize what a fine actor Robert Donat was, consider that in 1939 he won the Best Actor Oscar for his part of Mr. Charles Chipping, beating out tremendous role assayed by Clark Gable as Rhett Butler. Donat would essay the role in flashbacks, effectively portraying several ages in Chipping's life. Beside him is a luminous Greer Garson in her movie debut which earned her first Oscar nomination. Restoration for fold separations, tape removal along the left middle fold, and corner bumps. There are minor pinholes, and a faint stain in the lower left corner. Excellent color. Very Fine on Linen.
The Ten Commandments (Paramount, 1956). Japanese STB (20" X 58"). While critics have argued the film's claim of authenticity, there is no debating the popularity of "The Ten Commandments" with audiences of all faiths. Using state of the art special effects for its day, the film dazzled audiences with the "parting of the Red Sea" scene, a feat that won the movie an Oscar for special effects in 1956, beating out "Forbidden Planet" for the award. This rolled, original release Japanese poster features great images of Charlton Heston, casting down God's Law upon the people of Israel, and Yul Brynner as his brother-turned-archnemesis Ramses. There are a few tiny edge tears and light wrinkling but they in no way distract from the beauty and power of the artwork. Rolled, Near Mint.
The House I Live In (RKO, 1945). One Sheet (27" X 41"). This was a 1945 short film written by Albert Maltz and starring the young singing sensation Frank Sinatra. It was created to oppose anti-Semitism and prejudice at the end of World War II. The film begins as the singer is taking a break from a session in the studio and going into the alley behind the studio, where he sees a group of boys about to pounce on another young boy. The group of boys tell Sinatra the kid they are willing to beat is of a different religion and for that reason deserves a thrashing. The crooner of course, sings the title song and explains the results of prejudice in life. The film received a special Academy Award in 1946. Posters for a specific short subject such as this one are almost unheard of. Most of the shorts made were part of a series released by a studio and thus a "stock" one sheet might have been made for the entire series. This is the only poster we are aware of, still extant, for this award winning film. It was beautifully signed by Sinatra in silver pen in 1989. There were pinholes in the corners as well as some wear and paper loss in the center crossfold and the center and bottom horizontal fold lines. There was tape behind spots in those two folds as well. The restoration has been professionally done and the poster displays very well. This is perhaps a once-in-a-lifetime opportunity to get a poster that every Sinatra completist would need. Very Good/Fine on Linen.
High Society (MGM, 1956). Three Sheet (41" X 81"). Talk about a musical pedigree -- Bing Crosby, Frank Sinatra, and Louis Armstrong all appear at the height of their talents in this suave musical set in the coolade of jazz. Even Grace Kelly -- who was no singer by any account -- got a hit record out of the film, the tender "True Love," which Cole Porter wrote specifically to accommodate her limited range. This colorful three sheet features a great image of the four main stars against a lush teal background. The poster has a tear in the lower center fold, small tape lift in the text area, pinholes, and some light creasing, all of which has been rendered virtually invisible with professional restoration. Very Fine- on Linen.
Ocean's 11 (Warner Brothers, 1960). Insert (14" X 36"). Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and the the rest of the Rat Pack plan on knocking off five Las Vegas casinos in one night. In this lot is offered the ever elusive insert to this hot title in a grade you really don't want to miss! Similar to the three sheet in design but much more easily framed for display, this piece pictures the "Pack" as they stroll down "the Strip." Only a slight bend in the upper right corner, and a small dent in the bottom left corner. Fresh color. Rolled, Near Mint-.
Ocean's 11 (Warner Brothers, 1960). One Sheet (27" X 41"). The Rat Pack was the absolute definition of "cool" not only for their era, but perhaps all time. Their plot for this classic centered on the gang's plan to knock off five Las Vegas casinos in one night. All five stars are featured "in attitude" with great headshot artwork. There is a chip in the upper left corner, and a tear in the left border to just into Frank's eye. This has been addressed quite well with expert restoration. Great color. Fine/Very Fine on Linen.
From Here to Eternity (Columbia, 1953). Australian Daybill (13.5" X 30"). Frank Sinatra was already a star before being cast as brash Private Maggio in this big screen adaptation of James Jones' popular novel. His performance would earn him a Best Supporting Actor Oscar in 1954, making him a marketable box office draw for years to come. This Australian poster for the film's original release has wear and tear along the edges, a crease in the top border, and minor foxing along the edges. Don't miss this one as it is prettier than the U.S. paper. Fine/Very Fine.
Some Came Running (MGM, 1959). Japanese B2 (20" X 29"). When war veteran Frank Sinatra returns to his hometown after WWII with good-time girl Shirley MacLaine in tow, he forces everyone he knows and loves to reevaluate their lives. MacLaine garnered her first Oscar nomination for this film, as well as gaining unofficial status as a member of the Rat Pack. This Japanese B2 has light edge wear with small tears, light fold wear, wrinkling, and one tiny corner chip. Fabulous images of the three stars. Very Fine-.
The Man With the Golden Arm (United Artists, 1955). East German A1 (22.5" X 32"). Frankie Machine's drug addiction and his harrowing cold turkey withdrawal were among the reasons that the Production Code seal of approval was withheld from this Otto Preminger film starring Frank Sinatra. Within a year, the Code had changed to allow for such things -- it was the beginning of the end for the old Hayes Office. This East German poster is far more graphic in its representation of drug abuse then a U.S. poster could ever show at the time. It has edge wear with small tears, fold wear with separations, and tanning on the fold lines. A dramatic shot of Sinatra. Fine+.
The Man With the Golden Arm (United Artists, 1955). Half Sheet (22" X 28") Style B. Otto Preminger's searing look at drug addiction pushed the M.P.A.A. to revise the Production Code the following year. Card dealer Frankie Machine (Frank Sinatra) gets out of jail determined to break his heroin habit. With the help of Kim Novak, he eventually breaks free of his addiction in a harrowing cold turkey scene. This rare style B half sheet has wear along the fold lines and edges with bumps at the corners. There is a thin dust shadow in the borders along with a few tiny edge tears and small stains. Folded, Very Fine-.
Advise & Consent (Columbia, 1962). Three Sheet (41" X 81"). A tense drama about the machinations of Washington, "Advise & Consent" was based on the Pulitzer Prize-winning novel by Allen Drury, brought vividly to the screen by director Otto Preminger. The fine cast is headed up by Henry Fonda, along with Charles Laughton, Walter Pidgeon, Don Murray, and Gene Tierney. This striking three sheet is, of course, designed by the great Saul Bass and features his stark, minimalistic artwork. Minor condition issues include a small hole in the lower left, and a chunk missing on the left side, and minor fold wear, all minimized by professional restoration. A great poster for a great film. Very Fine+ on Linen.
Anatomy of a Murder (Columbia, 1959). Lobby Card Set of 9 (11" X 14"). Otto Preminger, was a major fan of Saul Bass's work, and insisted that the artist design the posters for his films. Even this unique 9 card lobby card set, with an alternate title card taken from the design of the Style A one sheet, features Bass's signature logo and printed autograph on each card. The film itself was a masterpiece of acting, and would be nominated for 7 Oscars, as James Stewart, an attorney, takes on a complicated case of rape. There are minor pinholes, small corner bumps, and some minimal foxing and tanning in the bottom borders. Card # 4 has a vertical scratch across the middle field. Very Fine-.
Broadway Bill (Columbia, 1934). Mini Window Card (8" X 14"). Frank Capra directed this horse racing comedy starring Warner Baxter as a bored in-law of a wealthy family and Myrna Loy as his wife's sister. Together they train and race a broken-down old horse name Broadway Bill, all the while staying one step ahead of the bill collectors. Capra would remake this film 17 years later as "Riding High." This midget window card has a theater stamp that extends slightly into the image area. A gorgeous image of Baxter and Loy. From the Collection of Denver Sherry. Near Mint-.
Broadway Bill (Columbia, 1934). Swedish One Sheet (27.5" X 39.5"). Frank Capra's follow-up to "It Happened One Night" continued his penchant for slightly wacky main characters who may not have a lot of money, but are full of the joy of life. As is also usual with Capra, Warner Baxter and Myrna Loy find themselves in conflict with and outsmarting the wealthy forces pitted against them. This rolled Swedish one sheet has edge wear and tears with wrinkling, and light staining on the right border. Gorgeous artwork of Baxter and Loy by Swedish artist Eric Rohman. Rolled, Very Fine.
You Can't Take It With You (Columbia, 1938). Title Lobby Card (11" X 14"). Winner of the 1938 Academy Awards for Best Picture and Best Director, Frank Capra's adaptation of the Kaufman/Hart play stars Lionel Barrymore as the head of an eccentric family preparing for a visit by granddaughter Jean Arthur's beau (James Stewart) and his straight-laced parents. This title card had pinholes within the border and a break in the right border which extended into the black title box. There was wear to the upper left, and top borders as well. All of these issues, as well as some grease pencil writing on the backside, were addressed in restoration. The poster now displays as in excellent condition. Fine+.
You Can't Take It With You (Columbia, 1938). Lobby Card (11" X 14"). Frank Capra's adaptation of Kaufman and Hart's Pulitzer Prize-winning play was also a big success at the box office. The slightly loony Sycamore family butts heads with the stuffy Kirbys when James Stewart and Jean Arthur fall in love. The film was the winner of the Best Picture Academy Award the year of its release. This lobby card is considered by most to be the best card in the set. This example has a pinhole in each corner and several others within the card. The lower left corner has a break on the tip and there is a some airbrush work within the border only. Fine/Very Fine.
You Can't Take It With You (Columbia, 1938). Lobby Cards (2) (11" X 14"). Jean Arthur and James Stewart star in Frank Capra's Oscar-winning comedy based on the Kaufman and Hart Pulitzer Prize-winning play. The eccentric, anarchic Sycamore family meets arms manufacturer Edward Arnold when his son (Stewart) falls in love with Alice Sycamore (Arthur). Conflict and hijinks ensue. These lobby cards have edge wear and tears with wrinkling, and one corner chip. Nice shots from the film of Arthur and Stewart, as well as great side art of the four stars. Very Fine-.
You Can't Take It With You (Columbia, 1938). Lobby Cards (2) (11" X 14"). The first of three classic collaborations between James Stewart and Frank Capra ("Mr. Smith Goes to Washington" and "It's a Wonderful Life" were the others), this adaptation of the Pulitzer Prize-winning play went on to win Oscars for Best Director and Best Picture. These lobby cards have light edge wear with a small tear, corner creases, and a small scuff on Stewart's nose. Delightfully wacky shots from the film. Very Fine-.
You Can't Take It With You (Columbia, 1938). Lobby Cards (2) (11" X 14"). Due to a hip injury and arthritis, Lionel Barrymore was not able to walk when filming began on this comedy. His character was rewritten with a broken leg, and with the help of hourly injections, he was able to finish the film on crutches. These lobby cards have edge wear and tears with wrinkling and corner chips, and a couple of corner creases. Wonderful shots of all the cast. Fine/Very Fine.
Mr. Smith Goes To Washington (Columbia, 1939). Mini Window Card (8" X 12"). Directed by the great Frank Capra, this is one of Jimmy Stewart's greatest movies. Although the film, which concerns a young, idealistic senator who goes to Washington to try and change the world, was not a success upon its initial release, despite 11 Academy Award nominations, it has since come to be considered a true American classic, and one of Stewart's most iconic roles. This midget window card, which features wonderful portraits of the main cast members, has been trimmed at the top, and displays several pinholes in the main image area, chipping at the top corners, some edge wear with surface paper loss along the bottom border, creases in the bottom corners, and a .75" grease pencil mark at the top. In spite of its flaws, this is a very attractive piece from a very desirable film. Fine.
It's a Wonderful Life (RKO, 1946). One Sheet (27" X 41"). Frank Capra's post-war fantasy, originally a box-office failure, has become a timeless classic. James Stewart was initially reluctant to take the role, but later claimed George Bailey as his favorite part. This lovely one sheet is in terrific condition, with only minor staple holes in the corners, small crossfold separations and some wrinkling in the lower right quadrant. This is the best condition copy of this in-demand one sheet we've ever seen. Very Fine+.
It's a Wonderful Life (RKO, 1946). Lobby Card (11" X 14"). James Stewart and Donna Reed meet at a dance in this fantastic scene card from Frank Capra's beloved film about a man who gets to see how his life affects everyone around him. Cards from this title have been increasing in popularity with collectors as each year goes by. This wonderful card is almost flawless, with only one staple mark and slight corner bend in the upper right corner. Oh, and that is the plucky Carl "Alfalfa" Switzer in the scene as well. Very Fine/Near Mint.
Navy Blue and Gold (MGM, 1937). Mini Window Card (8" X 12"). Navy cadets Robert Young, James Stewart and Tom Brown come under the influence of Lionel Barrymore in one of his patented crusty mentor roles. Young and Stewart are also rivals for the affection of Brown's sister, Florence Rice. This attractive midget window card has rounded corners and a corner crease, edge staining, and a theater stamp in the imprint area. The top two inches have been trimmed. Beautiful, bright color highlights the nice portrait shot of the three stars. From the Collection of Denver Sherry. Fine-.
The Shopworn Angel (MGM, 1938). One Sheet (27" X 41") Style C. Jimmy Stewart stars as a naive young Texas soldier who is sent to New York for basic training. There he meets a wise and worldly actress, Margaret Sullavan, who poses as his girlfriend in order to impress his friends. The relationship soon turns serious and the real romance begins. Only minimal fold separations. Bright and vivid original color. Very Fine/Near Mint on Linen.
Ziegfeld Girl (MGM, 1941). One Sheet (27" X 41") Style D. The life of a Ziegfeld Girl was one of glamour and fame, but there was also a price to pay, as Judy Garland, Hedy Lamarr and Lana Turner find out. Each of the three join the troupe and only later discover how hard it is when you reach the top. This one sheet has edge wear and tears with chips, fold wear with tears, and tape scuffs. The poster has been mounted on linen and professionally restored. Gorgeous artwork, as well as nice head shots of the four stars. This is the artwork that is featured on the recently released DVD box. Fine+ on Linen.
The Ice Follies of 1939 (MGM, 1939). Title Lobby Card and Lobby Cards (6) (11" X 14"). Joan Crawford and James Stewart star in this MGM musical done in the grand style. The film was to be used to promote Crawford as a singing sensation, but due to complaints from another top MGM star, most of the singing numbers were cut from the film. The title card has two pinholes and a small tear in the lower right corner and in the right border, and some wrinkling within the left border. The portrait card and other cards have small problems such as pinholes, corner and edge wear. The wide shot card of the chorus line has the most wear with a scratch across the image. Very Fine-.
The Mortal Storm (MGM, 1940). Title Lobby Card and Lobby Cards (5) (11" X 14"). Released a year and a half before America's entry into WWII, this film was Hollywood's most overt criticism of Nazi Germany. James Stewart and Margaret Sullavan battle to save their lives and souls in the face of rising fascism. These lobby cards have pinholes, and small smudges and stains. Marvelous images of the two stars, with Sullavan featured on all six cards. Fine+.
Harvey (Universal International, 1950). One Sheet (27" X 41"). Lovable drunk Elwood P. Dowd (James Stewart) has a best pal, Harvey, that nobody else has ever seen. Harvey's not illusive, just invisible. Oh, yeah, and he's a six-foot rabbit. Stewart was nominated for Best Actor, and Josephine Hull won for Best Supporting Actress in this classic, beloved film. Only mild fold separations, obvious restoration in the fold lines, and removable smudging not addressed in the previous restoration mar this otherwise clean poster. One sheets on this title are seldom seen, making this one sheet almost as elusive as Harvey himself. Fine/Very Fine on Linen.
Harvey (Universal International, 1950). Title Lobby Card (11" X 14"). James Stewart plays Elwood P. Dowd, a wealthy and eccentric drunk who sees an imaginary rabbit, a claim that raises the eyebrows of local townspeople. Although his sister (Josephine Hull, in an Oscar-winning turn) occasionally sees him too, Stewart's imaginary friend begins to interfere with her plan to find a suitable husband for her daughter. Aside from fine pinholes, two minor corner creases and faint fingerprint smudges in the right border, this title card looks great, with clean vivid artwork. Very Fine.
One Sunday Afternoon (Paramount, 1933). Swedish One Sheet (27.5" X 39.5"). Gary Cooper and Neil Hamilton compete for the hand of Fay Wray, but when Hamilton wins, Cooper marries Frances Fuller in spite. Years later, the four meet up again under eye-opening circumstances. This Swedish one sheet has light edge wear with small tears, and fold wear with separations on the top and bottom of the vertical fold. There is archival tape on the back of the separations. Wonderful artwork of Cooper by Swedish artist Cortis. Fine/Very Fine.
Morocco (Paramount, 1930). Swedish One Sheet (27.5" X 39.5"). Marlene Dietrich's second collaboration with director Josef von Sternberg, and her first English-language film, was this elegant soap opera set in North Africa. Dietrich is Amy Jolly, a singer in Lo Tinto's nightclub, who meets Foreign Legionnaire Gary Cooper and rich Adolphe Menjou. This is a beautiful original Swedish poster. There were several large tears in the upper portion of the poster which extended into the black field and the blue title field. There was slight wear around the borders. Restoration has made these defects all but invisible. Fine/Very Fine on Linen.
A Farewell To Arms (Paramount, 1932). Swedish One Sheet (27.5" X 39"). Gary Cooper and Helen Hayes star in the first version of Ernest Hemingway's semi-autobiographical novel set in WWI. The film was released seven years before WWII, and yet there is a title page that mentions the "first World War" -- a premonition on director Frank Borzage's part? This Swedish one sheet has edge wear and tears with wrinkling and a corner and edge chip, very light fold wear, and a light dust shadow on the upper right corner. The beautiful artwork of the two stars is by Swedish artist Eric Rohman. Very Fine-.
Peter Ibbetson (Paramount, 1935). Lobby Cards (3) (11" X 14"). The love between Gary Cooper and Ann Harding is able to transcend all obstacles -- distance, prison walls, even death itself. After Cooper kills in self-defense and is sent to prison, the lovers meet in their dreams... a tryst that extends into the next life. These lobby cards have slight soiling and a couple of small corner chips. One of the cards has very minor fading. Beautiful shots of the two stars. This is a very hard title to find paper from. Fine+.
The General Died at Dawn (Paramount, 1936). Lobby Card Set of 8 (11" X 14"). Gary Cooper stars as an American mercenary helping the inhabitants of a small Chinese village defy a warlord. Two of the cards have small chips off of the upper right corners and two other cards have small tears in the borders. Overall, this set is in fine condition and features two of the best lobby cards ever issued on the cinema icon, Gary Cooper. Fine/Very Fine.
For Whom the Bell Tolls (Paramount, 1943). One Sheet (27" X 41"). One of the finest film poster artists of the Golden Age of Hollywood, Armando Seguso, created this gorgeous one sheet for the adaptation of one of Ernest Hemingway's best stories. Seguso was the artist who painted all the major posters for "Gone with the Wind." There are only minor pinholes and minimal centerpoint separations, addressed completely by top notch restoration. Excellent color. Very Fine on Linen.
For Whom the Bell Tolls (Paramount, 1943). One Sheet (27" X 41") Style B. Ernest Hemingway personally selected Gary Cooper and Ingrid Bergman for the lead roles in the adaptation of his best-seller -- in fact, he had imagined Bergman in the part when he was writing the book. Hemingway ended up unhappy with the film, because of the removal of all political aspects, but it was the highest grossing film of 1943. This one sheet has pinholes, edge wear and tears with chips, and fold wear. The poster has been mounted on linen and professionally restored. Wonderful images of all the stars. Fine+ on Linen.
Ball of Fire (RKO, 1941). Australian Daybill (13" X 30"). Gary Cooper and Barbara Stanwyck star in this very loose remake of "Snow White and the Seven Dwarfs." Cooper and seven other professors have shut themselves off from the world while writing a comprehensive encyclopedia. Into their lives comes Sugarpuss O'Shea, played at full throttle by Stanwyck, on the run from her gangster boyfriend and looking to shake up their staid existence. This Australian daybill has masking tape on back, water staining, extra horizontal folds, and wrinkling. We believe this daybill would clean up beautifully if one so desired. A wonderful shot of the two stars. Fine.
Chained (MGM, 1934). Leader Press One Sheet (27" X 41"). Joan Crawford finds herself in the middle of a love triangle in this romantic melodrama with Clark Gable and Otto Kruger. This was one of several films Gable and Crawford made together during the early 1930s - they would be linked romantically for a number of years. This rare and striking one sheet is one of the famous Leader Press posters printed by an outfit in Oklahoma City. The poster has significant fold separation in the vertical fold but is still in very presentable condition. Fine.
San Francisco (MGM, 1936). Swedish One Sheet (27.5" X 39.5"). San Francisco saloon owner Clark Gable hires classical singer Jeanette MacDonald to perform in his club, even though his best friend, priest Spencer Tracy, knows that she would be better off in the more respectable opera house. It takes the famous 1906 earthquake to knock some sense into Gable. This rolled Swedish one sheet has edge wear and tears with wrinkling, and silverfish nibbles on the upper left corner. Wonderful artwork of Gable and MacDonald by Swedish artist Eric Rohman. Rolled, Very Fine-.
Somewhere I'll Find You (MGM, 1942). Mini Window Card (8" X 14"). Clark Gable and Lana Turner appear in this war-time romance as reporters who are sent to the Far East as the war in Indo-China rages. After appearing in "Honky Tonk" together, MGM was trying to turn Gable and Turner into the next major cinematic couple. This rare midget card has a crease in the lower left corner and some pencil writing that has been erased in the upper right border. From the Collection of Denver Sherry. Very Fine-.
Sporting Blood (MGM, 1931). Swedish One Sheet (27.5" X 39.5"). Clark Gable's first starring role was in this racetrack drama with Madge Evans. Gable is gambler Rid Riddell, who has received a racehorse as payment of a gambling debt, and Evans is Ruby, who deals cards for Riddell. The horse starts to win races, but Riddell's basic dishonesty creates trouble for all involved. This rolled Swedish one sheet has light edge wear with a few tears that have archival tape on the back, and a dust shadow on the lower right corner. Gorgeous artwork of the two stars. Rolled, Very Fine+.
It Happened One Night (Columbia, 1934). Swedish One Sheet (27.5" X 39.5"). This romantic comedy, directed by Frank Capra and starring Clark Gable and Claudette Colbert, was the first picture to sweep all of the major categories in the Academy Awards!The poster has edge wear, a tear on the top left, a chip in the top left and tape on the back edge. Rolled, Fine/Very Fine.
Gone with the Wind (MGM, 1939). Six Sheet (81" X 81"). The winner of eleven Academy Awards and one of the top money-making films of all-time, this legendary movie stars the great Clark Gable and the gorgeous Vivien Leigh. This is an original release six sheet from the 1940, wide release of the film. After premiering the film around the country at select theaters prior to year's end in 1939, producer David Selznick then took the film and distributed it on a far wider basis. He used the tag-line "Nothing Cut," as theater-goers were afraid of losing screen-time when distributed on a much wider circuit at lower prices. This example, created for the "Popular Prices" release, had some wear and minor paper loss at the folds. A large U-shaped chip in the bottom right corner has been replaced as well as minor chips and tears along the edges. There was slight paper loss at the back of Gable's shirt in the upper insert panel. This magnificent and completely original large format poster with stunning artwork by the great poster artist Armando Serguso, is a rarity not to be missed. Fine+ on Linen.
Gone with the Wind (MGM, 1939). Half Sheet (22" X 28"). This adaptation of Margaret Mitchell's classic novel of the Old South made Hollywood history by capturing eight Oscars. This half sheet is from the first wide release when producer David O. Selznick heralded the film as a "Limited Engagement." After the film's initial run ended (February 1940), the film was released nationwide but the public feared the film's three hour-plus running time would be shortened, so the poster clearly states: "...nothing cut but the price..." This dramatic half sheet has wonderful artwork of the dramatic "burning of Atlanta" by famed poster artist Amando Seguso. One can almost see the original sets of "King Kong" in the background that Selznick used for the actual fire! Restoration has addressed chips in the lower and upper right borders. There are minor tears in the bottom field and the top left corner. There is a vertical tear in the top right border, extending down to the middle horizontal foldline. The poster now presents like new. Do not miss your opportunity to add an original poster from this famous film to your collection. Fine on Linen.
Gone with the Wind (MGM, 1939). Lobby Portrait (30.5" X 41"). As part of the campaign for David O. Selznick's sweeping Civil War epic, several non-traditional pieces were commissioned including art quality prints of the film's principle characters. This lobby portrait of Clark Gable as Rhett Butler is printed on hardboard and surrounded by a painted wood frame as offered by the distributor. There is a bit of flaking of the paint on the frame. The faintest of staining is present in the image but it in no way distracts from the image of Gable. The piece is wired on the reverse and ready to hang. Very Fine.
Gone with the Wind (MGM, R-1954). One Sheet (27" X 41"). This brightly colored mid-'50s reissue one sheet features the last usage of the original 1939 artwork by Armando Seguso. There is minor fold wear, with a mild separation in the top vertical foldline, a small chip in the top right border, and a chip and tear in the right center border. These issues were addressed with professional restoration. Excellent color. Fine/Very Fine on Linen.
In Name Only (RKO, 1939). Mini Window Card (8" X 14"). This three-hankie soap opera was elevated to classic romance by the wonderful performances of stars Cary Grant, Carole Lombard and Kay Francis. Grant and Lombard are in love, but he is married to Francis, who has no intention of divorcing out of his family's money. This midget window card, which shows edge wear with corner bumps, a small edge tear, and a light dust shadow, features gorgeous artwork of the three stars. From the Collection of Denver Sherry. Very Fine+.
Only Angels Have Wings (Columbia, 1939). Mini Window Card (8" X 14"). Director Howard Hawks and Jean Arthur argued over her performance in this classic tale of aviators flying dangerous routes in the Peruvian Andes. When filming was over, he told her that someday he would do her character over again in another film, and to watch for it. After seeing "To Have and Have Not," Arthur showed up at his doorstep and apologized, but it was too late -- they never worked together again. This midget window card has light edge wear with a corner chip, corner creases, and a tiny edge tear with a small stain. There is theater information written in grease pencil in the imprint area. Wonderful shots of the four stars. From the Collection of Denver Sherry. Very Fine-.
Romance and Riches (Grand National, 1937). Three Sheet (41" X 81"). This beautiful poster is for a British film Cary Grant made called "The Amazing Quest of Ernest Bliss," retitled "Romance and Riches" for its American release. A wealthy man, unhappy with his life, agrees to a fifty-thousand-pound wager. He must go out into the world and earn his own way for one year, taking only a five-pound note with him. A truly great image of a young Grant, at an early point in his career! Restoration has addressed small chips in Grant's forehead and in the bottom center border. There were minimal fold lines and separations. Very Fine- on Linen.
The Awful Truth (Columbia, 1937). Window Card (14" X 22"). The awful truth is that Cary Grant and Irene Dunne are still very much in love, even though they've gotten a divorce and are seeing other people. Sabotage attempts on both sides lead to hilarious complications. This window card has a slight corner bend and minor surface scuffs on Grant's coat. There is a theater stamp and writing in grease pencil on the imprint area. The delightful image of the two stars epitomizes the easy grace they brought to the roles. This is one of the cleanest 1930s, unrestored window cards we have ever seen! Very Fine+.
Arsenic and Old Lace (Warner Brothers, 1944). Insert (14" X 36"). Frank Capra made this adaptation of the famous play as a quick project just before he went off to direct the War Department's "Why We Fight" series during World War II. It stars Cary Grant as drama critic Mortimer Brewster, a man who discovers that his two saintly old aunts, Martha and Abby, have a nasty habit of killing lonely old men and, with the help if their bugle-blowing nephew Teddy, who thinks he is Teddy Roosevelt, burying them in the cellar. "Insanity runs in my family. It practically gallops," quips Teddy. Add to the mix another nephew Jonathan, who's also a killer, and his creepy little alcoholic side kick Dr. Einstein (Peter Lorre), and the results are one of Hollywood's true comedy classics. Shot in 1941, it sat for three years until the Broadway show finished its run. There is border soiling in the lower left, minor corner bumps, and a slight extra horizontal fold in the top section of the poster. Fine/Very Fine.
The Bishop's Wife (RKO, 1948). Australian Daybill (13" X 30"). During the filming of this light comedy, Cary Grant and Loretta Young complained to director Henry Koster about being shot on the "wrong" side of their faces. When told about the problem, producer Samuel Goldwyn told them, "Look, if I'm only getting half a face, you're only getting half a salary!" The subject didn't come up again. This Australian daybill has minor edge tears with bits of cellophane tape on the backside and extra horizontal folds. Beautiful stone litho head shots of the four stars (with all the "right" sides). Fine/Very Fine.
North by Northwest (MGM, 1959). One Sheet (27" X 41"). Hitchcock's classic chase film about a man (Cary Grant) mistaken for a nonexistent secret agent features a memorable climax at Mount Rushmore. The poster has fold separations, most of which have been backed with archival tape. There are also small edge chips, a 1" tear at the bottom right, and light edge wear. A terrific poster for one of Hitchcock's most popular films. Fine-.
North by Northwest (MGM, 1959). Six Sheet (81" X 81"). Cary Grant stars in one of Alfred Hitchcock's best films as an "everyday" kind of guy who gets caught up in unusual circumstances, to say the least. Mistaken for a federal agent, he is kidnapped, drugged, and dragged into an espionage plot, a favorite subject for the master of suspense. The conclusion occurs on the face of Mount Rushmore in a climax that only Hitchcock could stage. This imposing six sheet, which uses the familiar art that appeared on most of the other pieces produced for this film, is very attractive and displayable, with only some light creasing around the extreme edges of the borders, pinholes in the corners, edgewear with light chipping, and foldwear with some crossfold separation at the centerpoints. Professional restoration has rendered these minor flaws virtually invisible, resulting in a very desirable piece. Very Fine- on Linen.
North by Northwest (MGM, 1959). Belgian (14" X 22"). This Belgian poster is far superior to the US paper issued on this classic Hitchcock title, as it depicts both Cary Grant and Eva Marie Saint in desperate embrace as well as the infamous "crop-duster" scene against the backdrop of Mount Rushmore. This campaign proved extremely popular, and when the film was reissued in 1966, the US market adapted it for the posters. This particular example is very nice with only minor color touch to the fold lines. Very Fine on Linen.
North by Northwest (MGM, 1959). Japanese B2 (20" X 29"). Cary Grant plays advertising executive Roger O. Thornhill, a man whose life is turned upside down during a case of mistaken identity. Made at the pinnacle of Hitchcock's Hollywood career, this fast-paced thriller contains all the elements of vintage Hitchcock. Who can forget the climactic Mount Rushmore finale? This stunning Japanese B2 re-issue poster has a luminous Eva Marie Saint and Grant in one of the best 'Hollywood Clinch' scenes you're likely to see. A beautiful rendering not found on any American paper. The poster has tiny corner bumps and a faint crease along Grant's leg. Rolled, Near Mint-.
An Affair to Remember (20th Century Fox, 1957). Three Sheet (41" X 81"). Nickie Ferrante (Cary Grant) and Terry McCay (Deborah Kerr) are both engaged to other people, but fall hopelessly in love aboard an ocean cruise. They agree to meet six months hence at the top of the Empire State Building, but will they? Nominated for four Academy Awards, this classic romantic comedy was a remake of director Leo McCary's previous picture, "Love Affair" (1939), and was referenced extensively in 1993's "Sleepless in Seattle." The three sheet offered here shows pinholes in the corners, light fold wear with wrinkling and some crossfold separation, and a piece missing from the top left corner of the top piece. Otherwise, this is an extremely attractive poster from a perennially favorite movie. Fine/Very Fine.
To Kill a Mockingbird (Universal, 1963). Half Sheet (22" X 28"). This film, taken from Harper Lee's depression-era story of two children and their attorney father who chooses to defend a black man in the Deep South, has become a classic of the modern cinema. Gregory Peck won the Oscar for Best Actor, and Robert Duvall made his film debut as Boo Radley. If not for minor edge wear and folding, grease pencil writing on the reverse, and very faint foxing at the fold lines, this half sheet would grade considerably higher. Very Fine-.
To Kill a Mockingbird (Universal, 1963). Stills (75) (8" X 10"). Harper Lee's gripping novel became one of the greatest films ever made, with Gregory Peck heading a phenomenal cast that includes Robert Duvall, Brock Peters, William Windom, and more. Offered here is an amazing collection of 75 8" X 10" stills from the film, a mixture of studio portraits, posed shots, and actual scenes from the narrative. Virtually every role in the film is represented, and there are numerous shots from the intense courtroom scenes. The condition of these photos is outstanding, with most of them in near mint or better condition. Very Fine/Near Mint.
Faust (MGM, 1926). Window Card (14" X 22"). Director F. W. Murnau's adaptation of Goethe's play "Faust" found German actor Emil Jannings as Mephistopheles striking a deal with the aging Faust so he can relive his youth. This film provided Murnau the opportunity to go to Hollywood and begin major productions. This window card has some wear to the corners and moderate insect staining throughout the image that could be easily restored. Very Good.
The Man Who Laughs (Universal, 1928). Herald (8.25" X 5.5"). Adapted from the book by Victor Hugo, "The Man Who Laughs" is the story of Gwynplaine (Conrad Veidt), the son of a nobleman, who is cruelly disfigured due to his father's treachery, but nonetheless finds love with the blind girl Dea (Mary Philbin). Veidt, who had starred in "The Cabinet of Dr. Caligari," and would go on to even greater fame in such films as "All Through the Night" and "Casablanca," was given the role after horror star Lon Chaney backed out of the project. It would become one of the finest performances of Veidt's career. A little-known fact is that the grotesque makeup used to transform Veidt into Gwynplaine, with his rictus-like grin, would become the inspiration for Batman's arch-nemesis, the Joker! The film, which should by all rights be classed as a part of the Golden Age of Universal Horror, is represented here in a lovely herald, measuring 8.25" x 5.5" overall. The piece has been folded as intended and exhibits some very light tanning at the edges, as well as some very minor rust staining on the back. Aside from these very minor flaws, this is a beautiful piece, featuring photos and quotes from the production. Paper from this film is rare, so don't pass up your chance to bid on this great herald! Very Fine+.
London After Midnight (MGM, 1927). Lobby Card (11" X 14"). The most famous "lost" film of all time, "London After Midnight" is thought to have existed until 1967 when the last remaining print was destroyed in an MGM storage fire. The film was remade (virtually scene-for-scene) by Browning as "Mark of the Vampire" in 1935, with Bela Lugosi playing the Lon Chaney part. A handful of stills and promotional items remain, including this exceptionally clean lobby card, which features Chaney in both incarnations of his dual role. There is one pinhole and a minor crease in the lower left corner, a small chip out of the lower right corner, a tiny tear in the left margin and small tear in the right margin, and unfortunately the card has been trimmed across the top edge, which is the main reason for the low technical grade. But the card still shows amazing clarity and good color, and given the rarity of paper from this title, this is not an opportunity to be ignored. Very Good+.
The Bat Whispers (United Artists, 1930). Lobby Cards (2) (11" X 14"). Innovative director Roland West directed this film twice. His silent version with Jack Pickford and Louise Fazenda was also very well received. These great cards from the sound version have a great cast shot, strongly resembling a 'stage play' deployment of the actors, and a great lineup of the actors all brandishing weapons. The cast shot has only light border smudges, minor corner bumps, and a faint crease in the left border. The weapons scene has minor pinholes, mild corner bumps, and a light upper border smudge. Very fresh color. Very Fine+.
The Bat Whispers (United Artists, 1930). Lobby Cards (2) (11" X 14"). "The Bat Whispers" would be one of only a handful of 1930 features shot in widescreen, with a compositional emphasis on forced perspective and inky shadow play. Available on DVD with both versions from different 'takes', it's one of the only instances where we can watch a 1930s film like watching two different nights of the same stage play! Bob Kane has often cited this film as his primary inspiration for the comic character of Batman. Here are two great cards in wonderful condition. Only a single top border pinhole in the cards, and the 3 shot has smudges in the lower right corner. In the portrait card there is a faint scratch above Una Merkel's head, and a horizontal scuff across the card in the bottom area. Bright, fresh color. Very Fine-.
The Vampire Bat (Majestic, 1933). One Sheet (27" X 41"). Have vampires returned to the quiet German village of Kleinschloss? That's the question that police inspector Karl Brettschneider (Melvyn Douglas) and noted physician Dr. Otto Von Niemann (Lionel Atwill) are forced to ask in this taut, atmospheric thriller. Perfectly capturing the mood of the movie is this wonderful art deco one sheet, loudly printed in vibrant greens and oranges. A rare piece by any standard, this particular example shows fold wear and minor crossfold separations on all the fold lines, as well as pinholes in the borders and the corners, and a few pinholes in the title. There's also a 1" triangular piece missing from the top border, but the professional restoration makes these flaws all but invisible. Very Fine on Linen.
The Cat and the Canary (Universal, 1927). Window Card (14" X 22"). One of the hardest Universal Horror films to find paper on, this film was based on a major stage play. This creepy horror story is set in a mansion where the potential heirs to an estate must spend the night. Things turn dangerous when the executor of the will is murdered and no one knows who the killer is. Laura La Plante starred and is featured on this window card with scary hands clawing at her. The poster has been professionally paperbacked and airbrushed to address chips in the lower center field and right center hand area, and a scuff in the lower right border. Fine+ on Cardstock.
Black Moon (Columbia, 1934). Lobby Cards (3) (11" X 14"). This lot contains 3 of the rarest early horror lobby cards with one of the strangest plots we've seen. In this bizarre drama, a young wife and mother (Juanita Perez Lane) begins dabbling in voodoo and soon finds herself hopelessly entangled in practicing black arts, to the point of offering her own child in a sacrifice! Fortunately, Fay Wray and Jack Holt put a stop to her evil activities. There are corner bumps, surface wrinkles and pinholes. Fine+.
Fog (Columbia, 1933). Window Card (14" X 18"). This is one of those great vintage Hollywood "how did they commit three murders in locked rooms?" mystery films. The requisite character types are here on the window card: an eccentric millionaire, a phony medium, a lovely ingénue, a handsome and earnest young man, a stern boat captain, etc. The top imprint area has been trimmed, not affecting the artwork. There is staining in the bottom border, a chip out of the lower left border, a corner bend in the top left, and a crease in the top center. We've never seen this great window card before now! Fine-.
Kongo (MGM, 1932). Lobby Cards (2) (11" X 14"). This lot consists of two lobby cards from this remake of Lon Chaney's "West of Zanzibar." In this version, Walter Huston takes over the Chaney role of a man who rules a region in Africa, with Lupe Velez as his consort. The card which features Huston and Velez has had the borders trimmed to 9.5" x 12.75". The other card, with Nagel and Bruce, has several pinholes in the borders. Very Good/Fine.
Voodoo (Principal Distributing, 1933). Lobby Card (11" X 14"). As far as we can tell, this colorful lobby card hails from a documentary titled "Voodoo" (alternately titled "Voodo"), filmed in 1933. This 36-minute film tells the fascinating story of Faustin Wirkus, a white Marine gunnery sergeant who was appointed administrator of La Gonave, a tropical island off the coast of Port-au-Prince, Haiti in 1933. His task was to settle the internal disputes among the 12,000 natives on that island. As luck would have it, there had been a King Faustin on La Gonave previously; Faustin Wirkus was acknowledged as that ruler's reincarnation, and crowned King in his own right. For three years, Wirkus ruled the island, and was also initiated into the deepest and most secret voodoo rituals. His rule came to an end when he was transferred off the island. Returning home and retiring from the Marine Corp, Wirkus wrote a book with co-author Taney Dudley, "The White King of La Gonave," and produced this documentary. He died in Brooklyn in 1945. This is a lovely card, which shows a drummer, presumably taking part in a voodoo ritual, surrounded by an image of a ghost rising out of a tropical forest. A gorgeous card from an intriguing production, there is some very light tanning to the border edges, and a very slight ink smudge in the lower left. All in all, a great card with lots of graphic appeal. Very Fine.
The Living Dead (British International Pictures, 1933). Three Sheet (41" X 81"). Originally released in the UK as "The Scotland Yard Mystery," this is more melodrama than horror film, as a shady doctor invents a potion that fakes death, so that criminals can cash in on their insurance. This outstanding stone litho three sheet has a great, eerie image and bright colors. This poster has minor crossfold separations, misfold creasing, fold wear, a 1" tear in the top left corner. Very Fine-.
The Mad Genius (Warner Brothers, 1931). Insert (14" X 36"). Michael Curtiz ("Casablanca") directed this heavy drama that starred John Barrymore. Boris Karloff, hot on the tails of his "Frankenstein" triumph, appears in a small role as an abusive father. The luscious Deco-inspired insert was previously trimmed. The piece is mounted on paper and the restorationist has done a flawless job of restoring the borders. Very few pieces from this early film ever turn up. The scarcity of the insert and the beautifully restored condition make this a true find. Very Good on Paper.
Svengali (Warner Brothers, 1931) and Deluge (RKO, 1933). Heralds (2). Offered in this lot are two original heralds. One is for the John Barrymore, Marian Marsh classic, "Svengali," and the other is for the early science fiction classic "Deluge." Both are as originally folded and in fine condition. Fine+.
Mad Love (MGM, 1935). Window Card (14" X 18"). Karl Freund united with his fellow Austrian Peter Lorre to deliver one of the most twisted and macabre horror films ever to come out of Hollywood. Lorre was an early "method" actor and insisted that he shave his head instead of wearing a skull cap over his hair in his brilliant portrayal of Dr. Gogol. The film co-starred Colin Clive, best known as the inimitable Dr. Frankenstein, in one of his last roles, this time as a concert pianist whose mangled hands are replaced with those of a knife-wielding murderer. This window card has some minor foxing, mainly in the playdate area, a small tear and minor cracking along the edges, and the lower left corner has been replaced. There have been four inches trimmed off the top playdate area. There are several copies of this window card known to exist, with this being one of the better examples we've seen. Most of the other copies were trimmed by several inches along the vertical edge. This one escaped that fate! Very Fine-.
The Walking Dead (Warner Brothers, R-1942). Insert (14" X 36"). Under the direction of Michael Curtiz, Boris Karloff stars in the macabre tale as a man framed for a murder. After he is executed for the crime, his body is brought back to life by a scientist. Karloff becomes the walking dead and stalks the men who framed him. This colorful insert has pinholes and small creases in the corners and fold wear with separations in the borders. There are very light water stains in the bottom border along with a few faint wrinkles in the image and minor edge wear. There is writing and paper loss on the reverse along with a few very faint stamps. The likelihood of one ever acquiring an original poster to this film is very slim, so get the next best thing while you still can; this colorful and haunting insert. Fine+.
The Walking Dead (Warner Brothers, 1936). Herald (6" X 8.75"). Part gangster melodrama, part supernatural thriller, "The Walking Dead" was the second collaboration between director Michael Curtiz and Boris Karloff. Their first film together was "The Mad Genius" (1931). Curtiz was no stranger to the horror genre having already proven his expertise in this arena with two superb thrillers, "Doctor X" (1932) and "The Mystery of the Wax Museum" (1933). This herald was folded horizontally and vertically an extra time, but shows little fold wear. Fine+.
Black Friday (Universal, 1940). Title Lobby Card (11" X 14"). Another Karloff/Lugosi team-up, this one a variation on the Jekyll and Hyde story, with Boris Karloff as a brain surgeon who performs an illegal procedure to save a friend, which includes grafting part of the brain of a gangster into the patient. The result is schizophrenia and murder. This great-looking title lobby card features the two horror icons side-by-side, both looking appropriately sinister. There is a vertical tear just off-center that runs almost the entire length of the card, which has been repaired with professional restoration. The card has also been cleaned and the borders airbrushed. Very Good.
The Man With Nine Lives (Columbia, 1940). Insert (14" X 36"). Boris Karloff stars as a "Mad Doctor" obsessed with finding a cure for cancer. He develops a revolutionary new serum, but his patients must be frozen and put into a state of suspended animation before the new drug can be administered. The trouble begins when Karloff is accidentally frozen with his patients and then thawed out many years later. He and his patients all awake alive and healthy, but when he finds out his formula has been destroyed, he goes mad in his attempt to recreate the serum! There is minimal fold wear with a separation in the middle left border, a small chip in the top left corner, tape residue in the top border, and pinholes. There is a small tear in the top border, and a tear in the left border. This dramatic insert offers several great images of this chilling star. Fine/Very Fine.
Beauty and the Beast (DisCina, 1946). French Double Panel (63" X 94"). Director Jean Cocteau gave the cinema his lasting masterpiece of fantasy with this adaptation of the classic fairy tale "Beauty and the Beast." Jean Marais stars as the Beast, awaiting his chance to be rescued by Beauty (Josette Day). Cocteau brought all of his artistic license to the film creating a haunting and mesmerizing surreal dream in the process. This poster, designed by Jean Malclez, is truly stunning and much more scarce than the French Grande. The poster had pinholes in the corners, minor color touch to the fold lines, and some extra creases and a corner chip off of the lower right corner. This incredibly rare and stunning poster must be viewed in person to be appreciated. Truly glorious! Very Fine- on Linen.
The Bride and the Beast (Allied Artists, 1958). Three Sheet (41" X 81"). Produced and directed by Adrian Weiss from a script by the infamous Edward D. Wood, Jr., this movie has to be seen to be believed. A young woman (Charlotte Austin) marries a man (Lance Fuller) who keeps a pet gorilla in his basement. When the beauty meets the beast, they find there's an unnaturally strong chemistry between them, due to the fact that the woman was actually a gorilla in a past life. From that point on, the movie gets really weird! Written at the height of Wood's considerable creative powers, this picture boasts all of those special touches associated with the driving force behind "Glen or Glenda" and "Plan Nine from Outer Space," including a plethora of angora sweaters and an abundance of stock footage. This wonderful three sheet is exceptionally clean and attractive, displaying only some minor fold wear and crossfold separation, as well as some light wrinkling. The expected pinholes in the corners are totally absent, however, leading us to believe that this poster may never have been used. A real "must have" for any devotee of beautiful women, randy gorillas, or Ed Wood himself. Very Fine+.
Calling Dr. Death (Universal, 1943). Three Sheet (41" X 81"). "Inner Sanctum" was an extremely popular radio show, presenting the best in mystery and suspense dramas. Starting with this chilling picture, the franchise leapt from he airwaves to the silver screen. The maiden effort of the series starred Lon Chaney, Jr., best known for his leading role in "The Wolf Man," as a neurologist suspected of murdering his wife. Complicating matters is the fact that he himself is unsure of his guilt or innocence. This eerie poster bears a wonderful image of Chaney, and shows some chipping in the title area, as well as a fair amount of paper loss in the bottom third. All of this has been corrected through professional restoration and linenbacking, resulting in a very attractive and desirable poster. Very Good/Fine on Linen.
Curucu, Beast of the Amazon (Universal International, 1956). Three Sheet (41" X 81"). Actually filmed in the Amazon rain forest, this 1950s chiller concerns a giant monster terrorizing a remote plantation. Fabulous Reynold Brown artwork highlights this impressive poster, which suffers only from some light wrinkling and some crossfold separation at the centerpoint of the bottom piece. Regardless, this is an exquisite poster with great, eye-catching graphics. Very Fine+.
Dr. Cyclops (Paramount, 1940). One Sheet (27" X 41"). Boasting excellent special effects (the film was nominated for a Special Effects Oscar) and the chromatic glory of Technicolor, "Dr. Cyclops" tells the exciting story of four explorers in the Peruvian jungle who run afoul of mad Dr. Thorkel (Albert Dekker) who has developed a process that can shrink humans to doll size. Obviously considered an important picture by Paramount, it was the first science film to be shot in Technicolor. The one sheet offered here, dramatically illustrating the central concept of the film, has been professionally restored, which has corrected such flaws as pinholes in the lower field, a tape lift at the bottom crossfold, as well as lower crossfold damage, corner chips out of the bottom right corner and the top left corner, and a fairly sizeable chip, repaired in the right border. Although this list of repairs sounds extensive, the quality of the work has minimized the effect that these flaws have on the poster, making it an attractive specimen for any collection. Fine+ on Linen.
Eyes Without a Face (Lux Compagnie Cinématographique de France, 1960). French Petite (23.5" X 31.5"). A dark and disturbing film, "Eyes Without a Face," released in France as "Les Yeux sans Visage," is about a plastic surgeon desperate to restore his daughter's beauty after she is disfigured in an automobile accident. To this end, he kidnaps young women and surgically removes their faces, attempting to graft their features onto his daughter. Considered too artistic for audiences who didn't understand it, the film was later re-released under the title "The Horror Chamber of Doctor Faustus" in an attempt to market it as a straight horror movie. This country of origin sheet, with its bold and dynamic graphics, has been mounted on linen to correct some fold wear with crossfold separation at the center, as well as an extra horizontal fold at the center. The result is a beautiful poster you will be proud to own. Very Fine+ on Linen.
The Brain That Wouldn't Die (American International, 1962). Lobby Card Set of 8 (11" X 14"). This early '60s low budget classic tells the story of a young surgeon experimenting with limb transplants when he and his fiancée are involved in a car crash in which she is decapitated. Beautiful Virginia Leith plays Jan Compton, the fiancee, and has firmly entered the Cult Film Hall of Fame, forever to be known as "Jan In the Pan." He keeps her head alive in a lab pan and then searches strip clubs for a sexy body to 'complete' her. There are only minor pinholes in four cards, a mild bottom border dust shadow on one card, and minor corner bumps. Very Fine-.
Hilton Sisters - Siamese Twins (c. 1931). One Sheet (28" X 42.5"). This is a stock Vaudeville poster for the famous Hilton Twins of "Freaks" fame, most likely for a tour just after they sued their "managers" to gain self-representation. Their lives were fascinating and brutal at the same time. Exploited for most of their lives, they should have had millions for retirement, but died in poverty. Especially interesting was the fact that after medical science progressed to the point where they could easily have been successfully separated... they refused, vowing to die together, which they did. Only small tears in the upper right border. Very vibrant color. Near Mint on Linen.
Freaks (MGM, R-1949). One Sheet (27" X 41"). This film, which used real circus sideshow "freaks" in its cast, was considered so horrific when it was originally released in 1932, that MGM quickly pulled the film from distribution and spent the next 30 years distancing themselves as far from the project as possible. Original material for this classic horror film is exceedingly scarce and in constant demand. This Dwayne Esper 1940s re-release one sheet is a nice alternative. This poster has had its borders replaced. There was a long tear running up the length of the Hilton sisters' dress (on the left) and there was fold wear. The poster has had excellent restoration leaving all of this virtually undetectable. Very Good on Linen.
Freaks (MGM, R-1949). Three Sheet (41" X 81"). "We accept you, one of us!" Cleopatra (Olga Baclanova), the trapeze artist, is made an honorary freak when she marries Hans (Harry Earles), one of the midgets. It won't be long before she changes her tune, since she's only marrying him for his inherited fortune. The 1932 film, directed by Tod Browning of "Dracula" fame, examines the lives of a group of circus sideshow freaks. At first we are horrified by their strangeness, but we gradually come to see their dignified humanity as contrasted by the monstrous ugliness of the evil Cleopatra and her lover, Hercules the strong man. Shortly after the film's release in 1932, it was pulled from distribution and not seen again for years. Exploitation film distributor Dwain Esper bought the rights and traveled the country showing the film in the late 1940s. This scarce three sheet has multiple tiny tears along the edges and some slight separation and wear at the centerpoints. Fine+.
The Lodger (20th Century Fox, 1944). One Sheet (27" X 41"). Based on the novel by Marie Belloc Lowndes, this Jack the Ripper story had been filmed at least twice before (once by Hitchcock), but many film fans consider this version to be the best, with Laird Cregar's creepy performance and the atmospheric direction of John Brahm elevating the film to the status of minor classic. This moody one sheet showcases Cregar's intense gaze and Merle Oberon's shapely gams. The poster has edge and fold wear, pinholes and crossfold separations. Restoration has been applied to these problems, and the poster presents nicely. A fine sheet from this eerie thriller. Fine- on Linen.
Maniac (Roadshow Attractions, 1934). Lobby Card (11" X 14"). Exploitation director and producer Dwain Esper, whose credits included such over-the-top scare films as "Narcotic," "Marijuana," and "Sex Madness," directed this weirdly disjointed horror film that was written by his wife. A mad scientist's lab assistant falls into madness after he murders his boss and takes over his persona. What follows includes the reincarnation of an orangutan killer, gratuitous female nudity, and the eating of a cat's eyeball ("It's not unlike a grape or an oyster!"). This lobby card has pinholes in the corners, and very slight edge bumps and stains. The photo on the card is a still that has been attached to the card as were many of the low budget sets of that time. This is a wonderful piece from an early, and now cult classic, exploitation film. Very Fine/Near Mint.
The Monster of Piedras Blancas (Film Service Distributing, 1959). Insert (14" X 36"). This film was not shot at the real Piedras Blancas (about 50 miles north of the Point Conception lighthouse where shooting took place) because, ironically, that location was not judged to be photogenic enough! This is the only poster size for the title that shows the impressive creature full length, and includes, at the feet of the monster, true Hollywood party icon Jeanne Carmen, whose "kiss and tell" autobiography still has tongues wagging in Tinseltown, as she claimed trysts with Sinatra, Elvis, JFK, RFK, Bob Hope, and Marilyn Monroe (her next door neighbor). The poster offered here has been cleaned and pressed, and thus presents beautifully. Rolled, Very Fine.
Murders in the Zoo (Paramount, 1933). Window Card (14" X 22"). Lionel Atwill, an actor who came to prominence in "Doctor X" (1932) and "Mystery of the Wax Museum" (1933), stars as psychotic millionaire Eric Gorman. In a fit of jealousy, he kills his wife and her suitors with the animals he has brought back from his hunting expedition for the zoo. The posters for this "lost" film are very scarce and this window card, with Atwill's garish green face surrounded by his animal friends, serves the film well. There has been professional linenbacking for chips in the lower left border, a tear in the ear and lower left field, and airbrush work in the title. Additionally, there is a mild crease across the center, and a tear and crease in the lower center bottom border. Fine on Linen.
The Mystery of Edwin Drood (Universal, 1935). Lobby Card (11" X 14"). Based on Charles Dickens' final novel, which was unfinished at the time of his death in 1870, "The Mystery of Edwin Drood" was a starring vehicle for Claude Rains, who had made his name at Universal several years earlier in "The Invisible Man" (Boris Karloff was reportedly considered for the role of the opium-addicted John Jasper, but he was busy filming "Bride of Frankenstein"). Here, Rains has a chance to display his flair for villainy, a man who murders his rivals for the affections of a young woman. This dramatic scene card, in which Jasper confronts young Neville Landless (Douglass Montgomery), is in beautiful condition, with a single tackhole in the right border, and a small amount of paper loss on the left border from a similar tackhole. There's some very minor surface dirt on the borders and some light surface wear on the left side, but overall this is a wonderful card that presents very well. Very Fine+.
The Picture of Dorian Gray (MGM, 1945). One Sheet (27" X 41"). A visually atmospheric one sheet for one of the most successful adaptations of an Oscar Wilde story. Winning the Oscar for Best Cinematography, Black and White, this film is still studied in many production classes. George Sanders was never better in an all star cast. There were several small chips in the corners, a tear in the upper left border of approximately 3", and a corner fold in the upper left. All has been beautifully restored and the color is excellent. Very Fine- on Linen.
The Thing That Couldn't Die (Universal International, 1958). One Sheet (27" X 41"). The severed head of a devil-worshipping conquistador rises from the dead in this great 50s horror one sheet with art most likely by Reynold Brown, done just before he left Universal for AIP. Exceptionally clean poster in an uncommon grade from a much exhibited film that was a hit in both the indoor and the drive-in theaters. There are only minor pinholes, soft folds, faint edge wear, and a mild corner crease in the lower left. Fresh and bright color. Very Fine/Near Mint.
Captive Wild Woman (Universal, 1943). Mini Window Card (8" X 14"). Mad scientist John Carradine, in the process of conducting experiments at his sanitarium, turns an ape (Ray 'Crash' Corrigan) into a beautiful woman (Acquanetta). Things turn really bad when her jealousy starts taking over! This midget window card has corner bumps, and a few light smudges. Directed by Edward Dmytryk, who went on to direct such films as "Murder, My Sweet" and "The Caine Mutiny." From the Collection of Denver Sherry. Very Fine/Near Mint.
Weird Woman (Universal, 1944). Mini Window Card (8" X 14"). The second "Inner Sanctum" feature has professor Lon Chaney, Jr. marrying Anne Gwynne, a mysteriously weird woman who was raised among superstitious Pacific natives. When he takes her home, strange events start to happen! This midget window card has minor corner creases and bumps. Great shots of all the stars of this wonderfully creepy film. From the Collection of Denver Sherry. Very Fine+.
Cat People (RKO, 1942). Title Lobby Card (11" X 14"). The first collaboration between producer Val Lewton and director Jacques Tourneur was this psychological thriller that benefited from having a low budget. Unable to afford expensive special effects, the filmmakers opted for suggestion and suspense in a film that has become a classic in the horror genre. This title card has pinholes, light edge wear with a repaired edge tear, and a few smudges. There are rounded corners, a corner crease, and a small corner chip. Wonderfully eerie imagery. Fine/Very Fine.
The Curse of the Cat People (RKO, 1944). Insert (14" X 36"). While this film was billed as the official sequel to the Val Lewton chiller, the "Cat People," this is actually the story of Amy, a little girl with an incredibly active imagination, which alienates her from other children. Add to the mix a crazy old former actress who lives in a crumbling mansion, her psychologically damaged daughter, and the ghost of Amy's dead mother - Irena (Simone Simon reprising her role from the previous film), and you have an intriguing tale of madness and menace. Paper from this title is somewhat scarce, and this colorful insert, with its eye-catching graphics, is in exceptional condition. The typical horizontal fold lines are in evidence, but they do not break color, and pinholes, normally found in paper of this type, are totally absent. This piece is as bright and clean as the day it was printed, and will certainly be a welcome addition to any collection. Near Mint.
The Fly (20th Century Fox, 1958). Insert (14" X 36"). One of the best sci-fi films of the 1950s found Al Hedison as a scientist who accidentally combines his own body's molecules with those of a fly, and becomes something... half human and half fly. Vincent Price would go on to become a staple of the horror genre for the remainder of his career. This stunning rolled insert, considered the best U.S. poster on the film, has three very tiny tears in the lower border that have been reinforced on the reverse with tape. Rolled, Very Fine+.
The Fly (20th Century Fox, 1958). British Quad (30" X 40").
One of the creepiest sci-fi/horror films of the 1950s found a scientist accidentally trapped in a matter transporter with a fly. After the initial experiment, he finds that his atoms and those of the fly have merged. The script and effects were top rate and made this film a classic. This British Quad is one of the best posters on the title, wonderfully drawn, with even the feathered leghair of the spider echoed in the fringes of the title itself! Minimal restoration was needed after being linen backed for an ultimate display item. There are soft folds, minor fold wear, and a small circular chip in the left border. Very sharp color. Very Fine+ on Linen.
One of the creepiest sci-fi/horror films of the 1950s found a scientist accidentally trapped in a matter transporter with a fly. After the initial experiment, he finds that his atoms and those of the fly have merged. The script and effects were top rate and made this film a classic. This British Quad is one of the best posters on the title, wonderfully drawn, with even the feathered leghair of the spider echoed in the fringes of the title itself! Minimal restoration was needed after being linen backed for an ultimate display item. There are soft folds, minor fold wear, and a small circular chip in the left border. Very sharp color. Very Fine+ on Linen.
House on Haunted Hill (Allied Artists, 1959). One Sheet (27" X 41"). Although known mostly for the outrageous gimmicks he used to promote his films, William Castle was actually a pretty good director, and "House on Haunted Hill" proves he was quite skilled at generating atmosphere. Vincent Price and Carol Omhart star as a campy couple hosting a haunted house party, and few of their guests will live to see the dawn... This sublime poster features the skeleton motif that would prove the film's biggest scare (as well as being the object of the Emerg-O gimmick), plus Vincent Price as well. A gorgeous example of this creepy classic, this poster has a small stain in the lower border, a very minor corner crease, minor fold wear, some light creasing, and light foxing in the borders. Very Fine.
The Tingler (Columbia, 1959). One Sheet (27" X 41"). This cool poster is from William Castle's legendary "gimmick" film in which the monster attaches itself to the spinal cord of its victims and feeds on their fear. Vincent Price stars in this horror classic. This fantastic one sheet is virtually pristine, with a light print transfer on the lower half being the only problem. Bright white paper and razor-sharp colors make for one of the best examples of this great sheet! Very Fine.
Horror of Dracula (Universal International, 1958). Half Sheet (22" X 28"). The first and by far the best of Hammer's "Dracula" films, this made international stars of Christopher Lee and Peter Cushing, and remains the benchmark against which all other Dracula films are measured. This eerie half sheet features the strange scaly-skinned image of Dracula seen on all the American paper, plus the requisite scantily-clad screaming damsel. There is fold wear, minor staining in the borders, and a pinpoint crossfold separation. Fine+.
Horror of Dracula (Universal International, R-1970s). Italian 2 - Folio (39" X 55"). This modestly budgeted little Hammer film (UK) is one of the best Dracula movies ever made. The reissue poster offered here has wonderful graphics of the inimitable Christopher Lee in one of his finest moments. He would remark later: "I could do everything in those fangs... but eat." There are only minor fold separations, small tape scuffs in the lower bottom center border. A beautiful poster from a very desirable title. Very Fine on Linen.
Horror of Dracula (Universal International, 1958). Three Sheet (41" X 81"). The first in the long series of Hammer horror films stars Christopher Lee as a sexier, more violent Count Dracula. He was also the strong and silent type -- Lee only has thirteen lines in the whole film. This three sheet has pinholes, edge wear and tears with chips on the upper corners, and light fold wear. The poster has been mounted on linen and professionally restored. Wonderfully creepy artwork. Very Fine- on Linen.
Horror of Dracula (Universal International, 1958). French Petite (23.5" X 31.5"). 1958's "Dracula" is rightfully called "The Granddaddy of Hammer Horror." It was retitled "Horror of Dracula" for the US release because a certain classic film starring Bela Lugosi was still being shown in American theaters. This French Petite poster has a terrific image of Christopher Lee as the Prince of Darkness, rendered by French master Guy Noel. There are only very minor fold separations. The original color is fantastic and with the minimal expert restoration and linen-backing, it is ready to hang anywhere. Very Fine+ on Linen.
Brides of Dracula (Universal International, 1960). French Grande (47" X 63"). David Peel dons the fangs of the vampiric Baron Meinster in this somewhat-sequel to Hammer's hugely successful "Horror of Dracula," this time set in an all-girls school, giving the Baron access to a multitude of nubile young... necks. Although Christopher Lee is conspicuously absent, Peter Cushing returns as the inimitable Dr. van Helsing, heroically opposing the vicious bloodsucker. Although often overlooked by Drac fans, most likely due to Lee's absence, this is actually one of the better installments in the Hammer horror franchise, with sumptuous sets and costumes, top-notch acting, and an involving storyline. The colorful and eye-catching poster offered here, far superior to the more common domestic paper, shows very minor edge wear and some crossfold separation, but is otherwise in excellent shape, just waiting for some toothsome collector's crypt to call home. Very Fine+.
The Return of Dr. X (Warner Brothers, 1939). One Sheet (27" X 41"). Certainly a radical departure from the gangsters and tough guys he had been accustomed to portraying, this was Bogart's one and only foray into the popular horror genre. As Dr. Maurice Xavier, a mad scientist doing research involving human blood, Bogart gives it his all, making this a fun, if rather odd, movie to watch. Less than enamored of this production, Bogart would never again make a film quite like this one. Paper from this film is difficult to find, as it is desired by both horror and Bogart collectors. The poster offered here displays the typical pinholes in the corners and fold wear/crossfold separation, as well as an edge chip in the upper left, a small tear in the "Y" in "Humphrey," and a small hole in the upper right corner. There is a small piece out of Bogart's face near his hairline, and another small piece missing by his nose, but all of these flaws have been addressed by professional restoration, resulting in a beautiful poster from a Bogey classic. Fine+ on Linen.
The Return of Dr. X (Warner Brothers, 1939). Lobby Card (11" X 14"). Though Humphrey Bogart would deny any involvement with this picture later in his career, in the film he lurks menacingly as Dr. Xavier; a mysterious doctor who needs type "one" blood. The part was a cross between a zombie and a vampire and Bogart gave it his best shot. Material from this film is some of the rarest to find from the star's career. This card has a couple of pinholes in the border and some wear to the corners. These linen finish cards are very hard to find in this nice of condition. Very Fine.
Island of Lost Souls (Paramount, 1933). Lobby Card (11" X 14"). Paramount's first feature length adaptation of H.G. Wells' "The Island of Dr. Moreau" is one of the more terrifying horror films of the 1930s (surprisingly, one not produced by Universal Studios). Richard Arlen, who achieved fame in "Wings," co-stars with female lead Kathleen Burke as the "Panther Woman." Charles Laughton starred as the evil Dr. Moreau. On this classic card, Dr. Moreau's reticent assistant, played by Arthur Hohl, and Richard Arlen subdue a creature created in the terrifying laboratory. The card had pinholes in the corners and a couple within the the border artwork, and there was a broken upper right corner. It also has some slight fading. It has been paper backed and the border and upper white title block were airbrushed. An attractive card for any fan of classic horror. Very Good on Paper.
Island of Lost Souls (Paramount, 1933). Lobby Card (11" X 14"). To find a suitable actress for the role of Lota the Panther Woman in this first filmed version of H.G. Wells' "The Island of Dr. Moreau," a nationwide talent search was launched. That search would eventually lead to 20-year-old Kathleen Burke, a fashion model since the age of 13. An impressive debut, it would lead to starring roles in such classics as "The Lives of a Bengal Lancer," and "The Last Outpost." That's her in this ultra rare lobby card, promoting a film that's part horror story and part science fiction. As she was a complete unknown at the time, she received billing in all of the poster art as simply 'The Panther Woman.' That's Richard Arlen on the right, the lucky man that Charles Laughton hoped to 'mate' with her. Only a very fixable staple mark in the center field of the poster and a very minor upper left corner bump keep this from a higher grade. Excellent original color enhances this already great card. Very Fine+.
King Kong (RKO, 1933). Insert (14" X 36"). King Kong clutches the side of the Empire State Building as he ascends with a screaming Fay Wray in his hand. This incredible insert features the art used on the Style B three sheet, and in duotone, the art from the six sheet and the Style A one sheet, and although it's a bit busy, it certainly packs a lot of excitement, typical of RKO inserts from this era. From one of the most important films in the horror genre, this insert, one of only two known copies to exist, has extensive restoration. The borders and all of the yellow areas have been painted as has Fay Wray's dress. Additionally, restoration has been applied to much of the background and to many cracks and tears within the image. Good/Very Good on Paper.
King Kong (RKO, 1933). Jigsaw Puzzle. Offered as a premium give away, this jigsaw puzzle was distributed in support of the original release of RKO's classic giant ape picture. The heartstopping battle between Kong and the T-Rex, with Fay Wray as the prize, is brought to glorious life here, just waiting for you to assemble. All but one of the pieces are present; the missing piece is in an unimportant area and we have created a replacement. Otherwise, this is an exceptional collectible you're certain to go "ape" over! Included in this lot is the original mailing bag. Very Fine-.
King Kong (RKO, R-1952). One Sheet (27" X 41"). The 1952 re-release paper on "King Kong" is not often seen. While it retains all the traditional elements -- Kong himself, Fay Wray in hand, and the backdrop of the 1930s New York City skyline, it presents a somewhat different perspective from other posters. Kong climbs ever higher up the side of the Empire State Building, glancing back over his shoulder at a dizzying angle. The poster has pinholes and general light edge wear with a few minor border chips. There are minor cross fold separations and a chip from around the center point. A tear in the center right field had a tape repair on the reverse which has left a very faint stain. Restoration has nicely addressed these issues and the poster displays well. Very Fine- on Linen.
King Kong (RKO, R-1962). Belgian (14.5" X 20"). This is a Belgian poster for the early 1960s Cine Vog re-release of the Fay Wray/Monster Ape classic. Beautifully drawn, as many of the early Belgian posters were, the artwork of the cast and ape are outstanding. The color is as fresh as when it was printed. There has been trimming in the imprint area, not affecting the art, a soft middle crease, and very minor corner bumps. Fine+.
Son of Kong (RKO, 1933). Lobby Card (11" X 14"). The success of "King Kong" led RKO to produce a sequel starting at exactly the point where the original film left off. As Carl Denham (Robert Armstrong) is being sued by everyone in New York, he flees the city to Skull Island where he encounters a smaller version of King Kong. This lobby card was restored from a circular section of an original card measuring ten inches in diameter. Material on this film is extremely scarce. Good/Very Good on Paper.
Mighty Joe Young (RKO, 1949). Window Card (22" X 14") Style D. RKO went all out in their efforts to promote "Mighty Joe Young" and produced a number of extra items for the advertising campaign. Among them were a series of horizontal window cards such as the one offered here. This is one of the best, as it pictures Joe battling the large cats. The card has five tack holes between the upper tag line and the artwork, two more tack holes in the side borders, some minor foxing in the right border and lower left corner, a small tear in the upper right corner, and some playdate writing in the upper border. Nevertheless, this is a very desirable piece from a perennially popular film. Very Fine-.
Orpheus (DisCina, 1950). British Quad (30" X 40"). French surrealist and screen-poet Jean Cocteau explored fantasies within most of his films such as "Orphee" and "La Belle et la Bette." With "Orpheus", he took on the myth of Orpheus and Eurydice as Orpheus has to enter the Underworld and get death to restore the departed Eurydice to life. This British quad features some of Cocteau's artwork as he was an internationally recognized artist as well as filmmaker. This artwork would be used again in similar posters for 1960's "Le Testament d'Orphee". The poster has a tear in the bottom border that extends two inches into the image and there are a few very tiny tears along the edges. Very Fine on Linen.
Peeping Tom (Anglo Amalgamated, 1960). British Quad (30" X 40"). This disturbing film from Michael Powell essentially ended his career, but in later years it has been acclaimed as a classic of violence and voyeurism. Martin Scorsese considers this film and Fellini's "8½" to "contain all that can be said about directing." This British quad has light edge wear with wrinkling, and very light fold wear. Dramatic imagery. Very Fine+.
Psycho (Paramount, 1960). Lobby Card Set of 8 (11" X 14"). Made for less than a million dollars, and shot using the crew from Hitchcock's television series, "Psycho" has achieved legendary status as one of the greatest suspense films ever made. This lobby card set is in great shape, with terrific images of Anthony Perkins, Janet Leigh, and that infamous house. Card #1 has pinholes, a hard crease on the right side and noticeable moisture damage, while the #3 card has a small chip-hole in the lower left corner. The others have light creasing and overall wear. Fine+.
Psycho (Paramount, 1960). Three Sheet (41" X 81"). Tony Perkins plays a guy with serious mother issues in Alfred Hitchcock's masterwork of suspense, based on the novel by Robert Bloch. This impressive three sheet features similar graphics to the one sheet, but a different color scheme, with the image of Janet Leigh (and her lacy bra) rendered in vivid fuchsia. The poster is in splendid condition, with fold wear (and some accompanying color touch-ups) and some minor crossfold separations being the only problems. Don't get "stuck" without this razor-sharp poster; just "shower" us with bids... if you dare! Very Fine+ on Linen.
Night of the Living Dead (Continental, 1968). Italian 4 - Folio (55" X 78"). What started out as a low-budget cheapie from first-time director George Romero would quickly become one of the most influential and important horror films of the latter half of the twentieth century. Filming in Pittsburgh, Pennsylvania, Romero recruited a number of locals to fill out his cast, which gave the film a more realistic, documentary feel. Controversial at the time of its release due to its excessive violence and gore, the movie soon struck a chord with its Vietnam-era audience, and launched a plethora of sequels and imitations. This gorgeous Italian 4-folio, which features unique artwork not seen anywhere else, is in exceptional condition, with only some light fold wear and light crossfold separation keeping this from an even higher grade. Very Fine+.
Night of the Living Dead (Continental, 1968). One Sheet (27" X 41"). "They're coming to get you, Barbara!" This seminal 1968 black and white independent horror film was produced and directed by George A. Romero on the small budget of $114,000. After a decade of theatrical re-releases, however, it grossed an estimated $12 million in the United States and $30 million internationally. The glossy stock one sheet has minor fold wear and a small tear in the tag line at the top of the poster. Very Fine.
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (Fairway International, 1967). One Sheet (27" X 41"). The first monster musical has, incredibly enough, a classic movie musical moment in its background. When Bonita Jade, originally cast as the female lead announced she had to leave shooting early to see her boyfriend perform, irate director Ray Dennis Steckler dumped Jade and pulled Sharon Walsh, one of the chorus girls, out of the line, instantly making her the star instead! Completed for only $38,000, the film had to change titles because of a conflict with the soon-to-be-released "Dr. Strangelove." This incredible one sheet has very light edge and fold wear, corner creases, and a light Canadian censor stamp below the title. Don't be mixed-up; start living and bid on this monstrous beauty! Very Fine+.
Munster, Go Home (Universal, 1966). Lobby Card Set of 8 (11" X 14"). Originally conceived as a made-for-TV film, "Munster, Go Home" was the first chance we had to see this clan of TV ghoulies in full color. The Munsters travel to England and meet up with various British character actors, including Terry-Thomas and Hermione Gingold, while the original Marilyn, Pat Priest, gets replaced by Debbie Watson. This rare lobby card set features the family at their wackiest, with great shots of Herman, Lily, Grandpa, and Eddie. The #1 card has some creasing in the top border and minor smudges, the #2 card has a 1" tear in the left border, the #5 has a crimp on the right edge, the #6 a 1/2" tear in the right border, and the rest have light edge wear and corner bumps. A great showcase for everybody's favorite monster family! Very Fine.
The Exorcist (Warner Brothers, 1973). Special Poster (18.5" X 24.5"). "The Exorcist" was one of the most heavily publicized films of the early 70s. This special poster was sent to theaters by Warner Brothers to be used in conjunction with the more common sizes available. This rolled example has a bit of very light edge wear. It features the familiar image of Max von Sydow in the title role. A rare piece from one of the scariest films ever made. Rolled, Near Mint.
Halloween (United Artists, 1978). Australian Daybill (13" X 30"). Legend has it that the pitch for "Halloween" consisted of just two words: babysitter murders (also the film's original title). Either way, John Carpenter practically invented an entire sub-genre of the horror film -- the mad slasher -- and guaranteed himself a place in movie history. This nifty Australian daybill has a menacing image of killer Michael Myers, poised with knife in hand. Virtually flawless, this superb poster has some light fold wear. A great poster for one of the great horror films of all time! Near Mint on Linen.
Jaws (Universal, 1975). Half Sheet (22" X 28"). With the fish story to end all fish stories, Steven Spielberg was catapulted to the top rank of film makers in 1975, and Bruce the Shark became an instant cultural icon. This beautiful half sheet has the classic image of the Greyhound bus-size shark about to strike the hapless midnight swimmer in the film's opening sequence. It has a few soft bumps and creases in the edges, and the upper right corner area has a small triangular peel at the tip. There is a bit of water staining over a 6" span in the bottom right edge, and a few light handling wrinkles are scattered. A beautiful example of this instantly recognizable image. Fine/Very Fine.
Paramount Exhibitors Book (Paramount, 1933-1934). Faux Leatherbound Book (14" X 17"). Exhibitors Books were sent to theater owners to pump up enthusiasm for the upcoming slate of films from a particular studio. Since changes in casts and titles were a constant in Hollywood, the films ballyhooed here might have been altered severely by the time it got to distribution. Paramount solved that problem by adding information and credit snipes, and in some cases, just scratching through the names with pencil and changing them. Some of the films pictured include "Duck Soup," "Lives of a Bengal Lancer" and "I'm No Angel." This book has edge wear, soiling and scuffs, and a bend on the cover and inside pages. There is also some color transfer on the inside pages. The spiral binder has some rust. Fine/Very Fine.
Universal Exhibitor's Book (Universal, 1925-1926). Soft Cover Book (9" X 12", 56 Pages). This campaign book was sent to exhibitors to increase excitement about the movies that were planned for production. Some of those pictures included "California Straight Ahead" and several Hoot Gibson Westerns, however, the star of this campaign book is a double-page herald on Lon Chaney's "The Phantom of the Opera." This campaign book has a slight vertical crease in the cover and the first few pages, and the center page is loose, but otherwise it is in very clean condition. Very Fine.
Columbia Exhibitors Book (Columbia, 1934-1935). Hardcover Book (11" X 14"). This beautiful exhibitors book from Columbia features such stars as Claudette Colbert, Boris Karloff (in "The Black Room Mystery," before its title was changed), Edward G. Robinson (in "The Whole Town's Talking") and director Frank Capra. The gorgeous artwork on the cover and title page is by Boris Artzybasheff, who was a long-time illustrator for Time magazine. The book has edge wear on the cover, along with scratches and scuffs. The inside pages are near mint. A wonderful look at Columbia Studios in the mid-1930s. Very Fine+. **
RKO Exhibitors Book (RKO, 1934-1935). Hardcover Book (12" X 12"). RKO produced the most beautiful exhibitors books of any of the studios, and this one is no exception. The drop-dead gorgeous artwork by noted illustrators is there, of course, but RKO also included such fun additions as fold-outs, cut-outs and even a delightful pop-up to make this book a true standout. Titles illustrated include: "She", "The Gay Divorce" with Fred Astaire and Ginger Rogers (before its title was changed to "The Gay Divorcee"), "The Little Minister" with Katharine Hepburn. The book is missing some of the cork cover on the outer fold-out. There is a partially removed snipe on one of the inside pages, and a few edge wrinkles on a couple of the pages. One of the nicest exhibitor books you'll have the opportunity to bid on. Fine/Very Fine.
RKO Exhibitors Book (RKO, 1940). Hardcover Book (11.5" x 14.5"). This campaign book from RKO for their 1940-1941 season features many important pages. First of all, the studio announced that their new prodigy, Orson Welles, would make "John Citizen, U.S.A." which of course went on to become one of the most important films in the history of the cinema, "Citizen Kane." Next is the announcement of "Too Many Girls" in which Lucille Ball and Desi Arnaz met, eventually marrying, of course. Then there is Carole Lombard in "Mr. and Mrs. Smith," Ginger Rogers in "Kitty Foyle," and Jean Arthur in "The Devil and Miss Jones." Also featured is "Li'l Abner" with art by Al Capp, and the beginning of "The Saint" detective series. And, since RKO distributed the Walt Disney cartoons, one page is dedicated to the release of 18 cartoons with illustrations of Donald and Daisy Duck, as well as Donald's nephews. There is some wear on the cover, with a small glue stain on the logo. The inside pages are in beautiful shape. It is hardbound in an alligator finish. Very Fine+.
United Artists Exhibitor Book (United Artists, 1930-1931). Hardcover Book (11" X 14"). "City Lights," "Hell's Angels," "Whoopee," and "Raffles" were just a few of the films released by United Artists in the early 1930s that are pictured here. A delightful look at the beginning of the Sound Era. This book has scuffs and scratches on the cover, and the spine is almost separated from the inside pages. There are a few scuffs and smudges on the inside. Very nice shots from a wide variety of films and stars. Fine/Very Fine.
MGM Exhibitors Book (MGM, 1926-27). Hard Cover Book (13" X 13", over 100 pages). This is a magnificent exhibitor book for the Metro Goldwyn Mayer's 1926-1927 season. Pictures include such classics as "Ben-Hur," "The Big Parade," "Mysterious Island," "Tell it to the Marines," "The Battling Butler," all giving lavish multi-page, full color spreads. There are tipped-in photos of Lon Chaney, Greta Garbo, Buster Keaton, Lillian Gish, John Gilbert, Norma Shearer, and many, many more. The art is by such greats as John Held, Jr., Tony Sarg, Afton Williams, Vincentini, and more. All in all, a very impressive book. The back is missing and the binding is loose. The front cover has wear on the spine over the surface. The interior pages are in excellent condition. Fine/Very Fine.
Session 3
Invasion of the Saucer-Men (American International, 1957). One Sheet (27" X 41"). Created by monster maker Paul Blaisdell, the Saucer-Men have become camp classics of the '50s sci-fi films. The marvelous artwork by Albert Kallis nicely compliments the wonderful blend of comedy and terror for which the film is now famous. Fresh bright color with only a very minor chip in the groin area of the damsel in distress, small fold separations in the pinpoint, and minor smudges in the lower left lettering and border were the only defects to mar this wonderful piece. It has been professionally restored and now appears near mint. Very Fine on Linen.
Invasion of the Saucer-Men (American International, 1957). Half Sheet (22" X 28"). Boasting the incredible artwork of Albert Kallis, this is one of the most desirable posters of the entire 1950s sci-fi genre. The film itself features some of the most memorable aliens ever to covet our planet, and includes an appearance by a pre-Riddler Frank Gorshin as Joe, the town drunk, as well as Gloria Castillo, who would soon appear in the ultimate "chicks in chains" flick, "Reform School Girl." This poster is in wonderful unrestored condition with a tiny chip in the center of the bottom border. One of the most sought after titles of the genre, this poster will look great in you living room, gallery, or saucer. Very Fine/Near Mint.
Invasion of the Saucer-men (American International, 1957). Insert (14" X 36"). Artist Albert Kallis gave us one of the best posters of the entire 1950s when he designed this gem for one of the craziest sci-fi movies ever made about teenagers coming to the Earth's rescue to destroy an invading force of aliens. The green-skinned, big-headed invaders are absolute classics! This poster is in wonderful unrestored condition with only two small tears in the top border, and a faint stain in the bottom right corner. This is one of the most sought after titles of the genre, in a grade seldom seen. The bright, fresh color makes this an out-of-this-world treasure. Rolled, Very Fine+.
Invasion of the Saucer-Men (American International, 1957). Lobby Cards (4) (11" X 14"). Cabbage-headed aliens from the depths of time and space! Unfortunately, Samuel Z. Arkoff's science fiction epic was denied the Oscar nominations it deserved, but a legion of fans still revere it for the amazing costumes and "special" effects provided by Paul Blaisdell. Said costumes are spotlighted on two of these four cards, including the unbeatable #1 card, which shows a pair of the aliens in all their glory. These far-out cards have some overall wear, including pinholes and corner bumps on all, minor paper loss and some tape staining on the #1, light staining, a light vertical crease, rusted staple and accompanying stain and tape on the reverse of the #4 card. Monster-ific in the extreme, this is cheesy sci-fi at its best. Fine/Very Fine.
Invasion of the Body Snatchers (Allied Artists, 1956). Six Sheet (81" X 81"). In a day when people were seeing Communists under every bed and enemy agents around every corner, it's no surprise that the film industry would respond with paranoia pictures such as this one. One of the best of that frightening genre, this was a story about alien pods who came to Earth to create soulless duplicates of people worldwide. The resulting hysteria made for a gripping film. Paper from this popular title has always been avidly sought by collectors, and this classic image, variations of which were used on other posters for this release, is widely considered one of the best designed of the era. The six sheet offered here shows light edge wear, some staining in the borders, and fold wear with separation and paper loss, all of which have been corrected with professional restoration. Additionally, there is some wrinkling in the borders from shipping. Nevertheless, this is a classic poster from a great movie with a high degree of eye appeal that presents very nicely. Very Fine- on Linen.
Invasion of the Body Snatchers (Allied Artists, 1956). Half Sheet (22" X 28") Style B. The National Film Preservation Board entered this film into the National Film Registry back in 1994. When they get around to entering film posters into their own registry, this one will be one of the first. It's the legendary "Spot Light Dance" rare Style B half sheet, the source of endless searching for many dedicated science fiction collectors. Most consider it to be the best image from the film, and who are we to argue? Don Siegel's low-budget sci-fi masterpiece was based on a story by Jack Finney about alien space spores intent on taking control of the human race, one body at a time, by replacing them with replicas and then destroying the original! There are mild narrow surface scuffs in the right center field, minor corner bumps in two corners, minimal fold wear, and a small punch in the left middle field between 'invisibles.' There is minor edge wear with very tiny stains in the lower right border. It has been brought to our attention that there is a slight registration problem with this image. Please be advised as this is a standard printing issue and is not terribly unusual but can effect value. Very Fine.
The War of the Worlds (Paramount, 1953). Half Sheet (22" X 28") Style B. One of the rarest and most sought after posters for a 1950s science fiction film, this rare style B half sheet showing the Martian warships is considered to be the most desirable of all the original release posters. Based on the famous H.G. Wells novel, "War of the Worlds", it was first optioned by Paramount to be a silent film directed by Cecil B. DeMille. When the studio finally got around to filming it, the property was given to George Pal, the special effects master, who moved the setting to modern-day California. The sleekly designed warships still look spectacular and the then state-of-the art special effects still look good. This is definitely one of the top science fiction film classics of all time. The poster had fold wear with a crossfold separation in the center, one small chip each on the left and the right edges at the middle horizontal fold, and pinholes around the borders. Due to an expert restoration, all these defects have been rendered virtually invisible and the poster looks spectacular. The colors remain vibrant. Fine on Paper.
The War of the Worlds (Paramount, 1953). Half Sheet (22" X 28") Style A. "No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own..." So begins Herbert George Wells' classic novel of alien invasion, "The War of the Worlds." Paramount had wanted to film the famous sci-fi novel as far back as the silent days, but it took until the sci-fi craze of the 1950s for the production to come to fruition. With genius George Pal as producer, the film was an epic tour de force that displays some of the finest special effects of the era. This evocative Style A half sheet shows fold wear and pinholes in the corners, as well as a fair amount of surface dirt. Still, this is an attractive half sheet for one of the greatest sci-fi movies ever filmed. Fine+ on Linen.
The War of the Worlds (Paramount, 1953). One Sheet (27" X 41"). George Pal stages the Martian invasion of Earth with memorable special effects and plenty of action. This awe-inspiring one sheet, featuring the iconic image of the three-fingered hand reaching down from space, is one of the brightest and most beautiful examples of this classic sheet we've ever seen. There are minor crossfold separations, some wrinkling at the lower center fold, and the tiniest bit of edge wear. They don't make 'em like this anymore, so grab this one while you can! Very Fine/Near Mint.
The War of the Worlds (Paramount, 1953). Window Card (14" X 22"). One of the major classics in science fiction remains as powerful today as when it was first shown to audiences in 1953. H.G. Wells' novel was produced by George Pal with special effects that would earn an Oscar. This window card was folded in half and linen-backed to reinforce that fold line. It has also had color touch to that fold, but no other restoration was performed. The corners and edges show a bit of wear and staining. An out-of-this-world piece for any sci-fi fan! Fine on Linen.
Destination Moon (Pathe', 1950). One Sheet (27" X 41"). Eighteen years before Neil Armstrong took "one small step for man...," producer George Pal assembled an impressive crew, including award-winning author Robert Heinlein and legendary space artist Chesley Bonestell, to make an exciting space race film, and, at the same time, educate the public as to the realities of that race. Unlike most science fiction pictures, which leaned more to fiction than science, Pal's film was just the opposite, and even included a Woody Woodpecker cartoon explaining how a rocket works! This landmark production has, no doubt, inspired many future scientists in the years since its original release, and certainly had an impact on the space program that would be launched just a few years later. This beautiful and dramatic poster, with its image of a rocket in flight, is very nearly pristine, with only some pinholes in the field and a little fold wear to keep it from an even higher grade. Professional restoration has rendered these flaws virtually unnoticeable, resulting in a piece with an extreme amount of eye appeal and desirability. Very Fine+ on Linen.
This Island Earth (Universal, 1955). Italian Locandina (13" X 27"). Highly regarded for its special effects, "This Island Earth" remains a favorite among sci-fi fans the world over. There is wrinkling and creasing in the margins and image, along with pinholes in the borders and corners and an extra horizontal fold line. There is writing on the reverse that is barely visible from the front. There is a small spot of paper loss in the top right corner where a stamp appears to have been removed. Neat, professional printing in the imprint area announces the film's showing at the Gran-Cinema Galleria. This fabulous locandina is one of the few posters to picture the Metaluna Mutant! Folded, Very Fine-.
This Island Earth (Universal, 1955). Lobby Cards (2) (11" X 14"). This mid-50s gem is one of the most intelligent and elaborate sci-fi films of the 1950s. Two doctors (Rex Reason and Faith Domergue) are recruited to help an alien race save their planet from a violent enemy. But they soon discover that the aliens' true mission is the invasion of Earth. The attack card has staple holes in the top corners and wrinkling from moisture in the bottom left corner along with a tiny tear. Both cards have single pinholes in the titles, light edge wear, and tiny corner bumps. Near Mint-.
The Lost World (First National, 1925). Swedish One Sheet (21.5" X 28.5"). A 1925 silent film adaptation of Arthur Conan Doyle's book of the same name starring Wallace Beery as Professor Challenger. This first version was directed by Harry O. Hoyt and featured pioneering stop motion special effects by Willis O'Brien (doing an invaluable warm up for his work on the original "King Kong"). This film has been deemed "culturally significant" by the Library of Congress and was selected for preservation in the United States National Film Registry. The original movie posters for this film have always been scarce and very desirable due to its science fiction-related story elements. This fabulous original Swedish poster has the desirable "dinosaur on a rampage" artwork which is featured on the window card which we sold for almost $13,000 last year. The poster is rolled but for a fold 1.5" from the top border. There is a single pinhole in each corner. This is an absolutely stunning piece from an original classic. Rolled, Very Fine/Near Mint.
The Mole People (Universal International, 1956). Half Sheet (22" X 28") Style A. John Agar and Hugh Beaumont star as heads of an archaeological expedition that winds deep into a cave in Asia only to discover a lost civilization of Sumerians who have enslaved a race of humanoids called the Mole People. This unfolded half sheet has only light discoloration along the edge of the top border and very minor wear on the top left corner and bottom corner. Rolled, Near Mint-.
The Beast From 20,000 Fathoms (Warner Brothers, 1953). Half Sheet (22" X 28"). This is one of the very rare posters from this era. As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the east coast of North America. This was the first of the giant creature features, and Ray Harryhausen's effects were totally believable. Mass mayhem on the screen was great for science fiction epics, and Harryhausen's creations were perfect to deliver the goods. This poster appears far nicer than its grade; however, due to the crimping in the center of the lower border and the small nick in the lower border, we had to downgrade it slightly. Very Fine+.
The Beast From 20,000 Fathoms (Warner Brothers, 1953). One Sheet (27" X 41"). As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the East Coast of North America, wreaking havoc in its wake. Credited as the first movie to feature animator Ray Harryhausen's solo work (he had previously worked with Willis O'Brien on Mighty Joe Young). The poster has pinholes, minor foldwear with crossfold separations, small border tears in the top center and all greatly diminished by the professional restoration. Very Fine+ on Linen.
The Deadly Mantis (Universal International, 1957). Six Sheet (81" X 81"). Poster designer giant Reynold Brown created this fantastic poster which is arguably the best image created for "The Deadly Mantis." This poster is nothing short of stupendous with its gigantic preying mantis coming toward you. The poster has tack holes, small tears, and chips where it was stapled up. If you like giant bug movies, you've got to have a giant bug poster. This is undoubtedly the one to get. Simply stated, it's awesome. Fine-.
Reptilicus (American International, 1961). Half Sheet (22" X 28"). "Reptilicus" was shot in Denmark and then re-edited and dubbed into English for U.S. audiences. The fabulous Reynold Brown art features the monster munching on a semi while tearing the Golden Gate bridge to shreds, while a foxy babe cowers in the foreground. A totally keen half sheet for this science fiction feature and it is in splendid condition, with a slight misfold crease being the only problem. Very Fine+.
Tarantula (Universal International, 1955). Six Sheet (81" X 81"). Whether or not you've ever seen this classic 1950s horror film, this poster is enough to give you nightmares all by itself, with its extra-creepy image of a giant tarantula on a rampage! The spider, of course, is the result of an experiment with radiation gone awry, an experiment conducted by deranged Professor Deemer (Leo G. Carroll). Eventually the air force, led by a young Clint Eastwood in an uncredited role, takes care of the creature by the judicious use of napalm. This glorious six sheet is virtually unblemished, with very small pinholes in the border being the only flaw keeping it from an even higher grade. For any arachno-fan, this is the "holy grail!" Very Fine/Near Mint on Linen.
Tarantula (Universal International, 1955). Half Sheet (22" X 28") Style A. Horror impresario Jack Arnold ("It Came From Outer Space," "Creature from the Black Lagoon") directed this classic "creature feature", and the fabulous poster by Reynold Brown attracted the audiences that Universal (and the giant spider) were hungry for. There are very minor fold separations at the crosspoint, tape stains in all corners, and a small chip in the top right corner. There are pinholes and a small tear in the lower left corner. The poster still displays well and the edge wear so unobtrusive that a matt in frame would give the poster a near mint appearance. Outstanding image of the giant tarantula on a rampage. Very Fine.
Tarantula (Universal International, 1955). Half Sheet (22" X 28") Style B. Reynold Brown designed two different styles of half sheets for this classic Jack Arnold "creature feature." This is Style B with a screaming damsel wonderfully drawn, caught in "...the evil of its venom-dripping jaws..." Restoration for fold wear with minor crosspoint separations, pinholes, and a small corner ding in the lower right. This beautiful poster has outstanding newspaper graphics which would make this a great addition to any sci-fi collection. Very Fine+ on Paper.
Tarantula (Universal International, 1955). Lobby Card (11" X 14"). Reynold Brown artwork highlights this lobby card from one of the best Universal mutated creature flicks of the Fifties. Mara Corday stars as a lab assistant who is both fascinated by, and terrified of, the giant spider. If not for the pinholes in the top border and light edge and corner wear, this card would grade closer to mint. Without a doubt, this is the very best card in the set. Very Fine/Near Mint.
The Amazing Colossal Man (American International, 1957). One Sheet (27" X 41"). Caught in the blast of a plutonium bomb, Glenn Manning (Glen Langan) begins to grow to giant size, eventually rampaging through the countryside and ending atop Boulder Dam. Though loaded with corny special effects, this Bert I. Gordon film has a devoted following, and you can't argue with this gloriously lurid poster, which has the Amazing Colossal Man facing off against jet fighters and crushing buildings, things that never quite happen in the actual movie. Spectacular artwork by Albert Kallis. There is creasing in the corners, light staining on the top right edge, and some extra creasing at the folds. Very Fine+.
The Amazing Colossal Man (American International, 1957). Lobby Card Set of 8 (11" X 14"). Las Vegas is under siege after an Army officer runs amok following a nuclear accident that makes him grow to gigantic size. Offered in this lot is a scarce complete set with 6 cards featuring the Colossal Man (Glenn Langen). Card # 6 is a true piece of Vegas history, it shows the marquee of the now demolished, once legendary cornerstone of the strip, Sands Hotel, where Danny Thomas, and Augie and Margo are performing. Augie and Margo hold the record as the highest paid dance duo in the world, and were still dancing in Vegas as late as 2006! There is border soiling and stains, edge wear with a faint dustshadow, tape stains in the borders, and a soft vertical crease in card # 8. Fine+.
The Incredible Shrinking Man (Universal International, 1957). One Sheet (27" X 41"). Everyman Grant Williams finds himself a victim of the Atomic Age when he starts shrinking after being exposed to a radioactive cloud. As he gets smaller, the battles become greater...first a cat, then a hungry spider, and finally nature itself. At the end, he finds acceptance, "To God, there is no zero. I still exist!" This one sheet has light edge wear with chips on the right side, a corner crease, and very light fold wear. The poster has been mounted on linen and professionally restored. Wonderful artwork by Reynold Brown emphasizing Williams' dilemma highlights this classic poster. Very Fine+ on Linen.
The Blob (Paramount, 1958). Three Sheet (41" X 81"). "Beware of the Blob!" So we are warned in the groovy title theme (by famed composer Burt Bacharach) to this classic drive-in chiller, when a meteorite crashes to earth bearing a strange, and amorphous, visitor. This was the first film of a three-film deal that star Steve McQueen signed with Paramount. Reportedly, McQueen was so difficult to work with on this production that he was released from future commitments. McQueen was offered either $2,500 or 10% of the profits for this film, and unfortunately for him, took the $2,500. The movie, which cost about $120,000 to make, ended up grossing over $4 million. This exquisite three sheet, which features the title monster in all its scarlet glory, shows some slight fold wear and a small chip in the upper right, but is otherwise unblemished. Professional restoration and linen backing have addressed these minor issues, resulting in a truly stunning poster. Very Fine+ on Linen.
The Blob (Paramount, 1958). Lobby Card Set of 8 (11" X 14"). Steve McQueen had only a few uncredited roles under his belt when he was given the opportunity to star in this science fiction thriller that combined two of the most popular themes of the 1950s -- the "misunderstood teen" and the "outer space monster." This film evokes all the memories of the camp sci-fi classics as McQueen leads a group of teenagers into battle to save their town from being devoured by a giant glob of outer space goo. Leave it to the teenagers (not the army or scientists) to figure out how to destroy it. This was one of the better films of its type from the 1950s, which makes the lobby card set very desirable. The cards have pinholes in the corners and borders, and card #1 has a chip and a tear in the left border. All eight cards have edge and corner wear, minor staining in the borders and light wrinkling. Four cards have heavy brown tape on the reverse, but all of the images are in good shape. Fine.
The Day of the Triffids (Allied Artists, 1960). Lobby Card Set of 8 (11" X 14"). An inspiration to such diverse films as "The Rocky Horror Picture Show" and "E.T. the Extra-Terrestrial," this British sci-fi film was adapted from John Wyndham's successful first novel. When a meteor shower blinds most of Earth's population, triffids that grow from spores on the meteors threaten to take over the planet. This lobby set has a few pinholes, a few smudges and stains, and corner bumps. One of the cards has foxing. Several of the cards feature triffids in action. Very Fine+.
Monster From the Ocean Floor (Lippert, 1954). Insert (14" X 36"). This is the film that launched a legend. Roger Corman made his cinematic debut by producing this low-budget thriller about a giant amoeba that surfaces from the ocean to terrorize the people of a small city. The poster, as was typical of Corman's early films, was better than the film itself. The example offered here has between three and four tiny tears on each side border that have been archivally repaired. They are very difficult to see and the poster appears mint. Rolled, Very Fine+.
Attack of the Crab Monsters (Allied Artists, 1957). Half Sheet (22" X 28"). "From the depths of the sea... a TIDAL WAVE OF TERROR!" Roger Corman's deliriously low-budget monster movie about giant crabs that eat people's brains was written by Charles B. Griffith ("Little Shoppe of Horrors") and co-stars Russell Johnson (the Professor on "Gilligan's Island"). This awe-inspiring, rolled poster has had some small amount of restoration, which includes airbrushing to the borders where there was a small amount of tape staining. Other issues include a small 2" tear on the left side and 1" tear on the right as well as a very minor piece missing in the lower border, and some general creasing, all of which have been rendered virtually unnoticeable by the restoration. There was another tape stain within the art, but that has been beautifully and professionally restored. The colors on this copy are outstanding. This is the best format poster and hard to find for this, one of the funkiest films in Corman's oeuvre. Fine+.
The Beast with 1,000,000 Eyes! (American Releasing Corp., 1955). Half Sheet (22" X 28") American Releasing (about to be renamed American International) would launch one of their worst drive-in classics with this picture that took three directors to finish. Roger Corman was the third and actually went uncredited. So what! The picture is so bad that it's actually a classic in the same vein as "Plan 9 From Outer Space," even rivaling it as one of the worst films ever made. But it's beloved by many, and the visually stunning posters and are always in high demand. This half sheet, with colors better than the one sheet, shows wear to the edges in the form of tiny tears, bumps, creases and crimps. Fine/Very Fine.
Not of this Earth (Allied Artists, 1957). Half Sheet (22" X 28"). Roger Corman produced and directed this very bloody sci-fi film starring Paul Birch as an alien from the planet Davanna, where people are dying because of "atomic warfare anemia." He comes to Earth suspecting that human blood will cure his ailing kinsmen. The wonderful graphics on this poster of a screaming Beverly Garland with the earth entwined in alien tentacles put a lot of people in the seats, and sci-fi fans avidly collect the posters for this title to this day. There are soft folds with a tiny fold separation at the crossfold, a small tear in the lower right border repaired on the back with tape, and minor edge wear with small corner bumps. This is one of the greatest poster images of the era. Very Fine-.
Not of this Earth (Allied Artists, 1957). Insert (14" X 36"). Roger Corman, the king of the drive-in movie, produced and directed this low-budget epic about an alien who suspects the blood of humans may save his dying race. The poster for this title is fantastic and always in demand by sci-fi aficionados. This particular insert was folded once, horizontally, in the middle. There is a tiny chip off of the lower left corner, some slight tanning to the border, and a small tear in the left border that has been reinforced on the back with tape. Other than these very minor flaws, this poster is in spectacular condition and appears better than it's grade. Very Fine-.
Plan 9 From Outer Space (DCA, 1956). Lobby Cards (4) (11" X 14"). Universally beloved as one of the "strangest" films ever made, "Plan 9" is the magnum opus of Ed Wood, Jr. A whirling composite of flying saucers, resurrected zombies and soldiers and Keystone-like cops who confront them, that is still shown at film festivals everywhere. This terrific lot contains half the set of lobbies, including the Vampira portrait card, a Tor card, a cast shot, and a card with satin space alien costumes to die for! All cards have some or more of easily restorable common defects including pinholes, paper tape on the back, small border tears, small border stains, a vertical tear in top center border of #5, and small border foxing. Fine.
Fiend Without a Face (MGM, 1958). One Sheet (27" X 41"). Rarely has any film been so utterly defined by its last ten minutes. After an hour of standard science fiction faire, this British shocker takes a turn for the grand guignol, as the invisible brain monsters that have been slurping spinal fluid from the townsfolk suddenly materialize and attack a small band of survivors. The incredibly gory finale sees the stop-motion monsters blasted with gunshots and gurgling gooey blood. This terrific one sheet puts the brain monsters front-and-center, not to mention the scantily-clad babe. There are pinholes in the corners and in the image and a u-shaped tear near the middle horizontal fold that has been repaired with archival tape. A stellar sheet for this creepy classic, and a must for any horror fan. Fine+.
The Wasp Woman (Film Group, 1959). Insert (14" X 36"). Ah, vanity! When the owner of a cosmetics company tries to improve her sales, she turns to a risky product made from wasp enzymes. As a trial, she injects herself and becomes... the Wasp Woman. Roger Corman was back with yet another drive-in classic and as usual, the poster was better than the film. This is one of the best examples of this cult classic insert we've ever seen; the only defects are a few very minor (and difficult to see) horizontal crimps. Rolled, Near Mint-.
The Wasp Woman (Film Group, 1959). Title Lobby Card and Lobby Cards (3) (11" X 14"). Shot in less than a week for $50,000, Roger Corman directed this science fiction film about a cosmetics company executive (Susan Cabot) who has found a youth-rejuvenating drug in the royal jelly of wasps. The only side effect is that the taker periodically becomes a wasp, slays her victims, and devours them! This lot contains four cards from the set, including the scarce title card and two cards with Cabot as the Wasp Woman. There are small silverfish nibbles on the top border of the title card, and most of the cards show slight edge wear and light border soiling. Additionally, there is a punch in the lower middle field, and a ding in the top center border of #8. Great color. Very Fine-.
The Wasp Woman (Film Group, 1959). Three Sheet (41" X 81"). A relatively early effort by low budget auteur Roger Corman, this is the story of a vain woman who tests an experimental beauty product made from wasp jelly. The results should come as no surprise to any true sci-fi aficionado. This film is a classic example of how much Corman could do, even with very limited resources. The attractive poster offered here, which features the same art as the classic one sheet, is in excellent condition, with absolutely no visible flaws. This will be a fine addition to any 1950s sci-fi collection. Very Fine+ on Linen.
Shadow of a Doubt (Universal, 1943). Insert (14" X 36"). One of Alfred Hitchcock's most absorbing films tells the tale of the mysterious Uncle Charlie (Joseph Cotton) who comes to stay with his niece (Teresa Wright) and her family in their small California town. Certain events begin to take place that lead the young Wright to believe her uncle may be the "Merry Widow" serial killer. Wonderful atmospheric graphics with clutching hands and terrified faces! Only minor pinholes, small corner bumps, mild surface cracking on the bottom fold line, and tiny dot stains in the right border edge. There is a faint stain in the bottom border. Terrific color. Very Fine+.
I Confess (Warner Brothers, 1953). Lobby Card Set of 8 (11" X 14"). Hitchcock's rumination on organized religion stars Montgomery Clift as a priest who hears the confession of a killer, and then refuses to breach his trust, even when he's implicated in the murder himself. Anne Baxter appears as the token Hitchcock blonde. This is one of Hitch's least-famous movies, but also one of his most thematically interesting. The outstanding lobby card set offered here has pinholes and minor edge wear, and tack rust on the #1 card, but are generally in excellent condition, with Clift or Baxter on every card. Fine/Very Fine.
Notorious (RKO, R-1954). French Petite (23.5" X 31.5"). Alfred Hitchcock's wonderful pastiche of espionage and betrayal stars Cary Grant, Ingrid Bergman, Claude Rains, Louis Calhern and Madame Konstantin. This French petite has gorgeous Belinsky artwork of Grant, Bergman and Rains. The poster has toning on the edges and fold lines, and light fold wear with small separations. Very Fine.
Notorious (RKO, 1946). Lobby Card (11" X 14"). This gorgeous portrait card of Cary Grant and Ingrid Bergman (considered to be the best card in the set) has slight creasing at the edge, one staple hole on the top border, a small tear at the bottom repaired on back with paper tape, and slightly rounded corners. Very Fine+.
Notorious (RKO, 1946). One Sheet (27" X 41"). Cary Grant, Ingrid Bergman and Claude Rains star in Alfred Hitchcock's masterful tale of intrigue and espionage set against the backdrop of WWII's atomic weapons race. This very clean one sheet has fine pinholes in the corners and small cross fold separations along with minimal tanning. Very Fine+ on Linen.
Dial M For Murder (Warner Brothers, 1954). Insert (14" X 36"). Alfred Hitchcock directs Ray Milland, Grace Kelly and Robert Cummings in this adaptation of the play by Frederick Knott (who also wrote "Wait Until Dark"). The three stars are involved in a love triangle, with Milland plotting murder on the side. This insert has enlarged pinholes with tears, scuffs and stains. The poster has been mounted on paper and professionally restored. Dramatic artwork of the critical moment in the film. This format is very scarce for this thriller and always in demand. Fine/Very Fine.
Dial M for Murder (Warner Brothers, 1954). Lobby Card Set of 8 (11" X 14"). Ray Milland has very carefully planned the murder of his wife, Grace Kelly. Every detail has been worked out, and he puts the plot into motion. Just one fly in the ointment, though... he didn't take into account that his wife would fight back! This lobby card set has a number of pinholes, edge wear with a few tears, and smudges and stains. Very dramatic shots of the five leads. Fine/Very Fine.
Rear Window (Paramount, 1954). One Sheet (27" X 41"). Alfred Hitchcock's classic of voyeurism and suspense stars James Stewart and Grace Kelly as the sophisticated lovers and Raymond Burr as the killer. This splendid one sheet replicates the tableau of the film itself, peering into the various windows of the apartment complex. There is creasing in the folds and the borders and slight tanning and wear on the upper left edge of the border. The poster has spectacular color. Very Fine.
Rear Window (Paramount, R-1962). Poster (30" X 40"). Alfred Hitchcock not only put himself into a scene in all of his films, he was also closely identified with the marketing of a number of them. His trailers for "Psycho" and "The Birds" are classics of the format. His dry humor is evident in this delightful poster, which also gets in a sly pitch for multiple viewings of the film. This rolled re-issue poster has edge wear with small tears, creases and wrinkling, and smudges and stains. Rolled, Fine+.
Rear Window (Paramount, 1954). Insert (14" X 36"). Alfred Hitchcock insidiously draws the audience into the musings and observations of laid-up photographer James Stewart as he watches out his rear window, until we are all complicit in his voyeurism. When he and co-stars Grace Kelly and Thelma Ritter begin to suspect murder, a thrill ride starts that takes place in only a single setting. This insert has pinholes, edge tears, corner chips, and extra horizontal folds. The poster has been mounted on paper and professionally restored. A wonderful image that personifies the theme of the film. Fine+.
Rear Window (Paramount, 1954). Lobby Card Set of 8 (11" X 14"). James Stewart is the bored voyeur, Grace Kelly is his beautiful girlfriend, and Raymond Burr is the wife-killer in Alfred Hitchcock's masterpiece of suspense. This excellent lobby card set has great images of the stars, as well as the lavish apartment complex set, the largest ever built at that time. The #1 card has had some restoration work, with airbrushing and touch-ups. The other cards are unrestored, with minor corner creases and overall wear. Card #5 has a 2" tear in the right margin, and the #8 card has a small tear in the lower right corner. Fine/Very Fine.
To Catch a Thief (Paramount, 1955). Lobby Card (11" X 14"). Cary Grant came out of an early retirement (and would act for eleven years afterward) to make this light, airy Hitchcock adventure with Grace Kelly. Grant is a retired jewel thief who is being set up by a new burglar copying his style. This beautiful portrait card of Grant and Kelly has a few pinholes, light corner creases, light smudges, and a re-issue NSS stamp placed above the original release numbers. Very Fine.
To Catch a Thief (Paramount, 1955). Color Still Set of 12 (8" X 10"). Cary Grant and Grace Kelly light up the screen in Alfred Hitchcock's masterpiece of suspense set in Monte Carlo, the country that was soon to become home to Kelly when she married Prince Ranier and became Princess Grace. This complete set of twelve color stills is almost impossible to find intact. The condition of this extremely rare set is impeccable; they are all exceptionally clean with razor-sharp corners. Four of the stills depict Kelly and Grant together, and they all feature scenes different from the lobby card set. We believe these to be the International set for this film as they have no NSS code number on them. Mint.
To Catch a Thief (Paramount, 1955). Three Sheet (41" X 81"). One of Hitchcock's classic suspense capers about a retired cat burglar trying to capture his imitator. This is Cary Grant and Grace Kelly's first and only pairing on the screen, and the sparks certainly fly. Although fifty when "To Catch a Thief" was filmed, Grant was still playing a character of thirty-five... and getting away with it! This is one of the cleanest copies of this format we've seen. The film was extremely popular and the attrition rate on this size poster was very high. There has been minimal restoration for minor pinholes, and small chips in Hitchcock's name and in the right fold line. Very Fine+ on Linen.
Vertigo (Paramount, 1958). One Sheet (27" X 41"). Arguably Alfred Hitchcock's finest film, this delicate observation of perception, obsession and deceit was released when Hitchcock was at the height of his filmmaking powers. Detective James Stewart falls in love with the woman he has been tailing, Kim Novak, who is also the wife of his friend. This one sheet, one of artist Saul Bass's best images, has enlarged pinholes, a couple of edge chips, and small crossfold separations. The poster has been mounted on linen and professionally restored. Very Fine on Linen.
Vertigo (Paramount, 1958). French Petite (23.5" X 31.5"). Afraid of heights? Jimmy Stewart is in this Alfred Hitchcock thriller. Stewart is a former San Francisco detective paralyzed by vertigo after a fellow officer falls to his death during a rooftop chase. No longer able to serve as a police officer, he becomes a private eye and accepts an assignment to follow a college friend's wife and observe her increasingly strange behavior. This dramatic French poster shows signs of wear along the fold lines with separations at the edges and centerpoints, as well as faint edge wear and minor tanning in the borders. None of these flaws distract from the stirring images of Stewart and Novak. Very Fine/Near Mint.
Vertigo (Paramount, 1958). Lobby Card Set of 8 (11" X 14"). Repeatedly chosen as one of the best films ever made, this tour de force by Alfred Hitchcock features some of the most haunting work of stars James Stewart and Kim Novak. A supernatural tale of obsession, the film was not a success until its re-release in 1983. This lobby set has a few pinholes, some small stains, and light wrinkling. Stewart appears in all eight cards, along with Novak and co-star Barbara Bel Geddes. Very Fine+.
North by Northwest (MGM, 1959). Half Sheet (22" X 28") Style A. Directed by Alfred Hitchcock, Cary Grant plays advertising executive Roger O. Thornhill, a man whose life is turned upside down during a case of mistaken identity. Made at the pinnacle of Hitchcock's Hollywood career, this fast-paced thriller contains all the elements of vintage "Hitch." This folded Style A half sheet has minor bumps at the corners and light wrinkling. There is a large stamp and grease pencil writing on the reverse but neither show through the image. Faint smudging and ghosting can be seen in the credits, but the image area is otherwise clean. Very Fine-.
North by Northwest (MGM, 1959). Lobby Card Set of 8 (11" X 14"). Director Alfred Hitchcock had a real knack for using American landmarks as backdrops in his films. With "North by Northwest," Hitchcock took his cast to Mount Rushmore to stage the film's climactic ending. This amazing set includes two Rushmore scenes and the memorable "cropduster" scene (one of the most sought after lobby cards of the 1950s). There are pinholes, corners have tape removal surface tears and chips, border tape stains in the title card, and foxing and faint smudges. Fine+.
North by Northwest (MGM, R-1966). One Sheet (27" X 41"). Considered to be one of Alfred Hitchcock's best films, this poster for the 1966 re-issue is also one of the most sought after. Typically, re-issue posters are not as collectible as their original release counterparts, however, on occasion, a re-issue is so superior to the original that exceptions are made. This is one of the most famous, as Hitchcock appears twice on the poster, including a very funny image of Hitchcock chiseled into Mt. Rushmore! Making the poster even more desirable is that it features one of the most famous and dramatic scenes from the movie, as Cary Grant is menaced by the approaching cropduster. The poster has been professionally paper backed to address minor fold separations, and a small 2" tear in the top right corner. An exciting and dramatic piece you will be proud to own. Very Fine+.
North by Northwest (MGM, R-1966). Lobby Card Set of 8 (11" X 14"). Hitchcock at his most exciting! From a simple case of mistaken identity, Cary Grant is led on a merry chase across the countryside by a group of spies headed by James Mason. From the crop duster attack to the chase over Mount Rushmore, this is one of the Master of Suspense's best films. This reissue lobby set has light edge stains. One of the cards has dust shadows, and two cards have pieces of paper tape on the back. Marvelous pictures of all the best scenes make this set a real winner. Very Fine+.
Psycho (Paramount, 1960). One Sheet (27" X 41"). A true collision of talents combine to make one of the finest suspense films ever produced. Based on a novel by horrormeister Robert Bloch, with a teleplay by "Outer Limits" writer/producer Joseph Stefano, "Psycho" was directed by the legendary Alfred Hitchcock, who used the crew from his "Alfred Hitchcock Presents" television series to keep production costs down. This classic one sheet features the fetching image of Janet Leigh in her unmentionables and a great layout rendered in vivid primary colors. Condition issues include minor crossfold separation, minor fold wear and some tiny edge chips, and a diagonal crease at the lower left fold. The poster still boasts spectacular color and has a very fresh appearance. Very Fine.
Psycho (Paramount, 1970). Czech Poster (23" X 32.5"). First Czech Release. This rarely seen poster from Czechoslovakia is quite different than its American counterpart with its very graphic depiction (by artist Zdenek Ziegler) of Norman Bates' (Anthony Perkins) deeply disturbed psychosis. The superimposed skull over Perkins' face, the knife, and the haunted eyes give a truly disturbing and chilling representation of the film's horrific theme. This rolled Czech poster has very light bends. Rolled, Near Mint+.
Psycho (Paramount, 1960). Half Sheet (22" X 28") Style A. John Gavin's bare chest and Janet Leigh's frilly bra make their presence known on this, the sexiest of the "Psycho" sheets. Leigh was at her most sensual in this role, and this played into Hitchcock's masterplan to throw the audience off-kilter by having Leigh's character murdered at the halfway point. The poster features slight edge wear, paper lifts at the corners, a corner crease at bottom right, and some scuffing. Professional restoration has made these virtually invisible, and the poster has also been paper backed and some of the borders airbrushed. Grab this superb momento of one of Hitchcock's finest achievements, and remember to stay out of the shower. Fine/Very Fine on Paper.
Psycho (Paramount, 1960). Half Sheet (22" X 28") Style B. The film that made everyone think twice about getting into the shower, and shrieking violins synonymous with terror. The large image in this half sheet depicts Janet Leigh undressing in her room at the Bates Motel, minutes away from her fatal encounter with "Mother." There are minor edge bumps with slight wrinkling. The corners have small creases, and there is staining in the upper right corner border. The poster shows both horizontal and vertical folding creases, and there are scattered minor scuffs and scratches in the dark area of the left half of the field. Many consider this to be the quintessential Hitchcock film. Fine+.
The Birds (Universal, 1963). Insert (14" X 36"). Alfred Hitchcock's adaptation of Daphne DuMaurier's terrifying novel went on to become one of the most important films in the director's career. The film was a major hit and is still considered one of the most electrifying films ever made. The insert is considered to be the best poster on the film due to its brilliant blue background and for the image of Hitchcock appearing at the top. There are minor chips and fold separations in the borders and a small hole to the left of Hitchcock's name. There are pinholes in borders and corners. This insert has been nicely restored and will display very well. Very Fine- on Paper.
The Birds (Universal, 1963). Lobby Card Set of 8 (11" X 14"). Tippi Hedren stars as a socialite who pursues potential boyfriend Rod Taylor to a sleepy seaside town where his mother and sister live. Not long after, the avian population becomes aggressive, and begins to attack the lowly humans. Hitchcock ratchets up the suspense in one of his few outright horror films. This top-flight lobby set has pinholes, a light crease in bottom right border of the #1 card, a light smudge in the lower right border of the #4, and some light foxing and dust shadow on the #7 card. Very Fine.
The Birds (Universal, 1963). Three Sheet (41" X 81"). The quote at the top of the poster from Alfred Hitchcock himself says it all: "It could be the most terrifying motion picture I have ever made!" Posters for this terrifying "man vs. beast" thriller are greatly sought after from this Hitchcock favorite. One of the things that makes the paper for this film so collectible is that Hitchcock actually appears along with a copy of his signature. This example has crossfold separations with minor paper loss, wrinkling in the image and minor smudging. There's a faint Dutch censor stamp in the top right corner of the field along with small pieces of tape in the title and bottom corners. However, these minor imperfections are overshadowed by the chilling imagery and overall nice condition. Fine/Very Fine.
Marnie (Universal, 1964). Italian 2 - Folio (39" X 55"). Tippi Hedren stars as Marnie Edgar, a compulsive thief with mother issues who ends up being caught by one of her marks (Sean Connery) and is blackmailed into marrying him. This top-notch Hitchcock thriller was a box-office failure, but is remembered by Hitchcock fans as a masterpiece. A great image of Hitch dominates the poster, and Connery ripping Hedren's blouse open isn't quite the way it happens in the film. Condition issues include pinholes, small tears in the borders, fold wear with some minor chipping in the folds, a small piece missing under the name "Connery," and another in the lower right, all of which has been rendered virtually invisible with professional restoration. A bold and eye-catching poster for this Hitchcock classic. Fine/Very Fine on Linen.
Marnie (Universal, 1964). Lobby Card Set of 8 (11" X 14"). Following the success of "The Birds," Tippi Hedren and Alfred Hitchcock reunited for more terror. This time, the pain is psychological and the tormentor does not swoop from the sky, but rather looms in the past. Sean Connery steps away from his career-making turn as James Bond to help her confront her demons. The lobby cards, as with all the marketing for the film, make very clear that the movie is soaked in sex and suspense. This complete set has minor edge wear, corner bumps and creases and faint wrinkling in the borders. Three cards have fine pinholes in the images while another two cards have minor staining in the bottom borders. Card #6 exhibits a bit of foxing in the borders and three cards have tiny stains in their top right corners. Very Fine-.
Dr. No (United Artists, 1962). One Sheet (27" X 41"). "Dr. No" was the sixth book in Ian Fleming's James Bond series, but became the debut film adventure after negotiations to adapt "Thunderball" fell apart. Needless to say, the heady mix of a handsome hero (Sean Connery), hot babe (Ursula Andress), and diabolical villain (Joseph Wiseman) took the public by storm. This spectacular one sheet is one of the cleanest we've seen for this title, with some light smudging in the lower left corner, some minor pinholes in the borders, and some very minor chipping at the top edge. Very Fine+.
Dr. No (United Artists, 1962). Insert (14" X 36"). With twenty-three films (official and unofficial) and still counting, the James Bond franchise is one of the most successful of all time. This film was the start of it all (although Barry Nelson had played Bond on TV eight years earlier) and was a star-making role for Sean Connery. This insert has pinholes and creases. The poster has been professionally restored, including cleaning and pressing. The Bond inserts are perhaps the most desirable for the Connery Bond films and are certainly the most scarce. Very Fine-.
Dr. No (United Artists, 1962). Lobby Card Set of 8 (11" X 14"). Creator Ian Fleming reportedly wasn't happy with the casting of Sean Connery as his suave superspy, but for a generation of moviegoers, there is No Other Bond. Equally unforgettable is the statuesque Ursula Andress in a tight white bikini, an image copied by Halle Berry in the recent "Die Another Day." This lobby card set showcases Bond at his best, with Connery on every single card, as well as several of the lovely ladies. Pinholes, some light foxing, minor stains on the Andress card, and very minor corner bumps are the very minor issues. Celebrate the debut feature of the world's greatest secret agent with this amazing lobby set! Very Fine.
Dr. No (United Artists, R-1972). Japanese STB (20" X 58"). The first in the long-running James Bond series was one of the most memorable, with star-making performances from Sean Connery and Ursula Andress. It set the tone for all the subsequent films, as well as spawning an entire genre of devil-may-care spy thrillers. This Japanese STB re-issue poster is hands-down the definitive art for this title. It boast one of the best renderings ever of Connery as Bond superimposed over the sheet music for Monty Norman's classic Bond theme used in the opening of every film. Stunning color and only very light corner bumps. Near Mint+.
From Russia with Love (United Artists, 1964). One Sheet (27" X 41") Style A. The second James Bond film nails down all the different elements of the series, and is the benchmark against which all the others are judged. Michael Wilson, the present co-producer of the series has said, "We always start out trying to make another "From Russia with Love" and end up with another "Thunderball." This one sheet has light edge wear, fold wear with wrinkling and separations, and light bleed through from stamps on the back. There is slight glue residue and wrinkling from a snipe that was removed. It is difficult at best to find clean copies of these early sheets as so often they have seen some hard wear through the years! This one is very clean. Very Fine-.
From Russia with Love (United Artists, 1964). Insert (14" X 36"). SPECTRE is after a decoding device (called a Lektor!) that will allow access to Russian state secrets, but James Bond, Agent 007, is on the case in this, the second entry into the popular series. Beautiful Italian bombshell Daniela Bianchi (a former Miss Rome and runner-up for Miss World) had her voice dubbed by actress Barbara Jefford. This stunning insert showcases Bond with a quartet of lovely ladies, and boasts razor-sharp colors. The insert has been paper-backed to compensate for tape stains in the borders, and there is also a tear along the right edge. Professional restoration has given this a like-new appearance. Very Fine on Paper.
From Russia with Love (United Artists, 1964). Japanese B2 (20" X 28.5"). The second Bond film to be made, but considered by many fans and critics as the best ever, "From Russia with Love" was marvelous fun. This exquisite Japanese paper offers multiple images of Connery as the world's best-known secret agent. Also in evidence are two shots of the beautiful Daniela Bianchi, as well as shots of Robert Shaw and Pedro Armendariz in action. With only very minor edge bumps and extremely soft horizontal rolling creases, the quality of this poster is superb. Rolled, Near Mint.
From Russia with Love (United Artists, 1964). Six Sheet (81" X 81"). Agent 007 (Sean Connery) goes to Turkey to help a Soviet officer defect. But the defection is a trap set by SPECTRE to avenge the death of Dr. No. This large format paper for the second James Bond film is in remarkable condition for its age and size. There are crossfold separations and areas of paper loss at the fold lines. Faint ghosting and color transfers have occurred in the image, and there is slight tanning at the edges. Six sheets for the Connery Bond titles are scarce at best and this one is a gem! Very Fine-.
From Russia with Love (United Artists, 1964). French Grande (47" X 63"). After the success of Bond's first outing, the excellent "Dr. No," the producers of the brand-spankin' new franchise knew they had to up the stakes considerably. And up the stakes they did. "From Russia With Love" featured more cool gadgets, more vile villains, more heart-pounding action, more beautiful women...in short, more of all the things that make Bond Bond. This Cold War thriller really played up the conflict between the US and Russia that was one everyone's mind at the time, in the days of the Cuban Missile Crisis. This fabulous poster, which many consider to be superior to any of the American paper, boasts fabulous graphics by French poster artist Boris Grinnson, and shows pinholes in the corners, small edge tears, minor crossfold separation, small tape stains on the top edge and small pieces missing from several of the crossfolds. Still, this is a wonderful poster that presents much better than its grade would indicate. Fine+.
Goldfinger (United Artists, 1964). Half Sheet (22" X 28"). The opening credits are an enduring symbol of the James Bond series. This poster is the only one ever designed to capitalize on those credits by superimposing the image of Sean Connery and Honor Blackman over Shirley Eaton's body. Of all the posters created for the entire Bond series, none may be more sought after than this spectacular half sheet with vibrant colors. It has been folded and has a thin dust shadow along the edges and a few small faint stains in the borders. Very Fine.
Goldfinger (United Artists, 1964). One Sheet (27" X 41"). The third outing for 007 has cool gadgets, plenty of action, and "Pussy Galore." No wonder many fans consider it to be the best of the series. This very cool one sheet features the iconic image of a gold-painted gal and Connery at his most suave. A great-looking sheet with only minor fold wear, some minor crimping in the lower left border, and one minor color scuff near the bottom being the only issues. Bond is back! Near Mint-.
Goldfinger (United Artists, 1964). Insert (14" X 36"). Everything he touches turns to excitement!!! Ian Fleming's immortal super-spy James Bond is personified by Sean Connery, and most fans would say that nobody does it better. This must-have insert features plenty of action from the film, topped off with a sultry shot of Bond and Shirley Eaton in bed. The poster has pinholes, light foxing, slight edge wear, and some minor surface creasing. No Bond collection is complete without the gold! Rolled, Very Fine.
Goldfinger (United Artists, 1964). French Grande (47" X 63"). With artwork executed by Jean Mascii, this French poster depicts Sean Connery as James Bond taking on the forces of SPECTRE and their assassin Odd Job. "Goldfinger" would prove to be one of the best films in the entire series, assuring audiences that the films would continue well into the future. This poster has a small piece of tape on the back reinforcing a small tear on the lower left side and a four inch fold split along the left side of the lower horizontal fold. Otherwise, it is in excellent condition and quite presentable. Very Fine-.
Goldfinger (United Artists, 1964). Japanese B2 (20" X 29"). Sean Connery is James Bond, Honor Blackman as Pussy Galore and Shirley Eaton is the golden girl on this exquisite Japanese poster. The photo montage elements of these Japanese posters were so ahead of their time and this one is the ultimate Bond poster for perhaps the best of the series! Very light edge bump on right side. Rolled, Near Mint/Mint.
Goldfinger (United Artists, R-1971). Japanese B2 (20" X 29"). Bond #3 is still considered by many to be the best of the series, and was also the first to establish much of the Bond "formula," such as the pre-credit sequence and the song over the opening titles. This Japanese B2 poster is more oversexed than than the actual movie, what with Bond's (very long) phallic silencer and the gilded lady's bare tushie and even the most famous Aston Martin in the world, not seen on any other paper for this title! Reason enough to bid, but the poster is also in stunning, nearly-perfect condition, with very light edge wear and very faint roll creasing being the only issues. Near Mint.
Goldfinger (United Artists, 1964). Lobby Card Set of 8 (11" X 14"). "Do you expect me to talk?" "No, Mr. Bond, I expect you to die!" Sean Connery returns as super-spy James Bond in this, the third entry in the 007 series, and the one many fans consider to be the best. This extra-keen lobby card set has Bond on all but one card and a great image of the legendary laser-trap. The cards have light foxing and pinholes in all but two cards, and one card has a chip out of the top right corner and a small abrasion on the left, but overall this set is in outstanding condition. Very Fine-.
Thunderball (United Artists, 1965). One Sheet (27" X 41"). The fourth installment in the James Bond series is a lively spectacle of underwater thrills and Oscar-winning special effects. Sean Connery, the consummate 007, is at it again doing battle with the sinister espionage organization SPECTRE. This time, SPECTRE has hijacked a NATO nuclear bomber and is threatening to use it unless a ransom of 100 million pounds is paid. The mastermind behind this scheme is Emilio Largo (Adolfo Celi), who has a nasty habit of feeding his adversaries to his pet sharks. There is very minor wear to the fold lines which keeps the poster from grading higher. This is one of the most sought after of the Connery/Bond one sheets with its iconic Bond artwork by Robert McGinnis and Frank McCarthy. There are minor pinholes, mild fold separations, small chips in the lower left and upper right borders, and a small chip in the top border. Excellent color. Very Fine on Linen.
Thunderball (United Artists, 1965). Insert (14" X 36"). This fourth installment in the James Bond series won an Oscar for special effects, which included terrific underwater thrills. Bond films are so good they deserve two great poster artists instead of one, and this one delivers the goods with some of the best work done by Robert McGinnis and Frank McCarthy. There is slight tanning of the paper, extra horizontal folds, pinholes, and edge wear. This is a scarce and very collectible insert! Fine-.
Thunderball (United Artists, 1965). Japanese B2 (20" X 29").
With the Bond series well established as a worldwide phenomenon by 1965, "Thunderball" kept moving the bar ever higher -- more gadgets, droll humor, exotic locations and beautiful women. It also set new standards for its fantastic underwater battle scenes. The lower right corner of this lovely poster is creased and has a very small tear in the bottom edge. There are pinholes and in the lower right quadrant of the image there is a cluster of small silverfish nibbles. This beautiful Japanese paper features the dapper Connery, of course, but also offers images of three gorgeous Bond girls -- Claudine Auger, Luciana Paluzzi and Martine Beswick. Rolled, Fine/Very Fine.
With the Bond series well established as a worldwide phenomenon by 1965, "Thunderball" kept moving the bar ever higher -- more gadgets, droll humor, exotic locations and beautiful women. It also set new standards for its fantastic underwater battle scenes. The lower right corner of this lovely poster is creased and has a very small tear in the bottom edge. There are pinholes and in the lower right quadrant of the image there is a cluster of small silverfish nibbles. This beautiful Japanese paper features the dapper Connery, of course, but also offers images of three gorgeous Bond girls -- Claudine Auger, Luciana Paluzzi and Martine Beswick. Rolled, Fine/Very Fine.
You Only Live Twice (United Artists, 1967). Esquire Promo Poster (40" X 60"). For both "Thunderball" and "You Only Live Twice," Esquire magazine did feature articles on the upcoming Bond film, introducing their readers to the wonders they were about to experience. United Artists used these articles to produce advance 40" X 60" posters promoting the new film, as in this gorgeous piece for James Bond's Japanese adventure. Among the poster's more obvious charms are the risque images of starlets Yee-Wah Yang and Yasuko Nagazumi, as well as Mie Hama and Akiko Wakabayashi. This exceptionally scarce poster, which has never been folded, is in pristine condition, with no visible defects, making this a "must have" for any serious Bond collector. Rolled, Mint.
You Only Live Twice (United Artists, 1967). Subway Advance (45" X 59.5"). For his fifth outing, 007 traveled to Japan to stop his arch-enemy, Ernst Stavro Blofeld (Donald Pleasance), from instigating World War III from his base inside an active volcano. Along the way, he hooks up with the luscious Kissy Suzuki, played by Mie Hama, well known to Toho fans for her appearance in "Frankenstein Conquers the World." This highly desirable subway advance poster features a great full-length portrait of Sean Connery as Bond, as well as scenes from "Dr. No," "From Russia With Love," "Goldfinger," and "Thunderball." The poster offered here shows only light edge wear, which is barely noticeable thanks to professional restoration and linen-backing. Very Fine+ on Linen.
You Only Live Twice (United Artists, 1967). French Grande (47" X 63") Style A. James Bond was back in action in this spectacular thriller with Sean Connery reprising his role as Ian Fleming's master spy. In this tale, Bond has to put a stop to SPECTRE's plan to start a global war by going undercover (and under surgical enhancement) to appear Japanese. This French Grande shows minimal wear, most notably a few small fold splits at the top and a few very tiny tears along the edges. Very Fine+.
You Only Live Twice (United Artists, 1967). Insert (14" X 36"). Sean Connery as James Bond goes to Japan to keep the U.S. and Russia from starting WWIII. This insert poster features the famous gyrocopter artwork, the most popular for this title, by two of the best poster artists in the business, Frank McCarthy and Robert McGinnis. One soft middle fold, pinholes and corner chips, and mild edge wear. Fine-.
You Only Live Twice (United Artists, 1967). One Sheet (27" X 41") Style A. The fifth James Bond film pits 007 against Blofeld and SPECTRE, once again. This time traveling to exotic Japan. Roald Dahl pens the screenplay and director Lewis Gilbert makes his Bond debut (he would go on to direct "The Spy Who Loved Me" and "Moonraker"). Moderate fold wear and a crescent-shaped crease in the logo area are the only condition issues. Spectacular artwork and cool design by Frank McCarthy. Very Fine.
You Only Live Twice (United Artists, 1967). Lobby Card Set of 8 (11" X 14"). Sean Connery stars as 007 in the fifth James Bond film, which was taken from the last Ian Fleming novel published during his lifetime. Connery was replaced after this film by George Lazenby, but returned for his last official time in "Diamonds are Forever." This lobby set has a few minor edge stains. All but one of the cards has a couple of light bends, and the other card has a spray of almost invisible coloration across the image. Connery is featured prominently in the set. Very Fine+.
Diamonds Are Forever (United Artists, 1971). Japanese B2 (20" X 29"). Style B. Sean Connery, as James Bond, returns to solve the mystery of a large diamond heist from the mines of South Africa. Bond goes undercover as Peter Franks, diamond smuggler, and discovers to his surprise that the head of the smuggling ring is none other than Ernst Stavros Blofeld! Connery, as Ian Fleming's master spy 007, is surrounded by beautiful women, diamonds, and dynamic action on this classic Japanese poster. There are only soft tri-folds, and very minor edge wear. Fresh color. Near Mint-.
On Her Majesty's Secret Service (United Artists, 1969). One Sheet (27" X 41") Style B. The closest adaptation to film of an Ian Fleming book was the first in the 007 series to not star Sean Connery. George Lazenby was scheduled to be Bond in seven films, but the producers thought otherwise. This one sheet has light fold wear, and a tiny stain on the fold line. Fabulous artwork of Lazenby and his co-stars Diana Rigg and Telly Savalas. Very Fine+.
The Man With the Golden Gun (United Artists, 1974). Japanese B2 (20" X 29"). British Intelligence has received a threat against James Bond (Roger Moore in his second outing) in the form of a gold bullet with his 007 number engraved on it. This original issue Japanese B2 format poster is highly sought after by Bond collectors. This particular example is as good as we've seen, with just the slightest horizontal fold and minor border wrinkling keeps this poster from being perfect. Brilliant color, great montage graphics, and spot-on registration render this one of the very best representations on the title. Near Mint-.
The Man With the Golden Gun (United Artists, 1974). One Sheet (27" X 41") Advance. Roger Moore returns as James Bond, Secret Agent 007, to take on the evil genius known as Scaramanga, played to perfection by Christopher Lee! This was the first advance one sheet ever used in the release of a James Bond film, something that would become commonplace with the Moore/Bond films. This great poster cleverly gave audiences a glimpse of the Golden Gun about to be used against their favorite spy. This poster is very clean with fantastic Robert McGinnis artwork, and only some minor crimping in the top left corner. Christmas comes early with this beautiful and highly desirable poster! Rolled, Very Fine/Near Mint.
The Spy Who Loved Me (United Artists, 1977). Subway (45" X 59"). One of the most successful of the Bond films to star Roger Moore, "The Spy Who Loved Me" also garnered the most Oscar nominations -- three: for Best Song, Best Score and Best Art Direction. This is the first time we have seen this attractive subway poster printed for the East coast openings of this, the tenth Bond film in the series and the third to star Moore. The poster has pinholes, minor tape scuffs, and a small corner chip. The poster has been mounted on linen and some touch-up has been done. Several marvelous shots of Moore in action on this scarce poster. Very Fine+ on Linen.
The Spy With My Face (MGM, 1965). Three Sheet (41" X 81"). Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) spring into action as those suave Men from U.N.C.L.E. in this compilation of TV episodes released as a theatrical film. This outstanding three sheet favors Vaughn (McCallum isn't even pictured), and has a very clever playing-card motif. The linen has been trimmed to the border, and the poster with Japanese paper attached is lifting off the linen in several places. Otherwise, the sheet is in very nice shape, with a quarter-sized elliptical tear near one of Solo's hands, crossfold separations, and some minor fold tearing near the center. Don't succumb to T.H.R.U.S.H. brainwashing, bid now! Very Fine+ on Linen.
Hotel for Women (20th Century Fox, 1939). Lobby Card Set of 8 (11" X 14"). The hotel of the title is one of those women-only hotels which thrived in New York City in the 1930s. This film stars Linda Darnell in an early role as well as Ann Sothern and Elsa Maxwell, a famous gossip columnist at the time. Offered here is a great lobby set with a much sought after title card featuring beautiful artwork by one of the top pin-up artists of all time, George Petty, as well as terrific images of the better scenes in the film. The title card has pinholes in the corners, a corner crease in the left bottom border and a small chip in the upper right border. The scene cards have pinholes and minor wear. Fine/Very Fine.
Gosta Berlings Saga (Svensk Filmindustri, R-Late 1920s). Swedish One Sheet (27.5" X 39"). One of the finest Swedish silent films, this movie was impressive enough to garner invitations from Hollywood for the director and two of the stars. Lars Hanson, who plays Gosta Berling, was picked personally by Lillian Gish to co-star with her in "The Scarlet Letter" and "The Wind," and of course everyone remembers Greta Garbo and her almost 30-year career. However, director Mauritz Stiller had trouble fitting in with the Hollywood crowd. After being fired from Garbo's debut, "The Torrent," he only worked on four other films before going back to Sweden, where he died shortly thereafter. This beautiful and rare reissue Swedish one sheet has minor edge wear with a small chip that has cellophane tape on the front and back, light fold wear with wrinkling, and pinholes in the upper corners. Wonderful images of a young Garbo, along with Hanson. Fine.
Greta Garbo Swedish Posters (MGM, 1930-31). Swedish (2) (12.25" x 25.5"). One of the most beautiful and important actresses of the Golden Age of Hollywood, Garbo was a sensation ever since her starring role in Mauritz Stiller's "Gosta Berlings Saga." Soon after, she left her homeland of Sweden for America, and made a string of silent films, starting with "Torrent." Her first sound film was "Anna Christie," for which she received an Academy Award nomination. "Romance" and "Mata Hari," the two films represented here, followed shortly thereafter. These intriguing Swedish posters feature wonderful images of this alluring star, and suffer from only light edge wear and some creasing from where the posters were originally folded. Nevertheless, these are very rare items from the land of Garbo's birth and are assuredly very rare indeed. Very Fine+.
Ninotchka (MGM, 1939). Lobby Cards (6) (11" X 14"). Ernst Lubitsch directed this engaging comedy that stars Greta Garbo as the cold and humorless Comrade Ninotchka, who is sent to Paris to retrieve a trio of Russian delegates. Once in Paris, Garbo is courted by Count Leon (Melvyn Douglas), who finally manages to penetrate her stone facade, and makes the once stoic Soviet fall in love. All but one of these lobby cards has pinholes in the borders. Otherwise, these beautiful cards, featuring wonderful shots from this classic comedy, are in extremely nice condition. Very Fine+.
A Social Celebrity (Paramount, 1926). Lobby Card (11" X 14"). One of Louise Brooks' earliest roles - this was only her third film, now sadly lost - "A Social Celebrity" tells the story of a barber (William Powell) who inherits his fathers barbershop but wants a life among the socially affluent. In other words, he is a "social climber." Brooks plays the pretty young manicurist within the shop who eventually leaves him for a life in exciting New York. Louise Brooks was the most famous of the Jazz-Age flappers. Prior to her life in Hollywood she was a stage sensation who ran with the wealthy, the artistic and the socially glamorous figures of the 1920's. Her life has been the subject of many books. The card has slight wear to the corners and pinholes. All have been cleaned and minor touch ups applied with professional restoration. Fine/Very Fine.
Get Your Man (Paramount, 1927). Title Lobby Card (11" X 14"). A delightful farce, starring the charming Clara Bow and directed by Dorothy Arzner, the only female director of the Hollywood golden age. Bow plays an American ingénue who travels to Paris and falls in love with Charles "Buddy" Rogers. But, of course, he's already betrothed to another woman, and hijinks ensue. This splendid title lobby card has a very cute image of Bow and some bold, cartoony graphics. Some lightly bumped corners with some pinholes are the only condition problems, and these are barely noticeable. A terrific title card for a little-seen film starring Hollywood's original "It Girl"! Very Fine.
The Fleet's In (Paramount, 1928). Insert (14" X 36"). Clara Bow, the uninhibited "It Girl" of the silent screen, exuded a new sexuality that had audiences flocking to the theaters during the Roaring 20s. Here is a delightful impish photo of Bow, inset into the artwork of the fleet at sea by William Hanneman. There has been some expert restoration to address painted lettering in the upper right field, and there are faint dust shadows in the borders. Rolled, Very Fine.
Dangerous Curves (Paramount, 1929). Window Card (14" X 20"). Clara Bow is one corner of a love rectangle set in the world of circus performers. Richard Arlen, Kay Francis and David Newell round out the cast of broken-hearted lovers under the big top. This window card has edge wear and tears with cloth tape on the back, corner creases, and edge staining. Two beautiful images of Bow. Fine+.
Love Among the Millionaires (Paramount, 1930). Window Card (14" X 22"). Clara Bow became the symbol of the "Flapper Age" as a vibrant young woman with tremendous charisma. She was known throughout the world as the "It" girl, and in this picture, the son of a wealthy railroad magnate falls for her charms... as did every man in America. Bow's films were among the most popular of the 1920s and the posters for her films are still highly collectible. This unrestored window card is stained on the bottom half and has a dust shadow on the top half. There is a small hole above the bottom right figure, Bow's elbow, two on the left side of her head and one on her elbow. There is foxing in the top imprint area, a small tear above the word "Clara" and a pinhole in her forehead. Nevertheless, this is an extremely attractive and desirable piece. Very Good.
Call Her Savage (Fox, 1932). Jumbo Lobby Card (14" X 17"). Clara Bow's career should have lasted a lot longer, and this film proves it. Bow proved here she could do comedy, romance, melodrama and punch harder than a drunk cowboy in a Laredo barfight! Bow plays a Texan gal with a wild streak that makes Pamela Anderson look like Shirley Temple. If you're looking for a great 'pre-code' film to watch, to see what all the fuss about Bow was, hunt down a copy of this, prop this extremely scarce jumbo lobby card on the mantle, and have fun! Only minor pinholes, a small ding in the bottom center border, mild crease in the top right border, and a very slight horizontal surface scuff in the middle right field. Terrific color. Very Fine-.
Synthetic Sin (First National, 1929). Title Lobby Card and Lobby Cards (2) (11" X 14"). Colleen Moore plays a small town girl who is an aspiring actress. She travels to the big city to experience a life of sin and heartbreak in order to "know life better." Of course, innocent Colleen survives her experiences with her virtue intact. The gorgeous title card for this film has a tear on the right border which has been professionally restored. One scene card has a corner bend on the top left and the other has repaired pinholes in the corners. All three cards have been cleaned and some light restoration work has been done. Fine/Very Fine.
Her Gilded Cage (Paramount, 1922). Lobby Card (11" X 14"). Gloria Swanson made a 60-year career out of playing over-the-top vamps and sophisticated ladies. Here she is a European actress whose mysterious persona comes strictly from her publicity hound manager. Trouble brews when David Powell, her American boyfriend, begins to believe the hype. This lobby card has corner creases and rounded corners, a small edge tear, and a couple of dust shadows. The two stars are featured in this beautiful hand-tinted card. Very Fine-.
Golden Age (1938-1955)
Manhandled (Paramount, 1924). Lobby Card (11" X 14"). Gloria Swanson, who works in a department store, finds that her gift for impersonation is taking her higher in society. Trouble brews when her mechanic boyfriend finds out what she's been up to. This lobby card has a small edge and corner chip, one corner crease, and two pinholes. The card features Swanson in all her glory, with gorgeous hand-tinted color. Very Fine.
Movie Posters
Hell's Angels (United Artists, 1930). Title Lobby Card (11" X 14"). Aviation was near and dear to multi-millionaire Howard Hughes's heart when he decided to produce and direct a feature film about the pilots of World War I. The film started off as a silent, but with the era of sound upon him, Hughes went back and reshot scenes to add sound to his landmark film. Jean Harlow's platinum blonde hair made her an overnight sensation and the picture went on to become one of the greatest films of the era. This title card has four pinholes and some minor creases in the corners. The reverse shows some biplanes painted on it in watercolor that in no way show through. This is a gorgeous and important lobby card from one of the greats in film history. Very Fine.
Hell's Angels (United Artists, 1930). Window Card (14" X 22"). Howard Hughes, at the age of 24, took over the directing chores of "Hell's Angels." An aviator himself, Hughes' devotion to flying led him to finance, produce and direct this still sensational World War I epic. Jean Harlow made her breakthrough appearance in the film and this widow card, with art by Hap Hadley, captures the leading lady to perfection. The white areas of the poster have had some airbrush work and there has been some minor color touch as well. Fine/Very Fine on Cardstock.
Dinner at Eight (MGM, 1933). One Sheet (27" X 41") Style C. MGM brings to the screen one of the finest film troupes ever assembled: Jean Harlow, John Barrymore, Marie Dressler, Lionel Barrymore, Wallace Beery, Lee Tracy, Edmund Lowe and Billie Burke are all featured on this fabulous piece. The one sheet for this title is one of the rarest from the Golden Age of Hollywood. There was minor fold wear, slight separation in the center crossfold, pinholes in the corners, and a crease on the top border. Some touchup work was done on the yellow area below the film title. The poster displays magnificently after the expert restoration. Very Fine on Linen.
Platinum Blonde (Columbia, 1931). Lobby Card (11" X 14"). Jean Harlow shines in this great card from one of her best films. This pretty card shows a fun encounter with Harlow, Robert Williams, Louise Closser Hale and Don Dillaway. There has been some top-grade restoration work done, but only on the bottom border to replace a chip and on the top left and right corners to repair small pinholes. Fine.
Libeled Lady (MGM, 1936). Mini Window Card (8" X 11"). Newspaper editor Spencer Tracy plots to stop a libel suit by Myrna Loy by arranging a phony marriage for his girlfriend Jean Harlow to William Powell. When Powell woos Loy, Tracy hopes to find them in a "compromising" position. This midget window card has a few smudges, and has been trimmed of the upper theater imprint area. The card has great shots of the four stars and is a rare find! From the Collection of Denver Sherry. Fine-.
Saratoga (MGM, 1937). One Sheet (27" X 41") Style C. This racetrack comedy/drama stars Jean Harlow in her final screen performance (she died of acute nephritis during the filming) and co-stars Clark Gable, Lionel Barrymore and Walter Pidgeon. Harlow plays Carol Clayton, a lady who returns home to find that her father has lost the family's horse farm to Duke Bradley (Gable) because of gambling debts. Her wealthy stockbroker fiancée (Pidgeon) offers to help, but Carol insists that she will pay the debt in full when her champion horse wins at Saratoga. In the process, she falls in love with Duke and finds herself rooting for the competition in the win-all race. There were two style one sheets produced for this MGM star vehicle, and the other style was done in offset lithography with portraits of the two stars. This one sheet, on the other hand, was done in stone litho with art-deco lettering and more stylized portraits. The poster has some minor paper loss to the corners with pinholes and some minor crossfold wear. Minor chipping within the border. Fine+ on Linen.
Saratoga (MGM, 1937). Mini Window Card (8" X 14"). The filming of this romantic comedy set in the world of horse racing was almost over when Jean Harlow died of uremic poisoning. The studio wanted to reshoot with Virginia Bruce or Jean Arthur, but the outcry of fans demanding to see Harlow in her last film forced them to use body and voice doubles to finish the film. This midget window card has enlarged pinholes, light edge wear with a couple of small edge chips, and a few scuffs. There are rounded corners, and dust shadows. Beautiful images of Gable and Harlow in their sixth and final film together. From the Collection of Denver Sherry. Fine+.
Saratoga (MGM, 1937). Title Lobby Card and Lobby Card (11" X 14"). Completed after her unexpected death, this was Jean Harlow's final film appearance. The movie was a smash with audiences filling theatres to see the sex symbol in her final role. The title card has pinholes, soiling and paper loss in the borders and bumps in the corners. The scene card is much cleaner with pinholes in the borders, wear along the edges, and creases in the top corners. Fine-.
Saratoga (MGM, 1937). Lobby Card (11" X 14"). This fantastic lobby card from Jean Harlow's last film features a great shot of the ill-fated blonde starlet beside Clark Gable. Harlow would die of uremic poisoning (nephritis) shortly before the film's conclusion. There are pinholes and bumps in the corners and borders, wear along the edges, and creases in the top right corner. Very Fine-.
Night After Night (Paramount, 1932). Mini Window Card (8" X 14"). One of the first starring roles for tough guy George Raft, this movie is particularly notable as the debut of blonde bombshell, Mae West. The story of an ex-boxer who buys a high-class speakeasy, complications ensue when several girlfriends from his former life come calling. This card, bearing a wonderful portrait of Raft, displays some slight warping at the top, no doubt caused by the adherence of the theater snipe. There's some light tanning overall, but these slight flaws do nothing to detract from its glorious eye appeal. From the Collection of Denver Sherry. Very Fine/Near Mint.
She Done Him Wrong (Paramount, 1933). Six Sheet (81" X 81"). This, Mae West's first starring film role, was so bawdy and risque that it actually led to the formation of the National Legion of Decency, who decried the film's "immorality." West, who had to be sewn into her slinky costumes for this movie, plays Lady Lou, a woman who enjoys the attention of men, much to her eventual detriment, in a movie based on her Broadway hit, "Diamond Lil." In spite of, or perhaps because of, the film's controversial nature, it made a star out of West and saved Paramount from potential bankruptcy. It also received an Academy Award nomination for Best Picture, although it lost out to "Cavalcade." It's perhaps most remembered today as the source of West's famous quote, "Why don't you come up and see me," which was said to a very young Cary Grant. This beautiful six sheet, boasting a fabulous image of West. The poster has been laid on linen and it shows evidence of pinholes in the corners, some fold wear and minor fold separation, minor corner chips, and a larger chip in the upper center, by the "W" in "Wrong." This is certainly one of the nicest pieces on the title, very impressive in its size, and a great piece for anyone who admires the immortal Mae West. Very Fine- on Linen.
The Sin of Nora Moran (Majestic Pictures, 1933). Lobby Cards (4) (11" X 14") and Glass Slide. In an attempt to protect her lover, Governor Bill Crawford (Paul Cavanagh), Nora Moran (Zita Johann) takes the rap for a murder she didn't commit and anxiously waits out her time on death row. In flashback, the audience sees the circumstances leading up to this tragic turn of events, culminating in a clever ending that creates an intriguing ambiguity regarding Nora's fate. Offered here are four lobby cards from this notable film. Two of the cards display pinholes in the corners. There's a top right corner chip and a small ding in the lower right on one card, and two of the cards show very small chips in the bottom right corner. All of the cards have very minor corner bumps. Also offered in this lot is a lovely glass slide. The bottom imprint area of the slide has been scratched out, but the image area is flawless. Paper from this movie is extremely desirable, so don't miss this opportunity to add these exquisite pieces to your collection. Fine/Very Fine.
Five Came Back (RKO, 1939). Lobby Card Set of 8 (11" X 14"). When an airliner crashes in the South American jungle, the passengers and crew struggle to repair the engines and clear a runway before the local cannibals find them. Captain Chester Morris soon discovers that the beat-up airplane will only be able to save... well, you can guess how many people. This great lobby set has the young Lucille Ball, billed second in the cast, on five of the scene card as well as the title card. There are pinholes, minor wear, and some slight corner creases. Two of the cards have pencil marks on the image area. Dramatic images from the film, featuring all of the stars. Fine+.
Best Foot Forward (MGM, 1943). One Sheet (27" X 41") Style C. Absolutely delightful caricature artwork by American artist Jacques Kapralik. This was one of a series of "Shadow Box" caricatures Kapralik did for MGM spotlighting their various stars. MGM's decision to add Harry James and his Orchestra to the cast was a good one. His performance of "The Two O'Clock Jump" was almost worth the price of admission by itself...and Lucille Ball was very much the star in this one! Top restoration to address only minor pinholes, mild edge wear with small border chips on the right border, and fold separations with very small chips along the vertical fold line. Fine/Very Fine on Linen.
Ziegfeld Follies (MGM, 1946). Australian Daybill (13.5" X 30.5"). Florenz Ziegfeld became synonymous with lavish stage productions featuring extravagant showgirls. In this film, he is seen in heaven dreaming up one more fantastic revue. MGM used this thin plot to showcase some of the spectacular talent in their stable of stars including, Fred Astaire, Judy Garland, Lena Horne, Fanny Brice, Lucille Ball, Gene Kelly, Red Skelton, Esther Williams, William Powell, and dozens more. Pin-up artist George Petty designed this gorgeous poster. It appears the poster was once folded in thirds, though the fold lines are virtually impossible to detect, and there are some very minor small stains in the border. Very Fine/Near Mint on Linen.
Cheating Blondes (Equitable Pictures, 1933). One Sheet (27" X 41"). This wonderful artwork of sexy Thelma Todd is the product of Alvin Cordell 'Hap' Hadley, one of the most inventive movie poster specialists of the 1920s and 30s. It is his marvelous jazz age cartooning style that we have avidly collected for years in such posters as Harlow's "Hell's Angels", Keaton's "The General", and Clara Bow's "Rough House Rosie", just to name a few. His was one of the only studios ever to have the right to "sign" their posters in the printing plate. Even in a quite rare "poverty row" film such as this, the poster shines. There is minor edge wear with small border chips, and centerpoint and fold line chips. Beautiful color. Very Fine- on Linen.
Cheating Blondes (Equitable Pictures, 1933). Title Lobby Card (11" X 14"). Thelma Todd plays twin sisters Anne and Elaine. When Anne is caught with the dead body of her lecherous next-door-neighbor, she switches places with Elaine, her look-alike twin, a burlesque dancer. This gorgeous title card, featuring the very sexy Todd, has only light creasing on the edge of the top border and two small surface bumps. Very Fine/Near Mint.
Fast and Loose (Paramount, 1930). Window Card (14" X 22"). Wealthy parents Frank Morgan and Winifred Harris are horrified when their children, Miriam Hopkins (in her screen debut) and Henry Wadsworth, fall for the "wrong sort." In this case, it's mechanic Charles Starrett and chorus girl Carole Lombard. This window card has light edge wear with a small tear, and smudges and stains. There is neatly printed theater information in the imprint area. Brightly colored artwork with fun flapper imagery. Fine+.
Ready, Willing and Able (Warner Brothers, 1937). Mini Window Card (8" X 14"). Ruby Keeler stars in a fun example of the "Let's Put on a Show" musicals. Ruby poses as a famous English actress and, with partners Lee Dixon and Ross Alexander, manages to raise money for a Broadway show...until the REAL actress shows up! This midget window card has corner creases with masking and paper tape on back, a couple of sets of staple holes, a theater stamp, and light staining in the imprint area. Fun artwork of the two stars. From the Collection of Denver Sherry. Fine/Very Fine.
Gold Diggers of 1933 (Warner Brothers, 1933). One Sheet (27" X 41") Style B. Offered here is a truly exceptional find. Based on the 1919 Broadway play by Avery Hopwood, this is the story of a young man from a wealthy family (Dick Powell) who bankrolls a struggling Broadway show and finds true love in the process. A fabulous production, spotlighting the exacting choreography of Busby Berkeley, this is the movie that introduced the songs "We're in the Money," "Remember My Forgotten Man" and "Pettin' in the Park" (a notoriously pre-Code number). One of the most notable of the Depression-era musicals, paper from this film is exceptionally scarce and in extremely high demand on the rare occasions it does surface. This is the ultra-rare Style B version, one of only a small handful known to exist, and features stunning, star-studded artwork of Dick Powell, Ginger Rogers, Joan Blondell, Ruby Keeler, Guy Kibbee and more. Never used, this poster displays just the slightest fold wear and minor border chipping. This is a golden opportunity to add this scarce title to your collection. Very Fine+ on Linen.
Smarty (Warner Brothers, 1934). Title Lobby Card (11" X 14"). Miss Dallas of 1926 (and the third runner-up for Miss America that same year), Joan Blondell came to Hollywood in the early thirties and took the town by storm. Cast as a smart-mouthed, gold-digging sexpot, she was one of the most popular actresses in the Warner stable. This title card has a couple of small, light edge bends, and slight corner bumps. Blondell and her co-stars William and Horton shine in this off-beat pre-Code comedy. Near Mint-.
Traveling Saleslady (Warner Brothers, 1935). Mini Window Card (8" X 14"). Joan Blondell, the daughter of toothpaste manufacturer Grant Mitchell, wants to teach her father a lesson in business. She and inventor Hugh Herbert come up with Cocktail Toothpaste, a concoction that tastes like different drinks at different times of the day. This midget window card, which has corner bumps and bends, and a theater stamp in the imprint area, features wonderful artwork of Blondell and Glenda Farrell. From the Collection of Denver Sherry. Very Fine/Near Mint.
Sob Sister (Fox, 1931). One Sheet (27" X 41"). A fast-moving romance starring Broadway veteran Linda Watkins as a feisty girl reporter, and James Dunn as her rival, who loves her dearly but doesn't let it get in the way of his pursuit of the Big Scoop. This eye-pleasing stone litho poster has great graphics and excellent use of white space. Terrific condition overall, with minor edge wear and tears, small tears at the fold edges, a hard crease in the lower left corner, and pinholes in the corners. Very Fine-.
Uptown New York (World Wide, 1932). Mini Window Card (8" X 14"). Jack Oakie, known for his light-hearted comedies, took a rare dramatic turn in this romance gone awry. Leon Waycoff, better known for his lead in "Murders in the Rue Morgue" appears as a surgeon and "the other man" in this romantic tryst. The card shows minimal wear in the form of a very light moisture warp, slight rounding to the corners, and a one inch tear in the center of the upper border. From the Collection of Denver Sherry. Very Fine-.
Disgraced! (Paramount, 1933). Mini Window Card (8" X 14"). Bruce Cabot, fresh off of the production "King Kong," gets a little fresh with Helen Twelvetrees in this melodrama. Helen takes the blame for a murder instead of seeing her lover (Cabot) go to prison for the crime. There is a diagonal crease across the imprint area, but otherwise, this card is in wonderful condition. From the Collection of Denver Sherry. Very Fine-.
Disgraced! (Paramount, 1933). Swedish One Sheet (27.5" X 39.5"). Forever cast as the doleful woman fighting for the wrong men, Helen Twelvetrees stars in this tale as Gay Holliday, whose romance with Kirk Underwood Jr. (Bruce Cabot) turns sour when Kirk turns out to be a jerk. A murder inevitably follows, whereupon Gay gallantly takes the blame for her father, played by William Harrigan. This is a lovely original Swedish one sheet which has minor wear around all of the border. Rolled, Fine+.
Tomorrow and Tomorrow (Paramount, 1932). One Sheet (27" X 41"). The wonderful subtleties of this uncommon poster for one of Ruth Chatterton's better pre-Code films might very well be lost if you don't know the plotline. Chatterton wants a child badly and her boring husband, Robert Ames, neglects her. She has a tryst with a visiting brain surgeon, Paul Lukas, and finally becomes pregnant by him. She has the child but tells Lukas her husband is the father. Years later, the surgeon saves the child after a horse accident and Chatterton confesses he is really the father, but that she is staying with the husband. There has been expert restoration to this terrific poster for minor fold separations with small chips in the fold lines, and a tiny bleed through from writing on the back upper left border. Very Fine- on Linen.
Lady of Secrets (Columbia, 1936). Mini Window Card (8" X 14"). Ruth Chatterton tries to tell daughter Marian Marsh the details of her birth, but manipulative father Lionel Atwill wants Marsh to continue to think that she is Chatterton's sister. This midget window card has corner creases, light edge wear with small corner and edge chips, and smudges and stains. There are a couple of small scuffs, and theater information is written in grease pencil in the imprint area. Moody images of the three stars make this a very desirable card. From the Collection of Denver Sherry. Fine+.
Lilly Turner (Warner Brothers, 1933). One Sheet (27" X 41"). A real heart-tugger, this pre-Code Warner Brothers drama tells the story of a young lady (Ruth Chatterton) who works in a carnival and is deserted by her bigamist husband when he finds out that she is pregnant. Her luck in love goes from bad to worse when she marries a drunken barker (Frank McHugh) to save her the disgrace of having an illegitimate child. And then the strong man goes insane when he see her legs, but of course it couldn't all go wrong when the replacement strong-man in the show, George Brent, falls for her! Based on a popular play, the Production Code office refused to issue an approval certificate when the studio attempted to re-release the film in 1936. This beautiful unused poster has some light folding, and one tiny chip out of the lower left corner and another small chip out of the top border. Aside from that, however, this poster is absolutely pristine in every way. These early Warner one sheets are exceedingly rare so get this while you can! Very Fine+ on Linen.
The Match King (First National, 1932). One Sheet (27" X 41"). Warren William dominates this engrossing drama about an ambitious, unscrupulous entrepreneur (based on the real-life Match King, Ivar Kreuger) who sets out to corner the market on matches (yes, matches) and becomes rich and powerful in the process. Lovely Lili Damita (Mrs. Errol Flynn) plays a slinky actress who catches his eye. A colorful, eye-catching poster for this rarely-seen film has some enlarged pinholes at the top and bottom center, small edge tears, and a light misfold crease as the only condition problems. Very Fine.
Ladies in Retirement (Columbia, 1941). One Sheet (27" X 41"). Based on a popular play, which was in turn based on an actual event that took place in 1886, this movie is about a maid (Ida Lupino) who works for an aging British actress. When the maid's two crazy sisters show up on her doorstep, Lupino does away with the actress so that she can move her siblings in and take care of them. Complications arise when a suspicious relative shows up and starts nosing around. This gothic thriller is a perfect showcase for Lupino's considerable talents. The attractive one sheet offered here has pinholes in the upper left field, some edge wear, a tiny chip in the left side, light fold wear with some crossfold separation, including some noticeable chips out of the crossfolds, a little staining, and a chip out of the bottom border. Even with the flaws, this is a very attractive poster featuring a wonderful image of Ida Lupino. Fine/Very Fine.
Golden Age (1938-1955)
No One Man (Paramount, 1932). Lobby Card (11" X 14"). Before she made her mark as a comedienne in such films as "Twentieth Century" and "My Man Godfrey," Carole Lombard starred in melodramatic films such as this. Torn between playboy Ricardo Cortez and solid-citizen doctor Paul Lukas, Lombard finds her choices made for her by circumstance. This lobby card has pinholes, edge foxing, and scuffs. Vibrant color enhances this gorgeous shot of Lombard and Cortez. Fine/Very Fine.
Movie Posters
No Man of Her Own (Paramount, 1932). Lobby Cards (2) (11" X 14"). It would be romantic to think that Clark Gable and Carole Lombard met and fell in love during the making of their only film together. The truth, however, is that they were both married to other people, and their fabled love affair and marriage was several years in the future. Lombard did get in a bit of her sly humor, though -- when the filming was over, she gave Gable a ham with his picture on it! These lobby cards have pinholes, smudges and stains, and light edge wear. Gable appears on both cards, along with co-stars Dorothy Mackaill and Grant Mitchell. Fine/Very Fine.
No Man of Her Own (Paramount, 1932). Lobby Cards (2) (11" X 14"). Clark Gable and Carole Lombard, starring in their only film together, are a crooked gambler on the run and the small town librarian that he falls for. These lobby cards have pinholes, light edge stains, and corner bumps. The card with Gable and Grant Mitchell alone has been trimmed slightly on the right side. The grade would be much higher without the trim. Beautiful color on these nice cards. Fine/Very Fine.
White Woman (Paramount, 1933). Lobby Card (11" X 14"). Inspired by such melodramas as "Red Dust" and "Kongo," this jungle melodrama stars Charles Laughton as the owner of a Malaysian plantation who marries singer Carole Lombard and takes her back to the home spread. Things go from bad to worse when she falls for the handsome overseer, Charles Bickford. This lobby card has a few staple holes, a small edge chip, and a light corner bend. Lombard and Bickford are bathed in a luminous golden aura in this beautiful shot. Very Fine+.
Bolero (Paramount, 1934). Window Card (14" X 22"). George Raft made quite a career for himself by dancing, long before he entered the movies. He put those talents to use in this picture about a man who intends to dance his way to the top of the entertainment business. Carole Lombard would be his best dance partner and the two would dance again in "Rumba." This poster has expert restoration in the entire left 2.25 inches, which had to be recreated. The top was also trimmed off where it went into the top portion of the artwork just above the actors' heads. The work was first rate and the poster is now very presentable. Very Good+ on Cardstock.
Barbara Stanwyck Portrait Still (Warner Brothers, early 1930s). Still (8" X 10"). Great publicity portrait shot of a young Barbara Stanwyck from Warner Brothers, around the time she was making such pre-Code classics as "Baby Face." The photographer is not known. There are small corner bends on the bottom and a larger one on the top left. Very Fine+.
Baby Face (Warner Brothers, 1933). One Sheet (27" X 41"). Prior to the Production Code of 1934, there were solid, strong roles for female lead characters. This is a prime example of such a role for a young and gorgeous Barbara Stanwyck, who stars as Lilly "Baby Face" Powers, a barmaid with ambitions for better. Worldly-wise, she begins to ascend the social ladder by using her finest "features" to bed and abandon a slew of men on her way to the top. In 1933, the film was submitted to the New York State Board of Censors for consideration. It was quickly rejected and soon banned across the United States for its explicit sexual innuendo. A heavily censored rendition of the film was eventually released, but the original version was believed to be lost forever. In 2004, a copy of the original, un-edited film was unearthed in the Library of Congress. After 70 years, the uncensored "Baby Face" finally received its public premiere at Film Forum in New York City on January 24th, 2005. Heritage is proud to offer this near mint original "Baby Face" one sheet. This rarity is one of five copies that we know of in existence and the condition of this copy is second to none. With only the slightest color touchup to the crossfolds, this unused copy has colors that glow as if they were printed yesterday! Near Mint- on Linen.
Breakfast For Two (RKO, 1937). Lobby Card Set of 8 (11" X 14"). Barbara Stanwyck stars in this screwball comedy about a manipulating heiress and a carefree playboy. The same year that the versatile Stanwyck starred in this comedy, she received an Oscar nomination for her dramatic work in the movie "Stella Dallas." This set has gorgeous colors and the most minor corner wear. The portrait card has a little bit of water staining in the lower right corner. There is slight moisture warping on a few of the cards as well. Very Fine-.
Internes Can't Take Money (Paramount, 1937). Mini Window Card (8" X 14"). Lew Ayres made the role of Dr. James Kildare famous in a series of ten films in the late '30s and early '40s. However, Joel McCrea portrayed the young intern in the first screen appearance of the character in this crime drama that co-stars Barbara Stanwyck and Lloyd Nolan. This midget window card has rounded corners, a corner chip, and an edge tear in the title with archival tape on the back. There is a theater stamp in the imprint area, along with a piece of cellophane tape. This desirable card features wonderful images of the three stars. From the Collection of Denver Sherry. Fine/Very Fine.
Flesh and Fantasy (Universal, 1943). Mini Window Card (8" X 14"). This was an unusual film for Hollywood in that it was an anthology, a trio of short films all dealing with the occult. The cast was amazing since, with three stories to tell, the director was able to cast more names in the film, including Charles Boyer, Edward G. Robinson and Barbara Stanwyck. This card is in outstanding, unused condition. From the Collection of Denver Sherry. Near Mint+.
Lady From Nowhere (Columbia, 1933). One Sheet (27" X 41"). Mary Astor is a slightly ditzy manicurist who goes on the run after she witnesses a gangland shooting. Posing as a high society heiress, she gets help finding the real killer from journalist Charles Quigley. This one sheet has pinholes, a small corner chip, creases, light fold wear, and has been mounted on linen. Gorgeous artwork of the two stars makes this a highly desirable piece. Fine+ on Linen.
The Party's Over (Columbia, 1934). Mini Window Card (8" X 14"). When mild mannered Bruce Blakely (Stuart Erwin) finally gets fed up with his free-loading relatives, his domineering boss, and his lazy family, he grows a spine and takes control of his life. Co-starring Ann Sothern as Bruce's girlfriend Ruth, this pleasant little picture was based on a popular play by Daniel Kusel. The card presented here is almost immaculate, with only the slightest corner crease in the lower left to keep it out of the lofty realm of absolute perfection. From the Collection of Denver Sherry. Near Mint/Mint.
Of Human Bondage (RKO, 1934). Lobby Card (11" X 14"). This classic film was derived from W. Somerset Maugham's 1915 novel of the same name. A breakout role for Bette Davis, it earned her an Academy Award nomination. Original release posters from this film are very rare. This gorgeous portrait card had minor pinholes, some soiling and a repaired chip in the upper right corner. It has been cleaned and detailed with professional restoration. This is one of the best cards from the set! Fine/Very Fine.
Marked Woman (Warner Brothers, 1937). Pre-War Belgian (24" X 30"). This Warner Brothers' crime drama was supposedly inspired by the life of Lucky Luciano. Bette Davis stars as a "hostess" at a clip-joint, and Humphrey Bogart, in a change of pace, plays the assistant DA, out to stop the guy running the racket. Bogart met his future wife, actress Mayo Methot, while working on his film, and their resulting stormy marriage, known in LA as "The Battling Bogart's," is what Hollywood legends are made of. Pre-War Belgian posters on any title are extremely hard to come by, as all available paper in that country was constantly recycled during the War. Professional linenbacking on this vibrant and glorious poster addresses the minimal fold separations and tiny chips in the crosspoint fold. There is a slight censor stamp bleedthrough in Davis' forehead which was not completely removed in the restoration process. Very Fine- on Linen.
Dark Victory (Warner Brothers, 1939). Insert (14" X 36"). There are tear-jerkers and then there is Bette Davis in "Dark Victory." Davis, riding a successful career in a series of women's picture like "Dangerous" and "Jezebel," suddenly found herself cast as a snobbish socialite who soon learns humility. By the picture's end you come to love her and are so shocked to find that she will soon go blind and die from a brain tumor, that the tears begin to flow. This went on to become one of Davis' greatest films and she was nominated for an Oscar. If "Gone With the Wind" hadn't come out in 1939, we're sure Davis would have won for "Dark Victory". Warner's knew they had a major hit as well and advertised the film with an Oscar on the poster- acknowledging Davis' winning achievement from 1938's "Jezebel". This extremely rare insert has many fine crimps throughout and all four corners were chipped off at one time with all but one being replaced with small bits of paper. There are many small tears in the edges and there is a two-inch tear in the upper center that goes into the first "t" in Bette. Tape on the back of the poster reinforces these tears. Most of these flaws are relatively minor and don't distract from the posters overall beauty. Rolled, Very Good+.
Dark Victory (Warner Brothers, Post-War Late 1940s). German A1 (23" X 33"). Bette Davis' Oscar-winning performance as a young socialite, devastated to discover that she has a brain tumor, is still among her most celebrated roles. The poster has light wrinkling in the lower left border, minor surface wear and light fold wear. Very Fine+.
Dark Victory (Warner Brothers, 1939). Spanish One Sheet (27.5" X 39"). Bette Davis gives one of her finest performances in this drama about a socialite who discovers she has only a short time left to live. Humphrey Bogart, George Brent, Geraldine Fitzgerald, and Ronald Reagan round out the cast. This lovely Spanish one sheet has a great image of Davis and Brent locked in an embrace. The poster has minor edge tears and some edge chips missing in the bottom border, and pinholes. A lovely image from this classic film. Fine/Very Fine.
Our Dancing Daughters (MGM, 1928). Pre-War Australian Daybill (15" X 39.5"). A Jazz Age spectacle, complete with Joan Crawford doing the Charleston in the role that made her a star. Released in 1928 with synchronized sound, this movie was a love letter to the lifestyle of the Roaring Twenties, a lifestyle that would come to a screeching halt just months later with the Stock Market Crash and the advent of the Great Depression. Nevertheless, this film preserves the electricity and excitement of that bygone era for all posterity. This attractive daybill features art by John Held Jr., whose caricatures of swells and flappers helped to define the decade. Writing at the top has been bleached, although it is still evident to a certain degree, and the area shows some scuffing. There are also two large holes at the top that go into the blue border. A corner chip at the bottom left is evident, as is surface loss at the left border and a tiny hole at the bottom right. Regardless, this is a wonderful poster featuring a great star and one that any collector of silent paper will be glad to own. Fine/Very Fine on Linen.
Our Dancing Daughters (MGM, 1928). Title Lobby Card (11" X 14"). Joan Crawford stars in the role that made her famous, a Jazz Age flapper who tries to appear wilder than she really is. Joan pines for sweetheart Johnny Mack Brown after he marries "bad girl" Anita Page. Wouldn't it be convenient if Page were to have a fatal fall down a staircase? This title card has edge chips and pinholes that have been repaired, and light corner bends. The wonderful image of Crawford has beautiful hand-tinted color. Fine+.
Our Dancing Daughters (MGM, 1928). Lobby Card (11" X 14"). Joan Crawford toiled in Hollywood obscurity for three years before she made her mark with this silent film (that included music and sound effects). Her Charleston was the sensation of the film, and a star was born. Pinholes, corner and edge chips, scuffs, and a hole above the title have all been repaired. There is a light corner crease on the lower left. Fabulous images of Crawford with beautiful hand-tinted color. Fine.
Our Modern Maidens (MGM, 1929). Swedish One Sheet (27.5" X 39.5"). This was MGM's follow up to "Our Dancing Daughters." This would be Joan Crawford's last silent film, starring with her real-life husband at the time, Douglas Fairbanks, Jr. The poster has terrific art by top Swedish artist Rohman and captures the era completely. Only minor fold wear, and expertly restored small edge tears. This is one of the most beautiful Swedish one sheets we have seen from this period. Very Fine+ on Linen.
Dancing Lady (MGM, 1933). Mini Window Card (8" X 14"). Joan Crawford, Clark Gable and Franchot Tone star in this tale of the back stage scheming involved in opening a Broadway musical, and the love triangle that forms between the three stars. And what a supporting cast! -- Robert Benchley, Nelson Eddy, Eve Arden, the Three Stooges, Fred Astaire in his screen debut, and even the robots that would show up later in "The Phantom Empire!" This midget window card has one pinhole in the upper border, and a few tiny smudges. Gorgeous color on the nice shot of Crawford and Gable. From the Collection of Denver Sherry. Near Mint.
Montana Moon (MGM, 1930). Swedish One Sheet (27.5" X 39.5").
Wealthy Joan Prescott (Joan Crawford) gets more than she bargained for as she travels back to Montana following a brief vacation in New York. She meets, falls in love with, and marries Larry (Johnny Mack Brown), the obligatory handsome cowboy, but the real sparks start flying when she flirts with Jeff (Ricardo Cortez) on her wedding night, resulting in a fight between the two men. She angrily boards a train for New York, but is kidnapped by bandits before she gets there. Directed by Malcolm St. Clair, this musical Western was a big-budget production for studio MGM. Offered here is a gorgeous Swedish one sheet, with light edge wear as its only flaw. This is a must for fans of the incomparable Ms. Crawford. Rolled, Near Mint.
Wealthy Joan Prescott (Joan Crawford) gets more than she bargained for as she travels back to Montana following a brief vacation in New York. She meets, falls in love with, and marries Larry (Johnny Mack Brown), the obligatory handsome cowboy, but the real sparks start flying when she flirts with Jeff (Ricardo Cortez) on her wedding night, resulting in a fight between the two men. She angrily boards a train for New York, but is kidnapped by bandits before she gets there. Directed by Malcolm St. Clair, this musical Western was a big-budget production for studio MGM. Offered here is a gorgeous Swedish one sheet, with light edge wear as its only flaw. This is a must for fans of the incomparable Ms. Crawford. Rolled, Near Mint.
Golden Age (1938-1955)
I Live My Life (MGM, 1935). Lobby Card Set of 8 (11" X 14"). Joan Crawford stars in this bright comedy as an heiress who poses as a secretary while on vacation to catch the eye of handsome archaeologist Brian Aherne, who falls in love with her, of course. He tracks her down to NYC, but she's already betrothed to a New York hotshot in a marriage of convenience to help out her father. This nifty complete lobby card set features Crawford on every single card. The title card had a large tear, just right of center. There were pinholes, minor chips out of the edges, minor stain repairs on all the cards. The set has been professionally cleaned, pressed and restored. The set would grade higher if not for the torn title card, and all present beautifully as a result of the restoration. Very Good/Fine.
Movie Posters
The Women (MGM, R-1947). Lobby Card Set of 8 (11" X 14"). Clark Gable supposedly had George Cukor replaced as the director of "Gone With the Wind" because Cukor was widely known in the industry as "a Woman's Director." But all nine great actresses in this classic comedy would have taken a cut in pay to work with Cukor as they knew they would be well served... and they were. In her memoirs, Rosalind Russell gives total credit to Cukor as the first to totally bring out her comedic talents. This 1947 re-issue lobby set features different shots than the original set, and great shots they are! The title card has minor edge wear with tiny border tears, pinholes, and mild corner creases. Fresh color. Very Fine-.
Blossoms in the Dust (MGM, 1941). Mini Window Card (8" X 14"). Greer Garson portrays real life heroine Edna Gladney who, along with her husband Sam (Walter Pidgeon), set up the Children's Home and Aid Society in Fort Worth, Texas. This midget window card has rounded corners with bits of masking tape on back, corner creases, and a theater stamp in the imprint area. A beautiful shot of the two stars in the first of their nine films together. From the Collection of Denver Sherry. Very Fine.
Mrs. Miniver (MGM, 1942). Insert (14" X 36"). By allowing the American public to see what the British were going through, this film "did more for the war effort than a flotilla of destroyers," according to Winston Churchill. This was the first film to be nominated for five acting Academy Awards, and Greer Garson and Teresa Wright both won Oscars. This insert had minor corner and edge chips, and slight fold wear with separations, but these issues have been addressed, as this poster has been mounted on linen with restoration. Posters from this Academy Award winner are scarce as can be. Fine+ on Linen.
I Cover the Waterfront (United Artists, 1933). One Sheet (27" X 41"). A truly atmospheric film with a very artistically successful one sheet to match. Ernest Torrance, a smuggler of Asian immigrants, glowers down menacingly at the cynical hard-drinking reporter, Ben Lyon, bound to expose him, who has just fallen in love with his daughter, the luminous young Claudette Colbert. Rendered in subtle pastel shades, this H.C. Miner lithograph is what the Golden Age of Film Posters is all about. The poster displays only minor foldwear with small pinpoint separations and a small chip in the top crossfold, and a minor extra horizontal fold in the top foldline. Only minimal restoration was needed. Very Fine on Linen.
Zaza (Paramount, 1939). One Sheet (27" X 41") Style A. Claudette Colbert is French night club singer Zaza, who falls in love with married aristocrat Herbert Marshall. When she finally finds out the truth, Zaza sings farewell to him from the stage of her club. This one sheet has pinholes, minor tears with chips, and light fold wear with separations. The beautiful poster has been mounted on linen and professionally restored and now appearing near mint. Fine on Linen.
Midnight (Paramount, 1939). One Sheet (27" X 41") Style A. The 1930s was a great decade for Hollywood; the days when a yarn about a down-on-her-luck chorus girl pretending to be a Baroness could still pack a theatre. Here's a brilliant screwball comedy with a wonderful Hollywood "back story" and terrific dialogue by Billy Wilder that not only holds up to this day, but simply sparkles. Paramount, however, thought the original script needed "rewrites." So one office told another to send it out to their best script doctor. They sent it to Wilder without consulting the first department, and Wilder, realizing what had happened, simply retyped the script and sent it back in! The "rewrite" was quickly accepted and filmed! This glorious poster has been professionally restored on linen to address tape used on the backside of the foldlines and crossfold wear. There were pinholes in the corners and mild edge wear with small tears. The result is a piece that displays beautifully! Fine+ on Linen.
Love Affair (RKO, 1939). Mini Window Card (8" X 11.5"). Before Cary Grant and Deborah Kerr had an affair to remember, before Tom Hanks was sleepless in Seattle over Meg Ryan, and long before Annette Bening fell for Warren Beatty, Irene Dunne and Charles Boyer had a date to meet at the top of the Empire State Building in this two-hankie romance that was nominated for multiple Oscars, including Best Picture. This midget window card has been trimmed by two and a half inches on the top edge, and there is residue from a snipe and rounded corners. A beautiful shot of Dunne and Boyer highlight this attractive card. From the Collection of Denver Sherry. Fine-.
Magnificent Obsession (Universal, 1935). Pre-War Belgian (24.5" X 33.25"). Irene Dunne gazes longingly into the eyes of handsome Robert Taylor on this superb pre-war Belgian poster for the soapy melodrama about love, loss, and accidental blindness. Little seen in the wake of the Rock Hudson/Jane Wyman remake, many critics consider this to be the superior film. There is a tax stamp and very light censor stamp, light fold wear, pinholes at the corners, and a minor edge tear in the bottom center. The pre-war Belgians are very hard to find. Fine/Very Fine.
Invitation to Happiness (Paramount, 1939). One Sheet (27" X 41") Style A. Irene Dunne stars with Fred MacMurray in this tear-jerker directed by Wesley Ruggles. Dunne plays an impulsive society girl who marries an up-and-coming prize fighter. The Paramount art department delivered yet another outstanding piece of portraiture for this picture. Minor edge wear at the top, a light scuff through the faces, crossfold separations and small tears on the fold lines. Fine+.
Waterloo Bridge (MGM, 1940). One Sheet (27" X 41"). A remake of the 1931 James Whale version, this later production was considerably toned down in order to pass muster with the censors. Considered the personal favorite film of stars Vivien Leigh and Robert Taylor, this version dramatically downplayed the prostitution angle that had been central to the earlier production, and also softened the rather harsh ending of Whale's version. The result was a different, but no less affecting, film. The poster offered here, with wonderful images of Taylor and Leigh, has undergone restoration and linenbacking to correct such defects as pieces missing from the right border, missing corner and some amount of paper loss in the center of the image and tears. The result is a very attractive and appealing piece that displays nicely, and will be a fine addition to any collection. Very Good- on Linen.
The Roman Spring of Mrs. Stone (Warner Brothers, 1962). French Grande (47" X 63"). Vivien Leigh's penultimate film, based on the novel by Tennessee Williams, casts her as an aging actress who stays in Rome after the death of her husband, and takes up with a handsome young Italian lad, played by a boyish Warren Beatty. Beatty's accent is perhaps not the most convincing in screen history, but Leigh's performance is powerful, while Oscar-nominated Lotte Lenya and foxy Jill St. John lend able support. This lush French Grande features terrific artwork (by the great Jean Mascii) of Leigh and Beatty in an amorous embrace, framed by vibrant shades of orange and green. There is a small amount of paper loss at the center fold, fold wear and crossfold separations, and a small tear in the bottom border. A luminous poster for this wonderful film. Very Fine.
Lady in the Dark (Paramount, 1944). One Sheet (27" X 41"). Based on the play by Moss Hart, this entertaining film tells the story of a successful businesswoman (Ginger Rogers) who undergoes psychoanalysis to find out why she is dissatisfied with her life. Her self-examinations are presented in the form of musical numbers, several of which boast music by Kurt Weil and Ira Gershwin. The poster offered here shows several small tears as well as light fold wear with slight cross fold separation and pinholes in the corners. There is general wear to this poster but after professional restoration, however, this beautiful piece has been returned to much of its original glory. Fine/Very Fine on Linen.
Stage Door (RKO, 1937). Mini Window Card (8" X 14"). Rich girl Katharine Hepburn tries to make it on Broadway on her own in this adaptation of the Ferber-Kaufman play. Living in a theatrical boarding house, Hepburn gets involved in the lives of the other residents, including Ginger Rogers, Gail Patrick, Lucille Ball, Eve Arden and Ann Miller. This midget window card has corner creases with a tear that has cloth and plastic tape on the back, a theater snipe that has writing in marker, and a few small stains. Beautiful artwork of the three stars. From the Collection of Denver Sherry. Fine+.
Bringing Up Baby (RKO, 1938). Title Lobby Card (11" X 14"). "Bringing Up Baby" enjoys frequently revived popularity today due to its breakneck pace, superb comic timing, humorous swipes at sex roles, and partnering of Katharine Hepburn and Cary Grant. But when the film was initially released in 1938, it met harsh criticism and indifferent audiences. As time went on, however, the movie gained more and more attention and is now revered as an almost surreally sophisticated classic widely noted for being decades ahead of its time. This gorgeous title card had a two and a half inch tear from the upper left border into Hepburn's hair. There is a broken upper right corner within the border as well as a crimped lower portion of the bottom border which has been repaired. These issue have been expertly addressed and the card now appears near mint. Fine+.
Bringing Up Baby (RKO, 1938). Lobby Card (11" X 14"). Adapted by Dudley Nichols and Hagar Wilde from a story by Hagar Wilde, "Bringing Up Baby" was an infamous box office catastrophe, causing director Howard Hawks to be fired from his next RKO film, "Gunga Din" also starring Cary Grant, and forcing Katharine Hepburn to buy out her contract. This card, considered one of the best of the set, as it shows the couple strolling "Baby," had a tiny chip in the lower right corner and a stain in the right border. These issues were expertly addressed in restoration and the card now appears near mint. Very Fine-.
Bringing Up Baby (RKO, 1938). Lobby Card (11" X 14"). This is one of the best cards from this set, a great close-up showing "Baby" the leopard with Katharine Hepburn and Cary Grant. It is also one of the rarest, seldom offered for sale. There was a 1.5 inch tear on the top left corner, pinholes in the corners, bends in the bottom left and right corners, and an edge chip on the right border. All has been beautifully restored, giving the card an excellent appearance. Don't miss this unique opportunity to own this fabulous card from one of the best screwball comedies ever made! Fine/Very Fine.
Bringing Up Baby (RKO, 1938). Lobby Card (11" X 14"). This great card from Howard Hawks' screwball classic, has the local sheriff (Walter Catlett) interrogating the two hapless heroes (Katharine Hepburn and Cary Grant). There was a small chip from the right border which just barely extended into the image. There were small pinholes and minor wear. With the expert restoration, the card now appears near mint. Fine+.
Bringing Up Baby (RKO, 1938). Lobby Card (11" X 14"). Following the success of "Sylvia Scarlett" (1936), RKO once again paired Katharine Hepburn and Cary Grant in this frantic-paced screwball comedy directed by Howard Hawks. This card has just a very minor stain in the right border as well as a tiny bit of blue ink in the left border. It has a slight amount of corner wear. Very Fine-.
Bringing Up Baby (RKO, 1938). Lobby Card (11" X 14"). This fabulous card from one of the greatest screwball comedies of all time, shows the final scene from the film just before Katharine Hepburn knocks over the dinosaur skeleton Cary Grant has taken so long to put together. The card had a chip out of the bottom left corner and a tear in the top right corner. This has been expertly restored, giving it a near mint appearance. Fine/Very Fine.
Bringing Up Baby (RKO, 1938). Lobby Cards (2) (11" X 14"). Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. Offered in this lot are two lobby cards from the classic film. The card with Charlie Ruggles being apprehended has minor corner wear. The card with the two stars has a small bit of staining in the right border. Fine/Very Fine.
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Mary of Scotland (RKO, 1936). One Sheet (27" X 41"). John Ford's epic tale of Scottish monarchy doesn't always stick exactly to the facts, but provides a fine forum for Katharine Hepburn to deliver a textured and, dare we say, regal performance. This exceptional stone litho poster features a great portrait of Queen Katharine, but gives almost equal time to co-star Fredric March as the Earl of Bothwell. There are pinholes in the corners and fold wear has lead to separations and minor paper loss. There were two small scuffs in March's forehead. During the restoration process, paint was applied to the borders but the image remains strong. Fine+ on Linen.
Keeper of the Flame (MGM, 1942). Insert (14" X 36"). A journalist (Spencer Tracy) is researching the life of a national hero who met his end when his car ran off of a bridge. While investigating, he interviews the man's widow (Katharine Hepburn) who could have warned him about the bridge but chose not to. This stunning insert is in remarkable condition because it was never folded when sent to a theatre. There are only minor pinholes, slight border soiling, mild edge wear with corner bumps, and a faint stain in the lower border corner. The image of Hepburn and Tracy is timeless, presented here in deep, rich color. Rolled, Very Fine.
The African Queen (United Artists, 1952). Lobby Card (11" X 14"). John Huston led his cast and crew on an amazing adventure when he took them to Africa to film this incredible epic. This British-made production stars Humphrey Bogart and Katharine Hepburn as an unlikely duo traveling down river in Africa during WWI. The image on this original release lobby card is one of the best in the set. It has pinholes in the corners and borders along with very faint wrinkling and staining. There are also a few light spots of foxing along the edges and minor corner bumps Very Fine+.
The African Queen (United Artists, 1952). Insert (14" X 36"). John Huston cast Humphrey Bogart and Katharine Hepburn in this legendary film as the original odd couple on an adventure down an African river to destroy a German battleship in World War I. Great graphics that must have even made Hepburn smile to see herself drawn with a flowing mane of hair that would make Farrah Fawcett blush. Bogart won his only Oscar as the drunken and foul-mouthed river-boat captain, Charlie Allnut. There are small chips in the top border and corners. There are minor tears in the bottom border and the top left border. Extra horizontal folds, and a tear from the top border down into the image. Fine- on Paper.
The African Queen (United Artists, 1952). Turkish Poster (26.5" X 38"). This Turkish poster features the same artwork as the British one sheet for this legendary Bogart/Hepburn collaboration. Prior to professional restoration, this sheet had a tear from the lower left border into the title. There was a fold line in the top border. There were pinholes in the corners along with fold separations. Now, this gorgeous poster is ready to display with rich color and a beautiful appearance. Fine+ on Linen.
Roman Holiday (Paramount, 1953). Polish One Sheet (23" X 33"). Audrey Hepburn achieved international stardom with this delightful film, playing a princess who decides to have some fun on a trip to Rome. One rarely sees these early post-war Polish posters turn up for auction. This one features a great design by the artist Jerzy Flisar. This hard to find poster has edge wear on the upper left corner, foxing and dust shadows, and light fold wear. Very Fine-.
Charade (Universal, 1963). One Sheet (27" X 41"). Audrey Hepburn and Cary Grant star in this suspenseful tale of a girl who is being pursued by her husband's killers. Is Grant a good guy, or is he hiding something? Director Stanley Donen handled the material deftly, even though he was mainly known for musicals like "Singin' in the Rain" and "Funny Face." This Hitchcockian thriller is a favorite of Hepburn fans, and has become a classic of the romantic thriller genre. This extra-clean one sheet has great images of the stars, both in action and in portrait. Minor corner creasing and edge wear, some light stains in the lower center fold, one very small fold tear, and some wrinkling across Grant's face are the only condition issues for this gorgeous unrestored poster. Very Fine.
Charade (Universal, 1963). Half Sheet (22" X 28"). Cary Grant and Audrey Hepburn star in Stanley Donen's Hitchcock-esque "Charade," a sophisticated crime drama about a widowed heiress and a pile of missing money. This nifty half sheet features a terrific portrait of the stars, and only has a minor corner crease, minor fold wear, and some light stains in the border. Very Fine.
Charade (Universal, 1963). Lobby Card Set of 8 (11" X 14"). Romance and suspense in Paris, as a woman is pursued by several men who want the fortune that her murdered husband had stolen. Who can she trust? Cary Grant and Audrey Hepburn are the glamorous leads, with Walter Matthau, James Coburn, and George Kennedy lending able support. Director Stanley Donen handles the Hitchcockian twists with aplomb. This classy lobby card set features great images of Grant and Hepburn. The #1 card has a smudge in the right border and #7 has some light foxing in the bottom border, while all have pinholes in the field. The quality of this set is no charade, so cast your bid now! Very Fine+.
Sabrina (Paramount, 1954). Italian 4 - Folio (55" X 78"). Audrey Hepburn's gowns from the film won an Oscar for designer Edith Head. This great Billy Wilder comedy was blessed with a fabulous cast. This Italian 4 - folio has some fold wear with tanning on the fold lines. Delightful images of Hepburn, Humphrey Bogart and William Holden. Fine-.
Sabrina (Paramount, 1954). Spanish Poster (39.5" x 82.5"). Long before she was a teenage witch, Sabrina was the glamorous Audrey Hepburn, a role many consider to be the best of her career, in this beloved movie directed by Billy Wilder and based on a play by Samuel A. Taylor. A light romantic comedy, this is the story of two brothers from a wealthy family (Humphrey Bogart and William Holden) who fall in love with the beautiful daughter of their chauffeur. The part of workaholic Linus Larrabee was a far cry from Bogart's more accustomed tough guy roles (he was a last minute replacement for Cary Grant), but he pulls it off with panache and aplomb. This beautiful Spanish sheet, with art by famed poster artist Fernando Albericio, is somewhat brittle due to its thin paper stock, shows pinholes in the borders, an edge split, and crossfold separations at the centerpoints, as well as overall tanning and a top left corner bend. This colorful piece is superior to any of the American paper produced for this movie, and has wonderful portraits of the three screen legends. Fine.
My Fair Lady (Warner Brothers, 1964). Italian Photobustas (5) (26.5" X 37"). Among the actresses who campaigned or were considered for the role of Eliza Doolittle were Julie Andrews (who had the role on Broadway), Elizabeth Taylor, Shirley Jones and Connie Stevens. Cary Grant, Noel Coward, Michael Redgrave and George Sanders all came to Jack Warner's mind for Henry Higgins, but in the end, Audrey Hepburn and Rex Harrison (who won an Oscar for the film) starred in one of the most delightful musicals of all time. These Italian photobustas have light edge wear with a corner and edge chip, light fold wear, and light fading on the edge of one poster. There is an unobtrusive censor punch stamp on each poster, which feature delightful shots from the film of Hepburn and Harrison. Very Fine.
Funny Face (Paramount, 1957). French Grande (47" X 63"). In a storyline reminiscent of "My Fair Lady," fashion photographer Dick Avery (Fred Astaire) - a character based on famed real-life photographer Richard Avedon - transforms meek and mild bookstore clerk Jo Stockton (Audrey Hepburn) into Paris's hottest supermodel, falling in love with her in the process. Based on George and Ira Gershwin's hit 1927 Broadway musical, in which Astaire also starred, the film was a major success for Hepburn, who had risen to fame several years earlier with her Oscar-winning performance in "Roman Holiday." The lovely poster offered here features fabulous images of the exquisitely beautiful Hepburn, with only some fold wear and soiling at the fold lines, as well as tanning at the edges, keeping it from an even higher grade. Fine/Very Fine on Linen.
Paris When it Sizzles (Paramount, 1964). Japanese B2 (20" X 29"). Sauced screenwriter William Holden has mere days to deliver a screenplay that's already been paid for, so he hired typist Audrey Hepburn to assist him and, well, you know the rest. This delightful comedy showcases Holden and Hepburn at their best. There are pinholes, and two significant tape pulls at the bottom, probably from a placard that was taped to the poster. The poster has been folded, and there is very minor fold wear. A great image of lovely Audrey Hepburn in an unusual layout. Fine/Very Fine.
Love Happy (United Artists, 1949). Lobby Card (11" X 14"). The Marx Brothers are at it again, this time trying to help some Broadway hopefuls stage a show while trying to thwart the plans of thieves who have stolen the Romanoff diamonds. The real treasure of this rare card is the stunning image of a young Marilyn Monroe, making this extremely difficult to find in any condition. Very Fine/Near Mint.
Ladies of the Chorus (Columbia, 1948). One Sheet (27" X 41"). This extremely scarce Monroe one sheet marks her first major poster appearance in her only Columbia film, a B musical featuring our Marilyn warbling the unforgettable, "Every Baby Needs a Da Da Daddy." Only minimal foldwear mars this sumptuous poster, a classic image of a classic star. Very Fine+ on Linen.
All About Eve (20th Century Fox, 1950). Lobby Card Set of 8 (11" X 14"). A classic "insider" film about an ambitious actress (Anne Baxter) and how she insinuates herself into the life of her superstar idol (Bette Davis). The stellar cast also includes George Sanders, Celeste Holm, and a young Marilyn Monroe. The outstanding cast is spread out over the various cards of this complete lobby set, with Monroe appearing on the title card and one other. The entire set has enlarged pinholes, light corner blunting and some moisture wrinkling in the lower left corner, while some individual cards have some minor tears and creasing. Fine/Very Fine.
River of No Return (20th Century Fox, 1954). Lobby Card Set of 8 (11" X 14"). Otto Preminger's only Western stars Robert Mitchum as a farmer who is just out of prison and Marilyn Monroe as the dance hall girl who has looked after Mitchum's son, Tommy Rettig. Preminger insisted on the stars doing their own stunts, a decision that resulted in many rescues and close calls during the rafting sequences. This lobby set has edge wear with corner bumps, and a few smudges. The title card has foxing and scuffs. Wonderful shots of the four stars, with Marilyn featured on all eight cards. Very Fine-.
Bus Stop (20th Century Fox, 1956). Half Sheet (22" X 28"). Director Joshua Logan provided Marilyn Monroe with what some critics consider her best role -- Cherie, a nightclub singer who wins the eye of Montana rodeo champ Bo (Don Murray). Being a cowboy, he assumes he can hog-tie the young woman and carry her off to a roadside bus stop. This lot is one of the better pieces on the title, which features four great inset photos of Monroe along the bottom of the poster. There are minor pinholes, a crease in the lower left corner, slight edge wear with a couple of tiny tears, and faint smudges and stains in the border. Very Fine+ on Linen.
The Seven Year Itch (20th Century Fox, 1955). Insert (14" X 36"). Billy Wilder originally wanted a young Walter Matthau to play the part of Richard Sherman in this adaptation of the Broadway hit. Gary Cooper was also interested in the part, but in the end, it was Tom Ewell, the originator of the role on Broadway, who was cast. This rolled insert has edge wear with small tears and chips, wrinkling and corner creases, and staining. There is a small hole in the lower left corner, and pieces of masking tape on the back edges. The poster features one of the most iconic images in Hollywood history, with Marilyn Monroe's dress blowing up around her waist. Rolled, Fine+.
The Prince and the Showgirl (Warner Brothers, 1957). One Sheet (27" X 41"). At first glance the cinematic pairing of Laurence Olivier and Marilyn Monroe might seem odd, but they demonstrate remarkable chemistry in this lighthearted romance about a stiff European royal and a clumsy American showgirl. This starkly striking one sheet emphasizes Monroe's ample charms. The poster has had some color touch-ups in the field just to the left of Monroe, possibly to cover an abrasion or other color loss; otherwise, the sheet is very clean, with superb colors. Very Fine- on Linen.
The Prince and the Showgirl (Warner Brothers, 1957). Color Stills (2) (8" X 10"). In any discussion of the great beauties of the silver screen, the name Marilyn Monroe would certainly be near, if not at, the very top. From her classic "Playboy" calendar photo to her wonderful films, Marilyn was a brightly burning star whose flame was snuffed out far too early. In this film, Monroe plays a ditzy showgirl, in London during the 1911 coronation of King George V, who catches the eye of Charles, prince regent of Carpathia (Laurence Olivier). Offered here are two stills from the color still set, each one featuring a fabulous image of this great American beauty. The stills are absolutely flawless, appearing as if they just rolled off the printer. Marilyn fans would have to search far and wide to find color stills more glorious than these. Mint.
Some Like it Hot (United Artists, 1959). One Sheet (27" X 41"). Even with its troubled production history, this Billy Wilder film has consistently been voted best all-time comedy. Controversial in its day because of the cross-dressing theme, the film has grown to be a classic. This one sheet has minor edge wear and tears with light fold wear and folding on the top and bottom border. There are pinholes and small tears in the background. The poster has been mounted on linen and displays very well. This one sheet never goes out of style as it is an iconic poster from an American classic. Fine+ on Linen.
Some Like It Hot (United Artists, 1959). Six Sheet (81" X 81"). Billy Wilder's classic screwball comedy stars Tony Curtis and Jack Lemmon as two musicians who witness a mob hit and masquerade as women to avoid getting murdered themselves, with Marilyn Monroe providing white-hot sex appeal. The film won an Oscar for costume design, and was nominated for five others. This awe-inspiring six sheet has all three stars vamping it up, and is truly an eyeful. The poster has fold wear and several minor tape lifts. The poster has been mounted on linen which now enables one to display this tremendous image! Guaranteed to raise your pulse, this poster is hot. Fine on Linen.
Some Like It Hot (United Artists, 1959). Banner (24" X 82"). Voted the best comedy of all time by the American Film Institute, this terrific film stars Marilyn Monroe, Tony Curtis and Jack Lemmon in director Billy Wilder's Roaring 20s escapade. This lot offers one of the rarest posters on the title, an original rolled banner. There are small folds near the ends, edge wear with minor tears, and internal cracking of the paint in the silk-screen lettering. The color in the photo inset is excellent. Rolled, Fine.
Some Like it Hot (United Artists, 1959). Half Sheet (22" X 28") Style A. Director Billy Wilder's screwball comedy about two down-on-their-luck musicians on the run from the mob is a delight in every way. And of course, Marilyn Monroe warms up the screen like no one before or since with her rendition of "I Wanna Be Loved By You." Red stamps on the reverse have bled into the top left and bottom right corners. Wrinkling is present in the borders and slightly extend into the image. Rolled, Very Fine.
Some Like it Hot (United Artists, 1959). Japanese B2 (20" X 29"). Marilyn Monroe, Tony Curtis and Jack Lemmon star in Billy Wilder's great comedy "Some Like It Hot." This vibrant and rare Japanese poster features excellent shots of the three stars, with Monroe in a far sexier pose and attitude than seen on any American release paper. There is a soft tri-fold and small stains in the borders, staple holes around the borders, and light edge wear with tiny tears. There is a small 2" tear in the bottom center border. This is an outstanding image from a fabulous film comedy. Very Fine-.
The Barefoot Contessa (United Artists, 1954). British Quad (30" X 40"). This original release British poster for the Ava Gardner/Humphrey Bogart drama has a tear in the top border, but all of the paper is present. There are small edge tears with a light amount of foxing in the borders. There are slight fold separations and pinholes in the corners. This is a very pretty image and layout for this artwork so associated with this film. Fine.
I Can Get It for You Wholesale (20th Century Fox, 1951). Three Sheet (41" X 81"). Harriet Boyd (Susan Hayward) is a ruthless fashion model with dreams of becoming a top designer, known for stepping over anyone she sees as standing in her way. Her double dealing and reckless attitude eventually forces her to make a choice between her career and the man she loves. The book from which this movie was loosely adapted was also the basis for a hit Broadway show, most noted as providing the first big break for future superstar Barbra Streisand. This lovely three sheet, featuring a glorious full-length portrait of Hayward, shows the expected corner pinholes, as well as some fold wear with slight crossfold separation, edge wear and tearing at the borders, and a very small punch hole in the center, on Hayward's dress. These minor flaws do nothing to detract from the overwhelming eye appeal of this classic beauty. Fine/Very Fine.
Love on a Pillow (Columbia, 1963). Japanese B2 (20" X 29"). Brigitte Bardot was at the peak of her beauty and sex appeal in the early 1960s. Both are used to great effect in this story of a young woman who rescues a man from his own attempted suicide, then falls under his sociopathic control and begins to morph into a new personality herself. This tri-folded Japanese poster has one of the most beautiful, color-rich images of Bardot seen anywhere. There are tears and wrinkles across the top edge and a chip out of the lower left edge, all of which have received retouching. A spectacular poster. Fine/Very Fine on Linen.
Cat on a Hot Tin Roof (MGM, 1958). One Sheet (27" X 41"). Playwright Tennessee Williams turned against this adaptation of his Pulitzer Prize-winning play because all of the references to homosexuality were changed or omitted. However, audiences of the late '50s were not used to such open discussions of adultery and alcoholism as this film presented. A stellar cast, including Elizabeth Taylor, Paul Newman, Burl Ives and Jack Carson, brought a true adult sensibility to the screen. This one sheet has light edge wear, light fold wear with small cross fold separations, and a tape scuff. These flaws have been addressed with professional restoration. Very nice artwork, with one of the most beautiful images of Taylor from any of her posters. Very Fine on Linen.
Cleopatra (20th Century Fox, 1963). Deluxe Title Card and Deluxe Lobby Cards (7) (11" X 14"). Elizabeth Taylor, the Queen of Hollywood, was the perfect choice to portray Cleopatra, the Queen of Egypt. The film was the largest production in the history of Hollywood and it almost drove 20th Century Fox into bankruptcy. It was also the film where Taylor met her leading man and future husband, Richard Burton. The title lobby card and scene cards have snipes over the TODD-AO credit. There are pinholes and minor scuffs in the images and borders along with bumps at the corners. The title card has faint foxing in the bottom credits. Wonderful shots from the film celebrate the amazing scenery. Fine/Very Fine.
Golden Age (1938-1955)
Big City (MGM, 1937). Insert (14" X 36"). This programmer from MGM found Spencer Tracy as the head of a taxi business and Louise Rainer, his immigrant wife. Tracy's cab company is about to go to war with another cab company and the mob is favoring the other side. He gets a group of ex-prizefighters to join his gang and run the mob out of town. This great poster depicts some real legends of the fight world including, Jack Dempsey, Bull Montana, Jimmy McLarnin, Jim Thorpe, James J. Jeffries and Gus Sonnenberg. Incredible! The insert is really in wonderful condition and has been linen backed. It does have some light smudging and some small bits of paint along the border. Very Fine- on Linen.
Movie Posters
Skippy (Paramount, 1931). Window Card (14" X 22"). Director Norman Taurog needed his nephew, Jackie Cooper, to cry for a scene in this comedy/drama, so he used one of the more infamous directing techniques in Hollywood history. In front of Cooper, he ordered a stagehand to "just go shoot" Jackie's pet dog. The trick worked well enough to help win an Oscar for Taurog. This window card has repaired creases along the center and on the corners. It has been mounted on card stock. A delightful image of Cooper, along with the character from the Percy Crosby comic strip. Fine+ on Cardstock.
Sooky (Paramount, 1931). Jumbo Lobby Card Set of 8 (14" X 17"). The sequel to "Skippy," which starred Jackie Cooper in the title role, brought back Cooper and Robert Coogan as Skippy and Sooky, two friends from different sides of the track. When Sooky's mother dies, Skippy's father adopts the young waif. This jumbo lobby card set has light edge wear with light corner bends and an Australian censor stamp on each card. There is a smaller (5" X 17") title card included with the set that has a small corner crease, edge tanning, and the same censor stamp. Wonderful scenes from the film and several portrait cards. Very Fine+.
Wild and Woolly (20th Century Fox, 1937). Lobby Card Set of 8 (11" X 14"). Young Jane Withers stars as a girl who helps redeem her Grandpa (Walter Brennan) after an altercation with a pompous politician. This lighthearted programmer is notable mainly for the presence of "Our Gang"'s own Carl "Alfalfa" Switzer as Jane's pal Zero, who appears on three of the eight cards. This luminous lobby set is about as good as a feller could ask for, featuring bold, vibrant colors and razor-sharp images. There is some dust shadowing on the title card, and about half the cards have a very slight corner bump in the top right, but otherwise this stellar set is nearly without match. Near Mint-.
Shirley Temple Signed Still (Fox, Circa 1934). Stills (3) (8" X 10"). Shirley Temple is without a doubt the most famous child star of the screen. For those seeing her films for the first time even today, her ability in front of the camera is uncanny. Sound Mixer Shelby Chapman did four films with Shirley beginning in 1934 with "Bright Eyes." Offered in this lot is an inscribed still from Shirley to Shelby Chapman who was often nicknamed "Stan." The still is inscribed, "To Stan with love from Shirley." Included with the still are two other photos from Chapman's possession. One is from "Bright Eyes," and the other is an Otto Dyar photo stamped on the back. Chapman apparently held a lot of affection for a young Shirley as he and his wife never had children of their own. In his possessions, found after the death of his wife, was a book written by Temple as a young adult. The book contained photos of Chapman and Shirley together on the set of her films, glued into the book in various places. The photos have very minor edge wear and one has two holes punched in the left border. Very Fine.
Little Miss Marker (Paramount, 1934). Insert (14" X 36"). Not quite six years old, Shirley Temple was loaned to Paramount for one film, and the result was her instant superstardom. Adolphe Menjou co-stars as Sorrowful Jones, the downtrodden gambler suddenly faced with a curly-haired moppet left as a marker for a gambling debt. Temple says her prayers on this elegant insert, while Menjou watches over her. Condition issues include a scuff/smudge in the lower border, pinholes in the corners, a 1" tear on the right side just above the center fold, and fold wear. This is a rare opportunity to acquire paper from Temple's star-making film! Fine/Very Fine.
Bright Eyes (Fox, 1934). Pre-War Belgian (24" X 33"). Shirley Temple had one of her best roles as the daughter of a live-in maid who works for a rich, snobby family. When her mother dies in an accident, Shirley is caught in a custody battle. This is the film in which she sings her signature song, "On the Good Ship Lollipop." This pre-war Belgian poster has enlarged pinholes, borders folded over on the top and left borders and light bleed through from writing on the back. The poster has been mounted on linen and professionally restored. Wonderful images of Temple and co-star James Dunn. Fine/Very Fine on Linen.
Our Little Girl (Fox, 1935). Leader Press One Sheet (27" X 41").
She was the biggest money-maker for Fox Studios for four years in a row and made the studio millions, bringing it back from the brink of bankruptcy. Shirley Temple was a big morale booster for Fox and for a country caught in the grips of a devastating depression. This striking poster is one of the famous Leader Press one sheets that were printed by a company in Oklahoma City. The poster has minimal crossfold wear and slight border and edge wear. This is a rare and striking image of the most famous child star. Very Fine.
She was the biggest money-maker for Fox Studios for four years in a row and made the studio millions, bringing it back from the brink of bankruptcy. Shirley Temple was a big morale booster for Fox and for a country caught in the grips of a devastating depression. This striking poster is one of the famous Leader Press one sheets that were printed by a company in Oklahoma City. The poster has minimal crossfold wear and slight border and edge wear. This is a rare and striking image of the most famous child star. Very Fine.
Curly Top (Fox, 1935). Pre-War Belgian (24" X 33"). Shirley Temple waits in a foster home for her older sister Rochelle Hudson or someone nice to adopt her. When orphanage trustee John Boles meets the sisters, he falls for Hudson and arranges for them to move into a fancy mansion. This pre-war Belgian poster had pinholes and edge tears with minor chips. There were several small holes in the image area. The poster has been linen-backed and beautifully restored, giving it a very fresh appearance. The pre-war Belgian posters are exceedingly rare. Very Good/Fine on Linen.
Curly Top (Fox, 1935). One Sheet (27" X 41") Style A. One of Shirley Temple's cutest roles has her playing yet another singing orphan. This time her big song is "Animal Crackers in My Soup." This one sheet has had the much of the trimmed border replaced, though the copyright information in the bottom border is still intact. There is light fold wear with tears, and an extra vertical fold. There is work around the studio logo on the bottom right of the image. The poster has been mounted on linen with restoration. This is a lovely poster for one of Hollywood's brightest stars. Very Good- on Linen.
The Littlest Rebel (20th Century Fox, 1935). Insert (14" X 36"). Adorable Shirley Temple stars as a Civil War tot, the daughter of a rebel officer who sneaks back to his run-down plantation to see his family and is arrested. When daddy is set to be executed, Shirley begs Abe Lincoln for clemency. This outstanding poster features a classic image of Temple framed against the flags of both sides. There is a 1" tear at the bottom center, writing in the pen in the lower right corner, a small tear in the top right border, a minor color scuff in the neck of the left side officer, and light-to-moderate fold wear. The poster has sharp colors and presents beautifully, a splendid keepsake from one of Temple's most unusual films. Fine/Very Fine.
Captain January (20th Century Fox, 1936). Insert (14" X 36"). That lovable moppet Shirley Temple appears almost life-sized on this eye-popping (and atypically designed) insert from the charming film. Temple is a little orphan girl staying with her pal Captain January (Guy Kibbee), but a nasty truant officer (Sara Haden) wants to take her away. Temple shares a song-and-dance number with future hillbilly Buddy Ebsen. This cute-as-the-dickens poster is in lovely condition, with only some light fold and edge wear. Get on your rain slicker and add this Temple classic to your collection! Very Fine.
Dimples (20th Century Fox, 1936). Window Card (14" X 22"). Shirley Temple is an accomplice in crime for her sweet-natured grandfather (Frank Morgan) -- while she performs and distracts the crowd, he goes among them, picking their pockets. Shirley is headed down the road to perdition until a rich woman (Helen Westley) comes along to save her from a life of moral turpitude. This window card has a few pinholes, creases along the middle and in the corners, and a theater stamp in the imprint area. The poster has been mounted on card stock and some touch up has been done. Several delightful shots of Temple. Fine+ on Card Stock.
Stowaway (20th Century Fox, 1936). Insert (14" X 36"). "She speaks and sings Chinese!" Yes, she does. The Queen of Ringlets plays Ching-Ching, a young girl who gets lost in Shanghai and is befriended by an American playboy played by Robert Young. This adorable poster has a large image of Temple, and some interesting Chinese graphics (presumably that's Shirley's name spelled out in Chinese). The poster has fold wear, a 4" tear in the top right fold, a large smudge in the Chinese characters, and pinholes at the corners. Temple fans won't want to miss this splendid poster from one of her most entertaining features. Fine+.
Stowaway (20th Century Fox, 1936). Title Lobby Card (11" X 14"). Was Shirley Temple the greatest child star of all time? Well... consider: Shirley, with her talent and personality at only 7 years old, would speak Mandarin like a native, carry an entire 87-minute feature film, act more grown up than any of the adults around her, do dead-on impressions of Eddie Cantor, Al Jolson, and Fred Astaire... and still find time to knock back two fine musical numbers! This beautiful title card features Temple in oriental garb looking at Alice Faye and Robert Young, the two lovers she keeps together during the film. Only mild corner bumps, a small chip in the lower left corner, a faint stain in the lower left field, edge wear with mild soiling, and mild corner bumps with slight creases. Great color. Fine+.
Stowaway (20th Century Fox, 1936). Lobby Card (11" X 14"). A terrific lobby card with three fine actresses. This lot contains a wonderful card with Shirley Temple and Alice Faye staring down the ever imperious Helen Westley. Westley had few peers on stage or film when it came to outright unpleasantness. And it took a Shirley Temple to thaw out an icy cold heart that scarcely beat within. There are pinholes, edge wear with soiling and dust shadows, and a small chip in the lower left corner. The color is excellent. Fine+.
Stowaway (20th Century Fox, 1936). Lobby Cards (2) (11" X 14"). This lot contains two great cards from one of Shirley Temple's classics, "Stowaway." One card has Robert Taylor and Arthur Treacher, and the other is a terrific cast shot. There are pinholes, mild border wear with small tears, slight border soiling, and minor corner bumps with small creases. Very good color. Fine+.
Stowaway (20th Century Fox, 1936). Lobby Cards (2) (11" X 14"). Two great cards from this Shirley Temple comedy in which the 7-year-old continues to amaze with her sheer talent. One card, depicts the scene of Shirley speaking more than passable Mandarin. The other, is a beautiful portrait card, with Shirley in the brig with a despondent Robert Young. There are pinholes, edge wear with small tears, border soiling, a small scuff in the jail bars, and mild corner bumps. Excellent color. Fine/Very Fine.
Stowaway (20th Century Fox, 1936). Lobby Cards (2) (11" X 14"). This lot contains one of the most sought after Shirley Temple portrait cards from one of her best films. That's fine actor Philip Ahn in the scene card with one of his best remembered lines, spoken to Temple:" May your shadow lengthen always in the sun of happiness." The other card has Alice Faye rescuing Temple and her little Pekinese, Mr. Woo, from the ship staff. Temple was given the dog after the film wrapped, and re-named it Ching-Ching, her character's name in the film. There are pinholes, mild edge wear with small dings and creases, and small surface scuffs on the portrait card. Beautiful color. Fine+.
Wee Willie Winkie (20th Century Fox, 1937). One Sheet (27" X 41") Style A. Rudyard Kipling's tale of a boy's adventures in India becomes that of a little girl played by Shirley Temple in John Ford's exciting film. Shirley takes over the hearts and minds of the British troops at her grandfather's base, as well as assisting in stopping the rebel uprising. This one sheet has pinholes, edge wear with several corner and edge chips, and minor bleed through from writing on the back. The poster has been mounted on linen and professionally restored. Gorgeous stone litho artwork of Temple and co-star Victor McLaglen. Very Good/Fine on Linen.
Wee Willie Winkie (20th Century Fox, 1937). Insert (14" X 36"). The legendary John Ford directs Shirley Temple in this lavish adaptation of the Rudyard Kipling novel. Shirley travels to India to a British military outpost, where she is promptly captured by rebels. Temple has often claimed this was her favorite of all her films. This excellent insert features a pretty portrait of Shirley, along with exciting scenes from the untamed frontier of India! There is dust shadowing in the right and left borders, some staining at the left edge of the center fold, plus light edge and fold wear. A great poster from this epic adventure. Very Fine.
Heidi (20th Century Fox, 1937). One Sheet (27" X 41") Style B. This was Shirley Temple's 37th film appearance, and her skills were well-honed; she created one of her very best and most loved films. This scarce Style B one sheet features a dramatic but sweet stone litho style portrait of Shirley, and a wonderful, full Alpine-costumed, Jean Hersholt. Simply beautiful fresh color. Only soft folds, and minor pinholes. Brilliant color. Very Fine+ on Linen.
Rebecca of Sunnybrook Farm (20th Century Fox, 1938). Insert (14" X 36"). This bright-eyed Shirley Temple vehicle bears little resemblance to the classic novel by Kate Douglas Wiggin, but is a crowd-pleaser all the same. A frantic radio producer needs the perfect Little Miss America for an advertiser's national program, and finds her literally next door. Randolph Scott, Jack Haley, and Gloria Stuart lend their able support. The bottom fold has become detached and backed with archival tape. There is a tear in the top right corner repaired with brown packing tape, there is tape in the lower right corner, and a tape stain bottom center. A charming poster with great images of the stars. Very Good+.
Little Miss Broadway (20th Century Fox, 1938). One Sheet (27" X 41") Style B. Shirley Temple, at age ten, was on the cusp of being over the hill, so Fox filled this backstage musical with a number of crowd-pleasing acts. Orphan Shirley finds herself at a hotel for entertainers that is managed by her uncle, Edward Ellis. When mean old Edna May Oliver tries to shut the place down, George Murphy has to come in and save the day. This one sheet has pinholes and fold wear with minor separations. The poster has been mounted on linen and features wonderful artwork of all the stars. Fine/Very Fine on Linen.
Just Around the Corner (20th Century Fox, 1938). Insert (14" X 36"). Shirley Temple comes home from boarding school to find her architect papa suddenly unemployed and living in the basement. Despite this, there are still song and dance numbers aplenty, including another team-up with the great Bill "Bojangles" Robinson. The poster has pinholes in the border and the field, average fold wear, light creasing, a 1" tear in the lower left corner, and some smudging in the borders. Fine/Very Fine.
Just Around the Corner (20th Century Fox, 1938). Six Sheet (81" X 81"). Shirley Temple pairs up with the great Bill "Bojangles" Robinson once again for heartwarming song and dance numbers in this uplifting musical comedy. This large format poster has fold wear with separations and a bit of paper loss. There are pinholes in the borders and corners, wear and tear along the edges and a few tape stains. Fine-.
Lolita (MGM, 1962). Three Sheet (41" X 81"). The benchmark film for underage obsession, "Lolita" was directed by Stanley Kubrick and stars James Mason as a morally-challenged French teacher and Sue Lyon as the object of his affections. This massive three sheet features the classic image for the film (with Lolita wearing the heart-shaped sunglasses that never actually appear in the movie), and is in superb condition, with fold wear, a small amount of paper loss along the fold lines, and minor crossfold separations being the only problems; these have been rendered virtually invisible with professional restoration. Get obsessed with this awesome poster! Very Fine+ on Linen.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. (Columbia, 1964). One Sheet (27" X 41"). One of the most indelible images in all of cinema history is Maj. 'King' Kong (Slim Pickens) riding an atomic bomb at the end of this wonderful Cold War satire. Pickens was chosen for the role after both John Wayne and Dan Blocker turned it down. Afterwards, he said, "The roles, the dressing rooms and the checks all started getting bigger." This one sheet has pinholes, small edge tears, and fold wear with separations. There is a bit of soiling and color transfer on the fold lines, and light bleed through from an NSS stamp on the back. Very Fine.
The Killing (United Artists, 1956). Lobby Card Set of 8 (11" X 14"). Stanley Kubrick's third film is a hard-hitting heist movie with Sterling Hayden in the lead and Elisha Cook Jr. contributing an unforgettable supporting turn. Eight great images from this intense film are represented in this outstanding lobby card set, including a very sexy Colleen Gray in lingerie and a terrific title card. All cards have a very small bend in the lower left corner; one card has a small border smudge, and two have censor stamps. The set appears near mint, but must be graded down due to the stamps. Still, a classic Kubrick. Very Fine.
Lawrence of Arabia (Columbia, 1962). Italian 4-Folio (55" X 78"). David Lean's magnificent biographical tale of T. E. Lawrence won seven Oscars, including Best Director and Best Picture, and made stars of Peter O'Toole and Omar Sharif. This beautiful masterpiece (accompanied by a superb score from Maurice Jarre) is thought by many to be director David Lean's best (even topping "The Bridge on the River Kwai" (1957)), with its Super Panavision 70 mm scope, magnificent color cinematography and poetic imagery of the desert captured within a spectacular epic story of a larger-than-life, idealistic adventurer. This beautiful Italian release four-folio has art by the famous Italian poster artist Angelo Cesselon. The film was not released in Italy until after the Academy Awards, hence the reason for the mention of them on the poster. It is in excellent condition and mounted on linen. Fine/Very Fine on Linen.
Lawrence of Arabia (Columbia, 1962). French Petite (23.5" X 31.5"). David Lean created one of the greatest and most influential films ever made with his epic telling of the Arab revolt in the desert and the man who led them, T.E. Lawrence, better known as Lawrence of Arabia. This French petite poster features artwork based on the campaign created by Howard Terpning. The posters with artwork from this campaign are the ones that collectors consider the most desirable. The only thing keeping this poster from grading higher than near mint is a slight bit of foxing along the left edge. Near Mint.
Lawrence of Arabia (Columbia, 1962). German A1 (23.5" X 33"). Forty-five years after its initial release, many consider this epic film to be the best of not only director David Lean's greatest work, but of its outstandingly brilliant cast of Peter O'Toole, Alec Guinness, Omar Sharif and Anthony Quinn. This beautiful, original release German poster is linen mounted with minor fold wear and pinholes within the corners which have been expertly restored, and there are a couple of very minor crease lines within the linen on the upper right side. The flaws are relatively minor, and do nothing to decrease to incredible visual appeal of this rich and colorful poster. Very Fine on Linen.
Lawrence of Arabia (Columbia, 1962). Lobby Card Set of 8 (11" X 14"). Director David Lean was a master storyteller, especially adept with the great historical epics, as seen in his two masterpieces, "Lawrence of Arabia" and "Bridge on the River Kwai." Screenwriter Robert Bolt used T. E. Lawrence's own self-published memoir "The Seven Pillars of Wisdom" as his principal source to help Lean bring to life the drama that reshaped the political history of Saudi Arabia. The fantastic cast included Peter O'Toole, Alec Guinness, Anthony Quinn, Omar Sharif, José Ferrer, and Claude Rains, among others. The title card for this set shows the most wear with foxing in the borders, and the title card and three scene cards have pinholes in the corners. All eight cards have minimal edge and corner wear and a bit of smudging in the margins, but the images are very clean on this very desirable set. Very Fine-.
Ryan's Daughter (MGM, 1970). One Sheet (27" X 41") and Deluxe Photo Set w/Original Box (11" X 14"). Directed by David Lean, and shot by the great Freddie Francis, "Ryan's Daughter" is an epic drama that provided Robert Mitchum with one of his best roles. This lot includes a beautiful Road Show release one sheet (overall surface wear and a crease in the lower right corner) and a Deluxe Photo/Lobby Set, which features ten folios with nine beautiful photographs from the film, all in a lovely presentation box. We have never seen this fabulous Road Show boxed set before and are impressed with its beauty! Rolled, Near Mint-.
Chinatown (Paramount, 1974). Insert (14" X 36"). Roman Polanski (who has a memorable cameo as the guy who gives Jake a nose job) directs a sexy film noir starring Jack Nicholson as world-weary P.I. Jake Gittes, who is hired by a femme fatale (Faye Dunaway) to investigate her husband, leading to a convoluted web of intrigue involving murder, incest and municipal corruption. "Chinatown" was nominated for seven Academy Awards, but Robert Towne's cunning script was the only winner. This sultry insert captures all the mystery of the film with beautiful artwork and a striking design. Condition issues include a bend in the top right corner, some light stains in the bottom left corner, light surface creasing in the black area, and some minor edge tears. "Forget it, Jake. It's Chinatown." Rolled, Very Fine.
Repulsion (Dear Film, 1965). Japanese STB (20" X 58"). Catherine Deneuve fans will not want to pass up this outstanding Japanese STB for Roman Polanski's clammy thriller -- it features a stunning image of the actress on the lower panel. Japanese posters always have memorable imagery, and this one is no exception, highlighting the sexual subtext of the film's story. The condition on this piece is exceptional, with a slight ding in the upper right section of the upper panel and a very soft rolling crease being the only problems. Relive this creepy classic by bidding on this superb poster. Rolled, Very Fine.
The Tenant (Paramount, 1976). Polish One Sheet (23" X 32"). Roman Polanski directs himself and Isabelle Adjani in this thriller of obsession and paranoia. Polanski moves into an apartment that was formerly rented by a woman who committed suicide. Now he feels a subtle pressure from everyone he meets to do the same thing. This rolled Polish poster has only very light wrinkling. Dramatic artwork by Polish artist Socha. Rolled, Near Mint/Mint.
Citizen Kane (RKO, 1941). Lobby Card (11" X 14"). When Orson Welles co-wrote, directed, produced and starred in this, his very first feature film, he could little have known that it would become one of the most important, revered, influential and beloved American movies of all time. Loosely based on the life of newspaper tycoon William Randolph Hearst, the movie initially failed at the box office, due, some say, to the influence of Hearst himself who refused to allow advertising for it - or any RKO picture - in any of his newspapers. He even went so far as offering to buy the negative from the studio with the intention of destroying it, a desire that was thwarted by the fact that Welles had already previewed the films to influential people in the film industry, many of whom had raved over it. Despite all Heart's efforts, the film has become a modern classic, eventually eclipsing even Hearst's fame in the present day. This wonderful lobby card displays pinholes in the top corners, some light edge wear, a corner bend in the bottom left, and some light smudging and surface dirt overall. These are minor flaws, however, none of which reduce the desirability of this beautiful piece. Very Fine.
Citizen Kane (RKO, 1941). Program (Multiple Pages). One of the most important and influential movies ever made, this was the first feature film released by auteur Orson Welles, who co-wrote, directed, produced and starred in this landmark picture. Frequently cited as the finest American film ever made, this movie tells the story of Charles Foster Kane, a wealthy movie magnate based loosely on the life of William Randolph Hearst. This was the beginning of an illustrious career in film for Welles, and an enduring classic in the annals of cinema, especially as it also marks the screen debuts of such illustrious actors as Agnes Moorehead, Joseph Cotton, Everett Sloane and Ruth Warwick, all of whom had worked with Welles previously in the Mercury Theater. Offered here is the Souvenir Program Booklet, produced for the original release of the movie, which includes a profile of Welles, highlights from the film, cast credits, and more. In exceptional condition, it shows some very light edge wear on the cover, as well as a light corner ding in the upper right which affects the cover and the first few interior pages. There is also a small scuff mark on the cover at the right center. Other than those small flaws, the booklet is extremely clean and attractive, and will make a fine addition to any vintage movie collection. Very Fine+.
Othello (Royal Films, 1952). Belgian (14" X 22"). Filmed on a non-existent budget over several years, Orson Welles' adaptation of Shakespeare's play is a triumph of creative movie-making. Welles so wanted to make this film that he began production before he had finished raising funds, and simply shot until his money ran out. After securing additional cash, he'd reassemble his cast and crew, and start the process all over again. The result is an absolute triumph that showcases the director's passion for film and his commitment to the art form. Welles used creativity and ingenuity where others would have just spent more money, to great effect, giving the final film a spare, tight feel, making it one of the most successful adaptations of the Bard's plays. This lovely rolled Belgian poster, featuring a compelling portrait of Welles as Shakespeare's troubled Moor, displays some very light foxing on the bottom border, a small corner crease in the top right imprint area, and a very small stain at the top, just to the right of center. These flaws are exceedingly minor and do nothing to detract from the overwhelming eye appeal of this exquisite treasure. Rolled, Very Fine+.
Journey into Fear (RKO, 1942). Title Lobby Card (11" X 14"). Hot off his success in "Citizen Kane," Welles wrote, produced and appeared in this fine film (he had planned to direct as well, but prior commitments made it necessary for him to turn over the reins to Norman Foster), a story of international intrigue adapted from the novel by Eric Ambler. Utilizing virtually the entire Mercury Theater company, this is a complex tale involving a US gunnery engineer on the run from Nazi assassins during the height of the Second World War. This title card displays a scratch in the bottom left, a small scratch with a bit of paper loss in the left center, corner bends in the top left and right and bottom left, and a slight stain in the bottom center border. Even considering these minor flaws, this is a beautiful card that presents very nicely. Fine/Very Fine.
The Third Man (Selznick, 1949). One Sheet (27" X 41"). This moody, atmospheric British thriller from director Carol Reed stars Orson Welles at his shadowy best as the infamous Harry Lime. Joseph Cotton co-stars as his American friend, Holly Martins. Set, and shot on location, in a devastated and ruined post-war Vienna, the slanted, dark cinematography helps to make this British classic essential viewing for any film buff. And one can't forget its unique musical score, played entirely on the zither. This original U.S. release poster (which has Alida Valli as its prime focus) has fold wear with crossfold separations, pinholes in the corners inside the field, and a tear over Trevor Howard's name. Fine/Very Fine.
Touch of Evil (Universal International, 1958). French Grande (47" X 63"). Although filmmaker Orson Welles had made a name for himself with classics like "Citizen Kane" and "The Lady from Shanghai," the director usually found himself at odds with studios reluctant to give him financing for his pictures. With "Touch of Evil," Universal stepped up and allowed the director to create one of his lasting masterpieces in the form of a dark and controversial film noir. This French Grande presents artwork by Boris Grinsson and is completely different from any other format on the film. There are a few tiny tears along the edges but otherwise, this poster is in incredible condition. Very Fine+.
Out of the Past (RKO, 1947). Insert (14" X 36"). Director Jacques Tourneur crafted one of the greatest film noirs ever made and helped define the genre with this moody tale of a private detective forced through extortion into locating the "runaway" girlfriend of a egotistical gambler. Just one problem... what do you do when you fall for the gambler's girlfriend? Robert Mitchum, with his sleepy eyes and cynical style became the embodiment of the screen detective and Jane Greer, as the girlfriend, became the ultimate two-timing femme fatale. Posters on this iconic title have always been scarce and this insert is a prize for any collection. While technically rolled, the poster has several slight crease lines. There are a few tiny tears in the edges and the corners are all showing some wear. Fine/Very Fine.
Where Danger Lives (RKO, 1950). Banner (24" X 82"). This is a large paper banner for a top 50s film noir starring Robert Mitchum and Faith Domergue. What we like about this very rare top-grade paper banner, is the 20" x 21.5" photo inset of the two stars, actually affixed to the paper background, that is totally different from any other poster image. Preserved by having been rolled up and protected from the elements, the inset is in terrific condition and the colors bright and very fresh for a 50s poster. There are only tiny tears in the left border, and mild corner creases. Rolled, Very Fine+.
Where Danger Lives (RKO, 1950). Australian Daybill (12.5" X 30"). Faith Domergue, a Howard Hughes protégé, is best remembered for her energetic 50s sci-fi performances in "This Island Earth" and "The Atomic Man." Here she co-stars in a John Farrow film noir, as Margo Lannington, an abused wife of a sadistic millionaire (Claude Rains). At the hospital, after a suicide attempt, she meets and falls in love with intern Jeff Cameron (Mitchum). When Mr. Lannington mysteriously dies, Jeff gets entangled in Margo's deceptions, and the two flee to Mexico where he discovers her true nature. This original Australian daybill offers a terrific image of a young Mitchum grasping the vivacious Domergue who's brandishing a gat while clad in a seductively revealing red dress. Only soft fold lines and a slight registration slip on the lettering. Vivid color. Very Fine.
D.O.A. (United Artists, 1950). One Sheet (27" X 41"). Told in flashback, "D.O.A." is one of the definitive film noirs of the era. Edmond O'Brien stars as vacationing accountant Frank Bigelow, who ingests a deadly poison (iridium) and has only a few hours to live. Frantically, Bigelow retraces his movements for the last 24 hours, trying to locate his murderer. Of the two styles of one sheet made for this film, this one is the most evocatively noir-ish. This poster has pinholes, fold wear, a chip in the right border, a tear from over the top of the "A" running to the right edge and a tear in the left border. An excellent restoration leaves all this virtually undetectable. Fine/Very Fine on Linen.
Gaslight (MGM, 1944). Insert (14" X 36"). George Cukor, known mainly for directing "women's" pictures, directed Ingrid Bergman in this tale of a woman whose husband is trying to drive her insane. Charles Boyer was the picture of evil and Bergman, as the confused and terrified wife, won an Oscar for her role. This insert was folded at one time, but has since been professionally cleaned with some very minor repair and touchup. Very Fine.
The Killers (Universal, 1946). Half Sheet (22" X 28"). Considered one of the most definitive examples of the film noir genre, this was also Burt Lancaster's first film, and the role that made him a star. Adapted from the short story by Ernest Hemingway, this is a tale of crime and treachery, told largely in flashback as insurance investigator Jim Reardon (Edmund O'Brien) investigates the murder of The Swede (Lancaster), an aging boxer, and connects that crime to a long-forgotten robbery. Director Robert Siodmak was nominated for an Academy Award for this picture. The half sheet offered here has creasing at the bottom border, a bend in the lower right, and light soiling on the borders. There are tears on the borders, and a long tear in the lower left, from the border to the "K" in "Killers." Nonetheless, this poster presents striking images of both Lancaster and co-star Ava Gardner. Fine-.
The Killers (Universal, 1946). One Sheet (27" X 41"). What a way to make your big screen debut! Burt Lancaster was given the lead role as Swede Andersen in this adaptation of Ernest Hemingway's short story about a boxer who gets mixed up with the mob. Ava Gardner set the standard for film noir femme fatales and director Robert Siodmak directed the picture with all the shadow and grit that his training in the German cinema could deliver. This film is a real classic by any definition of the word. The poster has pinholes in the upper corners and many tears along the edges with some slight "ruffling," and there are some small cross-fold tears and slight separation at the center-points. A "Killer" poster for any film noir fan. Fine.
Time Out for Murder (20th Century Fox, 1938). One Sheet (27" X 41"). Things get really sticky in this witty comedy/mystery when a not-so-bright reporter (Gloria Stuart) and her photographer (Michael Whalen) "investigate" a murder mystery. Great Fox one sheet professionally linen-backed to repair and stabilize minor pinholes, fold separations in the crossfolds, and a small chip in the vertical top fold. Great color. Fine/Very Fine on Linen.
Detour (PRC, 1945). Half Sheet (22" X 28"). Director Edgar Ulmer shot this film noir masterpiece in just six days! Tom Neal is a hitch-hiking pianist who catches a ride with a man who dies in a freak accident. Neal, afraid he will be accused of his murder, hides the body and assumes the man's identity. A woman (played by the aptly named actress Ann Savage) discovers his deception and Neal is blackmailed into her seedy schemes. The film's dark exploration of the fluid nature of identity would be taken up in high-art films like Michelangelo Antonioni's "The Passenger," but the film's high style is hard to duplicate. Posters for this title are rare and have always been in demand by film noir connoisseurs. This poster had creasing and a bottom corner bend on the right side, and a vertical slice on the left side. There were a couple of chips on the bottom border and one chip in the left border. The top left corner was repaired. All of this has been skillfully restored and the poster paper-backed. Fine+ on Paper.
The Dark Corner (20th Century Fox, 1946). Six Sheet (81" X 81"). A stunning example of the film noir genre, this picture, with top-billed star Lucille Ball in a rare dramatic role, concerns a secretary (Ball) on a quest to clear her ex-con-turned-private-dick boss of false murder charges. A moody and atmospheric thriller, the movie also featured Clifton Webb and William Bendix. This evocative six sheet shows some tears in the image and at the folds, some fold wear with separation and creases in the field and cracks in the image area. These issues have been expertly addressed with professional restoration, resulting in a spectacular poster that displays very nicely. Fine/Very Fine on Linen.
Ministry of Fear (Paramount, 1944). Six Sheet (81" X 81"). In Fritz Lang's take on Graham Greene's novel, Ray Milland plays a bewildered man just released from an asylum. However, reality proves to be more surreal and perplexing than the asylum itself. He travels to London and hires a small-time detective to help him decipher the mysterious things that seem to constantly befall him. Full of seances, back rooms, secret bookstores, and deserted hotels, the film is an atmospheric vision of the war, and a wonderful and under-rated film noir. This scarce and lovely poster has the typical crossfold wear as is so common with folded six sheets. The colors on this poster are outstanding and the dark graphics spectacular. Fine/Very Fine.
The Red House (United Artists, 1946). Lobby Card Set of 8 (11" X 14"). Edward G. Robinson tries to scare adopted daughter Allene Roberts and her friend Lon McCallister away from the red house in the woods. It seems Robinson has secrets he wants kept hidden, and he's prepared to go to great lengths to keep them that way. This lobby card set has light edge wear with wrinkling and corner bumps. One card has a small edge tear. Nice shots of all the stars. Very Fine+.
Somewhere in the Night (20th Century Fox, 1946). Insert (14" X 36"). "Somewhere in the Night" is the quintessential film noir "amnesia victim as protagonist" film, with John Hodiak returning from World War II to Los Angeles. He tries to ferret out his identity, stumbling into an old murder case and a missing $2 million. Nancy Guild, Lloyd Nolan, and Richard Conte co-star. The same spectacular artwork employed on the one sheet is seen on this rare format. This originally rolled insert has only edge wear in the lower left border, a 2" tear in the right border, soiling in the lower right corner, and a punch in the lower center field. Rolled, Very Fine.
Gilda (Columbia, 1946). One Sheet (27" X 41") Style A. This smoldering film noir tale of passion and betrayal stars Rita Hayworth and Glenn Ford as two former "friends" brought together through ties to a South American casino owner. Hayworth steams up the screen with an unforgettable performance of "Put the Blame on Mame" and Ford is as tough as nails. There is a sizeable tear in the upper left corner of the poster along with a few other smaller tears in the image and border. Chips are present in Hayworth's shoulder on the full-body image and along the borders. Separations have formed at the fold lines with minimal paper loss. However, thanks to a professional restoration, this poster is very presentable. Very Good- on Linen.
Gilda (Columbia, 1946). Title Lobby Card (11" X 14"). Look up the word "femme fatale" in the dictionary. If there's not a picture of Rita Hayworth as Gilda Farrell, there should be. Hayward practically set the screen on fire with her smoldering sensuality in this classic noir drama, as she pits her overbearing husband and her dissolute lover against one another in this lush and lavish production. Hayward was never lovelier than in this steamy production, perfectly complimented by the rugged solidity of handsome Glenn Ford. The title lobby card offered here shows light wear overall, as well as a NSS embossed stamp at the bottom border, some very light staining at the top border and along the left border, and a light smudge in the center. None of these very minor flaws detract from the overwhelming eye appeal of this exquisite beauty. Very Fine-.
The Loves of Carmen (Columbia, 1948). Japanese B2 (20" X 29"). Adding to her repertoire of legendary seductresses, Rita Hayworth stars as the fiery Gypsy dancer who tempts soldier Glenn Ford with her charms and then abandons him, with fatal consequences. This is a beautiful Japanese design for this film. The poster has minor tears and chips within the edges of the poster. It has never been folded. Very Fine- on Linen.
You Were Never Lovelier (Columbia, 1942). French Petite (23.5" X 31.5"). Truer words were never spoken than the title of this classic film when referring to lovely star Rita Hayworth. This sumptuous film, the second and last of the Fred Astaire/Rita Hayworth vehicles, sees Astaire as a broke American dancer and Hayworth as the daughter of a wealthy Argentinean nightclub owner. Could these two be any more perfect for each other? It's rumored that one of the extras in this film was a 15-year-old Fidel Castro. This gorgeous portrait of Hayworth, created by noted artist Boris Grinsson, recognized as one of France's leading poster artists, is stunning in virtually every way. The poster displays some light fold wear, and some small spotting at the bottom, as well as a little smudging in the lower border and a small dust shadow in the top right border. Its most noticeable flaw is a large crease in the bottom left corner, but this is still an extremely attractive poster of one of Hollywood's most beautiful starlets. Very Fine-.
The Glass Key (Paramount, 1942). One Sheet (27" X 41") Style A. Very frequent co-stars Alan Ladd, Veronica Lake and William Bendix appear together in this violent noir from Dashiell Hammett's novel of corrupt politicians and psychotic gangsters. A hard-boiled classic with wonderful dialogue. This one sheet had minor paper loss in the folds and pinholes along the borders. A number of creases had developed in the field but all of these flaws were professionally repaired during restoration. Due to its scarcity this poster has never been offered by Heritage before! Very Good/Fine on Linen.
Veronica Lake (Paramount, 1944). French Petite (23.5" X 31.5"). Veronica Lake allowed her blonde hair to obscure one eye while being photographed, and became known as "the girl with the peek-a-boo bangs." Lake quickly ascended to leading roles at Paramount, becoming one of the studio's most popular actresses during the 1940s. This French petite has restoration which corrected the light fold wear, small chips in the crosspoint foldlines, and a slight horizontal creasing in the lower field. This gorgeous poster displays Lake in all her "peek-a-boo" beauty with artwork by French poster great Roger Soubie. Fine/Very Fine on Linen.
This Gun for Hire (Paramount, 1942). One Sheet (27" X 41"). This is seminal film noir, as a hit-man named Raven (Alan Ladd) is bent on revenge against a man who paid him in hot cash for a job he did. Along the way, he meets Ellen (Veronica Lake) who forms an uneasy alliance with him. Ladd, as the cruel protagonist, received fourth billing on the film, but was the true star of the picture. For Lake, this was the second film she made sporting her "peek-a-boo" hairstyle which soon became her trademark. "This Gun for Hire" was also the first pairing of Ladd and Lake, a duo that would become icons of the film noir genre. The one sheet for this film is considered one of the most important, best graphically designed, posters of the entire hobby. There are pinholes, fold wear in the lower horizontal fold line, a tape stain in the lower right border, and chips with paper loss in the top border that extends slightly into the lettering in "Robert." The defects did not affect the artwork and have been addressed with professional restoration. These beautiful one sheets rarely turn up anymore, so don't let this one get away. Fine on Linen.
This Gun for Hire (Paramount, 1942). Half Sheet (22" X 28") Style A. When this film was released in 1942, Paramount found themselves with a huge hit on their hands in what would be the unofficial start of the film noir genre. They teamed Veronica Lake and Alan Ladd in six more films and, to this day, they are known as the king and queen of noir. This is the very scarce Style A half sheet, featuring all four of the main stars of one of the best ensemble casts you're going to find. Originally folded, the poster has been professionally paper-backed and restoration has addressed minor pinholes, small crossfold separations, chips in the lower right and left borders, and a chip in the upper left corner. The great color and excellent registration display this poster beautifully. Very Fine- on Paper.
Saigon (Paramount, 1948). One Sheet (27" X 41"). The on-screen chemistry of Alan Ladd and Veronica Lake came to an end after this moody and atmospheric film noir set in the jungle heat of Saigon. It was the team's last pairing; in this tale, Lake falls for Ladd who doesn't want to reciprocate her yearnings. The poster shows tack holes in the corners, and paper tape on the reverse to repair a fold split on the lower horizontal fold and some tack holes in Alan Ladd's credit at the top. Very Good/Fine.
The Great Gatsby (Paramount, 1949). One Sheet (27" X 41"). Bootlegging, jazz and flappers are the backdrop for F. Scott Fitzgerald's classic novel of a self-made millionaire who invades Long Island society. Alan Ladd, in one of his most memorable roles, embodies the tragic character of Jay Gatsby drawn here in dramatic "larger than life" artwork with four beautiful women staring up at him. Only the slightest flaws are evident, including small border tears in the lower left border, tiny foldline separation in the middle left border, and minimal edge wear. Beautiful, soft colors. Very Fine/Near Mint.
The Verdict (Warner Brothers, 1946). Mini Window Card (8" X 14"). The last pairing of Sydney Greenstreet and Peter Lorre was this revenge-fueled film noir classic. Scotland Yard chief Greenstreet is forced to resign when a man he convicted is found innocent -- AFTER the execution. Replaced by preening George Coulouris, Greenstreet gets the help of Lorre to make the new boss look bad. This midget window card has corner bumps and a corner crease. A wonderfully noirish shot of the three leads. From the Collection of Denver Sherry. Very Fine/Near Mint.
The Killer That Stalked New York (Columbia, 1950). Lobby Card Set of 8 (11" X 14"). Evelyn Keyes is the killer of the title, but she doesn't know it. When she and her husband Charles Korvin sneak into the country with stolen jewels to fence, they also bring along something else -- Smallpox! This lobby card set has edge wear with small tears, dust shadows, and edge tanning, and feature wonderfully dramatic shots from the film, with all the stars featured. Very Fine-.
Cornered (RKO, 1946). Insert (14" X 36"). Edward Dmytryk directs this post-World War II film noir tale of Canadian pilot Laurence Gerard (Dick Powell), who returns to France in order to track down the man who ordered the killing of his wife and a group of Resistance fighters. Walter Slezak co-stars. There are staple holes in the top center, a dust shadow in the top border, a small chip missing from the upper left corner, and a bend in the right upper corner. Very Fine-.
The Brasher Doubloon (20th Century Fox, 1946). Lobby Card Set of 8 (11" X 14"). Called "the single most important coin in American numismatics," and actually sold by Heritage in 2005 for $2.99 million, the legendary Brasher Doubloon, a Colonial-era gold coin, was minted by Ephraim Brasher, a neighbor and friend of George Washington. The theft of this precious coin is the focus of this classic mystery film, adapted from Raymond Chandler's novel, "The High Window," and featuring detective Philip Marlowe (George Montgomery). This lobby card set features a beautiful title card, which has single pinholes in the left and right borders, as well as several pinholes near Nancy Guild's eye. There's some light edge wear, a pinhole at the center, some very minor staining in the border, and a bend at the lower right corner. Card #8 shows evidence of some minor scuffs and scratches. For any fan of Chandler or Marlowe, or any numismatist looking to branch out into other collectible areas, this is a wonderful set. Fine/Very Fine.
Murder, My Sweet (RKO, 1944). Australian Daybill (13" X 30"). Dick Powell pulls off one of the biggest changes in career in Hollywood history by going from "Voh-doh-dee-oh-doh" song and dance man to hard-boiled detective Philip Marlowe in this adaptation of Raymond Chandler's "Farewell, My Lovely." The title was changed from the original so that Powell's fans wouldn't think it was another light musical. This Australian daybill, with its striking stone litho artwork of Powell and his two co-stars, has a few pinholes, minor moisture staining, and extra horizontal folds with wrinkling. Fine.
Lady in the Lake (MGM, 1947). Half Sheet (22" X 28") Style A. Detective Philip Marlowe's point of view became the audience's point of view in this first directorial effort by well-established Robert Montgomery. He used creative gimmicks to get his face on camera, such as his reflection in a mirror, but otherwise his eyes took the place of the camera. The technique was hyped by MGM, and the film is more highly thought of today than when it was released. This half sheet has been folded, but with light wear. There are small bottom border chips, minor corner bumps, and slight dust shadows in the borders. A small, faint smudge is located in the upper right field. The color on this paper is superb, and the images are pure film noir. Very Fine+.
The Big Sleep (Warner Brothers, 1946). Half Sheet (22" X 28"). One of the most compelling detective stories ever told on film, "The Big Sleep" combines the talents of Raymond Chandler, William Faulkner, Howard Hawks, and Bogart and Bacall. This original release half sheet was re-used for a 1954 re-release which is why the NSS date has been altered in the bottom right corner. There is smudging in the borders and field along with a few red paint splatters in the top right corner. A large crease is present in the left border along with a small tear. Overall the condition on this desirable piece is very nice. Rolled, Fine+.
The Big Sleep (Warner Brothers, 1946). Insert (14" X 36"). One of the true classics of the film noir genre, this movie features the unbeatable pairing of Bogart and Bacall, whose onscreen chemistry absolutely sets the screen to sizzling. A story of deception, betrayal and murder, this exciting film, based on the book by Raymond Chandler, is one of Bogart's best. The dramatic insert offered here has had some unobtrusive touchup work done in the white area to the left of the title, and there are horizontal fold lines in evidence. Also, there is a fairly large diagonal fold line in the lower right corner, but the restoration and paperbacking has made these flaws all but unnoticeable except under close examination. A beautiful piece for any Bogart collector. Very Fine+ on Paper.
Bold Venture Radio Series (WIBX Radio, 1951). Counter Standee (15" x 18"). Set in Havana Cuba, this radio series starring Humphrey Bogart and Lauren Bacall ran for 31 episodes in 1951 through 1952. Bogart played Slate Shannon and piloted his ship, the Bold Venture, around the Caribbean encountering mystery , adventure, intrigue and romance in the sultry settings of the islands. For collectors of both Humphrey Bogart and Lauren Bacall, this extremely rare counter-standee represents one of the only known "posters" available on this short-lived radio series. It shows light rubbing along its die-cut edges, but is in otherwise very fine condition. Very Fine-.
Dark Passage (Warner Brothers, 1947). Three Sheet (41" X 81"). This, the next-to-last on-screen pairing of real-life couple Humphrey Bogart and Lauren Bacall, is a taut film noir thriller about a man, wrongly accused of murdering his wife, on a quest to prove his innocence. Bogart was at the height of his career when he made this exciting picture; his next role would be Fred C. Dobbs in the legendary "The Treasure of the Sierra Madre." The luscious three sheet offered here features wonderful portrait images of Bogart and Bacall, in a format that many consider even nicer than the American one sheet. It displays minor fold wear and crossfold separation, all of which has been rendered virtually unnoticeable by professional restoration and linen backing. Very Fine+ on Linen.
Dark Passage (Warner Brothers, 1947). Belgian (14" X 23"). Humphrey Bogart and Lauren Bacall were cast together in this unusual film noir as the love interests their public had come to expect. Bogart stars as an escaped convict who hides out in Bacall's apartment until his face heals from plastic surgery. The film's first twenty minutes are told with the camera as the convict's point of view so we never see what Bogart looked like before the surgery. The poster has pinholes around the edges, color touch to two horizontal fold areas and chips off the corners. The poster has been restored making the poster very presentable. Fine- on Linen.
Dark Passage (Warner Brothers, 1947). French Petite (23.5" X 31.5"). This Humphrey Bogart film noir classic has one of the best uses of the 'subjective' method in an intriguing use of the style. The opening scenes are shot with a hand-held camera from the point of view of the escaped man, never showing us his face at first. This is a French petite poster with crisp images of the stars. There are small silverfish nibbles, minor fold separations and chips in the foldlines, and a bleedthrough ink writing on the back visible in Bogart's leg. Fine on Linen.
Key Largo (Warner Brothers, 1948). Half Sheet (22" X 28") Style B. This film was the final pairing of Humphrey Bogart and Lauren Bacall, who co-star with Edward G. Robinson, Claire Trevor and Lionel Barrymore in this classic film noir directed by John Huston. This poster has wear along the edges and wrinkling and smudging in the borders. There is wrinkling in the image as well as a bit of scuffing and bumps at the corners. The Style B image is highly sought after because of the layout featuring the powerhouse cast. Rolled, Fine+.
Key Largo (Warner Brothers, 1948). Half Sheet (22" X 28") Style A. This half sheet from John Huston's film noir thriller has minor wear along the edges as well as wrinkling in the image and margins. The wear along the folds is minimal but there is a 1" tear in the left border. Great images of Humphrey Bogart, Lauren Bacall and Edward G. Robinson make this a fantastic item from Bogie and Bacall's last film together. Fine.
Dead Reckoning (Columbia, 1947). Argentinean Poster (60" x 40"). When Sgt. Johnny Drake (William Prince) is killed under mysterious circumstances, his buddy Captain Rip Murdock (Humphrey Bogart) sets out to get some answers. Instead, he finds a web of murder and intrigue, with himself as the prime suspect. This exciting noir thriller, which also features Lizabeth Scott as the requisite femme fatale, is a favorite among Bogart fans. Offered here is a rare stone litho Argentinean poster featuring super images of Bogie and Scott. It shows a slight smudge on the right edge and some light edge wear, as well as some fold wear and crossfold separation and a small edge tear. Due to the paper stock on which the poster was printed, there has been some tanning overall, but this is still a very attractive, and very desirable, sheet. Very Fine-.
The Maltese Falcon (Warner Brothers, 1941). Lobby Card (11" X 14"). Humphrey Bogart and Mary Astor appear in this scene from John Huston's adaptation of Dashiell Hammett's riveting crime novel. Astor, as Brigid O'Shaughnessy, tries to convince private gumshoe Sam Spade that she didn't have anything to do with the murder of his partner. Lobby cards from this classic title are among the most sought after in the film noir genre. This copy has had the lower right corner replaced with restoration to the tail of the "n". The upper right corner has a one inch tear in the lower border going into the last "e" of "Maltese" which has been restored. There is a slight pinhole in Astor's neck, but, all in all, this is a great card from a great film. Very Good/Fine.
The Maltese Falcon (Warner Brothers, 1941). Mini Window Card (8" X 14"). The third time was definitely the charm when it came to filming Dashiell Hammett's exciting novel of intrigue and deceit in the hunt for a legendary treasure (the story had been filmed twice before, in 1931 and 1936). This time, tough guy Humphrey Bogart took the role of private dick Sam Spade, in a role that would make him a true Hollywood legend. Bogart was the very epitome of Hammett's gumshoe: a tough-as-nails, no-nonsense PI, who doesn't mind bending the law when it suits him, but who, nevertheless, has a heart of gold. The role of Spade was originally offered to George Raft, who turned it down, citing a clause in his contract that said he did not have to work on remakes. Also the film debut of classic character actor Sidney Greenstreet, "The Maltese Falcon" helped give birth to the entire genre that would come to be known as film noir. This exquisite midget window card, which bears the same artwork as the highly desirable one sheet, has had a tear repaired in the bottom border, and there is evidence of pencil writing erased from the top right edge. Other than that, this card is clean and beautiful, and will make a valued addition to any collection. From the Collection of Denver Sherry. Very Fine+.
In a Lonely Place (Columbia, 1950). Insert (14" X 36"). Towards the end of his life, Humphrey Bogart played several complex and villainous characters that were among the best roles of his career. One of them was Dixon Steele, the screenwriter who may or may not be a murderer. It's a mystery that new girlfriend Gloria Grahame needs to solve -- soon! This rolled insert has edge wear and tears with small chips and cellophane tape on the back, smudges, and wrinkling. Dynamic images of the two stars make this a must for any Bogart collector. Rolled, Fine+.
In a Lonely Place (Columbia, 1950). Danish (24" X 33"). Humphrey Bogart essays a darker-than-usual character in this silky film noir, playing a violent screenwriter who is accused of murder; Gloria Grahame is the next-door neighbor (a B-actress) who is in love with him. This highly unusual design features Bogie with ghost-like figures (rendered in green linework) floating behind him. A Bogart collection could hardly be called complete without this fabulous poster. There are pinholes at the corners, a censor stamp, light fold wear, and a scrape/tear under director Nicholas Ray's name. Fine/Very Fine.
The Two Mrs. Carrolls (Warner Brothers, 1947). Half Sheets (2) (22" X 28")
Styles A and B. This lot contains both the Style A and B half sheets for this classic murder thriller in which Humphrey Bogart plays a modern-day Bluebeard who marries and murders his wives. Both posters have a bit of wrinkling and smudging in the fields, and wear and tear along the edges. There are bumps at the corners and grease pencil writing and stamps on the reverse. Neither poster has ever been folded, making this a nice collection of original release Bogart paper. Rolled, Fine+.
Styles A and B. This lot contains both the Style A and B half sheets for this classic murder thriller in which Humphrey Bogart plays a modern-day Bluebeard who marries and murders his wives. Both posters have a bit of wrinkling and smudging in the fields, and wear and tear along the edges. There are bumps at the corners and grease pencil writing and stamps on the reverse. Neither poster has ever been folded, making this a nice collection of original release Bogart paper. Rolled, Fine+.
The Two Mrs. Carrolls (Warner Brothers, 1947). French Grande (47" X 63"). In a very dark role, Humphrey Bogart plays Gerry Carroll, a deranged painter who, while already married, meets, and falls in love with, Sally Morton (Barbara Stanwyck) while on holiday. Returning home, he paints his wife as the Angel of Death, and then poisons her in order to marry Sally. Not long after, Carroll finds himself attracted to another woman, and paints Sally as the Angel of Death, tempting history to repeat itself. Exquisite artwork by Pigeot highlights this very attractive poster, whose very slight fold wear has been addressed by professional restoration, resulting in a poster that looks even nicer than its grade. Very Fine+ on Linen.
The Two Mrs. Carrolls (Warner Brothers, 1947). Three Sheet (41" X 81"). Humphrey Bogart stars in this psychological thriller as an artist who slowly slips into insanity and becomes a serial killer. Barbara Stanwyck, as his wife, finds a portrait of herself as "The Angel of Death" and knows she is about to be her husband's next victim. This atmospheric film was made in 1945 but was kept off of the market for two years. The poster has several tackholes in it, primarily in the borders, but there are a few within the image as well. The poster also has a few fold separations as well. Fine+.
Knock on Any Door (Columbia, 1949). French Grande (47" X 63"). Humphrey Bogart stars as Andrew Morton, an attorney who made it out of the slums. His client, Nick Romano (John Derek), reminds him of himself as a young man, so he defends the young man vigorously. This poster, which features artwork far superior to the American release paper, has been professionally restored to correct some slight foldwear with chipping, and some pinholes in the borders and in the field. Wonderful Rene Peron portraits of Bogart and Derek combine with the vibrant colors to make this poster a standout. Very Fine on Linen.
Body and Soul (Fox, 1931). Jumbo Lobby Card Set of 8 (14" X 17"). This drama about love and intrigue in the dark days of World War I is notable as an early vehicle for Humphrey Bogart. Indeed, it was only his third film, and although he had made a name for himself on Broadway, it would be several more years before he became a star of the silver screen. Therefore, it should come as no surprise that Bogie isn't included on any of these cards, although his name is listed in the credits on each one. One card does bear a lovely image of Myrna Loy, however. All of the cards in this complete set show pinholes in the corners, as well as in the top and bottom center. Most display scuffing on the images as well. One card has an extra pinhole, and another has a crease and a small tear in the upper corner. Otherwise, this is a gorgeous set from an early Bogart picture. Fine/Very Fine.
All Through the Night (Warner Brothers, 1942). Three Sheet (41" X 81"). In a cross between "Guys and Dolls" and "Eyes in the Night," Bogart plays "Gloves" Donahue, a Runyonesque gambler with a heart of gold who finds himself inadvertently battling a Nazi spy ring. One of Bogart's only comedies, this stellar production featured such mega-stars as Conrad Veidt, Phil Silvers, Jackie Gleason and Peter Lorre in supporting roles. Just as he did in the case of "High Sierra" and "The Maltese Falcon," George Raft turned down the leading role, once again to Bogart's benefit. This lovely three sheet, with its striking portrait of tough guy Bogie, has very small pinholes in the corners, some fold wear and some crossfold separation at the centerpoints, but these minor defects have all been addressed with professional restoration and linenbacking, resulting in a poster with a high degree of eye appeal. Very Fine- on Linen.
All Through the Night (Warner Brothers, Late 1940s). Post-War Belgian (14" X 22"). Humphrey Bogart is a Broadway gambler out to thwart a group of Nazi spies in this WWII crime espionage film. Playing alongside Bogart was a great supporting cast, including Peter Lorre, Jackie Gleason and Conrad Veidt. This original Belgian release paper has wear and separations at the fold lines, chipping and small tears in the right border. There is a bit of smudging and discoloration in the margins and writing on the reverse. The top portion of the image was trimmed when the imprint area was cut off. With a proper restoration, this poster will be a wonderful addition to any Bogart collection. Very Good on Linen.
Casablanca (Warner Brothers, 1942). One Sheet (27" X 41"). Based on the stage play, "Everybody Comes to Rick's," this started off as a routine programmer but ended up an all-time classic. Director Michael Curtiz cast Humphrey Bogart alongside a largely European cast including Ingrid Bergman, Paul Henried, Peter Lorre, Conrad Veidt, Claude Rains and Sydney Greenstreet to give his picture the international feel it deserved. The film would go on to win a Best Picture Oscar and give Bogart his first acting nomination. This superb poster has some technical flaws, but is still one of the cleaner "Casablanca" one sheets we've offered. The poster has minor crossfold separations, some light stains and pinholes, a very small chip in the top border, and a small tear along the bottom right fold line that has been repaired with archival tape. A great-looking poster for what many consider to be the greatest movie ever made. Very Fine.
Casablanca (Warner Brothers, R-1950s). Japanese STB (20" X 58"). Ingrid Bergman fans, sit up and take notice! This evocative Japanese STB for "Casablanca" from the 1950s (one of the first releases there), features a huge and stunning portrait of the lovely Ingrid Bergman at the height of her beauty. Also featured are Humphrey Bogart and Peter Lorre, both in a gun-toting mode not really seen in the actual film. This stunning poster is nearly perfect, with a single small tear and some very soft roll creasing being the only issues. Many say "Casablanca" is the greatest film of all time, and we certainly agree this is one of the greatest "Casablanca" posters of all time. Rolled, Very Fine/Near Mint.
Casablanca (Warner Brothers, R-1950s). Japanese B2 (20" X 29"). Everything that could be said about Michael Curtiz's classic drama has been said. This iconic film is synonymous with the term "classic" and this stunning Japanese poster honors it's legend. Unlike many Japanese posters, this sheet uses an artists rendition of Humphrey Bogart and Ingrid Bergman as opposed to still images from the film. Aside from light wrinkles in Bergman's cheek and at the bottom border and tiny corner bumps, this poster is in superb condition. Rolled, Very Fine/Near Mint.
Casablanca (Warner Brothers, 1942). Swedish One Sheet (27.5" X 39.5"). Consistently voted into many top ten lists of the best films ever, Michael Curtiz's classic film was the height of the career for just about everyone involved with it. The Epstein brothers, who struggled to write the screenplay, ended up becoming the only twins to ever win an Oscar. This Swedish one sheet has light edge wear with a few tears, and light fold wear with wrinkling. Very nice shots from the film. Very Fine+.
Casablanca (Warner Brothers, R-1950s). British Quad (30" X 40"). Perhaps no film in the history of cinema has had as large an impact as "Casablanca." From the finely drawn characters such as Rick and Ilsa, to a song, "As Time Goes By," that is as popular today as it was in 1942, to some of the most memorable lines in the history of film, including, "Here's looking at you," this is perhaps the ultimate movie. Consequently, paper from this picture is avidly sought by poster collectors and movie fans alike. Offered here is a very attractive quad from a 1950s reissue of this title, incongruously showing Bogart in a bowtie. The poster displays some edge wear and a few small stains at the bottom of the poster, as well as corner bends, wrinkling at the edges, and a very small bit of paper loss, perhaps from a tape lift, in the bottom border. The poster presents very nicely, however, and will make a fine addition to any Bogart collection. Very Fine.
Sirocco (Columbia, 1951). British Quad (30" X 40"). In a film that bears many similarities to "Casablanca," Humphrey Bogart plays Harry Smith, a cynical weapons smuggler selling guns to the resistance in 1925 Damascus. Eventually, Smith has an epiphany, but is it too late? Bogart was at the height of his popularity when he appeared in this film, which many consider to be an overlooked gem in the star's filmography. The stone litho quad offered here, with its colorful and appealing graphics, has pinholes in the corners, edgewear, a chip in the bottom border, and some crossfold separation, as well as an extra fold crease and masking tape on several of the crossfolds on the back, some of which display slight bleed-through to the front. Nonetheless, the distinct appeal of this eye-catching beauty cannot be denied, making this a very desirable piece. Fine+.
Isle of Fury (Warner Brothers, R-1940s). Belgian (14" X 21"). After saving each others lives during several sea adventures, Humphrey Bogart and Donald Woods become close friends. What neither one realizes is that Woods is a detective sent to arrest Bogart, or that he's falling for Bogie's girlfriend, Margaret Lindsay. This Belgian poster has light fold wear with wrinkling, light corner creases, foxing, and a small dust shadow, and features fabulous undersea artwork. Fine+.
Sahara (Columbia, R-1940s). Japanese B2 (20.5" X 28.5"). Humphrey Bogart leads a small group of tank battle survivors and other stragglers retreating across the desert from Rommel's forces in this wartime film. This Japanese reissue poster has pinholes in the upper corners, a pair of staple holes in the right center image, and a small soiled area in the top edge. There is light edge wear with small bumps and tears, and the lower right corner is creased. This poster was released between 1947 and 1948, the first two years of the MPEA (Motion Picture Export Association). The MPEA was set up in 1946 after the war ended to help spread the release of American-made movies in occupied Japan, both new releases and movies not released before the war. Note the circular stamp in the lower part of the poster. Fine+.
Passage to Marseille (Warner Brothers, c. 1947). First Post-War Belgian (11.25" X 14.5"). Michael Curtiz reunited his "Casablanca" cast for this anti-Nazi film about the French resistance. Humphrey Bogart stars as a French journalist who sacrifices all to battle Nazi tyranny. This poster is from the first showing in Brussels after the war. A beautifully drawn artwork poster with images of Bogart, Claude Rains, George Tobias, and Michele Morgan not seen on other posters. Trimmed in the imprint area not affecting the art, pinholes, and a middle crease. Excellent color. Fine on Linen.
Passage to Marseille (Warner Brothers, 1944). Title Lobby Card and Lobby Cards (6) (11" X 14"). Trying to capture lightning in a bottle again, Jack Warner brought together many of the cast and crew of "Casablanca" for this tale of the Free French during World War II. Producer Hal B. Wallis and director Michael Curtiz worked with Humphrey Bogart, Claude Rains, Peter Lorre, Sydney Greenstreet and Helmut Dantine. These lobby cards have pinholes, edge wear with corner creases, and scuffs and soiling. The title card has a small surface tear in the upper left corner, and one card has a small silverfish nibble. Marvelous duotone shots of all the stars. Fine/Very Fine.
Passage to Marseille (Warner Brothers, 1944). Spanish One Sheet (27" X 39.5"). Director Michael Curtiz weaved this patriotic war story with layers of flashbacks, depicting Humphrey Bogart as a freedom fighter working with the French resistance. The film was packed with the same intrigue Curtiz used on his Oscar winning feature, "Casablanca." With artwork by Ramon, this poster was obviously based on the U.S. one sheet. There are pinholes and some slight creasing in all four corners with some crossfold tears and wear at the centerpoints. Very Fine.
Tokyo Joe (Columbia, 1949). Belgian (14.5" X 22"). Humphrey Bogart stars as an American trying to pick up the pieces of his pre-war life in Tokyo. This stunning poster has pencil writing and paper loss in the imprint area and writing on the reverse. There is a small chip in the left border as well as pinholes in the corners, and wear has developed along the fold line and fold separations are present in the borders. Belgian posters have long been revered for their stunning artwork, and this poster is no exception. Fine- on Linen.
The Caine Mutiny (Columbia, 1954). British Quad (30" X 40"). In one of Humphrey Bogart's most acclaimed roles, he plays Lieutenant Commander Philip Francis Queeq. When Queeq assumes command of the U.S.S. Caine during World War II, he begins to show signs of mental instability, forcing his junior officers to make some very difficult decisions. Nominated for seven Academy Awards, this movie is the very definition of the word "classic." This attractive quad, which features portraits of all the leads, displays some edge wear and some very small tears at the right border. Otherwise, it is virtually immaculate and presents nicely. Very Fine.
The Caine Mutiny (Columbia, 1954). French Grande (47" X 63"). A brilliant psychological drama set amidst the conflict of World War II, Herman Wouk's acclaimed novel would become one of Humphrey Bogart's finest films. Cast as Captain Queeq, the mentally delicate commander of the U.S.S. Caine, Bogie turned in a fine and nuanced performance as a man who has seen too much for too long and finally snaps under the pressure. As his junior officers, Fred MacMurray, Van Johnson and Robert Francis are outstanding, making this one of the greatest movies of the 1950s. Offered here is a dramatic French grande, with exciting artwork not seen elsewhere. There are some edge tears, and some fold wear with crossfold separation, but none of these minor defects detract from the overall beauty of this dynamic piece. Fine/Very Fine.
The Caine Mutiny (Columbia, 1954). German A1 (23" X 33"). Humphrey Bogart leads an all-star cast in this adaptation of Herman Wouk's novel. As the psychotic Captain Queeg, Bogart displayed a slow deterioration into paranoia, and received an Oscar nomination for his powerful portrayal. With minimal cross fold and edge wear, this stunning German poster features excellent alternative art in comparison to the American paper. It has a stamp and writing on the reverse and pinholes in the corners. There is also a tiny chip in the top left corner. Very Fine+.
The Caine Mutiny (Columbia, 1954). Japanese STB (20" X 58"). Humphrey Bogart gives one of his finest performances as an unhinged Naval commander in this classic film, based on the novel by Herman Wouk. Over a year in production, the film was at first denied the cooperation of the Department of Defense, but once the novel won the Pulitzer prize, the DOD, who had been critical of Wouk's book, softened its stance, and made its resources available to the filmmakers. This spectacular Japanese STB has wear at the fold lines, light wrinkling and edge wear, pinholes, tiny edge tears, minor foxing and some minor scuffs. The two pieces have also been joined with glue. A spectacular sheet for a legendary film. Fine+.
The Caine Mutiny (Columbia, 1954). Color Still Set of 12 (8" X 10"). Humphrey Bogart was nominated for his role as the emotionally disturbed Captain Queeg in this gripping tale of mutiny. Bogart's meltdown on the witness stand as he testifies against his crew is mesmerizing and heart-rending at the same time. This complete set of twelve color stills is rarely offered, and the stills show the most minimal bit of "dust shadowing" around the edges. Near Mint-.
Sabrina (Paramount, 1954). Half Sheet (22" X 28"). Hepburn appears symbolically in the middle as the chauffeur's daughter who finds herself pursued by two rich brothers, played by Bogart and Holden. This very clean half sheet has tears in the lower edge, some of which have brown tape support on the reverse, and other minor edge wear. There is light water staining in the upper edge, and scattered smudges. There is a small punch tear in Holden's hair, as well as a few scattered wrinkles. Bright colors. Rolled, Fine/Very Fine.
Sabrina (Paramount, 1954). Insert (14" X 36"). Billy Wilder's effervescent comedy has stood the test of time, and also survived considerable rancor among the cast. Humphrey Bogart was a last-minute replacement for Cary Grant, and did not get along with co-star William Holden. Nevertheless, the film was a hit and became a signature role for Audrey Hepburn. This lovely insert features fine portraits of the three stars. There are minor edge tears and a chip out of the bottom right corner, a 1" tear in the center of the bottom margin, and light surface creasing. A great poster for a great comedy! Very Fine.
Swing Your Lady (Warner Brothers, 1938). Other Company Half Sheet (22" X 28"). Promoter Humphrey Bogart is taking his best wrestler, Nat Pendleton, and an entourage on a tour of the South. When they get stuck in Kentucky, local gal Louise Fazenda helps them out by acting as a ring partner for Pendleton. In later years, Bogart denied ever making this film. This rolled Other Company half sheet has edge wear and tears with chips, creases and wrinkling, as well as smudges and stains. Fabulous artwork of the three stars. Rolled, Very Good/Fine.
Men Are Such Fools (Warner Brothers, 1938). Other Company Half Sheet (22" X 28"). None of the posters issued by Warner Brothers for this film, with the exception of the window card, feature Bogart's image, although he did appear on "other company" paper. Heritage has previously offered the "other company" one sheet, and is now proud to offer this extremely rare "other company" half sheet. The poster has substantial water staining around the edges, as well as scattered in the field. There is edge wear with bumps, minor tears and small chips, as well as single pinholes on each side in the image edge. Bogart is prominently featured at the left, and with proper restoration, this hard-to-find paper would be a key piece in any Bogart collection. Rolled, Very Good.
The African Queen (United Artists, 1952). One Sheet (27" X 41"). Opposites attract as a drunken riverboat captain and a "crazy, psalm-singing, skinny old maid" go down an African river to blow up a German warship. Humphrey Bogart (in his Oscar-winning role) and Katharine Hepburn star in this wonderful John Huston film. This one sheet has fold wear with minor tears and separations, pinholes, and minor bleed through from an NSS stamp on the back. The poster has been mounted on linen and displays very well. Fine/Very Fine on Linen.
The African Queen (United Artists, 1952). Australian Daybill (13.5" X 30"). Although C.S. Forester's novel was considered by every studio since its 1935 publication, it wasn't until after Warner Brothers sold the rights in 1947 that it was finally recognized for its potential. John Huston secured those rights and he went on to make his signature as a director in the adventure genre with the film. This colorful Australian daybill has light staining and creasing in the top border. There is minimal wear along the edges including a tiny tear in the lower right border and faint wrinkling in the margins. Folded, Very Fine-.
The African Queen (United Artists, 1952). Half Sheet (22" X 28") Style A. Adapted from the novel by C.S. Forester, this is certainly one of the finest films to feature either Katharine Hepburn or Humphrey Bogart, and that's saying a lot. The story is a classic one, about opposites attracting, in this case hard-drinking, rough talking Charlie Allnut (Bogart) and upper crust, oh-so-proper Rose Sayer (Hepburn), set against the backdrop of East Africa in World War II. The movie was nominated for four Academy Awards, with Bogie taking home the statue for Best Actor (his only Oscar win). The rare half sheet shows some edge tears, with a 4" tear in the left border, some smudging and staining overall, and a 1/2" "V"-shaped tear in the center of the image. In spite of these minor considerations, this is a very attractive and dramatic poster boasting a high degree of eye appeal. Fine.
Beyond Bengal (Showmens Pictures, 1934). One Sheet (27" X 41"). One of the most bizarre of the "Staged African Expedition Documentaries" that were popularized in the 1930s by Clyde Beatty and Frank "Bring 'Em Back Alive" Buck. Harry Schenck and his assistant Joan Baldwin go on safari and encounter natives and wild animals, resulting in strange and gory footage (some of which was recreated in Florida). This one sheet has edge wear and tears, and light fold wear with small separations. The poster has been mounted on linen and professionally restored, giving it a brand new appearance. The beautiful stone litho artwork enhances the exciting image. Very Fine+ on Linen.
Bring 'Em Back Alive (RKO, 1932). Mini Window Card (8" X 14"). Frank Buck was the animal guy of the 1930s, a sort of Steve Irwin on steroids. Before the days of "Animal Planet" and "Wild Kingdom," Buck, who's famous motto was "Bring 'Em Back Alive," thrilled audiences everywhere with his tales of encountering wild animals in their natural habitat. Indeed, his exploits, including winning a bare-handed fist fight with an orangutan, were the stuff of legend. He made several films, including the 15-chapter serial, "Jungle Menace," and showed his astounding collection of animals at the Chicago World's Fair in 1933. He joined Ringling Brothers and Barnum and Bailey Circus in 1937, and released a best-selling book in 1941. This card, promoting Buck's very first film and featuring very different art than either the one sheet or the window card, is a real beauty, with only a 3.75" crease in the upper right corner, a small tear in the bottom border, and a dust shadow at the top keeping it from a higher grade. From the Collection of Denver Sherry. Very Fine+.
Stanley and Livingstone (20th Century Fox, 1939). One Sheet (27" X 41") Style A. Only old Hollywood knows how to economically shoot "THE MOST HEROIC EXPLOIT THE WORLD HAS KNOWN!" as the tagline ads screamed for this film. You take major stars, shoot them in front of a projection screen for a few weeks, and pack a small photography unit off to Kenya with a couple of underpaid standins bearing reasonable resemblances to said stars. Then you get Joseph Tooker's best lithographers to print a terrific artwork montage poster in bright yellows and reds to "put 'em in the seats." There are fold separations with small paper loss in the top centerpoint fold, pinholes, soft extra vertical folds on the edges, and minor edge wear with tiny tears. This is one of the most lush and vibrant one sheets we have ever seen! Fine/Very Fine.
Trader Horn (MGM, 1931). Title Lobby Card (11" X 14"). Harry Carey is the jungle adventurer Aloysius "Trader" Horn, Duncan Renaldo is his trusted sidekick Peru, and Edwina Booth is Nina, the white woman they rescue from the jungle and then both fall in love with. Director W.S. Van Dyke would later go on to direct the first Johnny Weissmuller "Tarzan" film, while Booth contracted a serious infection in Africa and retired from films barely a year later. This nifty title card has a grand image of rampaging elephants against a lush green background. There are pinholes in the corners, pen markings in the lower left corner, and a 4" tear in the upper right quadrant (which tapers down to a crease) that has been repaired with tape and some color touch-ups. Fine+.
Tarzan's Secret Treasure (MGM, 1941). Lobby Card (11" X 14"). Johnny Weissmuller and Maureen O'Sullivan starred in the first six Tarzan films that were made at MGM. Their screen chemistry coupled with fine performances perfectly embodied the Edgar Rice Burroughs characters. The public so identified with Weissmuller and O'Sullivan in their respective roles that they became the standard by which all other screen versions are measured. This beautiful scene card features a wonderful image of the two actors in their most famous roles. There are pinholes, slight stains, and minor creases in the borders, and one pinhole in the center of the graphics. Very Fine-.
Tarzan of the Apes (First National, 1918). Lobby Card (11" X 14"). Directed by Scott Sidney and starring Elmo Lincoln as Tarzan, Enid Markey as Jane, George B. French and Gordon Griffith, this was the first Tarzan movie ever made, and is based on Edgar Rice Burroughs' original novel "Tarzan of the Apes." This film may be the most faithful cinematic rendering of Burroughs' first Tarzan novel to date. Lincoln would appear in two sequels including the serial "The Adventures of Tarzan" two years later (look for a poster from that gem also offered in this auction). This gorgeous hand-tinted card is a fabulous portrait of Lincoln as Tarzan and Enid Markey as Jane. The card has been cleaned and is in excellent condition. Very Fine+.
Tarzan of the Apes (First National, 1918). Lobby Card (11" X 14"). Offered in this lot is another very rare card from the first filmed version of the Edgar Rice Burroughs' classic starring Elmo Lincoln and Enid Markey. This lovely hand-tinted card is a great shot of the African Jungle with the apes who have raised the young hero. The apes were men from the New Orleans Athletic Club as well as eight acrobats for which goat skin costumes and elaborate masks were made. The film was shot in Morgan City, Louisiana. The card has been cleaned and has some bending in the upper border. There was minor airbrushing done to the borders. Very Fine.
The Adventures of Tarzan (Numa, 1921). Window Card (14" X 22"). The screen's original Tarzan, Elmo Lincoln, appears in this serial as Edgar Rice Burroughs' Lord of the Jungle. This window card features stunning graphics and is a stone lithograph. The borders have had some light airbrushing, there is color touch to a crack under "15 Electrifying Episodes," and the bottom of the window card has a horizontal crack, two inches up from the bottom, that has been touched up as well. Very Fine- on Cardstock.
The Lost City of the African Jungles (Warner Brothers, 1920) Chapter 15 -- "The Lost City". One Sheet (27.25" X 41"). Former Mack Sennett "Bathing Beauty" Juanita Hansen played the key role of Elyata, Princess of Tarik, in this white jungle goddess serial, a popular subject for Hollywood over the years. Along with faint smudges and light scratches, the poster has minor fold separations and a small number of edge chips. The upper and lower right corner border areas also have chips. The stone litho artwork, featuring Hansen at the top of a pyramid of beauties, is absolutely breathtaking. Fine+ on Linen.
The Lost City of the African Jungles (Warner Brothers, 1920) Chapter 10 -- "The Tug-of-War". One Sheet (27" X 41"). Beautiful Juanita Hansen starred in this early silent serial as jungle goddess Elyata. This gorgeous stone litho poster shows her playing with three lion cubs. The poster had fold wear, pin holes in the corners, and a chip out of the top and the bottom border. An excellent restoration has left this poster looking pristine. Very Fine- on Linen.
The Black Coin (Stage and Screen Productions, 1936). Three Sheet (41" X 81"). Secret Service agents Ralph Graves and Ruth Mix go in search of the villains who are using the Caswell Shipping Company as a front for their smuggling operation. In the course of their search, they stumble over the secret of The Black Coin. This entertaining, 15-chapter serial was produced by Lou Weiss for the poverty-row company Stage and Screen Productions. This stock three sheet doesn't skimp on fantastic artwork, with an action scene reminiscent of the pulp magazines of the era. Condition issues are mostly confined to the lower sheets, and include pinholes, crossfold chips, a 4" tear on the right side, a large chunk missing in the bottom right, fold wear, and some smudging and dust shadowing in the border, all of which has been addressed with professional restoration. Take the mystery ship past the wolves of the night and win the phantom treasure of this great poster! Fine+ on Linen.
Hurricane Hutch (Pathe', 1921). One Sheet (27" X 41"). Chapter 11 -- "Hare and Hounds."
This beautiful stone litho poster for this early serial portrays a young Warner Oland as the villain long before he played famed detective Charlie Chan. Noted stunt man Charles Hutchison plays the lead, and the girl being menaced by Oland is Lucy Fox. This one sheet has edge and fold wear with minor tears and separations. The poster has been mounted on linen and displays beautifully. Fine- on Linen.
This beautiful stone litho poster for this early serial portrays a young Warner Oland as the villain long before he played famed detective Charlie Chan. Noted stunt man Charles Hutchison plays the lead, and the girl being menaced by Oland is Lucy Fox. This one sheet has edge and fold wear with minor tears and separations. The poster has been mounted on linen and displays beautifully. Fine- on Linen.
The Fatal Warning (Mascot, 1929). Three Sheet (41" X 81"). Episode 9 -- "By Whose Hand." Boris Karloff's character is a red herring in this, the final silent serial from chapter play specialist Mascot. Helene Costello, a former Warner Brothers star now down on her luck, starred as Dorothy Rogers, the daughter of a banker (George Periolat) who disappeared mysteriously while reading a novel entitled "The Fatal Warning." This gorgeous stone litho has the most minor wear at the crossfolds. Otherwise crisp and as fresh as the day it was printed. Very Fine.
The Fighting Devil Dogs (Republic, 1938). One Sheet (27" X 41"). Chapter 4 -- "Cargo of Mystery." A rare one sheet for probably the only serial that ever came in under budget! They achieved this stunning feat by using not the customary one, but two "recap" chapters with no new footage and liberal use of "stock film" from an earlier Dick Tracy serial. This film also holds a key distinction in film history, displaying the first costumed "supervillain", The Lighting, who indeed was the direct inspiration for "Darth Vader." The insert photo with Brix has uncommonly crisp registration. Small chips in the fold separations, and light border wear. Great color. Very Fine on Linen.
Gordon of Ghost City (Universal, 1933). Title Lobby Cards (2) (11" X 14"). Buck Jones is ideally cast in the first of his four serials for Universal. Lovely Madge Bellamy ("White Zombie") is the feisty heroine and former silent serial stars William Desmond and Walter Miller provide excellent support as the crusty rancher and his sneaky foreman. This unique lot has the single title card that announced the serial itself, and a title card for the very first chapter. Chapter one has a number of corner pinholes, mild corner bumps, a dot stain in the center right border, and light border smudges. The advance card has only a very mild upper left corner crease, and a slight smudge in the lower right border. Crisp registration and bright duotone blues. Very Fine.
Pulps
White Eagle (Columbia, 1941). One Sheet (27" X 41"). Buck Jones plays White Eagle, who is taken as a boy and raised by Indians after his father, a U.S. army officer, is killed by them in an Indian raid. In spite of this, he believes that Indians and white settlers can live together. He pursues this ideal, but a gang leader, who has his own agenda for not wanting peace between the two groups, tries to stir up as much trouble between them as possible. The poster had fold wear with crossfold separation at the center fold, a small chip out of the top border and several pinholes around the borders. It has been beautifully restored. Very Fine+ on Linen.
Movie Posters
Zorro's Fighting Legion (Republic, 1939). One Sheet (27" X 41"). Chapter 9 -- "The Golden Arrow." Visiting Mexico from California, Don Diego Vega (Reed Hadley) is persuaded to take over leadership of a legion of Mexican patriots who are protecting gold shipments to the central government. In the guise of his alter ego, Zorro, he and his men fight the evil capitalist Don Del Oro. This one sheet has light edge wear with tiny chips, pinholes, and light fold wear with tears. The poster has been mounted on linen and professionally restored. One of the Holy Grails for collectors of Western serials! Very Fine+ on Linen.
The Lone Ranger (Republic, 1938). One Sheet (27" X 41"). Chapter 3 -- "The Pitfall." Taking their inspiration from such well-known fictional characters as Robin Hood and Zorro, radio magnate George W. Trendle and writer Fran Striker created their masked rider of the plains, the Lone Ranger, for a radio show originally broadcast on Detroit's WXYZ in 1933. The masked man, along with his faithful Indian companion Tonto, took the nation by storm, and it wasn't long before Republic Studios, the leading producers of serials at the time, took an interest. The result was one of the finest examples of the serial genre, a picture that would lead to a follow up serial, a hit TV show, and many imitators. This poster, which shows the Ranger himself in the inset, has been professionally restored and linen backed to address such issues as a small tear on the left edge, and one or two pinholes in the borders. Additionally, there is evidence of some border restoration on the left edge, and partial replacement of the bottom border. The image area, however, is incredibly clean, and the restoration work that was done has resulted in a first-class poster any collector would be proud to own. Fine/Very Fine on Linen.
The Miracle Rider (Mascot, 1935). One Sheet (27" X 41"). Chapter 3 -- "The Flying Knife." This was Tom Mix's last movie, capping a career that spanned more than a quarter century and included over 100 films. Although Mascot producer Nat Levine took a gamble on this serial - paying Mix more than $10,000 per week - it paid off in the end when this exciting chapterplay went on to gross more than $1 million. A perennial favorite among serial fans, this exciting epic was promoted with a series of exceptionally attractive posters. This particular example has had some work done to it, including inpainting on the "CLE" and "DE" in the title, as well as extensive repainting on the left and right borders. There's a small paper lift/tear in Mix's hat, a small hole near his face, and some wear on the top border, all of which has been repaired. Like most posters of this era, it displays some fold wear and crossfold separation, with touch-up work on all the fold lines. The restoration has addressed these flaws, resulting in a stunning poster. Fine+ on Linen.
The Phantom Empire (Mascot, 1935). Lobby Card (11" X 14"). If you ask anyone born before 1926 what was the most prevalent memory of movies from their childhood, inevitably most would mention 'serials', and at least half would mention this famous serial by title. Gene Autry, a new personality from radio, stars in this chapter-play which deals with an underground civilization of Muranians whose culture is far more advanced than that on Earth. Gene stumbles into the secret caverns beneath his "Radio Ranch" and must try to avoid a war brewing between the inhabitants of Mu and Earth. Part science fiction, part Western - this serial had it all. Here is a scarce card showing the creative costumes of the Muranians. There are pinholes, a small crease in the top right border, a small stain in the bottom center border, light horizontal scuffs across the right middle field, and small silverfish nibbles in the border. Very Fine.
Buck Rogers (Universal, 1939). Pressbook (11.5" X 17.5"). Science Fiction. This action-packed serial stars Larry "Buster" Crabbe, Constance Moore and Jackie Moran. There is staining and scuffing on the front cover and small edge tears on the front and back covers, The interior is complete and clean with no cuts. Folded, Very Fine.
King of the Rocket Men (Republic, R-1956). Three Sheet (41" X 81"). Of all the serials to come out of Republic Studios, few are as fondly remembered as those in the Rocket Man series. One of the few heroic serials that had no precedent in comic books or radio (those who would look to Bulletman as Rocket Man's ancestor based solely on their pointy helmets are woefully misguided), Rocket Man blasted into theaters fully formed in 1949. In this slam-bang 12-chapter epic, Jeff King (Tristram Coffin) battles the evil Dr. Vulcan, who plots to acquire the Sonic Decimator and thereby rule the world. This serial proved so popular that, in 1951, it was edited to feature length and released as "The Lost Planet." It also spawned several exciting sequels. This colorful three-sheet is in beautiful condition, with only two minor tape stains in the top left and right corners of the top piece and some minor fold wear and pinpoint cross fold separation on the bottom fold of the bottom piece to show that it was ever even used. Many collectors feel the re-issue paper on this title is superior graphically to the original posters. We'd have to agree. Very Fine +.
The Masked Marvel (Republic, 1943). One Sheet (27" X 41"). Chapter 11--"The Fatal Mistake". One of the few masked serial heroes without an antecedent in another medium (there seems to be little relation between this character and the Masked Marvel that appeared in Centaur Publications Keen Detective Funnies), this crime-fighting character burst upon the screen fully formed in this 12 chapter thriller. A true wartime epic, The Masked Marvel (William Forrest) battles Japanese saboteurs intent on wreaking havoc on the good old U.S.A. Featuring classic Republic Studios artwork, this colorful one sheet has pinholes in the borders and corners as well as chips along the fold and center points. The borders have been airbrushed to address minor edge chips but thanks to to a very nice professional restoration, this poster displays nicely. Fine- on Linen.
The Green Hornet (Universal, 1940). Pressbook (11.5" X 17"). Fed up with the police department's inability to stop the rising crime rate, newspaper editor Britt Reid (Gordon Jones) and his servant, Kato (Keye Luke) don masks and wage war against the city's underworld. This pressbook for the 1940 serial has a few small edge tears, with minor tanning and wrinkling on the covers. It's filled with great images and information on the film, including all 13 chapter posters and the stock campaign material as well. A must for any serial fan. Folded, Very Fine+.
Spy Smasher (Republic, 1942). One Sheet (27" X 41"). Chapter 2 -- "Human Target." During WWII, every hero was working towards one goal: the eradication of the Axis menace. Spy Smasher was no exception. Kane Richmond stars as the caped super agent working to stop the Nazis in occupied France. This poster has fold wear with separations with a bit of paper loss primarily at the upper vertical fold line. There is also chipping along the left border and in the upper left and lower right corners. This poster is a fantastic example of Republic serial artwork and has been nicely restored. Very Fine- on Linen.
Captain America (Republic, 1944). One Sheet (27" X 41"). Chapter 9 -- "Triple Tragedy." Republic Pictures jettisoned pretty much all the elements of the comic book Captain America for their serial adaptation, including his origin story and famous shield. Here, Cap is really Grant Gardner (Dick Purcell), the District Attorney, rather than super-soldier Steve Rogers. Still, the kiddies of the day didn't mind, and neither will you when you feast your eyes on this extremely rare one sheet for the ninth chapter of this exciting chapterplay. The poster had a chip from the upper right border corner replaced, very small holes and chips in the folds all of which has been addressed with professional restoration. The poster boasts fantastic color, and a very fresh appearance. A holy grail for superhero serial collectors, this is an opportunity not to be missed! Fine/Very Fine on Linen.
Superman Cartoon Stock (Paramount, 1941). One Sheet (27" X 41"). When Jerry Siegel and Joe Shuster created their "strange visitor from another planet," they could little have known that they were giving birth to one of the greatest pop cultural icons of the twentieth century. Since his debut in 1938, Superman has been featured in comic books, comic strips, cartoons, movies, TV shows and more around the world, and is now one of the most recognizable fictional characters in history. Superman's first appearance on the silver screen was in a brilliant series of cartoons produced by the legendary Fleischer Studios; in fact, the very first of the series was nominated for an Academy Award in 1942 for Best Short Subject, Cartoons. This beautiful stock sheet, featuring dynamic artwork by the Shuster studios, shows only some fold wear and minor crossfold issues, as well as pinholes around the borders and minor edge chipping, but all of these considerations have been addressed by professional restoration and linen backing. These stock sheets are quite rare, and highly prized amongst both comic collectors and poster collectors for their brilliant colors and great images of the Man of Steel. Very Fine on Linen.
Superman (Columbia, 1948). One Sheet (27" X 41"). Chapter 5 -- "A Job for Superman." Columbia's 15-chapter serial version of "Superman" proved to be a major success with matinee audiences around the country, leading to a follow-up ("Atom Man vs. Superman") in 1950. This poster has been signed by Superman himself, Kirk Alyn, and has pinholes in the corners, a chip in the right border, and a number of tape scuffs on the reverse. There is wear along the folds with minor paper loss and a small hole in the chapter image. The linen backing has been trimmed to the edge of the poster but all paper is present. Very Fine- on Linen.
Superman and the Mole Men (Lippert, 1951). One Sheet (27" X 41"). Before he became the hero of television, George Reeves made his first appearance as The Man of Steel in this feature. The film was a huge success and led to Reeves being cast as the iconic superhero from 1951 to 1957. This is one of the toughest comic book-related posters to find! There are pinholes, and minor chips in the upper and middle fold lines, and the upper left corner has had border replaced. There was repairs to the upper fold at the left border area.The poster now displays beautifully. Fine on Linen.
Superman and the Mole Men (Lippert, 1951). French Poster (32" X 47"). When an oil drilling expedition burrows into their underground home, the Mole Men emerge and begin exploring the strange world of the Earth's surface. Their strange appearance causes nearby townspeople to panic and form a mob lead by local hothead Luke Benson (Jeff Corey). Superman and Lois Lane (George Reeves and Phyllis Coates) must act quickly to keep the peace between the locals and the subterranean aliens. This French poster has wear along the fold lines with minor separations. There is also a bit of tanning in the borders and wear along the edges with corner bumps. It features an interesting interpretation of the American artwork, with a very clean image area. Folded, Very Fine-.
Superman and the Mole Men (Lippert, 1951). Lobby Card (11" X 14"). George Reeves as Superman! One of the toughest comic book-related images to find is one showing the super hero in costume! Here he is on this top scene card from the set. Only slight pinholes, tape on the back corners, slight soiling, and a faint stain in the bottom right border. Very Fine.
Superman and the Mole Men (Lippert, 1951). Lobby Card (11" X 14"). Superman's first feature-length adventure, this film proved that the Man of Steel was capable of delivering a knockout punch in a longer format. This fabulous lobby card has light bumps and fine pinholes at the corners, a small dust shadow in the top right corner, and faint staining in the borders. The red streak above the title is from the printing process. Very Fine+.
Superman and the Mole Men (Lippert, 1951). Lobby Cards (2) (11" X 14"). Before he became the hero of television, George Reeves made his first appearance as The Man of Steel in this feature. The film was a huge success and led to Reeves being cast as the iconic superhero from 1951 to 1957! This is one of the toughest comic book-related titles to find posters on! Here are two scene cards, both featuring the mole men, one a portrait card. There are pinholes, border stains, mild corner creases, and some slight edge wear. Very good color. Very Fine.
The Peachy Cobbler (MGM, 1950). One Sheet (27" X 41"). Essentially, this is the fairy tale of "The Shoemaker and the Elves," but filtered through the wacky sensibility of animation master Tex Avery. A poor shoemaker feeds some hungry birds, who turn out to be magical elves. To repay the kindly cobbler, the elves take over his shop and use all their magic to finish his work. This one sheet had pinholes, edge wear and tears with chips, and fold wear with separations. The poster has been mounted on linen and professionally restored, giving it an excellent appearance. Wonderfully fun stone litho artwork of the title characters. Fine- on Linen.
Looney Tunes (Warner Brothers, 1940). One Sheet (27" X 41"). This poster for the Warner Brothers Looney Tunes shorts features Porky Pig and an early version of Daffy Duck. There is an original Warner Brothers snipe showing artwork and the title for the specific cartoon, "Joe Glow, the Firefly." Joe Glow, the firefly (Mel Blanc), wanders around one night inside a camper's tent. He explores all the camper's gear, which, to him, is gigantic. There is some fold separation, small holes and a border chip. These defects were professionally restored, giving the poster a very clean appearance. A marvelous example of vintage animation art, this is the rare "Leon Schlesinger" version of this one sheet. Fine/Very Fine on Linen.
Warner Bros. Cartoon Stock (Warner Brothers, 1948). One Sheet (27" X 41"). Bugs Bunny, one of the greatest (if not the greatest) cartoon characters of all time, stars on this stock one sheet from Warner Brothers. The studio produced stock sheets instead of individual posters for their cartoons, and this particular style is considered one of the best. This one sheet has wrinkling on the borders, light fold wear, a small tear on the right border, and staple holes near the "Looney Tunes" title. Elmer Fudd, Porky Pig, Tweety Bird, and Daffy Duck are among the other great Warner's characters to appear here with Bugs. Fine/Very Fine.
Krazy Kat (Columbia, 1934). Stock One Sheet (27" X 41"). Krazy Kat, the lovestruck paramour of the brick-throwing Ignatz Mouse, was the creation of cartoonist George Herriman, and was featured in a long-running comic strip, now considered to be one of the greatest examples of that art form. The earliest animated efforts featuring Herriman's romantic feline were produced in 1916 by William Randolph Hearst, without Herriman's involvement. In 1925, animator Bill Nolan brought his own version of Krazy Kat to the screen, a version definitely not based on Herriman's creation. Nolan's version took far more from that "other" popular cartoon cat, Felix. The design of Nolan's Kat would change even more throughout the early Thirties, eventually becoming the more Mickey Mouse-like character pictured here. Soon, Krazy would become one of the most popular animated characters of all time, along with Mickey and Betty Boop, and continues to influence artists and animators to this day. There is a small edge tear on the top left corner of this attractive stock one sheet, a chip on the bottom right corner, fold line wear with small amounts of paper loss on the top fold, an extra horizontal fold, a small tear on the center fold, and small tape scuffs on the left border. This is by far the best stock one sheet made for this kartoon kat, one of Columbia's classic animated characters. Very Fine on Linen.
MGM Animation Stock Poster (MGM, 1953). One Sheet (27" X 41"). This stock MGM animation poster for "T.V. of Tomorrow" features studio staples Droopy Dog, Barney Bear and Spike. But the appearance of minor star Benny Burro makes this piece very desirable. There are pinholes in the image and borders and tears have formed in the corners but have been repaired with tape. Smaller tears are present along the edges and there is wrinkling in the image and margins. Fine-.
Mighty Mouse (20th Century Fox, 1943). Stock One Sheet (27" X 41"). In this early Mighty Mouse cartoon, the cats live on one side of the main street and the mice on the other; a green line down the middle of the street serves as the dividing line. They agree to keep the peace as long as no one crosses it. An evil entity, a Satan cat, comes and starts the cats and mice fighting, but when Mighty Mouse appears, the evil spirit creates tridents to attack him. Of course, this maneuver fails, the devil cat disappears in a puff of smoke, and Mighty Mouse is cheered by mice and cats alike. The one sheet has been professionally linenbacked for minor pinholes, fold wear, and minor fold separations with a small chip, and now displays very nicely. Very Fine- on Linen.
Noveltoon Cartoons Stock (Paramount, 1949). One Sheet (27" X 41"). Paramount Pictures gave birth to the Noveltoon galaxy of characters including Baby Huey and Little Audrey as well as Casper the Friendly Ghost. Casper first appeared in a short in 1945 but was not seen again until 1948 and this is his first appearance on a poster and the only one on a "Noveltoon" one sheet. This folded stock one sheet has a tear in the top border, slight tearing in the top corners, and a dust shadow in the imprint area. If you are a Noveltoon collector or a Casper collector this is a very important and rare poster. Fine.
Wimmin Hadn't Oughta Drive (Paramount, 1940). One Sheet (27" X 41"). This is one of Popeye's best Fleischer shorts. He buys himself a new car and Olive Oyl immediately wants driving lessons. Popeye has no one to blame but himself... he gives them to her! Pre-1945 Popeye one sheets are increasingly difficult to find, especially in this grade. This one sheet has had professional restoration for only minor fold separations with small chips in the center point, pinholes, tape removal in the upper center border, and a very small chip in the middle right field. Very Fine on Linen.
Terry-Toons Stock Poster (20th Century Fox, 1950). One Sheet (27" X 41"). This stock one sheet for Terry-Toons cartoons features their most famous character, Mighty Mouse (initially christened Super Mouse), plus a host of other memorable characters including: Heckle and Jeckle, Sourpuss and Gandy Goose, and Oil Can Harry. This colorful poster has minor edge wear, faint wrinkling, and pinholes in the image. There is also writing and a stamp on the reverse. Imperfections notwithstanding, the poster displays beautifully. Very Fine-.
Tintin and the Blue Oranges (Pathe Consurtium Cinema, 1964). French Grande (47" X 63"). This live action film, based on the insanely popular European comic strip, was part of a series of films produced in France featuring the adventures of the globe-hopping reporter. This wonderful full-bleed French Grande features fantastic artwork by Tintin creator Herge (Georges Remi) with many of his characters featured. The top edge has four chips missing and there are small edge tears as well, with a large amount of erased pencil on the reverse that is just barely visible from the front; there is also fold wear and some crossfold separations, all of which has been addressed with professional restoration. Very Fine- on Linen.
Baby Puss (MGM, R-1949). One Sheet (27" X 41"). Great cartoon graphics of Tom and Jerry. Tom's owner has decided to dress Tom as a baby, complete with bottle, bib and crib. The poster has a two inch tear in the top border, another in the bottom border, pinholes in the field, a small chip out of the left border at the top fold, and a faint extra vertical fold. Fine/Very Fine.
Jerry and the Goldfish (MGM, 1951). One Sheet (27" X 41"). Tom hears a radio chef's recipe for a fish stew and decides to use the pet goldfish as the main ingredient. Jerry comes to the rescue and the usual mayhem results. Edge wear with wrinkling on the borders, pinpoint crossfold separation on top fold, top left corner bend and pinholes around the outside area of the field. Outstanding cartoon imagery. Fine/Very Fine.
Jerry's Diary (MGM, 1949). One Sheet (27" X 41"). During the early phase of their careers, before they founded the famous studio that bore their names, animators William Hanna and Joseph Barbera worked for MGM, where they created the cat and mouse duo Tom and Jerry. Originally appearing in the 1939 short "Puss Gets the Boot," Tom and Jerry were an instant hit, and MGM quickly assigned the pair to produce more "cat and mouse" cartoons. The result was 114 Tom and Jerry cartoons and seven Academy Awards for Best Short Subject (Cartoons), a record equaled only by Walt Disney Studios for their "Silly Symphonies." This particular short finds Tom looking through Jerry's diary, an excellent opportunity to present clips from past shows, ending up with Jerry receiving a pie in the face. This luscious original one sheet, which features both Tom and Jerry, displays pinholes in the top corners with some small tears, pinholes in the bottom left, a misfold on the lower horizontal fold, corner bends in the top and bottom left, a small tear in the bottom right border, and a small tear at the top. In spite of these minor flaws, this is still a very appealing and attractive poster. Very Fine-.
Slicked-Up Pup (MGM, 1951). One Sheet (27" X 41"). Spike's pup just had a bath, but he gets splashed with mud as Tom chases Jerry. Spike gets Tom to bathe him again with the promise to keep him clean. Of course, this is Jerry's cue to cause trouble. The poster has crossfold separations, pinholes in the field, a two inch tear at the top and a smaller tear at the fold, small corner bends, and two extra vertical folds. Fine/Very Fine.
Springtime for Thomas (MGM, 1946). One Sheet (27" X 41"). When Tom falls for Toodles, a purr-fect lady feline, Jerry is jealous of the time that Tom spends with her. Urged on by his mischievous side, Jerry convinces tough cat Butch that Toodles has an eye for him, causing any number of problems for Tom. This one sheet has pinholes and fold wear with minor tears, separations and chips. There are tape scuffs, and a four inch cut below the center horizontal fold. The poster has been mounted on linen with an older restoration. Fabulous stone litho artwork of the three main characters. Fine- on Linen.
Tom and Jerry Stock (MGM, 1955). One Sheet (27" X 41"). This is a Cinemascope Hanna and Barbera cartoon stock sheet used to follow the exploits of our favorite cat and mouse. The color saturation on this poster is fantastic! There is some light bleed-through from the NSS stamp on the back, and a small tear has formed at the top cross fold. Very Fine/Near Mint.
Tom and Jerry Stock (MGM, 1952). One Sheet (27" X 41"). This folded stock one sheet was used for the release of the 1952 Tom and Jerry short, "Just Ducky." There is writing in grease pencil on the reverse and staple holes in the borders and image. Smudges are visible in the imprint area and a few wrinkles and creases at the corners. In spite of theses minor flaws, this hilarious sheet is very displayable. Very Fine-.
Silly Symphony (United Artists, 1933). One Sheet (27" X 41"). There are only a handful of posters for the most popular genres that can be absolutely classified as 'essential.' For animation poster collectors, this is one of those. This is actually a "Silly Symphony" one sheet that was used in the distribution of "Wise Little Hen," the first screen appearance of Donald Duck with his originally long duckbill. This poster seldom surfaces at all, let alone in this grade. There is minimal foldwear with a small chip in the left center border, two small tears in the right border, and a pinhole chip and tear in the top left corner. The color is exceptional and the registration excellent. Very Fine+ on Linen.
The Mad Dog (Columbia, 1932). One Sheet (27" X 41"). An absolutely delightful find! Mickey and Pluto in a rare Columbia short one sheet displaying Mickey with his classic 1930s 'pie-eye' look.
This is the classic cartoon where Mickey gives Pluto a bath, with Pluto bolting away "foaming at the mouth." The expert linen-backing addresses minor pinholes, a tear in the lower left border and field, fold wear with minor separations, small chipping, and slight paper replacement in the center fold lines. The poster's overall color had succumbed to slight sunfading, but with the top notch professional restoration, it is not apparent at all. Fine/Very Fine on Linen.
This is the classic cartoon where Mickey gives Pluto a bath, with Pluto bolting away "foaming at the mouth." The expert linen-backing addresses minor pinholes, a tear in the lower left border and field, fold wear with minor separations, small chipping, and slight paper replacement in the center fold lines. The poster's overall color had succumbed to slight sunfading, but with the top notch professional restoration, it is not apparent at all. Fine/Very Fine on Linen.
Mickey Mouse Stock Poster (United Artists, 1932-33). One Sheet (27" X 41"). Created in 1928 by Walt Disney and Ub Iwerks and voiced by Walt Disney himself, Mickey Mouse brought its creator to the attention of the world and helped established Disney's reputation as a creative genius. "Born" on November 18, 1928, the release date of "Steamboat Willie," the anthropomorphic mouse has evolved from a simple character in animated cartoons and comic strips to one of the most recognizable symbols in the world. United Artists picked up the Disney franchise when Columbia dropped him in 1932 and this rare stock sheet was probably the first sheet to be distributed by the studio's new distributor. This incredibly rare poster, featuring Mickey in one of his most iconic poses, is seldom seen in a grade good enough to stand alone without restoration. However, in this particular example, the color and condition of this historic piece are both absolutely superb. There is a slight double horizontal and vertical foldline, faint staining in the bottom left corner, minor crossfold separations at the centerpoint with small tears, and light soiling in the foldlines, as well as edge wear with small tears and mild corner creasing. Bright, vibrant colors highlight this newly found and unrestored beauty! Fine/Very Fine.
Donald's Diary (RKO, 1954). One Sheet (27" X 41"). Donald Duck is writing in his diary and narrating (with Ronald Colman's voice - uncredited) about his romance with Daisy. He falls asleep and has a nightmare about how married life with her would be, so he decides not to pop the question. Disney cartoon posters are always in high demand. This charming example shows episodes from Donald's dream sequence. The poster has wrinkling on the borders, folds and small tears at the corners, pinholes in the field, extra vertical folds on the left and right, and light stains on the borders. Fine/Very Fine.
Duck Pimples (RKO, 1945). One Sheet (27" X 41"). It was a dark and stormy night... and Donald Duck is alone at home. Out of the storm comes a weird and ghostly book salesman whose mysteries are more intense than the usual Christie or Chandler -- the characters literally jump out of the page! This one sheet has pinholes, fold wear with small separations, and a few edge tears. The poster has been mounted on linen and professionally restored. Wonderful cartoon artwork of everyone's favorite Duck. Very Fine+ on Linen.
Spare the Rod (RKO, 1954). One Sheet (27" X 41"). This one sheet for a hilarious Donald Duck short has crossfold separations and light horizontal creases at the top of the image. The poster has general wear with pinholes in the corners. This is an exceptionally clean copy of this rare Disney poster. Very Fine-.
The Vanishing Private (RKO, 1942). Australian Daybill (13" X 30"). Army Private Donald Duck goes overboard with his camouflage painting -- at first he is too flamboyant, and then he goes too far in the other direction. An experimental paint allows him to become completely invisible, which he uses to his advantage in his battle with Sergeant Pete. This Australian daybill has light edge wear and tears with corner bumps, and light fold wear with extra horizontal folds. Beautiful stone litho artwork of Donald on this Disney Stock Daybill. Fine/Very Fine.
For Whom the Bulls Toil (RKO, 1953). One Sheet (27" X 41"). While on vacation in Mexico, Goofy is mistaken for a great matador and is put in the ring to do battle with an enraged bull. Of course, through sheer chance, he accidentally triumphs over the animal. This extremely nice example of a wonderful Disney poster had only minor fold wear and crossfold separations. The poster has been beautifully restored. Very Fine+ on Linen.
How to Sleep (RKO, 1953). One Sheet (27" X 41"). Goofy is having trouble sleeping in this cute Disney cartoon. The poster has had the top and bottom borders folded over. There is wrinkling on the borders, pinholes in the field, a small hole in the bottom border and small edge tears on two folds. Fine/Very Fine.
How to Fish (RKO, 1942). One Sheet (27" X 41"). What grace! What form! When it came came to athletic ability, there was no one better than Goofy! During the 1940s and 1950s, Disney created several sports-themed shorts starring the loveable, laughable character. This one saw Goofy masterfully instruct viewers on the finer points of fly fishing, lake fishing and how to outsmart a trout. This original release one sheet had a tear in the top border, pinholes, and a small chip on the right edge. There was a bit of staining in the margins and in the image. All has been professionally restored and the poster now displays beautifully. Fine+ on Linen.
Snow White and the Seven Dwarfs (RKO, 1937). Half Sheet (22" X 28") Style B. This film was such a huge success that it not only saved the company financially, but also laid the foundation for the animation empire that was to follow. "Disney's Folly" was such a significant screen innovation that it was given a special Oscar (and seven tiny versions) in 1939. This lovely, professionally paper backed, Style B half sheet, has minor surface wrinkles, mild corner bumps, and edge wear with tiny tears. There are larger tears on either side of the middle fold line repaired with tape on the reverse, with slightly visible restoration touch-up. Excellent color. Fine+ on Paper.
Snow White and the Seven Dwarfs (RKO, 1937). Argentinean Poster (29" X 43"). Inspirational to such diverse filmmakers as Sergei Eisenstein and Roman Polanski, the first animated film selected for the National Film Registry started life with the unfortunate nickname "Disney's Folly." Even Walt's wife said, "No one's ever gonna pay a dime to see a dwarf picture." This lovely poster has the famous Style C artwork featuring Snow White fleeing the murderous huntsman beautifully illustrated by Gustaf Tenggren. This Argentinean poster has pinholes, and fold wear with minor separations. It has been mounted on linen. Beautiful stone litho artwork of the eight title characters. Very Fine on Linen.
Snow White and the Seven Dwarfs (RKO, 1937). Lobby Card (11" X 14"). This is a beautiful lobby from the original set and is often called the "Bier Card." Lovely Snow White lays in sleep in the German Bier or bed and watched over by the dwarves. This lobby card has an edge tear with archival tape on the back and small pieces of paper tape on the back. All of the characters are present in this beautiful card with gorgeous color. Very Fine+.
Snow White and the Seven Dwarfs (RKO, 1937). Lobby Card (11" X 14"). This spine-tingling lobby card has a creepy image of the Wicked Witch mixing up her brew. This card has a 5.5" clean razor cut in the middle of the image which has been well repaired, and there has been some work to two of the three corners as well. The upper border was badly crimped at some point and that has been repaired. All restoration was professional done, giving this rarity an excellent appearance. A great image from a truly great film. Fine-.
Snow White and the Seven Dwarfs (RKO, 1937). Poster (40" X 60"). There's rare, there's very rare, and then there's "Wow." This incredible poster definitely belongs in the latter category. As is commonly known, "Snow White and the Seven Dwarfs" was a film that Walt Disney made over the objections of nearly everyone around him. No one thought that the movie-going public would accept a feature-length cartoon, and Walt's brother Roy, who was also his business partner, was aghast when Walt told him he could do the film for $250,000 - ten times the cost of the average short the studio was used to producing. When the budget ballooned to over $1.5 million - Walt actually mortgaged his house to keep production going - the film earned the sobriquet "Walt's Folly," and naysayers predicted that the ambitious project would bankrupt the still young studio. Walt's vision proved them all wrong, of course, and "Snow White" went on to become the top-grossing film of 1938, and, for a while, the top-grossing film of all time, until it was supplanted by "Gone with the Wind" in 1939. It has since become one of the most beloved films of all time, thrilling audiences young and old for generations. Offered here is the exceptionally rare 40" X 60" poster. These oversized pieces were typically intended for front-of-house displays, or for use as standees and, due to their large, difficult-to-store size and fragile paper-stock, were rarely saved. That this one has survived nearly seven decades is nothing short of a miracle, especially considering the thin, glossy photo paper on which it's printed (posters of this size were usually printed on heavier stock, but Disney obviously wanted to emphasize the artwork and the colors in this beauty, leading him to use a photogelatin process that required the more fragile paper). Notice the photo from the original press book (which is not available as part of this lot) which pictures the 40" X 60" available at a whooping $1.25 apiece to theater owners. That was a tremendous amount of money for a poster at that time and undoubtedly few were ordered by the exhibitor. This breathtaking image, featuring artwork by animator Grim Natwick and art director Gustav Tenggren, practically tells the movie's story in its entirety, with delicate watercolor scene images surrounding a gathering of all the characters. Unrestored, the only flaws are several minor pinholes around the border. Other than that, this remarkable find is unblemished, making it a highly desirable piece for anyone who loves this eternal classic. Rolled, Very Fine+.
Pinocchio (RKO, 1940). Poster (40" X 60"). After "Snow White and the Seven Dwarfs" proved that animated features could be wildly successful, Walt Disney began this film, based on the book by Italian writer Carlo Collodi. The production was not easy -- Disney shut it down about halfway through and started over when he was unhappy with the form it was taking. Due to Disney's vision and dedication to the project, the film has come to be recognized as Disney's masterpiece of animation. This fabulous original release 40" X 60" poster had been folded and shows wear on the fold lines with several of the folds showing some chipping. It has been mounted on linen and professionally restored, leaving it with a beautiful appearance. One of only two known in this size, it features wonderful artwork of all the major characters. Fine- on Linen.
Pinocchio (RKO, 1940). Three Sheet (41" X 81") Style A. In the late 1930s, Walt Disney tried to maneuver his animation studio into feature-length films, and this fairy tale was the second film in Disney's transition from shorts. This three sheet rarely surfaces and has had restoration which includes some chipping from the borders and some minor paper loss at several of the crossfolds. There is a bit of loss within Geppetto's right thumb. There was some minor paper loss at the bottom of the top panel, where the two panels join. There is some fold separation which has been touched-up. All in all the restoration on this piece was very well done and the poster appears in magnificent condition. Very Fine on Linen.
Pinocchio (RKO, 1940). Three Sheet (41" X 81") Style B. This is Walt Disney's classic story of a little puppet that wants to be a real boy. In the late 1930s, Walt Disney tried to maneuver his animation studio into feature-length films, and this fairy tale was the second film in Disney's transition from shorts. This beautiful poster has only a few wrinkles in the linen and a few very minor color touch ups to three center points. You just don't see vintage Disney posters in this condition as they were frequently reused for each reissue of the film. Very Fine+ on Linen.
Fantasia (RKO, 1940). Argentinean Poster (29" X 43"). By the late 1930s, Mickey Mouse's popularity was beginning to wane, so Walt Disney came up with the idea of a comeback short for his favorite character. The result was "The Sorcerer's Apprentice," but the expense was such that it was decided to expand the short to feature length with other classical sequences. This Argentinean poster has pinholes, edge wear with small tears, tanning, and very light fold wear. The poster has been mounted on linen and professionally restored. Wonderful stone litho artwork of many of the characters from the film, including Mickey. Very Fine+ on Linen.
Dumbo (RKO, 1941). Title Lobby Card (11" X 14"). Many sources from the Disney company claimed that this was Walt's favorite animated feature. This title card has a small crumple at the top left margin and a 3/4" tear. There is faint foxing along the right edge and a few very light smudges in the borders. The relative scarcity of any paper from this title and the overall beautiful condition of this piece makes it a real gem. Very Fine-.
Dumbo (RKO, 1941). Lobby Card (11" X 14"). "Dumbo! The ninth wonder of the univoise! The world's only flyin' elephant!" Timothy Q. Mouse has great plans for his friend with the big ears, even if all of the rest of the circus makes fun of him. Walt had no interest in the baby elephant story pitched by his animators until they placed installments of the story on his desk every morning. Each installment would advance the storyline one day at a time. Disney became intrigued and a classic was made. This lobby card has a small edge tear and slight corner bumps, but is otherwise in mint condition. Near Mint-.
Dumbo (RKO, 1941). Lobby Cards (2) (11" X 14"). The initial release for this Disney tale of a magical baby elephant outgrossed the previous two Disney animated features combined. The circus train card has some light smudges along the lower margin, while the elephant card has light edge wear with a corner crease and a dust shadow. Outside of these truly miniscule imperfections both cards would easily be graded as mint. Very Fine.
Dumbo (RKO, 1941). Lobby Cards (2) (11" X 14"). RKO tried unsuccessfully to pressure Walt Disney into releasing this animated classic as part of another program. The studio feared that its 64-minute length was too short for a feature release. The two cards have some minor edge wear with corner creases, and a dust shadow along the right margin edge. The slight flaws don't detract from the general great condition of these scarce treasures. Very Fine.
Song of the South (RKO, 1946). French Grande (47" X 63"). Sometimes a film poster tells you much more than what the film is about. This is such a poster. "Song of the South" was the first live-action dramatic film made by Walt Disney. That's James Baskett, Bobby Driscoll, and Luana Patten featured in wonderful artwork by prolific French artist Boris Grinsson. Sidney Poitier is often credited with being the first male of African descent to win an Oscar, as he took home the Best Actor statue for "Lilies of the Field" in 1963, but Baskett, who received an Honorary Oscar in 1948, actually preceded Poitier in that regard by a number of years. Unfortunately, Baskett was not even allowed to attend the film's premier in Atlanta in 1946, as it was a segregated city at that time. Walt and company, fully aware of the racial tightrope they were walking, did everything in their power to keep the story pure and uncompromised. Still, as late as 2007, Movies.com lists this film as the fifth most controversial movie of all time! The poster itself is a stirring tribute to Walt's vision...that of a world of children as yet untainted by hate. Older restoration has addressed small chips in the crossfold and foldlines, and edge wear with small tears and wrinkles, resulting in a lovely poster. Fine- on Linen.
Alice in Wonderland (RKO, 1951). Six Sheet (81" X 81"). This wonderful Disney animated classic took five years to complete and includes fourteen songs, more than any previous Disney film. The movie is actually a combination of both of the "Alice" books written by Lewis Carroll. The voices were provided by Ed Wynn, Sterling Holloway, and Jerry Colonna, to name but a few. There were pinholes in the corners, wear along the edges and creasing in the field. A small hole had developed in the "o" in "Wonderland" and there was a rather long tear in the top left corner. Separations and paper loss had formed at the fold lines. A very nice restoration has repaired these imperfections leaving a beautiful appearance. Fine/Very Fine on Linen.
Alice in Wonderland (RKO, 1951). Argentinean Poster (29" X 43"). While still a struggling filmmaker in Kansas City, Walt Disney had Lewis Carroll's "Alice" books in mind. His last film before going to Hollywood was a combination live action-animation short called "Alice's Wonderland" and after opening Disney Brothers Studio, Walt produced more than fifty "Alice Comedies." His plans to make "Alice in Wonderland" the first feature length animated film fell through when Paramount came out with a live action version in 1933, but not before he had made Technicolor tests with Mary Pickford in the Alice role. This Argentinean poster has a number of pinholes, light edge wear and tears with a corner chip, and light fold wear with the border folded over at the top and right side. The poster has been mounted on linen with restoration. Beautiful stone litho artwork of most of the main characters. Very Fine- on Linen.
Alice in Wonderland (RKO, 1951). Half Sheet (22" X 28") Style A. Walt Disney's adaptation of Lewis Carroll's surreal and classic children's story remains a fan favorite with all of it's well drawn wacky characters. This scarce style "A" half sheet features Alice, The Mad Hatter, the hookah-smoking caterpillar, Tweedle Dee and Tweedle Dum, The Queen of Hearts and the conniving Cheshire Cat. The poster has been paperbacked to flatten the fold lines and there has been minimal airbrushing in the borders. Very Fine+ on Paper.
Alice in Wonderland (RKO, 1951). Insert (14" X 36"). Based on Lewis Carroll's children's story, Alice follows a white rabbit down a hole and into a surreal world of imagination that only animation could have created. This beautiful insert features some of the film's main characters, including Alice as she enjoys the insanity of the Mad Hatter's tea party. It has become one of the most desired Disney titles from the fifties. This poster also features the Cheshire Cat which was cropped out of the one sheet! Only minimal fold separations, edge wear with small dings in the upper middle border, and small stains in the lower right corner. There is a dust shadow in the bottom border and small stains in the title. Fine/Very Fine.
Lady and the Tramp (Buena Vista, 1955). Insert (14" X 36"). Walt Disney's first all-original animated feature story was also the first film that the studio did in Cinemascope. Ward Greene wrote a short story that was an inspiration for the film, but the plot line was created by Disney writers. Greene released a novelization of the film two years before it came out, so the story would be pre-sold to the public. This insert has edge wear and tears with corner chips, fold wear with wrinkling, smudges and stains, and tape scuffs. The poster has been mounted on linen, but no restoration has been done. It presents delightful images from the film, with some of the most exciting scenes included. Very Good+ on Linen.
Sleeping Beauty (Buena Vista, 1959). One Sheet (27" X 41") Style B. There are two styles of original issue one sheets for this classic Disney animation feature, and this Style B is the rarer of the two. It features a wonderful image of the forest's little creatures clustered around the feet of Princess Aurora as Prince Phillip looks on. It has pinholes and scattered light smudges in the image and the border. There is a cluster of small holes above the center left foldline which have been painted in. Restoration has dealt with these issues effectively, and the poster displays beautifully. Very Fine- on Linen.
The Jungle Book (Buena Vista, 1967). One Sheet (27" X 41") and Half Sheet (22" X 28"). Walt Disney died during the production of this animated adaptation of Kipling's India stories, marking the end of an era. However, its box-office success kept the Disney animation division going strong. The beautiful one sheet in this lot has been tri-folded and shows only very slight fold wear. Likewise, the half sheet has a soft bump in the top edge and some extremely slight rolling at the corners. Together they make up the "bear" necessities for the Disney collector. Grade for the lot is Near Mint+.
Football Thrills (MGM, 1950). One Sheet (27" X 41"). One of more than 150 Pete Smith Specialties, this 9th installment of "Football Thrills" featured gridiron highlights from the 1945-1946 season. There is a chip in the top left corner and fold separations have formed with minor paper loss. But these flaws in no way distract from the action-packed color artwork. Very Good/Fine.
Rose Bowl (Paramount, 1936). Mini Window Card (8" X 14"). High school football stars Tom Brown and Benny Baker try to make a splash when they get to college, but unfortunately, jock Buster Crabbe stands in their way. Real footage of the 1936 Rose Bowl is included. This midget window card has a corner chip, light tanning in a vertical line through the title, a couple of punch holes on the right side, and a theater stamp in the imprint area. Fun artwork with bold, bright color. From the Collection of Denver Sherry. Fine+.
Demo Derby (Pike Productions, 1963). One Sheet (27" X 41"). James A. Pike cast his son Travis in this 28-minute featurette based on a story idea and the title song written by Travis, then an up-and-coming singer/songwriter. Travis had joined the Army and was in Germany when the film opened with "Robin and the Seven Hoods" in Boston. It would later be paired with The Beatles' "A Hard Day's Night" in wide distribution. Staple holes, small edge tears and a chip out of the upper left field have all been painted in on this poster, as well as the small cross fold separations. A few faint smudges are visible. This wonderful one sheet perfectly reflects the burgeoning rebellion of 1960s youth encapsulated in the demolition derby. Very Fine on Linen.
The Pride of the Yankees (RKO, 1942). Lobby Card Set of 8 (11" X 14"). In the history of film, very few made about the national pastime of baseball have done well. This is one of those rare exceptions. Though star Gary Cooper threw with the wrong hand, requiring the film to be flipped, so that players had to run from home to third and wear uniforms with reversed numbers, he portrayed Lou Gehrig with great dignity, and his romantic scenes with Teresa Wright as Gehrig's wife were warm and honest. This rare and great set of cards from this classic, of course, features the very collectable Babe Ruth card, which we have sold for over $700 alone, in the past! Other than pinholes and minor corner wear this set is in splendid condition. Very Fine.
The Pride of the Yankees (RKO, 1942). One Sheet (27" X 41"). We're very pleased to finally fill a long standing request from many collectors; an original issue one sheet for one of the greatest baseball films ever made. This classic sports saga about the 'Iron Horse', Lou Gehrig, starred Gary Cooper and Babe Ruth, turning in a quite competent supporting role. Garnering eleven Oscar nominations, it was solidly directed by Sam Wood, a brilliant and often overlooked director who directed some of the best scenes in "Gone With the Wind." There has been professional restoration for chips along the left border, fold separations with slight paper loss, an extra fold in the top field, and pinholes. Fine+ on Linen.
The Pride of the Yankees (RKO, R-1949). One Sheet (27" X 41"). This poster represents one of those rare events where the reissue one sheet is better than the original and much more collectible as well. When the film was originally released in 1942, the posters featured Gary Cooper and Teresa Wright alone. Babe Ruth was not depicted on the originals. Luckily, the studio realized the mistake of not picturing the icon on the original posters and when the film was reissued, they corrected the error of their ways. This poster is highly sought after by both movie fans and collectors of America's favorite pastime. The poster has had restoration to some minor chipping in the borders and some color touch to the fold lines. There has been repair to Cooper's chin and a seven inch tear from Cooper's forehead down below his right eye. The restoration is "first rate" and only noticeable on close inspection. Fine on Linen.
Safe at Home (Columbia, 1962). Lobby Cards (2) (11" X 14"). At the time of this film's release, Mickey Mantle and Roger Maris were coming off one of the most exciting slugging seasons in baseball history. Maris broke Babe Ruth's 34-year-old record for home runs in a year, with Mantle close behind him. "Safe at Home" played off their popularity by putting them into a story of a Little Leaguer, Bryan Russell, who brags too much to his teammates. These lobby cards only have a few minor smudges. Two of the best cards in the set, with the three stars joined by William Frawley in the last film of a career that started in 1916. Near Mint.
Anybody's Blonde (Action Pictures, 1931). One Sheet (27" X 41"). Dorothy Revier was a silent screen vamp who was best known for her role in "The Iron Mask" with Douglas Fairbanks. She made a successful transition to sound, but found herself the "Queen of Poverty Row." Two years after her last silent, she starred in this boxing picture about a journalist searching for the murderer of her brother. Very light stain on the bottom edge and light folds. The poster is in amazing condition for its age! Very Fine/Near Mint.
Golden Age (1938-1955)
Big City (MGM, 1937). Lobby Card Set of 8 (11" X 14"). This MGM film is an urban melodrama which takes place during a "taxi war" between honest independent cabdrivers and graft-ridden taxi monopolies. Looking for a scapegoat for a recent gangland bombing, crooked city officials deport the foreign wife (Luise Rainer) of rabble-rousing cabbie Spencer Tracy. Desperately seeking a reprieve for his wife, Tracy goes to the mayor, who is in the process of addressing a banquet of retired boxers. The ex-pugilists take Tracy's side, head down to the wharf to pummel the gangsters responsible for the bombing, and rescue the hero's wife from being shipped back to her homeland. The fighters were guest stars Jack Dempsey, James J. Jeffries, Jim Thorpe, Bull Montana, Gus Sonnenberg, and "Slapsie Maxie" Rosenbloom. The title card and one of the scene cards has some water staining. Two of the cards have a corner off. There are pinholes and minor blemishes on the other cards. Fine+.
Movie Posters
Daredevil Jack (Pathe', 1920). Lobby Cards (2) (11" X 14"). "Daredevil Jack" was a major hit for both Pathé and Jack Dempsey. Lon Chaney himself (in his only serial) portrayed a lead villain and also served as Dempsey's make-up artist. Chaney did a complete "straight" make-up on him, including fixing his disfigured nose with putty, giving it a straight appearance. These two super rare cards, from Chapters 1 and 4, both feature Dempsey. They have been professionally restored for minor pinholes, mild edge wear with a tiny chip in the top border, a stain on the back, and minor corner bumps. Very Fine+.
Session 4
The Big Trail (Fox, 1930). Lobby Card (11" X 14"). One of very few widescreen productions filmed at the dawn of the talkies, "The Big Trail" was dismissed by reviewers of the day, little seen, and soon shelved and forgotten -- for more than half a century. Before filming even began, behind-the-scenes crew member and on-the-spot extra, Marion Michael Morrison, was spotted by director Raoul Walsh. He took the inexperienced actor under his wing, changed his name, and John Wayne was born. Very Fine-.
The Big Stampede (Vitagraph, 1932). Title Lobby Card (11" X 14"). Nothing says 'Western' like a really rare 1932 title card with a young John Wayne, squint-sighting down the barrel of a six-shooter, behind a boulder, rescuing a cowgirl in distress! That's lovely Mae Madison beside Wayne, and she had driven straight from the set of this Western to swim for Busby Berkeley in one of the greatest water ballets ever filmed in "Gold Diggers of 1933." We bet this one's missing from your Wayne collection. The card has pinholes, edge wear with tiny border tears and corner bumps. There is slight border soiling, faint stains in the top left and left borders, and a smudge in the name and title. Fine/Very Fine.
Somewhere in Sonora (Vitagraph, 1933). Title Lobby Card (11" X 14"). John Wayne, America's greatest Western star, appears on this extremely rare title card from one of his earliest B Westerns. The title cards from these early Warner/Vitagraph films are rarely offered on the market, and this example is particularly nice with one pinhole in each corner, some slight wear to the corners, and a bit of "indenting" of the letters "BB" in the lower right white background. The card also has a one inch tear in the center of the upper border and some tiny pinholes and tears in the edges that have been repaired with tape on the reverse. Overall, these defects do not distract from the beauty of this card. Fine+.
Riders of Destiny (Monogram, 1933). One Sheet (27" X 41"). This was John Wayne's first of sixteen Westerns for Monogram - he plays Singin' Sandy Saunders, a supposed drifter who comes upon a "staged" stage robbery - Cecilia Parker is stealing her own money in order to prevent a phony stage holdup further down the road. Sandy soon reveals himself to be a government agent in disguise. George "Gabby" Hayes also appears (as Parker's father) in this early Wayne Western. This one sheet has several edge tears, as well as missing paper on the border. There is fold wear with tears and chips on the fold lines, and a few scuffs. The entire border was airbrushed during restoration, and the poster has been mounted on linen. This gorgeous stone litho poster displays very nicely. Fine- on Linen.
Riders of Destiny (Monogram, 1933). Lobby Card (11" X 14"). Between 1933 and 1935, John Wayne made sixteen "B" oaters for Monogram, starting with this one. Playing Singin' Sandy Saunders, Wayne opens his mouth several times during the course of the film, and a relatively nice voice comes out. For years it was believed that bandleader Smith Ballew dubbed the songs for Wayne, but more recent evidence points to the son of director Robert Bradbury. The idea of trying to make Wayne a singing cowboy ended very quickly after this film. This hand tinted, early lobby card shows some signs of wear which include a hole in the lower right corner and some rusted holes in the other three corners. Very Good.
The Desert Trail (Monogram, 1935). Lobby Cards (2) (11" X 14"). In one of his later Lone Star Westerns, John Wayne is falsely accused of a holdup involving murder at a rodeo. He flees to another town and assumes a new identity in order to track down the real killer. Two great shots of Wayne are featured in this lobby card lot. The cards have rounded corners, pinholes, a couple of small edge tears and a small number "1935" pasted on the bottom right corner. Fine/Very Fine.
Blue Steel (Monogram, 1934). Stock One Sheet (27" X 41"). This was a relatively early film in John Wayne's career; "Stagecoach," the movie that would make him a star of the first order, was still several years in his future. "Blue Steel" was made during the years that Wayne was churning out B Westerns for Monogram - in this one he comes up against bad guy Yakima Canutt, best known as one of the leading stuntmen of the serial era. There's even a role for George Hayes - before he took the nickname "Gabby" - as the town sheriff. This gorgeous stone litho stock one sheet shows some fold wear and minor crossfold separation and some minor edge chipping around the borders. Professional restoration and linen backing has corrected these slight issues, resulting in a truly stunning piece. Fine on Linen.
The Trail Beyond (Monogram, 1934). Lobby Card (11" X 14"). Stunning location backgrounds filmed around Mammoth Lakes, California set this film firmly apart from most of the other "poverty row" Westerns in which Wayne found himself stuck between "The Big Trail" (1930) and "Stagecoach" (1939). This is a great portrait shot of the young Wayne and Noah Beery, Jr., Wallace Beery's nephew and would-be-star of "The Rockford Files." This card is unused and in superb condition. Near Mint-.
The Trail Beyond (Monogram, 1934). Lobby Card (11" X 14"). This Lone Star Western, released by Monogram, starred a young John Wayne helping an old family friend find his long-lost brother and niece. Traveling by train to the Canadian Northwest, Rod Drew (Wayne) is reacquainted with old school chum Wabi (Noah Beery, Jr.) a "half-breed" falsely accused of shooting a card shark. This rare card pictures both Wayne and Beery, and displays outstanding color. Only light border smudges, and a slight smudge in the bottom title box keep this desirable card from an even higher grade. Very Fine+.
The Trail Beyond (Monogram, 1934). Title Lobby Card (11" X 14"). John Wayne stars in this tale of two rough adventurers who journey to the Northwest in search of gold. Their plans are temporarily sidetracked when they happen upon a kidnapped girl. Noah Beery, Jr. and Verna Hillie co-star; Noah Beery, Sr. has a small role as well. This is a gorgeous early title card, and a must have for the John Wayne collector. This card is in excellent, unrestored condition. Near Mint-.
The New Frontier (Republic, 1935). Title Lobby Card (11" X 14"). When Monogram studios merged with Lone Star Productions and several other producers to form Republic Studios in 1935, John Wayne was one of the stars used to launch the new franchise. This Western was Wayne's second with Republic, a studio with which he would remain until the early 1950s. Republic produced some of the most attractive 1930s lobby cards and posters, and this beautiful example is what makes them so collectible. In spectacular condition, they don't get much better than this. Very Fine/Near Mint.
The New Frontier (Republic, 1935). Lobby Card (11" X 14"). After making a big splash with his starring role in the epic Western "The Big Trail," John Wayne was hired by Warner Brothers to appear in remakes of silent star Ken Maynard's films. After several movies that fared poorly at the box-office, Wayne moved on to the "poverty row" studios, where entire "B" features were typically turned out in a week to ten days! This Republic picture was just such a film. This card has the most minor soiling within the border and a bent upper right corner. Very Fine.
The New Frontier (Republic, 1935). Lobby Card (11" X 14"). As can clearly be seen in this early John Wayne lobby card, the hues used by the printers to colorize their black and white stills were almost cartoon-like. However, the vibrancy of the colors lends a tremendous amount of charm and beauty to these gorgeous images. This card has only the most minor wear visible, retaining a high degree of eye-appeal. Very Fine/Near Mint.
The New Frontier (Republic, 1935). Lobby Card (11" X 14"). Offered in this lot is a beautiful lobby card in excellent condition from John Wayne's second film with the newly formed Republic Studios. Very Fine/Near Mint.
The New Frontier (Republic, 1935). Lobby Cards (2) (11" X 14"). John Wayne goes up against a nasty vice lord in this, his second Western under the new Republic Pictures banner, which was filmed at Lone Pine, California using plenty of stock footage from Ken Maynard's silent era picture, "The Red Raiders" (1927). This lot contains two beautiful lobby cards from the film. The card featuring Wayne is in very nice condition. The "dead" card has a three inch tear from the top border into the image. It also has minor wear within the borders and corners. Very Fine.
The New Frontier (Republic, 1935). Lobby Cards (2) (11" X 14"). In 1995, more than a decade after his death, a public opinion poll revealed "The Duke" was still America's most popular star, surpassing Clint Eastwood, Mel Gibson, Tom Hanks, and other contemporary screen actors. John Wayne had almost sixty films under his belt at the time this picture was released in 1935, and would eventually make over 170 films in his lifetime. Both cards in this lot are in excellent condition. Very Fine/Near Mint.
The Oregon Trail (Republic, 1936). Lobby Card (11" X 14"). Though released by Republic, "The Oregon Trail' was actually filmed by the Lone Star unit at Monogram. It was basically a thrifty re-do of "The Big Trail" courtesy of a ream of stock footage. The Duke leads a wagon train through the rugged frontier while keeping both eyes peeled for the man who murdered his father. The film itself is one of the only early Wayne films not available on DVD and is considered "lost." So this rare lobby card may be as close as we get, with a great shot of Wayne and his trail buddies. Only mild edge wear with small dings in the lower left and right borders, minor corner bumps, a small crease in the upper left corner, and a light crease in the top right border. Excellent color. Fine+.
The Lonely Trail (Republic, 1936). Title Lobby Card and Lobby Card (11" X 14"). Herbert Yates, the Republic Boss, came to Hollywood from New York City where he was a stockbroker and began Monogram Studios. His "formula" for making money in the film industry was actually quite simple: "a film should make back at least three times of what it costs to make". Thanks to a bankable and dependable John Wayne, Yates was seldom disappointed. Posters from these early Republic films have always been hard to find, and are becoming even more so. This lot contains two rare cards, the title card and a portrait card of Wayne escaping from jail. The title card shows tears in the top center border with tape on the back, and a tape stain on the bottom right border, along with edge wear with a tiny tear, and corner bumps with small creases. The scene card has only a light dust shadow in the upper right border, and a light top border smudge. This is a great opportunity for the John Wayne collector. Fine/Very Fine.
Winds of the Wasteland (Republic, 1936). Lobby Card (11" X 14"). This early Western from 1936 stars John Wayne as one of two rugged Westerners with little business experience who buy a stagecoach line to compete with the arrival of the telegraph line. This card is in fabulous condition with only four pinholes, two in the lower border and two in the upper corners of the image. Very Fine+.
Born To the West (Paramount, 1937). Lobby Card (11" X 14"). Also known as "Hell Town," this action-packed Western was one of the last B-movies John Wayne would star in. Not long after the release of "Born to the West," Wayne would find his break-out role in "Stagecoach," a film that would redefine the Western genre and make Wayne a star of the first magnitude. Undeniably, however, Wayne's star power was on full display before that, as evidenced in this classic adaptation of a Zane Grey story, for which Wayne was loaned to Paramount from rival studio Republic. The beautiful portrait card, featuring Wayne in all his cowboy glory, shows pinholes in the corners, as well as a corner bend in the upper left, and a pinhole in the bottom center border. A pinhole in the top center border has been repaired. These are minor flaws, however, that do nothing to diminish the incredible eye appeal of this Western gem. Fine/Very Fine.
Pals of the Saddle (Republic, 1938). Lobby Card (11" X 14"). John Wayne joins Ray Corrigan and Max Terhune for his first "Three Mesquiteers" Western adventure, and they produced one of the better efforts in the series. This great card features all three stars and shows slight imperfections such as pinholes in the corners. The card displays beautifully. Very Fine.
The Night Riders (Republic, 1936). Lobby Card (11" X 14"). This is one of the very best 1930s John Wayne portrait cards, offered here in a grade we all dream of. The plot of this film was an intriguing basis for a B Western, based upon the story of James Addison Reavis, a 19th-century con artist who declared himself owner of the state of Arizona, and got his claims backed by the court! The beauty beside Wayne is Ruth Rogers, who was discovered by a talent agent while working as a cashier. Only a very light corner crease in the lower right mars this beauty, which displays exceptionally fresh color. Near Mint-.
Stagecoach (United Artists, R-1948). Lobby Cards (5) (11" X 14"). John Ford's Western masterpiece made John Wayne a star after ten years of struggling in B films. In the original release cast line-up, Claire Trevor received billing over Wayne, but here in the 1948 reissue lobby cards, the order is reversed, due to Wayne's meteoric rise in stardom. This great lot features five cards from the set in a terrific grade, including two of the best cards, the iconic stagecoach scene with Wayne leaning out, and the Trevor/Wayne portrait card. There are only minor corner creases, light border soiling in the #2 card, and slight edge wear with tiny border tears. Fresh color. Very Fine.
Tall in the Saddle (RKO, 1944). Half Sheet (22" X 28"). John Wayne to the rescue. As Rocklin, a cowboy who arrives at a ranch to take over as foreman, he discovers the owner has been murdered, and soon learns of a scheme to swindle the ranch away from its rightful owner. But the Duke solves the mystery and saves the ranch. Paper-backed, this half sheet shows just a touch of sun fading and a few scattered wrinkles. There is minor edge wear, and a number of small chips in the credits, the lower border, and near the horse's mouth have been repaired. Two fine shots of Wayne and Ella Raines together. Very Fine- on Paper.
Angel and the Badman (Republic, 1947). Insert (14" X 36"). This was the first film that John Wayne personally produced and it tells the story of a wounded outlaw, Quirt Evens, who is sheltered by a Quaker family. Gail Russell portrays Penelope Worth, a Quaker girl who nurses Wayne back to health and converts him from his outlaw ways. The film also stars Harry Carey, the sheriff who's determined to bring Wayne to justice. The posters for this title have always been difficult to find and this insert is perhaps the best poster from the title. There are pinholes in the borders and the upper corner has been replaced. The poster has been professionally paperbacked and displays beautifully. Fine- on Paper.
Angel and the Badman (Republic, 1947). One Sheet (27" X 41"). John Wayne produced this tale of violence and the redemptive power of love. He plays a wounded outlaw nursed back to health by a Quaker family. His outlook on the world begins to change, but he still has a mission of revenge on his mind. Minimal cross fold separations, a fold in the bottom left field, pinholes, and a corner chip in the bottom right. Professional restoration to address minor smudges and soiling have rendered this great 'Duke' poster ready to display. This is by far the rarest John Wayne one sheet of any of his post-war films. We have only seen a handful of these one sheets over many years and this has to be one of the cleanest copies known. Very Fine- on Linen.
Fort Apache (RKO, 1948). Insert (14" X 36"). John Wayne stars in this classic Western from director John Ford. This was the second film in Ford's Cavalry Trilogy that also included, "She Wore a Yellow Ribbon" and "Rio Grande." Posters on this title are the rarest in the series and this insert has one of the best images. This example shows signs of use including some light smudging, some minor border tears, pinholes, and creasing. Besides the usual middle horizontal fold, the poster shows several additional horizontal creases throughout. Fine-.
Red River (United Artists, 1948). Insert (14" X 36"). Montgomery Clift, in his first film, brought a new kind of hero to the screen -- a man who could be tough when needed, but was not afraid to show a certain vulnerability. Paired with old school John Wayne in this seminal Western, the two actors brought just the right conflict of styles to the story of a schism between a cattle rancher and his adopted son. This insert has a few pinholes, minor edge wear with cellophane and paper tape on the back, and extra horizontal folds. Dynamic artwork of the three stars on this rare poster. Fine+.
Red River (United Artists, 1948). One Sheet (27" X 41"). The great American Western didn't get any better than when Howard Hawks cast John Wayne, Montgomery Clift, and Walter Brennan in this classic film about a cattle baron who turns on his adopted son during a cattle drive. Wayne, usually cast as an icon of Western virtue, went against type in this film and proved a far better actor than he'd been considered by critics to date. This uncommon one sheet has minor chips along the fold lines and pinholes. Very Good/Fine on Linen.
Three Godfathers (MGM, 1948). Insert (14" X 36"). John Wayne headlines this John Ford film as the desperate leader of a trio of bank robbers who happen upon a caravan. A woman lies dying after just delivering a baby and extracts a promise from the three desperados to take care of her infant. This riveting and heart-felt Western featured the usual John Ford repertoire of players including Pedro Armendariz, Harry Carey, Jr., Ward Bond and Ben Johnson. The Tomaso artwork on this poster is stunning. This example has pinholes in the corners, a bit of wear to the upper left edge, and a slight bit of separation on the middle fold line. Get this great poster to a classic Western now. Very Fine-.
Three Godfathers (MGM, 1948). Lobby Card Set of 8 (11" X 14"). The godfathers of the title are a trio of bank robbers -- John Wayne, Pedro Armendariz and Harry Carey, Jr. -- who are on the run from lawman Ward Bond. In the desert, they find mother-to-be Mildred Natwick who, before she dies, makes them promise to take care of her baby. This lobby set has edge wear and tears with tape stains, smudges and scuffs, and creases. A fabulous set, with Wayne featured on all eight cards. Fine+.
Hondo (Warner Brothers, 1953). Lobby Cards (7) (11" X 14"). A very loose Western adaptation of "Hamlet," this John Wayne film was shot in 3-D and was one of the first to be shown on television in that process. After unknowingly killing Geraldine Page's husband, Wayne returns to her ranch to protect her and her son from an impending Apache raid. This lobby set has a pinholes, minor edge wear with corner creases, and scuffs. There is general wear to the set and one of which has a small bit of masking tape on front and back. As many of you know, there was no title card on most of these 1950s Warner Brothers sets, and this is one of Wayne's best sets from those years! Fine.
The Searchers (Warner Brothers, 1956). One Sheet (27" X 41"). This true classic of the American cinema is considered by many to be one of the greatest Westerns ever made. Director John Ford's film of a war weary ex-Confederate soldier who becomes obsessed with hunting down the Comanche tribe who has massacred his family and kidnapped his young niece, has been copied by many, but never equaled. John Wayne gives the performance of his career, in the role he claimed to be his favorite, as Ethan Edwards. There are pinholes in the corners, minor fold separations, fold wear, and small chips in the upper left borders. These issues were all expertly addressed in restoration and the poster now displays as near mint. Great color and registration. These posters get harder to find every year, so don't keep up your search, bid now! Very Fine- on Linen.
The Searchers (Warner Brothers, 1956). Japanese Speed (9.25" X 20.5"). Following the massacre of his family and kidnapping of his niece, a Confederate soldier (John Wayne) begins a 5-year search for the Indian tribe responsible. Filled with hate for all Native Americans, he is accompanied on the journey by his nephew who is part Indian(Jeffrey Hunter). This small format Japanese poster has been folded and shows signs of fold wear and scuffing on the front. The reverse has information about the film printed in Japanese and a bit of light staining. There is also a thin line of staining along the edges. This is a magnificent panorama of the original artwork which we have never seen! Fine.
The Searchers (Warner Brothers, 1956). Color Stills (2) (8" X 10"). This lot consists of two color stills from the original set of 12. The #5 still, featuring John Wayne and Jeffrey Hunter in silhouette against the backdrop of Monument Valley, is as pure a John Ford scene as was ever created. The #12 still is the only one featuring a closeup of the iconic screen legend and cowboy: John Wayne. These are the two most desirable stills from the set and they have the most minimal wear showing to the edges. It is rare to find them in this condition as, the protective coating on the stills is usually peeling off. In this instance, both are still very solid examples. Very Fine/Near Mint.
Rio Bravo (Warner Brothers, 1959). One Sheet (27" X 41"). Howard Hawks directed this legendary Western with his usual bravado. John Wayne enlists the aid of Walter Brennan, Dean Martin, and rock idol Ricky Nelson to keep a murderer from escaping their jail. Simply stated, this Western is one of the true classics and for some unknown reason, the posters have always been very difficult to acquire. This poster had repairs at the fold line intersections, slight border tears, pinholes, and trivial paper loss on the reverse. Expert restoration renders these defects virtually impossible to detect, and the poster displays very well. Very Fine- on Linen.
Rio Bravo (Warner Brothers, 1959). Japanese B2 (20" X 29"). Though this film would be re-made several times ("El Dorado," "Rio Lobo"), the original is still the best! John Wayne must rely on the help of an old man (Walter Brennan), a gunslinger (Ricky Nelson) and an alcoholic (Dean Martin) to keep a murderer behind bars. The image of Wayne, Martin and Nelson on this Japanese poster may be the best used for the film. A small stain is visible in the top border and there is very light edge and fold wear. Folded, Very Fine+.
The Horse Soldiers (United Artists, 1959). Japanese B2 (20" X 29"). A Union cavalry regiment led by a former railroad designer (John Wayne), is sent on a raid behind Confederate lines to destroy a railroad and supply depot. But Wayne runs into trouble when he finds himself constantly at odds with the new regimental surgeon, Major Henry Kendall (William Holden). This beautiful poster has minor corner bumps and creases and a few small edge tears. There is light staining at the top of the image and just the faintest wrinkling. We've never seen this original Japanese poster for the film and think its layout of the original artwork is fantastic. Rolled, Fine/Very Fine.
The Man Who Shot Liberty Valance (Paramount, 1962). Lobby Card Set of 8 (11" X 14"). "When the Legend becomes fact, print the Legend." What Western fan can forget this line from John Ford's most complete vision about the passing of the old west? Highlighted by a stellar cast and a "Citizen Kane"-like storyline, the film tells of an aging senator, famous for killing a notorious outlaw, who mysteriously returns to Shinbone for the funeral of a homeless man. This was the first time James Stewart and John Wayne were cast together, and this hard-to-find complete lobby set is offered in a terrific grade. Only minor dust shadows, and very faint foxing and tanning are evident. Very Fine/Near Mint.
Chisum (Warner Brothers, 1970). French Grande (47" X 63"). In this based-on-fact story, John Wayne plays John Simpson Chisum, a leading citizen of Lincoln, New Mexico who, with the aid of Pat Garrett (Glenn Corbett) and William "Billy the Kid" Bonny (Geoffrey Deuel), opposes ruthless land baron Lawrence Murphy (Forrest Tucker). Made at the zenith of Wayne's career, this is widely considered one of his better films. The French Grande offered here, boasting artwork by Mascii that is far superior to the American release paper, captures "The Duke" in all his heroic glory. It shows pinholes in the corners, small wormholes in the image area, edge splits, and fold wear with some crossfold separation. These very minor defects cannot detract from the incredible impact of this dynamic sheet, which is a piece any Wayne collector would be proud to own. Fine/Very Fine.
The Shootist (Paramount, 1976). Half Sheet (22" X 28"). John Wayne's final film was eerily analogous to the Duke's own career. Wayne plays John Bernard Books, an aging gunfighter who learns that he has cancer and comes to a small town to find a way to die with some dignity. Sadly, Wayne was himself dying of cancer at the time, and picked this, which was originally intended as a vehicle for George C. Scott, as his final film. James Stewart, Lauren Bacall, and Ron Howard head up the fine supporting cast. This gorgeous poster is the work of the famed artist Richard Amsel, and features a rugged portrait of the Duke. The poster has a small tear in the bottom border, tiny corner bumps, and a small tear in the lower left border. A great poster for Wayne's swan song and a very hard format to find. Rolled, Very Fine-.
Adventure's End (Universal, 1937). Title Lobby Card and Lobby Card (11" X 14"). John Wayne would make six films for Universal after taking a leave of absence from Republic, with bigger budgets, better supporting casts, and shown in better movie houses. This is the last of those, with Arthur Lubin, the budget conscious director of five of Wayne's six Universal pictures, recalling "we made this picture because there was an old boat on the Universal lot, and we could use that." This lot has a great title card with the entire starring cast featured with dramatic scenes from the film, and one of the best Wayne portrait cards you're going to see, with his beautiful co-star, Diana Gibson. The title card has pinholes, a light crease in the bottom center border, small vertical scratches on the image of Wayne, and a chip in the lower left corner. Also, there is a small chip in the left center border, a tear in the lower left corner, and paper tape on the back. The portrait card has a small ding in the bottom right border, pinholes, light smudge and small stains. Two very scarce cards and the portrait being one of Wayne's very best! Fine+.
Sea Spoilers (Universal, 1936). Title Lobby Card (11" X 14"). John Wayne is cast as the skipper of a Coast Guard cutter who is after a gang of seal poachers. During Wayne's year-long contract with Universal he did a variety of films, mostly non-Westerns. This gorgeous and scarce title card has several pinholes in the borders and some slight soiling in the upper border, but is otherwise very clean. Very Fine.
Reap the Wild Wind (Paramount, 1942). One Sheet (27" X 41"). In 1840s Key West, the world of ship salvage is a cutthroat business. Evil Raymond Massey tires of waiting for wrecks to happen, so he arranges them. John Wayne works for Massey, but after being rescued by rival salvager Paulette Goddard, he puts in with her and steamship company head Ray Milland to thwart Massey's schemes. This one sheet has pinholes and light fold wear with minor separations. The poster has been mounted on linen and beautifully restored. This C.B. DeMille classic one sheet is a treasure to behold. Very Fine on Linen.
Conflict (Universal, 1936). Mini Window Card (8" X 14"). John Wayne stars as a corrupt boxer who finally finds redemption when he adopts a young boy and tries to put his past behind him. His co-star is Jean Rogers, who was best known as Dale Arden in the "Flash Gordon" films with Buster Crabbe. This midget window card has a corner crease, tanning on the borders, and two clean punch holes on the right side from being mounted in a binder. There is a theater stamp in the imprint area, and a horse racing guide from a Seattle newspaper is attached to the reverse. Beautiful color on the nice shots of the three stars. From the Collection of Denver Sherry. Fine.
Platinum Age (1897-1937)
Allegheny Uprising (RKO, 1939). Lobby Cards (2) (11" X 14"). John Wayne and Claire Trevor star in this adventure film set in Colonial America. James Smith (Wayne) and his men must stop a shipment of supplies from reaching Indians who will use them to wage war. Scarce in any size, this lot offers two top cards, both with Wayne decked out completely in coonskin cap and fringed leather! There are pinholes, slight edge wear with small border tears, tape on the back, corner bumps with small chips, and tears in the upper left and top right borders. This is a scarce Wayne title to find anything on, much less two of the best cards from the set. Fine-.
Movie Posters
California Straight Ahead (Universal, 1937). Lobby Cards (3) (11" X 14"). This 1937 film about truck drivers starring John Wayne and directed by Arthur Lubin features a memorable cross-country train and truck race. These cards are some of the best from a John Wayne title of which paper has proven to be scarce. The portrait of the young Wayne and Louise Latimer is one of his better cards from the Universal series of the 1930s. The cards have minor imperfections such as tanning color, pin holes in one and slightly rounding corners. Fine/Very Fine.
The Quiet Man (Republic, 1952). Half Sheet (22" X 28") Style B. John Ford won a Best Director Oscar for "The Quiet Man," and it remained his favorite of all his films. He had to wait a number of years before he could make the picture in his homeland of Ireland, but when he did he used a virtual "who's who" of Ford players, including John Wayne, Maureen O'Hara, Victor McLaglen, and Ward Bond. To realize just how good this film was, consider that it was the only film ever made by Republic Pictures that would receive an Oscar nomination for Best Picture! One of the best pieces on the title, this scarce unfolded Style B half sheet is one of the only posters that shows Wayne and O'Hara in the infamous "hair dragging scene." There are only minor corner bumps, and mild edge wear with tiny tears in the border, repaired with paper tape on the back. There is a tear above the "Q" in the title and a small corner chip in the lower left corner. Excellent color. Rolled, Fine+.
The Quiet Man (Republic, 1952). Insert (14" X 36"). At the very end of John Ford's film tribute to Ireland, his home country, Maureen O'Hara whispers in John Wayne's ear, which elicits a genuinely shocked reaction. O'Hara agreed to the ad lib, but only on the condition that no one tell what was said. No one ever did, but she did admit in her autobiography that it was something she "couldn't possibly say to Duke." This insert has a few pinholes, light fold wear, and a few edge smudges. There is edge wear and tears with a chip that has a splice and paper tape on the back. Delightful images of the five leads. Fine+.
The High and the Mighty (Warner Brothers, 1954). Japanese B2 (20" X 29"). Troubles abound for passengers and crew aboard a Trans-Orient-Pacific DC-4 flight that develops engine problems over the ocean, causing a fuel leak. It's up to the flight crew of John Sullivan (Robert Stack) and Dan Roman (John Wayne) to pilot the passengers to safety. This brilliant Japanese poster features gorgeous images from the film. Several pinholes are present in the image and borders and there are small edge tears along with horizontal creases and wrinkling in the field. Fine.
Sands of Iwo Jima (Republic, 1950). One Sheet (27" X 41"). John Wayne's first Oscar nomination was for this WWII film directed by Allan Dwan. Wayne is a tough drill sergeant whose new squad hates his guts. Not until they face actual combat at Tarawa and Iwo Jima do they realize that his training methods were meant to save their lives. This one sheet has several pinholes, minor edge chips, and fold wear. The poster has been mounted on linen with restoration and displays well. This is one of Wayne's greatest roles and a hard to find a one sheet! Fine on Linen.
Sands of Iwo Jima (Republic, 1950). Lobby Card Set of 8 (11" X 14"). John Wayne stars in one of his best WWII films as Sgt. John Stryker, a tough drill instructor who must mold his group of jarheads into a fighting machine. One of the most memorable shots is the raising of the American flag on Mount Suribachi, a scene that was recreated by the men who were really there, with the real flag that they used on that day. This lobby set has a few pinholes and edge wear and tears with corner and edge chips and paper tape on the back. card #8 having a large lower right corner chip. Several of the cards have paper tape on the backside. Two of the cards have been inscribed, one by John Agar and the other by James Brown. Fine/Very Fine.
The Bridge on the River Kwai (Columbia, 1958). French Grande (46" X 63"). The bridge for this movie took four times as long as the real one to build and cost producer Sam Spiegel $250,000. The first take of the explosion scene was ruined when the dynamite failed to go off and the train wrecked on the other side of the bridge. Ultimately, the scene was finished, but the footage was temporarily lost on the way to London -- the film was found sitting in the sun at the Cairo airport, amazingly unharmed. This French Grande has pinholes, with minor chips, tape stains, and fold wear with tears. The poster has been mounted on linen with some extensive restoration work. This is a gorgeous image for a great Academy Award winning film, with stunning art by Jean Mascii. Fine on Linen.
British Agent (Warner Brothers, 1934). Swedish One Sheet (27.5" X 39.5"). Michael Curtiz directs Kay Francis and Leslie Howard in this love story set against the backdrop of the Russian Revolution. Howard is a British emissary to the Revolutionary government out to dissuade the Bolsheviks from signing a treaty with World War I Germany. The poster shows some minor edge wear and slight dust shadowing. Fabulous art-deco imagery on this beautiful poster. Rolled, Near Mint/Mint.
The Dirty Dozen (MGM, 1967). One Sheet (27" X 41"). Train them! Excite them! Arm them! Then turn them loose on the Nazis! One of the best-loved war films of all times boasts a stellar cast that includes Lee Marvin, Ernest Borgnine, Charles Bronson, John Cassavetes, Trini Lopez, Robert Ryan, Telly Savalas, and more. This spectacular one sheet features eye-popping artwork. This glorious example has pinpoint crossfold separations and light fold wear. Super-clean and bright white. Near Mint-.
The Great Escape (United Artists, 1963). Half Sheet (22" X 28"). The quintessential escape-from-prison movie, with an unforgettable score by Elmer Bernstein. Steve McQueen leads an unparalleled cast, which includes Richard Attenborough, James Garner, Charles Bronson, David McCallum, Donald Pleasence and James Donald. This excellent half sheet has a great image of the stars making a run for it. There are vertical folds in both the left and right borders, fold wear and pinholes in the borders. This is a wonderful format for this artwork and rarely seen. Fine+.
The Great Escape (United Artists, 1963). One Sheet (27" X 41"). "We have in effect put all our rotten eggs in one basket. And we intend to watch this basket carefully." With these words, Colonel von Luger explains the purpose of putting all the escape-prone POWs in one Stalag. Of course, that is just a challenge to Big X (Richard Attenborough) and the hundreds of men who strive to make the biggest break ever. One of the best POW films ever made, "The Great Escape" stars Steve McQueen, James Garner, Charles Bronson, Donald Pleasence, James Coburn and David McCallum in a rousing three-hour epic, based on a true story. This one sheet has pinholes and fold wear with minor tears and chips. There are creases and a tear in the lower left credits. The poster has been mounted on linen and professionally ,and magnificently restored. A wonderful image of the three stars leading the way. Fine+ on Linen.
Hitler's Madman (MGM, 1943). Mini Window Card (8" X 14"). Originally produced by PRC Studios, the buzz was so hot about this film before it was finished that MGM negotiated to pick up the distribution. During WWII the Nazi commander in Czechoslovakia, John Carradine, is assassinated by partisans. In retribution, the entire town of Lidice is wiped from the face of the Earth. This midget window card, which has lightly rounded corners, features a menacing image of the two stars. From the Collection of Denver Sherry. Near Mint+.
Confessions of a Nazi Spy (Warner Brothers, 1939). Mini Window Card (8" X 14"). The first openly anti-Nazi film from Hollywood prior to WWII was this tale of FBI agent Edward G. Robinson and his crusade to bring down a ring of Nazi spies operating in America. An indication of the success and influence of the film was the report that Adolf Hitler had plans to execute the filmmakers when he had won the war. This midget window card has one enlarged pinhole on the upper border, a couple of edge tears with paper tape on the back, and light wrinkling. The imprint area has a theater stamp, as well as a number written in pencil. Wonderful artwork of Robinson. From the Collection of Denver Sherry. Fine/Very Fine.
The Longest Day (20th Century Fox, 1962). One Sheet (27" X 41") Advance. This is the rare advance style for Darryl F. Zanuck's classic war film dramatizing the Allied invasion of Europe on D-Day, the 6th of June, 1944. Told from the perspective of both German and American forces, the all-star cast included Henry Fonda, Robert Mitchum, and John Wayne. This poster has minor holes in the borders and chipping along the top border. There is a small tear in the lower left border and minor tearing in the top corners. These flaws have been beautifully repaired through professional restoration. Fine on Linen.
The Lost Patrol (RKO, 1934). Swedish One Sheet (27.5" X 39.5"). In a superior production directed by John Ford, Victor McLaglen's regiment is stranded somewhere in the Mesopotamian desert, and Arabs begin to kill his men as they wait for reinforcements. Boris Karloff gets the most showy role as a religious zealot descending into madness, and his Christ-like send-off marks the film's most dramatic moment. The poster has dust shadows, a long tear on the top center, edge tears and some staining on the lower right. Rolled, Fine.
The Man from Yesterday (Paramount, 1932). One Sheet (27" X 41") Style A. Luminous Claudette Colbert plays a war widow who takes up with another man (Charles Boyer), even though, unbeknownst to her, her husband (Clive Brook) is still alive. A very early film for Boyer, this poster features him prominently, even though his name is not listed! A great image of Colbert as well, and a striking overall design. There is edge wear and browning across the top border, light foxing and staple holes, and a minor misfold crease. Fine/Very Fine.
The Man I Married (20th Century Fox, 1940). One Sheet (27" X 41"). Joan Bennett shines as an American woman who travels to Deutschland in 1938 with her German-American husband (Frances Lederer), only to find him embroiled in the Third Reich. This powerful anti-Nazi tract is intercut with actual newsreel footage of the rise of Hitler. A stunning portrait of Bennett dominates this lovely stone litho poster. It shows pinholes and edge tears, light fold wear, pinpoint crossfold separations, a chunk of the lower right corner missing and repaired with tape. It's great color and bold design using the Fox stone litho style, make for a gorgeous poster. Fine+.
Espionage (MGM, 1937). One Sheet (27" X 41"). Edmund Lowe and Madge Evans star in this taut spy thriller from the great Kurt Neumann. This striking stone litho poster has the classic "floating eyes" motif, as well as good portraits of the leads. The poster has pinpoint crossfold separation, some very light foxing and minor border tears, pinholes in the corners, and and a small tear in the top right fold. Very Fine.
The Memphis Belle (Paramount, 1944). Three Sheet (41" X 81"). In order to correctly document the last mission of the B-17 Flying Fortress nicknamed "Memphis Belle," director William Wyler actually flew along with the crew on several raids and even did some of the filming himself at great personal risk. The result was one of the finest documentaries ever to come out of the offices of the War Activities Committee. In a mere 41 minutes, Wyler paints a portrait of heroism and sacrifice that few documentary filmmakers have matched. This lovely sheet shows the usual pinholes, along with a small edge tear, light fold wear and crossfold separation with some chipping, and a slight water stain in the upper left. These minor flaws have been addressed by professional restoration, resulting in an exceptional poster. Very Fine+ on Linen.
Winged Victory (20th Century Fox, 1944). One Sheet (27" X 41"). Based on the play by Moss Hart, this film boasts a cornucopia of stars, such as Edmund O'Brien, Lee J. Cobb, Lon McAllister, Barry Nelson, and George Reeves, as well as several now well-known actors making their screen debut, including Kevin McCarthy, Judy Holliday, Jeanne Crain, and Red Buttons. The colorful stone litho one sheet offered here has an edge chip in the right border, and some fold wear with light crossfold separation, all of which has been addressed by professional restoration, resulting in a very attractive piece. Very Fine on Linen.
Apocalypse Now (United Artists, 1979). German A1 (23.5" X 33"). "We had access to too much money, too much equipment, and little by little we went insane." Francis Ford Coppola gives an honest assessment of the madness and tribulation that went into making "Apocalypse Now," his examination of the Vietnam War. The production caused Coppola to have a nervous breakdown, and star Martin Sheen had a near-fatal heart attack... and yet in the end, the film has become an acknowledged masterpiece. This rolled German poster has pinholes in the corners, edge wear, and wrinkling. Magnificent artwork of Marlon Brando as the enigmatic Colonel Kurtz. This is the poster to have from this modern classic! Rolled, Very Fine-.
The Conversation (Paramount, 1974). Polish One Sheet (23" X 32.5"). Surveillance expert Harry Caul (Gene Hackman) hides behind his membrane of secrecy in this psychological thriller of perception and paranoia by director Francis Ford Coppola. His latest project involves the possibility of murder, and Caul finds that he can't detach himself from that. This Polish one sheet has light edge and fold wear with a bit of wrinkling. Great artwork by Polish artist Jerzy Flisak. Very Fine+.
The Belle of Broadway (Columbia, 1926). Six Sheet (81" X 81"). A silent drama about an aging actress (Edith Yorke) who hatches a desperate scheme involving young and attractive ingénue Marie Duval (Betty Compson) to regain her former fame and renown, and the inevitable complications that result. This beautiful six sheet shows some fold wear with separation and paper loss, some edge chipping, and a nickel-sized hole in the hip of the gentleman in the upper left. These minor concerns have been addressed by professional restoration, resulting in a very attractive and displayable poster. Very Fine+ on Linen.
100 Men and a Girl (Universal, 1937). Half Sheet (22" x 28"). This was one of the earliest films by young starlet Deanna Durbin, whose powerful voice carried the movie. If the title sounds a little suspect, understand that the "100 Men" refers to the Philadelphia Orchestra, under the baton of the legendary Leopold Stokowski, perhaps better known in film circles as the genius conductor featured in Walt Disney's "Fantasia." In the best, "Hey kids, let put on a show!" tradition, Durbin manages to assemble a full symphony orchestra to aid her struggling musician father, and even gets Stokowski to lead the troupe, leading to a concert, a radio contract, and a happy ending for all. This colorful half sheet spotlights Durbin, and, although it has been folded and displays some small pinholes in the corners, a little light staining (more visible on the back than on the front), a bit of fold wear on the right side, and some very minor paper lifts on the top right and bottom left corners, it's a beautiful piece that presents very nicely. Fine+.
The Dolly Sisters (20th Century Fox, 1945). One Sheet (27" X 41"). Betty Grable and June Haver star in this musical extravaganza from Fox. The posters Fox designed for their musicals were fantastic, using spectacular graphics and lots of color. This stone lithograph is among the best! The poster is in incredible condition with a tiny separations at the center points, strictly from being folded. Near Mint+.
Girl Crazy (MGM, 1943). Insert (14" X 36"). In yet another pairing of Mickey Rooney and Judy Garland, Rooney gets shipped out to an all-male college in the desert to cure his love for chasing women - and wouldn't you know it? Garland is the college dean's daughter who needs to raise money to save the school! The posters for the Mickey and Judy musical comedies are always popular with collectors, and this insert is one of their best. It is absolutely gorgeous with only a light border soiling, very faint stain in the middle right border, and soft dust shadows in two borders. Rolled, Very Fine+.
I Married an Angel (MGM, 1942). Insert (14" X 36"). This, the final pairing of Jeanette MacDonald and Nelson Eddy, was an adaptation of a Rodgers & Hart musical and stars Eddy as a playboy who fantasizes that he is romancing an angel (MacDonald). This classic poster features a great colorful image of the two stars. There are only soft horizontal creases (primarily on the back) across the traditional fold lines. A tear in the top right border, pinholes, and edge wear with very small border tears and corner bumps. Rolled, Fine/Very Fine.
In Old Chicago (20th Century Fox, 1937). Three Sheet (41" X 81"). Darryl F. Zanuck responded to the success of MGM's "San Francisco" with this fanciful tale of the Great Chicago Fire. Tyrone Power, Don Ameche and Alice Faye star in one of Fox's star-studded extravaganzas. The studio turned out some of the most beautiful posters in that period and this is no exception. This three sheet has chips and scuffs on the edges and within the fold lines. There has been some extensive restoration, but the work was done magnificently. It features gorgeous stone litho artwork of the three stars by Frederic C. Madan and may be the only copy known, as we've never seen it offered before! Very Good on Linen.
Rio Rita (RKO, 1929). Swedish One Sheet (27.5" X 39.5"). RKO Radio's very first musical was a box office triumph. Featuring a lavish Technicolor sequence in its last reel, it starred Bebe Daniels (pictured here) along with John Boles and the comedy team of Bert Wheeler and Robert Woolsey (in their very first film). There are tears from the front left border to the middle, dust shadows and edge wear. Rolled, Very Good.
Swanee River (20th Century Fox, 1939). One Sheet (27" X 41"). Style B. Don Ameche stars in this biopic about the life of Stephen Foster, the composer who gave us such classic songs as "Beautiful Dreamer," "I Dream of Jeannie," and, of course, the title song "Swanee River." Al Jolson co-stars and makes his last feature film performance in this Technicolor extravaganza. This beautiful image is what makes 20th Century Fox musical posters so highly sought after. Only minimal fold wear, and slight edge wear. Terrific color. Very Fine+ on Linen.
Carmen Jones (20th Century Fox, 1954). Japanese B2 (20" X 29"). Oscar Hammerstein and Otto Preminger updated Bizet's opera "Carmen" and set it during WWII with an all-African-American cast. Dorothy Dandridge and Harry Belafonte star as the ill-fated lovers. Doubling as Dandridge's voice was the first big break in show business for opera singer Marilyn Horne, and this was the screen debut of Diahann Carroll and Brock Peters. This rolled Japanese B2 has edge wear and tears with wrinkling, and a corner crease. Dynamic images of the two stars. Rolled, Fine/Very Fine.
Porgy and Bess (Columbia, 1959). Three Sheet (41" X 81"). A legendary triumph for composer George Gershwin, this timeless opera is as popular today as it was when it debuted on the stage in 1935. This landmark film, starring Sidney Poitier as the crippled Porgy, Dorothy Dandridge as Bess, the woman with a troubled past, Sammy Davis Jr as the drug-dealing Sportin' Life, Pearl Bailey as Maria, and Brock Peters as Crown, is a true American classic. Although the film was nominated for four Academy Awards, and won for Best Music, it received limited distribution at the time of its release, resulting in a true scarcity of paper. The lovely three sheet offered here has been professionally restored to address some very minor pinholes in the corners and some very minor crossfold separation. The result is a clean and pristine piece you will be proud to own. Very Fine+ on Linen.
Thousands Cheer (MGM, 1943). One Sheet (27" X 41"). One of the best wartime "Big Show" all-star films, this one features Gene Kelly and Kathryn Grayson as the romantic couple, and "30 Stars and 3 Bands" from MGM's stellar stable. Great restoration has rendered pinholes in the corners and borders, and fold separations with small chips at the center points virtually invisible. Very Fine- on Linen.
Singin' in the Rain (MGM, 1952). Australian Daybill (13" X 30"). One of the best musicals to ever come out of Hollywood was also one of the toughest on the performers. Gene Kelly danced the "Rain" sequence with a 103 degree fever, Debbie Reynolds burst blood vessels in her feet for the "Good Morning" scene, and Donald O'Connor had perhaps the worst of it. After finishing "Make 'em Laugh," he was hospitalized for a week with exhaustion ... only to find that the footage had been ruined! He did it again. This Australian daybill has a few pinholes, edge wear and tears with a small chip, and corner creases. There are extra horizontal folds, and a tear across the lower fold line with masking tape on the back. Beautiful color on the nice stone litho artwork of the three stars. Fine.
Singin' in the Rain (MGM, 1952). Insert (14" X 36"). One of the greatest musicals of all time, this effortlessly entertaining feature was co-directed by Stanley Donen and Gene Kelly, and features the dancing skills of Kelly, Donald O'Connor, Debbie Reynolds, and Cyd Charisse. This spiffy insert poster emphasizes the film's raucous dance numbers. There are two extra horizontal folds, a tape stain about midway down the right border, small edge tears and a punch-tear along the left side. This is a wonderful format from a classic film. Very Fine-.
Singin' in the Rain (MGM, 1952). Six Sheet (81" X 81"). The high point in the careers of everyone involved with this film, "Singin' in the Rain" is arguably the best musical ever made. Created by Arthur Freed's MGM musical unit, it has been voted among the top ten films ever produced by the American Film Institute. Starring Gene Kelly, Debbie Reynolds and Donald O'Connor, it tells the tale of Hollywood's transition from silents to talkies in the late '20s. This unrestored six sheet has pinholes in the corners, fold wear with crossfold separations and small amounts of paper loss and some faint ghosting in the white area above Kelly's name. Fabulous shots of all the stars and dance numbers from the film. Fine/Very Fine.
Yankee Doodle Dandy (Warner Brothers, 1942). One Sheet (27" X 41"). James Cagney plays George M. Cohan in this biopic about the musician's life. Cagney, known for his gangster roles, was able to showcase his acting range and dancing skills. The film was one of Warner Brothers' biggest hits of the WWII era, and garnered Cagney a Best Actor Oscar. The poster has wrinkling on the fold lines, a small crossfold separation on the bottom fold, tape on the reverse, touch-up on the center crossfold, and a border chip on the bottom left corner. Very Fine+.
French Cancan (Gaumont 1955). French Grande (47" X 63") Style B. This comedy/drama from Jean Renoir chronicles the revival of Paris' most notorious dance as it tells the story of a theater producer who turns a humble washerwoman into a star at the Moulin Rouge. This splendid French Grande by artist Rene Gruau is done in the style of the great Toulouse-Lautrec and the image dances with life. The poster is exceptionally clean, with light fold wear and some light wrinkling being the only real condition issues. Very Fine+.
Bye, Bye Birdie (Columbia, 1963). Lobby Card Set of 8 (11" X 14"). Janet Leigh, Dick Van Dyke, Ann-Margret, Maureen Stapleton, Bobby Rydell, Jesse Pearson, Ed Sullivan and Paul Lynde star in this uproarious musical that pokes fun at the rock and roll idol craze of the early 1960s. When heart-throb Conrad Birdie (Jesse Pearson) is drafted into the military, one of his biggest fans (Ann-Margret) wins the chance to send him off with a kiss. But her kiss is her father's (Paul Lynde) curse! This lobby card set is incredibly clean with only minor smudges on the title card, fine pinholes in the borders and corners, faint corner creases and the lightest of edge wear. The title card also has a bit of paper loss in the right border, minimal foxing along the bottom edge and a light stain in the credits. Very Fine.
Cabaret (Allied Artists, 1972). Japanese STB (20" X 58"). "Cabaret" has the distinction of winning more Oscars (8) than any other film without winning the Best Picture (which went to "The Godfather"). The biggest film in the careers of Liza Minnelli, Joey Grey and director Bob Fosse, it tells the story of Germany's descent into Nazism in the 1930s through the events in and around a decadent Berlin night club. This rolled Japanese STB has light bends and wrinkling. Several great shots of Minnelli and co-star Michael York. Rolled, Near Mint.
West Side Story (United Artists, 1961). One Sheet (27" X 41"). Robert Wise and Jerome Robbins directed this adaptation of the Broadway musical. The film version won ten Oscars, including Best Picture, Best Director, Best Supporting Actor and Actress (George Chakiris, Rita Moreno), and a special Oscar for Jerome Robbins' choreography. This Saul Bass designed poster has fold wear with separations and paper loss at the fold lines. There are small edge chips and minor paper loss on the reverse. Fine+ on Linen.
West Side Story (United Artists, 1961). Three Sheet (41" X 81"). After such actors as Elvis Presley, Burt Reynolds and Bobby Darin were passed over for the role of Tony, the producers auditioned up and coming Warren Beatty. He and Natalie Wood were shooting "Splendor in the Grass" and were involved, so she read with him during the audition. Guess who got cast? This three sheet has pinholes and light fold wear with tears. The poster has been mounted on linen and professionally restored. Dynamic Saul Bass artwork for this multiple-Oscar-winning film. Very Fine+ on Linen.
Selfish Yates (Artcraft, 1918). One Sheet (27" X 41"). During his brief but successful career in silent films (1914-1925), Hart made some 20 short films and nearly 50 features. In this six reel picture, in which he produced, directed and starred, Hart plays Yates, the proprietor of a local Arizona saloon. Unable to find any other work, pretty Mary Adams (Jane Novak) is forced to scrub floors in Yates' establishment. At first treating her with the same disdain that he extends to the rest of the townsfolk, Yates slowly but surely falls in love with Mary, and for her sake, changes his selfish ways. This lovely, early stone litho one sheet features Hart with a dialog box that reads "Selfish Yates forgets himself." This may be the only copy of this rare poster to have survived the nearly 90 years since it was printed. There was the most minor fold and border wear before being expertly restored. The poster now displays beautifully. Very Fine on Linen.
Three Word Brand (Paramount, 1921). Lobby Card Set of 8 (11" X 14"). William S. Hart plays no less than three roles in this story of brothers separated at birth, one of whom becomes a cowpoke, another, the governor of Utah (he also appears as a Western pioneer). Hart is featured on every card, sharing four of them with beautiful leading lady Jane Novak. This complete set of lobby cards has had some restoration, including corners repaired, tape repairs on the reverse, pinholes, and a small portion under the Paramount logo on the title card repainted. There is also some minor foxing, and three of the cards have an embossed library stamp. Fine-.
O'Malley of the Mounted (Artcraft, 1921). Danish Poster (23" X 35"). One of the biggest names in silent Westerns, William S. Hart produced and co-wrote this tale of a Mountie who goes undercover in his search for a murderer. Problems arise when Hart falls in love with the killer's sister. This Danish poster has very light fold wear. The poster has been mounted on linen and professionally restored. Wonderful stone litho artwork of Hart by Wenzel. Very Fine+ on Linen.
Riders of the Purple Sage (Fox, 1918). Lobby Cards (2) (11" X 14"). The first adaptation of Zane Grey's most famous novel stars William Farnum as a cowboy who is searching for his kidnapped sister. Along the way he has to deal with renegade Mormons, a woman rustler, and the girl that he didn't know was his niece. These lobby cards have a few pinholes, very light edge wear with one small edge tear, and smudges and stains. Very rare and wonderful images of Farnum and his co-stars. Fine/Very Fine.
Twisted Trails (Exclusive Features, R-1923). Three Sheet (41" X 81"). In the few years before he signed his contract with William Fox and started making feature films, Cowboy star Tom Mix brought his daring acrobatics and skilled horsemanship to the screen in short subjects for various studios. This thrilling Western, directed by Mix himself, features the Western legend falling down a flight of stairs, just one of the many stunts he performed himself. It was this dedication to his craft that made Mix the sensation that he was. The poster was printed in four sections, and has had minor airbrush work in the borders and to a few small tears within the image area. We believe this three sheet to be from the very early re-release of the 1916 short subject. Exclusive did reissue some of Mix's pictures in this early 1920s and this appears to be from that period. This is an incredible stone litho with an outstanding image! Don't let this one mosey on by you. Very Fine on Linen.
The Lucky Horseshoe (Fox, 1925). Lobby Card Set of 8 (11" X 14"). This lavish Tom Mix vehicle featured an elaborate dream sequence in which the cowboy star imagines himself as Don Juan in the court of Barcelona. This exemplary lobby card set features Mix on every card, and several images from the dream sequence. The title card has some smudging and edge wear, while the other cards have very minor edge tears and corner bumps. Very Fine+.
Golden Age (1938-1955)
Prairie Trails (Fox, 1920). Title Lobby Card and Lobby Cards (5) (11" X 14").
At first glance, these great cards from 1920 are from an 'early' Tom Mix film. Indeed, this was Mix's 233rd film! On screen from 1909, Mix would finally sign with William Fox in 1917 and average over five action-packed Westerns for him until 1928. Mix is in all six cards with only pinholes, faint border smudges and small stains, small field stains, and minor edge wear and a tear in one card in the upper left corner. This is an outstanding early group of cards with one of the best title cards from this period we have ever seen! Fine/Very Fine.
At first glance, these great cards from 1920 are from an 'early' Tom Mix film. Indeed, this was Mix's 233rd film! On screen from 1909, Mix would finally sign with William Fox in 1917 and average over five action-packed Westerns for him until 1928. Mix is in all six cards with only pinholes, faint border smudges and small stains, small field stains, and minor edge wear and a tear in one card in the upper left corner. This is an outstanding early group of cards with one of the best title cards from this period we have ever seen! Fine/Very Fine.
Movie Posters
The Best Bad Man (Fox, 1925). Title Lobby Card (11" X 14"). This early Fox Western-romance unites cowboy star Tom Mix, with the "It" girl, Clara Bow, in one of her early roles. The five-reeler, which dealt with the building and destruction of a great dam, was actually shot on Santa Catalina Island, just off the Southern California coast. Great shot of Mix on an uncommon 1925 full color title card in a sought after grade. Only a light dust shadow in the borders, and a very mild corner crease in the lower left corner. Beautiful original color in excellent registration. Very Fine+.
Hidden Gold (Universal, 1932). Title Lobby Card (11" X 14"). Tom Mix goes undercover in prison to find out where a gang has hidden bank robbery money. When a real forest fire broke out in the Los Angeles hills, the filmmakers used it as a backdrop, and then helped firemen put it out. This title card has one pinhole in each corner, and a few light border smudges. A posse, a pretty girl, even boxing -- this card has it all, along with a wonderful portrait of Mix. Near Mint-.
My Pal, the King (Universal, 1932). One Sheet (27" X 41"). This early Tom Mix talkie offers a million dollars' worth of entertainment by giving the viewer a tantalizing glimpse of what Mix's real-life Wild West Show must have been like, including shots of former Olympic champion Jim Thorpe! The cute 12-year-old at Mix's side is the legendary Mickey Rooney! A truly gorgeous poster, with six delightful Wild West images around fantastic portrait images of Mix and Rooney. The professional restoration deals completely with pinholes, very small chips in the right and lower left borders, as well as minor fold separations and a small chip in the upper vertical fold near the border. This is a true rarity from one of Mix's last features, of which are very hard to find posters from, with outstanding colors and graphics! Fine/Very Fine on Linen.
Hellhounds of the Plains (Goodwill Pictures, 1926). Title Lobby Card (11" X 14"). Deputy Yakima Canutt has to solve the murder of the Sheriff before he can marry sweetheart Neva Gerber. What he doesn't know is that the murderer is his soon-to-be brother-in-law. This nice title card has slight edge wear with a very light corner crease, light scuffs, and pieces of paper tape on the back of the corners. There is writing in pencil on the reverse, along with a small newspaper cut-out of Canutt glued to the back. Delightful hand-tinted images of the two stars. Very Fine/Near Mint.
The Strange Rider (Arrow Films, 1925). Autographed Lobby Card (11" X 14"). Born Enos Edward Canutt, Yakima got his start in films when Tom Mix met him at a Los Angeles rodeo. Though he acted (and occasionally starred) in Westerns, he gained fame as one of the best stuntmen in Hollywood history. This lobby card from one of Canutt's starring roles has one small corner crease, and a couple of tiny edge tears. The card has been signed by Canutt. Very Fine/Near Mint.
West of Santa Fe (Syndicate Pictures, 1928). Lobby Card Set of 8 (11" X 14"). Bad guys masquerade as Army soldiers in this early Western programmer, starring silent era cowpoke, Bob Custer. Custer was an actual cowboy and rodeo star who made his move into cinema in the early 20s; unfortunately, he was also one of many actors that could not gain a foothold in talkies, and eventually retired from film, and worked as a building inspector in Los Angeles. This terrific lobby set features Custer on every card. The title card has some dust shadowing in the right border, some minor smudging, and pinholes in the corners and the image. The other cards also have pinholes in the corners and the image, and one card has a small chip missing in the top left corner. Fine/Very Fine.
Thundering Hoofs (FBO, 1924). Lobby Card Set of 8 (11" X 14"). Once billed as "The World's Greatest Western Star," Fred Thomson died just four years after the release of "Thundering Hoofs." This little-seen silent Western features Thomson as a Marshall falsely accused of murder, who makes his escape in the nick of time, saving his horse and getting the girl in the process. All of the cards have pinholes and one card has a 1" tear repaired with tape, but overall this is a very fine looking set which features Thomson on every card. Thomson was a bigger star than Tom Mix in his day and his death was a sudden and tragic shock to Hollywood in the late 1920s! His posters have always been sought by true Western collectors. Very Fine-.
Canyon of Adventure (First National, 1928). One Sheet (27" X 41"). One of the loveliest silent stone litho Western posters we've offered. That's perennial favorite Ken Maynard atop a kneeling Tarzan with the beautiful Virginia Brown Faire blushing as any senorita would. Faire was a Wampas Baby Star of 1923 and was the screen's first "Tinker Bell" in "Peter Pan" (1924). Restoration was performed but water damage occurred to the bottom field and needs to be redone. There are fold separations in the upper left fold, and a 4" vertical tear along the middle horizontal fold line. Very Good/Fine on Linen.
Dynamite Ranch (K-B-S, 1932). Mini Window Card (8" X 13.25"). One of the biggest Western stars of the 1920s and 30s, Ken Maynard was the hero of boys everywhere as he rode the range on his half-Arabian, half-American saddle horse, Tarzan. A difficult personality in real life, Maynard drifted from studio to studio, burning bridges everywhere he went. Regardless, he had a solid career from the early 1920s through the mid-1940s. During his later years, Maynard toured with the Cole Brothers-Clyde Beatty Circus, trading on his fame as a cowboy film star. This picture, "Dynamite Ranch," was made at the height of Maynard's fame while he was making popular "poverty row" pictures for Saturday matinees. It's a thoroughly enjoyable, action-packed Western regarding a case of mistaken identity and a race against time to find the real thieves responsible for a train robbery. This card has been trimmed a bit at the top, and shows a horizontal crease just above the center, with a small tear in the right border, as well as a corner bend in the bottom left. Aside from these insignificant flaws, this is a very appealing card, bearing a striking portrait of Maynard. From the Collection of Denver Sherry. Fine/Very Fine.
Code of the Scarlet (First National, 1928). One Sheet (27" X 41") Style B. When Westerns were shot in Canada, instead of featuring cowboys, they usually featured members of the Royal Canadian Mounted Police. In this saga, Ken Maynard donned the "Scarlet Uniform" in helping stop a gang of land-grabbers. This stone litho one sheet had several tears in it prior to linen backing. There was a six inch tear in the bottom, along the vertical fold. There was another tear in the upper border that came down the vertical fold, in the upper quarter of the posters. There was some chipping along the lower horizontal fold and some minor chipping at each of the center points. Overall, these flaws sound worse than they actually are and the poster now appears Near Mint. Fine- on Linen.
In Old Santa Fe (Mascot, 1934). Title Lobby Card (11" X 14"). Gene Autry and Smiley Burnette were already well-known from their radio show, "The National Barn Dance" when they made what was essentially an audition appearance in this Ken Maynard Western. When Maynard backed out of "The Phantom Empire" a year later, Autry stepped in and a long film career began. This title card has a few pinholes, and small corner bumps, and displays gorgeous color on the shots of Maynard and Evelyn Knapp. Near Mint.
In Old Santa Fe (Mascot, 1934). Lobby Card (11" x 14"). This Ken Maynard feature is best known as the "screen test" of a young singing cowboy who would soon gain fame and renown as the immortal Gene Autry. A bit player for Mascot at the time, Autry's shot at stardom would come in the following year when Mascot head Nat Levine gave the young crooner the starring role in his serial, "The Phantom Empire." This particular card, featuring both Autry and his sidekick, Lester "Smiley" Burnette, is particularly rare and sought after by both Autry and Western collectors, as it is an early image of the great cowboy star. In exceptional condition, the card shows small pinholes in three of the corners, and some slight tanning. This card displays beautifully and will be an important addition to any Western collection. Very Fine.
The Singing Cowboy (Republic, 1936). Three Sheet (41" X 81"). You want a top of the line example of the "singing cowboy" genre? This is it. This early Gene Autry Western has an amazing 11 songs packed into a 54-minute film, and still has time for great stunts and action! This terrific three sheet contains one of our favorite images of Autry, holding his guitar, while the action scenes swirl around him. Wonderful original grade for a poster of this vintage, in this size. There are only small pinholes, minor fold separations, a small tear in the upper left corner, and a tiny chip in the right middle border. Fresh original color with minimal restoration. Very Fine+ on Linen.
The Old Corral (Republic, 1936). Lobby Card (11" X 14"). Gene Autry is the singin' sheriff (named Gene Autry, of course) who tries to croon his way into the heart of pretty Irene Manning (billed here as Hope Manning). But wait -- who's that lingering in the background? Why, it's none other than Roy Rogers, in his very first film appearance. This pristine lobby card is the most in-demand of the set, as it features a great closeup of Rogers, as well as Autry. There is a very small abrasion in the lower left margin and some very slight foxing on the right edge. It doesn't get much better than this, folks. Near Mint.
Melody Ranch (Republic, 1940). Lobby Card Set of 8 (11" X 14"). Gene's radio program from the big city is doing poorly. When Gene gets an offer to return to his home town to be honorary Sheriff, it is decided to do the program from there. A great cast of Ann Miller and Jimmy Durante insure that hijinks aplenty will occur and they do, as evidenced in the complete lobby set offered in this lot. Durante fans will take note that he appears in seven cards, while Gene is in only six! The title card has a small chip in the lower right, and a small top right corner bump. Two cards have minor pinholes, one has a chip in the lower right, and one has a small tear in the bottom right and some small stains. A great set for Autry fans. Very Fine.
Back in the Saddle (Republic, 1941). Lobby Card Set of 8 (11" X 14"). Along with singing what came to be his signature tune, "Back in the Saddle," Gene Autry finds plenty of time to croon while putting the kibosh on some no-goods out to swindle him out of the copper discovered on Autry's ranch. Though the song was Gene Autry's signature tune, it was actually written by another "singing cowboy," Ray Whitley. Ray wrote and performed the song for the George O'Brien feature, "Border G-Man", in which he starred. Autry heard the song and, along with Ray, rewrote it, though the changes appear to have been very slight. The song was first performed by Gene Autry in his 1939 movie, "Rovin' Tumbleweeds," and became his theme song. Other than minor corner wear this set is in excellent condition and comes with the original brown paper sleeve. Very Fine+.
Down Mexico Way (Republic, 1941). One Sheet (27" X 41"). In this classic Republic Western, swindlers convince townspeople to finance a film to be made in their town, then disappear with the money into Mexico. Gene and his pal Smiley Burnette aim to track 'em down. This poster has pinholes and light edge wear, with small tears at the fold lines and in both upper corners. There are cross fold separations and light fold wear, and in the lower border "41" and "1941" have been faintly hand-printed in red. The poster displays beautifully, with gorgeous illustrations of Autry, Burnette and Fay McKenzie. Very Fine- on Linen.
The Big Show (Republic, 1937). Lobby Card (11" X 14"). Gene Autry plays a Hollywood stunt man who gets sent to Texas for the Nation Exposition, impersonating the actor he usually stands in for -- and all sorts of hullabaloo ensues! A highly entertaining film with lots of location filming at Dallas' Fair Park. The big selling point of this superb lobby card, however, isn't Autry, but the guy standing in the back row holding a guitar -- it's Roy Rogers, in only his second film appearance, strumming along as one of the Sons of the Pioneers. This lovely card has some very slight edge wear and minor corner creases, an incredibly fresh-looking example of this piece. Saddle up for the big show and add this scarce card to your collection! Near Mint-.
Under Western Stars (Republic, 1938). One Sheet (27" X 41") Style B. In 1938, after appearing in more than a dozen Westerns under such stars as Gene Autry, Roy Rogers made his starring role debut in this film. This original release one sheet features completely different art from the example offered in the March, 2006 Signature Auction. There were fold separations with paper loss and chips in all four borders. Wrinkles and creases had formed in the field along with a small hole in Trigger's leg. These flaws have been well restored, making this a gorgeous poster that will show very well. Very Good/Fine on Linen.
Shine on Harvest Moon (Republic, 1938). Lobby Card Set of 8 (11" X 14"). Roy Rogers and Lynne Roberts (billed as Mary Hart) do the Romeo and Juliet thing as the offspring of rival ranchers involved in an all-out range war. Good fun for the Western fan, with more singing than usual. This nice-looking lobby set has Rogers on every card. The cards are in good shape overall with pinholes in most, minor corner bumps and small tears, and some smudging. One card has a diagonal streak of hardened glue running the length of the card, with paper loss where part of it has been removed. There is a corresponding glue streak on the reverse of one of the other cards. Fine-.
Southward, Ho! (Republic, 1939). Title Lobby Card and Scene Card (11" X 14"). Roy Rogers sang his way through another Republic Western alongside his new sidekick, Gabby Hayes. Thankfully, Republic didn't let Gabby sing along and the new partnership continued into 1946. In this outing, the two B Western icons took on the usual gang of outlaws right after the Civil War has come to an end, and Roy can be seen sporting a Confederate uniform. These cards each have several tack holes in the corners, some within the image area. Fine.
Frontier Pony Express (Republic, 1939). Lobby Card Set of 8 (11" X 14"). During the Civil War, bad guys attempt to send forged messages to the troops via the Pony Express, but P.E. rider Roy Rogers will have none of that. Fun sagebrush action, with the luminous Lynne Roberts (billed here as Mary Hart) as the love interest, a role she played in many of Rogers' films. This nifty lobby card set looks terrific. The very clean title card has a very minor stain in the lower left corner and minor overall wear. The rest of the cards have minor edge wear and corner bumps, with pinholes in most (but not all) of the cards. One card has a very slight trim on the right edge. The original mailing envelope is also included. Very Fine-.
Frontier Pony Express (Republic, 1939). One Sheet (27" X 41"). Roy Rogers prepares to plant a punch on the puss of the bad guy in this superb one sheet. Roy plays a Pony Express rider (named Roy Rogers, of course) who comes up against a corrupt Senator trying to gain control of California. Beautiful Lynne Roberts (during the brief period she was billed as Mary Hart) is the love interest, and Raymond Hatton is the replacement for "Gabby" Hayes. This great-looking poster has some staple and pinholes, a 1" tear in top center fold, pinpoint crossfold separations, a scrape in the "R" in Roy's name, a corner crease in the upper left corner, and some light smudging in the lower credit area. Very nice color and a fresh appearance. Very Fine-.
In Old Caliente (Republic, 1939). Lobby Card Set of 8 (11" X 14"). Roy Rogers and Gabby Hayes go west to California, but end up getting blamed for the actions of an outlaw gang. The lovely Lynne Roberts (billed as Mary Hart) makes her last appearance in a Roy Rogers film. This colorful lobby set has pin or tack holes in every card, corner bumps, minor stains, and some light scuffing. Roy appears on all but one card, and Gabby on all but two. Fine+.
In Old Caliente (Republic, 1939). One Sheet (27" X 41"). Roy Rogers is a cowpoke defending a band of settlers (led by Gabby Hayes) who have been accused of stealing gold. This fast-paced Republic programmer was the last to feature the luminous Lynne Roberts (Mary Hart) as his love interest. There are pinholes, light dust shadow along the top border, a 2" split at the bottom fold line, a chip out of the top right corner, and a small chip out in the "O" in the word "George." This lovely poster features bright, sharp colors, and fantastic portraits of the three leads. Fine/Very Fine.
The Arizona Kid (Republic, 1939). One Sheet (27" X 41"). Roy Rogers and Gabby Hayes are Confederate scouts in Missouri during the Civil War. When a gang of murderous outlaws posing as Confederate soldiers attacks a town, Roy and Gabby must track them down and bring them to justice. This beautiful Western one sheet features one of the best images of Roy Rogers ever put to paper. There is a razor cut and a faint stain on the brim of Roy's hat, and red streaks from the printing process are visible at the hat band. Pinholes in the corners and borders along with small chips in the top border and top left corner have all been addressed through first-class professional restoration. This is a very rare poster with a great image of Rogers, so get it while you can! Very Fine- on Linen.
Saga of Death Valley (Republic, 1939). One Sheet (27" X 41"). Fifteen years after losing his father to a corrupt land baron, Roy Rogers returns to Death Valley to oppose the villain, not knowing that his own brother is now the bad guy's chief lieutenant. This action-packed B-programmer had a little more subtext than the usual Rogers output, but still featured Gabby Hayes as the comic relief, and was one of the few films credited to the "other" Doris Day, who left the film industry long before the more famous blonde actress gained fame. This absolutely spectacular one sheet has stellar artwork with cobalt blue accents, surely one of the best Roy Rogers posters ever released. There was fold wear with slight paper loss at the folds, tiny chips out of all four corners. Superb restoration renders all this virtually invisible, making for a gorgeous presentation. Very Fine- on Linen.
Young Buffalo Bill (Republic, 1940). One Sheet (27" X 41"). When signed by Republic, young Leonard Slye took the name of his childhood dentist in Ohio, Roy Rogers, and a legend began. This early poster, highly sought after by Western collectors, is one of a brief series of Roy Rogers "historical Westerns" of the early 1940s. With terrific color and professional linen-backing, this beautiful one sheet had only minor fold separations with small chips, minor pinholes, and a small chip in the bottom left corner. Fine/Very Fine on Linen.
Jesse James at Bay (Republic, 1941). Lobby Card Set of 8 (11" X 14"). Roy Rogers plays a dual role of Jesse James and bad guy Clint Burns in this excellent oater co-starring Gabby Hayes, Sally Payne and Gale Storm. The title card has a 1" tear on the left side, pinholes and corner creases. The rest of the cards have minor corner creases, pinholes, and a few tears repaired with paper tape. Fine+.
Red River Valley (Republic, 1941). One Sheet (27" X 41"). Roy Rogers helps his fellow ranchers put together a fund to build a dam so the drought can be broken. When a gambler tries to con the ranchers out of the money, Roy and sidekick Gabby Hayes have to step in to save the day. This one sheet had pinholes, edge wear and tears, and fold wear with separations. The poster has been mounted on linen and restored. Bold, bright color on the gorgeous artwork of the three stars. Fine/Very Fine on Linen.
Nevada City (Republic, 1941). One Sheet (27" X 41"). Roy Rogers and Gabby Hayes are cast as stagecoach drivers in this B Western feature from the early war years. This was Roy's 25th starring role; by this time, his popularity was beginning to rival that of his old boss, Gene Autry. Professional restoration and linenbacking have addressed minor pinholes, minimal fold separations, and a silver dollar size chip in the upper left corner, not affecting the art. This is a colorful and dramatic poster, perfect for any Western collection. Fine+ on Linen.
The Sons of the Pioneers (Republic, 1942). One Sheet (27" X 41"). Sheriff Gabby Hayes is fighting a gang trying to take over the county, so he asks for help from Roy Rogers, grandson of Roy Rogers, Sr. and son of Roy Rogers, Jr. Trouble is, Roy is a shy entomologist who only wants to study insects. Mostly, the film is a showcase for Bob Nolan and the Sons of the Pioneers to perform their tight harmonies. This one sheet has minor edge wear and tears with chips, and light fold wear with tears. The poster has been mounted on linen and professionally restored. Wonderful Republic-style artwork of Roy and his co-stars. Fine on Linen.
Bar 20 Rides Again (Paramount, 1935). One Sheet (27" X 41"). This was the third entry in the Paramount/Hopalong Cassidy series and has Hoppy (William Boyd) posing as a dandy to foil the plans of a group of cattle rustlers, headed by Harry Worth, a land baron with a Napoleonic complex. This is a rare poster for this early entry. It has some border chipping as well as paper loss at the three crossfolds. There is some paper loss in the lower fold as well as the upper and lower intersection of border and vertical fold. Very Good/Fine on Linen.
Stagecoach War (Paramount, 1940). One Sheet (27" X 41"). Hopalong Cassidy (William Boyd) chooses the side of good stagecoach operator J. Farrell MacDonald in a competition of coach lines with baddie Harvey Stephens. In a most unusual twist for an oater, all the singing cowboys in this film are villains. This one sheet has edge wear and tears with chips, tape scuffs, and some fold wear. Professional restoration and linenbacking has resulted in a beautiful poster, featuring exciting images of Boyd and Russell Hayden. Fine on Linen.
The Riding Renegade (FBO, 1928). One Sheet (27" X 41"). The son of director Robert N. Bradbury, Bob Bradbury, Jr. appeared in vaudeville with his parents and his twin brother, Bill Bradbury. Together, the brothers also appeared in a series of 16 semi-documentary short films directed by their father called "The Adventures of Bob and Bill." As Bob Bradbury, Jr., he played juvenile roles in silent films, then, in 1927, he took the stage name Bob Steele. This fabulous one sheet is from one of the first films he did using his new screen name. The poster has beautiful, stone litho artwork, signed by Farrah. There was some significant chipping within the borders, and the top and bottom borders were trimmed by 1/2". There was minor chipping within the horizontal folds as well as some paper loss in the upper white field. Almost none of the artwork was affected by the wear on the poster, and with the expert restoration, it now appears in excellent condition. Very Good+ on Linen.
War Paint (MGM, 1926). One Sheet (26.5" X 40"). W.S. Van Dyke directs Western superstar Tim McCoy in this cowboys and Indians story. McCoy is a Cavalry officer charged with capturing an Arapahoe Indian chief and his warriors who have escaped from the reservation to wage war. This beautiful early Western poster shows signs of wear along the fold lines and has paper loss in the bottom right border. There are several chips along the edges including a larger chip and tape staining in the top right corner. Mounted on linen, this is a colorful and exciting poster that any Western collector would be proud to own. Fine on Linen.
The Overland Telegraph (MGM, 1929). Australian Daybill (13" X 30"). Filmed in beautiful Glacier National Park, and starring MGM's only series cowboy, Tim McCoy, this silent Western arrived just before the advent of talkies. McCoy plays an army captain who heads off an impending Indian attack by using the newfangled telegraph. This stone litho beauty from down under features McCoy in action against a trio of Indians, using the same basic artwork from the American one sheet, but in a slightly different configuration. There's a tiny piece missing in the top right corner, and the sheet has pinholes; there's also a scuff in the "O" in McCoy's name. A splendid poster from the last days of the silent Western. Very Fine on Linen.
Texas Cyclone (Columbia, 1932). One Sheet (27" X 41"). In one of the best Westerns Tim McCoy ever made, he arrives in a town where everyone thinks he is another man, a man that's been dead for five years. In order to help the man's widow, he enlists the help of one of his buddies from Texas (played by a very young John Wayne) to help get rid of some cattle rustlers. Wayne and McCoy in the same film make this picture a B Western classic. Add to it an early appearance by Walter Brennan as the town sheriff and you've got pure gold. This is a fun Western with a classic stone litho one sheet as well. There are pinholes, fold separations, and chips in the borders and several of the fold lines. Great professional restoration has addressed these defects nicely, resulting in a very dramatic and desirable poster with a stunning image of McCoy. Fine/Very Fine on Linen.
The Fighting Fool (Columbia, 1932). One Sheet (27" X 41"). This beautiful Tim McCoy one sheet is unique, in that it offers a full-length image of the star rather than the more limited portrait image that was usually used. In this, McCoy's fourth Western for Columbia, McCoy pursues a masked villain known only as "The Shadow," who blames McCoy for his brother's death. This exquisite stone litho poster is in exceptional condition, without the corner pinholes that one expects to find in posters of this vintage. There is some very light fold wear and crossfold separation, which has been addressed by professional restoration and linen backing. Some scuffing is evident in the lower left of the poster, and some words painted on the backside, resulting in some slight bleed-through to the front. All in all, however, this is a very appealing poster, with bright fresh colors, that will be an important addition to any collection. Fine/Very Fine on Linen.
The Fighting Fool (Columbia, 1932). Three Sheet (41" X 81"). For Tim McCoy fans, posters don't get much better than this! An outstanding image of the popular star, this is how we all remember McCoy: steely-eyed and heroic, the classic cowboy. This beautiful three sheet, with its stunning image and great stone litho graphics, is in exceptional condition, with only a few pinholes in the field, some fold wear with a quarter-sized chip at one of the crossfolds, and a very minor chip at the bottom right corner counting against it. As all of these minor issues have been addressed with professional restoration, the result is a very attractive and desirable poster. Very Fine on Linen.
Coyote Trails (Reliable Pictures Corp., 1935). Three Sheet (41" X 81"). Cowboy legend Tom Tyler stars in this tale of old West horse rustling. The poster features a style of art that harks back to the Wild West shows that would tour the country in the early 1900s. This three sheet has had the borders airbrushed and there has been quite a bit of airbrushing along some of the fold lines, primarily the center vertical fold in the upper and lower panels. There has also been some airbrushing in the orange background behind Tyler's credit. Fine- on Linen.
Trouble in Texas (Grand National, 1937). Three Sheet (41" X 81"). Arguably the best of the twelve sagebrush films cowboy star Tex Ritter did for Grand National, this one is most notable for an early appearance by ravishing Rita Hayworth. Essentially a remake of John Wayne's 1934 "The Man from Utah," Ritter plays a rider on the rodeo circuit trying to track down the men that killed his brother. This three sheet has a 3/4" tear in the top section, minor crossfold separations, and a 4" tear in the lower right corner. This stunning poster has a wonderful image of the young Rita Hayworth in the upper right corner. Very Fine-.
Magazines
Gun Law (Majestic, 1933). Three Sheet (41" X 81"). Jack Hoxie rides a bucking bronco on this stunning three sheet and Hoxie had the background to prove his skill. Besides starring in various rodeos as a stunt-rider, he won a national championship for his ability in 1914. This image, a classic of the Great American Cowboy, is always in demand for its singular beauty. The top two sections of this poster were created for another Majestic Jack Hoxie film, "Gold," released in 1932. It was a common enough practice during the depression era to "swap" the bottom credits of a three sheet for those on another poster and "Gun Law" was released the following year. This poster has a few tiny tears at the edges and some very minor separation at the centerpoints. There is a tiny paper lift and tear in the "H" in Hoxie, but these are very minor and don't distract from the overall impact of this iconic imagery. Very Fine.
Movie Posters
Law and Lawless (Majestic, 1932). One Sheet (27" X 41"). The third in a series of six Jack Hoxie Westerns produced by poverty row company Majestic, this film featured the former silent screen cowboy doing what he did best: horseback riding and firing a six shooter. Hoxie plays a gunfighter named Montana, who is hired by a Spanish landowner to investigate a series of cattle rustlings. Fellow silent cowboy stars Yakima Canutt and Wally Wales are also featured. There were pinholes in the corners, tape along all the folds on the back of the poster to reinforce separations, a chip in the left border and paper loss along the right border. The poster has had top-notch restoration, rendering all this virtually undetectable. Very Good+ on Linen.
Hello Trouble (Columbia, 1932). Three Sheet (41" X 81"). This Buck Jones Western took a lighter approach, as Jones becomes half owner of a ranch, along with feisty Janet Kenyon (Lina Basquette). Gregg (Alan Roscoe) wants the property, as he knows it contains a fortune in silver, and is willing to do anything to get it, including kidnapping Janet. Buck comes to her aid, they fall in love, and all is right with the world by the end of this entertaining cowboy drama. This lovely stone litho poster, which sports a dramatic full-on portrait of Jones, has some slight chipping and fold wear, as well as crossfold separation, and there is also a large extent to the border which has been reattached but an excellent job of restoration has corrected these flaws. The result is a gorgeous poster that any collector will be proud to own. Fine- on Linen.
Firebrand Trevison (Fox, 1920). Title Lobby Card and Lobby Cards (5) (11" X 14"). Buck Jones, one of the greatest of all Western stars, would begin 1920 in an uncredited cowboy role in a Tom Mix vehicle, and finish the year starring on his own, in this film. Jones quickly climbed to the upper ranks of Western stardom, playing a more dignified, less gaudy hero than Mix, and just a few years later would receive more fan mail in one year than any other actor. One card features Jones performing his own stunt, and there are two cards showing Winifred Westover in highly sought after "Western cowgirl" garb. There are pinholes only in the top center border, faint border stains in one card, minor tanning, a faint pencil notation in the bottom border of one card, and one card has a slight surface abrasion. Very Fine.
Whispering Sage (Fox, 1927). Lobby Card Set of 8 (11" X 14"). Buck Jones was a second-tier but very popular cowboy star in the silent era, who starred in dozens of Western programmers from the early 20s all the way through to his untimely death (in the Coconut Grove nightclub fire) in 1942. "Whispering Sage" casts Buck as a cowboy coming to the aide of settlers being terrorized by a greedy land baron -- who also happens to be the guy who killed Buck's brother! This splendid lobby card set features Buck on every card, usually wearing his big green cowboy hat! The set is in excellent condition, with a top left corner bump on all cards, some light smudging on some cards, and a very small tear in the top border of one. The title card has one corner reinforced with tape on the reverse, and some dust shadowing in the border. Overall this set looks spectacular with great color and sharp images. The original mailing envelope is also included. Very Fine-.
Sandflow (Universal, 1937). One Sheet (27.5" X 41"). Buck Jones was up to his usual pursuit of truth and justice in this film, and Universal did him proud with this stellar one sheet. An excellent specimen, the poster shows only minor crossfold separations and traces of fold wear which have been retouched with excellent restoration. With the reins of his faithful horse Silver in one hand and a six-gun in the other, Buck appears ready for action in beautiful color. Very Fine+ on Linen.
Hollywood Roundup (Columbia, 1937). One Sheet (27" X 41"). Buck Jones stars as Buck Kennedy, a stuntman working on Hollywood B Westerns who gets his shot at a starring role. Though hardly post-modern, these kinds of behind-the-scenes stories were good fun and a break from the usual Western programmer. "Hollywood Roundup" also has the benefit of the extra-lovely Helen Twelvetrees, and fourth-billed Shemp Howard as an excitable assistant director. This flavorful one sheet has fantastic portraits of Buck and Helen (though, sadly, Shemp does not appear) and great color. The poster had slight fold wear, minor crossfold separations, and pinholes. The poster has been restored and the poster presents beautifully. Certainly no Buck Jones fan will want to be without this great sheet, or start your own Helen Twelvetrees collection. Either way, you won't be disappointed! Fine+ on Linen.
The Diamond Trail (Monogram, 1933). One Sheet (27" X 41"). From 1928 until 1936, when Rex Bell virtually retired from the cinema, this Western star lit up the silver screen with his daring exploits. His charm led him to Clara Bow whom he married in 1931. This incredible stone litho one sheet is considered the best poster ever produced for the star and has several pinholes in the borders, primarily in the upper corners, and some slight separation at the centerpoints. Overall, this is an amazing one sheet for one of the classic cowboys from the B Western era. Fine+.
Rainbow Ranch (Monogram, 1933). One Sheet (27" X 41"). Rex Bell rides to the rescue of Rainbow Ranch, where the local villains have dammed up the river and are trying to force the owners off their land! Yep, it's a classic tried and true Western formula, but Rex Bell delivered the fisticuffs and daredevil stunts that made each of his films a Saturday matinee special! Stunning full color stone litho graphics. There are minor fold separations with minimal paper loss in the vertical fold, a small chip in the horse forehead, and a small chip in the left middle border. Fine+ on Linen.
Rainbow's End (First Division Production, 1935). One Sheet (27" X 41"). It is said that cinema cowboy star Edmund "Hoot" Gibson acquired his unusual nickname because he liked to hunt owls as a boy. Gibson left home and joined the circus at age 13, and later worked as a cowpuncher. By the age of 16, he had become a skilled performer in Wild West rodeo shows and went on to win the title of "World's All-Around Champion Cowboy" in 1912. He got his first big break in John Ford's five-reeler feature film "Action and Sure Fire," and went on to become the cowboy idol of millions of American kids throughout the 1920s and 1930s. This was Gibson's second and last film for low-budget company First Division. The company might have scrimped on production cost but certainly didn't hold back when it came to this gorgeous poster, which features an absolutely stunning stone litho image of Gibson and his horse. The poster has fold line wear, tears, minor border imperfections, and creases. The poster has had professional restoration work, greatly minimizing these defects. Very Fine on Linen.
North of 36 (Paramount, 1924). Half Sheet (22" X 28"). This epic silent film (the title refers to the pre-Civil War slavery line on the map of the US) tells the story of the great cattle drives from Texas to the North beginning in 1867. The film focuses on the actual cattle drive, which writer Emerson Hough saw uniting North and South and creating the "first and only true American tradition -- the tradition of the West." Actual footage of one of the last real cattle drives in America plays a significant part of this film. That's redhead beauty Lois Wilson in the center of the poster, fresh off her role of Queen Marie in Valentino's "Monsieur Beaucaire." A true rarity in silent half sheets, this poster is unfolded and boasts brilliant color. There are tears in the bottom and lower left borders, a small tear between the 3 and 6, and small corner bumps with a tiny chip in the lower left corner. There is a mild corner crease and slight surface wrinkles. Rolled, Fine/Very Fine.
The Law Of The 45's (Normandy, 1935). One Sheet (27" X 41"). One of the truly great Western sagas began with this low-budget thriller. Based on a novel by William Colt MacDonald, this was the first in the "Three Mesquiteers" series to grace the silver screen, and the only film in the series made outside of Republic Pictures. This picture would eventually lead to more than 40 sequels, with almost every B Western star eventually appearing as one of the three western legends. This colorful poster has had the borders airbrushed to repair a few pinholes and some tiny tears in the edges. Additionally, there has been some minor color touch along the fold lines. These minor flaws do nothing to detract from the incredible eye appeal of this Western treasure. Very Fine- on Linen.
Two-Gun Man from Harlem (Sack Amusement Enterprises, 1938). Title Lobby Card (11" X 14"). Herb Jeffries stars in the first of three musical Westerns for Sack Enterprises with such co-stars as Mantan Moreland, Matthew 'Stymie' Beard, and Spencer Williams. The Deacon goes out West from Harlem to save the only witness who can prove that he didn't kill his rancher boss. This title card has corner bumps, a few pinholes, three worm holes, and light foxing, and features wonderful duotone images from the film, with action-packed shots of the stars. Very Fine-.
Harlem on the Prairie (Associated Features, 1937). Three Sheet (41" X 81"). Created for distribution to the black movie houses that had cropped up in the South due to segregation, this movie was billed as the first "All-Colored Western Musical." Conceived by and starring Herbert Jeffries, known to his fans as "The Bronze Buckaroo," this would be the first of four black Westerns to star the multi-racial singer and actor. This poster has undergone extensive restoration to repair extreme chipping, tearing, fold separation and paper loss throughout. A stamp on the back can also be seen faintly bleeding through to the front of the image. Although it was in rough shape to begin with, the restoration has returned a high degree of eye appeal to this poster. It's also worth noting that, due to the limited distribution of these films, paper from this title is very hard to come by. Very Good on Linen.
Creature From the Black Lagoon (Universal International, 1954). One Sheet (27" X 41"). We're excited to offer another on our 'most asked for titles' list. Jack Arnold's Denizen of the Deep, the Gill-Man of the Grotto, the Creature from the Black Lagoon, made his screen debut in this classic horror film shot in 3-D. The art for this seminal one sheet was executed to perfection by Reynold Brown. Other than minor pinholes, and faint fold wear with minor separations, this poster is in excellent condition. The colors on this unfaded poster will impress even the novice collector. Very Fine+ on Linen.
Creature From the Black Lagoon (Universal International, 1954). Six Sheet (81" X 81"). If you like your monsters bigger than life, this is the poster for you! This was one of Universal's greatest horror films of the 1950s, a movie which introduced a new monster icon to their pantheon of stars. Aside from the Creature himself, this gorgeous poster also features the lovely Julie Adams in her stunning white bathing suit. In excellent condition, the only defect noted is some slight tape residue at the top right edge. These are extremely minor concerns, however, and do little to detract from this exquisite poster. Very Fine+ on Linen.
Creature From the Black Lagoon (Universal International, 1954). Window Card (14" X 22"). Considered by many to be the last of the great Universal Monsters and perhaps the best, the Creature was a tremendous success in its day, and spawned two sequels. This window card has had its top imprint area trimmed off and replaced. There is a small hole above the "S" in the title. All the black areas in this poster have been repainted and the borders and top replaced area have also been airbrushed. Very Good on Cardstock.
Creature From the Black Lagoon (Universal International, 1954). Belgian (14.5" X 25"). One of the best movies, and most memorable characters, to come out of the "Monster Revival" period of the 1950s, the idea for this film came to director William Alland back in his Mercury Theater days, when he heard Mexican cinematographer Gabriel Figueroa tell a folk tale about a man-like creature that lived in South America. In conceiving the physical look of the Creature, designers consulted medieval woodcuts of two bizarre beings, the Sea Monk and the Sea Bishop, both described in the sixteenth century. The result was one of the most popular and influential monsters in the history of film. This dramatic Belgian poster, which utilizes artwork that is very similar to the American insert, shows some toning at the top, as well as some edgewear at the top and bottom. In spite of those minor flaws, it's a real beauty that will enhance any poster collection. Rolled, Very Fine+.
Creature From the Black Lagoon (Universal International, 1954). Three Sheet (41" X 81"). Although posters for Universal's "Creature" frequently rise from the depths of collections, for some reason, the three sheet is a particularly scarce format on this title. This example has had the borders lightly airbrushed, primarily to cover several small nail holes and tiny chips in the borders. The interior of the poster is quite nice with only minor color touch to the fold lines, a bit of airbrushing at the seam in Julie Adams white swimsuit, and a bit of color touch to a six inch tear on the left side under the "C" in Creature. Still, none of these flaws are very distracting and this example of the three sheet is one of the best we've ever seen. If you've been patiently waiting to acquire one of these scarce items, this is the one to bid on. Very Fine on Linen.
Revenge of the Creature (Universal International, 1955). Three Sheet (41" X 81"). If you've waited for something really 'great' from the highest-grossing film of the "Creature" series, your wait is over. This is the 3-D sequel to the "Creature from the Black Lagoon." One of the best of all of poster wiz Reynold Brown's 'monster' series. Here's the "gill-man" full length and 'ripped' running amuck amongst the human population carrying off gorgeous Lori Nelson ('Hot Rod Girl', 'Untamed Youth'). This three sheet has always been very elusive, particularly in this grade, and is the first one we've offered. Only small chips in the top left and lower right corner, and a tear in the lower middle field, all addressed with expert restoration. Terrific color. Very Fine on Linen.
Revenge of the Creature (Universal International, 1955). One Sheet (27" X 41"). The highest-grossing film of the "Creature" series was the only sequel to a 3-D film to also be shot in 3-D. This "fish out of water" tale has a few surprises as the creature is moved to a different surrounding -- this time a water amusement park. Clint Eastwood made his film debut in this film as the lab technician. The wonderful artwork of the Creature wreaking havoc is by master sci-fi artist Reynold Brown. Minor edge wear with small tears, light tanning, minimal cross fold separations, and a U shaped tear in the top border repaired with archival tape. Very Fine.
The Creature Walks Among Us (Universal International, 1956). Autographed Lobby Card (11" X 14"). Stars Rex Reason and Jeff Morrow signed this card from the third and final installment in this highly successful film franchise. There is wear along the edges with corner creases and wrinkling in the borders. A few scuffs can be seen in the image area along with smudging in the margins. Fine/Very Fine.
The Creature Walks Among Us (Universal International, 1956). One Sheet (27" X 41"). If Universal didn't create the monster movie genre in the 1930s, they certainly perfected it. That genre died down for a few years, after 1948s "Abbott & Costello Meet Frankenstein," but the studio revived the concept successfully in 1954 when they released "The Creature from the Black Lagoon," a landmark picture that helped to spur the "Monster Revival" of the 1950s. The Gill Man's debut was such a blockbuster that it spawned two sequels, "Revenge of the Creature," and "The Creature Walks Among Us," in which scientist Dr. William Barton (Jeff Morrow) attempts to "humanize" the Creature through surgery, with predictable results. All three films feature the spectacular Creature makeup, designed by Bud Westmore for the original film, which has become one of the most recognizable monsters in media history. All paper associated with the Gill Man is highly desirable, and this classic one sheet is no exception. This particular copy displays pinholes in the corners and several within the image and borders. The corners have been folded back, leaving crease lines, as has the bottom border, in which case the crease line extends into the credits. The colors on this beauty are fresh and fabulous, however, giving it a great deal of eye appeal. Don't pass up this opportunity to acquire this B-movie beauty! Fine-.
Phantom of the Rue Morgue (Warner Brothers, 1954). Light-Up 3-D Display (15" X 18"). Fabulously frightening and fun, this backlit 3-D lobby display was created for the 1954 horror flick starring Karl Malden, Claude Dauphin and Patricia Medina. Although movie-going audiences had been treated to the occasional stereoscopic film, the period from 1952 through 1955 is generally considered the Golden Age of 3-D movies, with this piece coming from the height of that fondly-remembered craze. This unique and entertaining item has a bit of delamination in the image, but is otherwise in wonderful shape. The piece includes a metal light box, which is attached to the framed image. They just don't make them like this anymore. Very Fine-.
Murders in the Rue Morgue (Universal, 1932). Lobby Card (11" X 14"). This is one of the formative films in the great 1930s Golden Age of mad scientist movies. It was the second mad scientist film made during the sound era, following the massive success of "Frankenstein" (1931). The lobby cards for "Murders" are extremely rare. This is the only card in the set to feature a caption, "The Discovery in the Chimney" and marks an important moment in the movie, as Leon Layoff discovers the body of one of Erik's victims, one of the scenes in the film that can actually be attributed to Edgar Allan Poe's original story from 1843. This card has staining on the backside which was repaired on the front by airbrushing over the white borders and within the title area. There was painting done within the image as well to eradicate the staining. This card would benefit greatly by a trip to a professional restoration artist who could effectively clean this card, as it should then present as Very Fine. There was a small chip from the upper left corner which has been repaired. The card displays a great degree of eye appeal, and will make a proud addition to any collection. Very Good.
Murders in the Rue Morgue (Universal, 1932). Lobby Card (11" X 14"). Bela Lugosi stars as Doctor Mirakle, a carnival sideshow entertainer. When not courting the bearded lady, the amateur scientist kidnaps Parisian prostitutes and mixes their blood with that of his pet gorilla. He soon learns, however, that he needs the blood of a virgin, so he and his monkey turn their eyes to Camille L'Espanye (Sidney Fox). Erik, Dr. Mirakles ape, enters Fox's apartment to kidnap her in this pivotal moment from Robert Florey's horror classic. This card has oil staining on it which has led a previous owner to have it painted to hide the stain. The painting was done predominately in the image of Fox and into the bed clothes. It is also sun faded. Cards from this title are exceedingly rare. Good/Very Good.
The Bride of Frankenstein (Universal, 1935). One Sheet (27" X 41") Style D. With a plot suggested by a portion of Mary Wollstonecraft Shelley's original novel "Frankenstein, or The Modern Prometheus," published in 1818, this, the greatest of the Universal horror films, concerns itself with the creation of a female creature by Dr. Henry Frankenstein (Colin Clive) and newcomer Dr. Pretorius, played with evil relish by British actor Ernest Thesiger. Of course, Clive and Boris Karloff masterfully recreate their roles, as creator and created, from the previous film, joined by a stunning young Elsa Lanchester who not only brings the unnamed female creature to glorious un-life, but also essays the monster's true creator, Mary Shelley, in the prologue. Building upon his own creation from the first movie, director James Whale oversaw this, the work that was to become his masterpiece. With a deft mix of dark humor, gothic horror, and superb craftsmanship, Whale created a sequel that surpassed its original in almost every way. As great as the other films in the Universal horror canon undoubtedly are, none of them can compare to "Bride" for the completeness of its realization. Earlier films, like "Dracula" and "Frankenstein," lack the sure hand that comes from working within an already proven franchise; later films suffer from a lack of the unique creative vision that Whale was able to bring to this picture. The result is a film that must be considered as one of the immortal classics of the early cinema. Offered here is the unique Style D one sheet which, until now, had only been seen in the pressbook for the film released some 72 years ago! Long held in a private collection, the importance of this discovery cannot be overstated. A copy of each of the other two style one sheets have previously surfaced, but never this glorious beauty! It therefore writes a new chapter in the history of Universal horror poster collecting. Kept with extreme care over the years, the poster was folded with very minor chips from the corners, and there were minor crossfold separations with tiny chips present. Several tears within the image and some fold separation were noted, all of which have been expertly restored. The breathtaking image that graces this priceless beauty was totally untouched and completely intact, with colors as vibrant as the day it was printed! Minor restoration and linen backing has been done professionally and with great care, resulting in a poster that should delight and chill viewers for another 72 years or more. Never before seen and perhaps never to be seen again, this fabulous original one sheet from the Golden Age of Horror is a pearl beyond price, and a true cinematic treasure that is not to be missed. Fine+ on Linen.
The Bride of Frankenstein (Universal, 1935). Universal Weekly Magazine (34 Pages). When Universal saw the potential of the sequel to their smash hit "Frankenstein," they produced a "Roadshow" attraction with the film, complete with a full-color deluxe press book and an array of posters to equal any of the studios largest productions of prestige. This "Universal Weekly" magazine, which was produced in-house to distribute to their exhibitors, is devoted to the ballyhoo of selling "The Bride." Though printed in black and white, it features full page layouts of the stars in costume, with their character's names. Also included is a two-page layout of the magnificent posters produced to sell the film. This magazine, which has a printing date of April 6, 1935, just two weeks before its release, was originally stapled in the spine. It has had the staples removed and punch holes placed in it to mount in a three-hole ring binder. There is minor fold separation within the cover page and minor wear throughout. There is a rubber stamp on the inside of the back cover. The magazine is stamped on the backside as having come from the Wilshire Theater in Beverly Hills, California. Fine/Very Fine.
The Bride of Frankenstein (Universal, 1935). Lobby Card (11" X 14"). The Monster (Boris Karloff) confronts his creator (Colin Clive) and the insane Doctor Pretorius (Ernest Thesiger) in this outstanding lobby card from the greatest horror film ever made. The card has superior color and clarity. The upper right corner has suffered some surface paper loss and a tear has been repaired with paper tape on the reverse, there is a minor chip in the lower left border, pinholes in the lower corners, and a pinhole filled in just above the monster's shoulder. The card has had professional restoration rendering this virtually invisible, and now presents beautifully. A great lobby card from a great film. Fine/Very Fine.
The Bride of Frankenstein (Universal, 1935). Lobby Card (11" X 14"). This card has had skilled professional restoration performed to pinholes and very minor chipping in the corners. There were a few pinholes and minor tears in the edges, including a one inch tear in the upper border which extends into the table and another on the right edge touching the image of Valerie Hobson. Colin Clive and Ernest Thesiger admire the fruits of their labor as Elsa Lanchester, the Monster's Bride, opens her eyes for the first time. This card also shows some very minor fading. Very Good/Fine.
The Bride of Frankenstein (Universal, 1935). Lobby Card (11" X 14"). Colin Clive and Ernest Thesiger look to the heavens, awaiting the bolt of lightning that will bring life to the constructed corpse of the Monster's Bride in this electrifying scene from James Whale's classic horror film. This card has had minor color touch to pinholes in the corners and to the blue background above Ernest Thesiger's head. The card exhibits some very slight fading and minor rounding to the corners. The lobbies for "The Bride of Frankenstein" are among the most sought after in all of poster collecting. Fine-.
The Bride of Frankenstein (Universal, 1935). Lobby Card (11" X 14"). Undoubtedly the best card in the set, this incredible lobby captures the moment when Elsa Lanchester (as the Monster's Bride) first lays eyes upon Boris Karloff. Colin Clive and Ernest Thesiger make unlikely chaperones as the Monster demands his mate! This amazing card has had professional restoration to replace the corners (moreso on the upper left), and repair some pinholes and a tear that runs into the background by the Monster's head. There are some very light scratches in the background above Lanchester and the card shows some minor fading. Fine- on Paper.
The Raven (Universal, 1935). Title Lobby Card (11" X 14"). Boris Karloff and Bela Lugosi were the kings of Universal horror films when they were cast in this adaptation of Edgar Allan Poe's poem, "The Raven." And although the story line borrowed nothing from the poem except its title, the film was loaded with all sorts of depravity that would have made Poe proud and the film censors squeamish. The title card for this film is one of a handful known to exist and is among the most sought after titles in the pantheon of horror collecting. The borders have been airbrushed as has the red and white in the film's title. There was a five inch horizontal tear from the left border that stops next to Irene Ware's head. The torn area was folded back at one time leaving a fold line running vertical to the bottom of the card. There was a one inch tear in the top border going through Laemmle's name. The card also has some minor color touch ups to a few other areas, none of them significant. The card now appears to be in very fine condition and the colors remain vibrant. Very Good/Fine.
The Raven (Universal, 1935). Lobby Card (11" X 14"). With the casting of Boris Karloff and Bela Lugosi in horror films, Universal found a fertile goldmine with the development of stories of depraved madness. This lovely and original card features Lugosi and Irene Ware, the object of his obsession. It has a number of pinholes in each corner, several which extend into the image. There is minor surface soiling. The colors on the card are outstanding and the corners are still sharp. Fine/Very Fine.
The Raven (Universal, 1935). Lobby Card (11" X 14"). This excellent condition card from the Universal horror classic depicts Boris Karloff as deranged killer, Edmond Bateman, about to do away with the fiance of Dr. Richard Vollin's (Bela Lugosi) obsession. This card is a gorgeous as the day it was printed with only the most minor rounding of corners and a minor corner crease on the lower right corner. There is a rubber stamp on the backside. Very Fine+.
The Raven (Realart R-1948). Title Lobby Card (11" X 14") and Pressbook. Bela Lugosi is the mad surgical genius obsessed with Edgar Allan Poe, and Boris Karloff is the escaped convict looking for some plastic surgery. Kidnapping, torture, and brain damage ensue in this spooky horror classic directed by Lew Landers. This lot includes the Realart title lobby card (where Lugosi points to his own name), along with the reissue pressbook, and even the original mailing envelope. The card has a second NNS stamp over the original stamp, very minor toning, and very light edge wear along the top border. The pressbook is also in excellent condition. Very Fine/Near Mint.
The Raven (Realart R-1948). Lobby Card (11" X 14"). Poe-obsessed Doctor Vollin (Bela Lugosi) strives to be "the sanest man who ever lived," even though he's pretty much a raving lunatic. Boris Karloff plays a convict who comes to Vollin for some plastic surgery, and lives to regret it. This excellent reissue lobby card (#7) has a great profile shot of Lugosi, and a good look at Karloff's makeup. There is an NSS overstamp, two small tears and accompanying crimping in the upper right border, and a very light vertical crease on the right side. Near Mint-.
The Raven (Realart R-1948). Lobby Card (11" X 14"). The dream team of Bela Lugosi and Boris Karloff co-headline this nifty horror melodrama from director Lew Landers, which co-stars the lovely Irene Ware. This outstanding lobby card -- from the 1948 Realart reissue set -- has a great image of the horror icons, and is in near pristine condition, with only some minor smudging, the NSS overstamp, and a very light crease on the right side. Near Mint.
The Raven (Realart R-1948). Lobby Card (11" X 14"). Not really an adaptation of the Edgar Allan Poe poem, this classic thriller stars horror legends Bela Lugosi and Boris Karloff as a mad surgeon and scarred criminal respectively, a follow-up to their highly successful coupling in "The Black Cat" a year earlier. Arguably the finest card in the entire set, this Realart reissue lobby has bold images of Karloff and Lugosi. The condition is excellent overall, with pinholes in the corners, a very slight smudge in the right border, and very light vertical crease on the right side. Very Fine+.
The Raven (Realart R-1948). Lobby Cards (2) (11" X 14"). Boris Karloff and Bela Lugosi re-team after their triumph in Edgar Ulmer's "The Black Cat," to equally chilling results. This lot includes two excellent lobby cards from the Realart reissue of 1948, including a great shot of Karloff's scarred makeup (#2 card), and Lugosi posed next to the titular bird (#4). Both have the NSS overstamp. The #4 has a printer's smudge in the right border, and some crimping in the top left border, while the #2 has some soiling in the top border and a light horizontal crease running across the lower part of the photo area. Two very crisp cards with great color. Very Fine.
The Raven (Realart R-1948). Lobby Cards (2) (11" X 14"). Although Boris Karloff had the horrific make-up, it was really Bela Lugosi who was the star of this show, playing a deranged surgeon. This lot includes two superb cards, both of which feature Karloff. Both have the NSS overstamp. The #3 card has slight edge wear in the top border, and a light vertical crease on the right side. The #8 card has a small tear in the left border, light crease in the top right and lower left corners, and very slight corner blunting. Very Fine.
The Invisible Ray (Universal, 1935). Lobby Card (11" X 14"). Boris Karloff plays a brilliant scientist who discovers the existence of a radioactive meteor in Africa, and mounts an expedition to find it. Once exposed to the meteor's radiation, his touch becomes lethal. Bela Lugosi plays a comparatively smaller part in this science fiction classic. This exemplary lobby card features the big two, plus the lovely Frances Drake. The card is in excellent condition, with tack holes and minor rust stains, some minor staining in the upper border, and paint on the reverse which doesn't show through. Very Fine/Near Mint.
The Invisible Ray (Universal, 1935). Lobby Card (11" X 14"). Boris Karloff, as the mad scientist Janos Rukh, meets his demise by his very own mother in this final scene from Universal Pictures horror/science fiction epic. Bela Lugosi doesn't appear on this scene card, but did appear as Karloff's colleague and rival in this exciting story. The card has one tack hole in each corner, a small tear in the upper right edge and all four corners show some very slight "rounding." This is a great card, featuring one of the greatest actors of the Golden Age of Hollywood. Very Fine.
The Invisible Ray (Universal, 1935). Lobby Card (11" X 14"). Boris Karloff stares into the heavens, searching for the origination point of a meteorite carrying the substance Radium X, as lovely Frances Drake looks on. The only science fiction film that Karloff and Lugosi would make together, this exciting movie was a worthy successor to such earlier Karloff/Lugosi vehicles as "The Black Cat" and "The Raven." This card appears exceptionally clean, as the pinholes, one in the background of each corner, are very difficult to see. The upper right corner has some slight creasing. Very Fine+.
The Invisible Ray (Universal, 1935). Lobby Card (11" X 14"). Boris Karloff awaits, under the protective suit, as Bela Lugosi performs an experiment with the deadly substance Radium X. This card is one of the few in the set to depict both of these legends of horror. Each corner has had some professional restoration to pinholes and chips in the right corners. The card also had some cracks in the upper background that have had some light color touch. These defects are quite difficult to see upon a quick inspection and the card appears near mint. Fine.
The Invisible Ray (Universal, 1935). Lobby Card (11" X 14"). This montage card from one of Universal's rare forays into science fiction spotlights Frances Drake and Frank Lawton. The film, directed by Lambert Hillyer, relied upon the talents of their titans of terror, Boris Karloff, who is seen in the border art of this card, and Bela Lugosi. There is a tiny chip off of the lower right corner, some very light smudging in the left and upper borders and one tack hole in the right edge of the background. None of these minor flaws detract from the eye appeal of this very desirable card. Very Fine+.
The Black Cat (Universal, 1934). Lobby Card (11" X 14"). Bela Lugosi menaces Julie Bishop in this lobby card from Edgar G. Ulmer's classic (and very loose) adaptation of Edgar Allan Poe's "The Black Cat." The card has two to three pinholes in each corner, and there are a few more pinholes around the borders. There is a pinhole above the "c" in "Black" and a rubbed crease on the right side of the background. The card also shows some minor smudging in the borders, but the colors are quite bright and very presentable. The cards from this title are considered some of the rarest and most desirable from all of the Universal horror films. Very Fine.
Phantom of the Opera (Universal, 1943). Mini Window Card (8" X 14"). The first remake of the Gaston Leroux novel used the opera house set from the 1925 Lon Chaney version. The set, which was used for many other films such as "Thoroughly Modern Millie" and "The Sting," remains at Universal Studios and is the oldest movie set in the world. This midget window card has small corner bumps, a couple of light smudges, and a light dust shadow. Fabulous images of the four stars. From the Collection of Denver Sherry. Very Fine/Near Mint.
The Phantom of the Opera (Universal, 1925). Insert (14" X 36"). Lon Chaney stars as the vengeful composer, who lives in the catacombs under an Opera house in Paris, in what is certainly his most famous and horrifying role. The film was shot in 1923, but was shelved for nearly two years before it was released. Many of the top executives at Universal didn't think the film would do very well, but they were wrong. The film was a tremendous success at the box office and became the prototype for the horror film cycle at Universal during the 1930s. The unmasking scene still ranks as one of the most shocking of the horror genre. There were surface creases, tears, border chips, small holes, and some paper loss in the upper left corner. The poster has had professional restoration and conservation, correcting these defects. Offered here is a scarce opportunity to acquire an ultra-rare poster for this Universal Horror classic. Fine on Paper.
The Hunchback of Notre Dame (Universal, 1923). Lobby Card (11" X 14"). In the role that shot him to the heights of superstardom, Lon Chaney appears as Quasimodo, Victor Hugo's tragic character from his classic novel. In this scene card, one of only two in which Chaney appears, Quasimodo is kidnapping the gypsy girl Esmeralda while the evil Jehan looks on. Lobbies on this title were printed in both full color and monotone green. This is one of the scarcer full color scenes. The card has had the borders replaced and has been paper-backed. The interior of the scene had one pinhole in each corner that has since been repaired. Very Good+ on Paper.
The Hunchback of Notre Dame (RKO, 1939). Title Lobby Card and Scene Card (11" X 14"). In a stunning and sensitive portrayal, Charles Laughton brings Victor Hugo's deformed bell-ringer, Quasimodo, to life for the first time in the sound era. Daringly different than the more monstrous character immortalized in 1923 by Lon Chaney, Laughton's Quasimodo is a tender, almost poetic creature who falls in love with the gypsy girl Esmeralda (Maureen O'Hara). When she is wrongly accused of murder and sentenced to the gallows, Quasimodo rescues her, at the cost of his own life. Laughton already had several substantial roles behind him when he agreed to star in this remake, including Dr. Moreau in "The Island of Lost Souls" (1932), Henry VIII in "The Private Life of Henry VIII" (1933), and Captain Bligh in "Mutiny on the Bounty" (1935). The result was a masterful performance that became one of the most memorable of Laughton's career. Offered here is a wonderful title card that shows pinholes in each of the corners (a tack hole with some residual rust displays in the lower left), light foxing on the lower border, a small chip out of the upper left corner, a slight scuff near O'Hara's face, and light tanning overall. Nevertheless, the eye appeal of this card is undeniable. The scene card, showing Quasimodo following his master, Chief Justice Frollo (Sir Cedric Hardwicke), is immaculate; a real beauty with no apparent defects. This is a wonderful opportunity to acquire two great cards from a classic film. Fine/Very Fine.
The Old Dark House (Universal, 1932). Lobby Card (11" X 14"). Melvyn Douglas and Gloria Stuart are featured on this exceptionally rare lobby card from one of James Whale's true horror classics. After the success of "Frankenstein" the year before, Carl Laemmle hired Whale to direct this creepy adaptation of J. B. Priestly's novel. The card has paper tape on the reverse and there is the slightest nick into the upper border where the paper tape was trimmed away. Near Mint-.
Werewolf of London (Universal, 1935). Window Card (14" X 22"). Universal Pictures' foray into the world of lycanthropy finds Henry Hull, a scientist bitten by a werewolf, succumbing to the affliction himself. Interestingly, the werewolf makeup used in this film wasn't Pierce's original design; that would see the light of day six years later on Lon Chaney Jr. in "The Wolf Man," as Hull objected to the laborious makeup process required to apply it. This window card (the only copy we've been able to locate) has been restored. The right two inches and the top six inches of the window card have been expertly replaced. This "trim line" was just below the werewolf's eyes at the top of the image. There have been some minor color touches to cracks and the borders have been airbrushed. The expert restoration on this card has restored this beauty to its former glory. Be the only kid on the block to own this beauty and bid now! Very Good on Cardstock.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14"). Universal Studios produced some of the most outstanding lobby card sets for their early 1930s features. The border art is magnificent and the lush colors of the cards are vibrant. This lovely card from their first "werewolf" feature pictures Henry Hull as a scientist who is bitten by a werewolf and Warner Oland as his nemesis. Also featured is the lovely Valerie Hobson as Hull's wife. This card has been paperbacked with much wear to the border as the two lower border corners had missing pieces. There was a two inch tear from the top border into the art above Hobson's head. There was a small hole in the card where the top of the crown of Hobson's hat is located. There was black marker within the top border that just extends into the purple of the border art. All of these issues have been expertly corrected and now the card appears near mint. Very Good/Fine on Paper.
Werewolf of London (Universal, 1935). Lobby Card (11" X 14"). Universal produced their first film on lycanthropy with "Werewolf of London." Henry Hull was cast as the accursed scientist and Warner Oland (taking a break from his roles as Charlie Chan) was his nemesis - another werewolf on the search for a cure to their mutual fate. This great card shows Henry Hull cultivating the rare Asian flower which he hopes holds a cure for his affliction. The card has a three inch tear running from the bottom border into he border art. There are pinholes and some slight staining in the borders. Fine.
Werewolf of London (Realart, R-1951). Lobby Cards (4) (11" X 14"). Warner Oland, taking a break from his Charlie Chan duties, plays Hull's nemesis and fellow lycanthrope in this 1935 Universal horror production. The four cards in this lot are from the 1951 re-release and are, as a whole, in fantastic shape. Card #2 has a slight bottom border smudge. Card #3 has a mild stain in the upper left corner and a mild corner bump. Card #5 has minor corner bumps on the right side. Card #8 has a slight stain in the bottom center border, paper tape on the back, mild edge wear with minor tears in the lower right corner, and a light crease in the lower left corner. The images on all four cards are like new. Very Fine.
Werewolf of London (Realart, R-1951). Three Sheet (41" X 81"). Universal's first werewolf movie, this eerie horror classic starred Henry Hull as Dr. Glendon, an unfortunate explorer afflicted with lycanthropy. The original werewolf makeup designed for this film by the legendary Jack Pierce was extremely similar to that which would be used several years later in "The Wolf Man." While not quite as famous as the Chaney film, this is still a very effective movie, well worthy of its place in Universal's pantheon of horror films. The Realart reissue three sheet offered here features wonderful artwork, and shows small pinholes in the field, some fold wear with minor chipping, and a chip at the right edge. All of these issues have been corrected with professional restoration, with the result that the poster appears even better than its grade. Very Fine on Linen.
The Wolf Man (Universal, 1941). Half Sheet (22" X 28"). Lon Chaney made his mark in the cinema with this entry in the Universal horror series. Although he had appeared in "Man Made Monster" the prior year, and under the name Lon Chaney Jr., he decided to drop the Jr. and continue in his father's footsteps of making a career as the new "Man of a Thousand Faces." Under Jack Pierce's incredible makeup, Chaney became the screen's greatest werewolf. This makeup had been tested on Henry Hull in 1935's "Werewolf of London," but a less hirsute version was eventually decided on for that role. By 1941, the studio decided that the country was ready for a real Wolf Man and created a legend in the process. Although lobbies and one sheets have turned up over the years, this half sheet poster is exceptionally scarce. It is also quite nice graphically and is considered superior to the one sheet. The poster has been paper-backed but no other restoration was done. The poster still shows wear to the borders and a few tears which go into the green background. There are also some scratches within the background and chips off of the edges. This poster would restore very easily and nicely. Very Good+ on Paper.
The Wolf Man (Universal, 1941). Window Card (14" X 22"). A particularly hirsute Larry Talbot (Lon Chaney Jr.) glares out from this eerie duotone window card, poised over the recumbent form of Evelyn Ankers. One of the most important and successful films in the Universal horror franchise, this was a career-defining role for Chaney, who had previously toiled in the shadow of his famous father. Written by Curt Siodmak, the film can be seen as an allegory for the rise of Nazism in Europe (an otherwise good man is transformed into a murdering beast, whose victims are identified by a star that they bear). This unbacked beauty has a top right corner bend and a small scratch to the right of the figure. Some light scuffing across the image is evident, as is a small tear in the left border. The top and bottom edges display very minor edge wear, and there's some very slight foxing at the bottom border. Lastly, there is a small amount of ink smudging at the top in the theater name. Overall, however, this is a very attractive card that should bring out the beast in all horror collectors. Very Fine+.
The Wolf Man (Realart, R-1948). Lobby Card (11" X 14"). Lon Chaney Jr. stars as the cursed and tormented creature doomed to transform into a vicious killing monster at the onset of every full moon. This card is from the 1948 Realart reissue of the film, and features Chaney in a reflective moment while beautiful Evelyn Ankers and Ralph Bellamy look on. Crisp original color and only mild edge wear, a tiny stain in the lower left border, a small tear in the right border, and a small crease in the top right corner. Very Fine/Near Mint.
The Wolf Man (Universal, 1941). Title Lobby Card (11" X 14"). Lon Chaney Jr. finally emerged from the shadow of his famous father in this classic Universal monster movie, one of the slickest and best of the era. Offered here is the much-in-demand title lobby card (featuring the "naked" Wolf Man) from this wooly classic. The card has undergone restoration to repair several hard creases and minor edge tears, as well as two 2" tears, one in the top left and one in the bottom left corner. The borders have been lightly airbrushed and there has been some color touch applied to the background image. The entire backside of the card has been airbrushed as well. Still, these are hardly noticeably on this great-looking card. Fine-.
Dracula (Universal, 1931). Herald. This is a landmark film by any definition. Not only did it usher in the Golden Age of Universal Horror, it also introduced Bela Lugosi to movie-going audiences in a performance that would be both definitive and iconic. For millions of people worldwide, when the name "Dracula" is mentioned, it's Lugosi, with his suave manners, his European charm, his exotic accent and his piercing gaze, that instantly comes to mind. Paper on this title is as hard to find as a vampire on the beach at the stroke of noon, so this herald, with its stunning portraits of the cast, is a very rare find indeed. The theater information is printed on the back cover, so we know definitively that this herald comes from the time of the picture's original release. Printed on an extremely fragile paper stock, this piece displays overall edge wear and small edge chipping, some light foxing on the back cover, a corner chip on the back left, a 1" inch chip out of the front right cover, a horizontal fold, and some slight fold separation at the bottom of the center vertical fold. There's also a small tear at the bottom right. Even with these flaws noted, however, this is an exquisite piece from an important and well-beloved movie that will make an important addition to any horror collection. Fine+.
Dracula (Universal, 1931). Title Lobby Card (11" X 14"). The first true sound horror film and one of ground-breaking significance in the Universal horror series, this classic is, and always will be, the definitive vampire film. Bram Stoker's gothic thriller had already been brought to the screen by German filmmaker F.W. Murnau in 1922 as "Nosferatu." Though the film had not been authorized by Stoker's widow and all of the prints supposedly destroyed as the result of a legal ruling, young Carl Laemmle, Jr. saw the box-office potential of the novel. Despite the onset of the depression and financial setbacks suffered by the studio, Laemmle bought the rights to the novel and the hit Broadway play which starred a young Hungarian actor named Bela Lugosi. Legend has it that Laemmle was not at all interested in Lugosi despite the great reviews the actor received. Lugosi actively sought the role, lobbied hard, and ultimately won the studio executives over, thanks in part to his willingness to accept a salary far smaller than his co-stars. With this role, film history was made and Lugosi would forever be immortalized as the ultimate Count Dracula! This gorgeous title card has a single tack hole in both the left and right borders. There is a minor corner bend in the upper right and what appears to be a slight pencil mark beginning below the small image of Helen Chandler's nose that extends into her neck, which has been expertly lightened to the point of being almost imperceptible. The card has the most faint dust shadows on the left and lower border. The colors on this card are outstanding, making this example one of the most striking known! This is a very rare and beautiful card with sharp corners. Very Fine+.
Dracula (Realart, R-1951). Insert (14" X 36"). One of the premiere films of the Golden Age of Universal Horror, "Dracula" introduced the movie-going public to Hungarian-born Bela Ferenc Dezso Blasko, better known as Bela Lugosi. His suave European charm and exotic accent thrilled audiences in 1931, and continues to do so to this day, making "Dracula" one of the cornerstones of twentieth century cinema. The movie was re-released into theaters in 1951, with supporting posters by Realart, such as the insert offered here. Garish and eye-catching, Realart posters have become prized by collectors for their outstanding graphics. This particular copy displays the expected horizontal fold lines and corner pinholes, but neither of these slight defects are enough to distract from the overwhelming eye appeal of this great piece. Very Fine+ on Paper.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). This movie was originally intended to be the direct sequel to 1931s "Dracula."
Bela Lugosi and Boris Karloff were to star, with the rest of the cast from "Dracula" reunited in a production to be directed by James Whale. Karloff and Whale eventually bowed out of the production, Lugosi ended up with a rather substantial "kill" fee for a movie in which he never appears, and the rest of the cast, with the exception of Edward van Sloan, either left or was let go. The result was a rather odd, yet atmospheric and effective, movie in which the Countess Marya Zaleska (Gloria Holden) searches for a cure for a mysterious malady, but discovers a taste for human blood instead. This particular card, dominated by a giant spider web, presents all the mood and menace that Universal horror collectors search for. There's some slight water damage and chipping to the left border, and some bug chews in the lower left (the most extensive extends about .75 inches into the main image), as well as a light dust shadow in the top left. Otherwise, this is an extremely attractive card that will make a nice addition to any collection. Fine/Very Fine.
Bela Lugosi and Boris Karloff were to star, with the rest of the cast from "Dracula" reunited in a production to be directed by James Whale. Karloff and Whale eventually bowed out of the production, Lugosi ended up with a rather substantial "kill" fee for a movie in which he never appears, and the rest of the cast, with the exception of Edward van Sloan, either left or was let go. The result was a rather odd, yet atmospheric and effective, movie in which the Countess Marya Zaleska (Gloria Holden) searches for a cure for a mysterious malady, but discovers a taste for human blood instead. This particular card, dominated by a giant spider web, presents all the mood and menace that Universal horror collectors search for. There's some slight water damage and chipping to the left border, and some bug chews in the lower left (the most extensive extends about .75 inches into the main image), as well as a light dust shadow in the top left. Otherwise, this is an extremely attractive card that will make a nice addition to any collection. Fine/Very Fine.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). Another great and seldom found scene card from the sequel to "Dracula." Countess Marya Zaleska (Gloria Holden) is in perfect character as she calmly stares down Dr. Garth (Otto Kruger) with no fear at all for his handgun. Her slavish servant, Sandor (Irving Pichel) at his malevolent best glowers between them, ready to pounce. There are horizontal tears and creases along the bottom of the card repaired with tape on the back. There are chips in the lower and upper left corners, a faint stain along the right border, surface scratches and scuffs and pinholes in the corners and field. Very Good-.
Dracula's Daughter (Universal, 1936). Lobby Card (11" X 14"). Often neglected, as it had no stars, this first sequel to "Dracula" based on Bram Stoker's story "Dracula's Guest" -- is in many ways the better film. This often-sought seldom-found card has Gloria Holden, with her wonderful slumber-lidded eyes and beautiful moon face, playing with somber restraint a cursed soul seeking only release. That's Nan Grey ("Tower of London", "Invisible Man Returns") on the table, having been "bitten" by the raven haired seductress in a subtle characterization we will simply classify as way ahead of its time. Crisp, top notch restoration for common defects including pinholes, slight edge wear with tiny tears in the borders, a tear in the right corner, a scratch across bottom half of Holden, and a small chip in the upper right border. There are some wrinkles and mild corner creases. The card displays almost as new. Fine+.
House of Dracula (Universal, 1945). Lobby Card (11" X 14"). This card had us going wilder than Larry Talbot during a full moon! Lon Chaney Jr., as the unfortunate lycanthrope, strangles the mad doctor, played by Onslow Stevens, in this, the only scene card from the set to feature the Wolf Man. This classic Universal monster rarely appears on any lobby cards, which makes pieces like this particularly desirable. And the condition? About as clean a copy as we've ever heard of, with only the slightest bit of wear showing to the tips of the corners. You'll be howling mad if you miss out on this monstrous beauty! Near Mint.
The Invisible Man (Realart, R-1951). Lobby Card (11" X 14"). James Whale strikes again with this shocking adaptation of the venerable H.G. Wells novel. Titular star Claude Rains appears "in the flesh" in only one very brief scene at the end, letting his voice do most of the work. His second film appearance, this role was destined to make Rains a star of the first magnitude virtually overnight. This nifty Realart reissue lobby card has a great image of the Invisible Man mixing up his invisibility potion. The card has minor edge wear and some creasing in the lower border, plus slight crimping in the logo area, but is very clean overall, with great color. Very Fine+.
The Mummy (Universal, 1932). Lobby Card (11" X 14"). There are only two scene cards which feature Boris Karloff in make-up as the Mummy in the original lobby set created to promote this seminal horror film. This particular card, often referred to as the "Sarcophagus" card, is one of those scarce pieces. The card has seven pinholes within the borders, as well as a piece of brown paper tape along the backside of the left side of the card and three rubber stamps. With its beautiful colors and amazingly nice condition, this is a true rarity and one of the most sought after pieces from the Universal horror genre. Very Fine.
The Mummy (Realart, R-1951). Lobby Card (11" X 14"). The highlight of cinematographer Karl Freund's brief career as a director, "The Mummy" stars Boris Karloff in the title role. This reissue lobby card features a great image of Karloff threatening leading lady Zita Johann. The card has two pinholes, a half-inch tear in the right border that has been backed with tape on the reverse, and minor border wear. Fine/Very Fine.
The Mummy (Realart, R-1951). Lobby Card (11" X 14"). Edward Van Sloan inspects the recently discovered Im-Ho-Tep (Boris Karloff), blissfully unaware that the Mummy still lives. This terrific Realart lobby card from the 1951 reissue has great color and excellent clarity. The card has the letter "D" written in pencil in the Mummy's torso, minor creasing at the corners, moderate border creasing, and light overall wear. Fine+.
The Mummy (Realart, R-1951). Lobby Card (11" X 14"). One of the creepiest moments of Universal's "The Mummy" is commemorated in this fine reissue lobby card, the best image of Boris Karloff as Im-Ho-Tep in his bandaged-up incarnation. The card had damage to two corners, some edge damage and pinholes, all of which have been rendered invisible by professional restoration, which also includes color touch and cleaning/pressing. Fine-.
The Mummy's Hand (Universal, 1940). Lobby Card (11" X 14"). Tom Tyler traded in his cowboy hat and boots for the moldy shroud of Kharis the Mummy in this Universal horror classic. This card, considered to be one of the best of the set, has a number of pinholes in the border and several within the artwork. It is a great card with an exciting and dramatic image. Fine+.
The Mummy's Tomb (Universal, 1942). Mini Window Card (8" X 14"). Although the Boris Karloff vehicle "The Mummy," released in 1931, wasn't the first film to feature the Egyptian undead - that honor most likely belongs to "The Mummy," a 1911 film in which a female mummy comes back to life to find love in modern times - it did, certainly, ignite a franchise that ran for many years. This was the second sequel to the Karloff original, following "The Mummy's Hand" in 1940, and starred Lon Chaney Jr under the bandages as Kharis, the sacred mummy. This card, sporting art which is very similar to that of the one sheet, shows some slight discoloration to the top right where some writing has either been bleached or removed, as well as a light corner bend in the top left. Aside from this extremely minor flaws, however, this card is in excellent condition and will be a proud addition to any collection. From the Collection of Denver Sherry. Very Fine/Near Mint.
Frankenstein (Universal, 1931). Herald (16.5" X 10.5"). James Whale was given the assignment of filming Mary Shelley's novel for the big screen after director Robert Florey was released from his contract. Unknown actor Boris Karloff in the pivotal role as the Monster made the part his own in what is known as the ultimate screen translation of the first horror novel. To this day, seventy-six years after the film was released, Karloff's image is recognized around the world. Although there have been many sequels and other adaptations, this remains the version against which all others are measured. To say that the posters and lobby cards on this film are desirable is an understatement. Everything associated with this legendary picture is prized! This herald is fantastic, as it is a miniature poster in its own right. It was folded horizontally at one time. There are small tears in the upper edge and one clean tear that is two inches long. There is some slight separation at the horizontal fold, and some tanning and slight soiling. Very Good/Fine.
Frankenstein (Realart, R-1951). Lobby Card (11" X 14"). "It's alive! It's alive!" Boris Karloff became a star based on this classic fright film directed by James Whale, and rightly so; his textured performance as the child-like creature is one of the finest in horror history. On this superb reissue lobby card, the monster faces his creator, played by Colin Clive. The card has slight blunting at the corners, a small tear in the left border, a larger tear just above it that has been taped on the reverse, some discoloration along the left edge, and staple holes in the image. This is one of the better cards in this scarce reissue set. Fine.
Frankenstein (Universal, 1931) and The Bride of Frankenstein (Universal, 1935). Spanish Heralds (2) (8.75" X 6.5") Unfolded.
Offered in this lot is a Spanish Herald for each of the classic Universal Frankenstein movies. They are in very nice shape with the "Frankenstein" showing some staining on the front and foxing on the back side. The "Bride" has a slight misfold. Very Fine-.
Offered in this lot is a Spanish Herald for each of the classic Universal Frankenstein movies. They are in very nice shape with the "Frankenstein" showing some staining on the front and foxing on the back side. The "Bride" has a slight misfold. Very Fine-.
Frankenstein Meets the Wolf Man (Universal, 1943). Window Card (14" X 22"). Two of the mightiest monsters in the Universal Horror franchise met for the first time in this thrill-filled extravaganza. Bela Lugosi finally donned the Frankenstein makeup he had declined years before, and Lon Chaney Jr. reprised his role as the lycanthropic Larry Talbot, making this one of the favorite films in this classic series. This window card shows some sealing of small tears and pinholes, both at the edges and in the main image area, and some paint and small hole repair is evident in the title. Additionally, the upper right corner seems to have been replaced, but overall this is a very attractive piece. Fine/Very Fine.
Frankenstein Meets the Wolf Man (Universal, 1940s). Post-War Belgian (15.5" X 23.5"). This was Universal's follow-up to "The Ghost of Frankenstein" with Lon Chaney Jr. as the Wolf Man going to find the Doctor for help and finding, instead, the Monster, played by Bela Lugosi. The graphics on this poster, like so many of the Belgian posters, is striking. The top imprint area was folded over and has light tanning, there are bends in the four corners, and light wrinkling on the borders. Fine/Very Fine.
Frankenstein Meets the Wolf Man (Universal, 1943). Lobby Card (11" X 14"). The Wolf Man was the real star of "Frankenstein Meets the Wolf Man" remaining consistent with his initial screen appearance, thanks to the scripting of his creator Curt Siodmak. This great scene card has the Wolf Man inside the Frankenstein castle ruins, having just dropped through the crumbling floor into a subterranean chamber of ice. Due to the good original coloring of the card, it's an excellent candidate for professional restoration to correct common defects in a 64-year-old lobby card! There are pinholes in the corners and center field, small stains in the lower left border, a punch in the upper right field, minor corner bumps, and slight edge wear and small border tears. Fine+.
Frankenstein Meets the Wolf Man (Universal, 1943). Lobby Card (11" X 14"). Bela Lugosi takes his turn as the Frankenstein Monster, and thanks to the remarkable magic of Jack Pierce, make-up genius and creator of all-that-is-monster, doesn't miss a beat, as evidenced in this great card. A classic "Beauty and the Beast" scene card, here's the Monster carrying off the lovely Ilona Massey. This great lobby card deserves to be professionally restored for defects that are common with theater use. There are pinholes in the corners and center field, small tears in the right center and bottom borders. There is tape in the corners with a bottom right surface tear from tape removal. There are small chips in the bottom left and upper right borders. The card is slightly tanned, but a good professional "wash" would do wonders. By the way, this is not Lugosi carrying the girl, but his stand-in. Fine-.
Son of Frankenstein (Universal, 1939). Half Sheet (22" X 28"). This style half sheet is far superior to the other as the Monster towers over Basil Rathbone and Bela Lugosi. Boris Karloff, in his signature role as Frankenstein's Monster, appears twice on this incredible poster. This would be Karloff's last appearance in the role as, at 51 years of age, he was getting too old to deal with the eight hour make-up job by Jack Pierce. This poster is incredibly rare, and to date, we only know of one other copy. There were a few small chips in the borders, primarily at each corner, and some minor wear along the fold lines. The colors however, are quite bright, and the poster shows no fading whatsoever. It has been paper-backed and these minor defects have all been corrected so the poster now appears near mint. Fine on Paper.
Son of Frankenstein (Universal, 1939). Lobby Card (11" X 14"). Boris Karloff, as Frankenstein's Monster, begs for a little understanding from Basil Rathbone in the exciting conclusion to this legendary horror film. Carl Laemmle sold his studio in 1936 and executives of the "New Universal" decided to produce quality features instead of "tacky" horror films. But it was horror films the ticket- buying public wanted, so "Son of Frankenstein" was put into production to rescue the studio financially. Due to the extreme rarity of this top scene card, we do not hesitate to offer this 'composite' card. Over 70% of the card is original: the 8.25" X 11" photo inset. The title border on the left and bottom, as well as almost an inch in the vertical right border has been replaced by a laser copy, rendering the card as close to original as possible. Fair/Good on Paper.
Ghost of Frankenstein (Universal, 1942). Title Lobby Card (11" X 14"). The fourth film in the "Frankenstein" series, and the first one not to star Karloff as the monster (Lon Chaney Jr. donned the makeup this time around), the real star here is Bela Lugosi as Ygor, the hunchback, who managed to survive being killed at the end of "Son of Frankenstein." This spiffy title lobby card has multiple edge tears and corner creases, with pinholes in the corners and the field, and edge wear with small chips out. Professional restoration, including airbrushing in the borders, has made these problems virtually unnoticeable. A terrific title card that presents beautifully. Fine-.
Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). Yet another great scene card featuring Bela Lugosi and Lon Chaney Jr. This card is one of the best at displaying the make-up work of genius Jack Pierce ("Dracula," "Frankenstein," "White Zombie," "The Mummy,") Frankenstein's Monster befriends cute little Cloestine (Janet Ann Gallow), the only person in the village who doesn't fear him. There are small chips in the upper left border, slight edge wear with mild corner bumps, border soiling, and small border tears. Excellent color. Very Fine-.
Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). Released Friday the 13th, 1942, this was the fourth in the Frankenstein series from Universal. Lon Chaney Jr. makes his only appearance as Frankenstein's monster. Here is a great scene card depicting a segment that would have made Karloff proud with the way Chaney's Monster gently interacts with little Cloestine (Janet Ann Gallow) as the attentive Dr. Eric Giffrey (Ralph Bellamy) looks on. Only pinholes and a small tear in the right middle border. Excellent color. Very Fine+.
Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). Offered in this lot is one of the top cards from this Universal horror classic. It's the scene we've all come to know and love: Frankenstein's Monster (played by Lon Chaney Jr.) is about to be brought to life. Bela Lugosi, Sir Cedric Hardwicke and Lionel Atwill look on. Professionally paper backed and restored for pinholes in the corner and center field, small tears in the bottom center image, and minor tears in the upper left border. Very Fine-.
Ghost of Frankenstein (Universal, 1942). Lobby Card (11" X 14"). This film picks up where "Son of Frankenstein" left off with the Monster (Lon Chaney, Jr.) and his gruesome companion Igor (Bela Lugosi) being chased out of town by the irate villagers. Although both the Monster and Igor had been killed at the end of "Son of Frankenstein," they were so popular that the studio miraculously "revived" the horrific duo for one final screen appearance. Offered in this lot is the lobby card depicting the graveyard scene, one of the moodiest scenes ever created for a Universal horror film. This card remains a top favorite among collectors, particularly in this grade. Only minor corner bumps, slight edge wear with light soiling and dot stains, a tiny border tear, and corner creases. Very Fine.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Insert (14" X 36"). Two of Universal's most popular franchises, the monster movies and the comedies of Abbott and Costello, were starting to lose their luster when someone at the studio decided to put all of them into one film. The result was one of the most popular pictures ever to come out of the studio. This poster is considered the best from this comedy classic and is eagerly sought after by collectors. Most inserts, when folded, display three fold lines. This particular example has five fold lines which have been color touched. There were several other light surface scratches which have had some color touch as well. These minor flaws do little to detract from the incredible appeal of this attractive and desirable piece. The colors on this example are outstanding! Fine/Very Fine on Paper.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Pressbook (10 Pages, 12" X 16"). This horror spoof classic paved the way for several follow-up pairings between Abbott and Costello and Universal's famous monsters. This pressbook for the original release is in very nice shape for its age. The spine is beginning to separate and there is light staining on the covers and on the edges of a few interior pages. The book is complete with no cuts and tons of great images from the film and its campaign material. Very Fine.
Abbott and Costello Meet Frankenstein (Universal International, 1948). Three Sheet (41" X 81"). Two franchises at Universal, the horror unit and the comedy team of Bud Abbott and Lou Costello, were combined to make one of the biggest hits of the year. Bela Lugosi, Lon Chaney, Jr. and Glenn Strange play the terrible trio that bedevil Bud and Lou in a chase through Dracula's castle. This lot contains one of the most sought after posters on the title, an original three sheet with an incredible image of the Monster. There has been great restoration to address a large piece of the credit area in the lower left corner of the poster replaced. This included the lower left border with copyright info as well. The work was done magnificently to replace the paper. There was also a small piece missing from Abbott's nose. There are minor fold separations and some slight edge wear. Wonderful color and all of the artwork totally intact. Very Good- on Linen.
Abbott and Costello Meet the Invisible Man (Universal International, 1951). Half Sheet (22" X 28") Style B. Originally intended as a straight entry into Universal's "Invisible Man" series, the huge success of "A & C Meet Frankenstein" caused this script to be re-written for Bud and Lou. William Frawley plays a blustery detective, while Nancy Guild and Adele Jergens lend copious eye candy. This splendid half sheet features a great image of the boys and their invisible pal. The poster has been folded, with fold wear, light overall edge wear, and some rumpling at the top and bottom of the vertical fold, but still has great color and presents beautifully. Get some hair-raising, howl-raising hilarity with this Abbott & Costello classic! Very Fine-.
Abbott and Costello Meet the Invisible Man (Universal International, 1951). Insert (14" X 36"). In the continuing run of "meet and greets" for Bud Abbott, Lou Costello, and every monster on the Universal lot, the boys operate as mail-order private eyes to help a boxer clear his name of murder. Lou steps into the ring to face a professional boxer, and gets the invisible assist of the boxer they're trying to help. This insert has a delightful image of Lou as a fuddled 'Sherlock Holmes' and Bud with his usual slow burn of consternation. There are extra horizontal folds, staining in the left border, pinholes, and mild edge wear with tiny tears. The color is very good. Fine+.
Abbott and Costello Meet the Mummy (Universal International, 1955). Half Sheet (22" X 28") Style B. Bud Abbott and Lou Costello found themselves face to face with several of Universal's most famous monsters but their best encounter may have come in this collaboration with The Mummy. This folded half sheet features a hilarious image of the classic comedy team in the clutches of the heavily bandaged bad guy. The sheet has been folded and there is a bit of edge and fold wear with a tiny cross fold separation. There are creases and bumps at the corners and a thin line of foxing along the edges. There are light stains in the image and at the borders. Fine/Very Fine.
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (Universal International, 1953). One Sheet (27" X 41"). After the amazing success of "Abbott & Costello Meet Frankenstein," Universal cast their comedic team in a whole new series where they were pitted against various monsters. In this outing, horror legend Boris Karloff portrays Dr. Jekyll and hires the boys to protect him from a mysterious killer. By the end of the film, Lou gets injected with Jekyll serum and turns into a snarling monster ala Mr. Hyde. All of the posters on this film are moody and atmospheric in the Universal horror style! There is minor cracking of the restoration paint, which could be easily redone. There are pinholes, edge wear, and chips in the upper left corner, along the left border and in the vertical right fold line. Very good color. Fine+ on Linen.
Dr. Jekyll and Mr. Hyde (Paramount-Artcraft, 1920). Window Card (14" X 20"). John Barrymore was already considered one of the greatest actors in the world when he was cast in the dual role of Dr. Jekyll and his evil "other half" Mr. Hyde. The role would further his legend as Barrymore was able to transform "seamlessly" into Hyde. Poster material for this early horror film is exceptionally scarce. This example shows very minor wear to the edges although the upper two inches of the playdate area have been trimmed off. This is a stone litho card and the image of Barrymore as a shadowy Hyde would become a common motif used on other posters for the remakes of this early classic. Fine.
Dr. Jekyll and Mr. Hyde (Pioneer, 1920). Window Card (14" X 22"). In the same year that John Barrymore would deliver one of his most memorable performances as both Dr. Jekyll and Mr. Hyde, Sheldon Lewis was giving moviegoers his version of both characters in this low-budget, rather comedic version of Robert Louis Stevenson's novel. The paper for this version is even rarer than that of the Paramount version as this film had a much smaller distribution than the other. There is staining and tack holes in the top imprint area, a tack hole on the right side in the yellow background and a smaller one toward the bottom. The poster area below the imprint area is in very clean condition. Fine/Very Fine.
Dr. Jekyll and Mr. Hyde (Paramount, 1931). Insert (14" X 36"). Although John Barrymore turned in a wonderful performance as Dr. Jekyll in 1920, it was Fredric March, whose performance in this version actually earned the actor an Oscar. And although Robert Louis Stevenson's novel has been filmed many times, it is this version that is considered to be the best ever made. There has been some color touch to the "Dr. Jek" in the title and along all of the fold lines. There were some pinholes in the background and Jekyll's hat as well. There was a three inch tear going into Jekyll's cape in the lower image, there is a slight paper abrasion in the upper border and all of the borders have been airbrushed. Overall, this exceedingly rare insert is quite presentable. Fine- on Linen.
Dr. Jekyll and Mr. Hyde (Paramount, 1931). Lobby Card (11" X 14"). This, the first sound version of the Robert Louis Stevenson classic, is still considered by many to be the best. Frederic March won the Academy Award for his "dual" role, which tied with Wallace Beery's performance in "The Champ." Directed by Rouben Mamoulian, this film has a great transformation scene from Jekyll to Hyde. Done with filters in front of the camera lens which alternately revealed and obscured portions of Fredric March's Hyde makeup, this masterpiece showcases the incredible talents of the brilliant cinematographer Karl Struss and make-up master Wally Westmore. Posters for this film are some of the rarest in the hobby. This is one of only three cards in the set to picture March in make-up. This is the best of the three! This splendid lobby card has a great image of Hyde about to drink the bubbling potion. There are pinholes, a small top left corner missing, a small tear on the left side and a larger tear in the lower right border. There is also a zig-zag tear running from the bottom left side, past Hyde's elbow. The card has been cleaned and the borders airbrushed, with excellent professional restoration rendering all this virtually unnoticeable. This may be the only chance to ever acquire this rarity again. Very Good+.
Dr. Jekyll and Mr. Hyde (MGM, 1941). Mini Window Card (8" X 14"). Robert Louis Stevenson's classic tale of a scientist who devises a way to separate his bestial nature from his more benevolent self has been filmed many times. Unlike other productions, however, that relied on elaborate make-up and special effects, this Mr. Hyde relies more on Tracy's exceptional acting ability than an excess of appliances. The result is a strong, psychological movie that still thrills audiences more than sixty years after its initial release. This great card is exceptionally clean. It's only flaw is some writing in the top right corner that appears to have been bleached or erased. Other than that, this classic piece is an absolute stunner. From the Collection of Denver Sherry. Very Fine/Near Mint.
Jack Pierce Scrapbook Lot (Universal, C. 1932). Still (8" X 10"). A very scarce photograph, one of only a handful that would have been produced, of Jack Foley's artwork for his fellow Universal Studio artisan, Jack Pierce. Pierce, of course, was perhaps the most influential and best known makeup artist in the history of film, and Foley was the originator of the "Foley" techniques that emphasize or create the sound that you hear in a finished cartoon, radio show, or film. A very funny cartoon of 'Frankenstein' needing make-up repairs and Pierce sprinting in with a makeup kit and a hammer! Only slight surface scuffs and a faint top border crease keep this rare treasure from an even higher grade. From the Personal Scrapbook of Jack Pierce. Very Fine+.
Jack Pierce Scrapbook Lot - Jack Pierce Portrait (Universal, c.1929). Still (8" X 10") and Letter. This lot consists of two items. The first is a wonderful portrait of Jack Pierce, probably from the late 1920s. This portrait has a light crease in the lower right corner. The other item is a letter from director Arthur Lubin to Jack Pierce on the occasion of Lubin and Universal's parting ways. Lubin had directed films for Universal starting in 1934 and continued on until November 1945. Among his achievements were the early films of Abbott and Costello, and he worked with Jack Pierce on one of his greatest successes, "The Phantom of the Opera." This letter clearly states Lubin's appreciation for Pierce's work. The letter bears some minor stains and tape residue in the corners. From the Personal Scrapbook of Jack Pierce. Very Fine+.
Jack Pierce Scrapbook Lot - Jack Pierce's Makeup Room (Universal, c.1933). Stills (3) (8" X 10"). This lot consists of three original stills. Two, which are double weight, from around 1933, show Pierce at work on a makeup concept. In one of these stills, he shows his idea to his favorite "victim" Boris Karloff. The other still has been trimmed to 7.5" X 9.25" and shows Pierce applying makeup to Karloff for "Night Key." From the Personal Scrapbook of Jack Pierce. Fine.
Jack Pierce Scrapbook Lot - Henry Hull (Universal, 1935). Still (8" X 10"). The well-known "Wolf Man" makeup used on Lon Chaney Jr. was first created by Universal Pictures makeup wizard Jack Pierce for Henry Hull in 1935's "Werewolf of London." After Pierce fitted him with the full hair version, however, Hull declined to wear the makeup, citing his extreme discomfort with the time-consuming application process. A less-hairy version was then devised by Pierce, and it is that version that is seen in the film. This wonderful oversized portrait of Hull, signed by Roman Freulich, was used by Pierce to study the facial features of his subject. A small border tear in the bottom center, small surface paper loss on the back of the tear, and mild surface scuffs are the only flaws in evidence. From the Personal Scrapbook of Jack Pierce. Fine-.
Jack Pierce Scrapbook Lot - Werewolf of London (Universal, 1935). Still (5.75" X 8.5"). For years we've heard about the makeup that Jack Pierce created for use in "Werewolf of London" that was rejected by the studio as being too horrific. This still, from Jack Pierce's own collection, displays that makeup and bears resemblance to the final makeup that Lon Chaney Jr. would wear in "The Wolf Man" six years later. Simply stated, this is an amazing still from a legendary makeup creation. From the Personal Scrapbook of Jack Pierce. Very Good.
Jack Pierce Scrapbook Lot - The Wolf Man (Universal, 1943). Still (7.25" X 9.25"). This wonderful still, which measures 7.25" X 9.25" due to trimming, shows Lon Chaney in a posed shot from the famous Universal horror thriller "The Wolf Man." The photo was taped into makeup genius Jack Pierce's scrapbook and shows signs of where the tape was removed or pulled free. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - The Wolf Man (Universal, 1941). Still (7.25" X 10"). A very rare "proof" photograph for Universal's Makeup Department, that's monster makeup wizard Jack Pierce applying the finishing touches to Lon Chaney Jr. as the Wolf Man in one of the top grossing films of 1942. Chaney's makeup took six hours to apply, and three hours to get off, which would account for the comfortable pose in the photograph! This photo has been trimmed on the top and bottom border to the edge, not affecting the image. There is minor tape residue in the left and right borders, and minor surface scuffs. Paper from this film is extremely desirable, and this intriguing still is no exception. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - The Ghost of Frankenstein (Universal, 1942). Stills (2) (8" X 10" and 4" X 5"). In 1942 Universal brought back their favorite monster for the fourth time in "The Ghost of Frankenstein." Bela Lugosi was back as the evil assistant Ygor and Lon Chaney Jr. was handed the reins of the title character. Offered in this lot are two wonderful still photos from Pierce's scrapbook. The smaller still is one used as a continuity photo by Pierce alone to replicate the makeup from day to day. This photo shows Chaney in the "sulphur" makeup and is dated with a stamp on back of Jan. 5, 1942. The film was released in March of that year. The photo has some surface loss due to tape lifts. The larger 8" X 10" is of the monster burning at the film's finale. This is actually a shot of Eddie Parker, Chaney's stunt man for many of the film's more dangerous sequences. This is a still Pierce would have acquired from the publicity department after the film's opening as it has the small paper press snipe on the verso. There is a small amount of tape residue on the corners of this photo. From the Personal Scrapbook of Jack Pierce. Very Fine-.
Jack Pierce Scrapbook Lot - The Captive Wild Woman (Universal, 1943). Still (10.5" X 13.5"). She was known as"The Venezuelan Volcano" but in truth Burnu Acquanetta was born on an Arapaho Indian reservation in Wyoming. The model turned B-movie actress is best remembered by Universal Horror fans as Paula Dupree, the Ape Woman, Universal's only female monster. This rare oversized behind-the-scenes photo is a character study for Jack Pierce, the makeup artist. There is a small surface tear in the upper right corner, and small tape residue in the borders and the lower left field. From the Personal Scrapbook of Jack Pierce. Very Fine-.
Jack Pierce Scrapbook Lot - The Phantom Creeps (Universal, 1939). Still (7.25" X 9"). Bela Lugosi appeared as Dr. Alex Zorka in this late 1930s serial, one that many consider among his best projects, produced when Lugosi was in his prime as an actor. This is Jack Pierce's makeup for Lugosi, with the requisite beard and moustache. An extremely rare studio makeup department photo, this piece has been trimmed of the white borders, although the image itself is unaffected. There are small surface tears in the top of the head, a "proof" stamp, and Lugosi's name handwritten by Pierce himself, as well as minor surface scuffs and tape residue. Nevertheless, this is an exceptional piece for any fan of Bela Lugosi. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - The Mad Ghoul (Universal, 1943). Still (8" X 10"). What a treat! A very scarce original still from the Universal publicity department showing the makeup wizard himself, Jack Pierce, actually applying makeup. That's David Bruce in the chair, undergoing his transformation into a zombie by Pierce himself. The great original snipe on the back details Pierce's techniques. A minor corner ding, small tape residue in the top right corner and middle right border, and small surface scuffs are the only defects present in this very desirable piece. From the Personal Scrapbook of Jack Pierce. Fine/Very Fine.
Jack Pierce Scrapbook Lot - The Mummy's Hand (Universal, 1940). Still (8" X 10"). Best known for his heroic roles, both as superheroes Captain Marvel and the Phantom, as well as his many cowboy incarnations, Tom Tyler made only a single horror film during his career. As Kharis the Mummy in "The Mummy's Hand," Tyler was an integral part of what many consider to be one of the finest mummy movies ever made. This original publicity still from makeup artist Jack Pierce's personal scrapbook, shows a key scene from this classic film. There is only a mild crease in the top border, and minor surface scuffs, otherwise this still is extremely clean. From the Personal Scrapbook of Jack Pierce. Very Fine-.
Jack Pierce Scrapbook Lot - The Phantom of the Opera (Universal, 1943). Stills (2) (3.5" X 4.5" and 8" X 10"). This lot contains two pictures of Jack Pierce applying the acid-disfigurement makeup to Claude Rains' face. The smaller still is a snapshot that has been trimmed. It has a date stamp on the reverse from March 24, 1943. This same image was used in the larger 8" x 10" publicity still shown here. It has some tape residue in the borders and some slight moisture warping in the left side. Pierce has written "C Rains" on the still. From the Personal Scrapbook of Jack Pierce. Very Good+.
Jack Pierce Scrapbook Lot - The Phantom of the Opera (Universal, 1943). Stills (2) (7.5" X 9" and 4" X 5"). At last! For years, fans of the Clause Rains version of "The Phantom of the Opera" have wanted to see clear pictures of Jack Pierce's stunning makeup for the disfigured Enrique Claudin. These pictures finally reveal Pierce's incredible work. The profile of Rains has been trimmed to 7.5" X 9" and bears a "Proof Only" stamp on the reverse. It also has a date stamp of Feb. 27, 1943 and, in the upper left corner, Pierce has written "C Rains." The other still is a candid snapshot of Pierce applying his makeup to Rains and bears a date stamp on the reverse of Mar 24, 1943. This snapshot is in near mint condition. From the Personal Scrapbook of Jack Pierce. Very Good.
Jack Pierce Scrapbook Lot - Show Boat (Universal, 1936). Still (8" X 10"). Offered here is a rare original still featuring one of the top moments in this exquisite film version of the hit Broadway musical. Pictured is Allan Jones as Gaylord Ravenal, a dissolute gambler who lost his wife and family due to his addiction, and Irene Dunne as Magnolia Hawks, who has just recognized her once wealthy husband, now forced to work as a doorman. This film reunited Pierce with director James Whale, hot on the heels of their success on "Frankenstein" and "Bride of Frankenstein." Only minor surface scuffs mar this beauty. There is an original studio snipe on the back documenting the scene. From the Personal Scrapbook of Jack Pierce. Very Fine.
Jack Pierce Scrapbook Lot - Letter of Introduction Still (Universal, 1938). Still (7.25" X 8.5"). A great original "gag shot" of Jack Pierce, the make-up genius who created the look of Universal's most famous monsters, including Frankenstein, the Mummy, and the Wolf Man, working on Mortimer Snerd for his Universal film debut, as Edger Bergen and Charlie McCarthy look on. There is an original studio snipe on the back, with the Universal stamp of photographer Sherman Clark (who also worked on "Frankenstein" as a still photographer). The photo has been trimmed around all the borders, not affecting the image. There are minor surface scuffs, and small pieces of paper tape on the back corners. A very rare, and very funny, piece. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - Tower of London (Universal, 1939). Still (10.5" X 13.5"). Despite very few lines and a minimum of screen time, Boris Karloff was able to create yet another memorable role in Mord that has haunted film goers for years. A chilling image, this lot shows Jack Pierce's ability to achieve a great character look for Karloff using very minimal makeup. This very rare oversized photograph, usually intended for the better magazine editors and seldom sent to theatres, is most likely by Roman Freulich, who had been photographing Karloff since "Frankenstein." The photograph has been trimmed in the border areas only, not affecting the image. There are small creases in the lower left field and left border. This is an exceptional piece that any Karloff fan will be proud to own. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - Night Key (Universal, 1937). Still (11" X 14"). A still as rare as the film itself, this is an original oversized portrait, most likely by Roman Freulich, for Karloff's turn as a kindly inventor of a complex security system. Jack Pierce's terrific makeup job brought Karloff's character to sinister life, as evidenced in this elegant image of one of Hollywood's greatest actors. There are some small surface tears in the corners where tape was removed, small tape residue in the corners, and faint surface scuffs. Excellent contrast. From the Personal Scrapbook of Jack Pierce. Fine/Very Fine.
Jack Pierce Scrapbook Lot - Black Friday (Universal, 1940). Still (10.75" X 13.75"). Another beautiful oversized portrait of Boris Karloff as Dr. Ernest Sovac in "Black Friday." Most likely by Roman Freulich, this still was kept by makeup creator Jack Pierce to record Karloff's "look." The still has had a slight trimming of the white border, not affecting the image, there is tape residue in the corners, and a small surface tear in the middle center right border. Excellent with no toning. From the Personal Scrapbook of Jack Pierce. Fine/Very Fine.
Jack Pierce Scrapbook Lot - Black Friday (Universal, 1940). Still (11" X 14"). Offered here is an original oversized photo from the Jack Pierce scrapbook that would have been used by Pierce to do Boris Karloff's makeup as Dr. Ernest Sovac, the mad brain surgeon of "Black Friday." This wonderful photograph, with its artful side-lighting and background soft focus technique, is most likely by long time Universal great Roman Freulich. There are only minor surface tears in the corners where tape was removed, and minor surface scuffs. Otherwise, a beautiful piece of movie history. From the Personal Scrapbook of Jack Pierce. Very Fine.
Jack Pierce Collection - The Bride of Frankenstein (Universal, 1935). Original Art (15.5" X 17"). Frederic "Feg" Murray, a prolific cartoonist who created the famous 1930's 'Seein' Stars' cartoon strip showcasing Hollywood's finest, was born in San Francisco, California on May 15, 1894. He was a direct descendant of the famous Mary Lindley Murray, whose well planned dinner party detained British General Howe and his officers long enough for the American troops to escape in 1776. This stunning December 20, 1936 top example of his rare original art has unique provenance. It comes directly from the collection of one of the greatest film make-up artists to ever work in the industry, Jack Pierce. A splendid ink rendering of Elsa Lanchester and Boris Karloff in full character with an explanation of the make-up that undoubtedly came from Pierce himself. What a find! Here is your chance to own an absolutely one-of-a-kind sci-fi/horror item. There is only minor discoloration in the taped on 'by-line' at the top center of the art, and minor edge wear in the top right corner where the art was removed from a scrapbook. From the Personal Collection of Jack Pierce. Very Fine.
Jack Pierce Scrapbook Lot - Bride of Frankenstein (Universal, 1935). Still (5.5" X 8"). This is another great shot of Jack Pierce's wonderful makeup job on Boris Karloff. An original Universal publicity still, this shot clearly shows Pierce's "singed hair" approach in this sequel, a result of the Monster's death in a mill fire at the end of the first film. The photo has been trimmed to approximately half its size, as Pierce was only interested in the image of Karloff for reference. There is a crease in the lower right corner, surface scuffs, and slight writing imprint in the upper right field. The snipe on the reverse was cut in half when the still was trimmed. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - Bride of Frankenstein (Universal, 1935). Still (8" X 13.75"). Universal's makeup ace Jack Pierce gave Karloff's re-appearance as the Monster special attention. He decided to alter the 1931 design to display the after-effects of the mill fire, adorning Karloff with a singed hairstyle that actually "grows" during the course of the film. But the real hint that this wonderfully shadowed photo by Roman Freulich is from "Bride" is Karloff's "full-face" look, a result of the actor wearing his full bridgework in order to speak as the Monster (that bridgework had been removed in the original film, resulting in the Monster's gaunt appearance). Even this early effort would be further modified, making this photograph a true piece of film history, direct from Pierce's own collection. The borders have been trimmed, but that special image is intact, with only small tape residue in the left corners, and spots of tape residue in the left and bottom fields. Don't miss your chance to bid on this historic beauty. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - The Bride of Frankenstein (Universal, 1935). Still (8" X 10"). This shot of Boris Karloff being made-up as Frankenstein's Monster is one of the most important images of Jack Pierce at work ever taken. This make up job would become one of Pierce's most memorable creations and one of his most difficult; it took eight hours to apply to Karloff every day of the production. This is a rare original, with a publicity snipe on the back and Roy D. MacLean's photographers stamp. From the Personal Scrapbook of Jack Pierce. Very Fine+.
Jack Pierce Scrapbook Lot - Bride of Frankenstein (Universal, 1935). Stills (2) (8" X 10", 7.5" X 9"). This incredible lot from James Whale's "Bride of Frankenstein" contains two original stills. In the first, Pierce can be seen applying makeup to Karloff's hand while Boris Karloff enjoys a cigarette break. The publicity snipe on the back comments that it takes eight hours to apply this makeup. This still has some light rubbing on the surface. The other still, which has been trimmed to 7.5" X 9", depicts Colin Clive and Ernest Thesiger admiring their latest creation. This still has a publicity snipe on the reverse as well. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - Frankenstein (Universal, 1931). Still (8" X 10"). Jack Pierce, Universal's head makeup man, was the genius behind most of Universal's greatest horror films. His crowning glory was the original makeup for Boris Karloff in "Frankenstein." This fabulous composite ad featuring photos by Freulich is an advertisement for Max Factor's film makeup. This glossy photo ad was pasted into Jack's scrapbook and has pieces of scrapbook paper pasted in each corner of the verso. There are some small scratches above Pierce's head in the center image of him applying Karloff's makeup. From the Personal Scrapbook of Jack Pierce. Very Fine.
Jack Pierce Scrapbook Lot - Frankenstein (Universal, 1931). Still (7.5" X 9.5"). This wonderful black and white still from the Jack Pierce scrapbook shows Pierce escorting Karloff in makeup for the role as Frankenstein's Monster to the set. This is a well-known still but contained here is the one from Pierce himself with his handwritten notations on the photo of "Karloff 1931." There are small tape marks on two of the corners where it was affixed to the scrapbook. The photo appears to have been trimmed down by Jack for his scrapbook. From the Personal Scrapbook of Jack Pierce. Fine+.
Jack Pierce Scrapbook Lot - The Mummy (Universal, 1932). Still (10.5" X 14"). Jack Piece was the genius makeup artist for one of the most successful horror films ever made, "The Mummy." With no special effects in sight, it was just Karloff, Pierce, and the lighting man who brought about the cinematic magic that holds up even today. This unique oversized photo has been trimmed in the right margin, just to the image. There are tape stains and a surface tear where tape was removed, and a handwritten title in the upper left corner written by Pierce himself. The beautiful imagery of Roman Freulich's photograph is completely intact with only a slight surface scratch in the shadow of the head. This is an exquisite image from one of Universal's greatest monster movies. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - The Mummy (Universal, 1932). Still (8.25" X 14"). One of Jack Pierce's most successful transformations was Karloff's Im-ho-tep, alias Ardath Bey. This very rare completely-in-character photograph, by Universal great Roman Freulich, shows the true artistry of Pierce's work. The left and right borders have been trimmed, but the stunning image is unaffected. There are small surface tears in the right border corners, none of which detract from the exceptional eye appeal of this chilling photo. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - The Mummy (Universal, 1932). Stills (2) (8" X 10"). Boris Karloff's second great monster is Im-ho-tep, the mummy who returns to life after the Scroll of Thoth is found and read aloud. And to bring this creature to the screen, none other than the great makeup artist, Jack Pierce, was called on again. These two photos show Pierce applying makeup to each of the two incarnations of the characters that Karloff played in the classic 1932 film, Ardath Bay and Im-Ho-Tep. The one of Pierce and Karloff as Ardeth Bay has a press snipe on the back which calls the film by its original title "Im-Ho-Tep." There is also a stamp crediting the photo to Freulich. It is a fabulous double weight still with pieces of scrapbook paper glued to each corner on the verso. The other photo shows Pierce at work on Karloff as Im-Ho-Tep, the mummy. It too is a wonderful double weight still with a paper press snipe on the verso which also calls the film by its original title. There are also pieces of scrapbook paper glued to each corner on the verso. Both of these stills are in excellent condition. From the Personal Scrapbook of Jack Pierce.Very Fine.
Jack Pierce Scrapbook Lot - The Mummy (Universal, 1932). Still (8" X 10"). This lot contains two original stills from "The Mummy" from makeup artist Jack Pierce's personal scrapbook. The first is a shot of the Mummy "stand-in" prop sitting inside the sarcophagus that would soon contain Boris Karloff. The other still is a fantastic shot of Jack Pierce applying the makeup to Karloff. Pierce has annotated the still in the upper border "In Mojave Desert Red Rock Canyon." The back of this still has a publicity snipe attached. This still exhibits some very slight rubbing to the surface. From the Personal Scrapbook of Jack Pierce. Very Fine+.
Jack Pierce Scrapbook Lot - The Old Dark House (Universal, 1932). Still (10.5" X 14"). Boris Karloff was assigned the butler role, Morgan, in a marvelous classic of the horror genre, by director James "Frankenstein" Whale. Offered here is a remarkable early makeup idea for Karloff by genius Jack Pierce. Working from the studio description, "...dark hulking shapelessness, like something monstrous spawned by the shadows....," this very rare Roman Freulich photograph certainly shows that Pierce knew what he was about, although the final version would be toned down. The right border has been trimmed to the image edge, but none of the photo is affected. There are faint tape stains in the left border corners, and small surface scuffs. Excellent contrast with no toning. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - The Old Dark House (Universal, 1932). Still (8" X 10"). Another example of Jack Pierce's wonderful makeup ideas for Boris Karloff in "The Old Dark House." This was in Pierce's scrapbook, and is in line with the finished product, but does not have the tousled hair look, and the scarring is across the nose rather than across the face, leading us to believe that this is an early, unused make up test. Karloff's name is written in the top left corner by Pierce himself. There are light surface scuffs, and minor toning, but these are minor flaws, especially in the case of such a rare and historic piece. From the Personal Scrapbook of Jack Pierce. Fine+.
Jack Pierce Scrapbook Lot - The Raven (Universal, 1935). Still (8" X 10"). In "The Raven,"one of the true classics of Universal horror, Boris Karloff had to undergo two completely different makeup jobs from legendary makeup artist Jack Pierce. In the film's beginning, Karloff appears as the criminal Edmond Bateman. This portrait depicts Karloff in that makeup. Later on, his makeup is altered to make the star appear horribly disfigured. This fantastic still, which very clearly depicts Karloff's makeup, is a double weight with the photographer Roy D. MacLean's stamp on the reverse. From the Personal Scrapbook of Jack Pierce. Near Mint-.
Jack Pierce Scrapbook Lot - The Raven (Universal, 1935). Still (8" X 10"). Another great example of Jack Pierce's makeup for Boris Karloff as the criminal on the run, Edmond Bateman in one of the best films of Karloff's career. This is a terrific original photo by Universal staff photographer Roy D. MacLean and shows the right profile of Karloff, probably for makeup continuity. There is a small surface tear and tape smudge in the lower right corner, a corner bump in the upper left, and surface scuffs. From the Personal Scrapbook of Jack Pierce. Fine.
Jack Pierce Scrapbook Lot - The Raven (Universal, 1935). Still (8" X 10"). Boris Karloff appears as Edmond Bateman, the criminal who asks the surgeon Dr. Vollin (Bela Lugosi) for help in making him look different so he can elude the police. What he received was a fantastic makeup job from legendary Universal makeup artist Jack Pierce. This is certainly one of Pierce's most memorable makeup jobs and this double weight still from Pierce's own scrapbook captures his work in fine detail. The still has a slight stain in the lower left border, and some minor rubbing to the surface on the left side of the background. There is some paper and glue residue on the back of the still where it was glued to Pierce's scrapbook. From the Personal Scrapbook of Jack Pierce. Very Fine.
Jack Pierce Scrapbook Lot - Conrad Veidt (Universal, 1928). Still (7.25" X 9.25"). A young Jack Pierce and Conrad Veidt worked together on the classic "The Man Who Laughs," with Pierce creating the wonderful deformed makeup. This is an early still of Veidt in makeup which came from Pierce's scrapbook. It seems to be before "The Man Who Laughs," but we are unsure of what film this might be from or whether it might just be a test makeup for a role never made. It is stamped in the verso "Photo by Freulich." There are pieces of brown scrapbook paper stuck to the four corners and a spot where the surface paper from the back of the photo has been pulled away. From the Personal Scrapbook of Jack Pierce. Very Fine-.
Jack Pierce Scrapbook Lot - "The Man Who Laughs" (Universal, 1928). Still (7.5" X 10"). Victor Hugo's "The Man Who Laughs" was chosen as the Universal horror film to follow up their success with "The Phantom of the Opera." The studio turned to the German auteur Paul Leni to direct the film. Leni had risen to fame with such films as "Waxworks" and "The Cat and the Canary," and had a gift for dark and atmospheric films. Leni, in turn, cast the noted German actor Conrad Veidt as Gwynplaine. Veidt had first garnered international attention as Cesare the somnambulist in Robert Weine's surreal masterpiece, "The Cabinet of Dr. Caligari." To create the makeup for the tortured grin of Gwynplaine, Jack Pierce, Universal's resident makeup man was chosen. This makeup was his first chance at applying "horror" makeup to a man and would ultimately lead to his being called to create the look of some of the most iconic monsters of the twentieth century. This wonderful still shows Pierce working with a curling iron on Veidt's wig, and also pictures Pierce's makeup box behind him. There is a remnant of some sort of paper clipping still attached to the upper right corner of the photo, which has been trimmed by 1/4" on each side right to left. There are remnants of scrapbook paper glued to the four corners on the verso. There is a small tear in the lower right from when the photo was pulled or fell from the scrapbook. This is an unpublished photo and has not been seen since 1928, until now. From the Personal Scrapbook of Jack Pierce. Very Good/Fine.
Jack Pierce Scrapbook Lot - "The Man Who Laughs" (Universal, 1928). Still (8" X 10"). A very rare on the set shot of the entire cast and crew of "The Man Who Laughs" (including the band members who accompanied the action). Conrad Veidt is holding a hand over his mouth to hide his grotesque makeup. Other cast members shown include Mary Philbin, Brandon Hurst, Stuart Holmes and director Paul Leni. The photo has light wear and a small corner bend in the bottom left. From the Personal Scrapbook of Jack Pierce. Very Fine+.
The Man Who Laughs (Universal, 1928). Still (8" X 10"). The success of "The Hunchback of Notre Dame" and "The Phantom of the Opera" led Carl Laemmle to look for other novels with a tragic horror motif that could be adapted for the big screen. The logical choice was Victor Hugo's "The Man Who Laughs." The film was planned to feature sound, but the extreme make up created by Jack Pierce left Conrad Veidt unable to talk, so the film was shot as a silent. Any material for this title is extremely rare, let alone an original still showing director Paul Leni actually directing the camera work. Only slightly toned. Fine/Very Fine.
The Unholy Three (MGM, 1930). Still (8" X 10"). Jack Conway's remake of Tod Browning's film was to be the only "All-Talking" feature that Lon Chaney would ever make. The star passed away a month after the film's release, just as he was preparing for the lead in Tod Browning's "Dracula." In this scene, Chaney, as the leader of a criminal gang of sideshow freaks, is being menaced by the circus gorilla. This photo shows some light wear and creases in the corners. Fine/Very Fine.
The Mysterious Dr. Fu Manchu (Paramount, 1929). Still (11" X 14"). Introduced in 1913 by British author Sax Rohmer, Fu Manchu is one of the greatest literary creations of the twentieth century. The epitome of the evil genius with aspirations of world domination, Fu Manchu has been brought to life on screen by such accomplished actors as Boris Karloff, Henry Brandon, and Christopher Lee. The first American film to feature this master criminal, 1929's "The Mysterious Fu Manchu," starred a pre-Charlie Chan Warner Oland, a role commemorated in this stunning image. Depicting Rohmer's creation in all his opium-smoking glory, this black-and-white studio portrait was shot by Eugene Robert Ritchie, considered Paramount's finest photographer of the 1920s. A lovely image, with "Photograph by Eugene Robert Richee" embossed in the lower right corner, the slightly rounded corners do nothing to detract from the beauty of this stunning portrait. Very Fine+.
Modern Age (1980-Present)
Greta Garbo/George Hurrell Studio Portrait (MGM, 1930). Still (16" X 20"). Speaking of Greta Garbo's initial appearance in "Anna Karenina," New York Times film critic Bosley Crowther once said "Set in the face of classic structure were large, sad, luminous eyes that expressed a limited but intense emotional range." Stunning beauty, devotion to craft, and intense discipline were Garbo's trademarks, and just a few of the reasons why George Hurrell photographed her on a number of occasions. This image of Garbo was taken by Hurrell in 1930 as her first talking feature, "Anna Christie," was sweeping the nation. There is very faint wear along the edges and tiny bumps at the corners with light bending. Unlike stamp-signed prints that followed in later years, this is an original print from Hurrell's Portfolio II and is hand-signed by the artist. Number 114 of 250. Near Mint.
Hollywood Vintage Still - Jean Harlow (MGM, 1936). Still (8" X 10"). Jean Harlow was 25 years old when she posed for MGM Stills Department photographer, Ted Allan. Allan worked under George Hurrell at the time and was trusted with many important, full length "costume" shots needed for publicity purposes. Very photogenic from the beginning of her career, Harlow would be the first actress on the cover of Life magazine. Even with as brief a career as she had, dying at the young age of 26, she was still voted #22 on the AFI list of Greatest Actresses of the Golden Age. Only the slightest of corner creases. Very Fine/Near Mint.
Movie Posters
Jean Harlow - Hurrell Studio Portrait (MGM, 1936). Still (16" X 20"). During the 1930s, Jean Harlow was one of Hollywood's most glamorous stars, and George Hurrell, whose Sunset Boulevard Studio was the place for Hollywood royalty to have the very finest portraits done, was one of its leading photographers. It's little wonder, then, that when these legends met, the result was a true masterpiece. Presented here is a luminous print of Harlow from 1934 that was offered in a very limited edition of Hurrell's work as part of the photographer's Portfolio I printed in 1979 and signed personally by Hurrell. Limited to a mere 250 copies, this is numbered 99/250, and is boldly signed in black ink by the artist in the lower right. Since Hurrell's passing, copies of these prints have been stamped signed and sold as originals. Make no mistake, this is the real thing! In immaculate condition, this is a rare opportunity for any devotee of glamour photography. Mint.
Modern Age (1980-Present)
Rita Hayworth/George Hurrell Studio Portrait (Columbia, 1941). Still (16" X 20"). Proclaimed "The Love Goddess," Rita Hayworth was the object of men's desires the world over. Stunningly gorgeous with an equally dazzling sense of humor and seemingly limitless talent, Hayworth's career would span six decades. George Hurrell snapped this image of the "Gilda" star at the Columbia Gallery in 1941. With a million-dollar smile, Hurrell's whimsical photograph is an enduring testament to Hayworth's star power. Hand-signed by Hurrell, this print is number 99 of 250 and is the genuine article, unlike later, stamp-signed imitators. Near Mint/Mint.
Marlene Dietrich/George Hurrell Studio Portrait (Universal, 1938). Still (16" X 20"). Shot by George Hurrell just prior to the start of production on "Destry Rides Again," this may be one of the greatest images of Marlene Dietrich ever captured. Taken during a session at Hurrell's famed Sunset Boulevard studio, this alluring photo documents Dietrich's glamorous side, minus her signature hats and tailored suits. Following Hurrell's death, several prints of this image were re-created with a stamp signature in the bottom border. But this example is number 114 of the 250 original prints hand-signed by Hurrell as part of his Double Portfolio collection. Near Mint/Mint.
Bette Davis/George Hurrell Studio Portrait (Warner Brothers, 1938). Still (16" X 20"). In 1938, Bette Davis turned down the role of Scarlett O'Hara in "Gone With the Wind" because she thought the role was too similar to that of Joyce Arden in "Jezebel," the film she had just completed. Such a career move would have destroyed lesser actresses, but not the incomparable Bette Davis. Renowned as much for her determination and ability as for her beauty, George Hurrell jumped at the opportunity to photograph Ms. Davis just before she began production on "Dark Victory." This dazzling image was captured at the Warner Brothers Studios in Burbank, California in 1938, and was added to Hurrell's Portfolio I. Printed as number 99 of the 250 originals, this photo was hand-signed by Hurrell as opposed to later examples that were stamp-signed. There are minimal corner bumps and a bit of edge wear with a tiny tear in the top border. Near Mint.
Loretta Young and Tyrone Power/George Hurrell Studio Portrait (20th Century Fox, 1937). Still (16" X 20"). Loretta Young and Tyrone Power would appear together in five films from 1936 through 1938 including "Suez" and "Cafe Metropole." The chemistry between the two was undeniable and a perfect muse for photographer George Hurrell. Shot on set at the 20th Century Fox lot in 1937, this Hurrell portrait of the two stars was produced using floor mounted background lighting, an overhead boom light and a spotlight from the perspective of the camera. The result is simply breathtaking. Selected as part of Hurrell's Portfolio I, this print is hand-signed by Hurrell and designated 99 of 250 original examples. Near Mint+.
Gary Cooper/George Hurrell Studio Portrait (Paramount, 1937). Still (16" X 20"). With All-American good looks and a swagger born of a Montana upbringing, Gary Cooper was born to be a Hollywood hero. Following the successes of "The Virginian," "A Farewell to Arms," and "The Plainsman," Cooper would become the archetype for film good guys for decades to come. Captured in 1937 at his Sunset Boulevard studio, George Hurrell used three different illumination techniques to create the brilliant entanglement of shadow and light in this gorgeous portrait. Later prints were stamp-signed but the original 250, of which this example is number 99, were all hand-signed by the artist himself. Near Mint/Mint.
Humphrey Bogart/George Hurrell Studio Portrait (Warner Brothers, 1937). Still (16" X 20"). Climbing from humble beginnings as a stage actor and bit-player in B movies, Humphrey Bogart became the international symbol of the rugged, self-determined American male. Broodishly charming, Bogart was the man that every woman wanted and every man wanted to be. Meanwhile, George Hurrell had transformed from unknown painter into the photographer that every star wanted to be photographed by. These two giants met in 1937 resulting in this marvelous image of Bogart that captures every bit of his well-earned persona. Printed as part of Hurrell's Double Portfolio, this black and white photo is number 114 of a limited printing of 250. Unlike later stamp-signed copies, this original example is hand-signed by George Hurrell himself. Near Mint/Mint.
Hollywood Vintage Still - Humphrey Bogart (Warner Brothers, Circa 1938). Still (8" X 10"). This is a fabulous portrait photo issued by Warners depicting their up and coming supporting player. Bogart would, in the following ten years, become the studio's top money draw, and today is voted one of the top Hollywood stars of all time. This beautiful original studio released still has been backed with a very thin cheesecloth to support the photo, though it really does not appear to need it. There are two rubber stamps on the verso indicating its former owner, and some slight staining in the upper right corner which bleeds through to the front side. Very Fine-.
Robert Taylor/George Hurrell Studio Portrait (MGM, 1936). Still (16" X 20"). Considered by many to be one of George Hurrell's most handsome subjects, Robert Taylor had the looks to become a model, but had the talent to be a Hollywood leading man. Fiercely loyal to MGM and Louis B. Mayer, Taylor was rewarded with consistent employment with the studio for many years. Another perk of being a company man was the best available photographer for his publicity material. In 1936 the best meant George Hurrell. Hurrell snapped this image of Taylor following the success of "Magnificent Obsession," and the shot was used as part of Hurrell's Portfolio II. Marked as number 111 of 250, this original print is hand-signed by the artist as opposed to later printings which were stamp-signed. There is the faintest of edge wear with small bumps at the corners. Near Mint.
Joan Crawford/George Hurrell Studio Portrait (MGM, 1932). Still (16" X 20"). Notoriously ambitious, Joan Crawford made friends and enemies during her rise to the top of the Hollywood mountain. But no one could deny her beauty and talent. Taken the same year as the release of "Grand Hotel," this 1932 George Hurrell portrait captures the mystery and elegance of one of the silver screen's most enduring legends. Offered here is a haunting print of Crawford from the very limited edition of Hurrell's work as part of the photographer's Portfolio I printed in 1979. It is numbered 99/250 and is boldly signed in black ink by the artist in the lower right. After Hurrell's death in 1992, copies of these prints were stamped with his signature. This example is a true hand-signed original and is in excellent condition with faint bending and a small smudge in the upper left border. Near Mint.
Hedy Lamarr/George Hurrell Studio Portrait (United Artists, 1938). Still (16" X 20). Following her nude appearance in "Ecstasy," Hedy Kiesler became an infamously sought after commodity in Hollywood. Louis B. Mayer, notoriously prudish by nature, knew a money-maker when he saw one, and signed Kiesler to a contract on the condition that she change her last name to Lamarr and promise to make more "family friendly" films from then on. Taken around the same time as her American film debut in "Algiers," this George Hurrell-lensed image of Lamarr captures her sensuality while exposing a sense of vulnerability and innocence, traits that Mayer no doubt saw in her too. This print from Hurrell's Portfolio II is number 111 of the original 250, and was hand-signed by George Hurrell himself. Near Mint.
Hollywood Vintage Still - Alice Faye (Fox, 1934). Still (8" X 10"). Gorgeous portrait still of Alice Faye by Gene Kornman (photo credit stamped on back). This is a keybook still (note punch marks at top of photo) for the film "365 Nights in Hollywood," one of Faye's earliest roles. In addition to the punch holes, there are two faint corner bends on the bottom left and right. Very Fine.
Hollywood Vintage Still - Ann Sheridan (Warner Brothers, 1939). Still (8" X 10"). This gorgeous double weight, matte finish still is attributed to George Hurrell and pictures the star circa 1939 at about the time of filming "Castle on the Hudson" or "Torrid Zone." The photo is also stamped on the verso from the Kobal collection. There is pencil notations of Sheridan's name and a date. Very Fine+.
Hollywood Vintage Still - Ann Sothern by George Hurrell (Circa 1936). Autographed Still (11" X 14"). George Hurrell, the "Grand Seigneur of the Hollywood Portrait," left MGM to set up his own studio on Sunset Boulevard in 1932. He soon became the toast of the town and all the major stars flocked to Hurrell for portraits. It was during that six year period in his own studio that he would photograph all of the Hollywood greats, including a young beauty named Ann Sothern. This gorgeous image, with its trademark lighting and composition, has been signed simply "To Per - The Wonderful! Fondest Regards - Ann." Sothern would be signed to MGM in 1939 and perform wonderfully in 10 "Maisie" films, from an original script once intended for Jean Harlow, before her untimely death in 1937. In 1953, Sothern portrayed the first working woman on an American TV sitcom ("Private Secretary"). The photograph bears Hurrell's embossed stamp in the lower right corner, and has only small corner dings and creases, a light crease in the top center field, and light scratches in the center field. Very Fine.
Hollywood Vintage Still - Bette Davis by George Hurrell (RKO, 1941). Still (11" X 14"). Bette Davis was loaned to RKO pictures for the role of Regina Giddens in this film adaptation of the stage play, "Little Foxes.". This beautiful George Hurrell photograph of Bette Davis was taken on set in 1941. There is light staining and paper loss in the borders with minor edge and corner wear. The image area is very clean as is the reverse. Very Fine-.
Hollywood Vintage Still - Carole Lombard by Otto Dyar (Paramount, 1940s). Still (10.5" X 13"). Taken in the months leading up to her fateful airplane crash, this haunting image of Carole Lombard captures the grace and elegance of one of Hollywood's most enduring beauties. Photographer Otto Dyar snapped this shot for Paramount in the early 1940s using a mirrored base beneath Lombard's chin. Dyar's credit is embossed in the bottom left corner and there is light creasing at Lombard's shoulder with faint bending in the image. The reverse is very clean with only three small stamps, and there are tiny bumps at the corners. Near Mint-.
Movie Posters
Clara Bow Still Lot (Paramount, Circa late 1920s). Stills (2) (8" X 10"). Two cute photos from Bow's silent Paramount days show her exercising and shooting a toy bow and arrow. No photographer credit is given on the back. Both sepia-toned photos have small corner bends, but are otherwise lovely. Very Fine.
Modern Age (1980-Present)
Hollywood Vintage Still - Constance Bennett (MGM, Circa 1935). Still (11" X 14"). This stunningly beautiful portrait still of Constance Bennett is by Stephen McNulty (stamp on back), one of the lesser known MGM studio photographers. There are pinholes in the corners, otherwise this photo is in perfect condition. Very Fine+.
Hollywood Vintage Still - Frances Farmer in "Come and Get It" (Samuel Goldwyn/United Artists, 1936). Still (8" X 10"). Frances Farmer stars in a double role as both a mother and her daughter in this turn-of-the century drama. Robert W. Coburn took this shot of Farmer in a gorgeous period costume. Aside from a very light crease in the top left corner, this still is in remarkable condition. Very Fine/Near Mint.
Hollywood Vintage Still - Clark Gable and Vivien Leigh in "Gone with the Wind" by Clarence Sinclair Bull (MGM, 1939). Still (8" X 10"). "PROOF ONLY - NOT FOR PUBLICATION" is stamped on the back. This is a rare, unused publicity still by famed photographer Clarence Sinclair Bull (photo credit also on back) taken on the set of "Gone with the Wind." Light rippling on the borders is the only defect on this beautiful still. Very Fine+.
Movie Posters
Hollywood Vintage Still - Clark Gable and Jean Harlow in "Wife vs. Secretary" by Clarence Sinclair Bull (MGM, 1936). Still (11" X 14"). Just stare for a moment at this superb original 1936 photograph and transport to a time when there was no digital photography, no 'photo-shop', and no 're-imaging' software. But there was Clarence Sinclair Bull, the head of MGM's Stills Department for over 40 years. If you've never held one of his 1925 Joan Crawfords or one of his Garbo "Mata Haris" in your hand, or one of his stunning Gable/Harlows... here's your chance. Bull would photograph over 200 of the best actors and actresses the industry has known in a portraiture style with exquisite lighting and arrangement that is studied to this day. This oversize still taken from a Bull sitting was intended for use at the best magazines and newspapers. It has only a very slight wrinkle in the top right field. Very Fine/Near Mint.
Modern Age (1980-Present)
Hollywood Vintage Still- Greta Garbo by Clarence Sinclair Bull (MGM, 1930s). Still (10" X 12.5"). MGM photography head Clarence Sinclair Bull shot this stunning image of Greta Garbo in the early 1930s, perhaps around the time of "Susan Lennox: Her Fall and Rise." Garbo was notorious for her dislike of publicity yet the crafty Bull was always able to get the best from her, as demonstrated in this dazzling still. There are pinholes and creases in the corners along with minor edge wear and faint scuffing in the image. Bull's credit is embossed in the lower left corner and there are credit stamps on the reverse. Very Fine.
Hollywood Vintage Still - Greta Garbo by George Hurrell (MGM, Circa 1930). Still (9.5" X 13"). On the heels of her first talkie, "Anna Christie," Great Garbo landed the plum role of Madame Rita Cavallini in the much anticipated film version of "Romance." This still was taken by George Hurrell in 1930 at MGM for its promotion. There is a 1" tear in the bottom right corner, pinholes in the top and bottom borders and minor corner bumps. There is an MGM stamp on the reverse with Garbo's name, and Hurrell's logo is embossed in the bottom right corner. Very Fine-.
Hollywood Vintage Still- Greta Garbo "Mata Hari" (MGM, 1931). Still (8" X 10"). This is a fabulous blind stamped or embossed photo of the lovely Greta Garbo from "Mata Hari," with the name of Clarence Sinclair Bull. Bull was MGM's resident glamour photographer, one of the most famous Hollywood photographers remembered today. This striking still is also stamped on the verso with "Kindly Credit Photo by Clarence Sinclair Bull." Very Fine.
Hollywood Vintage Still - Greta Garbo by Clarence Sinclair Bull (MGM, 1930). Still (8" X 10"). This portrait of the Swedish Sphinx Greta Garbo is among the best ever taken of the legendary leading lady. This is a scene from "Anna Christie," Garbo's first talking film. The still is embossed by Clarence Sinclair Bull in the lower left and also bears the photographers stamp on the reverse. There is a slight crease in the upper right corner of this double-weight, matte finish still. Near Mint-.
Hollywood Vintage Still - Greta Garbo by Clarence Sinclair Bull (MGM, 1935). Still (8" X 10"). Greta Garbo appears on this "proof" still from MGM photographer Clarence Sinclair Bull. The film was "Anna Karenina", which would go on to become one of the best films in Garbo's career. This still shows some minor wear to the corners, has a slight crease line along the right edge of the scene, and is dated May 17, 1935 along the left edge. Very Fine.
Hollywood Vintage Still - James Dean and Elizabeth Taylor in "Giant" (Warner Brothers, 1956). Still (9" X 13.5"). This on-set rehearsal shot of James Dean and Elizabeth Taylor was taken by Sanford Roth during production of "Giant." There is wear along the edges including corner bumps. The image has scuffs, wrinkles and creases, while the reverse has a Roth credit stamp, writing and three pieces of tape. Fine.
Hollywood Vintage Still - James Dean and Pier Angeli (Circa 1954). Still (8" X 10"). Taken by photographer Darlene Hammond, this shot was snapped at a film premier around 1954. The couple would later be forced apart by Angeli's mother who forbade her daughter to marry an actor. The separation devastated the young lovers, a heartbreak that would play a large part in Angeli's suicide and, some say, Dean's reckless and fatal lifestyle. Captured during happier times, this photo has light bending and minor corner wear. The reverse has a credit stamp, a rights sticker, and writing in the borders. Near Mint.
Hollywood Vintage Still - Joan Crawford (MGM, Circa 1930s). Still (8" X 10"). Captured by the unparalleled lens of George Hurrell, this haunting image of Joan Crawford captures the controversial star's beauty and grace. There is a chip and a tear in the top left corner along with a few wrinkles, creases and scuffs in the image and borders. The reverse has minor paper loss, a tape stain and a few stamps, one of which is a Hurrell credit stamp. This still is stamped "from the collection of John Kobal." Fine.
Hollywood Vintage Still - Joan Crawford in "Above Suspicion" by George Hurrell (MGM, 1943). Still (10" X 13"). One of the most intense and competitive performers in Hollywood history, Joan Crawford always delivered an electrifying performance. Attributed to George Hurrell, this black and white still from "Above Suspicion" captures Crawford's absolute on-set focus. There is minor edge and corner wear with light bending and a clean reverse with a small stamp and typed description. Very Fine/Near Mint.
Hollywood Vintage Still- Joan Crawford/George Hurrell (MGM, c. 1937). Still (8" X 10"). Keybook still for publicity to advertise "Mannequin" co-starring Spencer Tracy. Shot on the set of the film, this lovely still has a snipe on the back which discusses Crawford's pajama ensemble with the monogram J.C.T. on the jacket. She was married to Franchot Tone at the time. Stamped on the verso "Kindly credit Hurrell." There is a small chip out of the surface in the upper left corner. Very Fine.
Hollywood Vintage Still - Joan Crawford by George Hurrell (MGM, Circa 1936). Still (8" X 10"). Another grand portrait of a Hollywood legend by George Hurrell. Hurrell had an absolute affinity for drawing out the essence of the women he photographed, and Joan Crawford was one of his favorite subjects. This is a wonderful image, capturing Ms. Crawford in a trademark knowing smile that only she could sell completely. There is a Hurrell studio stamp on back, very light wrinkles, and only a hint of corner bump. Fine+.
Hollywood Vintage Still- Joan Crawford by George Hurrell (MGM, 1930s). Still (8" X 10"). George Hurrell had a way with ladies. His ability to make even the most ferocious women in Hollywood look tame was unmatched. Here's another prime example. This alluring photo of Joan Crawford has minor wear along the edges and corners with small corner bumps. There are a few very light wrinkles in the field and a tiny spot of discoloration on Crawford's cheek. Very Fine-.
Hollywood Vintage Still - Judy Garland by Clarence Sinclair Bull (MGM, 1940). Still (8" X 10"). This proof was shot by legendary photographer Clarence Sinclair Bull in 1940. For nearly four decades, Bull was head of MGM's still photography department and worked with some of the biggest names in MGM's history including Greta Garbo, Hedy Lamarr, Grace Kelly and, of course, Judy Garland. This still proof of Garland has bumps at the corners and wear along the edges. There is light creasing in the top border and a small amount of discoloration at Garland's skirt. With a clean reverse, this is a fine addition to any still collection. Very Fine-.
Hollywood Vintage Still - Katharine Hepburn and George Stevens in "Quality Street" (RKO, 1937). Still (8" X 10"). Katharine Hepburn stars in this romantic comedy as a girl who falls for a British officer (Franchot Tone). Pictured with Hepburn is the film's director George Stevens. Snapped by photographer Alex Kahle on the set, this photo has a credit stamp on the reverse as well as a snipe describing the image. There are small corner bumps and creases along with faint border wear. Very Fine.
Hollywood Vintage Still - Louise Brooks (Paramount, 1928). Still (8" X 10"). A beautiful portrait shot of Louise Brooks used for publicity for her film "Beggars of Life" (1928). Brooks was disguised as a boy for most of the film. Photo credit to Gene Richee stamped on back. Light corner bend on the top left. Very Fine.
Hollywood Vintage Still -Lucille Ball in "Too Many Girls" (RKO, 1940). Still (7.5" X 9"). This gorgeous image was captured by photographer Ernest Bachrach for the musical comedy "Too Many Girls," the film on which Desi Arnaz met Lucille Ball. There is a tiny stain in the bottom left corner, light wrinkling in the image and minor corner creases and bumps. The reverse has writing, a partially removed piece of tape and a publication permission stamp. Very Fine.
Movie Posters
Madam Satan (MGM, 1930). Publicity Still (8" X 10"). This is a rare publicity still from Cecil B. DeMille's romantic fantasy, "Madam Satan," showing Lillian Roth and her sister Anne. The siblings performed together in vaudeville (as noted in the publicity snipe on the back of the photo), billed as "The Roth Kids," and were reunited for this film. Lillian Roth had a tumultuous career, later depicted in the film "I'll Cry Tomorrow." The photo has edge creasing, small corner bends and one small tear. Sepia-toned. Very Fine-.
Modern Age (1980-Present)
Hollywood Vintage Still - Marilyn Monroe "Ladies of the Chorus" (Columbia, 1948). Still (8" X 10"). This is a beautiful still from Marilyn Monroe's first featured and credited screen role. The photo is credited on the verso to Lippman and features Monroe and her co-star Adele Jergens. Also seen on the verso is a paper snipe with details of the shot and stamps of the former owner. Very Fine+.
Hollywood Vintage Still - Jayne Mansfield by Keith Bernard (Circa 1950s). Still (8" X 10"). Always the victim of comparisons to contemporaries Marilyn Monroe and Mamie Van Doren, Jayne Mansfield was consistently under scrutiny. But during the 1950s, there may have been no more sought after photos than those of her in a swim suit. Photographer Keith Bernard snapped these eight different images of Mansfield. This photo proof sheet has light wrinkling in the borders and minuscule corner bumps with a clean reverse. Fine/Very Fine.
Hollywood Vintage Still - Marilyn Monroe (c.1952). Still (8" X 10"). Marilyn Monroe, one of the most photographed women in the world, appears in this rare still from Miller Photos proving that she sure knew how to strike a pose. This photo was probably intended for use in some of the fan magazines of the era, but it's an image with which we're unfamiliar. The photo bears the Miller Photos, Inc. stamp on the reverse. Near Mint-.
Movie Posters
Marilyn Monroe/Bernard of Hollywood Color Photo (1946) Color Still (13" X 16"). This lot contains an incredible limited edition print of a photograph of Marilyn Monroe taken by Bernard of Hollywood in July, 1946, capturing what was, in essence, Monroe's first modeling assignment. In 1992, The Sharper Image offered a limited printing of this photo, in an edition of 1,000. It was also featured on the cover of their June 1992 catalog. The package contains 1) the Limited Edition photograph, 2) 3 pages from the catalog, 3) a 5" x 7" card giving the history of the photograph signed by Susan Bernard, the daughter of Bernard of Hollywood, 4) an 8" x 10" letter of authenticity signed by Susan Bernard, 5) a color copy of the photo, and 6) an 8" x 10" copy of the original release form signed by Norma Jean Dougherty. The photograph, numbered 38 of 1,000, has a small scratch in the upper right of the hat, and there are faint wrinkles in the right lower border and along the bottom border. Fine/Very Fine.
Modern Age (1980-Present)
Hollywood Vintage Still - Marion Davies "Going Hollywood" (MGM, 1933). Autographed Still (10.75" X 12.75"). Marion Davies is featured here wearing a gorgeous vintage costume in a publicity still for "Going Hollywood." Photographed by Manatt (stamped on back). This matte finish photo has been autographed by Miss Davies to Lionel Locke. The photo was slightly trimmed, there are corner bends on the top and bottom left, and several small creases. Very Fine.
Hollywood Vintage Still - Montgomery Clift in "From Here to Eternity" (Columbia, 1953). Still (8" X 10"). Shot on the set during production of the film adaptation of the James Jones novel, this photo of Montgomery Clift is very clean and printed on very heavy stock paper. There are credit stamps and a description snipe on the reverse along with faint writing in red pencil. there is light edge and corner wear with a few faint creases in the image. Very Fine-.
Hollywood Vintage Still - Norma Shearer in "Riptide" by George Hurrell (MGM, 1934). Still (11" X 14"). There was no better proof that the old saying "It's who you know" is true than Norma Shearer. After marrying Louis B. Mayer's partner, Irving Thalberg, Shearer shot to stardom with appearances in "The Barretts of Wimpole Street" and "Romeo and Juliet." She was even offered the role of Scarlett O'Hara by David O. Selznick himself! This dazzling George Hurrell shot of Shearer has minor wear at the edges including bumps and minimal paper loss and creasing at the corners. There is a Hurrell credit stamp and a bit of writing in pencil on the reverse. Very Fine-.
Hollywood Vintage Still - Norma Shearer by George Hurrell (MGM, 1936). Still (8" X 10"). One of George Hurrell's first known subjects was the famed aviatrix, Pancho Barnes. From there, the legend began: Barnes showed the photos to Ramon Novarro, and he hired Hurrell. Novarro then took his photos to Norma Shearer. She loved them and had Hurrell photograph her, after which she showed her wonderful photos to Irving Thalberg at MGM. Thalberg loved them as well, and hired Hurrell. From that point on, Shearer insisted on being photographed only by Hurrell. Looking at this entrancing vintage portrait of her, there is little doubt she made a wise choice. This was taken from a sitting for pre-publicity photos for her upcoming film "Romeo and Juliet." There is a partial MGM studio snipe on the back of the photograph, and an original Hurrell studio stamp. Only small wrinkles in the left side of the photo, and minor corner bumps. Very Fine+.
Hollywood Vintage Still- Rita Hayworth in "The Lady from Shanghai" (Columbia, 1947). Still (8" X 10"). During World War II, Rita Hayworth became one of the most popular pin-up models among GI's the world over. By the looks of this 1947 still taken around the time of "The Lady of Shanghai," it's easy to see why. This photo has light wrinkling in the field and faint corner bumps. The back shows a stamp credit to Cronenweth and a snipe description of the image. Near Mint.
Hollywood Vintage Still - Rita Hayworth "Down to Earth" (Columbia, 1947). Still (8" X 10"). Here is a beautiful shot of Hayworth from the Technicolor musical fantasy "Down to Earth." Photo credit for Ned Scott stamped on the back. Light corner bend on the top left. Very Fine/Near Mint.
Hollywood Vintage Still - Sharon Tate (Circa 1968). Still (8" X 10"). The gorgeous Sharon Tate appears in this still by cameraman Curt Gunther. Tate would become famous as the pill-popping Jennifer North in "Valley of the Dolls" and as the real-life wife of director Roman Polanski, before her murder by Charles Manson's "family." Curt Gunther was one of the leading photographers of the 1960s, having been the "official" photographer on the Beatles world tour in 1964. This still has some slight moisture warping along the top edge. Very Fine.
Hollywood Vintage Still - Shirley Temple in "Stowaway" by George Hurrell (20th Century Fox, 1936). Still (8" X 10"). Shirley Temple stars as a cute little Chinese girl who hides on a steamer bound for America. This was one of Shirley's favorite films which costarred Robert Young and Alice Faye. This George Hurrell still has paper transfers and a credit stamp on the reverse and there is a tiny stain in the lower left border. There are corner dings along with edge wear and light wrinkling in the field. None of these minor flaws distract from the adorable image of America's sweetheart. Very Fine-.
Movie Posters
Foolish Wives (Universal, 1922). Still (8" X 10"). Rare behind-the-scenes shot of Erich von Stroheim and his third wife Valerie Germonprez on the set of "Foolish Wives." As can be seen from the top of the photo, this is a "proof," not issued for general release. "Foolish Wives" went way over budget and its original length was cut down by production head Irving Thalberg, beginning a decade-long feud between he and von Stroheim. This photo has a small tear on the left side, a bend on the bottom left corner, rounded corners, and light edge wear. Fine/Very Fine.
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Dallas, Texas 75261-4127
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All Rights Reserved
1-800-872-6467 / (214) 528-3500 / Fax: (214) 443-842